{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1924\u0026facet.sort=index\u0026page=2480","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1924\u0026facet.sort=index\u0026page=2479","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1924\u0026facet.sort=index\u0026page=2481","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1924\u0026facet.sort=index\u0026page=2481"},"meta":{"pages":{"current_page":2480,"next_page":2481,"prev_page":2479,"total_pages":2481,"limit_value":10,"offset_value":24790,"total_count":24801,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_viu00040_c01_c18","type":"Item","attributes":{"title":"Zelma Brandt to \n Mary Johnston","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu00040_c01_c18#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00040_c01_c18","ref_ssm":["viu_viu00040_c01_c18"],"id":"viu_viu00040_c01_c18","ead_ssi":"viu_viu00040","_root_":"viu_viu00040","_nest_parent_":"viu_viu00040_c01","parent_ssi":"viu_viu00040_c01","parent_ssim":["viu_viu00040","viu_viu00040_c01"],"parent_ids_ssim":["viu_viu00040","viu_viu00040_c01"],"parent_unittitles_ssm":["Papers of Mary Johnston","Correspondence"],"parent_unittitles_tesim":["Papers of Mary Johnston","Correspondence"],"text":["Papers of Mary Johnston","Correspondence","Zelma Brandt to \n Mary Johnston","box Box 1"],"title_filing_ssi":"\n Zelma Brandt to \n Mary Johnston","title_ssm":["Zelma Brandt to \n Mary Johnston"],"title_tesim":["Zelma Brandt to \n Mary Johnston"],"unitdate_other_ssim":["1924"],"normalized_date_ssm":["1924"],"normalized_title_ssm":["Zelma Brandt to \n Mary Johnston"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of Mary Johnston"],"extent_ssm":["3"],"extent_tesim":["3"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":19,"date_range_isim":[1924],"containers_ssim":["box Box 1"],"_nest_path_":"/components#0/components#17","timestamp":"2026-05-21T12:55:31.436Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00040","ead_ssi":"viu_viu00040","_root_":"viu_viu00040","_nest_parent_":"viu_viu00040","ead_source_url_ssi":"data/uva-sc/viu00040.xml","title_ssm":["Papers of Mary Johnston"],"title_tesim":["Papers of Mary Johnston"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["3588"],"text":["3588","Papers of Mary Johnston","This collection consists of ca. 4000 items.","There are no restrictions.\n","The correspondence with family, friends, agents, and\n publishers has been arranged alphabetically by the\n correspondents; this correspondence comprises the first seven\n boxes. The miscellaneous family, suffrage and other\n correspondence is in chronological order and occupies boxes 8-10. Boxes 11-19 contain the manuscripts of stories, novels,\n and dramatic adaptations and have been arranged alphabetically\n by title. The diaries and copies of diaries are arranged\n chronologically in boxes 20 and 21. In boxes 21-22 are are\n rough drafts of the biography compiled by her sister from \n Mary Johnston's diaries and unfinished\n autobiography. Box 23 contains genealogical material, and\n boxes 24-25 contain accounts and cashbooks. In box 26 are\n contracts and other legal papers, as well as photographs. Box\n 27 holds manuscripts of speeches on suffrage, labor, books and\n the Civil War, and box 28 contains miscellaneous personal\n articles. The remainder of box 28 and boxes 29-32 contain\n news-clippings collected by \n John W. Johnston, \n Mary Johnston, and \n Elizabeth Johnston; these clippings are\n about local \n Virginia news in the late 1800's, the\n suffrage movement, the peace movement, and \n Mary Johnston's novels.","\n Mary Johnston was born November 21, 1870 in \n Buchanan, Virginia to \n Elizabeth Alexander Johnston from \n Moorefield, West Virginia and \n John W. Johnston, lawyer and railway\n executive, of \n Botetourt County, Virginia. \n Mary Johnston, the oldest of six\n children, was followed by \n Eloise Johnston, \n Anne Johnston, \n John Johnston, \n Walter Johnston, and \n Elizabeth Johnston; the first and last\n two siblings lived most of their adult lives with \n Mary Johnston until her death, and they\n are mentioned frequently in these papers.","The family moved to \n Birmingham, Alabama in 1886 and, except\n for a brief period spent in \n New York City around 1893 remained in \n Birmingham until 1902 when they moved to \n Richmond, Virginia. \n Elizabeth Alexander Johnston died in 1889\n soon after the birth of her last child. \n John W. Johnston, a \n Confederate soldier and cousin to General \n Joseph E. Johnston, died in 1905, and\n soon thereafter \n Mary Johnston became critically ill,\n hovering close to death for nearly a year. Although she\n recovered and lived until 1936, she was plagued with horrible\n headaches and ill health most of her life. In 1912 \n Mary Johnston and \n Eloise Johnston bought land and built a\n home, \"Three Hills,\" in \n Warm Springs, Virginia; this remained the\n Johnston family home until \n Elizabeth Johnston's death in the\n 1960's.","\n Mary Johnston was not formally educated\n but apparently did a great deal of undirected reading in her\n youth, particularly of literature, history, philosophy, and\n science. She loved nature and, as a young adult, travelled\n frequently in \n Europe. She began writing in 1893, and\n her novel, \n Prisoner of Hope, which appeared\n in 1898, was her first publication. \n Houghton, Mifflin and Co. published her\n novels until she changed to \n Harpers in 1918; in 1922 she moved to \n Little-Brown and Co. Her literary agent\n was \n Carl Brandt. \n Mary Johnston published twenty-three\n novels--the earlier ones such as \n To Have and To Hold, Audrey, Sir Mortimer, Lewis Rand, and \n The Long Roll were the most\n popular--one play, \n The Goddess of Reason; one\n historical work, \n The Pioneers of the Old\n South; and numerous short stories.","In addition to her literary and feminist activities, \n Mary Johnston was a self-declared pacifist\n in World War I and worked for peace through various\n organizations. She also had a great interest in socialism,\n although she never joined the \n Socialist Party. In later years she\n studied theosophy with much enthusiasm.","The Papers of Mary Johnston consists of ca. 4000 items, including correspondence (both personal and professional), literary manuscripts, dramatic adaptations, diaries, accounts and cashbooks, photographs, speeches and news clippings.\n","See the \n \n University of Virginia Library’s use policy.","English\n"],"unitid_tesim":["3588"],"normalized_title_ssm":["Papers of Mary Johnston"],"collection_title_tesim":["Papers of Mary Johnston"],"collection_ssim":["Papers of Mary Johnston"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["The Papers of Mary Johnston were deposited by Elizabeth Johnston\n November 1, 1960 and became the property of the\n University of Virginia when she\n died."],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection consists of ca. 4000 items."],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions.\n"],"arrangement_html_tesm":["\u003cp\u003eThe correspondence with family, friends, agents, and\n publishers has been arranged alphabetically by the\n correspondents; this correspondence comprises the first seven\n boxes. The miscellaneous family, suffrage and other\n correspondence is in chronological order and occupies boxes 8-10. Boxes 11-19 contain the manuscripts of stories, novels,\n and dramatic adaptations and have been arranged alphabetically\n by title. The diaries and copies of diaries are arranged\n chronologically in boxes 20 and 21. In boxes 21-22 are are\n rough drafts of the biography compiled by her sister from \n Mary Johnston's diaries and unfinished\n autobiography. Box 23 contains genealogical material, and\n boxes 24-25 contain accounts and cashbooks. In box 26 are\n contracts and other legal papers, as well as photographs. Box\n 27 holds manuscripts of speeches on suffrage, labor, books and\n the Civil War, and box 28 contains miscellaneous personal\n articles. The remainder of box 28 and boxes 29-32 contain\n news-clippings collected by \n John W. Johnston, \n Mary Johnston, and \n Elizabeth Johnston; these clippings are\n about local \n Virginia news in the late 1800's, the\n suffrage movement, the peace movement, and \n Mary Johnston's novels.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["The correspondence with family, friends, agents, and\n publishers has been arranged alphabetically by the\n correspondents; this correspondence comprises the first seven\n boxes. The miscellaneous family, suffrage and other\n correspondence is in chronological order and occupies boxes 8-10. Boxes 11-19 contain the manuscripts of stories, novels,\n and dramatic adaptations and have been arranged alphabetically\n by title. The diaries and copies of diaries are arranged\n chronologically in boxes 20 and 21. In boxes 21-22 are are\n rough drafts of the biography compiled by her sister from \n Mary Johnston's diaries and unfinished\n autobiography. Box 23 contains genealogical material, and\n boxes 24-25 contain accounts and cashbooks. In box 26 are\n contracts and other legal papers, as well as photographs. Box\n 27 holds manuscripts of speeches on suffrage, labor, books and\n the Civil War, and box 28 contains miscellaneous personal\n articles. The remainder of box 28 and boxes 29-32 contain\n news-clippings collected by \n John W. Johnston, \n Mary Johnston, and \n Elizabeth Johnston; these clippings are\n about local \n Virginia news in the late 1800's, the\n suffrage movement, the peace movement, and \n Mary Johnston's novels."],"bioghist_html_tesm":["\u003cp\u003e\n Mary Johnston was born November 21, 1870 in \n Buchanan, Virginia to \n Elizabeth Alexander Johnston from \n Moorefield, West Virginia and \n John W. Johnston, lawyer and railway\n executive, of \n Botetourt County, Virginia. \n Mary Johnston, the oldest of six\n children, was followed by \n Eloise Johnston, \n Anne Johnston, \n John Johnston, \n Walter Johnston, and \n Elizabeth Johnston; the first and last\n two siblings lived most of their adult lives with \n Mary Johnston until her death, and they\n are mentioned frequently in these papers.\u003c/p\u003e","\u003cp\u003eThe family moved to \n Birmingham, Alabama in 1886 and, except\n for a brief period spent in \n New York City around 1893 remained in \n Birmingham until 1902 when they moved to \n Richmond, Virginia. \n Elizabeth Alexander Johnston died in 1889\n soon after the birth of her last child. \n John W. Johnston, a \n Confederate soldier and cousin to General \n Joseph E. Johnston, died in 1905, and\n soon thereafter \n Mary Johnston became critically ill,\n hovering close to death for nearly a year. Although she\n recovered and lived until 1936, she was plagued with horrible\n headaches and ill health most of her life. In 1912 \n Mary Johnston and \n Eloise Johnston bought land and built a\n home, \"Three Hills,\" in \n Warm Springs, Virginia; this remained the\n Johnston family home until \n Elizabeth Johnston's death in the\n 1960's.\u003c/p\u003e","\u003cp\u003e\n Mary Johnston was not formally educated\n but apparently did a great deal of undirected reading in her\n youth, particularly of literature, history, philosophy, and\n science. She loved nature and, as a young adult, travelled\n frequently in \n Europe. She began writing in 1893, and\n her novel, \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePrisoner of Hope,\u003c/title\u003ewhich appeared\n in 1898, was her first publication. \n Houghton, Mifflin and Co. published her\n novels until she changed to \n Harpers in 1918; in 1922 she moved to \n Little-Brown and Co. Her literary agent\n was \n Carl Brandt. \n Mary Johnston published twenty-three\n novels--the earlier ones such as \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTo Have and To Hold,\u003c/title\u003e\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAudrey,\u003c/title\u003e\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eSir Mortimer,\u003c/title\u003e\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLewis Rand,\u003c/title\u003eand \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Long Roll\u003c/title\u003e were the most\n popular--one play, \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Goddess of Reason;\u003c/title\u003e one\n historical work, \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Pioneers of the Old\n South;\u003c/title\u003e and numerous short stories.\u003c/p\u003e","\u003cp\u003eIn addition to her literary and feminist activities, \n Mary Johnston was a self-declared pacifist\n in World War I and worked for peace through various\n organizations. She also had a great interest in socialism,\n although she never joined the \n Socialist Party. In later years she\n studied theosophy with much enthusiasm.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information\n"],"bioghist_tesim":["\n Mary Johnston was born November 21, 1870 in \n Buchanan, Virginia to \n Elizabeth Alexander Johnston from \n Moorefield, West Virginia and \n John W. Johnston, lawyer and railway\n executive, of \n Botetourt County, Virginia. \n Mary Johnston, the oldest of six\n children, was followed by \n Eloise Johnston, \n Anne Johnston, \n John Johnston, \n Walter Johnston, and \n Elizabeth Johnston; the first and last\n two siblings lived most of their adult lives with \n Mary Johnston until her death, and they\n are mentioned frequently in these papers.","The family moved to \n Birmingham, Alabama in 1886 and, except\n for a brief period spent in \n New York City around 1893 remained in \n Birmingham until 1902 when they moved to \n Richmond, Virginia. \n Elizabeth Alexander Johnston died in 1889\n soon after the birth of her last child. \n John W. Johnston, a \n Confederate soldier and cousin to General \n Joseph E. Johnston, died in 1905, and\n soon thereafter \n Mary Johnston became critically ill,\n hovering close to death for nearly a year. Although she\n recovered and lived until 1936, she was plagued with horrible\n headaches and ill health most of her life. In 1912 \n Mary Johnston and \n Eloise Johnston bought land and built a\n home, \"Three Hills,\" in \n Warm Springs, Virginia; this remained the\n Johnston family home until \n Elizabeth Johnston's death in the\n 1960's.","\n Mary Johnston was not formally educated\n but apparently did a great deal of undirected reading in her\n youth, particularly of literature, history, philosophy, and\n science. She loved nature and, as a young adult, travelled\n frequently in \n Europe. She began writing in 1893, and\n her novel, \n Prisoner of Hope, which appeared\n in 1898, was her first publication. \n Houghton, Mifflin and Co. published her\n novels until she changed to \n Harpers in 1918; in 1922 she moved to \n Little-Brown and Co. Her literary agent\n was \n Carl Brandt. \n Mary Johnston published twenty-three\n novels--the earlier ones such as \n To Have and To Hold, Audrey, Sir Mortimer, Lewis Rand, and \n The Long Roll were the most\n popular--one play, \n The Goddess of Reason; one\n historical work, \n The Pioneers of the Old\n South; and numerous short stories.","In addition to her literary and feminist activities, \n Mary Johnston was a self-declared pacifist\n in World War I and worked for peace through various\n organizations. She also had a great interest in socialism,\n although she never joined the \n Socialist Party. In later years she\n studied theosophy with much enthusiasm."],"prefercite_html_tesm":["\u003cp\u003ePapers of Mary Johnston, Accession #3588, Special Collections, University of Virginia Library, Charlottesville, Va.\n\u003c/p\u003e"],"prefercite_tesim":["Papers of Mary Johnston, Accession #3588, Special Collections, University of Virginia Library, Charlottesville, Va.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe Papers of Mary Johnston consists of ca. 4000 items, including correspondence (both personal and professional), literary manuscripts, dramatic adaptations, diaries, accounts and cashbooks, photographs, speeches and news clippings.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The Papers of Mary Johnston consists of ca. 4000 items, including correspondence (both personal and professional), literary manuscripts, dramatic adaptations, diaries, accounts and cashbooks, photographs, speeches and news clippings.