{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=20","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=19","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=21","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=78"},"meta":{"pages":{"current_page":20,"next_page":21,"prev_page":19,"total_pages":78,"limit_value":10,"offset_value":190,"total_count":773,"first_page?":false,"last_page?":false}},"data":[{"id":"vircu_repositories_5_resources_381_c09","type":"File","attributes":{"title":"Correspondence Miscellaneous,","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_381_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_381_c09","ref_ssm":["vircu_repositories_5_resources_381_c09"],"id":"vircu_repositories_5_resources_381_c09","ead_ssi":"vircu_repositories_5_resources_381","_root_":"vircu_repositories_5_resources_381","_nest_parent_":"vircu_repositories_5_resources_381","parent_ssi":"vircu_repositories_5_resources_381","parent_ssim":["vircu_repositories_5_resources_381"],"parent_ids_ssim":["vircu_repositories_5_resources_381"],"parent_unittitles_ssm":["Astoria Beneficial Club and Richmond Beneficial Insurance records"],"parent_unittitles_tesim":["Astoria Beneficial Club and Richmond Beneficial Insurance records"],"text":["Astoria Beneficial Club and Richmond Beneficial Insurance records","Correspondence Miscellaneous,","box 1"],"title_filing_ssi":"Correspondence Miscellaneous,","title_ssm":["Correspondence Miscellaneous,"],"title_tesim":["Correspondence Miscellaneous,"],"unitdate_inclusive_ssm":["1928-1936"],"normalized_date_ssm":["1928/1936"],"normalized_title_ssm":["Correspondence Miscellaneous,"],"component_level_isim":[1],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Astoria Beneficial Club and Richmond Beneficial Insurance records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":9,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936],"containers_ssim":["box 1"],"_nest_path_":"/components#8","timestamp":"2026-05-01T00:12:46.741Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_381","ead_ssi":"vircu_repositories_5_resources_381","_root_":"vircu_repositories_5_resources_381","_nest_parent_":"vircu_repositories_5_resources_381","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_381.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vcu-cab/vircu00007.xml;query=;brand=default","title_ssm":["Astoria Beneficial Club and Richmond Beneficial Insurance records"],"title_tesim":["Astoria Beneficial Club and Richmond Beneficial Insurance records"],"unitdate_ssm":["1906-1947"],"unitdate_inclusive_ssm":["1906-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 311","/repositories/5/resources/381"],"text":["M 311","/repositories/5/resources/381","Astoria Beneficial Club and Richmond Beneficial Insurance records","Richmond (Va.) -- Social life and customs -- 20th century","Insurance companies -- Virginia -- Richmond","African Americans -- Societies and clubs -- Virginia -- Richmond","Fraternal organizations -- Virginia -- Richmond","Collection is open to research.","Files are arranged alphabetically by subject.","Astoria Beneficial Club (ABC) began as a social club in 1901, but eventually transformed into a beneficial organization that paid out sick dues and burial benefits to its members. Astoria donated money to organizations that served the African American community and to individuals in need. The Club also set up scholarships at Virginia Union University and honored individuals and businesses in the area for their community service. As of 2016, the Astoria Beneficial Club remains active in Richmond.","The collection includes minutes, correspondence, committee reports and other materials which date from 1906 to 1947.","There are no restrictions.","VCU James Branch Cabell Library","Astoria Beneficial Club","Richmond Beneficial Insurance Co","English"],"unitid_tesim":["M 311","/repositories/5/resources/381"],"normalized_title_ssm":["Astoria Beneficial Club and Richmond Beneficial Insurance records"],"collection_title_tesim":["Astoria Beneficial Club and Richmond Beneficial Insurance records"],"collection_ssim":["Astoria Beneficial Club and Richmond Beneficial Insurance records"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"geogname_ssm":["Richmond (Va.) -- Social life and customs -- 20th century"],"geogname_ssim":["Richmond (Va.) -- Social life and customs -- 20th century"],"creator_ssm":["Astoria Beneficial Club","Richmond Beneficial Insurance Co"],"creator_ssim":["Astoria Beneficial Club","Richmond Beneficial Insurance Co"],"creator_corpname_ssim":["Astoria Beneficial Club","Richmond Beneficial Insurance Co"],"creators_ssim":["Astoria Beneficial Club","Richmond Beneficial Insurance Co"],"places_ssim":["Richmond (Va.) -- Social life and customs -- 20th century"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["The collection is on loan to Special Collections and Archives from the Astoria Beneficial Club through Dr. Francis Foster, a member of the club."],"access_subjects_ssim":["Insurance companies -- Virginia -- Richmond","African Americans -- Societies and clubs -- Virginia -- Richmond","Fraternal organizations -- Virginia -- Richmond"],"access_subjects_ssm":["Insurance companies -- Virginia -- Richmond","African Americans -- Societies and clubs -- Virginia -- Richmond","Fraternal organizations -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":[".36 Linear Feet"],"extent_tesim":[".36 Linear Feet"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eFiles are arranged alphabetically by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Files are arranged alphabetically by subject."],"bioghist_html_tesm":["\u003cp\u003eAstoria Beneficial Club (ABC) began as a social club in 1901, but eventually transformed into a beneficial organization that paid out sick dues and burial benefits to its members. Astoria donated money to organizations that served the African American community and to individuals in need. The Club also set up scholarships at Virginia Union University and honored individuals and businesses in the area for their community service. As of 2016, the Astoria Beneficial Club remains active in Richmond.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Astoria Beneficial Club (ABC) began as a social club in 1901, but eventually transformed into a beneficial organization that paid out sick dues and burial benefits to its members. Astoria donated money to organizations that served the African American community and to individuals in need. The Club also set up scholarships at Virginia Union University and honored individuals and businesses in the area for their community service. As of 2016, the Astoria Beneficial Club remains active in Richmond."],"prefercite_html_tesm":["\u003cp\u003eBox-folder, Astoria Beneficial Club and Richmond Beneficial Insurance records, M 311, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e"],"prefercite_tesim":["Box-folder, Astoria Beneficial Club and Richmond Beneficial Insurance records, M 311, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes minutes, correspondence, committee reports and other materials which date from 1906 to 1947.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["The collection includes minutes, correspondence, committee reports and other materials which date from 1906 to 1947."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Astoria Beneficial Club","Richmond Beneficial Insurance Co"],"names_ssim":["VCU James Branch Cabell Library","Astoria Beneficial Club","Richmond Beneficial Insurance Co"],"corpname_ssim":["VCU James Branch Cabell Library","Astoria Beneficial Club","Richmond Beneficial Insurance Co"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:12:46.741Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_381_c09"}},{"id":"vircu_repositories_5_resources_148_c02_c11","type":"File","attributes":{"title":"Correspondence (miscellaneous)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_148_c02_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_148_c02_c11","ref_ssm":["vircu_repositories_5_resources_148_c02_c11"],"id":"vircu_repositories_5_resources_148_c02_c11","ead_ssi":"vircu_repositories_5_resources_148","_root_":"vircu_repositories_5_resources_148","_nest_parent_":"vircu_repositories_5_resources_148_c02","parent_ssi":"vircu_repositories_5_resources_148_c02","parent_ssim":["vircu_repositories_5_resources_148","vircu_repositories_5_resources_148_c02"],"parent_ids_ssim":["vircu_repositories_5_resources_148","vircu_repositories_5_resources_148_c02"],"parent_unittitles_ssm":["Richard Lee Bland collection of Richmond memorabilia","Series II--General"],"parent_unittitles_tesim":["Richard Lee Bland collection of Richmond memorabilia","Series II--General"],"text":["Richard Lee Bland collection of Richmond memorabilia","Series II--General","Correspondence (miscellaneous)","box 3"],"title_filing_ssi":"Correspondence (miscellaneous)","title_ssm":["Correspondence (miscellaneous)"],"title_tesim":["Correspondence (miscellaneous)"],"unitdate_inclusive_ssm":["1919-1949"],"normalized_date_ssm":["1919/1949"],"normalized_title_ssm":["Correspondence (miscellaneous)"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Richard Lee Bland collection of Richmond memorabilia"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":56,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949],"containers_ssim":["box 3"],"_nest_path_":"/components#1/components#10","timestamp":"2026-05-01T00:16:11.514Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_148","ead_ssi":"vircu_repositories_5_resources_148","_root_":"vircu_repositories_5_resources_148","_nest_parent_":"vircu_repositories_5_resources_148","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_148.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vcu-cab/vircu00061.xml","title_filing_ssi":"Bland, Richard, collection of Richmond memorabilia","title_ssm":["Richard Lee Bland collection of Richmond memorabilia"],"title_tesim":["Richard Lee Bland collection of Richmond memorabilia"],"unitdate_ssm":["1885-1995"],"unitdate_inclusive_ssm":["1885-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 32","/repositories/5/resources/148"],"text":["M 32","/repositories/5/resources/148","Richard Lee Bland collection of Richmond memorabilia","Richmond (Va.) -- Designs and plans -- Buildings, structures, etc.","Richmond (Va.) -- History -- Collectibles -- 20th century","Richmond (Va.) -- History -- Collectibles -- 19th century","Arts -- History -- 20th century -- Virginia -- Richmond","Arts -- History -- 19th century -- Virginia -- Richmond","Collection is open to research.","Collection is arranged by series and alphabetically therein. The items in Folders 1-8, Map Case #11, were found by Bland at an abandoned building in the 1980s. The building may have been the former site of the R.R. Cosby Electrical Co. which had operated in Richmond, Virginia for almost the entire 20th century. Other items, located in Boxes 1-6 and in Folder 9-10, Map Case #11, have been acquired by Bland at flea markets, garage sales, through dealers and at other locations.The collection is divided into the following series: Series I -- Art, Artists, \u0026 Craftsmen (1890s-1990s) ; Series II -- General (1880s-1980s) ; Series III -- Grove Avenue Gallery (1982-1984) ; Series IV -- Ledger from Maxwell \u0026 McGowan and McGowan and Pearsall House Furnishers (1901-1902) ; Series V -- Richmond Art Glass (late 19th/early 20th century) ; Series VI -- Historic Richmond (late 19th/early 20th century) ; Series VII -- Architectural Drawings and Oversize materials (1880s-1980s)","Richmond artist Richard Lee Bland (1950-) has been active in the Richmond art scene since 1968 after his admission into the School of the Arts, Richmond Professional Institute (now VCU). Bland describes himself as an impressionist painter. His vision for art developed from performance and conceptual art in tangent with \"a compelling belief in impressionistic painting.