{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3426","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3425","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3427","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3429"},"meta":{"pages":{"current_page":3426,"next_page":3427,"prev_page":3425,"total_pages":3429,"limit_value":10,"offset_value":34250,"total_count":34286,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_326_c04_c987","type":"File","attributes":{"title":"Young Tramps 137, 1936/1939","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_326_c04_c987#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_326_c04_c987#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_326_c04_c987","ref_ssm":["vifgm_repositories_2_resources_326_c04_c987"],"id":"vifgm_repositories_2_resources_326_c04_c987","ead_ssi":"vifgm_repositories_2_resources_326","_root_":"vifgm_repositories_2_resources_326","_nest_parent_":"vifgm_repositories_2_resources_326_c04","parent_ssi":"vifgm_repositories_2_resources_326_c04","parent_ssim":["Federal Theatre Project photograph collection, 1936/1939","Series 4: Microfiche, 1936/1939"],"parent_ids_ssim":["vifgm_repositories_2_resources_326","vifgm_repositories_2_resources_326_c04"],"title_filing_ssi":"Young Tramps 137,","title_ssm":["Young Tramps 137"],"title_tesim":["Young Tramps 137"],"normalized_title_ssm":["Young Tramps 137, 1936/1939"],"text":["Young Tramps 137, 1936/1939","Federal Theatre Project photograph collection, 1936/1939","Series 4: Microfiche, 1936/1939","box 104","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\"."],"parent_unittitles_ssm":["Federal Theatre Project photograph collection, 1936/1939","Series 4: Microfiche, 1936/1939"],"parent_unittitles_tesim":["Federal Theatre Project photograph collection, 1936/1939","Series 4: Microfiche, 1936/1939"],"normalized_date_ssm":["1936/1939"],"unitdate_other_ssim":["Circa 1936-1939"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":3717,"repository_ssim":["George Mason University"],"collection_ssim":["Federal Theatre Project photograph collection, 1936/1939"],"containers_ssim":["box 104"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1936,1937,1938,1939],"scopecontent_html_tesm":["\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\"."],"_nest_path_":"/components#3/components#986","timestamp":"2026-08-14T22:34:37.194Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_326","ead_ssi":"vifgm_repositories_2_resources_326","_root_":"vifgm_repositories_2_resources_326","_nest_parent_":"vifgm_repositories_2_resources_326","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_326.xml","title_ssm":["Federal Theatre Project photograph collection"],"title_tesim":["Federal Theatre Project photograph collection"],"unitdate_ssm":["1936-1939"],"unitdate_inclusive_ssm":["1936-1939"],"normalized_date_ssm":["1936/1939"],"normalized_title_ssm":["Federal Theatre Project photograph collection, 1936/1939"],"text":["Federal Theatre Project photograph collection, 1936/1939","C0205","/repositories/2/resources/326","Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs","There are no access restrictions.","The costumes and set designs are also available as a series in the .\nThere are photographs from this collection and other FTP collections in the \nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.","This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series\n      Series 1: Production Photographs, 1936-1939\n      Series 2: Oversize Production Photographs,1936-1939\n      Series 3: Portraits, 1936-1939\n      Series 4: Microfiche, 1936-1939\n      Series 5: Printing Materials, 1936-1939","Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023.","Special Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","R 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"collection_title_tesim":["Federal Theatre Project photograph collection, 1936/1939"],"collection_ssim":["Federal Theatre Project photograph collection, 1936/1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0205","/repositories/2/resources/326"],"unitid_tesim":["C0205","/repositories/2/resources/326"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Library of Congress, National Archives and Records Administration, and acquired through purchase."],"access_subjects_ssim":["Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs"],"access_subjects_ssm":["Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["47 Linear Feet 112 boxes"],"extent_tesim":["47 Linear Feet 112 boxes"],"genreform_ssim":["Photographs"],"date_range_isim":[1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe costumes and set designs are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"FTP digital collection\" show=\"new\"\u003e\u003c/extptr\u003e.\nThere are photographs from this collection and other FTP collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e\nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The costumes and set designs are also available as a series in the .\nThere are photographs from this collection and other FTP collections in the \nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Production Photographs, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 2: Oversize Production Photographs,1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 3: Portraits, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 4: Microfiche, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 5: Printing Materials, 1936-1939\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series\n      Series 1: Production Photographs, 1936-1939\n      Series 2: Oversize Production Photographs,1936-1939\n      Series 3: Portraits, 1936-1939\n      Series 4: Microfiche, 1936-1939\n      Series 5: Printing Materials, 1936-1939"],"bioghist_html_tesm":["\u003cp\u003eOrganized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.\u003c/p\u003e","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project photograph collections, C0205, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Federal Theatre Project photograph collections, C0205, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives. \u003c/p\u003e","\u003cp\u003eSeries one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.\u003c/p\u003e","\u003cp\u003eSeries three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.\u003c/p\u003e","\u003cp\u003eSeries five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5b0d867296cd5f5a7d9d818b302d6d9\" label=\"Abstract\"\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_306ca932fdff8272ef5beb3b37fe58f1\"\u003e\nR 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6\n\u003c/physloc\u003e\n    "],"physloc_tesim":["R 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3844,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:37.194Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_326_c04_c987"}},{"id":"vifgm_repositories_2_resources_326_c04_c984","type":"File","attributes":{"title":"Young Tramps 23, 1936/1939","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_326_c04_c984#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_326_c04_c984#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_326_c04_c984","ref_ssm":["vifgm_repositories_2_resources_326_c04_c984"],"id":"vifgm_repositories_2_resources_326_c04_c984","ead_ssi":"vifgm_repositories_2_resources_326","_root_":"vifgm_repositories_2_resources_326","_nest_parent_":"vifgm_repositories_2_resources_326_c04","parent_ssi":"vifgm_repositories_2_resources_326_c04","parent_ssim":["Federal Theatre Project photograph collection, 1936/1939","Series 4: Microfiche, 1936/1939"],"parent_ids_ssim":["vifgm_repositories_2_resources_326","vifgm_repositories_2_resources_326_c04"],"title_filing_ssi":"Young Tramps 23,","title_ssm":["Young Tramps 23"],"title_tesim":["Young Tramps 23"],"normalized_title_ssm":["Young Tramps 23, 1936/1939"],"text":["Young Tramps 23, 1936/1939","Federal Theatre Project photograph collection, 1936/1939","Series 4: Microfiche, 1936/1939","box 104","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\"."],"parent_unittitles_ssm":["Federal Theatre Project photograph collection, 1936/1939","Series 4: Microfiche, 1936/1939"],"parent_unittitles_tesim":["Federal Theatre Project photograph collection, 1936/1939","Series 4: Microfiche, 1936/1939"],"normalized_date_ssm":["1936/1939"],"unitdate_other_ssim":["Circa 1936-1939"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":3714,"repository_ssim":["George Mason University"],"collection_ssim":["Federal Theatre Project photograph collection, 1936/1939"],"containers_ssim":["box 104"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1936,1937,1938,1939],"scopecontent_html_tesm":["\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\"."],"_nest_path_":"/components#3/components#983","timestamp":"2026-08-14T22:34:37.194Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_326","ead_ssi":"vifgm_repositories_2_resources_326","_root_":"vifgm_repositories_2_resources_326","_nest_parent_":"vifgm_repositories_2_resources_326","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_326.xml","title_ssm":["Federal Theatre Project photograph collection"],"title_tesim":["Federal Theatre Project photograph collection"],"unitdate_ssm":["1936-1939"],"unitdate_inclusive_ssm":["1936-1939"],"normalized_date_ssm":["1936/1939"],"normalized_title_ssm":["Federal Theatre Project photograph collection, 1936/1939"],"text":["Federal Theatre Project photograph collection, 1936/1939","C0205","/repositories/2/resources/326","Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs","There are no access restrictions.","The costumes and set designs are also available as a series in the .\nThere are photographs from this collection and other FTP collections in the \nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.","This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series\n      Series 1: Production Photographs, 1936-1939\n      Series 2: Oversize Production Photographs,1936-1939\n      Series 3: Portraits, 1936-1939\n      Series 4: Microfiche, 1936-1939\n      Series 5: Printing Materials, 1936-1939","Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023.","Special Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","R 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"collection_title_tesim":["Federal Theatre Project photograph collection, 1936/1939"],"collection_ssim":["Federal Theatre Project photograph collection, 1936/1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0205","/repositories/2/resources/326"],"unitid_tesim":["C0205","/repositories/2/resources/326"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Library of Congress, National Archives and Records Administration, and acquired through purchase."],"access_subjects_ssim":["Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs"],"access_subjects_ssm":["Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["47 Linear Feet 112 boxes"],"extent_tesim":["47 Linear Feet 112 boxes"],"genreform_ssim":["Photographs"],"date_range_isim":[1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe costumes and set designs are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"FTP digital collection\" show=\"new\"\u003e\u003c/extptr\u003e.\nThere are photographs from this collection and other FTP collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e\nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The costumes and set designs are also available as a series in the .\nThere are photographs from this collection and other FTP collections in the \nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Production Photographs, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 2: Oversize Production Photographs,1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 3: Portraits, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 4: Microfiche, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 5: Printing Materials, 1936-1939\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series\n      Series 1: Production Photographs, 1936-1939\n      Series 2: Oversize Production Photographs,1936-1939\n      Series 3: Portraits, 1936-1939\n      Series 4: Microfiche, 1936-1939\n      Series 5: Printing Materials, 1936-1939"],"bioghist_html_tesm":["\u003cp\u003eOrganized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.\u003c/p\u003e","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project photograph collections, C0205, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Federal Theatre Project photograph collections, C0205, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives. \u003c/p\u003e","\u003cp\u003eSeries one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.\u003c/p\u003e","\u003cp\u003eSeries three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.\u003c/p\u003e","\u003cp\u003eSeries five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5b0d867296cd5f5a7d9d818b302d6d9\" label=\"Abstract\"\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_306ca932fdff8272ef5beb3b37fe58f1\"\u003e\nR 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6\n\u003c/physloc\u003e\n    "],"physloc_tesim":["R 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3844,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:37.194Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_326_c04_c984"}},{"id":"vifgm_repositories_2_resources_326_c04_c985","type":"File","attributes":{"title":"Young Tramps 57, 1936/1939","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_326_c04_c985#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets\".\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_326_c04_c985#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_326_c04_c985","ref_ssm":["vifgm_repositories_2_resources_326_c04_c985"],"id":"vifgm_repositories_2_resources_326_c04_c985","ead_ssi":"vifgm_repositories_2_resources_326","_root_":"vifgm_repositories_2_resources_326","_nest_parent_":"vifgm_repositories_2_resources_326_c04","parent_ssi":"vifgm_repositories_2_resources_326_c04","parent_ssim":["Federal Theatre Project photograph collection, 1936/1939","Series 4: Microfiche, 1936/1939"],"parent_ids_ssim":["vifgm_repositories_2_resources_326","vifgm_repositories_2_resources_326_c04"],"title_filing_ssi":"Young Tramps 57,","title_ssm":["Young Tramps 57"],"title_tesim":["Young Tramps 57"],"normalized_title_ssm":["Young Tramps 57, 1936/1939"],"text":["Young Tramps 57, 1936/1939","Federal Theatre Project photograph collection, 1936/1939","Series 4: Microfiche, 1936/1939","box 104","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets\"."],"parent_unittitles_ssm":["Federal Theatre Project photograph collection, 1936/1939","Series 4: Microfiche, 1936/1939"],"parent_unittitles_tesim":["Federal Theatre Project photograph collection, 1936/1939","Series 4: Microfiche, 1936/1939"],"normalized_date_ssm":["1936/1939"],"unitdate_other_ssim":["Circa 1936-1939"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":3715,"repository_ssim":["George Mason University"],"collection_ssim":["Federal Theatre Project photograph collection, 1936/1939"],"containers_ssim":["box 104"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1936,1937,1938,1939],"scopecontent_html_tesm":["\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets\"."],"_nest_path_":"/components#3/components#984","timestamp":"2026-08-14T22:34:37.194Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_326","ead_ssi":"vifgm_repositories_2_resources_326","_root_":"vifgm_repositories_2_resources_326","_nest_parent_":"vifgm_repositories_2_resources_326","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_326.xml","title_ssm":["Federal Theatre Project photograph collection"],"title_tesim":["Federal Theatre Project photograph collection"],"unitdate_ssm":["1936-1939"],"unitdate_inclusive_ssm":["1936-1939"],"normalized_date_ssm":["1936/1939"],"normalized_title_ssm":["Federal Theatre Project photograph collection, 1936/1939"],"text":["Federal Theatre Project photograph collection, 1936/1939","C0205","/repositories/2/resources/326","Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs","There are no access restrictions.","The costumes and set designs are also available as a series in the .\nThere are photographs from this collection and other FTP collections in the \nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.","This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series\n      Series 1: Production Photographs, 1936-1939\n      Series 2: Oversize Production Photographs,1936-1939\n      Series 3: Portraits, 1936-1939\n      Series 4: Microfiche, 1936-1939\n      Series 5: Printing Materials, 1936-1939","Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023.","Special Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","R 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"collection_title_tesim":["Federal Theatre Project photograph collection, 1936/1939"],"collection_ssim":["Federal Theatre Project photograph collection, 1936/1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0205","/repositories/2/resources/326"],"unitid_tesim":["C0205","/repositories/2/resources/326"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Library of Congress, National Archives and Records Administration, and acquired through purchase."],"access_subjects_ssim":["Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs"],"access_subjects_ssm":["Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["47 Linear Feet 112 boxes"],"extent_tesim":["47 Linear Feet 112 boxes"],"genreform_ssim":["Photographs"],"date_range_isim":[1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe costumes and set designs are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"FTP digital collection\" show=\"new\"\u003e\u003c/extptr\u003e.\nThere are photographs from this collection and other FTP collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e\nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The costumes and set designs are also available as a series in the .\nThere are photographs from this collection and other FTP collections in the \nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Production Photographs, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 2: Oversize Production Photographs,1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 3: Portraits, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 4: Microfiche, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 5: Printing Materials, 1936-1939\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series\n      Series 1: Production Photographs, 1936-1939\n      Series 2: Oversize Production Photographs,1936-1939\n      Series 3: Portraits, 1936-1939\n      Series 4: Microfiche, 1936-1939\n      Series 5: Printing Materials, 1936-1939"],"bioghist_html_tesm":["\u003cp\u003eOrganized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.\u003c/p\u003e","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project photograph collections, C0205, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Federal Theatre Project photograph collections, C0205, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives. \u003c/p\u003e","\u003cp\u003eSeries one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.\u003c/p\u003e","\u003cp\u003eSeries three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.\u003c/p\u003e","\u003cp\u003eSeries five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5b0d867296cd5f5a7d9d818b302d6d9\" label=\"Abstract\"\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_306ca932fdff8272ef5beb3b37fe58f1\"\u003e\nR 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6\n\u003c/physloc\u003e\n    "],"physloc_tesim":["R 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3844,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:37.194Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_326_c04_c985"}},{"id":"vifarl_repositories_2_resources_158","type":"collection","attributes":{"title":"Young Women's Christian Association Records and Scrapbook Collection, 1898/1973","creator":{"id":"https://search.arvasarchive.org/catalog/vifarl_repositories_2_resources_158#creator","type":"document_value","attributes":{"value":"Young Women's Christian Association","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifarl_repositories_2_resources_158#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains scrapbooks, ledgers, slides, photographs, and documents created by Longwood's chapter of the YWCA between 1898 and 1973. The scrapbooks vary in condition and size, and contain newspaper clippings, photographs, and drawings. The ledgers contains the minutes of meetings held from 1909-1919 and 1955 to 1962, as well as a roll of the members for each term. The collection also includes photographs and slides of group activities including Freshman Commission, Religious Emphasis Week, food drives, and conferences.