\n"],"userestrict_html_tesm":["\u003cp\u003eSee the \n \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["See the \n \n University of Virginia Library’s use policy."],"language_ssim":["English\n"],"total_component_count_is":423,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:55:31.436Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu00040_c01_c18"}},{"id":"wvmturhc_repositories_2_resources_1513","type":"collection","attributes":{"title":"Zinn Family Genealogy","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1513#creator","type":"document_value","attributes":{"value":"Zinn family","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1513#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eGenealogical information compiled by the donor and documents of the Zinn family of north central West Virginia. The family is traced back to George Zinn, a German immigrant from Darstadt and a Revolutionary War veteran who settled after the American Revolution in Monongalia County. There is mention of various of his descendents, mainly West Virginians, but most of the information is on the line of the Civil War veteran George Harrison Zinn and his son Frank Garfield Zinn. Most of the documents are the financial records of George D. Zinn and his business transactions in the vicinity of Morgantown. There are a few other items on Morgantown history and a letter from John Malcom to William and Jane Wilson about land in the frontier Mid-West.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1513#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_1513","ead_ssi":"wvmturhc_repositories_2_resources_1513","_root_":"wvmturhc_repositories_2_resources_1513","_nest_parent_":"wvmturhc_repositories_2_resources_1513","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1513.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195792","title_ssm":["Zinn Family Genealogy"],"title_tesim":["Zinn Family Genealogy"],"unitdate_ssm":["1808-1994","1832-1888"],"unitdate_bulk_ssim":["1832-1888"],"unitdate_inclusive_ssm":["1808-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3213","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1513"],"text":["A\u0026M 3213","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1513","Zinn Family Genealogy","Monongalia County (W. Va.)","Genealogy","Frontier and pioneer life","No special access restriction applies.","Genealogical information compiled by the donor and documents of the Zinn family of north central West Virginia. The family is traced back to George Zinn, a German immigrant from Darstadt and a Revolutionary War veteran who settled after the American Revolution in Monongalia County. There is mention of various of his descendents, mainly West Virginians, but most of the information is on the line of the Civil War veteran George Harrison Zinn and his son Frank Garfield Zinn. Most of the documents are the financial records of George D. Zinn and his business transactions in the vicinity of Morgantown. There are a few other items on Morgantown history and a letter from John Malcom to William and Jane Wilson about land in the frontier Mid-West.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Zinn family","Malcom, John.","Wilson, Jane.","Wilson, William.","Zinn, Frank Garfield.","Zinn, George D.","English"],"unitid_tesim":["A\u0026M 3213","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1513"],"normalized_title_ssm":["Zinn Family Genealogy"],"collection_title_tesim":["Zinn Family Genealogy"],"collection_ssim":["Zinn Family Genealogy"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Monongalia County (W. Va.)"],"geogname_ssim":["Monongalia County (W. Va.)"],"creator_ssm":["Zinn family"],"creator_ssim":["Zinn family"],"creator_famname_ssim":["Zinn family"],"creators_ssim":["Zinn family"],"places_ssim":["Monongalia County (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy","Frontier and pioneer life"],"access_subjects_ssm":["Genealogy","Frontier and pioneer life"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet Summary: 2 1/2 in. (1 document case)"],"extent_tesim":["0.25 Linear Feet Summary: 2 1/2 in. (1 document case)"],"date_range_isim":[1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Zinn Family Genealogy, A\u0026amp;M 3213, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Zinn Family Genealogy, A\u0026M 3213, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eGenealogical information compiled by the donor and documents of the Zinn family of north central West Virginia. The family is traced back to George Zinn, a German immigrant from Darstadt and a Revolutionary War veteran who settled after the American Revolution in Monongalia County. There is mention of various of his descendents, mainly West Virginians, but most of the information is on the line of the Civil War veteran George Harrison Zinn and his son Frank Garfield Zinn. Most of the documents are the financial records of George D. Zinn and his business transactions in the vicinity of Morgantown. There are a few other items on Morgantown history and a letter from John Malcom to William and Jane Wilson about land in the frontier Mid-West.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Genealogical information compiled by the donor and documents of the Zinn family of north central West Virginia. The family is traced back to George Zinn, a German immigrant from Darstadt and a Revolutionary War veteran who settled after the American Revolution in Monongalia County. There is mention of various of his descendents, mainly West Virginians, but most of the information is on the line of the Civil War veteran George Harrison Zinn and his son Frank Garfield Zinn. Most of the documents are the financial records of George D. Zinn and his business transactions in the vicinity of Morgantown. There are a few other items on Morgantown history and a letter from John Malcom to William and Jane Wilson about land in the frontier Mid-West."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8b95e4e2fa57840fd986296ca638e826\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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The family is traced back to George Zinn, a German immigrant from Darstadt and a Revolutionary War veteran who settled after the American Revolution in Monongalia County. There is mention of various of his descendents, mainly West Virginians, but most of the information is on the line of the Civil War veteran George Harrison Zinn and his son Frank Garfield Zinn. Most of the documents are the financial records of George D. Zinn and his business transactions in the vicinity of Morgantown. There are a few other items on Morgantown history and a letter from John Malcom to William and Jane Wilson about land in the frontier Mid-West.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Genealogical information compiled by the donor and documents of the Zinn family of north central West Virginia. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8b95e4e2fa57840fd986296ca638e826\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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Legal documents include a letter of attorney, indentures, deeds, stock certificates, and surveys of property. Genealogical records include a handwritten record of births, a page from a family bible recording births and marriages, and a typescript regarding the history of the Zinn family. Frequently mentioned names include Isaac Dean and George Zinn. The collection also includes an 1867 letter of commendation to George Zinn; it accompanied a medal awarded for service in the Civil War. This collection consists only of digital scans of the original documents. The collection also includes a digital version of an autobiographical account by Thomas E. Zinn titled \"Sea Stories From My Time in the United States Navy\" regarding his experiences as a naval and commercial pilot in the period ca. 1950s-1970s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3210#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_3210","ead_ssi":"wvmturhc_repositories_2_resources_3210","_root_":"wvmturhc_repositories_2_resources_3210","_nest_parent_":"wvmturhc_repositories_2_resources_3210","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3210.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197170","title_ssm":["Zinn Family Papers"],"title_tesim":["Zinn Family Papers"],"unitdate_ssm":["1827-1959"],"unitdate_inclusive_ssm":["1827-1959"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3994","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3210"],"text":["A\u0026M 3994","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3210","Zinn Family Papers","Monongalia County (W. Va.)","Preston County (W. Va.)","Genealogy","No special access restriction applies.","Researchers may access digitized and born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","To book collection:","Paper copy of \"Sea Stories From My Time in the United States Navy\" by Thomas E. Zinn, CDR, USNR (Ret.), regarding service during 1957-1966, printed from electronic file. Electronic file is archived within this collection.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Digital copies of papers of the Zinn family of Preston County, West Virginia, including legal documents and genealogical records. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy"],"access_subjects_ssm":["Genealogy"],"has_online_content_ssim":["false"],"extent_ssm":["2.07 Gigabytes 46 files, formats include .tif and .docx"],"extent_tesim":["2.07 Gigabytes 46 files, formats include .tif and .docx"],"date_range_isim":[1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized and born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized and born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Zinn Family Papers, A\u0026amp;M 3994, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Zinn Family Papers, A\u0026M 3994, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"separatedmaterial_html_tesm":["\u003cp\u003eTo book collection:\u003c/p\u003e\n","\u003cp\u003ePaper copy of \"Sea Stories From My Time in the United States Navy\" by Thomas E. Zinn, CDR, USNR (Ret.), regarding service during 1957-1966, printed from electronic file. Electronic file is archived within this collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["To book collection:","Paper copy of \"Sea Stories From My Time in the United States Navy\" by Thomas E. Zinn, CDR, USNR (Ret.), regarding service during 1957-1966, printed from electronic file. Electronic file is archived within this collection."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3b0516e6ab3d82571d3501b27988d49f\"\u003eDigital copies of papers of the Zinn family of Preston County, West Virginia, including legal documents and genealogical records. Legal documents include a letter of attorney, indentures, deeds, stock certificates, and surveys of property. Genealogical records include a handwritten record of births, a page from a family bible recording births and marriages, and a typescript regarding the history of the Zinn family. Frequently mentioned names include Isaac Dean and George Zinn. The collection also includes an 1867 letter of commendation to George Zinn; it accompanied a medal awarded for service in the Civil War. This collection consists only of digital scans of the original documents. The collection also includes a digital version of an autobiographical account by Thomas E. Zinn titled \"Sea Stories From My Time in the United States Navy\" regarding his experiences as a naval and commercial pilot in the period ca. 1950s-1970s.\u003c/abstract\u003e"],"abstract_tesim":["Digital copies of papers of the Zinn family of Preston County, West Virginia, including legal documents and genealogical records. Legal documents include a letter of attorney, indentures, deeds, stock certificates, and surveys of property. Genealogical records include a handwritten record of births, a page from a family bible recording births and marriages, and a typescript regarding the history of the Zinn family. Frequently mentioned names include Isaac Dean and George Zinn. The collection also includes an 1867 letter of commendation to George Zinn; it accompanied a medal awarded for service in the Civil War. This collection consists only of digital scans of the original documents. The collection also includes a digital version of an autobiographical account by Thomas E. Zinn titled \"Sea Stories From My Time in the United States Navy\" regarding his experiences as a naval and commercial pilot in the period ca. 1950s-1970s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5a7f4e17ce52112d186e0a14cd210769\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Zinn family","Dean family","Zinn, George D."],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Dean family","Zinn family","Zinn, George D."],"famname_ssim":["Zinn family","Dean family"],"persname_ssim":["Zinn, George D."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:36:34.422Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3210","ead_ssi":"wvmturhc_repositories_2_resources_3210","_root_":"wvmturhc_repositories_2_resources_3210","_nest_parent_":"wvmturhc_repositories_2_resources_3210","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3210.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197170","title_ssm":["Zinn Family Papers"],"title_tesim":["Zinn Family Papers"],"unitdate_ssm":["1827-1959"],"unitdate_inclusive_ssm":["1827-1959"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3994","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3210"],"text":["A\u0026M 3994","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3210","Zinn Family Papers","Monongalia County (W. Va.)","Preston County (W. Va.)","Genealogy","No special access restriction applies.","Researchers may access digitized and born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","To book collection:","Paper copy of \"Sea Stories From My Time in the United States Navy\" by Thomas E. Zinn, CDR, USNR (Ret.), regarding service during 1957-1966, printed from electronic file. Electronic file is archived within this collection.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Digital copies of papers of the Zinn family of Preston County, West Virginia, including legal documents and genealogical records. Legal documents include a letter of attorney, indentures, deeds, stock certificates, and surveys of property. Genealogical records include a handwritten record of births, a page from a family bible recording births and marriages, and a typescript regarding the history of the Zinn family. Frequently mentioned names include Isaac Dean and George Zinn. The collection also includes an 1867 letter of commendation to George Zinn; it accompanied a medal awarded for service in the Civil War. This collection consists only of digital scans of the original documents. The collection also includes a digital version of an autobiographical account by Thomas E. Zinn titled \"Sea Stories From My Time in the United States Navy\" regarding his experiences as a naval and commercial pilot in the period ca. 1950s-1970s.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Zinn family","Dean family","Zinn, George D.","English"],"unitid_tesim":["A\u0026M 3994","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3210"],"normalized_title_ssm":["Zinn Family Papers"],"collection_title_tesim":["Zinn Family Papers"],"collection_ssim":["Zinn Family Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Monongalia County (W. Va.)","Preston County (W. Va.)"],"geogname_ssim":["Monongalia County (W. Va.)","Preston County (W. Va.)"],"creator_ssm":["Zinn family"],"creator_ssim":["Zinn family"],"creator_famname_ssim":["Zinn family"],"creators_ssim":["Zinn family"],"places_ssim":["Monongalia County (W. Va.)","Preston County (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy"],"access_subjects_ssm":["Genealogy"],"has_online_content_ssim":["false"],"extent_ssm":["2.07 Gigabytes 46 files, formats include .tif and .docx"],"extent_tesim":["2.07 Gigabytes 46 files, formats include .tif and .docx"],"date_range_isim":[1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized and born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized and born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Zinn Family Papers, A\u0026amp;M 3994, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Zinn Family Papers, A\u0026M 3994, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"separatedmaterial_html_tesm":["\u003cp\u003eTo book collection:\u003c/p\u003e\n","\u003cp\u003ePaper copy of \"Sea Stories From My Time in the United States Navy\" by Thomas E. Zinn, CDR, USNR (Ret.), regarding service during 1957-1966, printed from electronic file. Electronic file is archived within this collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["To book collection:","Paper copy of \"Sea Stories From My Time in the United States Navy\" by Thomas E. Zinn, CDR, USNR (Ret.), regarding service during 1957-1966, printed from electronic file. Electronic file is archived within this collection."