{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1918\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=28","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1918\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=27","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1918\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=29","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1918\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=34"},"meta":{"pages":{"current_page":28,"next_page":29,"prev_page":27,"total_pages":34,"limit_value":10,"offset_value":270,"total_count":331,"first_page?":false,"last_page?":false}},"data":[{"id":"vircu_repositories_5_resources_279_c14","type":"Series","attributes":{"title":"Series XIV: Art, 1850/1971","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_279_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_279_c14","ref_ssm":["vircu_repositories_5_resources_279_c14"],"id":"vircu_repositories_5_resources_279_c14","ead_ssi":"vircu_repositories_5_resources_279","_root_":"vircu_repositories_5_resources_279","_nest_parent_":"vircu_repositories_5_resources_279","parent_ssi":"vircu_repositories_5_resources_279","parent_ssim":["Adele Goodman Clark papers, 1849/1978"],"parent_ids_ssim":["vircu_repositories_5_resources_279"],"title_filing_ssi":"Series XIV: Art","title_ssm":["Series XIV: Art"],"title_tesim":["Series XIV: Art"],"normalized_title_ssm":["Series XIV: Art, 1850/1971"],"text":["Series XIV: Art, 1850/1971","Adele Goodman Clark papers, 1849/1978"],"parent_unittitles_ssm":["Adele Goodman Clark papers, 1849/1978"],"parent_unittitles_tesim":["Adele Goodman Clark papers, 1849/1978"],"normalized_date_ssm":["1850/1971"],"unitdate_other_ssim":["undated, 1850-1971"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":2555,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Adele Goodman Clark papers, 1849/1978"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"_nest_path_":"/components#13","timestamp":"2026-06-23T07:07:00.221Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_279","ead_ssi":"vircu_repositories_5_resources_279","_root_":"vircu_repositories_5_resources_279","_nest_parent_":"vircu_repositories_5_resources_279","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_279.xml","title_filing_ssi":"Clark, Adele Goodman, papers","title_ssm":["Adele Goodman Clark papers"],"title_tesim":["Adele Goodman Clark papers"],"unitdate_ssm":["1849-1978"],"unitdate_inclusive_ssm":["1849-1978"],"normalized_date_ssm":["1849/1978"],"normalized_title_ssm":["Adele Goodman Clark papers, 1849/1978"],"text":["Adele Goodman Clark papers, 1849/1978","M 9","/repositories/5/resources/279","Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond","Collection is open to research.","Series I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)","A founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.","The second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*","Clark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.","After passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.","Selected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.","In addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.","Clark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.","During the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.","In the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.","Clark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.","Clark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"","Adèle Clark died at the age of 100 on June 5, 1983.","[Information from newspaper accounts and the Adèle Goodman Clark Papers.]","Teacher of Organization and Parliamentary Law at Suffrage School","Chairman, Committee on Uniform Laws Concerning Women, Chicago, ILL","Chairman of the Committee on International Cooperation to Prevent War, of the NLWV, Miss Morgan was also President of the Colony Club of New York","The Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.","The collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman","Willoughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).","The collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.","While the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.","The suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.","The bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.","The records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.","Documentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.","Clark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.","The collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.","The fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.","The final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.","The collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.","Significant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.","Special Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items.","Relationship: Adèle Clark's cousins.","Relationship: Mother of Adèle Clark. Nicknames include \"Dree,\" \"Muzzie,\" and \"Pouncey.\"","Relationship: Father of Adèle Clarke.","Relationship: Father of Julius D. Cowles who was married to Adèle Clark's sister Edith.","Relationship: Older sister to Adèle Clarke, married to Julius \"Jules\" D. Cowles, her nicknames include \"Baby,\" \"Deetie,\" and \"Binn.\"","Relationship: Adèle Clarke's neice, daughter of Edith and Julius Cowles, married to James Cox.","Relationship: Younger sister of Adèle Clarke, married to G. Frank Dew, her nicknames include \"Trudie,\" Trudee,\" and \"Teedee.\"","Relationship: Maternal uncle to Adèle Clark.","Relationship: Maternal aunt of Adèle Clark.","Relationship: Cousin related to the Clarke family.","Relationship: Maternal aunt of Adèle Clarke and her godmother, married to Robert Ions. Also nicknamed \"Nainaine.\"","Relationship: Adèle's cousin, daughter of Cely and Robert Ions. She went by the name Willoughby.","Relationship: Sister of Robert Ions.","Relationship: Adèle Clarke's uncle, married to Cecile \"Cely\" Goodman Ions. Nicknames include \"Godpa\" and \"Berto.\"","Relationship: Adèle Clark's cousin.","Relationship: Adèle Clark's cousin.","Relationship: Sister of Alice Dooley and Mary Dooley Jones.","Relationship: friend of Adèle, became a priest in the Episcopal Church.","Relationship: Estelle Goodman Clark's brother.","Relationship: Adèle's cousin, son of Cely and Robert Ions.","Relationship: Sister of Josephine Dooley Houston and Mary Dooley Jones.","Relationship: Cousin of Alice Dooley.","Relationship: Daughter of Josephine and Henry Houston.","Relationship: Sister of Alice Dooley and Josephine Dooley Houston.","[merged with the restored Academy in the spring of 1930]","[grew out of the Atelier and later merged with the Academy]","Includes children's art work, art club material, instructional material; Japanese print.","Two labeled \"Class Room Building--State Teacher's College, Farmville, Virginia--Frank F. Stone Architect, Roanoke, Virginia, July 10, 1944\"; a third blue print labeled \"Improvements to Employees Cottage as suggested by Art Commission, May 5, 1944\"; fourth labeled \"Temporary Employee Cottage, Division of the Budget, March 29, 1944\";drawing for inscription of building \"Julian H. Burruss Hall\" labeled \"Teaching and Admin. Building, Va. Polytechnic Inst., Blacksburg, VA - Carneal, Johnston \u0026 Wright Architects \u0026 Engineers, Richmond, Virginia.\"","Various institutions to Benjamin Franklin Dew Jr., 1930s-1940s.","Entitled \"Proposed Store For Mr. S.W. Farran - Designed by W.R. Snapp, 1107 Penn St. N.E.\"","Capitol Area of Richmond, undated; Map of Richmond and Environs, Department of Public Works, 1923; Drawn map of Richmond's North Side.","Depicts status of women's suffrage (framed and fragile).","Suffrage era map - \"The Woman Voter and the next President of the United States\" - showing which states women can vote and which ones women cannot vote.","All with heading of the Virginia League of Woman Voters and labeled as follows: Congressional Districts Organized; Counties having some form of organization; Counties and cities holding citizenship schools; Virginia League of Women voters organized November 10, 1920; Number of Leagues organized; and one unlabeled.","Large flyer on which states have compulsory school attendance, 1921; map of Virginia by Virginia Department of Agriculture and Immigration; a chart compiled by Lucia R. Maxwell on International Socialism 1922-1923, showing various woman's organizations; poster of Anchor Line Twin Screw Geared Turbine Steamer named the \"California\"; Centennial Memorial of United States--Declaration of Independence, published by Baltimore and Ohio Railroad; Victory Liberty Loan poster; anti-war poster; poster of mechanized man and horse; Virginia Society for Human Life poster; League of Women Voters poster \"Vote\" (2 posters); sheet music: \"Votes for Women\" - Suffrage Rallying Song.","(includes items on women's suffrage; voting habits; a Richmond News-Leader, Suffrage Supplement, and an article on paintings at Richmond Woman's Club; an article by Adèle Clark; several pages of the Richmond Times-Dispatch,  November 2, 1933 about the Community Fund; Atlanta Journal, June 12, 1919 article on U.S. Senate passing suffrage amendment; front page of Richmond Times-Dispatch,  January 1, 1929, article on what Virginia leaders would like to see in 1929, includes article by Adèle Clark.","Majority of the photographs are from the Equal Suffrage League or Virginia League of Women Voters' events. All of these photographs have been reproduced and can be found elsewhere in Series XVII.","Two different posters on the prevention of war; a Department of the Interior, Bureau of Education poster entitled \"How and Why to Stand Correctly\" 1918; a draft version of a poster by the Equal Suffrage League with typewritten history of suffrage in Virginia and the printed finished copy.","There are no restrictions.","VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives","English"],"collection_title_tesim":["Adele Goodman Clark papers, 1849/1978"],"collection_ssim":["Adele Goodman Clark papers, 1849/1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 9","/repositories/5/resources/279"],"unitid_tesim":["M 9","/repositories/5/resources/279"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Clark, Adèle, 1882-1983"],"creator_ssim":["Clark, Adèle, 1882-1983"],"creator_persname_ssim":["Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives"],"creator_corpname_ssim":["VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives"],"creators_ssim":["Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives","VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"access_subjects_ssm":["Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["128 Linear Feet"],"extent_tesim":["128 Linear Feet"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Restrictions on Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eSeries I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)"],"bioghist_html_tesm":["\u003cp\u003eA founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.\u003c/p\u003e","\u003cp\u003eThe second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*\u003c/p\u003e","\u003cp\u003eClark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.\u003c/p\u003e","\u003cp\u003eAfter passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.\u003c/p\u003e","\u003cp\u003eSelected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.\u003c/p\u003e","\u003cp\u003eIn addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.\u003c/p\u003e","\u003cp\u003eClark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.\u003c/p\u003e","\u003cp\u003eDuring the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.\u003c/p\u003e","\u003cp\u003eIn the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.\u003c/p\u003e","\u003cp\u003eClark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eClark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"\u003c/p\u003e","\u003cp\u003eAdèle Clark died at the age of 100 on June 5, 1983.\u003c/p\u003e","\u003cp\u003e[Information from newspaper accounts and the Adèle Goodman Clark Papers.]\u003c/p\u003e  ","\u003cp\u003eTeacher of Organization and Parliamentary Law at Suffrage School\u003c/p\u003e","\u003cp\u003eChairman, Committee on Uniform Laws Concerning Women, Chicago, ILL\u003c/p\u003e","\u003cp\u003eChairman of the Committee on International Cooperation to Prevent War, of the NLWV, Miss Morgan was also President of the Colony Club of New York\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["A founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.","The second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*","Clark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.","After passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.","Selected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.","In addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.","Clark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.","During the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.","In the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.","Clark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.","Clark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"","Adèle Clark died at the age of 100 on June 5, 1983.","[Information from newspaper accounts and the Adèle Goodman Clark Papers.]","Teacher of Organization and Parliamentary Law at Suffrage School","Chairman, Committee on Uniform Laws Concerning Women, Chicago, ILL","Chairman of the Committee on International Cooperation to Prevent War, of the NLWV, Miss Morgan was also President of the Colony Club of New York"],"prefercite_html_tesm":["\u003cp\u003eAdele Goodman Clark papers, Collection # M 9, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Adele Goodman Clark papers, Collection # M 9, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.\u003c/p\u003e","\u003cp\u003eThe collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman\u003c/p\u003e","\u003cp\u003eWilloughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).\u003c/p\u003e","\u003cp\u003eThe collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.\u003c/p\u003e","\u003cp\u003eWhile the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.\u003c/p\u003e","\u003cp\u003eThe suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.\u003c/p\u003e","\u003cp\u003eThe bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.\u003c/p\u003e","\u003cp\u003eThe records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.\u003c/p\u003e","\u003cp\u003eDocumentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.\u003c/p\u003e","\u003cp\u003eClark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.\u003c/p\u003e","\u003cp\u003eThe collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.\u003c/p\u003e","\u003cp\u003eThe fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.\u003c/p\u003e","\u003cp\u003eThe final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.\u003c/p\u003e","\u003cp\u003eThe collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.\u003c/p\u003e","\u003cp\u003eSignificant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.\u003c/p\u003e","\u003cp\u003eSpecial Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items.\u003c/p\u003e  ","\u003cp\u003eRelationship: Adèle Clark's cousins.\u003c/p\u003e","\u003cp\u003eRelationship: Mother of Adèle Clark. Nicknames include \"Dree,\" \"Muzzie,\" and \"Pouncey.\"\u003c/p\u003e","\u003cp\u003eRelationship: Father of Adèle Clarke.\u003c/p\u003e","\u003cp\u003eRelationship: Father of Julius D. Cowles who was married to Adèle Clark's sister Edith.\u003c/p\u003e","\u003cp\u003eRelationship: Older sister to Adèle Clarke, married to Julius \"Jules\" D. Cowles, her nicknames include \"Baby,\" \"Deetie,\" and \"Binn.\"\u003c/p\u003e","\u003cp\u003eRelationship: Adèle Clarke's neice, daughter of Edith and Julius Cowles, married to James Cox.\u003c/p\u003e","\u003cp\u003eRelationship: Younger sister of Adèle Clarke, married to G. Frank Dew, her nicknames include \"Trudie,\" Trudee,\" and \"Teedee.\"\u003c/p\u003e","\u003cp\u003eRelationship: Maternal uncle to Adèle Clark.\u003c/p\u003e","\u003cp\u003eRelationship: Maternal aunt of Adèle Clark.\u003c/p\u003e","\u003cp\u003eRelationship: Cousin related to the Clarke family.\u003c/p\u003e","\u003cp\u003eRelationship: Maternal aunt of Adèle Clarke and her godmother, married to Robert Ions. Also nicknamed \"Nainaine.\"\u003c/p\u003e","\u003cp\u003eRelationship: Adèle's cousin, daughter of Cely and Robert Ions. She went by the name Willoughby.\u003c/p\u003e","\u003cp\u003eRelationship: Sister of Robert Ions.\u003c/p\u003e","\u003cp\u003eRelationship: Adèle Clarke's uncle, married to Cecile \"Cely\" Goodman Ions. Nicknames include \"Godpa\" and \"Berto.\"\u003c/p\u003e","\u003cp\u003eRelationship: Adèle Clark's cousin.\u003c/p\u003e","\u003cp\u003eRelationship: Adèle Clark's cousin.\u003c/p\u003e","\u003cp\u003eRelationship: Sister of Alice Dooley and Mary Dooley Jones.\u003c/p\u003e","\u003cp\u003eRelationship: friend of Adèle, became a priest in the Episcopal Church.\u003c/p\u003e","\u003cp\u003eRelationship: Estelle Goodman Clark's brother.\u003c/p\u003e","\u003cp\u003eRelationship: Adèle's cousin, son of Cely and Robert Ions.\u003c/p\u003e","\u003cp\u003eRelationship: Sister of Josephine Dooley Houston and Mary Dooley Jones.\u003c/p\u003e","\u003cp\u003eRelationship: Cousin of Alice Dooley.\u003c/p\u003e","\u003cp\u003eRelationship: Daughter of Josephine and Henry Houston.\u003c/p\u003e","\u003cp\u003eRelationship: Sister of Alice Dooley and Josephine Dooley Houston.\u003c/p\u003e","\u003cp\u003e[merged with the restored Academy in the spring of 1930]\u003c/p\u003e","\u003cp\u003e[grew out of the Atelier and later merged with the Academy]\u003c/p\u003e","\u003cp\u003eIncludes children's art work, art club material, instructional material; Japanese print.\u003c/p\u003e","\u003cp\u003eTwo labeled \"Class Room Building--State Teacher's College, Farmville, Virginia--Frank F. Stone Architect, Roanoke, Virginia, July 10, 1944\"; a third blue print labeled \"Improvements to Employees Cottage as suggested by Art Commission, May 5, 1944\"; fourth labeled \"Temporary Employee Cottage, Division of the Budget, March 29, 1944\";drawing for inscription of building \"Julian H. Burruss Hall\" labeled \"Teaching and Admin. Building, Va. Polytechnic Inst., Blacksburg, VA - Carneal, Johnston \u0026amp; Wright Architects \u0026amp; Engineers, Richmond, Virginia.\"\u003c/p\u003e","\u003cp\u003eVarious institutions to Benjamin Franklin Dew Jr., 1930s-1940s.\u003c/p\u003e","\u003cp\u003eEntitled \"Proposed Store For Mr. S.W. Farran - Designed by W.R. Snapp, 1107 Penn St. N.E.\"\u003c/p\u003e","\u003cp\u003eCapitol Area of Richmond, undated; Map of Richmond and Environs, Department of Public Works, 1923; Drawn map of Richmond's North Side.\u003c/p\u003e","\u003cp\u003eDepicts status of women's suffrage (framed and fragile).\u003c/p\u003e","\u003cp\u003eSuffrage era map - \"The Woman Voter and the next President of the United States\" - showing which states women can vote and which ones women cannot vote.\u003c/p\u003e","\u003cp\u003eAll with heading of the Virginia League of Woman Voters and labeled as follows: Congressional Districts Organized; Counties having some form of organization; Counties and cities holding citizenship schools; Virginia League of Women voters organized November 10, 1920; Number of Leagues organized; and one unlabeled.\u003c/p\u003e","\u003cp\u003eLarge flyer on which states have compulsory school attendance, 1921; map of Virginia by Virginia Department of Agriculture and Immigration; a chart compiled by Lucia R. Maxwell on International Socialism 1922-1923, showing various woman's organizations; poster of Anchor Line Twin Screw Geared Turbine Steamer named the \"California\"; Centennial Memorial of United States--Declaration of Independence, published by Baltimore and Ohio Railroad; Victory Liberty Loan poster; anti-war poster; poster of mechanized man and horse; Virginia Society for Human Life poster; League of Women Voters poster \"Vote\" (2 posters); sheet music: \"Votes for Women\" - Suffrage Rallying Song.\u003c/p\u003e","\u003cp\u003e(includes items on women's suffrage; voting habits; a \u003ctitle render=\"italic\"\u003eRichmond News-Leader, \u003c/title\u003eSuffrage Supplement, and an article on paintings at Richmond Woman's Club; an article by Adèle Clark; several pages of the \u003ctitle render=\"italic\"\u003eRichmond Times-Dispatch, \u003c/title\u003e November 2, 1933 about the Community Fund; Atlanta Journal, June 12, 1919 article on U.S. Senate passing suffrage amendment; front page of \u003ctitle render=\"italic\"\u003eRichmond Times-Dispatch, \u003c/title\u003e January 1, 1929, article on what Virginia leaders would like to see in 1929, includes article by Adèle Clark.\u003c/p\u003e","\u003cp\u003eMajority of the photographs are from the Equal Suffrage League or Virginia League of Women Voters' events. All of these photographs have been reproduced and can be found elsewhere in Series XVII.\u003c/p\u003e","\u003cp\u003eTwo different posters on the prevention of war; a Department of the Interior, Bureau of Education poster entitled \"How and Why to Stand Correctly\" 1918; a draft version of a poster by the Equal Suffrage League with typewritten history of suffrage in Virginia and the printed finished copy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.","The collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman","Willoughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).","The collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.","While the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.","The suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.","The bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.","The records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.","Documentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.","Clark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.","The collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.","The fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.","The final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.","The collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.","Significant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.","Special Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items.","Relationship: Adèle Clark's cousins.","Relationship: Mother of Adèle Clark. Nicknames include \"Dree,\" \"Muzzie,\" and \"Pouncey.\"","Relationship: Father of Adèle Clarke.","Relationship: Father of Julius D. Cowles who was married to Adèle Clark's sister Edith.","Relationship: Older sister to Adèle Clarke, married to Julius \"Jules\" D. Cowles, her nicknames include \"Baby,\" \"Deetie,\" and \"Binn.\"","Relationship: Adèle Clarke's neice, daughter of Edith and Julius Cowles, married to James Cox.","Relationship: Younger sister of Adèle Clarke, married to G. Frank Dew, her nicknames include \"Trudie,\" Trudee,\" and \"Teedee.\"","Relationship: Maternal uncle to Adèle Clark.","Relationship: Maternal aunt of Adèle Clark.","Relationship: Cousin related to the Clarke family.","Relationship: Maternal aunt of Adèle Clarke and her godmother, married to Robert Ions. Also nicknamed \"Nainaine.\"","Relationship: Adèle's cousin, daughter of Cely and Robert Ions. She went by the name Willoughby.","Relationship: Sister of Robert Ions.","Relationship: Adèle Clarke's uncle, married to Cecile \"Cely\" Goodman Ions. Nicknames include \"Godpa\" and \"Berto.\"","Relationship: Adèle Clark's cousin.","Relationship: Adèle Clark's cousin.","Relationship: Sister of Alice Dooley and Mary Dooley Jones.","Relationship: friend of Adèle, became a priest in the Episcopal Church.","Relationship: Estelle Goodman Clark's brother.","Relationship: Adèle's cousin, son of Cely and Robert Ions.","Relationship: Sister of Josephine Dooley Houston and Mary Dooley Jones.","Relationship: Cousin of Alice Dooley.","Relationship: Daughter of Josephine and Henry Houston.","Relationship: Sister of Alice Dooley and Josephine Dooley Houston.","[merged with the restored Academy in the spring of 1930]","[grew out of the Atelier and later merged with the Academy]","Includes children's art work, art club material, instructional material; Japanese print.","Two labeled \"Class Room Building--State Teacher's College, Farmville, Virginia--Frank F. Stone Architect, Roanoke, Virginia, July 10, 1944\"; a third blue print labeled \"Improvements to Employees Cottage as suggested by Art Commission, May 5, 1944\"; fourth labeled \"Temporary Employee Cottage, Division of the Budget, March 29, 1944\";drawing for inscription of building \"Julian H. Burruss Hall\" labeled \"Teaching and Admin. Building, Va. Polytechnic Inst., Blacksburg, VA - Carneal, Johnston \u0026 Wright Architects \u0026 Engineers, Richmond, Virginia.\"","Various institutions to Benjamin Franklin Dew Jr., 1930s-1940s.","Entitled \"Proposed Store For Mr. S.W. Farran - Designed by W.R. Snapp, 1107 Penn St. N.E.