{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1917\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1917\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=2","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1917\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=420"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":420,"limit_value":10,"offset_value":0,"total_count":4191,"first_page?":true,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_779_c01_c20","type":"Box","attributes":{"title":"10 folders, 1910/1939","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_779_c01_c20#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_779_c01_c20","ref_ssm":["viu_repositories_3_resources_779_c01_c20"],"id":"viu_repositories_3_resources_779_c01_c20","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779_c01","parent_ssi":"viu_repositories_3_resources_779_c01","parent_ssim":["Virginia Folklore Society records, 1905/2007","Folk songs"],"parent_ids_ssim":["viu_repositories_3_resources_779","viu_repositories_3_resources_779_c01"],"title_filing_ssi":"10 folders","title_ssm":["10 folders"],"title_tesim":["10 folders"],"normalized_title_ssm":["10 folders, 1910/1939"],"text":["10 folders, 1910/1939","Virginia Folklore Society records, 1905/2007","Folk songs","box 20","English"],"parent_unittitles_ssm":["Virginia Folklore Society records, 1905/2007","Folk songs"],"parent_unittitles_tesim":["Virginia Folklore Society records, 1905/2007","Folk songs"],"normalized_date_ssm":["1910/1939"],"unitdate_inclusive_ssm":["1910s-1930s"],"level_ssm":["Box"],"level_ssim":["Box"],"component_level_isim":[2],"sort_isi":21,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Virginia Folklore Society records, 1905/2007"],"containers_ssim":["box 20"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Boxes 27 and 28 do not circulate."],"language_ssim":["English"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"_nest_path_":"/components#0/components#19","timestamp":"2026-06-23T07:29:38.998Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_779","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_779.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/687","title_filing_ssi":"Virginia Folklore Society records","title_ssm":["Virginia Folklore Society records"],"title_tesim":["Virginia Folklore Society records"],"unitdate_ssm":["1905-2007"],"unitdate_inclusive_ssm":["1905-2007"],"normalized_date_ssm":["1905/2007"],"normalized_title_ssm":["Virginia Folklore Society records, 1905/2007"],"text":["Virginia Folklore Society records, 1905/2007","MSS 9936","Archival Resource Key","/repositories/3/resources/779","clippings (information artifacts)","Black-and-white photographs","Notebooks","Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate.","Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.","The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\"","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5).","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\"","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America.","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society.","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history.","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore.","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive.","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country.","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program.","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings.","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition.","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972.","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia.","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others.","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia.","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981.","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field.","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s.","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm.","Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.","This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.","Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs.","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.","Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.","Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","English"],"collection_title_tesim":["Virginia Folklore Society records, 1905/2007"],"collection_ssim":["Virginia Folklore Society records, 1905/2007"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"unitid_tesim":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_persname_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["Archival transfer from MSS 9829, the papers of Arthur Kyle Davis, 19 February 1974 comprise series one and two.  Series three, accession number Accession 2019-0235, donated by Marc Charles Perdue and Martin Clay Perdue."],"access_subjects_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"access_subjects_ssm":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"has_online_content_ssim":["true"],"extent_ssm":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"extent_tesim":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"genreform_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 27 and 28 do not circulate.\u003c/p\u003e  ","\u003cp\u003eBoxes 27 and 28 in this series DO NOT circulate.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235\u003c/p\u003e  ","\u003cp\u003eMaterials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed."],"bioghist_html_tesm":["\u003cp\u003eThe broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" \u003c/p\u003e","\u003cp\u003eThe Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). \u003c/p\u003e","\u003cp\u003eUnder C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" \u003c/p\u003e","\u003cp\u003eBy 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. \u003c/p\u003e","\u003cp\u003eTwo figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. \u003c/p\u003e","\u003cp\u003eThe second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. \u003c/p\u003e","\u003cp\u003eThe Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. \u003c/p\u003e","\u003cp\u003eIn 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. \u003c/p\u003e","\u003cp\u003eBeginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. \u003c/p\u003e","\u003cp\u003eIn March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. \u003c/p\u003e","\u003cp\u003eIn addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.\u003c/p\u003e","\u003cp\u003eIn 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. \u003c/p\u003e","\u003cp\u003eWith the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. \u003c/p\u003e","\u003cp\u003eOn March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. \u003c/p\u003e","\u003cp\u003eFolklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026amp; Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. \u003c/p\u003e","\u003cp\u003eThe contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. \u003c/p\u003e","\u003cp\u003eThe decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. \u003c/p\u003e","\u003cp\u003eIn spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. \u003c/p\u003e","\u003cp\u003eThe changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. \u003c/p\u003e","\u003cp\u003eConsistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. \u003c/p\u003e","\u003cp\u003eExcerpted from http://faculty.virginia.edu/vafolk/archive.htm. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\"","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5).","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\"","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America.","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society.","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history.","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore.","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive.","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country.","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program.","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings.","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition.","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972.","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia.","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others.","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia.","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981.","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field.","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s.","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm."],"custodhist_html_tesm":["\u003cp\u003eMaterial transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society."],"odd_html_tesm":["\u003cp\u003eThis resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003e•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026amp; Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.\u003c/p\u003e","\u003cp\u003e•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.\u003c/p\u003e","\u003cp\u003e•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.\u003c/p\u003e","\u003cp\u003e•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.\u003c/p\u003e"],"odd_heading_ssm":["General","Inventory","Inventory","Inventory","Inventory"],"odd_tesim":["This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately."],"scopecontent_html_tesm":["\u003cp\u003eVirginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.\u003c/p\u003e","\u003cp\u003eRegarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. \u003c/p\u003e","\u003cp\u003eThe recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).\u003c/p\u003e","\u003cp\u003ePlease note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e  ","\u003cp\u003eFolder 1 contains transcripts and notes.\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMyrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eColeman Williams, vocals. Performance location: Halifax County, Virginia, United States\u003c/p\u003e","\u003cp\u003ePerformance location: Henrico County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eCarter Wicks, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eWilliam Elliott Dold, vocals.\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRichard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eG. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRoselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLouise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMerkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinor Wilson, vocals.\u003c/p\u003e","\u003cp\u003eRussell Davis, vocals. Performance location: Greene County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRonald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFlorence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, dulcimer.\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFrank Geldand, piano.\u003c/p\u003e","\u003cp\u003eBetty Booker, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis (1st work).\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals.\u003c/p\u003e","\u003cp\u003eThis box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.\u003c/p\u003e","\u003cp\u003eA large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.\u003c/p\u003e","\u003cp\u003ePapers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.\u003c/p\u003e","\u003cp\u003eVirginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note"],"scopecontent_tesim":["Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs.","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters."],"separatedmaterial_html_tesm":["\u003cp\u003eAudio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"names_ssim":["Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":210,"online_item_count_is":173,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:29:38.998Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_779_c01_c20"}},{"id":"viu_repositories_3_resources_779_c01_c22","type":"Box","attributes":{"title":"10 folders, 1910/1939","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_779_c01_c22#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_779_c01_c22","ref_ssm":["viu_repositories_3_resources_779_c01_c22"],"id":"viu_repositories_3_resources_779_c01_c22","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779_c01","parent_ssi":"viu_repositories_3_resources_779_c01","parent_ssim":["Virginia Folklore Society records, 1905/2007","Folk songs"],"parent_ids_ssim":["viu_repositories_3_resources_779","viu_repositories_3_resources_779_c01"],"title_filing_ssi":"10 folders","title_ssm":["10 folders"],"title_tesim":["10 folders"],"normalized_title_ssm":["10 folders, 1910/1939"],"text":["10 folders, 1910/1939","Virginia Folklore Society records, 1905/2007","Folk songs","box 22","English"],"parent_unittitles_ssm":["Virginia Folklore Society records, 1905/2007","Folk songs"],"parent_unittitles_tesim":["Virginia Folklore Society records, 1905/2007","Folk songs"],"normalized_date_ssm":["1910/1939"],"unitdate_inclusive_ssm":["1910s-1930s"],"level_ssm":["Box"],"level_ssim":["Box"],"component_level_isim":[2],"sort_isi":23,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Virginia Folklore Society records, 1905/2007"],"containers_ssim":["box 22"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Boxes 27 and 28 do not circulate."],"language_ssim":["English"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"_nest_path_":"/components#0/components#21","timestamp":"2026-06-23T07:29:38.998Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_779","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_779.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/687","title_filing_ssi":"Virginia Folklore Society records","title_ssm":["Virginia Folklore Society records"],"title_tesim":["Virginia Folklore Society records"],"unitdate_ssm":["1905-2007"],"unitdate_inclusive_ssm":["1905-2007"],"normalized_date_ssm":["1905/2007"],"normalized_title_ssm":["Virginia Folklore Society records, 1905/2007"],"text":["Virginia Folklore Society records, 1905/2007","MSS 9936","Archival Resource Key","/repositories/3/resources/779","clippings (information artifacts)","Black-and-white photographs","Notebooks","Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate.","Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.","The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\"","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5).","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\"","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America.","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society.","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history.","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore.","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive.","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country.","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program.","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings.","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition.","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972.","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia.","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others.","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia.","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981.","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field.","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s.","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm.","Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.","This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.","Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs.","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.","Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.","Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","English"],"collection_title_tesim":["Virginia Folklore Society records, 1905/2007"],"collection_ssim":["Virginia Folklore Society records, 1905/2007"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"unitid_tesim":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_persname_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["Archival transfer from MSS 9829, the papers of Arthur Kyle Davis, 19 February 1974 comprise series one and two.  Series three, accession number Accession 2019-0235, donated by Marc Charles Perdue and Martin Clay Perdue."],"access_subjects_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"access_subjects_ssm":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"has_online_content_ssim":["true"],"extent_ssm":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"extent_tesim":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"genreform_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 27 and 28 do not circulate.\u003c/p\u003e  ","\u003cp\u003eBoxes 27 and 28 in this series DO NOT circulate.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235\u003c/p\u003e  ","\u003cp\u003eMaterials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed."],"bioghist_html_tesm":["\u003cp\u003eThe broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" \u003c/p\u003e","\u003cp\u003eThe Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). \u003c/p\u003e","\u003cp\u003eUnder C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" \u003c/p\u003e","\u003cp\u003eBy 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. \u003c/p\u003e","\u003cp\u003eTwo figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. \u003c/p\u003e","\u003cp\u003eThe second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. \u003c/p\u003e","\u003cp\u003eThe Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. \u003c/p\u003e","\u003cp\u003eIn 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. \u003c/p\u003e","\u003cp\u003eBeginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. \u003c/p\u003e","\u003cp\u003eIn March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. \u003c/p\u003e","\u003cp\u003eIn addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.\u003c/p\u003e","\u003cp\u003eIn 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. \u003c/p\u003e","\u003cp\u003eWith the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. \u003c/p\u003e","\u003cp\u003eOn March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. \u003c/p\u003e","\u003cp\u003eFolklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026amp; Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. \u003c/p\u003e","\u003cp\u003eThe contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. \u003c/p\u003e","\u003cp\u003eThe decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. \u003c/p\u003e","\u003cp\u003eIn spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. \u003c/p\u003e","\u003cp\u003eThe changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. \u003c/p\u003e","\u003cp\u003eConsistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. \u003c/p\u003e","\u003cp\u003eExcerpted from http://faculty.virginia.edu/vafolk/archive.htm. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\"","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5).","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\"","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America.","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society.","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history.","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore.","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive.","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country.","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program.","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings.","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition.","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972.","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia.","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others.","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia.","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981.","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field.","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s.","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm."],"custodhist_html_tesm":["\u003cp\u003eMaterial transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society."],"odd_html_tesm":["\u003cp\u003eThis resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003e•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026amp; Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.\u003c/p\u003e","\u003cp\u003e•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.\u003c/p\u003e","\u003cp\u003e•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.\u003c/p\u003e","\u003cp\u003e•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.\u003c/p\u003e"],"odd_heading_ssm":["General","Inventory","Inventory","Inventory","Inventory"],"odd_tesim":["This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately."],"scopecontent_html_tesm":["\u003cp\u003eVirginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.\u003c/p\u003e","\u003cp\u003eRegarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. \u003c/p\u003e","\u003cp\u003eThe recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).\u003c/p\u003e","\u003cp\u003ePlease note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e  ","\u003cp\u003eFolder 1 contains transcripts and notes.\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMyrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eColeman Williams, vocals. Performance location: Halifax County, Virginia, United States\u003c/p\u003e","\u003cp\u003ePerformance location: Henrico County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eCarter Wicks, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eWilliam Elliott Dold, vocals.\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRichard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eG. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRoselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLouise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMerkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinor Wilson, vocals.\u003c/p\u003e","\u003cp\u003eRussell Davis, vocals. Performance location: Greene County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRonald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFlorence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, dulcimer.\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFrank Geldand, piano.\u003c/p\u003e","\u003cp\u003eBetty Booker, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis (1st work).\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals.\u003c/p\u003e","\u003cp\u003eThis box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.\u003c/p\u003e","\u003cp\u003eA large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.\u003c/p\u003e","\u003cp\u003ePapers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.\u003c/p\u003e","\u003cp\u003eVirginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note"],"scopecontent_tesim":["Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs.","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters."],"separatedmaterial_html_tesm":["\u003cp\u003eAudio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. 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ace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/132893","title_ssm":["Richard J. DeMartino papers"],"title_tesim":["Richard J. DeMartino papers"],"unitdate_ssm":["circa 1910 - 1965"],"unitdate_inclusive_ssm":["circa 1910 - 1965"],"normalized_date_ssm":["1910/1965"],"normalized_title_ssm":["Richard J. DeMartino papers, 1910/1965"],"text":["Richard J. DeMartino papers, 1910/1965","MSS.2017.02","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/612","France -- Foreign relations -- Japan -- 1940-1945","Japan -- History -- February Incident, 1936 (February 26)","Japan -- Foreign relations -- 1912-1945","Netherlands -- Foreign relations -- 1898-1948","Soviet Union -- Foreign relations -- 1917-1945","Thailand -- Foreign relations -- Japan","Philippines -- History -- Japanese occupation, 1942-1945","Prisoners of war -- Japan","Midway, Battle of, 1942","Bismarck Sea, Battle of, 1943","Pearl Harbor (Hawaii), Attack on, 1941","Thai-Indochinese Conflict, 1940-1941","Tokyo Trial, Tokyo, Japan, 1946-1948","War crime trials -- Japan","World War, 1939-1945 -- Personal narratives, Japanese","World War, 1939-1945 -- Personal narratives, American","World War, 1939-1945 -- Campaigns -- Japan","World War, 1939-1945 -- Campaigns -- Indonesia","World War, 1939-1945 -- Prisoners and prisons, British","diaries","photographs","Mr. DeMartino personal records show the offer that the General Headquarters of the Supreme Commander for the Allied Forces, Office of Civilian Personnel offer Lt. Richard J. DeMartino as Historical Advisor, P-5 in the \"War Department with duty station in the occupation area (Japan and Korea). The date was April 10, 1946.","In the personal statement that DeMartino filled, he certified that he was born on August 28, 1922 in New York, NY. He attended Galvani Junior High School and Benjamin Franklin High School (1932-1938) and The City College of New York (1938-1942) B.S in Social Sciences. He was member of the Phi Beta Kappa and the History Society. He worked for New York State Civil Service (September – December 1942). In 1942 he entered the US Navy. He was honorably discharged from in July 2, 1943. He also states that he has \"fair\" knowledge of the Italian and Japanese languages and that both his parents were immigrants, born in Italy.","Mr. DeMartino contract as historical advisor terminated on April 17, 1947, but he continued working in the same capacity until May 19, 1948. In his memorandum of resignation DeMartino asks: \n\"permission to retain court record and other materials used in connection with the trial is believed forthcoming. This will require a baggage allowance for shipping in excess of the usual allotment.\" [See DeMartino Civilian Personnel Record folder, box 1]","These files contain excerpts of documents that are not fully classified and of which we do not have certainty of where they come from.  All files have excerpts, notes and some full documents. Just full documents will be added as items records when we find them.","This file contains excerpts of documents that are not fully classified and of which we do not have certainty of where they belonged to.","Foreign Relations of the United States, p. 32","Foreign Relations of the United States, p. 32","These photographs have been digitized.","This collection was organized by Richard J. DeMartino during his tenure as one of the \"historian advisors\" to the International Military Tribunal for the Far East between 1946-1948.","The files contain excerpts of official documents, documents, and DeMartino's handwritten notes. Excerpts from the diary of Marquis Kōichi Kido are present in each file, as if DeMartino was using Kido's notes as a guide to the research he was working on. There are also many excerpts from Papers Relating to the Foreign Relations of the United States Japan: 1931-1941, Washinton: U.S. Govt. Print. Off., 1943, 2 v.","The collection is divided in 5 series and two files of unrelated materials to the IMTFE:","Series 1: Ephemeris Files – consist of a detail account of day to day information beginning 1 – 10 January 1936- 10 March; 10 March 1941 to 1948.","Series 2: Onomastic Files – consist of files of persons related to the IMTFE.","Series 3: Miscellaneous Files: translations and other related files.","Series 4: Printed materials","Series 5: Photographs","Other materials not related to the IMTFE","DeMartino inscribed the documents with two annotations: a last name and a number. Special Collections kept these annotations between brackets [ ].","The ephemeris files consist of a detail account of day to day information that DeMartino filed and organized beginning January 1 - March 10, 1936; and March 10 1941 - 1948.","Arthur J. Morris Law Library Special Collections","Asahi Shimbun","International Military Tribunal for the Far East (IMTFE)","Mainichi Shimbun","Osaka Mainichi","The Japan Times","The Nippon Times","The Tokyo Nichi Nichi Shimbun","DeMartino, Richard J., 1922-2013","Araki, Sadao, 1877-1966","Bagge, Widar, 1886-1970","Ballantine, Joseph W., 1888-1973","Ching-wei, Wang, 1883-1944","Churchill, Winston S., 1874-1965","Cumming, William P., 1900-1989","Davis, Norman H., 1878-1944","Dooman, Eugene H., 1890-1969","Goering, Hermann Wilhelm, 1893-1946","Gorgé, Camille, 1893-1978","Grew, Joseph C., 1880-1965","Hashimoto, Kingoro, 1890-1957","Hata, Shunroku, 1879-1962","Hatoyama, Ichiro, 1883-1959","Higashikuni, Naruhiko, 1887-1990","Hiranuma, Kiichiro, 1867-1952","Hirohito, Michinomiya, 1901-1989","Hirota, Koki, 1878-1948","Hoshino, Naoki, 1883-1978","Hull, Cordell, 1871-1955","Ishihara, Kanji, 1889-1949","Ishii, Shiro, 1882-1959","Ishiwata, Sotaro, 1891-1950","Itagaki, Seishiro, 1885-1948","Iwabuchi, Tatsuo, 1892-1975","Kato, Sotomatsu, 1890-1942","Kaya, Okinori, 1889-1977","Keenan, Joseph B., 1888-1954","Kido, Koichi, 1889-1977","Kimura, Heitaro, 1888-1948","Koiso, Kuniaki, 1880-1950","Konoe, Fumimaro, 1891-1945","Kurusu, Saburo, 1886-1954","Matsui, Iwane, 1878-1948","Matsumoto, Shunichi, 1897-1987","Matsuoka, Yosuke, 1880-1946","Minami, Jiro, 1874-1955","Muto, Akira, 1892-1948","Nagano, Osami, 1880-1947","Nomura, Kichisaburo, 1877-1964","Nomura, Naokuni, 1885-1973","Oka, Takazumi, 1890-1973","Okada, Keisuke, 1868-1952","Oshima, Hiroshi, 1886-1975","Ribbentrop, Joachim, 1893-1946","Roosevelt, Franklin D., 1882-1945","Sato, Kenryo, 1895-1975","Sawada, Shigeru, 1887-1980","Shigemitsu, Mamoru, 1887-1957","Shimada, Shigetaro, 1883-1976","Shiratori, Toshio, 1887-1949","Sorge, Richard, 1895-1944","Suzuki, Teiichi, 1888-1989","Tanaka, Ryukichi, 1893-1972","Tanaka, Shinichi, 1893-1976","Tani, Masayuki, 1889-1962","Terasaki, Hidenari (Taro), 1890-1951","Togo, Shigenori, 1882-1950","Tojo, Hideki, 1884-1948","Tomita, Kenji, 1897-1977","Toyoda, Teijiro, 1885-1971","Umezu, Yoshijiro, 1882-1949","Welles, Sumner, 1892-1961","Yamamoto, Isoroku, 1884-1943","Yamamoto, Kumaichi","Yoshida, Shigeru, 1878-1967","Yoshizawa, Kenkichi, 1874-1965","English\n      Japanese"],"collection_title_tesim":["Richard J. DeMartino papers, 1910/1965"],"collection_ssim":["Richard J. DeMartino papers, 1910/1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.2017.02","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/612"],"unitid_tesim":["MSS.2017.02","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/612"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["France -- Foreign relations -- Japan -- 1940-1945","Japan -- History -- February Incident, 1936 (February 26)","Japan -- Foreign relations -- 1912-1945","Netherlands -- Foreign relations -- 1898-1948","Soviet Union -- Foreign relations -- 1917-1945","Thailand -- Foreign relations -- Japan"],"geogname_ssim":["France -- Foreign relations -- Japan -- 1940-1945","Japan -- History -- February Incident, 1936 (February 26)","Japan -- Foreign relations -- 1912-1945","Netherlands -- Foreign relations -- 1898-1948","Soviet Union -- Foreign relations -- 1917-1945","Thailand -- Foreign relations -- Japan"],"places_ssim":["France -- Foreign relations -- Japan -- 1940-1945","Japan -- History -- February Incident, 1936 (February 26)","Japan -- Foreign relations -- 1912-1945","Netherlands -- Foreign relations -- 1898-1948","Soviet Union -- Foreign relations -- 1917-1945","Thailand -- Foreign relations -- Japan"],"creator_ssm":["DeMartino, Richard J., 1922-2013"],"creator_ssim":["DeMartino, Richard J., 1922-2013"],"creator_persname_ssim":["DeMartino, Richard J., 1922-2013","Araki, Sadao, 1877-1966","Bagge, Widar, 1886-1970","Ballantine, Joseph W., 1888-1973","Ching-wei, Wang, 1883-1944","Churchill, Winston S., 1874-1965","Cumming, William P., 1900-1989","Davis, Norman H., 1878-1944","Dooman, Eugene H., 1890-1969","Goering, Hermann Wilhelm, 1893-1946","Gorgé, Camille, 1893-1978","Grew, Joseph C., 1880-1965","Hashimoto, Kingoro, 1890-1957","Hata, Shunroku, 1879-1962","Hatoyama, Ichiro, 1883-1959","Higashikuni, Naruhiko, 1887-1990","Hiranuma, Kiichiro, 1867-1952","Hirohito, Michinomiya, 1901-1989","Hirota, Koki, 1878-1948","Hoshino, Naoki, 1883-1978","Hull, Cordell, 1871-1955","Ishihara, Kanji, 1889-1949","Ishii, Shiro, 1882-1959","Ishiwata, Sotaro, 1891-1950","Itagaki, Seishiro, 1885-1948","Iwabuchi, Tatsuo, 1892-1975","Kato, Sotomatsu, 1890-1942","Kaya, Okinori, 1889-1977","Keenan, Joseph B., 1888-1954","Kido, Koichi, 1889-1977","Kimura, Heitaro, 1888-1948","Koiso, Kuniaki, 1880-1950","Konoe, Fumimaro, 1891-1945","Kurusu, Saburo, 1886-1954","Matsui, Iwane, 1878-1948","Matsumoto, Shunichi, 1897-1987","Matsuoka, Yosuke, 1880-1946","Minami, Jiro, 1874-1955","Muto, Akira, 1892-1948","Nagano, Osami, 1880-1947","Nomura, Kichisaburo, 1877-1964","Nomura, Naokuni, 1885-1973","Oka, Takazumi, 1890-1973","Okada, Keisuke, 1868-1952","Oshima, Hiroshi, 1886-1975","Ribbentrop, Joachim, 1893-1946","Roosevelt, Franklin D., 1882-1945","Sato, Kenryo, 1895-1975","Sawada, Shigeru, 1887-1980","Shigemitsu, Mamoru, 1887-1957","Shimada, Shigetaro, 1883-1976","Shiratori, Toshio, 1887-1949","Sorge, Richard, 1895-1944","Suzuki, Teiichi, 1888-1989","Tanaka, Ryukichi, 1893-1972","Tanaka, Shinichi, 1893-1976","Tani, Masayuki, 1889-1962","Terasaki, Hidenari (Taro), 1890-1951","Togo, Shigenori, 1882-1950","Tojo, Hideki, 1884-1948","Tomita, Kenji, 1897-1977","Toyoda, Teijiro, 1885-1971","Umezu, Yoshijiro, 1882-1949","Welles, Sumner, 1892-1961","Yamamoto, Isoroku, 1884-1943","Yamamoto, Kumaichi","Yoshida, Shigeru, 1878-1967","Yoshizawa, Kenkichi, 1874-1965"],"creator_corpname_ssim":["Arthur J. Morris Law Library Special Collections","Asahi Shimbun","International Military Tribunal for the Far East (IMTFE)","Mainichi Shimbun","Osaka Mainichi","The Japan Times","The Nippon Times","The Tokyo Nichi Nichi Shimbun"],"creators_ssim":["DeMartino, Richard J., 1922-2013","Araki, Sadao, 1877-1966","Bagge, Widar, 1886-1970","Ballantine, Joseph W., 1888-1973","Ching-wei, Wang, 1883-1944","Churchill, Winston S., 1874-1965","Cumming, William P., 1900-1989","Davis, Norman H., 1878-1944","Dooman, Eugene H., 1890-1969","Goering, Hermann Wilhelm, 1893-1946","Gorgé, Camille, 1893-1978","Grew, Joseph C., 1880-1965","Hashimoto, Kingoro, 1890-1957","Hata, Shunroku, 1879-1962","Hatoyama, Ichiro, 1883-1959","Higashikuni, Naruhiko, 1887-1990","Hiranuma, Kiichiro, 1867-1952","Hirohito, Michinomiya, 1901-1989","Hirota, Koki, 1878-1948","Hoshino, Naoki, 1883-1978","Hull, Cordell, 1871-1955","Ishihara, Kanji, 1889-1949","Ishii, Shiro, 1882-1959","Ishiwata, Sotaro, 1891-1950","Itagaki, Seishiro, 1885-1948","Iwabuchi, Tatsuo, 1892-1975","Kato, Sotomatsu, 1890-1942","Kaya, Okinori, 1889-1977","Keenan, Joseph B., 1888-1954","Kido, Koichi, 1889-1977","Kimura, Heitaro, 1888-1948","Koiso, Kuniaki, 1880-1950","Konoe, Fumimaro, 1891-1945","Kurusu, Saburo, 1886-1954","Matsui, Iwane, 1878-1948","Matsumoto, Shunichi, 1897-1987","Matsuoka, Yosuke, 1880-1946","Minami, Jiro, 1874-1955","Muto, Akira, 1892-1948","Nagano, Osami, 1880-1947","Nomura, Kichisaburo, 1877-1964","Nomura, Naokuni, 1885-1973","Oka, Takazumi, 1890-1973","Okada, Keisuke, 1868-1952","Oshima, Hiroshi, 1886-1975","Ribbentrop, Joachim, 1893-1946","Roosevelt, Franklin D., 1882-1945","Sato, Kenryo, 1895-1975","Sawada, Shigeru, 1887-1980","Shigemitsu, Mamoru, 1887-1957","Shimada, Shigetaro, 1883-1976","Shiratori, Toshio, 1887-1949","Sorge, Richard, 1895-1944","Suzuki, Teiichi, 1888-1989","Tanaka, Ryukichi, 1893-1972","Tanaka, Shinichi, 1893-1976","Tani, Masayuki, 1889-1962","Terasaki, Hidenari (Taro), 1890-1951","Togo, Shigenori, 1882-1950","Tojo, Hideki, 1884-1948","Tomita, Kenji, 1897-1977","Toyoda, Teijiro, 1885-1971","Umezu, Yoshijiro, 1882-1949","Welles, Sumner, 1892-1961","Yamamoto, Isoroku, 1884-1943","Yamamoto, Kumaichi","Yoshida, Shigeru, 1878-1967","Yoshizawa, Kenkichi, 1874-1965","Arthur J. Morris Law Library Special Collections","Asahi Shimbun","International Military Tribunal for the Far East (IMTFE)","Mainichi Shimbun","Osaka Mainichi","The Japan Times","The Nippon Times","The Tokyo Nichi Nichi Shimbun"],"acqinfo_ssim":["The collection was donated to the Law Library in the Summer of 2017. Prof. Jamie Sedwick of Acadia University in Nova Scotia contacted the Special Collections Department to alert us of the existence of the papers and asked if we were interested in them.  The library immediately contacted Ms. Kathleen O'Shea, Mr. DeMartino's wife and after some negotiations the papers arrived in Charlottesville in September of 2017."],"access_subjects_ssim":["Philippines -- History -- Japanese occupation, 1942-1945","Prisoners of war -- Japan","Midway, Battle of, 1942","Bismarck Sea, Battle of, 1943","Pearl Harbor (Hawaii), Attack on, 1941","Thai-Indochinese Conflict, 1940-1941","Tokyo Trial, Tokyo, Japan, 1946-1948","War crime trials -- Japan","World War, 1939-1945 -- Personal narratives, Japanese","World War, 1939-1945 -- Personal narratives, American","World War, 1939-1945 -- Campaigns -- Japan","World War, 1939-1945 -- Campaigns -- Indonesia","World War, 1939-1945 -- Prisoners and prisons, British","diaries","photographs"],"access_subjects_ssm":["Philippines -- History -- Japanese occupation, 1942-1945","Prisoners of war -- Japan","Midway, Battle of, 1942","Bismarck Sea, Battle of, 1943","Pearl Harbor (Hawaii), Attack on, 1941","Thai-Indochinese Conflict, 1940-1941","Tokyo Trial, Tokyo, Japan, 1946-1948","War crime trials -- Japan","World War, 1939-1945 -- Personal narratives, Japanese","World War, 1939-1945 -- Personal narratives, American","World War, 1939-1945 -- Campaigns -- Japan","World War, 1939-1945 -- Campaigns -- Indonesia","World War, 1939-1945 -- Prisoners and prisons, British","diaries","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["14 Cubic Feet 34 archival boxes, plus some oversized items."],"extent_tesim":["14 Cubic Feet 34 archival boxes, plus some oversized items."],"genreform_ssim":["diaries","photographs"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"bioghist_html_tesm":["\u003cp\u003eMr. DeMartino personal records show the offer that the General Headquarters of the Supreme Commander for the Allied Forces, Office of Civilian Personnel offer Lt. Richard J. DeMartino as Historical Advisor, P-5 in the \"War Department with duty station in the occupation area (Japan and Korea). The date was April 10, 1946.