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3b0516e6ab3d82571d3501b27988d49f\"\u003eDigital copies of papers of the Zinn family of Preston County, West Virginia, including legal documents and genealogical records. Legal documents include a letter of attorney, indentures, deeds, stock certificates, and surveys of property. Genealogical records include a handwritten record of births, a page from a family bible recording births and marriages, and a typescript regarding the history of the Zinn family. Frequently mentioned names include Isaac Dean and George Zinn. The collection also includes an 1867 letter of commendation to George Zinn; it accompanied a medal awarded for service in the Civil War. This collection consists only of digital scans of the original documents. The collection also includes a digital version of an autobiographical account by Thomas E. Zinn titled \"Sea Stories From My Time in the United States Navy\" regarding his experiences as a naval and commercial pilot in the period ca. 1950s-1970s.\u003c/abstract\u003e"],"abstract_tesim":["Digital copies of papers of the Zinn family of Preston County, West Virginia, including legal documents and genealogical records. Legal documents include a letter of attorney, indentures, deeds, stock certificates, and surveys of property. Genealogical records include a handwritten record of births, a page from a family bible recording births and marriages, and a typescript regarding the history of the Zinn family. Frequently mentioned names include Isaac Dean and George Zinn. The collection also includes an 1867 letter of commendation to George Zinn; it accompanied a medal awarded for service in the Civil War. This collection consists only of digital scans of the original documents. The collection also includes a digital version of an autobiographical account by Thomas E. Zinn titled \"Sea Stories From My Time in the United States Navy\" regarding his experiences as a naval and commercial pilot in the period ca. 1950s-1970s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5a7f4e17ce52112d186e0a14cd210769\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Zinn family","Dean family","Zinn, George D."],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Dean family","Zinn family","Zinn, George D."],"famname_ssim":["Zinn family","Dean family"],"persname_ssim":["Zinn, George D."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:36:34.422Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3210"}},{"id":"wvmturhc_repositories_2_resources_419","type":"collection","attributes":{"title":"Zion Episcopal Church of Charles Town, Papers","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_419#creator","type":"document_value","attributes":{"value":"Zion Episcopal Church of Charles Town","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_419#abstract_or_scope","type":"document_value","attributes":{"value":"Papers of the Zion Episcopal Church of Charles Town, WV, including church budgets, programs, and religious pamphlets. There is a minute book (1878-1890) of the Ladies Mexican League of the Zion Episcopal Church and an account book (1904-1943) listing contributions to the Mexican Scholarship. There are also ten postcards of West Virginia scenes addressed to Letitia C. Ambler.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_419#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_419","ead_ssi":"wvmturhc_repositories_2_resources_419","_root_":"wvmturhc_repositories_2_resources_419","_nest_parent_":"wvmturhc_repositories_2_resources_419","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_419.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195034","title_ssm":["Zion Episcopal Church of Charles Town, Papers"],"title_tesim":["Zion Episcopal Church of Charles Town, Papers"],"unitdate_ssm":["1879-1954"],"unitdate_inclusive_ssm":["1879-1954"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2448","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/419"],"text":["A\u0026M 2448","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/419","Zion Episcopal Church of Charles Town, Papers","Charles Town (W. Va.)","Episcopal church -- Charles Town (W. Va.)","Episcopal church -- Charles Town (W. Va.)","Churches -- Episcopal","Missions -- Mexico","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Papers of the Zion Episcopal Church of Charles Town, WV, including church budgets, programs, and religious pamphlets. There is a minute book (1878-1890) of the Ladies Mexican League of the Zion Episcopal Church and an account book (1904-1943) listing contributions to the Mexican Scholarship. There are also ten postcards of West Virginia scenes addressed to Letitia C. Ambler.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Zion Episcopal Church of Charles Town","Ladies Mexican League of Zion Episcopal Church (Charles Town, W. Va.)","Ambler, Letitia C.","English"],"unitid_tesim":["A\u0026M 2448","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/419"],"normalized_title_ssm":["Zion Episcopal Church of Charles Town, Papers"],"collection_title_tesim":["Zion Episcopal Church of Charles Town, Papers"],"collection_ssim":["Zion Episcopal Church of Charles Town, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Charles Town (W. Va.)"],"geogname_ssim":["Charles Town (W. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffe7bc5f91652c966a1ee03403ec7e58\"\u003ePapers of the Zion Episcopal Church of Charles Town, WV, including church budgets, programs, and religious pamphlets. There is a minute book (1878-1890) of the Ladies Mexican League of the Zion Episcopal Church and an account book (1904-1943) listing contributions to the Mexican Scholarship. There are also ten postcards of West Virginia scenes addressed to Letitia C. Ambler.\u003c/abstract\u003e"],"abstract_tesim":["Papers of the Zion Episcopal Church of Charles Town, WV, including church budgets, programs, and religious pamphlets. There is a minute book (1878-1890) of the Ladies Mexican League of the Zion Episcopal Church and an account book (1904-1943) listing contributions to the Mexican Scholarship. There are also ten postcards of West Virginia scenes addressed to Letitia C. Ambler."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_262efb3172b8bf6953001fdefd46fb5f\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Ladies Mexican League of Zion Episcopal Church (Charles Town, W. Va.)","Ambler, Letitia C."],"names_ssim":["West Virginia and Regional History Center","Zion Episcopal Church of Charles Town","Ladies Mexican League of Zion Episcopal Church (Charles Town, W. Va.)","Ambler, Letitia C."],"corpname_ssim":["West Virginia and Regional History Center","Zion Episcopal Church of Charles Town","Ladies Mexican League of Zion Episcopal Church (Charles Town, W. Va.)"],"persname_ssim":["Ambler, Letitia C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:38:51.003Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_419","ead_ssi":"wvmturhc_repositories_2_resources_419","_root_":"wvmturhc_repositories_2_resources_419","_nest_parent_":"wvmturhc_repositories_2_resources_419","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_419.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195034","title_ssm":["Zion Episcopal Church of Charles Town, Papers"],"title_tesim":["Zion Episcopal Church of Charles Town, Papers"],"unitdate_ssm":["1879-1954"],"unitdate_inclusive_ssm":["1879-1954"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2448","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/419"],"text":["A\u0026M 2448","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/419","Zion Episcopal Church of Charles Town, Papers","Charles Town (W. Va.)","Episcopal church -- Charles Town (W. Va.)","Episcopal church -- Charles Town (W. Va.)","Churches -- Episcopal","Missions -- Mexico","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Papers of the Zion Episcopal Church of Charles Town, WV, including church budgets, programs, and religious pamphlets. There is a minute book (1878-1890) of the Ladies Mexican League of the Zion Episcopal Church and an account book (1904-1943) listing contributions to the Mexican Scholarship. There are also ten postcards of West Virginia scenes addressed to Letitia C. Ambler.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Zion Episcopal Church of Charles Town","Ladies Mexican League of Zion Episcopal Church (Charles Town, W. Va.)","Ambler, Letitia C.","English"],"unitid_tesim":["A\u0026M 2448","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/419"],"normalized_title_ssm":["Zion Episcopal Church of Charles Town, Papers"],"collection_title_tesim":["Zion Episcopal Church of Charles Town, Papers"],"collection_ssim":["Zion Episcopal Church of Charles Town, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Charles Town (W. Va.)"],"geogname_ssim":["Charles Town (W. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffe7bc5f91652c966a1ee03403ec7e58\"\u003ePapers of the Zion Episcopal Church of Charles Town, WV, including church budgets, programs, and religious pamphlets. There is a minute book (1878-1890) of the Ladies Mexican League of the Zion Episcopal Church and an account book (1904-1943) listing contributions to the Mexican Scholarship. There are also ten postcards of West Virginia scenes addressed to Letitia C. Ambler.\u003c/abstract\u003e"],"abstract_tesim":["Papers of the Zion Episcopal Church of Charles Town, WV, including church budgets, programs, and religious pamphlets. There is a minute book (1878-1890) of the Ladies Mexican League of the Zion Episcopal Church and an account book (1904-1943) listing contributions to the Mexican Scholarship. There are also ten postcards of West Virginia scenes addressed to Letitia C. Ambler."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_262efb3172b8bf6953001fdefd46fb5f\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Ladies Mexican League of Zion Episcopal Church (Charles Town, W. Va.)","Ambler, Letitia C."],"names_ssim":["West Virginia and Regional History Center","Zion Episcopal Church of Charles Town","Ladies Mexican League of Zion Episcopal Church (Charles Town, W. Va.)","Ambler, Letitia C."],"corpname_ssim":["West Virginia and Regional History Center","Zion Episcopal Church of Charles Town","Ladies Mexican League of Zion Episcopal Church (Charles Town, W. Va.)"],"persname_ssim":["Ambler, Letitia C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:38:51.003Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_419"}},{"id":"wvmturhc_repositories_2_resources_992","type":"collection","attributes":{"title":"Zion Episcopal Church Records","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_992#creator","type":"document_value","attributes":{"value":"Zion Episcopal Church","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_992#abstract_or_scope","type":"document_value","attributes":{"value":"Vestry minutes and parish records of the Zion Episcopal Church of Charles Town. The vestry minutes concern business meetings of the church, ministerial appointments, program scheduling and church maintenance. A detailed account of expenditures and donor bequeathals is included. The parish records contain indexed and unindexed records of birth, marriage, membership and burials as well as ledgers on contributions to theological education, missionary efforts, charity disbursements, church repairs and debts. Of special note are records of funds sent after the Civil War for Southern relief to Georgia, Louisiana, and Tennessee.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_992#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_992","ead_ssi":"wvmturhc_repositories_2_resources_992","_root_":"wvmturhc_repositories_2_resources_992","_nest_parent_":"wvmturhc_repositories_2_resources_992","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_992.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195436","title_ssm":["Zion Episcopal Church Records"],"title_tesim":["Zion Episcopal Church Records"],"unitdate_ssm":["1842-1984"],"unitdate_inclusive_ssm":["1842-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2888","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/992"],"text":["A\u0026M 2888","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/992","Zion Episcopal Church Records","Jefferson County (W. Va.)","Birth certificates","Churches -- Charles Town Zion Episcopal","Churches -- Episcopal","Churches -- West Virginia -- Jefferson County","Death records.","Marriage records","Reconstruction (U.S. history, 1865-1877)","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Vestry minutes and parish records of the Zion Episcopal Church of Charles Town. The vestry minutes concern business meetings of the church, ministerial appointments, program scheduling and church maintenance. A detailed account of expenditures and donor bequeathals is included. The parish records contain indexed and unindexed records of birth, marriage, membership and burials as well as ledgers on contributions to theological education, missionary efforts, charity disbursements, church repairs and debts. Of special note are records of funds sent after the Civil War for Southern relief to Georgia, Louisiana, and Tennessee.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Zion Episcopal Church","English \n. "],"unitid_tesim":["A\u0026M 2888","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/992"],"normalized_title_ssm":["Zion Episcopal Church Records"],"collection_title_tesim":["Zion Episcopal Church Records"],"collection_ssim":["Zion Episcopal Church Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Jefferson County (W. Va.)"],"geogname_ssim":["Jefferson County (W. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Birth certificates","Churches -- Charles Town Zion Episcopal","Churches -- Episcopal","Churches -- West Virginia -- Jefferson County","Death records.","Marriage records","Reconstruction (U.S. history, 1865-1877)"],"access_subjects_ssm":["Birth certificates","Churches -- Charles Town Zion Episcopal","Churches -- Episcopal","Churches -- West Virginia -- Jefferson County","Death records.","Marriage records","Reconstruction (U.S. history, 1865-1877)"],"has_online_content_ssim":["false"],"extent_ssm":["0.44 Linear Feet Summary: 5 1/4 in. (3 reels of microfilm, 1.75 in. each)"],"extent_tesim":["0.44 Linear Feet Summary: 5 1/4 in. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_af5eef0472c7699fb78b738b44d36f4d\"\u003eVestry minutes and parish records of the Zion Episcopal Church of Charles Town. The vestry minutes concern business meetings of the church, ministerial appointments, program scheduling and church maintenance. A detailed account of expenditures and donor bequeathals is included. The parish records contain indexed and unindexed records of birth, marriage, membership and burials as well as ledgers on contributions to theological education, missionary efforts, charity disbursements, church repairs and debts. Of special note are records of funds sent after the Civil War for Southern relief to Georgia, Louisiana, and Tennessee.\u003c/abstract\u003e"],"abstract_tesim":["Vestry minutes and parish records of the Zion Episcopal Church of Charles Town. The vestry minutes concern business meetings of the church, ministerial appointments, program scheduling and church maintenance. A detailed account of expenditures and donor bequeathals is included. The parish records contain indexed and unindexed records of birth, marriage, membership and burials as well as ledgers on contributions to theological education, missionary efforts, charity disbursements, church repairs and debts. Of special note are records of funds sent after the Civil War for Southern relief to Georgia, Louisiana, and Tennessee."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c7e2681ffeffd73fa5fa347dbb17053d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Zion Episcopal Church"],"corpname_ssim":["West Virginia and Regional History Center","Zion Episcopal Church"],"language_ssim":["English \n. "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:24:37.930Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_992","ead_ssi":"wvmturhc_repositories_2_resources_992","_root_":"wvmturhc_repositories_2_resources_992","_nest_parent_":"wvmturhc_repositories_2_resources_992","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_992.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195436","title_ssm":["Zion Episcopal Church Records"],"title_tesim":["Zion Episcopal Church Records"],"unitdate_ssm":["1842-1984"],"unitdate_inclusive_ssm":["1842-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2888","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/992"],"text":["A\u0026M 2888","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/992","Zion Episcopal Church Records","Jefferson County (W. Va.)","Birth certificates","Churches -- Charles Town Zion Episcopal","Churches -- Episcopal","Churches -- West Virginia -- Jefferson County","Death records.","Marriage records","Reconstruction (U.S. history, 1865-1877)","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Vestry minutes and parish records of the Zion Episcopal Church of Charles Town. The vestry minutes concern business meetings of the church, ministerial appointments, program scheduling and church maintenance. A detailed account of expenditures and donor bequeathals is included. The parish records contain indexed and unindexed records of birth, marriage, membership and burials as well as ledgers on contributions to theological education, missionary efforts, charity disbursements, church repairs and debts. Of special note are records of funds sent after the Civil War for Southern relief to Georgia, Louisiana, and Tennessee.