\" Bland's mentor, Eliot Clark (1883-1980), an American Impressionist, was the last surviving participant of the Cos Cob Art Colony (1890-1900). Bland is critical of commercial art galleries, co-operative groups, and university art education practices. \"I believe the artist must maintain an aesthetic apart from institutional curriculum,\" Bland said in 1995. \"Self-reliance and community involvement help the artist confront relevant issues in a spirited fine art.\" Bland has had numerous art exhibits and is well known within the arts community in Richmond. He produced an experimental non-commercial alternative space, The Grove Avenue Gallery (1982-1984), to promote what he called a \"bedrock\" for independent Richmond art culture. He left for New York City in 1984 to practice art then returned to Richmond in 1986. He then purchased an old dairy barn in the lower Fan District converting it to a studio residence. Bland has established a growing archive of Richmond material, including vintage photographs, architectural drawings of historic Richmond buildings, and other artifacts of the city, that he calls a \"a personal resource\" of artistic inspiration.","Collection consists of a variety of Richmond, Virginia related materials that Bland has gathered since the 1970s. The collection includes three original architectural drawings of Richmond's Cathedral of the Sacred Heart; drawings of plans and photographs of what was to become the power house of the Virginia Railway and Power Co. on Richmond's 12th Street and numerous other early 20th century drawings and materials documenting electrical plans for the city.The collection also contains material documenting the arts in Richmond from the 1890s to the present, including material on the various art organizations that have existed in the city; rock music of the 1980s; and correspondence and other material regarding Bland's Grove Avenue Gallery (1982-1984). Other materials related to the history of Richmond include late 19th and early 20th century business invoices and correspondence; streetcar ephemera of the 1940s; and numerous published materials and a wide assortment of ephemera items and photographs relating to wide cross section of Richmond's cultural history.","There are no restrictions.","VCU James Branch Cabell Library","Bland, Richard Lee, 1950-","English \n.    "],"unitid_tesim":["M 32","/repositories/5/resources/148"],"normalized_title_ssm":["Richard Lee Bland collection of Richmond memorabilia"],"collection_title_tesim":["Richard Lee Bland collection of Richmond memorabilia"],"collection_ssim":["Richard Lee Bland collection of Richmond memorabilia"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"geogname_ssm":["Richmond (Va.) -- Designs and plans -- Buildings, structures, etc.","Richmond (Va.) -- History -- Collectibles -- 20th century","Richmond (Va.) -- History -- Collectibles -- 19th century"],"geogname_ssim":["Richmond (Va.) -- Designs and plans -- Buildings, structures, etc.","Richmond (Va.) -- History -- Collectibles -- 20th century","Richmond (Va.) -- History -- Collectibles -- 19th century"],"creator_ssm":["Bland, Richard Lee, 1950-"],"creator_ssim":["Bland, Richard Lee, 1950-"],"creator_persname_ssim":["Bland, Richard Lee, 1950-"],"creators_ssim":["Bland, Richard Lee, 1950-"],"places_ssim":["Richmond (Va.) -- Designs and plans -- Buildings, structures, etc.","Richmond (Va.) -- History -- Collectibles -- 20th century","Richmond (Va.) -- History -- Collectibles -- 19th century"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Arts -- History -- 20th century -- Virginia -- Richmond","Arts -- History -- 19th century -- Virginia -- Richmond"],"access_subjects_ssm":["Arts -- History -- 20th century -- Virginia -- Richmond","Arts -- History -- 19th century -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 2 linear feet plus architectural drawings"],"extent_tesim":["2 Linear Feet 2 linear feet plus architectural drawings"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged by series and alphabetically therein. The items in Folders 1-8, Map Case #11, were found by Bland at an abandoned building in the 1980s. The building may have been the former site of the R.R. Cosby Electrical Co. which had operated in Richmond, Virginia for almost the entire 20th century. Other items, located in Boxes 1-6 and in Folder 9-10, Map Case #11, have been acquired by Bland at flea markets, garage sales, through dealers and at other locations.The collection is divided into the following series: Series I -- Art, Artists, \u0026amp; Craftsmen (1890s-1990s) ; Series II -- General (1880s-1980s) ; Series III -- Grove Avenue Gallery (1982-1984) ; Series IV -- Ledger from Maxwell \u0026amp; McGowan and McGowan and Pearsall House Furnishers (1901-1902) ; Series V -- Richmond Art Glass (late 19th/early 20th century) ; Series VI -- Historic Richmond (late 19th/early 20th century) ; Series VII -- Architectural Drawings and Oversize materials (1880s-1980s)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged by series and alphabetically therein. The items in Folders 1-8, Map Case #11, were found by Bland at an abandoned building in the 1980s. The building may have been the former site of the R.R. Cosby Electrical Co. which had operated in Richmond, Virginia for almost the entire 20th century. Other items, located in Boxes 1-6 and in Folder 9-10, Map Case #11, have been acquired by Bland at flea markets, garage sales, through dealers and at other locations.The collection is divided into the following series: Series I -- Art, Artists, \u0026 Craftsmen (1890s-1990s) ; Series II -- General (1880s-1980s) ; Series III -- Grove Avenue Gallery (1982-1984) ; Series IV -- Ledger from Maxwell \u0026 McGowan and McGowan and Pearsall House Furnishers (1901-1902) ; Series V -- Richmond Art Glass (late 19th/early 20th century) ; Series VI -- Historic Richmond (late 19th/early 20th century) ; Series VII -- Architectural Drawings and Oversize materials (1880s-1980s)"],"bioghist_html_tesm":["\u003cp\u003eRichmond artist Richard Lee Bland (1950-) has been active in the Richmond art scene since 1968 after his admission into the School of the Arts, Richmond Professional Institute (now VCU). Bland describes himself as an impressionist painter. His vision for art developed from performance and conceptual art in tangent with \"a compelling belief in impressionistic painting.\" Bland's mentor, Eliot Clark (1883-1980), an American Impressionist, was the last surviving participant of the Cos Cob Art Colony (1890-1900). Bland is critical of commercial art galleries, co-operative groups, and university art education practices. \"I believe the artist must maintain an aesthetic apart from institutional curriculum,\" Bland said in 1995. \"Self-reliance and community involvement help the artist confront relevant issues in a spirited fine art.\" Bland has had numerous art exhibits and is well known within the arts community in Richmond. He produced an experimental non-commercial alternative space, The Grove Avenue Gallery (1982-1984), to promote what he called a \"bedrock\" for independent Richmond art culture. He left for New York City in 1984 to practice art then returned to Richmond in 1986. He then purchased an old dairy barn in the lower Fan District converting it to a studio residence. Bland has established a growing archive of Richmond material, including vintage photographs, architectural drawings of historic Richmond buildings, and other artifacts of the city, that he calls a \"a personal resource\" of artistic inspiration.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richmond artist Richard Lee Bland (1950-) has been active in the Richmond art scene since 1968 after his admission into the School of the Arts, Richmond Professional Institute (now VCU). Bland describes himself as an impressionist painter. His vision for art developed from performance and conceptual art in tangent with \"a compelling belief in impressionistic painting.\" Bland's mentor, Eliot Clark (1883-1980), an American Impressionist, was the last surviving participant of the Cos Cob Art Colony (1890-1900). Bland is critical of commercial art galleries, co-operative groups, and university art education practices. \"I believe the artist must maintain an aesthetic apart from institutional curriculum,\" Bland said in 1995. \"Self-reliance and community involvement help the artist confront relevant issues in a spirited fine art.\" Bland has had numerous art exhibits and is well known within the arts community in Richmond. He produced an experimental non-commercial alternative space, The Grove Avenue Gallery (1982-1984), to promote what he called a \"bedrock\" for independent Richmond art culture. He left for New York City in 1984 to practice art then returned to Richmond in 1986. He then purchased an old dairy barn in the lower Fan District converting it to a studio residence. Bland has established a growing archive of Richmond material, including vintage photographs, architectural drawings of historic Richmond buildings, and other artifacts of the city, that he calls a \"a personal resource\" of artistic inspiration."],"prefercite_html_tesm":["\u003cp\u003eRichard Lee Bland collection of Richmond memorabilia, Collection # M 32, Special Collections and Archives, James Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Richard Lee Bland collection of Richmond memorabilia, Collection # M 32, Special Collections and Archives, James Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of a variety of Richmond, Virginia related materials that Bland has gathered since the 1970s. The collection includes three original architectural drawings of Richmond's Cathedral of the Sacred Heart; drawings of plans and photographs of what was to become the power house of the Virginia Railway and Power Co. on Richmond's 12th Street and numerous other early 20th century drawings and materials documenting electrical plans for the city.The collection also contains material documenting the arts in Richmond from the 1890s to the present, including material on the various art organizations that have existed in the city; rock music of the 1980s; and correspondence and other material regarding Bland's Grove Avenue Gallery (1982-1984). Other materials related to the history of Richmond include late 19th and early 20th century business invoices and correspondence; streetcar ephemera of the 1940s; and numerous published materials and a wide assortment of ephemera items and photographs relating to wide cross section of Richmond's cultural history.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of a variety of Richmond, Virginia related materials that Bland has gathered since the 1970s. The collection includes three original architectural drawings of Richmond's Cathedral of the Sacred Heart; drawings of plans and photographs of what was to become the power house of the Virginia Railway and Power Co. on Richmond's 12th Street and numerous other early 20th century drawings and materials documenting electrical plans for the city.The collection also contains material documenting the arts in Richmond from the 1890s to the present, including material on the various art organizations that have existed in the city; rock music of the 1980s; and correspondence and other material regarding Bland's Grove Avenue Gallery (1982-1984). Other materials related to the history of Richmond include late 19th and early 20th century business invoices and correspondence; streetcar ephemera of the 1940s; and numerous published materials and a wide assortment of ephemera items and photographs relating to wide cross section of Richmond's cultural history."