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifarl_repositories_2_resources_158#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifarl_repositories_2_resources_158","ead_ssi":"vifarl_repositories_2_resources_158","_root_":"vifarl_repositories_2_resources_158","_nest_parent_":"vifarl_repositories_2_resources_158","ead_source_url_ssi":"data/oai/LONG/repositories_2_resources_158.xml","title_ssm":["Young Women's Christian Association Records and Scrapbook Collection"],"title_tesim":["Young Women's Christian Association Records and Scrapbook Collection"],"unitdate_ssm":["1898-1973"],"unitdate_bulk_ssim":["1898-1973"],"normalized_date_ssm":["1898/1973"],"normalized_title_ssm":["Young Women's Christian Association Records and Scrapbook Collection, 1898/1973"],"text":["Young Women's Christian Association Records and Scrapbook Collection, 1898/1973","LU.049","/repositories/2/resources/158","There are no restrictions to access or use for research purposes.","The Young Women's Christian Association (YWCA) was organized at then State Female Normal School in May 1896. The organization steadily grew and became one of the most influential clubs on campus. The organization brought leadership opportunities, religious education, and management experience to students. Religious education and women empowerment were the main features of the organization. The YWCA was listed as an inactive organization in 1975. The YWCA hosted bible studies, weekly prayer, devotional meetings and bi-weekly business meetings. The YWCA also hosted receptions in the fall for Little Sisters, and monthly birthday parties. The YWCA organized Religious Emphasis Week, and activities ranged from organized religious activities to concerts and speakers. Additionally, YWCA organized the Freshman Commission in 1925 to help make connections with the new freshmen class. Freshman Commission members were nominated by YWCA and elected by the Freshmen Class. The Commission became known for promoting and celebrating the Christmas Spirit, by dressing up as elves, caroling across campus and decorating the tree in the Rotunda. The Commission continued even after YWCA was listed as inactive. YWCA sought to encourage a strong relationship between members and Christ. Women were given leadership opportunities through held positions as officers. Officers were elected in March and would serve for one year. The activities of YWCA were left governed by student members which encouraged leadership and taught responsibility.","This collection originated with the chapter of the YWCA historically associated with Longwood University. It is unknown when the collection was transferred to the Greenwood Library Archives.","This collection contains scrapbooks, ledgers, slides, photographs, and documents created by Longwood's chapter of the YWCA between 1898 and 1973. The scrapbooks vary in condition and size, and contain newspaper clippings, photographs, and drawings. The ledgers contains the minutes of meetings held from 1909-1919 and 1955 to 1962, as well as a roll of the members for each term. The collection also includes photographs and slides of group activities including Freshman Commission, Religious Emphasis Week, food drives, and conferences.","Greenwood Library Archives and Special Collections","Young Women's Christian Association","Longwood University -- : Students.","English"],"collection_title_tesim":["Young Women's Christian Association Records and Scrapbook Collection, 1898/1973"],"collection_ssim":["Young Women's Christian Association Records and Scrapbook Collection, 1898/1973"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["LU.049","/repositories/2/resources/158"],"unitid_tesim":["LU.049","/repositories/2/resources/158"],"repository_ssm":["Longwood University"],"repository_ssim":["Longwood University"],"creator_ssm":["Young Women's Christian Association"],"creator_ssim":["Young Women's Christian Association"],"creator_corpname_ssim":["Greenwood Library Archives and Special Collections","Young Women's Christian Association","Longwood University -- : Students."],"creators_ssim":["Greenwood Library Archives and Special Collections","Young Women's Christian Association","Longwood University -- : Students."],"has_online_content_ssim":["false"],"extent_ssm":["6.85 Linear Feet 1 legal-sized archival box, 5 archival flat boxes, 1 archival photograph binder"],"extent_tesim":["6.85 Linear Feet 1 legal-sized archival box, 5 archival flat boxes, 1 archival photograph binder"],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions to access or use for research purposes.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Restrictions on Access"],"accessrestrict_tesim":["There are no restrictions to access or use for research purposes."],"bioghist_html_tesm":["\u003cp\u003eThe Young Women's Christian Association (YWCA) was organized at then State Female Normal School in May 1896. The organization steadily grew and became one of the most influential clubs on campus. The organization brought leadership opportunities, religious education, and management experience to students. Religious education and women empowerment were the main features of the organization. The YWCA was listed as an inactive organization in 1975. The YWCA hosted bible studies, weekly prayer, devotional meetings and bi-weekly business meetings. The YWCA also hosted receptions in the fall for Little Sisters, and monthly birthday parties. The YWCA organized Religious Emphasis Week, and activities ranged from organized religious activities to concerts and speakers. Additionally, YWCA organized the Freshman Commission in 1925 to help make connections with the new freshmen class. Freshman Commission members were nominated by YWCA and elected by the Freshmen Class. The Commission became known for promoting and celebrating the Christmas Spirit, by dressing up as elves, caroling across campus and decorating the tree in the Rotunda. The Commission continued even after YWCA was listed as inactive. YWCA sought to encourage a strong relationship between members and Christ. Women were given leadership opportunities through held positions as officers. Officers were elected in March and would serve for one year. The activities of YWCA were left governed by student members which encouraged leadership and taught responsibility.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical sketch"],"bioghist_tesim":["The Young Women's Christian Association (YWCA) was organized at then State Female Normal School in May 1896. The organization steadily grew and became one of the most influential clubs on campus. The organization brought leadership opportunities, religious education, and management experience to students. Religious education and women empowerment were the main features of the organization. The YWCA was listed as an inactive organization in 1975. The YWCA hosted bible studies, weekly prayer, devotional meetings and bi-weekly business meetings. The YWCA also hosted receptions in the fall for Little Sisters, and monthly birthday parties. The YWCA organized Religious Emphasis Week, and activities ranged from organized religious activities to concerts and speakers. Additionally, YWCA organized the Freshman Commission in 1925 to help make connections with the new freshmen class. Freshman Commission members were nominated by YWCA and elected by the Freshmen Class. The Commission became known for promoting and celebrating the Christmas Spirit, by dressing up as elves, caroling across campus and decorating the tree in the Rotunda. The Commission continued even after YWCA was listed as inactive. YWCA sought to encourage a strong relationship between members and Christ. Women were given leadership opportunities through held positions as officers. Officers were elected in March and would serve for one year. The activities of YWCA were left governed by student members which encouraged leadership and taught responsibility."],"custodhist_html_tesm":["\u003cp\u003eThis collection originated with the chapter of the YWCA historically associated with Longwood University. It is unknown when the collection was transferred to the Greenwood Library Archives.\u003c/p\u003e  "],"custodhist_heading_ssm":["Ownership and Custodial History"],"custodhist_tesim":["This collection originated with the chapter of the YWCA historically associated with Longwood University. It is unknown when the collection was transferred to the Greenwood Library Archives."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains scrapbooks, ledgers, slides, photographs, and documents created by Longwood's chapter of the YWCA between 1898 and 1973. The scrapbooks vary in condition and size, and contain newspaper clippings, photographs, and drawings. The ledgers contains the minutes of meetings held from 1909-1919 and 1955 to 1962, as well as a roll of the members for each term. The collection also includes photographs and slides of group activities including Freshman Commission, Religious Emphasis Week, food drives, and conferences.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and content"],"scopecontent_tesim":["This collection contains scrapbooks, ledgers, slides, photographs, and documents created by Longwood's chapter of the YWCA between 1898 and 1973. The scrapbooks vary in condition and size, and contain newspaper clippings, photographs, and drawings. The ledgers contains the minutes of meetings held from 1909-1919 and 1955 to 1962, as well as a roll of the members for each term. The collection also includes photographs and slides of group activities including Freshman Commission, Religious Emphasis Week, food drives, and conferences."],"corpname_ssim":["Greenwood Library Archives and Special Collections","Young Women's Christian Association","Longwood University -- : Students."],"names_coll_ssim":["Longwood University -- : Students.","Young Women's Christian Association"],"names_ssim":["Greenwood Library Archives and Special Collections","Young Women's Christian Association","Longwood University -- : Students."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:33:41.997Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifarl_repositories_2_resources_158","ead_ssi":"vifarl_repositories_2_resources_158","_root_":"vifarl_repositories_2_resources_158","_nest_parent_":"vifarl_repositories_2_resources_158","ead_source_url_ssi":"data/oai/LONG/repositories_2_resources_158.xml","title_ssm":["Young Women's Christian Association Records and Scrapbook Collection"],"title_tesim":["Young Women's Christian Association Records and Scrapbook Collection"],"unitdate_ssm":["1898-1973"],"unitdate_bulk_ssim":["1898-1973"],"normalized_date_ssm":["1898/1973"],"normalized_title_ssm":["Young Women's Christian Association Records and Scrapbook Collection, 1898/1973"],"text":["Young Women's Christian Association Records and Scrapbook Collection, 1898/1973","LU.049","/repositories/2/resources/158","There are no restrictions to access or use for research purposes.","The Young Women's Christian Association (YWCA) was organized at then State Female Normal School in May 1896. The organization steadily grew and became one of the most influential clubs on campus. The organization brought leadership opportunities, religious education, and management experience to students. Religious education and women empowerment were the main features of the organization. The YWCA was listed as an inactive organization in 1975. The YWCA hosted bible studies, weekly prayer, devotional meetings and bi-weekly business meetings. The YWCA also hosted receptions in the fall for Little Sisters, and monthly birthday parties. The YWCA organized Religious Emphasis Week, and activities ranged from organized religious activities to concerts and speakers. Additionally, YWCA organized the Freshman Commission in 1925 to help make connections with the new freshmen class. Freshman Commission members were nominated by YWCA and elected by the Freshmen Class. The Commission became known for promoting and celebrating the Christmas Spirit, by dressing up as elves, caroling across campus and decorating the tree in the Rotunda. The Commission continued even after YWCA was listed as inactive. YWCA sought to encourage a strong relationship between members and Christ. Women were given leadership opportunities through held positions as officers. Officers were elected in March and would serve for one year. The activities of YWCA were left governed by student members which encouraged leadership and taught responsibility.","This collection originated with the chapter of the YWCA historically associated with Longwood University. It is unknown when the collection was transferred to the Greenwood Library Archives.","This collection contains scrapbooks, ledgers, slides, photographs, and documents created by Longwood's chapter of the YWCA between 1898 and 1973. The scrapbooks vary in condition and size, and contain newspaper clippings, photographs, and drawings. The ledgers contains the minutes of meetings held from 1909-1919 and 1955 to 1962, as well as a roll of the members for each term. The collection also includes photographs and slides of group activities including Freshman Commission, Religious Emphasis Week, food drives, and conferences.","Greenwood Library Archives and Special Collections","Young Women's Christian Association","Longwood University -- : Students.","English"],"collection_title_tesim":["Young Women's Christian Association Records and Scrapbook Collection, 1898/1973"],"collection_ssim":["Young Women's Christian Association Records and Scrapbook Collection, 1898/1973"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["LU.049","/repositories/2/resources/158"],"unitid_tesim":["LU.049","/repositories/2/resources/158"],"repository_ssm":["Longwood University"],"repository_ssim":["Longwood University"],"creator_ssm":["Young Women's Christian Association"],"creator_ssim":["Young Women's Christian Association"],"creator_corpname_ssim":["Greenwood Library Archives and Special Collections","Young Women's Christian Association","Longwood University -- : Students."],"creators_ssim":["Greenwood Library Archives and Special Collections","Young Women's Christian Association","Longwood University -- : Students."],"has_online_content_ssim":["false"],"extent_ssm":["6.85 Linear Feet 1 legal-sized archival box, 5 archival flat boxes, 1 archival photograph binder"],"extent_tesim":["6.85 Linear Feet 1 legal-sized archival box, 5 archival flat boxes, 1 archival photograph binder"],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions to access or use for research purposes.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Restrictions on Access"],"accessrestrict_tesim":["There are no restrictions to access or use for research purposes."],"bioghist_html_tesm":["\u003cp\u003eThe Young Women's Christian Association (YWCA) was organized at then State Female Normal School in May 1896. The organization steadily grew and became one of the most influential clubs on campus. The organization brought leadership opportunities, religious education, and management experience to students. Religious education and women empowerment were the main features of the organization. The YWCA was listed as an inactive organization in 1975. The YWCA hosted bible studies, weekly prayer, devotional meetings and bi-weekly business meetings. The YWCA also hosted receptions in the fall for Little Sisters, and monthly birthday parties. The YWCA organized Religious Emphasis Week, and activities ranged from organized religious activities to concerts and speakers. Additionally, YWCA organized the Freshman Commission in 1925 to help make connections with the new freshmen class. Freshman Commission members were nominated by YWCA and elected by the Freshmen Class. The Commission became known for promoting and celebrating the Christmas Spirit, by dressing up as elves, caroling across campus and decorating the tree in the Rotunda. The Commission continued even after YWCA was listed as inactive. YWCA sought to encourage a strong relationship between members and Christ. Women were given leadership opportunities through held positions as officers. Officers were elected in March and would serve for one year. The activities of YWCA were left governed by student members which encouraged leadership and taught responsibility.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical sketch"],"bioghist_tesim":["The Young Women's Christian Association (YWCA) was organized at then State Female Normal School in May 1896. The organization steadily grew and became one of the most influential clubs on campus. The organization brought leadership opportunities, religious education, and management experience to students. Religious education and women empowerment were the main features of the organization. The YWCA was listed as an inactive organization in 1975. The YWCA hosted bible studies, weekly prayer, devotional meetings and bi-weekly business meetings. The YWCA also hosted receptions in the fall for Little Sisters, and monthly birthday parties. The YWCA organized Religious Emphasis Week, and activities ranged from organized religious activities to concerts and speakers. Additionally, YWCA organized the Freshman Commission in 1925 to help make connections with the new freshmen class. Freshman Commission members were nominated by YWCA and elected by the Freshmen Class. The Commission became known for promoting and celebrating the Christmas Spirit, by dressing up as elves, caroling across campus and decorating the tree in the Rotunda. The Commission continued even after YWCA was listed as inactive. YWCA sought to encourage a strong relationship between members and Christ. Women were given leadership opportunities through held positions as officers. Officers were elected in March and would serve for one year. The activities of YWCA were left governed by student members which encouraged leadership and taught responsibility."],"custodhist_html_tesm":["\u003cp\u003eThis collection originated with the chapter of the YWCA historically associated with Longwood University. It is unknown when the collection was transferred to the Greenwood Library Archives.\u003c/p\u003e  "],"custodhist_heading_ssm":["Ownership and Custodial History"],"custodhist_tesim":["This collection originated with the chapter of the YWCA historically associated with Longwood University. It is unknown when the collection was transferred to the Greenwood Library Archives."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains scrapbooks, ledgers, slides, photographs, and documents created by Longwood's chapter of the YWCA between 1898 and 1973. The scrapbooks vary in condition and size, and contain newspaper clippings, photographs, and drawings. The ledgers contains the minutes of meetings held from 1909-1919 and 1955 to 1962, as well as a roll of the members for each term. The collection also includes photographs and slides of group activities including Freshman Commission, Religious Emphasis Week, food drives, and conferences.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and content"],"scopecontent_tesim":["This collection contains scrapbooks, ledgers, slides, photographs, and documents created by Longwood's chapter of the YWCA between 1898 and 1973. The scrapbooks vary in condition and size, and contain newspaper clippings, photographs, and drawings. The ledgers contains the minutes of meetings held from 1909-1919 and 1955 to 1962, as well as a roll of the members for each term. The collection also includes photographs and slides of group activities including Freshman Commission, Religious Emphasis Week, food drives, and conferences."],"corpname_ssim":["Greenwood Library Archives and Special Collections","Young Women's Christian Association","Longwood University -- : Students."],"names_coll_ssim":["Longwood University -- : Students.","Young Women's Christian Association"],"names_ssim":["Greenwood Library Archives and Special Collections","Young Women's Christian Association","Longwood University -- : Students."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:33:41.997Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifarl_repositories_2_resources_158"}},{"id":"wvmturhc_repositories_2_resources_878","type":"collection","attributes":{"title":"Young Women's Christian Association, West Virginia University Chapter, Records, 1906/1985","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_878#creator","type":"document_value","attributes":{"value":"Young Women's Christian Association (West Virginia University Chapter)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_878#abstract_or_scope","type":"document_value","attributes":{"value":"Records of the Young Women's Christian Association (YWCA) at West Virginia University (WVU). Includes brochures, budgets, calendars of events, correspondence, ledgers, memorabilia, minutes, newspaper articles, photographs, postcards, reports, rosters, scrapbooks, and telegrams. Topics include the national history of the YWCA (including the 1855/1955 YWCA centennial commemoration); the 1906 charter of WVU YWCA chapter; WVU YWCA and YMCA event invitations and programs (including vespers and officer installation service programs, annual international sales announcements, trips, 'Project Do Something' and Big Sister Program events, etc.); local history of the WVU YWCA chapter (including the WVU YWCA 50th anniversary commemoration); cabinet, membership, and advisory board rosters (including information by and about Betty Boyd, Assistant Dean (later, Dean) of Women, West Virginia University and ex-officio member of the WVU YWCA Advisory Board); advisory board minutes; and financial account books. Annual reports include: presidents' reports, 1923-1964; WVU YWCA annual reports, 1960-1978; annual reports to national YWCA, 1945-1971; advisory board annual reports, 1922-31, 1943-1961; cabinet members reports, 1949-1965. Scrapbooks for the years 1941-1948, 1954-1957, and 1973-1978, include: newspaper articles; event announcements and programs; brochures and pamphlets; YWCA membership applications and cards; postcards; color and black and white photographs of members, trips, and events; and other organization and event memorabilia.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_878#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_878","ead_ssi":"wvmturhc_repositories_2_resources_878","_root_":"wvmturhc_repositories_2_resources_878","_nest_parent_":"wvmturhc_repositories_2_resources_878","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_878.