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Sheppard","Winslow Homer","Box 9","folder 11"],"title_filing_ssi":"Winslow Homer","title_ssm":["Winslow Homer"],"title_tesim":["Winslow Homer"],"unitdate_inclusive_ssm":["1862-2010"],"normalized_date_ssm":["1862/2010"],"normalized_title_ssm":["Winslow Homer"],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":22,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"containers_ssim":["Box 9","folder 11"],"_nest_path_":"/components#0/components#0/components#8/components#2","timestamp":"2026-06-11T20:05:03.693Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright collection","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright collection"],"collection_title_tesim":["Richard Wright collection"],"collection_ssim":["Richard Wright collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-11T20:05:03.693Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09_c03"}},{"id":"viblbv_repositories_2_resources_1489_c01_c03","type":"File","attributes":{"title":"Winston Dickinson Correspondence","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1489_c01_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1489_c01_c03","ref_ssm":["viblbv_repositories_2_resources_1489_c01_c03"],"id":"viblbv_repositories_2_resources_1489_c01_c03","ead_ssi":"viblbv_repositories_2_resources_1489","_root_":"viblbv_repositories_2_resources_1489","_nest_parent_":"viblbv_repositories_2_resources_1489_c01","parent_ssi":"viblbv_repositories_2_resources_1489_c01","parent_ssim":["viblbv_repositories_2_resources_1489","viblbv_repositories_2_resources_1489_c01"],"parent_ids_ssim":["viblbv_repositories_2_resources_1489","viblbv_repositories_2_resources_1489_c01"],"parent_unittitles_ssm":["Lucy Dickinson Urquhart Papers","Series I: Correspondence"],"parent_unittitles_tesim":["Lucy Dickinson Urquhart Papers","Series I: Correspondence"],"text":["Lucy Dickinson Urquhart Papers","Series I: Correspondence","Winston Dickinson Correspondence","box 1","folder 3"],"title_filing_ssi":"Winston Dickinson Correspondence","title_ssm":["Winston Dickinson Correspondence"],"title_tesim":["Winston Dickinson Correspondence"],"unitdate_inclusive_ssm":["1905-1916"],"normalized_date_ssm":["1905/1916"],"normalized_title_ssm":["Winston Dickinson Correspondence"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Lucy Dickinson Urquhart Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. ","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916],"containers_ssim":["box 1","folder 3"],"_nest_path_":"/components#0/components#2","timestamp":"2026-05-21T02:37:37.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1489","ead_ssi":"viblbv_repositories_2_resources_1489","_root_":"viblbv_repositories_2_resources_1489","_nest_parent_":"viblbv_repositories_2_resources_1489","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1489.xml","title_filing_ssi":"Urquhart, Lucy Dickinson, Papers","title_ssm":["Lucy Dickinson Urquhart Papers"],"title_tesim":["Lucy Dickinson Urquhart Papers"],"unitdate_ssm":["1865-1973"],"unitdate_inclusive_ssm":["1865-1973"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1987.046"],"text":["Ms.1987.046","Lucy Dickinson Urquhart Papers","Local/Regional History and Appalachian South","Women -- History","The collection is open for research.","The collection has been digitized and is available online.","The collection is arranged into two series:","Series I: Correspondence, 1865-1958, contains letters to and from Lucy Urquhart. Where possible, correspondence is organized by author and date. The last folder in the series is made up of correspondence from multiple authors. Much of it is condolence letters regarding the death of Lucy Urquhart's parents, but the file also includes correspondence that could not be otherwise identified.","Series II: Subject Files, 1876-1973, includes remainder of the collection and is arranged in subject files. Material within each file is in chronological order. The series also includes oversize materials.","Bibliography","Student Handbook of the Virginia Polytechnic Institute, 1911-1912","Athletic Record: Interscholastic and Intercollegiate , 1911-1912","Spalding Catalogue , 1912","Flood Views of Huntington, WV , 1913","The Rand McNally Indexed County and Railroad Pocket Map and Shippers' Guide of Virginia , 1913","Women Go to College: Bulletin of the Virginia Polytechnic Institute , 1945","A Dickinson Family of Virginia and Illinois , 1947","Poems  By Innes Randolph, n.d.","Advertising Successfully for Banks and Trust Companies  by Lucy Dickinson Urquhart, n.d.","Lucy Dickinson Urquhart was born in 1881 in Marion, Virginia, to Dr. Smelt W. and Sarah Isabel Look Dickinson. She attended Virginia Intermont College, Vassar College, and Columbia University's Teacher College. She worked as an advertising copywriter in Lynchburg, Virginia, and was also heavily involved in the Smyth County Historical Society and the Marion Baptist Church. She married George D. Urquhart, and they had no children. She died in Roanoke on January 27, 1975.","The guide to the Lucy Dickinson Urquhart Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The description of the Lucy Dickinson Urquhart Papers was completed in 1987. Additional processing, arrangement, and description was completed in February 2011.","See the following related materials, which are also at Virginia Tech Special Collections and University Archives:","Lucy Dickinson Correspondence, Ms1988-014","Dickinson Family Papers, Ms1989-094","The Lucy Dickinson Urquhart Papers, 1865-1973, contain correspondence, newspaper clippings, and poetry and advertisements by Lucy Dickinson Urquhart. The collection also includes correspondence, papers, and other materials related to her family. ","Various family announcements, including wedding invitations and funeral service programs from family members are present. Stories, poetry, and advertisements by Urquhart are also in the collection. Many of Urquhart's stories depict life in the South and are written in a Southern dialect. Beyond her and her family's papers, other notes on the Baptist Church, the Smyth County Museum, and Norfolk and Western information from the 1917 War Revenue Act are in the collection. ","Of special note, the collection contains a letter from K. D. Urquhart dated from the American Civil War asking for command of an all Black regiment. There are comments, supposedly written by Lucy Urquhart, on the bottom suggesting the letter is a fake, as the name is spelled incorrectly. There is also correspondence between Lucy Urquhart and  Time and Life Magazine  in New York City surrounding the coverage of African Americans in Southern newspapers in the wake of Emmett Till's murder. Furthermore, a few published materials, including a 1911 VPI Student Handbook and a 1912 Spalding Catalogue are part of the collection. ","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . ","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Lucy Dickinson Urquhart Papers, 1865-1973, contain correspondence, newspaper clippings, and poetry and advertisements by Lucy Dickinson Urquhart (1881-1975), an advertising copywriter and local historian in Virginia. The collection also includes correspondence, papers, and other materials related to her family.","Special Collections and University Archives, Virginia Tech","Dickinson family","Urquhart, Lucy Dickinson, 1881-1975","The materials in the collection are in English."],"unitid_tesim":["Ms.1987.046"],"normalized_title_ssm":["Lucy Dickinson Urquhart Papers"],"collection_title_tesim":["Lucy Dickinson Urquhart Papers"],"collection_ssim":["Lucy Dickinson Urquhart Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Urquhart, Lucy Dickinson, 1881-1975"],"creator_ssim":["Urquhart, Lucy Dickinson, 1881-1975"],"creator_persname_ssim":["Urquhart, Lucy Dickinson, 1881-1975"],"creators_ssim":["Urquhart, Lucy Dickinson, 1881-1975"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . ","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Lucy Dickinson Urquhart Papers were donated to Special Collections in 1987."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Women -- History"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["0.9 Cubic Feet 2 boxes, 2 oversize folders"],"extent_tesim":["0.9 Cubic Feet 2 boxes, 2 oversize folders"],"date_range_isim":[1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/Ms1987-046\"\u003eThe collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["The collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series:\u003c/p\u003e\n","\u003cp\u003eSeries I: Correspondence, 1865-1958, contains letters to and from Lucy Urquhart. Where possible, correspondence is organized by author and date. The last folder in the series is made up of correspondence from multiple authors. Much of it is condolence letters regarding the death of Lucy Urquhart's parents, but the file also includes correspondence that could not be otherwise identified.\u003c/p\u003e\n","\u003cp\u003eSeries II: Subject Files, 1876-1973, includes remainder of the collection and is arranged in subject files. Material within each file is in chronological order. The series also includes oversize materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series:","Series I: Correspondence, 1865-1958, contains letters to and from Lucy Urquhart. Where possible, correspondence is organized by author and date. The last folder in the series is made up of correspondence from multiple authors. Much of it is condolence letters regarding the death of Lucy Urquhart's parents, but the file also includes correspondence that could not be otherwise identified.","Series II: Subject Files, 1876-1973, includes remainder of the collection and is arranged in subject files. Material within each file is in chronological order. The series also includes oversize materials."],"bibliography_html_tesm":["\u003cp\u003eBibliography\u003c/p\u003e\n","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eStudent Handbook of the Virginia Polytechnic Institute, 1911-1912\u003c/emph\u003e\u003c/bibref\u003e","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eAthletic Record: Interscholastic and Intercollegiate\u003c/emph\u003e, 1911-1912\u003c/bibref\u003e","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eSpalding Catalogue\u003c/emph\u003e, 1912\u003c/bibref\u003e","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eFlood Views of Huntington, WV\u003c/emph\u003e, 1913\u003c/bibref\u003e","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Rand McNally Indexed County and Railroad Pocket Map and Shippers' Guide of Virginia\u003c/emph\u003e, 1913\u003c/bibref\u003e","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eWomen Go to College: Bulletin of the Virginia Polytechnic Institute\u003c/emph\u003e, 1945\u003c/bibref\u003e","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eA Dickinson Family of Virginia and Illinois\u003c/emph\u003e, 1947\u003c/bibref\u003e","\u003cbibref\u003e\u003cemph render=\"italic\"\u003ePoems \u003c/emph\u003eBy Innes Randolph, n.d.\u003c/bibref\u003e","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eAdvertising Successfully for Banks and Trust Companies\u003c/emph\u003e by Lucy Dickinson Urquhart, n.d.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Bibliography","Student Handbook of the Virginia Polytechnic Institute, 1911-1912","Athletic Record: Interscholastic and Intercollegiate , 1911-1912","Spalding Catalogue , 1912","Flood Views of Huntington, WV , 1913","The Rand McNally Indexed County and Railroad Pocket Map and Shippers' Guide of Virginia , 1913","Women Go to College: Bulletin of the Virginia Polytechnic Institute , 1945","A Dickinson Family of Virginia and Illinois , 1947","Poems  By Innes Randolph, n.d.","Advertising Successfully for Banks and Trust Companies  by Lucy Dickinson Urquhart, n.d."],"bioghist_html_tesm":["\u003cp\u003eLucy Dickinson Urquhart was born in 1881 in Marion, Virginia, to Dr. Smelt W. and Sarah Isabel Look Dickinson. She attended Virginia Intermont College, Vassar College, and Columbia University's Teacher College. She worked as an advertising copywriter in Lynchburg, Virginia, and was also heavily involved in the Smyth County Historical Society and the Marion Baptist Church. She married George D. Urquhart, and they had no children. She died in Roanoke on January 27, 1975.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Lucy Dickinson Urquhart was born in 1881 in Marion, Virginia, to Dr. Smelt W. and Sarah Isabel Look Dickinson. She attended Virginia Intermont College, Vassar College, and Columbia University's Teacher College. She worked as an advertising copywriter in Lynchburg, Virginia, and was also heavily involved in the Smyth County Historical Society and the Marion Baptist Church. She married George D. Urquhart, and they had no children. She died in Roanoke on January 27, 1975."],"odd_html_tesm":["\u003cp\u003eThe guide to the Lucy Dickinson Urquhart Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Lucy Dickinson Urquhart Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lucy Dickinson Urquhart Papers, 1865-1973, Ms1987-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lucy Dickinson Urquhart Papers, 1865-1973, Ms1987-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe description of the Lucy Dickinson Urquhart Papers was completed in 1987. Additional processing, arrangement, and description was completed in February 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The description of the Lucy Dickinson Urquhart Papers was completed in 1987. Additional processing, arrangement, and description was completed in February 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the following related materials, which are also at Virginia Tech Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_1521.xml\"\u003eLucy Dickinson Correspondence, Ms1988-014\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_1719.xml\"\u003eDickinson Family Papers, Ms1989-094\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials "],"relatedmaterial_tesim":["See the following related materials, which are also at Virginia Tech Special Collections and University Archives:","Lucy Dickinson Correspondence, Ms1988-014","Dickinson Family Papers, Ms1989-094"],"scopecontent_html_tesm":["\u003cp\u003eThe Lucy Dickinson Urquhart Papers, 1865-1973, contain correspondence, newspaper clippings, and poetry and advertisements by Lucy Dickinson Urquhart. The collection also includes correspondence, papers, and other materials related to her family. \u003c/p\u003e\n","\u003cp\u003eVarious family announcements, including wedding invitations and funeral service programs from family members are present. Stories, poetry, and advertisements by Urquhart are also in the collection. Many of Urquhart's stories depict life in the South and are written in a Southern dialect. Beyond her and her family's papers, other notes on the Baptist Church, the Smyth County Museum, and Norfolk and Western information from the 1917 War Revenue Act are in the collection. \u003c/p\u003e\n","\u003cp\u003eOf special note, the collection contains a letter from K. D. Urquhart dated from the American Civil War asking for command of an all Black regiment. There are comments, supposedly written by Lucy Urquhart, on the bottom suggesting the letter is a fake, as the name is spelled incorrectly. There is also correspondence between Lucy Urquhart and \u003cemph render=\"italic\"\u003eTime and Life Magazine\u003c/emph\u003e in New York City surrounding the coverage of African Americans in Southern newspapers in the wake of Emmett Till's murder. Furthermore, a few published materials, including a 1911 VPI Student Handbook and a 1912 Spalding Catalogue are part of the collection. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Lucy Dickinson Urquhart Papers, 1865-1973, contain correspondence, newspaper clippings, and poetry and advertisements by Lucy Dickinson Urquhart. The collection also includes correspondence, papers, and other materials related to her family. ","Various family announcements, including wedding invitations and funeral service programs from family members are present. Stories, poetry, and advertisements by Urquhart are also in the collection. Many of Urquhart's stories depict life in the South and are written in a Southern dialect. Beyond her and her family's papers, other notes on the Baptist Church, the Smyth County Museum, and Norfolk and Western information from the 1917 War Revenue Act are in the collection. ","Of special note, the collection contains a letter from K. D. Urquhart dated from the American Civil War asking for command of an all Black regiment. There are comments, supposedly written by Lucy Urquhart, on the bottom suggesting the letter is a fake, as the name is spelled incorrectly. There is also correspondence between Lucy Urquhart and  Time and Life Magazine  in New York City surrounding the coverage of African Americans in Southern newspapers in the wake of Emmett Till's murder. Furthermore, a few published materials, including a 1911 VPI Student Handbook and a 1912 Spalding Catalogue are part of the collection. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . ","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0fc5b72257c56e0de479a539c0728db1\" label=\"Abstract\"\u003eThe Lucy Dickinson Urquhart Papers, 1865-1973, contain correspondence, newspaper clippings, and poetry and advertisements by Lucy Dickinson Urquhart (1881-1975), an advertising copywriter and local historian in Virginia. The collection also includes correspondence, papers, and other materials related to her family.\u003c/abstract\u003e"],"abstract_tesim":["The Lucy Dickinson Urquhart Papers, 1865-1973, contain correspondence, newspaper clippings, and poetry and advertisements by Lucy Dickinson Urquhart (1881-1975), an advertising copywriter and local historian in Virginia. The collection also includes correspondence, papers, and other materials related to her family."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Dickinson family","Urquhart, Lucy Dickinson, 1881-1975"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Dickinson family"],"famname_ssim":["Dickinson family"],"persname_ssim":["Urquhart, Lucy Dickinson, 1881-1975"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":24,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:37:37.268Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1489_c01_c03"}},{"id":"wvmturhc_repositories_2_resources_4469_c01","type":"Box","attributes":{"title":"Winter's college notes on philosophy and logic, experimental psychology, educational psychology, etc.; speeches, essays, book drafts, and typescripts; student book reports","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4469_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_4469_c01","ref_ssm":["wvmturhc_repositories_2_resources_4469_c01"],"id":"wvmturhc_repositories_2_resources_4469_c01","ead_ssi":"wvmturhc_repositories_2_resources_4469","_root_":"wvmturhc_repositories_2_resources_4469","_nest_parent_":"wvmturhc_repositories_2_resources_4469","parent_ssi":"wvmturhc_repositories_2_resources_4469","parent_ssim":["wvmturhc_repositories_2_resources_4469"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_4469"],"parent_unittitles_ssm":["John E. Winter Papers"],"parent_unittitles_tesim":["John E. Winter Papers"],"text":["John E. Winter Papers","Winter's college notes on philosophy and logic, experimental psychology, educational psychology, etc.; speeches, essays, book drafts, and typescripts; student book reports","Box 1"],"title_filing_ssi":"Winter's college notes on philosophy and logic, experimental psychology, educational psychology, etc.; speeches, essays, book drafts, and typescripts; student book reports","title_ssm":["Winter's college notes on philosophy and logic, experimental psychology, educational psychology, etc.; speeches, essays, book drafts, and typescripts; student book reports"],"title_tesim":["Winter's college notes on philosophy and logic, experimental psychology, educational psychology, etc.; speeches, essays, book drafts, and typescripts; student book reports"],"unitdate_inclusive_ssm":["ca. 1906-1958"],"normalized_date_ssm":["1906/1958"],"normalized_title_ssm":["Winter's college notes on philosophy and logic, experimental psychology, educational psychology, etc.; speeches, essays, book drafts, and typescripts; student book reports"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["John E. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"containers_ssim":["Box 1"],"_nest_path_":"/components#0","timestamp":"2026-05-21T00:40:53.919Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_4469","ead_ssi":"wvmturhc_repositories_2_resources_4469","_root_":"wvmturhc_repositories_2_resources_4469","_nest_parent_":"wvmturhc_repositories_2_resources_4469","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4469.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198080","title_ssm":["John E. Winter Papers"],"title_tesim":["John E. 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The papers include his college notebooks, lecture notes, class outlines, speeches, reprints, and material relating to his study of the cardio-pneumosphygmograph, and the psychology of faith healing, mesmerism, and spiritualism.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University. 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For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"has_online_content_ssim":["false"],"extent_ssm":["3.3 Linear Feet Summary: 3 ft. 4 in. (8 document cases, 5 in. each)"],"extent_tesim":["3.3 Linear Feet Summary: 3 ft. 4 in. (8 document cases, 5 in. each)"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], John E. Winter Papers, A\u0026amp;M 1230, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], John E. Winter Papers, A\u0026M 1230, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eOffice and academic papers of John E. Winters, a former head of the Psychology Department, West Virginia University. The papers include his college notebooks, lecture notes, class outlines, speeches, reprints, and material relating to his study of the cardio-pneumosphygmograph, and the psychology of faith healing, mesmerism, and spiritualism.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Office and academic papers of John E. Winters, a former head of the Psychology Department, West Virginia University. 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Winter Papers"],"parent_unittitles_tesim":["John E. Winter Papers"],"text":["John E. Winter Papers","Winter's doctoral dissertation, journals, reprints, and other publications","Box 8"],"title_filing_ssi":"Winter's doctoral dissertation, journals, reprints, and other publications","title_ssm":["Winter's doctoral dissertation, journals, reprints, and other publications"],"title_tesim":["Winter's doctoral dissertation, journals, reprints, and other publications"],"unitdate_inclusive_ssm":["ca. 1906-1958"],"normalized_date_ssm":["1906/1958"],"normalized_title_ssm":["Winter's doctoral dissertation, journals, reprints, and other publications"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["John E. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"containers_ssim":["Box 8"],"_nest_path_":"/components#7","timestamp":"2026-05-21T00:40:53.919Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_4469","ead_ssi":"wvmturhc_repositories_2_resources_4469","_root_":"wvmturhc_repositories_2_resources_4469","_nest_parent_":"wvmturhc_repositories_2_resources_4469","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4469.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198080","title_ssm":["John E. Winter Papers"],"title_tesim":["John E. Winter Papers"],"unitdate_ssm":["1906-1958"],"unitdate_inclusive_ssm":["1906-1958"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1230","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4469"],"text":["A\u0026M 1230","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4469","John E. Winter Papers","No special access restriction applies.","Office and academic papers of John E. Winters, a former head of the Psychology Department, West Virginia University. The papers include his college notebooks, lecture notes, class outlines, speeches, reprints, and material relating to his study of the cardio-pneumosphygmograph, and the psychology of faith healing, mesmerism, and spiritualism.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University. Department of Psychology","Winter, John E.","English"],"unitid_tesim":["A\u0026M 1230","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4469"],"normalized_title_ssm":["John E. Winter Papers"],"collection_title_tesim":["John E. Winter Papers"],"collection_ssim":["John E. Winter Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Winter, John E."],"creator_ssim":["Winter, John E."],"creator_persname_ssim":["Winter, John E."],"creators_ssim":["Winter, John E."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"has_online_content_ssim":["false"],"extent_ssm":["3.3 Linear Feet Summary: 3 ft. 4 in. (8 document cases, 5 in. each)"],"extent_tesim":["3.3 Linear Feet Summary: 3 ft. 4 in. (8 document cases, 5 in. each)"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], John E. Winter Papers, A\u0026amp;M 1230, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], John E. Winter Papers, A\u0026M 1230, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eOffice and academic papers of John E. Winters, a former head of the Psychology Department, West Virginia University. The papers include his college notebooks, lecture notes, class outlines, speeches, reprints, and material relating to his study of the cardio-pneumosphygmograph, and the psychology of faith healing, mesmerism, and spiritualism.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Office and academic papers of John E. Winters, a former head of the Psychology Department, West Virginia University. The papers include his college notebooks, lecture notes, class outlines, speeches, reprints, and material relating to his study of the cardio-pneumosphygmograph, and the psychology of faith healing, mesmerism, and spiritualism."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e942ae155ac87a469a96363a3230ddf5\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University. Department of Psychology","Winter, John E."],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Department of Psychology","Winter, John E."],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Department of Psychology"],"persname_ssim":["Winter, John E."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:40:53.919Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4469_c08"}},{"id":"vifgm_churchpostcards_c01_c01_c07","type":"File","attributes":{"title":"Wisconsin-Wyoming,","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_churchpostcards_c01_c01_c07#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_churchpostcards_c01_c01_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_churchpostcards_c01_c01_c07","ref_ssm":["vifgm_churchpostcards_c01_c01_c07"],"id":"vifgm_churchpostcards_c01_c01_c07","ead_ssi":"vifgm_churchpostcards","_root_":"vifgm_churchpostcards","_nest_parent_":"vifgm_churchpostcards_c01_c01","parent_ssi":"vifgm_churchpostcards_c01_c01","parent_ssim":["vifgm_churchpostcards","vifgm_churchpostcards_c01","vifgm_churchpostcards_c01_c01"],"parent_ids_ssim":["vifgm_churchpostcards","vifgm_churchpostcards_c01","vifgm_churchpostcards_c01_c01"],"parent_unittitles_ssm":["Phil Teigen North American churches postcard collection","Series 1: Lutheran churches,","Subseries 1.1: Lutheran church exteriors,"],"parent_unittitles_tesim":["Phil Teigen North American churches postcard collection","Series 1: Lutheran churches,","Subseries 1.1: Lutheran church exteriors,"],"text":["Phil Teigen North American churches postcard collection","Series 1: Lutheran churches,","Subseries 1.1: Lutheran church exteriors,","Wisconsin-Wyoming,","Box 7",""],"title_filing_ssi":"Wisconsin-Wyoming, \n","title_ssm":["Wisconsin-Wyoming,"],"title_tesim":["Wisconsin-Wyoming,"],"unitdate_other_ssim":["1907-1967, undated\n"],"normalized_date_ssm":["1907/1967"],"normalized_title_ssm":["Wisconsin-Wyoming,"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Phil Teigen North American churches postcard collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":9,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Phil Teigen North American churches postcard collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967],"containers_ssim":["Box 7"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#0/components#0/components#6","timestamp":"2026-05-21T06:50:27.831Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_churchpostcards","ead_ssi":"vifgm_churchpostcards","_root_":"vifgm_churchpostcards","_nest_parent_":"vifgm_churchpostcards","ead_source_url_ssi":"data/gmu/churchpostcards.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/churchpostcards","title_ssm":["Phil Teigen North American churches postcard collection"],"title_tesim":["Phil Teigen North American churches postcard collection"],"unitdate_ssm":["1904-2010"],"unitdate_other_ssim":["1904-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0317"],"text":["C0317","Phil Teigen North American churches postcard collection","Catholic church buildings.","Church buildings.","Lutheran church buildings","Postcards.","There are no access restrictions.","The collection is organized into four series by denomination. Within Series 1-3, postcards are organized alphabetically by state or province.","Series 1: Lutheran churches, 1904-1910 (Boxes 1-7) Series 2: Roman Catholic churches, 1907-1995 (Boxes 8-10) Series 3: Episcopal churches, 1908-1983, undated (Boxes 10-11) Series 4: Other denominations, 1908-2000 (Boxes 11-12)","Williams, Peter W. \"Houses of God: Region, Religion, and Architecture in the United States.\" Urbana/Chicago: University of Illinois Press, 1997.","Immigrants from Europe and Asia brought a wide variety of Christian beliefs to North America. As Peter Williams notes, \"The pluralism of America's religious experience is a given from the beginnings, first for the colonial settlements in aggregate, then later in virtually every town, city, and state\" (\"Houses of God\", xii). He goes on to describe how these many religious groups impacted the built environment as they came \"in succeeding waves of immigration, each bringing with them and/or adapting for their own purposes a wide variety of types of houses of worship and other sacred sites and structures\" (\"Houses of God,\" xii). This diversity of religious architecture is reflected in material commemorative culture, including through postcards.","Processing completed by Elizabeth Beckman in October 2018. EAD markup completed by Elizabeth Beckman in October 2018.","The Special Collections Research Center also holds the  , which contains postcards from a German World War I medic.","This collection contains postcards from churches of many denominations across the United States and Canada. The postcards date from 1904-2010, although many are undated. The processor included undated in the date range for a series or box if it seemed likely that some of the postcards in the group date from outside the given range. More than half of the postcards depict Lutheran churches; there are also many postcards of Roman Catholic churches and Episcopal churches, as well as other Christian denominations. The postcards are organized by denomination and alphabetically by state (sometimes city), as well as whether they depict church interiors or exteriors.","Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries, Lutheran church exteriors and Lutheran church interiors.","Series 2: Roman Catholic churches, 1907-1995 (Boxes 8-10) includes postcards of Roman Catholic churches across the United States and Canada.","Series 3: Episcopal churches, 1908-1983, undated (Boxes 10-11) includes postcards of Episcopal churches across the United States and Canada.","Series 4: Other denominations, 1908-2000 (Boxes 11-12) is the smallest series, and includes postcards of a variety of churches, including Methodist, Presbyterian, Baptist, Orthodox, and other denominations, as well as non-denominational.","This series contains postcards of Lutheran churches. 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Special Collections Research Center.","Teigen, Philip M., 9999-9999","Collection is primarily in English.  Some postcard messages are in Swedish.\n            \t"],"unitid_tesim":["C0317"],"normalized_title_ssm":["Phil Teigen North American churches postcard collection"],"collection_title_tesim":["Phil Teigen North American churches postcard collection"],"collection_ssim":["Phil Teigen North American churches postcard collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Teigen, Philip M., 9999-9999"],"creator_ssim":["Teigen, Philip M., 9999-9999"],"creator_persname_ssim":["Teigen, Philip M., 9999-9999"],"creators_ssim":["Teigen, Philip M., 9999-9999"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Phil Teigen North American churches postcard collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Phil Teigen on 9/11/2018."],"access_subjects_ssim":["Catholic church buildings.","Church buildings.","Lutheran church buildings","Postcards."],"access_subjects_ssm":["Catholic church buildings.","Church buildings.","Lutheran church buildings","Postcards."],"has_online_content_ssim":["false"],"extent_ssm":["3.0 linear ft."],"extent_tesim":["3.0 linear ft."],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into four series by denomination. Within Series 1-3, postcards are organized alphabetically by state or province.\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Lutheran churches, 1904-1910 (Boxes 1-7)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Roman Catholic churches, 1907-1995 (Boxes 8-10)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Episcopal churches, 1908-1983, undated (Boxes 10-11)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Other denominations, 1908-2000 (Boxes 11-12)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into four series by denomination. Within Series 1-3, postcards are organized alphabetically by state or province.","Series 1: Lutheran churches, 1904-1910 (Boxes 1-7) Series 2: Roman Catholic churches, 1907-1995 (Boxes 8-10) Series 3: Episcopal churches, 1908-1983, undated (Boxes 10-11) Series 4: Other denominations, 1908-2000 (Boxes 11-12)"],"bibliography_html_tesm":["\u003cbibref type=\"simple\" href=\"\"\u003eWilliams, Peter W. \"Houses of God: Region, Religion, and Architecture in the United States.\" Urbana/Chicago: University of Illinois Press, 1997.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Williams, Peter W. \"Houses of God: Region, Religion, and Architecture in the United States.\" Urbana/Chicago: University of Illinois Press, 1997."],"bioghist_html_tesm":["\u003cp\u003eImmigrants from Europe and Asia brought a wide variety of Christian beliefs to North America. As Peter Williams notes, \"The pluralism of America's religious experience is a given from the beginnings, first for the colonial settlements in aggregate, then later in virtually every town, city, and state\" (\"Houses of God\", xii). He goes on to describe how these many religious groups impacted the built environment as they came \"in succeeding waves of immigration, each bringing with them and/or adapting for their own purposes a wide variety of types of houses of worship and other sacred sites and structures\" (\"Houses of God,\" xii). This diversity of religious architecture is reflected in material commemorative culture, including through postcards.