\"","Capitol Area of Richmond, undated; Map of Richmond and Environs, Department of Public Works, 1923; Drawn map of Richmond's North Side.","Depicts status of women's suffrage (framed and fragile).","Suffrage era map - \"The Woman Voter and the next President of the United States\" - showing which states women can vote and which ones women cannot vote.","All with heading of the Virginia League of Woman Voters and labeled as follows: Congressional Districts Organized; Counties having some form of organization; Counties and cities holding citizenship schools; Virginia League of Women voters organized November 10, 1920; Number of Leagues organized; and one unlabeled.","Large flyer on which states have compulsory school attendance, 1921; map of Virginia by Virginia Department of Agriculture and Immigration; a chart compiled by Lucia R. Maxwell on International Socialism 1922-1923, showing various woman's organizations; poster of Anchor Line Twin Screw Geared Turbine Steamer named the \"California\"; Centennial Memorial of United States--Declaration of Independence, published by Baltimore and Ohio Railroad; Victory Liberty Loan poster; anti-war poster; poster of mechanized man and horse; Virginia Society for Human Life poster; League of Women Voters poster \"Vote\" (2 posters); sheet music: \"Votes for Women\" - Suffrage Rallying Song.","(includes items on women's suffrage; voting habits; a Richmond News-Leader, Suffrage Supplement, and an article on paintings at Richmond Woman's Club; an article by Adèle Clark; several pages of the Richmond Times-Dispatch,  November 2, 1933 about the Community Fund; Atlanta Journal, June 12, 1919 article on U.S. Senate passing suffrage amendment; front page of Richmond Times-Dispatch,  January 1, 1929, article on what Virginia leaders would like to see in 1929, includes article by Adèle Clark.","Majority of the photographs are from the Equal Suffrage League or Virginia League of Women Voters' events. All of these photographs have been reproduced and can be found elsewhere in Series XVII.","Two different posters on the prevention of war; a Department of the Interior, Bureau of Education poster entitled \"How and Why to Stand Correctly\" 1918; a draft version of a poster by the Equal Suffrage League with typewritten history of suffrage in Virginia and the printed finished copy."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives"],"names_coll_ssim":["League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983 -- Archives"],"persname_ssim":["Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives"],"names_ssim":["VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3079,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:00.221Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_279_c14"}},{"id":"vircu_repositories_5_resources_279_c10","type":"Series","attributes":{"title":"Series X: Liberal Arts College for Women Commission, 1918/1970","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_279_c10#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_279_c10","ref_ssm":["vircu_repositories_5_resources_279_c10"],"id":"vircu_repositories_5_resources_279_c10","ead_ssi":"vircu_repositories_5_resources_279","_root_":"vircu_repositories_5_resources_279","_nest_parent_":"vircu_repositories_5_resources_279","parent_ssi":"vircu_repositories_5_resources_279","parent_ssim":["Adele Goodman Clark papers, 1849/1978"],"parent_ids_ssim":["vircu_repositories_5_resources_279"],"title_filing_ssi":"Series X: Liberal Arts College for Women Commission","title_ssm":["Series X: Liberal Arts College for Women Commission"],"title_tesim":["Series X: Liberal Arts College for Women Commission"],"normalized_title_ssm":["Series X: Liberal Arts College for Women Commission, 1918/1970"],"text":["Series X: Liberal Arts College for Women Commission, 1918/1970","Adele Goodman Clark papers, 1849/1978"],"parent_unittitles_ssm":["Adele Goodman Clark papers, 1849/1978"],"parent_unittitles_tesim":["Adele Goodman Clark papers, 1849/1978"],"normalized_date_ssm":["1918/1970"],"unitdate_other_ssim":["undated, 1918-1970"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":2309,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Adele Goodman Clark papers, 1849/1978"],"has_online_content_ssim":["false"],"child_component_count_isi":35,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"_nest_path_":"/components#9","timestamp":"2026-06-23T07:07:00.221Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_279","ead_ssi":"vircu_repositories_5_resources_279","_root_":"vircu_repositories_5_resources_279","_nest_parent_":"vircu_repositories_5_resources_279","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_279.xml","title_filing_ssi":"Clark, Adele Goodman, papers","title_ssm":["Adele Goodman Clark papers"],"title_tesim":["Adele Goodman Clark papers"],"unitdate_ssm":["1849-1978"],"unitdate_inclusive_ssm":["1849-1978"],"normalized_date_ssm":["1849/1978"],"normalized_title_ssm":["Adele Goodman Clark papers, 1849/1978"],"text":["Adele Goodman Clark papers, 1849/1978","M 9","/repositories/5/resources/279","Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond","Collection is open to research.","Series I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)","A founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.","The second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*","Clark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.","After passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.","Selected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.","In addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.","Clark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.","During the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.","In the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.","Clark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.","Clark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"","Adèle Clark died at the age of 100 on June 5, 1983.","[Information from newspaper accounts and the Adèle Goodman Clark Papers.]","Teacher of Organization and Parliamentary Law at Suffrage School","Chairman, Committee on Uniform Laws Concerning Women, Chicago, ILL","Chairman of the Committee on International Cooperation to Prevent War, of the NLWV, Miss Morgan was also President of the Colony Club of New York","The Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.","The collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman","Willoughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).","The collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.","While the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.","The suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.","The bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.","The records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.","Documentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.","Clark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.","The collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.","The fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.","The final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.","The collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.","Significant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.","Special Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items.","Relationship: Adèle Clark's cousins.","Relationship: Mother of Adèle Clark. Nicknames include \"Dree,\" \"Muzzie,\" and \"Pouncey.\"","Relationship: Father of Adèle Clarke.","Relationship: Father of Julius D. Cowles who was married to Adèle Clark's sister Edith.","Relationship: Older sister to Adèle Clarke, married to Julius \"Jules\" D. Cowles, her nicknames include \"Baby,\" \"Deetie,\" and \"Binn.\"","Relationship: Adèle Clarke's neice, daughter of Edith and Julius Cowles, married to James Cox.","Relationship: Younger sister of Adèle Clarke, married to G. Frank Dew, her nicknames include \"Trudie,\" Trudee,\" and \"Teedee.\"","Relationship: Maternal uncle to Adèle Clark.","Relationship: Maternal aunt of Adèle Clark.","Relationship: Cousin related to the Clarke family.","Relationship: Maternal aunt of Adèle Clarke and her godmother, married to Robert Ions. Also nicknamed \"Nainaine.\"","Relationship: Adèle's cousin, daughter of Cely and Robert Ions. She went by the name Willoughby.","Relationship: Sister of Robert Ions.","Relationship: Adèle Clarke's uncle, married to Cecile \"Cely\" Goodman Ions. Nicknames include \"Godpa\" and \"Berto.\"","Relationship: Adèle Clark's cousin.","Relationship: Adèle Clark's cousin.","Relationship: Sister of Alice Dooley and Mary Dooley Jones.","Relationship: friend of Adèle, became a priest in the Episcopal Church.","Relationship: Estelle Goodman Clark's brother.","Relationship: Adèle's cousin, son of Cely and Robert Ions.","Relationship: Sister of Josephine Dooley Houston and Mary Dooley Jones.","Relationship: Cousin of Alice Dooley.","Relationship: Daughter of Josephine and Henry Houston.","Relationship: Sister of Alice Dooley and Josephine Dooley Houston.","[merged with the restored Academy in the spring of 1930]","[grew out of the Atelier and later merged with the Academy]","Includes children's art work, art club material, instructional material; Japanese print.","Two labeled \"Class Room Building--State Teacher's College, Farmville, Virginia--Frank F. Stone Architect, Roanoke, Virginia, July 10, 1944\"; a third blue print labeled \"Improvements to Employees Cottage as suggested by Art Commission, May 5, 1944\"; fourth labeled \"Temporary Employee Cottage, Division of the Budget, March 29, 1944\";drawing for inscription of building \"Julian H. Burruss Hall\" labeled \"Teaching and Admin. Building, Va. Polytechnic Inst., Blacksburg, VA - Carneal, Johnston \u0026 Wright Architects \u0026 Engineers, Richmond, Virginia.\"","Various institutions to Benjamin Franklin Dew Jr., 1930s-1940s.","Entitled \"Proposed Store For Mr. S.W. Farran - Designed by W.R. Snapp, 1107 Penn St. N.E.\"","Capitol Area of Richmond, undated; Map of Richmond and Environs, Department of Public Works, 1923; Drawn map of Richmond's North Side.","Depicts status of women's suffrage (framed and fragile).","Suffrage era map - \"The Woman Voter and the next President of the United States\" - showing which states women can vote and which ones women cannot vote.","All with heading of the Virginia League of Woman Voters and labeled as follows: Congressional Districts Organized; Counties having some form of organization; Counties and cities holding citizenship schools; Virginia League of Women voters organized November 10, 1920; Number of Leagues organized; and one unlabeled.","Large flyer on which states have compulsory school attendance, 1921; map of Virginia by Virginia Department of Agriculture and Immigration; a chart compiled by Lucia R. Maxwell on International Socialism 1922-1923, showing various woman's organizations; poster of Anchor Line Twin Screw Geared Turbine Steamer named the \"California\"; Centennial Memorial of United States--Declaration of Independence, published by Baltimore and Ohio Railroad; Victory Liberty Loan poster; anti-war poster; poster of mechanized man and horse; Virginia Society for Human Life poster; League of Women Voters poster \"Vote\" (2 posters); sheet music: \"Votes for Women\" - Suffrage Rallying Song.","(includes items on women's suffrage; voting habits; a Richmond News-Leader, Suffrage Supplement, and an article on paintings at Richmond Woman's Club; an article by Adèle Clark; several pages of the Richmond Times-Dispatch,  November 2, 1933 about the Community Fund; Atlanta Journal, June 12, 1919 article on U.S. Senate passing suffrage amendment; front page of Richmond Times-Dispatch,  January 1, 1929, article on what Virginia leaders would like to see in 1929, includes article by Adèle Clark.","Majority of the photographs are from the Equal Suffrage League or Virginia League of Women Voters' events. All of these photographs have been reproduced and can be found elsewhere in Series XVII.","Two different posters on the prevention of war; a Department of the Interior, Bureau of Education poster entitled \"How and Why to Stand Correctly\" 1918; a draft version of a poster by the Equal Suffrage League with typewritten history of suffrage in Virginia and the printed finished copy.","There are no restrictions.","VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives","English"],"collection_title_tesim":["Adele Goodman Clark papers, 1849/1978"],"collection_ssim":["Adele Goodman Clark papers, 1849/1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 9","/repositories/5/resources/279"],"unitid_tesim":["M 9","/repositories/5/resources/279"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Clark, Adèle, 1882-1983"],"creator_ssim":["Clark, Adèle, 1882-1983"],"creator_persname_ssim":["Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives"],"creator_corpname_ssim":["VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives"],"creators_ssim":["Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives","VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"access_subjects_ssm":["Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["128 Linear Feet"],"extent_tesim":["128 Linear Feet"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Restrictions on Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eSeries I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)"],"bioghist_html_tesm":["\u003cp\u003eA founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.\u003c/p\u003e","\u003cp\u003eThe second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*\u003c/p\u003e","\u003cp\u003eClark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.\u003c/p\u003e","\u003cp\u003eAfter passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.\u003c/p\u003e","\u003cp\u003eSelected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.\u003c/p\u003e","\u003cp\u003eIn addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.\u003c/p\u003e","\u003cp\u003eClark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.\u003c/p\u003e","\u003cp\u003eDuring the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.\u003c/p\u003e","\u003cp\u003eIn the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.\u003c/p\u003e","\u003cp\u003eClark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eClark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"\u003c/p\u003e","\u003cp\u003eAdèle Clark died at the age of 100 on June 5, 1983.\u003c/p\u003e","\u003cp\u003e[Information from newspaper accounts and the Adèle Goodman Clark Papers.]\u003c/p\u003e  ","\u003cp\u003eTeacher of Organization and Parliamentary Law at Suffrage School\u003c/p\u003e","\u003cp\u003eChairman, Committee on Uniform Laws Concerning Women, Chicago, ILL\u003c/p\u003e","\u003cp\u003eChairman of the Committee on International Cooperation to Prevent War, of the NLWV, Miss Morgan was also President of the Colony Club of New York\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["A founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.","The second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*","Clark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.","After passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.","Selected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.","In addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.","Clark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.","During the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.","In the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.","Clark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.","Clark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"","Adèle Clark died at the age of 100 on June 5, 1983.","[Information from newspaper accounts and the Adèle Goodman Clark Papers.]","Teacher of Organization and Parliamentary Law at Suffrage School","Chairman, Committee on Uniform Laws Concerning Women, Chicago, ILL","Chairman of the Committee on International Cooperation to Prevent War, of the NLWV, Miss Morgan was also President of the Colony Club of New York"],"prefercite_html_tesm":["\u003cp\u003eAdele Goodman Clark papers, Collection # M 9, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Adele Goodman Clark papers, Collection # M 9, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.\u003c/p\u003e","\u003cp\u003eThe collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman\u003c/p\u003e","\u003cp\u003eWilloughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).\u003c/p\u003e","\u003cp\u003eThe collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.\u003c/p\u003e","\u003cp\u003eWhile the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.\u003c/p\u003e","\u003cp\u003eThe suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.\u003c/p\u003e","\u003cp\u003eThe bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.\u003c/p\u003e","\u003cp\u003eThe records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.\u003c/p\u003e","\u003cp\u003eDocumentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.\u003c/p\u003e","\u003cp\u003eClark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.\u003c/p\u003e","\u003cp\u003eThe collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.\u003c/p\u003e","\u003cp\u003eThe fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.\u003c/p\u003e","\u003cp\u003eThe final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.\u003c/p\u003e","\u003cp\u003eThe collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.\u003c/p\u003e","\u003cp\u003eSignificant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.\u003c/p\u003e","\u003cp\u003eSpecial Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items.\u003c/p\u003e  ","\u003cp\u003eRelationship: Adèle Clark's cousins.\u003c/p\u003e","\u003cp\u003eRelationship: Mother of Adèle Clark. Nicknames include \"Dree,\" \"Muzzie,\" and \"Pouncey.\"\u003c/p\u003e","\u003cp\u003eRelationship: Father of Adèle Clarke.\u003c/p\u003e","\u003cp\u003eRelationship: Father of Julius D. Cowles who was married to Adèle Clark's sister Edith.\u003c/p\u003e","\u003cp\u003eRelationship: Older sister to Adèle Clarke, married to Julius \"Jules\" D. Cowles, her nicknames include \"Baby,\" \"Deetie,\" and \"Binn.\"\u003c/p\u003e","\u003cp\u003eRelationship: Adèle Clarke's neice, daughter of Edith and Julius Cowles, married to James Cox.\u003c/p\u003e","\u003cp\u003eRelationship: Younger sister of Adèle Clarke, married to G. Frank Dew, her nicknames include \"Trudie,\" Trudee,\" and \"Teedee.\"\u003c/p\u003e","\u003cp\u003eRelationship: Maternal uncle to Adèle Clark.\u003c/p\u003e","\u003cp\u003eRelationship: Maternal aunt of Adèle Clark.\u003c/p\u003e","\u003cp\u003eRelationship: Cousin related to the Clarke family.\u003c/p\u003e","\u003cp\u003eRelationship: Maternal aunt of Adèle Clarke and her godmother, married to Robert Ions. Also nicknamed \"Nainaine.\"\u003c/p\u003e","\u003cp\u003eRelationship: Adèle's cousin, daughter of Cely and Robert Ions. She went by the name Willoughby.\u003c/p\u003e","\u003cp\u003eRelationship: Sister of Robert Ions.\u003c/p\u003e","\u003cp\u003eRelationship: Adèle Clarke's uncle, married to Cecile \"Cely\" Goodman Ions. Nicknames include \"Godpa\" and \"Berto.\"\u003c/p\u003e","\u003cp\u003eRelationship: Adèle Clark's cousin.\u003c/p\u003e","\u003cp\u003eRelationship: Adèle Clark's cousin.\u003c/p\u003e","\u003cp\u003eRelationship: Sister of Alice Dooley and Mary Dooley Jones.\u003c/p\u003e","\u003cp\u003eRelationship: friend of Adèle, became a priest in the Episcopal Church.\u003c/p\u003e","\u003cp\u003eRelationship: Estelle Goodman Clark's brother.\u003c/p\u003e","\u003cp\u003eRelationship: Adèle's cousin, son of Cely and Robert Ions.\u003c/p\u003e","\u003cp\u003eRelationship: Sister of Josephine Dooley Houston and Mary Dooley Jones.\u003c/p\u003e","\u003cp\u003eRelationship: Cousin of Alice Dooley.\u003c/p\u003e","\u003cp\u003eRelationship: Daughter of Josephine and Henry Houston.\u003c/p\u003e","\u003cp\u003eRelationship: Sister of Alice Dooley and Josephine Dooley Houston.\u003c/p\u003e","\u003cp\u003e[merged with the restored Academy in the spring of 1930]\u003c/p\u003e","\u003cp\u003e[grew out of the Atelier and later merged with the Academy]\u003c/p\u003e","\u003cp\u003eIncludes children's art work, art club material, instructional material; Japanese print.\u003c/p\u003e","\u003cp\u003eTwo labeled \"Class Room Building--State Teacher's College, Farmville, Virginia--Frank F. Stone Architect, Roanoke, Virginia, July 10, 1944\"; a third blue print labeled \"Improvements to Employees Cottage as suggested by Art Commission, May 5, 1944\"; fourth labeled \"Temporary Employee Cottage, Division of the Budget, March 29, 1944\";drawing for inscription of building \"Julian H. Burruss Hall\" labeled \"Teaching and Admin. Building, Va. Polytechnic Inst., Blacksburg, VA - Carneal, Johnston \u0026amp; Wright Architects \u0026amp; Engineers, Richmond, Virginia.\"\u003c/p\u003e","\u003cp\u003eVarious institutions to Benjamin Franklin Dew Jr., 1930s-1940s.\u003c/p\u003e","\u003cp\u003eEntitled \"Proposed Store For Mr. S.W. Farran - Designed by W.R. Snapp, 1107 Penn St. N.E.\"\u003c/p\u003e","\u003cp\u003eCapitol Area of Richmond, undated; Map of Richmond and Environs, Department of Public Works, 1923; Drawn map of Richmond's North Side.\u003c/p\u003e","\u003cp\u003eDepicts status of women's suffrage (framed and fragile).\u003c/p\u003e","\u003cp\u003eSuffrage era map - \"The Woman Voter and the next President of the United States\" - showing which states women can vote and which ones women cannot vote.\u003c/p\u003e","\u003cp\u003eAll with heading of the Virginia League of Woman Voters and labeled as follows: Congressional Districts Organized; Counties having some form of organization; Counties and cities holding citizenship schools; Virginia League of Women voters organized November 10, 1920; Number of Leagues organized; and one unlabeled.\u003c/p\u003e","\u003cp\u003eLarge flyer on which states have compulsory school attendance, 1921; map of Virginia by Virginia Department of Agriculture and Immigration; a chart compiled by Lucia R. Maxwell on International Socialism 1922-1923, showing various woman's organizations; poster of Anchor Line Twin Screw Geared Turbine Steamer named the \"California\"; Centennial Memorial of United States--Declaration of Independence, published by Baltimore and Ohio Railroad; Victory Liberty Loan poster; anti-war poster; poster of mechanized man and horse; Virginia Society for Human Life poster; League of Women Voters poster \"Vote\" (2 posters); sheet music: \"Votes for Women\" - Suffrage Rallying Song.\u003c/p\u003e","\u003cp\u003e(includes items on women's suffrage; voting habits; a \u003ctitle render=\"italic\"\u003eRichmond News-Leader, \u003c/title\u003eSuffrage Supplement, and an article on paintings at Richmond Woman's Club; an article by Adèle Clark; several pages of the \u003ctitle render=\"italic\"\u003eRichmond Times-Dispatch, \u003c/title\u003e November 2, 1933 about the Community Fund; Atlanta Journal, June 12, 1919 article on U.S. Senate passing suffrage amendment; front page of \u003ctitle render=\"italic\"\u003eRichmond Times-Dispatch, \u003c/title\u003e January 1, 1929, article on what Virginia leaders would like to see in 1929, includes article by Adèle Clark.\u003c/p\u003e","\u003cp\u003eMajority of the photographs are from the Equal Suffrage League or Virginia League of Women Voters' events. All of these photographs have been reproduced and can be found elsewhere in Series XVII.\u003c/p\u003e","\u003cp\u003eTwo different posters on the prevention of war; a Department of the Interior, Bureau of Education poster entitled \"How and Why to Stand Correctly\" 1918; a draft version of a poster by the Equal Suffrage League with typewritten history of suffrage in Virginia and the printed finished copy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.","The collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman","Willoughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).","The collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.","While the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.","The suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.","The bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.","The records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.","Documentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.","Clark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.","The collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.","The fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.","The final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.","The collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.","Significant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.","Special Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items.","Relationship: Adèle Clark's cousins.","Relationship: Mother of Adèle Clark. Nicknames include \"Dree,\" \"Muzzie,\" and \"Pouncey.\"","Relationship: Father of Adèle Clarke.","Relationship: Father of Julius D. Cowles who was married to Adèle Clark's sister Edith.","Relationship: Older sister to Adèle Clarke, married to Julius \"Jules\" D. Cowles, her nicknames include \"Baby,\" \"Deetie,\" and \"Binn.\"","Relationship: Adèle Clarke's neice, daughter of Edith and Julius Cowles, married to James Cox.","Relationship: Younger sister of Adèle Clarke, married to G. Frank Dew, her nicknames include \"Trudie,\" Trudee,\" and \"Teedee.\"","Relationship: Maternal uncle to Adèle Clark.","Relationship: Maternal aunt of Adèle Clark.","Relationship: Cousin related to the Clarke family.","Relationship: Maternal aunt of Adèle Clarke and her godmother, married to Robert Ions. Also nicknamed \"Nainaine.\"","Relationship: Adèle's cousin, daughter of Cely and Robert Ions. She went by the name Willoughby.","Relationship: Sister of Robert Ions.","Relationship: Adèle Clarke's uncle, married to Cecile \"Cely\" Goodman Ions. Nicknames include \"Godpa\" and \"Berto.