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195323","title_ssm":["Young Women's Christian Association, West Virginia University Chapter, Records"],"title_tesim":["Young Women's Christian Association, West Virginia University Chapter, Records"],"unitdate_ssm":["1906-1985"],"unitdate_inclusive_ssm":["1906-1985"],"normalized_date_ssm":["1906/1985"],"normalized_title_ssm":["Young Women's Christian Association, West Virginia University Chapter, Records, 1906/1985"],"text":["Young Women's Christian Association, West Virginia University Chapter, Records, 1906/1985","A\u0026M 2765","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/878","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Records of the Young Women's Christian Association (YWCA) at West Virginia University (WVU). Includes brochures, budgets, calendars of events, correspondence, ledgers, memorabilia, minutes, newspaper articles, photographs, postcards, reports, rosters, scrapbooks, and telegrams. Topics include the national history of the YWCA (including the 1855/1955 YWCA centennial commemoration); the 1906 charter of WVU YWCA chapter; WVU YWCA and YMCA event invitations and programs (including vespers and officer installation service programs, annual international sales announcements, trips, 'Project Do Something' and Big Sister Program events, etc.); local history of the WVU YWCA chapter (including the WVU YWCA 50th anniversary commemoration); cabinet, membership, and advisory board rosters (including information by and about Betty Boyd, Assistant Dean (later, Dean) of Women, West Virginia University and ex-officio member of the WVU YWCA Advisory Board); advisory board minutes; and financial account books. Annual reports include: presidents' reports, 1923-1964; WVU YWCA annual reports, 1960-1978; annual reports to national YWCA, 1945-1971; advisory board annual reports, 1922-31, 1943-1961; cabinet members reports, 1949-1965. Scrapbooks for the years 1941-1948, 1954-1957, and 1973-1978, include: newspaper articles; event announcements and programs; brochures and pamphlets; YWCA membership applications and cards; postcards; color and black and white photographs of members, trips, and events; and other organization and event memorabilia.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Young Women's Christian Association (West Virginia University Chapter)","English"],"collection_title_tesim":["Young Women's Christian Association, West Virginia University Chapter, Records, 1906/1985"],"collection_ssim":["Young Women's Christian Association, West Virginia University Chapter, Records, 1906/1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2765","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/878"],"unitid_tesim":["A\u0026M 2765","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/878"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Young Women's Christian Association (West Virginia University Chapter)"],"creator_ssim":["Young Women's Christian Association (West Virginia University Chapter)"],"creator_corpname_ssim":["West Virginia and Regional History Center","Young Women's Christian Association (West Virginia University Chapter)"],"creators_ssim":["West Virginia and Regional History Center","Young Women's Christian Association (West Virginia University Chapter)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 1 ft. 6 in. (5 small flat storage boxes, 3 in. each); (1 large flat box, 3 in.)"],"extent_tesim":["1.5 Linear Feet 1 ft. 6 in. (5 small flat storage boxes, 3 in. each); (1 large flat box, 3 in.)"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Young Women's Christian Association, West Virginia University Chapter, Records, A\u0026amp;M 2765, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Young Women's Christian Association, West Virginia University Chapter, Records, A\u0026M 2765, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f8c9365d4d49f85a6a81711be342236e\"\u003eRecords of the Young Women's Christian Association (YWCA) at West Virginia University (WVU). Includes brochures, budgets, calendars of events, correspondence, ledgers, memorabilia, minutes, newspaper articles, photographs, postcards, reports, rosters, scrapbooks, and telegrams. Topics include the national history of the YWCA (including the 1855/1955 YWCA centennial commemoration); the 1906 charter of WVU YWCA chapter; WVU YWCA and YMCA event invitations and programs (including vespers and officer installation service programs, annual international sales announcements, trips, 'Project Do Something' and Big Sister Program events, etc.); local history of the WVU YWCA chapter (including the WVU YWCA 50th anniversary commemoration); cabinet, membership, and advisory board rosters (including information by and about Betty Boyd, Assistant Dean (later, Dean) of Women, West Virginia University and ex-officio member of the WVU YWCA Advisory Board); advisory board minutes; and financial account books. Annual reports include: presidents' reports, 1923-1964; WVU YWCA annual reports, 1960-1978; annual reports to national YWCA, 1945-1971; advisory board annual reports, 1922-31, 1943-1961; cabinet members reports, 1949-1965. Scrapbooks for the years 1941-1948, 1954-1957, and 1973-1978, include: newspaper articles; event announcements and programs; brochures and pamphlets; YWCA membership applications and cards; postcards; color and black and white photographs of members, trips, and events; and other organization and event memorabilia.\u003c/abstract\u003e\n    "],"abstract_tesim":["Records of the Young Women's Christian Association (YWCA) at West Virginia University (WVU). Includes brochures, budgets, calendars of events, correspondence, ledgers, memorabilia, minutes, newspaper articles, photographs, postcards, reports, rosters, scrapbooks, and telegrams. Topics include the national history of the YWCA (including the 1855/1955 YWCA centennial commemoration); the 1906 charter of WVU YWCA chapter; WVU YWCA and YMCA event invitations and programs (including vespers and officer installation service programs, annual international sales announcements, trips, 'Project Do Something' and Big Sister Program events, etc.); local history of the WVU YWCA chapter (including the WVU YWCA 50th anniversary commemoration); cabinet, membership, and advisory board rosters (including information by and about Betty Boyd, Assistant Dean (later, Dean) of Women, West Virginia University and ex-officio member of the WVU YWCA Advisory Board); advisory board minutes; and financial account books. Annual reports include: presidents' reports, 1923-1964; WVU YWCA annual reports, 1960-1978; annual reports to national YWCA, 1945-1971; advisory board annual reports, 1922-31, 1943-1961; cabinet members reports, 1949-1965. Scrapbooks for the years 1941-1948, 1954-1957, and 1973-1978, include: newspaper articles; event announcements and programs; brochures and pamphlets; YWCA membership applications and cards; postcards; color and black and white photographs of members, trips, and events; and other organization and event memorabilia."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_139ac6cd836b0f750e92312fe2c2544f\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Young Women's Christian Association (West Virginia University Chapter)"],"names_coll_ssim":["Young Women's Christian Association (West Virginia University Chapter)","Young Women's Christian Association (West Virginia University Chapter)"],"names_ssim":["West Virginia and Regional History Center","Young Women's Christian Association (West Virginia University Chapter)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:11:43.922Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_878","ead_ssi":"wvmturhc_repositories_2_resources_878","_root_":"wvmturhc_repositories_2_resources_878","_nest_parent_":"wvmturhc_repositories_2_resources_878","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_878.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195323","title_ssm":["Young Women's Christian Association, West Virginia University Chapter, Records"],"title_tesim":["Young Women's Christian Association, West Virginia University Chapter, Records"],"unitdate_ssm":["1906-1985"],"unitdate_inclusive_ssm":["1906-1985"],"normalized_date_ssm":["1906/1985"],"normalized_title_ssm":["Young Women's Christian Association, West Virginia University Chapter, Records, 1906/1985"],"text":["Young Women's Christian Association, West Virginia University Chapter, Records, 1906/1985","A\u0026M 2765","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/878","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Records of the Young Women's Christian Association (YWCA) at West Virginia University (WVU). Includes brochures, budgets, calendars of events, correspondence, ledgers, memorabilia, minutes, newspaper articles, photographs, postcards, reports, rosters, scrapbooks, and telegrams. Topics include the national history of the YWCA (including the 1855/1955 YWCA centennial commemoration); the 1906 charter of WVU YWCA chapter; WVU YWCA and YMCA event invitations and programs (including vespers and officer installation service programs, annual international sales announcements, trips, 'Project Do Something' and Big Sister Program events, etc.); local history of the WVU YWCA chapter (including the WVU YWCA 50th anniversary commemoration); cabinet, membership, and advisory board rosters (including information by and about Betty Boyd, Assistant Dean (later, Dean) of Women, West Virginia University and ex-officio member of the WVU YWCA Advisory Board); advisory board minutes; and financial account books. Annual reports include: presidents' reports, 1923-1964; WVU YWCA annual reports, 1960-1978; annual reports to national YWCA, 1945-1971; advisory board annual reports, 1922-31, 1943-1961; cabinet members reports, 1949-1965. Scrapbooks for the years 1941-1948, 1954-1957, and 1973-1978, include: newspaper articles; event announcements and programs; brochures and pamphlets; YWCA membership applications and cards; postcards; color and black and white photographs of members, trips, and events; and other organization and event memorabilia.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Young Women's Christian Association (West Virginia University Chapter)","English"],"collection_title_tesim":["Young Women's Christian Association, West Virginia University Chapter, Records, 1906/1985"],"collection_ssim":["Young Women's Christian Association, West Virginia University Chapter, Records, 1906/1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2765","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/878"],"unitid_tesim":["A\u0026M 2765","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/878"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Young Women's Christian Association (West Virginia University Chapter)"],"creator_ssim":["Young Women's Christian Association (West Virginia University Chapter)"],"creator_corpname_ssim":["West Virginia and Regional History Center","Young Women's Christian Association (West Virginia University Chapter)"],"creators_ssim":["West Virginia and Regional History Center","Young Women's Christian Association (West Virginia University Chapter)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 1 ft. 6 in. (5 small flat storage boxes, 3 in. each); (1 large flat box, 3 in.)"],"extent_tesim":["1.5 Linear Feet 1 ft. 6 in. (5 small flat storage boxes, 3 in. each); (1 large flat box, 3 in.)"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Young Women's Christian Association, West Virginia University Chapter, Records, A\u0026amp;M 2765, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Young Women's Christian Association, West Virginia University Chapter, Records, A\u0026M 2765, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f8c9365d4d49f85a6a81711be342236e\"\u003eRecords of the Young Women's Christian Association (YWCA) at West Virginia University (WVU). Includes brochures, budgets, calendars of events, correspondence, ledgers, memorabilia, minutes, newspaper articles, photographs, postcards, reports, rosters, scrapbooks, and telegrams. Topics include the national history of the YWCA (including the 1855/1955 YWCA centennial commemoration); the 1906 charter of WVU YWCA chapter; WVU YWCA and YMCA event invitations and programs (including vespers and officer installation service programs, annual international sales announcements, trips, 'Project Do Something' and Big Sister Program events, etc.); local history of the WVU YWCA chapter (including the WVU YWCA 50th anniversary commemoration); cabinet, membership, and advisory board rosters (including information by and about Betty Boyd, Assistant Dean (later, Dean) of Women, West Virginia University and ex-officio member of the WVU YWCA Advisory Board); advisory board minutes; and financial account books. Annual reports include: presidents' reports, 1923-1964; WVU YWCA annual reports, 1960-1978; annual reports to national YWCA, 1945-1971; advisory board annual reports, 1922-31, 1943-1961; cabinet members reports, 1949-1965. Scrapbooks for the years 1941-1948, 1954-1957, and 1973-1978, include: newspaper articles; event announcements and programs; brochures and pamphlets; YWCA membership applications and cards; postcards; color and black and white photographs of members, trips, and events; and other organization and event memorabilia.\u003c/abstract\u003e\n    "],"abstract_tesim":["Records of the Young Women's Christian Association (YWCA) at West Virginia University (WVU). Includes brochures, budgets, calendars of events, correspondence, ledgers, memorabilia, minutes, newspaper articles, photographs, postcards, reports, rosters, scrapbooks, and telegrams. Topics include the national history of the YWCA (including the 1855/1955 YWCA centennial commemoration); the 1906 charter of WVU YWCA chapter; WVU YWCA and YMCA event invitations and programs (including vespers and officer installation service programs, annual international sales announcements, trips, 'Project Do Something' and Big Sister Program events, etc.); local history of the WVU YWCA chapter (including the WVU YWCA 50th anniversary commemoration); cabinet, membership, and advisory board rosters (including information by and about Betty Boyd, Assistant Dean (later, Dean) of Women, West Virginia University and ex-officio member of the WVU YWCA Advisory Board); advisory board minutes; and financial account books. Annual reports include: presidents' reports, 1923-1964; WVU YWCA annual reports, 1960-1978; annual reports to national YWCA, 1945-1971; advisory board annual reports, 1922-31, 1943-1961; cabinet members reports, 1949-1965. Scrapbooks for the years 1941-1948, 1954-1957, and 1973-1978, include: newspaper articles; event announcements and programs; brochures and pamphlets; YWCA membership applications and cards; postcards; color and black and white photographs of members, trips, and events; and other organization and event memorabilia."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_139ac6cd836b0f750e92312fe2c2544f\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Young Women's Christian Association (West Virginia University Chapter)"],"names_coll_ssim":["Young Women's Christian Association (West Virginia University Chapter)","Young Women's Christian Association (West Virginia University Chapter)"],"names_ssim":["West Virginia and Regional History Center","Young Women's Christian Association (West Virginia University Chapter)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:11:43.922Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_878"}},{"id":"wvmturhc_repositories_2_resources_1578_c01_c03_c142","type":"File","attributes":{"title":"Young Women's Christian Association (YWCA), 1906/1988","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1578_c01_c03_c142#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1578_c01_c03_c142","ref_ssm":["wvmturhc_repositories_2_resources_1578_c01_c03_c142"],"id":"wvmturhc_repositories_2_resources_1578_c01_c03_c142","ead_ssi":"wvmturhc_repositories_2_resources_1578","_root_":"wvmturhc_repositories_2_resources_1578","_nest_parent_":"wvmturhc_repositories_2_resources_1578_c01_c03","parent_ssi":"wvmturhc_repositories_2_resources_1578_c01_c03","parent_ssim":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992","Series 1. Research, 1849/2000, bulk 1890/1992","Sub-Series 3. West Virginia University (WVU), 1849/2000"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1578","wvmturhc_repositories_2_resources_1578_c01","wvmturhc_repositories_2_resources_1578_c01_c03"],"title_filing_ssi":"Young Women's Christian Association (YWCA)","title_ssm":["Young Women's Christian Association (YWCA)"],"title_tesim":["Young Women's Christian Association (YWCA)"],"normalized_title_ssm":["Young Women's Christian Association (YWCA), 1906/1988"],"text":["Young Women's Christian Association (YWCA), 1906/1988","West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992","Series 1. Research, 1849/2000, bulk 1890/1992","Sub-Series 3. West Virginia University (WVU), 1849/2000","Box 8","Folder 71"],"parent_unittitles_ssm":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992","Series 1. Research, 1849/2000, bulk 1890/1992","Sub-Series 3. West Virginia University (WVU), 1849/2000"],"parent_unittitles_tesim":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992","Series 1. Research, 1849/2000, bulk 1890/1992","Sub-Series 3. West Virginia University (WVU), 1849/2000"],"normalized_date_ssm":["1906/1988"],"unitdate_inclusive_ssm":["1906-1988 and undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":446,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992"],"containers_ssim":["Box 8","Folder 71"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Materials in box 21 are restricted due to the presence of student works and resumes. Materials in box 21 may be accessed 75 years after the latest date of creation, starting in 2061.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"_nest_path_":"/components#0/components#2/components#141","timestamp":"2026-08-14T23:07:49.367Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1578","ead_ssi":"wvmturhc_repositories_2_resources_1578","_root_":"wvmturhc_repositories_2_resources_1578","_nest_parent_":"wvmturhc_repositories_2_resources_1578","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1578.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195854","title_ssm":["West Virginia University, Women's Studies Center, Women's Centenary, Records"],"title_tesim":["West Virginia University, Women's Studies Center, Women's Centenary, Records"],"unitdate_ssm":["1849-2000 and undated","1890-1992"],"unitdate_inclusive_ssm":["1849-2000 and undated"],"unitdate_bulk_ssim":["1890-1992"],"normalized_date_ssm":["1849/2000, bulk 1980/1992"],"normalized_title_ssm":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992"],"text":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992","A\u0026M 3376","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1578","West Virginia Feminist Activist and Women's History Collection","West Virginia University  --  Women's Centenary (1891-1991)","Women --  Education","Women in higher education","Adult education of women","Special events - West Virginia University.","Materials in box 21 are restricted due to the presence of student works and resumes. Materials in box 21 may be accessed 75 years after the latest date of creation, starting in 2061.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","The Center for Women's and Gender Studies (CWGS) is an academic unit within West Virginia University's Eberly College of Arts and Sciences that offers a central location for discourse relative to the field of women's and gender studies. CWGS finds its origins in an informal Caucus for Women's Concerns formed in 1972 within West Viginia University (WVU) to \"achieve equitable treatment of women.