\u003c/p\u003e","\u003cp\u003eIn the personal statement that DeMartino filled, he certified that he was born on August 28, 1922 in New York, NY. He attended Galvani Junior High School and Benjamin Franklin High School (1932-1938) and The City College of New York (1938-1942) B.S in Social Sciences. He was member of the Phi Beta Kappa and the History Society. He worked for New York State Civil Service (September – December 1942). In 1942 he entered the US Navy. He was honorably discharged from in July 2, 1943. He also states that he has \"fair\" knowledge of the Italian and Japanese languages and that both his parents were immigrants, born in Italy.\u003c/p\u003e","\u003cp\u003eMr. DeMartino contract as historical advisor terminated on April 17, 1947, but he continued working in the same capacity until May 19, 1948. In his memorandum of resignation DeMartino asks: \n\"permission to retain court record and other materials used in connection with the trial is believed forthcoming. This will require a baggage allowance for shipping in excess of the usual allotment.\" [See DeMartino Civilian Personnel Record folder, box 1]\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mr. DeMartino personal records show the offer that the General Headquarters of the Supreme Commander for the Allied Forces, Office of Civilian Personnel offer Lt. Richard J. DeMartino as Historical Advisor, P-5 in the \"War Department with duty station in the occupation area (Japan and Korea). The date was April 10, 1946.","In the personal statement that DeMartino filled, he certified that he was born on August 28, 1922 in New York, NY. He attended Galvani Junior High School and Benjamin Franklin High School (1932-1938) and The City College of New York (1938-1942) B.S in Social Sciences. He was member of the Phi Beta Kappa and the History Society. He worked for New York State Civil Service (September – December 1942). In 1942 he entered the US Navy. He was honorably discharged from in July 2, 1943. He also states that he has \"fair\" knowledge of the Italian and Japanese languages and that both his parents were immigrants, born in Italy.","Mr. DeMartino contract as historical advisor terminated on April 17, 1947, but he continued working in the same capacity until May 19, 1948. In his memorandum of resignation DeMartino asks: \n\"permission to retain court record and other materials used in connection with the trial is believed forthcoming. This will require a baggage allowance for shipping in excess of the usual allotment.\" [See DeMartino Civilian Personnel Record folder, box 1]"],"processinfo_html_tesm":["\u003cp\u003eThese files contain excerpts of documents that are not fully classified and of which we do not have certainty of where they come from.  All files have excerpts, notes and some full documents. Just full documents will be added as items records when we find them.\u003c/p\u003e","\u003cp\u003eThis file contains excerpts of documents that are not fully classified and of which we do not have certainty of where they belonged to.\u003c/p\u003e","\u003cp\u003eForeign Relations of the United States, p. 32\u003c/p\u003e","\u003cp\u003eForeign Relations of the United States, p. 32\u003c/p\u003e","\u003cp\u003eThese photographs have been digitized.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["These files contain excerpts of documents that are not fully classified and of which we do not have certainty of where they come from.  All files have excerpts, notes and some full documents. Just full documents will be added as items records when we find them.","This file contains excerpts of documents that are not fully classified and of which we do not have certainty of where they belonged to.","Foreign Relations of the United States, p. 32","Foreign Relations of the United States, p. 32","These photographs have been digitized."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was organized by Richard J. DeMartino during his tenure as one of the \"historian advisors\" to the International Military Tribunal for the Far East between 1946-1948. \u003c/p\u003e","\u003cp\u003eThe files contain excerpts of official documents, documents, and DeMartino's handwritten notes. Excerpts from the diary of Marquis Kōichi Kido are present in each file, as if DeMartino was using Kido's notes as a guide to the research he was working on. There are also many excerpts from Papers Relating to the Foreign Relations of the United States Japan: 1931-1941, Washinton: U.S. Govt. Print. Off., 1943, 2 v.\u003c/p\u003e","\u003cp\u003eThe collection is divided in 5 series and two files of unrelated materials to the IMTFE:\u003c/p\u003e","\u003cp\u003eSeries 1: Ephemeris Files – consist of a detail account of day to day information beginning 1 – 10 January 1936- 10 March; 10 March 1941 to 1948.\u003c/p\u003e","\u003cp\u003eSeries 2: Onomastic Files – consist of files of persons related to the IMTFE.\u003c/p\u003e","\u003cp\u003eSeries 3: Miscellaneous Files: translations and other related files.\u003c/p\u003e","\u003cp\u003eSeries 4: Printed materials\u003c/p\u003e","\u003cp\u003eSeries 5: Photographs\u003c/p\u003e","\u003cp\u003eOther materials not related to the IMTFE\u003c/p\u003e","\u003cp\u003eDeMartino inscribed the documents with two annotations: a last name and a number. Special Collections kept these annotations between brackets [ ]. \u003c/p\u003e  ","\u003cp\u003eThe ephemeris files consist of a detail account of day to day information that DeMartino filed and organized beginning January 1 - March 10, 1936; and March 10 1941 - 1948.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection was organized by Richard J. DeMartino during his tenure as one of the \"historian advisors\" to the International Military Tribunal for the Far East between 1946-1948.","The files contain excerpts of official documents, documents, and DeMartino's handwritten notes. Excerpts from the diary of Marquis Kōichi Kido are present in each file, as if DeMartino was using Kido's notes as a guide to the research he was working on. There are also many excerpts from Papers Relating to the Foreign Relations of the United States Japan: 1931-1941, Washinton: U.S. Govt. Print. Off., 1943, 2 v.","The collection is divided in 5 series and two files of unrelated materials to the IMTFE:","Series 1: Ephemeris Files – consist of a detail account of day to day information beginning 1 – 10 January 1936- 10 March; 10 March 1941 to 1948.","Series 2: Onomastic Files – consist of files of persons related to the IMTFE.","Series 3: Miscellaneous Files: translations and other related files.","Series 4: Printed materials","Series 5: Photographs","Other materials not related to the IMTFE","DeMartino inscribed the documents with two annotations: a last name and a number. Special Collections kept these annotations between brackets [ ].","The ephemeris files consist of a detail account of day to day information that DeMartino filed and organized beginning January 1 - March 10, 1936; and March 10 1941 - 1948."],"corpname_ssim":["Arthur J. Morris Law Library Special Collections","Asahi Shimbun","International Military Tribunal for the Far East (IMTFE)","Mainichi Shimbun","Osaka Mainichi","The Japan Times","The Nippon Times","The Tokyo Nichi Nichi Shimbun"],"names_coll_ssim":["Asahi Shimbun","International Military Tribunal for the Far East (IMTFE)","Mainichi Shimbun","Osaka Mainichi","The Japan Times","The Nippon Times","The Tokyo Nichi Nichi Shimbun","DeMartino, Richard J., 1922-2013","Araki, Sadao, 1877-1966","Bagge, Widar, 1886-1970","Ballantine, Joseph W., 1888-1973","Ching-wei, Wang, 1883-1944","Churchill, Winston S., 1874-1965","Cumming, William P., 1900-1989","Davis, Norman H., 1878-1944","Dooman, Eugene H., 1890-1969","Goering, Hermann Wilhelm, 1893-1946","Gorgé, Camille, 1893-1978","Grew, Joseph C., 1880-1965","Hashimoto, Kingoro, 1890-1957","Hata, Shunroku, 1879-1962","Hatoyama, Ichiro, 1883-1959","Higashikuni, Naruhiko, 1887-1990","Hiranuma, Kiichiro, 1867-1952","Hirohito, Michinomiya, 1901-1989","Hirota, Koki, 1878-1948","Hoshino, Naoki, 1883-1978","Hull, Cordell, 1871-1955","Ishihara, Kanji, 1889-1949","Ishii, Shiro, 1882-1959","Ishiwata, Sotaro, 1891-1950","Itagaki, Seishiro, 1885-1948","Iwabuchi, Tatsuo, 1892-1975","Kato, Sotomatsu, 1890-1942","Kaya, Okinori, 1889-1977","Keenan, Joseph B., 1888-1954","Kido, Koichi, 1889-1977","Kimura, Heitaro, 1888-1948","Koiso, Kuniaki, 1880-1950","Konoe, Fumimaro, 1891-1945","Kurusu, Saburo, 1886-1954","Matsui, Iwane, 1878-1948","Matsumoto, Shunichi, 1897-1987","Matsuoka, Yosuke, 1880-1946","Minami, Jiro, 1874-1955","Muto, Akira, 1892-1948","Nagano, Osami, 1880-1947","Nomura, Kichisaburo, 1877-1964","Nomura, Naokuni, 1885-1973","Oka, Takazumi, 1890-1973","Okada, Keisuke, 1868-1952","Oshima, Hiroshi, 1886-1975","Ribbentrop, Joachim, 1893-1946","Roosevelt, Franklin D., 1882-1945","Sato, Kenryo, 1895-1975","Sawada, Shigeru, 1887-1980","Shigemitsu, Mamoru, 1887-1957","Shimada, Shigetaro, 1883-1976","Shiratori, Toshio, 1887-1949","Sorge, Richard, 1895-1944","Suzuki, Teiichi, 1888-1989","Tanaka, Ryukichi, 1893-1972","Tanaka, Shinichi, 1893-1976","Tani, Masayuki, 1889-1962","Terasaki, Hidenari (Taro), 1890-1951","Togo, Shigenori, 1882-1950","Tojo, Hideki, 1884-1948","Tomita, Kenji, 1897-1977","Toyoda, Teijiro, 1885-1971","Umezu, Yoshijiro, 1882-1949","Welles, Sumner, 1892-1961","Yamamoto, Isoroku, 1884-1943","Yamamoto, Kumaichi","Yoshida, Shigeru, 1878-1967","Yoshizawa, Kenkichi, 1874-1965"],"persname_ssim":["DeMartino, Richard J., 1922-2013","Araki, Sadao, 1877-1966","Bagge, Widar, 1886-1970","Ballantine, Joseph W., 1888-1973","Ching-wei, Wang, 1883-1944","Churchill, Winston S., 1874-1965","Cumming, William P., 1900-1989","Davis, Norman H., 1878-1944","Dooman, Eugene H., 1890-1969","Goering, Hermann Wilhelm, 1893-1946","Gorgé, Camille, 1893-1978","Grew, Joseph C., 1880-1965","Hashimoto, Kingoro, 1890-1957","Hata, Shunroku, 1879-1962","Hatoyama, Ichiro, 1883-1959","Higashikuni, Naruhiko, 1887-1990","Hiranuma, Kiichiro, 1867-1952","Hirohito, Michinomiya, 1901-1989","Hirota, Koki, 1878-1948","Hoshino, Naoki, 1883-1978","Hull, Cordell, 1871-1955","Ishihara, Kanji, 1889-1949","Ishii, Shiro, 1882-1959","Ishiwata, Sotaro, 1891-1950","Itagaki, Seishiro, 1885-1948","Iwabuchi, Tatsuo, 1892-1975","Kato, Sotomatsu, 1890-1942","Kaya, Okinori, 1889-1977","Keenan, Joseph B., 1888-1954","Kido, Koichi, 1889-1977","Kimura, Heitaro, 1888-1948","Koiso, Kuniaki, 1880-1950","Konoe, Fumimaro, 1891-1945","Kurusu, Saburo, 1886-1954","Matsui, Iwane, 1878-1948","Matsumoto, Shunichi, 1897-1987","Matsuoka, Yosuke, 1880-1946","Minami, Jiro, 1874-1955","Muto, Akira, 1892-1948","Nagano, Osami, 1880-1947","Nomura, Kichisaburo, 1877-1964","Nomura, Naokuni, 1885-1973","Oka, Takazumi, 1890-1973","Okada, Keisuke, 1868-1952","Oshima, Hiroshi, 1886-1975","Ribbentrop, Joachim, 1893-1946","Roosevelt, Franklin D., 1882-1945","Sato, Kenryo, 1895-1975","Sawada, Shigeru, 1887-1980","Shigemitsu, Mamoru, 1887-1957","Shimada, Shigetaro, 1883-1976","Shiratori, Toshio, 1887-1949","Sorge, Richard, 1895-1944","Suzuki, Teiichi, 1888-1989","Tanaka, Ryukichi, 1893-1972","Tanaka, Shinichi, 1893-1976","Tani, Masayuki, 1889-1962","Terasaki, Hidenari (Taro), 1890-1951","Togo, Shigenori, 1882-1950","Tojo, Hideki, 1884-1948","Tomita, Kenji, 1897-1977","Toyoda, Teijiro, 1885-1971","Umezu, Yoshijiro, 1882-1949","Welles, Sumner, 1892-1961","Yamamoto, Isoroku, 1884-1943","Yamamoto, Kumaichi","Yoshida, Shigeru, 1878-1967","Yoshizawa, Kenkichi, 1874-1965"],"names_ssim":["Arthur J. Morris Law Library Special Collections","Asahi Shimbun","International Military Tribunal for the Far East (IMTFE)","Mainichi Shimbun","Osaka Mainichi","The Japan Times","The Nippon Times","The Tokyo Nichi Nichi Shimbun","DeMartino, Richard J., 1922-2013","Araki, Sadao, 1877-1966","Bagge, Widar, 1886-1970","Ballantine, Joseph W., 1888-1973","Ching-wei, Wang, 1883-1944","Churchill, Winston S., 1874-1965","Cumming, William P., 1900-1989","Davis, Norman H., 1878-1944","Dooman, Eugene H., 1890-1969","Goering, Hermann Wilhelm, 1893-1946","Gorgé, Camille, 1893-1978","Grew, Joseph C., 1880-1965","Hashimoto, Kingoro, 1890-1957","Hata, Shunroku, 1879-1962","Hatoyama, Ichiro, 1883-1959","Higashikuni, Naruhiko, 1887-1990","Hiranuma, Kiichiro, 1867-1952","Hirohito, Michinomiya, 1901-1989","Hirota, Koki, 1878-1948","Hoshino, Naoki, 1883-1978","Hull, Cordell, 1871-1955","Ishihara, Kanji, 1889-1949","Ishii, Shiro, 1882-1959","Ishiwata, Sotaro, 1891-1950","Itagaki, Seishiro, 1885-1948","Iwabuchi, Tatsuo, 1892-1975","Kato, Sotomatsu, 1890-1942","Kaya, Okinori, 1889-1977","Keenan, Joseph B., 1888-1954","Kido, Koichi, 1889-1977","Kimura, Heitaro, 1888-1948","Koiso, Kuniaki, 1880-1950","Konoe, Fumimaro, 1891-1945","Kurusu, Saburo, 1886-1954","Matsui, Iwane, 1878-1948","Matsumoto, Shunichi, 1897-1987","Matsuoka, Yosuke, 1880-1946","Minami, Jiro, 1874-1955","Muto, Akira, 1892-1948","Nagano, Osami, 1880-1947","Nomura, Kichisaburo, 1877-1964","Nomura, Naokuni, 1885-1973","Oka, Takazumi, 1890-1973","Okada, Keisuke, 1868-1952","Oshima, Hiroshi, 1886-1975","Ribbentrop, Joachim, 1893-1946","Roosevelt, Franklin D., 1882-1945","Sato, Kenryo, 1895-1975","Sawada, Shigeru, 1887-1980","Shigemitsu, Mamoru, 1887-1957","Shimada, Shigetaro, 1883-1976","Shiratori, Toshio, 1887-1949","Sorge, Richard, 1895-1944","Suzuki, Teiichi, 1888-1989","Tanaka, Ryukichi, 1893-1972","Tanaka, Shinichi, 1893-1976","Tani, Masayuki, 1889-1962","Terasaki, Hidenari (Taro), 1890-1951","Togo, Shigenori, 1882-1950","Tojo, Hideki, 1884-1948","Tomita, Kenji, 1897-1977","Toyoda, Teijiro, 1885-1971","Umezu, Yoshijiro, 1882-1949","Welles, Sumner, 1892-1961","Yamamoto, Isoroku, 1884-1943","Yamamoto, Kumaichi","Yoshida, Shigeru, 1878-1967","Yoshizawa, Kenkichi, 1874-1965"],"language_ssim":["English\n      Japanese"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3261,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:30:23.622Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_4_resources_612_c01_c75"}},{"id":"viu_viu00001_c06_c01","type":"Item","attributes":{"title":"11 Scrapbooks, primarily containing\n                  newspaper clippings, 1882/1926","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu00001_c06_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00001_c06_c01","ref_ssm":["viu_viu00001_c06_c01"],"id":"viu_viu00001_c06_c01","ead_ssi":"viu_viu00001","_root_":"viu_viu00001","_nest_parent_":"viu_viu00001_c06","parent_ssi":"viu_viu00001_c06","parent_ssim":["Micajah Woods Papers \n         1847-1926","Scrapbooks"],"parent_ids_ssim":["viu_viu00001","viu_viu00001_c06"],"title_filing_ssi":"11 Scrapbooks, primarily containing\n                  newspaper clippings","title_ssm":["11 Scrapbooks, primarily containing\n                  newspaper clippings"],"title_tesim":["11 Scrapbooks, primarily containing\n                  newspaper clippings"],"normalized_title_ssm":["11 Scrapbooks, primarily containing\n                  newspaper clippings, 1882/1926"],"text":["11 Scrapbooks, primarily containing\n                  newspaper clippings, 1882/1926","Micajah Woods Papers \n         1847-1926","Scrapbooks"],"parent_unittitles_ssm":["Micajah Woods Papers \n         1847-1926","Scrapbooks"],"parent_unittitles_tesim":["Micajah Woods Papers \n         1847-1926","Scrapbooks"],"normalized_date_ssm":["1882/1926"],"unitdate_other_ssim":["1882-1926"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":57,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Micajah Woods Papers \n         1847-1926"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926],"_nest_path_":"/components#5/components#0","timestamp":"2026-06-23T07:31:42.753Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00001","ead_ssi":"viu_viu00001","_root_":"viu_viu00001","_nest_parent_":"viu_viu00001","ead_source_url_ssi":"data/uva-sc/viu00001.xml","title_ssm":["Micajah Woods Papers \n         1847-1926"],"title_tesim":["Micajah Woods Papers \n         1847-1926"],"normalized_title_ssm":["Micajah Woods Papers \n         1847-1926"],"text":["Micajah Woods Papers \n         1847-1926","10279","ca. 760 items","Collection is open to research.","The collection is divided into four series: correspondence,\n         manuscripts, printed material, and scrapbooks. The\n         correspondence is arranged chronologically and is divided into\n         two sections: general correspondence and correspondence\n         regarding genealogy. Manuscripts include speeches, diaries,\n         biographical sketches, genealogical notes, notes regarding the\n         Civil War, and an account book. Manuscripts and printed\n         material are arranged alphabetically. A small collection of\n         prints and memorabilia appears at the end of the collection. A\n         Masonic apron, and cat 30 Civil War medals were removed from\n         the collection, and are stored elsewhere in the department.\n         (Separation sheets have been filed for these items.) The\n         letterbooks of Micajah Woods' law practice can be found in\n         accession number 1444 and an additional scrapbook dated\n         1895-1902 can be found in accession number 1379.","Micajah Woods, the son of \n         John Rodes Woodsand \n         Sabina Lewis Stewart Creigh, was born on\n         May 17, 1844, at \" \n         Holkham, \" his parents' residence near \n         Ivy Depot, in \n         Albemarle County, Virginia. The eldest\n         son of a family of ten children, he received his early\n         education at \n         Lewisburg Academy, the military school at\n         Charlottesville, and the \n         Bloomfield Academy. In August 1861, at\n         the age of seventeen, he joined the Confederate Army as\n         aide-de-camp on the staff of General \n         John B. Floydin \n         West Virginia. He spent the winter of\n         1861-1862 at the \n         University of Virginia, being under\n         military age. In May 1862, Woods joined the \n         Second Virginia Cavalry (Co. K)and fought\n         under \n         \"Stonewall\" Jacksonat \n         Port Republic, under \n         J. E. B. Stuartin the Northern \n         Virginiaraids, and in the battles of\n         Second \n         Manassas, \n         Crampton's Gap, and \n         Sharpsburg.","In October 1862, he was appointed first lieutenant of\n         cavalry in the \n         Virginia State Line, recently organized\n         by General Floyd. He spent the winter of 1862-1863 involved in\n         campaigns in \n         West Virginiaand \n         Kentucky. From April 1863, to the close\n         of the war he served as first lieutenant in \n         Jackson's (Virginia) Horse Artillery,\n         participating in the battle of \n         Gettysburg, July 3, 1863, and the battles\n         of \n         New Market, Second \n         Cold Harbor, \n         Lynchburg, \n         Fisher's Hill, and \n         Monocacy.","After the war he returned to the \n         University of Virginiawhere he studied\n         for three sessions, receiving a Bachelor of Law degree in\n         June, 1868. He began his practice in \n         Charlottesville; and, in 1870 was elected\n         commonwealth attorney, a position he held until his death in\n         1911. In 1881 Woods was elected and commissioned captain of\n         the \n         Monticello Guard, and commanded the\n         company at the \n         Yorktown Centennialin October of that\n         year. In 1889, the \n         John Bowie Strange Camp, United Confederate\n         Veterans, was organized with Woods as commander. In\n         1909 he served as president of the \n         Virginia State Bar Association.","On June 9, 1874, Woods married \n         Matilda (\"Tillie\")\n         Minor Morris, the second daughter of \n         Edward Watts Morrisand \n         Matilda E. Colemanof \" \n         Clazemont, \" \n         Hanover County, Virginia. They had five\n         children: \n         Edward\n         Morris, b. March 17, 1875; \n         Sallie\n         Stuart, b. June 5, 1876, m. April 28, 1910 to \n         William James Ruckerof St. James,\n         Missouri; \n         Matilda (Maud)\n         Colemanb. August 23, 1877, d. August 24, 1910; \n         Mary Watts, b.\n         August 9, 1880, m. February 13, 1908 to \n         Frank Luptonof\n         Birmingham, Alabama; and \n         Lettie Page,\n         b. October 23, 1888, m. June 1, 1921 to \n         Martin E. Rehfuss. \n         Edward Morris Woods, the couple's only\n         son, disappeared after 1902 and apparently died sometime\n         before 1911. The Woods' daughters were renowned for their\n         beauty; \n         Maud Coleman Woodswas one of the two\n         women chosen to typify the beauty of North and South America\n         on the official emblem of the \n         Pan-American Expositionat \n         Buffaloin 1901.","Funded in part by a grant from the National Endowment\n            for the Humanities","This collection, consisting of ca. 760 items, (5 Hollinger\n         boxes, 22-1/2 linear shelf inches), includes the papers of the\n         Woods Familyof \n         Albemarle County, Virginia, from 1847 to\n         1926. Correspondence comprises the major part of the\n         collection and deals with a variety of subjects. The\n         correspondence between \n         Micajah Woodsand his parents during the\n         Civil War includes detailed descriptions of the campaigns and\n         battles in which he fought, among them the battles of \n         Port Republic, Second \n         Manassas, \n         Crampton's Gap, \n         Sharpsburg, \n         New Market, Second \n         Cold Harbor, \n         Lynchburg, \n         Fisher's Hill, and \n         Monocacy. The men under whom he served\n         included \n         \"Stonewall\" Jackson, \n         J. E. B. Stuart, and \n         John Floyd. A portion of the post-Civil\n         War correspondence regards Civil War Veterans' Reunions and\n         recollections of battles and campaigns.","The correspondence between members of the \n         Woods Familymainly concerns family matters\n         such as the 1864 execution by Union soldiers of \n         David S. Creigh, \n         Micajah Woods' uncle, and the selection\n         of Woods' daughter, \n         Maud Coleman Woods, as the first Miss\n         America in 1901. Correspondence regarding the\n         Pleasants-Ritchie duel of 1847 includes an eye-witness\n         description. A separate section of the correspondence deals\n         with genealogy, principally that of the \n         Woods, \n         Buster, \n         Rodes, and \n         McDowellfamilies. The major family\n         correspondents are \n         Micajah Woods; his parents, Dr. \n         John Rodes Woodsand \n         Sabina Lewis Stewart Creigh Woods; Woods'\n         wife, \n         Matilda (\"Tillie\") Minor Morris; and his\n         children--Morris, Sallie, Maud, Mary Watts, and Lettie.","The papers are of several kinds and deal with numerous\n         topics. There are two Civil War diaries belonging to \n         Micajah Woods, one entitled \"Sketches of\n         the Campaign of General Floyd,\" Woods' class notes, his 1864\n         account book, certificates, and notes regarding genealogy.\n         There is an article written by \n         Micajah Woodsabout \n         Abraham Lincolnand copies of several\n         speeches delivered by \n         Micajah Woods. These include an address\n         to the \n         Augusta Memorial Associationin \n         Staunton, Virginia; \"Woman and Vacation,\"\n         which was delivered at the \n         Albemarle Baptist Female Institutein\n         1890; an address he made at the 1895 Great Confederate Reunion\n         in \n         Lewisburg, West Virginia; the memo of a\n         speech given before \"colored people\"; a speech to the \n         Washington Society of the University of\n         Virginia; and a copy of the address given by Woods\n         before the \n         Virginia State Bar Associationin 1909\n         entitled \"The Necessity for General Culture in the Training of\n         the Lawyer.\" Also included in the manuscripts section are two\n         short biographical sketches of \n         Micajah Woods, a Muster Roll of \n         Jackson's Battery of Horse Artillery, and\n         a ten-page statement dictated by General \n         John Floyddetailing the acts of \n         B. A. Witcherand his band of followers\n         during the Civil War.","A four-page printed biographical sketch of \n         Micajah Woodscan be found in the printed\n         section along with several programs and memorials. The\n         collection also includes nine scrapbooks primarily containing\n         newspaper clippings, and dating from 1882 to 1926. One of the\n         scrapbooks deals with the trial of ex- \n         Charlottesvillemayor \n         Samuel McCuefor the murder of his wife\n         (at which \n         Micajah Woodswas the prosecuting\n         attorney). There is also a small collection of prints and\n         memorabilia, principally related to the Civil War.","See the \n            \n            University of Virginia Library’s use policy.","University of Virginia. Library. Special\n            Collections Dept.","Holkham","Lewisburg Academy","Bloomfield Academy","University of Virginia","Second Virginia Cavalry (Co. K)","Virginia State Line","Jackson's (Virginia) Horse Artillery","Monticello Guard","Yorktown Centennial","John Bowie Strange Camp, United Confederate\n         Veterans","Virginia State Bar Association","Clazemont","Pan-American Exposition","Augusta Memorial Association","Albemarle Baptist Female Institute","Washington Society of the University of\n         Virginia","Jackson's Battery of Horse Artillery","Woods Family","Woods","Buster","Rodes","McDowell","Micajah Woods","John Rodes Woods","Sabina Lewis Stewart Creigh","John B. Floyd","\"Stonewall\" Jackson","J. E. B. Stuart","Matilda (\"Tillie\")\n         Minor Morris","Edward Watts Morris","Matilda E. Coleman","Edward\n         Morris","Sallie\n         Stuart","William James Rucker","Matilda (Maud)\n         Coleman","Mary Watts","Frank Lupton","Lettie Page","Martin E. Rehfuss","Edward Morris Woods","Maud Coleman Woods","John Floyd","David S. Creigh","Sabina Lewis Stewart Creigh Woods","Matilda (\"Tillie\") Minor Morris","Abraham Lincoln","B. A. Witcher","Samuel McCue","English"],"collection_title_tesim":["Micajah Woods Papers \n         1847-1926"],"collection_ssim":["Micajah Woods Papers \n         1847-1926"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["10279"],"unitid_tesim":["10279"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Mrs. Thomas H.\n         Fox"],"creator_ssim":["Mrs. Thomas H.\n         Fox"],"creator_persname_ssim":["Micajah Woods","John Rodes Woods","Sabina Lewis Stewart Creigh","John B. Floyd","\"Stonewall\" Jackson","J. E. B. Stuart","Matilda (\"Tillie\")\n         Minor Morris","Edward Watts Morris","Matilda E. Coleman","Edward\n         Morris","Sallie\n         Stuart","William James Rucker","Matilda (Maud)\n         Coleman","Mary Watts","Frank Lupton","Lettie Page","Martin E. Rehfuss","Edward Morris Woods","Maud Coleman Woods","John Floyd","David S. Creigh","Sabina Lewis Stewart Creigh Woods","Matilda (\"Tillie\") Minor Morris","Abraham Lincoln","B. A. Witcher","Samuel McCue"],"creator_corpname_ssim":["University of Virginia. Library. Special\n            Collections Dept.","Holkham","Lewisburg Academy","Bloomfield Academy","University of Virginia","Second Virginia Cavalry (Co. K)","Virginia State Line","Jackson's (Virginia) Horse Artillery","Monticello Guard","Yorktown Centennial","John Bowie Strange Camp, United Confederate\n         Veterans","Virginia State Bar Association","Clazemont","Pan-American Exposition","Augusta Memorial Association","Albemarle Baptist Female Institute","Washington Society of the University of\n         Virginia","Jackson's Battery of Horse Artillery"],"creator_famname_ssim":["Woods Family","Woods","Buster","Rodes","McDowell"],"creators_ssim":["Micajah Woods","John Rodes Woods","Sabina Lewis Stewart Creigh","John B. Floyd","\"Stonewall\" Jackson","J. E. B. Stuart","Matilda (\"Tillie\")\n         Minor Morris","Edward Watts Morris","Matilda E. Coleman","Edward\n         Morris","Sallie\n         Stuart","William James Rucker","Matilda (Maud)\n         Coleman","Mary Watts","Frank Lupton","Lettie Page","Martin E. Rehfuss","Edward Morris Woods","Maud Coleman Woods","John Floyd","David S. Creigh","Sabina Lewis Stewart Creigh Woods","Matilda (\"Tillie\") Minor Morris","Abraham Lincoln","B. A. Witcher","Samuel McCue","University of Virginia. Library. Special\n            Collections Dept.","Holkham","Lewisburg Academy","Bloomfield Academy","University of Virginia","Second Virginia Cavalry (Co. K)","Virginia State Line","Jackson's (Virginia) Horse Artillery","Monticello Guard","Yorktown Centennial","John Bowie Strange Camp, United Confederate\n         Veterans","Virginia State Bar Association","Clazemont","Pan-American Exposition","Augusta Memorial Association","Albemarle Baptist Female Institute","Washington Society of the University of\n         Virginia","Jackson's Battery of Horse Artillery","Woods Family","Woods","Buster","Rodes","McDowell"],"acqinfo_ssim":["The collection was given to the library by Mrs. Thomas\n            H. Fox on 24 April 1978."],"has_online_content_ssim":["false"],"physdesc_tesim":["ca. 760 items"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into four series: correspondence,\n         manuscripts, printed material, and scrapbooks. The\n         correspondence is arranged chronologically and is divided into\n         two sections: general correspondence and correspondence\n         regarding genealogy. Manuscripts include speeches, diaries,\n         biographical sketches, genealogical notes, notes regarding the\n         Civil War, and an account book. Manuscripts and printed\n         material are arranged alphabetically. A small collection of\n         prints and memorabilia appears at the end of the collection. A\n         Masonic apron, and cat 30 Civil War medals were removed from\n         the collection, and are stored elsewhere in the department.\n         (Separation sheets have been filed for these items.) The\n         letterbooks of Micajah Woods' law practice can be found in\n         accession number 1444 and an additional scrapbook dated\n         1895-1902 can be found in accession number 1379.\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Organization"],"arrangement_tesim":["The collection is divided into four series: correspondence,\n         manuscripts, printed material, and scrapbooks. The\n         correspondence is arranged chronologically and is divided into\n         two sections: general correspondence and correspondence\n         regarding genealogy. Manuscripts include speeches, diaries,\n         biographical sketches, genealogical notes, notes regarding the\n         Civil War, and an account book. Manuscripts and printed\n         material are arranged alphabetically. A small collection of\n         prints and memorabilia appears at the end of the collection. A\n         Masonic apron, and cat 30 Civil War medals were removed from\n         the collection, and are stored elsewhere in the department.\n         (Separation sheets have been filed for these items.) The\n         letterbooks of Micajah Woods' law practice can be found in\n         accession number 1444 and an additional scrapbook dated\n         1895-1902 can be found in accession number 1379."],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eMicajah Woods\u003c/persname\u003e, the son of \n         \u003cpersname\u003eJohn Rodes Woods\u003c/persname\u003eand \n         \u003cpersname\u003eSabina Lewis Stewart Creigh\u003c/persname\u003e, was born on\n         May 17, 1844, at \" \n         \u003ccorpname\u003eHolkham\u003c/corpname\u003e, \" his parents' residence near \n         \u003cgeogname\u003eIvy Depot\u003c/geogname\u003e, in \n         \u003cgeogname\u003eAlbemarle County, Virginia\u003c/geogname\u003e. The eldest\n         son of a family of ten children, he received his early\n         education at \n         \u003ccorpname\u003eLewisburg Academy\u003c/corpname\u003e, the military school at\n         \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e, and the \n         \u003ccorpname\u003eBloomfield Academy\u003c/corpname\u003e. In August 1861, at\n         the age of seventeen, he joined the Confederate Army as\n         aide-de-camp on the staff of General \n         \u003cpersname\u003eJohn B. Floyd\u003c/persname\u003ein \n         \u003cgeogname\u003eWest Virginia\u003c/geogname\u003e. He spent the winter of\n         1861-1862 at the \n         \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e, being under\n         military age. In May 1862, Woods joined the \n         \u003ccorpname\u003eSecond Virginia Cavalry (Co. K)\u003c/corpname\u003eand fought\n         under \n         \u003cpersname\u003e\"Stonewall\" Jackson\u003c/persname\u003eat \n         \u003cgeogname\u003ePort Republic\u003c/geogname\u003e, under \n         \u003cpersname\u003eJ. E. B. Stuart\u003c/persname\u003ein the Northern \n         \u003cgeogname\u003eVirginia\u003c/geogname\u003eraids, and in the battles of\n         Second \n         \u003cgeogname\u003eManassas\u003c/geogname\u003e, \n         \u003cgeogname\u003eCrampton's Gap\u003c/geogname\u003e, and \n         \u003cgeogname\u003eSharpsburg\u003c/geogname\u003e.\u003c/p\u003e\n      ","\u003cp\u003eIn October 1862, he was appointed first lieutenant of\n         cavalry in the \n         \u003ccorpname\u003eVirginia State Line\u003c/corpname\u003e, recently organized\n         by General Floyd. He spent the winter of 1862-1863 involved in\n         campaigns in \n         \u003cgeogname\u003eWest Virginia\u003c/geogname\u003eand \n         \u003cgeogname\u003eKentucky\u003c/geogname\u003e. From April 1863, to the close\n         of the war he served as first lieutenant in \n         \u003ccorpname\u003eJackson's (Virginia) Horse Artillery\u003c/corpname\u003e,\n         participating in the battle of \n         \u003cgeogname\u003eGettysburg\u003c/geogname\u003e, July 3, 1863, and the battles\n         of \n         \u003cgeogname\u003eNew Market\u003c/geogname\u003e, Second \n         \u003cgeogname\u003eCold Harbor\u003c/geogname\u003e, \n         \u003cgeogname\u003eLynchburg\u003c/geogname\u003e, \n         \u003cgeogname\u003eFisher's Hill\u003c/geogname\u003e, and \n         \u003cgeogname\u003eMonocacy\u003c/geogname\u003e.\u003c/p\u003e\n      ","\u003cp\u003eAfter the war he returned to the \n         \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003ewhere he studied\n         for three sessions, receiving a Bachelor of Law degree in\n         June, 1868. He began his practice in \n         \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e; and, in 1870 was elected\n         commonwealth attorney, a position he held until his death in\n         1911. In 1881 Woods was elected and commissioned captain of\n         the \n         \u003ccorpname\u003eMonticello Guard\u003c/corpname\u003e, and commanded the\n         company at the \n         \u003ccorpname\u003eYorktown Centennial\u003c/corpname\u003ein October of that\n         year. In 1889, the \n         \u003ccorpname\u003eJohn Bowie Strange Camp, United Confederate\n         Veterans\u003c/corpname\u003e, was organized with Woods as commander. In\n         1909 he served as president of the \n         \u003ccorpname\u003eVirginia State Bar Association\u003c/corpname\u003e.\u003c/p\u003e\n      ","\u003cp\u003eOn June 9, 1874, Woods married \n         \u003cpersname normal=\"Matilda Minor Morris\"\u003eMatilda (\"Tillie\")\n         Minor Morris\u003c/persname\u003e, the second daughter of \n         \u003cpersname\u003eEdward Watts Morris\u003c/persname\u003eand \n         \u003cpersname\u003eMatilda E. Coleman\u003c/persname\u003eof \" \n         \u003ccorpname\u003eClazemont\u003c/corpname\u003e, \" \n         \u003cgeogname\u003eHanover County, Virginia\u003c/geogname\u003e. They had five\n         children: \n         \u003cpersname normal=\"Edward Morris Woods\"\u003eEdward\n         Morris\u003c/persname\u003e, b. March 17, 1875; \n         \u003cpersname normal=\"Sallie Stuart Woods\"\u003eSallie\n         Stuart\u003c/persname\u003e, b. June 5, 1876, m. April 28, 1910 to \n         \u003cpersname\u003eWilliam James Rucker\u003c/persname\u003eof St. James,\n         Missouri; \n         \u003cpersname normal=\"Matilda Coleman Woods\"\u003eMatilda (Maud)\n         Coleman\u003c/persname\u003eb. August 23, 1877, d. August 24, 1910; \n         \u003cpersname normal=\"Mary Watts Woods\"\u003eMary Watts\u003c/persname\u003e, b.\n         August 9, 1880, m. February 13, 1908 to \n         \u003cpersname normal=\"Frank Lupton\"\u003eFrank Lupton\u003c/persname\u003eof\n         Birmingham, Alabama; and \n         \u003cpersname normal=\"Lettie Page Woods\"\u003eLettie Page\u003c/persname\u003e,\n         b. October 23, 1888, m. June 1, 1921 to \n         \u003cpersname\u003eMartin E. Rehfuss\u003c/persname\u003e. \n         \u003cpersname\u003eEdward Morris Woods\u003c/persname\u003e, the couple's only\n         son, disappeared after 1902 and apparently died sometime\n         before 1911. The Woods' daughters were renowned for their\n         beauty; \n         \u003cpersname\u003eMaud Coleman Woods\u003c/persname\u003ewas one of the two\n         women chosen to typify the beauty of North and South America\n         on the official emblem of the \n         \u003ccorpname\u003ePan-American Exposition\u003c/corpname\u003eat \n         \u003cgeogname\u003eBuffalo\u003c/geogname\u003ein 1901.