{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1915\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=5","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1915\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=4","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1915\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=6","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1915\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=6"},"meta":{"pages":{"current_page":5,"next_page":6,"prev_page":4,"total_pages":6,"limit_value":10,"offset_value":40,"total_count":57,"first_page?":false,"last_page?":false}},"data":[{"id":"viur_repositories_4_resources_8_c03","type":"Series","attributes":{"title":"Series III: Tess and the Theater.","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_8_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_8_c03","ref_ssm":["viur_repositories_4_resources_8_c03"],"id":"viur_repositories_4_resources_8_c03","ead_ssi":"viur_repositories_4_resources_8","_root_":"viur_repositories_4_resources_8","_nest_parent_":"viur_repositories_4_resources_8","parent_ssi":"viur_repositories_4_resources_8","parent_ssim":["viur_repositories_4_resources_8"],"parent_ids_ssim":["viur_repositories_4_resources_8"],"parent_unittitles_ssm":["Marguerite Roberts Collection"],"parent_unittitles_tesim":["Marguerite Roberts Collection"],"text":["Marguerite Roberts Collection","Series III: Tess and the Theater."],"title_filing_ssi":"Series III: Tess and the Theater.","title_ssm":["Series III: Tess and the Theater."],"title_tesim":["Series III: Tess and the Theater."],"unitdate_inclusive_ssm":["1897-1975"],"normalized_date_ssm":["1897/1975"],"normalized_title_ssm":["Series III: Tess and the Theater."],"component_level_isim":[1],"repository_ssim":["University of Richmond"],"collection_ssim":["Marguerite Roberts Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":49,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":41,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"_nest_path_":"/components#2","timestamp":"2026-05-01T00:11:35.825Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_8","ead_ssi":"viur_repositories_4_resources_8","_root_":"viur_repositories_4_resources_8","_nest_parent_":"viur_repositories_4_resources_8","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_8.xml","title_ssm":["Marguerite Roberts Collection"],"title_tesim":["Marguerite Roberts Collection"],"unitdate_ssm":["1924-1980"],"unitdate_inclusive_ssm":["1924-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-9","/repositories/4/resources/8"],"text":["MS-9","/repositories/4/resources/8","Marguerite Roberts Collection","Nonbook Materials","Photocopying","Clippings","Manuscripts","The collection is arranged into 8 series:","Series I: The Dynasts \nSeries II: Hardy's Dramatic Poetry and the Theater \nSeries III: Tess and the Theater \nSeries IV: Hardy and the Theater \nSeries V: Max Gate Circle \nSeries VI: General Research \nSeries VII: Manuscripts and Journals \nSeries VIII: Personal","Dr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.","Dr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.","Dr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled  Thomas Hardy and the Theater . She continued with this theme in two of her scholarly publications,  Tess in the Theater , 1950, and  Hardy's Poetic Drama and the Theater , 1965. A third book,  Florence Hardy and the Max Gate Circle , was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).","During the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the  Journal of the Deans of Women , 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988.","Processed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate.","The rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the  Westhampton College Oral Histories  in audio and transcription.","This collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.","Series I, The Dynasts, contains materials relating to Hardy's drama in verse,  The Dynasts . This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)","Series II, Hardy's Dramatic Poetry and the Theater, focuses on the work  Hardy's Poetic Drama and Theater . Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)","Series III, Tess and the Theater, includes materials on  Tess and the Theater , originally part of Roberts' dissertation. Hardy's book,  Tess of the D'Urbervilles , was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)","Series IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation,  Hardy and the Theater . This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of  Hardy and the Theater . (Boxes 6, 7, and 8)","Series V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)","Series VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)","Series VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)","Series VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Dr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation,  Thomas Hardy and the Theater ; and her books,  Tess and the Theater ,  Hardy's Poetic Drama and the Theater , and  Florence Hardy and the Max Gate Circle , are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers.","University of Richmond ","Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937","English"],"unitid_tesim":["MS-9","/repositories/4/resources/8"],"normalized_title_ssm":["Marguerite Roberts Collection"],"collection_title_tesim":["Marguerite Roberts Collection"],"collection_ssim":["Marguerite Roberts Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Roberts, Marguerite M., Dr., 1904-1988"],"creator_ssim":["Roberts, Marguerite M., Dr., 1904-1988"],"creator_persname_ssim":["Roberts, Marguerite M., Dr., 1904-1988"],"creators_ssim":["Roberts, Marguerite M., Dr., 1904-1988"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"access_subjects_ssim":["Nonbook Materials","Photocopying","Clippings","Manuscripts"],"access_subjects_ssm":["Nonbook Materials","Photocopying","Clippings","Manuscripts"],"has_online_content_ssim":["false"],"extent_ssm":["8.42 Linear Feet Collection is arranged in folders in 18 archival boxes."],"extent_tesim":["8.42 Linear Feet Collection is arranged in folders in 18 archival boxes."],"genreform_ssim":["Clippings","Manuscripts"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 8 series:\u003c/p\u003e\n","\u003cp\u003eSeries I: The Dynasts\u003cbr\u003e\nSeries II: Hardy's Dramatic Poetry and the Theater\u003cbr\u003e\nSeries III: Tess and the Theater\u003cbr\u003e\nSeries IV: Hardy and the Theater\u003cbr\u003e\nSeries V: Max Gate Circle\u003cbr\u003e\nSeries VI: General Research\u003cbr\u003e\nSeries VII: Manuscripts and Journals\u003cbr\u003e\nSeries VIII: Personal\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 8 series:","Series I: The Dynasts \nSeries II: Hardy's Dramatic Poetry and the Theater \nSeries III: Tess and the Theater \nSeries IV: Hardy and the Theater \nSeries V: Max Gate Circle \nSeries VI: General Research \nSeries VII: Manuscripts and Journals \nSeries VIII: Personal"],"bioghist_html_tesm":["\u003cp\u003eDr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.\u003c/p\u003e\n","\u003cp\u003eDr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.\u003c/p\u003e\n","\u003cp\u003eDr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled \u003cemph render=\"italics\"\u003eThomas Hardy and the Theater\u003c/emph\u003e. She continued with this theme in two of her scholarly publications, \u003cemph render=\"italics\"\u003eTess in the Theater\u003c/emph\u003e, 1950, and \u003cemph render=\"italics\"\u003eHardy's Poetic Drama and the Theater\u003c/emph\u003e, 1965. A third book, \u003cemph render=\"italics\"\u003eFlorence Hardy and the Max Gate Circle\u003c/emph\u003e, was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).\u003c/p\u003e\n","\u003cp\u003eDuring the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the \u003cemph render=\"italics\"\u003eJournal of the Deans of Women\u003c/emph\u003e, 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.","Dr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.","Dr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled  Thomas Hardy and the Theater . She continued with this theme in two of her scholarly publications,  Tess in the Theater , 1950, and  Hardy's Poetic Drama and the Theater , 1965. A third book,  Florence Hardy and the Max Gate Circle , was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).","During the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the  Journal of the Deans of Women , 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-9, Marguerite Roberts Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-9, Marguerite Roberts Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate."],"relatedmaterial_html_tesm":["\u003cp\u003eThe rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the \u003ca href=\"https://richmond.access.preservica.com/uncategorized/SO_bd7ac587-3a3c-4c65-82dc-79217b000972/\"\u003eWesthampton College Oral Histories\u003c/a\u003e in audio and transcription.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the  Westhampton College Oral Histories  in audio and transcription."],"scopecontent_html_tesm":["\u003cp\u003eThis collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.\u003c/p\u003e\n","\u003cp\u003eSeries I, The Dynasts, contains materials relating to Hardy's drama in verse, \u003cemph render=\"italics\"\u003eThe Dynasts\u003c/emph\u003e. This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)\u003c/p\u003e\n","\u003cp\u003eSeries II, Hardy's Dramatic Poetry and the Theater, focuses on the work \u003cemph render=\"italics\"\u003eHardy's Poetic Drama and Theater\u003c/emph\u003e. Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)\u003c/p\u003e\n","\u003cp\u003eSeries III, Tess and the Theater, includes materials on \u003cemph render=\"italics\"\u003eTess and the Theater\u003c/emph\u003e, originally part of Roberts' dissertation. Hardy's book, \u003cemph render=\"italics\"\u003eTess of the D'Urbervilles\u003c/emph\u003e, was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)\u003c/p\u003e\n","\u003cp\u003eSeries IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation, \u003cemph render=\"italics\"\u003eHardy and the Theater\u003c/emph\u003e. This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of \u003cemph render=\"italics\"\u003eHardy and the Theater\u003c/emph\u003e. (Boxes 6, 7, and 8)\u003c/p\u003e\n","\u003cp\u003eSeries V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)\u003c/p\u003e\n","\u003cp\u003eSeries VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)\u003c/p\u003e\n","\u003cp\u003eSeries VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)\u003c/p\u003e\n","\u003cp\u003eSeries VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.","Series I, The Dynasts, contains materials relating to Hardy's drama in verse,  The Dynasts . This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)","Series II, Hardy's Dramatic Poetry and the Theater, focuses on the work  Hardy's Poetic Drama and Theater . Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)","Series III, Tess and the Theater, includes materials on  Tess and the Theater , originally part of Roberts' dissertation. Hardy's book,  Tess of the D'Urbervilles , was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)","Series IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation,  Hardy and the Theater . This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of  Hardy and the Theater . (Boxes 6, 7, and 8)","Series V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)","Series VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)","Series VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)","Series VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5d14460ea85e1a2d844806d9fe01bc9a\"\u003eDr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation, \u003cemph render=\"italics\"\u003eThomas Hardy and the Theater\u003c/emph\u003e; and her books, \u003cemph render=\"italics\"\u003eTess and the Theater\u003c/emph\u003e,\u003cemph render=\"italics\"\u003e Hardy's Poetic Drama and the Theater\u003c/emph\u003e, and \u003cemph render=\"italics\"\u003eFlorence Hardy and the Max Gate Circle\u003c/emph\u003e, are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers.\u003c/abstract\u003e"],"abstract_tesim":["Dr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation,  Thomas Hardy and the Theater ; and her books,  Tess and the Theater ,  Hardy's Poetic Drama and the Theater , and  Florence Hardy and the Max Gate Circle , are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers."],"names_coll_ssim":["Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"names_ssim":["University of Richmond ","Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"corpname_ssim":["University of Richmond ","Thomas Hardy Society"],"persname_ssim":["Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:11:35.825Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_8_c03"}},{"id":"viur_repositories_4_resources_39_c02","type":"Series","attributes":{"title":"Series II: Personal Papers and Family Information","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_39_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_39_c02","ref_ssm":["viur_repositories_4_resources_39_c02"],"id":"viur_repositories_4_resources_39_c02","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39","parent_ssi":"viur_repositories_4_resources_39","parent_ssim":["viur_repositories_4_resources_39"],"parent_ids_ssim":["viur_repositories_4_resources_39"],"parent_unittitles_ssm":["Hazel Paris Cederborg Collection"],"parent_unittitles_tesim":["Hazel Paris Cederborg Collection"],"text":["Hazel Paris Cederborg Collection","Series II: Personal Papers and Family Information"],"title_filing_ssi":"Series II: Personal Papers and Family Information","title_ssm":["Series II: Personal Papers and Family Information"],"title_tesim":["Series II: Personal Papers and Family Information"],"unitdate_inclusive_ssm":["1868-1993"],"normalized_date_ssm":["1868/1993"],"normalized_title_ssm":["Series II: Personal Papers and Family Information"],"component_level_isim":[1],"repository_ssim":["University of Richmond"],"collection_ssim":["Hazel Paris Cederborg Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":65,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"_nest_path_":"/components#1","timestamp":"2026-05-01T00:11:40.314Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_39","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_39.xml","title_ssm":["Hazel