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical note"],"bioghist_tesim":["Immigrants from Europe and Asia brought a wide variety of Christian beliefs to North America. As Peter Williams notes, \"The pluralism of America's religious experience is a given from the beginnings, first for the colonial settlements in aggregate, then later in virtually every town, city, and state\" (\"Houses of God\", xii). He goes on to describe how these many religious groups impacted the built environment as they came \"in succeeding waves of immigration, each bringing with them and/or adapting for their own purposes a wide variety of types of houses of worship and other sacred sites and structures\" (\"Houses of God,\" xii). This diversity of religious architecture is reflected in material commemorative culture, including through postcards."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in October 2018. EAD markup completed by Elizabeth Beckman in October 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in October 2018. EAD markup completed by Elizabeth Beckman in October 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr type=\"simple\" title=\"Gustav Klemp German World War I collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/gustavklempcollection.html\"\u003e\u003c/extptr\u003e, which contains postcards from a German World War I medic.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  , which contains postcards from a German World War I medic."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains postcards from churches of many denominations across the United States and Canada. The postcards date from 1904-2010, although many are undated. The processor included undated in the date range for a series or box if it seemed likely that some of the postcards in the group date from outside the given range. More than half of the postcards depict Lutheran churches; there are also many postcards of Roman Catholic churches and Episcopal churches, as well as other Christian denominations. The postcards are organized by denomination and alphabetically by state (sometimes city), as well as whether they depict church interiors or exteriors.\u003c/p\u003e","\u003cp\u003eSeries 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries, Lutheran church exteriors and Lutheran church interiors.\u003c/p\u003e","\u003cp\u003eSeries 2: Roman Catholic churches, 1907-1995 (Boxes 8-10) includes postcards of Roman Catholic churches across the United States and Canada.\u003c/p\u003e","\u003cp\u003eSeries 3: Episcopal churches, 1908-1983, undated (Boxes 10-11) includes postcards of Episcopal churches across the United States and Canada.\u003c/p\u003e","\u003cp\u003eSeries 4: Other denominations, 1908-2000 (Boxes 11-12) is the smallest series, and includes postcards of a variety of churches, including Methodist, Presbyterian, Baptist, Orthodox, and other denominations, as well as non-denominational.\u003c/p\u003e","\u003cp\u003eThis series contains postcards of Lutheran churches. It is divided into two subseries: Lutheran church exteriors and Lutheran church interiors.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series includes postcards of Roman Catholic churches across the United States and Canada.\u003c/p\u003e","\u003cp\u003eAlso includes unknown at beginning\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series includes postcards of Episcopal churches across the United States and Canada.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis is the smallest series, and includes postcards of a variety of churches, including Methodist, Presbyterian, Baptist, Orthodox, and other denominations, as well as non-denominational.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content note","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection contains postcards from churches of many denominations across the United States and Canada. The postcards date from 1904-2010, although many are undated. The processor included undated in the date range for a series or box if it seemed likely that some of the postcards in the group date from outside the given range. More than half of the postcards depict Lutheran churches; there are also many postcards of Roman Catholic churches and Episcopal churches, as well as other Christian denominations. The postcards are organized by denomination and alphabetically by state (sometimes city), as well as whether they depict church interiors or exteriors.","Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries, Lutheran church exteriors and Lutheran church interiors.","Series 2: Roman Catholic churches, 1907-1995 (Boxes 8-10) includes postcards of Roman Catholic churches across the United States and Canada.","Series 3: Episcopal churches, 1908-1983, undated (Boxes 10-11) includes postcards of Episcopal churches across the United States and Canada.","Series 4: Other denominations, 1908-2000 (Boxes 11-12) is the smallest series, and includes postcards of a variety of churches, including Methodist, Presbyterian, Baptist, Orthodox, and other denominations, as well as non-denominational.","This series contains postcards of Lutheran churches. It is divided into two subseries: Lutheran church exteriors and Lutheran church interiors.","","","","","","","","","This series includes postcards of Roman Catholic churches across the United States and Canada.","Also includes unknown at beginning\n","","","This series includes postcards of Episcopal churches across the United States and Canada.","","","This is the smallest series, and includes postcards of a variety of churches, including Methodist, Presbyterian, Baptist, Orthodox, and other denominations, as well as non-denominational.","","","","","","","","","","","","","","","","","","",""],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Phil Teigen North American churches postcard collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Phil Teigen North American churches postcard collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref8\" label=\"Abstract\"\u003eThis collection contains postcards of churches of many Christian denominations from the United States and Canada.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains postcards of churches of many Christian denominations from the United States and Canada."],"names_ssim":["George Mason University.  Libraries. Special Collections Research Center.","Teigen, Philip M., 9999-9999"],"corpname_ssim":["George Mason University.  Libraries. Special Collections Research Center."],"persname_ssim":["Teigen, Philip M., 9999-9999"],"language_ssim":["Collection is primarily in English.  Some postcard messages are in Swedish.\n            \t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:50:27.831Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_churchpostcards_c01_c01_c07"}},{"id":"vifgm_repositories_2_resources_505_c01_c01_c07","type":"File","attributes":{"title":"Wisconsin-Wyoming","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_505_c01_c01_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_505_c01_c01_c07","ref_ssm":["vifgm_repositories_2_resources_505_c01_c01_c07"],"id":"vifgm_repositories_2_resources_505_c01_c01_c07","ead_ssi":"vifgm_repositories_2_resources_505","_root_":"vifgm_repositories_2_resources_505","_nest_parent_":"vifgm_repositories_2_resources_505_c01_c01","parent_ssi":"vifgm_repositories_2_resources_505_c01_c01","parent_ssim":["vifgm_repositories_2_resources_505","vifgm_repositories_2_resources_505_c01","vifgm_repositories_2_resources_505_c01_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_505","vifgm_repositories_2_resources_505_c01","vifgm_repositories_2_resources_505_c01_c01"],"parent_unittitles_ssm":["Phil Teigen North American churches postcard collection","Series 1: Lutheran churches","Subseries 1.1: Lutheran church exteriors"],"parent_unittitles_tesim":["Phil Teigen North American churches postcard collection","Series 1: Lutheran churches","Subseries 1.1: Lutheran church exteriors"],"text":["Phil Teigen North American churches postcard collection","Series 1: Lutheran churches","Subseries 1.1: Lutheran church exteriors","Wisconsin-Wyoming","Box 7"],"title_filing_ssi":"Wisconsin-Wyoming","title_ssm":["Wisconsin-Wyoming"],"title_tesim":["Wisconsin-Wyoming"],"unitdate_other_ssim":["1907-1967, undated"],"normalized_date_ssm":["1907/1967"],"normalized_title_ssm":["Wisconsin-Wyoming"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Phil Teigen North American churches postcard collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":9,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967],"containers_ssim":["Box 7"],"_nest_path_":"/components#0/components#0/components#6","timestamp":"2026-06-05T07:18:42.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_505","ead_ssi":"vifgm_repositories_2_resources_505","_root_":"vifgm_repositories_2_resources_505","_nest_parent_":"vifgm_repositories_2_resources_505","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_505.xml","title_filing_ssi":"Phil Teigen North American churches postcard collection","title_ssm":["Phil Teigen North American churches postcard collection"],"title_tesim":["Phil Teigen North American churches postcard collection"],"unitdate_ssm":["1904-2010"],"unitdate_inclusive_ssm":["1904-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0317","/repositories/2/resources/505"],"text":["C0317","/repositories/2/resources/505","Phil Teigen North American churches postcard collection","Catholic church buildings","Church buildings","Lutheran church buildings","Anglican church buildings","Postcards","Correspondence","There are no access restrictions.","The collection is organized into five series by denomination and then chronologially.","Series 1: Lutheran churches Series 2: Roman Catholic churches Series 3: Episcopal churches Series 4: Other denominations Series 5: Additional postcards","\"MS 0960 - Philip Teigen Papers.\" 2024. DC History Center. 2024. https://dchistory.catalogaccess.com/archives/109847.","Williams, Peter W.  Houses of God: Region, Religion, and Architecture in the United States . Urbana/Chicago: University of Illinois Press, 1997.","Philip M. Teigen (b. 1941) is a trained historian of science and medicine, having received his Ph.D. from the University of Wisconsin-Madison in 1976, and spent his professional life working as a historian at McGill University in Montréal, Canada and the National Library of Medicine in Bethesda, Maryland. Additionally, he completed many projects surrounding the history of religious congregations, primarily Lutheran, in both Washington, D.C. and throughout North America, including identifying and researching the history of thirty-three Lutheran congregations in the District and photographing forty-fifty buildings that represent current or past Lutheran congregations.","Immigrants from Europe and Asia brought a wide variety of Christian beliefs to North America. As Peter Williams notes, \"The pluralism of America's religious experience is a given from the beginnings, first for the colonial settlements in aggregate, then later in virtually every town, city, and state\" (\"Houses of God\", xii). He goes on to describe how these many religious groups impacted the built environment as they came \"in succeeding waves of immigration, each bringing with them and/or adapting for their own purposes a wide variety of types of houses of worship and other sacred sites and structures\" (\"Houses of God,\" xii). This diversity of religious architecture is reflected in material commemorative culture, including through postcards.","Processing completed by Elizabeth Beckman in October 2018. EAD markup completed by Elizabeth Beckman in October 2018. Additional processing completed and finding aid updated by Meghan Glasbrenner from April-May 2025.","The Special Collections Research Center holds other postcard collections, including the  Gustav Klemp World War I collection ,  Randolph Lytton historic Washington, D.C. postcards and photographs collection , and  Lavinia Scott papers .","The DC History Center holds the  Philip Teigen papers , which includes Teigen's decade-long research on the Lutheran churches of Washington, D.C., along with original photographs of local Lutheran churches.","This collection contains postcards from churches of many denominations across the United States and Canada. The postcards date from 1904-2010, although many are undated. The processor included undated in the date range for a series or box if it seemed likely that some of the postcards in the group date from outside the given range. More than half of the postcards depict Lutheran churches; there are also many postcards of Roman Catholic churches and Episcopal churches, as well as other Christian denominations. Many of the postcards contained mailed correspondence on the back from a mix of senders and recipients, but the number and location of these has not been noted in the finding aid. The postcards are organized by denomination and alphabetically by state (sometimes city), as well as whether they depict church interiors or exteriors. The collections contains five series.","Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.","Series 2: Roman Catholic churches, 1907-1995 (Boxes 8-10) includes postcards of Roman Catholic churches across the United States and Canada.","Series 3: Episcopal churches, 1908-1983, undated (Boxes 10-11) includes postcards of Episcopal churches across the United States and Canada.","Series 4: Other denominations, 1908-2000 (Boxes 11-12) is the smallest series, and includes postcards of a variety of churches, including Methodist, Presbyterian, Baptist, Orthodox, and other denominations, as well as non-denominational.","Series 5: Additional postcards, circa 1910s-2000s (Box 13) includes additional postcards donated in 2019. Dates for postcards in this series were determined based on stamps where possible and were otherwise estimated based on style and design. It is divided into four subseries. Sub-series 1: Additional Lutheran churches (circa 1910s-2000s) includes postcards depicting both exterior and interior images of Lutheran churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. One postcard depicts a church in Ontario, Canada which has been placed at the end of the state arrangement before the oversized. Sub-series 2: Additional Roman Catholic churches (circa 1950s-2000s) includes postcards depicting both exterior and interior images of Roman Catholic churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. Sub-series 3: Additional Episcopal churches (circa 1950s-1980s) includes postcards depicting both exterior and interior images of Episcopal churches. Postcards are arranged alphabetically by state. Sub-series 4: Additional other denominations (circa 1950s-1990s) includes postcards depicting both exterior and interior images of churches for a variety of other denominations and uses. Postcards are arranged alphabetically by use or denomination and then alphabetically by state.","Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.","Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.","Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.","Series 2: Roman Catholic churches, 1907-1995 (Boxes 8-10) includes postcards of Roman Catholic churches across the United States and Canada.","Also includes unknown at beginning","Series 3: Episcopal churches, 1908-1983, undated (Boxes 10-11) includes postcards of Episcopal churches across the United States and Canada.","Series 4: Other denominations, 1908-2000 (Boxes 11-12) is the smallest series, and includes postcards of a variety of churches, including Methodist, Presbyterian, Baptist, Orthodox, and other denominations, as well as non-denominational.","Series 5: Additional postcards, circa 1910s-2000s (Box 13) includes additional postcards donated in 2019. Dates for postcards in this series were determined based on stamps where possible and were otherwise estimated based on style and design. It is divided into four subseries. Sub-series 1: Additional Lutheran churches (circa 1910s-2000s) includes postcards depicting both exterior and interior images of Lutheran churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. One postcard depicts a church in Ontario, Canada which has been placed at the end of the state arrangement before the oversized. Sub-series 2: Additional Roman Catholic churches (circa 1950s-2000s) includes postcards depicting both exterior and interior images of Roman Catholic churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. Sub-series 3: Additional Episcopal churches (circa 1950s-1980s) includes postcards depicting both exterior and interior images of Episcopal churches. Postcards are arranged alphabetically by state. Sub-series 4: Additional other denominations (circa 1950s-1990s) includes postcards depicting both exterior and interior images of churches for a variety of other denominations and uses. Postcards are arranged alphabetically by use or denomination and then alphabetically by state.","Sub-series 1: Additional Lutheran churches (circa 1910s-2000s) includes postcards depicting both exterior and interior images of Lutheran churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. One postcard depicts a church in Ontario, Canada which has been placed at the end of the state arrangement before the oversized.","Sub-series 2: Additional Roman Catholic churches (circa 1950s-2000s) includes postcards depicting both exterior and interior images of Roman Catholic churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end.","No specific church identified","Sub-series 3: Additional Episcopal churches (circa 1950s-1980s) includes postcards depicting both exterior and interior images of Episcopal churches. Postcards are arranged alphabetically by state.","Sub-series 4: Additional other denominations (circa 1950s-1990s) includes postcards depicting both exterior and interior images of churches for a variety of other denominations and uses. Postcards are arranged alphabetically by use or denomination and then alphabetically by state.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains postcards of churches of many Christian denominations from the United States and Canada.","R 54, C 3, S 3-4\n\nR 54, C 4, S 3","George Mason University. Libraries. Special Collections Research Center","Teigen, Philip M.","English Swedish"],"unitid_tesim":["C0317","/repositories/2/resources/505"],"normalized_title_ssm":["Phil Teigen North American churches postcard collection"],"collection_title_tesim":["Phil Teigen North American churches postcard collection"],"collection_ssim":["Phil Teigen North American churches postcard collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Teigen, Philip M."],"creator_ssim":["Teigen, Philip M."],"creator_persname_ssim":["Teigen, Philip M."],"creators_ssim":["Teigen, Philip M."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Phil Teigen in September 2018.","Additional materials donated by Phil Teigen in July 2019."],"access_subjects_ssim":["Catholic church buildings","Church buildings","Lutheran church buildings","Anglican church buildings","Postcards","Correspondence"],"access_subjects_ssm":["Catholic church buildings","Church buildings","Lutheran church buildings","Anglican church buildings","Postcards","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["4.5 Linear Feet 13 boxes"],"extent_tesim":["4.5 Linear Feet 13 boxes"],"genreform_ssim":["Postcards","Correspondence"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series by denomination and then chronologially.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: Lutheran churches\u003c/item\u003e\n      \u003citem\u003eSeries 2: Roman Catholic churches\u003c/item\u003e\n      \u003citem\u003eSeries 3: Episcopal churches\u003c/item\u003e\n      \u003citem\u003eSeries 4: Other denominations\u003c/item\u003e\n      \u003citem\u003eSeries 5: Additional postcards\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series by denomination and then chronologially.","Series 1: Lutheran churches Series 2: Roman Catholic churches Series 3: Episcopal churches Series 4: Other denominations Series 5: Additional postcards"],"bibliography_html_tesm":["\u003cp\u003e\"MS 0960 - Philip Teigen Papers.\" 2024. DC History Center. 2024. https://dchistory.catalogaccess.com/archives/109847.\u003c/p\u003e\n","\u003cp\u003eWilliams, Peter W. \u003ctitle\u003eHouses of God: Region, Religion, and Architecture in the United States\u003c/title\u003e. Urbana/Chicago: University of Illinois Press, 1997.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"MS 0960 - Philip Teigen Papers.\" 2024. DC History Center. 2024. https://dchistory.catalogaccess.com/archives/109847.","Williams, Peter W.  Houses of God: Region, Religion, and Architecture in the United States . Urbana/Chicago: University of Illinois Press, 1997."],"bioghist_html_tesm":["\u003cp\u003ePhilip M. Teigen (b. 1941) is a trained historian of science and medicine, having received his Ph.D. from the University of Wisconsin-Madison in 1976, and spent his professional life working as a historian at McGill University in Montréal, Canada and the National Library of Medicine in Bethesda, Maryland. Additionally, he completed many projects surrounding the history of religious congregations, primarily Lutheran, in both Washington, D.C. and throughout North America, including identifying and researching the history of thirty-three Lutheran congregations in the District and photographing forty-fifty buildings that represent current or past Lutheran congregations.\u003c/p\u003e\n","\u003cp\u003eImmigrants from Europe and Asia brought a wide variety of Christian beliefs to North America. As Peter Williams notes, \"The pluralism of America's religious experience is a given from the beginnings, first for the colonial settlements in aggregate, then later in virtually every town, city, and state\" (\"Houses of God\", xii). He goes on to describe how these many religious groups impacted the built environment as they came \"in succeeding waves of immigration, each bringing with them and/or adapting for their own purposes a wide variety of types of houses of worship and other sacred sites and structures\" (\"Houses of God,\" xii). This diversity of religious architecture is reflected in material commemorative culture, including through postcards.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Philip M. Teigen (b. 1941) is a trained historian of science and medicine, having received his Ph.D. from the University of Wisconsin-Madison in 1976, and spent his professional life working as a historian at McGill University in Montréal, Canada and the National Library of Medicine in Bethesda, Maryland. Additionally, he completed many projects surrounding the history of religious congregations, primarily Lutheran, in both Washington, D.C. and throughout North America, including identifying and researching the history of thirty-three Lutheran congregations in the District and photographing forty-fifty buildings that represent current or past Lutheran congregations.","Immigrants from Europe and Asia brought a wide variety of Christian beliefs to North America. As Peter Williams notes, \"The pluralism of America's religious experience is a given from the beginnings, first for the colonial settlements in aggregate, then later in virtually every town, city, and state\" (\"Houses of God\", xii). He goes on to describe how these many religious groups impacted the built environment as they came \"in succeeding waves of immigration, each bringing with them and/or adapting for their own purposes a wide variety of types of houses of worship and other sacred sites and structures\" (\"Houses of God,\" xii). This diversity of religious architecture is reflected in material commemorative culture, including through postcards."],"prefercite_html_tesm":["\u003cp\u003ePhil Teigen North American churches postcard collection, C0317, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Phil Teigen North American churches postcard collection, C0317, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in October 2018. EAD markup completed by Elizabeth Beckman in October 2018. Additional processing completed and finding aid updated by Meghan Glasbrenner from April-May 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in October 2018. EAD markup completed by Elizabeth Beckman in October 2018. Additional processing completed and finding aid updated by Meghan Glasbrenner from April-May 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other postcard collections, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0250\"\u003eGustav Klemp World War I collection\u003c/a\u003e, \u003ca href=\"https://aspace.gmu.edu/resources/c0511\"\u003eRandolph Lytton historic Washington, D.C. postcards and photographs collection\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/resources/c0506\"\u003eLavinia Scott papers\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe DC History Center holds the \u003ca href=\"https://dchistory.catalogaccess.com/archives/109847\"\u003ePhilip Teigen papers\u003c/a\u003e, which includes Teigen's decade-long research on the Lutheran churches of Washington, D.C., along with original photographs of local Lutheran churches.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other postcard collections, including the  Gustav Klemp World War I collection ,  Randolph Lytton historic Washington, D.C. postcards and photographs collection , and  Lavinia Scott papers .","The DC History Center holds the  Philip Teigen papers , which includes Teigen's decade-long research on the Lutheran churches of Washington, D.C., along with original photographs of local Lutheran churches."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains postcards from churches of many denominations across the United States and Canada. The postcards date from 1904-2010, although many are undated. The processor included undated in the date range for a series or box if it seemed likely that some of the postcards in the group date from outside the given range. More than half of the postcards depict Lutheran churches; there are also many postcards of Roman Catholic churches and Episcopal churches, as well as other Christian denominations. Many of the postcards contained mailed correspondence on the back from a mix of senders and recipients, but the number and location of these has not been noted in the finding aid. The postcards are organized by denomination and alphabetically by state (sometimes city), as well as whether they depict church interiors or exteriors. The collections contains five series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Roman Catholic churches, 1907-1995 (Boxes 8-10) includes postcards of Roman Catholic churches across the United States and Canada.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Episcopal churches, 1908-1983, undated (Boxes 10-11) includes postcards of Episcopal churches across the United States and Canada.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Other denominations, 1908-2000 (Boxes 11-12) is the smallest series, and includes postcards of a variety of churches, including Methodist, Presbyterian, Baptist, Orthodox, and other denominations, as well as non-denominational.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Additional postcards, circa 1910s-2000s (Box 13) includes additional postcards donated in 2019. Dates for postcards in this series were determined based on stamps where possible and were otherwise estimated based on style and design. It is divided into four subseries. Sub-series 1: Additional Lutheran churches (circa 1910s-2000s) includes postcards depicting both exterior and interior images of Lutheran churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. One postcard depicts a church in Ontario, Canada which has been placed at the end of the state arrangement before the oversized. Sub-series 2: Additional Roman Catholic churches (circa 1950s-2000s) includes postcards depicting both exterior and interior images of Roman Catholic churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. Sub-series 3: Additional Episcopal churches (circa 1950s-1980s) includes postcards depicting both exterior and interior images of Episcopal churches. Postcards are arranged alphabetically by state. Sub-series 4: Additional other denominations (circa 1950s-1990s) includes postcards depicting both exterior and interior images of churches for a variety of other denominations and uses. Postcards are arranged alphabetically by use or denomination and then alphabetically by state.\u003c/p\u003e","\u003cp\u003eSeries 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.\u003c/p\u003e","\u003cp\u003eSeries 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.\u003c/p\u003e","\u003cp\u003eSeries 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.\u003c/p\u003e","\u003cp\u003eSeries 2: Roman Catholic churches, 1907-1995 (Boxes 8-10) includes postcards of Roman Catholic churches across the United States and Canada.\u003c/p\u003e","\u003cp\u003eAlso includes unknown at beginning\u003c/p\u003e","\u003cp\u003eSeries 3: Episcopal churches, 1908-1983, undated (Boxes 10-11) includes postcards of Episcopal churches across the United States and Canada.\u003c/p\u003e","\u003cp\u003eSeries 4: Other denominations, 1908-2000 (Boxes 11-12) is the smallest series, and includes postcards of a variety of churches, including Methodist, Presbyterian, Baptist, Orthodox, and other denominations, as well as non-denominational.\u003c/p\u003e","\u003cp\u003eSeries 5: Additional postcards, circa 1910s-2000s (Box 13) includes additional postcards donated in 2019. Dates for postcards in this series were determined based on stamps where possible and were otherwise estimated based on style and design. It is divided into four subseries. Sub-series 1: Additional Lutheran churches (circa 1910s-2000s) includes postcards depicting both exterior and interior images of Lutheran churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. One postcard depicts a church in Ontario, Canada which has been placed at the end of the state arrangement before the oversized. Sub-series 2: Additional Roman Catholic churches (circa 1950s-2000s) includes postcards depicting both exterior and interior images of Roman Catholic churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. Sub-series 3: Additional Episcopal churches (circa 1950s-1980s) includes postcards depicting both exterior and interior images of Episcopal churches. Postcards are arranged alphabetically by state. Sub-series 4: Additional other denominations (circa 1950s-1990s) includes postcards depicting both exterior and interior images of churches for a variety of other denominations and uses. Postcards are arranged alphabetically by use or denomination and then alphabetically by state.\u003c/p\u003e","\u003cp\u003eSub-series 1: Additional Lutheran churches (circa 1910s-2000s) includes postcards depicting both exterior and interior images of Lutheran churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. One postcard depicts a church in Ontario, Canada which has been placed at the end of the state arrangement before the oversized.\u003c/p\u003e","\u003cp\u003eSub-series 2: Additional Roman Catholic churches (circa 1950s-2000s) includes postcards depicting both exterior and interior images of Roman Catholic churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end.\u003c/p\u003e","\u003cp\u003eNo specific church identified\u003c/p\u003e","\u003cp\u003eSub-series 3: Additional Episcopal churches (circa 1950s-1980s) includes postcards depicting both exterior and interior images of Episcopal churches. Postcards are arranged alphabetically by state.\u003c/p\u003e","\u003cp\u003eSub-series 4: Additional other denominations (circa 1950s-1990s) includes postcards depicting both exterior and interior images of churches for a variety of other denominations and uses. Postcards are arranged alphabetically by use or denomination and then alphabetically by state.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection contains postcards from churches of many denominations across the United States and Canada. The postcards date from 1904-2010, although many are undated. The processor included undated in the date range for a series or box if it seemed likely that some of the postcards in the group date from outside the given range. More than half of the postcards depict Lutheran churches; there are also many postcards of Roman Catholic churches and Episcopal churches, as well as other Christian denominations. Many of the postcards contained mailed correspondence on the back from a mix of senders and recipients, but the number and location of these has not been noted in the finding aid. The postcards are organized by denomination and alphabetically by state (sometimes city), as well as whether they depict church interiors or exteriors. The collections contains five series.","Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.","Series 2: Roman Catholic churches, 1907-1995 (Boxes 8-10) includes postcards of Roman Catholic churches across the United States and Canada.","Series 3: Episcopal churches, 1908-1983, undated (Boxes 10-11) includes postcards of Episcopal churches across the United States and Canada.","Series 4: Other denominations, 1908-2000 (Boxes 11-12) is the smallest series, and includes postcards of a variety of churches, including Methodist, Presbyterian, Baptist, Orthodox, and other denominations, as well as non-denominational.","Series 5: Additional postcards, circa 1910s-2000s (Box 13) includes additional postcards donated in 2019. Dates for postcards in this series were determined based on stamps where possible and were otherwise estimated based on style and design. It is divided into four subseries. Sub-series 1: Additional Lutheran churches (circa 1910s-2000s) includes postcards depicting both exterior and interior images of Lutheran churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. One postcard depicts a church in Ontario, Canada which has been placed at the end of the state arrangement before the oversized. Sub-series 2: Additional Roman Catholic churches (circa 1950s-2000s) includes postcards depicting both exterior and interior images of Roman Catholic churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. Sub-series 3: Additional Episcopal churches (circa 1950s-1980s) includes postcards depicting both exterior and interior images of Episcopal churches. Postcards are arranged alphabetically by state. Sub-series 4: Additional other denominations (circa 1950s-1990s) includes postcards depicting both exterior and interior images of churches for a variety of other denominations and uses. Postcards are arranged alphabetically by use or denomination and then alphabetically by state.","Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.","Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.","Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.","Series 2: Roman Catholic churches, 1907-1995 (Boxes 8-10) includes postcards of Roman Catholic churches across the United States and Canada.","Also includes unknown at beginning","Series 3: Episcopal churches, 1908-1983, undated (Boxes 10-11) includes postcards of Episcopal churches across the United States and Canada.","Series 4: Other denominations, 1908-2000 (Boxes 11-12) is the smallest series, and includes postcards of a variety of churches, including Methodist, Presbyterian, Baptist, Orthodox, and other denominations, as well as non-denominational.","Series 5: Additional postcards, circa 1910s-2000s (Box 13) includes additional postcards donated in 2019. Dates for postcards in this series were determined based on stamps where possible and were otherwise estimated based on style and design. It is divided into four subseries. Sub-series 1: Additional Lutheran churches (circa 1910s-2000s) includes postcards depicting both exterior and interior images of Lutheran churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. One postcard depicts a church in Ontario, Canada which has been placed at the end of the state arrangement before the oversized. Sub-series 2: Additional Roman Catholic churches (circa 1950s-2000s) includes postcards depicting both exterior and interior images of Roman Catholic churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. Sub-series 3: Additional Episcopal churches (circa 1950s-1980s) includes postcards depicting both exterior and interior images of Episcopal churches. Postcards are arranged alphabetically by state. Sub-series 4: Additional other denominations (circa 1950s-1990s) includes postcards depicting both exterior and interior images of churches for a variety of other denominations and uses. Postcards are arranged alphabetically by use or denomination and then alphabetically by state.","Sub-series 1: Additional Lutheran churches (circa 1910s-2000s) includes postcards depicting both exterior and interior images of Lutheran churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. One postcard depicts a church in Ontario, Canada which has been placed at the end of the state arrangement before the oversized.","Sub-series 2: Additional Roman Catholic churches (circa 1950s-2000s) includes postcards depicting both exterior and interior images of Roman Catholic churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end.","No specific church identified","Sub-series 3: Additional Episcopal churches (circa 1950s-1980s) includes postcards depicting both exterior and interior images of Episcopal churches. Postcards are arranged alphabetically by state.","Sub-series 4: Additional other denominations (circa 1950s-1990s) includes postcards depicting both exterior and interior images of churches for a variety of other denominations and uses. Postcards are arranged alphabetically by use or denomination and then alphabetically by state."