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Zion Episcopal Church","English \n. "],"unitid_tesim":["A\u0026M 2888","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/992"],"normalized_title_ssm":["Zion Episcopal Church Records"],"collection_title_tesim":["Zion Episcopal Church Records"],"collection_ssim":["Zion Episcopal Church Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Jefferson County (W. Va.)"],"geogname_ssim":["Jefferson County (W. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Birth certificates","Churches -- Charles Town Zion Episcopal","Churches -- Episcopal","Churches -- West Virginia -- Jefferson County","Death records.","Marriage records","Reconstruction (U.S. history, 1865-1877)"],"access_subjects_ssm":["Birth certificates","Churches -- Charles Town Zion Episcopal","Churches -- Episcopal","Churches -- West Virginia -- Jefferson County","Death records.","Marriage records","Reconstruction (U.S. history, 1865-1877)"],"has_online_content_ssim":["false"],"extent_ssm":["0.44 Linear Feet Summary: 5 1/4 in. (3 reels of microfilm, 1.75 in. each)"],"extent_tesim":["0.44 Linear Feet Summary: 5 1/4 in. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_af5eef0472c7699fb78b738b44d36f4d\"\u003eVestry minutes and parish records of the Zion Episcopal Church of Charles Town. The vestry minutes concern business meetings of the church, ministerial appointments, program scheduling and church maintenance. A detailed account of expenditures and donor bequeathals is included. The parish records contain indexed and unindexed records of birth, marriage, membership and burials as well as ledgers on contributions to theological education, missionary efforts, charity disbursements, church repairs and debts. Of special note are records of funds sent after the Civil War for Southern relief to Georgia, Louisiana, and Tennessee.\u003c/abstract\u003e"],"abstract_tesim":["Vestry minutes and parish records of the Zion Episcopal Church of Charles Town. The vestry minutes concern business meetings of the church, ministerial appointments, program scheduling and church maintenance. A detailed account of expenditures and donor bequeathals is included. The parish records contain indexed and unindexed records of birth, marriage, membership and burials as well as ledgers on contributions to theological education, missionary efforts, charity disbursements, church repairs and debts. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966],"containers_ssim":["Box 2","Folder 20"],"_nest_path_":"/components#1/components#19","timestamp":"2026-05-21T14:13:02.151Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8703","ead_ssi":"viw_repositories_2_resources_8703","_root_":"viw_repositories_2_resources_8703","_nest_parent_":"viw_repositories_2_resources_8703","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8703.xml","title_filing_ssi":"Ironmonger, Elizabeth Hogg","title_ssm":["Elizabeth Hogg Ironmonger Papers"],"title_tesim":["Elizabeth Hogg Ironmonger Papers"],"unitdate_ssm":["circa 1900-1997"],"unitdate_inclusive_ssm":["circa 1900-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 84 I6","/repositories/2/resources/8703"],"text":["Mss. 84 I6","/repositories/2/resources/8703","Elizabeth Hogg Ironmonger Papers","York County (Va.)--History--18th century","York County (Va.)--History--19th century","York County (Va.)--History--Revolution, 1775-1783","Baptist Church--Virginia--History","Genealogy","Methodist Church--Virginia","Methodist Church--Virginia--York County","Northumberland County (Va.)--History","Registers of births, etc.--Virginia--Abingdon Parish","Correspondence","Typescripts","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Elizabeth (\"Bessie\") Lindsay Hogg was born 4 October 1891 to William H. Hogg and Frances Elizabeth Winder Hogg. She attended the Woman's College, Richmond, Va. She married John Wesley Ironmonger of Seaford, Va. on 10 March 1909. She died in 1985. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Processed by Elisabeth Lea in 1988.","Papers, circa 1900-1997, of Elizabeth Hogg Ironmonger, genealogist. Includes genealogical notes, history of post offices in York County, Virginia, a record of Revolutionary War claims by York County inhabitants, history of the Grafton Baptist Church, Methodism in York County, Virginia, a map of the Jamestown Exposition grounds in Norfolk, Virginia, copies (only a few pages) from the Abingdon Parish Register, the Kingston Parish Register, and the Northumberland County Order Book.","There is genealogical data on numerous families as well as typescript genealogies of York County, Virginia families transcribed by Ironmonger and by her daughter, Thelma Hansford.","Families for which there is information include Sparrow, Winder, Hogg, Hopkins and Ironmonger, Hayward/Howard, Curtis, Wainwright, Powell and many others.","Photographs of the 19th century Catherine Dudley Cary Pescud Mourning Broach can be found in Box 2, Folder 4.","For information on the Lee family, see Box 1 Folder 12.","See also Chandler-Custis and Drake-Gawton families.","Includes information on Drake-Lee families.","Hopkins, Sarah (see Montgomery Family, Box 1, Folder 33). Howard Family (see Shield and Howard families, Box 11, Folder 7).","See med. oversize file for field and staff muster roll of Thomas James.","A mourning broach of Catherine Dudley Cary Pescud, early nineteenth century, is located in the Artifact File. See genealogical notes on Mrs. Pescud in Box 2 Folder 4.","Traced from John Garland Ironmonger.","1977 Revision by Jean M. Feller, Ocala, Florida.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Grafton Baptist Church","Hansford, Thelma Ironmonger, 1910-","Curtis family","Hansford family","Haywood family","Hogg family","Howard family","Ironmonger family","Ironmonger, Elizabeth Lindsay Hogg, 1891-1985","English"],"unitid_tesim":["Mss. 84 I6","/repositories/2/resources/8703"],"normalized_title_ssm":["Elizabeth Hogg Ironmonger Papers"],"collection_title_tesim":["Elizabeth Hogg Ironmonger Papers"],"collection_ssim":["Elizabeth Hogg Ironmonger Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["York County (Va.)--History--18th century","York County (Va.)--History--19th century","York County (Va.)--History--Revolution, 1775-1783"],"geogname_ssim":["York County (Va.)--History--18th century","York County (Va.)--History--19th century","York County (Va.)--History--Revolution, 1775-1783"],"creator_ssm":["Ironmonger, Elizabeth Lindsay Hogg, 1891-1985","Hansford, Thelma Ironmonger, 1910-"],"creator_ssim":["Ironmonger, Elizabeth Lindsay Hogg, 1891-1985","Hansford, Thelma Ironmonger, 1910-"],"creator_persname_ssim":["Ironmonger, Elizabeth Lindsay Hogg, 1891-1985"],"creator_famname_ssim":["Hansford, Thelma Ironmonger, 1910-"],"creators_ssim":["Ironmonger, Elizabeth Lindsay Hogg, 1891-1985","Hansford, Thelma Ironmonger, 1910-"],"places_ssim":["York County (Va.)--History--18th century","York County (Va.)--History--19th century","York County (Va.)--History--Revolution, 1775-1783"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts in 1984, 1985, 1987, 1994, and 1995. Acc. 1984.04; 1994.60; 1995.54; 1997.53; 1998.05; 1997.01."],"access_subjects_ssim":["Baptist Church--Virginia--History","Genealogy","Methodist Church--Virginia","Methodist Church--Virginia--York County","Northumberland County (Va.)--History","Registers of births, etc.--Virginia--Abingdon Parish","Correspondence","Typescripts"],"access_subjects_ssm":["Baptist Church--Virginia--History","Genealogy","Methodist Church--Virginia","Methodist Church--Virginia--York County","Northumberland County (Va.)--History","Registers of births, etc.--Virginia--Abingdon Parish","Correspondence","Typescripts"],"has_online_content_ssim":["false"],"extent_ssm":["2.30 Linear Feet"],"extent_tesim":["2.30 Linear Feet"],"genreform_ssim":["Correspondence","Typescripts"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eElizabeth (\"Bessie\") Lindsay Hogg was born 4 October 1891 to William H. Hogg and Frances Elizabeth Winder Hogg. She attended the Woman's College, Richmond, Va. She married John Wesley Ironmonger of Seaford, Va. on 10 March 1909. She died in 1985. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Elizabeth_Lindsay_Hogg_Ironmonger\" title=\"Elizabeth Lindsay Hogg Ironmonger\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Elizabeth (\"Bessie\") Lindsay Hogg was born 4 October 1891 to William H. Hogg and Frances Elizabeth Winder Hogg. She attended the Woman's College, Richmond, Va. She married John Wesley Ironmonger of Seaford, Va. on 10 March 1909. She died in 1985. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eElizabeth Hogg Ironmonger Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Elizabeth Hogg Ironmonger Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Elisabeth Lea in 1988.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Elisabeth Lea in 1988."],"scopecontent_html_tesm":["\u003cp\u003ePapers, circa 1900-1997, of Elizabeth Hogg Ironmonger, genealogist. Includes genealogical notes, history of post offices in York County, Virginia, a record of Revolutionary War claims by York County inhabitants, history of the Grafton Baptist Church, Methodism in York County, Virginia, a map of the Jamestown Exposition grounds in Norfolk, Virginia, copies (only a few pages) from the Abingdon Parish Register, the Kingston Parish Register, and the Northumberland County Order Book.\u003c/p\u003e\n","\u003cp\u003eThere is genealogical data on numerous families as well as typescript genealogies of York County, Virginia families transcribed by Ironmonger and by her daughter, Thelma Hansford.\u003c/p\u003e\n","\u003cp\u003eFamilies for which there is information include Sparrow, Winder, Hogg, Hopkins and Ironmonger, Hayward/Howard, Curtis, Wainwright, Powell and many others.\u003c/p\u003e\n","\u003cp\u003ePhotographs of the 19th century Catherine Dudley Cary Pescud Mourning Broach can be found in Box 2, Folder 4.\u003c/p\u003e","\u003cp\u003eFor information on the Lee family, see Box 1 Folder 12.\u003c/p\u003e","\u003cp\u003eSee also Chandler-Custis and Drake-Gawton families.\u003c/p\u003e","\u003cp\u003eIncludes information on Drake-Lee families.\u003c/p\u003e","\u003cp\u003eHopkins, Sarah (see Montgomery Family, Box 1, Folder 33). Howard Family (see Shield and Howard families, Box 11, Folder 7).\u003c/p\u003e","\u003cp\u003eSee med. oversize file for field and staff muster roll of Thomas James.\u003c/p\u003e","\u003cp\u003eA mourning broach of Catherine Dudley Cary Pescud, early nineteenth century, is located in the Artifact File. See genealogical notes on Mrs. Pescud in Box 2 Folder 4.\u003c/p\u003e","\u003cp\u003eTraced from John Garland Ironmonger.\u003c/p\u003e","\u003cp\u003e1977 Revision by Jean M. Feller, Ocala, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers, circa 1900-1997, of Elizabeth Hogg Ironmonger, genealogist. Includes genealogical notes, history of post offices in York County, Virginia, a record of Revolutionary War claims by York County inhabitants, history of the Grafton Baptist Church, Methodism in York County, Virginia, a map of the Jamestown Exposition grounds in Norfolk, Virginia, copies (only a few pages) from the Abingdon Parish Register, the Kingston Parish Register, and the Northumberland County Order Book.","There is genealogical data on numerous families as well as typescript genealogies of York County, Virginia families transcribed by Ironmonger and by her daughter, Thelma Hansford.","Families for which there is information include Sparrow, Winder, Hogg, Hopkins and Ironmonger, Hayward/Howard, Curtis, Wainwright, Powell and many others.","Photographs of the 19th century Catherine Dudley Cary Pescud Mourning Broach can be found in Box 2, Folder 4.","For information on the Lee family, see Box 1 Folder 12.","See also Chandler-Custis and Drake-Gawton families.","Includes information on Drake-Lee families.","Hopkins, Sarah (see Montgomery Family, Box 1, Folder 33). Howard Family (see Shield and Howard families, Box 11, Folder 7).","See med. oversize file for field and staff muster roll of Thomas James.","A mourning broach of Catherine Dudley Cary Pescud, early nineteenth century, is located in the Artifact File. See genealogical notes on Mrs. Pescud in Box 2 Folder 4.","Traced from John Garland Ironmonger.","1977 Revision by Jean M. Feller, Ocala, Florida."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Grafton Baptist Church","Curtis family","Hansford family","Haywood family","Hogg family","Howard family","Ironmonger family"],"names_ssim":["Special Collections Research Center","Grafton Baptist Church","Hansford, Thelma Ironmonger, 1910-","Curtis family","Hansford family","Haywood family","Hogg family","Howard family","Ironmonger family","Ironmonger, Elizabeth Lindsay Hogg, 1891-1985"],"corpname_ssim":["Special Collections Research Center","Grafton Baptist Church"],"famname_ssim":["Hansford, Thelma Ironmonger, 1910-","Curtis family","Hansford family","Haywood family","Hogg family","Howard family","Ironmonger family"],"persname_ssim":["Ironmonger, Elizabeth Lindsay Hogg, 1891-1985"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":103,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:13:02.151Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8703_c02_c20"}},{"id":"viw_repositories_2_resources_1367","type":"collection","attributes":{"title":"Zona Gale Letters","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1367#creator","type":"document_value","attributes":{"value":"Gale, Zona, 1874-1938","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1367#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eLetters, 7 June 1924 and 26 July 1934, of Zona Gale to Henry Seidel Canby, editor of the \u003cem\u003eSaturday Review\u003c/em\u003e, concerning his assuming the editorship and requesting a copy of the magazine containing her article, \"Note to Novel Readers.\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1367#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_1367","ead_ssi":"viw_repositories_2_resources_1367","_root_":"viw_repositories_2_resources_1367","_nest_parent_":"viw_repositories_2_resources_1367","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1367.xml","title_filing_ssi":"Gale, Zona Letters","title_ssm":["Zona Gale Letters"],"title_tesim":["Zona Gale Letters"],"unitdate_ssm":["1924, 1934"],"unitdate_inclusive_ssm":["1924, 1934"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01100","/repositories/2/resources/1367"],"text":["SC 01100","/repositories/2/resources/1367","Zona Gale Letters","Women authors, American--20th century","Correspondence","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Zona Gale (1874-1938) was an American writer. Born in Portage, Wisconsin, which she often used as a setting in her writing, she attended Wayland Academy in Beaver Dam, Wisconsin. Later she entered the University of Wisconsin-Madison, from which she received a Bachelor of Literature degree in 1895, and four years later a Master's degree. After graduation, Gale wrote for newspapers in Milwaukee and New York City. However, before long she gave up journalism to focus on fiction writing. She then published her first novel, Romance Island (1906), and began the very popular series of \"Friendship Village\" stories. In 1912, Gale moved back to Portage, which she would call home for the rest of her life, although alternating with trips to New York. In 1920, she published the novel Miss Lulu Bett, which depicts life in the Midwestern United States. She adapted it as a play, which was awarded the Pulitzer Prize for Drama in 1921. In the same year, Gale took an active role in the creation of the Wisconsin Equal Rights Law, which prohibits discrimination against women. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Processed by Ellen Strong in 1995.","Letters, 7 June 1924 and 26 July 1934, of Zona Gale to Henry Seidel Canby, editor of the Saturday Review , concerning his assuming the editorship and requesting a copy of the magazine containing her article, \"Note to Novel Readers.\""," 2 items.","1924 June 7, Zona Gale, Portage, Wisconsin, to Dr. Henry Canby, New York. Glad he is to edit the Saturday Review and that he is taking with him this group; it was a calamity to lose the Literary Review but the event has turned out well; speaks of it to people in Madison; has sent subscription form back, 1 page.1924 July 26, Zona Gale, Portage, Wisconsin, to Dr. [Henry] Canby, no location, would like copy of Saturday Review with her article \"Note to Novel Readers\"; if not, could she have the article typed, 1 page.