\"","Relationship: Adèle Clark's cousin.","Relationship: Adèle Clark's cousin.","Relationship: Sister of Alice Dooley and Mary Dooley Jones.","Relationship: friend of Adèle, became a priest in the Episcopal Church.","Relationship: Estelle Goodman Clark's brother.","Relationship: Adèle's cousin, son of Cely and Robert Ions.","Relationship: Sister of Josephine Dooley Houston and Mary Dooley Jones.","Relationship: Cousin of Alice Dooley.","Relationship: Daughter of Josephine and Henry Houston.","Relationship: Sister of Alice Dooley and Josephine Dooley Houston.","[merged with the restored Academy in the spring of 1930]","[grew out of the Atelier and later merged with the Academy]","Includes children's art work, art club material, instructional material; Japanese print.","Two labeled \"Class Room Building--State Teacher's College, Farmville, Virginia--Frank F. Stone Architect, Roanoke, Virginia, July 10, 1944\"; a third blue print labeled \"Improvements to Employees Cottage as suggested by Art Commission, May 5, 1944\"; fourth labeled \"Temporary Employee Cottage, Division of the Budget, March 29, 1944\";drawing for inscription of building \"Julian H. Burruss Hall\" labeled \"Teaching and Admin. Building, Va. Polytechnic Inst., Blacksburg, VA - Carneal, Johnston \u0026 Wright Architects \u0026 Engineers, Richmond, Virginia.\"","Various institutions to Benjamin Franklin Dew Jr., 1930s-1940s.","Entitled \"Proposed Store For Mr. S.W. Farran - Designed by W.R. Snapp, 1107 Penn St. N.E.\"","Capitol Area of Richmond, undated; Map of Richmond and Environs, Department of Public Works, 1923; Drawn map of Richmond's North Side.","Depicts status of women's suffrage (framed and fragile).","Suffrage era map - \"The Woman Voter and the next President of the United States\" - showing which states women can vote and which ones women cannot vote.","All with heading of the Virginia League of Woman Voters and labeled as follows: Congressional Districts Organized; Counties having some form of organization; Counties and cities holding citizenship schools; Virginia League of Women voters organized November 10, 1920; Number of Leagues organized; and one unlabeled.","Large flyer on which states have compulsory school attendance, 1921; map of Virginia by Virginia Department of Agriculture and Immigration; a chart compiled by Lucia R. Maxwell on International Socialism 1922-1923, showing various woman's organizations; poster of Anchor Line Twin Screw Geared Turbine Steamer named the \"California\"; Centennial Memorial of United States--Declaration of Independence, published by Baltimore and Ohio Railroad; Victory Liberty Loan poster; anti-war poster; poster of mechanized man and horse; Virginia Society for Human Life poster; League of Women Voters poster \"Vote\" (2 posters); sheet music: \"Votes for Women\" - Suffrage Rallying Song.","(includes items on women's suffrage; voting habits; a Richmond News-Leader, Suffrage Supplement, and an article on paintings at Richmond Woman's Club; an article by Adèle Clark; several pages of the Richmond Times-Dispatch,  November 2, 1933 about the Community Fund; Atlanta Journal, June 12, 1919 article on U.S. Senate passing suffrage amendment; front page of Richmond Times-Dispatch,  January 1, 1929, article on what Virginia leaders would like to see in 1929, includes article by Adèle Clark.","Majority of the photographs are from the Equal Suffrage League or Virginia League of Women Voters' events. All of these photographs have been reproduced and can be found elsewhere in Series XVII.","Two different posters on the prevention of war; a Department of the Interior, Bureau of Education poster entitled \"How and Why to Stand Correctly\" 1918; a draft version of a poster by the Equal Suffrage League with typewritten history of suffrage in Virginia and the printed finished copy."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives"],"names_coll_ssim":["League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983 -- Archives"],"persname_ssim":["Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives"],"names_ssim":["VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3079,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:00.221Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_279_c10"}},{"id":"vircu_repositories_3_resources_44","type":"collection","attributes":{"title":"Seth B. Perry collection, 1913/1950","creator":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_3_resources_44#creator","type":"document_value","attributes":{"value":"Perry, Seth B. (Seth Bridgman)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_3_resources_44#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection consists of various items from Perry's life that show his vast array of interests, from a college textbook to the analytical breakdown of a soybean farm. The collection focuses mostly on Perry's medical work and not on his political or civic duties.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_3_resources_44#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_3_resources_44","ead_ssi":"vircu_repositories_3_resources_44","_root_":"vircu_repositories_3_resources_44","_nest_parent_":"vircu_repositories_3_resources_44","ead_source_url_ssi":"data/oai/VCU/repositories_3_resources_44.xml","title_filing_ssi":"Perry, Seth B., Collection","title_ssm":["Seth B. Perry collection"],"title_tesim":["Seth B. Perry collection"],"unitdate_ssm":["1913-1950"],"unitdate_inclusive_ssm":["1913-1950"],"normalized_date_ssm":["1913/1950"],"normalized_title_ssm":["Seth B. Perry collection, 1913/1950"],"text":["Seth B. Perry collection, 1913/1950","90.Dec.37","/repositories/3/resources/44","Physicians -- Virginia.","Collection is open to research.","Records are arranged in chronological order.","Dr. Seth Bridgman Perry was born in Williamston, North Carolina on 16 December 1888. Originally a student at the University College of Medicine, Perry transferred to the Medical College of Virginia. Perry was the president of the Masonic club, as well as a member of Kappa Psi fraternity. He earned his MD in 1914. Perry served in the Army in World War I, rising to the rank of Captain. While in the service he was able to attend the University of Edinburgh where he first studied surgery. Perry moved to Hopewell, VA after the war joining the Hopewell Medical Society. In 1915, he was one of the founding doctors in establishing Hopewell Hospital, now known as the John Randolph Medical Center. During all his years of practice, Perry was a member of the hospital administration as well as a staff doctor. Perry was active in the Hopewell community as well. From 1928 to 1955, he served as a member of the City Council and several years as vice-mayor. After many years of service to his community, Perry suffered a heart attack in his office and died on 27 July, 1955 in Hopewell, VA.","The collection consists of various items from Perry's life that show his vast array of interests, from a college textbook to the analytical breakdown of a soybean farm. The collection focuses mostly on Perry's medical work and not on his political or civic duties.","This folder contains the minutes of the Medical Society, later the Hospital Board. Some topics include expansion plans for the Hopewell hospital, hospital finances, and general election of officers.","This folder contains the instructor's gynecology typescript notes used by Perry while in medical school. Text originally used by an earlier student in 1912.","This folder contains a prescription pad from Perry. 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Originally a student at the University College of Medicine, Perry transferred to the Medical College of Virginia. Perry was the president of the Masonic club, as well as a member of Kappa Psi fraternity. He earned his MD in 1914. Perry served in the Army in World War I, rising to the rank of Captain. While in the service he was able to attend the University of Edinburgh where he first studied surgery. Perry moved to Hopewell, VA after the war joining the Hopewell Medical Society. In 1915, he was one of the founding doctors in establishing Hopewell Hospital, now known as the John Randolph Medical Center. During all his years of practice, Perry was a member of the hospital administration as well as a staff doctor. Perry was active in the Hopewell community as well. From 1928 to 1955, he served as a member of the City Council and several years as vice-mayor. After many years of service to his community, Perry suffered a heart attack in his office and died on 27 July, 1955 in Hopewell, VA.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Seth Bridgman Perry was born in Williamston, North Carolina on 16 December 1888. Originally a student at the University College of Medicine, Perry transferred to the Medical College of Virginia. Perry was the president of the Masonic club, as well as a member of Kappa Psi fraternity. He earned his MD in 1914. Perry served in the Army in World War I, rising to the rank of Captain. While in the service he was able to attend the University of Edinburgh where he first studied surgery. Perry moved to Hopewell, VA after the war joining the Hopewell Medical Society. In 1915, he was one of the founding doctors in establishing Hopewell Hospital, now known as the John Randolph Medical Center. During all his years of practice, Perry was a member of the hospital administration as well as a staff doctor. Perry was active in the Hopewell community as well. From 1928 to 1955, he served as a member of the City Council and several years as vice-mayor. After many years of service to his community, Perry suffered a heart attack in his office and died on 27 July, 1955 in Hopewell, VA."],"prefercite_html_tesm":["\u003cp\u003eSeth B. Perry Collection, Accession #90/Dec/37, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e  "],"prefercite_tesim":["Seth B. Perry Collection, Accession #90/Dec/37, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of various items from Perry's life that show his vast array of interests, from a college textbook to the analytical breakdown of a soybean farm. 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Perry collection, 1913/1950","90.Dec.37","/repositories/3/resources/44","Physicians -- Virginia.","Collection is open to research.","Records are arranged in chronological order.","Dr. Seth Bridgman Perry was born in Williamston, North Carolina on 16 December 1888. Originally a student at the University College of Medicine, Perry transferred to the Medical College of Virginia. Perry was the president of the Masonic club, as well as a member of Kappa Psi fraternity. He earned his MD in 1914. Perry served in the Army in World War I, rising to the rank of Captain. While in the service he was able to attend the University of Edinburgh where he first studied surgery. Perry moved to Hopewell, VA after the war joining the Hopewell Medical Society. In 1915, he was one of the founding doctors in establishing Hopewell Hospital, now known as the John Randolph Medical Center. During all his years of practice, Perry was a member of the hospital administration as well as a staff doctor. Perry was active in the Hopewell community as well. From 1928 to 1955, he served as a member of the City Council and several years as vice-mayor. After many years of service to his community, Perry suffered a heart attack in his office and died on 27 July, 1955 in Hopewell, VA.","The collection consists of various items from Perry's life that show his vast array of interests, from a college textbook to the analytical breakdown of a soybean farm. The collection focuses mostly on Perry's medical work and not on his political or civic duties.","This folder contains the minutes of the Medical Society, later the Hospital Board. Some topics include expansion plans for the Hopewell hospital, hospital finances, and general election of officers.","This folder contains the instructor's gynecology typescript notes used by Perry while in medical school. Text originally used by an earlier student in 1912.","This folder contains a prescription pad from Perry. It has been used as a pad for other notes and a certificate of service from the Selective Service System.","This folder contains a cost breakdown of a 125 acre soybean farm as well as a letter regarding the shipment of a pig.","This folder contains photographs. One of Perry, the other unknown.","VCU Health Sciences Library","Medical College of Virginia -- Alumni and alumnae","Medical College of Virginia","Perry, Seth B. (Seth Bridgman)","English"],"collection_title_tesim":["Seth B. Perry collection, 1913/1950"],"collection_ssim":["Seth B. Perry collection, 1913/1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["90.Dec.37","/repositories/3/resources/44"],"unitid_tesim":["90.Dec.37","/repositories/3/resources/44"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Perry, Seth B. (Seth Bridgman)"],"creator_ssim":["Perry, Seth B. 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After many years of service to his community, Perry suffered a heart attack in his office and died on 27 July, 1955 in Hopewell, VA.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Seth Bridgman Perry was born in Williamston, North Carolina on 16 December 1888. Originally a student at the University College of Medicine, Perry transferred to the Medical College of Virginia. Perry was the president of the Masonic club, as well as a member of Kappa Psi fraternity. He earned his MD in 1914. Perry served in the Army in World War I, rising to the rank of Captain. While in the service he was able to attend the University of Edinburgh where he first studied surgery. Perry moved to Hopewell, VA after the war joining the Hopewell Medical Society. In 1915, he was one of the founding doctors in establishing Hopewell Hospital, now known as the John Randolph Medical Center. During all his years of practice, Perry was a member of the hospital administration as well as a staff doctor. Perry was active in the Hopewell community as well. From 1928 to 1955, he served as a member of the City Council and several years as vice-mayor. After many years of service to his community, Perry suffered a heart attack in his office and died on 27 July, 1955 in Hopewell, VA."],"prefercite_html_tesm":["\u003cp\u003eSeth B. Perry Collection, Accession #90/Dec/37, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e  "],"prefercite_tesim":["Seth B. Perry Collection, Accession #90/Dec/37, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of various items from Perry's life that show his vast array of interests, from a college textbook to the analytical breakdown of a soybean farm. 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One of Perry, the other unknown.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection consists of various items from Perry's life that show his vast array of interests, from a college textbook to the analytical breakdown of a soybean farm. The collection focuses mostly on Perry's medical work and not on his political or civic duties.","This folder contains the minutes of the Medical Society, later the Hospital Board. Some topics include expansion plans for the Hopewell hospital, hospital finances, and general election of officers.","This folder contains the instructor's gynecology typescript notes used by Perry while in medical school. Text originally used by an earlier student in 1912.","This folder contains a prescription pad from Perry. It has been used as a pad for other notes and a certificate of service from the Selective Service System.","This folder contains a cost breakdown of a 125 acre soybean farm as well as a letter regarding the shipment of a pig.","This folder contains photographs. One of Perry, the other unknown."],"userestrict_heading_ssm":["Use Restrictions"],"corpname_ssim":["VCU Health Sciences Library","Medical College of Virginia -- Alumni and alumnae","Medical College of Virginia"],"names_coll_ssim":["Medical College of Virginia -- Alumni and alumnae","Medical College of Virginia","Perry, Seth B. (Seth Bridgman)"],"persname_ssim":["Perry, Seth B. (Seth Bridgman)"],"names_ssim":["VCU Health Sciences Library","Medical College of Virginia -- Alumni and alumnae","Medical College of Virginia","Perry, Seth B. 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Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.","Richmond author James Branch Cabell (1879-1958) is best known for his controversial book, Jurgen (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the Richmond Times as a copyholder. In 1899 he moved to New York City and worked for the New York Herald as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the Richmond News. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as Harper's Monthly Magazine and the Saturday Evening Post.","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of International. He published his first book, The Eagle's Shadow, in the autumn of 1904 after it appeared serially in the Saturday Evening Post during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the New York Evening Mail, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing Jurgen. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of Jurgen, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled The Biography of the Life of Manuel; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the American Spectator (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over Jurgen ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of Let Me Lie. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","Cabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing.","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.","The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends.","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.","Letters from the governors of six different states each thanking Cabell for autographing a copy of one of his books. Pinchot, Gov. Gifford (Pennsylvania); Pollard, Gov. John Garland (Va.); Ritchie, Gov. Albert C. (Maryland); Seligman, Gov. Arthur (New Mexico); Wilson, Gov. Stanley C. (Vermont).","Manuscripts of various Cabell writings, many heavily edited in Cabell's handwriting, are contained in these folders. Most of the material has Duke numbers written in pencil on it. Materials include story ideas, notes, early drafts, drawings, school work, essays, poems, and prefaces. Folders 72-76 are labeled with Duke numbers. See also Series IX.","Much of the material in this series was taken from the books in Cabell's library. It includes printed material, newspaper clippings, illustrations, and other ephemeral.","In Goudy Text celebrating the 35th anniversary of The Village Press","Taken from books in Cabell's library.","Includes Papers of the Cabell Society, correspondence between its founders, a collection of correspondence between Cabell and Nelson Bond, Cabell and Frederick Eddy.","Materials concerning Between Friends: Letters of James Branch Cabell and Others edited by Padraic Colum and Margaret Freeman Cabell, published in 1962.","The majority of these criticisms of Cabell and his work were copied from various periodicals (many from microfilm) for Jean Maurice Duke's James Branch Cabell: A Reference Guide published in 1979. Others have been collected by Special Collections \u0026 Archives.","Most of the material contained in this series is located in twenty-two bound volumes containing magazines where many of Cabell's book reviews, essays, short stories and other fiction originally appeared before they were later revised into book form. Each volume is named for a published Cabell book and contains the original magazine contribution. There are also two boxes of non-bound journals.","Twenty-two blue bound volumes containing magazines where many of Bell's book reviews, essays, short stories and other fiction originally appeared before they were later revised into book form. Each blue bound volume is titled after a Bell book and contains the original magazine contribution.","A 51 sheet (8 1/2 x 10 1/2) bound volume of material about Cabell. Contains many newspaper and magazine articles by and about Cabell, most regarding his published fiction and book reviews at this time. They are pasted in the volume and many are identified and dated. Most of the dates are 1902-1905. It also contains a letter to Cabell from an editor at Smart Set, dated Sept. 30, 1902, suggesting Cabell write them a novelette.","It also has a 15 page (7 1/2 x 10 1/2) folder in which several newspaper advertisements of The Eagle's Shadow are pasted. All are dated 1904.","The first 35 sheets contain newspaper clippings of articles written by Cabell for the Richmond News during the first few years of the century.","The next 25 sheets are newspaper clippings about Cabell and his family, dated around 1910. These pages also include genealogical articles written by Cabell and others.","The remaining sheets contain letters to Cabell regarding genealogy dating form 1909 to 1919; obituaries and articles about John R. Branch, newspaper society columns; a New York Herald style pamphlet; a 1895 Navy Department letter to Cabell regarding a post for him in the Navel Academy; a 1906 letter from the U.S. State Department regarding an appointment for Cabell as Secretary of Legation in Athens, Greece or in South America and a 1906 letter from the White House regretting Cabell's decision not to accept the position in the State Department. There are also programs of plays performed in 1896 by the Virginia Comedians. Cabell was in five of them.","On the verso of p. 82 and recto of p. 83 is pasted a printed article entitled \"That Opera Bouffe Court Martial.\" It describes a court martial at the U.S. Naval Academy where midshipman James Robinson Branch, Jr. died after a boxing match with another student named Meriwether. Branch was the son of James R. Branch, James Branch Cabell's uncle.","This is a bound volume of 112 sheets (8 1/2 x 10 1/2) containing a large amount of many kinds of material concerning Cabell and his writings.","There are almost 100 letters to him. Many are from publishers to whom he had sent, or offered to send, a manuscript. In some of these the publishers offered to read his book. In others they gave their opinions of it and their decision on publishing. Most of these say that while they appreciated the quality of his work they cannot publish it, usually because they do not think it would be profitable. There are a few letters asking him to submit material to them. Many others are from individuals who have read something by or about him. Most of this material is dated from 1911-1917.","There are also more than 100 newspaper and magazine clippings about him, his family and his books. Some are advertisements, some are reviews. They come from all over the country and nearly all are dated and have the name of the source. It appears that a clipping service must have supplied many of them. There are also a few photographs of Cabell.","Pages 3-34 are missing. Cabell's notes including lists of stories written year by year, where published, amount paid him, books published, copies received, number sold, royalties, etc. Also, poems, genealogical materials on his family; wills of family members, notes on his books, including to whom submitted and results, other material on his writing, such as Suppressed Foreword to the Cords of Vanity: rough draft.","Inscription on the first page reads: Verses, etc., as written 1896-1898. Selected, revised, and copied in this book 1898-1899. James Branch Cabell.","Most of this material concerns The Majors and Their Marriages (1915). Includes genealogical notes, lists, etc. and correspondence concerning these families. Includes a little material on the Cabells.","Unbound material which was found in notebook two.","This has Cabell materials inserted in the covers of two typewriter paper covers.","In the first typewriter paper cover material includes two typewritten Cabell manuscripts of poems, \"The Ways of Women.\" There are some textual differences and some pencil changes (9 \u0026 7 pages). There is also a two-page typewritten manuscript of Cabell's reminiscences written when he was 77. Has a few pencil corrections and additions. A one page Cabell typewritten manuscript entitled Frail Rymes, with Studrdy Morals.","In the second typewriter paper cover material includes two copies of a four page list of manuscripts, etc. of his writings. A 15 page typewritten manuscript entitled \"Composition book No. 341.\" An eight page typewritten manuscript entitled \"List of Horses in the collection.\" A four page typewritten manuscript entitled \"Unpublished Matter.\" and a one page typewritten list of some of his books, some including the color of binds, etc.","Contains photocopies Cabell manuscripts, both poetry and prose. Some are identified.","Contains information on the ancestry of Priscilla Bradley (Mrs. James Branch Cabell) including genealogical notes, abstracts from books and magazines, correspondence, etc. Some of the items are dated after the publication of the genealogy of her family, The Majors and Their Marriages (1915). One folder includes an essay written by Cabell when he was 77 years old, discussing his lack of literary recognition and awards.","Includes information on Cabell family genealogy.","A bound volume containing a 37 page check list of Cabell's books and other material held by ULS' Special Collections \u0026 Archives made by Daniel E. Jones in 1973.","A bibliography of the later writings of Cabell, 1932-1956, written by Cabell.","A folder containing copies of nine Cabell letters to Desmond Tarrant, 1953-1959, and one letter to Tarrant from Margaret Freeman Cabell, 1964. They are concerned with Tarrant's proposed book on Cabell, later published as James Branch Cabell: The Dream and the Reality, 1967. Also contains copies of two letters Cabell wrote to Guy Holt, 1917 and 1918.","Decorative book box labeled Cabelliana. Materials in this box were transferred to Series III. A list of those items is with the box.","Contains the letters labeled Apfelbaum-Cabell Letters, which include Cabell letters to the editor of The Literary Review, 22 letters to Mourice Speiser, one letter from Herbert Speiser to Robert McBride \u0026 Co., and an answer to it from McBride.","A 14 page photocopied list of Cabell books taken from The National Union Catalog Pre-1956 Imprints","23 pages of genealogical oversized photocopied notes on the Branch family. Material includes photocopies of family Bibles, lists of marriages and births with dates up until 1981.","A 24 x 9 inch poster of Cabell's review of The Adventures of the Black Girl in her search for God by Bernard Shaw. A book review reprinted from the New York Herald Tribune Books Section, Sunday, February 26, 1933.","Painting of Family Tree by Cabell","Miscellaneous Drawings and Advertisements","There are no restrictions.","VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M.","English"],"collection_title_tesim":["James Branch Cabell collection, 1860/1971"],"collection_ssim":["James Branch Cabell collection, 1860/1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 214","/repositories/5/resources/96"],"unitid_tesim":["M 214","/repositories/5/resources/96"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_corpname_ssim":["VCU James Branch Cabell Library"],"creators_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M.","VCU James Branch Cabell Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Margaret Freeman Cabell in 1976."],"access_subjects_ssim":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond"],"access_subjects_ssm":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet Also includes 3000 volume library"],"extent_tesim":["10 Linear Feet Also includes 3000 volume library"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.