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref8\"\u003eThis collection contains postcards of churches of many Christian denominations from the United States and Canada.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains postcards of churches of many Christian denominations from the United States and Canada."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_25039d10bd6b223a8c06bf9333b89608\"\u003eR 54, C 3, S 3-4\n\nR 54, C 4, S 3\u003c/physloc\u003e"],"physloc_tesim":["R 54, C 3, S 3-4\n\nR 54, C 4, S 3"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Teigen, Philip M."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Teigen, Philip M."],"language_ssim":["English Swedish"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":80,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:18:42.949Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_505_c01_c01_c07"}},{"id":"vihart_repositories_4_resources_336","type":"collection","attributes":{"title":"Wise Family collection","creator":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_336#creator","type":"document_value","attributes":{"value":"Wise family","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_336#abstract_or_scope","type":"document_value","attributes":{"value":"The Wise Family Collection consists of genealogical records related to the Wise family of Rockingham County, Virginia and information about the Wise family home in Bridgewater, Virginia. The family Bible, \u003cem\u003eBiblia, das ist: Die ganze Heilige Schrift dess Alten und Neuen Testaments\u003c/em\u003e, has been separated from the collection and cataloged as the Wise Family Bible.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_336#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_336","ead_ssi":"vihart_repositories_4_resources_336","_root_":"vihart_repositories_4_resources_336","_nest_parent_":"vihart_repositories_4_resources_336","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_336.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/336","title_ssm":["Wise Family collection"],"title_tesim":["Wise Family collection"],"unitdate_ssm":["1787-circa 2012"],"unitdate_inclusive_ssm":["1787-circa 2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0001","/repositories/4/resources/336"],"text":["SC 0001","/repositories/4/resources/336","Wise Family collection","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- History","Virginia -- History, Local","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged topically in 3 folders. There is no series arrangement.","Wise, Harvey W. IV, From the Rhineland to the Promised Land of the Shenandoah, Lynchburg, VA: Warwick House Publishers, 2009.","The Wise family were settlers of German and Swiss descent who came to Rockingham County, Virginia in the eighteenth century. Originally spelled as Weiss, the name has had several different spellings, including Weis, Wiss, and Wise. Adam Wise I, 1761-1839, moved from his parent's home in Moorefield, Virginia (what is now West Virginia) to near the current town of Bridgewater, Virginia around 1782 and is documented as owning land in Staunton and Harrisonburg, Virginia during his lifetime. In the late 1790s he built a limestone farmhouse that still stands today. The area around the home was and is still known as Wise Hollow. The Wise family home in pictured in this collection was built around the time of the Civil War by Samuel Wise and Catherine Evers Wise in the Wise Hollow area. Generations of Wise family lived in the home and worked on the farm, raising cattle, hogs, and horses. St. Michael's Church, located across the dirt lane from the family home, was originally a German Reformed Church, and existed as early as the 1790s. The church was at one point known as Wise's Meeting House, and one acre of land for the church and cemetery was officially deeded by Adam Wise I in 1828.","See genealogical materials in this collection for additional information on the family home and individual members of the Wise family.","The materials in this collection accompany the Wise Family Bible, a 1788 German Bible passed down to the youngest son in the Wise Family each generation. The Family Record is a two page pamphlet that was kept inserted within the Bible that contains birth, death, and marriage information for members of the Wise family with entries dated from 1787-1852. The Family Record has been removed from the Bible and is housed flat with this collection. Other materials in this collection include genealogical research into the Wise family and their relatives and as well as information about the Wise family home built by Samuel and Catherine Evers Wise, located in Bridgewater, Virginia. Includes a 2012 photograph of the home.","The family Bible,  Biblia, das ist: Die ganze Heilige Schrift dess Alten und Neuen Testaments , has been separated from the collection and cataloged as part of Special Collections' rare book collection.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Wise Family Collection consists of genealogical records related to the Wise family of Rockingham County, Virginia and information about the Wise family home in Bridgewater, Virginia. The family Bible,  Biblia, das ist: Die ganze Heilige Schrift dess Alten und Neuen Testaments , has been separated from the collection and cataloged as the Wise Family Bible.","James Madison University Libraries Special Collections","Wise family","Wise, Hiram Joseph, III","English"],"unitid_tesim":["SC 0001","/repositories/4/resources/336"],"normalized_title_ssm":["Wise Family collection"],"collection_title_tesim":["Wise Family collection"],"collection_ssim":["Wise Family collection"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- History","Virginia -- History, Local"],"geogname_ssim":["Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- History","Virginia -- History, Local"],"creator_ssm":["Wise family","Wise, Hiram Joseph, III"],"creator_ssim":["Wise family","Wise, Hiram Joseph, III"],"creator_persname_ssim":["Wise, Hiram Joseph, III"],"creator_famname_ssim":["Wise family"],"creators_ssim":["Wise, Hiram Joseph, III","Wise family"],"places_ssim":["Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- History","Virginia -- History, Local"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Hiram Joseph Wise III donated the family Bible and the materials in this collection in October, 2014."],"has_online_content_ssim":["false"],"extent_ssm":["0.17 cubic feet 2 boxes"],"extent_tesim":["0.17 cubic feet 2 boxes"],"date_range_isim":[1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged topically in 3 folders. There is no series arrangement.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged topically in 3 folders. There is no series arrangement."],"bibliography_html_tesm":["\u003cbibref\u003eWise, Harvey W. IV, From the Rhineland to the Promised Land of the Shenandoah, Lynchburg, VA: Warwick House Publishers, 2009.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Wise, Harvey W. IV, From the Rhineland to the Promised Land of the Shenandoah, Lynchburg, VA: Warwick House Publishers, 2009."],"bioghist_html_tesm":["\u003cp\u003eThe Wise family were settlers of German and Swiss descent who came to Rockingham County, Virginia in the eighteenth century. Originally spelled as Weiss, the name has had several different spellings, including Weis, Wiss, and Wise. Adam Wise I, 1761-1839, moved from his parent's home in Moorefield, Virginia (what is now West Virginia) to near the current town of Bridgewater, Virginia around 1782 and is documented as owning land in Staunton and Harrisonburg, Virginia during his lifetime. In the late 1790s he built a limestone farmhouse that still stands today. The area around the home was and is still known as Wise Hollow. The Wise family home in pictured in this collection was built around the time of the Civil War by Samuel Wise and Catherine Evers Wise in the Wise Hollow area. Generations of Wise family lived in the home and worked on the farm, raising cattle, hogs, and horses. St. Michael's Church, located across the dirt lane from the family home, was originally a German Reformed Church, and existed as early as the 1790s. The church was at one point known as Wise's Meeting House, and one acre of land for the church and cemetery was officially deeded by Adam Wise I in 1828.\u003c/p\u003e\n","\u003cp\u003eSee genealogical materials in this collection for additional information on the family home and individual members of the Wise family.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["The Wise family were settlers of German and Swiss descent who came to Rockingham County, Virginia in the eighteenth century. Originally spelled as Weiss, the name has had several different spellings, including Weis, Wiss, and Wise. Adam Wise I, 1761-1839, moved from his parent's home in Moorefield, Virginia (what is now West Virginia) to near the current town of Bridgewater, Virginia around 1782 and is documented as owning land in Staunton and Harrisonburg, Virginia during his lifetime. In the late 1790s he built a limestone farmhouse that still stands today. The area around the home was and is still known as Wise Hollow. The Wise family home in pictured in this collection was built around the time of the Civil War by Samuel Wise and Catherine Evers Wise in the Wise Hollow area. Generations of Wise family lived in the home and worked on the farm, raising cattle, hogs, and horses. St. Michael's Church, located across the dirt lane from the family home, was originally a German Reformed Church, and existed as early as the 1790s. The church was at one point known as Wise's Meeting House, and one acre of land for the church and cemetery was officially deeded by Adam Wise I in 1828.","See genealogical materials in this collection for additional information on the family home and individual members of the Wise family."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Wise Family Collection, 1787-2012, SC 0001, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Wise Family Collection, 1787-2012, SC 0001, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection accompany the Wise Family Bible, a 1788 German Bible passed down to the youngest son in the Wise Family each generation. The Family Record is a two page pamphlet that was kept inserted within the Bible that contains birth, death, and marriage information for members of the Wise family with entries dated from 1787-1852. The Family Record has been removed from the Bible and is housed flat with this collection. Other materials in this collection include genealogical research into the Wise family and their relatives and as well as information about the Wise family home built by Samuel and Catherine Evers Wise, located in Bridgewater, Virginia. Includes a 2012 photograph of the home.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection accompany the Wise Family Bible, a 1788 German Bible passed down to the youngest son in the Wise Family each generation. The Family Record is a two page pamphlet that was kept inserted within the Bible that contains birth, death, and marriage information for members of the Wise family with entries dated from 1787-1852. The Family Record has been removed from the Bible and is housed flat with this collection. Other materials in this collection include genealogical research into the Wise family and their relatives and as well as information about the Wise family home built by Samuel and Catherine Evers Wise, located in Bridgewater, Virginia. Includes a 2012 photograph of the home."],"separatedmaterial_html_tesm":["\u003cp\u003eThe family Bible, \u003cemph render=\"italic\"\u003eBiblia, das ist: Die ganze Heilige Schrift dess Alten und Neuen Testaments\u003c/emph\u003e, has been separated from the collection and cataloged as part of Special Collections' rare book collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The family Bible,  Biblia, das ist: Die ganze Heilige Schrift dess Alten und Neuen Testaments , has been separated from the collection and cataloged as part of Special Collections' rare book collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_204aaa3ff3cff3c99dc51c5db12d0f3d\"\u003eThe Wise Family Collection consists of genealogical records related to the Wise family of Rockingham County, Virginia and information about the Wise family home in Bridgewater, Virginia. The family Bible, \u003cemph render=\"italic\"\u003eBiblia, das ist: Die ganze Heilige Schrift dess Alten und Neuen Testaments\u003c/emph\u003e, has been separated from the collection and cataloged as the Wise Family Bible.\u003c/abstract\u003e"],"abstract_tesim":["The Wise Family Collection consists of genealogical records related to the Wise family of Rockingham County, Virginia and information about the Wise family home in Bridgewater, Virginia. The family Bible,  Biblia, das ist: Die ganze Heilige Schrift dess Alten und Neuen Testaments , has been separated from the collection and cataloged as the Wise Family Bible."],"names_ssim":["James Madison University Libraries Special Collections","Wise family","Wise, Hiram Joseph, III"],"corpname_ssim":["James Madison University Libraries Special Collections"],"famname_ssim":["Wise family"],"names_coll_ssim":["Wise, Hiram Joseph, III"],"persname_ssim":["Wise, Hiram Joseph, III"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:25:29.210Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_336","ead_ssi":"vihart_repositories_4_resources_336","_root_":"vihart_repositories_4_resources_336","_nest_parent_":"vihart_repositories_4_resources_336","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_336.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/336","title_ssm":["Wise Family collection"],"title_tesim":["Wise Family collection"],"unitdate_ssm":["1787-circa 2012"],"unitdate_inclusive_ssm":["1787-circa 2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0001","/repositories/4/resources/336"],"text":["SC 0001","/repositories/4/resources/336","Wise Family collection","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- History","Virginia -- History, Local","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged topically in 3 folders. There is no series arrangement.","Wise, Harvey W. IV, From the Rhineland to the Promised Land of the Shenandoah, Lynchburg, VA: Warwick House Publishers, 2009.","The Wise family were settlers of German and Swiss descent who came to Rockingham County, Virginia in the eighteenth century. Originally spelled as Weiss, the name has had several different spellings, including Weis, Wiss, and Wise. Adam Wise I, 1761-1839, moved from his parent's home in Moorefield, Virginia (what is now West Virginia) to near the current town of Bridgewater, Virginia around 1782 and is documented as owning land in Staunton and Harrisonburg, Virginia during his lifetime. In the late 1790s he built a limestone farmhouse that still stands today. The area around the home was and is still known as Wise Hollow. The Wise family home in pictured in this collection was built around the time of the Civil War by Samuel Wise and Catherine Evers Wise in the Wise Hollow area. Generations of Wise family lived in the home and worked on the farm, raising cattle, hogs, and horses. St. Michael's Church, located across the dirt lane from the family home, was originally a German Reformed Church, and existed as early as the 1790s. The church was at one point known as Wise's Meeting House, and one acre of land for the church and cemetery was officially deeded by Adam Wise I in 1828.","See genealogical materials in this collection for additional information on the family home and individual members of the Wise family.","The materials in this collection accompany the Wise Family Bible, a 1788 German Bible passed down to the youngest son in the Wise Family each generation. The Family Record is a two page pamphlet that was kept inserted within the Bible that contains birth, death, and marriage information for members of the Wise family with entries dated from 1787-1852. The Family Record has been removed from the Bible and is housed flat with this collection. Other materials in this collection include genealogical research into the Wise family and their relatives and as well as information about the Wise family home built by Samuel and Catherine Evers Wise, located in Bridgewater, Virginia. Includes a 2012 photograph of the home.","The family Bible,  Biblia, das ist: Die ganze Heilige Schrift dess Alten und Neuen Testaments , has been separated from the collection and cataloged as part of Special Collections' rare book collection.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Wise Family Collection consists of genealogical records related to the Wise family of Rockingham County, Virginia and information about the Wise family home in Bridgewater, Virginia. The family Bible,  Biblia, das ist: Die ganze Heilige Schrift dess Alten und Neuen Testaments , has been separated from the collection and cataloged as the Wise Family Bible.","James Madison University Libraries Special Collections","Wise family","Wise, Hiram Joseph, III","English"],"unitid_tesim":["SC 0001","/repositories/4/resources/336"],"normalized_title_ssm":["Wise Family collection"],"collection_title_tesim":["Wise Family collection"],"collection_ssim":["Wise Family collection"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- History","Virginia -- History, Local"],"geogname_ssim":["Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- History","Virginia -- History, Local"],"creator_ssm":["Wise family","Wise, Hiram Joseph, III"],"creator_ssim":["Wise family","Wise, Hiram Joseph, III"],"creator_persname_ssim":["Wise, Hiram Joseph, III"],"creator_famname_ssim":["Wise family"],"creators_ssim":["Wise, Hiram Joseph, III","Wise family"],"places_ssim":["Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- History","Virginia -- History, Local"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Hiram Joseph Wise III donated the family Bible and the materials in this collection in October, 2014."],"has_online_content_ssim":["false"],"extent_ssm":["0.17 cubic feet 2 boxes"],"extent_tesim":["0.17 cubic feet 2 boxes"],"date_range_isim":[1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged topically in 3 folders. There is no series arrangement.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged topically in 3 folders. There is no series arrangement."],"bibliography_html_tesm":["\u003cbibref\u003eWise, Harvey W. IV, From the Rhineland to the Promised Land of the Shenandoah, Lynchburg, VA: Warwick House Publishers, 2009.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Wise, Harvey W. IV, From the Rhineland to the Promised Land of the Shenandoah, Lynchburg, VA: Warwick House Publishers, 2009."],"bioghist_html_tesm":["\u003cp\u003eThe Wise family were settlers of German and Swiss descent who came to Rockingham County, Virginia in the eighteenth century. Originally spelled as Weiss, the name has had several different spellings, including Weis, Wiss, and Wise. Adam Wise I, 1761-1839, moved from his parent's home in Moorefield, Virginia (what is now West Virginia) to near the current town of Bridgewater, Virginia around 1782 and is documented as owning land in Staunton and Harrisonburg, Virginia during his lifetime. In the late 1790s he built a limestone farmhouse that still stands today. The area around the home was and is still known as Wise Hollow. The Wise family home in pictured in this collection was built around the time of the Civil War by Samuel Wise and Catherine Evers Wise in the Wise Hollow area. Generations of Wise family lived in the home and worked on the farm, raising cattle, hogs, and horses. St. Michael's Church, located across the dirt lane from the family home, was originally a German Reformed Church, and existed as early as the 1790s. The church was at one point known as Wise's Meeting House, and one acre of land for the church and cemetery was officially deeded by Adam Wise I in 1828.\u003c/p\u003e\n","\u003cp\u003eSee genealogical materials in this collection for additional information on the family home and individual members of the Wise family.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["The Wise family were settlers of German and Swiss descent who came to Rockingham County, Virginia in the eighteenth century. Originally spelled as Weiss, the name has had several different spellings, including Weis, Wiss, and Wise. Adam Wise I, 1761-1839, moved from his parent's home in Moorefield, Virginia (what is now West Virginia) to near the current town of Bridgewater, Virginia around 1782 and is documented as owning land in Staunton and Harrisonburg, Virginia during his lifetime. In the late 1790s he built a limestone farmhouse that still stands today. The area around the home was and is still known as Wise Hollow. The Wise family home in pictured in this collection was built around the time of the Civil War by Samuel Wise and Catherine Evers Wise in the Wise Hollow area. Generations of Wise family lived in the home and worked on the farm, raising cattle, hogs, and horses. St. Michael's Church, located across the dirt lane from the family home, was originally a German Reformed Church, and existed as early as the 1790s. The church was at one point known as Wise's Meeting House, and one acre of land for the church and cemetery was officially deeded by Adam Wise I in 1828.","See genealogical materials in this collection for additional information on the family home and individual members of the Wise family."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Wise Family Collection, 1787-2012, SC 0001, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Wise Family Collection, 1787-2012, SC 0001, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection accompany the Wise Family Bible, a 1788 German Bible passed down to the youngest son in the Wise Family each generation. The Family Record is a two page pamphlet that was kept inserted within the Bible that contains birth, death, and marriage information for members of the Wise family with entries dated from 1787-1852. The Family Record has been removed from the Bible and is housed flat with this collection. Other materials in this collection include genealogical research into the Wise family and their relatives and as well as information about the Wise family home built by Samuel and Catherine Evers Wise, located in Bridgewater, Virginia. Includes a 2012 photograph of the home.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection accompany the Wise Family Bible, a 1788 German Bible passed down to the youngest son in the Wise Family each generation. The Family Record is a two page pamphlet that was kept inserted within the Bible that contains birth, death, and marriage information for members of the Wise family with entries dated from 1787-1852. The Family Record has been removed from the Bible and is housed flat with this collection. Other materials in this collection include genealogical research into the Wise family and their relatives and as well as information about the Wise family home built by Samuel and Catherine Evers Wise, located in Bridgewater, Virginia. Includes a 2012 photograph of the home."],"separatedmaterial_html_tesm":["\u003cp\u003eThe family Bible, \u003cemph render=\"italic\"\u003eBiblia, das ist: Die ganze Heilige Schrift dess Alten und Neuen Testaments\u003c/emph\u003e, has been separated from the collection and cataloged as part of Special Collections' rare book collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The family Bible,  Biblia, das ist: Die ganze Heilige Schrift dess Alten und Neuen Testaments , has been separated from the collection and cataloged as part of Special Collections' rare book collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_204aaa3ff3cff3c99dc51c5db12d0f3d\"\u003eThe Wise Family Collection consists of genealogical records related to the Wise family of Rockingham County, Virginia and information about the Wise family home in Bridgewater, Virginia. The family Bible, \u003cemph render=\"italic\"\u003eBiblia, das ist: Die ganze Heilige Schrift dess Alten und Neuen Testaments\u003c/emph\u003e, has been separated from the collection and cataloged as the Wise Family Bible.\u003c/abstract\u003e"],"abstract_tesim":["The Wise Family Collection consists of genealogical records related to the Wise family of Rockingham County, Virginia and information about the Wise family home in Bridgewater, Virginia. The family Bible,  Biblia, das ist: Die ganze Heilige Schrift dess Alten und Neuen Testaments , has been separated from the collection and cataloged as the Wise Family Bible."],"names_ssim":["James Madison University Libraries Special Collections","Wise family","Wise, Hiram Joseph, III"],"corpname_ssim":["James Madison University Libraries Special Collections"],"famname_ssim":["Wise family"],"names_coll_ssim":["Wise, Hiram Joseph, III"],"persname_ssim":["Wise, Hiram Joseph, III"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:25:29.210Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_336"}},{"id":"viw_repositories_2_resources_9124_c01_c02_c112","type":"File","attributes":{"title":"Wise, Jennings C.","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9124_c01_c02_c112#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9124_c01_c02_c112","ref_ssm":["viw_repositories_2_resources_9124_c01_c02_c112"],"id":"viw_repositories_2_resources_9124_c01_c02_c112","ead_ssi":"viw_repositories_2_resources_9124","_root_":"viw_repositories_2_resources_9124","_nest_parent_":"viw_repositories_2_resources_9124_c01_c02","parent_ssi":"viw_repositories_2_resources_9124_c01_c02","parent_ssim":["viw_repositories_2_resources_9124","viw_repositories_2_resources_9124_c01","viw_repositories_2_resources_9124_c01_c02"],"parent_ids_ssim":["viw_repositories_2_resources_9124","viw_repositories_2_resources_9124_c01","viw_repositories_2_resources_9124_c01_c02"],"parent_unittitles_ssm":["William and Mary Quarterly Records","Accession 1988.1","Correspondence and Miscellaneous Papers"],"parent_unittitles_tesim":["William and Mary Quarterly Records","Accession 1988.1","Correspondence and Miscellaneous Papers"],"text":["William and Mary Quarterly Records","Accession 1988.1","Correspondence and Miscellaneous Papers","Wise, Jennings C.","Box 2","Folder 112"],"title_filing_ssi":"Wise, Jennings C.","title_ssm":["Wise, Jennings C."],"title_tesim":["Wise, Jennings C."],"unitdate_inclusive_ssm":["1907-1911"],"normalized_date_ssm":["1907/1911"],"normalized_title_ssm":["Wise, Jennings C."],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["William and Mary Quarterly Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":217,"parent_access_restrict_tesm":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1907,1908,1909,1910,1911],"containers_ssim":["Box 2","Folder 112"],"_nest_path_":"/components#0/components#1/components#111","timestamp":"2026-05-21T11:00:17.711Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9124","ead_ssi":"viw_repositories_2_resources_9124","_root_":"viw_repositories_2_resources_9124","_nest_parent_":"viw_repositories_2_resources_9124","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9124.xml","title_filing_ssi":"William and Mary Quarterly Records","title_ssm":["William and Mary Quarterly Records"],"title_tesim":["William and Mary Quarterly Records"],"unitdate_ssm":["1893-1944"],"unitdate_inclusive_ssm":["1893-1944"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["00/02/01/07/UA 64","/repositories/2/resources/9124"],"text":["00/02/01/07/UA 64","/repositories/2/resources/9124","William and Mary Quarterly Records","Virginia--Genealogy","Genealogy","Correspondence","Manuscripts (document genre)","Typescripts","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The William and Mary Quarterly is published in January, April, July, and October by the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia. The journal originated in 1892, making it one of the oldest scholarly journals in the United States. Currently in its Third Series, the Quarterly is the leading journal for the study of early American history and culture. It ranges chronologically from Old World-New World contacts to about 1820. Geographically, it focuses on North America - from New France and the Spanish-American borderlands to British America and the Caribbean - and extends to Europe and West Africa. Although grounded in history, it welcomes works from all disciplines - for example, literature, law, political science, anthropology, archaeology, material culture, cultural studies - bearing on the early American period."," Approximately 125 manuscripts are submitted to the WMQ each year. About one in eight manuscripts is accepted after in-house evaluation and thorough peer review. Accepted articles receive close substantive editing. Extensive backlogs of articles are avoided; ideally, articles are published within about a year of acceptance. The Quarterly aims to be accessible to all: the work of graduate students, junior faculty, and unaffiliated scholars is welcome. Three prizes are available to Quarterly authors, and many of the journal's articles attract considerable reprint interest."," Circulation presently stands at about 3,700, distributed almost equally between individuals and institutions. One in ten subscribers is foreign. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ","Acc. 1988.001 formerly kept with Tyler Family Papers, Mss and Rare Books Dept. Acc. 1988.123 culled from WMQ correspondence files.","Acc. 2010.295 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2010.","UA 15: Bound Volumes 70, 71, 72, and 73."," UA 27: Omohundro Institute of Early American History and Culture Records","Acc. 1988.001 consists of two boxes of correspondence arranged alphabetically.  The correspondence is primarily about business aspects of publishing the Quarterly, but also includes genealogical information, editorial comments, some article manuscripts, a list of advertisers (1910-1913), and some fliers."," Acc. 1988.113 consists of one box of correspondence between Earl G. Swem and various  printers, authors, and others about the William and Mary Quarterly (2d Series)."," Acc. 2010.295 contains correspondence between William and Mary  librarian Earl Gregg Swem, Wilbur C. Hall, and George Nicholas about publishing articles by Nicholas and Hall in the William and Mary Quarterly  from 1937 to 1938."," Acc. 2010.340 contains an article by John Bigelow entitled \"The Works of Benjamin Franklin\" edited by College of William  and Mary  Librarian Earl Gregg Swem. The article may have been published in the  William and Mary Quarterly .","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","William and Mary Quarterly Second Series","Items transferred from College Papers A printed announcement by Lyon G Tyler concerning v. 2, April 1894 Postal permit for mailing as second-class matter. Feb 1921 Book containing cas accounts. 1920-1927","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","William and Mary Quarterly","Omohundro Institute of Early American History and Culture","English"],"unitid_tesim":["00/02/01/07/UA 64","/repositories/2/resources/9124"],"normalized_title_ssm":["William and Mary Quarterly Records"],"collection_title_tesim":["William and Mary Quarterly Records"],"collection_ssim":["William and Mary Quarterly Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Genealogy"],"geogname_ssim":["Virginia--Genealogy"],"creator_ssm":["William and Mary Quarterly","Omohundro Institute of Early American History and Culture"],"creator_ssim":["William and Mary Quarterly","Omohundro Institute of Early American History and Culture"],"creator_corpname_ssim":["William and Mary Quarterly","Omohundro Institute of Early American History and Culture"],"creators_ssim":["William and Mary Quarterly","Omohundro Institute of Early American History and Culture"],"places_ssim":["Virginia--Genealogy"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1988.001 acquired 01/07/1988; Acc. 1988.113 acquired 10/20/1988. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Genealogy","Correspondence","Manuscripts (document genre)","Typescripts"],"access_subjects_ssm":["Genealogy","Correspondence","Manuscripts (document genre)","Typescripts"],"has_online_content_ssim":["false"],"extent_ssm":["1.20 Linear Feet"],"extent_tesim":["1.20 Linear Feet"],"genreform_ssim":["Correspondence","Manuscripts (document genre)","Typescripts"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThe William and Mary Quarterly is published in January, April, July, and October by the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia. The journal originated in 1892, making it one of the oldest scholarly journals in the United States. Currently in its Third Series, the Quarterly is the leading journal for the study of early American history and culture. It ranges chronologically from Old World-New World contacts to about 1820. Geographically, it focuses on North America - from New France and the Spanish-American borderlands to British America and the Caribbean - and extends to Europe and West Africa. Although grounded in history, it welcomes works from all disciplines - for example, literature, law, political science, anthropology, archaeology, material culture, cultural studies - bearing on the early American period.