\" In 1977, the Caucus submitted recommendations to then-WVU President Gene Budig regarding the establishment of a women's studies program and an advisory council on women's concerns. In response to these recommendations, the Caucus was officially accepted by the university as the Council for Women's Concerns (CWC), which included a Women's Studies Subcommittee formed to research and help facilitate a formal women's studies program.","The first proposal for a women's studies program was submitted to the CWC by Renata Pore in 1978, upon which a search committee headed by Dr. Enid Portnoy of the English Department was established. In 1980, the Women's Studies Program (WSP) was officially established as an interdisciplinary program in the College of Arts and Sciences. Judith Stitzel, a founding member of the CWC, was selected to serve as the first part-time coordinator of the WSP.","Under Stitzel's direction, the WSP developed an undergraduate Certificate Program in Women's Studies to be first offered in 1984. Simultaneously, the Center for Women's Studies (CWS) was established in the Office of the Vice President for Academic Affairs and Research to provide a collective space for students to gather. Judith Stitzel was made the founding director of the center, a position she would hold until 1992, making her the longest consecutive director of the center. The CWS would become affiliated with the Eberly College of Arts and Sciences in 1993.","The first undergraduate Certificates in Women's Studies at WVU were awarded to six students in 1986, the same year the first Master of Arts in Liberal Studies (MALS) graduated in Women's Studies. The Carrie Koeteurius Scholarship, which is still offered as of 2024, was first awarded to Deborah Gregory Eck and Lilo Ast in 1987.","One of the early major projects of the CWC, the Women's Centenary, \"Excellence Through Equity\" began planning in 1987 with Dr. Lillian Waugh being chosen as the research coordinator. After several years of planning and research, the Women's Centenary commenced in September 1989 on the 100-year anniversary of the first group of women to be admitted to WVU as degree candidates. Events were held over a two-year period, including lecture series, galas, building rededications, historical tours, exhibits, time capsule creations, and county-wide engagements. The Women's Centenary culminated with a convocation in 1991 on the 100-year anniversary of the first woman to graduate from WVU, Harriet Lyon.","In 1992, Judith Stitzel stepped down as director of the CWC, and the position was taken up by Helen Bannan from 1994 to 1998. Under Barbara Howe's directorship from 1998 to 2007, a BA and undergraduate minor in women's studies was established to coexist with the Certificate in Women's Studies. The first WVU women's studies major, Jamie Lynn Baxter, graduated in December 2003.","Janice Spleth served as interim director between 2008 and 2009, before Ann Oberhauser took directorship in 2009. Under her leadership in 2012, the CWC was renamed the Center for Women's and Gender Studies to incorporate a larger scale of classes and topics. After Oberhauser stepped down in 2013, Jennifer Orlikoff took directorship until 2016. Between 2016 and 2019, Cari Carpenter and Kasi Jackson served as interim directors, during which the LGBTQ+ Center was opened. In 2019, Sharon Bird became director, a position she still holds as of October 2024. In 2021, the Center for Women's and Gender Studies moved into its home in the Hodges Hall, Suite 505.","This collection contains materials collected or created by the Center for Women's Studies (CWS) while researching and preparing for the West Virginia University (WVU) Women's Centenary between 1989 and 1991. While research and planning materials are the most prevalent materials in the collection, there are also administrive and ephemeral materials. The majority of materials relate to women at WVU, particularly during the late nineteenth and early twentieth centuries. Included are bigoraphies, notes, photographs, correspondence, newspaper clippings, essays, programs, rosters, and exhibit panels.","The colleciton is divided into four series, with additional sub-series as indicated below.","Series 1: Research, 1849-2000 and undated","- Sub-Series 1: Exhibit Panels, circa 1875-1990 and undated\n- Sub-Series 2: Families and Individuals, 1870-2000 and undated\n- Sub-Series 3: West Virginia University (WVU), 1849-2000 and undated","Series 2: Planning, 1858-1996 and undated","Series 3: Administration, 1875-1997 and undated","Series 4: Ephemera, undated","An addendum of 2012 August 14 can be found in series 4 as item 1.\nAn addendum of 2019 March 28 can be found in boxes 19 and 20.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","This collection contains materials collected or created by the WVU Center for Women's Studies (CWS) in preparation for the Women's Centenary between 1989 and 1991. It mostly consists of research on early women students at WVU as well as planning materials for events to commemorate the Women's Centenary.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J.","English\n."],"collection_title_tesim":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992"],"collection_ssim":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3376","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1578"],"unitid_tesim":["A\u0026M 3376","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1578"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"creator_ssim":["West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"creator_persname_ssim":["Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"creator_corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Center for Women's Studies"],"creators_ssim":["Waugh, Lillian J., 1941-2018","Howe, Barbara J.","West Virginia and Regional History Center","West Virginia University. Center for Women's Studies"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Transfer from WVU, Women's Studies Center, Waugh, Lillian, 2001 February 16","Gift from Waugh, Lillian J., 2012 August 14","Gift from Howe, Barbara J., 2019 March 28"],"access_subjects_ssim":["West Virginia Feminist Activist and Women's History Collection","West Virginia University  --  Women's Centenary (1891-1991)","Women --  Education","Women in higher education","Adult education of women","Special events - West Virginia University."],"access_subjects_ssm":["West Virginia Feminist Activist and Women's History Collection","West Virginia University  --  Women's Centenary (1891-1991)","Women --  Education","Women in higher education","Adult education of women","Special events - West Virginia University."],"has_online_content_ssim":["false"],"extent_ssm":["16.33 Linear Feet 11 record cartons, 15 in. each; 1 document case, 5 in.; 1 document case, 2.5 in.; 3 flat storage boxes, 4 in. each; 2 flat storage boxes, 3 in. each; 3 flat storage boxes, 1.5 in. each; 1 framed portrait, 1 in.","0.004 Gigabytes 110 files, formats include .wsp, .rtf, .dig, and .noc"],"extent_tesim":["16.33 Linear Feet 11 record cartons, 15 in. each; 1 document case, 5 in.; 1 document case, 2.5 in.; 3 flat storage boxes, 4 in. each; 2 flat storage boxes, 3 in. each; 3 flat storage boxes, 1.5 in. each; 1 framed portrait, 1 in.","0.004 Gigabytes 110 files, formats include .wsp, .rtf, .dig, and .noc"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eMaterials in box 21 are restricted due to the presence of student works and resumes. Materials in box 21 may be accessed 75 years after the latest date of creation, starting in 2061.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Materials in box 21 are restricted due to the presence of student works and resumes. Materials in box 21 may be accessed 75 years after the latest date of creation, starting in 2061.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eThe Center for Women's and Gender Studies (CWGS) is an academic unit within West Virginia University's Eberly College of Arts and Sciences that offers a central location for discourse relative to the field of women's and gender studies. CWGS finds its origins in an informal Caucus for Women's Concerns formed in 1972 within West Viginia University (WVU) to \"achieve equitable treatment of women.\" In 1977, the Caucus submitted recommendations to then-WVU President Gene Budig regarding the establishment of a women's studies program and an advisory council on women's concerns. In response to these recommendations, the Caucus was officially accepted by the university as the Council for Women's Concerns (CWC), which included a Women's Studies Subcommittee formed to research and help facilitate a formal women's studies program.\u003c/p\u003e","\u003cp\u003eThe first proposal for a women's studies program was submitted to the CWC by Renata Pore in 1978, upon which a search committee headed by Dr. Enid Portnoy of the English Department was established. In 1980, the Women's Studies Program (WSP) was officially established as an interdisciplinary program in the College of Arts and Sciences. Judith Stitzel, a founding member of the CWC, was selected to serve as the first part-time coordinator of the WSP.\u003c/p\u003e","\u003cp\u003eUnder Stitzel's direction, the WSP developed an undergraduate Certificate Program in Women's Studies to be first offered in 1984. Simultaneously, the Center for Women's Studies (CWS) was established in the Office of the Vice President for Academic Affairs and Research to provide a collective space for students to gather. Judith Stitzel was made the founding director of the center, a position she would hold until 1992, making her the longest consecutive director of the center. The CWS would become affiliated with the Eberly College of Arts and Sciences in 1993.\u003c/p\u003e","\u003cp\u003eThe first undergraduate Certificates in Women's Studies at WVU were awarded to six students in 1986, the same year the first Master of Arts in Liberal Studies (MALS) graduated in Women's Studies. The Carrie Koeteurius Scholarship, which is still offered as of 2024, was first awarded to Deborah Gregory Eck and Lilo Ast in 1987.\u003c/p\u003e","\u003cp\u003eOne of the early major projects of the CWC, the Women's Centenary, \"Excellence Through Equity\" began planning in 1987 with Dr. Lillian Waugh being chosen as the research coordinator. After several years of planning and research, the Women's Centenary commenced in September 1989 on the 100-year anniversary of the first group of women to be admitted to WVU as degree candidates. Events were held over a two-year period, including lecture series, galas, building rededications, historical tours, exhibits, time capsule creations, and county-wide engagements. The Women's Centenary culminated with a convocation in 1991 on the 100-year anniversary of the first woman to graduate from WVU, Harriet Lyon.\u003c/p\u003e","\u003cp\u003eIn 1992, Judith Stitzel stepped down as director of the CWC, and the position was taken up by Helen Bannan from 1994 to 1998. Under Barbara Howe's directorship from 1998 to 2007, a BA and undergraduate minor in women's studies was established to coexist with the Certificate in Women's Studies. The first WVU women's studies major, Jamie Lynn Baxter, graduated in December 2003.\u003c/p\u003e","\u003cp\u003eJanice Spleth served as interim director between 2008 and 2009, before Ann Oberhauser took directorship in 2009. Under her leadership in 2012, the CWC was renamed the Center for Women's and Gender Studies to incorporate a larger scale of classes and topics. After Oberhauser stepped down in 2013, Jennifer Orlikoff took directorship until 2016. Between 2016 and 2019, Cari Carpenter and Kasi Jackson served as interim directors, during which the LGBTQ+ Center was opened. In 2019, Sharon Bird became director, a position she still holds as of October 2024. In 2021, the Center for Women's and Gender Studies moved into its home in the Hodges Hall, Suite 505.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Center for Women's and Gender Studies (CWGS) is an academic unit within West Virginia University's Eberly College of Arts and Sciences that offers a central location for discourse relative to the field of women's and gender studies. CWGS finds its origins in an informal Caucus for Women's Concerns formed in 1972 within West Viginia University (WVU) to \"achieve equitable treatment of women.\" In 1977, the Caucus submitted recommendations to then-WVU President Gene Budig regarding the establishment of a women's studies program and an advisory council on women's concerns. In response to these recommendations, the Caucus was officially accepted by the university as the Council for Women's Concerns (CWC), which included a Women's Studies Subcommittee formed to research and help facilitate a formal women's studies program.","The first proposal for a women's studies program was submitted to the CWC by Renata Pore in 1978, upon which a search committee headed by Dr. Enid Portnoy of the English Department was established. In 1980, the Women's Studies Program (WSP) was officially established as an interdisciplinary program in the College of Arts and Sciences. Judith Stitzel, a founding member of the CWC, was selected to serve as the first part-time coordinator of the WSP.","Under Stitzel's direction, the WSP developed an undergraduate Certificate Program in Women's Studies to be first offered in 1984. Simultaneously, the Center for Women's Studies (CWS) was established in the Office of the Vice President for Academic Affairs and Research to provide a collective space for students to gather. Judith Stitzel was made the founding director of the center, a position she would hold until 1992, making her the longest consecutive director of the center. The CWS would become affiliated with the Eberly College of Arts and Sciences in 1993.","The first undergraduate Certificates in Women's Studies at WVU were awarded to six students in 1986, the same year the first Master of Arts in Liberal Studies (MALS) graduated in Women's Studies. The Carrie Koeteurius Scholarship, which is still offered as of 2024, was first awarded to Deborah Gregory Eck and Lilo Ast in 1987.","One of the early major projects of the CWC, the Women's Centenary, \"Excellence Through Equity\" began planning in 1987 with Dr. Lillian Waugh being chosen as the research coordinator. After several years of planning and research, the Women's Centenary commenced in September 1989 on the 100-year anniversary of the first group of women to be admitted to WVU as degree candidates. Events were held over a two-year period, including lecture series, galas, building rededications, historical tours, exhibits, time capsule creations, and county-wide engagements. The Women's Centenary culminated with a convocation in 1991 on the 100-year anniversary of the first woman to graduate from WVU, Harriet Lyon.","In 1992, Judith Stitzel stepped down as director of the CWC, and the position was taken up by Helen Bannan from 1994 to 1998. Under Barbara Howe's directorship from 1998 to 2007, a BA and undergraduate minor in women's studies was established to coexist with the Certificate in Women's Studies. The first WVU women's studies major, Jamie Lynn Baxter, graduated in December 2003.","Janice Spleth served as interim director between 2008 and 2009, before Ann Oberhauser took directorship in 2009. Under her leadership in 2012, the CWC was renamed the Center for Women's and Gender Studies to incorporate a larger scale of classes and topics. After Oberhauser stepped down in 2013, Jennifer Orlikoff took directorship until 2016. Between 2016 and 2019, Cari Carpenter and Kasi Jackson served as interim directors, during which the LGBTQ+ Center was opened. In 2019, Sharon Bird became director, a position she still holds as of October 2024. In 2021, the Center for Women's and Gender Studies moved into its home in the Hodges Hall, Suite 505."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, Women's Studies Center, Women's Centenary, Records, A\u0026amp;M 3376, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, Women's Studies Center, Women's Centenary, Records, A\u0026M 3376, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials collected or created by the Center for Women's Studies (CWS) while researching and preparing for the West Virginia University (WVU) Women's Centenary between 1989 and 1991. While research and planning materials are the most prevalent materials in the collection, there are also administrive and ephemeral materials. The majority of materials relate to women at WVU, particularly during the late nineteenth and early twentieth centuries. Included are bigoraphies, notes, photographs, correspondence, newspaper clippings, essays, programs, rosters, and exhibit panels.\u003c/p\u003e","\u003cp\u003eThe colleciton is divided into four series, with additional sub-series as indicated below.\u003c/p\u003e","\u003cp\u003eSeries 1: Research, 1849-2000 and undated\u003c/p\u003e","\u003cp\u003e- Sub-Series 1: Exhibit Panels, circa 1875-1990 and undated\n- Sub-Series 2: Families and Individuals, 1870-2000 and undated\n- Sub-Series 3: West Virginia University (WVU), 1849-2000 and undated\u003c/p\u003e","\u003cp\u003eSeries 2: Planning, 1858-1996 and undated\u003c/p\u003e","\u003cp\u003eSeries 3: Administration, 1875-1997 and undated\u003c/p\u003e","\u003cp\u003eSeries 4: Ephemera, undated\u003c/p\u003e","\u003cp\u003eAn addendum of 2012 August 14 can be found in series 4 as item 1.\nAn addendum of 2019 March 28 can be found in boxes 19 and 20. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials collected or created by the Center for Women's Studies (CWS) while researching and preparing for the West Virginia University (WVU) Women's Centenary between 1989 and 1991. While research and planning materials are the most prevalent materials in the collection, there are also administrive and ephemeral materials. The majority of materials relate to women at WVU, particularly during the late nineteenth and early twentieth centuries. Included are bigoraphies, notes, photographs, correspondence, newspaper clippings, essays, programs, rosters, and exhibit panels.","The colleciton is divided into four series, with additional sub-series as indicated below.","Series 1: Research, 1849-2000 and undated","- Sub-Series 1: Exhibit Panels, circa 1875-1990 and undated\n- Sub-Series 2: Families and Individuals, 1870-2000 and undated\n- Sub-Series 3: West Virginia University (WVU), 1849-2000 and undated","Series 2: Planning, 1858-1996 and undated","Series 3: Administration, 1875-1997 and undated","Series 4: Ephemera, undated","An addendum of 2012 August 14 can be found in series 4 as item 1.\nAn addendum of 2019 March 28 can be found in boxes 19 and 20."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1fe76a994c6e56435a8cddd682eee94b\"\u003eThis collection contains materials collected or created by the WVU Center for Women's Studies (CWS) in preparation for the Women's Centenary between 1989 and 1991. It mostly consists of research on early women students at WVU as well as planning materials for events to commemorate the Women's Centenary.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials collected or created by the WVU Center for Women's Studies (CWS) in preparation for the Women's Centenary between 1989 and 1991. It mostly consists of research on early women students at WVU as well as planning materials for events to commemorate the Women's Centenary."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_feba19d90bf0868b155eb1cec3aad97f\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Center for Women's Studies"],"names_coll_ssim":["West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"persname_ssim":["Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":711,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:07:49.367Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1578_c01_c03_c142"}},{"id":"wvmturhc_repositories_2_resources_1578_c01_c03_c04","type":"File","attributes":{"title":"Young Women's Christian Association (YWCA), 1906/1992","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1578_c01_c03_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1578_c01_c03_c04","ref_ssm":["wvmturhc_repositories_2_resources_1578_c01_c03_c04"],"id":"wvmturhc_repositories_2_resources_1578_c01_c03_c04","ead_ssi":"wvmturhc_repositories_2_resources_1578","_root_":"wvmturhc_repositories_2_resources_1578","_nest_parent_":"wvmturhc_repositories_2_resources_1578_c01_c03","parent_ssi":"wvmturhc_repositories_2_resources_1578_c01_c03","parent_ssim":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992","Series 1. Research, 1849/2000, bulk 1890/1992","Sub-Series 3. West Virginia University (WVU), 1849/2000"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1578","wvmturhc_repositories_2_resources_1578_c01","wvmturhc_repositories_2_resources_1578_c01_c03"],"title_filing_ssi":"Young Women's Christian Association (YWCA)","title_ssm":["Young Women's Christian Association (YWCA)"],"title_tesim":["Young Women's Christian Association (YWCA)"],"normalized_title_ssm":["Young Women's Christian Association (YWCA), 1906/1992"],"text":["Young Women's Christian Association (YWCA), 1906/1992","West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992","Series 1. Research, 1849/2000, bulk 1890/1992","Sub-Series 3. West Virginia University (WVU), 1849/2000","Box 3","Folder 14"],"parent_unittitles_ssm":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992","Series 1. Research, 1849/2000, bulk 1890/1992","Sub-Series 3. West Virginia University (WVU), 1849/2000"],"parent_unittitles_tesim":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992","Series 1. Research, 1849/2000, bulk 1890/1992","Sub-Series 3. West Virginia University (WVU), 1849/2000"],"normalized_date_ssm":["1906/1992"],"unitdate_inclusive_ssm":["1906-1992 and undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":308,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992"],"containers_ssim":["Box 3","Folder 14"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Materials in box 21 are restricted due to the presence of student works and resumes. Materials in box 21 may be accessed 75 years after the latest date of creation, starting in 2061.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"_nest_path_":"/components#0/components#2/components#3","timestamp":"2026-08-14T23:07:49.367Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1578","ead_ssi":"wvmturhc_repositories_2_resources_1578","_root_":"wvmturhc_repositories_2_resources_1578","_nest_parent_":"wvmturhc_repositories_2_resources_1578","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1578.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195854","title_ssm":["West Virginia University, Women's Studies Center, Women's Centenary, Records"],"title_tesim":["West Virginia University, Women's Studies Center, Women's Centenary, Records"],"unitdate_ssm":["1849-2000 and undated","1890-1992"],"unitdate_inclusive_ssm":["1849-2000 and undated"],"unitdate_bulk_ssim":["1890-1992"],"normalized_date_ssm":["1849/2000, bulk 1980/1992"],"normalized_title_ssm":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992"],"text":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992","A\u0026M 3376","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1578","West Virginia Feminist Activist and Women's History Collection","West Virginia University  --  Women's Centenary (1891-1991)","Women --  Education","Women in higher education","Adult education of women","Special events - West Virginia University.","Materials in box 21 are restricted due to the presence of student works and resumes. Materials in box 21 may be accessed 75 years after the latest date of creation, starting in 2061.