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Bland, Richard Lee, 1950-"],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Bland, Richard Lee, 1950-"],"language_ssim":["English \n.    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The Special Collections and Archives Department has 34 original cartoons, some inscribed, Seibel's own clipping file, early drawings, oils and watercolors and some correspondence. The collection is divided into two groups: Seibel's oil paintings, folios, and oversized cartoons are stored separately; the newspaper copies of his cartoons and boxed in groups of fifty and are arranged, with few exceptions, chronologically. The cartoons were cut and numbered by Seibel in the order in which they were published, and that numerical order has been preserved.","Frederick Otto Seibel was born in Durhamville, New York, on 8 October 1886 and died in Richmond, Virginia on 19 June 1968. Siebel spent his childhood drawing sketches of the Erie Canal. He was married with no children. After attending classes at the Art Students League in New York City for a short time. Seibel started his own commercial art business in the early years of the twentieth century. His first cartoon was printed in the Oneida Dispatch in 1908. He began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936.","The Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. Byrd, John L. Lewis, J. Edgar Hoover and numerous members of the federal and state government), and a complete set of his published cartoons from both the  Knickerbocker Press  and the  Richmond Times-Dispatch . Other items in the collection include drawing notebooks and early art school sketches, seven oil paintings thought to have been painted by Seibel, folios containing copies of sketches by Charles Dana Gibson and Frederic Remington, as well as folios containing newspaper clippings of major world events in Seibel's lifetime. There are also thirty-four original cartoons, some of which were autographed by Seibel.","There are no restrictions.","VCU James Branch Cabell Library","Seibel, Fred O. (Fred Otto), 1886-1969","English \n.    "],"unitid_tesim":["M 23","/repositories/5/resources/101"],"normalized_title_ssm":["Frederick Otto Seibel papers"],"collection_title_tesim":["Frederick Otto Seibel papers"],"collection_ssim":["Frederick Otto Seibel papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Seibel, Fred O. (Fred Otto), 1886-1969"],"creator_ssim":["Seibel, Fred O. (Fred Otto), 1886-1969"],"creator_persname_ssim":["Seibel, Fred O. (Fred Otto), 1886-1969"],"creators_ssim":["Seibel, Fred O. (Fred Otto), 1886-1969"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Editorial cartoonists -- Virginia -- Richmond","Cartoonists -- United States"],"access_subjects_ssm":["Editorial cartoonists -- Virginia -- Richmond","Cartoonists -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["16.9 Linear Feet (contains oversize material)"],"extent_tesim":["16.9 Linear Feet (contains oversize material)"],"date_range_isim":[1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged alphabetically. The Special Collections and Archives Department has 34 original cartoons, some inscribed, Seibel's own clipping file, early drawings, oils and watercolors and some correspondence. The collection is divided into two groups: Seibel's oil paintings, folios, and oversized cartoons are stored separately; the newspaper copies of his cartoons and boxed in groups of fifty and are arranged, with few exceptions, chronologically. The cartoons were cut and numbered by Seibel in the order in which they were published, and that numerical order has been preserved.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically. The Special Collections and Archives Department has 34 original cartoons, some inscribed, Seibel's own clipping file, early drawings, oils and watercolors and some correspondence. The collection is divided into two groups: Seibel's oil paintings, folios, and oversized cartoons are stored separately; the newspaper copies of his cartoons and boxed in groups of fifty and are arranged, with few exceptions, chronologically. The cartoons were cut and numbered by Seibel in the order in which they were published, and that numerical order has been preserved."],"bioghist_html_tesm":["\u003cp\u003eFrederick Otto Seibel was born in Durhamville, New York, on 8 October 1886 and died in Richmond, Virginia on 19 June 1968. Siebel spent his childhood drawing sketches of the Erie Canal. He was married with no children. After attending classes at the Art Students League in New York City for a short time. Seibel started his own commercial art business in the early years of the twentieth century. His first cartoon was printed in the Oneida Dispatch in 1908. He began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Frederick Otto Seibel was born in Durhamville, New York, on 8 October 1886 and died in Richmond, Virginia on 19 June 1968. Siebel spent his childhood drawing sketches of the Erie Canal. He was married with no children. After attending classes at the Art Students League in New York City for a short time. Seibel started his own commercial art business in the early years of the twentieth century. His first cartoon was printed in the Oneida Dispatch in 1908. He began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936."],"prefercite_html_tesm":["\u003cp\u003eFrederick Otto Seibel papers, Collection # M 23, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Frederick Otto Seibel papers, Collection # M 23, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. Byrd, John L. Lewis, J. Edgar Hoover and numerous members of the federal and state government), and a complete set of his published cartoons from both the \u003ctitle\u003eKnickerbocker Press\u003c/title\u003e and the \u003ctitle\u003eRichmond Times-Dispatch\u003c/title\u003e. Other items in the collection include drawing notebooks and early art school sketches, seven oil paintings thought to have been painted by Seibel, folios containing copies of sketches by Charles Dana Gibson and Frederic Remington, as well as folios containing newspaper clippings of major world events in Seibel's lifetime. There are also thirty-four original cartoons, some of which were autographed by Seibel.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. Byrd, John L. Lewis, J. Edgar Hoover and numerous members of the federal and state government), and a complete set of his published cartoons from both the  Knickerbocker Press  and the  Richmond Times-Dispatch . Other items in the collection include drawing notebooks and early art school sketches, seven oil paintings thought to have been painted by Seibel, folios containing copies of sketches by Charles Dana Gibson and Frederic Remington, as well as folios containing newspaper clippings of major world events in Seibel's lifetime. There are also thirty-four original cartoons, some of which were autographed by Seibel."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Seibel, Fred O. (Fred Otto), 1886-1969"],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Seibel, Fred O. (Fred Otto), 1886-1969"],"language_ssim":["English \n.    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The goals of the original members included education, mediation, cooperation with other organizations, and development of specific programs to bring about a more unified and just city. The Institute affirmed its religious faith and in communal responsibility, drawing its membership from a broad cross-section of business, religious and community interests. Incorporated as a non-profit organization in February, 1980, RUI employed two Urban Missioners and an Administrative Assistant. Funding for these positions and Institute activities came from an extended foundation grant and fund-raising among local churches and businesses. St. Paul's Episcopal Church was instrumental in providing leadership, funds, and office space for the new organization."," An elected Council and Moderator determine RUI policy, but activities originate in standing committees. Historically, the two committees given greatest attention concern disinvestment and racism/racial polarization. Both committees publish reports and organize workshops to involve citizens and government officials in correcting imbalances in Richmond society and economy. More recently, new committees have been formed to address unemployment, transportation, housing, women and poverty, and grassroots development. Significant programs undertaken include a series of Black-Jewish dialogues, a workshop on the impact of the 1981 federal budget, summer camp programs for city children, and a Summer Youth Employment Program."," The organization was dissolved in 1990.","Accession Number: 87-NOV-54; 89-Feb-9; 89-May-22; 96-Nov-36","The Archives is composed of correspondence, reports, publications and general office files, excluding most financial and fundraising information, from 1971 through 1988; but the bulk of the material dates from 1979 to 1985. Series and files on specific issues often include notes, articles, and publications gathered to inform individuals and committees which addressed these needs. Other publications follow the major series. The following issues of Revitalization News have been transferred to the Richmond Revitalization (M253) file: Vol. 1, Numbers 1-7; Vol. 2, Numbers 1, 4, and 5; Vol. 3, Numbers 1 and 2. All materials not directly pertaining to the activities of the Institute have been returned or have been removed and cataloged and added to the library's collection.","There are no restrictions.","VCU James Branch Cabell Library","English \n.    "],"unitid_tesim":["M 258","/repositories/5/resources/555"],"normalized_title_ssm":["Richmond Urban Institute records"],"collection_title_tesim":["Richmond Urban Institute records"],"collection_ssim":["Richmond Urban Institute records"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated to Special Collections and Archives by the Executive Board and Moderator of the Richmond Urban Institute on July 20, 1988."],"has_online_content_ssim":["false"],"extent_ssm":["18.1 Linear Feet"],"extent_tesim":["18.1 Linear Feet"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for use without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for use without restrictions."],"arrangement_html_tesm":["\u003cp\u003eAll materials are arranged alphabetically within each series.