\u003c/p\u003e\n","\u003cp\u003e Approximately 125 manuscripts are submitted to the WMQ each year. About one in eight manuscripts is accepted after in-house evaluation and thorough peer review. Accepted articles receive close substantive editing. Extensive backlogs of articles are avoided; ideally, articles are published within about a year of acceptance. The Quarterly aims to be accessible to all: the work of graduate students, junior faculty, and unaffiliated scholars is welcome. Three prizes are available to Quarterly authors, and many of the journal's articles attract considerable reprint interest.\u003c/p\u003e\n","\u003cp\u003e Circulation presently stands at about 3,700, distributed almost equally between individuals and institutions. One in ten subscribers is foreign. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref actuate=\"onrequest\" audience=\"external\" linktype=\"simple\" show=\"embed\" href=\"http://crc.swem.wm.edu/wiki/index.php/William_and_Mary_Quarterly\" title=\"William and Mary Quarterly\"\u003e\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The William and Mary Quarterly is published in January, April, July, and October by the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia. The journal originated in 1892, making it one of the oldest scholarly journals in the United States. Currently in its Third Series, the Quarterly is the leading journal for the study of early American history and culture. It ranges chronologically from Old World-New World contacts to about 1820. Geographically, it focuses on North America - from New France and the Spanish-American borderlands to British America and the Caribbean - and extends to Europe and West Africa. Although grounded in history, it welcomes works from all disciplines - for example, literature, law, political science, anthropology, archaeology, material culture, cultural studies - bearing on the early American period."," Approximately 125 manuscripts are submitted to the WMQ each year. About one in eight manuscripts is accepted after in-house evaluation and thorough peer review. Accepted articles receive close substantive editing. Extensive backlogs of articles are avoided; ideally, articles are published within about a year of acceptance. The Quarterly aims to be accessible to all: the work of graduate students, junior faculty, and unaffiliated scholars is welcome. Three prizes are available to Quarterly authors, and many of the journal's articles attract considerable reprint interest."," Circulation presently stands at about 3,700, distributed almost equally between individuals and institutions. One in ten subscribers is foreign. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: "],"custodhist_html_tesm":["\u003cp\u003eAcc. 1988.001 formerly kept with Tyler Family Papers, Mss and Rare Books Dept. Acc. 1988.123 culled from WMQ correspondence files.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Acc. 1988.001 formerly kept with Tyler Family Papers, Mss and Rare Books Dept. Acc. 1988.123 culled from WMQ correspondence files."],"prefercite_html_tesm":["\u003cp\u003eCollege of William and Mary William and Mary Quarterly Records, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["College of William and Mary William and Mary Quarterly Records, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2010.295 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2010.295 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eUA 15: Bound Volumes 70, 71, 72, and 73.\u003c/p\u003e\n","\u003cp\u003e UA 27: Omohundro Institute of Early American History and Culture Records\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["UA 15: Bound Volumes 70, 71, 72, and 73."," UA 27: Omohundro Institute of Early American History and Culture Records"],"scopecontent_html_tesm":["\u003cp\u003eAcc. 1988.001 consists of two boxes of correspondence arranged alphabetically.  The correspondence is primarily about business aspects of publishing the Quarterly, but also includes genealogical information, editorial comments, some article manuscripts, a list of advertisers (1910-1913), and some fliers.\u003c/p\u003e\n","\u003cp\u003e Acc. 1988.113 consists of one box of correspondence between Earl G. Swem and various  printers, authors, and others about the William and Mary Quarterly (2d Series).\u003c/p\u003e\n","\u003cp\u003e Acc. 2010.295 contains correspondence between William and Mary  librarian Earl Gregg Swem, Wilbur C. Hall, and George Nicholas about publishing articles by Nicholas and Hall in the William and Mary Quarterly  from 1937 to 1938.\u003c/p\u003e\n","\u003cp\u003e Acc. 2010.340 contains an article by John Bigelow entitled \"The Works of Benjamin Franklin\" edited by College of William  and Mary  Librarian Earl Gregg Swem. The article may have been published in the  William and Mary Quarterly .\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eWilliam and Mary Quarterly Second Series\u003c/p\u003e","\u003cp\u003eItems transferred from College Papers A printed announcement by Lyon G Tyler concerning v. 2, April 1894 Postal permit for mailing as second-class matter. Feb 1921 Book containing cas accounts. 1920-1927\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Acc. 1988.001 consists of two boxes of correspondence arranged alphabetically.  The correspondence is primarily about business aspects of publishing the Quarterly, but also includes genealogical information, editorial comments, some article manuscripts, a list of advertisers (1910-1913), and some fliers."," Acc. 1988.113 consists of one box of correspondence between Earl G. Swem and various  printers, authors, and others about the William and Mary Quarterly (2d Series)."," Acc. 2010.295 contains correspondence between William and Mary  librarian Earl Gregg Swem, Wilbur C. Hall, and George Nicholas about publishing articles by Nicholas and Hall in the William and Mary Quarterly  from 1937 to 1938."," Acc. 2010.340 contains an article by John Bigelow entitled \"The Works of Benjamin Franklin\" edited by College of William  and Mary  Librarian Earl Gregg Swem. The article may have been published in the  William and Mary Quarterly .","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","William and Mary Quarterly Second Series","Items transferred from College Papers A printed announcement by Lyon G Tyler concerning v. 2, April 1894 Postal permit for mailing as second-class matter. Feb 1921 Book containing cas accounts. 1920-1927"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","William and Mary Quarterly","Omohundro Institute of Early American History and Culture"],"corpname_ssim":["Special Collections Research Center","William and Mary Quarterly","Omohundro Institute of Early American History and Culture"],"language_ssim":["English"],"total_component_count_is":235,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T11:00:17.711Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9124_c01_c02_c112"}},{"id":"viu_viu00086_c01_c01_c02","type":"Item","attributes":{"title":"\"Wishmakers' Hill\" by \n                     Vine Colby","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu00086_c01_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00086_c01_c01_c02","ref_ssm":["viu_viu00086_c01_c01_c02"],"id":"viu_viu00086_c01_c01_c02","ead_ssi":"viu_viu00086","_root_":"viu_viu00086","_nest_parent_":"viu_viu00086_c01_c01","parent_ssi":"viu_viu00086_c01_c01","parent_ssim":["viu_viu00086","viu_viu00086_c01","viu_viu00086_c01_c01"],"parent_ids_ssim":["viu_viu00086","viu_viu00086_c01","viu_viu00086_c01_c01"],"parent_unittitles_ssm":["Sara Teasdale Collection \n         1888-1934","MANUSCRIPTS","Vine Colby"],"parent_unittitles_tesim":["Sara Teasdale Collection \n         1888-1934","MANUSCRIPTS","Vine Colby"],"text":["Sara Teasdale Collection \n         1888-1934","MANUSCRIPTS","Vine Colby","\"Wishmakers' Hill\" by \n                     Vine Colby","Vine Colby","Box Box 1"],"title_filing_ssi":"\"Wishmakers' Hill\" by \n                      Vine Colby","title_ssm":["\"Wishmakers' Hill\" by \n                     Vine Colby"],"title_tesim":["\"Wishmakers' Hill\" by \n                     Vine Colby"],"unitdate_other_ssim":["1910 Nov 26"],"normalized_date_ssm":["1910"],"normalized_title_ssm":["\"Wishmakers' Hill\" by \n                     Vine Colby"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Sara Teasdale Collection \n         1888-1934"],"extent_ssm":["9 p. on 9 l."],"extent_tesim":["9 p. on 9 l."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":4,"date_range_isim":[1910],"names_ssim":["Vine Colby"],"persname_ssim":["Vine Colby"],"containers_ssim":["Box Box 1"],"_nest_path_":"/components#0/components#0/components#1","timestamp":"2026-05-21T12:37:09.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00086","ead_ssi":"viu_viu00086","_root_":"viu_viu00086","_nest_parent_":"viu_viu00086","ead_source_url_ssi":"data/uva-sc/viu00086.xml","title_ssm":["Sara Teasdale Collection \n         1888-1934"],"title_tesim":["Sara Teasdale Collection \n         1888-1934"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["8170-d"],"text":["8170-d","Sara Teasdale Collection \n         1888-1934","ca. 700 items","Collection is open to research","Funded in part by a grant from the National Endowment\n            for the Humanities","sending thanks for her sympathy and inviting her\n                  to visit","revealing his delight in a poem she sent and\n                  discussing her style","re looking over proofs to her volume of poetry [ \n                   Sonnets to Duse and Other Poems ]","mentioning her \n                   E[leanora] D[use] sonnet being\n                  accepted by \n                   Poet Lore for publication","re horseback riding and critiquing a poem,\n                  \"Vengeance\" by Colby","mentioning the July \n                   Potter's Wheel","sending her a review of \n                   Sara Teasdale 's volume of poetry\n                   Sonnets to Duse...","praising her book \n                   Sonnets to Duse...","extending his thanks for the copy of her book \n                   Sonnets to Duse... and hoping for its success","thanking her for the copy of her book \n                   Sonnets to Duse... , praising it, and wishing for its\n                  success","revealing her pride of her childhood friend ( \n                   Sara Teasdale ) after seeing her\n                  \"Guenevere\" in \n                   The Digest","expressing his pleasure in presenting her poem\n                  [\"Guenevere\"] to the world, praising her book of\n                  verses, \n                   Sonnets to Duse... , and encouraging her to continue writing\n                  verses in her careful fashion","praising her poem [\"Guenevere\"]","thanking her for the copy of her book \n                   Sonnets to Duse... praising her effort, and mentioning seeing\n                  actress \n                   Olga Nethersole .","thanking her for the autograph copy of her book \n                   Sonnets to Duse... , writing about getting settled in their new\n                  home","asking for a day to visit, expressing her pleasure\n                  in her ( \n                   Sara Teasdale 's ) book \n                   Sonnets to Duse... , with ALS from \n                   Mary D. Harris to \n                   Sara Teasdale , expressing her\n                  pride in Teasdale and her book","writing about the beauty of her poems and that he\n                  has written a review of her book [ \n                   Sonnets to Duse... ]","praising her book [ \n                   Sonnets to Duse... ]","sending his review of her book [ \n                   Sonnets to Duse... ] from \n                   The Saturday Review","concerning her delight in receiving a letter from \n                   Arthur Symons , and saying that\n                  Symons is \"not only one of the greatest living\n                  critics, but...a poet of true feeling...\"","thanking her for the copy of her book [ \n                   Sonnets to Duse... ], and discussing \n                   Arthur Symons","enclosing the \"notice by \n                   Arthur Symons from \n                   Saturday Review \"","thanking her for the presentation copy of her book\n                  [Sonnets to Duse...] and praising her poems and\n                  sonnets","thanking her for the copy of her book [ \n                   Sonnets to Duse... ]","thanking her for the copy of her book [ \n                   Sonnets to Duse... ], and encouraging her to pursue her gift of\n                  writing verse","expressing appreciation of the copy of her book [ \n                   Sonnets to Duse... ]","thanking her for the copy of her book [ \n                   Sonnets to Duse... ] and wanting to see her","stating that \n                   Eleanora Duse would be returning\n                  to her home at 54 Via Robbia soon, sent to \n                   Sara Teasdale by \n                   Jerome A. Quay","explaining the content of the November 19, 1907\n                  letter re \n                   Eleanora Duse","writing that he would be glad to use \"The Heart's\n                  Hearth\" in the Christmas issue","thanking her for the copy of her book [ \n                   Sonnets to Duse... ] and expressing his and his wife's\n                  enjoyment of her poetry","returning her poems except for \"Dusk\" which he\n                  hopes will go into the January issue","acknowledging receipt of her letter and copy of\n                  her book [ \n                   Sonnets to Duse... ] to be forwarded to \n                   Eleanora Duse","wishing to purchase her book of verse [ \n                   Sonnets to Duse... ]as a Christmas gift","praising her book of verse, \n                   Sonnets to Duse... , and including a poem","sending a copy of her \n                   Sonnets to Duse... for her to autograph and saying that \"Dusk\"\n                  will be in the February issue","thanking her for the book, [ \n                   Sonnets to Duse... ], commenting on her gift for writing\n                  poetry, and wanting her parents to visit on their way\n                  from \n                   Philadelphia, Pennsylvania","thanking her for the book [ \n                   Sonnets to Duse... ]","thanking her for the book [ \n                   Sonnets to Duse... ], praising the sonnets, and wishing to talk\n                  with her","praising her book [ \n                   Sonnets to Duse... ] and relating personally to some of the\n                  poems, and discussing the relationship between a work\n                  and its artist and how they are perceived by\n                  others","returning her poem unused due to lack of space","re the birth of their baby, \n                   Barbara George","expressing appreciation for the book of verses [ \n                   Sonnets to Duse... ] sent to \n                   Mary F. Raphael , who is not\n                  well, and saying that Mrs. Raphael has sent three\n                  autographed photographs of her pictures to \n                   Sara Teasdale","commenting favorably on her book of verse [ \n                   Sonnets to Duse... ], which she borrowed from \n                   Fred R. Macauley , referring to \n                   Sara Teasdale as having \"the\n                  unmistakable lyric touch,\" comparing her own verse to\n                   Sara Teasdale 's , and wanting to\n                  talk with her and get to know her","expressing her pleasure in \n                   Sara Teasdale 's poem,\n                  \"Guenevere,\" writing that their interpretations of\n                  Tennyson's masterpiece are very similar and that she\n                  will send a photograph of her picture of the work\n                  which illustrates this","sending congratulations for their baby, \n                   Barbara George","thanking her for the copy of her book [ \n                   Sonnets to Duse... ]","praising her book of verse, \n                   Sonnets to Duse... , and complimenting her writing","acknowledging her praise for his translation of\n                  the odes and fragments of \n                   Sappho and writing that he would\n                  be glad to send her a copy, and referring to one of\n                  her poems as being of \"rare beauty of thought and\n                  expression\"","expressing enjoyment of her book [ \n                   Sonnets to Duse... ] and congratulating her on its success","thanking her for her book of poems [ \n                   Sonnets to Duse... ] and expressing his appreciation of the\n                  dedicatory triolet to himself, giving high praise to\n                  her sonnets and comparing her admirably to \n                   Christina Rossetti , critiquing\n                  some of the poems, and giving her the original draft\n                  of \"The Sleep Wind\"","asking for \n                   Sara Teasdale 's address in order\n                  to write for permission to set her \"The Heart's\n                  Hearth\" to music","acknowledging receipt of her poem dedicated to \n                   John Keats for the anniversary of\n                  his death","enclosing a March 23rd letter from \n                   Adelia C. Arens and relaying\n                  praises for her Sonnet on \n                   John Keats from \n                   Elizabeth Waddell and \n                   R.E. Lee Gibson","hoping she is well and commenting on her\n                  treatments","requesting a paragraph referring to her poem,\n                  \"Love in Autumn\" and information about herself, with\n                  a page from his magazine","writing a note about her lines on \n                   John Keats on a postcard showing\n                  where Keats died which was sent to him from \n                   Rome, Italy","sending along an article from \n                   The Evening Post about new books of verse which mentions \n                   Sara Teasdale 's sonnet to \n                   Sappho","acknowledging receipt of her remembrance and\n                  wishing to hear her read some of her poems","thanking her for her letter and copy of her book, \n                   Sonnets to Duse... , saying she had already read her poems\n                  while at the home of \n                   Arthur Symons along with \n                   Julia Marlowe , and mentioning\n                  some of her favorite poems by \n                   Sara Teasdale","re \n                   Sara Teasdale 's impending\n                  arrival in \n                   Tucson","advising her on having \n                   Helen of Troy published","thanking her for the Christmas gift and saying she\n                  is going home next week","hoping she had a restful journey home","thanking him for his kindness and sending love to \n                   Marion Cummings Stanley","writing \"passed Liberal all right\"","acknowledging receipt of a package","accepting \"Helen\" for publication","thanking her for the copy of her book, \n                   Sonnets to Duse... , and praising it as well as her gift of\n                  writing","chiding her for not writing","relating that a Mr. \n                   Sidney Fane of London, England\n                  has asked permission to set her poem \"Buried Love\" to\n                  music","accepting her poems \"November\" and \"Vox Amoris\"\n                  for publication","asking her to read a book of poems and write a\n                  criticism of it","commenting on the death of \n                   Algernon Charles Swinburne","telling her that her poems are beautiful","writing that her poetry sings; commenting on her\n                  literary gift, her lyrical quality, and \"the value of\n                  the songs,\"; and, discussing the \"necessity of\n                  deciding between the artificial-imagination and this\n                  other thing of simplicity in beauty-simplicity and\n                  the heart.\" There is much literary thought and\n                  discussion","writing about having his songs published,\n                  including one with the words to \n                   Sara Teasdale 's poem, \"Buried\n                  Love\"","re the beauty of spring","accepting her poem, \"The Prayer,\" for\n                  publicaton","showing an interest in her poem, \"On the Death of\n                  Swinburne\" and wishing to reproduce something of hers\n                  in one of their issues","sending a copy of one of his new songs, \"A Queen\n                  of the Long Age\"","discussing \n                   Witter Bynner 's favorable\n                  comments on her poetry and his being with publishers \n                   Small, Maynard \u0026 Company ,\n                  mentioning \n                   John Stapleton Cowley 's praise\n                  of \"Guenevere,\" and \n                   Zoe Aikin 's new book","thanking her for her book of poems [ \n                   Sonnets to Duse... ] and naming his favorites","describing the peacefulness of \n                   Charlevoix and her visit with \n                   Sara Teasdale , and asking him to\n                  send some money","re boating","mentioning a boat trip around \n                   Traverse Bay with \n                   Mamie Teasdale Wheless , her\n                  delight with \n                   Charlevoix and \n                   Sara Teasdale and her family, and\n                  wanting to discuss plans with him","discussing a trip around \n                   Pine Lake on a \"miniature ferry,\"\n                  plans for leaving there and returning to \n                   Tucson, Arizona , mentioning \n                   Sara Teasdale 's and her poetry\n                  writing, receiving \"Mr. Sappho's\" \n                   [John Myers O'Hara] new book, \n                   Songs of the Open","re personal matters and plans for leaving","writing about \n                   Marion Cummings Stanley 's visit,\n                  on a postcard with a view of a river, \"The Old\n                  Channel,\" in \n                   Charlevoix","sending a postcard with another view of a river,\n                  \"Old River,\" in \n                   Charlevoix","writing personal news","thanking her for the copy of her book [ \n                   Sonnets to Duse... ] and praising her work","praising her book, \n                   Sonnets to Duse... , commenting on \"Japanese Incense\" as being\n                  \"as fragrant in words as is the perfume it speaks,\"\n                  and saying that her love-songs are as lovely as those\n                  of \n                   Sappho","sending pictures of the buildings in which she is\n                  spending time, and reminiscing about time spent with \n                   Marion Cummings Stanley","accepting her poem, \"To Cleis,\" for publicaton","thanking her for the gift","sending a Christmas greeting","thanking him for the candy","sending his appreciation of her gift of the book [\n                   Sonnets to Duse... ]","requesting the return of her short monologue,\n                  \"Sappho,\" with ANS from the Editor saying that they\n                  are using it in the February issue","thinking of her in this \"loveliest, quaintest\n                  town\"","thanking him for the gift of \"the dear little\n                  Japanese girl feeding the fawns\"","thanking her for \"the interesting sixteenth\n                  century gentleman with a telephone receiver\"","receiving the baby picutres of \n                   Barbara George and the newborn,\n                  and asking that the \n                   Potter's Wheel be sent to \n                   Lillie Rose Ernst at \n                   Hosmer Hall","requesting permission to set to music her poem,\n                  \"Pierrot,\" and giving some information about herself\n                  including being a student of \n                   Leopold Godowsky","requesting permission to set to music her poem,\n                  \"Daisy Time\"","requesting permission to set to music her poem,\n                  \"Pierrot\"","enclosing a letter from someone in \n                   Aberdeen, Scotland requesting\n                  permission to use one of her poems","wishing to obtain \n                   Sara Teasdale 's consent for\n                  publishing a song with her poem, \"Daisy Time,\" set to\n                  music","discussing \"Miss French's\" work in poetry, gladly\n                  accepting \n                   Sara Teasdale 's praise of his\n                  own work, and mentioning \n                   John Myers O'Hara and his\n                  \"Sapphic poems\"","requesting permission to publish as a song her\n                  poem \"Daisy Time\" which she has set to music","re using her poems","sending a check in payment for two of her poems to\n                  be published in \n                   Putnam's Monthly","concerning her poem, \"Erinna,\" which is to appear\n                  in their second issue, and mentioning as among her\n                  admirers, \n                   Louis Untermeyer , \n                   Mitchell Kennerley , \n                   Michael Monahan , and \n                   Richard Le Galliene","concerning the publication of her volume of poems,\n                  their undertaking the publishing of four or five\n                  volumes of verse as well as the second book of \"The\n                  Younger Choir,\" and companies wanting a guarantee of\n                  sales when publishing poetry","offering her a publishing proposition for her\n                  volume of verse specifying that she would bear the\n                  entire cost of production","accepting her poem, \"The Wind,\" for\n                  publication","requesting permission to set to music her poem,\n                  \"Daisy Time\"","thanking her for the lace jabot, describing at\n                  great length the Potter party, and mentioning each of\n                  the \n                   Potters","according her the right to make further use of her\n                  verse, \"Song,\" published by the magazine last July in\n                  her book or in a musical setting, and accepting her\n                  poem, \"The Wind,\" for publication","thanking her for her letter and volume, \n                   Sonnets to Duse...","returning the \"Young Choir\" with his signature","concerning an evening of poetry [a meeting of the \n                   Poetry Society of America ]","giving his weekday schedule","wanting to meet her at the next meeting and\n                  commenting that Sara Teasdale's \"Helen,\" read by\n                  Witter Bynner, was well accepted","giving his weekday schedule","writing that he has set to music two of her poems,\n                  \"Buried Love\" and \"Pierrot\"","finding her quatrain \"At Night\" to be pure and\n                  true","thanking her for the book [ \n                   Sonnets to Duse... ], and saying it was both a pleasure to read\n                  it and to meet her, and commenting that \"poets are\n                  the most charming people on earth\"","thanking her for giving him permission to use her\n                  poems, \"Daisy Time\" and \"Song\" as musical settings,\n                  and asking permission to use \"Twilight\"","thanking him for his note about a photograph of\n                  herself she had sent","calling her \"On the Tower\" a magnificent piece of\n                  work and printing it in the August issue","requesting permission to submit for publication a\n                  musical setting of her poem, \"The Prayer\"","thanking her for her courtesy and for the pleasure\n                  her poems give her","acknowledging receipt of her lyrics, and asking\n                  her charge for using them","giving high praise to her work in the book of\n                  poems [ \n                   Helen of Troy and Other Poems ], and wanting to write a nice review for \n                   The Hesperian","praising her book of poems [ \n                   Helen of Troy... ], especially the love songs, and wanting to\n                  send her a copy of his selected \n                   Poems","thanking her for the gift of the charming book [ \n                   Helen of Troy... ]","commenting on her book of poems, \n                   Helen of Troy...","thanking her for the copy of \n                   Helen of Troy... and wishing her success","thanking her for the gift, [ \n                   Helen of Troy... ], and planning to read the verses with her\n                  husband on their wedding trip","thanking her for the volume, [ \n                   Helen of Troy... ], and commenting on its \"lyric\n                  splendor\"","thanking her for the book, [ \n                   Helen of Troy... ], saying that he has written a review of\n                  her book for \n                   The Mirror , and commenting that \"On the Tower\" us\n                  \"dramatic promise as well as fine poetry\"","thanking her for the copy of \n                   Helen of Troy... , and sending in return a copy of his \n                   Poems","calling the verses in her book, [ \n                   Helen of Troy... ] \"dear and familiar,\" showing pride in the\n                  dedication, saying that she was glad the book arrived\n                  after her spell of illness and melancholy and that\n                  she is looking forward to better health and the\n                  success of her own book","thanking her for the book \n                   Helen of Troy... , and promising to copy some verses for\n                  her","referring to her new book, \n                   Helen to Troy... , as a \"perfect delight,\" and thanking her\n                  for the copy","commenting that \n                   Orrick Johns has written a fine\n                  review of \n                   Helen of Troy...","thanking her for the volume of \n                   Helen of Troy... , and mentioning the lyrics she especially\n                  liked","thanking her for the gift of her book, \n                   Helen of Troy... , and commenting that the love-songs are her\n                  favorite and that they \"have that artlessness that\n                  signifies the mastery of art\"","thanking her for sending the volume of verse, \n                   Helen of Troy... , and indicating that it has already become\n                  a family treasure","thanking her for the book, \n                   Helen of Troy... , and mentioning his boarders' reaction to\n                  the volume","thanking her for the gift of her poems, \n                   Helen of Troy...","requesting permission to set to music her poem,\n                  \"Twilight,\" with ANS from her mother, \n                   Mary Elizabeth Willard Teasdale ,\n                  on back","admiring her \"powers \u0026 artistic\n                  discrimination,\" commenting on his own verse, \"The\n                  Poet,\" which \n                   Sara Teasdale had praised,\n                  sending her \"a little burlesque volume,\" \n                   The Younger Quire , saying she will like the review of her \n                   Helen of Troy... , and praising her work","expressing his enjoyment of her poems, extending\n                  congratulations on her book, \n                   Helen of Troy... , commenting on \n                   Charles Hanson Towne 's splendid\n                  work, and saying that his own \"sense of rhythm is so\n                  lyrical in style...