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Sketch"],"bioghist_tesim":["Micajah Woods, the son of \n         John Rodes Woodsand \n         Sabina Lewis Stewart Creigh, was born on\n         May 17, 1844, at \" \n         Holkham, \" his parents' residence near \n         Ivy Depot, in \n         Albemarle County, Virginia. The eldest\n         son of a family of ten children, he received his early\n         education at \n         Lewisburg Academy, the military school at\n         Charlottesville, and the \n         Bloomfield Academy. In August 1861, at\n         the age of seventeen, he joined the Confederate Army as\n         aide-de-camp on the staff of General \n         John B. Floydin \n         West Virginia. He spent the winter of\n         1861-1862 at the \n         University of Virginia, being under\n         military age. In May 1862, Woods joined the \n         Second Virginia Cavalry (Co. K)and fought\n         under \n         \"Stonewall\" Jacksonat \n         Port Republic, under \n         J. E. B. Stuartin the Northern \n         Virginiaraids, and in the battles of\n         Second \n         Manassas, \n         Crampton's Gap, and \n         Sharpsburg.","In October 1862, he was appointed first lieutenant of\n         cavalry in the \n         Virginia State Line, recently organized\n         by General Floyd. He spent the winter of 1862-1863 involved in\n         campaigns in \n         West Virginiaand \n         Kentucky. From April 1863, to the close\n         of the war he served as first lieutenant in \n         Jackson's (Virginia) Horse Artillery,\n         participating in the battle of \n         Gettysburg, July 3, 1863, and the battles\n         of \n         New Market, Second \n         Cold Harbor, \n         Lynchburg, \n         Fisher's Hill, and \n         Monocacy.","After the war he returned to the \n         University of Virginiawhere he studied\n         for three sessions, receiving a Bachelor of Law degree in\n         June, 1868. He began his practice in \n         Charlottesville; and, in 1870 was elected\n         commonwealth attorney, a position he held until his death in\n         1911. In 1881 Woods was elected and commissioned captain of\n         the \n         Monticello Guard, and commanded the\n         company at the \n         Yorktown Centennialin October of that\n         year. In 1889, the \n         John Bowie Strange Camp, United Confederate\n         Veterans, was organized with Woods as commander. In\n         1909 he served as president of the \n         Virginia State Bar Association.","On June 9, 1874, Woods married \n         Matilda (\"Tillie\")\n         Minor Morris, the second daughter of \n         Edward Watts Morrisand \n         Matilda E. Colemanof \" \n         Clazemont, \" \n         Hanover County, Virginia. They had five\n         children: \n         Edward\n         Morris, b. March 17, 1875; \n         Sallie\n         Stuart, b. June 5, 1876, m. April 28, 1910 to \n         William James Ruckerof St. James,\n         Missouri; \n         Matilda (Maud)\n         Colemanb. August 23, 1877, d. August 24, 1910; \n         Mary Watts, b.\n         August 9, 1880, m. February 13, 1908 to \n         Frank Luptonof\n         Birmingham, Alabama; and \n         Lettie Page,\n         b. October 23, 1888, m. June 1, 1921 to \n         Martin E. Rehfuss. \n         Edward Morris Woods, the couple's only\n         son, disappeared after 1902 and apparently died sometime\n         before 1911. The Woods' daughters were renowned for their\n         beauty; \n         Maud Coleman Woodswas one of the two\n         women chosen to typify the beauty of North and South America\n         on the official emblem of the \n         Pan-American Expositionat \n         Buffaloin 1901."],"prefercite_html_tesm":["\u003cp\u003eMicajah Woods\n            Papers, Accession 10279, Special Collections Department, University of\n         Virginia Library\u003c/p\u003e\n      "],"prefercite_tesim":["Micajah Woods\n            Papers, Accession 10279, Special Collections Department, University of\n         Virginia Library"],"processinfo_html_tesm":["\u003cp\u003eFunded in part by a grant from the National Endowment\n            for the Humanities\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Funding Note"],"processinfo_tesim":["Funded in part by a grant from the National Endowment\n            for the Humanities"],"scopecontent_html_tesm":["\u003cp\u003eThis collection, consisting of ca. 760 items, (5 Hollinger\n         boxes, 22-1/2 linear shelf inches), includes the papers of the\n         \u003cfamname\u003eWoods Family\u003c/famname\u003eof \n         \u003cgeogname\u003eAlbemarle County, Virginia\u003c/geogname\u003e, from 1847 to\n         1926. Correspondence comprises the major part of the\n         collection and deals with a variety of subjects. The\n         correspondence between \n         \u003cpersname\u003eMicajah Woods\u003c/persname\u003eand his parents during the\n         Civil War includes detailed descriptions of the campaigns and\n         battles in which he fought, among them the battles of \n         \u003cgeogname\u003ePort Republic\u003c/geogname\u003e, Second \n         \u003cgeogname\u003eManassas\u003c/geogname\u003e, \n         \u003cgeogname\u003eCrampton's Gap\u003c/geogname\u003e, \n         \u003cgeogname\u003eSharpsburg\u003c/geogname\u003e, \n         \u003cgeogname\u003eNew Market\u003c/geogname\u003e, Second \n         \u003cgeogname\u003eCold Harbor\u003c/geogname\u003e, \n         \u003cgeogname\u003eLynchburg\u003c/geogname\u003e, \n         \u003cgeogname\u003eFisher's Hill\u003c/geogname\u003e, and \n         \u003cgeogname\u003eMonocacy\u003c/geogname\u003e. The men under whom he served\n         included \n         \u003cpersname\u003e\"Stonewall\" Jackson\u003c/persname\u003e, \n         \u003cpersname\u003eJ. E. B. Stuart\u003c/persname\u003e, and \n         \u003cpersname\u003eJohn Floyd\u003c/persname\u003e. A portion of the post-Civil\n         War correspondence regards Civil War Veterans' Reunions and\n         recollections of battles and campaigns.\u003c/p\u003e\n      ","\u003cp\u003eThe correspondence between members of the \n         \u003cfamname\u003eWoods Family\u003c/famname\u003emainly concerns family matters\n         such as the 1864 execution by Union soldiers of \n         \u003cpersname\u003eDavid S. Creigh\u003c/persname\u003e, \n         \u003cpersname\u003eMicajah Woods\u003c/persname\u003e' uncle, and the selection\n         of Woods' daughter, \n         \u003cpersname\u003eMaud Coleman Woods\u003c/persname\u003e, as the first Miss\n         America in 1901. Correspondence regarding the\n         Pleasants-Ritchie duel of 1847 includes an eye-witness\n         description. A separate section of the correspondence deals\n         with genealogy, principally that of the \n         \u003cfamname\u003eWoods\u003c/famname\u003e, \n         \u003cfamname\u003eBuster\u003c/famname\u003e, \n         \u003cfamname\u003eRodes\u003c/famname\u003e, and \n         \u003cfamname\u003eMcDowell\u003c/famname\u003efamilies. The major family\n         correspondents are \n         \u003cpersname\u003eMicajah Woods\u003c/persname\u003e; his parents, Dr. \n         \u003cpersname\u003eJohn Rodes Woods\u003c/persname\u003eand \n         \u003cpersname\u003eSabina Lewis Stewart Creigh Woods\u003c/persname\u003e; Woods'\n         wife, \n         \u003cpersname\u003eMatilda (\"Tillie\") Minor Morris\u003c/persname\u003e; and his\n         children--Morris, Sallie, Maud, Mary Watts, and Lettie.\u003c/p\u003e\n      ","\u003cp\u003eThe papers are of several kinds and deal with numerous\n         topics. There are two Civil War diaries belonging to \n         \u003cpersname\u003eMicajah Woods\u003c/persname\u003e, one entitled \"Sketches of\n         the Campaign of General Floyd,\" Woods' class notes, his 1864\n         account book, certificates, and notes regarding genealogy.\n         There is an article written by \n         \u003cpersname\u003eMicajah Woods\u003c/persname\u003eabout \n         \u003cpersname\u003eAbraham Lincoln\u003c/persname\u003eand copies of several\n         speeches delivered by \n         \u003cpersname\u003eMicajah Woods\u003c/persname\u003e. These include an address\n         to the \n         \u003ccorpname\u003eAugusta Memorial Association\u003c/corpname\u003ein \n         \u003cgeogname\u003eStaunton, Virginia\u003c/geogname\u003e; \"Woman and Vacation,\"\n         which was delivered at the \n         \u003ccorpname\u003eAlbemarle Baptist Female Institute\u003c/corpname\u003ein\n         1890; an address he made at the 1895 Great Confederate Reunion\n         in \n         \u003cgeogname\u003eLewisburg, West Virginia\u003c/geogname\u003e; the memo of a\n         speech given before \"colored people\"; a speech to the \n         \u003ccorpname\u003eWashington Society of the University of\n         Virginia\u003c/corpname\u003e; and a copy of the address given by Woods\n         before the \n         \u003ccorpname\u003eVirginia State Bar Association\u003c/corpname\u003ein 1909\n         entitled \"The Necessity for General Culture in the Training of\n         the Lawyer.\" Also included in the manuscripts section are two\n         short biographical sketches of \n         \u003cpersname\u003eMicajah Woods\u003c/persname\u003e, a Muster Roll of \n         \u003ccorpname\u003eJackson's Battery of Horse Artillery\u003c/corpname\u003e, and\n         a ten-page statement dictated by General \n         \u003cpersname\u003eJohn Floyd\u003c/persname\u003edetailing the acts of \n         \u003cpersname\u003eB. A. Witcher\u003c/persname\u003eand his band of followers\n         during the Civil War.\u003c/p\u003e\n      ","\u003cp\u003eA four-page printed biographical sketch of \n         \u003cpersname\u003eMicajah Woods\u003c/persname\u003ecan be found in the printed\n         section along with several programs and memorials. The\n         collection also includes nine scrapbooks primarily containing\n         newspaper clippings, and dating from 1882 to 1926. One of the\n         scrapbooks deals with the trial of ex- \n         \u003cgeogname\u003eCharlottesville\u003c/geogname\u003emayor \n         \u003cpersname\u003eSamuel McCue\u003c/persname\u003efor the murder of his wife\n         (at which \n         \u003cpersname\u003eMicajah Woods\u003c/persname\u003ewas the prosecuting\n         attorney). There is also a small collection of prints and\n         memorabilia, principally related to the Civil War.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection, consisting of ca. 760 items, (5 Hollinger\n         boxes, 22-1/2 linear shelf inches), includes the papers of the\n         Woods Familyof \n         Albemarle County, Virginia, from 1847 to\n         1926. Correspondence comprises the major part of the\n         collection and deals with a variety of subjects. The\n         correspondence between \n         Micajah Woodsand his parents during the\n         Civil War includes detailed descriptions of the campaigns and\n         battles in which he fought, among them the battles of \n         Port Republic, Second \n         Manassas, \n         Crampton's Gap, \n         Sharpsburg, \n         New Market, Second \n         Cold Harbor, \n         Lynchburg, \n         Fisher's Hill, and \n         Monocacy. The men under whom he served\n         included \n         \"Stonewall\" Jackson, \n         J. E. B. Stuart, and \n         John Floyd. A portion of the post-Civil\n         War correspondence regards Civil War Veterans' Reunions and\n         recollections of battles and campaigns.","The correspondence between members of the \n         Woods Familymainly concerns family matters\n         such as the 1864 execution by Union soldiers of \n         David S. Creigh, \n         Micajah Woods' uncle, and the selection\n         of Woods' daughter, \n         Maud Coleman Woods, as the first Miss\n         America in 1901. Correspondence regarding the\n         Pleasants-Ritchie duel of 1847 includes an eye-witness\n         description. A separate section of the correspondence deals\n         with genealogy, principally that of the \n         Woods, \n         Buster, \n         Rodes, and \n         McDowellfamilies. The major family\n         correspondents are \n         Micajah Woods; his parents, Dr. \n         John Rodes Woodsand \n         Sabina Lewis Stewart Creigh Woods; Woods'\n         wife, \n         Matilda (\"Tillie\") Minor Morris; and his\n         children--Morris, Sallie, Maud, Mary Watts, and Lettie.","The papers are of several kinds and deal with numerous\n         topics. There are two Civil War diaries belonging to \n         Micajah Woods, one entitled \"Sketches of\n         the Campaign of General Floyd,\" Woods' class notes, his 1864\n         account book, certificates, and notes regarding genealogy.\n         There is an article written by \n         Micajah Woodsabout \n         Abraham Lincolnand copies of several\n         speeches delivered by \n         Micajah Woods. These include an address\n         to the \n         Augusta Memorial Associationin \n         Staunton, Virginia; \"Woman and Vacation,\"\n         which was delivered at the \n         Albemarle Baptist Female Institutein\n         1890; an address he made at the 1895 Great Confederate Reunion\n         in \n         Lewisburg, West Virginia; the memo of a\n         speech given before \"colored people\"; a speech to the \n         Washington Society of the University of\n         Virginia; and a copy of the address given by Woods\n         before the \n         Virginia State Bar Associationin 1909\n         entitled \"The Necessity for General Culture in the Training of\n         the Lawyer.\" Also included in the manuscripts section are two\n         short biographical sketches of \n         Micajah Woods, a Muster Roll of \n         Jackson's Battery of Horse Artillery, and\n         a ten-page statement dictated by General \n         John Floyddetailing the acts of \n         B. A. Witcherand his band of followers\n         during the Civil War.","A four-page printed biographical sketch of \n         Micajah Woodscan be found in the printed\n         section along with several programs and memorials. The\n         collection also includes nine scrapbooks primarily containing\n         newspaper clippings, and dating from 1882 to 1926. One of the\n         scrapbooks deals with the trial of ex- \n         Charlottesvillemayor \n         Samuel McCuefor the murder of his wife\n         (at which \n         Micajah Woodswas the prosecuting\n         attorney). There is also a small collection of prints and\n         memorabilia, principally related to the Civil War."],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n            \n            University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc\u003e\u003c/physloc\u003e\n      "],"corpname_ssim":["University of Virginia. Library. Special\n            Collections Dept.","Holkham","Lewisburg Academy","Bloomfield Academy","University of Virginia","Second Virginia Cavalry (Co. 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Creigh","Sabina Lewis Stewart Creigh Woods","Matilda (\"Tillie\") Minor Morris","Abraham Lincoln","B. A. Witcher","Samuel McCue"],"names_ssim":["University of Virginia. Library. Special\n            Collections Dept.","Holkham","Lewisburg Academy","Bloomfield Academy","University of Virginia","Second Virginia Cavalry (Co. K)","Virginia State Line","Jackson's (Virginia) Horse Artillery","Monticello Guard","Yorktown Centennial","John Bowie Strange Camp, United Confederate\n         Veterans","Virginia State Bar Association","Clazemont","Pan-American Exposition","Augusta Memorial Association","Albemarle Baptist Female Institute","Washington Society of the University of\n         Virginia","Jackson's Battery of Horse Artillery","Woods Family","Woods","Buster","Rodes","McDowell","Micajah Woods","John Rodes Woods","Sabina Lewis Stewart Creigh","John B. Floyd","\"Stonewall\" Jackson","J. E. B. Stuart","Matilda (\"Tillie\")\n         Minor Morris","Edward Watts Morris","Matilda E. Coleman","Edward\n         Morris","Sallie\n         Stuart","William James Rucker","Matilda (Maud)\n         Coleman","Mary Watts","Frank Lupton","Lettie Page","Martin E. Rehfuss","Edward Morris Woods","Maud Coleman Woods","John Floyd","David S. Creigh","Sabina Lewis Stewart Creigh Woods","Matilda (\"Tillie\") Minor Morris","Abraham Lincoln","B. A. Witcher","Samuel McCue"],"language_ssim":["English"],"total_component_count_is":57,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:31:42.753Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu00001_c06_c01"}},{"id":"viu_viu01192_c03_c13","type":"Item","attributes":{"title":"12 clippings regarding \n                  Washington Irving, 1876/1919","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu01192_c03_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu01192_c03_c13","ref_ssm":["viu_viu01192_c03_c13"],"id":"viu_viu01192_c03_c13","ead_ssi":"viu_viu01192","_root_":"viu_viu01192","_nest_parent_":"viu_viu01192_c03","parent_ssi":"viu_viu01192_c03","parent_ssim":["Washington Irving Collection \n         1813-1919, n.\n         d.","Miscellaneous"],"parent_ids_ssim":["viu_viu01192","viu_viu01192_c03"],"title_filing_ssi":"12 clippings regarding \n                  Washington Irving","title_ssm":["12 clippings regarding \n                  Washington Irving"],"title_tesim":["12 clippings regarding \n                  Washington Irving"],"normalized_title_ssm":["12 clippings regarding \n                  Washington Irving, 1876/1919"],"text":["12 clippings regarding \n                  Washington Irving, 1876/1919","Washington Irving Collection \n         1813-1919, n.\n         d.","Miscellaneous","Washington Irving"],"parent_unittitles_ssm":["Washington Irving Collection \n         1813-1919, n.\n         d.","Miscellaneous"],"parent_unittitles_tesim":["Washington Irving Collection \n         1813-1919, n.\n         d.","Miscellaneous"],"normalized_date_ssm":["1876/1919"],"unitdate_other_ssim":["1876-1919"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":96,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Washington Irving Collection \n         1813-1919, n.\n         d."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"persname_ssim":["Washington Irving"],"names_ssim":["Washington Irving"],"date_range_isim":[1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919],"_nest_path_":"/components#2/components#12","timestamp":"2026-06-23T07:34:15.104Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu01192","ead_ssi":"viu_viu01192","_root_":"viu_viu01192","_nest_parent_":"viu_viu01192","ead_source_url_ssi":"data/uva-sc/viu01192.xml","title_ssm":["Washington Irving Collection \n         1813-1919, n.\n         d."],"title_tesim":["Washington Irving Collection \n         1813-1919, n.\n         d."],"normalized_title_ssm":["Washington Irving Collection \n         1813-1919, n.\n         d."],"text":["Washington Irving Collection \n         1813-1919, n.\n         d.","6256-m","122 items","Collection is open to research.","Funded in part by a grant from the National Endowment\n            for the Humanities","(includes signature of \n                  Washington Irving","[not in \n                  Washington Irving's hand;\n                  possibly a translation of some of his notes]","including second copy of notes regarding \"Adam and\n                  the Fall\"","(in third person)","(includes following item)","with poem, \"To Miss Emily Foster on Her Birthday\"\n                  (copy)","w/ANS reply from \n                  Washington Irvingat bottom","w/trans. of ALS, 1844 Feb 6, \n                  E. R. Tuckerto \n                  E. L. Cleaveland","encl. ALS, same date, \n                  B. Douglass and Company[ \n                  New York] to \n                  B. Douglass and Company[ \n                  New Orleans]","(notice of meeting)","encl. circular for Landon's new book","regarding \n                  Spain","written on a calling card","encl. ALS, no date, \n                  Thomas Longmanto \n                  Thomas Moore","See the \n            \n            University of Virginia Library’s use policy.","University of Virginia. Library. Special\n            Collections Dept.","D. Appleton and Company","B. Douglass and Co.","B. Douglass and Company","Irving family","Washington Irving","Walter Scott","Henry Brevoort","Thomas Campbell","P[eter] Irving","Jane [Frothingham]","John Frothingham","John Foster","[John] Foster","T[homas] M[oore]","Thomas Moore","S. M. L[ane]","[I. W.] Newton","W[illiam] S. 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R.]","H[enry] T[heodore] Tuckerman","[Emily Foster]\n                  Fuller","Pierre Irving","S[amuel] Austin Allibone","William Lambert","William [Alving]","S. A. F[rothingham]","Henry W[adsworth]\n                  Longfellow","Catherine [Paris]","James Lenox","[Washington]\n                  Frothingham","John D. [Vahoust]","E. Hunn, Jr.","J. D. Fish","J. Forster","Henry Alexander","Marshall Field","W. W. Sherman","John Stewart","M. R. Pryor","J[ohn] J. McCook","John J. McCook","Frederick Libbey","George Irving","Washington\n                  Frothingham","Henry Bellows","Oscar Irving","Emily Fuller","Melville [deLancey] Landon","Eli Perkins","[William] Libbey","T. Eames","Melville deLancey Landon","T[homas] Moore","Thomas Longman","Sarah Irving","Catherine Irving","Edward Everett","George Bancroft","William Seward","Robert Winthrop","Martin Van Buren","University of Virginia. Library. Special\n            Collections Dept.","D. Appleton and Company","B. Douglass and Co.","B. Douglass and Company","Irving family"],"acqinfo_ssim":["Purchase \n            1964 Mar 19"],"has_online_content_ssim":["false"],"physdesc_tesim":["122 items"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"prefercite_html_tesm":["\u003cp\u003eWashington Irving\n            Collection, Accession 6256-m, Special Collections Department, University of\n         Virginia Library\u003c/p\u003e\n      "],"prefercite_tesim":["Washington Irving\n            Collection, Accession 6256-m, Special Collections Department, University of\n         Virginia Library"],"processinfo_html_tesm":["\u003cp\u003eFunded in part by a grant from the National Endowment\n            for the Humanities\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Funding Note"],"processinfo_tesim":["Funded in part by a grant from the National Endowment\n            for the Humanities"],"scopecontent_html_tesm":["\u003cp\u003e(includes signature of \n                  \u003cpersname\u003eWashington Irving\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003e[not in \n                  \u003cpersname\u003eWashington Irving\u003c/persname\u003e's hand;\n                  possibly a translation of some of his notes]\u003c/p\u003e\n          ","\u003cp\u003eincluding second copy of notes regarding \"Adam and\n                  the Fall\"\u003c/p\u003e\n          ","\u003cp\u003e(in third person)\u003c/p\u003e\n          ","\u003cp\u003e(includes following item)\u003c/p\u003e\n          ","\u003cp\u003ewith poem, \"To Miss Emily Foster on Her Birthday\"\n                  (copy)\u003c/p\u003e\n          ","\u003cp\u003ew/ANS reply from \n                  \u003cpersname\u003eWashington Irving\u003c/persname\u003eat bottom\u003c/p\u003e\n          ","\u003cp\u003ew/trans. of ALS, 1844 Feb 6, \n                  \u003cpersname\u003eE. R. Tucker\u003c/persname\u003eto \n                  \u003cpersname\u003eE. L. Cleaveland\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eencl. ALS, same date, \n                  \u003ccorpname\u003eB. Douglass and Company\u003c/corpname\u003e[ \n                  \u003cgeogname\u003eNew York\u003c/geogname\u003e] to \n                  \u003ccorpname\u003eB. Douglass and Company\u003c/corpname\u003e[ \n                  \u003cgeogname\u003eNew Orleans\u003c/geogname\u003e]\u003c/p\u003e\n          ","\u003cp\u003e(notice of meeting)\u003c/p\u003e\n          ","\u003cp\u003eencl. circular for Landon's new book\u003c/p\u003e\n          ","\u003cp\u003eregarding \n                  \u003cgeogname\u003eSpain\u003c/geogname\u003e\u003c/p\u003e\n          ","\u003cp\u003ewritten on a calling card\u003c/p\u003e\n          ","\u003cp\u003eencl. ALS, no date, \n                  \u003cpersname\u003eThomas Longman\u003c/persname\u003eto \n                  \u003cpersname\u003eThomas Moore\u003c/persname\u003e\u003c/p\u003e\n          "],"scopecontent_tesim":["(includes signature of \n                  Washington Irving","[not in \n                  Washington Irving's hand;\n                  possibly a translation of some of his notes]","including second copy of notes regarding \"Adam and\n                  the Fall\"","(in third person)","(includes following item)","with poem, \"To Miss Emily Foster on Her Birthday\"\n                  (copy)","w/ANS reply from \n                  Washington Irvingat bottom","w/trans. of ALS, 1844 Feb 6, \n                  E. R. Tuckerto \n                  E. L. Cleaveland","encl. ALS, same date, \n                  B. Douglass and Company[ \n                  New York] to \n                  B. Douglass and Company[ \n                  New Orleans]","(notice of meeting)","encl. circular for Landon's new book","regarding \n                  Spain","written on a calling card","encl. ALS, no date, \n                  Thomas Longmanto \n                  Thomas Moore"],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n            \n            University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc\u003e\u003c/physloc\u003e\n      "],"corpname_ssim":["University of Virginia. Library. Special\n            Collections Dept.","D. Appleton and Company","B. Douglass and Co.","B. Douglass and Company"],"famname_ssim":["Irving family"],"persname_ssim":["Washington Irving","Walter Scott","Henry Brevoort","Thomas Campbell","P[eter] Irving","Jane [Frothingham]","John Frothingham","John Foster","[John] Foster","T[homas] M[oore]","Thomas Moore","S. M. L[ane]","[I. W.] Newton","W[illiam] S. Libbey","Richard Winfield","James Edward Alexander","Ebenezer Irving","Aaron Vail","E. L. Cleaveland","William Libbey","E. R. Tucker","Gouverneur Kemble","S. W. Halstead","M. Gulliam","James Beekman","Irving Paris","John Boyd","S. K. Burkholder","[S. F. R.]","H[enry] T[heodore] Tuckerman","[Emily Foster]\n                  Fuller","Pierre Irving","S[amuel] Austin Allibone","William Lambert","William [Alving]","S. A. F[rothingham]","Henry W[adsworth]\n                  Longfellow","Catherine [Paris]","James Lenox","[Washington]\n                  Frothingham","John D. [Vahoust]","E. Hunn, Jr.","J. D. Fish","J. Forster","Henry Alexander","Marshall Field","W. W. Sherman","John Stewart","M. R. Pryor","J[ohn] J. McCook","John J. McCook","Frederick Libbey","George Irving","Washington\n                  Frothingham","Henry Bellows","Oscar Irving","Emily Fuller","Melville [deLancey] Landon","Eli Perkins","[William] Libbey","T. Eames","Melville deLancey Landon","T[homas] Moore","Thomas Longman","Sarah Irving","Catherine Irving","Edward Everett","George Bancroft","William Seward","Robert Winthrop","Martin Van Buren"],"names_ssim":["University of Virginia. Library. Special\n            Collections Dept.","D. Appleton and Company","B. Douglass and Co.","B. Douglass and Company","Irving family","Washington Irving","Walter Scott","Henry Brevoort","Thomas Campbell","P[eter] Irving","Jane [Frothingham]","John Frothingham","John Foster","[John] Foster","T[homas] M[oore]","Thomas Moore","S. M. L[ane]","[I. W.] Newton","W[illiam] S. Libbey","Richard Winfield","James Edward Alexander","Ebenezer Irving","Aaron Vail","E. L. Cleaveland","William Libbey","E. R. Tucker","Gouverneur Kemble","S. W. Halstead","M. Gulliam","James Beekman","Irving Paris","John Boyd","S. K. Burkholder","[S. F. R.]","H[enry] T[heodore] Tuckerman","[Emily Foster]\n                  Fuller","Pierre Irving","S[amuel] Austin Allibone","William Lambert","William [Alving]","S. A. F[rothingham]","Henry W[adsworth]\n                  Longfellow","Catherine [Paris]","James Lenox","[Washington]\n                  Frothingham","John D. [Vahoust]","E. Hunn, Jr.","J. D. Fish","J. Forster","Henry Alexander","Marshall Field","W. W. Sherman","John Stewart","M. R. Pryor","J[ohn] J. McCook","John J. McCook","Frederick Libbey","George Irving","Washington\n                  Frothingham","Henry Bellows","Oscar Irving","Emily Fuller","Melville [deLancey] Landon","Eli Perkins","[William] Libbey","T. Eames","Melville deLancey Landon","T[homas] Moore","Thomas Longman","Sarah Irving","Catherine Irving","Edward Everett","George Bancroft","William Seward","Robert Winthrop","Martin Van Buren"],"language_ssim":["English"],"total_component_count_is":99,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:34:15.104Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu01192_c03_c13"}},{"id":"viu_repositories_3_resources_847_c02","type":"File","attributes":{"title":"#13300-13399, 1890/1929","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_847_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_847_c02","ref_ssm":["viu_repositories_3_resources_847_c02"],"id":"viu_repositories_3_resources_847_c02","ead_ssi":"viu_repositories_3_resources_847","_root_":"viu_repositories_3_resources_847","_nest_parent_":"viu_repositories_3_resources_847","parent_ssi":"viu_repositories_3_resources_847","parent_ssim":["Charles Beseler Lantern Slide Company salesman sample catalogs, 1890/1929"],"parent_ids_ssim":["viu_repositories_3_resources_847"],"title_filing_ssi":"#13300-13399","title_ssm":["#13300-13399"],"title_tesim":["#13300-13399"],"normalized_title_ssm":["#13300-13399, 1890/1929"],"text":["#13300-13399, 1890/1929","Charles Beseler Lantern Slide Company salesman sample catalogs, 1890/1929","box 1","folder 2"],"parent_unittitles_ssm":["Charles Beseler Lantern Slide Company salesman sample catalogs, 1890/1929"],"parent_unittitles_tesim":["Charles Beseler Lantern Slide Company salesman sample catalogs, 1890/1929"],"normalized_date_ssm":["1890/1929"],"unitdate_inclusive_ssm":["1890s-1920s"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":2,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Charles Beseler Lantern Slide Company salesman sample catalogs, 1890/1929"],"containers_ssim":["box 1","folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research use."],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"_nest_path_":"/components#1","timestamp":"2026-06-23T07:29:38.998Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_847","ead_ssi":"viu_repositories_3_resources_847","_root_":"viu_repositories_3_resources_847","_nest_parent_":"viu_repositories_3_resources_847","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_847.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/752","title_filing_ssi":"Beseler, Charles, Lantern Slide Company salesman sample catalogs","title_ssm":["Charles Beseler Lantern Slide Company salesman sample catalogs"],"title_tesim":["Charles Beseler Lantern Slide Company salesman sample catalogs"],"unitdate_ssm":["1890s-1920s"],"unitdate_inclusive_ssm":["1890s-1920s"],"normalized_date_ssm":["1890/1929"],"normalized_title_ssm":["Charles Beseler Lantern Slide Company salesman sample catalogs, 1890/1929"],"text":["Charles Beseler Lantern Slide Company salesman sample catalogs, 1890/1929","MSS 16424","Archival Resource Key","/repositories/3/resources/847","Photograph albums","lantern slides","The collection is open for research use.","The materials within the collection are arranged by catalog number.","The Charles Beseler Company was founded in 1869 and sold a variety of slide and photographic equipment. The company remains active producing darkroom equipment to this day, and is headquartered in Stroudsburg, Pennsylvania.","Source: https://www.beselerphoto.com.","The Charles Beseler Lantern Slide Company salesman sample catalogs (1890s-1920; 1.2 cubic feet) document a portion of the titular company's product line at the turn of the 20th century. The collection consists of ten albums--about 950 lantern slide prints in total--on a variety of topics. Many photographs are of historical and Christian figures, while others range from architecture and engineering diagrams to landscapes and artwork.","Albert and Shirley Small Special Collections Library","Materials are in English."],"collection_title_tesim":["Charles Beseler Lantern Slide Company salesman sample catalogs, 1890/1929"],"collection_ssim":["Charles Beseler Lantern Slide Company salesman sample catalogs, 1890/1929"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 16424","Archival Resource Key","/repositories/3/resources/847"],"unitid_tesim":["MSS 16424","Archival Resource Key","/repositories/3/resources/847"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"access_subjects_ssim":["Photograph albums","lantern slides"],"access_subjects_ssm":["Photograph albums","lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["1.2 Cubic Feet 1 cubic box, 1 half-width document box"],"extent_tesim":["1.2 Cubic Feet 1 cubic box, 1 half-width document box"],"genreform_ssim":["Photograph albums","lantern slides"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe materials within the collection are arranged by catalog number.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials within the collection are arranged by catalog number."],"bioghist_html_tesm":["\u003cp\u003eThe Charles Beseler Company was founded in 1869 and sold a variety of slide and photographic equipment. The company remains active producing darkroom equipment to this day, and is headquartered in Stroudsburg, Pennsylvania.\u003c/p\u003e","\u003cp\u003eSource: https://www.beselerphoto.com.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Charles Beseler Company was founded in 1869 and sold a variety of slide and photographic equipment. The company remains active producing darkroom equipment to this day, and is headquartered in Stroudsburg, Pennsylvania.","Source: https://www.beselerphoto.com."],"prefercite_html_tesm":["\u003cp\u003eMSS 16424, Charles Beseler Lantern Slide Company salesman sample catalogs, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16424, Charles Beseler Lantern Slide Company salesman sample catalogs, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Beseler Lantern Slide Company salesman sample catalogs (1890s-1920; 1.2 cubic feet) document a portion of the titular company's product line at the turn of the 20th century. The collection consists of ten albums--about 950 lantern slide prints in total--on a variety of topics. Many photographs are of historical and Christian figures, while others range from architecture and engineering diagrams to landscapes and artwork.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["The Charles Beseler Lantern Slide Company salesman sample catalogs (1890s-1920; 1.2 cubic feet) document a portion of the titular company's product line at the turn of the 20th century. The collection consists of ten albums--about 950 lantern slide prints in total--on a variety of topics. Many photographs are of historical and Christian figures, while others range from architecture and engineering diagrams to landscapes and artwork."