Paris Cederborg Collection"],"title_tesim":["Hazel Paris Cederborg Collection"],"unitdate_ssm":["1893-1989"],"unitdate_inclusive_ssm":["1893-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-33","/repositories/4/resources/39"],"text":["MS-33","/repositories/4/resources/39","Hazel Paris Cederborg Collection","Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories","This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks","Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.","These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.","Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.","Processed by Maelyn Cable.","Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter .","The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.","Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.","University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","English Turkish"],"unitid_tesim":["MS-33","/repositories/4/resources/39"],"normalized_title_ssm":["Hazel Paris Cederborg Collection"],"collection_title_tesim":["Hazel Paris Cederborg Collection"],"collection_ssim":["Hazel Paris Cederborg Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creators_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Materials in this collection were transferred from Wellesley College in 2016."],"access_subjects_ssim":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"access_subjects_ssm":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"has_online_content_ssim":["false"],"extent_ssm":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"extent_tesim":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"genreform_ssim":["Photographs","Photograph albums","Short stories"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 2 series, with 7 total subseries:\u003c/p\u003e\n","\u003cp\u003eSeries I: Short Stories\n\u003cul\u003e\n  \u003cli\u003eSubseries IA: Unpublished Drafts and Notes\u003c/li\u003e\n  \u003cli\u003eSubseries IB: Published Short Stories\u003c/li\u003e\n  \u003cli\u003eSubseries IC: Historical and Factual Short Stories\u003c/li\u003e\n\u003c/ul\u003e\nSeries II: Personal Papers and Family Information\n\u003cul\u003e\n  \u003cli\u003eSubseries IIA: Research\u003c/li\u003e\n  \u003cli\u003eSubseries IIB: Personal Papers and Items\u003c/li\u003e\n  \u003cli\u003eSubseries IIC: Family information and Photographs\u003c/li\u003e\n  \u003cli\u003eSubseries IID: Scrapbooks\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks"],"bioghist_html_tesm":["\u003cp\u003eHazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.\u003c/p\u003e\n","\u003cp\u003eHer interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.\u003c/p\u003e\n","\u003cp\u003eThroughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.\u003c/p\u003e\n","\u003cp\u003eAfter working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois."],"custodhist_html_tesm":["\u003cp\u003eThese materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives."],"phystech_html_tesm":["\u003cp\u003eCollection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Maelyn Cable.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Maelyn Cable."],"relatedmaterial_html_tesm":["\u003cp\u003eWellesley College featured material from their collection of Hazel Paris Cederborg materials in their \u003ca href=\"https://www.wellesley.edu/sites/default/files/assets/departments/libraryandtechnology/files/2016springfolnewsletter.pdf\"\u003e2016 spring newsletter\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 2 series, and 7 subseries.\u003c/p\u003e\n","\u003cp\u003eSeries I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.\u003c/p\u003e\n","\u003cp\u003eSubseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.\u003c/p\u003e\n","\u003cp\u003eSubseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.\u003c/p\u003e\n","\u003cp\u003eSubseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.\u003c/p\u003e\n","\u003cp\u003eSubseries IIA, Research, includes items that contain research ideas for unnamed stories.\u003c/p\u003e\n","\u003cp\u003eSubseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.\u003c/p\u003e\n","\u003cp\u003eSubseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.\u003c/p\u003e\n","\u003cp\u003eSubseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children."],"separatedmaterial_html_tesm":["\u003cp\u003eCopies of \u003cemph render=\"italics\"\u003eThe Little Red Wagon\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eBunny Polka Dot\u003c/emph\u003e, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_819652907b9b06a93438845f422d76cf\"\u003eThis collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life."],"names_coll_ssim":["Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"names_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"corpname_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)"],"persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"language_ssim":["English Turkish"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:11:40.314Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_39_c02"}},{"id":"viur_repositories_4_resources_6_c01","type":"Series","attributes":{"title":"Series I: Pre-War and World War I Pamphlets","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_6_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_6_c01","ref_ssm":["viur_repositories_4_resources_6_c01"],"id":"viur_repositories_4_resources_6_c01","ead_ssi":"viur_repositories_4_resources_6","_root_":"viur_repositories_4_resources_6","_nest_parent_":"viur_repositories_4_resources_6","parent_ssi":"viur_repositories_4_resources_6","parent_ssim":["viur_repositories_4_resources_6"],"parent_ids_ssim":["viur_repositories_4_resources_6"],"parent_unittitles_ssm":["World War I \u0026 II Pamphlet Collection"],"parent_unittitles_tesim":["World War I \u0026 II Pamphlet Collection"],"text":["World War I \u0026 II Pamphlet Collection","Series I: Pre-War and World War I Pamphlets"],"title_filing_ssi":"Series I: Pre-War and World War I Pamphlets","title_ssm":["Series I: Pre-War and World War I Pamphlets"],"title_tesim":["Series I: Pre-War and World War I Pamphlets"],"unitdate_inclusive_ssm":["1914-1919"],"normalized_date_ssm":["1914/1919"],"normalized_title_ssm":["Series I: Pre-War and World War I Pamphlets"],"component_level_isim":[1],"repository_ssim":["University of Richmond"],"collection_ssim":["World War I \u0026 II Pamphlet Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1914,1915,1916,1917,1918,1919],"_nest_path_":"/components#0","timestamp":"2026-05-01T00:11:20.363Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_6","ead_ssi":"viur_repositories_4_resources_6","_root_":"viur_repositories_4_resources_6","_nest_parent_":"viur_repositories_4_resources_6","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_6.xml","title_ssm":["World War I \u0026 II Pamphlet Collection"],"title_tesim":["World War I \u0026 II Pamphlet Collection"],"unitdate_ssm":["1908-1947"],"unitdate_inclusive_ssm":["1908-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-8","/repositories/4/resources/6"],"text":["MS-8","/repositories/4/resources/6","World War I \u0026 II Pamphlet Collection","United States -- Armed Forces -- Handbooks, manuals, etc.","United States Army in World War II","Armed Forces","Pamphlets","Periodicals","The  Army Talks series  has been digitized and is available online under  America at War - Army Talks .","The  GI Roundtable  materials have been digitized and are available online under  America at War – GI Roundtable .","Many other pamphlets have also been digitized and are available online under  America at War - General Publications .","This collection is arranged into 6 series:"," \tSeries I: Pre-War and World War I Pamphlets","Series II: Interwar Years Pamphlets \n    Series III: World War II Pamphlets","Series IV: Post-War Pamphlets","Series V: Publications","Series VI:  Army Talks","The pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier.","The collection was processed from its original order by government document number into chronological order. Original government document numbers have been retained in the description when available.","Special Collections also holds an additional collection of nearly 600 World War I pamphlets.  These pamphlets are international in origin and scope. Currently, they are listed individually in the catalog or by searching \"World War, 1914-1918--Pamphlets\".","This collection offers a small number of pamphlets related to World War I, most of which are regulatory pamphlets. The remaining folders house World War II publications. Of note in this collection are pre-induction pamphlets, publications about returning to civilian life, and a publication called Army Talks, the official periodical for the Army Eighth Air Force division. The  Army Talks Series ,  GI Roundtable  materials, and  other pamphlets  have been digitized and are available online. ","Pamphlets that relate to returning to civilian life are of importance, as they begin as early as March 1944, and include information about the G.I. Bill and future opportunities for soldiers, such as education. While these civilian publications are not necessarily related to one another, they lend an important aspect to wartime life. Lastly, a run of pre-induction pamphlets highlighting skills to be acquired before entering into certain sectors of the Armed Services offer a comprehensive view of specialization. A series of Army Pocket Guides to various locations where stationed may also be useful, especially in understanding U.S. history of domestic policy with the locations discussed. Of special note is the pamphlet \"This is Ann,\" located in Box 2, File 21, which was drawn by Theodore Geisel, better known for his later pseudonym,  Dr. Seuss.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","The pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier.","University of Richmond ","U.S. Government","Seuss, Dr.","English"],"unitid_tesim":["MS-8","/repositories/4/resources/6"],"normalized_title_ssm":["World War I \u0026 II Pamphlet Collection"],"collection_title_tesim":["World War I \u0026 II Pamphlet Collection"],"collection_ssim":["World War I \u0026 II Pamphlet Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["United States -- Armed Forces -- Handbooks, manuals, etc."],"geogname_ssim":["United States -- Armed Forces -- Handbooks, manuals, etc."],"creator_ssm":["U.S. Government"],"creator_ssim":["U.S. Government"],"creator_corpname_ssim":["U.S. Government"],"creators_ssim":["U.S. Government"],"places_ssim":["United States -- Armed Forces -- Handbooks, manuals, etc."],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This collection was acquired by transfer from the Federal Depository materials within the circulating collection."],"access_subjects_ssim":["United States Army in World War II","Armed Forces","Pamphlets","Periodicals"],"access_subjects_ssm":["United States Army in World War II","Armed Forces","Pamphlets","Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet 7 archival boxes."],"extent_tesim":["4 Linear Feet 7 archival boxes."],"genreform_ssim":["Pamphlets","Periodicals"],"date_range_isim":[1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"altformavail_html_tesm":["\u003cp\u003eThe \u003ci\u003eArmy Talks series\u003c/i\u003e has been digitized and is available online under \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_20034dbe-1c70-43a7-9fe8-80526ca493f9/\"\u003eAmerica at War - Army Talks\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe \u003ci\u003eGI Roundtable\u003c/i\u003e materials have been digitized and are available online under \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_2f6b5495-5097-4d7b-975b-aeaec8cbbcab/\"\u003eAmerica at War – GI Roundtable\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eMany other pamphlets have also been digitized and are available online under \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_604fbfa3-8633-4ab2-b8bb-93deb2abf7c2/\"\u003eAmerica at War - General Publications\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The  Army Talks series  has been digitized and is available online under  America at War - Army Talks .","The  GI Roundtable  materials have been digitized and are available online under  America at War – GI Roundtable .","Many other pamphlets have also been digitized and are available online under  America at War - General Publications ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 6 series:\u003c/p\u003e\n","\u003cp\u003e \tSeries I: Pre-War and World War I Pamphlets\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eSeries II: Interwar Years Pamphlets\u003cbr\u003e\n    Series III: World War II Pamphlets\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eSeries IV: Post-War Pamphlets\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eSeries V: Publications\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eSeries VI: \u003cemph render=\"italics\"\u003eArmy Talks\u003c/emph\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 6 series:"," \tSeries I: Pre-War and World War I Pamphlets","Series II: Interwar Years Pamphlets \n    Series III: World War II Pamphlets","Series IV: Post-War Pamphlets","Series V: Publications","Series VI:  Army Talks"],"bioghist_html_tesm":["\u003cp\u003eThe pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-8, World War I \u0026amp; II Pamphlet Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-8, World War I \u0026 II Pamphlet Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed from its original order by government document number into chronological order. Original government document numbers have been retained in the description when available.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed from its original order by government document number into chronological order. Original government document numbers have been retained in the description when available."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections also holds an additional collection of nearly 600 World War I pamphlets.  These pamphlets are international in origin and scope. Currently, they are listed individually in the catalog or by searching \"World War, 1914-1918--Pamphlets\".\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Special Collections also holds an additional collection of nearly 600 World War I pamphlets.  