\"","requesting some biographical information for his\n                  upcoming article on poets","praising her book of verse, \n                   Helen of Troy... , discussing a trip to \n                   Europe and plans for a future\n                  trip abroad, and mentioning a meeting of the \n                   Poetry Society of America with a\n                  discussion of the Irish plays and invluding\n                  interesting persons such as \n                   Henry Van Dyke and \n                   Curtis Hidden Page","expressing his appreciation of the gift of her\n                  book, \n                   Helen of Troy... , and sending a token in return","giving high praise to her book of verse, \n                   Helen of Troy... , calling \"Helen of Troy\" and \"On the Tower\"\n                  \"postive triumphs,\" critiquing several of the poems,\n                  comparing her favorably to \n                   Elizabeth Barrett Browning and \n                   Christina Rossetti , and writing\n                  a French translation of \"The Pagan End\"","thanking her for the volume of her poems, \n                   Helen of Troy... , calling her \"a real poet,\" and saying that\n                  it will be a delightful privilege to read her new\n                  poems","requesting permission to publish his musical\n                  setting of her verse, \"Song,\" and asking to use the\n                  first line as the title","wishing to meet with her to discuss her book, \n                   Helen of Troy...","sending thanks for her book of verse, \n                   Helen of Troy...","reminiscing about a Thanksgiving dinner with \n                   Marion Cummings Stanley and Sara,\n                  writing about Marion's despair over the illness of\n                  her mother, and expressing his delight in reading her\n                  book, \n                   Helen of Troy...","thanking her for the book, \n                   Helen of Troy... and commenting on her great talent","re a column review of \n                   Sara Teasdale 's book, \n                   Helen of Troy... , in the following day's paper","expressing her pleasure at receiving her book, \n                   Helen of Troy... , and encouraging her to \"keep on\n                  singing-for all of us\"","reminiscing about her stay with him and \n                   Marion Cummings Stanley , and\n                  asking him to send a copy of her book (which she will\n                  supply), \n                   Helen of Troy... , to \n                   Richard LeGallienne of \n                   Harper's Magazine , under his own name","drawing her attention to the notice of her book, \n                   Helen of Troy... , in the Sunday \n                   New York Times","looking forward to reading her volume of verse, \n                   Helen of Troy... , and hoping that their reviewer will\n                  mention it","enclosing some clippings for \n                   Marion Cummings Stanley ,\n                  planning to mail her book, \n                   Helen of Troy... to him to send to \n                   Richard LeGallienne , and\n                  mentioning her poor health","commenting on the \n                   St. Louis Times review of her book, \n                   Helen of Troy... , and on their literary relationship","apologizing for the delay in sending copies of \n                   Helen of Troy... to periodicals she requested, and returning\n                  the reviews of her book","accepting \"The Lights of New York,\" \"Sea Longing,\"\n                  and \"Triolets\" for publication","accepting one of her sonnets for the next issue\n                  and revealing that \n                   Louis Untermeyer will be\n                  reviewing her book, \n                   Helen of Troy... , in the current issue","praising the verses in her book, \n                   Helen of Troy... and commenting on their beauty","reminding her of her promise to present a copy of\n                  her book, \n                   Helen of Troy... , to him","sending holiday greetings and commenting \"how\n                  pleasing to turn to a comforting poem and find solace\n                  in a kindred spirit\"","requesting information from her for his \"calendar\n                  of the poets\"","concerning an enquiry on her first volume, \n                   Sonnets to Duse...","congratulating her after seeing the review of her\n                  book, Helen of Troy..., in the St. Louis Times,\n                  written on an announcement of new employment with\n                  Hornblower \u0026 Weeks","concerning the \n                   Poetry Society of America , and\n                  mentioning certain persons -- \n                   Cale Young Rice , \n                   Josephine Peabody , \n                   Percy Mackaye --planning to\n                  attend their annual dinner","writing in answer to her note about his review of \n                   Helen of Troy... and further critiquing the poetry as he\n                  would have if given more space in \n                   The International , and commenting that the attitude in the\n                  love lyrics is that of a woman","thanking her for the book of poems, \n                   Helen of Troy... , finding her lyrics \"poignant and\n                  pertinent,\" commenting on several of his personal\n                  favorites, and giving a brief comment on \n                   Rudyard Kipling","enclosing a letter from a friend praising \n                   Sara Teasdale 's book of poems, \n                   Helen of Troy... and commenting on Teasdale's\n                  understanding","asking the basis for her poem, \"Sappho\"","expressing gratitude for the copy of her book, \n                   Helen of Troy... , and commenting on her gift of song","commenting that her \"The Poor House\" was the only\n                  poem read at the meeting of the \n                   Poetry Society of America","saying she has read her book, \n                   Helen of Troy... , and writing of having the same dream\n                  twice","requesting permission to set to music her poem\n                  \"When Love Comes Singing to his Heart\"","revealing himself as an admirer of her work and\n                  putting her in a class with himself","receiving her acceptance to the annual dinner of\n                  the \n                   Poetry Society of America","thanking her for her effort to go to the Guild and\n                  for allowing him to use her poems in a musical\n                  setting","thanking her for `The Book of Poems' and sending a\n                  circular of \n                   Home Progress along with some literary notes","sending a review and thanking her for the charming\n                  poems","writing that he will run \n                   Marion Cummings Stanley 's\n                  article about her poems, and congratulating her on\n                  her move to \n                   New York","commenting on his book of poems and preparing for\n                  her move to \n                   New York","praising her as the \"most gifted of the lyric\n                  girls,\" also signed by \n                   Richard LeGallienne and \n                   B. Russell Herts","appreciative of her book, \n                   [Helen of Troy...]","taking the liberty of sending his edition of\n                  poems, and expressing his delight in her two books \n                   [Sonnets to Duse...] and \n                   [Helen of Troy...]","sending her a copy of his book, commenting on her\n                  style and on his own, asking if she knows \n                   Zoe Akins and writing that she\n                  sent him her book of poems, and discussing the beauty\n                  of \n                   Carmel","showing his gratitude for her book, \n                   [Helen of Troy...] , and inviting her to tea","expressing her \"more poignant\" pleasure in \n                   Sara Teasdale 's poems after\n                  meeting her","thanking her for her book \n                   [Helen of Troy...] and admiring its style, and giving a message\n                  from \n                   Edith Thomas","acknowledging receipt of her book \n                   [Helen of Troy...] and expressing his pleasure in reading it,\n                  and giving a critique of many of the poems","praising her poem, \"The Poorhouse\" and confirming\n                  luncheon plans","thanking her for the inscribed copy of her book \n                   [Helen of Troy...]","expressing her delight in seeing \n                   Sara Teasdale 's name in so many\n                  magazines, and requesting to have tea with her","thanking her for her letter of appreciation for \n                   Louis Untermeyer 's poem, and\n                  commenting on \n                   George Sylvester Viereck , \n                   B. Russell Herts , and \n                   Orrick Johns","commenting on her sweet letter and on \"the\n                  twilight of Poetry\"","finding her genius in the pages of \n                   Helen of Troy...","commenting on the review of her book, \n                   [Helen of Troy...] , which he previously sent, written on a\n                  flyer about himself entitled \"A .... Journalistic\n                  Jubilee.. .\"","thanking her for the note and book of verse \n                   [Helen of Troy...]","referring to her poem, \"Four Winds,\" as \"deep,\n                  refreshing, and ... so cruelly true,\" and waiting to\n                  pick up a copy of her volume \n                   [Helen of Troy...]","writing that he will sign his name to the sonnet\n                  [as requested], intending to return \n                   The Younger Choir in person instead of by mail, inviting her\n                  and \n                   Dugald Stewart Walker to visit\n                  one evening, and expecting Aline and Kenton to call\n                  on her the following day","requesting her to \"contribute an original\n                  complimentary poem in honor of Browning's centenary\"\n                  for an article in the \n                   Boston Transcript on May 4, honoring \n                   Robert Browning , and mentioning \n                   Carman Bliss , \n                   Edwin Markham , and \n                   Edwin Arlington Robinson as being\n                  among those who have already consented","concerning a request through their \n                   London office from Messrs. \n                   Chappell \u0026 Co., Ltd. , to\n                  publish her poem, \"Pierrot,\" with a musical\n                  setting","expressing his pleasure in receiving her book of\n                  poems \n                   [Helen of Troy...] , and looking forward to meeting her one\n                  day","expressing his pleasure in reading her book \n                   [Helen of Troy...] , and commenting on her writing\n                  improvement","looking forward to having her inscribe his copy of\n                  her book of poems","expressing her great pleasure at receiving her\n                  letter and book \n                   [Helen of Troy...] , and discussing friendship","thanking her for her book of poems \n                   [Helen of Troy...] , and returning her kindness with a copy of\n                  her own novel","wanting to exchange his book, \n                   The Iron Muse , autographed, for any one of her books, and\n                  explaining the concept of his book, enclosing two of\n                  his poems, \"Reno\" and \"The Star\"","acknowledging her kindness in sending the\n                  inscribed copy of her book \n                   [Helen of Troy...] , and expressing his thoughts after meeting\n                  her, with enclosure on \"The Modern School\"","thanking her for a copy of her volume of poems, \n                   Helen of Troy... , and commenting on her clarity of poetic\n                  ideas","concerning the club's thirty-fourth meeting and\n                  enclosing a program","requesting \"new treasures\" for \"The Lyric Year,\"\n                  and referring to a poem in process addressed to \n                   Sara Teasdale","commenting on his verse coming slowly and on\n                  finishing his poem dedicated to \n                   Sara Teasdale by a year or so,\n                  and writing to ask if she \"will not find the rare\n                  inspiration on the sea,\" in reference to her sailing\n                  to \n                   Europe","intending to extend the poetry contest and\n                  commenting on her wanting to sell her poem","requesting her to autograph a recently purchased\n                  book of her writings","requesting permission to use two of her poems in\n                  musical settings","requesting to use another one of her poems, \"Less\n                  than the Cloud to the Wind,\" in a musical setting,\n                  and sending the title notice about \"When Love Comes\n                  Singing\"","requesting permission to use her verse, \"At\n                  Night,\" in a musical setting","requesting biographical data, a photograph and\n                  review copies from her publishers for an upcoming\n                  series of special articles on American poets that he\n                  is going to undertake in his new capacity as head of\n                  a literary department in \n                   The Minneapolis Journal","following up on his last letter since he has not\n                  heard from her, and naming some contributors to the\n                  article","repeating a prior request","requesting permission to use her poem, \"Pierrot,\"\n                  in a musical setting","requesting permission to put \n                   Sara Teasdale 's verse, \"Song,\"\n                  to music","thanking her for the letter and copy of \n                   Helen of Troy... , trying to express the sincerity of his\n                  motive in doing the project, and praising her blank\n                  verse poems","praising her volumes, \n                   Sonnets to Duse... and \n                   Helen of Troy... , and desiring to obtain a copy of the\n                  latter","acknowledging receipt of her songs and letters,\n                  praising the \"rapture and delicacy\" of her \"From the\n                  Sea,\" and mentioning the poetry contest","passing on a compliment from \n                   Ella Wheeler Willcox and\n                  requesting a list of her books along with the\n                  publishers' names","asking for \n                   Jessie Belle Rittenhouse 's\n                  address in order to express her interest in the \n                   Poetry Society of America , and\n                  praising \n                   Sara Teasdale 's verses","accepting her poem, \"I Shall Not Care,\" for\n                  publication","expressing his pleasure in \n                   Mitchell Kennerley 's acceptance\n                  of her poem for \"The Lyric Year\"","sending \"a few lines of opinion upon your\n                  verse...\"","concerning her request for his review of \n                   Helen of Troy... and his own editorship of \"The Poetry\n                  Journal\"","writing a brief opinion of \n                   [Helen of Troy...]","admiring her and thanking her for her kind\n                  thoughts","accepting \n                   Sara Teasdale 's poem, \"Off\n                  Capri\"","commenting on the honesty of her poetry,\n                  mentioning her review of \n                   Helen of Troy... , and asking if she knows \n                   George Buchanan Fife","thanking her for the copy of \n                   Helen of Troy...","expressing her admiration for \n                   Sara Teasdale 's poetry and her\n                  gratitude for Teasdale noticing her writing","accepting her Christmas poem and requesting a\n                  review of \n                   John Hall Wheelock 's book of\n                  poetry","confessing to be a great admirer of her poetry and\n                   Helen of Troy... , thanking her for her note, and enclosing a\n                  circular of his new book, \n                   The Beloved Adventure","accepting \"Sappho\" for future publication","thanking him for the booklet","thanking her for the book and giving a glowing\n                  opinion of \n                   [Helen of Troy...]","accepting \"The Hour,\" with a slight change in the\n                  second stanza","returning her poem, \"The Hour,\" since she rejects\n                  the change and apologizing for a printing error","looking forward to meeting an old friend \n                   (Sara Teasdale) for the first\n                  time","thanking her for the volume, \n                   Helen of Troy...","reaching an agreement concerning her poem, \"The\n                  Hour\"","accepting her two poems, \"Song\" and \"Gifts\"","expressing his having the \"true pleasure of\n                  finding a heart-full of real love lyrics\" and\n                  praising her work","accepting two of her poems for \n                   The Poetry Journal , and mentioning a tete-a-tete with \n                   [Alfred] Noyes","commenting that her work is just what the \n                   Smart Set needs","praising her as the best \"writer of delicate\n                  lyrics\" and commenting on some of her verse in \n                   Helen of Troy...","sending a tribute to her muse and expressing his\n                  enjoyment of her visit","praising her volume and apologizing for his delay\n                  in writing due to his busy schedule","keeping six of her poems for publication and\n                  suggesting a few changes","mentioning the \n                   [Alfred] Noyes affair and \n                   [Jessie Belle] Rittenhouse ,\n                  sending her copy of \n                   Helen of Troy... for an inscription and praising its\n                  \"Love-Songs,\" and discussing a reading by \n                   Alfred Noyes of \n                   The Forty Singing Seamen","admitting to be an admirer of her work and\n                  accepting \"Enough\" and \"Prayer\"","requesting permission to set \"Pierrot Plays in the\n                  Garden\" to music","commenting on her note and verse, \"A Forsaken\n                  Garden\" about the vandalism of \n                   Snows Garden","calling her poem, [\"A Forsaken Garden\"] \"pure\n                  music in plainest English!...\"","requesting permission to publish a song, \n                   Sara Teasdale 's \"Pierrot,\" set\n                  to music","sending under separate cover \n                   The Creed of a Beggar and \n                   The Rules of the Road , and looking forward to \"a most profitable\n                  friendship\"","thanking her for the book of verse, \n                   Helen of Troy... , and praising her true touch","praising one of her narrative poems and hoping to\n                  be able to publish it","holding two of her poems, \"After Parting\" and\n                  \"February\"","discussing the poet's adaptation of his or her\n                  work to their wants","promising to take \n                   Sara Teasdale 's book of poems to\n                  a nice quiet spot","thanking her for her book, \n                   [Helen of Troy...]","requesting a signed autograph copy of her poem, \"I\n                  Shall not Care\"","praising her \"The Carpenter's Son\" as a beautiful\n                  and impressive poem and accepting it for their\n                  Christmas issue","requesting an autograph quotation and\n                  signature","accepting \"Spring Night\" for publication and\n                  requesting biographical information","accepting \"Sea Spray\" at the usual rate","holding two of her poems, \"Spring Night\" and \"The\n                  Subway Station,\" with a discussion of his thoughts on\n                  the latter","accepting \"Heinkehr\"","requesting an autograph poem and signature to add\n                  to his \"collection of autographic documents\" in\n                  American literature","expressing her regrets at missing her visit and\n                  explaining their custom concerning payment when using\n                  a manuscript","praising her work","inviting her to read her poetry at the \n                   Monday Club 's Poets Day, and\n                  mentioning \n                   Zoe Akins","discussing his \n                   Anthology of Magazine Verse , requesting her to obtain permission from \n                   Robert Bridges to use her\n                  \"Sappho\" in the publication, and praising her\n                  verse","requesting a portrait and autograph copies of her\n                  poems \"Sappho\" and \"The Old Maid\" for promotional\n                  purposes","asking her consent to set her poem, \"Enough\" to\n                  music","hoping to see her at the Literature Committee\n                  meeting the following day, and mentioning \n                   John Hall Wheelock","discussing her poetry","requesting permission to set to music her poem,\n                  \"The Lines\"","expressing appreciation of hearing several of \n                   Sara Teasdale 's poems","accepting her poems, \"The Bay of Naples,\"\n                  \"Alchemy,\" and \"Twilight,\" w/ANS from \n                   Margaret Elizabeth Willard\n                  Teasdale on verso","requesting to use \"The Look\" in a musical\n                  setting","thanking her for the book, \n                   Helen of Troy... and praising her work","requesting permission to publish her poem, \"Song,\"\n                  with a musical setting","expressing concern over \n                   Marion Cummings Stanley","asking for an autographed volume of her work with\n                  a dedication for an exhibit","praising her ability to write about certain\n                  subjects with such ease","expressing pleasure in her \n                   Helen of Troy... and naming several of her favorites, and\n                  mentioning poets she likes, such as \n                   Emily Dickinson , \n                   Josephine Preston Peabody , \n                   John Banister Tabb , and \n                   Bliss Carman","accepting her poem, \"To the Mother Of A Poet\"","requesting permission to use her poem, \"The Look,\"\n                  with a musical setting in the annual book of Songs by\n                  Wellesley Students","requesting permission to set her poem, \"The Look,\"\n                  to music","requesting one or more of \n                   Sara Teasdale 's poems to be\n                  included in her compilation books of poems and\n                  prayers, \"Sunlit Days\" and \"Starlit Nights\"","thanking her for permission to set her poem, \"The\n                  Look,\" to music and mentioning \n                   Eunice Tietjens","enclosing a check for use of her poem, \"At Night,\"\n                  in their July issue","requesting permission to use her poem, \"The Look,\"\n                  for a musical setting","praising and critiquing her \n                   Rivers to the Sea","asking for her \"hearty approval\" and help with\n                  their `House Party' honoring \n                   Missouri authors and writers, and\n                  describing the city's and the library's plans for the\n                  affair","requesting \n                   Sara Teasdale 's presence at a\n                  dinner in honor of \n                   Jessie Belle Rittenhouse as one\n                  of those represented in Rittenhouse's volume, \n                   The Little Book of Modern American\n                     Verse","asking who published \n                   Sonnets to Duse and \n                   Helen of Troy... and whether or not she has had published\n                  subsequent volumes","requesting permission to publish \"The Look,\" as a\n                  song","requesting permission to publish her poem, \"The\n                  Look,\" as a song, and explaining that she is\n                  seventeen and wishes to further her education as a\n                  pianist","requesting on behalf of the composer permission to\n                  publish her poem, \"The Look,\" with a musical\n                  setting","claiming that his daughter \n                   Barbara George 's poems are\n                  charming, and giving news of her marriage to \n                   Ernst B. Filsinger on December\n                  19","requesting some sentiment and autograph for his\n                  collection","accepting her poems \"Swan\" and \"Come\" for\n                  publication, and mentioning \"Dusk in War-Time,\"\n                  \"Morning,\" \"Leaves,\" and \"Bitterness\"","requesting her autograph for his collection of\n                  over two-hundred poets","accepting her poems \"Peace\" and \"The Lighted\n                  Window\" for publication, w/ANS at bottom","requesting her membership in their new\n                  organization","requesting permission to publish her poem \"The\n                  Look\" to a musical setting","requesting permission to publish her poem \"Spring\"\n                  with the understanding that they cannot pay","extending an invitation to her and her husband to\n                  see him and his class on April 1, and briefly\n                  discussing his plans for that day's class","requesting permission to publish \n                   Sara Teasdale 's \"The River\" with\n                  music","requesting permission to publish a musical setting\n                  of her poem \"The Look\"","requesting permission to use three of her poems as\n                  lyrics for songs","accepting her poem \"The Cloud\" for publication","requesting permission to use several of her poems\n                  from \n                   Helen of Troy... for musical settings","thanking him for his generous praise, admiring his\n                  wife's poetry, and mentioning \n                   Louis Untermeyer","concerning an idea of selling an autographed\n                  collection of books of verse and about verse to raise\n                  money for \n                   The Poetry Journal , and mentioning \n                   Conrad Aiken , \n                   Temple Scott , and \n                   William Stanley Braithwaite","accepting her poem \"Dreams\" for publication","writing in appreciation of her charming note, and\n                  mentioning \n                   Theodosia (Garrison) Faulks","writing in appreciation of her kind note and\n                  enclosed lyrics, praising \"Night Song at Amalfi\"\n                  particularly, and wishing to compose songs from some\n                  of the poems whenever she is not too busy with giving\n                  concerts","expecting to set to music her poems \"Come\" and\n                  \"The Kiss\" this summer","criticizing \n                   Sara Teasdale 's recently\n                  published \"In a Lighted Window\"","discussing her little boy poem [\"In a Lighted\n                  Window\"] and Judge Walker's opinion of it in his June\n                  18 letter, expressing his view of \n                   Zoe [Akin] and her anthology, and\n                  discussing free verse","offering a royalty of ten percent on all copies\n                  sold of her \n                   Rivers to the Sea and submitting a sample page","accepting the revision of \"Summer Night,\n                  Riverside\" for future publication","congratulating her on her success with \n                   The MacMillan Company","requesting permission to set to music her poem\n                  \"The Look\"","congratulating her on having her poems published\n                  by \n                   The MacMillan Company and telling\n                  of her own writing","requesting to use two musical settings \"But What\n                  if I Heard my First Love\" and \"The Kiss in Colin's\n                  Eye\" based on her poems","concerning the publication of \n                   Sara Teasdale 's poetry and the\n                  possibility of having advance order copies\n                  autographed","concerning his anthology coming out in October,\n                  and asking her assistance by sending her extra set of\n                  proofs when corrected and by contacting \n                   William Marion Reedy","praising her poems that she sent and hoping to use\n                  some of them","feeling that her book will be a success","complimenting her poems as being admirably fitted\n                  for American songs, and saying that she has set four\n                  of them to musical settings","criticizing the Imagist movement but commenting\n                  favorably on \n                   John Gould Fletcher 's work, and\n                  mentioning his drifting away from the group","accepting one of her poems for publication","concerning a suite of songs \"Five Songs of Autumn\"\n                  written by himself using her poems \"Twilight,\"\n                  \"November,\" \"Dreams,\" and \"Dead Leaves\"","agreeing to see her book and review it, discussing\n                  the \"woman and poet,\" mentioning \n                   MacMillan publishing his \n                   Song of Hugh Glass , and inquiring about her interest in\n                  Greek","agreeing to review her book and giving a lengthy\n                  discussion of a reviewer's work","praising and criticizing her poetry, and\n                  discussing the teaching of poetry","requesting permission to quote her poem \"Spring in\n                  War Time\" in a book being prepared about the war in \n                   Europe","requesting permission to use her poem \"I Shall Not\n                  Care\" in a musical setting","asking for some poems","giving glowing and detailed praise of her work in \n                   Rivers to the Sea , writing of \"the deep human beauty of this\n                  great poem,\" \"the holy core of life itself...and\n                  needful to be reminded by such as you,--...,\" \n                   Sara Teasdale as \"an unabashed\n                  lover of life,\" \"this expression of the fundamental\n                  emotion in its elements...\"","revealing that the Library system has copies of\n                  her book of poems, \n                   Rivers to the Sea","thanking her for the inscribed copy of her book \n                   [Rivers to the Sea] , and promising a judgment","writing in response to Sara's illness and\n                  mentioning her new book and some of her verse","expressing his gratitude for her book and praising\n                  the verses","(written in German)","replying to her letter concerning a full face or\n                  profile picture of her to use in their service","(written in German)","expressing appreciation of her book \n                   [Rivers to the Sea] and praising her verses","praising her book and her expression of her \"love\n                  in terms of nature,\" and wishing to see Sara","thanking her for \n                   Rivers to the Sea and commenting on her growth","mentioning the review of her new book to be in\n                  December's issue","praising her new book and expressing his pleasure\n                  in having met her and \n                   Ernst B. Filsinger in St.\n                  Louis","stating that he received her new book through \n                   Harriet Monroe and will place it\n                  among his memorable things, and revealing some\n                  feelings toward war","mentioning his health, the pleasant publicity of\n                  his \n                   Portmanteau , and her book","requesting a contribution for a select anthology\n                  of Pierrot and Columbine poems","requesting permission to use her poem \"The Kiss\"\n                  in a musical setting","thanking her for the volume and telling anecdotes\n                  about himself","expressing admiration for her and pleasure at her\n                  kind words concerning her own work","expressing her delight upon receiving and reading\n                  her \"exquisite little volume\"","thanking her for \n                   Rivers to the Sea , encouraging her and \n                   Ernst B. Filsinger to go to the\n                  Poets dinner, and mentioning receipt of the Chicago\n                  first prize for \"the Chinese nightingale\" and the\n                  progress of his Movie-Book","expressing her pleasure in reading \n                   Rivers to the Sea and promising a review shortly","praising her blank verse in \n                   Rivers to the Sea , and mentioning works by himself and his\n                  wife, Jean, and the opinions of \n                   Robert Frost and \n                   Max Eastman","expressing his fondness for her \n                   Rivers to the Sea","requesting permission to publish her poem \"The\n                  Kiss\" in a musical setting","praising her work and commenting on the Rieder\n                  translation","praising the \"wonderful lyric qualities\" of \n                   Rivers to the Sea , saying that the \"songs are so directly\n                  from the heart and life not only of a true poet but\n                  of a true woman...\"","expressing her and her husband's, \n                   Henry Mills Alden , admiration\n                  for her `singing leaves'","praising her \n                   Rivers to the Sea and her ability to \"bring a seeing eye to\n                  the most outworn or ordinary situations...\"","commenting that she is \"writing the best singing\n                  verse in the country today\" and that \"our singers are\n                  all too few and our \n                   Ezra Pound s and \n                   Gertrude Stein s are all too\n                  many!\"","admitting to being an admirer of her poetry, and\n                  planning to read \"Off Capri\" to \n                   The Centennial Club","telling her plans to write an article on \n                   Carl Vrooman and \n                   Julia Scott Vrooman and wishing\n                  to quote from \n                   Sara Teasdale's verses","commenting on her \"very unusual lyric gift\" and\n                  the satisfying \n                   Rivers to the Sea , and mentioning Sara's fragile health","citing her work as \"sincere and artistic,\"\n                  thanking her for the German versions of her poems,\n                  and wishing to publish some of her verse in the \n                   Yale Review","discussing an enclosed review of her \n                   Rivers to the Sea , remarking on the sign of prodigy in \n                   Stephen Vincent Benet (younger\n                  brother of \n                   William Rose Benet ), mentioning\n                  his wife \n                   Jean Untermeyer 's hit with \n                   Amy Lowell , and likens one of \n                   G. K. Chesterton 's poems to \n                   Vachel Lindsay 's style","quoting praises from Mrs. Meynell about the verses\n                  of Sara and of \n                   Margaret Widdemer as well as\n                  expressing his and his wife \n                   Grace Dawson 's delight with\n                  them, and mentioning his new book \n                   The Etchics of Confucius","requesting permission to set to music her poem\n                  \"Spring in War Time\"","praising \n                   Rivers to the Sea and especially \"The Answer\"","sharing her admiration of \"the lilt and the lift\n                  of the poems\" in \n                   Rivers to the Sea , mentioning \n                   Jesse R[ittenhouse] , \n                   Margaret Fuller , \n                   Margaret Widdemer , \n                   Royal Dixon , and discussing the\n                  hardship of the family of the late \n                   Madison Cawein","accepting her poems \"In a Hospital\" and \"Flames\"\n                  for publication","informing her that they have elected her an\n                  honorary member","requesting a personal biographical sketch of her\n                  by one of her friends","thanking her for her \"melodious book\" and\n                  commenting on some of his favorite poems","asking about `The New Moon' and the series of\n                  hospital songs, and thanking her for an article by \n                   Harris Merton Lyon","discussing \n                   Willard Huntington Wright 's\n                  critical pen, and praising \n                   Sara Tesdale 's songs","expressing pleasure at one of her stories and\n                  wishing she would do more prose","concerning \n                   Rivers to the Sea","offering fee for her story \"The Black Hearth\"","sending an affectionate holiday letter","praising \n                   Sara Teasdale 's \n                   Rivers to the Sea and saying that no other American poet \"so\n                  feelingly, so spontaneously and beautifully senses\n                  the primal human emotions\"","thanking her for the copy of [ \n                   Rivers to the Sea ] and commenting on her favorite poems and\n                  on one fault, and promising to send a copy of her own\n                   Six French Poets","sending some old photographs of Vine","explaining that she does her readings \"all for\n                  love of the fine new movement in poetry,\" and\n                  requests a copy of \n                   Rivers to the Sea","welcoming her book in their \n                   Poets Corner , praising her work,\n                  and inviting her to the College to see the work they\n                  are trying to do for the young women...","mentioning her stay at the Dawsons' ( \n                   Miles Dawson and \n                   Grace Dawson ) where she saw\n                  Sara's bridal picture","requesting formal permission to include some of\n                  her poems in an anthology of the \n                   New Poetry , with a personal handwritten note at the\n                  bottom and on the verso","expressing his interest in translating some of her\n                  work into Spanish and asking for her published books\n                  and a photograph","requesting permission to publish \"The Kiss\" set to\n                  music","discussing a school project and requesting a\n                  letter and a photograph","accepting her \"Songs in a Hospital\" and requesting\n                  one other poem for publication","praising Sara and her work on behalf of \"Ned\" ( \n                   Edna Wahlert ) and herself, and\n                  enclosing an \"honest tribute from Ned\"","acccepting her poem \"Old Days\" for publication","expressing her satisfaction at hearing from her\n                  and Ned ( \n                   Edna Wahlert )","thanking her belatedly for her gift of \n                   Rivers to the Sea","thanking her for the letter and gift of poetry","concerning her own article on \"Masterpieces of\n                  American Women Poets\"","praising her \n                   Sonnets to Duse and Other Poems and \n                   Rivers to the Sea","expressing her pleasure in reading \n                   Rivers to the Sea , and mentioning it being listed in the\n                  April issue","extending an invitation for her to read some of\n                  her poems at a benefit tea","accepting her poem \"Child, Child\" for publication\n                  if it is not to be published in a book soon","expressing his pleasure with her letter, poems,\n                  and songs as well as his enjoyment in singing her\n                  songs, and mentioning a singing engagement at the \n                   Browning Society Soiree","writing of her enjoyment in hearing \n                   Ernst B. Filsinger read Sara's\n                  poems at The Wednesday Club, and inviting her to tea\n                  with \n                   Celia Harris and herself","thanking her for the book which has not yet\n                  arrived and sending regards to \"Johns and Miss\n                  Monroe\"","re \n                   Rivers to the Sea","calling her new book delightful and commenting on\n                  her ability to \"keep command over so sure an\n                  artistry,\" and enclosing a copy of his poem \"To St.