\u003c/p\u003e\n","\u003cp\u003eSeries I--History of the Richmond Urban Institute (1979-1986);\u003c/p\u003e\n","\u003cp\u003e Series II--Programs, Projects, and Reports (1979-1986);\u003c/p\u003e\n","\u003cp\u003e Series III-- Proposals for Urban Projects (1978-1985);\u003c/p\u003e\n","\u003cp\u003e Series IV--Housing (1979-1986);\u003c/p\u003e\n","\u003cp\u003e Series V--Women and the Family (1976-1986);\u003c/p\u003e\n","\u003cp\u003e Series VI-- Other Urban Issues (1971-1985);\u003c/p\u003e\n","\u003cp\u003e Series VII--Public Relations (1979-1985);\u003c/p\u003e\n","\u003cp\u003e Series VIII--Other Organizations (1979-1988);\u003c/p\u003e\n","\u003cp\u003e Series IX--Reference (1977-1984)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["All materials are arranged alphabetically within each series.","Series I--History of the Richmond Urban Institute (1979-1986);"," Series II--Programs, Projects, and Reports (1979-1986);"," Series III-- Proposals for Urban Projects (1978-1985);"," Series IV--Housing (1979-1986);"," Series V--Women and the Family (1976-1986);"," Series VI-- Other Urban Issues (1971-1985);"," Series VII--Public Relations (1979-1985);"," Series VIII--Other Organizations (1979-1988);"," Series IX--Reference (1977-1984)"],"bioghist_html_tesm":["\u003cp\u003eThe Richmond Urban Institute was created in 1979 to address problems in the city of Richmond. The goals of the original members included education, mediation, cooperation with other organizations, and development of specific programs to bring about a more unified and just city. The Institute affirmed its religious faith and in communal responsibility, drawing its membership from a broad cross-section of business, religious and community interests. Incorporated as a non-profit organization in February, 1980, RUI employed two Urban Missioners and an Administrative Assistant. Funding for these positions and Institute activities came from an extended foundation grant and fund-raising among local churches and businesses. St. Paul's Episcopal Church was instrumental in providing leadership, funds, and office space for the new organization.\u003c/p\u003e\n","\u003cp\u003e An elected Council and Moderator determine RUI policy, but activities originate in standing committees. Historically, the two committees given greatest attention concern disinvestment and racism/racial polarization. Both committees publish reports and organize workshops to involve citizens and government officials in correcting imbalances in Richmond society and economy. More recently, new committees have been formed to address unemployment, transportation, housing, women and poverty, and grassroots development. Significant programs undertaken include a series of Black-Jewish dialogues, a workshop on the impact of the 1981 federal budget, summer camp programs for city children, and a Summer Youth Employment Program.\u003c/p\u003e\n","\u003cp\u003e The organization was dissolved in 1990.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Richmond Urban Institute was created in 1979 to address problems in the city of Richmond. The goals of the original members included education, mediation, cooperation with other organizations, and development of specific programs to bring about a more unified and just city. The Institute affirmed its religious faith and in communal responsibility, drawing its membership from a broad cross-section of business, religious and community interests. Incorporated as a non-profit organization in February, 1980, RUI employed two Urban Missioners and an Administrative Assistant. Funding for these positions and Institute activities came from an extended foundation grant and fund-raising among local churches and businesses. St. Paul's Episcopal Church was instrumental in providing leadership, funds, and office space for the new organization."," An elected Council and Moderator determine RUI policy, but activities originate in standing committees. Historically, the two committees given greatest attention concern disinvestment and racism/racial polarization. Both committees publish reports and organize workshops to involve citizens and government officials in correcting imbalances in Richmond society and economy. More recently, new committees have been formed to address unemployment, transportation, housing, women and poverty, and grassroots development. Significant programs undertaken include a series of Black-Jewish dialogues, a workshop on the impact of the 1981 federal budget, summer camp programs for city children, and a Summer Youth Employment Program."," The organization was dissolved in 1990."],"prefercite_html_tesm":["\u003cp\u003eBox-folder, Richmond Urban Institute Archives, M 258, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University\u003c/p\u003e"],"prefercite_tesim":["Box-folder, Richmond Urban Institute Archives, M 258, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University"],"processinfo_html_tesm":["\u003cp\u003eAccession Number: 87-NOV-54; 89-Feb-9; 89-May-22; 96-Nov-36\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Accession Number: 87-NOV-54; 89-Feb-9; 89-May-22; 96-Nov-36"],"scopecontent_html_tesm":["\u003cp\u003eThe Archives is composed of correspondence, reports, publications and general office files, excluding most financial and fundraising information, from 1971 through 1988; but the bulk of the material dates from 1979 to 1985. Series and files on specific issues often include notes, articles, and publications gathered to inform individuals and committees which addressed these needs. Other publications follow the major series. The following issues of Revitalization News have been transferred to the Richmond Revitalization (M253) file: Vol. 1, Numbers 1-7; Vol. 2, Numbers 1, 4, and 5; Vol. 3, Numbers 1 and 2. All materials not directly pertaining to the activities of the Institute have been returned or have been removed and cataloged and added to the library's collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["The Archives is composed of correspondence, reports, publications and general office files, excluding most financial and fundraising information, from 1971 through 1988; but the bulk of the material dates from 1979 to 1985. Series and files on specific issues often include notes, articles, and publications gathered to inform individuals and committees which addressed these needs. Other publications follow the major series. The following issues of Revitalization News have been transferred to the Richmond Revitalization (M253) file: Vol. 1, Numbers 1-7; Vol. 2, Numbers 1, 4, and 5; Vol. 3, Numbers 1 and 2. All materials not directly pertaining to the activities of the Institute have been returned or have been removed and cataloged and added to the library's collection."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library"],"corpname_ssim":["VCU James Branch Cabell Library"],"language_ssim":["English \n.    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The Special Collections and Archives Department has 34 original cartoons, some inscribed, Seibel's own clipping file, early drawings, oils and watercolors and some correspondence. The collection is divided into two groups: Seibel's oil paintings, folios, and oversized cartoons are stored separately; the newspaper copies of his cartoons and boxed in groups of fifty and are arranged, with few exceptions, chronologically. The cartoons were cut and numbered by Seibel in the order in which they were published, and that numerical order has been preserved.","Frederick Otto Seibel was born in Durhamville, New York, on 8 October 1886 and died in Richmond, Virginia on 19 June 1968. Siebel spent his childhood drawing sketches of the Erie Canal. He was married with no children. After attending classes at the Art Students League in New York City for a short time. Seibel started his own commercial art business in the early years of the twentieth century. His first cartoon was printed in the Oneida Dispatch in 1908. He began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936.","The Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. Byrd, John L. Lewis, J. Edgar Hoover and numerous members of the federal and state government), and a complete set of his published cartoons from both the  Knickerbocker Press  and the  Richmond Times-Dispatch . Other items in the collection include drawing notebooks and early art school sketches, seven oil paintings thought to have been painted by Seibel, folios containing copies of sketches by Charles Dana Gibson and Frederic Remington, as well as folios containing newspaper clippings of major world events in Seibel's lifetime. There are also thirty-four original cartoons, some of which were autographed by Seibel.","There are no restrictions.","VCU James Branch Cabell Library","Seibel, Fred O. (Fred Otto), 1886-1969","English \n.    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The Special Collections and Archives Department has 34 original cartoons, some inscribed, Seibel's own clipping file, early drawings, oils and watercolors and some correspondence. The collection is divided into two groups: Seibel's oil paintings, folios, and oversized cartoons are stored separately; the newspaper copies of his cartoons and boxed in groups of fifty and are arranged, with few exceptions, chronologically. The cartoons were cut and numbered by Seibel in the order in which they were published, and that numerical order has been preserved.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically. The Special Collections and Archives Department has 34 original cartoons, some inscribed, Seibel's own clipping file, early drawings, oils and watercolors and some correspondence. The collection is divided into two groups: Seibel's oil paintings, folios, and oversized cartoons are stored separately; the newspaper copies of his cartoons and boxed in groups of fifty and are arranged, with few exceptions, chronologically. The cartoons were cut and numbered by Seibel in the order in which they were published, and that numerical order has been preserved."],"bioghist_html_tesm":["\u003cp\u003eFrederick Otto Seibel was born in Durhamville, New York, on 8 October 1886 and died in Richmond, Virginia on 19 June 1968. Siebel spent his childhood drawing sketches of the Erie Canal. He was married with no children. After attending classes at the Art Students League in New York City for a short time. Seibel started his own commercial art business in the early years of the twentieth century. His first cartoon was printed in the Oneida Dispatch in 1908. He began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Frederick Otto Seibel was born in Durhamville, New York, on 8 October 1886 and died in Richmond, Virginia on 19 June 1968. Siebel spent his childhood drawing sketches of the Erie Canal. He was married with no children. After attending classes at the Art Students League in New York City for a short time. Seibel started his own commercial art business in the early years of the twentieth century. His first cartoon was printed in the Oneida Dispatch in 1908. He began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936."],"prefercite_html_tesm":["\u003cp\u003eFrederick Otto Seibel papers, Collection # M 23, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Frederick Otto Seibel papers, Collection # M 23, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. Byrd, John L. Lewis, J. Edgar Hoover and numerous members of the federal and state government), and a complete set of his published cartoons from both the \u003ctitle\u003eKnickerbocker Press\u003c/title\u003e and the \u003ctitle\u003eRichmond Times-Dispatch\u003c/title\u003e. Other items in the collection include drawing notebooks and early art school sketches, seven oil paintings thought to have been painted by Seibel, folios containing copies of sketches by Charles Dana Gibson and Frederic Remington, as well as folios containing newspaper clippings of major world events in Seibel's lifetime. There are also thirty-four original cartoons, some of which were autographed by Seibel.