\u003c/p\u003e","\u003cp\u003eThe collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference."],"bioghist_html_tesm":["\u003cp\u003eRichmond author James Branch Cabell (1879-1958) is best known for his controversial book, \u003ctitle\u003eJurgen\u003c/title\u003e (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.\u003c/p\u003e","\u003cp\u003eCabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.\u003c/p\u003e","\u003cp\u003eAfter attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the \u003ctitle\u003eRichmond Times\u003c/title\u003e as a copyholder. In 1899 he moved to New York City and worked for the \u003ctitle\u003eNew York Herald\u003c/title\u003e as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the \u003ctitle\u003eRichmond News\u003c/title\u003e. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as \u003ctitle\u003eHarper's Monthly Magazine\u003c/title\u003e and the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eIn 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).\u003c/p\u003e","\u003cp\u003eAlthough he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of \u003ctitle\u003eInternational\u003c/title\u003e. He published his first book, \u003ctitle\u003eThe Eagle's Shadow\u003c/title\u003e, in the autumn of 1904 after it appeared serially in the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the \u003ctitle\u003eNew York Evening Mail\u003c/title\u003e, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.\u003c/p\u003e","\u003cp\u003eOn January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing \u003ctitle\u003eJurgen\u003c/title\u003e. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.\u003c/p\u003e","\u003cp\u003eThe obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"\u003c/p\u003e","\u003cp\u003eThroughout the 1920s, he continued to publish in the style of \u003ctitle\u003eJurgen\u003c/title\u003e, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled \u003ctitle\u003eThe Biography of the Life of Manuel\u003c/title\u003e; the last volume was published in 1930.\u003c/p\u003e","\u003cp\u003eCabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the \u003ctitle\u003eAmerican Spectator\u003c/title\u003e (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.\u003c/p\u003e","\u003cp\u003eWhile the controversy over \u003ctitle\u003eJurgen\u003c/title\u003e ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of \u003ctitle\u003eLet Me Lie\u003c/title\u003e. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.\u003c/p\u003e","\u003cp\u003eCabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.\u003c/p\u003e","\u003cp\u003e\nCabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing. \u003c/p\u003e","\u003cp\u003eSoon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richmond author James Branch Cabell (1879-1958) is best known for his controversial book, Jurgen (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the Richmond Times as a copyholder. In 1899 he moved to New York City and worked for the New York Herald as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the Richmond News. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as Harper's Monthly Magazine and the Saturday Evening Post.","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of International. He published his first book, The Eagle's Shadow, in the autumn of 1904 after it appeared serially in the Saturday Evening Post during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the New York Evening Mail, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing Jurgen. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of Jurgen, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled The Biography of the Life of Manuel; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the American Spectator (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over Jurgen ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of Let Me Lie. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","Cabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing.","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors."],"prefercite_html_tesm":["\u003cp\u003eJames Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["James Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.\u003c/p\u003e","\u003cp\u003eSeries I contains correspondence between Cabell and his contemporaries in the literary world, family and friends. \u003c/p\u003e","\u003cp\u003eSeries II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.\u003c/p\u003e","\u003cp\u003eSeries III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.\u003c/p\u003e","\u003cp\u003eSeries IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.\u003c/p\u003e","\u003cp\u003eSeries V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.\u003c/p\u003e","\u003cp\u003eSeries VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.\u003c/p\u003e","\u003cp\u003eSeries VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.\u003c/p\u003e","\u003cp\u003eSeries VIII contains plays, poems, and other works inspired by Cabell's work.\u003c/p\u003e","\u003cp\u003eSeries IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.\u003c/p\u003e  ","\u003cp\u003eLetters from the governors of six different states each thanking Cabell for autographing a copy of one of his books. Pinchot, Gov. Gifford (Pennsylvania); Pollard, Gov. John Garland (Va.); Ritchie, Gov. Albert C. (Maryland); Seligman, Gov. Arthur (New Mexico); Wilson, Gov. Stanley C. (Vermont).\u003c/p\u003e","\u003cp\u003eManuscripts of various Cabell writings, many heavily edited in Cabell's handwriting, are contained in these folders. Most of the material has Duke numbers written in pencil on it. Materials include story ideas, notes, early drafts, drawings, school work, essays, poems, and prefaces. Folders 72-76 are labeled with Duke numbers. See also Series IX.\u003c/p\u003e","\u003cp\u003eMuch of the material in this series was taken from the books in Cabell's library. It includes printed material, newspaper clippings, illustrations, and other ephemeral.\u003c/p\u003e","\u003cp\u003eIn Goudy Text celebrating the 35th anniversary of The Village Press\u003c/p\u003e","\u003cp\u003eTaken from books in Cabell's library.\u003c/p\u003e","\u003cp\u003eIncludes Papers of the Cabell Society, correspondence between its founders, a collection of correspondence between Cabell and Nelson Bond, Cabell and Frederick Eddy.\u003c/p\u003e","\u003cp\u003eMaterials concerning Between Friends: Letters of James Branch Cabell and Others edited by Padraic Colum and Margaret Freeman Cabell, published in 1962.\u003c/p\u003e","\u003cp\u003eThe majority of these criticisms of Cabell and his work were copied from various periodicals (many from microfilm) for Jean Maurice Duke's James Branch Cabell: A Reference Guide published in 1979. Others have been collected by Special Collections \u0026amp; Archives.\u003c/p\u003e","\u003cp\u003eMost of the material contained in this series is located in twenty-two bound volumes containing magazines where many of Cabell's book reviews, essays, short stories and other fiction originally appeared before they were later revised into book form. Each volume is named for a published Cabell book and contains the original magazine contribution. There are also two boxes of non-bound journals.\u003c/p\u003e","\u003cp\u003eTwenty-two blue bound volumes containing magazines where many of Bell's book reviews, essays, short stories and other fiction originally appeared before they were later revised into book form. Each blue bound volume is titled after a Bell book and contains the original magazine contribution.\u003c/p\u003e","\u003cp\u003eA 51 sheet (8 1/2 x 10 1/2) bound volume of material about Cabell. Contains many newspaper and magazine articles by and about Cabell, most regarding his published fiction and book reviews at this time. They are pasted in the volume and many are identified and dated. Most of the dates are 1902-1905. It also contains a letter to Cabell from an editor at Smart Set, dated Sept. 30, 1902, suggesting Cabell write them a novelette.\u003c/p\u003e","\u003cp\u003e It also has a 15 page (7 1/2 x 10 1/2) folder in which several newspaper advertisements of The Eagle's Shadow are pasted. All are dated 1904.\u003c/p\u003e","\u003cp\u003eThe first 35 sheets contain newspaper clippings of articles written by Cabell for the Richmond News during the first few years of the century.\u003c/p\u003e","\u003cp\u003e The next 25 sheets are newspaper clippings about Cabell and his family, dated around 1910. These pages also include genealogical articles written by Cabell and others.\u003c/p\u003e","\u003cp\u003e The remaining sheets contain letters to Cabell regarding genealogy dating form 1909 to 1919; obituaries and articles about John R. Branch, newspaper society columns; a New York Herald style pamphlet; a 1895 Navy Department letter to Cabell regarding a post for him in the Navel Academy; a 1906 letter from the U.S. State Department regarding an appointment for Cabell as Secretary of Legation in Athens, Greece or in South America and a 1906 letter from the White House regretting Cabell's decision not to accept the position in the State Department. There are also programs of plays performed in 1896 by the Virginia Comedians. Cabell was in five of them.\u003c/p\u003e","\u003cp\u003e On the verso of p. 82 and recto of p. 83 is pasted a printed article entitled \"That Opera Bouffe Court Martial.\" It describes a court martial at the U.S. Naval Academy where midshipman James Robinson Branch, Jr. died after a boxing match with another student named Meriwether. Branch was the son of James R. Branch, James Branch Cabell's uncle.\u003c/p\u003e","\u003cp\u003eThis is a bound volume of 112 sheets (8 1/2 x 10 1/2) containing a large amount of many kinds of material concerning Cabell and his writings.\u003c/p\u003e","\u003cp\u003e There are almost 100 letters to him. Many are from publishers to whom he had sent, or offered to send, a manuscript. In some of these the publishers offered to read his book. In others they gave their opinions of it and their decision on publishing. Most of these say that while they appreciated the quality of his work they cannot publish it, usually because they do not think it would be profitable. There are a few letters asking him to submit material to them. Many others are from individuals who have read something by or about him. Most of this material is dated from 1911-1917.\u003c/p\u003e","\u003cp\u003e There are also more than 100 newspaper and magazine clippings about him, his family and his books. Some are advertisements, some are reviews. They come from all over the country and nearly all are dated and have the name of the source. It appears that a clipping service must have supplied many of them. There are also a few photographs of Cabell.\u003c/p\u003e","\u003cp\u003ePages 3-34 are missing. Cabell's notes including lists of stories written year by year, where published, amount paid him, books published, copies received, number sold, royalties, etc. Also, poems, genealogical materials on his family; wills of family members, notes on his books, including to whom submitted and results, other material on his writing, such as \u003ctitle render=\"doublequote\"\u003eSuppressed Foreword to the Cords of Vanity: rough draft.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eInscription on the first page reads: \u003ctitle render=\"doublequote\"\u003eVerses, etc., as written 1896-1898. Selected, revised, and copied in this book 1898-1899. James Branch Cabell.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eMost of this material concerns The Majors and Their Marriages (1915). Includes genealogical notes, lists, etc. and correspondence concerning these families. Includes a little material on the Cabells.\u003c/p\u003e","\u003cp\u003eUnbound material which was found in notebook two.\u003c/p\u003e","\u003cp\u003e This has Cabell materials inserted in the covers of two typewriter paper covers.\u003c/p\u003e","\u003cp\u003e In the first typewriter paper cover material includes two typewritten Cabell manuscripts of poems, \"The Ways of Women.\" There are some textual differences and some pencil changes (9 \u0026amp; 7 pages). There is also a two-page typewritten manuscript of Cabell's reminiscences written when he was 77. Has a few pencil corrections and additions. A one page Cabell typewritten manuscript entitled \u003ctitle render=\"doublequote\"\u003eFrail Rymes, with Studrdy Morals.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e In the second typewriter paper cover material includes two copies of a four page list of manuscripts, etc. of his writings. A 15 page typewritten manuscript entitled \"Composition book No. 341.\" An eight page typewritten manuscript entitled \"List of Horses in the collection.\" A four page typewritten manuscript entitled \"Unpublished Matter.\" and a one page typewritten list of some of his books, some including the color of binds, etc.\u003c/p\u003e","\u003cp\u003eContains photocopies Cabell manuscripts, both poetry and prose. Some are identified.\u003c/p\u003e","\u003cp\u003eContains information on the ancestry of Priscilla Bradley (Mrs. James Branch Cabell) including genealogical notes, abstracts from books and magazines, correspondence, etc. Some of the items are dated after the publication of the genealogy of her family, The Majors and Their Marriages (1915). One folder includes an essay written by Cabell when he was 77 years old, discussing his lack of literary recognition and awards.\u003c/p\u003e","\u003cp\u003eIncludes information on Cabell family genealogy.\u003c/p\u003e","\u003cp\u003eA bound volume containing a 37 page check list of Cabell's books and other material held by ULS' Special Collections \u0026amp; Archives made by Daniel E. Jones in 1973.\u003c/p\u003e","\u003cp\u003e A bibliography of the later writings of Cabell, 1932-1956, written by Cabell. \u003c/p\u003e","\u003cp\u003eA folder containing copies of nine Cabell letters to Desmond Tarrant, 1953-1959, and one letter to Tarrant from Margaret Freeman Cabell, 1964. They are concerned with Tarrant's proposed book on Cabell, later published as \u003ctitle render=\"italic\"\u003eJames Branch Cabell: The Dream and the Reality\u003c/title\u003e, 1967. Also contains copies of two letters Cabell wrote to Guy Holt, 1917 and 1918.\u003c/p\u003e","\u003cp\u003eDecorative book box labeled \u003ctitle render=\"italic\"\u003eCabelliana\u003c/title\u003e. Materials in this box were transferred to Series III. A list of those items is with the box.\u003c/p\u003e","\u003cp\u003eContains the letters labeled \u003ctitle render=\"doublequote\"\u003eApfelbaum-Cabell Letters\u003c/title\u003e, which include Cabell letters to the editor of \u003ctitle render=\"italic\"\u003eThe Literary Review\u003c/title\u003e, 22 letters to Mourice Speiser, one letter from Herbert Speiser to Robert McBride \u0026amp; Co., and an answer to it from McBride.\u003c/p\u003e","\u003cp\u003eA 14 page photocopied list of Cabell books taken from \u003ctitle render=\"italic\"\u003eThe National Union Catalog Pre-1956 Imprints\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e23 pages of genealogical oversized photocopied notes on the Branch family. Material includes photocopies of family Bibles, lists of marriages and births with dates up until 1981.\u003c/p\u003e","\u003cp\u003eA 24 x 9 inch poster of Cabell's review of \u003ctitle\u003eThe Adventures of the Black Girl in her search for God\u003c/title\u003e by Bernard Shaw. A book review reprinted from the \u003ctitle\u003eNew York Herald Tribune\u003c/title\u003e Books Section, Sunday, February 26, 1933.\u003c/p\u003e","\u003cp\u003ePainting of Family Tree by Cabell\u003c/p\u003e","\u003cp\u003eMiscellaneous Drawings and Advertisements\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends.","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.","Letters from the governors of six different states each thanking Cabell for autographing a copy of one of his books. Pinchot, Gov. Gifford (Pennsylvania); Pollard, Gov. John Garland (Va.); Ritchie, Gov. Albert C. (Maryland); Seligman, Gov. Arthur (New Mexico); Wilson, Gov. Stanley C. (Vermont).","Manuscripts of various Cabell writings, many heavily edited in Cabell's handwriting, are contained in these folders. Most of the material has Duke numbers written in pencil on it. Materials include story ideas, notes, early drafts, drawings, school work, essays, poems, and prefaces. Folders 72-76 are labeled with Duke numbers. See also Series IX.","Much of the material in this series was taken from the books in Cabell's library. It includes printed material, newspaper clippings, illustrations, and other ephemeral.","In Goudy Text celebrating the 35th anniversary of The Village Press","Taken from books in Cabell's library.","Includes Papers of the Cabell Society, correspondence between its founders, a collection of correspondence between Cabell and Nelson Bond, Cabell and Frederick Eddy.","Materials concerning Between Friends: Letters of James Branch Cabell and Others edited by Padraic Colum and Margaret Freeman Cabell, published in 1962.","The majority of these criticisms of Cabell and his work were copied from various periodicals (many from microfilm) for Jean Maurice Duke's James Branch Cabell: A Reference Guide published in 1979. Others have been collected by Special Collections \u0026 Archives.","Most of the material contained in this series is located in twenty-two bound volumes containing magazines where many of Cabell's book reviews, essays, short stories and other fiction originally appeared before they were later revised into book form. Each volume is named for a published Cabell book and contains the original magazine contribution. There are also two boxes of non-bound journals.","Twenty-two blue bound volumes containing magazines where many of Bell's book reviews, essays, short stories and other fiction originally appeared before they were later revised into book form. Each blue bound volume is titled after a Bell book and contains the original magazine contribution.","A 51 sheet (8 1/2 x 10 1/2) bound volume of material about Cabell. Contains many newspaper and magazine articles by and about Cabell, most regarding his published fiction and book reviews at this time. They are pasted in the volume and many are identified and dated. Most of the dates are 1902-1905. It also contains a letter to Cabell from an editor at Smart Set, dated Sept. 30, 1902, suggesting Cabell write them a novelette.","It also has a 15 page (7 1/2 x 10 1/2) folder in which several newspaper advertisements of The Eagle's Shadow are pasted. All are dated 1904.","The first 35 sheets contain newspaper clippings of articles written by Cabell for the Richmond News during the first few years of the century.","The next 25 sheets are newspaper clippings about Cabell and his family, dated around 1910. These pages also include genealogical articles written by Cabell and others.","The remaining sheets contain letters to Cabell regarding genealogy dating form 1909 to 1919; obituaries and articles about John R. Branch, newspaper society columns; a New York Herald style pamphlet; a 1895 Navy Department letter to Cabell regarding a post for him in the Navel Academy; a 1906 letter from the U.S. State Department regarding an appointment for Cabell as Secretary of Legation in Athens, Greece or in South America and a 1906 letter from the White House regretting Cabell's decision not to accept the position in the State Department. There are also programs of plays performed in 1896 by the Virginia Comedians. Cabell was in five of them.","On the verso of p. 82 and recto of p. 83 is pasted a printed article entitled \"That Opera Bouffe Court Martial.\" It describes a court martial at the U.S. Naval Academy where midshipman James Robinson Branch, Jr. died after a boxing match with another student named Meriwether. Branch was the son of James R. Branch, James Branch Cabell's uncle.","This is a bound volume of 112 sheets (8 1/2 x 10 1/2) containing a large amount of many kinds of material concerning Cabell and his writings.","There are almost 100 letters to him. Many are from publishers to whom he had sent, or offered to send, a manuscript. In some of these the publishers offered to read his book. In others they gave their opinions of it and their decision on publishing. Most of these say that while they appreciated the quality of his work they cannot publish it, usually because they do not think it would be profitable. There are a few letters asking him to submit material to them. Many others are from individuals who have read something by or about him. Most of this material is dated from 1911-1917.","There are also more than 100 newspaper and magazine clippings about him, his family and his books. Some are advertisements, some are reviews. They come from all over the country and nearly all are dated and have the name of the source. It appears that a clipping service must have supplied many of them. There are also a few photographs of Cabell.","Pages 3-34 are missing. Cabell's notes including lists of stories written year by year, where published, amount paid him, books published, copies received, number sold, royalties, etc. Also, poems, genealogical materials on his family; wills of family members, notes on his books, including to whom submitted and results, other material on his writing, such as Suppressed Foreword to the Cords of Vanity: rough draft.","Inscription on the first page reads: Verses, etc., as written 1896-1898. Selected, revised, and copied in this book 1898-1899. James Branch Cabell.","Most of this material concerns The Majors and Their Marriages (1915). Includes genealogical notes, lists, etc. and correspondence concerning these families. Includes a little material on the Cabells.","Unbound material which was found in notebook two.","This has Cabell materials inserted in the covers of two typewriter paper covers.","In the first typewriter paper cover material includes two typewritten Cabell manuscripts of poems, \"The Ways of Women.\" There are some textual differences and some pencil changes (9 \u0026 7 pages). There is also a two-page typewritten manuscript of Cabell's reminiscences written when he was 77. Has a few pencil corrections and additions. A one page Cabell typewritten manuscript entitled Frail Rymes, with Studrdy Morals.","In the second typewriter paper cover material includes two copies of a four page list of manuscripts, etc. of his writings. A 15 page typewritten manuscript entitled \"Composition book No. 341.\" An eight page typewritten manuscript entitled \"List of Horses in the collection.\" A four page typewritten manuscript entitled \"Unpublished Matter.