\n                  Louis\"","expressing pride at her letter and gift of \n                   Rivers to the Sea","requesting permission to obtain the rights to \n                   Sara Teasdale 's poem \"Joy\" to\n                  use in a musical setting, with ANS from Reedy to \n                   Sara Teasdale Filsinger at\n                  top","thanking her for the letter and beautiful book,\n                  and expressing an inerest in setting some of her\n                  poems to music","indicating that he has set to classical music her\n                  poem \"Flames\"","writing of activities of the \n                   Browning Society and enclosing a\n                  program","expressing his certainty that some of her lyrics\n                  will inspire some composer to set them to music","wishing to secure the \"Song Maker\" and one other\n                  lyric for use in a vocal number in \"Missouri's Place\n                  in Literature\"","thanking her for the gift of \n                   Rivers to the Sea , and expressing an interest in setting some\n                  of them to music","thanking her for the pretty \"Mary Arden poem\"","enclosing three photographs of \n                   William Faversham and others at\n                  the Shakespeare Celebration","requesting permission to use \"The Kiss\" in a\n                  musical setting","thanking her for the letter and copies of her\n                  poems, and mentioning a discussion with \n                   Edmund Clarence Stedman over what\n                  constitutes a lyric poem","requesting permission to set to music \n                   Sara Teasdale 's poem \"I Heard a\n                  Cry\"","concerning Newark's Poem Competition and its civic\n                  theme","requesting her membership and expressing\n                  admiration","concerning her assistance as judge","thanking her for her letter and poems, which gave\n                  him a great deal of pleasure","requesting permission to use her poem \"In a\n                  Hospital\" in a volume of selections from English and\n                  American poets about the war to be edited by himself\n                  on behalf of the \n                   Belgian Scholarship\n                  Committee","concerning a meeting of American poets to be held\n                  on June 28 \"in memory of \n                   Padraic Pearse , \n                   Thomas MacDonagh , and \n                   Joseph Plunkett , the three poets\n                  who were executed for their share in the recent\n                  uprising in \n                   Dublin , \" and asking for one of\n                  her poems to be read","enclosing a request to set to music \"Child,\n                  Child\"","extending appreciation for her part in the \n                   St. Louis Convention, and\n                  commenting on her two beautiful odes read by \n                   William Faversham","offering preliminary terms for the spring 1917\n                  publication of her anthology of love lyrics by\n                  women","concerning \n                   Houghton Mifflin Company 's\n                  acceptance of Sara's \n                   The Answering Voice...","more concerning \n                   The Answering Voice...","requesting copies of her two Shakespearian odes\n                  both read by \n                   William Faversham","thanking her for her charming note about her\n                  daughter \n                   Hilda Conkling 's poem, and\n                  enclosing some poems by the five-year old","requesting permission to set to music her poem \"A\n                  Poem of Young Love\"","expressing her enjoyment over \n                   Rivers to the Sea , and mentioning Sara's discriminating\n                  comment on \n                   Sappho","requesting permission to print her \"Testament\" in\n                  a little volume of sermons","accepting a poem for publication","requesting again permission to set to music her \"A\n                  Poem of Young Love\" as well as \"When I am Dead\"","praising her \n                   Rivers to the Sea","expressing his interest in having her poetry set\n                  to some `Ozark songs'","requesting permission to use her lyrics \"A\n                  Benediction\" in a musical setting by \n                   C. Whitney Coombs","asking permission to use the second verse of \n                   Sara Teasdale 's poem \"Child,\n                  Child\" on a card to be distributed among friends","requesting permission to set to music \n                   Sara Teasdale 's poem \"Child,\n                  Child\"","expressing his pleasure at her new poems, and\n                  mentioning the protest against the Post Office\n                  banning of the works of \n                   Theodore Dreiser","concerning letters requesting permission to use\n                  some of Sara's lyrics","accepting her poem \"Other Men\" for publication","requesting permission to set to music her poems\n                  \"Deep in the Night,\" \"Come,\" and \"The Flight\"","requesting an original verse to use as a guide for\n                  contestants in a health poetry contest in which \n                   Harriet Monroe , \n                   Henry Adams Bellows , and \n                   William Stanley Braithwaite will\n                  act as judges","requesting permission to use one of her poems in\n                  an anthology she is editing entitled \n                   The Answering Voice--One Hundred\n                     Love-Lyrics by Women","accepting her poem \"August Moonrise\" for\n                  publication if conditions are agreeable","asking her consent on behalf of her singing master\n                  to have a song published using her verse \"Jewels\"","commenting on the poems she liked best including a\n                  group of \"Songs Out of Stress\"","admitting that she has been enthusiastically\n                  reading from Sara's poems at her Poetry Readings and\n                  asks for furthur cooperation","seeking biographical information for their club\n                  studying living English and American poets","writing as her agent and enclosing a check for her\n                  poem \"The Philosopher\" which is to be published in \n                   Good Housekeeping","accepting her poem \"The Ballad of St. Kevin\" for\n                  their Christmas issue","requesting permission to publish her poem \"The\n                  Cloud\" set to music","requesting permission to publish \"The Look\" set to\n                  music along with some others she is working on","concerning a project with \n                   The Bookman and \n                   Dodd, Mead, \u0026 Company in the\n                  form of an anthology of new poems by American\n                  poets","requesting permission to use some of her poems in\n                  musical settings","requesting permission to use \"The Cloud\" and\n                  \"Night Song at Amalfi\" by \n                   Sara Teasdale in musical\n                  settings","admiring her work and wondering how to obtain her\n                  books other than \n                   Rivers to the Sea","referring to a letter, November 22, 1916, from \n                   Julius Kranz","admiring \n                   Sara Teasdale 's \"November Night\"\n                  and commenting on its \"wonderful imagery, its\n                  sympathetic feeling...\"","translating a reference to \n                   Rivers to the Sea from Yiddish to English","referring to a note in praise of her \"November\n                  Night\"","writing as her agent and sending a check for\n                  \"Spring Rain\" which is to be published in \n                   Century Magazine","offering an agreement for her proposal of a book\n                  of `Love Lyrics'","writing of entertaining friends with a reading of\n                  her \n                   Rivers to the Sea and their enjoyment","sending the agreement for the proposed book of\n                  love lyrics","thanking her for \n                   Rivers to the Sea","concerning the publication of several of his songs\n                  made from her lyrics","acknowledging her letter and volume of verse","inviting her to talk intimately about her work at\n                  the \n                   Writers Guild Day at the \n                   University of Missouri","requesting one of her bookplates in exchange for\n                  the enclosed one of her own","expressing his enjoyment in reading her poems,\n                  particularly \"I Shall Not Care,\" \"Off Algiers,\" and\n                  \"Capri\"","revealing that he would be pleased to have her\n                  work appear more often in the magazine","praising her poems in the form of a poem entitled\n                  \"Why Not\"","requesting permission to use her poem\n                  \"Grandfather's Love\" in a musical setting for a\n                  colleciton of childrens' songs","accepting her poem \"Tonight\" for publication but\n                  declining \"Defeated\" due to spacing problems","requesting permission to use her poem \"Swans\" in a\n                  musical setting","accepting her poem \"Schooners\" for publication","requesting permission to set to music her two\n                  poems \"Joy\" and \"The Look\"","accepting her poem \"The Strawberry Man\" for\n                  publication, and expressing sympathy for her\n                  sickness","requesting permission to use a few of her lyrics\n                  in a revision of his \"The Home Book of Verse\"","praising her poem \"Dreams\" and requesting\n                  permission to publish it in a musical setting","concerning a magazine, \n                   The Madrigal , devoted to the publication of love lyrics\n                  and requesting a contribution","expressing gratitude for her sending \"At Midnight\"\n                  which he will include in \n                   The Masque of Poets and send to \n                   The Bookman","revealing that he has set her poem \"Swans\" as a\n                  song after receiving a copy of her \n                   Rivers to the Sea","requesting permission to use her poem \"Deep in the\n                  Night\" for a musical setting","concerning the changed version of \"The Prayer of\n                  the Gardener\"","concerning a volume he is editing entitled \n                   The Book of New York Verse and wishing to include some of Sara's\n                  poems","concerning a musical setting of her poem\n                  \"Pierrot\"","wishing to have published the enclosed Danish\n                  translation of her poem \"Rain\"","requesting permission to publish a musical setting\n                  for women's chorus of her poem \"Dusk in June\"","requesting permission to use her poem \"Helen of\n                  Troy\" in a collection of poems about ancient Troy","requesting permission to use her poem \"Sea\n                  Longing\" in a \"book on modern tendencies of poetry as\n                  exhibited in the sonnet\"","informing her that her poem-sequence \"Songs Out of\n                  Sorrow\" has received the highest vote in balloting of\n                  the \n                   Poetry Society of America","thanking her for the letter and poem, and\n                  mentioning activities in the \n                   National League","praising her poem \"Tonight\" and wishing to tell\n                  her about his own brand of poetry-making","expressing her feelings for the poems in \n                   Rivers to the Sea , and commenting on their being \"so simple\n                  and natural and real\"","seeking help in the way of reviewing with her own\n                  verses and asking where to obtain \"Songs Out of\n                  Sorrow\"","accepting her poem \"Embers\" and requesting\n                  material for a free ad","praising her poem \"Schooners\" and inquiring about\n                  the names of the vessels","requesting autographed volumes of \n                   Rivers to the Sea to be auctioned for the \n                   American Ambulance Fund","requesting permission to publish \n                   Sara Teasdale 's poem \"Tonight\"\n                  set to music","concerning a request for permission to publish her\n                  poem \"Buried Love\" with a musical setting from Miss \n                   Mima A. Taylor of \n                   Kilmarnock, Scotland","requesting permission to use \n                   Sara Teasdale 's poem \"The Look\"\n                  in a musical setting to be published by \n                   Harold Flammer","concerning the September 11 letter from Mrs. \n                   A. R. Wilson","[concerning \n                   Ralph T. Whitney ]","concerning his request of September 5","praising Sara's love songs and commenting that the\n                  two books [ \n                   Love Songs and \n                   The Answering Voice: One Hundred Love\n                     Lyrics by Women ] are pretty, and writing family news","thanking her for the two books, one of love songs,\n                  the other a collection of poems by women","thanking her for the forthcoming volume and\n                  promising to read it with pleasure","thanking her for the two volumes [ \n                   Love Songs and \n                   The Answering Voice: One Hundred Love\n                     Lyrics by Women ] and praising her own love songs as being\n                  of a higher level than the other women's verses","requesting permission to use her verse \"Tonight\"\n                  in a musical setting","thanking her for the book of lyrics, \n                   The Answering Voice: One Hundred Love\n                     Lyrics by Women","thanking her for the volume, \n                   Love Songs , and commenting on her \"gift for pure\n                  lyric\"","thanking her for the book, \n                   Love Songs , and finding in it verses for songs","thanking her for the book of her poems, \n                   Love Songs , and commenting on its \"lyric\n                  loveliness\"","thanking her for the inscribed \n                   Love Songs and praising her work","discussing Sara's \n                   The Answering Voice: One Hundred Love\n                     Lyrics by Women and her own \n                   Cornucopia of Red and Green Comfits and \n                   Vachel Lindsay and his work","thanking her for the charming little book, [ \n                   Love Songs ]","accepting her poems \"Sons\" for the January issue\n                  and \"When we are Happiest\" for a later one","accepting a poem for their Christmas issue","accepting her poem \"The Cup\" for publication","thanking her for the charming letter and gift of\n                  poems","praising her volume of poems, \n                   Love Songs , and asking if she has any war poems to\n                  possibly read at the MacDowell Center","sending her a poem by himself entitled \"Sara--An\n                  Acrostic\"","informing her of the \n                   Poetry Society of America award\n                  for her volume \n                   Love Songs","inquiring about the possibilities of further\n                  work","expressing gratitude for her letter and mentioning\n                  her own physical weakness","mentioning \n                   Sonnets to Duse and Other Poems , and asking after her family","commenting on the latter's verses and encouraging\n                  her","thanking her for her book and telling of his\n                  enjoyment in reading it","writing to her friend after a long interval,\n                  telling of her separation from \n                   Ernst B. Filsinger , a visit in\n                  May to \n                   France with \n                   Margaret Conklin , her problems\n                  since being seriously injured in a taxi-cab in March\n                  1928, and plans for a visit to \n                   California","reviving ties with her old friend","exchanging family news, and mentioning \n                   Joseph Hergesheimer","thanking her profusely for the gift of a\n                  butterfly, mentioning \n                   Jay Van Everen 's praise of it,\n                  referring to her essay on \n                   Christina Rossetti , discussing \n                   Virginia Woolf , comparing the\n                  views of the Empire State Building and the Eiffel\n                  Tower, and saying she would be glad to meet \n                   Mary Ware Dennett","discussing the lingering effects of the Depression\n                  on New York, and her frail physical condition and\n                  wanting to leave \n                   New York ; and, mentioning Mrs. \n                   Vachel Lindsay , her own\n                  biography of \n                   Christina Rossetti , and\n                  friends","discussing her decreased income, work on her essay\n                  about \n                   Christina Rossetti , and personal\n                  news","mentioning meeting \n                   Christina Rossetti 's two\n                  nieces","discussing life in \n                   Spain ; and giving a personal\n                  discourse on the relationships of \n                   George Bernard Shaw and \n                   Ellen Terry and \n                   Henry Irving , and comparing\n                  Terry to \n                   Eleonora Duse as an actress and\n                  lover","mentioning the latter's \"Crumbs,\" \n                   Sarah Bernhardt and \n                   Eleonora Duse , \n                   William Marion Reedy and \n                   Tyrell Williams , and \n                   Virginia Woolf","expressing her feelings about the gift of the\n                  beautiful butterfly and the importance of childhood\n                  memories","concerning some pictures of \n                   Sara Teasdale","discussing \n                   Sara Teasdale 's suicide","mentioning \n                   Williamina Parrish , \n                   Martha Prentice Merwin , and \n                   Upton Sinclair","enclosing horoscope and related enclosures","discussing \n                   Morgan McCormick and \n                   Isabel (Parrish) McCormick","sending additional horoscope material","remembering \n                   Sara Teasdale 's death and\n                  mentioning old friends","sending a photograph of \n                   Sara Teasdale ; and, discussing\n                  Sara's wishes after her death: the \n                   Christina Rossetti book and other\n                  works remaining unpublished and keeping her life\n                  private","writing news of \n                   Tyrell Williams and \n                   Nell Niedringhaus Williams and\n                  biographical information","writing family news and mentioning \n                   Celia [E. Harris]","mentioning \n                   Vine Colby , \n                   Petronelle Sombart , \n                   Edna \"Ned\" Wahlert , and \n                   Edith Wyatt","mentioning \n                   Caroline Risque , \n                   Vine Colby , and briefly\n                  describing her life in \n                   Lincoln","describing the pleasure that the \n                   Potter's Wheels brings her and others, mentioning \n                   Celia E. Harris ' convalescence,\n                  with ANS from Celia, mentioning her own and \n                   Sara Teasdale 's illnesses","ordering photographs","acknowledging the photographs of \n                   Celia E. Harris","from an \"enchanting old place\"","See the \n             \n            University of Virginia Library’s use policy.","","University of Virginia. Library. Special\n            Collections Dept.","Potters","Charles Scribner's Sons","Harper \u0026 Brothers","Small, Maynard \u0026 Company","Hosmer Hall","The Century Company","G. P. Putnam's Sons","G.P. Putnam's Sons","Poetry Society of America","Chappell \u0026 Co., Ltd.","Putnam Publishing\n                  Company","Monday Club","The Denver Music Company","The MacMillan Company","G. Schirmer (Inc.)","Stix, Baer, \u0026 Fuller","MacMillan","Underwood's News Photo Service","The Centennial Club","Poets Corner","Browning Society","MacMillan Company","Belgian Scholarship\n                  Committee","Houghton Mifflin Company","Charles Scribner \u0026\n                  Sons","Dodd, Mead, \u0026 Company","Writers Guild","University of Missouri","National League","American Ambulance Fund","Kilmarnock, Scotland","Greek Ethics Club","State Historical Society of\n                  Missouri","St. Louis Museum of Fine\n                  Arts","National Arts Club","Poetry Society of\n                  America","J. B. Lippincott Company","Frank A. Munsey","Philip Roeder Book and Stationery\n                  Company","Vine Colby","Lawrence Hanley","Celia Ellen\n                     Harris","Margaret Scott\n                     Lawler","Nadaud","Paul Janis","Vine Colby\n                     McCasland","Williamina\n                     Parrish","Sara Teasdale","Frances S.\n                     Porcher","Christina Rossetti","Barbara George","Patience Worth","William Marion Reedy","Marion Cummings Stanley","Caroline Risque","Jennie M.A. Jones","Susan Creighton Williams","(Williamina Parrish","[Sara Teasdale]","[Vine Colby]","George W. Teasdale","E[leanora] D[use]","Williamina Parrish","Lillie Rose Ernst","Thomas B. Mosher","Elizabeth M. Brown","Caroline White McKinney","Will J. Thornton","Fred R. Macauley","Olga Nethersole","Frances S. Porcher","Celia Ellen Harris","Mary D. Harris","Arthur Symons","Lee B. Hildebrand","Julia Marlowe","Louise McNair","J.P. Greene","Marie Isabel Miller","Mary C. Burke","Guiseppe Masi","Jerome A. Quay","Eleanora Duse","Paul Y. Tupper","Joseph B. Gilder","Laura A. Proetz","Sidney Rogers Cook","M. Augusta Bailey","Dorothy Colby","Arthur Hornblow","Inez (Dutro) George","Frank George","Frances Joseph","Mary F. Raphael","Sara Teasdale,","Pinkie D. McGrew","Agnes M. Schulenberg","John Myers O'Hara","Sappho","Oliver H. Campbell","Adelia C. Arens","H. Nelson Gay","John Keats","Elizabeth Waddell","R.E. Lee Gibson","William H. Hills","Elizabeth McCracken","Mary Elizabeth Willard Teasdale","Bruce M. Stanley","Thekla Bernays","Sidney Fane","Algernon Charles Swinburne","Alice Evelyn Watson","Orrick S. Johns","Ethel M. Kelly","Thomas C. Clark","Witter Bynner","John Stapleton Cowley","Zoe Aikin","Mamie Teasdale Wheless","[John Myers O'Hara]","Alexander N. DeMenil","Madison Cawein","Clayton Hamilton","Chen E. Cory","Alfred Edward Housman","Frances M. Weir","Leopold Godowsky","Olive Ruby Hammon","Jessie Johnston Linton","Joan A. Rae","George Sterling","B. Russell Herts","Louis Untermeyer","Mitchell Kennerley","Michael Monahan","Richard Le Galliene","Robert Underwood Johnson","Albert Victor Young","Petronelle Sombart","Charles Hanson Towne","George Sylvester Viereck","Joseph Benson Gilder","Jessie Belle Rittenhouse","Henry Mills Alden","Ernest R. Kroeger","John Shea","Natalie Bigelow","H. Alexander Matthews","Lily S. Anthony","Orrick Johns","Willa Sibert Cather","Homer Croy","A.D. Kerry","William H. Gardner","S.T. Newton","Henry Van Dyke","Curtis Hidden Page","Frederick Oakes Sylvester","Elizabeth Barrett Browning","John L. Hervey","F. Dewey Richards","Julia Marlowe Sothern","Julia G. Scott","Frank K. Hallack","Edward L. Preetorius","Louis H. Behrens","Theodosia Garrison","Richard LeGallienne","Paul E. More","Charles E. Savage","John Sanburn Phillips","Edith M. Thomas","Elizabeth K. Mew","Rufus Rockwell Wilson","Cale Young Rice","Josephine Peabody","Percy Mackaye","Rudyard Kipling","Fannie L. Richey","George S. Johns","Ella M. Kricklaus","Josephine McGill","Rupert Henry Whitcomb","W. W. Tulloch","William Stanley Braithwaite","Zoe Akins","Dugald Stewart Walker","Blanche Shoemaker Wagstaff","Anna Branch","Edith Thomas","Ethel Peyser","Gertrude Cawein","Theodosia Garrison Faulks","Edward J. Wheeler","Alexander Harvey","Wilfred Funk","Campbell Mason","Joyce Kilmer","Robert Browning","Carman Bliss","Edwin Markham","Edwin Arlington Robinson","Harper \u0026 Brothers","Arthur Guiterman","Laurence J. Gomme","Nana Wilcox Putnam","Josie Grevé\n                  Oppenheim","John Curtis Underwood","Leonard D. Abbott","Robert Bridges","Anna Hinrichs","(Ferdinand Earle)","Idress Head","Josephine Hilty Abramson","Cecile Barnes","John G. Neihardt","Jessie T. Pease","Oswald Rimmer","Gertrude Cate","(Ferdinand Earle?)","W. F. Melton","Ella Wheeler Willcox","May W. Dorman","Thomas Augustine Daly","Helen Bullis","George Buchanan Fife","Percy MacKaye","Fannie Stearns Davis","John Hall Wheelock","Bliss Carman","Edna St. Vincent Millay","(Sara Teasdale)","Lawrence Gilman","[Alfred] Noyes","H. L. Mencken","Merle St. Croix Wright","Nathan Haskell Dole","Harriet Monroe","Ruth Guthrie Harding","[Jessie Belle] Rittenhouse","Alfred Noyes","Willard H. Wright","Eugene MacDonald Bonner","Louis Albert Lamb","Helen S. Livingstone","Vachel Lindsay","Agnes Freer","William Rose Benet","Alice C. Henderson","Sidney Hosmer","M. S. O'Donnell","Robert Sterling Yard","Charles Gallup","Arthur B. Maurice","Frederick M. Steele","Elizabeth Cutting","Irwin L. Wheeler","Magda Decker","Charles E. Howson","Vine Colby McCasland","Martha Foote Crow","Isabel Underhill","Julia Ditto Young","Margaret Elizabeth Willard\n                  Teasdale","Haviland Wessells","Ines Macaulay","Clifton B. Bull","Hortense Flexner","Anita Bartle Brackenbury","Emily Dickinson","Josephine Preston Peabody","John Banister Tabb","Elizabeth van R. Lemont","Percy Lee Atherton","Florence H. Perin","Louise Ayres Garnett","Eunice Tietjens","Elsie Jade Hawson","Charles E. Rush","Allen Dale Smith, Jr.","Clara K. Wellman","Mary Blue","Paul A. Schmitt","Sara Teasdale Filsinger","Ernst B. Filsinger","Howes Norris, Jr.","Edward L. B. Howard","Douglas Malloch","Charlotte V. Butterfield","Carl Hahn","Timothy Spelman","Jacqueline Hendrick Hoyt","Robert Frost","Ernest B. Filsinger","Edmund R. Brown","Conrad Aiken","Temple Scott","Ella Wheeler Wilcox","Theodosia (Garrison) Faulks","Amy M. Beach","Robert F. Walker","Zoe [Akin]","Edward C. Murch","John Warren Teasdale","Luella Ohusted Burnham","Martha Emma Watts","John Alden Carpenter","Rosalie L. Hausmann","John Gould Fletcher","Henry A. Bellows","W. J. Marsh","O. W. Firkins","Maggie W. Barry","Frederick Hoppin Nowland","Gordon Balch Nevin","Wilbur L. Cross","Sara Teasdale\n                  Filsinger","E. H. Anderson","Grace L. Dawson","Miles M. Dawson","Rudolph Rieder","Nancy K. [Coonsman]","Marguerite Wilkinson","Edgar Lee Masters","Stuart Walker","Kendall Banning","Amy Lowell","Julia Scott Vrooman","Blanche S. Wagstaff","Max Eastman","Bart B. Howard","Frederick Jacobi","Ada Foster Murray Alden","Helen Bullis Kizer","Ezra Pound","Gertrude Stein","Blanche M. Blake","Herma N. Clark","Carl Vrooman","Sara Teasdale's verses","Edward Bliss Reed","Stephen Vincent Benet","Jean Untermeyer","G. K. Chesterton","Margaret Widdemer","Grace Dawson","Robert W. Wilkes","Alice Carter Butler","Anna Catherine Murphy Markham","Jesse R[ittenhouse]","Margaret Fuller","Royal Dixon","Marie DuBois McCormack","Harris Merton Lyon","Willard Huntington Wright","Sara Tesdale","W. K. Kelsey","Vine (Colby)\n                  McCasland","S[olomon?] L[eopold?] Millard\n                  Rosenberg","Katharine Howard","George M. Whicher","Julia Pauline Leavens","Miles Dawson","Salomon de la Selva","Hermina Earnest","Mary James","Edna Wahlert","John Masefield","Clara Root Farr","Mary S. Wright","May Massee","Lucia Sloan Hopkins","Gilderoy Scott","Celia Harris","Jane Burr","A. Walter Kramer","L. Camilieri","Horace Johnson","Francis Grierson","Susie Willis","R. Huntington Woodman","William Faversham","Adelaide Forshaw","Cedric W. Lemont","William Arms Fisher","Edmund Clarence Stedman","Frank Howard Warner","Henry Wellington Wack","Lee Shippey","Ray Werner","William Butler Yeats","J. W. Cunliffe","Padraic Pearse","Thomas MacDonagh","Joseph Plunkett","Louise Holdren Anderson","Ferris Greenslet","[Sara Teadale\n                  Filsinger]","Grace Clarke Pierce","Grace Hazard Conkling","Hilda Conkling","Fay Foster","Anna L. Moss","Jenkin Lloyd Jones","Mary C. Day","Carl Busch","Harold Flammer","C. Whitney Coombs","Alice B. Long","James Bird","Theodore Dreiser","Girard Blair","Paul L. Benjamin","Henry Adams Bellows","Elsa Barker","Rosalie Day","Gertrude M. Richards","A. S. Berghauser","Julia R. Tutwiler","Zella Estelle Leighton","Maude Haben Luck","Edward Joseph O'Brien","Julius Kranz","Cora E. Large","Harold Strong Latham","William J. Matheson","Oscar Leonard","Rudolph Altrocchi","Henry Gray Glover","Harold Vincent Milligan","Robert Gilbert Welsh","Dorothy Furman","Walter de la Mare","Embers McG[ ], Jackson","Carrie Bullard Lewis","Edith Lobdell","Virginia Roderick","Alice Reber Fish","Burton E. Stevenson","William Withenow, Jr.","Gustav Davidson","Edward J. O'Brien","Jane Leland Clarke","William Frederick Bigelow","Hamilton Fish Armstrong","Frances Evans Crawford","August L. Baug","Joseph Jackson","Sadie A. Frank","Frank M. Beverly","Margaret W. Stevens","Winifred Russell","C. Wharton Stork","Jean Stansbury Holden","Aileen Cleveland Higgins","Ralph T. Whitney","Mima A. Taylor","A. R. Wilson","Henry J. Filsinger","Katherine Ernst Filsinger","Theodore Roosevelt","Joseph Kershaw","John Erskine","Padraic Colum","Frank D. Fackenthal","Helen Truesdell Koch","Vine Colby\n                  McCasland","Barbara Crary George","Margaret Conklin","Susan Meriwether Boogher Bryan","Joseph Hergesheimer","Jay Van Everen","Virginia Woolf","Mary Ware Dennett","George Bernard Shaw","Ellen Terry","Henry Irving","Eleonora Duse","Grace Parrish","Sarah Bernhardt","Tyrell Williams","Martha Prentice Merwin","Upton Sinclair","Morgan McCormick","Isabel (Parrish) McCormick","Mamie Teasdale Whelass","Nell Niedringhaus Williams","Celia [E. Harris]","Celia E. Harris","Edna \"Ned\" Wahlert","Edith Wyatt","[Mary D. Harris]","[Williamina Parrish]","Mary Elizabeth Willard\n                  Teasdale","F. E. A. Curley","Jessie Belle\n                  Rittenhouse","G. Schirmer","William Stanley\n                  Braithwaite","Inez Dutro George","English"],"unitid_tesim":["8170-d"],"normalized_title_ssm":["Sara Teasdale Collection \n         1888-1934"],"collection_title_tesim":["Sara Teasdale Collection \n         1888-1934"],"collection_ssim":["Sara Teasdale Collection \n         1888-1934"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":[""],"creator_ssim":[""],"acqinfo_ssim":["Purchase \n             1986 July 18"],"has_online_content_ssim":["false"],"physdesc_tesim":["ca. 700 items"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research"],"prefercite_html_tesm":["\u003cp\u003eSara Teasdale\n            Collection, Accession 8170-d, Special Collections Department, University of\n         Virginia Library\u003c/p\u003e"],"prefercite_tesim":["Sara Teasdale\n            Collection, Accession 8170-d, Special Collections Department, University of\n         Virginia Library"],"processinfo_html_tesm":["\u003cp\u003eFunded in part by a grant from the National Endowment\n            for the Humanities\u003c/p\u003e"],"processinfo_heading_ssm":["Funding Note"],"processinfo_tesim":["Funded in part by a grant from the National Endowment\n            for the Humanities"],"scopecontent_html_tesm":["\u003cp\u003esending thanks for her sympathy and inviting her\n                  to visit\u003c/p\u003e","\u003cp\u003erevealing his delight in a poem she sent and\n                  discussing her style\u003c/p\u003e","\u003cp\u003ere looking over proofs to her volume of poetry [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse and Other Poems\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e","\u003cp\u003ementioning her \n                  \u003cpersname\u003eE[leanora] D[use]\u003c/persname\u003esonnet being\n                  accepted by \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoet Lore\u003c/title\u003e\u003c/bibref\u003efor publication\u003c/p\u003e","\u003cp\u003ere horseback riding and critiquing a poem,\n                  \"Vengeance\" by Colby\u003c/p\u003e","\u003cp\u003ementioning the July \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePotter's Wheel\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003esending her a review of \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's volume of poetry\n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003epraising her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003eextending his thanks for the copy of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003eand hoping for its success\u003c/p\u003e","\u003cp\u003ethanking her for the copy of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, praising it, and wishing for its\n                  success\u003c/p\u003e","\u003cp\u003erevealing her pride of her childhood friend ( \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e) after seeing her\n                  \"Guenevere\" in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Digest\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003eexpressing his pleasure in presenting her poem\n                  [\"Guenevere\"] to the world, praising her book of\n                  verses, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, and encouraging her to continue writing\n                  verses in her careful fashion\u003c/p\u003e","\u003cp\u003epraising her poem [\"Guenevere\"]\u003c/p\u003e","\u003cp\u003ethanking her for the copy of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003epraising her effort, and mentioning seeing\n                  actress \n                  \u003cpersname\u003eOlga Nethersole\u003c/persname\u003e.