These pamphlets are international in origin and scope. Currently, they are listed individually in the catalog or by searching \"World War, 1914-1918--Pamphlets\"."],"scopecontent_html_tesm":["\u003cp\u003eThis collection offers a small number of pamphlets related to World War I, most of which are regulatory pamphlets. The remaining folders house World War II publications. Of note in this collection are pre-induction pamphlets, publications about returning to civilian life, and a publication called Army Talks, the official periodical for the Army Eighth Air Force division. The \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_20034dbe-1c70-43a7-9fe8-80526ca493f9/\"\u003e\u003cemph render=\"italics\"\u003eArmy Talks Series\u003c/emph\u003e\u003c/a\u003e, \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_2f6b5495-5097-4d7b-975b-aeaec8cbbcab/\"\u003e\u003cemph render=\"italics\"\u003eGI Roundtable\u003c/emph\u003e\u003c/a\u003e materials, and \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_604fbfa3-8633-4ab2-b8bb-93deb2abf7c2/\"\u003eother pamphlets\u003c/a\u003e have been digitized and are available online. \u003c/p\u003e\n","\u003cp\u003ePamphlets that relate to returning to civilian life are of importance, as they begin as early as March 1944, and include information about the G.I. Bill and future opportunities for soldiers, such as education. While these civilian publications are not necessarily related to one another, they lend an important aspect to wartime life. Lastly, a run of pre-induction pamphlets highlighting skills to be acquired before entering into certain sectors of the Armed Services offer a comprehensive view of specialization. A series of Army Pocket Guides to various locations where stationed may also be useful, especially in understanding U.S. history of domestic policy with the locations discussed. Of special note is the pamphlet \"This is Ann,\" located in Box 2, File 21, which was drawn by Theodore Geisel, better known for his later pseudonym,  Dr. Seuss.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection offers a small number of pamphlets related to World War I, most of which are regulatory pamphlets. The remaining folders house World War II publications. Of note in this collection are pre-induction pamphlets, publications about returning to civilian life, and a publication called Army Talks, the official periodical for the Army Eighth Air Force division. The  Army Talks Series ,  GI Roundtable  materials, and  other pamphlets  have been digitized and are available online. ","Pamphlets that relate to returning to civilian life are of importance, as they begin as early as March 1944, and include information about the G.I. Bill and future opportunities for soldiers, such as education. While these civilian publications are not necessarily related to one another, they lend an important aspect to wartime life. Lastly, a run of pre-induction pamphlets highlighting skills to be acquired before entering into certain sectors of the Armed Services offer a comprehensive view of specialization. A series of Army Pocket Guides to various locations where stationed may also be useful, especially in understanding U.S. history of domestic policy with the locations discussed. Of special note is the pamphlet \"This is Ann,\" located in Box 2, File 21, which was drawn by Theodore Geisel, better known for his later pseudonym,  Dr. Seuss."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6f13b8ec5d333ba70283ac249fe81bae\" label=\"Summary/Abstract\"\u003eThe pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier.\u003c/abstract\u003e"],"abstract_tesim":["The pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier."],"names_ssim":["University of Richmond ","U.S. Government","Seuss, Dr."],"corpname_ssim":["University of Richmond ","U.S. Government"],"names_coll_ssim":["Seuss, Dr."],"persname_ssim":["Seuss, Dr."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":271,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:11:20.363Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_6_c01"}},{"id":"viur_repositories_4_resources_51_c01","type":"Series","attributes":{"title":"Series I: Ryland Correspondence Collection","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_51_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_51_c01","ref_ssm":["viur_repositories_4_resources_51_c01"],"id":"viur_repositories_4_resources_51_c01","ead_ssi":"viur_repositories_4_resources_51","_root_":"viur_repositories_4_resources_51","_nest_parent_":"viur_repositories_4_resources_51","parent_ssi":"viur_repositories_4_resources_51","parent_ssim":["viur_repositories_4_resources_51"],"parent_ids_ssim":["viur_repositories_4_resources_51"],"parent_unittitles_ssm":["Ryland Correspondence Collection"],"parent_unittitles_tesim":["Ryland Correspondence Collection"],"text":["Ryland Correspondence Collection","Series I: Ryland Correspondence Collection"],"title_filing_ssi":"Series I: Ryland Correspondence Collection","title_ssm":["Series I: Ryland Correspondence Collection"],"title_tesim":["Series I: Ryland Correspondence Collection"],"unitdate_inclusive_ssm":["1898-1988"],"normalized_date_ssm":["1898/1988"],"normalized_title_ssm":["Series I: Ryland Correspondence Collection"],"component_level_isim":[1],"repository_ssim":["University of Richmond"],"collection_ssim":["Ryland Correspondence Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":21,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"_nest_path_":"/components#0","timestamp":"2026-05-01T00:11:20.363Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_51","ead_ssi":"viur_repositories_4_resources_51","_root_":"viur_repositories_4_resources_51","_nest_parent_":"viur_repositories_4_resources_51","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_51.xml","title_ssm":["Ryland Correspondence Collection"],"title_tesim":["Ryland Correspondence Collection"],"unitdate_ssm":["1843-1988"],"unitdate_inclusive_ssm":["1843-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-15","/repositories/4/resources/51"],"text":["MS-15","/repositories/4/resources/51","Ryland Correspondence Collection","Postcards","Stamped envelopes","Postage stamps","The collection is arranged in one series of Ryland Correspondence, which includes 20 files.","Dr. Robert Ryland, was the first president of Richmond College (1840-1866). His nephew Charles Ryland served as trustee, treasurer, and librarian of the college. Ryland Hall, named after both of these men, was designed by noted architect Ralph Adams Cram and is one of the original buildings constructed on campus. Dr. Garnett Ryland was head of the Chemistry Department at Richmond, and also an alumnus.","Processed by Matthew Hamilton.","The collection includes letters written to and from Ryland family members. There are envelopes addressed to various Rylands, postcards, holiday cards, and canceled stamps.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains a mix of envelopes, post cards, and letters relating to correspondence by and with the Ryland Family in the late 19th and early 20th centuries. The envelopes in particular allow researchers to explore the extent of the Ryland family connections as well as being of interest to philatelists.","University of Richmond ","Ryland family","Ryland, Robert, 1805-1899","English \n.    "],"unitid_tesim":["MS-15","/repositories/4/resources/51"],"normalized_title_ssm":["Ryland Correspondence Collection"],"collection_title_tesim":["Ryland Correspondence Collection"],"collection_ssim":["Ryland Correspondence Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Ryland, Robert, 1805-1899","Ryland family"],"creator_ssim":["Ryland, Robert, 1805-1899","Ryland family"],"creator_persname_ssim":["Ryland, Robert, 1805-1899"],"creator_famname_ssim":["Ryland family"],"creators_ssim":["Ryland, Robert, 1805-1899","Ryland family"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"access_subjects_ssim":["Postcards","Stamped envelopes","Postage stamps"],"access_subjects_ssm":["Postcards","Stamped envelopes","Postage stamps"],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet"],"extent_tesim":[".5 Linear Feet"],"date_range_isim":[1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in one series of Ryland Correspondence, which includes 20 files.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in one series of Ryland Correspondence, which includes 20 files."],"bioghist_html_tesm":["\u003cp\u003eDr. Robert Ryland, was the first president of Richmond College (1840-1866). His nephew Charles Ryland served as trustee, treasurer, and librarian of the college. Ryland Hall, named after both of these men, was designed by noted architect Ralph Adams Cram and is one of the original buildings constructed on campus. Dr. Garnett Ryland was head of the Chemistry Department at Richmond, and also an alumnus.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Robert Ryland, was the first president of Richmond College (1840-1866). His nephew Charles Ryland served as trustee, treasurer, and librarian of the college. Ryland Hall, named after both of these men, was designed by noted architect Ralph Adams Cram and is one of the original buildings constructed on campus. Dr. Garnett Ryland was head of the Chemistry Department at Richmond, and also an alumnus."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-15, Ryland Correspondence Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-15, Ryland Correspondence Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Matthew Hamilton.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Matthew Hamilton."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes letters written to and from Ryland family members. There are envelopes addressed to various Rylands, postcards, holiday cards, and canceled stamps.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes letters written to and from Ryland family members. There are envelopes addressed to various Rylands, postcards, holiday cards, and canceled stamps."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2ce536c531adc59c9bf5035858c1ea41\"\u003eThis collection contains a mix of envelopes, post cards, and letters relating to correspondence by and with the Ryland Family in the late 19th and early 20th centuries. The envelopes in particular allow researchers to explore the extent of the Ryland family connections as well as being of interest to philatelists.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains a mix of envelopes, post cards, and letters relating to correspondence by and with the Ryland Family in the late 19th and early 20th centuries. The envelopes in particular allow researchers to explore the extent of the Ryland family connections as well as being of interest to philatelists."],"names_ssim":["University of Richmond ","Ryland family","Ryland, Robert, 1805-1899"],"corpname_ssim":["University of Richmond "],"names_coll_ssim":["Ryland family","Ryland, Robert, 1805-1899"],"famname_ssim":["Ryland family"],"persname_ssim":["Ryland, Robert, 1805-1899"],"language_ssim":["English \n.    "],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:11:20.363Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_51_c01"}},{"id":"viur_repositories_4_resources_8_c04","type":"Series","attributes":{"title":"Series IV: Hardy and the Theater","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_8_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_8_c04","ref_ssm":["viur_repositories_4_resources_8_c04"],"id":"viur_repositories_4_resources_8_c04","ead_ssi":"viur_repositories_4_resources_8","_root_":"viur_repositories_4_resources_8","_nest_parent_":"viur_repositories_4_resources_8","parent_ssi":"viur_repositories_4_resources_8","parent_ssim":["viur_repositories_4_resources_8"],"parent_ids_ssim":["viur_repositories_4_resources_8"],"parent_unittitles_ssm":["Marguerite Roberts Collection"],"parent_unittitles_tesim":["Marguerite Roberts Collection"],"text":["Marguerite Roberts Collection","Series IV: Hardy and the Theater"],"title_filing_ssi":"Series IV: Hardy and the Theater","title_ssm":["Series IV: Hardy and the Theater"],"title_tesim":["Series IV: Hardy and the Theater"],"unitdate_inclusive_ssm":["1882-1966"],"normalized_date_ssm":["1882/1966"],"normalized_title_ssm":["Series IV: Hardy and the Theater"],"component_level_isim":[1],"repository_ssim":["University of Richmond"],"collection_ssim":["Marguerite Roberts Collection"],"extent_ssm":["3 Linear Feet"],"extent_tesim":["3 Linear Feet"],"has_online_content_ssim":["false"],"child_component_count_isi":56,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":91,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966],"_nest_path_":"/components#3","timestamp":"2026-05-01T00:11:35.825Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_8","ead_ssi":"viur_repositories_4_resources_8","_root_":"viur_repositories_4_resources_8","_nest_parent_":"viur_repositories_4_resources_8","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_8.xml","title_ssm":["Marguerite Roberts Collection"],"title_tesim":["Marguerite Roberts Collection"],"unitdate_ssm":["1924-1980"],"unitdate_inclusive_ssm":["1924-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-9","/repositories/4/resources/8"],"text":["MS-9","/repositories/4/resources/8","Marguerite Roberts Collection","Nonbook Materials","Photocopying","Clippings","Manuscripts","The collection is arranged into 8 series:","Series I: The Dynasts \nSeries II: Hardy's Dramatic Poetry and the Theater \nSeries III: Tess and the Theater \nSeries IV: Hardy and the Theater \nSeries V: Max Gate Circle \nSeries VI: General Research \nSeries VII: Manuscripts and Journals \nSeries VIII: Personal","Dr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.","Dr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.","Dr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled  Thomas Hardy and the Theater . She continued with this theme in two of her scholarly publications,  Tess in the Theater , 1950, and  Hardy's Poetic Drama and the Theater , 1965. A third book,  Florence Hardy and the Max Gate Circle , was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).","During the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the  Journal of the Deans of Women , 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988.","Processed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate.","The rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the  Westhampton College Oral Histories  in audio and transcription.","This collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.","Series I, The Dynasts, contains materials relating to Hardy's drama in verse,  The Dynasts . This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)","Series II, Hardy's Dramatic Poetry and the Theater, focuses on the work  Hardy's Poetic Drama and Theater . Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)","Series III, Tess and the Theater, includes materials on  Tess and the Theater , originally part of Roberts' dissertation. Hardy's book,  Tess of the D'Urbervilles , was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)","Series IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation,  Hardy and the Theater . This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of  Hardy and the Theater . (Boxes 6, 7, and 8)","Series V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)","Series VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)","Series VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)","Series VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Dr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation,  Thomas Hardy and the Theater ; and her books,  Tess and the Theater ,  Hardy's Poetic Drama and the Theater , and  Florence Hardy and the Max Gate Circle , are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers.","University of Richmond ","Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937","English"],"unitid_tesim":["MS-9","/repositories/4/resources/8"],"normalized_title_ssm":["Marguerite Roberts Collection"],"collection_title_tesim":["Marguerite Roberts Collection"],"collection_ssim":["Marguerite Roberts Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Roberts, Marguerite M., Dr., 1904-1988"],"creator_ssim":["Roberts, Marguerite M., Dr., 1904-1988"],"creator_persname_ssim":["Roberts, Marguerite M., Dr., 1904-1988"],"creators_ssim":["Roberts, Marguerite M., Dr., 1904-1988"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"access_subjects_ssim":["Nonbook Materials","Photocopying","Clippings","Manuscripts"],"access_subjects_ssm":["Nonbook Materials","Photocopying","Clippings","Manuscripts"],"has_online_content_ssim":["false"],"extent_ssm":["8.42 Linear Feet Collection is arranged in folders in 18 archival boxes."],"extent_tesim":["8.42 Linear Feet Collection is arranged in folders in 18 archival boxes."],"genreform_ssim":["Clippings","Manuscripts"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 8 series:\u003c/p\u003e\n","\u003cp\u003eSeries I: The Dynasts\u003cbr\u003e\nSeries II: Hardy's Dramatic Poetry and the Theater\u003cbr\u003e\nSeries III: Tess and the Theater\u003cbr\u003e\nSeries IV: Hardy and the Theater\u003cbr\u003e\nSeries V: Max Gate Circle\u003cbr\u003e\nSeries VI: General Research\u003cbr\u003e\nSeries VII: Manuscripts and Journals\u003cbr\u003e\nSeries VIII: Personal\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 8 series:","Series I: The Dynasts \nSeries II: Hardy's Dramatic Poetry and the Theater \nSeries III: Tess and the Theater \nSeries IV: Hardy and the Theater \nSeries V: Max Gate Circle \nSeries VI: General Research \nSeries VII: Manuscripts and Journals \nSeries VIII: Personal"],"bioghist_html_tesm":["\u003cp\u003eDr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.\u003c/p\u003e\n","\u003cp\u003eDr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.\u003c/p\u003e\n","\u003cp\u003eDr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled \u003cemph render=\"italics\"\u003eThomas Hardy and the Theater\u003c/emph\u003e. She continued with this theme in two of her scholarly publications, \u003cemph render=\"italics\"\u003eTess in the Theater\u003c/emph\u003e, 1950, and \u003cemph render=\"italics\"\u003eHardy's Poetic Drama and the Theater\u003c/emph\u003e, 1965. A third book, \u003cemph render=\"italics\"\u003eFlorence Hardy and the Max Gate Circle\u003c/emph\u003e, was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).\u003c/p\u003e\n","\u003cp\u003eDuring the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the \u003cemph render=\"italics\"\u003eJournal of the Deans of Women\u003c/emph\u003e, 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.","Dr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.","Dr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled  Thomas Hardy and the Theater . She continued with this theme in two of her scholarly publications,  Tess in the Theater , 1950, and  Hardy's Poetic Drama and the Theater , 1965. A third book,  Florence Hardy and the Max Gate Circle , was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).","During the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the  Journal of the Deans of Women , 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-9, Marguerite Roberts Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-9, Marguerite Roberts Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate."],"relatedmaterial_html_tesm":["\u003cp\u003eThe rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the \u003ca href=\"https://richmond.access.preservica.com/uncategorized/SO_bd7ac587-3a3c-4c65-82dc-79217b000972/\"\u003eWesthampton College Oral Histories\u003c/a\u003e in audio and transcription.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the  Westhampton College Oral Histories  in audio and transcription."],"scopecontent_html_tesm":["\u003cp\u003eThis collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.\u003c/p\u003e\n","\u003cp\u003eSeries I, The Dynasts, contains materials relating to Hardy's drama in verse, \u003cemph render=\"italics\"\u003eThe Dynasts\u003c/emph\u003e. This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)\u003c/p\u003e\n","\u003cp\u003eSeries II, Hardy's Dramatic Poetry and the Theater, focuses on the work \u003cemph render=\"italics\"\u003eHardy's Poetic Drama and Theater\u003c/emph\u003e. Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)\u003c/p\u003e\n","\u003cp\u003eSeries III, Tess and the Theater, includes materials on \u003cemph render=\"italics\"\u003eTess and the Theater\u003c/emph\u003e, originally part of Roberts' dissertation. Hardy's book, \u003cemph render=\"italics\"\u003eTess of the D'Urbervilles\u003c/emph\u003e, was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)\u003c/p\u003e\n","\u003cp\u003eSeries IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation, \u003cemph render=\"italics\"\u003eHardy and the Theater\u003c/emph\u003e. This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of \u003cemph render=\"italics\"\u003eHardy and the Theater\u003c/emph\u003e. (Boxes 6, 7, and 8)\u003c/p\u003e\n","\u003cp\u003eSeries V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)\u003c/p\u003e\n","\u003cp\u003eSeries VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)\u003c/p\u003e\n","\u003cp\u003eSeries VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)\u003c/p\u003e\n","\u003cp\u003eSeries VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.","Series I, The Dynasts, contains materials relating to Hardy's drama in verse,  The Dynasts . This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)","Series II, Hardy's Dramatic Poetry and the Theater, focuses on the work  Hardy's Poetic Drama and Theater . Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)","Series III, Tess and the Theater, includes materials on  Tess and the Theater , originally part of Roberts' dissertation. Hardy's book,  Tess of the D'Urbervilles , was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)","Series IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation,  Hardy and the Theater . This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of  Hardy and the Theater . (Boxes 6, 7, and 8)","Series V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)","Series VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)","Series VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)","Series VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5d14460ea85e1a2d844806d9fe01bc9a\"\u003eDr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation, \u003cemph render=\"italics\"\u003eThomas Hardy and the Theater\u003c/emph\u003e; and her books, \u003cemph render=\"italics\"\u003eTess and the Theater\u003c/emph\u003e,\u003cemph render=\"italics\"\u003e Hardy's Poetic Drama and the Theater\u003c/emph\u003e, and \u003cemph render=\"italics\"\u003eFlorence Hardy and the Max Gate Circle\u003c/emph\u003e, are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers.\u003c/abstract\u003e"],"abstract_tesim":["Dr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation,  Thomas Hardy and the Theater ; and her books,  Tess and the Theater ,  Hardy's Poetic Drama and the Theater , and  Florence Hardy and the Max Gate Circle , are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers."],"names_coll_ssim":["Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"names_ssim":["University of Richmond ","Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"corpname_ssim":["University of Richmond ","Thomas Hardy Society"],"persname_ssim":["Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:11:35.825Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_8_c04"}},{"id":"viur_repositories_4_resources_8_c06","type":"Series","attributes":{"title":"Series VI: General Research","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_8_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_8_c06","ref_ssm":["viur_repositories_4_resources_8_c06"],"id":"viur_repositories_4_resources_8_c06","ead_ssi":"viur_repositories_4_resources_8","_root_":"viur_repositories_4_resources_8","_nest_parent_":"viur_repositories_4_resources_8","parent_ssi":"viur_repositories_4_resources_8","parent_ssim":["viur_repositories_4_resources_8"],"parent_ids_ssim":["viur_repositories_4_resources_8"],"parent_unittitles_ssm":["Marguerite Roberts Collection"],"parent_unittitles_tesim":["Marguerite Roberts Collection"],"text":["Marguerite Roberts Collection","Series VI: General Research"],"title_filing_ssi":"Series VI: General Research","title_ssm":["Series VI: General Research"],"title_tesim":["Series VI: General Research"],"unitdate_inclusive_ssm":["1874-1980"],"normalized_date_ssm":["1874/1980"],"normalized_title_ssm":["Series VI: General Research"],"component_level_isim":[1],"repository_ssim":["University of Richmond"],"collection_ssim":["Marguerite Roberts Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":86,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":218,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"_nest_path_":"/components#5","timestamp":"2026-05-01T00:11:35.825Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_8","ead_ssi":"viur_repositories_4_resources_8","_root_":"viur_repositories_4_resources_8","_nest_parent_":"viur_repositories_4_resources_8","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_8.xml","title_ssm":["Marguerite Roberts Collection"],"title_tesim":["Marguerite Roberts Collection"],"unitdate_ssm":["1924-1980"],"unitdate_inclusive_ssm":["1924-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-9","/repositories/4/resources/8"],"text":["MS-9","/repositories/4/resources/8","Marguerite Roberts Collection","Nonbook Materials","Photocopying","Clippings","Manuscripts","The collection is arranged into 8 series:","Series I: The Dynasts \nSeries II: Hardy's Dramatic Poetry and the Theater \nSeries III: Tess and the Theater \nSeries IV: Hardy and the Theater \nSeries V: Max Gate Circle \nSeries VI: General Research \nSeries VII: Manuscripts and Journals \nSeries VIII: Personal","Dr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.","Dr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.","Dr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled  Thomas Hardy and the Theater . She continued with this theme in two of her scholarly publications,  Tess in the Theater , 1950, and  Hardy's Poetic Drama and the Theater , 1965. A third book,  Florence Hardy and the Max Gate Circle , was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).","During the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the  Journal of the Deans of Women , 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988.","Processed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate.","The rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the  Westhampton College Oral Histories  in audio and transcription.","This collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.","Series I, The Dynasts, contains materials relating to Hardy's drama in verse,  The Dynasts . This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)","Series II, Hardy's Dramatic Poetry and the Theater, focuses on the work  Hardy's Poetic Drama and Theater . Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)","Series III, Tess and the Theater, includes materials on  Tess and the Theater , originally part of Roberts' dissertation. Hardy's book,  Tess of the D'Urbervilles , was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)","Series IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation,  Hardy and the Theater . This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of  Hardy and the Theater . (Boxes 6, 7, and 8)","Series V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)","Series VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)","Series VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)","Series VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Dr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation,  Thomas Hardy and the Theater ; and her books,  Tess and the Theater ,  Hardy's Poetic Drama and the Theater , and  Florence Hardy and the Max Gate Circle , are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers.","University of Richmond ","Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937","English"],"unitid_tesim":["MS-9","/repositories/4/resources/8"],"normalized_title_ssm":["Marguerite Roberts Collection"],"collection_title_tesim":["Marguerite Roberts Collection"],"collection_ssim":["Marguerite Roberts Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Roberts, Marguerite M., Dr., 1904-1988"],"creator_ssim":["Roberts, Marguerite M., Dr., 1904-1988"],"creator_persname_ssim":["Roberts, Marguerite M., Dr., 1904-1988"],"creators_ssim":["Roberts, Marguerite M., Dr., 1904-1988"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"access_subjects_ssim":["Nonbook Materials","Photocopying","Clippings","Manuscripts"],"access_subjects_ssm":["Nonbook Materials","Photocopying","Clippings","Manuscripts"],"has_online_content_ssim":["false"],"extent_ssm":["8.42 Linear Feet Collection is arranged in folders in 18 archival boxes."],"extent_tesim":["8.42 Linear Feet Collection is arranged in folders in 18 archival boxes."],"genreform_ssim":["Clippings","Manuscripts"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 8 series:\u003c/p\u003e\n","\u003cp\u003eSeries I: The Dynasts\u003cbr\u003e\nSeries II: Hardy's Dramatic Poetry and the Theater\u003cbr\u003e\nSeries III: Tess and the Theater\u003cbr\u003e\nSeries IV: Hardy and the Theater\u003cbr\u003e\nSeries V: Max Gate Circle\u003cbr\u003e\nSeries VI: General Research\u003cbr\u003e\nSeries VII: Manuscripts and Journals\u003cbr\u003e\nSeries VIII: Personal\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 8 series:","Series I: The Dynasts \nSeries II: Hardy's Dramatic Poetry and the Theater \nSeries III: Tess and the Theater \nSeries IV: Hardy and the Theater \nSeries V: Max Gate Circle \nSeries VI: General Research \nSeries VII: Manuscripts and Journals \nSeries VIII: Personal"],"bioghist_html_tesm":["\u003cp\u003eDr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.