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Gale, Zona, 1874-1938","Canby, Henry Seidel, 1878-1961","English"],"unitid_tesim":["SC 01100","/repositories/2/resources/1367"],"normalized_title_ssm":["Zona Gale Letters"],"collection_title_tesim":["Zona Gale Letters"],"collection_ssim":["Zona Gale Letters"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Gale, Zona, 1874-1938"],"creator_ssim":["Gale, Zona, 1874-1938"],"creator_persname_ssim":["Gale, Zona, 1874-1938"],"creators_ssim":["Gale, Zona, 1874-1938"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["These letters were found inside a book in the Swem Library."],"access_subjects_ssim":["Women authors, American--20th century","Correspondence"],"access_subjects_ssm":["Women authors, American--20th century","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"genreform_ssim":["Correspondence"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eZona Gale (1874-1938) was an American writer. Born in Portage, Wisconsin, which she often used as a setting in her writing, she attended Wayland Academy in Beaver Dam, Wisconsin. Later she entered the University of Wisconsin-Madison, from which she received a Bachelor of Literature degree in 1895, and four years later a Master's degree. After graduation, Gale wrote for newspapers in Milwaukee and New York City. However, before long she gave up journalism to focus on fiction writing. She then published her first novel, Romance Island (1906), and began the very popular series of \"Friendship Village\" stories. In 1912, Gale moved back to Portage, which she would call home for the rest of her life, although alternating with trips to New York. In 1920, she published the novel Miss Lulu Bett, which depicts life in the Midwestern United States. She adapted it as a play, which was awarded the Pulitzer Prize for Drama in 1921. In the same year, Gale took an active role in the creation of the Wisconsin Equal Rights Law, which prohibits discrimination against women. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Zona_Gale\" title=\"Zona Gale\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Zona Gale (1874-1938) was an American writer. Born in Portage, Wisconsin, which she often used as a setting in her writing, she attended Wayland Academy in Beaver Dam, Wisconsin. Later she entered the University of Wisconsin-Madison, from which she received a Bachelor of Literature degree in 1895, and four years later a Master's degree. After graduation, Gale wrote for newspapers in Milwaukee and New York City. However, before long she gave up journalism to focus on fiction writing. She then published her first novel, Romance Island (1906), and began the very popular series of \"Friendship Village\" stories. In 1912, Gale moved back to Portage, which she would call home for the rest of her life, although alternating with trips to New York. In 1920, she published the novel Miss Lulu Bett, which depicts life in the Midwestern United States. She adapted it as a play, which was awarded the Pulitzer Prize for Drama in 1921. In the same year, Gale took an active role in the creation of the Wisconsin Equal Rights Law, which prohibits discrimination against women. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eZona Gale Letters, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Zona Gale Letters, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Ellen Strong in 1995.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Ellen Strong in 1995."],"scopecontent_html_tesm":["\u003cp\u003eLetters, 7 June 1924 and 26 July 1934, of Zona Gale to Henry Seidel Canby, editor of the \u003cemph render=\"italic\"\u003eSaturday Review\u003c/emph\u003e, concerning his assuming the editorship and requesting a copy of the magazine containing her article, \"Note to Novel Readers.\"\u003c/p\u003e\n","\u003cp\u003e 2 items.\u003c/p\u003e","\u003cp\u003e1924 June 7, Zona Gale, Portage, Wisconsin, to Dr. Henry Canby, New York. Glad he is to edit the Saturday Review and that he is taking with him this group; it was a calamity to lose the Literary Review but the event has turned out well; speaks of it to people in Madison; has sent subscription form back, 1 page.1924 July 26, Zona Gale, Portage, Wisconsin, to Dr. [Henry] Canby, no location, would like copy of Saturday Review with her article \"Note to Novel Readers\"; if not, could she have the article typed, 1 page.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Letters, 7 June 1924 and 26 July 1934, of Zona Gale to Henry Seidel Canby, editor of the Saturday Review , concerning his assuming the editorship and requesting a copy of the magazine containing her article, \"Note to Novel Readers.\""," 2 items.","1924 June 7, Zona Gale, Portage, Wisconsin, to Dr. Henry Canby, New York. Glad he is to edit the Saturday Review and that he is taking with him this group; it was a calamity to lose the Literary Review but the event has turned out well; speaks of it to people in Madison; has sent subscription form back, 1 page.1924 July 26, Zona Gale, Portage, Wisconsin, to Dr. [Henry] Canby, no location, would like copy of Saturday Review with her article \"Note to Novel Readers\"; if not, could she have the article typed, 1 page."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Gale, Zona, 1874-1938","Canby, Henry Seidel, 1878-1961"],"corpname_ssim":["Special Collections Research Center"],"names_coll_ssim":["Canby, Henry Seidel, 1878-1961"],"persname_ssim":["Gale, Zona, 1874-1938","Canby, Henry Seidel, 1878-1961"],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:59:46.339Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1367","ead_ssi":"viw_repositories_2_resources_1367","_root_":"viw_repositories_2_resources_1367","_nest_parent_":"viw_repositories_2_resources_1367","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1367.xml","title_filing_ssi":"Gale, Zona Letters","title_ssm":["Zona Gale Letters"],"title_tesim":["Zona Gale Letters"],"unitdate_ssm":["1924, 1934"],"unitdate_inclusive_ssm":["1924, 1934"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01100","/repositories/2/resources/1367"],"text":["SC 01100","/repositories/2/resources/1367","Zona Gale Letters","Women authors, American--20th century","Correspondence","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Zona Gale (1874-1938) was an American writer. Born in Portage, Wisconsin, which she often used as a setting in her writing, she attended Wayland Academy in Beaver Dam, Wisconsin. Later she entered the University of Wisconsin-Madison, from which she received a Bachelor of Literature degree in 1895, and four years later a Master's degree. After graduation, Gale wrote for newspapers in Milwaukee and New York City. However, before long she gave up journalism to focus on fiction writing. She then published her first novel, Romance Island (1906), and began the very popular series of \"Friendship Village\" stories. In 1912, Gale moved back to Portage, which she would call home for the rest of her life, although alternating with trips to New York. In 1920, she published the novel Miss Lulu Bett, which depicts life in the Midwestern United States. She adapted it as a play, which was awarded the Pulitzer Prize for Drama in 1921. In the same year, Gale took an active role in the creation of the Wisconsin Equal Rights Law, which prohibits discrimination against women. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Processed by Ellen Strong in 1995.","Letters, 7 June 1924 and 26 July 1934, of Zona Gale to Henry Seidel Canby, editor of the Saturday Review , concerning his assuming the editorship and requesting a copy of the magazine containing her article, \"Note to Novel Readers.\""," 2 items.","1924 June 7, Zona Gale, Portage, Wisconsin, to Dr. Henry Canby, New York. Glad he is to edit the Saturday Review and that he is taking with him this group; it was a calamity to lose the Literary Review but the event has turned out well; speaks of it to people in Madison; has sent subscription form back, 1 page.1924 July 26, Zona Gale, Portage, Wisconsin, to Dr. [Henry] Canby, no location, would like copy of Saturday Review with her article \"Note to Novel Readers\"; if not, could she have the article typed, 1 page.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Gale, Zona, 1874-1938","Canby, Henry Seidel, 1878-1961","English"],"unitid_tesim":["SC 01100","/repositories/2/resources/1367"],"normalized_title_ssm":["Zona Gale Letters"],"collection_title_tesim":["Zona Gale Letters"],"collection_ssim":["Zona Gale Letters"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Gale, Zona, 1874-1938"],"creator_ssim":["Gale, Zona, 1874-1938"],"creator_persname_ssim":["Gale, Zona, 1874-1938"],"creators_ssim":["Gale, Zona, 1874-1938"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["These letters were found inside a book in the Swem Library."],"access_subjects_ssim":["Women authors, American--20th century","Correspondence"],"access_subjects_ssm":["Women authors, American--20th century","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"genreform_ssim":["Correspondence"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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Later she entered the University of Wisconsin-Madison, from which she received a Bachelor of Literature degree in 1895, and four years later a Master's degree. After graduation, Gale wrote for newspapers in Milwaukee and New York City. However, before long she gave up journalism to focus on fiction writing. She then published her first novel, Romance Island (1906), and began the very popular series of \"Friendship Village\" stories. In 1912, Gale moved back to Portage, which she would call home for the rest of her life, although alternating with trips to New York. In 1920, she published the novel Miss Lulu Bett, which depicts life in the Midwestern United States. She adapted it as a play, which was awarded the Pulitzer Prize for Drama in 1921. In the same year, Gale took an active role in the creation of the Wisconsin Equal Rights Law, which prohibits discrimination against women. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Zona_Gale\" title=\"Zona Gale\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Zona Gale (1874-1938) was an American writer. Born in Portage, Wisconsin, which she often used as a setting in her writing, she attended Wayland Academy in Beaver Dam, Wisconsin. Later she entered the University of Wisconsin-Madison, from which she received a Bachelor of Literature degree in 1895, and four years later a Master's degree. After graduation, Gale wrote for newspapers in Milwaukee and New York City. However, before long she gave up journalism to focus on fiction writing. She then published her first novel, Romance Island (1906), and began the very popular series of \"Friendship Village\" stories. In 1912, Gale moved back to Portage, which she would call home for the rest of her life, although alternating with trips to New York. In 1920, she published the novel Miss Lulu Bett, which depicts life in the Midwestern United States. She adapted it as a play, which was awarded the Pulitzer Prize for Drama in 1921. In the same year, Gale took an active role in the creation of the Wisconsin Equal Rights Law, which prohibits discrimination against women. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eZona Gale Letters, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Zona Gale Letters, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Ellen Strong in 1995.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Ellen Strong in 1995."],"scopecontent_html_tesm":["\u003cp\u003eLetters, 7 June 1924 and 26 July 1934, of Zona Gale to Henry Seidel Canby, editor of the \u003cemph render=\"italic\"\u003eSaturday Review\u003c/emph\u003e, concerning his assuming the editorship and requesting a copy of the magazine containing her article, \"Note to Novel Readers.\"\u003c/p\u003e\n","\u003cp\u003e 2 items.\u003c/p\u003e","\u003cp\u003e1924 June 7, Zona Gale, Portage, Wisconsin, to Dr. Henry Canby, New York. 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; contains\n quotations from \n Anne Douglas Sedgwick 's \n Adrienne Toner and samples of Gale's\n own collection of glib, thoughtless utterances heard\n everywhere and catch phrases from years past;\n criticizes the fashion of repeating catch phrases and\n of people's presenting them as their own ideas, and\n acting on these sentiments.]","[Says she has not sent Bridges the introduction;\n asks if she should send it by day letter.]","[Recollects a charming evening; thanks him for the\n note he wrote; mentions Mr. Bridgman.]","[Expresses thanks for a book; apologizes for not\n having written sooner.]","[Expresses appreciation for sending her some\n material, especially maps; mentions an upcoming\n luncheon with him.]","See the \n \n University of Virginia Library’s use policy.","","University of Virginia. 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Co. (Clinton, IA)","box 3","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Zoo Hoo features a racist caricature, likely depicting a blackface minstrel character, of an overwhelmed black zookeeper named Wash, who the players help in rounding up zoo animals released by a clown."],"title_filing_ssi":"Zoo Hoo","title_ssm":["Zoo Hoo"],"title_tesim":["Zoo Hoo"],"unitdate_other_ssim":["1924"],"normalized_date_ssm":["1924"],"normalized_title_ssm":["Zoo Hoo"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["David Galt Greenwald games and puzzles collection"],"creator_ssim":["Lubbers \u0026 Bell Mfg. Co. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Game was sponsored by Burger King and Grolier Books in California.","Game was sponsored by Burger King and Grolier Books in California.","Game was developed by Malik Ali to demonstrate the importance of working wihtin a community to build economic and political power to children and adults. Edward Jennins, a professor at Talladega College, designed the cover, logo, and board images.","Game was featured in the Parker Brothers' 1896-1897 game catalog.","The term \"darky\" is a racist slur for black people, which peaked in use in the years between 1850-1870 and 1900-1920. The \"Little Darky Shooting Gallery\" game was featured in a 1914 Butler Brothers toy catalog.","W.S.M., standing for \"We Shield Millions\", is a radio station founded in 1925 famous for hosting \"The Grand Ol' Opry\" radio program. \"Lasses\" refers to LeRoy Robert White, a performer who became famous for his blackface minstrel shows during the early 20th century and copyright of the song \"Negro Blues\" (later renamed to include a racial slur for black people). \"Honey\" refers to Lee David Wilds, who performed alongside \"Lasses\" in blackface minstrel shows.