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. Byrd, John L. Lewis, J. Edgar Hoover and numerous members of the federal and state government), and a complete set of his published cartoons from both the  Knickerbocker Press  and the  Richmond Times-Dispatch . Other items in the collection include drawing notebooks and early art school sketches, seven oil paintings thought to have been painted by Seibel, folios containing copies of sketches by Charles Dana Gibson and Frederic Remington, as well as folios containing newspaper clippings of major world events in Seibel's lifetime. There are also thirty-four original cartoons, some of which were autographed by Seibel."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Seibel, Fred O. (Fred Otto), 1886-1969"],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Seibel, Fred O. (Fred Otto), 1886-1969"],"language_ssim":["English \n.    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These papers deal with the issues that are of concern to any municipality. A few examples are public safety, waste water regulations, annexation issues, drug dependency and programs, etc. The main bulk seems to be information dealing with Virginia municipalities complying to federal and state regulations. The collection includes reports, bulletins, publications and legal documents. In addition, the library also receives the VML publication, Town and County; for more up-to-date information.","Restricted","VCU James Branch Cabell Library","Virginia Municipal League","League of Virginia Municipalities","Virginia Municipal League -- Archives","League of Virginia Municipalities -- Archives","English \n.    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These papers deal with the issues that are of concern to any municipality. A few examples are public safety, waste water regulations, annexation issues, drug dependency and programs, etc. The main bulk seems to be information dealing with Virginia municipalities complying to federal and state regulations. The collection includes reports, bulletins, publications and legal documents. In addition, the library also receives the VML publication, Town and County; for more up-to-date information.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains papers held by the VML. These papers deal with the issues that are of concern to any municipality. A few examples are public safety, waste water regulations, annexation issues, drug dependency and programs, etc. The main bulk seems to be information dealing with Virginia municipalities complying to federal and state regulations. The collection includes reports, bulletins, publications and legal documents. In addition, the library also receives the VML publication, Town and County; for more up-to-date information."],"userestrict_html_tesm":["\u003cp\u003eRestricted\u003c/p\u003e"],"userestrict_heading_ssm":["Terms Governing Use and Reproduction"],"userestrict_tesim":["Restricted"],"names_coll_ssim":["Virginia Municipal League","Virginia Municipal League -- Archives","League of Virginia Municipalities -- Archives"],"names_ssim":["VCU James Branch Cabell Library","Virginia Municipal League","League of Virginia Municipalities","Virginia Municipal League -- Archives","League of Virginia Municipalities -- Archives"],"corpname_ssim":["VCU James Branch Cabell Library","Virginia Municipal League","League of Virginia Municipalities","Virginia Municipal League -- Archives","League of Virginia Municipalities -- Archives"],"language_ssim":["English \n.    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Organized into the following seven series: 1. Personal Materials, 1931-1986; Series 2 Correspondence, 1938-1987; Series 3 Richmond Professional Institute and Virginia Commonwealth University, 1946-1975; Series 4 Artistic Career, 1928-1976; Series 5 Photographs; Series 6 Year Books, 1917-1921; Series 7 Oversize Materials; and Series 8 Additional Materials.","Theresa Pollak (1899-2002) was one of Virginia's most well-known artists and art educators. She was instrumental in the founding of Virginia Commonwealth University's School of the Arts. A native of Richmond, Virginia, Pollak was a nationally recognized painter whose art works have been exhibited in institutions as the Whitney Museum of American Art in New York, the Museum of Fine Art in Boston, and the Corcoran Gallery in Washington, D. C. More importantly, Pollak is credited with the introduction of modern art to Richmond.","Born 13 August 1899, Pollak graduated from Westhampton College of the University of Richmond. In 1920 she was accepted at the Art Students League of New York, and with the support of Dr. Orie Latham Hatcher, who helped her get a tuition scholarship, she was able to continue her work at the League after graduating from Westhampton in 1921. During Pollak's stay in New York, one of her drawings was awarded the first prize at the Studio club of New York (1926). She continued her training with post-graduate work at the Fogg Museum of Harvard University, and later she studied at the Hans Hoffmann School of Painting in Provincetown, Massachusetts.","In 1928 Pollak became the first full time art teacher at Richmond Professional Institute (RPI), at that time a division of William and Mary College. Two years later she also helped start an art program at Westhampton College. In 1935 she began teaching full time at RPI and devoted much of her other time to her own work. A year after RPI merged in 1968 with the Medical College of Virginia to become Virginia Commonwealth University (VCU), Pollak retired from the school. In 1971, the newly completed fine arts building on what is now the Monroe Park campus of VCU was named in her honor. Her forty-one year teaching career influenced generations of Virginia artists.","A noted Virginia artist with paintings in the permanent collections of the Virginia Museum of Fine Arts, the University of Virginia, Mary Baldwin College, and in numerous private collections, Pollak's paintings are part of the Permanent Research Collection at Virginia Commonwealth University's Anderson Gallery. She died at the age of 103 on 18 September 2002.","The Theresa Pollak Papers consists of materials covering Miss Pollak's academic and artistic career from 1917 to 1988 (primarily 1940s-1980s). Of particular note are the materials and correspondence Miss Pollak gathered about her major instructors influencing her artistic work, Allen Tucker and Hans Hoffmann. Also included in the collection are Christmas cards designed by Miss Pollak's former students and fellow faculty members and photographs of Miss Pollak's work and from her 1986 exhibit at the Anderson Gallery. A collection of slides of T. Pollak's works are available in box 20.","There are no restrictions.","VCU James Branch Cabell Library","Virginia Commonwealth University. School of the Arts -- Archives -- Faculty","Richmond Professional Institute -- Archives -- Faculty","Pollak, Theresa, 1899-2002","Pollak, Theresa, 1899-2002 -- Archives","Lang Leback, Chloe","English"],"unitid_tesim":["M 5","/repositories/5/resources/265"],"normalized_title_ssm":["Theresa Pollak papers"],"collection_title_tesim":["Theresa Pollak papers"],"collection_ssim":["Theresa Pollak papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Pollak, Theresa, 1899-2002"],"creator_ssim":["Pollak, Theresa, 1899-2002"],"creator_persname_ssim":["Pollak, Theresa, 1899-2002"],"creators_ssim":["Pollak, Theresa, 1899-2002"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Women artists -- Virginia -- Richmond","Women painters -- Virginia -- Richmond"],"access_subjects_ssm":["Women artists -- Virginia -- Richmond","Women painters -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eCollection is available for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is available for research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged by series and alphabetically therein. Organized into the following seven series: 1. Personal Materials, 1931-1986; Series 2 Correspondence, 1938-1987; Series 3 Richmond Professional Institute and Virginia Commonwealth University, 1946-1975; Series 4 Artistic Career, 1928-1976; Series 5 Photographs; Series 6 Year Books, 1917-1921; Series 7 Oversize Materials; and Series 8 Additional Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged by series and alphabetically therein. Organized into the following seven series: 1. Personal Materials, 1931-1986; Series 2 Correspondence, 1938-1987; Series 3 Richmond Professional Institute and Virginia Commonwealth University, 1946-1975; Series 4 Artistic Career, 1928-1976; Series 5 Photographs; Series 6 Year Books, 1917-1921; Series 7 Oversize Materials; and Series 8 Additional Materials."],"bioghist_html_tesm":["\u003cp\u003eTheresa Pollak (1899-2002) was one of Virginia's most well-known artists and art educators. She was instrumental in the founding of Virginia Commonwealth University's School of the Arts. A native of Richmond, Virginia, Pollak was a nationally recognized painter whose art works have been exhibited in institutions as the Whitney Museum of American Art in New York, the Museum of Fine Art in Boston, and the Corcoran Gallery in Washington, D. C. More importantly, Pollak is credited with the introduction of modern art to Richmond.\u003c/p\u003e\n","\u003cp\u003eBorn 13 August 1899, Pollak graduated from Westhampton College of the University of Richmond. In 1920 she was accepted at the Art Students League of New York, and with the support of Dr. Orie Latham Hatcher, who helped her get a tuition scholarship, she was able to continue her work at the League after graduating from Westhampton in 1921. During Pollak's stay in New York, one of her drawings was awarded the first prize at the Studio club of New York (1926). 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Her forty-one year teaching career influenced generations of Virginia artists.\u003c/p\u003e\n","\u003cp\u003eA noted Virginia artist with paintings in the permanent collections of the Virginia Museum of Fine Arts, the University of Virginia, Mary Baldwin College, and in numerous private collections, Pollak's paintings are part of the Permanent Research Collection at Virginia Commonwealth University's Anderson Gallery. She died at the age of 103 on 18 September 2002.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Theresa Pollak (1899-2002) was one of Virginia's most well-known artists and art educators. She was instrumental in the founding of Virginia Commonwealth University's School of the Arts. A native of Richmond, Virginia, Pollak was a nationally recognized painter whose art works have been exhibited in institutions as the Whitney Museum of American Art in New York, the Museum of Fine Art in Boston, and the Corcoran Gallery in Washington, D. C. More importantly, Pollak is credited with the introduction of modern art to Richmond.","Born 13 August 1899, Pollak graduated from Westhampton College of the University of Richmond. In 1920 she was accepted at the Art Students League of New York, and with the support of Dr. Orie Latham Hatcher, who helped her get a tuition scholarship, she was able to continue her work at the League after graduating from Westhampton in 1921. During Pollak's stay in New York, one of her drawings was awarded the first prize at the Studio club of New York (1926). She continued her training with post-graduate work at the Fogg Museum of Harvard University, and later she studied at the Hans Hoffmann School of Painting in Provincetown, Massachusetts.","In 1928 Pollak became the first full time art teacher at Richmond Professional Institute (RPI), at that time a division of William and Mary College. Two years later she also helped start an art program at Westhampton College. In 1935 she began teaching full time at RPI and devoted much of her other time to her own work. A year after RPI merged in 1968 with the Medical College of Virginia to become Virginia Commonwealth University (VCU), Pollak retired from the school. In 1971, the newly completed fine arts building on what is now the Monroe Park campus of VCU was named in her honor. Her forty-one year teaching career influenced generations of Virginia artists.","A noted Virginia artist with paintings in the permanent collections of the Virginia Museum of Fine Arts, the University of Virginia, Mary Baldwin College, and in numerous private collections, Pollak's paintings are part of the Permanent Research Collection at Virginia Commonwealth University's Anderson Gallery. She died at the age of 103 on 18 September 2002."],"prefercite_html_tesm":["\u003cp\u003eTheresa Pollak papers, Collection # M 5, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Theresa Pollak papers, Collection # M 5, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Theresa Pollak Papers consists of materials covering Miss Pollak's academic and artistic career from 1917 to 1988 (primarily 1940s-1980s). Of particular note are the materials and correspondence Miss Pollak gathered about her major instructors influencing her artistic work, Allen Tucker and Hans Hoffmann. Also included in the collection are Christmas cards designed by Miss Pollak's former students and fellow faculty members and photographs of Miss Pollak's work and from her 1986 exhibit at the Anderson Gallery. A collection of slides of T. Pollak's works are available in box 20.