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","The Center for Women's and Gender Studies (CWGS) is an academic unit within West Virginia University's Eberly College of Arts and Sciences that offers a central location for discourse relative to the field of women's and gender studies. CWGS finds its origins in an informal Caucus for Women's Concerns formed in 1972 within West Viginia University (WVU) to \"achieve equitable treatment of women.\" In 1977, the Caucus submitted recommendations to then-WVU President Gene Budig regarding the establishment of a women's studies program and an advisory council on women's concerns. In response to these recommendations, the Caucus was officially accepted by the university as the Council for Women's Concerns (CWC), which included a Women's Studies Subcommittee formed to research and help facilitate a formal women's studies program.","The first proposal for a women's studies program was submitted to the CWC by Renata Pore in 1978, upon which a search committee headed by Dr. Enid Portnoy of the English Department was established. In 1980, the Women's Studies Program (WSP) was officially established as an interdisciplinary program in the College of Arts and Sciences. Judith Stitzel, a founding member of the CWC, was selected to serve as the first part-time coordinator of the WSP.","Under Stitzel's direction, the WSP developed an undergraduate Certificate Program in Women's Studies to be first offered in 1984. Simultaneously, the Center for Women's Studies (CWS) was established in the Office of the Vice President for Academic Affairs and Research to provide a collective space for students to gather. Judith Stitzel was made the founding director of the center, a position she would hold until 1992, making her the longest consecutive director of the center. The CWS would become affiliated with the Eberly College of Arts and Sciences in 1993.","The first undergraduate Certificates in Women's Studies at WVU were awarded to six students in 1986, the same year the first Master of Arts in Liberal Studies (MALS) graduated in Women's Studies. The Carrie Koeteurius Scholarship, which is still offered as of 2024, was first awarded to Deborah Gregory Eck and Lilo Ast in 1987.","One of the early major projects of the CWC, the Women's Centenary, \"Excellence Through Equity\" began planning in 1987 with Dr. Lillian Waugh being chosen as the research coordinator. After several years of planning and research, the Women's Centenary commenced in September 1989 on the 100-year anniversary of the first group of women to be admitted to WVU as degree candidates. Events were held over a two-year period, including lecture series, galas, building rededications, historical tours, exhibits, time capsule creations, and county-wide engagements. The Women's Centenary culminated with a convocation in 1991 on the 100-year anniversary of the first woman to graduate from WVU, Harriet Lyon.","In 1992, Judith Stitzel stepped down as director of the CWC, and the position was taken up by Helen Bannan from 1994 to 1998. Under Barbara Howe's directorship from 1998 to 2007, a BA and undergraduate minor in women's studies was established to coexist with the Certificate in Women's Studies. The first WVU women's studies major, Jamie Lynn Baxter, graduated in December 2003.","Janice Spleth served as interim director between 2008 and 2009, before Ann Oberhauser took directorship in 2009. Under her leadership in 2012, the CWC was renamed the Center for Women's and Gender Studies to incorporate a larger scale of classes and topics. After Oberhauser stepped down in 2013, Jennifer Orlikoff took directorship until 2016. Between 2016 and 2019, Cari Carpenter and Kasi Jackson served as interim directors, during which the LGBTQ+ Center was opened. In 2019, Sharon Bird became director, a position she still holds as of October 2024. In 2021, the Center for Women's and Gender Studies moved into its home in the Hodges Hall, Suite 505.","This collection contains materials collected or created by the Center for Women's Studies (CWS) while researching and preparing for the West Virginia University (WVU) Women's Centenary between 1989 and 1991. While research and planning materials are the most prevalent materials in the collection, there are also administrive and ephemeral materials. The majority of materials relate to women at WVU, particularly during the late nineteenth and early twentieth centuries. Included are bigoraphies, notes, photographs, correspondence, newspaper clippings, essays, programs, rosters, and exhibit panels.","The colleciton is divided into four series, with additional sub-series as indicated below.","Series 1: Research, 1849-2000 and undated","- Sub-Series 1: Exhibit Panels, circa 1875-1990 and undated\n- Sub-Series 2: Families and Individuals, 1870-2000 and undated\n- Sub-Series 3: West Virginia University (WVU), 1849-2000 and undated","Series 2: Planning, 1858-1996 and undated","Series 3: Administration, 1875-1997 and undated","Series 4: Ephemera, undated","An addendum of 2012 August 14 can be found in series 4 as item 1.\nAn addendum of 2019 March 28 can be found in boxes 19 and 20.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","This collection contains materials collected or created by the WVU Center for Women's Studies (CWS) in preparation for the Women's Centenary between 1989 and 1991. It mostly consists of research on early women students at WVU as well as planning materials for events to commemorate the Women's Centenary.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J.","English\n."],"collection_title_tesim":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992"],"collection_ssim":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3376","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1578"],"unitid_tesim":["A\u0026M 3376","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1578"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"creator_ssim":["West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"creator_persname_ssim":["Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"creator_corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Center for Women's Studies"],"creators_ssim":["Waugh, Lillian J., 1941-2018","Howe, Barbara J.","West Virginia and Regional History Center","West Virginia University. Center for Women's Studies"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Transfer from WVU, Women's Studies Center, Waugh, Lillian, 2001 February 16","Gift from Waugh, Lillian J., 2012 August 14","Gift from Howe, Barbara J., 2019 March 28"],"access_subjects_ssim":["West Virginia Feminist Activist and Women's History Collection","West Virginia University  --  Women's Centenary (1891-1991)","Women --  Education","Women in higher education","Adult education of women","Special events - West Virginia University."],"access_subjects_ssm":["West Virginia Feminist Activist and Women's History Collection","West Virginia University  --  Women's Centenary (1891-1991)","Women --  Education","Women in higher education","Adult education of women","Special events - West Virginia University."],"has_online_content_ssim":["false"],"extent_ssm":["16.33 Linear Feet 11 record cartons, 15 in. each; 1 document case, 5 in.; 1 document case, 2.5 in.; 3 flat storage boxes, 4 in. each; 2 flat storage boxes, 3 in. each; 3 flat storage boxes, 1.5 in. each; 1 framed portrait, 1 in.","0.004 Gigabytes 110 files, formats include .wsp, .rtf, .dig, and .noc"],"extent_tesim":["16.33 Linear Feet 11 record cartons, 15 in. each; 1 document case, 5 in.; 1 document case, 2.5 in.; 3 flat storage boxes, 4 in. each; 2 flat storage boxes, 3 in. each; 3 flat storage boxes, 1.5 in. each; 1 framed portrait, 1 in.","0.004 Gigabytes 110 files, formats include .wsp, .rtf, .dig, and .noc"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eMaterials in box 21 are restricted due to the presence of student works and resumes. Materials in box 21 may be accessed 75 years after the latest date of creation, starting in 2061.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Materials in box 21 are restricted due to the presence of student works and resumes. Materials in box 21 may be accessed 75 years after the latest date of creation, starting in 2061.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eThe Center for Women's and Gender Studies (CWGS) is an academic unit within West Virginia University's Eberly College of Arts and Sciences that offers a central location for discourse relative to the field of women's and gender studies. CWGS finds its origins in an informal Caucus for Women's Concerns formed in 1972 within West Viginia University (WVU) to \"achieve equitable treatment of women.\" In 1977, the Caucus submitted recommendations to then-WVU President Gene Budig regarding the establishment of a women's studies program and an advisory council on women's concerns. In response to these recommendations, the Caucus was officially accepted by the university as the Council for Women's Concerns (CWC), which included a Women's Studies Subcommittee formed to research and help facilitate a formal women's studies program.\u003c/p\u003e","\u003cp\u003eThe first proposal for a women's studies program was submitted to the CWC by Renata Pore in 1978, upon which a search committee headed by Dr. Enid Portnoy of the English Department was established. In 1980, the Women's Studies Program (WSP) was officially established as an interdisciplinary program in the College of Arts and Sciences. Judith Stitzel, a founding member of the CWC, was selected to serve as the first part-time coordinator of the WSP.\u003c/p\u003e","\u003cp\u003eUnder Stitzel's direction, the WSP developed an undergraduate Certificate Program in Women's Studies to be first offered in 1984. Simultaneously, the Center for Women's Studies (CWS) was established in the Office of the Vice President for Academic Affairs and Research to provide a collective space for students to gather. Judith Stitzel was made the founding director of the center, a position she would hold until 1992, making her the longest consecutive director of the center. The CWS would become affiliated with the Eberly College of Arts and Sciences in 1993.\u003c/p\u003e","\u003cp\u003eThe first undergraduate Certificates in Women's Studies at WVU were awarded to six students in 1986, the same year the first Master of Arts in Liberal Studies (MALS) graduated in Women's Studies. The Carrie Koeteurius Scholarship, which is still offered as of 2024, was first awarded to Deborah Gregory Eck and Lilo Ast in 1987.\u003c/p\u003e","\u003cp\u003eOne of the early major projects of the CWC, the Women's Centenary, \"Excellence Through Equity\" began planning in 1987 with Dr. Lillian Waugh being chosen as the research coordinator. After several years of planning and research, the Women's Centenary commenced in September 1989 on the 100-year anniversary of the first group of women to be admitted to WVU as degree candidates. Events were held over a two-year period, including lecture series, galas, building rededications, historical tours, exhibits, time capsule creations, and county-wide engagements. The Women's Centenary culminated with a convocation in 1991 on the 100-year anniversary of the first woman to graduate from WVU, Harriet Lyon.\u003c/p\u003e","\u003cp\u003eIn 1992, Judith Stitzel stepped down as director of the CWC, and the position was taken up by Helen Bannan from 1994 to 1998. Under Barbara Howe's directorship from 1998 to 2007, a BA and undergraduate minor in women's studies was established to coexist with the Certificate in Women's Studies. The first WVU women's studies major, Jamie Lynn Baxter, graduated in December 2003.\u003c/p\u003e","\u003cp\u003eJanice Spleth served as interim director between 2008 and 2009, before Ann Oberhauser took directorship in 2009. Under her leadership in 2012, the CWC was renamed the Center for Women's and Gender Studies to incorporate a larger scale of classes and topics. After Oberhauser stepped down in 2013, Jennifer Orlikoff took directorship until 2016. Between 2016 and 2019, Cari Carpenter and Kasi Jackson served as interim directors, during which the LGBTQ+ Center was opened. In 2019, Sharon Bird became director, a position she still holds as of October 2024. In 2021, the Center for Women's and Gender Studies moved into its home in the Hodges Hall, Suite 505.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Center for Women's and Gender Studies (CWGS) is an academic unit within West Virginia University's Eberly College of Arts and Sciences that offers a central location for discourse relative to the field of women's and gender studies. CWGS finds its origins in an informal Caucus for Women's Concerns formed in 1972 within West Viginia University (WVU) to \"achieve equitable treatment of women.\" In 1977, the Caucus submitted recommendations to then-WVU President Gene Budig regarding the establishment of a women's studies program and an advisory council on women's concerns. In response to these recommendations, the Caucus was officially accepted by the university as the Council for Women's Concerns (CWC), which included a Women's Studies Subcommittee formed to research and help facilitate a formal women's studies program.","The first proposal for a women's studies program was submitted to the CWC by Renata Pore in 1978, upon which a search committee headed by Dr. Enid Portnoy of the English Department was established. In 1980, the Women's Studies Program (WSP) was officially established as an interdisciplinary program in the College of Arts and Sciences. Judith Stitzel, a founding member of the CWC, was selected to serve as the first part-time coordinator of the WSP.","Under Stitzel's direction, the WSP developed an undergraduate Certificate Program in Women's Studies to be first offered in 1984. Simultaneously, the Center for Women's Studies (CWS) was established in the Office of the Vice President for Academic Affairs and Research to provide a collective space for students to gather. Judith Stitzel was made the founding director of the center, a position she would hold until 1992, making her the longest consecutive director of the center. The CWS would become affiliated with the Eberly College of Arts and Sciences in 1993.","The first undergraduate Certificates in Women's Studies at WVU were awarded to six students in 1986, the same year the first Master of Arts in Liberal Studies (MALS) graduated in Women's Studies. The Carrie Koeteurius Scholarship, which is still offered as of 2024, was first awarded to Deborah Gregory Eck and Lilo Ast in 1987.","One of the early major projects of the CWC, the Women's Centenary, \"Excellence Through Equity\" began planning in 1987 with Dr. Lillian Waugh being chosen as the research coordinator. After several years of planning and research, the Women's Centenary commenced in September 1989 on the 100-year anniversary of the first group of women to be admitted to WVU as degree candidates. Events were held over a two-year period, including lecture series, galas, building rededications, historical tours, exhibits, time capsule creations, and county-wide engagements. The Women's Centenary culminated with a convocation in 1991 on the 100-year anniversary of the first woman to graduate from WVU, Harriet Lyon.","In 1992, Judith Stitzel stepped down as director of the CWC, and the position was taken up by Helen Bannan from 1994 to 1998. Under Barbara Howe's directorship from 1998 to 2007, a BA and undergraduate minor in women's studies was established to coexist with the Certificate in Women's Studies. The first WVU women's studies major, Jamie Lynn Baxter, graduated in December 2003.","Janice Spleth served as interim director between 2008 and 2009, before Ann Oberhauser took directorship in 2009. Under her leadership in 2012, the CWC was renamed the Center for Women's and Gender Studies to incorporate a larger scale of classes and topics. After Oberhauser stepped down in 2013, Jennifer Orlikoff took directorship until 2016. Between 2016 and 2019, Cari Carpenter and Kasi Jackson served as interim directors, during which the LGBTQ+ Center was opened. In 2019, Sharon Bird became director, a position she still holds as of October 2024. In 2021, the Center for Women's and Gender Studies moved into its home in the Hodges Hall, Suite 505."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, Women's Studies Center, Women's Centenary, Records, A\u0026amp;M 3376, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, Women's Studies Center, Women's Centenary, Records, A\u0026M 3376, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials collected or created by the Center for Women's Studies (CWS) while researching and preparing for the West Virginia University (WVU) Women's Centenary between 1989 and 1991. While research and planning materials are the most prevalent materials in the collection, there are also administrive and ephemeral materials. The majority of materials relate to women at WVU, particularly during the late nineteenth and early twentieth centuries. Included are bigoraphies, notes, photographs, correspondence, newspaper clippings, essays, programs, rosters, and exhibit panels.\u003c/p\u003e","\u003cp\u003eThe colleciton is divided into four series, with additional sub-series as indicated below.\u003c/p\u003e","\u003cp\u003eSeries 1: Research, 1849-2000 and undated\u003c/p\u003e","\u003cp\u003e- Sub-Series 1: Exhibit Panels, circa 1875-1990 and undated\n- Sub-Series 2: Families and Individuals, 1870-2000 and undated\n- Sub-Series 3: West Virginia University (WVU), 1849-2000 and undated\u003c/p\u003e","\u003cp\u003eSeries 2: Planning, 1858-1996 and undated\u003c/p\u003e","\u003cp\u003eSeries 3: Administration, 1875-1997 and undated\u003c/p\u003e","\u003cp\u003eSeries 4: Ephemera, undated\u003c/p\u003e","\u003cp\u003eAn addendum of 2012 August 14 can be found in series 4 as item 1.\nAn addendum of 2019 March 28 can be found in boxes 19 and 20. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials collected or created by the Center for Women's Studies (CWS) while researching and preparing for the West Virginia University (WVU) Women's Centenary between 1989 and 1991. While research and planning materials are the most prevalent materials in the collection, there are also administrive and ephemeral materials. The majority of materials relate to women at WVU, particularly during the late nineteenth and early twentieth centuries. Included are bigoraphies, notes, photographs, correspondence, newspaper clippings, essays, programs, rosters, and exhibit panels.","The colleciton is divided into four series, with additional sub-series as indicated below.","Series 1: Research, 1849-2000 and undated","- Sub-Series 1: Exhibit Panels, circa 1875-1990 and undated\n- Sub-Series 2: Families and Individuals, 1870-2000 and undated\n- Sub-Series 3: West Virginia University (WVU), 1849-2000 and undated","Series 2: Planning, 1858-1996 and undated","Series 3: Administration, 1875-1997 and undated","Series 4: Ephemera, undated","An addendum of 2012 August 14 can be found in series 4 as item 1.\nAn addendum of 2019 March 28 can be found in boxes 19 and 20."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1fe76a994c6e56435a8cddd682eee94b\"\u003eThis collection contains materials collected or created by the WVU Center for Women's Studies (CWS) in preparation for the Women's Centenary between 1989 and 1991. It mostly consists of research on early women students at WVU as well as planning materials for events to commemorate the Women's Centenary.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials collected or created by the WVU Center for Women's Studies (CWS) in preparation for the Women's Centenary between 1989 and 1991. It mostly consists of research on early women students at WVU as well as planning materials for events to commemorate the Women's Centenary."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_feba19d90bf0868b155eb1cec3aad97f\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Center for Women's Studies"],"names_coll_ssim":["West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"persname_ssim":["Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":711,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:07:49.367Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1578_c01_c03_c04"}},{"id":"vino_repositories_5_resources_238","type":"collection","attributes":{"title":"Young Women's Christian Association (YWCA) of Hampton Roads Records, 1906/2017, bulk 1960/1990","creator":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_238#creator","type":"document_value","attributes":{"value":"Young Women's Christian Association of Hampton Roads (Va.)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_238#abstract_or_scope","type":"document_value","attributes":{"value":"The YWCA (Young Women's Christian Association) is the oldest and largest women's membership organization. The YWCA of South Hampton Roads first started as housing for working girls in 1893. Throughout their history, the YWCA chapters of Hampton Roads have advanced their purposes of empowering women and fighting racism by running women's shelters, camps, workshops, and various other programs. The collection consists mainly of photos, scrapbooks, and newspaper clippings, as well as some business and historical records of the organization.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_238#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vino_repositories_5_resources_238","ead_ssi":"vino_repositories_5_resources_238","_root_":"vino_repositories_5_resources_238","_nest_parent_":"vino_repositories_5_resources_238","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_238.