\u003c/p\u003e\n","\u003cp\u003eDr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.\u003c/p\u003e\n","\u003cp\u003eDr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled \u003cemph render=\"italics\"\u003eThomas Hardy and the Theater\u003c/emph\u003e. She continued with this theme in two of her scholarly publications, \u003cemph render=\"italics\"\u003eTess in the Theater\u003c/emph\u003e, 1950, and \u003cemph render=\"italics\"\u003eHardy's Poetic Drama and the Theater\u003c/emph\u003e, 1965. A third book, \u003cemph render=\"italics\"\u003eFlorence Hardy and the Max Gate Circle\u003c/emph\u003e, was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).\u003c/p\u003e\n","\u003cp\u003eDuring the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the \u003cemph render=\"italics\"\u003eJournal of the Deans of Women\u003c/emph\u003e, 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.","Dr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.","Dr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled  Thomas Hardy and the Theater . She continued with this theme in two of her scholarly publications,  Tess in the Theater , 1950, and  Hardy's Poetic Drama and the Theater , 1965. A third book,  Florence Hardy and the Max Gate Circle , was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).","During the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the  Journal of the Deans of Women , 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-9, Marguerite Roberts Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-9, Marguerite Roberts Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate."],"relatedmaterial_html_tesm":["\u003cp\u003eThe rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the \u003ca href=\"https://richmond.access.preservica.com/uncategorized/SO_bd7ac587-3a3c-4c65-82dc-79217b000972/\"\u003eWesthampton College Oral Histories\u003c/a\u003e in audio and transcription.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the  Westhampton College Oral Histories  in audio and transcription."],"scopecontent_html_tesm":["\u003cp\u003eThis collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.\u003c/p\u003e\n","\u003cp\u003eSeries I, The Dynasts, contains materials relating to Hardy's drama in verse, \u003cemph render=\"italics\"\u003eThe Dynasts\u003c/emph\u003e. This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)\u003c/p\u003e\n","\u003cp\u003eSeries II, Hardy's Dramatic Poetry and the Theater, focuses on the work \u003cemph render=\"italics\"\u003eHardy's Poetic Drama and Theater\u003c/emph\u003e. Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)\u003c/p\u003e\n","\u003cp\u003eSeries III, Tess and the Theater, includes materials on \u003cemph render=\"italics\"\u003eTess and the Theater\u003c/emph\u003e, originally part of Roberts' dissertation. Hardy's book, \u003cemph render=\"italics\"\u003eTess of the D'Urbervilles\u003c/emph\u003e, was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)\u003c/p\u003e\n","\u003cp\u003eSeries IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation, \u003cemph render=\"italics\"\u003eHardy and the Theater\u003c/emph\u003e. This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of \u003cemph render=\"italics\"\u003eHardy and the Theater\u003c/emph\u003e. (Boxes 6, 7, and 8)\u003c/p\u003e\n","\u003cp\u003eSeries V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)\u003c/p\u003e\n","\u003cp\u003eSeries VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)\u003c/p\u003e\n","\u003cp\u003eSeries VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)\u003c/p\u003e\n","\u003cp\u003eSeries VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.","Series I, The Dynasts, contains materials relating to Hardy's drama in verse,  The Dynasts . This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)","Series II, Hardy's Dramatic Poetry and the Theater, focuses on the work  Hardy's Poetic Drama and Theater . Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)","Series III, Tess and the Theater, includes materials on  Tess and the Theater , originally part of Roberts' dissertation. Hardy's book,  Tess of the D'Urbervilles , was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)","Series IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation,  Hardy and the Theater . This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of  Hardy and the Theater . (Boxes 6, 7, and 8)","Series V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)","Series VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)","Series VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)","Series VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5d14460ea85e1a2d844806d9fe01bc9a\"\u003eDr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation, \u003cemph render=\"italics\"\u003eThomas Hardy and the Theater\u003c/emph\u003e; and her books, \u003cemph render=\"italics\"\u003eTess and the Theater\u003c/emph\u003e,\u003cemph render=\"italics\"\u003e Hardy's Poetic Drama and the Theater\u003c/emph\u003e, and \u003cemph render=\"italics\"\u003eFlorence Hardy and the Max Gate Circle\u003c/emph\u003e, are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers.\u003c/abstract\u003e"],"abstract_tesim":["Dr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation,  Thomas Hardy and the Theater ; and her books,  Tess and the Theater ,  Hardy's Poetic Drama and the Theater , and  Florence Hardy and the Max Gate Circle , are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers."],"names_coll_ssim":["Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"names_ssim":["University of Richmond ","Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"corpname_ssim":["University of Richmond ","Thomas Hardy Society"],"persname_ssim":["Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:11:35.825Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_8_c06"}},{"id":"viur_repositories_4_resources_38_c06","type":"Series","attributes":{"title":"Series VI: Other Letters","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_38_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_38_c06","ref_ssm":["viur_repositories_4_resources_38_c06"],"id":"viur_repositories_4_resources_38_c06","ead_ssi":"viur_repositories_4_resources_38","_root_":"viur_repositories_4_resources_38","_nest_parent_":"viur_repositories_4_resources_38","parent_ssi":"viur_repositories_4_resources_38","parent_ssim":["viur_repositories_4_resources_38"],"parent_ids_ssim":["viur_repositories_4_resources_38"],"parent_unittitles_ssm":["World War II Correspondence Collection"],"parent_unittitles_tesim":["World War II Correspondence Collection"],"text":["World War II Correspondence Collection","Series VI: Other Letters"],"title_filing_ssi":"Series VI: Other Letters","title_ssm":["Series VI: Other Letters"],"title_tesim":["Series VI: Other Letters"],"unitdate_inclusive_ssm":["1857-1965"],"normalized_date_ssm":["1857/1965"],"normalized_title_ssm":["Series VI: Other Letters"],"component_level_isim":[1],"repository_ssim":["University of Richmond"],"collection_ssim":["World War II Correspondence Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":27,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":55,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"_nest_path_":"/components#5","timestamp":"2026-05-01T00:11:20.363Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_38","ead_ssi":"viur_repositories_4_resources_38","_root_":"viur_repositories_4_resources_38","_nest_parent_":"viur_repositories_4_resources_38","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_38.xml","title_ssm":["World War II Correspondence Collection"],"title_tesim":["World War II Correspondence Collection"],"unitdate_ssm":["1857-1966","1940-1945"],"unitdate_bulk_ssim":["1940-1945"],"unitdate_inclusive_ssm":["1857-1966"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-32","/repositories/4/resources/38"],"text":["MS-32","/repositories/4/resources/38","World War II Correspondence Collection","World War, 1939-1945","Tintype","Personal correspondence","Photographs","This collection is arranged into 7 series:","Series I: George \u0026 Mary (Zyla) Orlikowski Letters \nSeries II: Dorothy \"Dot\" Raynham Letters \nSeries III: Parrish Family Letters \nSeries IV: Wally and Ann Wrobel Letters \nSeries V: Other World War II Letters \nSeries VI: Other Letters \nSeries VII: Ephemera","The bulk of these letters were written between 1940 and 1945 by servicemen from various branches of the armed forces during World War II. Because of the number of correspondents and the lack of additional biographical materials, any information located during processing is described in the individual series in the scope and content note. Additionally, the collection arrived containing letters predating and unrelated to World War II, many lacking names, dates, or other identifying information, as well as a few items of unrelated ephemera. Taken individually or as a whole, the World War II letters in this collection provide intimate access to the lives and experiences of several individuals throughout the course of the war.","The collection arrived as a single unit of materials mixed together. The processor decided to separate into individual correspondents and organize the collection by correspondent and then chronologically.","Processed by Lynda Kachurek.","MS-8 World War I \u0026 II Pamphlets Collection .","Series I, George \u0026 Mary (Zyla) Orlikowski Letters, contains over 230 letters written by George Orlikowski to his girlfriend, and later wife, Mary Zyla Orlikowski. Dating between July 1942 and March 1945, the series traces Orlikowski's wartime activities as well as what was happening on the home front. Family concerns and military life dominate the writings, but they also offer views into larger wartime concerns of both military and life on the home front.  Additionally, there are many examples of humorous envelopes and letterhead. In one letter from December 1944, as George's unit is preparing to ship out to the Pacific, he creates a code based on his salutations so that Mary can track his location without the censor's knowledge. Overall, these letters create a nearly complete and compelling story of a Midwestern couple during World War II.","Series II, Dorothy \"Dot\" Raynham Letters, contains 152 letters written to Dorothy \"Dot\" Raynham between 1941 and 1944 from a variety of correspondents. A student at Millsaps College at the time, Dorothy lived in Jackson, Mississippi. Between 1943 and 1945, Millsaps was home to the V-12 Navy College Training Program, which may help explain how she connected with many of her letter writers. One notable correspondent is Jack Devore Dunn, whose 52 letters include information about his service with the Army Air Corps South Pacific campaign, including his participation with his B-26 crew in the Battle of Midway. Dunn received both the Distinguished Service Cross and the Distinguished Flying Cross. There are also 9 letters from Jack's mother, Mrs. Betty Uhlorn. Other correspondents included men serving in the Naval Reserve, the Marine Corps, and the Army. Overall, the letters in this series offer a wide-ranging and diverse perspective on military service throughout World War II as well as a sense of what life on the home-front was like for a female college student. Raynham married William C. Fullilove on June 6, 1944, and died in October 1967.","Series III, Parrish Family Letters, contains 88 letters from and about the W.R. Parrish family of North Carolina. Beginning in 1914, the correspondence runs through the end of 1943, with some gaps in the timeline.  Many of the letters are written from W.R. Parrish or his daughter, \"Lib\" to Lillian [Mrs. W.R.] Parrish, and cover business concerns, family life, and some coverage of the war in letters from the wartime years.","Series IV, Walter \"Wally\" and Ann Wrobel Letters, contains 109 letters primarily from Wally Wrobel, with some from his wife, Ann, to his parents, Mr. and Mrs. Jacob Wrobel, of Chicago, Illinois. Beginning in August 1943, when Wrobel was a private in the U.S. Army stationed at Camp Wheeler, Georgia, the letters follow his career across several different locations where, occasionally, Ann was able to join him. Many of the letters focus on the home front, discussing his parents' lives as well as things going on with his wife and, eventually, his young daughter. Early in 1944, his correspondence switches as his military activities increase and by Fall 1944, he makes brief mentions of being near New Guinea and later the Philippines. He occasionally mentions battles or other military activities, but usually his correspondence is more about the weather or activities at home. The last letter in the series was written on May 13, 1945, just one day before, according to military records, he died in action on May 14.","Series V, Other World War II Letters, contains three smaller sets of unrelated correspondence concerning World War II. The first set contains 92 letters written by Paul Dobin to Charlotte Gibbs. Between March 1 and July 23, 1944, he wrote nearly every day, talking of his life in the Navy as well as encouraging her in schoolwork, family matters, and eventually planning their wedding. Further research showed that Gibbs and her family were German Jewish immigrants having arrived in the United States in 1934. The second set of letters were written by Davis Lee, serving in the Navy, to his wife, Georgia, of Martinsville, Virginia, between mid-November 1944 and January 1945. Most of the 11 letters are trying to arrange plans for a furlough visit and telling how much he misses her. The third set contains 7 letters from Private Ray Trapp to his parents, Mr. \u0026 Mrs. Ray Trapp of Berea, Ohio, in April and May 1945, describing his activities during the end of the war in Germany.","Series VI, Other Letters, contains 26 folders of letters unrelated to World War II. Dating between 1857 and 1947, these often single letters contain a wide variety of information, including business advertisements, wedding announcements, and general correspondence from many areas. One of the more intriguing sets can be found in Box 2, File 16, which contains 3 letters from a Dutch Navy officer, known only as John/Jake, to Frances Pogue of Cincinnati, Ohio. Written while at sea in 1916 and later from his hospital bed in 1918, the author talks of books read and his experiences during the Great War. Box 2, File 29, may also be of interest as it contains a handwritten advertisement for a wife by an unknown male.","Series VII, Ephemera, contains 3 folders of items that are not correspondence. The first is a Latin notebook, which also contains newspaper clippings about London society. The second and third contain photographic materials.