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Theresa Pollak Papers consists of materials covering Miss Pollak's academic and artistic career from 1917 to 1988 (primarily 1940s-1980s). Of particular note are the materials and correspondence Miss Pollak gathered about her major instructors influencing her artistic work, Allen Tucker and Hans Hoffmann. Also included in the collection are Christmas cards designed by Miss Pollak's former students and fellow faculty members and photographs of Miss Pollak's work and from her 1986 exhibit at the Anderson Gallery. A collection of slides of T. Pollak's works are available in box 20."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Virginia Commonwealth University. School of the Arts -- Archives -- Faculty","Richmond Professional Institute -- Archives -- Faculty","Pollak, Theresa, 1899-2002 -- Archives"],"names_ssim":["VCU James Branch Cabell Library","Virginia Commonwealth University. School of the Arts -- Archives -- Faculty","Richmond Professional Institute -- Archives -- Faculty","Pollak, Theresa, 1899-2002","Pollak, Theresa, 1899-2002 -- Archives","Lang Leback, Chloe"],"corpname_ssim":["VCU James Branch Cabell Library","Virginia Commonwealth University. School of the Arts -- Archives -- Faculty","Richmond Professional Institute -- Archives -- Faculty"],"persname_ssim":["Pollak, Theresa, 1899-2002","Pollak, Theresa, 1899-2002 -- Archives","Lang Leback, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":298,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:16:11.514Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_265_c06_c06"}},{"id":"vircu_repositories_5_resources_118_c01_c17","type":"File","attributes":{"title":"Correspondence--Stein, Gertrude and Toklas, Alice","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_118_c01_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_118_c01_c17","ref_ssm":["vircu_repositories_5_resources_118_c01_c17"],"id":"vircu_repositories_5_resources_118_c01_c17","ead_ssi":"vircu_repositories_5_resources_118","_root_":"vircu_repositories_5_resources_118","_nest_parent_":"vircu_repositories_5_resources_118_c01","parent_ssi":"vircu_repositories_5_resources_118_c01","parent_ssim":["vircu_repositories_5_resources_118","vircu_repositories_5_resources_118_c01"],"parent_ids_ssim":["vircu_repositories_5_resources_118","vircu_repositories_5_resources_118_c01"],"parent_unittitles_ssm":["Hunter T. Stagg papers","Stagg Materials, n.d."],"parent_unittitles_tesim":["Hunter T. Stagg papers","Stagg Materials, n.d."],"text":["Hunter T. Stagg papers","Stagg Materials, n.d.","Correspondence--Stein, Gertrude and Toklas, Alice","box 2"],"title_filing_ssi":"Correspondence--Stein, Gertrude and Toklas, Alice","title_ssm":["Correspondence--Stein, Gertrude and Toklas, Alice"],"title_tesim":["Correspondence--Stein, Gertrude and Toklas, Alice"],"unitdate_inclusive_ssm":["1924, 1945-1946"],"normalized_date_ssm":["1924/1946"],"normalized_title_ssm":["Correspondence--Stein, Gertrude and Toklas, Alice"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Hunter T. Stagg papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":18,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946],"containers_ssim":["box 2"],"_nest_path_":"/components#0/components#16","timestamp":"2026-05-01T00:15:57.245Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_118","ead_ssi":"vircu_repositories_5_resources_118","_root_":"vircu_repositories_5_resources_118","_nest_parent_":"vircu_repositories_5_resources_118","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_118.xml","title_filing_ssi":"Stagg, Hunter T., papers","title_ssm":["Hunter T. Stagg papers"],"title_tesim":["Hunter T. Stagg papers"],"unitdate_ssm":["1917-1981"],"unitdate_inclusive_ssm":["1917-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 261","/repositories/5/resources/118"],"text":["M 261","/repositories/5/resources/118","Hunter T. Stagg papers","Collection is open to research.","Collection is arranged alphabetically within each series.","Hunter Taylor Stagg was born in the city of Richmond, the younger son of Thomas E. and Sarah Stagg on 29 May 1895. Kicked in the head by a horse at the age of seven, Stagg became prone to seizures later in life. Stagg attended the Richmond school run by John Peyton McGuire and in 1921 joined with three other \"literary minded\" individuals (Mary Dallas Street, Emily Clark (Balch) and Margaret Freeman (who married James Branch Cabell in 1950) to establish The Reviewer, a literary magazine. \"Hunter Stagg was an avid literary lionizer, the one of the four who sought meetings with writers for the thrill of associating with creative artists. His handsome appearance, his considerable charm, his genuine appreciation for writing aided him in establishing the friendships he cherished including that of Cabell. Carl Van Vechten, leader of avant-garde cultural circles in New York, responded to Hunter's appeal and opened literary doors for him.\" -- from the Ellen Glasgow Newsletter #15 which also provides extensive lists of acquaintances met during these years. The Reviewer moved to North Carolina in 1924 and Stagg held several reviewing positions in Richmond before moving to Washington, D.C. in March 1938 to live with his sister, Helen Winston, and her family. He lived with Mrs. Winston until her death in the late 1940s. After spending some time in New York with Margaret Freeman recuperating from his sister's death, Stagg returned to D.C. and got a job managing a bookstore. Stagg only worked intermittently throughout his life and was prone to alcoholism. Chronically without funds, Stagg forfeited a portion of his library and his furnishings when he did not meet the storage payments. He was eventually committed to St. Elizabeth's in Washington, D.C. and died there, 23 December 1960. He was buried in the Stagg family section of Hollywood Cemetery. As of 2002, his grave had no marker or tombstone.","The collection contains correspondence, notes, typescripts, reviews, bills and miscellaneous materials dating from 1917 to 1981. The bulk of the collection focuses on correspondence throughout the 1920s and 1930s, especially that of James Branch Cabell and Carl Van Vechten (including copies of letters written to Van Vechten from Stagg obtained from Yale University by Edgar MacDonald). Other notable correspondents include: Essie Robeson (wife of Paul Robeson, see 3.5), Marjorie K. Rawlings, Tom Rutherfurd (Rutherfoord), Gertrude Stein, Alice Toklas, Frances Newman, Langston Hughes, Ben Ray Redman, Ellen Glasgow, and Montgomery Evans. Much of the Evans correspondence are copies of letters from Stagg to Evans from the Morris Library, Southern Illinois University. These were provided by Dr. Edgar MacDonald during his research of Hunter Stagg.","There are no restrictions.","VCU James Branch Cabell Library","Stagg, Hunter T. (Hunter Taylor)","Van Vechten, Carl -- Correspondence","Cabell, James Branch, 1879-1958 -- Correspondence","English \n.    "],"unitid_tesim":["M 261","/repositories/5/resources/118"],"normalized_title_ssm":["Hunter T. Stagg papers"],"collection_title_tesim":["Hunter T. Stagg papers"],"collection_ssim":["Hunter T. Stagg papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Stagg, Hunter T. (Hunter Taylor)"],"creator_ssim":["Stagg, Hunter T. (Hunter Taylor)"],"creator_persname_ssim":["Stagg, Hunter T. (Hunter Taylor)"],"creators_ssim":["Stagg, Hunter T. (Hunter Taylor)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["The collection was donated to the the Special Collections and Archives department by Mr. Robert Saylor (widower of Stagg's niece Charlotte Nance Saylor) in 1988. Edgar MacDonald provided additional material. Also, a collection of correspondence from Mrs. Elizabeth Norfleet was deposited in 1994."],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet"],"extent_tesim":["2.5 Linear Feet"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged alphabetically within each series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically within each series."],"bioghist_html_tesm":["\u003cp\u003eHunter Taylor Stagg was born in the city of Richmond, the younger son of Thomas E. and Sarah Stagg on 29 May 1895. Kicked in the head by a horse at the age of seven, Stagg became prone to seizures later in life. Stagg attended the Richmond school run by John Peyton McGuire and in 1921 joined with three other \"literary minded\" individuals (Mary Dallas Street, Emily Clark (Balch) and Margaret Freeman (who married James Branch Cabell in 1950) to establish The Reviewer, a literary magazine. \"Hunter Stagg was an avid literary lionizer, the one of the four who sought meetings with writers for the thrill of associating with creative artists. His handsome appearance, his considerable charm, his genuine appreciation for writing aided him in establishing the friendships he cherished including that of Cabell. Carl Van Vechten, leader of avant-garde cultural circles in New York, responded to Hunter's appeal and opened literary doors for him.\" -- from the Ellen Glasgow Newsletter #15 which also provides extensive lists of acquaintances met during these years. The Reviewer moved to North Carolina in 1924 and Stagg held several reviewing positions in Richmond before moving to Washington, D.C. in March 1938 to live with his sister, Helen Winston, and her family. He lived with Mrs. Winston until her death in the late 1940s. After spending some time in New York with Margaret Freeman recuperating from his sister's death, Stagg returned to D.C. and got a job managing a bookstore. Stagg only worked intermittently throughout his life and was prone to alcoholism. Chronically without funds, Stagg forfeited a portion of his library and his furnishings when he did not meet the storage payments. He was eventually committed to St. Elizabeth's in Washington, D.C. and died there, 23 December 1960. He was buried in the Stagg family section of Hollywood Cemetery. As of 2002, his grave had no marker or tombstone.