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/238","title_filing_ssi":"Young Women's Christian Association of Hampton Roads","title_ssm":["Young Women's Christian Association (YWCA) of Hampton Roads Records"],"title_tesim":["Young Women's Christian Association (YWCA) of Hampton Roads Records"],"unitdate_ssm":["circa 1906-2017, undated","1960-1990","Date acquired: 08/30/2000"],"unitdate_inclusive_ssm":["circa 1906-2017, undated"],"unitdate_bulk_ssim":["1960-1990"],"unitdate_other_ssim":["Date acquired: 08/30/2000"],"normalized_date_ssm":["1906/2017, bulk 1960/1990"],"normalized_title_ssm":["Young Women's Christian Association (YWCA) of Hampton Roads Records, 1906/2017, bulk 1960/1990"],"text":["Young Women's Christian Association (YWCA) of Hampton Roads Records, 1906/2017, bulk 1960/1990","MG 76","/repositories/5/resources/238","Women in community organization--Virginia","Women--United States--Societies, etc.","Women--Services for--Virginia","Women--Virginia--Social conditions","Young women--Services for--Virginia","Domestic Violence--prevention and control","Racism--Prevention","Women's rights","Camps for girls--Virginia","Leadership in women--Virginia","Open to researchers without restrictions.","The second accession was received by Special Collections and University Archives from Regina Malveaux, on behalf of the YWCA of Hampton Roads, on 03/30/2010.","This collection is broken down into groups based on when they were given to Special Collections and University Archives: Record Group 1: First Accession; and Record Group 2: Second Accession. Each record group is further organized into series within each record group.","The YWCA (Young Women's Christian Association) is the oldest and largest women's membership association. It began in London in 1855, and first came to the U.S. in 1858. Although similar in name, the YWCA has no affiliation with the YMCA. The YWCA was an independent movement that arose out of Women's church groups as a way of making life better for other women. These first YWCA's provided boarding houses, skills training, recreation, and a social environment for single, working women. After World War II, the YWCA's emphasis shifted to the family: mother and children. In 1946, the YWCA adopted an Interracial Charter. Its purpose became the empowerment of women and the elimination of racism.","The YWCA of South Hampton Roads started as housing for working girls in 1893. In 1908, the Phyllis Wheatley Branch of the YWCA of Norfolk began as an association of African American Women. The branch was named after a black woman poet who lived during the time of the Revolutionary War. Another YWCA started in Norfolk in 1911. This chapter had a residence for single women, and offered classes in cooking, stenography, Bible studies, typing, and gymnastics. It also had a cafeteria and a reading room. In 1925, the two branches came together. Then, in the 1950s a Virginia Beach branch was created. Over the years, many splits and mergers have occurred in the YWCA's of Hampton Roads. Throughout their history, the YWCA chapters of Hampton Roads have created many institutions in the community. Camp Owaissa, Camp E.W. Young, and various day camps have provided summer recreation for young girls. The Norfolk YWCA ran a cafeteria on West Freemason for many years. The YWCA has hosted women's shelters including the Phyllis Wheatley House, the Wilkshaw, and undisclosed battered women's shelters.","Other YWCA programs have included the Winners Dinners, now known as the Women of Distinction Award, where women of achievement have been recognized, Y-Prep and Y-Teens for young and adolescent girls, Black History Month, the Women in Crisis Program for victims of domestic violence, the Women in Transition Program to help economically disadvantaged women find employment or gain job skills, and Ladies Day Out workshops and fashion shows.","In addition to these, the YWCA of Hampton Roads has held and continues to hold a wide variety of programs for women of all ages and backgrounds. They offer classes, workshops, and training; fashion and talent shows; retreats; conventions; political events, achievement and award dinners, services and shelter for battered and abused women and children; and a variety of youth programs.","Note written by Special Collections Staff","Handling of the scrapbooks may be limited due to the fragile nature of the material.","The first accession was processed between 2000 and 2010. The second accession was processed by Mona Farrow, Reading Room Supervisor, in 2017.","Ocean View, Seaside and Seaview Amusement Park Collection (MG 31) and Virginia Beach Resorts Research Collection (RC 2) contains information about Seaview, the African American resort at the Virginia Beach oceanfront. YWCA material can also be found in the Women's Council for Interracial Cooperation Papers (MG 54).Current information about the YWCA of South Hampton Roads can be found on their website.","This collection contains the records of the Young Women's Christian Association (YWCA) of Hampton Roads. Included in the records are the administrative records of the organization, publications, photographs, scrapbooks, artifacts, and blueprints of various property held by the organization.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","The YWCA (Young Women's Christian Association) is the oldest and largest women's membership organization. The YWCA of South Hampton Roads first started as housing for working girls in 1893. Throughout their history, the YWCA chapters of Hampton Roads have advanced their purposes of empowering women and fighting racism by running women's shelters, camps, workshops, and various other programs. The collection consists mainly of photos, scrapbooks, and newspaper clippings, as well as some business and historical records of the organization.","ODU Community Collections","Young Women's Christian Association of Hampton Roads (Va.)","Young Women's Christian Association of the U.S.A.","English"],"collection_title_tesim":["Young Women's Christian Association (YWCA) of Hampton Roads Records, 1906/2017, bulk 1960/1990"],"collection_ssim":["Young Women's Christian Association (YWCA) of Hampton Roads Records, 1906/2017, bulk 1960/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 76","/repositories/5/resources/238"],"unitid_tesim":["MG 76","/repositories/5/resources/238"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Young Women's Christian Association of Hampton Roads (Va.)"],"creator_ssim":["Young Women's Christian Association of Hampton Roads (Va.)"],"creator_corpname_ssim":["ODU Community Collections","Young Women's Christian Association of Hampton Roads (Va.)","Young Women's Christian Association of the U.S.A."],"creators_ssim":["ODU Community Collections","Young Women's Christian Association of Hampton Roads (Va.)","Young Women's Christian Association of the U.S.A."],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["YWCA of Hampton Roads","Gift. Accession #A2000-7"],"access_subjects_ssim":["Women in community organization--Virginia","Women--United States--Societies, etc.","Women--Services for--Virginia","Women--Virginia--Social conditions","Young women--Services for--Virginia","Domestic Violence--prevention and control","Racism--Prevention","Women's rights","Camps for girls--Virginia","Leadership in women--Virginia"],"access_subjects_ssm":["Women in community organization--Virginia","Women--United States--Societies, etc.","Women--Services for--Virginia","Women--Virginia--Social conditions","Young women--Services for--Virginia","Domestic Violence--prevention and control","Racism--Prevention","Women's rights","Camps for girls--Virginia","Leadership in women--Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["45.20 Linear Feet","38 Hollinger document cases and 29 oversized boxes boxes"],"extent_tesim":["45.20 Linear Feet","38 Hollinger document cases and 29 oversized boxes boxes"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eThe second accession was received by Special Collections and University Archives from Regina Malveaux, on behalf of the YWCA of Hampton Roads, on 03/30/2010.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["The second accession was received by Special Collections and University Archives from Regina Malveaux, on behalf of the YWCA of Hampton Roads, on 03/30/2010."],"arrangement_html_tesm":["\u003cp\u003eThis collection is broken down into groups based on when they were given to Special Collections and University Archives: Record Group 1: First Accession; and Record Group 2: Second Accession. Each record group is further organized into series within each record group.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is broken down into groups based on when they were given to Special Collections and University Archives: Record Group 1: First Accession; and Record Group 2: Second Accession. Each record group is further organized into series within each record group."],"bioghist_html_tesm":["\u003cp\u003eThe YWCA (Young Women's Christian Association) is the oldest and largest women's membership association. It began in London in 1855, and first came to the U.S. in 1858. Although similar in name, the YWCA has no affiliation with the YMCA. The YWCA was an independent movement that arose out of Women's church groups as a way of making life better for other women. These first YWCA's provided boarding houses, skills training, recreation, and a social environment for single, working women. After World War II, the YWCA's emphasis shifted to the family: mother and children. In 1946, the YWCA adopted an Interracial Charter. Its purpose became the empowerment of women and the elimination of racism.\u003c/p\u003e","\u003cp\u003eThe YWCA of South Hampton Roads started as housing for working girls in 1893. In 1908, the Phyllis Wheatley Branch of the YWCA of Norfolk began as an association of African American Women. The branch was named after a black woman poet who lived during the time of the Revolutionary War. Another YWCA started in Norfolk in 1911. This chapter had a residence for single women, and offered classes in cooking, stenography, Bible studies, typing, and gymnastics. It also had a cafeteria and a reading room. In 1925, the two branches came together. Then, in the 1950s a Virginia Beach branch was created. Over the years, many splits and mergers have occurred in the YWCA's of Hampton Roads. Throughout their history, the YWCA chapters of Hampton Roads have created many institutions in the community. Camp Owaissa, Camp E.W. Young, and various day camps have provided summer recreation for young girls. The Norfolk YWCA ran a cafeteria on West Freemason for many years. The YWCA has hosted women's shelters including the Phyllis Wheatley House, the Wilkshaw, and undisclosed battered women's shelters.\u003c/p\u003e","\u003cp\u003eOther YWCA programs have included the Winners Dinners, now known as the Women of Distinction Award, where women of achievement have been recognized, Y-Prep and Y-Teens for young and adolescent girls, Black History Month, the Women in Crisis Program for victims of domestic violence, the Women in Transition Program to help economically disadvantaged women find employment or gain job skills, and Ladies Day Out workshops and fashion shows.\u003c/p\u003e","\u003cp\u003eIn addition to these, the YWCA of Hampton Roads has held and continues to hold a wide variety of programs for women of all ages and backgrounds. They offer classes, workshops, and training; fashion and talent shows; retreats; conventions; political events, achievement and award dinners, services and shelter for battered and abused women and children; and a variety of youth programs.\u003c/p\u003e","\u003cp\u003eNote written by Special Collections Staff\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The YWCA (Young Women's Christian Association) is the oldest and largest women's membership association. It began in London in 1855, and first came to the U.S. in 1858. Although similar in name, the YWCA has no affiliation with the YMCA. The YWCA was an independent movement that arose out of Women's church groups as a way of making life better for other women. These first YWCA's provided boarding houses, skills training, recreation, and a social environment for single, working women. After World War II, the YWCA's emphasis shifted to the family: mother and children. In 1946, the YWCA adopted an Interracial Charter. Its purpose became the empowerment of women and the elimination of racism.","The YWCA of South Hampton Roads started as housing for working girls in 1893. In 1908, the Phyllis Wheatley Branch of the YWCA of Norfolk began as an association of African American Women. The branch was named after a black woman poet who lived during the time of the Revolutionary War. Another YWCA started in Norfolk in 1911. This chapter had a residence for single women, and offered classes in cooking, stenography, Bible studies, typing, and gymnastics. It also had a cafeteria and a reading room. In 1925, the two branches came together. Then, in the 1950s a Virginia Beach branch was created. Over the years, many splits and mergers have occurred in the YWCA's of Hampton Roads. Throughout their history, the YWCA chapters of Hampton Roads have created many institutions in the community. Camp Owaissa, Camp E.W. Young, and various day camps have provided summer recreation for young girls. The Norfolk YWCA ran a cafeteria on West Freemason for many years. The YWCA has hosted women's shelters including the Phyllis Wheatley House, the Wilkshaw, and undisclosed battered women's shelters.","Other YWCA programs have included the Winners Dinners, now known as the Women of Distinction Award, where women of achievement have been recognized, Y-Prep and Y-Teens for young and adolescent girls, Black History Month, the Women in Crisis Program for victims of domestic violence, the Women in Transition Program to help economically disadvantaged women find employment or gain job skills, and Ladies Day Out workshops and fashion shows.","In addition to these, the YWCA of Hampton Roads has held and continues to hold a wide variety of programs for women of all ages and backgrounds. They offer classes, workshops, and training; fashion and talent shows; retreats; conventions; political events, achievement and award dinners, services and shelter for battered and abused women and children; and a variety of youth programs.","Note written by Special Collections Staff"],"phystech_html_tesm":["\u003cp\u003eHandling of the scrapbooks may be limited due to the fragile nature of the material.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Access Requirements"],"phystech_tesim":["Handling of the scrapbooks may be limited due to the fragile nature of the material."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], YWCA of Hampton Roads Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], YWCA of Hampton Roads Records, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe first accession was processed between 2000 and 2010. The second accession was processed by Mona Farrow, Reading Room Supervisor, in 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The first accession was processed between 2000 and 2010. The second accession was processed by Mona Farrow, Reading Room Supervisor, in 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eOcean View, Seaside and Seaview Amusement Park Collection (MG 31) and Virginia Beach Resorts Research Collection (RC 2) contains information about Seaview, the African American resort at the Virginia Beach oceanfront. YWCA material can also be found in the Women's Council for Interracial Cooperation Papers (MG 54).\u003cp\u003e\u003c/p\u003e\u003cp\u003eCurrent information about the \u003ca href=\"https://www.ywca-shr.org/\"\u003eYWCA of South Hampton Roads\u003c/a\u003e can be found on their website.\u003c/p\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Ocean View, Seaside and Seaview Amusement Park Collection (MG 31) and Virginia Beach Resorts Research Collection (RC 2) contains information about Seaview, the African American resort at the Virginia Beach oceanfront. YWCA material can also be found in the Women's Council for Interracial Cooperation Papers (MG 54).Current information about the YWCA of South Hampton Roads can be found on their website."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the records of the Young Women's Christian Association (YWCA) of Hampton Roads. Included in the records are the administrative records of the organization, publications, photographs, scrapbooks, artifacts, and blueprints of various property held by the organization.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the records of the Young Women's Christian Association (YWCA) of Hampton Roads. Included in the records are the administrative records of the organization, publications, photographs, scrapbooks, artifacts, and blueprints of various property held by the organization."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0cf5b104c3e6212e3df520759edeb87a\" label=\"Abstract\"\u003eThe YWCA (Young Women's Christian Association) is the oldest and largest women's membership organization. The YWCA of South Hampton Roads first started as housing for working girls in 1893. Throughout their history, the YWCA chapters of Hampton Roads have advanced their purposes of empowering women and fighting racism by running women's shelters, camps, workshops, and various other programs. The collection consists mainly of photos, scrapbooks, and newspaper clippings, as well as some business and historical records of the organization.\u003c/abstract\u003e\n    "],"abstract_tesim":["The YWCA (Young Women's Christian Association) is the oldest and largest women's membership organization. The YWCA of South Hampton Roads first started as housing for working girls in 1893. Throughout their history, the YWCA chapters of Hampton Roads have advanced their purposes of empowering women and fighting racism by running women's shelters, camps, workshops, and various other programs. The collection consists mainly of photos, scrapbooks, and newspaper clippings, as well as some business and historical records of the organization."],"corpname_ssim":["ODU Community Collections","Young Women's Christian Association of Hampton Roads (Va.)","Young Women's Christian Association of the U.S.A."],"names_coll_ssim":["Young Women's Christian Association of the U.S.A.","Young Women's Christian Association of Hampton Roads (Va.)"],"names_ssim":["ODU Community Collections","Young Women's Christian Association of Hampton Roads (Va.)","Young Women's Christian Association of the U.S.A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":842,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:33.091Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_238","ead_ssi":"vino_repositories_5_resources_238","_root_":"vino_repositories_5_resources_238","_nest_parent_":"vino_repositories_5_resources_238","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_238.