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","The David Galt Greenwald board games and puzzles collection consists of black Americana board games, puzzles, card games, and ephemera. Series 1 consists of boxed games, puzzles, and toys, largely depicting racist caricatures, including minstrel/blackface imagery, stereotypes, propaganda, and sometimes anti-black violence. Other items in Series 1 depict black empowerment, history, heritage, culture, and collaboration. Series 2 consists of entertainment-related or associated ephemera, including paper board games and puzzles, toys, a stereoview, a watercolor booklet, Court Whist scorecards, promotional material, and pages of a 1883 almanac. The majority, but not all, of these materials likewise feature minstrel/blackface imagery and racist caricatures and stereotypes. These materials offer insight into the cohesive use and promotion of racist imagery, stereotypes, and rhetoric through entertainment media in the 19th and 20th centuries in the United States and Europe. These materials also offer insight into the use of physical entertainment media during the 20th century to educate the public about the Black Power movement, and black community, history, heritage, and empowerment. Additionally, the collection may offer insights into the sale and popularity of black Americana materials between the 19th and early 21st centuries, with at least one board game likely being a 21st century \"hoax\" using historical anti-black imagery to feign its true age.","Twenty-seven boxed board games, card games, puzzles, and toys of black americana material culture. Many of these games use racist terms, imagery, caricatures, and stereotypes of black people, some associated with blackface and minstrel performances, with two games explicitly featuring anti-black racial violence in gameplay. Other games educate about systemic racism and oppression, black history and culture, prominent black figures in American history, and the Black Power politcal movement, often having a collaborative element.","Black Americans of Achievement: the Game is based on the Black Americans of Achievement book series highlighting the accomplishments and contributions of black Americans to society, culture, science, politics, and the arts.","Black Americans of Achievement: the Game is based on the Black Americans of Achievement book series highlighting the accomplishments and contributions of black Americans to society, culture, science, politics, and the arts.","Little Black Sambo depicts a caricature of a young black boy traversing a jungle and offering his clothes to avoid being eaten by tigers until he reaches \"civilization\" again. \"Sambo\" is a racial slur from Spanish for a person of African descent.","In Search of Identity is a educational game challenging players to answer trivia questions about black people, history, and culture, with the intent of connecting players to their black heritage through expanded knowledge.","The X Game is a \"fight the system\" collaborative board game following Malcolm X's philosophy and the Black Power Movement.","The Black Community Game is a collaborative game meant to demonstrate the importance of black people working together in their communities to affect social, political, and economic change.","Skillets and Cakes is a token flipping game with the goal of flipping all of your \"cakes\" over first. The front of the box depicts an adult man flipping pancakes in a skillet while two children watch. It is unclear whether the adult man is supposed to be black or if there was just a darker printing for his skin, as the children are depicted with the same tone.","Snake Eyes Junior Ediiton is a competitive dice and chip-collecting game with some cards and imagery containing racist caricatures and stereotypes of black people compared to depictions of white people on other cards.","The Watermelon Puzzle game promotes anti-black stereotypes and features a racist caricature of a black man eating watermelon, an image historically used as propaganda depicting black people as childish and/or \"unclean\".","Zoo Hoo features a racist caricature, likely depicting a blackface minstrel character, of an overwhelmed black zookeeper named Wash, who the players help in rounding up zoo animals released by a clown.","Poor Jenny is a \"chutes and ladders\" type game depicting racist caricatures of black children and the \"black Mammy\" stereotype, historically used to promote the myth that black enslaved women were happy serving white \"masters\" despite their abuse.","Puzzle Picture and Cutout Objects is a children's jigsaw puzzle game featuring a racist depiction of an African man running away from a lion and a reductive depiction of Africa with the Egyptian Pyramids next to a desert and wooden dwelling.","Watch on De Rind depicts racist caricatures and stereotypes of black children eating watermelon, with the objective of catapaulting balls into their \"mouths\".","Unocando (\"You-no-can-do\") is a numbered tile shuffling game depicting racist caricatures of two African people playing the game and speaking gibberish, with verbiage mocking African languages and/or black and African English speakers.","The Darky Shooting Gallery models anti-black violence, consisting of a spring coil \"gun\" players use to shoot \"bullets\" at cutouts of black people, depicted in racist and stereotyped caricatures.","Darkies in the Melon Patch is a \"chutes and ladders\" type game using racist language and imagery of racist and stereotyped caricatures of black people navigating a watermelon patch and avoiding a white farmer aiming at them with a gun. This game appears to be a 21st century counterfeit/hoax of black americana material culture. The copyright information provided claims the game was copyrighted in 1932 by a \"Hudson Brothers\" company at \"127 42nd Street, Buffalo, NY\", though no such company or location appears to exist, and other sources have given copyright dates as early as 1910. The images on the box cover and game board appear to have been digitally printed and some have computer graphics imposed on images dated to various years between 1910 and 1940.","Snake Eyes is a competitive dice and chip-collecting game with some cards and imagery containing racist caricatures and stereotypes of black people compared to depictions of white people on other cards.","Schwarzer Pieter is an \"Old Maid\" type game featuring a blackface minstrel character original from Belgium and Netherlands named \"Black Pete\", who is an assistant to Saint Nicholas and a racist caricature of a black person.","Swahili is a mancala-like game modeled, and possibly appropriated, from the game of Bao from East Africa.","Blacks \u0026 Whites models the contemporary racism, oppression, and systemic inequalities black people face in American society, highlighting the socioeconomic and political disparities between black and white Americans. The creators noted that, while the game was meant to simulate racial disparity to white and privileged players, test players rewrote the rules of play to make game outcomes more equitable and fair between races.","Blacks \u0026 Whites models the contemporary racism, oppression, and systemic inequalities black people face in American society, highlighting the socioeconomic and political disparities between black and white Americans. The creators noted that, while the game was meant to simulate racial disparity to white and privileged players, test players rewrote the rules of play to make game outcomes more equitable and fair between races.","Bimbo Ringo is a ring toss game featuring a racist caricature of an African man with the ring hooks depicted as different adornments on the person's face and weapons.","Die Seefarher in Africa/Les Marins en Afrique is a German-French game with the objective of collecting or pillaging treasure from African port cities as sailors hailing from colonialist powers. May be a reproduction.","In Dixieland is a rummy-like card game with images of black children and adults living in the south, often in impoverished conditions and framed according to racist stereotypes.","Knock Knock is a card game similar to Uno depicting a racist minstrel-like caricature on the box cover.","The Race Card is a standard 52 playing card deck with black people and fashions depicted on the face cards.","Zwarte Piet is an \"Old Maid\" type game featuring a blackface minstrel character original from Belgium and Netherlands named \"Black Pete\", who is an assistant to Saint Nicholas and a racist caricature of a black person.","Seven folders containing pieces of black americana ephemera that largely use anti-black language, caricatures, and imagery to promote racist stereotypes of black people.","The \"Mammy Memo\" is a plastic notepad and pencil/pen holder shaped in the form of the racist, stereotyped \"Mammy\" caricature. The exact creator could not be identified, but similar products were copyrighted by Hampden Novelty Mfg, Inc.","The Oldest Game Known depicts racist caricatures of two black men playing with dice on the box cover. The box contains a metal pot painted purple, but there are no instructions wherein.","The Magic-Masks consists of rubber pieces shaped like exaggerated facial features with a racist caricature of a black person on the box cover. This toy was made in Japan, but no instructions or further information could be identified.","Five porcelain figurines, four of which depict minstrel-like caricatures of black musicians playing different instruments, and one shaped like a rudimentary hut with two African individuals on the front with little to no clothing.","Four pages (printed on one sheet of folded paper) from \"Frank Leslie's Illustrated Family Almanac fro 1883\", with one page featuring the print \"The Shark Fisheries Near New Smyrna, Florida\" that depicts racist caricatures of black men working in teams to pull live sharks to shore.","A stereoview titled \"A Skin Game Nabbed\" that features black men playing poker with one pointing a gun at the other players, propogating a racist stereotype of black men as violent cheaters. The stereoview claims to have been made for \"The 'Perfec' Stereograph\".","\"Painting the House that Jack Built\" is a watercoloring booklet with paint squares stapled in the middle of the book, featuring a copyrighted \"Dutch Boy\" character that promotes the purchase of paint from the National Lead Company, who persists against different weather conditions with faces. It is unclear whether any of the weather conditions represent racist caricatures of black people.","Promotional material for W.S.M. depicting two minstrel performers, \"Lasses\" and \"Honey\", in blackface on a \"Seasons Greetings\" card.","Two scoring cards for Court Whist signed by a \"Mrs. Napper\" and an \"A Napper\", which were associated with the \"Lasses and Honey\" W.S.M. promotional card.","Robertson's Golliwog Game of Snakes and Ladders is a chutes and ladders game featuring multiple racist, gnome-like caricatures called Golliwogs on the game cover and paper game board. Golliwog was a trademark for the James Robertson \u0026 Sons jam-manufacturing company between 1910 and the 1960s.","Pieces of paper, presumably from medicine packaging, that make up a Trick Donkey game depicting a racist caricature of a black man and a clown as the riders.","An advertisement for Bridge Party depicting a racist \"Mammy\" caricature misunderstanding suggestive terms used for the game in a fake AAVE dialect. This ad is possible reproduction of an ad printed by the Lee Novelty Co. of Fort Payne, AL.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Use of these materials must be limited to persons using them for research and/or scholarly activites. These materials may not be sold or distributed without knowing their intended use. They are not allowed to fall into the hands of anyone who might use them to support beliefs in the superiority or inferiority of any race, creed, or ethnicity","Special Collections Research Center","BAOA, Inc.","Cadaco-Ellis (Chicago, IL)","Identity Toys, Inc. (Milwaukee, WI)","Motherland, Inc. (Boston, MA)","Milton Bradley Co.","Selchow \u0026 Righter Co. (New York, NY)","Parker Brothers (Salem, MA)","Lubbers \u0026 Bell Mfg. Co. (Clinton, IA)","E. E. Fairchild Corporation","Goezte Game Co. (Plymouth, WI)","J. W. Spear \u0026 Sons (London, UK)","Psychology Today Games (Del Mar, CA)","G. H. Robinson Company (Chicago, IL)","Bermann \u0026 Sohn","The Fireside Game Co. (Cincinnati, OH)","Chad Valley Co., Ltd.","The Concept Card Co. (New Orleans, LA)","Hampden Novelty Mfg, Inc.","H Fishlove \u0026 Co.","Frank Leslie Publishing House","H. C. White Co. (North Bennington, VT)","National Lead Company","O.C. Harn","John W. Brophy Co. (Westerly, RI)","English Dutch; Flemish German French"],"unitid_tesim":["MS 00427","/repositories/2/resources/10016"],"normalized_title_ssm":["David Galt Greenwald games and puzzles collection"],"collection_title_tesim":["David Galt Greenwald games and puzzles collection"],"collection_ssim":["David Galt Greenwald games and puzzles collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Use of these materials must be limited to persons using them for research and/or scholarly activites. These materials may not be sold or distributed without knowing their intended use. 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We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eDavid Galt Greenwald games and puzzles collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["David Galt Greenwald games and puzzles collection, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe David Galt Greenwald board games and puzzles collection consists of black Americana board games, puzzles, card games, and ephemera. Series 1 consists of boxed games, puzzles, and toys, largely depicting racist caricatures, including minstrel/blackface imagery, stereotypes, propaganda, and sometimes anti-black violence. Other items in Series 1 depict black empowerment, history, heritage, culture, and collaboration. Series 2 consists of entertainment-related or associated ephemera, including paper board games and puzzles, toys, a stereoview, a watercolor booklet, Court Whist scorecards, promotional material, and pages of a 1883 almanac. The majority, but not all, of these materials likewise feature minstrel/blackface imagery and racist caricatures and stereotypes. These materials offer insight into the cohesive use and promotion of racist imagery, stereotypes, and rhetoric through entertainment media in the 19th and 20th centuries in the United States and Europe. These materials also offer insight into the use of physical entertainment media during the 20th century to educate the public about the Black Power movement, and black community, history, heritage, and empowerment. Additionally, the collection may offer insights into the sale and popularity of black Americana materials between the 19th and early 21st centuries, with at least one board game likely being a 21st century \"hoax\" using historical anti-black imagery to feign its true age.\u003c/p\u003e","\u003cp\u003eTwenty-seven boxed board games, card games, puzzles, and toys of black americana material culture. Many of these games use racist terms, imagery, caricatures, and stereotypes of black people, some associated with blackface and minstrel performances, with two games explicitly featuring anti-black racial violence in gameplay. Other games educate about systemic racism and oppression, black history and culture, prominent black figures in American history, and the Black Power politcal movement, often having a collaborative element.\u003c/p\u003e","\u003cp\u003eBlack Americans of Achievement: the Game is based on the Black Americans of Achievement book series highlighting the accomplishments and contributions of black Americans to society, culture, science, politics, and the arts.\u003c/p\u003e","\u003cp\u003eBlack Americans of Achievement: the Game is based on the Black Americans of Achievement book series highlighting the accomplishments and contributions of black Americans to society, culture, science, politics, and the arts.\u003c/p\u003e","\u003cp\u003eLittle Black Sambo depicts a caricature of a young black boy traversing a jungle and offering his clothes to avoid being eaten by tigers until he reaches \"civilization\" again. \"Sambo\" is a racial slur from Spanish for a person of African descent.\u003c/p\u003e","\u003cp\u003eIn Search of Identity is a educational game challenging players to answer trivia questions about black people, history, and culture, with the intent of connecting players to their black heritage through expanded knowledge.\u003c/p\u003e","\u003cp\u003eThe X Game is a \"fight the system\" collaborative board game following Malcolm X's philosophy and the Black Power Movement.\u003c/p\u003e","\u003cp\u003eThe Black Community Game is a collaborative game meant to demonstrate the importance of black people working together in their communities to affect social, political, and economic change.\u003c/p\u003e","\u003cp\u003eSkillets and Cakes is a token flipping game with the goal of flipping all of your \"cakes\" over first. The front of the box depicts an adult man flipping pancakes in a skillet while two children watch. It is unclear whether the adult man is supposed to be black or if there was just a darker printing for his skin, as the children are depicted with the same tone.\u003c/p\u003e","\u003cp\u003eSnake Eyes Junior Ediiton is a competitive dice and chip-collecting game with some cards and imagery containing racist caricatures and stereotypes of black people compared to depictions of white people on other cards.\u003c/p\u003e","\u003cp\u003eThe Watermelon Puzzle game promotes anti-black stereotypes and features a racist caricature of a black man eating watermelon, an image historically used as propaganda depicting black people as childish and/or \"unclean\".\u003c/p\u003e","\u003cp\u003eZoo Hoo features a racist caricature, likely depicting a blackface minstrel character, of an overwhelmed black zookeeper named Wash, who the players help in rounding up zoo animals released by a clown.\u003c/p\u003e","\u003cp\u003ePoor Jenny is a \"chutes and ladders\" type game depicting racist caricatures of black children and the \"black Mammy\" stereotype, historically used to promote the myth that black enslaved women were happy serving white \"masters\" despite their abuse.\u003c/p\u003e","\u003cp\u003ePuzzle Picture and Cutout Objects is a children's jigsaw puzzle game featuring a racist depiction of an African man running away from a lion and a reductive depiction of Africa with the Egyptian Pyramids next to a desert and wooden dwelling.\u003c/p\u003e","\u003cp\u003eWatch on De Rind depicts racist caricatures and stereotypes of black children eating watermelon, with the objective of catapaulting balls into their \"mouths\".\u003c/p\u003e","\u003cp\u003eUnocando (\"You-no-can-do\") is a numbered tile shuffling game depicting racist caricatures of two African people playing the game and speaking gibberish, with verbiage mocking African languages and/or black and African English speakers.