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["Materials are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:29:38.998Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_847_c02"}},{"id":"viu_viu00663_c01_c1330","type":"Item","attributes":{"title":"13 \"D-E\" Miscellaneous - mostly from\n                  American Exporter; all circular letters and ads for\n                  various clubs, organizations, sales\n                  outfits, 1916/1918","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu00663_c01_c1330#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00663_c01_c1330","ref_ssm":["viu_viu00663_c01_c1330"],"id":"viu_viu00663_c01_c1330","ead_ssi":"viu_viu00663","_root_":"viu_viu00663","_nest_parent_":"viu_viu00663_c01","parent_ssi":"viu_viu00663_c01","parent_ssim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937","Edward L. Stone Personal Papers"],"parent_ids_ssim":["viu_viu00663","viu_viu00663_c01"],"title_filing_ssi":"13 \"D-E\" Miscellaneous - mostly from\n                  American Exporter; all circular letters and ads for\n                  various clubs, organizations, sales\n                  outfits","title_ssm":["13 \"D-E\" Miscellaneous - mostly from\n                  American Exporter; all circular letters and ads for\n                  various clubs, organizations, sales\n                  outfits"],"title_tesim":["13 \"D-E\" Miscellaneous - mostly from\n                  American Exporter; all circular letters and ads for\n                  various clubs, organizations, sales\n                  outfits"],"normalized_title_ssm":["13 \"D-E\" Miscellaneous - mostly from\n                  American Exporter; all circular letters and ads for\n                  various clubs, organizations, sales\n                  outfits, 1916/1918"],"text":["13 \"D-E\" Miscellaneous - mostly from\n                  American Exporter; all circular letters and ads for\n                  various clubs, organizations, sales\n                  outfits, 1916/1918","Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937","Edward L. Stone Personal Papers","box Box 397"],"parent_unittitles_ssm":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937","Edward L. Stone Personal Papers"],"parent_unittitles_tesim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937","Edward L. Stone Personal Papers"],"normalized_date_ssm":["1916/1918"],"unitdate_other_ssim":["1916 -1918"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":1331,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"containers_ssim":["box Box 397"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1916,1917,1918],"_nest_path_":"/components#0/components#1329","timestamp":"2026-06-23T07:33:15.613Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00663","ead_ssi":"viu_viu00663","_root_":"viu_viu00663","_nest_parent_":"viu_viu00663","ead_source_url_ssi":"data/uva-sc/viu00663.xml","title_ssm":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"title_tesim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"normalized_title_ssm":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"text":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937","382","This collection\n         consists of approximately 500,000 items.","Stored off-site. Users must request boxes 48 hours in advance of desired use. Neither drop-in nor next-day requests can be fulfilled. For additional information, contact Special Collections.","After arrival at the University, the collection was placed\n         in the stack areas of the then division of Rare Books and\n         Manuscripts of the Library, and was shelved in close proximity\n         to another large collection received only a year before, that\n         of the Low Moor Iron Company. The two comprised the largest\n         group of material in the division at the time, a group that,\n         unfortunately, was rarely used by researchers as there were no\n         finding aids to the mass, and interested researchers were\n         intimidated by the problems of research in the papers.","The collections remained in the stacks until 1958 when\n         expansion space in the division's storage area was reduced to\n         a minimum by the successful collecting program of the\n         intervening years. A review of the collections and their use\n         showed that the Stone collection and the Low Moor Iron Company\n         papers were rarely consulted, and it was decided to move them\n         out of the division's quarters to provide storage space for\n         collections that were being used by researchers.","Space was located in the attic of a student dormitory, and\n         the division prepared the papers for long-term storage by\n         removing them from the old letter boxes in which they had\n         arrived. Each bundle of papers was placed between sheets of\n         gray, newspaper-storage cardboard sheets; the spine titles of\n         the old letter boxes were copied onto the cardboard sheets,\n         and the bundle was wrapped in brown paper, tied up with\n         string, and numbered in a coded sequence.","The collections remained in the attic of Lefevre House\n         until the fall of 1976 when, after the receipt of a grant from\n         the National Endowment for the Humanities for the processing\n         of the two collections, they were transported to the Alderman\n         Library building once more In the Library's receiving room,\n         the bundles were cleaned in the dust hood, untied and\n         unwrapped, and the contents transferred into gray, Hollinger\n         storage boxes before transfer into the storage areas of the\n         Manuscripts Department for processing. The coded numbers on\n         the bundles were recorded but proved to be of no use in\n         restoring order to the papers, badly out of sequence from\n         their many moves over the years. Nor did the spine titles and\n         dates from the original letters boxes prove to be of any\n         particular use in organizing the collection.","Once processing work was completed at the end of the summer\n         of 1978, the Stone Papers were transferred back to the\n         dormitory attic as space in the Alderman Library building\n         remained short, and it was felt that adequate service on the\n         Stone Papers could be maintained from the attic now that a\n         guide to the papers had been prepared. (N.B. The Stone papers\n         were removed from the dormitory attic and transferred to the\n         University Library's high-density remote storage facility\n         following its opening in the mid-1990s.)","The word \"organization\" is used here with considerable\n         diffidence, for any researcher studying the lists of box\n         contents that follow will realize quickly that there is no\n         organization in the usual sense of the word.","As previously noted, the Stone papers were subjected to a\n         number of moves before processing began, and, unfortunately,\n         there seems to have been little organization of the papers in\n         Mr. Stone's files in his Roanoke office. Presumably, he and\n         his staff could locate material that was needed from the\n         files, but at the time that processing began in the fall of\n         1976, no discernible scheme of organization could be\n         determined.","The first step was to review the series of coded numbers\n         placed on the bundles of papers before they were moved to the\n         dormitory attic, but these did not provide any sort of useful\n         organization. Next, the spine titles of the original letter\n         boxes were reviewed (they had been copied onto the gray\n         cardboard sheets before the move to the dormitory attic), but\n         they, too, proved useless.","These steps having provided no scheme, and after a\n         considerable hiatus due to a turnover in student processors on\n         the collection, the new student processors were instructed to\n         begin a box-by-box inventory of the contents of the\n         collection. During this inventory, old folders were replaced\n         with acid-free ones, and the original folder headings were\n         copied onto the new ones. Some removal of papers clips was\n         accomplished, and the materials were reviewed and notes were\n         taken for the guide.","The processors found that Mr. Stone's papers were comprised\n         of three series. One was devoted to his personal affairs, and\n         contained material about his diverse business interests\n         outside his two major ones, and about his civic and\n         professional interests, as well as papers from his private\n         life. The second series contained the papers from his major\n         business and \"first love\" the Stone Printing and Manufacturing\n         Company of Roanoke; and the third series included a wealth of\n         material about the Borderland Coal Company, an enterprise that\n         Mr. Stone served for twenty-seven years, first as president\n         and later, as chairman of the board.","For a long time, we considered separating the three series\n         of papers, and the processors evolved a good system of colored\n         slips clipped to the boxes to identify material from each\n         series contained in a box. However, as they neared the end of\n         their inventory, the processors became convinced, and argued\n         successfully that the series should not be separated.\n         Basically, all these papers are Mr. Stone's private papers as\n         he was the major stockholder in the Stone Printing Company and\n         it was very much a personal operation. There are\n         interrelationships between material that was found standing in\n         different folders in the same box, and the processors\n         correctly feared that drastic reorganization would destroy\n         those relationships. Thus, we decided to accept their\n         argument, and the box contents were allowed to remain as we\n         found them.","A certain amount of movement of boxes within the collection\n         probably would ease use of it. But what processing was\n         accomplished on this project took far longer than had been\n         anticipated, and there was no time in the late spring of 1978,\n         when the processors had to complete their work with the\n         project, to undertake a mass movement of material. Thus, they\n         stand in the order in which we found them at the beginning of\n         the project.","As has been stated above, the three series of papers in\n         this collection (Stone Personal; Borderland Coal Co.; and\n         Stone Printing and Mfg. Co.) have not been physically\n         separated and are scattered throughout the collection.\n         However, in the container listing which follows the three\n         series have been separated. Therefore, the listing for the\n         Edward L. Stone Personal Papers series begins with Box 11 of\n         the collection because that is the first box in which Stone's\n         personal papers can be found. (Boxes 1-10 appear in the\n         listing for the Borderland Coal Co. series.) This also means\n         that if a box contains material from more than one series it\n         will have more than one entry in the listing, so that to find\n         a complete listing of a particular box a researcher might need\n         to look at the listing for each of the three series. In\n         addition, some of the box entries in the listing are slightly\n         out of order, so that if a box appears to have no entry or\n         only a partial entry, in a particular series the entry is\n         sometimes picked up on the next page of the listing.","Listings of oversize material are located at the end of the\n         listing for each series.","Biography of Edward L. StoneEdward Lee Stone was born on September 15, 1864, in\n         Liberty (now Bedford) Virginia, the son of John Harmon Stone\n         and Mary Witt Stone. He was reared in very modest\n         circumstances, and received no more than an elementary school\n         education, yet he became one of the wealthiest and most\n         prominent citizens in the state of Virginia.","Edward Stone's career in the printing business is typical\n         of the fabled American dream. At ten years of age, having\n         recently lost his father, Stone was in the boys' playground of\n         his school. J. R. Guy, the editor of the Bedford Sentinel\n         newspaper, came to the playground looking for William Fellers,\n         Stone's cousin. When Stone asked Mr. Guy what he wanted with\n         William, Guy replied \"I want him to carry the papers. Stone\n         said, \"I'll carry 'em' for you.\" After being a delivery boy\n         for the Sentinel, Stone learned to set type and worked\n         evenings after school for five cents an evening; twenty-five\n         cents on Saturday. Less than a year later, economics\n         necessitated that he quit school to pursue his job full time.\n         Stone learned his lessons well, and showed enthusiasm in every\n         phase of his work. Young Stone worked alongside a window, and\n         enjoyed nothing better than to jump out into the street and\n         scrap with some passing youngster, returning to his duties\n         after the fun was over.","Stone was given more and more duties which he performed to\n         this employer's total satisfaction. At the age of sixteen, for\n         some now-inexplicable reason, Stone left the newspaper\n         business to work for a mercantile establishment, He soon grew\n         bored, however, and returned to printer's ink. This time he\n         worked for the Democrat, a weekly newspaper in Buchanan,\n         Virginia, then a thriving town at the intersection of the\n         James River and the Kanawha Canal.","Once, at the age of sixteen, Stone was entrusted with\n         getting out an entire edition of the paper by himself. The\n         editor was in court and many workmen were out sick. Stone and\n         an assistant set type at breakneck speed beginning at 7:15\n         A.M. and had the entire seven-column paper completed by noon\n         --an amazing feat. Stone was out playing ball by 2 P.M. and\n         earned a $5.00 bonus from his boss, editor William J. Boyd. In\n         1882, Boyd informed Stone that he was going to open a printing\n         office in Roanoke, Virginia, then a small town. Boyd wanted\n         Stone to be manager, and on July 20th, 1882, both men arrived\n         in Roanoke. A place could not be found for the new enterprise\n         however, and both returned to Buchanan. Stone became\n         disillusioned with the small scope of opportunities Buchanan\n         provided, and, with an ambition to \"become somebody\" in the\n         printing business, set out for Lynchburg. Landing in Lynchburg\n         in January 1883 he applied for work on the News and, after a\n         few days, secured a position as compositor. Here he remained\n         until March, achieving considerable reputation as a fast\n         compositor, yet not satisfied. Stone really longed for a\n         position in the printing business. John P. Bell offered Stone\n         a minor position in a branch office he had planned to open in\n         Roanoke. The position was, in most respects, inferior to the\n         one he had already held, but Stone gladly took it. He worked\n         hard, and showed superior business ability which impressed Mr.\n         Bell so much that when the manager of the business died in\n         1885 his position was offered to Stone. The position was not\n         offered without some misgivings because of Stone's youth (he\n         was only twenty-one) and his lack of business experience.\n         Stone, however, did such a good job as manager that Bell\n         realized that he had made the right choice. Stone eventually\n         gained control of the business and became president of the\n         company.","His position was secure enough that in 1890, he married\n         Miss Minnie Fishburn, daughter of J. A. Fishburn, a prominent\n         business man of Roanoke. The couple had one child, Mary\n         Katherine Stone.","Edward Stone's printing business grew in size and wealth.\n         By 1920 it was acknowledged by many to be the best-equipped\n         printing corporation in the south, and one of the largest as\n         well. He had many other business interests. He was president\n         of the Borderland Coal Corporation, president of the Virginia\n         Bridge and Iron Company, vice president and later president of\n         the Walker Foundry and Machine Company, chairman of the First\n         National Exchange Bank, and president of his primary business\n         and \"first love,\" the Stone Printing and Manufacturing\n         Company.","In March 1896 Stone was presented with a petition signed by\n         fourteen Roanoke business men requesting that he run for\n         mayor. Stone was very tempted, but a law stating that no one\n         in Roanoke public office would be permitted to do business\n         with the city stopped him. Stone felt that not being able to\n         do business with the city would be unfair to his stockholders.\n         Stone, a civic-minded individual, was chairman of the Roanoke\n         Community Fund in 1924, and of the City Planning and Zoning\n         Commission. He was also chairman of the war bond committee\n         during the First World War, and belonged to many societies and\n         organizations, including the American Institute of Graphic\n         Arts, the Florida State Historical Society, the Shenandoah\n         Club of Roanoke, the Country Club of Roanoke, the Roanoke Gun\n         Club, the Roanoke German Club, the Virginia Historical Society\n         (life member), the Better Printing Committee of the United\n         Typothetae of America, the Roanoke Rotary Club, the\n         International Benjamin Franklin Society of New York, and the\n         board of trustees of the Committee to Assist the Blind.","Edward Stone was also an extremely charitable man. He gave\n         large sums of money to the Roanoke Hospital and the Roanoke\n         Relief Fund, helped endow Roanoke College, gave heavily to the\n         Boy Scouts and the War Relief Clearing House, and donated\n         money to the Coal Miner's Relief Fund--even though it was\n         those very coal miners who were striking in Stone's coal\n         mines. He believed, however, that the miners' children should\n         not have to suffer for their parents' stand. The Stones also\n         gave money to support French children who had been left\n         fatherless as a result of the war. Stone, a Presbyterian,\n         donated $100.00 to the Jewish Relief Fund in 1917 to aid the\n         starving Jews in Russia displaced by the war, and also sent\n         funds to the Tuskeegee Institute.","Edward Stone's principal hobby was book collecting, and his\n         library was appraised at $50,000.00 in 1939. Among his\n         treasured pieces was a page from the original Gutenberg Bible.\n         Stone's library was considered to be the largest and\n         best-equipped privately-owned library in the state of\n         Virginia.","Stone's income fluctuated through the years. In 1917 and\n         1918, partly through stock sales, Stone declared an income of\n         $129,383.39 and $91,483.00 respectively, but 1926 was\n         considered an average year, and he declared an income of\n         $57,500.00.","Although Stone was a humanitarian and philanthropist, he\n         believed in keeping total control of his business and watched\n         his employees closely. He did not strongly oppose unionization\n         in his printing shop, but fully opposed unionization in his\n         coal mines, even using scabs to break strikes.","Stone suffered financial reversals during the Great\n         Depression but he reorganized his holdings to prevent a great\n         loss, and he weathered the Depression better than most\n         businessmen. His health had begun to fail by 1929, and by 1934\n         he was virtually bedridden. Finally, after a protracted\n         illness, Edward L. Stone died on June 3, 1938, at the age of\n         seventy-four.","A History of the Borderland Coal\n         CompanyThe Borderland Coal Company derived its name from its\n         dual location in Mingo County, West Virginia, and Pike County,\n         Kentucky, an area bordered by the Tug Fork of the Big Sandy\n         River. The mines proper were located in Kentucky, and the coal\n         washers and other processing equipment were located in West\n         Virginia. The company operated from 1903 to 1934. While the\n         Borderland Coal Company was incorporated in 1903, the first\n         batch of coal was not shipped until September 1, 1904. In that\n         year J. S. Tipton, formerly the majority stockholder, resigned\n         his post as general manager of Borderland Coal and sold most\n         of his stock to Edward L. Stone. At that time Stone was\n         president of the Young Men's Investment Club which owned a\n         large number of shares in the Borderland Coal Company, and\n         thus, Stone controlled the club's activities.","The Borderland Coal Company initially owned approximately\n         1,000 acres of coal land. The company mined bituminous or soft\n         coal, and sold slack coal, used by railroads and industrial\n         concerns, egg coal, used in private furnaces, and nut coal,\n         the highest quality of bituminous coal, used in the kitchens\n         of private homes.","The Borderland Coal Company grew through the early 1900's.\n         In 1905, a second plant was opened called simply \"Operation\n         #2.\" The company declared its first stock dividend in November\n         1907, and began the construction of an electric plant,\n         cableway, conveyor, and tipple at a cost of $27,950.00. In\n         1908 a new coal washer was installed. By late 1914 the\n         Borderland Company held 3,000 acres of coal lands containing\n         an estimated 20,000,000 tons of coal. The profits of the\n         Borderland Coal Company increased from $1,250.00 in 1904 to\n         $11,243.77 in 1905, to $49,977.21 in 1908, and to $110,532.68\n         in 1910.","The amount of coal mined increased from 246 railroad\n         carloads in 1904 to 3,781 railroad carloads in 1910, and\n         expansion continued until the outbreak of World War I. The\n         coal paid a regular annual dividend averaging 15-30%. Prior to\n         1911, the Leckie Coal Company of Cleveland, Ohio, was the\n         exclusive agency for the sale of Borderland Coal. In that\n         year, however, the Borderland Coal Sales Company was formed,\n         with officers of the Borderland Coal Company doubling as\n         officials of the new company.","The town of Borderland, West Virginia, was a company town,\n         with company-owned homes, stores, school, and a church. The\n         rents in the company homes appear to have been within the\n         miners' incomes. The prices in the company stores, however,\n         were exorbitant. In fact, profits for the company store were\n         the second biggest money maker for the company in 1911,\n         totaling $11,811.78. The largest profit maker was coal, which\n         netted $91,741.07, while the sale of powder was ranked third,\n         totaling $3,165.86.","World War I created a great demand and a high prices for\n         coal, and the Borderland Coal Company prospered despite\n         difficulty finding railroad cars to transport its produce. In\n         1917, the company paid a record 60% dividend. On January 1,\n         1918, the company re-chartered itself in Virginia, and\n         patented the trademark and the name of the Borderland Coal\n         Company. The new capital stock was valued at nearly\n         $800,000.00. In November 1918 construction began on a new\n         tipple at a cost of $116,000.00. After the First World War,\n         the Borderland Coal Company experienced a decrease in both the\n         demand and the price of coal. The problem of labor and\n         unionization, however, ultimately caused the company's\n         demise.","Borderland Coal Company officials had been concerned over\n         the growth of coal mine unionization long before any major\n         trouble began. As early as 1915, L. E. Armentrout, the\n         corporation's Vice President and General Manager began using\n         \"secret service men\" to infiltrate the ranks of the miners and\n         report on any union activity. It is not known whether these\n         agents were U.S. government agents or private investigators,\n         but the latter is presumed. One of them reported on March 10,\n         1915:","I spent the entire day Monday with Emmett and Ed McKee,\n            Gus Cantrell, and Henry McKnight, all white Americans. We\n            played cards in an empty house on the Kentucky side. We had\n            a nice fire and everything was very comfortable. We would\n            play cards until we got tired, then we would stop\n            everything and talk unionism. Gus Cantrell said that he had\n            been talking to the boys for the last year, trying to get\n            them to organize a local of the U.M.W. of A. He said that\n            there was plenty of good, solid union men and that there\n            were also a lot of rotten scabs here. That he got into a\n            conversation with George McCormick, a white man, and\n            McCormick told him that he didn't believe in the union and\n            that he didn't want anything to do with the U.M.W. of A. .\n            . . I told Cantrell that I would be willing to help\n            organize the local. He said, \"Well, the work is picking up\n            now and we will wait until the boys get a good pay day,\n            then we will put this thing through.\"","Borderland Coal Company successfully resisted unionization\n         in the years before World War I. Wartime regulations prevented\n         strikes and hindered unionization, but after the war many\n         miners felt that it was time to air their grievances. Miners\n         disagreed over specific demands, but most felt that grave\n         inequalities existed in the rates for day workers established\n         by the Bituminous Coal Commission. The miners requested that a\n         conference be held but this request was turned down by the\n         Commission. Dissatisfaction became more pronounced, and during\n         the middle of July 1920 the miners in some of the subdistricts\n         walked out in an unauthorized strike. Shutdowns spread to\n         Indiana and Illinois. President Woodrow Wilson intervened and\n         told the miners that if they returned to work a grievance\n         committee would be formed. The miners returned to work August\n         10, 1920, and the committee was set up. Management and labor\n         agreed on a wage increase and all was quiet for a while.","West Virginia was in a unique position in that most of the\n         mines in that state were non-union. The Interstate Commerce\n         Commission fixed freight rates with a \"differential\" low\n         enough that West Virginia coal would not be eliminated by\n         production from other fields closer to their market. When the\n         market for coal was good, the differential also allowed the\n         union coal fields of Indiana, Michigan, and Illinois to pay\n         the union scale of wages and still sell their coal in\n         competition with the product of non-union fields, such as\n         those in West Virginia. When the demand for coal was low and\n         prices receded, however, the differential no longer aided the\n         union fields and they began to experience an adverse effect.\n         These conditions appeared after the First World War, and as a\n         result operators of unionized mines demanded the unionization\n         of the Wast Virginia coal fields. Thus the U.M.W. put pressure\n         on all non-union fields, including those of the Borderland\n         Coal Company. Borderland Coal Company had been fairly quiet\n         about unionization up to this time. On May 5, 1920, however,\n         L. E. Armentrout had issued the following notice:","TO THE PRESENT OR FUTURE EMPLOYEES OF THE BORDERLAND\n            COAL COMPANY \n            Considerable efforts are being made to organize this\n            field and certain advantages are being held out to some men\n            showing the advisability of belonging to the Union. \n            This is a free country and this company is not going\n            to dictate to its employees whether they shall or shall not\n            join the Union, but for your information and for the\n            information of your friends, we wish to state positively\n            that no Union man will be employed by this company, and if\n            you find that it is to your interest to join the Union, we\n            would suggest that you arrange to move out and call at the\n            office and we will be glad to settle with you. This will\n            save you as well as the company further trouble, but we\n            sincerely hope that the pleasant relations between the\n            Company and the men will continue, and that each and every\n            one of you will continue in our employ. \n            Yours very truly, \n            L. E. Armentrout, \n            Manager","By late May, 1920 the situation had become acute.\n         Armentrout wrote to James P. Woods, president of the\n         Borderland Coal Company:","The organizers have just about put us out of business at\n            both plants . . . We have a good many men who have not\n            joined the Union, but these agitators are intimidating them\n            and have them so scared they won't attempt to try to work.\n            I will have a conference with the West Virginia attorneys\n            today to see if I cannot get a temporary injunction, or\n            probably prosecution for these intimidators. \n            We have three Deputy Sheriffs in Kentucky and expect\n            two more in today. We have both plants pretty well policed\n            at night, but still some of the intimidators slip through\n            the mines and get to some of the men. . . \n            Now that the primary is over, we believe that\n            Unionism will die out. . . . In fact, no Union cards have\n            been issued and for the past two or three days they have\n            not been able to locate the man who has been giving them\n            orders on the stores. Some of them (the fired Union Men)\n            have already remarked that they could not support their\n            families on $7.00 to $8.00 a week, and they hated to go to\n            bed at night when their children were crying for something\n            to eat.","Unionism, however, did not die out. Union \"agitators\" saw\n         to that no coal could be mined at the Borderland Company's\n         coal fields. In a letter to Stone dated July 6, 1920,\n         Armentrout stated that he was able to get \"very little action\n         from the Governor of West Virginia. . .I just finished talking\n         to Governor Morrow's office in Frankfort, Kentucky, and the\n         home guards will likely entrain today. They will likely have\n         machine guns so if that they get in according to promise, we\n         think that conditions will improve very rapidly.\"","The Borderland Coal Company kept its promise and\n         dispossessed hundreds of its employees. Fired from their jobs\n         and ousted from their homes, they were forced to live in\n         tents. In a union pamphlet entitled \"Borderland and Bullets\"\n         these men told of the horrible indignities forced on company\n         employees who joined the union. The purpose of the pamphlet\n         was to oppose the re-election of Colonel James P. Woods,\n         president of the Borderland Coal Company, to the U. S. House\n         of Representatives. Woods ran for re-election in the sixth\n         Virginia district claiming that he had been always fair to the\n         working man, and he won.","The situation at Borderland soon deteriorated into\n         violence. A pamphlet dated \"winter, 1920\" and entitled \n         Hell with the Lid Off in Mingo\n         County, West Virginia,gives an account of drunken\n         company guards wounding a number of workers by firing into\n         their tents. On May 12, 1920, Edward Stone, chairman of the\n         board of the Borderland Coal Company, had examined an\n         advertisement for the Thompson sub-machine gun but had decided\n         that \"the gun is not sufficient for our needs at the mine.\" On\n         May 16 Governor John J. Cornwell of West Virginia sent a\n         telegram to the War Department in Washington requesting that\n         Federal troops be sent to the Tug River District, where\n         Borderland Coal Company was located. There had been fighting\n         in the Tug River District for nearly four days. Secretary of\n         War John Weeks, basing his decision on reports from one of his\n         staff officers who had visited the area, decided that federal\n         troops were not needed. Four days later Governor Cornwell\n         declared martial law in West Virginia. Militiamen from both\n         Kentucky and West Virginia were involved in the fighting.","In the summer of 1921 the U. M. W. began its famous \"summer\n         march\" which precipitated guerilla warfare between the\n         pro-union and anti-union forces. On June 29, Governor Cornwell\n         ordered the citizens of West Virginia to take up arms and\n         defend themselves against the pro-unionists. The papers of the\n         Borderland Coal Company include lists of casualties written on\n         scrap paper, such as \"Stone Mountain, 5 Baldwin men and 4\n         citizens killed (one the mayor), 2 Feltz Bros. killed, 2\n         military companies there, 2 on the way.\" In April 1922 the\n         coal miners' grievances came to a head and they struck. They\n         demanded a continuation of the system of bargaining and\n         contract, including the \"checkoff,\" which is a list devised to\n         check on payment of union dues. In addition to demanding\n         stable wage rates, the miners demanded a six-hour day and a\n         five-day week. These increased hours would mean steady\n         employment, one of the miners' main goals.","The strike apparently took some pressure off the Borderland\n         Coal Company because after 1922 there is little or nothing in\n         the collection regarding unionization. Company officials had\n         managed to avoid unionization of their mines but had caused\n         the company much damage in the process. Bitter feelings\n         prevailed after the strike. A letter from L. E. Armentrout to\n         the Borderland Coal Company dated 1923 states:","Gentlemen, \n            My attention has just been called to the enclosed\n            blotter bearing the union label. It has been the policy of\n            this company for several years, in fact, ever since we have\n            been in business, not to recognize any Union whatever. We\n            spent, or lost, something like $300,000.00 fighting the\n            United Mine Workers here in 1920 and 1921, and also have\n            some injunctions against them. \n            For your information, please do not place any more\n            printing with any Union shop, and if you have any more of\n            these blotters, tear them up or dispose of them otherwise\n            as it is inconsistent with our policy, and we positively\n            will not stand for it.","While much of the collection regards labor struggles, there\n         is little material regarding immigrant labor although 40% of\n         the workers were immigrants. West Virginia was a sparsely\n         populated state at this time, and immigrants were needed to\n         supplement the labor in their mines. The first constitution of\n         the state provided for the appointment of an immigration\n         officer whose duties were to advertise the attractions of West\n         Virginia throughout Europe and make arrangements with\n         industries to supply transportation for foreign workmen. Of\n         the 80,877 workers employed in the West Virginia coal mines in\n         1915, 49,753 were American-born (37,918 white and 11,835\n         black) and 31,124 were foreign-born. Italians made up the\n         largest percentage of the immigrant labor force, about one\n         third of all foreigners employed in the mines while Hungarians\n         comprised the second-most prevalent nationality, approximately\n         one-sixth of the foreign born total.","The Borderland Coal Company never fully recovered from the\n         trouble that paralyzed its mines in 1920. The 1920's were a\n         very depressed period for the mining industry in general and\n         the depression of 1929 brought prices to an all time low. Coal\n         production fell precipitously from 1927-1933 although there\n         seemed to be a slight upturn that year. In 1927, L. E.\n         Armentrout resigned from the company and a year later the\n         Borderland Coal Sales Company was dissolved due to lack of\n         business. The Norfolk and Chesapeake Coal Company became\n         exclusive agents for the sale of Borderland coal. At a meeting\n         of the Borderland Coal Company's board of directors in 1929,\n         it was stated that since the market for coal was so poor, it\n         hardly paid to keep the mines going. The Borderland Coal\n         Company mines were only worked four days during the entire\n         month of May 1932. In a letter from Edward L. Stone to a\n         Borderland Coal Company creditor, Stone wrote that as the\n         Borderland Coal Company did not have the money to pay its\n         debts, all creditors would have to wait for their money, and\n         that he hoped that he could avoid declaring the Borderland\n         Coal Company bankrupt. In 1934 Stone received a letter from a\n         stockholder consoling him for having to \"lose Borderland\n         Coal.\" Apparently the company was then out of business.","The demise of the Borderland Coal Company was the result of\n         broad national trends; the product of their mines was of high\n         quality, and in good supply. The problem of labor and\n         unionization paralyzed the Borderland Coal Company. Lack of\n         production in the mines meant that the Borderland Coal Company\n         could not pay dividends which affected their stockholders. The\n         bad mining conditions, a lack of demand for coal and low\n         market prices made it impossible for the Borderland Coal\n         Company to recover. The return of the coal-rich region of\n         Alsace-Lorraine to France meant that our allies no longer\n         needed American coal. Domestic demand increased, but it did\n         not compensate for decreased industrial use. The switch to\n         alternative forms of energy such as oil, also damaged the coal\n         industry. Although prosperity returned to the rest of the\n         country, the coal industry never totally recovered, and the\n         Borderland Coal Company was one of the victims.","Officers of the Borderland Coal Company: Edward Lee Stone\n         --President ca. 1907-1919, Chairman of the Board 1919-ca.\n         1934; James P. Woods (attorney at law --U. S. Representative,\n         6th Virginia District) --Vice President ca. 1905-1922,\n         President 1922-1932; L. E. Armentrout --Manager ca. 1905-1915,\n         Vice President and Manager ca. 1915-1927; Ernest B. Fishburn\n         --Secretary-Treasurer ca. 1905-1930","Officers of the Borderland Coal Sales Company: L. E.\n         Armentrout --President; Edward Lee Stone --Vice President;\n         James P. Woods --second Vice President; R. N. Osborne,\n         Jr.--Secretary (discharged in 1924); W. W.\n         Austin--Secretary.","A History of the Stone Printing and\n         Manufacturing CompanyThe Stone Printing and Manufacturing Company of Roanoke,\n         Virginia, was established in 1883 as the Bell Printing and\n         Manufacturing Company. John P. Bell of Lynchburg served as\n         president, and Samuel J. Fields of Abington, Virginia, served\n         as manager. Edward L. Stone, the eventual chairman of the\n         board, was then employed as a journeyman printer and pressman.\n         In 1885, Stone succeeded Fields as the company's manager, and\n         his brother, Albert A. Stone, joined the business.","At this time the company occupied a small site on Commerce\n         Street in Roanoke, an area about twenty by twenty-five feet.\n         In 1889 the plant was seriously damaged by fire, and within a\n         few months, the company moved to larger quarters on the second\n         and third floors of the Gale Building on Jefferson Street.\n         Shortly thereafter, the controlling interest was purchased by\n         Edward L. Stone, with the remainder of the stock being\n         purchased by J. B. Fishburn and Albert A. Stone.","In 1892, the name of the company was changed to the Stone\n         Printing and Manufacturing Company, and the company occupied a\n         new, three-story building at 116 North Jefferson Street. In\n         1896, a duplicate building was added on the north side; in a\n         few years another addition was placed at the rear. The company\n         built another addition in 1902 but five years later the old\n         structure was torn down and a new two-stories building, 210 x\n         110 feet, was completed. The new structure gave the Stone\n         Printing Company 50,000 square feet of space, which is about\n         100 times the floor space originally occupied on Commerce\n         Street. The company today occupies the same site on Jefferson\n         Street.","In 1883 the capital stock of the company was $5,000.00, and\n         in 1900, it was increased to $50,000.00. In 1910 the capital\n         stock had grown to $350,000.00. All of the stock increases\n         were taken, with one exception, by the original stockholders.