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains more than 700 letters, the vast majority dating to World War II between 1940 and 1945. Each of the first five series deal with numerous letters to/from a primary correspondent, whether husband and wife, family members, or varying levels of acquaintance that date between 1940 and 1945. The final two series contain correspondence and ephemera unrelated to World War II that was included in the collection when purchased.","University of Richmond ","English Latin"],"unitid_tesim":["MS-32","/repositories/4/resources/38"],"normalized_title_ssm":["World War II Correspondence Collection"],"collection_title_tesim":["World War II Correspondence Collection"],"collection_ssim":["World War II Correspondence Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This collection was purchased at auction."],"access_subjects_ssim":["World War, 1939-1945","Tintype","Personal correspondence","Photographs"],"access_subjects_ssm":["World War, 1939-1945","Tintype","Personal correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"genreform_ssim":["Personal correspondence","Photographs"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 7 series:\u003c/p\u003e\n","\u003cp\u003eSeries I: George \u0026amp; Mary (Zyla) Orlikowski Letters\u003cbr\u003e\nSeries II: Dorothy \"Dot\" Raynham Letters\u003cbr\u003e\nSeries III: Parrish Family Letters\u003cbr\u003e\nSeries IV: Wally and Ann Wrobel Letters\u003cbr\u003e\nSeries V: Other World War II Letters\u003cbr\u003e\nSeries VI: Other Letters\u003cbr\u003e\nSeries VII: Ephemera\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 7 series:","Series I: George \u0026 Mary (Zyla) Orlikowski Letters \nSeries II: Dorothy \"Dot\" Raynham Letters \nSeries III: Parrish Family Letters \nSeries IV: Wally and Ann Wrobel Letters \nSeries V: Other World War II Letters \nSeries VI: Other Letters \nSeries VII: Ephemera"],"bioghist_html_tesm":["\u003cp\u003eThe bulk of these letters were written between 1940 and 1945 by servicemen from various branches of the armed forces during World War II. Because of the number of correspondents and the lack of additional biographical materials, any information located during processing is described in the individual series in the scope and content note. Additionally, the collection arrived containing letters predating and unrelated to World War II, many lacking names, dates, or other identifying information, as well as a few items of unrelated ephemera. Taken individually or as a whole, the World War II letters in this collection provide intimate access to the lives and experiences of several individuals throughout the course of the war.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The bulk of these letters were written between 1940 and 1945 by servicemen from various branches of the armed forces during World War II. Because of the number of correspondents and the lack of additional biographical materials, any information located during processing is described in the individual series in the scope and content note. Additionally, the collection arrived containing letters predating and unrelated to World War II, many lacking names, dates, or other identifying information, as well as a few items of unrelated ephemera. Taken individually or as a whole, the World War II letters in this collection provide intimate access to the lives and experiences of several individuals throughout the course of the war."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-32, WWII Correspondence Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-32, WWII Correspondence Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe collection arrived as a single unit of materials mixed together. The processor decided to separate into individual correspondents and organize the collection by correspondent and then chronologically.\u003c/p\u003e","\u003cp\u003eProcessed by Lynda Kachurek.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection arrived as a single unit of materials mixed together. The processor decided to separate into individual correspondents and organize the collection by correspondent and then chronologically.","Processed by Lynda Kachurek."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://archives.richmond.edu/repositories/4/resources/6\"\u003eMS-8 World War I \u0026amp; II Pamphlets Collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS-8 World War I \u0026 II Pamphlets Collection ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I, George \u0026amp; Mary (Zyla) Orlikowski Letters, contains over 230 letters written by George Orlikowski to his girlfriend, and later wife, Mary Zyla Orlikowski. Dating between July 1942 and March 1945, the series traces Orlikowski's wartime activities as well as what was happening on the home front. Family concerns and military life dominate the writings, but they also offer views into larger wartime concerns of both military and life on the home front.  Additionally, there are many examples of humorous envelopes and letterhead. In one letter from December 1944, as George's unit is preparing to ship out to the Pacific, he creates a code based on his salutations so that Mary can track his location without the censor's knowledge. Overall, these letters create a nearly complete and compelling story of a Midwestern couple during World War II.\u003c/p\u003e\n","\u003cp\u003eSeries II, Dorothy \"Dot\" Raynham Letters, contains 152 letters written to Dorothy \"Dot\" Raynham between 1941 and 1944 from a variety of correspondents. A student at Millsaps College at the time, Dorothy lived in Jackson, Mississippi. Between 1943 and 1945, Millsaps was home to the V-12 Navy College Training Program, which may help explain how she connected with many of her letter writers. One notable correspondent is Jack Devore Dunn, whose 52 letters include information about his service with the Army Air Corps South Pacific campaign, including his participation with his B-26 crew in the Battle of Midway. Dunn received both the Distinguished Service Cross and the Distinguished Flying Cross. There are also 9 letters from Jack's mother, Mrs. Betty Uhlorn. Other correspondents included men serving in the Naval Reserve, the Marine Corps, and the Army. Overall, the letters in this series offer a wide-ranging and diverse perspective on military service throughout World War II as well as a sense of what life on the home-front was like for a female college student. Raynham married William C. Fullilove on June 6, 1944, and died in October 1967.\u003c/p\u003e\n","\u003cp\u003eSeries III, Parrish Family Letters, contains 88 letters from and about the W.R. Parrish family of North Carolina. Beginning in 1914, the correspondence runs through the end of 1943, with some gaps in the timeline.  Many of the letters are written from W.R. Parrish or his daughter, \"Lib\" to Lillian [Mrs. W.R.] Parrish, and cover business concerns, family life, and some coverage of the war in letters from the wartime years.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Walter \"Wally\" and Ann Wrobel Letters, contains 109 letters primarily from Wally Wrobel, with some from his wife, Ann, to his parents, Mr. and Mrs. Jacob Wrobel, of Chicago, Illinois. Beginning in August 1943, when Wrobel was a private in the U.S. Army stationed at Camp Wheeler, Georgia, the letters follow his career across several different locations where, occasionally, Ann was able to join him. Many of the letters focus on the home front, discussing his parents' lives as well as things going on with his wife and, eventually, his young daughter. Early in 1944, his correspondence switches as his military activities increase and by Fall 1944, he makes brief mentions of being near New Guinea and later the Philippines. He occasionally mentions battles or other military activities, but usually his correspondence is more about the weather or activities at home. The last letter in the series was written on May 13, 1945, just one day before, according to military records, he died in action on May 14.\u003c/p\u003e\n","\u003cp\u003eSeries V, Other World War II Letters, contains three smaller sets of unrelated correspondence concerning World War II. The first set contains 92 letters written by Paul Dobin to Charlotte Gibbs. Between March 1 and July 23, 1944, he wrote nearly every day, talking of his life in the Navy as well as encouraging her in schoolwork, family matters, and eventually planning their wedding. Further research showed that Gibbs and her family were German Jewish immigrants having arrived in the United States in 1934. The second set of letters were written by Davis Lee, serving in the Navy, to his wife, Georgia, of Martinsville, Virginia, between mid-November 1944 and January 1945. Most of the 11 letters are trying to arrange plans for a furlough visit and telling how much he misses her. The third set contains 7 letters from Private Ray Trapp to his parents, Mr. \u0026amp; Mrs. Ray Trapp of Berea, Ohio, in April and May 1945, describing his activities during the end of the war in Germany.\u003c/p\u003e\n","\u003cp\u003eSeries VI, Other Letters, contains 26 folders of letters unrelated to World War II. Dating between 1857 and 1947, these often single letters contain a wide variety of information, including business advertisements, wedding announcements, and general correspondence from many areas. One of the more intriguing sets can be found in Box 2, File 16, which contains 3 letters from a Dutch Navy officer, known only as John/Jake, to Frances Pogue of Cincinnati, Ohio. Written while at sea in 1916 and later from his hospital bed in 1918, the author talks of books read and his experiences during the Great War. Box 2, File 29, may also be of interest as it contains a handwritten advertisement for a wife by an unknown male.\u003c/p\u003e\n","\u003cp\u003eSeries VII, Ephemera, contains 3 folders of items that are not correspondence. The first is a Latin notebook, which also contains newspaper clippings about London society. The second and third contain photographic materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I, George \u0026 Mary (Zyla) Orlikowski Letters, contains over 230 letters written by George Orlikowski to his girlfriend, and later wife, Mary Zyla Orlikowski. Dating between July 1942 and March 1945, the series traces Orlikowski's wartime activities as well as what was happening on the home front. Family concerns and military life dominate the writings, but they also offer views into larger wartime concerns of both military and life on the home front.  Additionally, there are many examples of humorous envelopes and letterhead. In one letter from December 1944, as George's unit is preparing to ship out to the Pacific, he creates a code based on his salutations so that Mary can track his location without the censor's knowledge. Overall, these letters create a nearly complete and compelling story of a Midwestern couple during World War II.","Series II, Dorothy \"Dot\" Raynham Letters, contains 152 letters written to Dorothy \"Dot\" Raynham between 1941 and 1944 from a variety of correspondents. A student at Millsaps College at the time, Dorothy lived in Jackson, Mississippi. Between 1943 and 1945, Millsaps was home to the V-12 Navy College Training Program, which may help explain how she connected with many of her letter writers. One notable correspondent is Jack Devore Dunn, whose 52 letters include information about his service with the Army Air Corps South Pacific campaign, including his participation with his B-26 crew in the Battle of Midway. Dunn received both the Distinguished Service Cross and the Distinguished Flying Cross. There are also 9 letters from Jack's mother, Mrs. Betty Uhlorn. Other correspondents included men serving in the Naval Reserve, the Marine Corps, and the Army. Overall, the letters in this series offer a wide-ranging and diverse perspective on military service throughout World War II as well as a sense of what life on the home-front was like for a female college student. Raynham married William C. Fullilove on June 6, 1944, and died in October 1967.","Series III, Parrish Family Letters, contains 88 letters from and about the W.R. Parrish family of North Carolina. Beginning in 1914, the correspondence runs through the end of 1943, with some gaps in the timeline.  