\" and a one page typewritten list of some of his books, some including the color of binds, etc.","Contains photocopies Cabell manuscripts, both poetry and prose. Some are identified.","Contains information on the ancestry of Priscilla Bradley (Mrs. James Branch Cabell) including genealogical notes, abstracts from books and magazines, correspondence, etc. Some of the items are dated after the publication of the genealogy of her family, The Majors and Their Marriages (1915). One folder includes an essay written by Cabell when he was 77 years old, discussing his lack of literary recognition and awards.","Includes information on Cabell family genealogy.","A bound volume containing a 37 page check list of Cabell's books and other material held by ULS' Special Collections \u0026 Archives made by Daniel E. Jones in 1973.","A bibliography of the later writings of Cabell, 1932-1956, written by Cabell.","A folder containing copies of nine Cabell letters to Desmond Tarrant, 1953-1959, and one letter to Tarrant from Margaret Freeman Cabell, 1964. They are concerned with Tarrant's proposed book on Cabell, later published as James Branch Cabell: The Dream and the Reality, 1967. Also contains copies of two letters Cabell wrote to Guy Holt, 1917 and 1918.","Decorative book box labeled Cabelliana. Materials in this box were transferred to Series III. A list of those items is with the box.","Contains the letters labeled Apfelbaum-Cabell Letters, which include Cabell letters to the editor of The Literary Review, 22 letters to Mourice Speiser, one letter from Herbert Speiser to Robert McBride \u0026 Co., and an answer to it from McBride.","A 14 page photocopied list of Cabell books taken from The National Union Catalog Pre-1956 Imprints","23 pages of genealogical oversized photocopied notes on the Branch family. Material includes photocopies of family Bibles, lists of marriages and births with dates up until 1981.","A 24 x 9 inch poster of Cabell's review of The Adventures of the Black Girl in her search for God by Bernard Shaw. A book review reprinted from the New York Herald Tribune Books Section, Sunday, February 26, 1933.","Painting of Family Tree by Cabell","Miscellaneous Drawings and Advertisements"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"names_coll_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"names_ssim":["VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":493,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:33.003Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_96_c01_c236"}},{"id":"vircu_repositories_5_resources_275_c01_c57","type":"File","attributes":{"title":"Short Stories-Aboard the Adriatic of the White Star Lines, August, 1918","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_275_c01_c57#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_275_c01_c57","ref_ssm":["vircu_repositories_5_resources_275_c01_c57"],"id":"vircu_repositories_5_resources_275_c01_c57","ead_ssi":"vircu_repositories_5_resources_275","_root_":"vircu_repositories_5_resources_275","_nest_parent_":"vircu_repositories_5_resources_275_c01","parent_ssi":"vircu_repositories_5_resources_275_c01","parent_ssim":["Powhatan (Polly) Stone papers, 1920/1976","Series I-Personal"],"parent_ids_ssim":["vircu_repositories_5_resources_275","vircu_repositories_5_resources_275_c01"],"title_filing_ssi":"Short Stories-Aboard the Adriatic of the White Star Lines, August","title_ssm":["Short Stories-Aboard the Adriatic of the White Star Lines, August"],"title_tesim":["Short Stories-Aboard the Adriatic of the White Star Lines, August"],"normalized_title_ssm":["Short Stories-Aboard the Adriatic of the White Star Lines, August, 1918"],"text":["Short Stories-Aboard the Adriatic of the White Star Lines, August, 1918","Powhatan (Polly) Stone papers, 1920/1976","Series I-Personal","box 9"],"parent_unittitles_ssm":["Powhatan (Polly) Stone papers, 1920/1976","Series I-Personal"],"parent_unittitles_tesim":["Powhatan (Polly) Stone papers, 1920/1976","Series I-Personal"],"normalized_date_ssm":["1918"],"unitdate_inclusive_ssm":["1918"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":58,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Powhatan (Polly) Stone papers, 1920/1976"],"containers_ssim":["box 9"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1918],"_nest_path_":"/components#0/components#56","timestamp":"2026-06-23T07:07:00.221Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_275","ead_ssi":"vircu_repositories_5_resources_275","_root_":"vircu_repositories_5_resources_275","_nest_parent_":"vircu_repositories_5_resources_275","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_275.xml","title_filing_ssi":"Stone, Powhatan (Polly), papers","title_ssm":["Powhatan (Polly) Stone papers"],"title_tesim":["Powhatan (Polly) Stone papers"],"unitdate_ssm":["1920-1976"],"unitdate_inclusive_ssm":["1920-1976"],"normalized_date_ssm":["1920/1976"],"normalized_title_ssm":["Powhatan (Polly) Stone papers, 1920/1976"],"text":["Powhatan (Polly) Stone papers, 1920/1976","M 79","/repositories/5/resources/275","Public health nurses -- United States","Authors, American -- Virginia","Collection is open to research.","The materials are arranged into two series, personal and literary papers. The personal collection is arranged topically and then chronologically. The literary papers are sorted alphabetically.","Powhatan Stone was born in Knoxville, Tennessee on February 26, 1891. Her family soon moved back to their original home in Virginia where Miss Stone attended school. After her mother's death, Polly left school to care for her younger brothers and sisters. In 1913, Stone moved to Washington, D.C. for training in nursing, returning to Richmond for private duty nursing until 1917. At the entry of the U.S. into World War I, Miss Stone joined the McGuire Unit and was sent to France to work in a field hospital for the last four months of the war. Upon returning home, Stone received training from the Red Cross and became a public health nurse. For the next eight years, she was a public health nurse, first in Kansas and then in Virginia. Her next position took her to the University of Chicago's Billings Hospital. Here, Stone was able to study while working at the hospital until poor health forced her to resign and move back to Virginia. After working for the Department of Health in a variety of positions, Stone attained a job with the State Board of Education. She remained there until her retirement 23 years later. Possessed of a desire to express herself more creatively in writing, she enrolled in a writing courses at RPI after her retirement.","This collection covers the span of Miss Stone's working life from 1920 onward. The material divides itself into three groups. The first group includes dialogues by Miss Stone about her job and the people, places and things which she encountered. The second group includes correspondence dating from 1920 to 1976. The third group consists of the majority of her literary works including essays, poetry, short stories and class notes.","There are no restrictions.","VCU James Branch Cabell Library","Stone, Powhatan","English"],"collection_title_tesim":["Powhatan (Polly) Stone papers, 1920/1976"],"collection_ssim":["Powhatan (Polly) Stone papers, 1920/1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 79","/repositories/5/resources/275"],"unitid_tesim":["M 79","/repositories/5/resources/275"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Stone, Powhatan"],"creator_ssim":["Stone, Powhatan"],"creator_persname_ssim":["Stone, Powhatan"],"creator_corpname_ssim":["VCU James Branch Cabell Library"],"creators_ssim":["Stone, Powhatan","VCU James Branch Cabell Library"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Public health nurses -- United States","Authors, American -- Virginia"],"access_subjects_ssm":["Public health nurses -- United States","Authors, American -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["12.4 Linear Feet"],"extent_tesim":["12.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged into two series, personal and literary papers. The personal collection is arranged topically and then chronologically. The literary papers are sorted alphabetically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged into two series, personal and literary papers. The personal collection is arranged topically and then chronologically. The literary papers are sorted alphabetically."],"bioghist_html_tesm":["\u003cp\u003ePowhatan Stone was born in Knoxville, Tennessee on February 26, 1891. Her family soon moved back to their original home in Virginia where Miss Stone attended school. After her mother's death, Polly left school to care for her younger brothers and sisters. In 1913, Stone moved to Washington, D.C. for training in nursing, returning to Richmond for private duty nursing until 1917. At the entry of the U.S. into World War I, Miss Stone joined the McGuire Unit and was sent to France to work in a field hospital for the last four months of the war. Upon returning home, Stone received training from the Red Cross and became a public health nurse. For the next eight years, she was a public health nurse, first in Kansas and then in Virginia. Her next position took her to the University of Chicago's Billings Hospital. Here, Stone was able to study while working at the hospital until poor health forced her to resign and move back to Virginia. After working for the Department of Health in a variety of positions, Stone attained a job with the State Board of Education. She remained there until her retirement 23 years later. Possessed of a desire to express herself more creatively in writing, she enrolled in a writing courses at RPI after her retirement.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Powhatan Stone was born in Knoxville, Tennessee on February 26, 1891. Her family soon moved back to their original home in Virginia where Miss Stone attended school. After her mother's death, Polly left school to care for her younger brothers and sisters. In 1913, Stone moved to Washington, D.C. for training in nursing, returning to Richmond for private duty nursing until 1917. At the entry of the U.S. into World War I, Miss Stone joined the McGuire Unit and was sent to France to work in a field hospital for the last four months of the war. Upon returning home, Stone received training from the Red Cross and became a public health nurse. For the next eight years, she was a public health nurse, first in Kansas and then in Virginia. Her next position took her to the University of Chicago's Billings Hospital. Here, Stone was able to study while working at the hospital until poor health forced her to resign and move back to Virginia. After working for the Department of Health in a variety of positions, Stone attained a job with the State Board of Education. She remained there until her retirement 23 years later. Possessed of a desire to express herself more creatively in writing, she enrolled in a writing courses at RPI after her retirement."],"prefercite_html_tesm":["\u003cp\u003ePowhatan (Polly) Stone papers, Collection # M 79, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Powhatan (Polly) Stone papers, Collection # M 79, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThis collection covers the span of Miss Stone's working life from 1920 onward. The material divides itself into three groups. The first group includes dialogues by Miss Stone about her job and the people, places and things which she encountered. The second group includes correspondence dating from 1920 to 1976. The third group consists of the majority of her literary works including essays, poetry, short stories and class notes.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection covers the span of Miss Stone's working life from 1920 onward. The material divides itself into three groups. The first group includes dialogues by Miss Stone about her job and the people, places and things which she encountered. The second group includes correspondence dating from 1920 to 1976. The third group consists of the majority of her literary works including essays, poetry, short stories and class notes."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Stone, Powhatan"],"names_coll_ssim":["Stone, Powhatan"],"names_ssim":["VCU James Branch Cabell Library","Stone, Powhatan"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":121,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:00.221Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_275_c01_c57"}},{"id":"vircu_repositories_5_resources_381_c15","type":"File","attributes":{"title":"Sick Committee Reports,, 1913/1935","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_381_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_381_c15","ref_ssm":["vircu_repositories_5_resources_381_c15"],"id":"vircu_repositories_5_resources_381_c15","ead_ssi":"vircu_repositories_5_resources_381","_root_":"vircu_repositories_5_resources_381","_nest_parent_":"vircu_repositories_5_resources_381","parent_ssi":"vircu_repositories_5_resources_381","parent_ssim":["Astoria Beneficial Club and Richmond Beneficial Insurance records, 1906/1947"],"parent_ids_ssim":["vircu_repositories_5_resources_381"],"title_filing_ssi":"Sick Committee Reports,","title_ssm":["Sick Committee Reports,"],"title_tesim":["Sick Committee Reports,"],"normalized_title_ssm":["Sick Committee Reports,, 1913/1935"],"text":["Sick Committee Reports,, 1913/1935","Astoria Beneficial Club and Richmond Beneficial Insurance records, 1906/1947","box 1"],"parent_unittitles_ssm":["Astoria Beneficial Club and Richmond Beneficial Insurance records, 1906/1947"],"parent_unittitles_tesim":["Astoria Beneficial Club and Richmond Beneficial Insurance records, 1906/1947"],"normalized_date_ssm":["1913/1935"],"unitdate_inclusive_ssm":["1913-1935"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":15,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Astoria Beneficial Club and Richmond Beneficial Insurance records, 1906/1947"],"containers_ssim":["box 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935],"_nest_path_":"/components#14","timestamp":"2026-06-23T07:07:00.221Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_381","ead_ssi":"vircu_repositories_5_resources_381","_root_":"vircu_repositories_5_resources_381","_nest_parent_":"vircu_repositories_5_resources_381","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_381.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vcu-cab/vircu00007.xml;query=;brand=default","title_ssm":["Astoria Beneficial Club and Richmond Beneficial Insurance records"],"title_tesim":["Astoria Beneficial Club and Richmond Beneficial Insurance records"],"unitdate_ssm":["1906-1947"],"unitdate_inclusive_ssm":["1906-1947"],"normalized_date_ssm":["1906/1947"],"normalized_title_ssm":["Astoria Beneficial Club and Richmond Beneficial Insurance records, 1906/1947"],"text":["Astoria Beneficial Club and Richmond Beneficial Insurance records, 1906/1947","M 311","/repositories/5/resources/381","Richmond (Va.) -- Social life and customs -- 20th century","Insurance companies -- Virginia -- Richmond","African Americans -- Societies and clubs -- Virginia -- Richmond","Fraternal organizations -- Virginia -- Richmond","Collection is open to research.","Files are arranged alphabetically by subject.","Astoria Beneficial Club (ABC) began as a social club in 1901, but eventually transformed into a beneficial organization that paid out sick dues and burial benefits to its members. Astoria donated money to organizations that served the African American community and to individuals in need. The Club also set up scholarships at Virginia Union University and honored individuals and businesses in the area for their community service. As of 2016, the Astoria Beneficial Club remains active in Richmond.","The collection includes minutes, correspondence, committee reports and other materials which date from 1906 to 1947.","There are no restrictions.","VCU James Branch Cabell Library","Astoria Beneficial Club","Richmond Beneficial Insurance Co","English"],"collection_title_tesim":["Astoria Beneficial Club and Richmond Beneficial Insurance records, 1906/1947"],"collection_ssim":["Astoria Beneficial Club and Richmond Beneficial Insurance records, 1906/1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 311","/repositories/5/resources/381"],"unitid_tesim":["M 311","/repositories/5/resources/381"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"geogname_ssm":["Richmond (Va.) -- Social life and customs -- 20th century"],"geogname_ssim":["Richmond (Va.) -- Social life and customs -- 20th century"],"places_ssim":["Richmond (Va.) -- Social life and customs -- 20th century"],"creator_ssm":["Astoria Beneficial Club","Richmond Beneficial Insurance Co"],"creator_ssim":["Astoria Beneficial Club","Richmond Beneficial Insurance Co"],"creator_corpname_ssim":["VCU James Branch Cabell Library","Astoria Beneficial Club","Richmond Beneficial Insurance Co"],"creators_ssim":["VCU James Branch Cabell Library","Astoria Beneficial Club","Richmond Beneficial Insurance Co"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["The collection is on loan to Special Collections and Archives from the Astoria Beneficial Club through Dr. Francis Foster, a member of the club."],"access_subjects_ssim":["Insurance companies -- Virginia -- Richmond","African Americans -- Societies and clubs -- Virginia -- Richmond","Fraternal organizations -- Virginia -- Richmond"],"access_subjects_ssm":["Insurance companies -- Virginia -- Richmond","African Americans -- Societies and clubs -- Virginia -- Richmond","Fraternal organizations -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":[".36 Linear Feet"],"extent_tesim":[".36 Linear Feet"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eFiles are arranged alphabetically by subject.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Files are arranged alphabetically by subject."],"bioghist_html_tesm":["\u003cp\u003eAstoria Beneficial Club (ABC) began as a social club in 1901, but eventually transformed into a beneficial organization that paid out sick dues and burial benefits to its members. Astoria donated money to organizations that served the African American community and to individuals in need. The Club also set up scholarships at Virginia Union University and honored individuals and businesses in the area for their community service. As of 2016, the Astoria Beneficial Club remains active in Richmond.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Astoria Beneficial Club (ABC) began as a social club in 1901, but eventually transformed into a beneficial organization that paid out sick dues and burial benefits to its members. Astoria donated money to organizations that served the African American community and to individuals in need. The Club also set up scholarships at Virginia Union University and honored individuals and businesses in the area for their community service. As of 2016, the Astoria Beneficial Club remains active in Richmond."],"prefercite_html_tesm":["\u003cp\u003eBox-folder, Astoria Beneficial Club and Richmond Beneficial Insurance records, M 311, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e  "],"prefercite_tesim":["Box-folder, Astoria Beneficial Club and Richmond Beneficial Insurance records, M 311, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes minutes, correspondence, committee reports and other materials which date from 1906 to 1947.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["The collection includes minutes, correspondence, committee reports and other materials which date from 1906 to 1947."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library","Astoria Beneficial Club","Richmond Beneficial Insurance Co"],"names_coll_ssim":["Astoria Beneficial Club","Richmond Beneficial Insurance Co"],"names_ssim":["VCU James Branch Cabell Library","Astoria Beneficial Club","Richmond Beneficial Insurance Co"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:00.221Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_381_c15"}},{"id":"vircu_repositories_5_resources_165_c06","type":"File","attributes":{"title":"Sister Mary Paulina Finn to Stiles, 1906/1919","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_165_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_165_c06","ref_ssm":["vircu_repositories_5_resources_165_c06"],"id":"vircu_repositories_5_resources_165_c06","ead_ssi":"vircu_repositories_5_resources_165","_root_":"vircu_repositories_5_resources_165","_nest_parent_":"vircu_repositories_5_resources_165","parent_ssi":"vircu_repositories_5_resources_165","parent_ssim":["Stiles collection of John B. Tabb, 1877/1971"],"parent_ids_ssim":["vircu_repositories_5_resources_165"],"title_filing_ssi":"Sister Mary Paulina Finn to Stiles","title_ssm":["Sister Mary Paulina Finn to Stiles"],"title_tesim":["Sister Mary Paulina Finn to Stiles"],"normalized_title_ssm":["Sister Mary Paulina Finn to Stiles, 1906/1919"],"text":["Sister Mary Paulina Finn to Stiles, 1906/1919","Stiles collection of John B. Tabb, 1877/1971","box 1"],"parent_unittitles_ssm":["Stiles collection of John B. Tabb, 1877/1971"],"parent_unittitles_tesim":["Stiles collection of John B. Tabb, 1877/1971"],"normalized_date_ssm":["1906/1919"],"unitdate_inclusive_ssm":["1906-1919"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":6,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Stiles collection of John B. Tabb, 1877/1971"],"containers_ssim":["box 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919],"_nest_path_":"/components#5","timestamp":"2026-06-23T07:07:00.221Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_165","ead_ssi":"vircu_repositories_5_resources_165","_root_":"vircu_repositories_5_resources_165","_nest_parent_":"vircu_repositories_5_resources_165","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_165.xml","title_filing_ssi":"Tabb, John B., Stiles collection of","title_ssm":["Stiles collection of John B. Tabb"],"title_tesim":["Stiles collection of John B. Tabb"],"unitdate_ssm":["1877-1971"],"unitdate_inclusive_ssm":["1877-1971"],"normalized_date_ssm":["1877/1971"],"normalized_title_ssm":["Stiles collection of John B. Tabb, 1877/1971"],"text":["Stiles collection of John B. Tabb, 1877/1971","M 35","/repositories/5/resources/165","Poets, American -- 19th century.","Collection is open to research.","Collection is arranged by subject and chronological therein.","John Bannister Tabb was born 22 March 1845 on his father's plantation, \"The Forest,\" in Amelia County, Virginia. His parents were John Yelverton and Marianne Bertrand Archer Tabb. A Confederate blockade runner during the Civil War, Tabb's ship, the \"Siren,\" was captured 4 June 1864, and he was imprisoned at Pt. Lookout, Maryland. There he met and befriended the Georgian poet Sidney Lanier. They remained close friends until Lanier's death in 1881. Through their friendship, Tabb began to write poetry. After the war, Tabb studied theology, expecting to become an Episcopalian priest. However, he became interested in Catholicism and converted in September 1872. He subsequently entered St. Charles College, Ellicott City, Maryland, from which he graduated in 1875. Tabb enrolled in St. Mary's Seminary in Baltimore in 1881 and was ordained as a priest on 20 December 1884, though he never held a parish. He returned to St. Charles College and taught English until blindness forced him to retire in 1907. He began to write poetry during the Civil War, but his first volume, Poems, was not published until 1882. His metaphysical little poems gained popularity after the publication of a second volume of the same name in 1894, and he published regularly thereafter. Poor eyesight had plagued Tabb since boyhood, and he was completely blind when he died in Ellicott City, Maryland on 9 November 1909. Tabb's major works include Poems (1882), An Octave to Mary (1893), Poems (1894), Lyrics (1897), Bone Rules: Or, Skeleton of English Grammar (1897), Child Verse (1899), Two Lyrics (1900), Later Lyrics (1902), The Rosary on Rhyme (1884), Quipps and Quiddits (1907) and Later Poems (1910).","The collection consists of approximately 275 items of various types concerning the priest-poet, Father John B. Tabb, collected by his friend and admirer, Mary Evelyn Stiles of Richmond. Contained in the collection are a number of manuscript poems by Tabb, photocopies of letters from Tabb to Sidney Lanier, Gordon Blair, and others (1877-1909 originals at the Virginia Historical Society), and the letters and notebooks of Miss Stiles that pertain to Tabb. The collection spans the years 1877 to 1968.","All letters photocopies","All letters photocopies","All letters photocopies","All letters photocopies","All letters photocopies","All letters photocopies","All letters photocopies","All letters photocopies","There are no restrictions.","VCU James Branch Cabell Library","Catholic Church -- Clergy","Stiles, Mary Evelyn","Tabb, John B. (John Banister)","Stiles, Mary Evelyn -- Archives","Tabb, John B. (John Banister) -- Manuscripts","English\n."],"collection_title_tesim":["Stiles collection of John B. Tabb, 1877/1971"],"collection_ssim":["Stiles collection of John B. Tabb, 1877/1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 35","/repositories/5/resources/165"],"unitid_tesim":["M 35","/repositories/5/resources/165"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Stiles, Mary Evelyn","Tabb, John B. (John Banister)"],"creator_ssim":["Stiles, Mary Evelyn","Tabb, John B. (John Banister)"],"creator_persname_ssim":["Stiles, Mary Evelyn","Tabb, John B. (John Banister)","Stiles, Mary Evelyn -- Archives","Tabb, John B. (John Banister) -- Manuscripts"],"creator_corpname_ssim":["VCU James Branch Cabell Library","Catholic Church -- Clergy"],"creators_ssim":["Stiles, Mary Evelyn","Tabb, John B. (John Banister)","Stiles, Mary Evelyn -- Archives","Tabb, John B. (John Banister) -- Manuscripts","VCU James Branch Cabell Library","Catholic Church -- Clergy"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Poets, American -- 19th century."],"access_subjects_ssm":["Poets, American -- 19th century."],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet"],"extent_tesim":["1 Linear Feet"],"date_range_isim":[1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Restrictions on Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged by subject and chronological therein.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged by subject and chronological therein."],"bioghist_html_tesm":["\u003cp\u003eJohn Bannister Tabb was born 22 March 1845 on his father's plantation, \"The Forest,\" in Amelia County, Virginia. His parents were John Yelverton and Marianne Bertrand Archer Tabb. A Confederate blockade runner during the Civil War, Tabb's ship, the \"Siren,\" was captured 4 June 1864, and he was imprisoned at Pt. Lookout, Maryland. There he met and befriended the Georgian poet Sidney Lanier. They remained close friends until Lanier's death in 1881. Through their friendship, Tabb began to write poetry. After the war, Tabb studied theology, expecting to become an Episcopalian priest. However, he became interested in Catholicism and converted in September 1872. He subsequently entered St. Charles College, Ellicott City, Maryland, from which he graduated in 1875. Tabb enrolled in St. Mary's Seminary in Baltimore in 1881 and was ordained as a priest on 20 December 1884, though he never held a parish. He returned to St. Charles College and taught English until blindness forced him to retire in 1907. He began to write poetry during the Civil War, but his first volume, Poems, was not published until 1882. His metaphysical little poems gained popularity after the publication of a second volume of the same name in 1894, and he published regularly thereafter. Poor eyesight had plagued Tabb since boyhood, and he was completely blind when he died in Ellicott City, Maryland on 9 November 1909. Tabb's major works include Poems (1882), An Octave to Mary (1893), Poems (1894), Lyrics (1897), Bone Rules: Or, Skeleton of English Grammar (1897), Child Verse (1899), Two Lyrics (1900), Later Lyrics (1902), The Rosary on Rhyme (1884), Quipps and Quiddits (1907) and Later Poems (1910).