\n         Sales grew from $84,371.00 in 1900 to $179,433.78 in 1905, and\n         from $253,781.15 in 1909 to a high of $608,174.36 in 1920.","Stone had considered selling his printing company to a\n         British syndicate in 1912. He felt, however, that business was\n         good and getting better and eventually decided to retain\n         control. By 1920 the Stone Printing Company had customers in\n         half the states in the union and in some foreign countries.\n         Between 1920 and 1929, however, sales showed a steady decline.\n         In 1929 they fell to $399,701.43 and declined throughout the\n         depression.","The Stone Printing Company's most important business came\n         from railroads as the company printed tariff and rate\n         schedules as well as tickets. Since the railroad rates changed\n         rapidly during the early 1900's, railroad printing was very\n         lucrative. The principal railroad customer and in fact, the\n         largest customer, of the Stone Printing Company was the\n         Norfolk and Western Railroad. In 1910 the Norfolk and Western\n         Railroad accounted for $85,652.60 in sales. Combined with the\n         sales to other railroads in 1910, the total of railroad sales\n         was approximately $193,000.00 of a total of $339,678.92 --well\n         over half of the total sales of the Stone Printing\n         Company.","Commercial printing comprised the second largest source of\n         the Stone Printing Company's business, accounting for\n         $135,110.32 of a total $608,174.36 in 1920. The fourth largest\n         amount of business, after the Norfolk and Western Railway,\n         other railroads, and commercial printing, was school and\n         college printing. The Stone Printing Company printed the\n         yearbooks for the University of Virginia, the Georgia\n         Institute of Technology, the University of Mississippi,\n         Randolph-Macon College, Hollins College, Virginia Polytechnic\n         Institute, and others.","The profit margin in printing often was small, and thus\n         costs had to be carefully controlled. Edward L. Stone was a\n         commissioner of the American Printers Cost Commission which\n         kept a close watch on printing costs and tried to keep them\n         down. Another serious problem that bothered Stone Printing\n         Company was unionization. As most Roanoke printing shops,\n         Stone Printing Company was an open shop where either union or\n         non-union people could be employed. The company's officers did\n         not penalize or prevent workers from joining the union. The\n         International Typographical Union, however, put pressure on\n         Edward Stone to turn his establishment into a closed shop,\n         that is, a shop that would hire only union members, pay union\n         wages, and abide by union rules. Paying union wages did not\n         trouble Stone because he already paid more than the union\n         scale in most cases. For example, in 1905 when the union scale\n         was $13.50 per week, Stone pointed out that while two of his\n         employees received less and one received the union wage, over\n         forty workers received between $15.00 and $25.00 per week.\n         Stone felt it folly to pay all workers the same because, he\n         said, \"some are so much better than others.\"","Edward Stone's paternalistic attitude toward his employees\n         is reflected in a collection of letters exchanged with his\n         workers. Forced to fire an employee who lied about being able\n         to work on a printing press, Stone lent him the money to go to\n         printing school, and re-hired him when he had learned the\n         trade. Another worker left the company without notice, heading\n         home to Lexington, Virginia. When the employee needed money to\n         return to Roanoke, Stone lent it to him with the understanding\n         that the employee would never again leave without asking\n         Stone's permission. Another employee left Stone without notice\n         to work for another printing firm, but when the employee\n         wanted his old job back, Stone gave it to him. Stone\n         frequently lent money to his employees, and did not press them\n         for repayment.","Many of the union's rules, however bothered Stone. Among\n         the ones he objected to were (1) in all cases when it became\n         necessary to reduce the working force of an office, the last\n         person hired should be the first dropped; (2) in machine\n         composition, all work must be time work and no piece work\n         should be allowed; (3) no member of the International\n         Typographical Union should engage in a speed contest either by\n         hand composition or on machines, and violation of this rule\n         was to be punished by a fine of not less than $25.00, or by\n         suspension; (4) an eight hour day (Stone Printing had a 9 to\n         9-1/2 hour day); and (5) no one holding active membership in a\n         local union should sign any individual or private contract\n         with any employer, agreeing to work for any stated time,\n         length, or conditions as the union alone was to have the power\n         to contract for conditions, wages, and hours. This fifth\n         stipulation bothered Stone the most for he firmly believed\n         that an employee should perform whatever duty Stone demanded\n         of him.","On November 20, 1907, there was a union strike in Roanoke.\n         The union men employed by the Stone Printing Company walked\n         out, and the union formed a picket line in front of the Stone\n         Printing Company. Stone wrote to Joel Cuthin, Mayor of\n         Roanoke: \"We have never been opposed to the union, but we have\n         objected to having them run our business, unless they acquired\n         it by ownership.\" The union put pressure on the Stone Printing\n         Company. A memo to Edward Stone from Albert Stone dated 1915\n         told of some Stone Printing Company material being returned by\n         certain Roanoke merchants because they did not bear the union\n         label. The amount of material returned, however, was very\n         small. The union pressure placed on Stone was generally\n         peaceful and there was no violence or destruction. After the\n         unsuccessful strike, Stone took back all of his union men.","After 1920 the company's sales and profits declined. In\n         1927, Albert Stone, who had assumed the presidency of the\n         company, commissioned Ernst and Ernst, financial analysts, to\n         examine the operation of Stone Printing and make\n         recommendations for improving business. The analysts found\n         Stone Printing to be an innovative company which sought and\n         found new markets such as school and college printing and the\n         printing of calendars, and which had sound leadership. Ernst\n         and Ernst felt that it was a change in economic conditions,\n         not the company itself, that caused the company's problems.\n         Competition had changed and grown in intensity by 1920, making\n         the ability to sell most important. The analysts recommended\n         the creation of a sales department coupled with more\n         aggressive selling techniques.","Later, Albert Stone, Jr., Edward Stone's nephew, claimed\n         that it was the reluctance of the Stone Printing Company to\n         cut prices during the depression of 1919-1922 that caused the\n         company's problems. He claimed that by the time the company\n         did cut its prices, Stone Printing had lost many of its most\n         valued customers, and suggested a closer watch of costs\n         coupled with an expansion of the calendar line. Although these\n         suggestions were followed, business did not improve.","When the Great Depression hit in 1929, business worsened.\n         Loyal customers and a solid financial base kept the Stone\n         Printing Company from bankruptcy. Edward Stone's health was\n         failing by 1929, and most of the company's affairs were passed\n         on to his brother Albert. In a letter from Edward Stone to the\n         board of directors in 1930, he wrote: \n         the years operations to date, with vastly improved\n            selling efforts, has only brought us the same volume of\n            business that we had last year but the increased\n            organization expense, incident to this extra selling\n            effort, and the extraordinary competition in the matter of\n            price, has prevented us from obtaining prices that we\n            should really obtain for our products.Edward Stone recommended a reduction in salaries\n         across the board from the president on down, and layoffs of\n         certain personnel.","When Franklin D. Roosevelt first initiated his New Deal\n         program in 1933, Edward Stone was apprehensive. In a letter\n         dated July 26, 1933, he wrote: \n         We would like the best in the world to go along with the\n            National Industrial Recovery Act, and be able to wire\n            President Roosevelt an affirmative reply in connection with\n            the agreement addressed \"To Every Employer.\" \n            But to do so, with my modest knowledge of economics,\n            would mean arbitrary action on our part, with a \"blind\n            faith\" that we do not possess. \n            If we still further reduce the working hours to 35\n            per week (as the New Deal suggested) the increased cost of\n            production reaches the geometric progression stage, with\n            the result that our losses on current contracts, which we\n            see no way of passing along to our customers until we would\n            actually see no way of meeting our payroll or meeting our\n            bills, would mean disaster. \n            Listening in over the radio last night I understand\n            that 5,000 or more telegrams had been received by the\n            President indicating unconditional acceptance of the\n            Agreement. It is quite possible that we should do likewise,\n            regardless, just as we offered ourselves, body and\n            resources, in wartime. \n            I am giving expression to these thoughts even though\n            I feel the \"patriotic\" thing for us to do may be to go\n            ahead, \"blindly,\" and in spite of our objections or reasons\n            for not doing so, and sign the agreement. \n            Very Sincerely, \n            Edward L. Stone \n            Chairman of the BoardClearly, Stone expected no miracles, but he went\n         along with the N.I.R.A. and generally supported Roosevelt.\n         There are references to increasing business by 1937.\n         Correspondence ends the following year with Edward Stone's\n         death. The Stone Printing Company, however, is in business to\n         this very day.","These papers fill 455 special four-inch Hollinger storage\n         boxes (ca. 150 linear feet) and span the years 1895-1937.\n         There are three major series: Edward L. Stone's papers re his\n         personal life and diversified business, professional, and\n         civic concerns; papers concerned with his principal business,\n         the Stone Printing and Manufacturing Company of Roanoke,\n         Virginia; and those papers concerned with the Borderland Coal\n         Company of West Virginia and Kentucky of which Stone was the\n         principal officer for many years. Because these series\n         basically are composed of Stone's personal papers, and because\n         there are interrelationships between material in one series\n         and that in another, the series have been maintained in the\n         boxes in the order in which they were found.","The papers are rich in material for many types of studies.\n         Because Stone's major concern was his printing business, there\n         is a great amount of material about that business, its labor\n         problems, economic problems, its professional associations,\n         relationships with its customers --especially the railroads\n         --and so on. Because Mr. Stone collected medieval manuscripts\n         and examples of fine printing that formed a great private\n         library, there is, in his personal papers, a good deal of\n         correspondence and material about this special interest. His\n         personal papers also contain considerable material about his\n         diversified business and civic interests. And the records of\n         the Borderland Coal Company--which Mr. Stone operated either\n         as president or as chairman of the board for twenty-seven\n         years--are rich in information concerning this vital industry,\n         its periods of economic success and decline, its relationships\n         with the railroads that moved its products, and its labor\n         problems.","All items listed below are blueprints.","All items listed below are blueprints.","All items listed below are blueprints.","See the \n            \n            University of Virginia Library’s use policy.","English"],"collection_title_tesim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"collection_ssim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["382"],"unitid_tesim":["382"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Before his death in 1938, the University of Virginia\n            Library had been negotiating with Edward L. Stone for the\n            purchase of his library. Mr. Stone had donated a number of\n            fine books, and some manuscripts, to the University of\n            Virginia Library, and its staff knew the value of his fine\n            private library. The tentative purchase price settled upon\n            was low principally because Mr. Stone wished his library to\n            remain intact. Unfortunately, Mr. Stone died before\n            negotiations were complete, but the Library concluded the\n            sale with his heirs in August 1938. As a result of this\n            purchase, the Stone Printing and Manufacturing Company of\n            Roanoke presented to the Library the files of\n            correspondence and other papers both of Mr. Stone's\n            extensive business interests and of his personal affairs.\n            The collection consisted of 207 letter boxes and\n            twenty-five \"large packing cases\" when it arrived at the\n            Library on August 11, 1939."],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection\n         consists of approximately 500,000 items."],"accessrestrict_html_tesm":["\u003cp\u003eStored off-site. Users must request boxes 48 hours in advance of desired use. Neither drop-in nor next-day requests can be fulfilled. For additional information, contact Special Collections. \n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Stored off-site. Users must request boxes 48 hours in advance of desired use. Neither drop-in nor next-day requests can be fulfilled. For additional information, contact Special Collections."],"arrangement_html_tesm":["\u003cp\u003eAfter arrival at the University, the collection was placed\n         in the stack areas of the then division of Rare Books and\n         Manuscripts of the Library, and was shelved in close proximity\n         to another large collection received only a year before, that\n         of the Low Moor Iron Company. The two comprised the largest\n         group of material in the division at the time, a group that,\n         unfortunately, was rarely used by researchers as there were no\n         finding aids to the mass, and interested researchers were\n         intimidated by the problems of research in the papers.\u003c/p\u003e\n      ","\u003cp\u003eThe collections remained in the stacks until 1958 when\n         expansion space in the division's storage area was reduced to\n         a minimum by the successful collecting program of the\n         intervening years. A review of the collections and their use\n         showed that the Stone collection and the Low Moor Iron Company\n         papers were rarely consulted, and it was decided to move them\n         out of the division's quarters to provide storage space for\n         collections that were being used by researchers.\u003c/p\u003e\n      ","\u003cp\u003eSpace was located in the attic of a student dormitory, and\n         the division prepared the papers for long-term storage by\n         removing them from the old letter boxes in which they had\n         arrived. Each bundle of papers was placed between sheets of\n         gray, newspaper-storage cardboard sheets; the spine titles of\n         the old letter boxes were copied onto the cardboard sheets,\n         and the bundle was wrapped in brown paper, tied up with\n         string, and numbered in a coded sequence.\u003c/p\u003e\n      ","\u003cp\u003eThe collections remained in the attic of Lefevre House\n         until the fall of 1976 when, after the receipt of a grant from\n         the National Endowment for the Humanities for the processing\n         of the two collections, they were transported to the Alderman\n         Library building once more In the Library's receiving room,\n         the bundles were cleaned in the dust hood, untied and\n         unwrapped, and the contents transferred into gray, Hollinger\n         storage boxes before transfer into the storage areas of the\n         Manuscripts Department for processing. The coded numbers on\n         the bundles were recorded but proved to be of no use in\n         restoring order to the papers, badly out of sequence from\n         their many moves over the years. Nor did the spine titles and\n         dates from the original letters boxes prove to be of any\n         particular use in organizing the collection.\u003c/p\u003e\n      ","\u003cp\u003eOnce processing work was completed at the end of the summer\n         of 1978, the Stone Papers were transferred back to the\n         dormitory attic as space in the Alderman Library building\n         remained short, and it was felt that adequate service on the\n         Stone Papers could be maintained from the attic now that a\n         guide to the papers had been prepared. (N.B. The Stone papers\n         were removed from the dormitory attic and transferred to the\n         University Library's high-density remote storage facility\n         following its opening in the mid-1990s.)\u003c/p\u003e\n      ","\u003cp\u003eThe word \"organization\" is used here with considerable\n         diffidence, for any researcher studying the lists of box\n         contents that follow will realize quickly that there is no\n         organization in the usual sense of the word.\u003c/p\u003e\n      ","\u003cp\u003eAs previously noted, the Stone papers were subjected to a\n         number of moves before processing began, and, unfortunately,\n         there seems to have been little organization of the papers in\n         Mr. Stone's files in his Roanoke office. Presumably, he and\n         his staff could locate material that was needed from the\n         files, but at the time that processing began in the fall of\n         1976, no discernible scheme of organization could be\n         determined.\u003c/p\u003e\n      ","\u003cp\u003eThe first step was to review the series of coded numbers\n         placed on the bundles of papers before they were moved to the\n         dormitory attic, but these did not provide any sort of useful\n         organization. Next, the spine titles of the original letter\n         boxes were reviewed (they had been copied onto the gray\n         cardboard sheets before the move to the dormitory attic), but\n         they, too, proved useless.\u003c/p\u003e\n      ","\u003cp\u003eThese steps having provided no scheme, and after a\n         considerable hiatus due to a turnover in student processors on\n         the collection, the new student processors were instructed to\n         begin a box-by-box inventory of the contents of the\n         collection. During this inventory, old folders were replaced\n         with acid-free ones, and the original folder headings were\n         copied onto the new ones. Some removal of papers clips was\n         accomplished, and the materials were reviewed and notes were\n         taken for the guide.\u003c/p\u003e\n      ","\u003cp\u003eThe processors found that Mr. Stone's papers were comprised\n         of three series. One was devoted to his personal affairs, and\n         contained material about his diverse business interests\n         outside his two major ones, and about his civic and\n         professional interests, as well as papers from his private\n         life. The second series contained the papers from his major\n         business and \"first love\" the Stone Printing and Manufacturing\n         Company of Roanoke; and the third series included a wealth of\n         material about the Borderland Coal Company, an enterprise that\n         Mr. Stone served for twenty-seven years, first as president\n         and later, as chairman of the board.\u003c/p\u003e\n      ","\u003cp\u003eFor a long time, we considered separating the three series\n         of papers, and the processors evolved a good system of colored\n         slips clipped to the boxes to identify material from each\n         series contained in a box. However, as they neared the end of\n         their inventory, the processors became convinced, and argued\n         successfully that the series should not be separated.\n         Basically, all these papers are Mr. Stone's private papers as\n         he was the major stockholder in the Stone Printing Company and\n         it was very much a personal operation. There are\n         interrelationships between material that was found standing in\n         different folders in the same box, and the processors\n         correctly feared that drastic reorganization would destroy\n         those relationships. Thus, we decided to accept their\n         argument, and the box contents were allowed to remain as we\n         found them.\u003c/p\u003e\n      ","\u003cp\u003eA certain amount of movement of boxes within the collection\n         probably would ease use of it. But what processing was\n         accomplished on this project took far longer than had been\n         anticipated, and there was no time in the late spring of 1978,\n         when the processors had to complete their work with the\n         project, to undertake a mass movement of material. Thus, they\n         stand in the order in which we found them at the beginning of\n         the project.\u003c/p\u003e\n      ","\u003cp\u003eAs has been stated above, the three series of papers in\n         this collection (Stone Personal; Borderland Coal Co.; and\n         Stone Printing and Mfg. Co.) have not been physically\n         separated and are scattered throughout the collection.\n         However, in the container listing which follows the three\n         series have been separated. Therefore, the listing for the\n         Edward L. Stone Personal Papers series begins with Box 11 of\n         the collection because that is the first box in which Stone's\n         personal papers can be found. (Boxes 1-10 appear in the\n         listing for the Borderland Coal Co. series.) This also means\n         that if a box contains material from more than one series it\n         will have more than one entry in the listing, so that to find\n         a complete listing of a particular box a researcher might need\n         to look at the listing for each of the three series. In\n         addition, some of the box entries in the listing are slightly\n         out of order, so that if a box appears to have no entry or\n         only a partial entry, in a particular series the entry is\n         sometimes picked up on the next page of the listing.\u003c/p\u003e\n      ","\u003cp\u003eListings of oversize material are located at the end of the\n         listing for each series.\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Organization"],"arrangement_tesim":["After arrival at the University, the collection was placed\n         in the stack areas of the then division of Rare Books and\n         Manuscripts of the Library, and was shelved in close proximity\n         to another large collection received only a year before, that\n         of the Low Moor Iron Company. The two comprised the largest\n         group of material in the division at the time, a group that,\n         unfortunately, was rarely used by researchers as there were no\n         finding aids to the mass, and interested researchers were\n         intimidated by the problems of research in the papers.","The collections remained in the stacks until 1958 when\n         expansion space in the division's storage area was reduced to\n         a minimum by the successful collecting program of the\n         intervening years. A review of the collections and their use\n         showed that the Stone collection and the Low Moor Iron Company\n         papers were rarely consulted, and it was decided to move them\n         out of the division's quarters to provide storage space for\n         collections that were being used by researchers.","Space was located in the attic of a student dormitory, and\n         the division prepared the papers for long-term storage by\n         removing them from the old letter boxes in which they had\n         arrived. Each bundle of papers was placed between sheets of\n         gray, newspaper-storage cardboard sheets; the spine titles of\n         the old letter boxes were copied onto the cardboard sheets,\n         and the bundle was wrapped in brown paper, tied up with\n         string, and numbered in a coded sequence.","The collections remained in the attic of Lefevre House\n         until the fall of 1976 when, after the receipt of a grant from\n         the National Endowment for the Humanities for the processing\n         of the two collections, they were transported to the Alderman\n         Library building once more In the Library's receiving room,\n         the bundles were cleaned in the dust hood, untied and\n         unwrapped, and the contents transferred into gray, Hollinger\n         storage boxes before transfer into the storage areas of the\n         Manuscripts Department for processing. The coded numbers on\n         the bundles were recorded but proved to be of no use in\n         restoring order to the papers, badly out of sequence from\n         their many moves over the years. Nor did the spine titles and\n         dates from the original letters boxes prove to be of any\n         particular use in organizing the collection.","Once processing work was completed at the end of the summer\n         of 1978, the Stone Papers were transferred back to the\n         dormitory attic as space in the Alderman Library building\n         remained short, and it was felt that adequate service on the\n         Stone Papers could be maintained from the attic now that a\n         guide to the papers had been prepared. (N.B. The Stone papers\n         were removed from the dormitory attic and transferred to the\n         University Library's high-density remote storage facility\n         following its opening in the mid-1990s.)","The word \"organization\" is used here with considerable\n         diffidence, for any researcher studying the lists of box\n         contents that follow will realize quickly that there is no\n         organization in the usual sense of the word.","As previously noted, the Stone papers were subjected to a\n         number of moves before processing began, and, unfortunately,\n         there seems to have been little organization of the papers in\n         Mr. Stone's files in his Roanoke office. Presumably, he and\n         his staff could locate material that was needed from the\n         files, but at the time that processing began in the fall of\n         1976, no discernible scheme of organization could be\n         determined.","The first step was to review the series of coded numbers\n         placed on the bundles of papers before they were moved to the\n         dormitory attic, but these did not provide any sort of useful\n         organization. Next, the spine titles of the original letter\n         boxes were reviewed (they had been copied onto the gray\n         cardboard sheets before the move to the dormitory attic), but\n         they, too, proved useless.","These steps having provided no scheme, and after a\n         considerable hiatus due to a turnover in student processors on\n         the collection, the new student processors were instructed to\n         begin a box-by-box inventory of the contents of the\n         collection. During this inventory, old folders were replaced\n         with acid-free ones, and the original folder headings were\n         copied onto the new ones. Some removal of papers clips was\n         accomplished, and the materials were reviewed and notes were\n         taken for the guide.","The processors found that Mr. Stone's papers were comprised\n         of three series. One was devoted to his personal affairs, and\n         contained material about his diverse business interests\n         outside his two major ones, and about his civic and\n         professional interests, as well as papers from his private\n         life. The second series contained the papers from his major\n         business and \"first love\" the Stone Printing and Manufacturing\n         Company of Roanoke; and the third series included a wealth of\n         material about the Borderland Coal Company, an enterprise that\n         Mr. Stone served for twenty-seven years, first as president\n         and later, as chairman of the board.","For a long time, we considered separating the three series\n         of papers, and the processors evolved a good system of colored\n         slips clipped to the boxes to identify material from each\n         series contained in a box. However, as they neared the end of\n         their inventory, the processors became convinced, and argued\n         successfully that the series should not be separated.\n         Basically, all these papers are Mr. Stone's private papers as\n         he was the major stockholder in the Stone Printing Company and\n         it was very much a personal operation. There are\n         interrelationships between material that was found standing in\n         different folders in the same box, and the processors\n         correctly feared that drastic reorganization would destroy\n         those relationships. Thus, we decided to accept their\n         argument, and the box contents were allowed to remain as we\n         found them.","A certain amount of movement of boxes within the collection\n         probably would ease use of it. But what processing was\n         accomplished on this project took far longer than had been\n         anticipated, and there was no time in the late spring of 1978,\n         when the processors had to complete their work with the\n         project, to undertake a mass movement of material. Thus, they\n         stand in the order in which we found them at the beginning of\n         the project.","As has been stated above, the three series of papers in\n         this collection (Stone Personal; Borderland Coal Co.; and\n         Stone Printing and Mfg. Co.) have not been physically\n         separated and are scattered throughout the collection.\n         However, in the container listing which follows the three\n         series have been separated. Therefore, the listing for the\n         Edward L. Stone Personal Papers series begins with Box 11 of\n         the collection because that is the first box in which Stone's\n         personal papers can be found. (Boxes 1-10 appear in the\n         listing for the Borderland Coal Co. series.) This also means\n         that if a box contains material from more than one series it\n         will have more than one entry in the listing, so that to find\n         a complete listing of a particular box a researcher might need\n         to look at the listing for each of the three series. In\n         addition, some of the box entries in the listing are slightly\n         out of order, so that if a box appears to have no entry or\n         only a partial entry, in a particular series the entry is\n         sometimes picked up on the next page of the listing.","Listings of oversize material are located at the end of the\n         listing for each series."],"bioghist_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eBiography of Edward L. Stone\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003eEdward Lee Stone was born on September 15, 1864, in\n         Liberty (now Bedford) Virginia, the son of John Harmon Stone\n         and Mary Witt Stone. He was reared in very modest\n         circumstances, and received no more than an elementary school\n         education, yet he became one of the wealthiest and most\n         prominent citizens in the state of Virginia.\u003c/p\u003e\n      ","\u003cp\u003eEdward Stone's career in the printing business is typical\n         of the fabled American dream. At ten years of age, having\n         recently lost his father, Stone was in the boys' playground of\n         his school. J. R. Guy, the editor of the Bedford Sentinel\n         newspaper, came to the playground looking for William Fellers,\n         Stone's cousin. When Stone asked Mr. Guy what he wanted with\n         William, Guy replied \"I want him to carry the papers. Stone\n         said, \"I'll carry 'em' for you.\" After being a delivery boy\n         for the Sentinel, Stone learned to set type and worked\n         evenings after school for five cents an evening; twenty-five\n         cents on Saturday. Less than a year later, economics\n         necessitated that he quit school to pursue his job full time.\n         Stone learned his lessons well, and showed enthusiasm in every\n         phase of his work. Young Stone worked alongside a window, and\n         enjoyed nothing better than to jump out into the street and\n         scrap with some passing youngster, returning to his duties\n         after the fun was over.\u003c/p\u003e\n      ","\u003cp\u003eStone was given more and more duties which he performed to\n         this employer's total satisfaction. At the age of sixteen, for\n         some now-inexplicable reason, Stone left the newspaper\n         business to work for a mercantile establishment, He soon grew\n         bored, however, and returned to printer's ink. This time he\n         worked for the Democrat, a weekly newspaper in Buchanan,\n         Virginia, then a thriving town at the intersection of the\n         James River and the Kanawha Canal.\u003c/p\u003e\n      ","\u003cp\u003eOnce, at the age of sixteen, Stone was entrusted with\n         getting out an entire edition of the paper by himself. The\n         editor was in court and many workmen were out sick. Stone and\n         an assistant set type at breakneck speed beginning at 7:15\n         A.M. and had the entire seven-column paper completed by noon\n         --an amazing feat. Stone was out playing ball by 2 P.M. and\n         earned a $5.00 bonus from his boss, editor William J. Boyd. In\n         1882, Boyd informed Stone that he was going to open a printing\n         office in Roanoke, Virginia, then a small town. Boyd wanted\n         Stone to be manager, and on July 20th, 1882, both men arrived\n         in Roanoke. A place could not be found for the new enterprise\n         however, and both returned to Buchanan. Stone became\n         disillusioned with the small scope of opportunities Buchanan\n         provided, and, with an ambition to \"become somebody\" in the\n         printing business, set out for Lynchburg. Landing in Lynchburg\n         in January 1883 he applied for work on the News and, after a\n         few days, secured a position as compositor. Here he remained\n         until March, achieving considerable reputation as a fast\n         compositor, yet not satisfied. Stone really longed for a\n         position in the printing business. John P. Bell offered Stone\n         a minor position in a branch office he had planned to open in\n         Roanoke. The position was, in most respects, inferior to the\n         one he had already held, but Stone gladly took it. He worked\n         hard, and showed superior business ability which impressed Mr.\n         Bell so much that when the manager of the business died in\n         1885 his position was offered to Stone. The position was not\n         offered without some misgivings because of Stone's youth (he\n         was only twenty-one) and his lack of business experience.\n         Stone, however, did such a good job as manager that Bell\n         realized that he had made the right choice. Stone eventually\n         gained control of the business and became president of the\n         company.\u003c/p\u003e\n      ","\u003cp\u003eHis position was secure enough that in 1890, he married\n         Miss Minnie Fishburn, daughter of J. A. Fishburn, a prominent\n         business man of Roanoke. The couple had one child, Mary\n         Katherine Stone.\u003c/p\u003e\n      ","\u003cp\u003eEdward Stone's printing business grew in size and wealth.\n         By 1920 it was acknowledged by many to be the best-equipped\n         printing corporation in the south, and one of the largest as\n         well. He had many other business interests. He was president\n         of the Borderland Coal Corporation, president of the Virginia\n         Bridge and Iron Company, vice president and later president of\n         the Walker Foundry and Machine Company, chairman of the First\n         National Exchange Bank, and president of his primary business\n         and \"first love,\" the Stone Printing and Manufacturing\n         Company.\u003c/p\u003e\n      ","\u003cp\u003eIn March 1896 Stone was presented with a petition signed by\n         fourteen Roanoke business men requesting that he run for\n         mayor. Stone was very tempted, but a law stating that no one\n         in Roanoke public office would be permitted to do business\n         with the city stopped him. Stone felt that not being able to\n         do business with the city would be unfair to his stockholders.