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/238","title_filing_ssi":"Young Women's Christian Association of Hampton Roads","title_ssm":["Young Women's Christian Association (YWCA) of Hampton Roads Records"],"title_tesim":["Young Women's Christian Association (YWCA) of Hampton Roads Records"],"unitdate_ssm":["circa 1906-2017, undated","1960-1990","Date acquired: 08/30/2000"],"unitdate_inclusive_ssm":["circa 1906-2017, undated"],"unitdate_bulk_ssim":["1960-1990"],"unitdate_other_ssim":["Date acquired: 08/30/2000"],"normalized_date_ssm":["1906/2017, bulk 1960/1990"],"normalized_title_ssm":["Young Women's Christian Association (YWCA) of Hampton Roads Records, 1906/2017, bulk 1960/1990"],"text":["Young Women's Christian Association (YWCA) of Hampton Roads Records, 1906/2017, bulk 1960/1990","MG 76","/repositories/5/resources/238","Women in community organization--Virginia","Women--United States--Societies, etc.","Women--Services for--Virginia","Women--Virginia--Social conditions","Young women--Services for--Virginia","Domestic Violence--prevention and control","Racism--Prevention","Women's rights","Camps for girls--Virginia","Leadership in women--Virginia","Open to researchers without restrictions.","The second accession was received by Special Collections and University Archives from Regina Malveaux, on behalf of the YWCA of Hampton Roads, on 03/30/2010.","This collection is broken down into groups based on when they were given to Special Collections and University Archives: Record Group 1: First Accession; and Record Group 2: Second Accession. Each record group is further organized into series within each record group.","The YWCA (Young Women's Christian Association) is the oldest and largest women's membership association. It began in London in 1855, and first came to the U.S. in 1858. Although similar in name, the YWCA has no affiliation with the YMCA. The YWCA was an independent movement that arose out of Women's church groups as a way of making life better for other women. These first YWCA's provided boarding houses, skills training, recreation, and a social environment for single, working women. After World War II, the YWCA's emphasis shifted to the family: mother and children. In 1946, the YWCA adopted an Interracial Charter. Its purpose became the empowerment of women and the elimination of racism.","The YWCA of South Hampton Roads started as housing for working girls in 1893. In 1908, the Phyllis Wheatley Branch of the YWCA of Norfolk began as an association of African American Women. The branch was named after a black woman poet who lived during the time of the Revolutionary War. Another YWCA started in Norfolk in 1911. This chapter had a residence for single women, and offered classes in cooking, stenography, Bible studies, typing, and gymnastics. It also had a cafeteria and a reading room. In 1925, the two branches came together. Then, in the 1950s a Virginia Beach branch was created. Over the years, many splits and mergers have occurred in the YWCA's of Hampton Roads. Throughout their history, the YWCA chapters of Hampton Roads have created many institutions in the community. Camp Owaissa, Camp E.W. Young, and various day camps have provided summer recreation for young girls. The Norfolk YWCA ran a cafeteria on West Freemason for many years. The YWCA has hosted women's shelters including the Phyllis Wheatley House, the Wilkshaw, and undisclosed battered women's shelters.","Other YWCA programs have included the Winners Dinners, now known as the Women of Distinction Award, where women of achievement have been recognized, Y-Prep and Y-Teens for young and adolescent girls, Black History Month, the Women in Crisis Program for victims of domestic violence, the Women in Transition Program to help economically disadvantaged women find employment or gain job skills, and Ladies Day Out workshops and fashion shows.","In addition to these, the YWCA of Hampton Roads has held and continues to hold a wide variety of programs for women of all ages and backgrounds. They offer classes, workshops, and training; fashion and talent shows; retreats; conventions; political events, achievement and award dinners, services and shelter for battered and abused women and children; and a variety of youth programs.","Note written by Special Collections Staff","Handling of the scrapbooks may be limited due to the fragile nature of the material.","The first accession was processed between 2000 and 2010. The second accession was processed by Mona Farrow, Reading Room Supervisor, in 2017.","Ocean View, Seaside and Seaview Amusement Park Collection (MG 31) and Virginia Beach Resorts Research Collection (RC 2) contains information about Seaview, the African American resort at the Virginia Beach oceanfront. YWCA material can also be found in the Women's Council for Interracial Cooperation Papers (MG 54).Current information about the YWCA of South Hampton Roads can be found on their website.","This collection contains the records of the Young Women's Christian Association (YWCA) of Hampton Roads. Included in the records are the administrative records of the organization, publications, photographs, scrapbooks, artifacts, and blueprints of various property held by the organization.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","The YWCA (Young Women's Christian Association) is the oldest and largest women's membership organization. The YWCA of South Hampton Roads first started as housing for working girls in 1893. Throughout their history, the YWCA chapters of Hampton Roads have advanced their purposes of empowering women and fighting racism by running women's shelters, camps, workshops, and various other programs. The collection consists mainly of photos, scrapbooks, and newspaper clippings, as well as some business and historical records of the organization.","ODU Community Collections","Young Women's Christian Association of Hampton Roads (Va.)","Young Women's Christian Association of the U.S.A.","English"],"collection_title_tesim":["Young Women's Christian Association (YWCA) of Hampton Roads Records, 1906/2017, bulk 1960/1990"],"collection_ssim":["Young Women's Christian Association (YWCA) of Hampton Roads Records, 1906/2017, bulk 1960/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 76","/repositories/5/resources/238"],"unitid_tesim":["MG 76","/repositories/5/resources/238"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Young Women's Christian Association of Hampton Roads (Va.)"],"creator_ssim":["Young Women's Christian Association of Hampton Roads (Va.)"],"creator_corpname_ssim":["ODU Community Collections","Young Women's Christian Association of Hampton Roads (Va.)","Young Women's Christian Association of the U.S.A."],"creators_ssim":["ODU Community Collections","Young Women's Christian Association of Hampton Roads (Va.)","Young Women's Christian Association of the U.S.A."],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["YWCA of Hampton Roads","Gift. Accession #A2000-7"],"access_subjects_ssim":["Women in community organization--Virginia","Women--United States--Societies, etc.","Women--Services for--Virginia","Women--Virginia--Social conditions","Young women--Services for--Virginia","Domestic Violence--prevention and control","Racism--Prevention","Women's rights","Camps for girls--Virginia","Leadership in women--Virginia"],"access_subjects_ssm":["Women in community organization--Virginia","Women--United States--Societies, etc.","Women--Services for--Virginia","Women--Virginia--Social conditions","Young women--Services for--Virginia","Domestic Violence--prevention and control","Racism--Prevention","Women's rights","Camps for girls--Virginia","Leadership in women--Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["45.20 Linear Feet","38 Hollinger document cases and 29 oversized boxes boxes"],"extent_tesim":["45.20 Linear Feet","38 Hollinger document cases and 29 oversized boxes boxes"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eThe second accession was received by Special Collections and University Archives from Regina Malveaux, on behalf of the YWCA of Hampton Roads, on 03/30/2010.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["The second accession was received by Special Collections and University Archives from Regina Malveaux, on behalf of the YWCA of Hampton Roads, on 03/30/2010."],"arrangement_html_tesm":["\u003cp\u003eThis collection is broken down into groups based on when they were given to Special Collections and University Archives: Record Group 1: First Accession; and Record Group 2: Second Accession. Each record group is further organized into series within each record group.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is broken down into groups based on when they were given to Special Collections and University Archives: Record Group 1: First Accession; and Record Group 2: Second Accession. Each record group is further organized into series within each record group."],"bioghist_html_tesm":["\u003cp\u003eThe YWCA (Young Women's Christian Association) is the oldest and largest women's membership association. It began in London in 1855, and first came to the U.S. in 1858. Although similar in name, the YWCA has no affiliation with the YMCA. The YWCA was an independent movement that arose out of Women's church groups as a way of making life better for other women. These first YWCA's provided boarding houses, skills training, recreation, and a social environment for single, working women. After World War II, the YWCA's emphasis shifted to the family: mother and children. In 1946, the YWCA adopted an Interracial Charter. Its purpose became the empowerment of women and the elimination of racism.\u003c/p\u003e","\u003cp\u003eThe YWCA of South Hampton Roads started as housing for working girls in 1893. In 1908, the Phyllis Wheatley Branch of the YWCA of Norfolk began as an association of African American Women. The branch was named after a black woman poet who lived during the time of the Revolutionary War. Another YWCA started in Norfolk in 1911. This chapter had a residence for single women, and offered classes in cooking, stenography, Bible studies, typing, and gymnastics. It also had a cafeteria and a reading room. In 1925, the two branches came together. Then, in the 1950s a Virginia Beach branch was created. Over the years, many splits and mergers have occurred in the YWCA's of Hampton Roads. Throughout their history, the YWCA chapters of Hampton Roads have created many institutions in the community. Camp Owaissa, Camp E.W. Young, and various day camps have provided summer recreation for young girls. The Norfolk YWCA ran a cafeteria on West Freemason for many years. The YWCA has hosted women's shelters including the Phyllis Wheatley House, the Wilkshaw, and undisclosed battered women's shelters.\u003c/p\u003e","\u003cp\u003eOther YWCA programs have included the Winners Dinners, now known as the Women of Distinction Award, where women of achievement have been recognized, Y-Prep and Y-Teens for young and adolescent girls, Black History Month, the Women in Crisis Program for victims of domestic violence, the Women in Transition Program to help economically disadvantaged women find employment or gain job skills, and Ladies Day Out workshops and fashion shows.\u003c/p\u003e","\u003cp\u003eIn addition to these, the YWCA of Hampton Roads has held and continues to hold a wide variety of programs for women of all ages and backgrounds. They offer classes, workshops, and training; fashion and talent shows; retreats; conventions; political events, achievement and award dinners, services and shelter for battered and abused women and children; and a variety of youth programs.\u003c/p\u003e","\u003cp\u003eNote written by Special Collections Staff\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The YWCA (Young Women's Christian Association) is the oldest and largest women's membership association. It began in London in 1855, and first came to the U.S. in 1858. Although similar in name, the YWCA has no affiliation with the YMCA. The YWCA was an independent movement that arose out of Women's church groups as a way of making life better for other women. These first YWCA's provided boarding houses, skills training, recreation, and a social environment for single, working women. After World War II, the YWCA's emphasis shifted to the family: mother and children. In 1946, the YWCA adopted an Interracial Charter. Its purpose became the empowerment of women and the elimination of racism.","The YWCA of South Hampton Roads started as housing for working girls in 1893. In 1908, the Phyllis Wheatley Branch of the YWCA of Norfolk began as an association of African American Women. The branch was named after a black woman poet who lived during the time of the Revolutionary War. Another YWCA started in Norfolk in 1911. This chapter had a residence for single women, and offered classes in cooking, stenography, Bible studies, typing, and gymnastics. It also had a cafeteria and a reading room. In 1925, the two branches came together. Then, in the 1950s a Virginia Beach branch was created. Over the years, many splits and mergers have occurred in the YWCA's of Hampton Roads. Throughout their history, the YWCA chapters of Hampton Roads have created many institutions in the community. Camp Owaissa, Camp E.W. Young, and various day camps have provided summer recreation for young girls. The Norfolk YWCA ran a cafeteria on West Freemason for many years. The YWCA has hosted women's shelters including the Phyllis Wheatley House, the Wilkshaw, and undisclosed battered women's shelters.","Other YWCA programs have included the Winners Dinners, now known as the Women of Distinction Award, where women of achievement have been recognized, Y-Prep and Y-Teens for young and adolescent girls, Black History Month, the Women in Crisis Program for victims of domestic violence, the Women in Transition Program to help economically disadvantaged women find employment or gain job skills, and Ladies Day Out workshops and fashion shows.","In addition to these, the YWCA of Hampton Roads has held and continues to hold a wide variety of programs for women of all ages and backgrounds. They offer classes, workshops, and training; fashion and talent shows; retreats; conventions; political events, achievement and award dinners, services and shelter for battered and abused women and children; and a variety of youth programs.","Note written by Special Collections Staff"],"phystech_html_tesm":["\u003cp\u003eHandling of the scrapbooks may be limited due to the fragile nature of the material.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Access Requirements"],"phystech_tesim":["Handling of the scrapbooks may be limited due to the fragile nature of the material."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], YWCA of Hampton Roads Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], YWCA of Hampton Roads Records, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe first accession was processed between 2000 and 2010. The second accession was processed by Mona Farrow, Reading Room Supervisor, in 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The first accession was processed between 2000 and 2010. The second accession was processed by Mona Farrow, Reading Room Supervisor, in 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eOcean View, Seaside and Seaview Amusement Park Collection (MG 31) and Virginia Beach Resorts Research Collection (RC 2) contains information about Seaview, the African American resort at the Virginia Beach oceanfront. YWCA material can also be found in the Women's Council for Interracial Cooperation Papers (MG 54).\u003cp\u003e\u003c/p\u003e\u003cp\u003eCurrent information about the \u003ca href=\"https://www.ywca-shr.org/\"\u003eYWCA of South Hampton Roads\u003c/a\u003e can be found on their website.\u003c/p\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Ocean View, Seaside and Seaview Amusement Park Collection (MG 31) and Virginia Beach Resorts Research Collection (RC 2) contains information about Seaview, the African American resort at the Virginia Beach oceanfront. YWCA material can also be found in the Women's Council for Interracial Cooperation Papers (MG 54).Current information about the YWCA of South Hampton Roads can be found on their website."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the records of the Young Women's Christian Association (YWCA) of Hampton Roads. Included in the records are the administrative records of the organization, publications, photographs, scrapbooks, artifacts, and blueprints of various property held by the organization.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the records of the Young Women's Christian Association (YWCA) of Hampton Roads. Included in the records are the administrative records of the organization, publications, photographs, scrapbooks, artifacts, and blueprints of various property held by the organization."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0cf5b104c3e6212e3df520759edeb87a\" label=\"Abstract\"\u003eThe YWCA (Young Women's Christian Association) is the oldest and largest women's membership organization. The YWCA of South Hampton Roads first started as housing for working girls in 1893. Throughout their history, the YWCA chapters of Hampton Roads have advanced their purposes of empowering women and fighting racism by running women's shelters, camps, workshops, and various other programs. The collection consists mainly of photos, scrapbooks, and newspaper clippings, as well as some business and historical records of the organization.\u003c/abstract\u003e\n    "],"abstract_tesim":["The YWCA (Young Women's Christian Association) is the oldest and largest women's membership organization. The YWCA of South Hampton Roads first started as housing for working girls in 1893. Throughout their history, the YWCA chapters of Hampton Roads have advanced their purposes of empowering women and fighting racism by running women's shelters, camps, workshops, and various other programs. The collection consists mainly of photos, scrapbooks, and newspaper clippings, as well as some business and historical records of the organization."],"corpname_ssim":["ODU Community Collections","Young Women's Christian Association of Hampton Roads (Va.)","Young Women's Christian Association of the U.S.A."],"names_coll_ssim":["Young Women's Christian Association of the U.S.A.","Young Women's Christian Association of Hampton Roads (Va.)"],"names_ssim":["ODU Community Collections","Young Women's Christian Association of Hampton Roads (Va.)","Young Women's Christian Association of the U.S.A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":842,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:33.091Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_238"}},{"id":"viw_repositories_2_resources_8527_c13_c910","type":"Item","attributes":{"title":"Youth Christmas pageant (unidentified), Austin, 1930/1945","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527_c13_c910#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eduplicate included\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527_c13_c910#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8527_c13_c910","ref_ssm":["viw_repositories_2_resources_8527_c13_c910"],"id":"viw_repositories_2_resources_8527_c13_c910","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527_c13","parent_ssi":"viw_repositories_2_resources_8527_c13","parent_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 13: Photographs, 1925/1985"],"parent_ids_ssim":["viw_repositories_2_resources_8527","viw_repositories_2_resources_8527_c13"],"title_filing_ssi":"Youth Christmas pageant (unidentified), Austin","title_ssm":["Youth Christmas pageant (unidentified), Austin"],"title_tesim":["Youth Christmas pageant (unidentified), Austin"],"normalized_title_ssm":["Youth Christmas pageant (unidentified), Austin, 1930/1945"],"text":["Youth Christmas pageant (unidentified), Austin, 1930/1945","Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 13: Photographs, 1925/1985","Box 50","duplicate included"],"parent_unittitles_ssm":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 13: Photographs, 1925/1985"],"parent_unittitles_tesim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 13: Photographs, 1925/1985"],"normalized_date_ssm":["1930/1945"],"unitdate_inclusive_ssm":["1930-1945"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":1240,"repository_ssim":["College of William and Mary"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"containers_ssim":["Box 50"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945],"scopecontent_html_tesm":["\u003cp\u003eduplicate included\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["duplicate included"],"_nest_path_":"/components#12/components#909","timestamp":"2026-08-14T23:04:06.265Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8527","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8527.xml","title_filing_ssi":"Carl A. \"Pappy\" Fehr papers","title_ssm":["Carl A. \"Pappy\" Fehr papers"],"title_tesim":["Carl A. \"Pappy\" Fehr papers"],"unitdate_ssm":["1907-2012","1945-1974"],"unitdate_inclusive_ssm":["1907-2012"],"unitdate_bulk_ssim":["1945-1974"],"normalized_date_ssm":["1907/2012, bulk 1945/1974"],"normalized_title_ssm":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"text":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","UA 6.017","/repositories/2/resources/8527","College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.","Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.","Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.","See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)","The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A.","English"],"collection_title_tesim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.017","/repositories/2/resources/8527"],"unitid_tesim":["UA 6.017","/repositories/2/resources/8527"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Fehr, Carl A.","Dept. of Music"],"creator_ssim":["Fehr, Carl A.","Dept. of Music"],"creator_persname_ssim":["Fehr, Carl A."],"creator_corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"creators_ssim":["Fehr, Carl A.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2003.1 received 2/20/2003 from Thomas Terry (class of 1974); Acc. 2007.010, 7 cubic feet, received 5/31/2007 from Thomas Terry; Acc. 2007.65, 1 box of music scores, received from G. Lindsey Florence (class of 1967) 9/7/2007; Acc. 2008.08 received 1/18/2008 from Mark '77 and Ann (Spielman) '75 Woolley. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"access_subjects_ssm":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["66.00 Linear Feet"],"extent_tesim":["66.00 Linear Feet"],"genreform_ssim":["Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983."],"bioghist_html_tesm":["\u003cp\u003eDr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.