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Hunter Taylor Stagg was born in the city of Richmond, the younger son of Thomas E. and Sarah Stagg on 29 May 1895. Kicked in the head by a horse at the age of seven, Stagg became prone to seizures later in life. Stagg attended the Richmond school run by John Peyton McGuire and in 1921 joined with three other \"literary minded\" individuals (Mary Dallas Street, Emily Clark (Balch) and Margaret Freeman (who married James Branch Cabell in 1950) to establish The Reviewer, a literary magazine. \"Hunter Stagg was an avid literary lionizer, the one of the four who sought meetings with writers for the thrill of associating with creative artists. His handsome appearance, his considerable charm, his genuine appreciation for writing aided him in establishing the friendships he cherished including that of Cabell. Carl Van Vechten, leader of avant-garde cultural circles in New York, responded to Hunter's appeal and opened literary doors for him.\" -- from the Ellen Glasgow Newsletter #15 which also provides extensive lists of acquaintances met during these years. The Reviewer moved to North Carolina in 1924 and Stagg held several reviewing positions in Richmond before moving to Washington, D.C. in March 1938 to live with his sister, Helen Winston, and her family. He lived with Mrs. Winston until her death in the late 1940s. After spending some time in New York with Margaret Freeman recuperating from his sister's death, Stagg returned to D.C. and got a job managing a bookstore. Stagg only worked intermittently throughout his life and was prone to alcoholism. Chronically without funds, Stagg forfeited a portion of his library and his furnishings when he did not meet the storage payments. He was eventually committed to St. Elizabeth's in Washington, D.C. and died there, 23 December 1960. He was buried in the Stagg family section of Hollywood Cemetery. As of 2002, his grave had no marker or tombstone."],"prefercite_html_tesm":["\u003cp\u003eHunter T. Stagg papers, Collection # M 261, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Hunter T. Stagg papers, Collection # M 261, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains correspondence, notes, typescripts, reviews, bills and miscellaneous materials dating from 1917 to 1981. The bulk of the collection focuses on correspondence throughout the 1920s and 1930s, especially that of James Branch Cabell and Carl Van Vechten (including copies of letters written to Van Vechten from Stagg obtained from Yale University by Edgar MacDonald). Other notable correspondents include: Essie Robeson (wife of Paul Robeson, see 3.5), Marjorie K. Rawlings, Tom Rutherfurd (Rutherfoord), Gertrude Stein, Alice Toklas, Frances Newman, Langston Hughes, Ben Ray Redman, Ellen Glasgow, and Montgomery Evans. Much of the Evans correspondence are copies of letters from Stagg to Evans from the Morris Library, Southern Illinois University. These were provided by Dr. Edgar MacDonald during his research of Hunter Stagg.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains correspondence, notes, typescripts, reviews, bills and miscellaneous materials dating from 1917 to 1981. The bulk of the collection focuses on correspondence throughout the 1920s and 1930s, especially that of James Branch Cabell and Carl Van Vechten (including copies of letters written to Van Vechten from Stagg obtained from Yale University by Edgar MacDonald). Other notable correspondents include: Essie Robeson (wife of Paul Robeson, see 3.5), Marjorie K. Rawlings, Tom Rutherfurd (Rutherfoord), Gertrude Stein, Alice Toklas, Frances Newman, Langston Hughes, Ben Ray Redman, Ellen Glasgow, and Montgomery Evans. Much of the Evans correspondence are copies of letters from Stagg to Evans from the Morris Library, Southern Illinois University. These were provided by Dr. Edgar MacDonald during his research of Hunter Stagg."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Stagg, Hunter T. (Hunter Taylor)","Van Vechten, Carl -- Correspondence","Cabell, James Branch, 1879-1958 -- Correspondence"],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Van Vechten, Carl -- Correspondence","Cabell, James Branch, 1879-1958 -- Correspondence"],"persname_ssim":["Stagg, Hunter T. (Hunter Taylor)","Van Vechten, Carl -- Correspondence","Cabell, James Branch, 1879-1958 -- Correspondence"],"language_ssim":["English \n.    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Stagg papers","Stagg Materials, n.d."],"parent_unittitles_tesim":["Hunter T. Stagg papers","Stagg Materials, n.d."],"text":["Hunter T. Stagg papers","Stagg Materials, n.d.","Correspondence--Van Vechten, Carl","box 3"],"title_filing_ssi":"Correspondence--Van Vechten, Carl","title_ssm":["Correspondence--Van Vechten, Carl"],"title_tesim":["Correspondence--Van Vechten, Carl"],"unitdate_inclusive_ssm":["1927-1930"],"normalized_date_ssm":["1927/1930"],"normalized_title_ssm":["Correspondence--Van Vechten, Carl"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Hunter T. Stagg papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":26,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1927,1928,1929,1930],"containers_ssim":["box 3"],"_nest_path_":"/components#0/components#24","timestamp":"2026-05-01T00:15:57.245Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_118","ead_ssi":"vircu_repositories_5_resources_118","_root_":"vircu_repositories_5_resources_118","_nest_parent_":"vircu_repositories_5_resources_118","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_118.xml","title_filing_ssi":"Stagg, Hunter T., papers","title_ssm":["Hunter T. Stagg papers"],"title_tesim":["Hunter T. Stagg papers"],"unitdate_ssm":["1917-1981"],"unitdate_inclusive_ssm":["1917-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 261","/repositories/5/resources/118"],"text":["M 261","/repositories/5/resources/118","Hunter T. Stagg papers","Collection is open to research.","Collection is arranged alphabetically within each series.","Hunter Taylor Stagg was born in the city of Richmond, the younger son of Thomas E. and Sarah Stagg on 29 May 1895. Kicked in the head by a horse at the age of seven, Stagg became prone to seizures later in life. Stagg attended the Richmond school run by John Peyton McGuire and in 1921 joined with three other \"literary minded\" individuals (Mary Dallas Street, Emily Clark (Balch) and Margaret Freeman (who married James Branch Cabell in 1950) to establish The Reviewer, a literary magazine. \"Hunter Stagg was an avid literary lionizer, the one of the four who sought meetings with writers for the thrill of associating with creative artists. His handsome appearance, his considerable charm, his genuine appreciation for writing aided him in establishing the friendships he cherished including that of Cabell. Carl Van Vechten, leader of avant-garde cultural circles in New York, responded to Hunter's appeal and opened literary doors for him.\" -- from the Ellen Glasgow Newsletter #15 which also provides extensive lists of acquaintances met during these years. The Reviewer moved to North Carolina in 1924 and Stagg held several reviewing positions in Richmond before moving to Washington, D.C. in March 1938 to live with his sister, Helen Winston, and her family. He lived with Mrs. Winston until her death in the late 1940s. After spending some time in New York with Margaret Freeman recuperating from his sister's death, Stagg returned to D.C. and got a job managing a bookstore. Stagg only worked intermittently throughout his life and was prone to alcoholism. Chronically without funds, Stagg forfeited a portion of his library and his furnishings when he did not meet the storage payments. He was eventually committed to St. Elizabeth's in Washington, D.C. and died there, 23 December 1960. He was buried in the Stagg family section of Hollywood Cemetery. As of 2002, his grave had no marker or tombstone.","The collection contains correspondence, notes, typescripts, reviews, bills and miscellaneous materials dating from 1917 to 1981. The bulk of the collection focuses on correspondence throughout the 1920s and 1930s, especially that of James Branch Cabell and Carl Van Vechten (including copies of letters written to Van Vechten from Stagg obtained from Yale University by Edgar MacDonald). Other notable correspondents include: Essie Robeson (wife of Paul Robeson, see 3.5), Marjorie K. Rawlings, Tom Rutherfurd (Rutherfoord), Gertrude Stein, Alice Toklas, Frances Newman, Langston Hughes, Ben Ray Redman, Ellen Glasgow, and Montgomery Evans. Much of the Evans correspondence are copies of letters from Stagg to Evans from the Morris Library, Southern Illinois University. These were provided by Dr. Edgar MacDonald during his research of Hunter Stagg.","There are no restrictions.","VCU James Branch Cabell Library","Stagg, Hunter T. (Hunter Taylor)","Van Vechten, Carl -- Correspondence","Cabell, James Branch, 1879-1958 -- Correspondence","English \n.    "],"unitid_tesim":["M 261","/repositories/5/resources/118"],"normalized_title_ssm":["Hunter T. Stagg papers"],"collection_title_tesim":["Hunter T. Stagg papers"],"collection_ssim":["Hunter T. Stagg papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Stagg, Hunter T. (Hunter Taylor)"],"creator_ssim":["Stagg, Hunter T. (Hunter Taylor)"],"creator_persname_ssim":["Stagg, Hunter T. (Hunter Taylor)"],"creators_ssim":["Stagg, Hunter T. (Hunter Taylor)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["The collection was donated to the the Special Collections and Archives department by Mr. Robert Saylor (widower of Stagg's niece Charlotte Nance Saylor) in 1988. Edgar MacDonald provided additional material. Also, a collection of correspondence from Mrs. Elizabeth Norfleet was deposited in 1994."],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet"],"extent_tesim":["2.5 Linear Feet"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged alphabetically within each series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically within each series."],"bioghist_html_tesm":["\u003cp\u003eHunter Taylor Stagg was born in the city of Richmond, the younger son of Thomas E. and Sarah Stagg on 29 May 1895. Kicked in the head by a horse at the age of seven, Stagg became prone to seizures later in life. Stagg attended the Richmond school run by John Peyton McGuire and in 1921 joined with three other \"literary minded\" individuals (Mary Dallas Street, Emily Clark (Balch) and Margaret Freeman (who married James Branch Cabell in 1950) to establish The Reviewer, a literary magazine. \"Hunter Stagg was an avid literary lionizer, the one of the four who sought meetings with writers for the thrill of associating with creative artists. His handsome appearance, his considerable charm, his genuine appreciation for writing aided him in establishing the friendships he cherished including that of Cabell. Carl Van Vechten, leader of avant-garde cultural circles in New York, responded to Hunter's appeal and opened literary doors for him.\" -- from the Ellen Glasgow Newsletter #15 which also provides extensive lists of acquaintances met during these years. The Reviewer moved to North Carolina in 1924 and Stagg held several reviewing positions in Richmond before moving to Washington, D.C. in March 1938 to live with his sister, Helen Winston, and her family. He lived with Mrs. Winston until her death in the late 1940s. After spending some time in New York with Margaret Freeman recuperating from his sister's death, Stagg returned to D.C. and got a job managing a bookstore. Stagg only worked intermittently throughout his life and was prone to alcoholism. Chronically without funds, Stagg forfeited a portion of his library and his furnishings when he did not meet the storage payments. He was eventually committed to St. Elizabeth's in Washington, D.C. and died there, 23 December 1960. He was buried in the Stagg family section of Hollywood Cemetery. As of 2002, his grave had no marker or tombstone.