Many of the letters are written from W.R. Parrish or his daughter, \"Lib\" to Lillian [Mrs. W.R.] Parrish, and cover business concerns, family life, and some coverage of the war in letters from the wartime years.","Series IV, Walter \"Wally\" and Ann Wrobel Letters, contains 109 letters primarily from Wally Wrobel, with some from his wife, Ann, to his parents, Mr. and Mrs. Jacob Wrobel, of Chicago, Illinois. Beginning in August 1943, when Wrobel was a private in the U.S. Army stationed at Camp Wheeler, Georgia, the letters follow his career across several different locations where, occasionally, Ann was able to join him. Many of the letters focus on the home front, discussing his parents' lives as well as things going on with his wife and, eventually, his young daughter. Early in 1944, his correspondence switches as his military activities increase and by Fall 1944, he makes brief mentions of being near New Guinea and later the Philippines. He occasionally mentions battles or other military activities, but usually his correspondence is more about the weather or activities at home. The last letter in the series was written on May 13, 1945, just one day before, according to military records, he died in action on May 14.","Series V, Other World War II Letters, contains three smaller sets of unrelated correspondence concerning World War II. The first set contains 92 letters written by Paul Dobin to Charlotte Gibbs. Between March 1 and July 23, 1944, he wrote nearly every day, talking of his life in the Navy as well as encouraging her in schoolwork, family matters, and eventually planning their wedding. Further research showed that Gibbs and her family were German Jewish immigrants having arrived in the United States in 1934. The second set of letters were written by Davis Lee, serving in the Navy, to his wife, Georgia, of Martinsville, Virginia, between mid-November 1944 and January 1945. Most of the 11 letters are trying to arrange plans for a furlough visit and telling how much he misses her. The third set contains 7 letters from Private Ray Trapp to his parents, Mr. \u0026 Mrs. Ray Trapp of Berea, Ohio, in April and May 1945, describing his activities during the end of the war in Germany.","Series VI, Other Letters, contains 26 folders of letters unrelated to World War II. Dating between 1857 and 1947, these often single letters contain a wide variety of information, including business advertisements, wedding announcements, and general correspondence from many areas. One of the more intriguing sets can be found in Box 2, File 16, which contains 3 letters from a Dutch Navy officer, known only as John/Jake, to Frances Pogue of Cincinnati, Ohio. Written while at sea in 1916 and later from his hospital bed in 1918, the author talks of books read and his experiences during the Great War. Box 2, File 29, may also be of interest as it contains a handwritten advertisement for a wife by an unknown male.","Series VII, Ephemera, contains 3 folders of items that are not correspondence. The first is a Latin notebook, which also contains newspaper clippings about London society. The second and third contain photographic materials."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_761d0ce1744499313f9e75922fe1f1e2\"\u003eThis collection contains more than 700 letters, the vast majority dating to World War II between 1940 and 1945. Each of the first five series deal with numerous letters to/from a primary correspondent, whether husband and wife, family members, or varying levels of acquaintance that date between 1940 and 1945. The final two series contain correspondence and ephemera unrelated to World War II that was included in the collection when purchased.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains more than 700 letters, the vast majority dating to World War II between 1940 and 1945. Each of the first five series deal with numerous letters to/from a primary correspondent, whether husband and wife, family members, or varying levels of acquaintance that date between 1940 and 1945. The final two series contain correspondence and ephemera unrelated to World War II that was included in the collection when purchased."],"names_ssim":["University of Richmond "],"corpname_ssim":["University of Richmond "],"language_ssim":["English Latin"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:11:20.363Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_38_c06"}},{"id":"viur_repositories_4_resources_156","type":"collection","attributes":{"title":"Stereograph and Stereoscope Collection","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_156#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains a stereoscope viewer and stereograph cards documenting a variety of content, including the 1893 Columbian Exposition and various international locations.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_156#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_4_resources_156","ead_ssi":"viur_repositories_4_resources_156","_root_":"viur_repositories_4_resources_156","_nest_parent_":"viur_repositories_4_resources_156","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_156.xml","title_ssm":["Stereograph and Stereoscope Collection"],"title_tesim":["Stereograph and Stereoscope Collection"],"unitdate_ssm":["1893-1929 and undated"],"unitdate_inclusive_ssm":["1893-1929 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.48","/repositories/4/resources/156"],"text":["MS.48","/repositories/4/resources/156","Stereograph and Stereoscope Collection","Chicago, IL","Japan","World's Columbian Exposition (1893 : Chicago, Ill.)","Stereographs","Stereoscope","There are no restrictions on accessing material in this collection.","The collection is divided into 2 series:\n Series 1: Stereograph Cards Series 2: Stereoscope","As photography came of age in the 19th century, one of the popular formats during the latter part of the century was the stereoscope. Stereograph cards contained two identical images of the same subject placed next to each other designed to be viewed through the stereoscope to create the illusion of three-dimensional views. Stereoscopes became a popular entertainment with images showcasing international locations and topics of interest to both entertain and educate viewers.  \n ","For more information, see the Library of Congress' Stereograph Cards \u0026 Collection  website . ","Description information in finding aid drawn from content on stereograph cards.","This collection contains a stereoscope viewer and stereograph cards documenting a variety of content, including the 1893 Columbian Exposition and various international locations.","Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","University of Richmond ","English"],"unitid_tesim":["MS.48","/repositories/4/resources/156"],"normalized_title_ssm":["Stereograph and Stereoscope Collection"],"collection_title_tesim":["Stereograph and Stereoscope Collection"],"collection_ssim":["Stereograph and Stereoscope Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Chicago, IL","Japan","World's Columbian Exposition (1893 : Chicago, Ill.)"],"geogname_ssim":["Chicago, IL","Japan","World's Columbian Exposition (1893 : Chicago, Ill.)"],"places_ssim":["Chicago, IL","Japan","World's Columbian Exposition (1893 : Chicago, Ill.)"],"access_terms_ssm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Purchased at auction, 2014."],"access_subjects_ssim":["Stereographs","Stereoscope"],"access_subjects_ssm":["Stereographs","Stereoscope"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet"],"extent_tesim":["1 Linear Feet"],"genreform_ssim":["Stereographs","Stereoscope"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on accessing material in this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on accessing material in this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into 2 series:\n\u003cul\u003e\n\u003cli\u003eSeries 1: Stereograph Cards\u003c/li\u003e\n\u003cli\u003eSeries 2: Stereoscope\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into 2 series:\n Series 1: Stereograph Cards Series 2: Stereoscope"],"bioghist_html_tesm":["\u003cp\u003eAs photography came of age in the 19th century, one of the popular formats during the latter part of the century was the stereoscope. Stereograph cards contained two identical images of the same subject placed next to each other designed to be viewed through the stereoscope to create the illusion of three-dimensional views. Stereoscopes became a popular entertainment with images showcasing international locations and topics of interest to both entertain and educate viewers.  \n \u003c/p\u003e\n","\u003cp\u003eFor more information, see the Library of Congress' Stereograph Cards \u0026amp; Collection \u003ca href=\"https://www.loc.gov/pictures/collection/stereo/background.html\" target=\"_blank\"\u003ewebsite\u003c/a\u003e. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["As photography came of age in the 19th century, one of the popular formats during the latter part of the century was the stereoscope. Stereograph cards contained two identical images of the same subject placed next to each other designed to be viewed through the stereoscope to create the illusion of three-dimensional views. Stereoscopes became a popular entertainment with images showcasing international locations and topics of interest to both entertain and educate viewers.  \n ","For more information, see the Library of Congress' Stereograph Cards \u0026 Collection  website . "],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-48, Stereograph and Stereoscope Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-48, Stereograph and Stereoscope Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eDescription information in finding aid drawn from content on stereograph cards.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Description information in finding aid drawn from content on stereograph cards."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a stereoscope viewer and stereograph cards documenting a variety of content, including the 1893 Columbian Exposition and various international locations.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains a stereoscope viewer and stereograph cards documenting a variety of content, including the 1893 Columbian Exposition and various international locations."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"names_ssim":["University of Richmond "],"corpname_ssim":["University of Richmond "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:11:40.314Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_156","ead_ssi":"viur_repositories_4_resources_156","_root_":"viur_repositories_4_resources_156","_nest_parent_":"viur_repositories_4_resources_156","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_156.xml","title_ssm":["Stereograph and Stereoscope Collection"],"title_tesim":["Stereograph and Stereoscope Collection"],"unitdate_ssm":["1893-1929 and undated"],"unitdate_inclusive_ssm":["1893-1929 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.48","/repositories/4/resources/156"],"text":["MS.48","/repositories/4/resources/156","Stereograph and Stereoscope Collection","Chicago, IL","Japan","World's Columbian Exposition (1893 : Chicago, Ill.)","Stereographs","Stereoscope","There are no restrictions on accessing material in this collection.","The collection is divided into 2 series:\n Series 1: Stereograph Cards Series 2: Stereoscope","As photography came of age in the 19th century, one of the popular formats during the latter part of the century was the stereoscope. Stereograph cards contained two identical images of the same subject placed next to each other designed to be viewed through the stereoscope to create the illusion of three-dimensional views. Stereoscopes became a popular entertainment with images showcasing international locations and topics of interest to both entertain and educate viewers.  \n ","For more information, see the Library of Congress' Stereograph Cards \u0026 Collection  website . ","Description information in finding aid drawn from content on stereograph cards.","This collection contains a stereoscope viewer and stereograph cards documenting a variety of content, including the 1893 Columbian Exposition and various international locations.","Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","University of Richmond ","English"],"unitid_tesim":["MS.48","/repositories/4/resources/156"],"normalized_title_ssm":["Stereograph and Stereoscope Collection"],"collection_title_tesim":["Stereograph and Stereoscope Collection"],"collection_ssim":["Stereograph and Stereoscope Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Chicago, IL","Japan","World's Columbian Exposition (1893 : Chicago, Ill.)"],"geogname_ssim":["Chicago, IL","Japan","World's Columbian Exposition (1893 : Chicago, Ill.)"],"places_ssim":["Chicago, IL","Japan","World's Columbian Exposition (1893 : Chicago, Ill.)"],"access_terms_ssm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Purchased at auction, 2014."],"access_subjects_ssim":["Stereographs","Stereoscope"],"access_subjects_ssm":["Stereographs","Stereoscope"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet"],"extent_tesim":["1 Linear Feet"],"genreform_ssim":["Stereographs","Stereoscope"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on accessing material in this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on accessing material in this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into 2 series:\n\u003cul\u003e\n\u003cli\u003eSeries 1: Stereograph Cards\u003c/li\u003e\n\u003cli\u003eSeries 2: Stereoscope\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into 2 series:\n Series 1: Stereograph Cards Series 2: Stereoscope"],"bioghist_html_tesm":["\u003cp\u003eAs photography came of age in the 19th century, one of the popular formats during the latter part of the century was the stereoscope. Stereograph cards contained two identical images of the same subject placed next to each other designed to be viewed through the stereoscope to create the illusion of three-dimensional views. Stereoscopes became a popular entertainment with images showcasing international locations and topics of interest to both entertain and educate viewers.  \n \u003c/p\u003e\n","\u003cp\u003eFor more information, see the Library of Congress' Stereograph Cards \u0026amp; Collection \u003ca href=\"https://www.loc.gov/pictures/collection/stereo/background.html\" target=\"_blank\"\u003ewebsite\u003c/a\u003e. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["As photography came of age in the 19th century, one of the popular formats during the latter part of the century was the stereoscope. Stereograph cards contained two identical images of the same subject placed next to each other designed to be viewed through the stereoscope to create the illusion of three-dimensional views. Stereoscopes became a popular entertainment with images showcasing international locations and topics of interest to both entertain and educate viewers.  \n ","For more information, see the Library of Congress' Stereograph Cards \u0026 Collection  website . "],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-48, Stereograph and Stereoscope Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-48, Stereograph and Stereoscope Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eDescription information in finding aid drawn from content on stereograph cards.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Description information in finding aid drawn from content on stereograph cards."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a stereoscope viewer and stereograph cards documenting a variety of content, including the 1893 Columbian Exposition and various international locations.