\u003c/p\u003e","\u003cp\u003ethanking her for the autograph copy of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, writing about getting settled in their new\n                  home\u003c/p\u003e","\u003cp\u003easking for a day to visit, expressing her pleasure\n                  in her ( \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's ) book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, with ALS from \n                  \u003cpersname\u003eMary D. Harris\u003c/persname\u003eto \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e, expressing her\n                  pride in Teasdale and her book\u003c/p\u003e","\u003cp\u003ewriting about the beauty of her poems and that he\n                  has written a review of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e","\u003cp\u003epraising her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e","\u003cp\u003esending his review of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] from \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Saturday Review\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003econcerning her delight in receiving a letter from \n                  \u003cpersname\u003eArthur Symons\u003c/persname\u003e, and saying that\n                  Symons is \"not only one of the greatest living\n                  critics, but...a poet of true feeling...\"\u003c/p\u003e","\u003cp\u003ethanking her for the copy of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], and discussing \n                  \u003cpersname\u003eArthur Symons\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eenclosing the \"notice by \n                  \u003cpersname\u003eArthur Symons\u003c/persname\u003efrom \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSaturday Review\u003c/title\u003e\u003c/bibref\u003e\"\u003c/p\u003e","\u003cp\u003ethanking her for the presentation copy of her book\n                  [Sonnets to Duse...] and praising her poems and\n                  sonnets\u003c/p\u003e","\u003cp\u003ethanking her for the copy of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e","\u003cp\u003ethanking her for the copy of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], and encouraging her to pursue her gift of\n                  writing verse\u003c/p\u003e","\u003cp\u003eexpressing appreciation of the copy of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e","\u003cp\u003ethanking her for the copy of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and wanting to see her\u003c/p\u003e","\u003cp\u003estating that \n                  \u003cpersname\u003eEleanora Duse\u003c/persname\u003ewould be returning\n                  to her home at 54 Via Robbia soon, sent to \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003eby \n                  \u003cpersname\u003eJerome A. Quay\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eexplaining the content of the November 19, 1907\n                  letter re \n                  \u003cpersname\u003eEleanora Duse\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ewriting that he would be glad to use \"The Heart's\n                  Hearth\" in the Christmas issue\u003c/p\u003e","\u003cp\u003ethanking her for the copy of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and expressing his and his wife's\n                  enjoyment of her poetry\u003c/p\u003e","\u003cp\u003ereturning her poems except for \"Dusk\" which he\n                  hopes will go into the January issue\u003c/p\u003e","\u003cp\u003eacknowledging receipt of her letter and copy of\n                  her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] to be forwarded to \n                  \u003cpersname\u003eEleanora Duse\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ewishing to purchase her book of verse [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]as a Christmas gift\u003c/p\u003e","\u003cp\u003epraising her book of verse, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, and including a poem\u003c/p\u003e","\u003cp\u003esending a copy of her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003efor her to autograph and saying that \"Dusk\"\n                  will be in the February issue\u003c/p\u003e","\u003cp\u003ethanking her for the book, [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], commenting on her gift for writing\n                  poetry, and wanting her parents to visit on their way\n                  from \n                  \u003cgeogname\u003ePhiladelphia, Pennsylvania\u003c/geogname\u003e\u003c/p\u003e","\u003cp\u003ethanking her for the book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e","\u003cp\u003ethanking her for the book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], praising the sonnets, and wishing to talk\n                  with her\u003c/p\u003e","\u003cp\u003epraising her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and relating personally to some of the\n                  poems, and discussing the relationship between a work\n                  and its artist and how they are perceived by\n                  others\u003c/p\u003e","\u003cp\u003ereturning her poem unused due to lack of space\u003c/p\u003e","\u003cp\u003ere the birth of their baby, \n                  \u003cpersname\u003eBarbara George\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eexpressing appreciation for the book of verses [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] sent to \n                  \u003cpersname\u003eMary F. Raphael\u003c/persname\u003e, who is not\n                  well, and saying that Mrs. Raphael has sent three\n                  autographed photographs of her pictures to \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ecommenting favorably on her book of verse [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], which she borrowed from \n                  \u003cpersname\u003eFred R. Macauley\u003c/persname\u003e, referring to \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003eas having \"the\n                  unmistakable lyric touch,\" comparing her own verse to\n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's , and wanting to\n                  talk with her and get to know her\u003c/p\u003e","\u003cp\u003eexpressing her pleasure in \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem,\n                  \"Guenevere,\" writing that their interpretations of\n                  Tennyson's masterpiece are very similar and that she\n                  will send a photograph of her picture of the work\n                  which illustrates this\u003c/p\u003e","\u003cp\u003esending congratulations for their baby, \n                  \u003cpersname\u003eBarbara George\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ethanking her for the copy of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e","\u003cp\u003epraising her book of verse, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, and complimenting her writing\u003c/p\u003e","\u003cp\u003eacknowledging her praise for his translation of\n                  the odes and fragments of \n                  \u003cpersname\u003eSappho\u003c/persname\u003eand writing that he would\n                  be glad to send her a copy, and referring to one of\n                  her poems as being of \"rare beauty of thought and\n                  expression\"\u003c/p\u003e","\u003cp\u003eexpressing enjoyment of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and congratulating her on its success\u003c/p\u003e","\u003cp\u003ethanking her for her book of poems [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and expressing his appreciation of the\n                  dedicatory triolet to himself, giving high praise to\n                  her sonnets and comparing her admirably to \n                  \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e, critiquing\n                  some of the poems, and giving her the original draft\n                  of \"The Sleep Wind\"\u003c/p\u003e","\u003cp\u003easking for \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's address in order\n                  to write for permission to set her \"The Heart's\n                  Hearth\" to music\u003c/p\u003e","\u003cp\u003eacknowledging receipt of her poem dedicated to \n                  \u003cpersname\u003eJohn Keats\u003c/persname\u003efor the anniversary of\n                  his death\u003c/p\u003e","\u003cp\u003eenclosing a March 23rd letter from \n                  \u003cpersname\u003eAdelia C. Arens\u003c/persname\u003eand relaying\n                  praises for her Sonnet on \n                  \u003cpersname\u003eJohn Keats\u003c/persname\u003efrom \n                  \u003cpersname\u003eElizabeth Waddell\u003c/persname\u003eand \n                  \u003cpersname\u003eR.E. Lee Gibson\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ehoping she is well and commenting on her\n                  treatments\u003c/p\u003e","\u003cp\u003erequesting a paragraph referring to her poem,\n                  \"Love in Autumn\" and information about herself, with\n                  a page from his magazine\u003c/p\u003e","\u003cp\u003ewriting a note about her lines on \n                  \u003cpersname\u003eJohn Keats\u003c/persname\u003eon a postcard showing\n                  where Keats died which was sent to him from \n                  \u003cgeogname\u003eRome, Italy\u003c/geogname\u003e\u003c/p\u003e","\u003cp\u003esending along an article from \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Evening Post\u003c/title\u003e\u003c/bibref\u003eabout new books of verse which mentions \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's sonnet to \n                  \u003cpersname\u003eSappho\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eacknowledging receipt of her remembrance and\n                  wishing to hear her read some of her poems\u003c/p\u003e","\u003cp\u003ethanking her for her letter and copy of her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, saying she had already read her poems\n                  while at the home of \n                  \u003cpersname\u003eArthur Symons\u003c/persname\u003ealong with \n                  \u003cpersname\u003eJulia Marlowe\u003c/persname\u003e, and mentioning\n                  some of her favorite poems by \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ere \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's impending\n                  arrival in \n                  \u003cgeogname\u003eTucson\u003c/geogname\u003e\u003c/p\u003e","\u003cp\u003eadvising her on having \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy\u003c/title\u003e\u003c/bibref\u003epublished\u003c/p\u003e","\u003cp\u003ethanking her for the Christmas gift and saying she\n                  is going home next week\u003c/p\u003e","\u003cp\u003ehoping she had a restful journey home\u003c/p\u003e","\u003cp\u003ethanking him for his kindness and sending love to \n                  \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ewriting \"passed Liberal all right\"\u003c/p\u003e","\u003cp\u003eacknowledging receipt of a package\u003c/p\u003e","\u003cp\u003eaccepting \"Helen\" for publication\u003c/p\u003e","\u003cp\u003ethanking her for the copy of her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, and praising it as well as her gift of\n                  writing\u003c/p\u003e","\u003cp\u003echiding her for not writing\u003c/p\u003e","\u003cp\u003erelating that a Mr. \n                  \u003cpersname\u003eSidney Fane\u003c/persname\u003eof London, England\n                  has asked permission to set her poem \"Buried Love\" to\n                  music\u003c/p\u003e","\u003cp\u003eaccepting her poems \"November\" and \"Vox Amoris\"\n                  for publication\u003c/p\u003e","\u003cp\u003easking her to read a book of poems and write a\n                  criticism of it\u003c/p\u003e","\u003cp\u003ecommenting on the death of \n                  \u003cpersname\u003eAlgernon Charles Swinburne\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003etelling her that her poems are beautiful\u003c/p\u003e","\u003cp\u003ewriting that her poetry sings; commenting on her\n                  literary gift, her lyrical quality, and \"the value of\n                  the songs,\"; and, discussing the \"necessity of\n                  deciding between the artificial-imagination and this\n                  other thing of simplicity in beauty-simplicity and\n                  the heart.\" There is much literary thought and\n                  discussion\u003c/p\u003e","\u003cp\u003ewriting about having his songs published,\n                  including one with the words to \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem, \"Buried\n                  Love\"\u003c/p\u003e","\u003cp\u003ere the beauty of spring\u003c/p\u003e","\u003cp\u003eaccepting her poem, \"The Prayer,\" for\n                  publicaton\u003c/p\u003e","\u003cp\u003eshowing an interest in her poem, \"On the Death of\n                  Swinburne\" and wishing to reproduce something of hers\n                  in one of their issues\u003c/p\u003e","\u003cp\u003esending a copy of one of his new songs, \"A Queen\n                  of the Long Age\"\u003c/p\u003e","\u003cp\u003ediscussing \n                  \u003cpersname\u003eWitter Bynner\u003c/persname\u003e's favorable\n                  comments on her poetry and his being with publishers \n                  \u003ccorpname\u003eSmall, Maynard \u0026amp; Company\u003c/corpname\u003e,\n                  mentioning \n                  \u003cpersname\u003eJohn Stapleton Cowley\u003c/persname\u003e's praise\n                  of \"Guenevere,\" and \n                  \u003cpersname\u003eZoe Aikin\u003c/persname\u003e's new book\u003c/p\u003e","\u003cp\u003ethanking her for her book of poems [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and naming his favorites\u003c/p\u003e","\u003cp\u003edescribing the peacefulness of \n                  \u003cgeogname\u003eCharlevoix\u003c/geogname\u003eand her visit with \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e, and asking him to\n                  send some money\u003c/p\u003e","\u003cp\u003ere boating\u003c/p\u003e","\u003cp\u003ementioning a boat trip around \n                  \u003cgeogname\u003eTraverse Bay\u003c/geogname\u003ewith \n                  \u003cpersname\u003eMamie Teasdale Wheless\u003c/persname\u003e, her\n                  delight with \n                  \u003cgeogname\u003eCharlevoix\u003c/geogname\u003eand \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003eand her family, and\n                  wanting to discuss plans with him\u003c/p\u003e","\u003cp\u003ediscussing a trip around \n                  \u003cgeogname\u003ePine Lake\u003c/geogname\u003eon a \"miniature ferry,\"\n                  plans for leaving there and returning to \n                  \u003cgeogname\u003eTucson, Arizona\u003c/geogname\u003e, mentioning \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's and her poetry\n                  writing, receiving \"Mr. Sappho's\" \n                  \u003cpersname\u003e[John Myers O'Hara]\u003c/persname\u003enew book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSongs of the Open\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ere personal matters and plans for leaving\u003c/p\u003e","\u003cp\u003ewriting about \n                  \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e's visit,\n                  on a postcard with a view of a river, \"The Old\n                  Channel,\" in \n                  \u003cgeogname\u003eCharlevoix\u003c/geogname\u003e\u003c/p\u003e","\u003cp\u003esending a postcard with another view of a river,\n                  \"Old River,\" in \n                  \u003cgeogname\u003eCharlevoix\u003c/geogname\u003e\u003c/p\u003e","\u003cp\u003ewriting personal news\u003c/p\u003e","\u003cp\u003ethanking her for the copy of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and praising her work\u003c/p\u003e","\u003cp\u003epraising her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, commenting on \"Japanese Incense\" as being\n                  \"as fragrant in words as is the perfume it speaks,\"\n                  and saying that her love-songs are as lovely as those\n                  of \n                  \u003cpersname\u003eSappho\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003esending pictures of the buildings in which she is\n                  spending time, and reminiscing about time spent with \n                  \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eaccepting her poem, \"To Cleis,\" for publicaton\u003c/p\u003e","\u003cp\u003ethanking her for the gift\u003c/p\u003e","\u003cp\u003esending a Christmas greeting\u003c/p\u003e","\u003cp\u003ethanking him for the candy\u003c/p\u003e","\u003cp\u003esending his appreciation of her gift of the book [\n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e","\u003cp\u003erequesting the return of her short monologue,\n                  \"Sappho,\" with ANS from the Editor saying that they\n                  are using it in the February issue\u003c/p\u003e","\u003cp\u003ethinking of her in this \"loveliest, quaintest\n                  town\"\u003c/p\u003e","\u003cp\u003ethanking him for the gift of \"the dear little\n                  Japanese girl feeding the fawns\"\u003c/p\u003e","\u003cp\u003ethanking her for \"the interesting sixteenth\n                  century gentleman with a telephone receiver\"\u003c/p\u003e","\u003cp\u003ereceiving the baby picutres of \n                  \u003cpersname\u003eBarbara George\u003c/persname\u003eand the newborn,\n                  and asking that the \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePotter's Wheel\u003c/title\u003e\u003c/bibref\u003ebe sent to \n                  \u003cpersname\u003eLillie Rose Ernst\u003c/persname\u003eat \n                  \u003ccorpname\u003eHosmer Hall\u003c/corpname\u003e\u003c/p\u003e","\u003cp\u003erequesting permission to set to music her poem,\n                  \"Pierrot,\" and giving some information about herself\n                  including being a student of \n                  \u003cpersname\u003eLeopold Godowsky\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003erequesting permission to set to music her poem,\n                  \"Daisy Time\"\u003c/p\u003e","\u003cp\u003erequesting permission to set to music her poem,\n                  \"Pierrot\"\u003c/p\u003e","\u003cp\u003eenclosing a letter from someone in \n                  \u003cgeogname\u003eAberdeen, Scotland\u003c/geogname\u003erequesting\n                  permission to use one of her poems\u003c/p\u003e","\u003cp\u003ewishing to obtain \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's consent for\n                  publishing a song with her poem, \"Daisy Time,\" set to\n                  music\u003c/p\u003e","\u003cp\u003ediscussing \"Miss French's\" work in poetry, gladly\n                  accepting \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's praise of his\n                  own work, and mentioning \n                  \u003cpersname\u003eJohn Myers O'Hara\u003c/persname\u003eand his\n                  \"Sapphic poems\"\u003c/p\u003e","\u003cp\u003erequesting permission to publish as a song her\n                  poem \"Daisy Time\" which she has set to music\u003c/p\u003e","\u003cp\u003ere using her poems\u003c/p\u003e","\u003cp\u003esending a check in payment for two of her poems to\n                  be published in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePutnam's Monthly\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003econcerning her poem, \"Erinna,\" which is to appear\n                  in their second issue, and mentioning as among her\n                  admirers, \n                  \u003cpersname\u003eLouis Untermeyer\u003c/persname\u003e, \n                  \u003cpersname\u003eMitchell Kennerley\u003c/persname\u003e, \n                  \u003cpersname\u003eMichael Monahan\u003c/persname\u003e, and \n                  \u003cpersname\u003eRichard Le Galliene\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003econcerning the publication of her volume of poems,\n                  their undertaking the publishing of four or five\n                  volumes of verse as well as the second book of \"The\n                  Younger Choir,\" and companies wanting a guarantee of\n                  sales when publishing poetry\u003c/p\u003e","\u003cp\u003eoffering her a publishing proposition for her\n                  volume of verse specifying that she would bear the\n                  entire cost of production\u003c/p\u003e","\u003cp\u003eaccepting her poem, \"The Wind,\" for\n                  publication\u003c/p\u003e","\u003cp\u003erequesting permission to set to music her poem,\n                  \"Daisy Time\"\u003c/p\u003e","\u003cp\u003ethanking her for the lace jabot, describing at\n                  great length the Potter party, and mentioning each of\n                  the \n                  \u003ccorpname\u003ePotters\u003c/corpname\u003e\u003c/p\u003e","\u003cp\u003eaccording her the right to make further use of her\n                  verse, \"Song,\" published by the magazine last July in\n                  her book or in a musical setting, and accepting her\n                  poem, \"The Wind,\" for publication\u003c/p\u003e","\u003cp\u003ethanking her for her letter and volume, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ereturning the \"Young Choir\" with his signature\u003c/p\u003e","\u003cp\u003econcerning an evening of poetry [a meeting of the \n                  \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e]\u003c/p\u003e","\u003cp\u003egiving his weekday schedule\u003c/p\u003e","\u003cp\u003ewanting to meet her at the next meeting and\n                  commenting that Sara Teasdale's \"Helen,\" read by\n                  Witter Bynner, was well accepted\u003c/p\u003e","\u003cp\u003egiving his weekday schedule\u003c/p\u003e","\u003cp\u003ewriting that he has set to music two of her poems,\n                  \"Buried Love\" and \"Pierrot\"\u003c/p\u003e","\u003cp\u003efinding her quatrain \"At Night\" to be pure and\n                  true\u003c/p\u003e","\u003cp\u003ethanking her for the book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], and saying it was both a pleasure to read\n                  it and to meet her, and commenting that \"poets are\n                  the most charming people on earth\"\u003c/p\u003e","\u003cp\u003ethanking her for giving him permission to use her\n                  poems, \"Daisy Time\" and \"Song\" as musical settings,\n                  and asking permission to use \"Twilight\"\u003c/p\u003e","\u003cp\u003ethanking him for his note about a photograph of\n                  herself she had sent\u003c/p\u003e","\u003cp\u003ecalling her \"On the Tower\" a magnificent piece of\n                  work and printing it in the August issue\u003c/p\u003e","\u003cp\u003erequesting permission to submit for publication a\n                  musical setting of her poem, \"The Prayer\"\u003c/p\u003e","\u003cp\u003ethanking her for her courtesy and for the pleasure\n                  her poems give her\u003c/p\u003e","\u003cp\u003eacknowledging receipt of her lyrics, and asking\n                  her charge for using them\u003c/p\u003e","\u003cp\u003egiving high praise to her work in the book of\n                  poems [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy and Other Poems\u003c/title\u003e\u003c/bibref\u003e], and wanting to write a nice review for \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Hesperian\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003epraising her book of poems [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e], especially the love songs, and wanting to\n                  send her a copy of his selected \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoems\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ethanking her for the gift of the charming book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e","\u003cp\u003ecommenting on her book of poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ethanking her for the copy of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand wishing her success\u003c/p\u003e","\u003cp\u003ethanking her for the gift, [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e], and planning to read the verses with her\n                  husband on their wedding trip\u003c/p\u003e","\u003cp\u003ethanking her for the volume, [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e], and commenting on its \"lyric\n                  splendor\"\u003c/p\u003e","\u003cp\u003ethanking her for the book, [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e], saying that he has written a review of\n                  her book for \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Mirror\u003c/title\u003e\u003c/bibref\u003e, and commenting that \"On the Tower\" us\n                  \"dramatic promise as well as fine poetry\"\u003c/p\u003e","\u003cp\u003ethanking her for the copy of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and sending in return a copy of his \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoems\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ecalling the verses in her book, [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e] \"dear and familiar,\" showing pride in the\n                  dedication, saying that she was glad the book arrived\n                  after her spell of illness and melancholy and that\n                  she is looking forward to better health and the\n                  success of her own book\u003c/p\u003e","\u003cp\u003ethanking her for the book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and promising to copy some verses for\n                  her\u003c/p\u003e","\u003cp\u003ereferring to her new book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen to Troy...\u003c/title\u003e\u003c/bibref\u003e, as a \"perfect delight,\" and thanking her\n                  for the copy\u003c/p\u003e","\u003cp\u003ecommenting that \n                  \u003cpersname\u003eOrrick Johns\u003c/persname\u003ehas written a fine\n                  review of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ethanking her for the volume of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and mentioning the lyrics she especially\n                  liked\u003c/p\u003e","\u003cp\u003ethanking her for the gift of her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and commenting that the love-songs are her\n                  favorite and that they \"have that artlessness that\n                  signifies the mastery of art\"\u003c/p\u003e","\u003cp\u003ethanking her for sending the volume of verse, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and indicating that it has already become\n                  a family treasure\u003c/p\u003e","\u003cp\u003ethanking her for the book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and mentioning his boarders' reaction to\n                  the volume\u003c/p\u003e","\u003cp\u003ethanking her for the gift of her poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003erequesting permission to set to music her poem,\n                  \"Twilight,\" with ANS from her mother, \n                  \u003cpersname\u003eMary Elizabeth Willard Teasdale\u003c/persname\u003e,\n                  on back\u003c/p\u003e","\u003cp\u003eadmiring her \"powers \u0026amp; artistic\n                  discrimination,\" commenting on his own verse, \"The\n                  Poet,\" which \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003ehad praised,\n                  sending her \"a little burlesque volume,\" \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Younger Quire\u003c/title\u003e\u003c/bibref\u003e, saying she will like the review of her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and praising her work\u003c/p\u003e","\u003cp\u003eexpressing his enjoyment of her poems, extending\n                  congratulations on her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, commenting on \n                  \u003cpersname\u003eCharles Hanson Towne\u003c/persname\u003e's splendid\n                  work, and saying that his own \"sense of rhythm is so\n                  lyrical in style...\"\u003c/p\u003e","\u003cp\u003erequesting some biographical information for his\n                  upcoming article on poets\u003c/p\u003e","\u003cp\u003epraising her book of verse, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, discussing a trip to \n                  \u003cgeogname\u003eEurope\u003c/geogname\u003eand plans for a future\n                  trip abroad, and mentioning a meeting of the \n                  \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003ewith a\n                  discussion of the Irish plays and invluding\n                  interesting persons such as \n                  \u003cpersname\u003eHenry Van Dyke\u003c/persname\u003eand \n                  \u003cpersname\u003eCurtis Hidden Page\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eexpressing his appreciation of the gift of her\n                  book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and sending a token in return\u003c/p\u003e","\u003cp\u003egiving high praise to her book of verse, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, calling \"Helen of Troy\" and \"On the Tower\"\n                  \"postive triumphs,\" critiquing several of the poems,\n                  comparing her favorably to \n                  \u003cpersname\u003eElizabeth Barrett Browning\u003c/persname\u003eand \n                  \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e, and writing\n                  a French translation of \"The Pagan End\"\u003c/p\u003e","\u003cp\u003ethanking her for the volume of her poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, calling her \"a real poet,\" and saying that\n                  it will be a delightful privilege to read her new\n                  poems\u003c/p\u003e","\u003cp\u003erequesting permission to publish his musical\n                  setting of her verse, \"Song,\" and asking to use the\n                  first line as the title\u003c/p\u003e","\u003cp\u003ewishing to meet with her to discuss her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003esending thanks for her book of verse, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ereminiscing about a Thanksgiving dinner with \n                  \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003eand Sara,\n                  writing about Marion's despair over the illness of\n                  her mother, and expressing his delight in reading her\n                  book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ethanking her for the book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand commenting on her great talent\u003c/p\u003e","\u003cp\u003ere a column review of \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, in the following day's paper\u003c/p\u003e","\u003cp\u003eexpressing her pleasure at receiving her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and encouraging her to \"keep on\n                  singing-for all of us\"\u003c/p\u003e","\u003cp\u003ereminiscing about her stay with him and \n                  \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e, and\n                  asking him to send a copy of her book (which she will\n                  supply), \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, to \n                  \u003cpersname\u003eRichard LeGallienne\u003c/persname\u003eof \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHarper's Magazine\u003c/title\u003e\u003c/bibref\u003e, under his own name\u003c/p\u003e","\u003cp\u003edrawing her attention to the notice of her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, in the Sunday \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNew York Times\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003elooking forward to reading her volume of verse, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and hoping that their reviewer will\n                  mention it\u003c/p\u003e","\u003cp\u003eenclosing some clippings for \n                  \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e,\n                  planning to mail her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eto him to send to \n                  \u003cpersname\u003eRichard LeGallienne\u003c/persname\u003e, and\n                  mentioning her poor health\u003c/p\u003e","\u003cp\u003ecommenting on the \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSt. Louis Times\u003c/title\u003e\u003c/bibref\u003ereview of her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and on their literary relationship\u003c/p\u003e","\u003cp\u003eapologizing for the delay in sending copies of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eto periodicals she requested, and returning\n                  the reviews of her book\u003c/p\u003e","\u003cp\u003eaccepting \"The Lights of New York,\" \"Sea Longing,\"\n                  and \"Triolets\" for publication\u003c/p\u003e","\u003cp\u003eaccepting one of her sonnets for the next issue\n                  and revealing that \n                  \u003cpersname\u003eLouis Untermeyer\u003c/persname\u003ewill be\n                  reviewing her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, in the current issue\u003c/p\u003e","\u003cp\u003epraising the verses in her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand commenting on their beauty\u003c/p\u003e","\u003cp\u003ereminding her of her promise to present a copy of\n                  her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, to him\u003c/p\u003e","\u003cp\u003esending holiday greetings and commenting \"how\n                  pleasing to turn to a comforting poem and find solace\n                  in a kindred spirit\"\u003c/p\u003e","\u003cp\u003erequesting information from her for his \"calendar\n                  of the poets\"\u003c/p\u003e","\u003cp\u003econcerning an enquiry on her first volume, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003econgratulating her after seeing the review of her\n                  book, Helen of Troy..., in the St. Louis Times,\n                  written on an announcement of new employment with\n                  Hornblower \u0026amp; Weeks\u003c/p\u003e","\u003cp\u003econcerning the \n                  \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e, and\n                  mentioning certain persons -- \n                  \u003cpersname\u003eCale Young Rice\u003c/persname\u003e, \n                  \u003cpersname\u003eJosephine Peabody\u003c/persname\u003e, \n                  \u003cpersname\u003ePercy Mackaye\u003c/persname\u003e--planning to\n                  attend their annual dinner\u003c/p\u003e","\u003cp\u003ewriting in answer to her note about his review of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand further critiquing the poetry as he\n                  would have if given more space in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe International\u003c/title\u003e\u003c/bibref\u003e, and commenting that the attitude in the\n                  love lyrics is that of a woman\u003c/p\u003e","\u003cp\u003ethanking her for the book of poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, finding her lyrics \"poignant and\n                  pertinent,\" commenting on several of his personal\n                  favorites, and giving a brief comment on \n                  \u003cpersname\u003eRudyard Kipling\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eenclosing a letter from a friend praising \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's book of poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand commenting on Teasdale's\n                  understanding\u003c/p\u003e","\u003cp\u003easking the basis for her poem, \"Sappho\"\u003c/p\u003e","\u003cp\u003eexpressing gratitude for the copy of her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and commenting on her gift of song\u003c/p\u003e","\u003cp\u003ecommenting that her \"The Poor House\" was the only\n                  poem read at the meeting of the \n                  \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e\u003c/p\u003e","\u003cp\u003esaying she has read her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and writing of having the same dream\n                  twice\u003c/p\u003e","\u003cp\u003erequesting permission to set to music her poem\n                  \"When Love Comes Singing to his Heart\"\u003c/p\u003e","\u003cp\u003erevealing himself as an admirer of her work and\n                  putting her in a class with himself\u003c/p\u003e","\u003cp\u003ereceiving her acceptance to the annual dinner of\n                  the \n                  \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e\u003c/p\u003e","\u003cp\u003ethanking her for her effort to go to the Guild and\n                  for allowing him to use her poems in a musical\n                  setting\u003c/p\u003e","\u003cp\u003ethanking her for `The Book of Poems' and sending a\n                  circular of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHome Progress\u003c/title\u003e\u003c/bibref\u003ealong with some literary notes\u003c/p\u003e","\u003cp\u003esending a review and thanking her for the charming\n                  poems\u003c/p\u003e","\u003cp\u003ewriting that he will run \n                  \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e's\n                  article about her poems, and congratulating her on\n                  her move to \n                  \u003cgeogname\u003eNew York\u003c/geogname\u003e\u003c/p\u003e","\u003cp\u003ecommenting on his book of poems and preparing for\n                  her move to \n                  \u003cgeogname\u003eNew York\u003c/geogname\u003e\u003c/p\u003e","\u003cp\u003epraising her as the \"most gifted of the lyric\n                  girls,\" also signed by \n                  \u003cpersname\u003eRichard LeGallienne\u003c/persname\u003eand \n                  \u003cpersname\u003eB. Russell Herts\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eappreciative of her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003etaking the liberty of sending his edition of\n                  poems, and expressing his delight in her two books \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Sonnets to Duse...]