\n         Stone, a civic-minded individual, was chairman of the Roanoke\n         Community Fund in 1924, and of the City Planning and Zoning\n         Commission. He was also chairman of the war bond committee\n         during the First World War, and belonged to many societies and\n         organizations, including the American Institute of Graphic\n         Arts, the Florida State Historical Society, the Shenandoah\n         Club of Roanoke, the Country Club of Roanoke, the Roanoke Gun\n         Club, the Roanoke German Club, the Virginia Historical Society\n         (life member), the Better Printing Committee of the United\n         Typothetae of America, the Roanoke Rotary Club, the\n         International Benjamin Franklin Society of New York, and the\n         board of trustees of the Committee to Assist the Blind.\u003c/p\u003e\n      ","\u003cp\u003eEdward Stone was also an extremely charitable man. He gave\n         large sums of money to the Roanoke Hospital and the Roanoke\n         Relief Fund, helped endow Roanoke College, gave heavily to the\n         Boy Scouts and the War Relief Clearing House, and donated\n         money to the Coal Miner's Relief Fund--even though it was\n         those very coal miners who were striking in Stone's coal\n         mines. He believed, however, that the miners' children should\n         not have to suffer for their parents' stand. The Stones also\n         gave money to support French children who had been left\n         fatherless as a result of the war. Stone, a Presbyterian,\n         donated $100.00 to the Jewish Relief Fund in 1917 to aid the\n         starving Jews in Russia displaced by the war, and also sent\n         funds to the Tuskeegee Institute.\u003c/p\u003e\n      ","\u003cp\u003eEdward Stone's principal hobby was book collecting, and his\n         library was appraised at $50,000.00 in 1939. Among his\n         treasured pieces was a page from the original Gutenberg Bible.\n         Stone's library was considered to be the largest and\n         best-equipped privately-owned library in the state of\n         Virginia.\u003c/p\u003e\n      ","\u003cp\u003eStone's income fluctuated through the years. In 1917 and\n         1918, partly through stock sales, Stone declared an income of\n         $129,383.39 and $91,483.00 respectively, but 1926 was\n         considered an average year, and he declared an income of\n         $57,500.00.\u003c/p\u003e\n      ","\u003cp\u003eAlthough Stone was a humanitarian and philanthropist, he\n         believed in keeping total control of his business and watched\n         his employees closely. He did not strongly oppose unionization\n         in his printing shop, but fully opposed unionization in his\n         coal mines, even using scabs to break strikes.\u003c/p\u003e\n      ","\u003cp\u003eStone suffered financial reversals during the Great\n         Depression but he reorganized his holdings to prevent a great\n         loss, and he weathered the Depression better than most\n         businessmen. His health had begun to fail by 1929, and by 1934\n         he was virtually bedridden. Finally, after a protracted\n         illness, Edward L. Stone died on June 3, 1938, at the age of\n         seventy-four.\u003c/p\u003e\n      ","\u003cp\u003e\u003cemph render=\"bold\"\u003eA History of the Borderland Coal\n         Company\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003eThe Borderland Coal Company derived its name from its\n         dual location in Mingo County, West Virginia, and Pike County,\n         Kentucky, an area bordered by the Tug Fork of the Big Sandy\n         River. The mines proper were located in Kentucky, and the coal\n         washers and other processing equipment were located in West\n         Virginia. The company operated from 1903 to 1934. While the\n         Borderland Coal Company was incorporated in 1903, the first\n         batch of coal was not shipped until September 1, 1904. In that\n         year J. S. Tipton, formerly the majority stockholder, resigned\n         his post as general manager of Borderland Coal and sold most\n         of his stock to Edward L. Stone. At that time Stone was\n         president of the Young Men's Investment Club which owned a\n         large number of shares in the Borderland Coal Company, and\n         thus, Stone controlled the club's activities.\u003c/p\u003e\n      ","\u003cp\u003eThe Borderland Coal Company initially owned approximately\n         1,000 acres of coal land. The company mined bituminous or soft\n         coal, and sold slack coal, used by railroads and industrial\n         concerns, egg coal, used in private furnaces, and nut coal,\n         the highest quality of bituminous coal, used in the kitchens\n         of private homes.\u003c/p\u003e\n      ","\u003cp\u003eThe Borderland Coal Company grew through the early 1900's.\n         In 1905, a second plant was opened called simply \"Operation\n         #2.\" The company declared its first stock dividend in November\n         1907, and began the construction of an electric plant,\n         cableway, conveyor, and tipple at a cost of $27,950.00. In\n         1908 a new coal washer was installed. By late 1914 the\n         Borderland Company held 3,000 acres of coal lands containing\n         an estimated 20,000,000 tons of coal. The profits of the\n         Borderland Coal Company increased from $1,250.00 in 1904 to\n         $11,243.77 in 1905, to $49,977.21 in 1908, and to $110,532.68\n         in 1910.\u003c/p\u003e\n      ","\u003cp\u003eThe amount of coal mined increased from 246 railroad\n         carloads in 1904 to 3,781 railroad carloads in 1910, and\n         expansion continued until the outbreak of World War I. The\n         coal paid a regular annual dividend averaging 15-30%. Prior to\n         1911, the Leckie Coal Company of Cleveland, Ohio, was the\n         exclusive agency for the sale of Borderland Coal. In that\n         year, however, the Borderland Coal Sales Company was formed,\n         with officers of the Borderland Coal Company doubling as\n         officials of the new company.\u003c/p\u003e\n      ","\u003cp\u003eThe town of Borderland, West Virginia, was a company town,\n         with company-owned homes, stores, school, and a church. The\n         rents in the company homes appear to have been within the\n         miners' incomes. The prices in the company stores, however,\n         were exorbitant. In fact, profits for the company store were\n         the second biggest money maker for the company in 1911,\n         totaling $11,811.78. The largest profit maker was coal, which\n         netted $91,741.07, while the sale of powder was ranked third,\n         totaling $3,165.86.\u003c/p\u003e\n      ","\u003cp\u003eWorld War I created a great demand and a high prices for\n         coal, and the Borderland Coal Company prospered despite\n         difficulty finding railroad cars to transport its produce. In\n         1917, the company paid a record 60% dividend. On January 1,\n         1918, the company re-chartered itself in Virginia, and\n         patented the trademark and the name of the Borderland Coal\n         Company. The new capital stock was valued at nearly\n         $800,000.00. In November 1918 construction began on a new\n         tipple at a cost of $116,000.00. After the First World War,\n         the Borderland Coal Company experienced a decrease in both the\n         demand and the price of coal. The problem of labor and\n         unionization, however, ultimately caused the company's\n         demise.\u003c/p\u003e\n      ","\u003cp\u003eBorderland Coal Company officials had been concerned over\n         the growth of coal mine unionization long before any major\n         trouble began. As early as 1915, L. E. Armentrout, the\n         corporation's Vice President and General Manager began using\n         \"secret service men\" to infiltrate the ranks of the miners and\n         report on any union activity. It is not known whether these\n         agents were U.S. government agents or private investigators,\n         but the latter is presumed. One of them reported on March 10,\n         1915:\u003c/p\u003e\n      ","\u003cblockquote\u003e\n        \u003cp\u003eI spent the entire day Monday with Emmett and Ed McKee,\n            Gus Cantrell, and Henry McKnight, all white Americans. We\n            played cards in an empty house on the Kentucky side. We had\n            a nice fire and everything was very comfortable. We would\n            play cards until we got tired, then we would stop\n            everything and talk unionism. Gus Cantrell said that he had\n            been talking to the boys for the last year, trying to get\n            them to organize a local of the U.M.W. of A. He said that\n            there was plenty of good, solid union men and that there\n            were also a lot of rotten scabs here. That he got into a\n            conversation with George McCormick, a white man, and\n            McCormick told him that he didn't believe in the union and\n            that he didn't want anything to do with the U.M.W. of A. .\n            . . I told Cantrell that I would be willing to help\n            organize the local. He said, \"Well, the work is picking up\n            now and we will wait until the boys get a good pay day,\n            then we will put this thing through.\"\u003c/p\u003e\n      \u003c/blockquote\u003e\n      ","\u003cp\u003eBorderland Coal Company successfully resisted unionization\n         in the years before World War I. Wartime regulations prevented\n         strikes and hindered unionization, but after the war many\n         miners felt that it was time to air their grievances. Miners\n         disagreed over specific demands, but most felt that grave\n         inequalities existed in the rates for day workers established\n         by the Bituminous Coal Commission. The miners requested that a\n         conference be held but this request was turned down by the\n         Commission. Dissatisfaction became more pronounced, and during\n         the middle of July 1920 the miners in some of the subdistricts\n         walked out in an unauthorized strike. Shutdowns spread to\n         Indiana and Illinois. President Woodrow Wilson intervened and\n         told the miners that if they returned to work a grievance\n         committee would be formed. The miners returned to work August\n         10, 1920, and the committee was set up. Management and labor\n         agreed on a wage increase and all was quiet for a while.\u003c/p\u003e\n      ","\u003cp\u003eWest Virginia was in a unique position in that most of the\n         mines in that state were non-union. The Interstate Commerce\n         Commission fixed freight rates with a \"differential\" low\n         enough that West Virginia coal would not be eliminated by\n         production from other fields closer to their market. When the\n         market for coal was good, the differential also allowed the\n         union coal fields of Indiana, Michigan, and Illinois to pay\n         the union scale of wages and still sell their coal in\n         competition with the product of non-union fields, such as\n         those in West Virginia. When the demand for coal was low and\n         prices receded, however, the differential no longer aided the\n         union fields and they began to experience an adverse effect.\n         These conditions appeared after the First World War, and as a\n         result operators of unionized mines demanded the unionization\n         of the Wast Virginia coal fields. Thus the U.M.W. put pressure\n         on all non-union fields, including those of the Borderland\n         Coal Company. Borderland Coal Company had been fairly quiet\n         about unionization up to this time. On May 5, 1920, however,\n         L. E. Armentrout had issued the following notice:\u003c/p\u003e\n      ","\u003cblockquote\u003e\n        \u003cp\u003eTO THE PRESENT OR FUTURE EMPLOYEES OF THE BORDERLAND\n            COAL COMPANY \n            \u003clb\u003e\u003c/lb\u003eConsiderable efforts are being made to organize this\n            field and certain advantages are being held out to some men\n            showing the advisability of belonging to the Union. \n            \u003clb\u003e\u003c/lb\u003eThis is a free country and this company is not going\n            to dictate to its employees whether they shall or shall not\n            join the Union, but for your information and for the\n            information of your friends, we wish to state positively\n            that no Union man will be employed by this company, and if\n            you find that it is to your interest to join the Union, we\n            would suggest that you arrange to move out and call at the\n            office and we will be glad to settle with you. This will\n            save you as well as the company further trouble, but we\n            sincerely hope that the pleasant relations between the\n            Company and the men will continue, and that each and every\n            one of you will continue in our employ. \n            \u003clb\u003e\u003c/lb\u003eYours very truly, \n            \u003clb\u003e\u003c/lb\u003eL. E. Armentrout, \n            \u003clb\u003e\u003c/lb\u003eManager \n            \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n      \u003c/blockquote\u003e\n      ","\u003cp\u003eBy late May, 1920 the situation had become acute.\n         Armentrout wrote to James P. Woods, president of the\n         Borderland Coal Company:\u003c/p\u003e\n      ","\u003cblockquote\u003e\n        \u003cp\u003eThe organizers have just about put us out of business at\n            both plants . . . We have a good many men who have not\n            joined the Union, but these agitators are intimidating them\n            and have them so scared they won't attempt to try to work.\n            I will have a conference with the West Virginia attorneys\n            today to see if I cannot get a temporary injunction, or\n            probably prosecution for these intimidators. \n            \u003clb\u003e\u003c/lb\u003eWe have three Deputy Sheriffs in Kentucky and expect\n            two more in today. We have both plants pretty well policed\n            at night, but still some of the intimidators slip through\n            the mines and get to some of the men. . . \n            \u003clb\u003e\u003c/lb\u003eNow that the primary is over, we believe that\n            Unionism will die out. . . . In fact, no Union cards have\n            been issued and for the past two or three days they have\n            not been able to locate the man who has been giving them\n            orders on the stores. Some of them (the fired Union Men)\n            have already remarked that they could not support their\n            families on $7.00 to $8.00 a week, and they hated to go to\n            bed at night when their children were crying for something\n            to eat.\u003c/p\u003e\n      \u003c/blockquote\u003e\n      ","\u003cp\u003eUnionism, however, did not die out. Union \"agitators\" saw\n         to that no coal could be mined at the Borderland Company's\n         coal fields. In a letter to Stone dated July 6, 1920,\n         Armentrout stated that he was able to get \"very little action\n         from the Governor of West Virginia. . .I just finished talking\n         to Governor Morrow's office in Frankfort, Kentucky, and the\n         home guards will likely entrain today. They will likely have\n         machine guns so if that they get in according to promise, we\n         think that conditions will improve very rapidly.\"\u003c/p\u003e\n      ","\u003cp\u003eThe Borderland Coal Company kept its promise and\n         dispossessed hundreds of its employees. Fired from their jobs\n         and ousted from their homes, they were forced to live in\n         tents. In a union pamphlet entitled \"Borderland and Bullets\"\n         these men told of the horrible indignities forced on company\n         employees who joined the union. The purpose of the pamphlet\n         was to oppose the re-election of Colonel James P. Woods,\n         president of the Borderland Coal Company, to the U. S. House\n         of Representatives. Woods ran for re-election in the sixth\n         Virginia district claiming that he had been always fair to the\n         working man, and he won.\u003c/p\u003e\n      ","\u003cp\u003eThe situation at Borderland soon deteriorated into\n         violence. A pamphlet dated \"winter, 1920\" and entitled \n         \u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eHell with the Lid Off in Mingo\n         County, West Virginia,\u003c/title\u003egives an account of drunken\n         company guards wounding a number of workers by firing into\n         their tents. On May 12, 1920, Edward Stone, chairman of the\n         board of the Borderland Coal Company, had examined an\n         advertisement for the Thompson sub-machine gun but had decided\n         that \"the gun is not sufficient for our needs at the mine.\" On\n         May 16 Governor John J. Cornwell of West Virginia sent a\n         telegram to the War Department in Washington requesting that\n         Federal troops be sent to the Tug River District, where\n         Borderland Coal Company was located. There had been fighting\n         in the Tug River District for nearly four days. Secretary of\n         War John Weeks, basing his decision on reports from one of his\n         staff officers who had visited the area, decided that federal\n         troops were not needed. Four days later Governor Cornwell\n         declared martial law in West Virginia. Militiamen from both\n         Kentucky and West Virginia were involved in the fighting.\u003c/p\u003e\n      ","\u003cp\u003eIn the summer of 1921 the U. M. W. began its famous \"summer\n         march\" which precipitated guerilla warfare between the\n         pro-union and anti-union forces. On June 29, Governor Cornwell\n         ordered the citizens of West Virginia to take up arms and\n         defend themselves against the pro-unionists. The papers of the\n         Borderland Coal Company include lists of casualties written on\n         scrap paper, such as \"Stone Mountain, 5 Baldwin men and 4\n         citizens killed (one the mayor), 2 Feltz Bros. killed, 2\n         military companies there, 2 on the way.\" In April 1922 the\n         coal miners' grievances came to a head and they struck. They\n         demanded a continuation of the system of bargaining and\n         contract, including the \"checkoff,\" which is a list devised to\n         check on payment of union dues. In addition to demanding\n         stable wage rates, the miners demanded a six-hour day and a\n         five-day week. These increased hours would mean steady\n         employment, one of the miners' main goals.\u003c/p\u003e\n      ","\u003cp\u003eThe strike apparently took some pressure off the Borderland\n         Coal Company because after 1922 there is little or nothing in\n         the collection regarding unionization. Company officials had\n         managed to avoid unionization of their mines but had caused\n         the company much damage in the process. Bitter feelings\n         prevailed after the strike. A letter from L. E. Armentrout to\n         the Borderland Coal Company dated 1923 states:\u003c/p\u003e\n      ","\u003cblockquote\u003e\n        \u003cp\u003eGentlemen, \n            \u003clb\u003e\u003c/lb\u003eMy attention has just been called to the enclosed\n            blotter bearing the union label. It has been the policy of\n            this company for several years, in fact, ever since we have\n            been in business, not to recognize any Union whatever. We\n            spent, or lost, something like $300,000.00 fighting the\n            United Mine Workers here in 1920 and 1921, and also have\n            some injunctions against them. \n            \u003clb\u003e\u003c/lb\u003eFor your information, please do not place any more\n            printing with any Union shop, and if you have any more of\n            these blotters, tear them up or dispose of them otherwise\n            as it is inconsistent with our policy, and we positively\n            will not stand for it.\u003c/p\u003e\n      \u003c/blockquote\u003e\n      ","\u003cp\u003eWhile much of the collection regards labor struggles, there\n         is little material regarding immigrant labor although 40% of\n         the workers were immigrants. West Virginia was a sparsely\n         populated state at this time, and immigrants were needed to\n         supplement the labor in their mines. The first constitution of\n         the state provided for the appointment of an immigration\n         officer whose duties were to advertise the attractions of West\n         Virginia throughout Europe and make arrangements with\n         industries to supply transportation for foreign workmen. Of\n         the 80,877 workers employed in the West Virginia coal mines in\n         1915, 49,753 were American-born (37,918 white and 11,835\n         black) and 31,124 were foreign-born. Italians made up the\n         largest percentage of the immigrant labor force, about one\n         third of all foreigners employed in the mines while Hungarians\n         comprised the second-most prevalent nationality, approximately\n         one-sixth of the foreign born total.\u003c/p\u003e\n      ","\u003cp\u003eThe Borderland Coal Company never fully recovered from the\n         trouble that paralyzed its mines in 1920. The 1920's were a\n         very depressed period for the mining industry in general and\n         the depression of 1929 brought prices to an all time low. Coal\n         production fell precipitously from 1927-1933 although there\n         seemed to be a slight upturn that year. In 1927, L. E.\n         Armentrout resigned from the company and a year later the\n         Borderland Coal Sales Company was dissolved due to lack of\n         business. The Norfolk and Chesapeake Coal Company became\n         exclusive agents for the sale of Borderland coal. At a meeting\n         of the Borderland Coal Company's board of directors in 1929,\n         it was stated that since the market for coal was so poor, it\n         hardly paid to keep the mines going. The Borderland Coal\n         Company mines were only worked four days during the entire\n         month of May 1932. In a letter from Edward L. Stone to a\n         Borderland Coal Company creditor, Stone wrote that as the\n         Borderland Coal Company did not have the money to pay its\n         debts, all creditors would have to wait for their money, and\n         that he hoped that he could avoid declaring the Borderland\n         Coal Company bankrupt. In 1934 Stone received a letter from a\n         stockholder consoling him for having to \"lose Borderland\n         Coal.\" Apparently the company was then out of business.\u003c/p\u003e\n      ","\u003cp\u003eThe demise of the Borderland Coal Company was the result of\n         broad national trends; the product of their mines was of high\n         quality, and in good supply. The problem of labor and\n         unionization paralyzed the Borderland Coal Company. Lack of\n         production in the mines meant that the Borderland Coal Company\n         could not pay dividends which affected their stockholders. The\n         bad mining conditions, a lack of demand for coal and low\n         market prices made it impossible for the Borderland Coal\n         Company to recover. The return of the coal-rich region of\n         Alsace-Lorraine to France meant that our allies no longer\n         needed American coal. Domestic demand increased, but it did\n         not compensate for decreased industrial use. The switch to\n         alternative forms of energy such as oil, also damaged the coal\n         industry. Although prosperity returned to the rest of the\n         country, the coal industry never totally recovered, and the\n         Borderland Coal Company was one of the victims.\u003c/p\u003e\n      ","\u003cp\u003eOfficers of the Borderland Coal Company: Edward Lee Stone\n         --President ca. 1907-1919, Chairman of the Board 1919-ca.\n         1934; James P. Woods (attorney at law --U. S. Representative,\n         6th Virginia District) --Vice President ca. 1905-1922,\n         President 1922-1932; L. E. Armentrout --Manager ca. 1905-1915,\n         Vice President and Manager ca. 1915-1927; Ernest B. Fishburn\n         --Secretary-Treasurer ca. 1905-1930\u003c/p\u003e\n      ","\u003cp\u003eOfficers of the Borderland Coal Sales Company: L. E.\n         Armentrout --President; Edward Lee Stone --Vice President;\n         James P. Woods --second Vice President; R. N. Osborne,\n         Jr.--Secretary (discharged in 1924); W. W.\n         Austin--Secretary.\u003c/p\u003e\n      ","\u003cp\u003e\u003cemph render=\"bold\"\u003eA History of the Stone Printing and\n         Manufacturing Company\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003eThe Stone Printing and Manufacturing Company of Roanoke,\n         Virginia, was established in 1883 as the Bell Printing and\n         Manufacturing Company. John P. Bell of Lynchburg served as\n         president, and Samuel J. Fields of Abington, Virginia, served\n         as manager. Edward L. Stone, the eventual chairman of the\n         board, was then employed as a journeyman printer and pressman.\n         In 1885, Stone succeeded Fields as the company's manager, and\n         his brother, Albert A. Stone, joined the business.\u003c/p\u003e\n      ","\u003cp\u003eAt this time the company occupied a small site on Commerce\n         Street in Roanoke, an area about twenty by twenty-five feet.\n         In 1889 the plant was seriously damaged by fire, and within a\n         few months, the company moved to larger quarters on the second\n         and third floors of the Gale Building on Jefferson Street.\n         Shortly thereafter, the controlling interest was purchased by\n         Edward L. Stone, with the remainder of the stock being\n         purchased by J. B. Fishburn and Albert A. Stone.\u003c/p\u003e\n      ","\u003cp\u003eIn 1892, the name of the company was changed to the Stone\n         Printing and Manufacturing Company, and the company occupied a\n         new, three-story building at 116 North Jefferson Street. In\n         1896, a duplicate building was added on the north side; in a\n         few years another addition was placed at the rear. The company\n         built another addition in 1902 but five years later the old\n         structure was torn down and a new two-stories building, 210 x\n         110 feet, was completed. The new structure gave the Stone\n         Printing Company 50,000 square feet of space, which is about\n         100 times the floor space originally occupied on Commerce\n         Street. The company today occupies the same site on Jefferson\n         Street.\u003c/p\u003e\n      ","\u003cp\u003eIn 1883 the capital stock of the company was $5,000.00, and\n         in 1900, it was increased to $50,000.00. In 1910 the capital\n         stock had grown to $350,000.00. All of the stock increases\n         were taken, with one exception, by the original stockholders.\n         Sales grew from $84,371.00 in 1900 to $179,433.78 in 1905, and\n         from $253,781.15 in 1909 to a high of $608,174.36 in 1920.\u003c/p\u003e\n      ","\u003cp\u003eStone had considered selling his printing company to a\n         British syndicate in 1912. He felt, however, that business was\n         good and getting better and eventually decided to retain\n         control. By 1920 the Stone Printing Company had customers in\n         half the states in the union and in some foreign countries.\n         Between 1920 and 1929, however, sales showed a steady decline.\n         In 1929 they fell to $399,701.43 and declined throughout the\n         depression.\u003c/p\u003e\n      ","\u003cp\u003eThe Stone Printing Company's most important business came\n         from railroads as the company printed tariff and rate\n         schedules as well as tickets. Since the railroad rates changed\n         rapidly during the early 1900's, railroad printing was very\n         lucrative. The principal railroad customer and in fact, the\n         largest customer, of the Stone Printing Company was the\n         Norfolk and Western Railroad. In 1910 the Norfolk and Western\n         Railroad accounted for $85,652.60 in sales. Combined with the\n         sales to other railroads in 1910, the total of railroad sales\n         was approximately $193,000.00 of a total of $339,678.92 --well\n         over half of the total sales of the Stone Printing\n         Company.\u003c/p\u003e\n      ","\u003cp\u003eCommercial printing comprised the second largest source of\n         the Stone Printing Company's business, accounting for\n         $135,110.32 of a total $608,174.36 in 1920. The fourth largest\n         amount of business, after the Norfolk and Western Railway,\n         other railroads, and commercial printing, was school and\n         college printing. The Stone Printing Company printed the\n         yearbooks for the University of Virginia, the Georgia\n         Institute of Technology, the University of Mississippi,\n         Randolph-Macon College, Hollins College, Virginia Polytechnic\n         Institute, and others.\u003c/p\u003e\n      ","\u003cp\u003eThe profit margin in printing often was small, and thus\n         costs had to be carefully controlled. Edward L. Stone was a\n         commissioner of the American Printers Cost Commission which\n         kept a close watch on printing costs and tried to keep them\n         down. Another serious problem that bothered Stone Printing\n         Company was unionization. As most Roanoke printing shops,\n         Stone Printing Company was an open shop where either union or\n         non-union people could be employed. The company's officers did\n         not penalize or prevent workers from joining the union. The\n         International Typographical Union, however, put pressure on\n         Edward Stone to turn his establishment into a closed shop,\n         that is, a shop that would hire only union members, pay union\n         wages, and abide by union rules. Paying union wages did not\n         trouble Stone because he already paid more than the union\n         scale in most cases. For example, in 1905 when the union scale\n         was $13.50 per week, Stone pointed out that while two of his\n         employees received less and one received the union wage, over\n         forty workers received between $15.00 and $25.00 per week.\n         Stone felt it folly to pay all workers the same because, he\n         said, \"some are so much better than others.\"\u003c/p\u003e\n      ","\u003cp\u003eEdward Stone's paternalistic attitude toward his employees\n         is reflected in a collection of letters exchanged with his\n         workers. Forced to fire an employee who lied about being able\n         to work on a printing press, Stone lent him the money to go to\n         printing school, and re-hired him when he had learned the\n         trade. Another worker left the company without notice, heading\n         home to Lexington, Virginia. When the employee needed money to\n         return to Roanoke, Stone lent it to him with the understanding\n         that the employee would never again leave without asking\n         Stone's permission. Another employee left Stone without notice\n         to work for another printing firm, but when the employee\n         wanted his old job back, Stone gave it to him. Stone\n         frequently lent money to his employees, and did not press them\n         for repayment.\u003c/p\u003e\n      ","\u003cp\u003eMany of the union's rules, however bothered Stone. Among\n         the ones he objected to were (1) in all cases when it became\n         necessary to reduce the working force of an office, the last\n         person hired should be the first dropped; (2) in machine\n         composition, all work must be time work and no piece work\n         should be allowed; (3) no member of the International\n         Typographical Union should engage in a speed contest either by\n         hand composition or on machines, and violation of this rule\n         was to be punished by a fine of not less than $25.00, or by\n         suspension; (4) an eight hour day (Stone Printing had a 9 to\n         9-1/2 hour day); and (5) no one holding active membership in a\n         local union should sign any individual or private contract\n         with any employer, agreeing to work for any stated time,\n         length, or conditions as the union alone was to have the power\n         to contract for conditions, wages, and hours. This fifth\n         stipulation bothered Stone the most for he firmly believed\n         that an employee should perform whatever duty Stone demanded\n         of him.\u003c/p\u003e\n      ","\u003cp\u003eOn November 20, 1907, there was a union strike in Roanoke.\n         The union men employed by the Stone Printing Company walked\n         out, and the union formed a picket line in front of the Stone\n         Printing Company. Stone wrote to Joel Cuthin, Mayor of\n         Roanoke: \"We have never been opposed to the union, but we have\n         objected to having them run our business, unless they acquired\n         it by ownership.\" The union put pressure on the Stone Printing\n         Company. A memo to Edward Stone from Albert Stone dated 1915\n         told of some Stone Printing Company material being returned by\n         certain Roanoke merchants because they did not bear the union\n         label. The amount of material returned, however, was very\n         small. The union pressure placed on Stone was generally\n         peaceful and there was no violence or destruction. After the\n         unsuccessful strike, Stone took back all of his union men.\u003c/p\u003e\n      ","\u003cp\u003eAfter 1920 the company's sales and profits declined. In\n         1927, Albert Stone, who had assumed the presidency of the\n         company, commissioned Ernst and Ernst, financial analysts, to\n         examine the operation of Stone Printing and make\n         recommendations for improving business. The analysts found\n         Stone Printing to be an innovative company which sought and\n         found new markets such as school and college printing and the\n         printing of calendars, and which had sound leadership. Ernst\n         and Ernst felt that it was a change in economic conditions,\n         not the company itself, that caused the company's problems.\n         Competition had changed and grown in intensity by 1920, making\n         the ability to sell most important. The analysts recommended\n         the creation of a sales department coupled with more\n         aggressive selling techniques.\u003c/p\u003e\n      ","\u003cp\u003eLater, Albert Stone, Jr., Edward Stone's nephew, claimed\n         that it was the reluctance of the Stone Printing Company to\n         cut prices during the depression of 1919-1922 that caused the\n         company's problems. He claimed that by the time the company\n         did cut its prices, Stone Printing had lost many of its most\n         valued customers, and suggested a closer watch of costs\n         coupled with an expansion of the calendar line. Although these\n         suggestions were followed, business did not improve.\u003c/p\u003e\n      ","\u003cp\u003eWhen the Great Depression hit in 1929, business worsened.\n         Loyal customers and a solid financial base kept the Stone\n         Printing Company from bankruptcy. Edward Stone's health was\n         failing by 1929, and most of the company's affairs were passed\n         on to his brother Albert. In a letter from Edward Stone to the\n         board of directors in 1930, he wrote: \n         \u003cblockquote\u003e\u003cp\u003ethe years operations to date, with vastly improved\n            selling efforts, has only brought us the same volume of\n            business that we had last year but the increased\n            organization expense, incident to this extra selling\n            effort, and the extraordinary competition in the matter of\n            price, has prevented us from obtaining prices that we\n            should really obtain for our products.\u003c/p\u003e\u003c/blockquote\u003eEdward Stone recommended a reduction in salaries\n         across the board from the president on down, and layoffs of\n         certain personnel.\u003c/p\u003e\n      ","\u003cp\u003eWhen Franklin D. Roosevelt first initiated his New Deal\n         program in 1933, Edward Stone was apprehensive. In a letter\n         dated July 26, 1933, he wrote: \n         \u003cblockquote\u003e\u003cp\u003eWe would like the best in the world to go along with the\n            National Industrial Recovery Act, and be able to wire\n            President Roosevelt an affirmative reply in connection with\n            the agreement addressed \"To Every Employer.\" \n            \u003clb\u003e\u003c/lb\u003eBut to do so, with my modest knowledge of economics,\n            would mean arbitrary action on our part, with a \"blind\n            faith\" that we do not possess. \n            \u003clb\u003e\u003c/lb\u003eIf we still further reduce the working hours to 35\n            per week (as the New Deal suggested) the increased cost of\n            production reaches the geometric progression stage, with\n            the result that our losses on current contracts, which we\n            see no way of passing along to our customers until we would\n            actually see no way of meeting our payroll or meeting our\n            bills, would mean disaster. \n            \u003clb\u003e\u003c/lb\u003eListening in over the radio last night I understand\n            that 5,000 or more telegrams had been received by the\n            President indicating unconditional acceptance of the\n            Agreement. It is quite possible that we should do likewise,\n            regardless, just as we offered ourselves, body and\n            resources, in wartime. \n            \u003clb\u003e\u003c/lb\u003eI am giving expression to these thoughts even though\n            I feel the \"patriotic\" thing for us to do may be to go\n            ahead, \"blindly,\" and in spite of our objections or reasons\n            for not doing so, and sign the agreement. \n            \u003clb\u003e\u003c/lb\u003eVery Sincerely, \n            \u003clb\u003e\u003c/lb\u003eEdward L. Stone \n            \u003clb\u003e\u003c/lb\u003eChairman of the Board\u003c/p\u003e\u003c/blockquote\u003eClearly, Stone expected no miracles, but he went\n         along with the N.I.R.A. and generally supported Roosevelt.