\u003c/p\u003e","\u003cp\u003e Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.","Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr."],"prefercite_html_tesm":["\u003cp\u003eCarl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Carl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e","\u003cp\u003e Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"names_coll_ssim":["Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"persname_ssim":["Fehr, Carl A."],"names_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2260,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:04:06.265Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527_c13_c910"}},{"id":"viw_repositories_2_resources_8527_c13_c911","type":"Item","attributes":{"title":"Youth Christmas pageant (unidentified), Austin, 1930/1945","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527_c13_c911#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8527_c13_c911","ref_ssm":["viw_repositories_2_resources_8527_c13_c911"],"id":"viw_repositories_2_resources_8527_c13_c911","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527_c13","parent_ssi":"viw_repositories_2_resources_8527_c13","parent_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 13: Photographs, 1925/1985"],"parent_ids_ssim":["viw_repositories_2_resources_8527","viw_repositories_2_resources_8527_c13"],"title_filing_ssi":"Youth Christmas pageant (unidentified), Austin","title_ssm":["Youth Christmas pageant (unidentified), Austin"],"title_tesim":["Youth Christmas pageant (unidentified), Austin"],"normalized_title_ssm":["Youth Christmas pageant (unidentified), Austin, 1930/1945"],"text":["Youth Christmas pageant (unidentified), Austin, 1930/1945","Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 13: Photographs, 1925/1985","Box 50"],"parent_unittitles_ssm":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 13: Photographs, 1925/1985"],"parent_unittitles_tesim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 13: Photographs, 1925/1985"],"normalized_date_ssm":["1930/1945"],"unitdate_inclusive_ssm":["1930-1945"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":1241,"repository_ssim":["College of William and Mary"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"containers_ssim":["Box 50"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945],"_nest_path_":"/components#12/components#910","timestamp":"2026-08-14T23:04:06.265Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8527","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8527.xml","title_filing_ssi":"Carl A. \"Pappy\" Fehr papers","title_ssm":["Carl A. \"Pappy\" Fehr papers"],"title_tesim":["Carl A. \"Pappy\" Fehr papers"],"unitdate_ssm":["1907-2012","1945-1974"],"unitdate_inclusive_ssm":["1907-2012"],"unitdate_bulk_ssim":["1945-1974"],"normalized_date_ssm":["1907/2012, bulk 1945/1974"],"normalized_title_ssm":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"text":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","UA 6.017","/repositories/2/resources/8527","College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.","Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.","Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.","See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)","The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A.","English"],"collection_title_tesim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.017","/repositories/2/resources/8527"],"unitid_tesim":["UA 6.017","/repositories/2/resources/8527"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Fehr, Carl A.","Dept. of Music"],"creator_ssim":["Fehr, Carl A.","Dept. of Music"],"creator_persname_ssim":["Fehr, Carl A."],"creator_corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"creators_ssim":["Fehr, Carl A.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2003.1 received 2/20/2003 from Thomas Terry (class of 1974); Acc. 2007.010, 7 cubic feet, received 5/31/2007 from Thomas Terry; Acc. 2007.65, 1 box of music scores, received from G. Lindsey Florence (class of 1967) 9/7/2007; Acc. 2008.08 received 1/18/2008 from Mark '77 and Ann (Spielman) '75 Woolley. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"access_subjects_ssm":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["66.00 Linear Feet"],"extent_tesim":["66.00 Linear Feet"],"genreform_ssim":["Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983."],"bioghist_html_tesm":["\u003cp\u003eDr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.\u003c/p\u003e","\u003cp\u003e Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.","Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr."],"prefercite_html_tesm":["\u003cp\u003eCarl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Carl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e","\u003cp\u003e Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"names_coll_ssim":["Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"persname_ssim":["Fehr, Carl A."],"names_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2260,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:04:06.265Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527_c13_c911"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":269},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":4546},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":43},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation"}},{"attributes":{"label":"Fairfax County Public Library","value":"Fairfax County Public Library","hits":85},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=Fairfax+County+Public+Library"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":4561},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":98},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":1023},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=James+Madison+University"}},{"attributes":{"label":"Jones Memorial Library","value":"Jones Memorial Library","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=Jones+Memorial+Library"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":27},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":165},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=Longwood+University"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":830},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Brother Rat\" collection, 1934/1939","value":"\"Brother Rat\" collection, 1934/1939","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Brother+Rat%22+collection%2C+1934%2F1939\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"\"Glass Ceilings: Highlights from the International Archive of Women in Architecture Center, \" selected exhibit panels, 2010","value":"\"Glass Ceilings: Highlights from the International Archive of Women in Architecture Center, \" selected exhibit panels, 2010","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Glass+Ceilings%3A+Highlights+from+the+International+Archive+of+Women+in+Architecture+Center%2C+%22+selected+exhibit+panels%2C+2010\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"\"Mannington Times\" Newspaper Account Ledger and Other Material, 1930/1953","value":"\"Mannington Times\" Newspaper Account Ledger and Other Material, 1930/1953","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Mannington+Times%22+Newspaper+Account+Ledger+and+Other+Material%2C+1930%2F1953\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","value":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22More+Than+the+Sum+of+Our+Body+Parts%3A+An+Exhibit+by+CARY%2C+1992-1993%22%2C+1934%2F2000\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"\"Peggy's Doctor\" Cast Photograph, 1930/1940","value":"\"Peggy's Doctor\" Cast Photograph, 1930/1940","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Peggy%27s+Doctor%22+Cast+Photograph%2C+1930%2F1940\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"\"Stories and Plays Owned by Twentieth Century-Fox Film Corporation\" Summaries, 1936","value":"\"Stories and Plays Owned by Twentieth Century-Fox Film Corporation\" Summaries, 1936","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Stories+and+Plays+Owned+by+Twentieth+Century-Fox+Film+Corporation%22+Summaries%2C+1936\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"\"The Kendall Journal\" Newspaper regarding Kendall Family Genealogy, 1930/1936","value":"\"The Kendall Journal\" Newspaper regarding Kendall Family Genealogy, 1930/1936","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22The+Kendall+Journal%22+Newspaper+regarding+Kendall+Family+Genealogy%2C+1930%2F1936\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"4-H Club (Chesterfield County, Va.) minute books, 1933/1941","value":"4-H Club (Chesterfield County, Va.) minute books, 1933/1941","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=4-H+Club+%28Chesterfield+County%2C+Va.%29+minute+books%2C+1933%2F1941\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"4-H Project, West Virginia Flowers and Trees and Other Records, 1933/1979","value":"4-H Project, West Virginia Flowers and Trees and Other Records, 1933/1979","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=4-H+Project%2C+West+Virginia+Flowers+and+Trees+and+Other+Records%2C+1933%2F1979\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"A. E. Dick Howard papers, 1928/2017","value":"A. E. Dick Howard papers, 1928/2017","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+E.+Dick+Howard+papers%2C+1928%2F2017\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"A. Edwin Kendrew Papers, 1930/1959","value":"A. Edwin Kendrew Papers, 1930/1959","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+Edwin+Kendrew+Papers%2C+1930%2F1959\u0026f%5Bdate_range%5D%5B%5D=1936"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"0","value":"0","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bdate_range%5D%5B%5D=0"}},{"attributes":{"label":"994","value":"994","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bdate_range%5D%5B%5D=994"}},{"attributes":{"label":"995","value":"995","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bdate_range%5D%5B%5D=995"}},{"attributes":{"label":"996","value":"996","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bdate_range%5D%5B%5D=996"}},{"attributes":{"label":"997","value":"997","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bdate_range%5D%5B%5D=997"}},{"attributes":{"label":"998","value":"998","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bdate_range%5D%5B%5D=998"}},{"attributes":{"label":"999","value":"999","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bdate_range%5D%5B%5D=999"}},{"attributes":{"label":"1000","value":"1000","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bdate_range%5D%5B%5D=1000"}},{"attributes":{"label":"1001","value":"1001","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bdate_range%5D%5B%5D=1001"}},{"attributes":{"label":"1002","value":"1002","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bdate_range%5D%5B%5D=1002"}},{"attributes":{"label":"1003","value":"1003","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bdate_range%5D%5B%5D=1003"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/date_range_isim.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"4-H Club (Chesterfield County, Va.)","value":"4-H Club (Chesterfield County, Va.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=4-H+Club+%28Chesterfield+County%2C+Va.%29\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"A La Vieille Russie (Firm)","value":"A La Vieille Russie (Firm)","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=A+La+Vieille+Russie+%28Firm%29\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"Aaron Siskind Foundation","value":"Aaron Siskind Foundation","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Aaron+Siskind+Foundation\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"Aaron, Reid S. (Reid Stanley), 1918-1944","value":"Aaron, Reid S. (Reid Stanley), 1918-1944","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Aaron%2C+Reid+S.+%28Reid+Stanley%29%2C+1918-1944\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"Abbott, Harold T.","value":"Abbott, Harold T.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Abbott%2C+Harold+T.\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"Academy of Sciences and Fine Arts","value":"Academy of Sciences and Fine Arts","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Academy+of+Sciences+and+Fine+Arts\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"Ackerson, John Thaddeus, 1898-1975","value":"Ackerson, John Thaddeus, 1898-1975","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Ackerson%2C+John+Thaddeus%2C+1898-1975\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"Adam, William R. (William Robert), 1918-1992","value":"Adam, William R. (William Robert), 1918-1992","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Adam%2C+William+R.+%28William+Robert%29%2C+1918-1992\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"Adams, Elizabeth Kent","value":"Adams, Elizabeth Kent","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Adams%2C+Elizabeth+Kent\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"Adams, John N., Jr. (John Newton)","value":"Adams, John N., Jr. (John Newton)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Adams%2C+John+N.%2C+Jr.+%28John+Newton%29\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"Adams, John Quincy, 1767-1848","value":"Adams, John Quincy, 1767-1848","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Adams%2C+John+Quincy%2C+1767-1848\u0026f%5Bdate_range%5D%5B%5D=1936"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/creator_ssim.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"4-H Club (Chesterfield County, Va.)","value":"4-H Club (Chesterfield County, Va.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bnames%5D%5B%5D=4-H+Club+%28Chesterfield+County%2C+Va.%29"}},{"attributes":{"label":"4-H Clubs - West Virginia.","value":"4-H Clubs - West Virginia.","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bnames%5D%5B%5D=4-H+Clubs+-+West+Virginia."}},{"attributes":{"label":"4-H Project. West Virginia Flowers and Trees","value":"4-H Project. West Virginia Flowers and Trees","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bnames%5D%5B%5D=4-H+Project.+West+Virginia+Flowers+and+Trees"}},{"attributes":{"label":"4-H clubs","value":"4-H clubs","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bnames%5D%5B%5D=4-H+clubs"}},{"attributes":{"label":"A La Vieille Russie (Firm)","value":"A La Vieille Russie (Firm)","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bnames%5D%5B%5D=A+La+Vieille+Russie+%28Firm%29"}},{"attributes":{"label":"A. D. Handy, Stereopticons and Supplies (Boston, Ma)","value":"A. D. Handy, Stereopticons and Supplies (Boston, Ma)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bnames%5D%5B%5D=A.+D.+Handy%2C+Stereopticons+and+Supplies+%28Boston%2C+Ma%29"}},{"attributes":{"label":"A. W. Luster","value":"A. W. Luster","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bnames%5D%5B%5D=A.+W.+Luster"}},{"attributes":{"label":"A. Wallace Morrison's General Store (Collierstown, Va.)","value":"A. Wallace Morrison's General Store (Collierstown, Va.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bnames%5D%5B%5D=A.+Wallace+Morrison%27s+General+Store+%28Collierstown%2C+Va.%29"}},{"attributes":{"label":"A.B. Smith General Store","value":"A.B. Smith General Store","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bnames%5D%5B%5D=A.B.+Smith+General+Store"}},{"attributes":{"label":"A.G. Lichtenstein and Associates","value":"A.G. Lichtenstein and Associates","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bnames%5D%5B%5D=A.G.+Lichtenstein+and+Associates"}},{"attributes":{"label":"A.G. Spalding \u0026 Bros","value":"A.G. Spalding \u0026 Bros","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bnames%5D%5B%5D=A.G.+Spalding+%26+Bros"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/names_ssim.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"4-H clubs--United States--History","value":"4-H clubs--United States--History","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bplaces%5D%5B%5D=4-H+clubs--United+States--History"}},{"attributes":{"label":"Abb's Valley (Va. and W. Va.)","value":"Abb's Valley (Va. and W. Va.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bplaces%5D%5B%5D=Abb%27s+Valley+%28Va.+and+W.+Va.%29"}},{"attributes":{"label":"Accomack County (Va.)--History","value":"Accomack County (Va.)--History","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bplaces%5D%5B%5D=Accomack+County+%28Va.%29--History"}},{"attributes":{"label":"Afghanistan","value":"Afghanistan","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bplaces%5D%5B%5D=Afghanistan"}},{"attributes":{"label":"Africa","value":"Africa","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bplaces%5D%5B%5D=Africa"}},{"attributes":{"label":"Africa, East--Maps","value":"Africa, East--Maps","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bplaces%5D%5B%5D=Africa%2C+East--Maps"}},{"attributes":{"label":"Africa, Southern -- Description and travel","value":"Africa, Southern -- Description and travel","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bplaces%5D%5B%5D=Africa%2C+Southern+--+Description+and+travel"}},{"attributes":{"label":"Africa--Description and travel","value":"Africa--Description and travel","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bplaces%5D%5B%5D=Africa--Description+and+travel"}},{"attributes":{"label":"African-American artists","value":"African-American artists","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bplaces%5D%5B%5D=African-American+artists"}},{"attributes":{"label":"Aguaruna indigenous group","value":"Aguaruna indigenous group","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bplaces%5D%5B%5D=Aguaruna+indigenous+group"}},{"attributes":{"label":"Alabama","value":"Alabama","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Bplaces%5D%5B%5D=Alabama"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"19th Century U.S. Newspapers","value":"19th Century U.S. Newspapers","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=19th+Century+U.S.+Newspapers\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"20th Century U.S. Newspapers","value":"20th Century U.S. Newspapers","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=20th+Century+U.S.+Newspapers\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"4-H clubs -- West Virginia","value":"4-H clubs -- West Virginia","hits":5},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=4-H+clubs+--+West+Virginia\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"Aberdeen--Angus cattle","value":"Aberdeen--Angus cattle","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Aberdeen--Angus+cattle\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"Abolition of slavery","value":"Abolition of slavery","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Abolition+of+slavery\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"Abortion -- Law and legislation -- United States","value":"Abortion -- Law and legislation -- United States","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Abortion+--+Law+and+legislation+--+United+States\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"Abstracts (summaries)","value":"Abstracts (summaries)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Abstracts+%28summaries%29\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"Abused children -- Services for -- Virginia -- Periodicals","value":"Abused children -- Services for -- Virginia -- Periodicals","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Abused+children+--+Services+for+--+Virginia+--+Periodicals\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"Academic achievement","value":"Academic achievement","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Academic+achievement\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"Academic libraries","value":"Academic libraries","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Academic+libraries\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"Academic records","value":"Academic records","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Academic+records\u0026f%5Bdate_range%5D%5B%5D=1936"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Box","value":"Box","hits":714},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Blevel%5D%5B%5D=Box"}},{"attributes":{"label":"Cabinet drawer","value":"Cabinet drawer","hits":5},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Blevel%5D%5B%5D=Cabinet+drawer"}},{"attributes":{"label":"Class","value":"Class","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Blevel%5D%5B%5D=Class"}},{"attributes":{"label":"Collection","value":"Collection","hits":3619},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"File","value":"File","hits":22758},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"Fonds","value":"Fonds","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Blevel%5D%5B%5D=Fonds"}},{"attributes":{"label":"Item","value":"Item","hits":3820},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Blevel%5D%5B%5D=Item"}},{"attributes":{"label":"Package","value":"Package","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Blevel%5D%5B%5D=Package"}},{"attributes":{"label":"Partial box","value":"Partial box","hits":7},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Blevel%5D%5B%5D=Partial+box"}},{"attributes":{"label":"Record Group","value":"Record Group","hits":35},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Blevel%5D%5B%5D=Record+Group"}},{"attributes":{"label":"Record group","value":"Record group","hits":10},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Blevel%5D%5B%5D=Record+group"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/level_ssim.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3"}},{"type":"facet","id":"access","attributes":{"label":"Access","items":[{"attributes":{"label":"Online access","value":"online","hits":67},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1936"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/access.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3426\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3426\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3426\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3426\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3426\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3426\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3426\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3426\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3426\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3426\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3426\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3426\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3426\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3426\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026facet.page=3\u0026page=3426\u0026sort=title_sort+desc"}}]}