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Bannister Tabb was born 22 March 1845 on his father's plantation, \"The Forest,\" in Amelia County, Virginia. His parents were John Yelverton and Marianne Bertrand Archer Tabb. A Confederate blockade runner during the Civil War, Tabb's ship, the \"Siren,\" was captured 4 June 1864, and he was imprisoned at Pt. Lookout, Maryland. There he met and befriended the Georgian poet Sidney Lanier. They remained close friends until Lanier's death in 1881. Through their friendship, Tabb began to write poetry. After the war, Tabb studied theology, expecting to become an Episcopalian priest. However, he became interested in Catholicism and converted in September 1872. He subsequently entered St. Charles College, Ellicott City, Maryland, from which he graduated in 1875. Tabb enrolled in St. Mary's Seminary in Baltimore in 1881 and was ordained as a priest on 20 December 1884, though he never held a parish. He returned to St. Charles College and taught English until blindness forced him to retire in 1907. He began to write poetry during the Civil War, but his first volume, Poems, was not published until 1882. His metaphysical little poems gained popularity after the publication of a second volume of the same name in 1894, and he published regularly thereafter. Poor eyesight had plagued Tabb since boyhood, and he was completely blind when he died in Ellicott City, Maryland on 9 November 1909. Tabb's major works include Poems (1882), An Octave to Mary (1893), Poems (1894), Lyrics (1897), Bone Rules: Or, Skeleton of English Grammar (1897), Child Verse (1899), Two Lyrics (1900), Later Lyrics (1902), The Rosary on Rhyme (1884), Quipps and Quiddits (1907) and Later Poems (1910)."],"prefercite_html_tesm":["\u003cp\u003eStiles collection of John B. Tabb, Collection # M 35, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Stiles collection of John B. Tabb, Collection # M 35, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of approximately 275 items of various types concerning the priest-poet, Father John B. Tabb, collected by his friend and admirer, Mary Evelyn Stiles of Richmond. Contained in the collection are a number of manuscript poems by Tabb, photocopies of letters from Tabb to Sidney Lanier, Gordon Blair, and others (1877-1909 originals at the Virginia Historical Society), and the letters and notebooks of Miss Stiles that pertain to Tabb. The collection spans the years 1877 to 1968.\u003c/p\u003e  ","\u003cp\u003eAll letters photocopies\u003c/p\u003e","\u003cp\u003eAll letters photocopies\u003c/p\u003e","\u003cp\u003eAll letters photocopies\u003c/p\u003e","\u003cp\u003eAll letters photocopies\u003c/p\u003e","\u003cp\u003eAll letters photocopies\u003c/p\u003e","\u003cp\u003eAll letters photocopies\u003c/p\u003e","\u003cp\u003eAll letters photocopies\u003c/p\u003e","\u003cp\u003eAll letters photocopies\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection consists of approximately 275 items of various types concerning the priest-poet, Father John B. Tabb, collected by his friend and admirer, Mary Evelyn Stiles of Richmond. Contained in the collection are a number of manuscript poems by Tabb, photocopies of letters from Tabb to Sidney Lanier, Gordon Blair, and others (1877-1909 originals at the Virginia Historical Society), and the letters and notebooks of Miss Stiles that pertain to Tabb. The collection spans the years 1877 to 1968.","All letters photocopies","All letters photocopies","All letters photocopies","All letters photocopies","All letters photocopies","All letters photocopies","All letters photocopies","All letters photocopies"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library","Catholic Church -- Clergy"],"names_coll_ssim":["Catholic Church -- Clergy","Stiles, Mary Evelyn -- Archives","Tabb, John B. (John Banister) -- Manuscripts"],"persname_ssim":["Stiles, Mary Evelyn","Tabb, John B. (John Banister)","Stiles, Mary Evelyn -- Archives","Tabb, John B. (John Banister) -- Manuscripts"],"names_ssim":["VCU James Branch Cabell Library","Catholic Church -- Clergy","Stiles, Mary Evelyn","Tabb, John B. (John Banister)","Stiles, Mary Evelyn -- Archives","Tabb, John B. (John Banister) -- Manuscripts"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":30,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:00.221Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_165_c06"}},{"id":"vircu_repositories_5_resources_271","type":"collection","attributes":{"title":"Sixth Mount Zion Baptist Church records,1902-2012, 1902/2012","creator":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_271#creator","type":"document_value","attributes":{"value":"Sixth Mount Zion Baptist Church (Richmond, Va.)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_271#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection consists of an assortment of articles, programs, images, brochures, clippings, and other materials concerning the church, its pastors, and Jackson Ward. Many of the items in the collection are photocopies of the originals, but there are some original materials, such as booklets and programs from various church anniversary celebrations. There are also materials relating to the 19th century, such as John Jasper's sermons, but since these materials are photocopies from secondary sources the date range of the records reflect only the dates of original materials in the collection.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_271#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_5_resources_271","ead_ssi":"vircu_repositories_5_resources_271","_root_":"vircu_repositories_5_resources_271","_nest_parent_":"vircu_repositories_5_resources_271","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_271.xml","title_ssm":["Sixth Mount Zion Baptist Church records,1902-2012"],"title_tesim":["Sixth Mount Zion Baptist Church records,1902-2012"],"unitdate_ssm":["1902-2012"],"unitdate_inclusive_ssm":["1902-2012"],"normalized_date_ssm":["1902/2012"],"normalized_title_ssm":["Sixth Mount Zion Baptist Church records,1902-2012, 1902/2012"],"text":["Sixth Mount Zion Baptist Church records,1902-2012, 1902/2012","M 57","/repositories/5/resources/271","Richmond (Va.) -- Church history.","Baptists -- History -- Virginia -- Richmond","Churches, African American","The collection is open for use without restrictions.","Materials are arranged alphabetically.","The Sixth Mount Zion Baptist Church was founded by Reverend John Jasper on September 3, 1867 and was the first church in Richmond organized by an African American. The congregation originally met in an abandoned horse stable on Brown's Island in the James River. In 1869, the congregation purchased land on Duval Street located in what is now Jackson Ward. The core of the present church building was erected in 1885 by George Boyd. The 1925 remodeling of the church in the Gothic Revival style was done by architect Charles T. Russell and builder I. Lincoln Bailey. The church was listed on the National Register of Historic Places in 1996.","Source: Virginia Department of Historic Resources, National Register of Historic Places registration form, Sixth Mount Zion Baptist Church, 1996.","The collection consists of an assortment of articles, programs, images, brochures, clippings, and other materials concerning the church, its pastors, and Jackson Ward. Many of the items in the collection are photocopies of the originals, but there are some original materials, such as booklets and programs from various church anniversary celebrations. There are also materials relating to the 19th century, such as John Jasper's sermons, but since these materials are photocopies from secondary sources the date range of the records reflect only the dates of original materials in the collection.","Includes photocopies of hymns, Mission day offering envelop, and finance committee form.","Various articles, clippings, and other materials related to the church","Only the portion of the application about architectural description and historical significance.","Including his most famous sermon De Sun Do Move.","There are no restrictions on use.","VCU James Branch Cabell Library","Sixth Mount Zion Baptist Church (Richmond, Va.)","Sixth Mount Zion Baptist Church (Richmond, Va.) -- Archives","Jasper, John, 1812-1901","English\n."],"collection_title_tesim":["Sixth Mount Zion Baptist Church records,1902-2012, 1902/2012"],"collection_ssim":["Sixth Mount Zion Baptist Church records,1902-2012, 1902/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 57","/repositories/5/resources/271"],"unitid_tesim":["M 57","/repositories/5/resources/271"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"geogname_ssm":["Richmond (Va.) -- Church history."],"geogname_ssim":["Richmond (Va.) -- Church history."],"places_ssim":["Richmond (Va.) -- Church history."],"creator_ssm":["Sixth Mount Zion Baptist Church (Richmond, Va.)"],"creator_ssim":["Sixth Mount Zion Baptist Church (Richmond, Va.)"],"creator_persname_ssim":["Jasper, John, 1812-1901"],"creator_corpname_ssim":["VCU James Branch Cabell Library","Sixth Mount Zion Baptist Church (Richmond, Va.)","Sixth Mount Zion Baptist Church (Richmond, Va.) -- Archives"],"creators_ssim":["Jasper, John, 1812-1901","VCU James Branch Cabell Library","Sixth Mount Zion Baptist Church (Richmond, Va.)","Sixth Mount Zion Baptist Church (Richmond, Va.) -- Archives"],"access_terms_ssm":["There are no restrictions on use."],"access_subjects_ssim":["Baptists -- History -- Virginia -- Richmond","Churches, African American"],"access_subjects_ssm":["Baptists -- History -- Virginia -- Richmond","Churches, African American"],"has_online_content_ssim":["false"],"extent_ssm":["0.42 Linear Feet"],"extent_tesim":["0.42 Linear Feet"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for use without restrictions."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged alphabetically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThe Sixth Mount Zion Baptist Church was founded by Reverend John Jasper on September 3, 1867 and was the first church in Richmond organized by an African American. The congregation originally met in an abandoned horse stable on Brown's Island in the James River. In 1869, the congregation purchased land on Duval Street located in what is now Jackson Ward. The core of the present church building was erected in 1885 by George Boyd. The 1925 remodeling of the church in the Gothic Revival style was done by architect Charles T. Russell and builder I. Lincoln Bailey. The church was listed on the National Register of Historic Places in 1996.\u003c/p\u003e","\u003cp\u003eSource: Virginia Department of Historic Resources, National Register of Historic Places registration form, Sixth Mount Zion Baptist Church, 1996.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["The Sixth Mount Zion Baptist Church was founded by Reverend John Jasper on September 3, 1867 and was the first church in Richmond organized by an African American. The congregation originally met in an abandoned horse stable on Brown's Island in the James River. In 1869, the congregation purchased land on Duval Street located in what is now Jackson Ward. The core of the present church building was erected in 1885 by George Boyd. The 1925 remodeling of the church in the Gothic Revival style was done by architect Charles T. Russell and builder I. Lincoln Bailey. The church was listed on the National Register of Historic Places in 1996.","Source: Virginia Department of Historic Resources, National Register of Historic Places registration form, Sixth Mount Zion Baptist Church, 1996."],"prefercite_html_tesm":["\u003cp\u003eBox/folder, Sixth Mount Zion Baptist Church records, M 57, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University\u003c/p\u003e  "],"prefercite_tesim":["Box/folder, Sixth Mount Zion Baptist Church records, M 57, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of an assortment of articles, programs, images, brochures, clippings, and other materials concerning the church, its pastors, and Jackson Ward. Many of the items in the collection are photocopies of the originals, but there are some original materials, such as booklets and programs from various church anniversary celebrations. There are also materials relating to the 19th century, such as John Jasper's sermons, but since these materials are photocopies from secondary sources the date range of the records reflect only the dates of original materials in the collection.\u003c/p\u003e  ","\u003cp\u003eIncludes photocopies of hymns, Mission day offering envelop, and finance committee form.\u003c/p\u003e","\u003cp\u003eVarious articles, clippings, and other materials related to the church\u003c/p\u003e","\u003cp\u003eOnly the portion of the application about architectural description and historical significance.\u003c/p\u003e","\u003cp\u003eIncluding his most famous sermon \u003ctitle render=\"doublequote\"\u003eDe Sun Do Move.\u003c/title\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection consists of an assortment of articles, programs, images, brochures, clippings, and other materials concerning the church, its pastors, and Jackson Ward. Many of the items in the collection are photocopies of the originals, but there are some original materials, such as booklets and programs from various church anniversary celebrations. There are also materials relating to the 19th century, such as John Jasper's sermons, but since these materials are photocopies from secondary sources the date range of the records reflect only the dates of original materials in the collection.","Includes photocopies of hymns, Mission day offering envelop, and finance committee form.","Various articles, clippings, and other materials related to the church","Only the portion of the application about architectural description and historical significance.","Including his most famous sermon De Sun Do Move."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on use.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on use."],"corpname_ssim":["VCU James Branch Cabell Library","Sixth Mount Zion Baptist Church (Richmond, Va.)","Sixth Mount Zion Baptist Church (Richmond, Va.) -- Archives"],"names_coll_ssim":["Sixth Mount Zion Baptist Church (Richmond, Va.) -- Archives","Jasper, John, 1812-1901"],"persname_ssim":["Jasper, John, 1812-1901"],"names_ssim":["VCU James Branch Cabell Library","Sixth Mount Zion Baptist Church (Richmond, Va.)","Sixth Mount Zion Baptist Church (Richmond, Va.) -- Archives","Jasper, John, 1812-1901"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:00.221Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_271","ead_ssi":"vircu_repositories_5_resources_271","_root_":"vircu_repositories_5_resources_271","_nest_parent_":"vircu_repositories_5_resources_271","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_271.xml","title_ssm":["Sixth Mount Zion Baptist Church records,1902-2012"],"title_tesim":["Sixth Mount Zion Baptist Church records,1902-2012"],"unitdate_ssm":["1902-2012"],"unitdate_inclusive_ssm":["1902-2012"],"normalized_date_ssm":["1902/2012"],"normalized_title_ssm":["Sixth Mount Zion Baptist Church records,1902-2012, 1902/2012"],"text":["Sixth Mount Zion Baptist Church records,1902-2012, 1902/2012","M 57","/repositories/5/resources/271","Richmond (Va.) -- Church history.","Baptists -- History -- Virginia -- Richmond","Churches, African American","The collection is open for use without restrictions.","Materials are arranged alphabetically.","The Sixth Mount Zion Baptist Church was founded by Reverend John Jasper on September 3, 1867 and was the first church in Richmond organized by an African American. The congregation originally met in an abandoned horse stable on Brown's Island in the James River. In 1869, the congregation purchased land on Duval Street located in what is now Jackson Ward. The core of the present church building was erected in 1885 by George Boyd. The 1925 remodeling of the church in the Gothic Revival style was done by architect Charles T. Russell and builder I. Lincoln Bailey. The church was listed on the National Register of Historic Places in 1996.","Source: Virginia Department of Historic Resources, National Register of Historic Places registration form, Sixth Mount Zion Baptist Church, 1996.","The collection consists of an assortment of articles, programs, images, brochures, clippings, and other materials concerning the church, its pastors, and Jackson Ward. Many of the items in the collection are photocopies of the originals, but there are some original materials, such as booklets and programs from various church anniversary celebrations. There are also materials relating to the 19th century, such as John Jasper's sermons, but since these materials are photocopies from secondary sources the date range of the records reflect only the dates of original materials in the collection.","Includes photocopies of hymns, Mission day offering envelop, and finance committee form.","Various articles, clippings, and other materials related to the church","Only the portion of the application about architectural description and historical significance.","Including his most famous sermon De Sun Do Move.","There are no restrictions on use.","VCU James Branch Cabell Library","Sixth Mount Zion Baptist Church (Richmond, Va.)","Sixth Mount Zion Baptist Church (Richmond, Va.) -- Archives","Jasper, John, 1812-1901","English\n."],"collection_title_tesim":["Sixth Mount Zion Baptist Church records,1902-2012, 1902/2012"],"collection_ssim":["Sixth Mount Zion Baptist Church records,1902-2012, 1902/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 57","/repositories/5/resources/271"],"unitid_tesim":["M 57","/repositories/5/resources/271"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"geogname_ssm":["Richmond (Va.) -- Church history."],"geogname_ssim":["Richmond (Va.) -- Church history."],"places_ssim":["Richmond (Va.) -- Church history."],"creator_ssm":["Sixth Mount Zion Baptist Church (Richmond, Va.)"],"creator_ssim":["Sixth Mount Zion Baptist Church (Richmond, Va.)"],"creator_persname_ssim":["Jasper, John, 1812-1901"],"creator_corpname_ssim":["VCU James Branch Cabell Library","Sixth Mount Zion Baptist Church (Richmond, Va.)","Sixth Mount Zion Baptist Church (Richmond, Va.) -- Archives"],"creators_ssim":["Jasper, John, 1812-1901","VCU James Branch Cabell Library","Sixth Mount Zion Baptist Church (Richmond, Va.)","Sixth Mount Zion Baptist Church (Richmond, Va.) -- Archives"],"access_terms_ssm":["There are no restrictions on use."],"access_subjects_ssim":["Baptists -- History -- Virginia -- Richmond","Churches, African American"],"access_subjects_ssm":["Baptists -- History -- Virginia -- Richmond","Churches, African American"],"has_online_content_ssim":["false"],"extent_ssm":["0.42 Linear Feet"],"extent_tesim":["0.42 Linear Feet"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for use without restrictions."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged alphabetically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThe Sixth Mount Zion Baptist Church was founded by Reverend John Jasper on September 3, 1867 and was the first church in Richmond organized by an African American. The congregation originally met in an abandoned horse stable on Brown's Island in the James River. In 1869, the congregation purchased land on Duval Street located in what is now Jackson Ward. The core of the present church building was erected in 1885 by George Boyd. The 1925 remodeling of the church in the Gothic Revival style was done by architect Charles T. Russell and builder I. Lincoln Bailey. The church was listed on the National Register of Historic Places in 1996.\u003c/p\u003e","\u003cp\u003eSource: Virginia Department of Historic Resources, National Register of Historic Places registration form, Sixth Mount Zion Baptist Church, 1996.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["The Sixth Mount Zion Baptist Church was founded by Reverend John Jasper on September 3, 1867 and was the first church in Richmond organized by an African American. The congregation originally met in an abandoned horse stable on Brown's Island in the James River. In 1869, the congregation purchased land on Duval Street located in what is now Jackson Ward. The core of the present church building was erected in 1885 by George Boyd. The 1925 remodeling of the church in the Gothic Revival style was done by architect Charles T. Russell and builder I. Lincoln Bailey. The church was listed on the National Register of Historic Places in 1996.","Source: Virginia Department of Historic Resources, National Register of Historic Places registration form, Sixth Mount Zion Baptist Church, 1996."],"prefercite_html_tesm":["\u003cp\u003eBox/folder, Sixth Mount Zion Baptist Church records, M 57, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University\u003c/p\u003e  "],"prefercite_tesim":["Box/folder, Sixth Mount Zion Baptist Church records, M 57, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of an assortment of articles, programs, images, brochures, clippings, and other materials concerning the church, its pastors, and Jackson Ward. Many of the items in the collection are photocopies of the originals, but there are some original materials, such as booklets and programs from various church anniversary celebrations. There are also materials relating to the 19th century, such as John Jasper's sermons, but since these materials are photocopies from secondary sources the date range of the records reflect only the dates of original materials in the collection.\u003c/p\u003e  ","\u003cp\u003eIncludes photocopies of hymns, Mission day offering envelop, and finance committee form.\u003c/p\u003e","\u003cp\u003eVarious articles, clippings, and other materials related to the church\u003c/p\u003e","\u003cp\u003eOnly the portion of the application about architectural description and historical significance.\u003c/p\u003e","\u003cp\u003eIncluding his most famous sermon \u003ctitle render=\"doublequote\"\u003eDe Sun Do Move.\u003c/title\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection consists of an assortment of articles, programs, images, brochures, clippings, and other materials concerning the church, its pastors, and Jackson Ward. Many of the items in the collection are photocopies of the originals, but there are some original materials, such as booklets and programs from various church anniversary celebrations. There are also materials relating to the 19th century, such as John Jasper's sermons, but since these materials are photocopies from secondary sources the date range of the records reflect only the dates of original materials in the collection.","Includes photocopies of hymns, Mission day offering envelop, and finance committee form.","Various articles, clippings, and other materials related to the church","Only the portion of the application about architectural description and historical significance.","Including his most famous sermon De Sun Do Move."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on use.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on use."],"corpname_ssim":["VCU James Branch Cabell Library","Sixth Mount Zion Baptist Church (Richmond, Va.)","Sixth Mount Zion Baptist Church (Richmond, Va.) -- Archives"],"names_coll_ssim":["Sixth Mount Zion Baptist Church (Richmond, Va.) -- Archives","Jasper, John, 1812-1901"],"persname_ssim":["Jasper, John, 1812-1901"],"names_ssim":["VCU James Branch Cabell Library","Sixth Mount Zion Baptist Church (Richmond, Va.)","Sixth Mount Zion Baptist Church (Richmond, Va.) -- Archives","Jasper, John, 1812-1901"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:00.221Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_271"}},{"id":"vircu_repositories_5_resources_96_c07_c17_c39","type":"Item","attributes":{"title":"Some Ladies and Jurgen- Smart Set-July, 1918","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_96_c07_c17_c39#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_96_c07_c17_c39","ref_ssm":["vircu_repositories_5_resources_96_c07_c17_c39"],"id":"vircu_repositories_5_resources_96_c07_c17_c39","ead_ssi":"vircu_repositories_5_resources_96","_root_":"vircu_repositories_5_resources_96","_nest_parent_":"vircu_repositories_5_resources_96_c07_c17","parent_ssi":"vircu_repositories_5_resources_96_c07_c17","parent_ssim":["James Branch Cabell collection, 1860/1971","Series VII--Periodicals (essays, reviews and fiction by Cabell)","Bound Periodicals"],"parent_ids_ssim":["vircu_repositories_5_resources_96","vircu_repositories_5_resources_96_c07","vircu_repositories_5_resources_96_c07_c17"],"title_filing_ssi":"Some Ladies and Jurgen- Smart Set-July","title_ssm":["Some Ladies and Jurgen- Smart Set-July"],"title_tesim":["Some Ladies and Jurgen- Smart Set-July"],"normalized_title_ssm":["Some Ladies and Jurgen- Smart Set-July, 1918"],"text":["Some Ladies and Jurgen- Smart Set-July, 1918","James Branch Cabell collection, 1860/1971","Series VII--Periodicals (essays, reviews and fiction by Cabell)","Bound Periodicals"],"parent_unittitles_ssm":["James Branch Cabell collection, 1860/1971","Series VII--Periodicals (essays, reviews and fiction by Cabell)","Bound Periodicals"],"parent_unittitles_tesim":["James Branch Cabell collection, 1860/1971","Series VII--Periodicals (essays, reviews and fiction by Cabell)","Bound Periodicals"],"normalized_date_ssm":["1918"],"unitdate_inclusive_ssm":["1918"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[3],"sort_isi":412,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["James Branch Cabell collection, 1860/1971"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1918],"_nest_path_":"/components#6/components#16/components#38","timestamp":"2026-06-23T07:07:33.003Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_96","ead_ssi":"vircu_repositories_5_resources_96","_root_":"vircu_repositories_5_resources_96","_nest_parent_":"vircu_repositories_5_resources_96","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_96.