\n         There are references to increasing business by 1937.\n         Correspondence ends the following year with Edward Stone's\n         death. The Stone Printing Company, however, is in business to\n         this very day.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Biography of Edward L. StoneEdward Lee Stone was born on September 15, 1864, in\n         Liberty (now Bedford) Virginia, the son of John Harmon Stone\n         and Mary Witt Stone. He was reared in very modest\n         circumstances, and received no more than an elementary school\n         education, yet he became one of the wealthiest and most\n         prominent citizens in the state of Virginia.","Edward Stone's career in the printing business is typical\n         of the fabled American dream. At ten years of age, having\n         recently lost his father, Stone was in the boys' playground of\n         his school. J. R. Guy, the editor of the Bedford Sentinel\n         newspaper, came to the playground looking for William Fellers,\n         Stone's cousin. When Stone asked Mr. Guy what he wanted with\n         William, Guy replied \"I want him to carry the papers. Stone\n         said, \"I'll carry 'em' for you.\" After being a delivery boy\n         for the Sentinel, Stone learned to set type and worked\n         evenings after school for five cents an evening; twenty-five\n         cents on Saturday. Less than a year later, economics\n         necessitated that he quit school to pursue his job full time.\n         Stone learned his lessons well, and showed enthusiasm in every\n         phase of his work. Young Stone worked alongside a window, and\n         enjoyed nothing better than to jump out into the street and\n         scrap with some passing youngster, returning to his duties\n         after the fun was over.","Stone was given more and more duties which he performed to\n         this employer's total satisfaction. At the age of sixteen, for\n         some now-inexplicable reason, Stone left the newspaper\n         business to work for a mercantile establishment, He soon grew\n         bored, however, and returned to printer's ink. This time he\n         worked for the Democrat, a weekly newspaper in Buchanan,\n         Virginia, then a thriving town at the intersection of the\n         James River and the Kanawha Canal.","Once, at the age of sixteen, Stone was entrusted with\n         getting out an entire edition of the paper by himself. The\n         editor was in court and many workmen were out sick. Stone and\n         an assistant set type at breakneck speed beginning at 7:15\n         A.M. and had the entire seven-column paper completed by noon\n         --an amazing feat. Stone was out playing ball by 2 P.M. and\n         earned a $5.00 bonus from his boss, editor William J. Boyd. In\n         1882, Boyd informed Stone that he was going to open a printing\n         office in Roanoke, Virginia, then a small town. Boyd wanted\n         Stone to be manager, and on July 20th, 1882, both men arrived\n         in Roanoke. A place could not be found for the new enterprise\n         however, and both returned to Buchanan. Stone became\n         disillusioned with the small scope of opportunities Buchanan\n         provided, and, with an ambition to \"become somebody\" in the\n         printing business, set out for Lynchburg. Landing in Lynchburg\n         in January 1883 he applied for work on the News and, after a\n         few days, secured a position as compositor. Here he remained\n         until March, achieving considerable reputation as a fast\n         compositor, yet not satisfied. Stone really longed for a\n         position in the printing business. John P. Bell offered Stone\n         a minor position in a branch office he had planned to open in\n         Roanoke. The position was, in most respects, inferior to the\n         one he had already held, but Stone gladly took it. He worked\n         hard, and showed superior business ability which impressed Mr.\n         Bell so much that when the manager of the business died in\n         1885 his position was offered to Stone. The position was not\n         offered without some misgivings because of Stone's youth (he\n         was only twenty-one) and his lack of business experience.\n         Stone, however, did such a good job as manager that Bell\n         realized that he had made the right choice. Stone eventually\n         gained control of the business and became president of the\n         company.","His position was secure enough that in 1890, he married\n         Miss Minnie Fishburn, daughter of J. A. Fishburn, a prominent\n         business man of Roanoke. The couple had one child, Mary\n         Katherine Stone.","Edward Stone's printing business grew in size and wealth.\n         By 1920 it was acknowledged by many to be the best-equipped\n         printing corporation in the south, and one of the largest as\n         well. He had many other business interests. He was president\n         of the Borderland Coal Corporation, president of the Virginia\n         Bridge and Iron Company, vice president and later president of\n         the Walker Foundry and Machine Company, chairman of the First\n         National Exchange Bank, and president of his primary business\n         and \"first love,\" the Stone Printing and Manufacturing\n         Company.","In March 1896 Stone was presented with a petition signed by\n         fourteen Roanoke business men requesting that he run for\n         mayor. Stone was very tempted, but a law stating that no one\n         in Roanoke public office would be permitted to do business\n         with the city stopped him. Stone felt that not being able to\n         do business with the city would be unfair to his stockholders.\n         Stone, a civic-minded individual, was chairman of the Roanoke\n         Community Fund in 1924, and of the City Planning and Zoning\n         Commission. He was also chairman of the war bond committee\n         during the First World War, and belonged to many societies and\n         organizations, including the American Institute of Graphic\n         Arts, the Florida State Historical Society, the Shenandoah\n         Club of Roanoke, the Country Club of Roanoke, the Roanoke Gun\n         Club, the Roanoke German Club, the Virginia Historical Society\n         (life member), the Better Printing Committee of the United\n         Typothetae of America, the Roanoke Rotary Club, the\n         International Benjamin Franklin Society of New York, and the\n         board of trustees of the Committee to Assist the Blind.","Edward Stone was also an extremely charitable man. He gave\n         large sums of money to the Roanoke Hospital and the Roanoke\n         Relief Fund, helped endow Roanoke College, gave heavily to the\n         Boy Scouts and the War Relief Clearing House, and donated\n         money to the Coal Miner's Relief Fund--even though it was\n         those very coal miners who were striking in Stone's coal\n         mines. He believed, however, that the miners' children should\n         not have to suffer for their parents' stand. The Stones also\n         gave money to support French children who had been left\n         fatherless as a result of the war. Stone, a Presbyterian,\n         donated $100.00 to the Jewish Relief Fund in 1917 to aid the\n         starving Jews in Russia displaced by the war, and also sent\n         funds to the Tuskeegee Institute.","Edward Stone's principal hobby was book collecting, and his\n         library was appraised at $50,000.00 in 1939. Among his\n         treasured pieces was a page from the original Gutenberg Bible.\n         Stone's library was considered to be the largest and\n         best-equipped privately-owned library in the state of\n         Virginia.","Stone's income fluctuated through the years. In 1917 and\n         1918, partly through stock sales, Stone declared an income of\n         $129,383.39 and $91,483.00 respectively, but 1926 was\n         considered an average year, and he declared an income of\n         $57,500.00.","Although Stone was a humanitarian and philanthropist, he\n         believed in keeping total control of his business and watched\n         his employees closely. He did not strongly oppose unionization\n         in his printing shop, but fully opposed unionization in his\n         coal mines, even using scabs to break strikes.","Stone suffered financial reversals during the Great\n         Depression but he reorganized his holdings to prevent a great\n         loss, and he weathered the Depression better than most\n         businessmen. His health had begun to fail by 1929, and by 1934\n         he was virtually bedridden. Finally, after a protracted\n         illness, Edward L. Stone died on June 3, 1938, at the age of\n         seventy-four.","A History of the Borderland Coal\n         CompanyThe Borderland Coal Company derived its name from its\n         dual location in Mingo County, West Virginia, and Pike County,\n         Kentucky, an area bordered by the Tug Fork of the Big Sandy\n         River. The mines proper were located in Kentucky, and the coal\n         washers and other processing equipment were located in West\n         Virginia. The company operated from 1903 to 1934. While the\n         Borderland Coal Company was incorporated in 1903, the first\n         batch of coal was not shipped until September 1, 1904. In that\n         year J. S. Tipton, formerly the majority stockholder, resigned\n         his post as general manager of Borderland Coal and sold most\n         of his stock to Edward L. Stone. At that time Stone was\n         president of the Young Men's Investment Club which owned a\n         large number of shares in the Borderland Coal Company, and\n         thus, Stone controlled the club's activities.","The Borderland Coal Company initially owned approximately\n         1,000 acres of coal land. The company mined bituminous or soft\n         coal, and sold slack coal, used by railroads and industrial\n         concerns, egg coal, used in private furnaces, and nut coal,\n         the highest quality of bituminous coal, used in the kitchens\n         of private homes.","The Borderland Coal Company grew through the early 1900's.\n         In 1905, a second plant was opened called simply \"Operation\n         #2.\" The company declared its first stock dividend in November\n         1907, and began the construction of an electric plant,\n         cableway, conveyor, and tipple at a cost of $27,950.00. In\n         1908 a new coal washer was installed. By late 1914 the\n         Borderland Company held 3,000 acres of coal lands containing\n         an estimated 20,000,000 tons of coal. The profits of the\n         Borderland Coal Company increased from $1,250.00 in 1904 to\n         $11,243.77 in 1905, to $49,977.21 in 1908, and to $110,532.68\n         in 1910.","The amount of coal mined increased from 246 railroad\n         carloads in 1904 to 3,781 railroad carloads in 1910, and\n         expansion continued until the outbreak of World War I. The\n         coal paid a regular annual dividend averaging 15-30%. Prior to\n         1911, the Leckie Coal Company of Cleveland, Ohio, was the\n         exclusive agency for the sale of Borderland Coal. In that\n         year, however, the Borderland Coal Sales Company was formed,\n         with officers of the Borderland Coal Company doubling as\n         officials of the new company.","The town of Borderland, West Virginia, was a company town,\n         with company-owned homes, stores, school, and a church. The\n         rents in the company homes appear to have been within the\n         miners' incomes. The prices in the company stores, however,\n         were exorbitant. In fact, profits for the company store were\n         the second biggest money maker for the company in 1911,\n         totaling $11,811.78. The largest profit maker was coal, which\n         netted $91,741.07, while the sale of powder was ranked third,\n         totaling $3,165.86.","World War I created a great demand and a high prices for\n         coal, and the Borderland Coal Company prospered despite\n         difficulty finding railroad cars to transport its produce. In\n         1917, the company paid a record 60% dividend. On January 1,\n         1918, the company re-chartered itself in Virginia, and\n         patented the trademark and the name of the Borderland Coal\n         Company. The new capital stock was valued at nearly\n         $800,000.00. In November 1918 construction began on a new\n         tipple at a cost of $116,000.00. After the First World War,\n         the Borderland Coal Company experienced a decrease in both the\n         demand and the price of coal. The problem of labor and\n         unionization, however, ultimately caused the company's\n         demise.","Borderland Coal Company officials had been concerned over\n         the growth of coal mine unionization long before any major\n         trouble began. As early as 1915, L. E. Armentrout, the\n         corporation's Vice President and General Manager began using\n         \"secret service men\" to infiltrate the ranks of the miners and\n         report on any union activity. It is not known whether these\n         agents were U.S. government agents or private investigators,\n         but the latter is presumed. One of them reported on March 10,\n         1915:","I spent the entire day Monday with Emmett and Ed McKee,\n            Gus Cantrell, and Henry McKnight, all white Americans. We\n            played cards in an empty house on the Kentucky side. We had\n            a nice fire and everything was very comfortable. We would\n            play cards until we got tired, then we would stop\n            everything and talk unionism. Gus Cantrell said that he had\n            been talking to the boys for the last year, trying to get\n            them to organize a local of the U.M.W. of A. He said that\n            there was plenty of good, solid union men and that there\n            were also a lot of rotten scabs here. That he got into a\n            conversation with George McCormick, a white man, and\n            McCormick told him that he didn't believe in the union and\n            that he didn't want anything to do with the U.M.W. of A. .\n            . . I told Cantrell that I would be willing to help\n            organize the local. He said, \"Well, the work is picking up\n            now and we will wait until the boys get a good pay day,\n            then we will put this thing through.\"","Borderland Coal Company successfully resisted unionization\n         in the years before World War I. Wartime regulations prevented\n         strikes and hindered unionization, but after the war many\n         miners felt that it was time to air their grievances. Miners\n         disagreed over specific demands, but most felt that grave\n         inequalities existed in the rates for day workers established\n         by the Bituminous Coal Commission. The miners requested that a\n         conference be held but this request was turned down by the\n         Commission. Dissatisfaction became more pronounced, and during\n         the middle of July 1920 the miners in some of the subdistricts\n         walked out in an unauthorized strike. Shutdowns spread to\n         Indiana and Illinois. President Woodrow Wilson intervened and\n         told the miners that if they returned to work a grievance\n         committee would be formed. The miners returned to work August\n         10, 1920, and the committee was set up. Management and labor\n         agreed on a wage increase and all was quiet for a while.","West Virginia was in a unique position in that most of the\n         mines in that state were non-union. The Interstate Commerce\n         Commission fixed freight rates with a \"differential\" low\n         enough that West Virginia coal would not be eliminated by\n         production from other fields closer to their market. When the\n         market for coal was good, the differential also allowed the\n         union coal fields of Indiana, Michigan, and Illinois to pay\n         the union scale of wages and still sell their coal in\n         competition with the product of non-union fields, such as\n         those in West Virginia. When the demand for coal was low and\n         prices receded, however, the differential no longer aided the\n         union fields and they began to experience an adverse effect.\n         These conditions appeared after the First World War, and as a\n         result operators of unionized mines demanded the unionization\n         of the Wast Virginia coal fields. Thus the U.M.W. put pressure\n         on all non-union fields, including those of the Borderland\n         Coal Company. Borderland Coal Company had been fairly quiet\n         about unionization up to this time. On May 5, 1920, however,\n         L. E. Armentrout had issued the following notice:","TO THE PRESENT OR FUTURE EMPLOYEES OF THE BORDERLAND\n            COAL COMPANY \n            Considerable efforts are being made to organize this\n            field and certain advantages are being held out to some men\n            showing the advisability of belonging to the Union. \n            This is a free country and this company is not going\n            to dictate to its employees whether they shall or shall not\n            join the Union, but for your information and for the\n            information of your friends, we wish to state positively\n            that no Union man will be employed by this company, and if\n            you find that it is to your interest to join the Union, we\n            would suggest that you arrange to move out and call at the\n            office and we will be glad to settle with you. This will\n            save you as well as the company further trouble, but we\n            sincerely hope that the pleasant relations between the\n            Company and the men will continue, and that each and every\n            one of you will continue in our employ. \n            Yours very truly, \n            L. E. Armentrout, \n            Manager","By late May, 1920 the situation had become acute.\n         Armentrout wrote to James P. Woods, president of the\n         Borderland Coal Company:","The organizers have just about put us out of business at\n            both plants . . . We have a good many men who have not\n            joined the Union, but these agitators are intimidating them\n            and have them so scared they won't attempt to try to work.\n            I will have a conference with the West Virginia attorneys\n            today to see if I cannot get a temporary injunction, or\n            probably prosecution for these intimidators. \n            We have three Deputy Sheriffs in Kentucky and expect\n            two more in today. We have both plants pretty well policed\n            at night, but still some of the intimidators slip through\n            the mines and get to some of the men. . . \n            Now that the primary is over, we believe that\n            Unionism will die out. . . . In fact, no Union cards have\n            been issued and for the past two or three days they have\n            not been able to locate the man who has been giving them\n            orders on the stores. Some of them (the fired Union Men)\n            have already remarked that they could not support their\n            families on $7.00 to $8.00 a week, and they hated to go to\n            bed at night when their children were crying for something\n            to eat.","Unionism, however, did not die out. Union \"agitators\" saw\n         to that no coal could be mined at the Borderland Company's\n         coal fields. In a letter to Stone dated July 6, 1920,\n         Armentrout stated that he was able to get \"very little action\n         from the Governor of West Virginia. . .I just finished talking\n         to Governor Morrow's office in Frankfort, Kentucky, and the\n         home guards will likely entrain today. They will likely have\n         machine guns so if that they get in according to promise, we\n         think that conditions will improve very rapidly.\"","The Borderland Coal Company kept its promise and\n         dispossessed hundreds of its employees. Fired from their jobs\n         and ousted from their homes, they were forced to live in\n         tents. In a union pamphlet entitled \"Borderland and Bullets\"\n         these men told of the horrible indignities forced on company\n         employees who joined the union. The purpose of the pamphlet\n         was to oppose the re-election of Colonel James P. Woods,\n         president of the Borderland Coal Company, to the U. S. House\n         of Representatives. Woods ran for re-election in the sixth\n         Virginia district claiming that he had been always fair to the\n         working man, and he won.","The situation at Borderland soon deteriorated into\n         violence. A pamphlet dated \"winter, 1920\" and entitled \n         Hell with the Lid Off in Mingo\n         County, West Virginia,gives an account of drunken\n         company guards wounding a number of workers by firing into\n         their tents. On May 12, 1920, Edward Stone, chairman of the\n         board of the Borderland Coal Company, had examined an\n         advertisement for the Thompson sub-machine gun but had decided\n         that \"the gun is not sufficient for our needs at the mine.\" On\n         May 16 Governor John J. Cornwell of West Virginia sent a\n         telegram to the War Department in Washington requesting that\n         Federal troops be sent to the Tug River District, where\n         Borderland Coal Company was located. There had been fighting\n         in the Tug River District for nearly four days. Secretary of\n         War John Weeks, basing his decision on reports from one of his\n         staff officers who had visited the area, decided that federal\n         troops were not needed. Four days later Governor Cornwell\n         declared martial law in West Virginia. Militiamen from both\n         Kentucky and West Virginia were involved in the fighting.","In the summer of 1921 the U. M. W. began its famous \"summer\n         march\" which precipitated guerilla warfare between the\n         pro-union and anti-union forces. On June 29, Governor Cornwell\n         ordered the citizens of West Virginia to take up arms and\n         defend themselves against the pro-unionists. The papers of the\n         Borderland Coal Company include lists of casualties written on\n         scrap paper, such as \"Stone Mountain, 5 Baldwin men and 4\n         citizens killed (one the mayor), 2 Feltz Bros. killed, 2\n         military companies there, 2 on the way.\" In April 1922 the\n         coal miners' grievances came to a head and they struck. They\n         demanded a continuation of the system of bargaining and\n         contract, including the \"checkoff,\" which is a list devised to\n         check on payment of union dues. In addition to demanding\n         stable wage rates, the miners demanded a six-hour day and a\n         five-day week. These increased hours would mean steady\n         employment, one of the miners' main goals.","The strike apparently took some pressure off the Borderland\n         Coal Company because after 1922 there is little or nothing in\n         the collection regarding unionization. Company officials had\n         managed to avoid unionization of their mines but had caused\n         the company much damage in the process. Bitter feelings\n         prevailed after the strike. A letter from L. E. Armentrout to\n         the Borderland Coal Company dated 1923 states:","Gentlemen, \n            My attention has just been called to the enclosed\n            blotter bearing the union label. It has been the policy of\n            this company for several years, in fact, ever since we have\n            been in business, not to recognize any Union whatever. We\n            spent, or lost, something like $300,000.00 fighting the\n            United Mine Workers here in 1920 and 1921, and also have\n            some injunctions against them. \n            For your information, please do not place any more\n            printing with any Union shop, and if you have any more of\n            these blotters, tear them up or dispose of them otherwise\n            as it is inconsistent with our policy, and we positively\n            will not stand for it.","While much of the collection regards labor struggles, there\n         is little material regarding immigrant labor although 40% of\n         the workers were immigrants. West Virginia was a sparsely\n         populated state at this time, and immigrants were needed to\n         supplement the labor in their mines. The first constitution of\n         the state provided for the appointment of an immigration\n         officer whose duties were to advertise the attractions of West\n         Virginia throughout Europe and make arrangements with\n         industries to supply transportation for foreign workmen. Of\n         the 80,877 workers employed in the West Virginia coal mines in\n         1915, 49,753 were American-born (37,918 white and 11,835\n         black) and 31,124 were foreign-born. Italians made up the\n         largest percentage of the immigrant labor force, about one\n         third of all foreigners employed in the mines while Hungarians\n         comprised the second-most prevalent nationality, approximately\n         one-sixth of the foreign born total.","The Borderland Coal Company never fully recovered from the\n         trouble that paralyzed its mines in 1920. The 1920's were a\n         very depressed period for the mining industry in general and\n         the depression of 1929 brought prices to an all time low. Coal\n         production fell precipitously from 1927-1933 although there\n         seemed to be a slight upturn that year. In 1927, L. E.\n         Armentrout resigned from the company and a year later the\n         Borderland Coal Sales Company was dissolved due to lack of\n         business. The Norfolk and Chesapeake Coal Company became\n         exclusive agents for the sale of Borderland coal. At a meeting\n         of the Borderland Coal Company's board of directors in 1929,\n         it was stated that since the market for coal was so poor, it\n         hardly paid to keep the mines going. The Borderland Coal\n         Company mines were only worked four days during the entire\n         month of May 1932. In a letter from Edward L. Stone to a\n         Borderland Coal Company creditor, Stone wrote that as the\n         Borderland Coal Company did not have the money to pay its\n         debts, all creditors would have to wait for their money, and\n         that he hoped that he could avoid declaring the Borderland\n         Coal Company bankrupt. In 1934 Stone received a letter from a\n         stockholder consoling him for having to \"lose Borderland\n         Coal.\" Apparently the company was then out of business.","The demise of the Borderland Coal Company was the result of\n         broad national trends; the product of their mines was of high\n         quality, and in good supply. The problem of labor and\n         unionization paralyzed the Borderland Coal Company. Lack of\n         production in the mines meant that the Borderland Coal Company\n         could not pay dividends which affected their stockholders. The\n         bad mining conditions, a lack of demand for coal and low\n         market prices made it impossible for the Borderland Coal\n         Company to recover. The return of the coal-rich region of\n         Alsace-Lorraine to France meant that our allies no longer\n         needed American coal. Domestic demand increased, but it did\n         not compensate for decreased industrial use. The switch to\n         alternative forms of energy such as oil, also damaged the coal\n         industry. Although prosperity returned to the rest of the\n         country, the coal industry never totally recovered, and the\n         Borderland Coal Company was one of the victims.","Officers of the Borderland Coal Company: Edward Lee Stone\n         --President ca. 1907-1919, Chairman of the Board 1919-ca.\n         1934; James P. Woods (attorney at law --U. S. Representative,\n         6th Virginia District) --Vice President ca. 1905-1922,\n         President 1922-1932; L. E. Armentrout --Manager ca. 1905-1915,\n         Vice President and Manager ca. 1915-1927; Ernest B. Fishburn\n         --Secretary-Treasurer ca. 1905-1930","Officers of the Borderland Coal Sales Company: L. E.\n         Armentrout --President; Edward Lee Stone --Vice President;\n         James P. Woods --second Vice President; R. N. Osborne,\n         Jr.--Secretary (discharged in 1924); W. W.\n         Austin--Secretary.","A History of the Stone Printing and\n         Manufacturing CompanyThe Stone Printing and Manufacturing Company of Roanoke,\n         Virginia, was established in 1883 as the Bell Printing and\n         Manufacturing Company. John P. Bell of Lynchburg served as\n         president, and Samuel J. Fields of Abington, Virginia, served\n         as manager. Edward L. Stone, the eventual chairman of the\n         board, was then employed as a journeyman printer and pressman.\n         In 1885, Stone succeeded Fields as the company's manager, and\n         his brother, Albert A. Stone, joined the business.","At this time the company occupied a small site on Commerce\n         Street in Roanoke, an area about twenty by twenty-five feet.\n         In 1889 the plant was seriously damaged by fire, and within a\n         few months, the company moved to larger quarters on the second\n         and third floors of the Gale Building on Jefferson Street.\n         Shortly thereafter, the controlling interest was purchased by\n         Edward L. Stone, with the remainder of the stock being\n         purchased by J. B. Fishburn and Albert A. Stone.","In 1892, the name of the company was changed to the Stone\n         Printing and Manufacturing Company, and the company occupied a\n         new, three-story building at 116 North Jefferson Street. In\n         1896, a duplicate building was added on the north side; in a\n         few years another addition was placed at the rear. The company\n         built another addition in 1902 but five years later the old\n         structure was torn down and a new two-stories building, 210 x\n         110 feet, was completed. The new structure gave the Stone\n         Printing Company 50,000 square feet of space, which is about\n         100 times the floor space originally occupied on Commerce\n         Street. The company today occupies the same site on Jefferson\n         Street.","In 1883 the capital stock of the company was $5,000.00, and\n         in 1900, it was increased to $50,000.00. In 1910 the capital\n         stock had grown to $350,000.00. All of the stock increases\n         were taken, with one exception, by the original stockholders.\n         Sales grew from $84,371.00 in 1900 to $179,433.78 in 1905, and\n         from $253,781.15 in 1909 to a high of $608,174.36 in 1920.","Stone had considered selling his printing company to a\n         British syndicate in 1912. He felt, however, that business was\n         good and getting better and eventually decided to retain\n         control. By 1920 the Stone Printing Company had customers in\n         half the states in the union and in some foreign countries.\n         Between 1920 and 1929, however, sales showed a steady decline.\n         In 1929 they fell to $399,701.43 and declined throughout the\n         depression.","The Stone Printing Company's most important business came\n         from railroads as the company printed tariff and rate\n         schedules as well as tickets. Since the railroad rates changed\n         rapidly during the early 1900's, railroad printing was very\n         lucrative. The principal railroad customer and in fact, the\n         largest customer, of the Stone Printing Company was the\n         Norfolk and Western Railroad. In 1910 the Norfolk and Western\n         Railroad accounted for $85,652.60 in sales. Combined with the\n         sales to other railroads in 1910, the total of railroad sales\n         was approximately $193,000.00 of a total of $339,678.92 --well\n         over half of the total sales of the Stone Printing\n         Company.","Commercial printing comprised the second largest source of\n         the Stone Printing Company's business, accounting for\n         $135,110.32 of a total $608,174.36 in 1920. The fourth largest\n         amount of business, after the Norfolk and Western Railway,\n         other railroads, and commercial printing, was school and\n         college printing. The Stone Printing Company printed the\n         yearbooks for the University of Virginia, the Georgia\n         Institute of Technology, the University of Mississippi,\n         Randolph-Macon College, Hollins College, Virginia Polytechnic\n         Institute, and others.","The profit margin in printing often was small, and thus\n         costs had to be carefully controlled. Edward L. Stone was a\n         commissioner of the American Printers Cost Commission which\n         kept a close watch on printing costs and tried to keep them\n         down. Another serious problem that bothered Stone Printing\n         Company was unionization. As most Roanoke printing shops,\n         Stone Printing Company was an open shop where either union or\n         non-union people could be employed. The company's officers did\n         not penalize or prevent workers from joining the union. The\n         International Typographical Union, however, put pressure on\n         Edward Stone to turn his establishment into a closed shop,\n         that is, a shop that would hire only union members, pay union\n         wages, and abide by union rules. Paying union wages did not\n         trouble Stone because he already paid more than the union\n         scale in most cases. For example, in 1905 when the union scale\n         was $13.50 per week, Stone pointed out that while two of his\n         employees received less and one received the union wage, over\n         forty workers received between $15.00 and $25.00 per week.\n         Stone felt it folly to pay all workers the same because, he\n         said, \"some are so much better than others.\"","Edward Stone's paternalistic attitude toward his employees\n         is reflected in a collection of letters exchanged with his\n         workers. Forced to fire an employee who lied about being able\n         to work on a printing press, Stone lent him the money to go to\n         printing school, and re-hired him when he had learned the\n         trade. Another worker left the company without notice, heading\n         home to Lexington, Virginia. When the employee needed money to\n         return to Roanoke, Stone lent it to him with the understanding\n         that the employee would never again leave without asking\n         Stone's permission. Another employee left Stone without notice\n         to work for another printing firm, but when the employee\n         wanted his old job back, Stone gave it to him. Stone\n         frequently lent money to his employees, and did not press them\n         for repayment.","Many of the union's rules, however bothered Stone. Among\n         the ones he objected to were (1) in all cases when it became\n         necessary to reduce the working force of an office, the last\n         person hired should be the first dropped; (2) in machine\n         composition, all work must be time work and no piece work\n         should be allowed; (3) no member of the International\n         Typographical Union should engage in a speed contest either by\n         hand composition or on machines, and violation of this rule\n         was to be punished by a fine of not less than $25.00, or by\n         suspension; (4) an eight hour day (Stone Printing had a 9 to\n         9-1/2 hour day); and (5) no one holding active membership in a\n         local union should sign any individual or private contract\n         with any employer, agreeing to work for any stated time,\n         length, or conditions as the union alone was to have the power\n         to contract for conditions, wages, and hours. This fifth\n         stipulation bothered Stone the most for he firmly believed\n         that an employee should perform whatever duty Stone demanded\n         of him.","On November 20, 1907, there was a union strike in Roanoke.\n         The union men employed by the Stone Printing Company walked\n         out, and the union formed a picket line in front of the Stone\n         Printing Company. Stone wrote to Joel Cuthin, Mayor of\n         Roanoke: \"We have never been opposed to the union, but we have\n         objected to having them run our business, unless they acquired\n         it by ownership.\" The union put pressure on the Stone Printing\n         Company. A memo to Edward Stone from Albert Stone dated 1915\n         told of some Stone Printing Company material being returned by\n         certain Roanoke merchants because they did not bear the union\n         label. The amount of material returned, however, was very\n         small. The union pressure placed on Stone was generally\n         peaceful and there was no violence or destruction. After the\n         unsuccessful strike, Stone took back all of his union men.","After 1920 the company's sales and profits declined. In\n         1927, Albert Stone, who had assumed the presidency of the\n         company, commissioned Ernst and Ernst, financial analysts, to\n         examine the operation of Stone Printing and make\n         recommendations for improving business. The analysts found\n         Stone Printing to be an innovative company which sought and\n         found new markets such as school and college printing and the\n         printing of calendars, and which had sound leadership. Ernst\n         and Ernst felt that it was a change in economic conditions,\n         not the company itself, that caused the company's problems.