\u003c/p\u003e","\u003cp\u003eThe Darky Shooting Gallery models anti-black violence, consisting of a spring coil \"gun\" players use to shoot \"bullets\" at cutouts of black people, depicted in racist and stereotyped caricatures.\u003c/p\u003e","\u003cp\u003eDarkies in the Melon Patch is a \"chutes and ladders\" type game using racist language and imagery of racist and stereotyped caricatures of black people navigating a watermelon patch and avoiding a white farmer aiming at them with a gun. This game appears to be a 21st century counterfeit/hoax of black americana material culture. The copyright information provided claims the game was copyrighted in 1932 by a \"Hudson Brothers\" company at \"127 42nd Street, Buffalo, NY\", though no such company or location appears to exist, and other sources have given copyright dates as early as 1910. The images on the box cover and game board appear to have been digitally printed and some have computer graphics imposed on images dated to various years between 1910 and 1940.\u003c/p\u003e","\u003cp\u003eSnake Eyes is a competitive dice and chip-collecting game with some cards and imagery containing racist caricatures and stereotypes of black people compared to depictions of white people on other cards.\u003c/p\u003e","\u003cp\u003eSchwarzer Pieter is an \"Old Maid\" type game featuring a blackface minstrel character original from Belgium and Netherlands named \"Black Pete\", who is an assistant to Saint Nicholas and a racist caricature of a black person.\u003c/p\u003e","\u003cp\u003eSwahili is a mancala-like game modeled, and possibly appropriated, from the game of Bao from East Africa.\u003c/p\u003e","\u003cp\u003eBlacks \u0026amp; Whites models the contemporary racism, oppression, and systemic inequalities black people face in American society, highlighting the socioeconomic and political disparities between black and white Americans. The creators noted that, while the game was meant to simulate racial disparity to white and privileged players, test players rewrote the rules of play to make game outcomes more equitable and fair between races.\u003c/p\u003e","\u003cp\u003eBlacks \u0026amp; Whites models the contemporary racism, oppression, and systemic inequalities black people face in American society, highlighting the socioeconomic and political disparities between black and white Americans. The creators noted that, while the game was meant to simulate racial disparity to white and privileged players, test players rewrote the rules of play to make game outcomes more equitable and fair between races.\u003c/p\u003e","\u003cp\u003eBimbo Ringo is a ring toss game featuring a racist caricature of an African man with the ring hooks depicted as different adornments on the person's face and weapons.\u003c/p\u003e","\u003cp\u003eDie Seefarher in Africa/Les Marins en Afrique is a German-French game with the objective of collecting or pillaging treasure from African port cities as sailors hailing from colonialist powers. May be a reproduction.\u003c/p\u003e","\u003cp\u003eIn Dixieland is a rummy-like card game with images of black children and adults living in the south, often in impoverished conditions and framed according to racist stereotypes.\u003c/p\u003e","\u003cp\u003eKnock Knock is a card game similar to Uno depicting a racist minstrel-like caricature on the box cover.\u003c/p\u003e","\u003cp\u003eThe Race Card is a standard 52 playing card deck with black people and fashions depicted on the face cards.\u003c/p\u003e","\u003cp\u003eZwarte Piet is an \"Old Maid\" type game featuring a blackface minstrel character original from Belgium and Netherlands named \"Black Pete\", who is an assistant to Saint Nicholas and a racist caricature of a black person.\u003c/p\u003e","\u003cp\u003eSeven folders containing pieces of black americana ephemera that largely use anti-black language, caricatures, and imagery to promote racist stereotypes of black people.\u003c/p\u003e","\u003cp\u003eThe \"Mammy Memo\" is a plastic notepad and pencil/pen holder shaped in the form of the racist, stereotyped \"Mammy\" caricature. The exact creator could not be identified, but similar products were copyrighted by Hampden Novelty Mfg, Inc.\u003c/p\u003e","\u003cp\u003eThe Oldest Game Known depicts racist caricatures of two black men playing with dice on the box cover. The box contains a metal pot painted purple, but there are no instructions wherein.\u003c/p\u003e","\u003cp\u003eThe Magic-Masks consists of rubber pieces shaped like exaggerated facial features with a racist caricature of a black person on the box cover. This toy was made in Japan, but no instructions or further information could be identified.\u003c/p\u003e","\u003cp\u003eFive porcelain figurines, four of which depict minstrel-like caricatures of black musicians playing different instruments, and one shaped like a rudimentary hut with two African individuals on the front with little to no clothing.\u003c/p\u003e","\u003cp\u003eFour pages (printed on one sheet of folded paper) from \"Frank Leslie's Illustrated Family Almanac fro 1883\", with one page featuring the print \"The Shark Fisheries Near New Smyrna, Florida\" that depicts racist caricatures of black men working in teams to pull live sharks to shore.\u003c/p\u003e","\u003cp\u003eA stereoview titled \"A Skin Game Nabbed\" that features black men playing poker with one pointing a gun at the other players, propogating a racist stereotype of black men as violent cheaters. The stereoview claims to have been made for \"The 'Perfec' Stereograph\".\u003c/p\u003e","\u003cp\u003e\"Painting the House that Jack Built\" is a watercoloring booklet with paint squares stapled in the middle of the book, featuring a copyrighted \"Dutch Boy\" character that promotes the purchase of paint from the National Lead Company, who persists against different weather conditions with faces. It is unclear whether any of the weather conditions represent racist caricatures of black people.\u003c/p\u003e","\u003cp\u003ePromotional material for W.S.M. depicting two minstrel performers, \"Lasses\" and \"Honey\", in blackface on a \"Seasons Greetings\" card.\u003c/p\u003e","\u003cp\u003eTwo scoring cards for Court Whist signed by a \"Mrs. Napper\" and an \"A Napper\", which were associated with the \"Lasses and Honey\" W.S.M. promotional card.\u003c/p\u003e","\u003cp\u003eRobertson's Golliwog Game of Snakes and Ladders is a chutes and ladders game featuring multiple racist, gnome-like caricatures called Golliwogs on the game cover and paper game board. Golliwog was a trademark for the James Robertson \u0026amp; Sons jam-manufacturing company between 1910 and the 1960s.\u003c/p\u003e","\u003cp\u003ePieces of paper, presumably from medicine packaging, that make up a Trick Donkey game depicting a racist caricature of a black man and a clown as the riders.\u003c/p\u003e","\u003cp\u003eAn advertisement for Bridge Party depicting a racist \"Mammy\" caricature misunderstanding suggestive terms used for the game in a fake AAVE dialect. This ad is possible reproduction of an ad printed by the Lee Novelty Co. of Fort Payne, AL.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The David Galt Greenwald board games and puzzles collection consists of black Americana board games, puzzles, card games, and ephemera. Series 1 consists of boxed games, puzzles, and toys, largely depicting racist caricatures, including minstrel/blackface imagery, stereotypes, propaganda, and sometimes anti-black violence. Other items in Series 1 depict black empowerment, history, heritage, culture, and collaboration. Series 2 consists of entertainment-related or associated ephemera, including paper board games and puzzles, toys, a stereoview, a watercolor booklet, Court Whist scorecards, promotional material, and pages of a 1883 almanac. The majority, but not all, of these materials likewise feature minstrel/blackface imagery and racist caricatures and stereotypes. These materials offer insight into the cohesive use and promotion of racist imagery, stereotypes, and rhetoric through entertainment media in the 19th and 20th centuries in the United States and Europe. These materials also offer insight into the use of physical entertainment media during the 20th century to educate the public about the Black Power movement, and black community, history, heritage, and empowerment. Additionally, the collection may offer insights into the sale and popularity of black Americana materials between the 19th and early 21st centuries, with at least one board game likely being a 21st century \"hoax\" using historical anti-black imagery to feign its true age.","Twenty-seven boxed board games, card games, puzzles, and toys of black americana material culture. Many of these games use racist terms, imagery, caricatures, and stereotypes of black people, some associated with blackface and minstrel performances, with two games explicitly featuring anti-black racial violence in gameplay. Other games educate about systemic racism and oppression, black history and culture, prominent black figures in American history, and the Black Power politcal movement, often having a collaborative element.","Black Americans of Achievement: the Game is based on the Black Americans of Achievement book series highlighting the accomplishments and contributions of black Americans to society, culture, science, politics, and the arts.","Black Americans of Achievement: the Game is based on the Black Americans of Achievement book series highlighting the accomplishments and contributions of black Americans to society, culture, science, politics, and the arts.","Little Black Sambo depicts a caricature of a young black boy traversing a jungle and offering his clothes to avoid being eaten by tigers until he reaches \"civilization\" again. \"Sambo\" is a racial slur from Spanish for a person of African descent.","In Search of Identity is a educational game challenging players to answer trivia questions about black people, history, and culture, with the intent of connecting players to their black heritage through expanded knowledge.","The X Game is a \"fight the system\" collaborative board game following Malcolm X's philosophy and the Black Power Movement.","The Black Community Game is a collaborative game meant to demonstrate the importance of black people working together in their communities to affect social, political, and economic change.","Skillets and Cakes is a token flipping game with the goal of flipping all of your \"cakes\" over first. The front of the box depicts an adult man flipping pancakes in a skillet while two children watch. It is unclear whether the adult man is supposed to be black or if there was just a darker printing for his skin, as the children are depicted with the same tone.","Snake Eyes Junior Ediiton is a competitive dice and chip-collecting game with some cards and imagery containing racist caricatures and stereotypes of black people compared to depictions of white people on other cards.","The Watermelon Puzzle game promotes anti-black stereotypes and features a racist caricature of a black man eating watermelon, an image historically used as propaganda depicting black people as childish and/or \"unclean\".","Zoo Hoo features a racist caricature, likely depicting a blackface minstrel character, of an overwhelmed black zookeeper named Wash, who the players help in rounding up zoo animals released by a clown.","Poor Jenny is a \"chutes and ladders\" type game depicting racist caricatures of black children and the \"black Mammy\" stereotype, historically used to promote the myth that black enslaved women were happy serving white \"masters\" despite their abuse.","Puzzle Picture and Cutout Objects is a children's jigsaw puzzle game featuring a racist depiction of an African man running away from a lion and a reductive depiction of Africa with the Egyptian Pyramids next to a desert and wooden dwelling.","Watch on De Rind depicts racist caricatures and stereotypes of black children eating watermelon, with the objective of catapaulting balls into their \"mouths\".","Unocando (\"You-no-can-do\") is a numbered tile shuffling game depicting racist caricatures of two African people playing the game and speaking gibberish, with verbiage mocking African languages and/or black and African English speakers.","The Darky Shooting Gallery models anti-black violence, consisting of a spring coil \"gun\" players use to shoot \"bullets\" at cutouts of black people, depicted in racist and stereotyped caricatures.","Darkies in the Melon Patch is a \"chutes and ladders\" type game using racist language and imagery of racist and stereotyped caricatures of black people navigating a watermelon patch and avoiding a white farmer aiming at them with a gun. This game appears to be a 21st century counterfeit/hoax of black americana material culture. The copyright information provided claims the game was copyrighted in 1932 by a \"Hudson Brothers\" company at \"127 42nd Street, Buffalo, NY\", though no such company or location appears to exist, and other sources have given copyright dates as early as 1910. The images on the box cover and game board appear to have been digitally printed and some have computer graphics imposed on images dated to various years between 1910 and 1940.","Snake Eyes is a competitive dice and chip-collecting game with some cards and imagery containing racist caricatures and stereotypes of black people compared to depictions of white people on other cards.","Schwarzer Pieter is an \"Old Maid\" type game featuring a blackface minstrel character original from Belgium and Netherlands named \"Black Pete\", who is an assistant to Saint Nicholas and a racist caricature of a black person.","Swahili is a mancala-like game modeled, and possibly appropriated, from the game of Bao from East Africa.","Blacks \u0026 Whites models the contemporary racism, oppression, and systemic inequalities black people face in American society, highlighting the socioeconomic and political disparities between black and white Americans. The creators noted that, while the game was meant to simulate racial disparity to white and privileged players, test players rewrote the rules of play to make game outcomes more equitable and fair between races.","Blacks \u0026 Whites models the contemporary racism, oppression, and systemic inequalities black people face in American society, highlighting the socioeconomic and political disparities between black and white Americans. The creators noted that, while the game was meant to simulate racial disparity to white and privileged players, test players rewrote the rules of play to make game outcomes more equitable and fair between races.","Bimbo Ringo is a ring toss game featuring a racist caricature of an African man with the ring hooks depicted as different adornments on the person's face and weapons.","Die Seefarher in Africa/Les Marins en Afrique is a German-French game with the objective of collecting or pillaging treasure from African port cities as sailors hailing from colonialist powers. May be a reproduction.","In Dixieland is a rummy-like card game with images of black children and adults living in the south, often in impoverished conditions and framed according to racist stereotypes.","Knock Knock is a card game similar to Uno depicting a racist minstrel-like caricature on the box cover.","The Race Card is a standard 52 playing card deck with black people and fashions depicted on the face cards.","Zwarte Piet is an \"Old Maid\" type game featuring a blackface minstrel character original from Belgium and Netherlands named \"Black Pete\", who is an assistant to Saint Nicholas and a racist caricature of a black person.","Seven folders containing pieces of black americana ephemera that largely use anti-black language, caricatures, and imagery to promote racist stereotypes of black people.","The \"Mammy Memo\" is a plastic notepad and pencil/pen holder shaped in the form of the racist, stereotyped \"Mammy\" caricature. The exact creator could not be identified, but similar products were copyrighted by Hampden Novelty Mfg, Inc.","The Oldest Game Known depicts racist caricatures of two black men playing with dice on the box cover. The box contains a metal pot painted purple, but there are no instructions wherein.","The Magic-Masks consists of rubber pieces shaped like exaggerated facial features with a racist caricature of a black person on the box cover. This toy was made in Japan, but no instructions or further information could be identified.","Five porcelain figurines, four of which depict minstrel-like caricatures of black musicians playing different instruments, and one shaped like a rudimentary hut with two African individuals on the front with little to no clothing.","Four pages (printed on one sheet of folded paper) from \"Frank Leslie's Illustrated Family Almanac fro 1883\", with one page featuring the print \"The Shark Fisheries Near New Smyrna, Florida\" that depicts racist caricatures of black men working in teams to pull live sharks to shore.","A stereoview titled \"A Skin Game Nabbed\" that features black men playing poker with one pointing a gun at the other players, propogating a racist stereotype of black men as violent cheaters. The stereoview claims to have been made for \"The 'Perfec' Stereograph\".","\"Painting the House that Jack Built\" is a watercoloring booklet with paint squares stapled in the middle of the book, featuring a copyrighted \"Dutch Boy\" character that promotes the purchase of paint from the National Lead Company, who persists against different weather conditions with faces. It is unclear whether any of the weather conditions represent racist caricatures of black people.","Promotional material for W.S.M. depicting two minstrel performers, \"Lasses\" and \"Honey\", in blackface on a \"Seasons Greetings\" card.","Two scoring cards for Court Whist signed by a \"Mrs. Napper\" and an \"A Napper\", which were associated with the \"Lasses and Honey\" W.S.M. promotional card.","Robertson's Golliwog Game of Snakes and Ladders is a chutes and ladders game featuring multiple racist, gnome-like caricatures called Golliwogs on the game cover and paper game board. Golliwog was a trademark for the James Robertson \u0026 Sons jam-manufacturing company between 1910 and the 1960s.","Pieces of paper, presumably from medicine packaging, that make up a Trick Donkey game depicting a racist caricature of a black man and a clown as the riders.","An advertisement for Bridge Party depicting a racist \"Mammy\" caricature misunderstanding suggestive terms used for the game in a fake AAVE dialect. This ad is possible reproduction of an ad printed by the Lee Novelty Co. of Fort Payne, AL."