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vcu-cab/vircu00065.xml","title_filing_ssi":"Cabell, James Branch, collection","title_ssm":["James Branch Cabell collection"],"title_tesim":["James Branch Cabell collection"],"unitdate_ssm":["1860-1971"],"unitdate_inclusive_ssm":["1860-1971"],"normalized_date_ssm":["1860/1971"],"normalized_title_ssm":["James Branch Cabell collection, 1860/1971"],"text":["James Branch Cabell collection, 1860/1971","M 214","/repositories/5/resources/96","Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond","The collection is open to research.","Collection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.","Richmond author James Branch Cabell (1879-1958) is best known for his controversial book, Jurgen (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the Richmond Times as a copyholder. In 1899 he moved to New York City and worked for the New York Herald as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the Richmond News. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as Harper's Monthly Magazine and the Saturday Evening Post.","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of International. He published his first book, The Eagle's Shadow, in the autumn of 1904 after it appeared serially in the Saturday Evening Post during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the New York Evening Mail, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing Jurgen. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of Jurgen, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled The Biography of the Life of Manuel; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the American Spectator (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over Jurgen ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of Let Me Lie. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","Cabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing.","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.","The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends.","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.","Letters from the governors of six different states each thanking Cabell for autographing a copy of one of his books. Pinchot, Gov. Gifford (Pennsylvania); Pollard, Gov. John Garland (Va.); Ritchie, Gov. Albert C. (Maryland); Seligman, Gov. Arthur (New Mexico); Wilson, Gov. Stanley C. (Vermont).","Manuscripts of various Cabell writings, many heavily edited in Cabell's handwriting, are contained in these folders. Most of the material has Duke numbers written in pencil on it. Materials include story ideas, notes, early drafts, drawings, school work, essays, poems, and prefaces. Folders 72-76 are labeled with Duke numbers. See also Series IX.","Much of the material in this series was taken from the books in Cabell's library. It includes printed material, newspaper clippings, illustrations, and other ephemeral.","In Goudy Text celebrating the 35th anniversary of The Village Press","Taken from books in Cabell's library.","Includes Papers of the Cabell Society, correspondence between its founders, a collection of correspondence between Cabell and Nelson Bond, Cabell and Frederick Eddy.","Materials concerning Between Friends: Letters of James Branch Cabell and Others edited by Padraic Colum and Margaret Freeman Cabell, published in 1962.","The majority of these criticisms of Cabell and his work were copied from various periodicals (many from microfilm) for Jean Maurice Duke's James Branch Cabell: A Reference Guide published in 1979. Others have been collected by Special Collections \u0026 Archives.","Most of the material contained in this series is located in twenty-two bound volumes containing magazines where many of Cabell's book reviews, essays, short stories and other fiction originally appeared before they were later revised into book form. Each volume is named for a published Cabell book and contains the original magazine contribution. There are also two boxes of non-bound journals.","Twenty-two blue bound volumes containing magazines where many of Bell's book reviews, essays, short stories and other fiction originally appeared before they were later revised into book form. Each blue bound volume is titled after a Bell book and contains the original magazine contribution.","A 51 sheet (8 1/2 x 10 1/2) bound volume of material about Cabell. Contains many newspaper and magazine articles by and about Cabell, most regarding his published fiction and book reviews at this time. They are pasted in the volume and many are identified and dated. Most of the dates are 1902-1905. It also contains a letter to Cabell from an editor at Smart Set, dated Sept. 30, 1902, suggesting Cabell write them a novelette.","It also has a 15 page (7 1/2 x 10 1/2) folder in which several newspaper advertisements of The Eagle's Shadow are pasted. All are dated 1904.","The first 35 sheets contain newspaper clippings of articles written by Cabell for the Richmond News during the first few years of the century.","The next 25 sheets are newspaper clippings about Cabell and his family, dated around 1910. These pages also include genealogical articles written by Cabell and others.","The remaining sheets contain letters to Cabell regarding genealogy dating form 1909 to 1919; obituaries and articles about John R. Branch, newspaper society columns; a New York Herald style pamphlet; a 1895 Navy Department letter to Cabell regarding a post for him in the Navel Academy; a 1906 letter from the U.S. State Department regarding an appointment for Cabell as Secretary of Legation in Athens, Greece or in South America and a 1906 letter from the White House regretting Cabell's decision not to accept the position in the State Department. There are also programs of plays performed in 1896 by the Virginia Comedians. Cabell was in five of them.","On the verso of p. 82 and recto of p. 83 is pasted a printed article entitled \"That Opera Bouffe Court Martial.\" It describes a court martial at the U.S. Naval Academy where midshipman James Robinson Branch, Jr. died after a boxing match with another student named Meriwether. Branch was the son of James R. Branch, James Branch Cabell's uncle.","This is a bound volume of 112 sheets (8 1/2 x 10 1/2) containing a large amount of many kinds of material concerning Cabell and his writings.","There are almost 100 letters to him. Many are from publishers to whom he had sent, or offered to send, a manuscript. In some of these the publishers offered to read his book. In others they gave their opinions of it and their decision on publishing. Most of these say that while they appreciated the quality of his work they cannot publish it, usually because they do not think it would be profitable. There are a few letters asking him to submit material to them. Many others are from individuals who have read something by or about him. Most of this material is dated from 1911-1917.","There are also more than 100 newspaper and magazine clippings about him, his family and his books. Some are advertisements, some are reviews. They come from all over the country and nearly all are dated and have the name of the source. It appears that a clipping service must have supplied many of them. There are also a few photographs of Cabell.","Pages 3-34 are missing. Cabell's notes including lists of stories written year by year, where published, amount paid him, books published, copies received, number sold, royalties, etc. Also, poems, genealogical materials on his family; wills of family members, notes on his books, including to whom submitted and results, other material on his writing, such as Suppressed Foreword to the Cords of Vanity: rough draft.","Inscription on the first page reads: Verses, etc., as written 1896-1898. Selected, revised, and copied in this book 1898-1899. James Branch Cabell.","Most of this material concerns The Majors and Their Marriages (1915). Includes genealogical notes, lists, etc. and correspondence concerning these families. Includes a little material on the Cabells.","Unbound material which was found in notebook two.","This has Cabell materials inserted in the covers of two typewriter paper covers.","In the first typewriter paper cover material includes two typewritten Cabell manuscripts of poems, \"The Ways of Women.\" There are some textual differences and some pencil changes (9 \u0026 7 pages). There is also a two-page typewritten manuscript of Cabell's reminiscences written when he was 77. Has a few pencil corrections and additions. A one page Cabell typewritten manuscript entitled Frail Rymes, with Studrdy Morals.","In the second typewriter paper cover material includes two copies of a four page list of manuscripts, etc. of his writings. A 15 page typewritten manuscript entitled \"Composition book No. 341.\" An eight page typewritten manuscript entitled \"List of Horses in the collection.\" A four page typewritten manuscript entitled \"Unpublished Matter.\" and a one page typewritten list of some of his books, some including the color of binds, etc.","Contains photocopies Cabell manuscripts, both poetry and prose. Some are identified.","Contains information on the ancestry of Priscilla Bradley (Mrs. James Branch Cabell) including genealogical notes, abstracts from books and magazines, correspondence, etc. Some of the items are dated after the publication of the genealogy of her family, The Majors and Their Marriages (1915). One folder includes an essay written by Cabell when he was 77 years old, discussing his lack of literary recognition and awards.","Includes information on Cabell family genealogy.","A bound volume containing a 37 page check list of Cabell's books and other material held by ULS' Special Collections \u0026 Archives made by Daniel E. Jones in 1973.","A bibliography of the later writings of Cabell, 1932-1956, written by Cabell.","A folder containing copies of nine Cabell letters to Desmond Tarrant, 1953-1959, and one letter to Tarrant from Margaret Freeman Cabell, 1964. They are concerned with Tarrant's proposed book on Cabell, later published as James Branch Cabell: The Dream and the Reality, 1967. Also contains copies of two letters Cabell wrote to Guy Holt, 1917 and 1918.","Decorative book box labeled Cabelliana. Materials in this box were transferred to Series III. A list of those items is with the box.","Contains the letters labeled Apfelbaum-Cabell Letters, which include Cabell letters to the editor of The Literary Review, 22 letters to Mourice Speiser, one letter from Herbert Speiser to Robert McBride \u0026 Co., and an answer to it from McBride.","A 14 page photocopied list of Cabell books taken from The National Union Catalog Pre-1956 Imprints","23 pages of genealogical oversized photocopied notes on the Branch family. Material includes photocopies of family Bibles, lists of marriages and births with dates up until 1981.","A 24 x 9 inch poster of Cabell's review of The Adventures of the Black Girl in her search for God by Bernard Shaw. A book review reprinted from the New York Herald Tribune Books Section, Sunday, February 26, 1933.","Painting of Family Tree by Cabell","Miscellaneous Drawings and Advertisements","There are no restrictions.","VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M.","English"],"collection_title_tesim":["James Branch Cabell collection, 1860/1971"],"collection_ssim":["James Branch Cabell collection, 1860/1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 214","/repositories/5/resources/96"],"unitid_tesim":["M 214","/repositories/5/resources/96"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_corpname_ssim":["VCU James Branch Cabell Library"],"creators_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M.","VCU James Branch Cabell Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Margaret Freeman Cabell in 1976."],"access_subjects_ssim":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond"],"access_subjects_ssm":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet Also includes 3000 volume library"],"extent_tesim":["10 Linear Feet Also includes 3000 volume library"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.\u003c/p\u003e","\u003cp\u003eThe collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference."],"bioghist_html_tesm":["\u003cp\u003eRichmond author James Branch Cabell (1879-1958) is best known for his controversial book, \u003ctitle\u003eJurgen\u003c/title\u003e (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.\u003c/p\u003e","\u003cp\u003eCabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.\u003c/p\u003e","\u003cp\u003eAfter attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the \u003ctitle\u003eRichmond Times\u003c/title\u003e as a copyholder. In 1899 he moved to New York City and worked for the \u003ctitle\u003eNew York Herald\u003c/title\u003e as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the \u003ctitle\u003eRichmond News\u003c/title\u003e. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as \u003ctitle\u003eHarper's Monthly Magazine\u003c/title\u003e and the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eIn 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).\u003c/p\u003e","\u003cp\u003eAlthough he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of \u003ctitle\u003eInternational\u003c/title\u003e. He published his first book, \u003ctitle\u003eThe Eagle's Shadow\u003c/title\u003e, in the autumn of 1904 after it appeared serially in the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the \u003ctitle\u003eNew York Evening Mail\u003c/title\u003e, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.\u003c/p\u003e","\u003cp\u003eOn January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing \u003ctitle\u003eJurgen\u003c/title\u003e. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.\u003c/p\u003e","\u003cp\u003eThe obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"\u003c/p\u003e","\u003cp\u003eThroughout the 1920s, he continued to publish in the style of \u003ctitle\u003eJurgen\u003c/title\u003e, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled \u003ctitle\u003eThe Biography of the Life of Manuel\u003c/title\u003e; the last volume was published in 1930.\u003c/p\u003e","\u003cp\u003eCabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the \u003ctitle\u003eAmerican Spectator\u003c/title\u003e (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.\u003c/p\u003e","\u003cp\u003eWhile the controversy over \u003ctitle\u003eJurgen\u003c/title\u003e ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of \u003ctitle\u003eLet Me Lie\u003c/title\u003e. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.\u003c/p\u003e","\u003cp\u003eCabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.\u003c/p\u003e","\u003cp\u003e\nCabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing. \u003c/p\u003e","\u003cp\u003eSoon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richmond author James Branch Cabell (1879-1958) is best known for his controversial book, Jurgen (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the Richmond Times as a copyholder. In 1899 he moved to New York City and worked for the New York Herald as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the Richmond News. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as Harper's Monthly Magazine and the Saturday Evening Post.","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of International. He published his first book, The Eagle's Shadow, in the autumn of 1904 after it appeared serially in the Saturday Evening Post during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the New York Evening Mail, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing Jurgen. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of Jurgen, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled The Biography of the Life of Manuel; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the American Spectator (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over Jurgen ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of Let Me Lie. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","Cabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing.","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors."],"prefercite_html_tesm":["\u003cp\u003eJames Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["James Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.\u003c/p\u003e","\u003cp\u003eSeries I contains correspondence between Cabell and his contemporaries in the literary world, family and friends. \u003c/p\u003e","\u003cp\u003eSeries II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.\u003c/p\u003e","\u003cp\u003eSeries III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.\u003c/p\u003e","\u003cp\u003eSeries IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.\u003c/p\u003e","\u003cp\u003eSeries V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.\u003c/p\u003e","\u003cp\u003eSeries VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.\u003c/p\u003e","\u003cp\u003eSeries VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.\u003c/p\u003e","\u003cp\u003eSeries VIII contains plays, poems, and other works inspired by Cabell's work.\u003c/p\u003e","\u003cp\u003eSeries IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.\u003c/p\u003e  ","\u003cp\u003eLetters from the governors of six different states each thanking Cabell for autographing a copy of one of his books. Pinchot, Gov. Gifford (Pennsylvania); Pollard, Gov. John Garland (Va.); Ritchie, Gov. Albert C. (Maryland); Seligman, Gov. Arthur (New Mexico); Wilson, Gov. Stanley C. (Vermont).\u003c/p\u003e","\u003cp\u003eManuscripts of various Cabell writings, many heavily edited in Cabell's handwriting, are contained in these folders. Most of the material has Duke numbers written in pencil on it. Materials include story ideas, notes, early drafts, drawings, school work, essays, poems, and prefaces. Folders 72-76 are labeled with Duke numbers. See also Series IX.\u003c/p\u003e","\u003cp\u003eMuch of the material in this series was taken from the books in Cabell's library. It includes printed material, newspaper clippings, illustrations, and other ephemeral.\u003c/p\u003e","\u003cp\u003eIn Goudy Text celebrating the 35th anniversary of The Village Press\u003c/p\u003e","\u003cp\u003eTaken from books in Cabell's library.\u003c/p\u003e","\u003cp\u003eIncludes Papers of the Cabell Society, correspondence between its founders, a collection of correspondence between Cabell and Nelson Bond, Cabell and Frederick Eddy.\u003c/p\u003e","\u003cp\u003eMaterials concerning Between Friends: Letters of James Branch Cabell and Others edited by Padraic Colum and Margaret Freeman Cabell, published in 1962.\u003c/p\u003e","\u003cp\u003eThe majority of these criticisms of Cabell and his work were copied from various periodicals (many from microfilm) for Jean Maurice Duke's James Branch Cabell: A Reference Guide published in 1979. Others have been collected by Special Collections \u0026amp; Archives.\u003c/p\u003e","\u003cp\u003eMost of the material contained in this series is located in twenty-two bound volumes containing magazines where many of Cabell's book reviews, essays, short stories and other fiction originally appeared before they were later revised into book form. Each volume is named for a published Cabell book and contains the original magazine contribution. There are also two boxes of non-bound journals.\u003c/p\u003e","\u003cp\u003eTwenty-two blue bound volumes containing magazines where many of Bell's book reviews, essays, short stories and other fiction originally appeared before they were later revised into book form. Each blue bound volume is titled after a Bell book and contains the original magazine contribution.\u003c/p\u003e","\u003cp\u003eA 51 sheet (8 1/2 x 10 1/2) bound volume of material about Cabell. Contains many newspaper and magazine articles by and about Cabell, most regarding his published fiction and book reviews at this time. They are pasted in the volume and many are identified and dated. Most of the dates are 1902-1905. It also contains a letter to Cabell from an editor at Smart Set, dated Sept. 30, 1902, suggesting Cabell write them a novelette.\u003c/p\u003e","\u003cp\u003e It also has a 15 page (7 1/2 x 10 1/2) folder in which several newspaper advertisements of The Eagle's Shadow are pasted. All are dated 1904.\u003c/p\u003e","\u003cp\u003eThe first 35 sheets contain newspaper clippings of articles written by Cabell for the Richmond News during the first few years of the century.\u003c/p\u003e","\u003cp\u003e The next 25 sheets are newspaper clippings about Cabell and his family, dated around 1910. These pages also include genealogical articles written by Cabell and others.\u003c/p\u003e","\u003cp\u003e The remaining sheets contain letters to Cabell regarding genealogy dating form 1909 to 1919; obituaries and articles about John R. Branch, newspaper society columns; a New York Herald style pamphlet; a 1895 Navy Department letter to Cabell regarding a post for him in the Navel Academy; a 1906 letter from the U.S. State Department regarding an appointment for Cabell as Secretary of Legation in Athens, Greece or in South America and a 1906 letter from the White House regretting Cabell's decision not to accept the position in the State Department. There are also programs of plays performed in 1896 by the Virginia Comedians. Cabell was in five of them.\u003c/p\u003e","\u003cp\u003e On the verso of p. 82 and recto of p. 83 is pasted a printed article entitled \"That Opera Bouffe Court Martial.\" It describes a court martial at the U.S. Naval Academy where midshipman James Robinson Branch, Jr. died after a boxing match with another student named Meriwether. Branch was the son of James R. Branch, James Branch Cabell's uncle.\u003c/p\u003e","\u003cp\u003eThis is a bound volume of 112 sheets (8 1/2 x 10 1/2) containing a large amount of many kinds of material concerning Cabell and his writings.\u003c/p\u003e","\u003cp\u003e There are almost 100 letters to him. Many are from publishers to whom he had sent, or offered to send, a manuscript. In some of these the publishers offered to read his book. In others they gave their opinions of it and their decision on publishing. Most of these say that while they appreciated the quality of his work they cannot publish it, usually because they do not think it would be profitable. There are a few letters asking him to submit material to them. Many others are from individuals who have read something by or about him. Most of this material is dated from 1911-1917.\u003c/p\u003e","\u003cp\u003e There are also more than 100 newspaper and magazine clippings about him, his family and his books. Some are advertisements, some are reviews. They come from all over the country and nearly all are dated and have the name of the source. It appears that a clipping service must have supplied many of them. There are also a few photographs of Cabell.\u003c/p\u003e","\u003cp\u003ePages 3-34 are missing. Cabell's notes including lists of stories written year by year, where published, amount paid him, books published, copies received, number sold, royalties, etc. Also, poems, genealogical materials on his family; wills of family members, notes on his books, including to whom submitted and results, other material on his writing, such as \u003ctitle render=\"doublequote\"\u003eSuppressed Foreword to the Cords of Vanity: rough draft.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eInscription on the first page reads: \u003ctitle render=\"doublequote\"\u003eVerses, etc., as written 1896-1898. Selected, revised, and copied in this book 1898-1899. James Branch Cabell.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eMost of this material concerns The Majors and Their Marriages (1915). Includes genealogical notes, lists, etc. and correspondence concerning these families. Includes a little material on the Cabells.\u003c/p\u003e","\u003cp\u003eUnbound material which was found in notebook two.\u003c/p\u003e","\u003cp\u003e This has Cabell materials inserted in the covers of two typewriter paper covers.\u003c/p\u003e","\u003cp\u003e In the first typewriter paper cover material includes two typewritten Cabell manuscripts of poems, \"The Ways of Women.\" There are some textual differences and some pencil changes (9 \u0026amp; 7 pages). There is also a two-page typewritten manuscript of Cabell's reminiscences written when he was 77. Has a few pencil corrections and additions. A one page Cabell typewritten manuscript entitled \u003ctitle render=\"doublequote\"\u003eFrail Rymes, with Studrdy Morals.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e In the second typewriter paper cover material includes two copies of a four page list of manuscripts, etc. of his writings. A 15 page typewritten manuscript entitled \"Composition book No. 341.\" An eight page typewritten manuscript entitled \"List of Horses in the collection.\" A four page typewritten manuscript entitled \"Unpublished Matter.\" and a one page typewritten list of some of his books, some including the color of binds, etc.\u003c/p\u003e","\u003cp\u003eContains photocopies Cabell manuscripts, both poetry and prose. Some are identified.\u003c/p\u003e","\u003cp\u003eContains information on the ancestry of Priscilla Bradley (Mrs. James Branch Cabell) including genealogical notes, abstracts from books and magazines, correspondence, etc. Some of the items are dated after the publication of the genealogy of her family, The Majors and Their Marriages (1915). One folder includes an essay written by Cabell when he was 77 years old, discussing his lack of literary recognition and awards.