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Hunter Taylor Stagg was born in the city of Richmond, the younger son of Thomas E. and Sarah Stagg on 29 May 1895. Kicked in the head by a horse at the age of seven, Stagg became prone to seizures later in life. Stagg attended the Richmond school run by John Peyton McGuire and in 1921 joined with three other \"literary minded\" individuals (Mary Dallas Street, Emily Clark (Balch) and Margaret Freeman (who married James Branch Cabell in 1950) to establish The Reviewer, a literary magazine. \"Hunter Stagg was an avid literary lionizer, the one of the four who sought meetings with writers for the thrill of associating with creative artists. His handsome appearance, his considerable charm, his genuine appreciation for writing aided him in establishing the friendships he cherished including that of Cabell. Carl Van Vechten, leader of avant-garde cultural circles in New York, responded to Hunter's appeal and opened literary doors for him.\" -- from the Ellen Glasgow Newsletter #15 which also provides extensive lists of acquaintances met during these years. The Reviewer moved to North Carolina in 1924 and Stagg held several reviewing positions in Richmond before moving to Washington, D.C. in March 1938 to live with his sister, Helen Winston, and her family. He lived with Mrs. Winston until her death in the late 1940s. After spending some time in New York with Margaret Freeman recuperating from his sister's death, Stagg returned to D.C. and got a job managing a bookstore. Stagg only worked intermittently throughout his life and was prone to alcoholism. Chronically without funds, Stagg forfeited a portion of his library and his furnishings when he did not meet the storage payments. He was eventually committed to St. Elizabeth's in Washington, D.C. and died there, 23 December 1960. He was buried in the Stagg family section of Hollywood Cemetery. As of 2002, his grave had no marker or tombstone."],"prefercite_html_tesm":["\u003cp\u003eHunter T. Stagg papers, Collection # M 261, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Hunter T. Stagg papers, Collection # M 261, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains correspondence, notes, typescripts, reviews, bills and miscellaneous materials dating from 1917 to 1981. The bulk of the collection focuses on correspondence throughout the 1920s and 1930s, especially that of James Branch Cabell and Carl Van Vechten (including copies of letters written to Van Vechten from Stagg obtained from Yale University by Edgar MacDonald). Other notable correspondents include: Essie Robeson (wife of Paul Robeson, see 3.5), Marjorie K. Rawlings, Tom Rutherfurd (Rutherfoord), Gertrude Stein, Alice Toklas, Frances Newman, Langston Hughes, Ben Ray Redman, Ellen Glasgow, and Montgomery Evans. Much of the Evans correspondence are copies of letters from Stagg to Evans from the Morris Library, Southern Illinois University. These were provided by Dr. Edgar MacDonald during his research of Hunter Stagg.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains correspondence, notes, typescripts, reviews, bills and miscellaneous materials dating from 1917 to 1981. The bulk of the collection focuses on correspondence throughout the 1920s and 1930s, especially that of James Branch Cabell and Carl Van Vechten (including copies of letters written to Van Vechten from Stagg obtained from Yale University by Edgar MacDonald). Other notable correspondents include: Essie Robeson (wife of Paul Robeson, see 3.5), Marjorie K. Rawlings, Tom Rutherfurd (Rutherfoord), Gertrude Stein, Alice Toklas, Frances Newman, Langston Hughes, Ben Ray Redman, Ellen Glasgow, and Montgomery Evans. Much of the Evans correspondence are copies of letters from Stagg to Evans from the Morris Library, Southern Illinois University. These were provided by Dr. Edgar MacDonald during his research of Hunter Stagg."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Stagg, Hunter T. (Hunter Taylor)","Van Vechten, Carl -- Correspondence","Cabell, James Branch, 1879-1958 -- Correspondence"],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Van Vechten, Carl -- Correspondence","Cabell, James Branch, 1879-1958 -- Correspondence"],"persname_ssim":["Stagg, Hunter T. (Hunter Taylor)","Van Vechten, Carl -- Correspondence","Cabell, James Branch, 1879-1958 -- Correspondence"],"language_ssim":["English \n.    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The Special Collections and Archives Department has 34 original cartoons, some inscribed, Seibel's own clipping file, early drawings, oils and watercolors and some correspondence. The collection is divided into two groups: Seibel's oil paintings, folios, and oversized cartoons are stored separately; the newspaper copies of his cartoons and boxed in groups of fifty and are arranged, with few exceptions, chronologically. The cartoons were cut and numbered by Seibel in the order in which they were published, and that numerical order has been preserved.","Frederick Otto Seibel was born in Durhamville, New York, on 8 October 1886 and died in Richmond, Virginia on 19 June 1968. Siebel spent his childhood drawing sketches of the Erie Canal. He was married with no children. After attending classes at the Art Students League in New York City for a short time. Seibel started his own commercial art business in the early years of the twentieth century. His first cartoon was printed in the Oneida Dispatch in 1908. He began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936.","The Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. Byrd, John L. Lewis, J. Edgar Hoover and numerous members of the federal and state government), and a complete set of his published cartoons from both the  Knickerbocker Press  and the  Richmond Times-Dispatch . Other items in the collection include drawing notebooks and early art school sketches, seven oil paintings thought to have been painted by Seibel, folios containing copies of sketches by Charles Dana Gibson and Frederic Remington, as well as folios containing newspaper clippings of major world events in Seibel's lifetime. There are also thirty-four original cartoons, some of which were autographed by Seibel.","There are no restrictions.","VCU James Branch Cabell Library","Seibel, Fred O. (Fred Otto), 1886-1969","English \n.    "],"unitid_tesim":["M 23","/repositories/5/resources/101"],"normalized_title_ssm":["Frederick Otto Seibel papers"],"collection_title_tesim":["Frederick Otto Seibel papers"],"collection_ssim":["Frederick Otto Seibel papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Seibel, Fred O. (Fred Otto), 1886-1969"],"creator_ssim":["Seibel, Fred O. (Fred Otto), 1886-1969"],"creator_persname_ssim":["Seibel, Fred O. (Fred Otto), 1886-1969"],"creators_ssim":["Seibel, Fred O. (Fred Otto), 1886-1969"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Editorial cartoonists -- Virginia -- Richmond","Cartoonists -- United States"],"access_subjects_ssm":["Editorial cartoonists -- Virginia -- Richmond","Cartoonists -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["16.9 Linear Feet (contains oversize material)"],"extent_tesim":["16.9 Linear Feet (contains oversize material)"],"date_range_isim":[1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged alphabetically. The Special Collections and Archives Department has 34 original cartoons, some inscribed, Seibel's own clipping file, early drawings, oils and watercolors and some correspondence. The collection is divided into two groups: Seibel's oil paintings, folios, and oversized cartoons are stored separately; the newspaper copies of his cartoons and boxed in groups of fifty and are arranged, with few exceptions, chronologically. The cartoons were cut and numbered by Seibel in the order in which they were published, and that numerical order has been preserved.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically. The Special Collections and Archives Department has 34 original cartoons, some inscribed, Seibel's own clipping file, early drawings, oils and watercolors and some correspondence. The collection is divided into two groups: Seibel's oil paintings, folios, and oversized cartoons are stored separately; the newspaper copies of his cartoons and boxed in groups of fifty and are arranged, with few exceptions, chronologically. The cartoons were cut and numbered by Seibel in the order in which they were published, and that numerical order has been preserved."],"bioghist_html_tesm":["\u003cp\u003eFrederick Otto Seibel was born in Durhamville, New York, on 8 October 1886 and died in Richmond, Virginia on 19 June 1968. Siebel spent his childhood drawing sketches of the Erie Canal. He was married with no children. After attending classes at the Art Students League in New York City for a short time. Seibel started his own commercial art business in the early years of the twentieth century. His first cartoon was printed in the Oneida Dispatch in 1908. He began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Frederick Otto Seibel was born in Durhamville, New York, on 8 October 1886 and died in Richmond, Virginia on 19 June 1968. Siebel spent his childhood drawing sketches of the Erie Canal. He was married with no children. After attending classes at the Art Students League in New York City for a short time. Seibel started his own commercial art business in the early years of the twentieth century. His first cartoon was printed in the Oneida Dispatch in 1908. He began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936."],"prefercite_html_tesm":["\u003cp\u003eFrederick Otto Seibel papers, Collection # M 23, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Frederick Otto Seibel papers, Collection # M 23, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. Byrd, John L. Lewis, J. Edgar Hoover and numerous members of the federal and state government), and a complete set of his published cartoons from both the \u003ctitle\u003eKnickerbocker Press\u003c/title\u003e and the \u003ctitle\u003eRichmond Times-Dispatch\u003c/title\u003e. Other items in the collection include drawing notebooks and early art school sketches, seven oil paintings thought to have been painted by Seibel, folios containing copies of sketches by Charles Dana Gibson and Frederic Remington, as well as folios containing newspaper clippings of major world events in Seibel's lifetime. There are also thirty-four original cartoons, some of which were autographed by Seibel.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. Byrd, John L. Lewis, J. Edgar Hoover and numerous members of the federal and state government), and a complete set of his published cartoons from both the  Knickerbocker Press  and the  Richmond Times-Dispatch . Other items in the collection include drawing notebooks and early art school sketches, seven oil paintings thought to have been painted by Seibel, folios containing copies of sketches by Charles Dana Gibson and Frederic Remington, as well as folios containing newspaper clippings of major world events in Seibel's lifetime. There are also thirty-four original cartoons, some of which were autographed by Seibel."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Seibel, Fred O. (Fred Otto), 1886-1969"],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Seibel, Fred O. 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