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e","\u003cp\u003eUse of these materials must be limited to persons using them for research and/or scholarly activites. These materials may not be sold or distributed without knowing their intended use. 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(Westerly, RI)"],"language_ssim":["English Dutch; Flemish German French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":41,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:30:06.480Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_10016_c01_c10"}},{"id":"viu_viu00721_c07_c14","type":"Item","attributes":{"title":"Zora Putnam Wilkinsto \n James Branch Cabell","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu00721_c07_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00721_c07_c14","ref_ssm":["viu_viu00721_c07_c14"],"id":"viu_viu00721_c07_c14","ead_ssi":"viu_viu00721","_root_":"viu_viu00721","_nest_parent_":"viu_viu00721_c07","parent_ssi":"viu_viu00721_c07","parent_ssim":["viu_viu00721","viu_viu00721_c07"],"parent_ids_ssim":["viu_viu00721","viu_viu00721_c07"],"parent_unittitles_ssm":["James Branch Cabell Collection \n 1886-1928","Scrapbook 7, \n 1924-1925"],"parent_unittitles_tesim":["James Branch Cabell Collection \n 1886-1928","Scrapbook 7, \n 1924-1925"],"text":["James Branch Cabell Collection \n 1886-1928","Scrapbook 7, \n 1924-1925","Zora Putnam Wilkinsto \n James Branch Cabell","ALS, 3 p.","Zora Putnam Wilkins","James Branch Cabell"],"title_filing_ssi":"Zora Putnam Wilkins to \n James Branch Cabell","title_ssm":["Zora Putnam Wilkinsto \n James Branch Cabell"],"title_tesim":["Zora Putnam Wilkinsto \n James Branch Cabell"],"unitdate_other_ssim":["1924 Oct 28"],"normalized_date_ssm":["1924"],"normalized_title_ssm":["Zora Putnam Wilkinsto \n James Branch Cabell"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["James Branch Cabell Collection \n 1886-1928"],"physdesc_tesim":["ALS, 3 p."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":483,"date_range_isim":[1924],"names_ssim":["Zora Putnam Wilkins","James Branch Cabell"],"persname_ssim":["Zora Putnam Wilkins","James Branch Cabell"],"_nest_path_":"/components#6/components#13","timestamp":"2026-05-21T12:46:29.254Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00721","ead_ssi":"viu_viu00721","_root_":"viu_viu00721","_nest_parent_":"viu_viu00721","ead_source_url_ssi":"data/uva-sc/viu00721.xml","title_ssm":["James Branch Cabell Collection \n 1886-1928"],"title_tesim":["James Branch Cabell Collection \n 1886-1928"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["7779-b"],"text":["7779-b","James Branch Cabell Collection \n 1886-1928","10 bound volumes","Collection is open to research.","Funded in part by a grant from the National Endowment\n for the Humanities","Clippings, re: \n James Branch Cabell and his works,\n chiefly reviews of his early books, with some letters,\n listed below; 60 pp.","[presumably by \n James Branch Cabell , in unknown\n hand.]","Clippings, manuscripts, re: \n The Soul of Melicent , \n The Cream of the Jest , \n Beyond Life , with some letters, listed below, 104 p.","[copy for \n James Branch Cabell ]","Clippings, proofs of advertisements, re: \n Jurgen , with some letters listed below, 93 p.","[re: Jurgen, w/encl. a 1 p. protest]\n (reproduced)","Clippings re: \n Jurgen , \n Domnei , \n The Cords of Vanity , with some letters, listed below, 104 p.","Clippings, re: \n Figures of Earth , \n Jurgen , \n Chivalry , and \n Taboo , with some letters, listed below, 102 p.","Clippings, re: \n Jurgen , \n Beyond Life , \n The Cream to the Jest , and \n The High Place , with some letters, listed below, 100 p.","Clippings re: Straws and Prayer-Books, and \n Jurgen , with letters as follows, 102 p.","Clippings, re: \n The Silver Stallion , and \n Beyond Life , with some letters as follows, 84 p.","Clippings, re: \n The Silver Stallion , w/corrected title page proof for this book,\n and letters as follows, 82 p.","Clippings, re: \n The Silver Stallion , with the following letter 106 p.","See the \n \n University of Virginia Library’s use policy.","","University of Virginia. Library. Special\n Collections Dept.","J. B. Lippincott Co.","Robert M. McBride and\n Co.","Society of Arts and Sciences","Robert McBride and Co.","Robert McBride and\n Co.","Robert M. McBride \u0026 Co.","Knickerbocker\n Bindery","Robert M. McBride \u0026\n Co.","Robert M. McBride and Co.","Greenberg Publisher","James Branch Cabell","Henry W. Lanier","Justus Miles Forman","Merle Johnson","Walter H[ines] Page","Gilman Hall","H[enry] M[ills] Alden","Katherine Hilliard Young","David A. Ross","Joseph Neuhan","W. R. Bingham","John J. [Myres]","M. L. Minney","[N. Néonard]","F. B. Luquiens","Staunton Hynes","R[ichard] H[arding] Davis","L. Rix Babbitt","J. S. Roberts","H[ans] R[udolph] R[einhard]\n Hertzberg","Edward R. Schauffler","Daniel E. Hervey","Anna Hempstead Branch","W. D. Mann","Elinor Macartney Lane","Albert Bigelow Paine","Theodore Roosevelt","Edmund M. Ashe","Belle Radcliffe Lannock","William Loeb, Jr.","S[amuel] Foster Damon","H. L. Mencken","Lewis H. Galantière","Vincent Starrett","Sinclair Lewis","Burton Rascoe","Leslie Reed","Burton [Rascoe]","Guy [Holt]","Harold Ward","Wilson Follett","Joseph A. Margolis","Carl Van Vechten","B. J. Scannell","[N. C.] Baldwin","Dorothy Scarborough","A. L. S. Wood","Floyd Dell","William Rose Benét","Lewis Galantière","Henry B. Fuller","T. Swann Harding","Joseph Hergesheimer","[Benjamin Floyer]\n Glazer","Henry A. Lappin","Lucien Dean Pearson","Grace Hegger Lewis","Paul Jordan Smith","Aleister Crowley","James Branch vCabell","F. [Batcher]","Ben Hecht","Henry [Sell]","John R. Reinhard","Benjamin Glazer","H. [Broford] James","Francis Rolt-Wheeler","E. Wetmore","Edward J. O'Brien","Edward [Coyle]","Gilbert Cannan","[Guy] Holt","Charles C. Baldwin","Guy Holt","Hugh Walpole","H. E. [Dounce]","Margaret Babcock","Arington H. Carman","J. E. Baskerville","J. D. Chamberlain","Fred[erick] R. Ashfield","Wilson\n Follett","Louis Untermeyer","Gideon Timberlake","Benjamin De Casseres","Margaret Lee","[M. P.] Branch","Harold Davis","Pierre Troubetzkoy","Eleanor Blake Atkinson","T. [N.] Smith","George T. Keating","Ernest A. Boyd","Charles J. Finger","Samuel Barlow","Samuel L. Barlow","John A. Ten Eyck III","Charles S. Vial","John Cornell","Isaac Goldberg","A. Z. Lopez-Penha","Thomas Edgelow","Alyce M. Fletcher","Edwin J. Mayer","Helen McAfee","Ralph F. Holmes","Russell Gore","Basil Thompson","Charles Dexter Allen","Thomas [W.] Duffy","Milka Davenport Moss","Gregory Stragnell","Roy L. McCardell","Walter Adolphe Roberts","Wilbur Cross","Charles Ridgely","Marion A. Smith","B[ernard] K[eble] Sandwell","Marion Nelson Waldrip","G. A. Van Nosdall","George Moore","Barrett H.\n Clark","Kate D[ouglas] [Wiggin]","E[ugene] F[rancis] Saxton","Edward Hale\n Bierstadt","E. Paxton","L. W. Neustadler","John M. Hill","Margaret Donnan","Arthur E. Becher","Frances Newman","Anne Rutherfoord Wayland","Alice Wade Mulhern","Leonard D. Weil","Maynard D. Follin","William Kavanaugh Doty","Robert Nathan","Robert C. Holliday","Frederick Ebell Fiske","Harry Turner","Henry B. Flarsheim","Kingsland Spencer","John J. Gunther","E. Goodhue","Deems Taylor","J. T. Stewart","Olga R. Moore","Ethel M. Kelley","Louis\n Untermeyer","Louise H. Guyol","Elisabeth Grinnell","Lee B. Mihan","George A. Van Nosdall","Clark Ashton Smith","Dorothea Lawrance Mann","Woodward Lee Carter","William R. Anderson","H[enry] W[alcott] Boynton","Leo B. Mihan","Berthe Grunbaum","William Gamalial [Shegard]","Helen A. Seyffert","Evelyn Dewey Miller","Mary Byerley","Whitelaw Saunders","Blanche Colton Williams","Donald Ogden Stewart","Valerie de Milhau","Carl Van Doren","Oswald Brod","Edward Hale Bierstadt","William J. Cobwin","Morris Fishbein","Rosanna Elizabeth Roe","John A. Thomas","Harold Goddard Rugg","Charles Bayly, Jr.","B. Russell Herts","Don Bregenzer","M. Kathryn Spiers","Mary Brecht Pulver","Jerome E. Brooks","William R. A. Hays","Carlton A. 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Buck","Christopher [Hageruss]","Thomas Lloyd Lennon","LeRoy Arnold","Harold Chapman Brown","Charles Romm","R. de Roussy de Sales","Irving L. Dilliard","Eva Scofield","Marshall Wingfield","Lucille Levy","Martha McCoy","Thomas R. Palfrey","W[illiam] Leete Stone","J.A. De Lacey","William J. Bernhard","Laurence Schwab","Frederick Fender","Cary Franklin Jacob","Wilson O. Clough","Abraham Cahan","Gustav Gruener","Henry Seidel Canby","Sam Janney","F. Scott Fitzgerald","Alexander Singleton","Maud Skidmore Barber","Lillian Young Cox","Thomas Caldecot Chubb","John M. Price","Ruth Wyatt Tongue","F. L. Schneider","Charles Keiller","Ralph Parker Anderson","Hal Garrott","M. B. Gottlieb","Glen Walton Blodgett","G. W. Freeman","J. Coupet-Sarraille","Harry Hervey","Boudinot Colt","H. W. Stewart","J. J. Taylor","Eleanor V. Cederstrom","S. D. Green","Edith M. Parkinson","C. Ford","Jessie Burns","Ralph Block","Charlton Andrews","George Brandes","George\n Brandes","Frederick Eddy","Charles Parsons","Carr Liggett","Frank H[orace] Vizetelly","Alfred T. Goldsmith","Florence Blackstone","R. E. MacKenzie","James Beveridge","Edwin [Björkman]","Donald Barr Chidsey","H. Randolph [Carr]","Lucy Curtis Templeton","Evelyn Campbell","Ellen Glasgow","Garrard Glenn","Stanley E. Babb","Howard Stanley Aronson","James Harvey Robinson","Dhan Gopal Mukerji","K. W. Lane","Arthur Hartmann","Carleton Beals","Charles A. Berst","Walter B. [Wolfe]","Deborah Hathaway [Calkins]","Calvin Neff","Charles F. [Pierce]","Phoebe H. Gilkyson","W. Cabell Greet","Dorothy G. Hyde","Joseph Fisher Loewi","C[larence] J. Laughlin","Lewis Galantiére","Mildred H. Lewis","Maurice De Koven","Ward Edwards","Loyd Ring Coleman","Aug[ustus] Cabell","Clarence J. Laughlin","Horace H. Edwards","Ballard Cabell","I. R. Brussel","Alfred W. Lublin","Helene Gent","Mary Webster","Homer Hendricks","Arthur W. Johnson","Raoul Rodriguez","C[harles] B[attel] Loomis, Jr.","Charles Battel Loomis, Jr.","Milton I. D. Einstein","Bruce Lockwood","Maurice K. Weil","Miriam Thurman","A. Mary Barclay","George Williams","Geoffrey Landsman","Louise Lafitte","Charles Alexander","David Werner Amram","Zora Putnam Wilkins","Warren A. McNeill","Laurence Stallings","George C. Calvert","Edwin Björkman","R. Critchell Rimington","Carl D. Herdman","Cooper Wilkins","Leonard Cline","Laban Lacy Rice","G. C. Hite, Jr.","Christine Hamilton","George Sylvester Viereck","Maude V. P. Hazelton","Frances L. Phillips","Brace M. Conning","Russell Ballard Weaver","Stuart Palmer","Thomas Hornsly Ferril","Natalie P. Harris","Truett Bryan Marshall","Fannie Hurst","George Harrison\n Phelps","Lewis Chase","Myra Marini","Norman A. Hoefeld","Sydney B. Flower","Wendell Phillips Bieser","J. E. Adams","Samuel Heiman","Mary Louise Israel","Katharine Hayes Amend","Seth Wakeman","Edna M. Levey","Edward A. Niles","F. M. Roberts","Louis L. Kramer","H. de [Key] [Kelton]","Margaret Root Brown","Stanley Olmsted","Egmont Ruschke","Martha E. Edler","Dorothy E. Mock","W[alter] R[ussell] Bowie","Louis Dickstein","Edison Skehan","H. Suzanne Eddy","Harry F. Preller","W. W. Lange","F. G. Street, Jr.","Mary F. Wickman Porcher","Marshall McNeil","Eveline Whalley","Mary Plum","Edmond R. Amateis","William Arthur Deacon","Bridget Muller","Solomon Malkin","Emanuel Edward Raices","I. Adrian Shulimson","A. Grove Day","Lester Hargrett","Felix Hargrett","E. C. Detwiler","Jean O'Brien","Laura Norton Brown","Richard Rohman","Helen Lincoln","A. Burton Clarke","Jessie M. Lyons","Jane Garrott","Virginia B. Kingsbury","Jack Woodford","Grover Jacoby","Edward A. Lobb","Nathaniel Howard","Philip C. Duschnes","Rose L. Shefska","Helen Godey Wilson","Franklin Wentworth","Karen Rosenblum","C. Peyton Wertenbaker","C. W. Beale","Herbert L. Ganter","Thomas Bell","Harry M. East","[William] Leete Stone","J. 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Lewis","English"],"unitid_tesim":["7779-b"],"normalized_title_ssm":["James Branch Cabell Collection \n 1886-1928"],"collection_title_tesim":["James Branch Cabell Collection \n 1886-1928"],"collection_ssim":["James Branch Cabell Collection \n 1886-1928"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":[""],"creator_ssim":[""],"acqinfo_ssim":["Gift, 1966 May 4"],"has_online_content_ssim":["false"],"physdesc_tesim":["10 bound volumes"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"prefercite_html_tesm":["\u003cp\u003eJames Branch Cabell\n Collection, Accession 7779-b, Special Collections Department, University of\n Virginia Library\u003c/p\u003e"],"prefercite_tesim":["James Branch Cabell\n Collection, Accession 7779-b, Special Collections Department, University of\n Virginia Library"],"processinfo_html_tesm":["\u003cp\u003eFunded in part by a grant from the National Endowment\n for the Humanities\u003c/p\u003e"],"processinfo_heading_ssm":["Funding Note"],"processinfo_tesim":["Funded in part by a grant from the National Endowment\n for the Humanities"],"scopecontent_html_tesm":["\u003cp\u003eClippings, re: \n \u003cpersname\u003eJames Branch Cabell\u003c/persname\u003eand his works,\n chiefly reviews of his early books, with some letters,\n listed below; 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Library. Special\n Collections Dept.","J. B. Lippincott Co.","Robert M. McBride and\n Co.","Society of Arts and Sciences","Robert McBride and Co.","Robert McBride and\n Co.","Robert M. McBride \u0026 Co.","Knickerbocker\n Bindery","Robert M. McBride \u0026\n Co.","Robert M. McBride and Co.","Greenberg Publisher","James Branch Cabell","Henry W. Lanier","Justus Miles Forman","Merle Johnson","Walter H[ines] Page","Gilman Hall","H[enry] M[ills] Alden","Katherine Hilliard Young","David A. Ross","Joseph Neuhan","W. R. Bingham","John J. [Myres]","M. L. Minney","[N. Néonard]","F. B. Luquiens","Staunton Hynes","R[ichard] H[arding] Davis","L. Rix Babbitt","J. S. Roberts","H[ans] R[udolph] R[einhard]\n Hertzberg","Edward R. Schauffler","Daniel E. Hervey","Anna Hempstead Branch","W. D. Mann","Elinor Macartney Lane","Albert Bigelow Paine","Theodore Roosevelt","Edmund M. Ashe","Belle Radcliffe Lannock","William Loeb, Jr.","S[amuel] Foster Damon","H. L. Mencken","Lewis H. 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Ford","Jessie Burns","Ralph Block","Charlton Andrews","George Brandes","George\n Brandes","Frederick Eddy","Charles Parsons","Carr Liggett","Frank H[orace] Vizetelly","Alfred T. Goldsmith","Florence Blackstone","R. E. MacKenzie","James Beveridge","Edwin [Björkman]","Donald Barr Chidsey","H. Randolph [Carr]","Lucy Curtis Templeton","Evelyn Campbell","Ellen Glasgow","Garrard Glenn","Stanley E. Babb","Howard Stanley Aronson","James Harvey Robinson","Dhan Gopal Mukerji","K. W. Lane","Arthur Hartmann","Carleton Beals","Charles A. Berst","Walter B. [Wolfe]","Deborah Hathaway [Calkins]","Calvin Neff","Charles F. [Pierce]","Phoebe H. Gilkyson","W. Cabell Greet","Dorothy G. Hyde","Joseph Fisher Loewi","C[larence] J. Laughlin","Lewis Galantiére","Mildred H. Lewis","Maurice De Koven","Ward Edwards","Loyd Ring Coleman","Aug[ustus] Cabell","Clarence J. Laughlin","Horace H. Edwards","Ballard Cabell","I. R. Brussel","Alfred W. Lublin","Helene Gent","Mary Webster","Homer Hendricks","Arthur W. 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