\u003c/p\u003e","\u003cp\u003eIncludes information on Cabell family genealogy.\u003c/p\u003e","\u003cp\u003eA bound volume containing a 37 page check list of Cabell's books and other material held by ULS' Special Collections \u0026amp; Archives made by Daniel E. Jones in 1973.\u003c/p\u003e","\u003cp\u003e A bibliography of the later writings of Cabell, 1932-1956, written by Cabell. \u003c/p\u003e","\u003cp\u003eA folder containing copies of nine Cabell letters to Desmond Tarrant, 1953-1959, and one letter to Tarrant from Margaret Freeman Cabell, 1964. They are concerned with Tarrant's proposed book on Cabell, later published as \u003ctitle render=\"italic\"\u003eJames Branch Cabell: The Dream and the Reality\u003c/title\u003e, 1967. Also contains copies of two letters Cabell wrote to Guy Holt, 1917 and 1918.\u003c/p\u003e","\u003cp\u003eDecorative book box labeled \u003ctitle render=\"italic\"\u003eCabelliana\u003c/title\u003e. Materials in this box were transferred to Series III. A list of those items is with the box.\u003c/p\u003e","\u003cp\u003eContains the letters labeled \u003ctitle render=\"doublequote\"\u003eApfelbaum-Cabell Letters\u003c/title\u003e, which include Cabell letters to the editor of \u003ctitle render=\"italic\"\u003eThe Literary Review\u003c/title\u003e, 22 letters to Mourice Speiser, one letter from Herbert Speiser to Robert McBride \u0026amp; Co., and an answer to it from McBride.\u003c/p\u003e","\u003cp\u003eA 14 page photocopied list of Cabell books taken from \u003ctitle render=\"italic\"\u003eThe National Union Catalog Pre-1956 Imprints\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e23 pages of genealogical oversized photocopied notes on the Branch family. Material includes photocopies of family Bibles, lists of marriages and births with dates up until 1981.\u003c/p\u003e","\u003cp\u003eA 24 x 9 inch poster of Cabell's review of \u003ctitle\u003eThe Adventures of the Black Girl in her search for God\u003c/title\u003e by Bernard Shaw. A book review reprinted from the \u003ctitle\u003eNew York Herald Tribune\u003c/title\u003e Books Section, Sunday, February 26, 1933.\u003c/p\u003e","\u003cp\u003ePainting of Family Tree by Cabell\u003c/p\u003e","\u003cp\u003eMiscellaneous Drawings and Advertisements\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends.","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.","Letters from the governors of six different states each thanking Cabell for autographing a copy of one of his books. Pinchot, Gov. Gifford (Pennsylvania); Pollard, Gov. John Garland (Va.); Ritchie, Gov. Albert C. (Maryland); Seligman, Gov. Arthur (New Mexico); Wilson, Gov. Stanley C. (Vermont).","Manuscripts of various Cabell writings, many heavily edited in Cabell's handwriting, are contained in these folders. Most of the material has Duke numbers written in pencil on it. Materials include story ideas, notes, early drafts, drawings, school work, essays, poems, and prefaces. Folders 72-76 are labeled with Duke numbers. See also Series IX.","Much of the material in this series was taken from the books in Cabell's library. It includes printed material, newspaper clippings, illustrations, and other ephemeral.","In Goudy Text celebrating the 35th anniversary of The Village Press","Taken from books in Cabell's library.","Includes Papers of the Cabell Society, correspondence between its founders, a collection of correspondence between Cabell and Nelson Bond, Cabell and Frederick Eddy.","Materials concerning Between Friends: Letters of James Branch Cabell and Others edited by Padraic Colum and Margaret Freeman Cabell, published in 1962.","The majority of these criticisms of Cabell and his work were copied from various periodicals (many from microfilm) for Jean Maurice Duke's James Branch Cabell: A Reference Guide published in 1979. Others have been collected by Special Collections \u0026 Archives.","Most of the material contained in this series is located in twenty-two bound volumes containing magazines where many of Cabell's book reviews, essays, short stories and other fiction originally appeared before they were later revised into book form. Each volume is named for a published Cabell book and contains the original magazine contribution. There are also two boxes of non-bound journals.","Twenty-two blue bound volumes containing magazines where many of Bell's book reviews, essays, short stories and other fiction originally appeared before they were later revised into book form. Each blue bound volume is titled after a Bell book and contains the original magazine contribution.","A 51 sheet (8 1/2 x 10 1/2) bound volume of material about Cabell. Contains many newspaper and magazine articles by and about Cabell, most regarding his published fiction and book reviews at this time. They are pasted in the volume and many are identified and dated. Most of the dates are 1902-1905. It also contains a letter to Cabell from an editor at Smart Set, dated Sept. 30, 1902, suggesting Cabell write them a novelette.","It also has a 15 page (7 1/2 x 10 1/2) folder in which several newspaper advertisements of The Eagle's Shadow are pasted. All are dated 1904.","The first 35 sheets contain newspaper clippings of articles written by Cabell for the Richmond News during the first few years of the century.","The next 25 sheets are newspaper clippings about Cabell and his family, dated around 1910. These pages also include genealogical articles written by Cabell and others.","The remaining sheets contain letters to Cabell regarding genealogy dating form 1909 to 1919; obituaries and articles about John R. Branch, newspaper society columns; a New York Herald style pamphlet; a 1895 Navy Department letter to Cabell regarding a post for him in the Navel Academy; a 1906 letter from the U.S. State Department regarding an appointment for Cabell as Secretary of Legation in Athens, Greece or in South America and a 1906 letter from the White House regretting Cabell's decision not to accept the position in the State Department. There are also programs of plays performed in 1896 by the Virginia Comedians. Cabell was in five of them.","On the verso of p. 82 and recto of p. 83 is pasted a printed article entitled \"That Opera Bouffe Court Martial.\" It describes a court martial at the U.S. Naval Academy where midshipman James Robinson Branch, Jr. died after a boxing match with another student named Meriwether. Branch was the son of James R. Branch, James Branch Cabell's uncle.","This is a bound volume of 112 sheets (8 1/2 x 10 1/2) containing a large amount of many kinds of material concerning Cabell and his writings.","There are almost 100 letters to him. Many are from publishers to whom he had sent, or offered to send, a manuscript. In some of these the publishers offered to read his book. In others they gave their opinions of it and their decision on publishing. Most of these say that while they appreciated the quality of his work they cannot publish it, usually because they do not think it would be profitable. There are a few letters asking him to submit material to them. Many others are from individuals who have read something by or about him. Most of this material is dated from 1911-1917.","There are also more than 100 newspaper and magazine clippings about him, his family and his books. Some are advertisements, some are reviews. They come from all over the country and nearly all are dated and have the name of the source. It appears that a clipping service must have supplied many of them. There are also a few photographs of Cabell.","Pages 3-34 are missing. Cabell's notes including lists of stories written year by year, where published, amount paid him, books published, copies received, number sold, royalties, etc. Also, poems, genealogical materials on his family; wills of family members, notes on his books, including to whom submitted and results, other material on his writing, such as Suppressed Foreword to the Cords of Vanity: rough draft.","Inscription on the first page reads: Verses, etc., as written 1896-1898. Selected, revised, and copied in this book 1898-1899. James Branch Cabell.","Most of this material concerns The Majors and Their Marriages (1915). Includes genealogical notes, lists, etc. and correspondence concerning these families. Includes a little material on the Cabells.","Unbound material which was found in notebook two.","This has Cabell materials inserted in the covers of two typewriter paper covers.","In the first typewriter paper cover material includes two typewritten Cabell manuscripts of poems, \"The Ways of Women.\" There are some textual differences and some pencil changes (9 \u0026 7 pages). There is also a two-page typewritten manuscript of Cabell's reminiscences written when he was 77. Has a few pencil corrections and additions. A one page Cabell typewritten manuscript entitled Frail Rymes, with Studrdy Morals.","In the second typewriter paper cover material includes two copies of a four page list of manuscripts, etc. of his writings. A 15 page typewritten manuscript entitled \"Composition book No. 341.\" An eight page typewritten manuscript entitled \"List of Horses in the collection.\" A four page typewritten manuscript entitled \"Unpublished Matter.\" and a one page typewritten list of some of his books, some including the color of binds, etc.","Contains photocopies Cabell manuscripts, both poetry and prose. Some are identified.","Contains information on the ancestry of Priscilla Bradley (Mrs. James Branch Cabell) including genealogical notes, abstracts from books and magazines, correspondence, etc. Some of the items are dated after the publication of the genealogy of her family, The Majors and Their Marriages (1915). One folder includes an essay written by Cabell when he was 77 years old, discussing his lack of literary recognition and awards.","Includes information on Cabell family genealogy.","A bound volume containing a 37 page check list of Cabell's books and other material held by ULS' Special Collections \u0026 Archives made by Daniel E. Jones in 1973.","A bibliography of the later writings of Cabell, 1932-1956, written by Cabell.","A folder containing copies of nine Cabell letters to Desmond Tarrant, 1953-1959, and one letter to Tarrant from Margaret Freeman Cabell, 1964. They are concerned with Tarrant's proposed book on Cabell, later published as James Branch Cabell: The Dream and the Reality, 1967. Also contains copies of two letters Cabell wrote to Guy Holt, 1917 and 1918.","Decorative book box labeled Cabelliana. Materials in this box were transferred to Series III. A list of those items is with the box.","Contains the letters labeled Apfelbaum-Cabell Letters, which include Cabell letters to the editor of The Literary Review, 22 letters to Mourice Speiser, one letter from Herbert Speiser to Robert McBride \u0026 Co., and an answer to it from McBride.","A 14 page photocopied list of Cabell books taken from The National Union Catalog Pre-1956 Imprints","23 pages of genealogical oversized photocopied notes on the Branch family. Material includes photocopies of family Bibles, lists of marriages and births with dates up until 1981.","A 24 x 9 inch poster of Cabell's review of The Adventures of the Black Girl in her search for God by Bernard Shaw. A book review reprinted from the New York Herald Tribune Books Section, Sunday, February 26, 1933.","Painting of Family Tree by Cabell","Miscellaneous Drawings and Advertisements"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"names_coll_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"names_ssim":["VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":493,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:33.003Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_96_c07_c17_c39"}},{"id":"vircu_repositories_5_resources_118_c01","type":"Series","attributes":{"title":"Stagg Materials, n.d., 1917/1976","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_118_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_118_c01","ref_ssm":["vircu_repositories_5_resources_118_c01"],"id":"vircu_repositories_5_resources_118_c01","ead_ssi":"vircu_repositories_5_resources_118","_root_":"vircu_repositories_5_resources_118","_nest_parent_":"vircu_repositories_5_resources_118","parent_ssi":"vircu_repositories_5_resources_118","parent_ssim":["Hunter T. Stagg papers, 1917/1981"],"parent_ids_ssim":["vircu_repositories_5_resources_118"],"title_filing_ssi":"Stagg Materials, n.d.","title_ssm":["Stagg Materials, n.d."],"title_tesim":["Stagg Materials, n.d."],"normalized_title_ssm":["Stagg Materials, n.d., 1917/1976"],"text":["Stagg Materials, n.d., 1917/1976","Hunter T. Stagg papers, 1917/1981"],"parent_unittitles_ssm":["Hunter T. Stagg papers, 1917/1981"],"parent_unittitles_tesim":["Hunter T. Stagg papers, 1917/1981"],"normalized_date_ssm":["1917/1976"],"unitdate_inclusive_ssm":["1917-1976"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Hunter T. Stagg papers, 1917/1981"],"has_online_content_ssim":["false"],"child_component_count_isi":47,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"_nest_path_":"/components#0","timestamp":"2026-06-23T07:06:46.596Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_118","ead_ssi":"vircu_repositories_5_resources_118","_root_":"vircu_repositories_5_resources_118","_nest_parent_":"vircu_repositories_5_resources_118","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_118.xml","title_filing_ssi":"Stagg, Hunter T., papers","title_ssm":["Hunter T. Stagg papers"],"title_tesim":["Hunter T. Stagg papers"],"unitdate_ssm":["1917-1981"],"unitdate_inclusive_ssm":["1917-1981"],"normalized_date_ssm":["1917/1981"],"normalized_title_ssm":["Hunter T. Stagg papers, 1917/1981"],"text":["Hunter T. Stagg papers, 1917/1981","M 261","/repositories/5/resources/118","Collection is open to research.","Collection is arranged alphabetically within each series.","Hunter Taylor Stagg was born in the city of Richmond, the younger son of Thomas E. and Sarah Stagg on 29 May 1895. Kicked in the head by a horse at the age of seven, Stagg became prone to seizures later in life. Stagg attended the Richmond school run by John Peyton McGuire and in 1921 joined with three other \"literary minded\" individuals (Mary Dallas Street, Emily Clark (Balch) and Margaret Freeman (who married James Branch Cabell in 1950) to establish The Reviewer, a literary magazine. \"Hunter Stagg was an avid literary lionizer, the one of the four who sought meetings with writers for the thrill of associating with creative artists. His handsome appearance, his considerable charm, his genuine appreciation for writing aided him in establishing the friendships he cherished including that of Cabell. Carl Van Vechten, leader of avant-garde cultural circles in New York, responded to Hunter's appeal and opened literary doors for him.\" -- from the Ellen Glasgow Newsletter #15 which also provides extensive lists of acquaintances met during these years. The Reviewer moved to North Carolina in 1924 and Stagg held several reviewing positions in Richmond before moving to Washington, D.C. in March 1938 to live with his sister, Helen Winston, and her family. He lived with Mrs. Winston until her death in the late 1940s. After spending some time in New York with Margaret Freeman recuperating from his sister's death, Stagg returned to D.C. and got a job managing a bookstore. Stagg only worked intermittently throughout his life and was prone to alcoholism. Chronically without funds, Stagg forfeited a portion of his library and his furnishings when he did not meet the storage payments. He was eventually committed to St. Elizabeth's in Washington, D.C. and died there, 23 December 1960. He was buried in the Stagg family section of Hollywood Cemetery. As of 2002, his grave had no marker or tombstone.","The collection contains correspondence, notes, typescripts, reviews, bills and miscellaneous materials dating from 1917 to 1981. The bulk of the collection focuses on correspondence throughout the 1920s and 1930s, especially that of James Branch Cabell and Carl Van Vechten (including copies of letters written to Van Vechten from Stagg obtained from Yale University by Edgar MacDonald). Other notable correspondents include: Essie Robeson (wife of Paul Robeson, see 3.5), Marjorie K. Rawlings, Tom Rutherfurd (Rutherfoord), Gertrude Stein, Alice Toklas, Frances Newman, Langston Hughes, Ben Ray Redman, Ellen Glasgow, and Montgomery Evans. Much of the Evans correspondence are copies of letters from Stagg to Evans from the Morris Library, Southern Illinois University. These were provided by Dr. Edgar MacDonald during his research of Hunter Stagg.","1917, 1924-1925, 1927, 1933, 1937, 1947-1948, 1952-1953, 1956, 1976","1921, 1924, 1935, 1938, 1940-1941, 1943, 1946, 1948-1952","1921, 1925, 1938, 1944","1926-1926, 1935, 1950-1951","Letters were pasted in the following Books from Stagg's Library : from The Weary Blues, a letter dated 12/1/26, and from Fine Clothes to the Jewa letter dated 2/10/27","See also Frances Newman's Letter, pasted in are two letters from Newman","Includes a letter that was pasted in Stagg's copy of The BlindBow-Boy","Much of this material contains correspondence and other items collected by Dr. Edgar MacDonald who in the 1970s researched the life and work of Stagg.","There are no restrictions.","VCU James Branch Cabell Library","Stagg, Hunter T. (Hunter Taylor)","Van Vechten, Carl -- Correspondence","Cabell, James Branch, 1879-1958 -- Correspondence","English\n."],"collection_title_tesim":["Hunter T. 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Also, a collection of correspondence from Mrs. Elizabeth Norfleet was deposited in 1994."],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet"],"extent_tesim":["2.5 Linear Feet"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged alphabetically within each series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically within each series."],"bioghist_html_tesm":["\u003cp\u003eHunter Taylor Stagg was born in the city of Richmond, the younger son of Thomas E. and Sarah Stagg on 29 May 1895. Kicked in the head by a horse at the age of seven, Stagg became prone to seizures later in life. Stagg attended the Richmond school run by John Peyton McGuire and in 1921 joined with three other \"literary minded\" individuals (Mary Dallas Street, Emily Clark (Balch) and Margaret Freeman (who married James Branch Cabell in 1950) to establish The Reviewer, a literary magazine. \"Hunter Stagg was an avid literary lionizer, the one of the four who sought meetings with writers for the thrill of associating with creative artists. His handsome appearance, his considerable charm, his genuine appreciation for writing aided him in establishing the friendships he cherished including that of Cabell. Carl Van Vechten, leader of avant-garde cultural circles in New York, responded to Hunter's appeal and opened literary doors for him.\" -- from the Ellen Glasgow Newsletter #15 which also provides extensive lists of acquaintances met during these years. The Reviewer moved to North Carolina in 1924 and Stagg held several reviewing positions in Richmond before moving to Washington, D.C. in March 1938 to live with his sister, Helen Winston, and her family. He lived with Mrs. Winston until her death in the late 1940s. After spending some time in New York with Margaret Freeman recuperating from his sister's death, Stagg returned to D.C. and got a job managing a bookstore. Stagg only worked intermittently throughout his life and was prone to alcoholism. Chronically without funds, Stagg forfeited a portion of his library and his furnishings when he did not meet the storage payments. He was eventually committed to St. Elizabeth's in Washington, D.C. and died there, 23 December 1960. He was buried in the Stagg family section of Hollywood Cemetery. As of 2002, his grave had no marker or tombstone.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Hunter Taylor Stagg was born in the city of Richmond, the younger son of Thomas E. and Sarah Stagg on 29 May 1895. Kicked in the head by a horse at the age of seven, Stagg became prone to seizures later in life. Stagg attended the Richmond school run by John Peyton McGuire and in 1921 joined with three other \"literary minded\" individuals (Mary Dallas Street, Emily Clark (Balch) and Margaret Freeman (who married James Branch Cabell in 1950) to establish The Reviewer, a literary magazine. \"Hunter Stagg was an avid literary lionizer, the one of the four who sought meetings with writers for the thrill of associating with creative artists. His handsome appearance, his considerable charm, his genuine appreciation for writing aided him in establishing the friendships he cherished including that of Cabell. Carl Van Vechten, leader of avant-garde cultural circles in New York, responded to Hunter's appeal and opened literary doors for him.\" -- from the Ellen Glasgow Newsletter #15 which also provides extensive lists of acquaintances met during these years. The Reviewer moved to North Carolina in 1924 and Stagg held several reviewing positions in Richmond before moving to Washington, D.C. in March 1938 to live with his sister, Helen Winston, and her family. He lived with Mrs. Winston until her death in the late 1940s. After spending some time in New York with Margaret Freeman recuperating from his sister's death, Stagg returned to D.C. and got a job managing a bookstore. Stagg only worked intermittently throughout his life and was prone to alcoholism. Chronically without funds, Stagg forfeited a portion of his library and his furnishings when he did not meet the storage payments. He was eventually committed to St. Elizabeth's in Washington, D.C. and died there, 23 December 1960. He was buried in the Stagg family section of Hollywood Cemetery. As of 2002, his grave had no marker or tombstone."],"prefercite_html_tesm":["\u003cp\u003eHunter T. Stagg papers, Collection # M 261, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Hunter T. Stagg papers, Collection # M 261, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains correspondence, notes, typescripts, reviews, bills and miscellaneous materials dating from 1917 to 1981. The bulk of the collection focuses on correspondence throughout the 1920s and 1930s, especially that of James Branch Cabell and Carl Van Vechten (including copies of letters written to Van Vechten from Stagg obtained from Yale University by Edgar MacDonald). Other notable correspondents include: Essie Robeson (wife of Paul Robeson, see 3.5), Marjorie K. Rawlings, Tom Rutherfurd (Rutherfoord), Gertrude Stein, Alice Toklas, Frances Newman, Langston Hughes, Ben Ray Redman, Ellen Glasgow, and Montgomery Evans. Much of the Evans correspondence are copies of letters from Stagg to Evans from the Morris Library, Southern Illinois University. These were provided by Dr. Edgar MacDonald during his research of Hunter Stagg.\u003c/p\u003e  ","\u003cp\u003e1917, 1924-1925, 1927, 1933, 1937, 1947-1948, 1952-1953, 1956, 1976\u003c/p\u003e","\u003cp\u003e1921, 1924, 1935, 1938, 1940-1941, 1943, 1946, 1948-1952\u003c/p\u003e","\u003cp\u003e1921, 1925, 1938, 1944\u003c/p\u003e","\u003cp\u003e1926-1926, 1935, 1950-1951\u003c/p\u003e","\u003cp\u003eLetters were pasted in the following Books from Stagg's Library : from \u003ctitle render=\"italic\"\u003eThe Weary Blues\u003c/title\u003e, a letter dated 12/1/26, and from \u003ctitle render=\"italic\"\u003eFine Clothes to the Jew\u003c/title\u003ea letter dated 2/10/27\u003c/p\u003e","\u003cp\u003eSee also \u003ctitle render=\"italic\"\u003eFrances Newman's Letter\u003c/title\u003e, pasted in are two letters from Newman\u003c/p\u003e","\u003cp\u003eIncludes a letter that was pasted in Stagg's copy of \u003ctitle render=\"italic\"\u003eThe BlindBow-Boy\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eMuch of this material contains correspondence and other items collected by Dr. Edgar MacDonald who in the 1970s researched the life and work of Stagg.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains correspondence, notes, typescripts, reviews, bills and miscellaneous materials dating from 1917 to 1981. The bulk of the collection focuses on correspondence throughout the 1920s and 1930s, especially that of James Branch Cabell and Carl Van Vechten (including copies of letters written to Van Vechten from Stagg obtained from Yale University by Edgar MacDonald). Other notable correspondents include: Essie Robeson (wife of Paul Robeson, see 3.5), Marjorie K. Rawlings, Tom Rutherfurd (Rutherfoord), Gertrude Stein, Alice Toklas, Frances Newman, Langston Hughes, Ben Ray Redman, Ellen Glasgow, and Montgomery Evans. Much of the Evans correspondence are copies of letters from Stagg to Evans from the Morris Library, Southern Illinois University. These were provided by Dr. Edgar MacDonald during his research of Hunter Stagg.","1917, 1924-1925, 1927, 1933, 1937, 1947-1948, 1952-1953, 1956, 1976","1921, 1924, 1935, 1938, 1940-1941, 1943, 1946, 1948-1952","1921, 1925, 1938, 1944","1926-1926, 1935, 1950-1951","Letters were pasted in the following Books from Stagg's Library : from The Weary Blues, a letter dated 12/1/26, and from Fine Clothes to the Jewa letter dated 2/10/27","See also Frances Newman's Letter, pasted in are two letters from Newman","Includes a letter that was pasted in Stagg's copy of The BlindBow-Boy","Much of this material contains correspondence and other items collected by Dr. Edgar MacDonald who in the 1970s researched the life and work of Stagg."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Stagg, Hunter T. (Hunter Taylor)","Van Vechten, Carl -- Correspondence","Cabell, James Branch, 1879-1958 -- Correspondence"],"names_coll_ssim":["Van Vechten, Carl -- Correspondence","Cabell, James Branch, 1879-1958 -- Correspondence"],"names_ssim":["VCU James Branch Cabell Library","Stagg, Hunter T. 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