\n         Competition had changed and grown in intensity by 1920, making\n         the ability to sell most important. The analysts recommended\n         the creation of a sales department coupled with more\n         aggressive selling techniques.","Later, Albert Stone, Jr., Edward Stone's nephew, claimed\n         that it was the reluctance of the Stone Printing Company to\n         cut prices during the depression of 1919-1922 that caused the\n         company's problems. He claimed that by the time the company\n         did cut its prices, Stone Printing had lost many of its most\n         valued customers, and suggested a closer watch of costs\n         coupled with an expansion of the calendar line. Although these\n         suggestions were followed, business did not improve.","When the Great Depression hit in 1929, business worsened.\n         Loyal customers and a solid financial base kept the Stone\n         Printing Company from bankruptcy. Edward Stone's health was\n         failing by 1929, and most of the company's affairs were passed\n         on to his brother Albert. In a letter from Edward Stone to the\n         board of directors in 1930, he wrote: \n         the years operations to date, with vastly improved\n            selling efforts, has only brought us the same volume of\n            business that we had last year but the increased\n            organization expense, incident to this extra selling\n            effort, and the extraordinary competition in the matter of\n            price, has prevented us from obtaining prices that we\n            should really obtain for our products.Edward Stone recommended a reduction in salaries\n         across the board from the president on down, and layoffs of\n         certain personnel.","When Franklin D. Roosevelt first initiated his New Deal\n         program in 1933, Edward Stone was apprehensive. In a letter\n         dated July 26, 1933, he wrote: \n         We would like the best in the world to go along with the\n            National Industrial Recovery Act, and be able to wire\n            President Roosevelt an affirmative reply in connection with\n            the agreement addressed \"To Every Employer.\" \n            But to do so, with my modest knowledge of economics,\n            would mean arbitrary action on our part, with a \"blind\n            faith\" that we do not possess. \n            If we still further reduce the working hours to 35\n            per week (as the New Deal suggested) the increased cost of\n            production reaches the geometric progression stage, with\n            the result that our losses on current contracts, which we\n            see no way of passing along to our customers until we would\n            actually see no way of meeting our payroll or meeting our\n            bills, would mean disaster. \n            Listening in over the radio last night I understand\n            that 5,000 or more telegrams had been received by the\n            President indicating unconditional acceptance of the\n            Agreement. It is quite possible that we should do likewise,\n            regardless, just as we offered ourselves, body and\n            resources, in wartime. \n            I am giving expression to these thoughts even though\n            I feel the \"patriotic\" thing for us to do may be to go\n            ahead, \"blindly,\" and in spite of our objections or reasons\n            for not doing so, and sign the agreement. \n            Very Sincerely, \n            Edward L. Stone \n            Chairman of the BoardClearly, Stone expected no miracles, but he went\n         along with the N.I.R.A. and generally supported Roosevelt.\n         There are references to increasing business by 1937.\n         Correspondence ends the following year with Edward Stone's\n         death. The Stone Printing Company, however, is in business to\n         this very day."],"prefercite_html_tesm":["\u003cp\u003eEdward L. Stone/Borderland Coal Company Papers,\n            Accession #382, Special Collections, University of Virginia\n            Library, Charlottesville, Va.\u003c/p\u003e\n      "],"prefercite_tesim":["Edward L. Stone/Borderland Coal Company Papers,\n            Accession #382, Special Collections, University of Virginia\n            Library, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThese papers fill 455 special four-inch Hollinger storage\n         boxes (ca. 150 linear feet) and span the years 1895-1937.\n         There are three major series: Edward L. Stone's papers re his\n         personal life and diversified business, professional, and\n         civic concerns; papers concerned with his principal business,\n         the Stone Printing and Manufacturing Company of Roanoke,\n         Virginia; and those papers concerned with the Borderland Coal\n         Company of West Virginia and Kentucky of which Stone was the\n         principal officer for many years. Because these series\n         basically are composed of Stone's personal papers, and because\n         there are interrelationships between material in one series\n         and that in another, the series have been maintained in the\n         boxes in the order in which they were found.\u003c/p\u003e\n      ","\u003cp\u003eThe papers are rich in material for many types of studies.\n         Because Stone's major concern was his printing business, there\n         is a great amount of material about that business, its labor\n         problems, economic problems, its professional associations,\n         relationships with its customers --especially the railroads\n         --and so on. Because Mr. Stone collected medieval manuscripts\n         and examples of fine printing that formed a great private\n         library, there is, in his personal papers, a good deal of\n         correspondence and material about this special interest. His\n         personal papers also contain considerable material about his\n         diversified business and civic interests. And the records of\n         the Borderland Coal Company--which Mr. Stone operated either\n         as president or as chairman of the board for twenty-seven\n         years--are rich in information concerning this vital industry,\n         its periods of economic success and decline, its relationships\n         with the railroads that moved its products, and its labor\n         problems.\u003c/p\u003e\n    ","\u003cp\u003eAll items listed below are blueprints.\u003c/p\u003e\n          ","\u003cp\u003eAll items listed below are blueprints.\u003c/p\u003e\n          ","\u003cp\u003eAll items listed below are blueprints.\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["These papers fill 455 special four-inch Hollinger storage\n         boxes (ca. 150 linear feet) and span the years 1895-1937.\n         There are three major series: Edward L. Stone's papers re his\n         personal life and diversified business, professional, and\n         civic concerns; papers concerned with his principal business,\n         the Stone Printing and Manufacturing Company of Roanoke,\n         Virginia; and those papers concerned with the Borderland Coal\n         Company of West Virginia and Kentucky of which Stone was the\n         principal officer for many years. Because these series\n         basically are composed of Stone's personal papers, and because\n         there are interrelationships between material in one series\n         and that in another, the series have been maintained in the\n         boxes in the order in which they were found.","The papers are rich in material for many types of studies.\n         Because Stone's major concern was his printing business, there\n         is a great amount of material about that business, its labor\n         problems, economic problems, its professional associations,\n         relationships with its customers --especially the railroads\n         --and so on. Because Mr. Stone collected medieval manuscripts\n         and examples of fine printing that formed a great private\n         library, there is, in his personal papers, a good deal of\n         correspondence and material about this special interest. His\n         personal papers also contain considerable material about his\n         diversified business and civic interests. And the records of\n         the Borderland Coal Company--which Mr. Stone operated either\n         as president or as chairman of the board for twenty-seven\n         years--are rich in information concerning this vital industry,\n         its periods of economic success and decline, its relationships\n         with the railroads that moved its products, and its labor\n         problems.","All items listed below are blueprints.","All items listed below are blueprints.","All items listed below are blueprints."],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n            \n            University of Virginia Library’s use policy."],"language_ssim":["English"],"total_component_count_is":2216,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:33:15.613Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu00663_c01_c1330"}},{"id":"viu_viu00002_c02_c13","type":"Item","attributes":{"title":"13 Scrapbook re Ligon kin, mostly in\n                  America \u0026 the marriage of W.D. Ligon, Jr. and\n                  Ellen L. Singleton, 1907/1944","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu00002_c02_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00002_c02_c13","ref_ssm":["viu_viu00002_c02_c13"],"id":"viu_viu00002_c02_c13","ead_ssi":"viu_viu00002","_root_":"viu_viu00002","_nest_parent_":"viu_viu00002_c02","parent_ssi":"viu_viu00002_c02","parent_ssim":["William D. Ligon Papers \n         1935-1947","OVERSIZE SCRAPBOOKS \u0026 ALBUMS"],"parent_ids_ssim":["viu_viu00002","viu_viu00002_c02"],"title_filing_ssi":"13 Scrapbook re Ligon kin, mostly in\n                  America \u0026 the marriage of W.D. Ligon, Jr. and\n                  Ellen L. Singleton","title_ssm":["13 Scrapbook re Ligon kin, mostly in\n                  America \u0026 the marriage of W.D. Ligon, Jr. and\n                  Ellen L. Singleton"],"title_tesim":["13 Scrapbook re Ligon kin, mostly in\n                  America \u0026 the marriage of W.D. Ligon, Jr. and\n                  Ellen L. Singleton"],"normalized_title_ssm":["13 Scrapbook re Ligon kin, mostly in\n                  America \u0026 the marriage of W.D. Ligon, Jr. and\n                  Ellen L. Singleton, 1907/1944"],"text":["13 Scrapbook re Ligon kin, mostly in\n                  America \u0026 the marriage of W.D. Ligon, Jr. and\n                  Ellen L. Singleton, 1907/1944","William D. Ligon Papers \n         1935-1947","OVERSIZE SCRAPBOOKS \u0026 ALBUMS"],"parent_unittitles_ssm":["William D. Ligon Papers \n         1935-1947","OVERSIZE SCRAPBOOKS \u0026 ALBUMS"],"parent_unittitles_tesim":["William D. Ligon Papers \n         1935-1947","OVERSIZE SCRAPBOOKS \u0026 ALBUMS"],"normalized_date_ssm":["1907/1944"],"unitdate_other_ssim":["ca. 1907-1944"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":38,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["William D. Ligon Papers \n         1935-1947"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944],"_nest_path_":"/components#1/components#12","timestamp":"2026-06-23T07:31:42.753Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00002","ead_ssi":"viu_viu00002","_root_":"viu_viu00002","_nest_parent_":"viu_viu00002","ead_source_url_ssi":"data/uva-sc/viu00002.xml","title_ssm":["William D. Ligon Papers \n         1935-1947"],"title_tesim":["William D. Ligon Papers \n         1935-1947"],"normalized_title_ssm":["William D. Ligon Papers \n         1935-1947"],"text":["William D. Ligon Papers \n         1935-1947","3203","ca. 1450 items","Collection is open to research.","Funded in part by a grant from the National Endowment\n            for the Humanities","This collection consists of ca. 3,000 items, (13 Hollingers\n         and 15 oversize bound volumes), ca. 9 linear shelf feet), ca.\n         1907-1949, chiefly the genealogical correspondence and\n         research of \n         William D. Ligon, Jr.concerning the \n         Ligon family. The collection contains\n         correspondence, newsclippings, photographs, post cards,\n         photostats, forms, genealogical charts, book reviews,\n         Christmas card albums, and printed material, much of it\n         mounted in bound volumes and scrapbooks. Also present is the\n         typescript and illustrations for the book \n         The Ligon Family and\n         Connections,the product of all of the research and\n         genealogical inquiries conducted by Ligon through his\n         correspondence.","Much of the information concerns the first and second \n         Ligonreunions, in \n         Richmond, Virginia, and \n         Washington, D.C.respectively, \n         William D. Ligon's visit to \n         Englandin 1938, and the \n         Ligonkin in \n         England, especially the Royal Family. A\n         copy of the two volume published work can be found in the Rare\n         Books Division (see CS 71. L724 1947). According to \n         Ligon, the founder of the family in \n         Virginia, was Colonel \n         Thomas Ligon[Lygon]who came to \n         Henrico County, Virginia, in 1641. \n         Thomas Ligonmarried \n         Mary Harris, daughter of Captain \n         Thomas Harris, who arrived in \n         Virginiain 1611 from \n         Essex, England. Other related families\n         include: \n         Beauchamp, \n         Berkeley, \n         Corbin, \n         Harris, and \n         Savage.","See the \n            \n            University of Virginia Library’s use policy.","University of Virginia. Library. Special\n            Collections Dept.","University of Virginia Library","Ligon family","Ligon","Beauchamp","Berkeley","Corbin","Harris","Savage","William D. Ligon, Jr.","William D. Ligon","Thomas Ligon","[Lygon]","Mary Harris","Thomas Harris","English"],"collection_title_tesim":["William D. Ligon Papers \n         1935-1947"],"collection_ssim":["William D. Ligon Papers \n         1935-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["3203"],"unitid_tesim":["3203"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["William D. Ligon"],"creator_ssim":["William D. Ligon"],"creator_persname_ssim":["William D. Ligon, Jr.","William D. Ligon","Ligon","Thomas Ligon","[Lygon]","Mary Harris","Thomas Harris"],"creator_corpname_ssim":["University of Virginia. Library. Special\n            Collections Dept.","University of Virginia Library"],"creator_famname_ssim":["Ligon family","Ligon","Beauchamp","Berkeley","Corbin","Harris","Savage"],"creators_ssim":["William D. Ligon, Jr.","William D. Ligon","Ligon","Thomas Ligon","[Lygon]","Mary Harris","Thomas Harris","University of Virginia. Library. Special\n            Collections Dept.","University of Virginia Library","Ligon family","Ligon","Beauchamp","Berkeley","Corbin","Harris","Savage"],"acqinfo_ssim":["These papers were given to the \n            University of Virginia Libraryon \n            May 18, 1949by \n            William D. Ligon, Jr.of \n            New York City, New York."],"has_online_content_ssim":["false"],"physdesc_tesim":["ca. 1450 items"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"prefercite_html_tesm":["\u003cp\u003eWilliam D. Ligon\n            Papers, Accession 3203, Special Collections Department, University of\n         Virginia Library\u003c/p\u003e\n      "],"prefercite_tesim":["William D. Ligon\n            Papers, Accession 3203, Special Collections Department, University of\n         Virginia Library"],"processinfo_html_tesm":["\u003cp\u003eFunded in part by a grant from the National Endowment\n            for the Humanities\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Funding Note"],"processinfo_tesim":["Funded in part by a grant from the National Endowment\n            for the Humanities"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of ca. 3,000 items, (13 Hollingers\n         and 15 oversize bound volumes), ca. 9 linear shelf feet), ca.\n         1907-1949, chiefly the genealogical correspondence and\n         research of \n         \u003cpersname\u003eWilliam D. Ligon, Jr.\u003c/persname\u003econcerning the \n         \u003cfamname\u003eLigon family\u003c/famname\u003e. The collection contains\n         correspondence, newsclippings, photographs, post cards,\n         photostats, forms, genealogical charts, book reviews,\n         Christmas card albums, and printed material, much of it\n         mounted in bound volumes and scrapbooks. Also present is the\n         typescript and illustrations for the book \n         \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Ligon Family and\n         Connections,\u003c/title\u003ethe product of all of the research and\n         genealogical inquiries conducted by Ligon through his\n         correspondence.\u003c/p\u003e\n      ","\u003cp\u003eMuch of the information concerns the first and second \n         \u003cfamname\u003eLigon\u003c/famname\u003ereunions, in \n         \u003cgeogname\u003eRichmond, Virginia\u003c/geogname\u003e, and \n         \u003cgeogname\u003eWashington, D.C.\u003c/geogname\u003erespectively, \n         \u003cpersname\u003eWilliam D. Ligon\u003c/persname\u003e's visit to \n         \u003cgeogname\u003eEngland\u003c/geogname\u003ein 1938, and the \n         \u003cfamname\u003eLigon\u003c/famname\u003ekin in \n         \u003cgeogname\u003eEngland\u003c/geogname\u003e, especially the Royal Family. A\n         copy of the two volume published work can be found in the Rare\n         Books Division (see CS 71. L724 1947). According to \n         \u003cpersname\u003eLigon\u003c/persname\u003e, the founder of the family in \n         \u003cgeogname\u003eVirginia\u003c/geogname\u003e, was Colonel \n         \u003cpersname\u003eThomas Ligon\u003c/persname\u003e\u003cpersname\u003e[Lygon]\u003c/persname\u003ewho came to \n         \u003cgeogname\u003eHenrico County, Virginia\u003c/geogname\u003e, in 1641. \n         \u003cpersname\u003eThomas Ligon\u003c/persname\u003emarried \n         \u003cpersname\u003eMary Harris\u003c/persname\u003e, daughter of Captain \n         \u003cpersname\u003eThomas Harris\u003c/persname\u003e, who arrived in \n         \u003cgeogname\u003eVirginia\u003c/geogname\u003ein 1611 from \n         \u003cgeogname\u003eEssex, England\u003c/geogname\u003e. Other related families\n         include: \n         \u003cfamname\u003eBeauchamp\u003c/famname\u003e, \n         \u003cfamname\u003eBerkeley\u003c/famname\u003e, \n         \u003cfamname\u003eCorbin\u003c/famname\u003e, \n         \u003cfamname\u003eHarris\u003c/famname\u003e, and \n         \u003cfamname\u003eSavage\u003c/famname\u003e.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of ca. 3,000 items, (13 Hollingers\n         and 15 oversize bound volumes), ca. 9 linear shelf feet), ca.\n         1907-1949, chiefly the genealogical correspondence and\n         research of \n         William D. Ligon, Jr.concerning the \n         Ligon family. The collection contains\n         correspondence, newsclippings, photographs, post cards,\n         photostats, forms, genealogical charts, book reviews,\n         Christmas card albums, and printed material, much of it\n         mounted in bound volumes and scrapbooks. Also present is the\n         typescript and illustrations for the book \n         The Ligon Family and\n         Connections,the product of all of the research and\n         genealogical inquiries conducted by Ligon through his\n         correspondence.","Much of the information concerns the first and second \n         Ligonreunions, in \n         Richmond, Virginia, and \n         Washington, D.C.respectively, \n         William D. Ligon's visit to \n         Englandin 1938, and the \n         Ligonkin in \n         England, especially the Royal Family. A\n         copy of the two volume published work can be found in the Rare\n         Books Division (see CS 71. L724 1947). According to \n         Ligon, the founder of the family in \n         Virginia, was Colonel \n         Thomas Ligon[Lygon]who came to \n         Henrico County, Virginia, in 1641. \n         Thomas Ligonmarried \n         Mary Harris, daughter of Captain \n         Thomas Harris, who arrived in \n         Virginiain 1611 from \n         Essex, England. Other related families\n         include: \n         Beauchamp, \n         Berkeley, \n         Corbin, \n         Harris, and \n         Savage."],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n            \n            University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc\u003e\u003c/physloc\u003e\n      "],"corpname_ssim":["University of Virginia. Library. Special\n            Collections Dept.","University of Virginia Library"],"famname_ssim":["Ligon family","Ligon","Beauchamp","Berkeley","Corbin","Harris","Savage"],"persname_ssim":["William D. Ligon, Jr.","William D. Ligon","Ligon","Thomas Ligon","[Lygon]","Mary Harris","Thomas Harris"],"names_ssim":["University of Virginia. Library. Special\n            Collections Dept.","University of Virginia Library","Ligon family","Ligon","Beauchamp","Berkeley","Corbin","Harris","Savage","William D. Ligon, Jr.","William D. Ligon","Thomas Ligon","[Lygon]","Mary Harris","Thomas Harris"],"language_ssim":["English"],"total_component_count_is":47,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:31:42.753Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu00002_c02_c13"}},{"id":"viu_repositories_3_resources_779_c01_c25","type":"Box","attributes":{"title":"15 folders, 1910/1939","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_779_c01_c25#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_779_c01_c25","ref_ssm":["viu_repositories_3_resources_779_c01_c25"],"id":"viu_repositories_3_resources_779_c01_c25","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779_c01","parent_ssi":"viu_repositories_3_resources_779_c01","parent_ssim":["Virginia Folklore Society records, 1905/2007","Folk songs"],"parent_ids_ssim":["viu_repositories_3_resources_779","viu_repositories_3_resources_779_c01"],"title_filing_ssi":"15 folders","title_ssm":["15 folders"],"title_tesim":["15 folders"],"normalized_title_ssm":["15 folders, 1910/1939"],"text":["15 folders, 1910/1939","Virginia Folklore Society records, 1905/2007","Folk songs","box 25","English"],"parent_unittitles_ssm":["Virginia Folklore Society records, 1905/2007","Folk songs"],"parent_unittitles_tesim":["Virginia Folklore Society records, 1905/2007","Folk songs"],"normalized_date_ssm":["1910/1939"],"unitdate_inclusive_ssm":["1910s-1930s"],"level_ssm":["Box"],"level_ssim":["Box"],"component_level_isim":[2],"sort_isi":26,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Virginia Folklore Society records, 1905/2007"],"containers_ssim":["box 25"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Boxes 27 and 28 do not circulate."],"language_ssim":["English"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"_nest_path_":"/components#0/components#24","timestamp":"2026-06-23T07:29:38.998Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_779","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_779.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/687","title_filing_ssi":"Virginia Folklore Society records","title_ssm":["Virginia Folklore Society records"],"title_tesim":["Virginia Folklore Society records"],"unitdate_ssm":["1905-2007"],"unitdate_inclusive_ssm":["1905-2007"],"normalized_date_ssm":["1905/2007"],"normalized_title_ssm":["Virginia Folklore Society records, 1905/2007"],"text":["Virginia Folklore Society records, 1905/2007","MSS 9936","Archival Resource Key","/repositories/3/resources/779","clippings (information artifacts)","Black-and-white photographs","Notebooks","Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate.","Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.","The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\"","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5).","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\"","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America.","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society.","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history.","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore.","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive.","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country.","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program.","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings.","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition.","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972.","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia.","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others.","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia.","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981.","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field.","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s.","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm.","Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.","This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.","Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs.","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.","Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.","Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","English"],"collection_title_tesim":["Virginia Folklore Society records, 1905/2007"],"collection_ssim":["Virginia Folklore Society records, 1905/2007"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"unitid_tesim":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_persname_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["Archival transfer from MSS 9829, the papers of Arthur Kyle Davis, 19 February 1974 comprise series one and two.  Series three, accession number Accession 2019-0235, donated by Marc Charles Perdue and Martin Clay Perdue."],"access_subjects_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"access_subjects_ssm":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"has_online_content_ssim":["true"],"extent_ssm":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"extent_tesim":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"genreform_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 27 and 28 do not circulate.\u003c/p\u003e  ","\u003cp\u003eBoxes 27 and 28 in this series DO NOT circulate.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235\u003c/p\u003e  ","\u003cp\u003eMaterials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed."],"bioghist_html_tesm":["\u003cp\u003eThe broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" \u003c/p\u003e","\u003cp\u003eThe Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). \u003c/p\u003e","\u003cp\u003eUnder C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" \u003c/p\u003e","\u003cp\u003eBy 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. \u003c/p\u003e","\u003cp\u003eTwo figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. \u003c/p\u003e","\u003cp\u003eThe second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. \u003c/p\u003e","\u003cp\u003eThe Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. \u003c/p\u003e","\u003cp\u003eIn 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. \u003c/p\u003e","\u003cp\u003eBeginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. \u003c/p\u003e","\u003cp\u003eIn March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. \u003c/p\u003e","\u003cp\u003eIn addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.\u003c/p\u003e","\u003cp\u003eIn 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. \u003c/p\u003e","\u003cp\u003eWith the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. \u003c/p\u003e","\u003cp\u003eOn March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. \u003c/p\u003e","\u003cp\u003eFolklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026amp; Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. \u003c/p\u003e","\u003cp\u003eThe contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. \u003c/p\u003e","\u003cp\u003eThe decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. \u003c/p\u003e","\u003cp\u003eIn spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. \u003c/p\u003e","\u003cp\u003eThe changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. \u003c/p\u003e","\u003cp\u003eConsistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. \u003c/p\u003e","\u003cp\u003eExcerpted from http://faculty.virginia.edu/vafolk/archive.htm. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\"","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5).","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\"","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America.","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society.","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history.","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore.","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive.","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country.","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program.","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings.","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition.","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972.","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia.","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others.","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia.","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981.","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field.","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s.","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm."],"custodhist_html_tesm":["\u003cp\u003eMaterial transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society."],"odd_html_tesm":["\u003cp\u003eThis resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003e•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026amp; Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.\u003c/p\u003e","\u003cp\u003e•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.\u003c/p\u003e","\u003cp\u003e•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.\u003c/p\u003e","\u003cp\u003e•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.\u003c/p\u003e"],"odd_heading_ssm":["General","Inventory","Inventory","Inventory","Inventory"],"odd_tesim":["This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately."],"scopecontent_html_tesm":["\u003cp\u003eVirginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.\u003c/p\u003e","\u003cp\u003eRegarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. \u003c/p\u003e","\u003cp\u003eThe recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).\u003c/p\u003e","\u003cp\u003ePlease note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e  ","\u003cp\u003eFolder 1 contains transcripts and notes.\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMyrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eColeman Williams, vocals. Performance location: Halifax County, Virginia, United States\u003c/p\u003e","\u003cp\u003ePerformance location: Henrico County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eCarter Wicks, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eWilliam Elliott Dold, vocals.\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRichard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eG. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRoselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLouise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMerkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinor Wilson, vocals.\u003c/p\u003e","\u003cp\u003eRussell Davis, vocals. Performance location: Greene County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRonald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFlorence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, dulcimer.\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFrank Geldand, piano.\u003c/p\u003e","\u003cp\u003eBetty Booker, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis (1st work).\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals.\u003c/p\u003e","\u003cp\u003eThis box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.\u003c/p\u003e","\u003cp\u003eA large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.\u003c/p\u003e","\u003cp\u003ePapers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.\u003c/p\u003e","\u003cp\u003eVirginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note"],"scopecontent_tesim":["Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs.","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters."],"separatedmaterial_html_tesm":["\u003cp\u003eAudio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"names_ssim":["Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":210,"online_item_count_is":173,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:29:38.998Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_779_c01_c25"}},{"id":"viu_repositories_3_resources_1780","type":"collection","attributes":{"title":"165th Depot Brigade Band photograph, 1914/1918","creator":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1780#creator","type":"document_value","attributes":{"value":"United States. Army. 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There were seventeen major U.S. depot brigades organized for World War I that remained active until after post-war demobilizationactive, eight of which were in the south and included the 165th at Camp Travis, Texas.","While Latinos and Native Americans were intermixed with the white soldiers, the African American soldiers at Camp Travis were segregated, being assigned to the camp depot brigade. The 165th Depot Brigade at Camp Travis was an all African American brigade. Because of systemic racism and discrimination, most African American troops were assigned to support roles and did not participate in combat.","The 165th Depot Brigade included a band which was known at the time as \"the First Group Colored Minstrel 165 Depot Brigade\". While this band was meant to be devoted exclusively to African-American troops, other photographs exist in which several members of the group appear in blackface.","Reference List:","E. O. (Eugene Omar) Goldbeck Papers and Photography Collection: Banquet Negatives and Prints finding aid. (2016). E. O. (Eugene Omar) Goldbeck: An Inventory of His Banquet Negatives and Prints at the Harry Ransom Center. Harry Ransom Center. https://norman.hrc.utexas.edu/fasearch/findingAid.cfm?eadid=01136","Fahey-Flynn, A. (2015). Patriotic Labor: America during World War I, African American Soldiers. Digital Public Library of America. https://dp.la/exhibitions/america-world-war-i/building-army/african-american-soldiers","White, L.J. (2020). Camp Travis: A Historical Overview of Its Role in World War I. Texas State Historical Association. https://www.tshaonline.org/handbook/entries/camp-travis","162d Depot Brigade (United States). (2024). Wikipedia. https://en.wikipedia.org/wiki/162d_Depot_Brigade_(United_States)"],"odd_html_tesm":["\u003cp\u003eThis material may contain offensive or harmful language or imagery. This material contains references to outdated terminology for African Americans. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e  "],"odd_heading_ssm":["Content Warning"],"odd_tesim":["This material may contain offensive or harmful language or imagery. This material contains references to outdated terminology for African Americans. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials."],"prefercite_html_tesm":["\u003cp\u003eMSS 16896, 165th Depot Brigade Band photograph, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16896, 165th Depot Brigade Band photograph, Albert and Shirley Small Special Collections Library, University of Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eThe same print is found in the University of Minnesota Libraries in a collection of images of the Y.M.C.A. building.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The same print is found in the University of Minnesota Libraries in a collection of images of the Y.M.C.A. building."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a black and white photograph of Black army musicians of the 165 Depot Brigade, Camp Travis, Texas. A typed caption pasted on the back of the photo reads, \"#263 Negro Band, Frist [sic] Group, 165 Depot Brigade, Camp Travis, Texas. Taken just outside Army Y.M.C.A. Building No. 1, devoted exclusively to negro troops. (Negro Secretaries in charge.)\" Publicity Bureau National War Work Council, Y.M.C.A. Northeastern Dept. 352 Little Bldg. Boston, Mass is stamped in ink on the back. The picture depicts twenty-one men seated and two standing in uniform outside the Y.M.C.A building. The men hold their instruments, which include trumpets, French horns, saxophones, clarinets, trombones, tuba, and drums. The role of Depot Brigades was to receive and organize recruits, provide them with uniforms, equipment, and initial military training, and then send them to France to fight on the front lines. The depot brigades also received soldiers returning home at the war's end and completed their outprocessing and discharges.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains a black and white photograph of Black army musicians of the 165 Depot Brigade, Camp Travis, Texas. A typed caption pasted on the back of the photo reads, \"#263 Negro Band, Frist [sic] Group, 165 Depot Brigade, Camp Travis, Texas. Taken just outside Army Y.M.C.A. Building No. 1, devoted exclusively to negro troops. (Negro Secretaries in charge.)\" Publicity Bureau National War Work Council, Y.M.C.A. Northeastern Dept. 352 Little Bldg. Boston, Mass is stamped in ink on the back. The picture depicts twenty-one men seated and two standing in uniform outside the Y.M.C.A building. The men hold their instruments, which include trumpets, French horns, saxophones, clarinets, trombones, tuba, and drums. The role of Depot Brigades was to receive and organize recruits, provide them with uniforms, equipment, and initial military training, and then send them to France to fight on the front lines. The depot brigades also received soldiers returning home at the war's end and completed their outprocessing and discharges."],"userestrict_html_tesm":["\u003cp\u003eThis collection is in the public domain. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is in the public domain. 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