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains a stereoscope viewer and stereograph cards documenting a variety of content, including the 1893 Columbian Exposition and various international locations."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"names_ssim":["University of Richmond "],"corpname_ssim":["University of Richmond "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:11:40.314Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_156"}},{"id":"viur_repositories_4_resources_39_c02_c02","type":"Subseries","attributes":{"title":"Subseries IIB: Personal papers and items","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_39_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_39_c02_c02","ref_ssm":["viur_repositories_4_resources_39_c02_c02"],"id":"viur_repositories_4_resources_39_c02_c02","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39_c02","parent_ssi":"viur_repositories_4_resources_39_c02","parent_ssim":["viur_repositories_4_resources_39","viur_repositories_4_resources_39_c02"],"parent_ids_ssim":["viur_repositories_4_resources_39","viur_repositories_4_resources_39_c02"],"parent_unittitles_ssm":["Hazel Paris Cederborg Collection","Series II: Personal Papers and Family Information"],"parent_unittitles_tesim":["Hazel Paris Cederborg Collection","Series II: Personal Papers and Family Information"],"text":["Hazel Paris Cederborg Collection","Series II: Personal Papers and Family Information","Subseries IIB: Personal papers and items"],"title_filing_ssi":"Subseries IIB: Personal papers and items","title_ssm":["Subseries IIB: Personal papers and items"],"title_tesim":["Subseries IIB: Personal papers and items"],"unitdate_inclusive_ssm":["1907-1974"],"normalized_date_ssm":["1907/1974"],"normalized_title_ssm":["Subseries IIB: Personal papers and items"],"component_level_isim":[2],"repository_ssim":["University of Richmond"],"collection_ssim":["Hazel Paris Cederborg Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":20,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":70,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"_nest_path_":"/components#1/components#1","timestamp":"2026-05-01T00:11:40.314Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_39","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_39.xml","title_ssm":["Hazel Paris Cederborg Collection"],"title_tesim":["Hazel Paris Cederborg Collection"],"unitdate_ssm":["1893-1989"],"unitdate_inclusive_ssm":["1893-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-33","/repositories/4/resources/39"],"text":["MS-33","/repositories/4/resources/39","Hazel Paris Cederborg Collection","Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories","This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks","Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.","These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.","Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.","Processed by Maelyn Cable.","Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter .","The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.","Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.","University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","English Turkish"],"unitid_tesim":["MS-33","/repositories/4/resources/39"],"normalized_title_ssm":["Hazel Paris Cederborg Collection"],"collection_title_tesim":["Hazel Paris Cederborg Collection"],"collection_ssim":["Hazel Paris Cederborg Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creators_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Materials in this collection were transferred from Wellesley College in 2016."],"access_subjects_ssim":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"access_subjects_ssm":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"has_online_content_ssim":["false"],"extent_ssm":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"extent_tesim":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"genreform_ssim":["Photographs","Photograph albums","Short stories"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 2 series, with 7 total subseries:\u003c/p\u003e\n","\u003cp\u003eSeries I: Short Stories\n\u003cul\u003e\n  \u003cli\u003eSubseries IA: Unpublished Drafts and Notes\u003c/li\u003e\n  \u003cli\u003eSubseries IB: Published Short Stories\u003c/li\u003e\n  \u003cli\u003eSubseries IC: Historical and Factual Short Stories\u003c/li\u003e\n\u003c/ul\u003e\nSeries II: Personal Papers and Family Information\n\u003cul\u003e\n  \u003cli\u003eSubseries IIA: Research\u003c/li\u003e\n  \u003cli\u003eSubseries IIB: Personal Papers and Items\u003c/li\u003e\n  \u003cli\u003eSubseries IIC: Family information and Photographs\u003c/li\u003e\n  \u003cli\u003eSubseries IID: Scrapbooks\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks"],"bioghist_html_tesm":["\u003cp\u003eHazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.\u003c/p\u003e\n","\u003cp\u003eHer interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.\u003c/p\u003e\n","\u003cp\u003eThroughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.\u003c/p\u003e\n","\u003cp\u003eAfter working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois."],"custodhist_html_tesm":["\u003cp\u003eThese materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives."],"phystech_html_tesm":["\u003cp\u003eCollection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Maelyn Cable.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Maelyn Cable."],"relatedmaterial_html_tesm":["\u003cp\u003eWellesley College featured material from their collection of Hazel Paris Cederborg materials in their \u003ca href=\"https://www.wellesley.edu/sites/default/files/assets/departments/libraryandtechnology/files/2016springfolnewsletter.pdf\"\u003e2016 spring newsletter\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 2 series, and 7 subseries.\u003c/p\u003e\n","\u003cp\u003eSeries I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.\u003c/p\u003e\n","\u003cp\u003eSubseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.\u003c/p\u003e\n","\u003cp\u003eSubseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.\u003c/p\u003e\n","\u003cp\u003eSubseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.\u003c/p\u003e\n","\u003cp\u003eSubseries IIA, Research, includes items that contain research ideas for unnamed stories.\u003c/p\u003e\n","\u003cp\u003eSubseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.\u003c/p\u003e\n","\u003cp\u003eSubseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.\u003c/p\u003e\n","\u003cp\u003eSubseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children."],"separatedmaterial_html_tesm":["\u003cp\u003eCopies of \u003cemph render=\"italics\"\u003eThe Little Red Wagon\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eBunny Polka Dot\u003c/emph\u003e, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_819652907b9b06a93438845f422d76cf\"\u003eThis collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life."],"names_coll_ssim":["Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"names_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"corpname_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)"],"persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"language_ssim":["English Turkish"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:11:40.314Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_39_c02_c02"}},{"id":"viur_repositories_4_resources_39_c02_c03","type":"Subseries","attributes":{"title":"Subseries IIC: Family Information and Photographs","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_39_c02_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_39_c02_c03","ref_ssm":["viur_repositories_4_resources_39_c02_c03"],"id":"viur_repositories_4_resources_39_c02_c03","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39_c02","parent_ssi":"viur_repositories_4_resources_39_c02","parent_ssim":["viur_repositories_4_resources_39","viur_repositories_4_resources_39_c02"],"parent_ids_ssim":["viur_repositories_4_resources_39","viur_repositories_4_resources_39_c02"],"parent_unittitles_ssm":["Hazel Paris Cederborg Collection","Series II: Personal Papers and Family Information"],"parent_unittitles_tesim":["Hazel Paris Cederborg Collection","Series II: Personal Papers and Family Information"],"text":["Hazel Paris Cederborg Collection","Series II: Personal Papers and Family Information","Subseries IIC: Family Information and Photographs"],"title_filing_ssi":"Subseries IIC: Family Information and Photographs","title_ssm":["Subseries IIC: Family Information and Photographs"],"title_tesim":["Subseries IIC: Family Information and Photographs"],"unitdate_inclusive_ssm":["1868-1993"],"normalized_date_ssm":["1868/1993"],"normalized_title_ssm":["Subseries IIC: Family Information and Photographs"],"component_level_isim":[2],"repository_ssim":["University of Richmond"],"collection_ssim":["Hazel Paris Cederborg Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":91,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"_nest_path_":"/components#1/components#2","timestamp":"2026-05-01T00:11:40.314Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_39","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_39.xml","title_ssm":["Hazel Paris Cederborg Collection"],"title_tesim":["Hazel Paris Cederborg Collection"],"unitdate_ssm":["1893-1989"],"unitdate_inclusive_ssm":["1893-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-33","/repositories/4/resources/39"],"text":["MS-33","/repositories/4/resources/39","Hazel Paris Cederborg Collection","Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories","This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks","Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.","These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.","Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.","Processed by Maelyn Cable.","Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter .","The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.","Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.","University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","English Turkish"],"unitid_tesim":["MS-33","/repositories/4/resources/39"],"normalized_title_ssm":["Hazel Paris Cederborg Collection"],"collection_title_tesim":["Hazel Paris Cederborg Collection"],"collection_ssim":["Hazel Paris Cederborg Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creators_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Materials in this collection were transferred from Wellesley College in 2016."],"access_subjects_ssim":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"access_subjects_ssm":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"has_online_content_ssim":["false"],"extent_ssm":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"extent_tesim":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"genreform_ssim":["Photographs","Photograph albums","Short stories"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 2 series, with 7 total subseries:\u003c/p\u003e\n","\u003cp\u003eSeries I: Short Stories\n\u003cul\u003e\n  \u003cli\u003eSubseries IA: Unpublished Drafts and Notes\u003c/li\u003e\n  \u003cli\u003eSubseries IB: Published Short Stories\u003c/li\u003e\n  \u003cli\u003eSubseries IC: Historical and Factual Short Stories\u003c/li\u003e\n\u003c/ul\u003e\nSeries II: Personal Papers and Family Information\n\u003cul\u003e\n  \u003cli\u003eSubseries IIA: Research\u003c/li\u003e\n  \u003cli\u003eSubseries IIB: Personal Papers and Items\u003c/li\u003e\n  \u003cli\u003eSubseries IIC: Family information and Photographs\u003c/li\u003e\n  \u003cli\u003eSubseries IID: Scrapbooks\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks"],"bioghist_html_tesm":["\u003cp\u003eHazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.\u003c/p\u003e\n","\u003cp\u003eHer interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.\u003c/p\u003e\n","\u003cp\u003eThroughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.\u003c/p\u003e\n","\u003cp\u003eAfter working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois."],"custodhist_html_tesm":["\u003cp\u003eThese materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives."],"phystech_html_tesm":["\u003cp\u003eCollection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Maelyn Cable.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Maelyn Cable."],"relatedmaterial_html_tesm":["\u003cp\u003eWellesley College featured material from their collection of Hazel Paris Cederborg materials in their \u003ca href=\"https://www.wellesley.edu/sites/default/files/assets/departments/libraryandtechnology/files/2016springfolnewsletter.pdf\"\u003e2016 spring newsletter\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 2 series, and 7 subseries.\u003c/p\u003e\n","\u003cp\u003eSeries I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.\u003c/p\u003e\n","\u003cp\u003eSubseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.\u003c/p\u003e\n","\u003cp\u003eSubseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.\u003c/p\u003e\n","\u003cp\u003eSubseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.\u003c/p\u003e\n","\u003cp\u003eSubseries IIA, Research, includes items that contain research ideas for unnamed stories.\u003c/p\u003e\n","\u003cp\u003eSubseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.\u003c/p\u003e\n","\u003cp\u003eSubseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.\u003c/p\u003e\n","\u003cp\u003eSubseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children."],"separatedmaterial_html_tesm":["\u003cp\u003eCopies of \u003cemph render=\"italics\"\u003eThe Little Red Wagon\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eBunny Polka Dot\u003c/emph\u003e, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_819652907b9b06a93438845f422d76cf\"\u003eThis collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life."],"names_coll_ssim":["Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"names_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"corpname_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)"],"persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"language_ssim":["English Turkish"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:11:40.314Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_39_c02_c03"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":57},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1915\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1915\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Carl Van Vechten - Mark Lutz Collection","value":"Carl Van Vechten - Mark Lutz 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