\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003esending her a copy of his book, commenting on her\n                  style and on his own, asking if she knows \n                  \u003cpersname\u003eZoe Akins\u003c/persname\u003eand writing that she\n                  sent him her book of poems, and discussing the beauty\n                  of \n                  \u003cgeogname\u003eCarmel\u003c/geogname\u003e\u003c/p\u003e","\u003cp\u003eshowing his gratitude for her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and inviting her to tea\u003c/p\u003e","\u003cp\u003eexpressing her \"more poignant\" pleasure in \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poems after\n                  meeting her\u003c/p\u003e","\u003cp\u003ethanking her for her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003eand admiring its style, and giving a message\n                  from \n                  \u003cpersname\u003eEdith Thomas\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eacknowledging receipt of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003eand expressing his pleasure in reading it,\n                  and giving a critique of many of the poems\u003c/p\u003e","\u003cp\u003epraising her poem, \"The Poorhouse\" and confirming\n                  luncheon plans\u003c/p\u003e","\u003cp\u003ethanking her for the inscribed copy of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003eexpressing her delight in seeing \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's name in so many\n                  magazines, and requesting to have tea with her\u003c/p\u003e","\u003cp\u003ethanking her for her letter of appreciation for \n                  \u003cpersname\u003eLouis Untermeyer\u003c/persname\u003e's poem, and\n                  commenting on \n                  \u003cpersname\u003eGeorge Sylvester Viereck\u003c/persname\u003e, \n                  \u003cpersname\u003eB. Russell Herts\u003c/persname\u003e, and \n                  \u003cpersname\u003eOrrick Johns\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ecommenting on her sweet letter and on \"the\n                  twilight of Poetry\"\u003c/p\u003e","\u003cp\u003efinding her genius in the pages of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ecommenting on the review of her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, which he previously sent, written on a\n                  flyer about himself entitled \"A .... Journalistic\n                  Jubilee.. .\"\u003c/p\u003e","\u003cp\u003ethanking her for the note and book of verse \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ereferring to her poem, \"Four Winds,\" as \"deep,\n                  refreshing, and ... so cruelly true,\" and waiting to\n                  pick up a copy of her volume \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ewriting that he will sign his name to the sonnet\n                  [as requested], intending to return \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Younger Choir\u003c/title\u003e\u003c/bibref\u003ein person instead of by mail, inviting her\n                  and \n                  \u003cpersname\u003eDugald Stewart Walker\u003c/persname\u003eto visit\n                  one evening, and expecting Aline and Kenton to call\n                  on her the following day\u003c/p\u003e","\u003cp\u003erequesting her to \"contribute an original\n                  complimentary poem in honor of Browning's centenary\"\n                  for an article in the \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eBoston Transcript\u003c/title\u003e\u003c/bibref\u003eon May 4, honoring \n                  \u003cpersname\u003eRobert Browning\u003c/persname\u003e, and mentioning \n                  \u003cpersname\u003eCarman Bliss\u003c/persname\u003e, \n                  \u003cpersname\u003eEdwin Markham\u003c/persname\u003e, and \n                  \u003cpersname\u003eEdwin Arlington Robinson\u003c/persname\u003eas being\n                  among those who have already consented\u003c/p\u003e","\u003cp\u003econcerning a request through their \n                  \u003cgeogname\u003eLondon\u003c/geogname\u003eoffice from Messrs. \n                  \u003ccorpname\u003eChappell \u0026amp; Co., Ltd.\u003c/corpname\u003e, to\n                  publish her poem, \"Pierrot,\" with a musical\n                  setting\u003c/p\u003e","\u003cp\u003eexpressing his pleasure in receiving her book of\n                  poems \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and looking forward to meeting her one\n                  day\u003c/p\u003e","\u003cp\u003eexpressing his pleasure in reading her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and commenting on her writing\n                  improvement\u003c/p\u003e","\u003cp\u003elooking forward to having her inscribe his copy of\n                  her book of poems\u003c/p\u003e","\u003cp\u003eexpressing her great pleasure at receiving her\n                  letter and book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and discussing friendship\u003c/p\u003e","\u003cp\u003ethanking her for her book of poems \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and returning her kindness with a copy of\n                  her own novel\u003c/p\u003e","\u003cp\u003ewanting to exchange his book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Iron Muse\u003c/title\u003e\u003c/bibref\u003e, autographed, for any one of her books, and\n                  explaining the concept of his book, enclosing two of\n                  his poems, \"Reno\" and \"The Star\"\u003c/p\u003e","\u003cp\u003eacknowledging her kindness in sending the\n                  inscribed copy of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and expressing his thoughts after meeting\n                  her, with enclosure on \"The Modern School\"\u003c/p\u003e","\u003cp\u003ethanking her for a copy of her volume of poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and commenting on her clarity of poetic\n                  ideas\u003c/p\u003e","\u003cp\u003econcerning the club's thirty-fourth meeting and\n                  enclosing a program\u003c/p\u003e","\u003cp\u003erequesting \"new treasures\" for \"The Lyric Year,\"\n                  and referring to a poem in process addressed to \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ecommenting on his verse coming slowly and on\n                  finishing his poem dedicated to \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003eby a year or so,\n                  and writing to ask if she \"will not find the rare\n                  inspiration on the sea,\" in reference to her sailing\n                  to \n                  \u003cgeogname\u003eEurope\u003c/geogname\u003e\u003c/p\u003e","\u003cp\u003eintending to extend the poetry contest and\n                  commenting on her wanting to sell her poem\u003c/p\u003e","\u003cp\u003erequesting her to autograph a recently purchased\n                  book of her writings\u003c/p\u003e","\u003cp\u003erequesting permission to use two of her poems in\n                  musical settings\u003c/p\u003e","\u003cp\u003erequesting to use another one of her poems, \"Less\n                  than the Cloud to the Wind,\" in a musical setting,\n                  and sending the title notice about \"When Love Comes\n                  Singing\"\u003c/p\u003e","\u003cp\u003erequesting permission to use her verse, \"At\n                  Night,\" in a musical setting\u003c/p\u003e","\u003cp\u003erequesting biographical data, a photograph and\n                  review copies from her publishers for an upcoming\n                  series of special articles on American poets that he\n                  is going to undertake in his new capacity as head of\n                  a literary department in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Minneapolis Journal\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003efollowing up on his last letter since he has not\n                  heard from her, and naming some contributors to the\n                  article\u003c/p\u003e","\u003cp\u003erepeating a prior request\u003c/p\u003e","\u003cp\u003erequesting permission to use her poem, \"Pierrot,\"\n                  in a musical setting\u003c/p\u003e","\u003cp\u003erequesting permission to put \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's verse, \"Song,\"\n                  to music\u003c/p\u003e","\u003cp\u003ethanking her for the letter and copy of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, trying to express the sincerity of his\n                  motive in doing the project, and praising her blank\n                  verse poems\u003c/p\u003e","\u003cp\u003epraising her volumes, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and desiring to obtain a copy of the\n                  latter\u003c/p\u003e","\u003cp\u003eacknowledging receipt of her songs and letters,\n                  praising the \"rapture and delicacy\" of her \"From the\n                  Sea,\" and mentioning the poetry contest\u003c/p\u003e","\u003cp\u003epassing on a compliment from \n                  \u003cpersname\u003eElla Wheeler Willcox\u003c/persname\u003eand\n                  requesting a list of her books along with the\n                  publishers' names\u003c/p\u003e","\u003cp\u003easking for \n                  \u003cpersname\u003eJessie Belle Rittenhouse\u003c/persname\u003e's\n                  address in order to express her interest in the \n                  \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e, and\n                  praising \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's verses\u003c/p\u003e","\u003cp\u003eaccepting her poem, \"I Shall Not Care,\" for\n                  publication\u003c/p\u003e","\u003cp\u003eexpressing his pleasure in \n                  \u003cpersname\u003eMitchell Kennerley\u003c/persname\u003e's acceptance\n                  of her poem for \"The Lyric Year\"\u003c/p\u003e","\u003cp\u003esending \"a few lines of opinion upon your\n                  verse...\"\u003c/p\u003e","\u003cp\u003econcerning her request for his review of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand his own editorship of \"The Poetry\n                  Journal\"\u003c/p\u003e","\u003cp\u003ewriting a brief opinion of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003eadmiring her and thanking her for her kind\n                  thoughts\u003c/p\u003e","\u003cp\u003eaccepting \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem, \"Off\n                  Capri\"\u003c/p\u003e","\u003cp\u003ecommenting on the honesty of her poetry,\n                  mentioning her review of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and asking if she knows \n                  \u003cpersname\u003eGeorge Buchanan Fife\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ethanking her for the copy of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003eexpressing her admiration for \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poetry and her\n                  gratitude for Teasdale noticing her writing\u003c/p\u003e","\u003cp\u003eaccepting her Christmas poem and requesting a\n                  review of \n                  \u003cpersname\u003eJohn Hall Wheelock\u003c/persname\u003e's book of\n                  poetry\u003c/p\u003e","\u003cp\u003econfessing to be a great admirer of her poetry and\n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, thanking her for her note, and enclosing a\n                  circular of his new book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Beloved Adventure\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003eaccepting \"Sappho\" for future publication\u003c/p\u003e","\u003cp\u003ethanking him for the booklet\u003c/p\u003e","\u003cp\u003ethanking her for the book and giving a glowing\n                  opinion of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003eaccepting \"The Hour,\" with a slight change in the\n                  second stanza\u003c/p\u003e","\u003cp\u003ereturning her poem, \"The Hour,\" since she rejects\n                  the change and apologizing for a printing error\u003c/p\u003e","\u003cp\u003elooking forward to meeting an old friend \n                  \u003cpersname\u003e(Sara Teasdale)\u003c/persname\u003efor the first\n                  time\u003c/p\u003e","\u003cp\u003ethanking her for the volume, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ereaching an agreement concerning her poem, \"The\n                  Hour\"\u003c/p\u003e","\u003cp\u003eaccepting her two poems, \"Song\" and \"Gifts\"\u003c/p\u003e","\u003cp\u003eexpressing his having the \"true pleasure of\n                  finding a heart-full of real love lyrics\" and\n                  praising her work\u003c/p\u003e","\u003cp\u003eaccepting two of her poems for \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetry Journal\u003c/title\u003e\u003c/bibref\u003e, and mentioning a tete-a-tete with \n                  \u003cpersname\u003e[Alfred] Noyes\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ecommenting that her work is just what the \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSmart Set\u003c/title\u003e\u003c/bibref\u003eneeds\u003c/p\u003e","\u003cp\u003epraising her as the best \"writer of delicate\n                  lyrics\" and commenting on some of her verse in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003esending a tribute to her muse and expressing his\n                  enjoyment of her visit\u003c/p\u003e","\u003cp\u003epraising her volume and apologizing for his delay\n                  in writing due to his busy schedule\u003c/p\u003e","\u003cp\u003ekeeping six of her poems for publication and\n                  suggesting a few changes\u003c/p\u003e","\u003cp\u003ementioning the \n                  \u003cpersname\u003e[Alfred] Noyes\u003c/persname\u003eaffair and \n                  \u003cpersname\u003e[Jessie Belle] Rittenhouse\u003c/persname\u003e,\n                  sending her copy of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003efor an inscription and praising its\n                  \"Love-Songs,\" and discussing a reading by \n                  \u003cpersname\u003eAlfred Noyes\u003c/persname\u003eof \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Forty Singing Seamen\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003eadmitting to be an admirer of her work and\n                  accepting \"Enough\" and \"Prayer\"\u003c/p\u003e","\u003cp\u003erequesting permission to set \"Pierrot Plays in the\n                  Garden\" to music\u003c/p\u003e","\u003cp\u003ecommenting on her note and verse, \"A Forsaken\n                  Garden\" about the vandalism of \n                  \u003cgeogname\u003eSnows Garden\u003c/geogname\u003e\u003c/p\u003e","\u003cp\u003ecalling her poem, [\"A Forsaken Garden\"] \"pure\n                  music in plainest English!...\"\u003c/p\u003e","\u003cp\u003erequesting permission to publish a song, \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's \"Pierrot,\" set\n                  to music\u003c/p\u003e","\u003cp\u003esending under separate cover \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Creed of a Beggar\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Rules of the Road\u003c/title\u003e\u003c/bibref\u003e, and looking forward to \"a most profitable\n                  friendship\"\u003c/p\u003e","\u003cp\u003ethanking her for the book of verse, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and praising her true touch\u003c/p\u003e","\u003cp\u003epraising one of her narrative poems and hoping to\n                  be able to publish it\u003c/p\u003e","\u003cp\u003eholding two of her poems, \"After Parting\" and\n                  \"February\"\u003c/p\u003e","\u003cp\u003ediscussing the poet's adaptation of his or her\n                  work to their wants\u003c/p\u003e","\u003cp\u003epromising to take \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's book of poems to\n                  a nice quiet spot\u003c/p\u003e","\u003cp\u003ethanking her for her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003erequesting a signed autograph copy of her poem, \"I\n                  Shall not Care\"\u003c/p\u003e","\u003cp\u003epraising her \"The Carpenter's Son\" as a beautiful\n                  and impressive poem and accepting it for their\n                  Christmas issue\u003c/p\u003e","\u003cp\u003erequesting an autograph quotation and\n                  signature\u003c/p\u003e","\u003cp\u003eaccepting \"Spring Night\" for publication and\n                  requesting biographical information\u003c/p\u003e","\u003cp\u003eaccepting \"Sea Spray\" at the usual rate\u003c/p\u003e","\u003cp\u003eholding two of her poems, \"Spring Night\" and \"The\n                  Subway Station,\" with a discussion of his thoughts on\n                  the latter\u003c/p\u003e","\u003cp\u003eaccepting \"Heinkehr\"\u003c/p\u003e","\u003cp\u003erequesting an autograph poem and signature to add\n                  to his \"collection of autographic documents\" in\n                  American literature\u003c/p\u003e","\u003cp\u003eexpressing her regrets at missing her visit and\n                  explaining their custom concerning payment when using\n                  a manuscript\u003c/p\u003e","\u003cp\u003epraising her work\u003c/p\u003e","\u003cp\u003einviting her to read her poetry at the \n                  \u003ccorpname\u003eMonday Club\u003c/corpname\u003e's Poets Day, and\n                  mentioning \n                  \u003cpersname\u003eZoe Akins\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ediscussing his \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse\u003c/title\u003e\u003c/bibref\u003e, requesting her to obtain permission from \n                  \u003cpersname\u003eRobert Bridges\u003c/persname\u003eto use her\n                  \"Sappho\" in the publication, and praising her\n                  verse\u003c/p\u003e","\u003cp\u003erequesting a portrait and autograph copies of her\n                  poems \"Sappho\" and \"The Old Maid\" for promotional\n                  purposes\u003c/p\u003e","\u003cp\u003easking her consent to set her poem, \"Enough\" to\n                  music\u003c/p\u003e","\u003cp\u003ehoping to see her at the Literature Committee\n                  meeting the following day, and mentioning \n                  \u003cpersname\u003eJohn Hall Wheelock\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ediscussing her poetry\u003c/p\u003e","\u003cp\u003erequesting permission to set to music her poem,\n                  \"The Lines\"\u003c/p\u003e","\u003cp\u003eexpressing appreciation of hearing several of \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poems\u003c/p\u003e","\u003cp\u003eaccepting her poems, \"The Bay of Naples,\"\n                  \"Alchemy,\" and \"Twilight,\" w/ANS from \n                  \u003cpersname\u003eMargaret Elizabeth Willard\n                  Teasdale\u003c/persname\u003eon verso\u003c/p\u003e","\u003cp\u003erequesting to use \"The Look\" in a musical\n                  setting\u003c/p\u003e","\u003cp\u003ethanking her for the book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand praising her work\u003c/p\u003e","\u003cp\u003erequesting permission to publish her poem, \"Song,\"\n                  with a musical setting\u003c/p\u003e","\u003cp\u003eexpressing concern over \n                  \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003easking for an autographed volume of her work with\n                  a dedication for an exhibit\u003c/p\u003e","\u003cp\u003epraising her ability to write about certain\n                  subjects with such ease\u003c/p\u003e","\u003cp\u003eexpressing pleasure in her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand naming several of her favorites, and\n                  mentioning poets she likes, such as \n                  \u003cpersname\u003eEmily Dickinson\u003c/persname\u003e, \n                  \u003cpersname\u003eJosephine Preston Peabody\u003c/persname\u003e, \n                  \u003cpersname\u003eJohn Banister Tabb\u003c/persname\u003e, and \n                  \u003cpersname\u003eBliss Carman\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eaccepting her poem, \"To the Mother Of A Poet\"\u003c/p\u003e","\u003cp\u003erequesting permission to use her poem, \"The Look,\"\n                  with a musical setting in the annual book of Songs by\n                  Wellesley Students\u003c/p\u003e","\u003cp\u003erequesting permission to set her poem, \"The Look,\"\n                  to music\u003c/p\u003e","\u003cp\u003erequesting one or more of \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poems to be\n                  included in her compilation books of poems and\n                  prayers, \"Sunlit Days\" and \"Starlit Nights\"\u003c/p\u003e","\u003cp\u003ethanking her for permission to set her poem, \"The\n                  Look,\" to music and mentioning \n                  \u003cpersname\u003eEunice Tietjens\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eenclosing a check for use of her poem, \"At Night,\"\n                  in their July issue\u003c/p\u003e","\u003cp\u003erequesting permission to use her poem, \"The Look,\"\n                  for a musical setting\u003c/p\u003e","\u003cp\u003epraising and critiquing her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003easking for her \"hearty approval\" and help with\n                  their `House Party' honoring \n                  \u003cgeogname\u003eMissouri\u003c/geogname\u003eauthors and writers, and\n                  describing the city's and the library's plans for the\n                  affair\u003c/p\u003e","\u003cp\u003erequesting \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's presence at a\n                  dinner in honor of \n                  \u003cpersname\u003eJessie Belle Rittenhouse\u003c/persname\u003eas one\n                  of those represented in Rittenhouse's volume, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Little Book of Modern American\n                     Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003easking who published \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand whether or not she has had published\n                  subsequent volumes\u003c/p\u003e","\u003cp\u003erequesting permission to publish \"The Look,\" as a\n                  song\u003c/p\u003e","\u003cp\u003erequesting permission to publish her poem, \"The\n                  Look,\" as a song, and explaining that she is\n                  seventeen and wishes to further her education as a\n                  pianist\u003c/p\u003e","\u003cp\u003erequesting on behalf of the composer permission to\n                  publish her poem, \"The Look,\" with a musical\n                  setting\u003c/p\u003e","\u003cp\u003eclaiming that his daughter \n                  \u003cpersname\u003eBarbara George\u003c/persname\u003e's poems are\n                  charming, and giving news of her marriage to \n                  \u003cpersname\u003eErnst B. Filsinger\u003c/persname\u003eon December\n                  19\u003c/p\u003e","\u003cp\u003erequesting some sentiment and autograph for his\n                  collection\u003c/p\u003e","\u003cp\u003eaccepting her poems \"Swan\" and \"Come\" for\n                  publication, and mentioning \"Dusk in War-Time,\"\n                  \"Morning,\" \"Leaves,\" and \"Bitterness\"\u003c/p\u003e","\u003cp\u003erequesting her autograph for his collection of\n                  over two-hundred poets\u003c/p\u003e","\u003cp\u003eaccepting her poems \"Peace\" and \"The Lighted\n                  Window\" for publication, w/ANS at bottom\u003c/p\u003e","\u003cp\u003erequesting her membership in their new\n                  organization\u003c/p\u003e","\u003cp\u003erequesting permission to publish her poem \"The\n                  Look\" to a musical setting\u003c/p\u003e","\u003cp\u003erequesting permission to publish her poem \"Spring\"\n                  with the understanding that they cannot pay\u003c/p\u003e","\u003cp\u003eextending an invitation to her and her husband to\n                  see him and his class on April 1, and briefly\n                  discussing his plans for that day's class\u003c/p\u003e","\u003cp\u003erequesting permission to publish \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's \"The River\" with\n                  music\u003c/p\u003e","\u003cp\u003erequesting permission to publish a musical setting\n                  of her poem \"The Look\"\u003c/p\u003e","\u003cp\u003erequesting permission to use three of her poems as\n                  lyrics for songs\u003c/p\u003e","\u003cp\u003eaccepting her poem \"The Cloud\" for publication\u003c/p\u003e","\u003cp\u003erequesting permission to use several of her poems\n                  from \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003efor musical settings\u003c/p\u003e","\u003cp\u003ethanking him for his generous praise, admiring his\n                  wife's poetry, and mentioning \n                  \u003cpersname\u003eLouis Untermeyer\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003econcerning an idea of selling an autographed\n                  collection of books of verse and about verse to raise\n                  money for \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetry Journal\u003c/title\u003e\u003c/bibref\u003e, and mentioning \n                  \u003cpersname\u003eConrad Aiken\u003c/persname\u003e, \n                  \u003cpersname\u003eTemple Scott\u003c/persname\u003e, and \n                  \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eaccepting her poem \"Dreams\" for publication\u003c/p\u003e","\u003cp\u003ewriting in appreciation of her charming note, and\n                  mentioning \n                  \u003cpersname\u003eTheodosia (Garrison) Faulks\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ewriting in appreciation of her kind note and\n                  enclosed lyrics, praising \"Night Song at Amalfi\"\n                  particularly, and wishing to compose songs from some\n                  of the poems whenever she is not too busy with giving\n                  concerts\u003c/p\u003e","\u003cp\u003eexpecting to set to music her poems \"Come\" and\n                  \"The Kiss\" this summer\u003c/p\u003e","\u003cp\u003ecriticizing \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's recently\n                  published \"In a Lighted Window\"\u003c/p\u003e","\u003cp\u003ediscussing her little boy poem [\"In a Lighted\n                  Window\"] and Judge Walker's opinion of it in his June\n                  18 letter, expressing his view of \n                  \u003cpersname\u003eZoe [Akin]\u003c/persname\u003eand her anthology, and\n                  discussing free verse\u003c/p\u003e","\u003cp\u003eoffering a royalty of ten percent on all copies\n                  sold of her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand submitting a sample page\u003c/p\u003e","\u003cp\u003eaccepting the revision of \"Summer Night,\n                  Riverside\" for future publication\u003c/p\u003e","\u003cp\u003econgratulating her on her success with \n                  \u003ccorpname\u003eThe MacMillan Company\u003c/corpname\u003e\u003c/p\u003e","\u003cp\u003erequesting permission to set to music her poem\n                  \"The Look\"\u003c/p\u003e","\u003cp\u003econgratulating her on having her poems published\n                  by \n                  \u003ccorpname\u003eThe MacMillan Company\u003c/corpname\u003eand telling\n                  of her own writing\u003c/p\u003e","\u003cp\u003erequesting to use two musical settings \"But What\n                  if I Heard my First Love\" and \"The Kiss in Colin's\n                  Eye\" based on her poems\u003c/p\u003e","\u003cp\u003econcerning the publication of \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poetry and the\n                  possibility of having advance order copies\n                  autographed\u003c/p\u003e","\u003cp\u003econcerning his anthology coming out in October,\n                  and asking her assistance by sending her extra set of\n                  proofs when corrected and by contacting \n                  \u003cpersname\u003eWilliam Marion Reedy\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003epraising her poems that she sent and hoping to use\n                  some of them\u003c/p\u003e","\u003cp\u003efeeling that her book will be a success\u003c/p\u003e","\u003cp\u003ecomplimenting her poems as being admirably fitted\n                  for American songs, and saying that she has set four\n                  of them to musical settings\u003c/p\u003e","\u003cp\u003ecriticizing the Imagist movement but commenting\n                  favorably on \n                  \u003cpersname\u003eJohn Gould Fletcher\u003c/persname\u003e's work, and\n                  mentioning his drifting away from the group\u003c/p\u003e","\u003cp\u003eaccepting one of her poems for publication\u003c/p\u003e","\u003cp\u003econcerning a suite of songs \"Five Songs of Autumn\"\n                  written by himself using her poems \"Twilight,\"\n                  \"November,\" \"Dreams,\" and \"Dead Leaves\"\u003c/p\u003e","\u003cp\u003eagreeing to see her book and review it, discussing\n                  the \"woman and poet,\" mentioning \n                  \u003ccorpname\u003eMacMillan\u003c/corpname\u003epublishing his \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSong of Hugh Glass\u003c/title\u003e\u003c/bibref\u003e, and inquiring about her interest in\n                  Greek\u003c/p\u003e","\u003cp\u003eagreeing to review her book and giving a lengthy\n                  discussion of a reviewer's work\u003c/p\u003e","\u003cp\u003epraising and criticizing her poetry, and\n                  discussing the teaching of poetry\u003c/p\u003e","\u003cp\u003erequesting permission to quote her poem \"Spring in\n                  War Time\" in a book being prepared about the war in \n                  \u003cgeogname\u003eEurope\u003c/geogname\u003e\u003c/p\u003e","\u003cp\u003erequesting permission to use her poem \"I Shall Not\n                  Care\" in a musical setting\u003c/p\u003e","\u003cp\u003easking for some poems\u003c/p\u003e","\u003cp\u003egiving glowing and detailed praise of her work in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, writing of \"the deep human beauty of this\n                  great poem,\" \"the holy core of life itself...and\n                  needful to be reminded by such as you,--...,\" \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003eas \"an unabashed\n                  lover of life,\" \"this expression of the fundamental\n                  emotion in its elements...\"\u003c/p\u003e","\u003cp\u003erevealing that the Library system has copies of\n                  her book of poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ethanking her for the inscribed copy of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Rivers to the Sea]\u003c/title\u003e\u003c/bibref\u003e, and promising a judgment\u003c/p\u003e","\u003cp\u003ewriting in response to Sara's illness and\n                  mentioning her new book and some of her verse\u003c/p\u003e","\u003cp\u003eexpressing his gratitude for her book and praising\n                  the verses\u003c/p\u003e","\u003cp\u003e(written in German)\u003c/p\u003e","\u003cp\u003ereplying to her letter concerning a full face or\n                  profile picture of her to use in their service\u003c/p\u003e","\u003cp\u003e(written in German)\u003c/p\u003e","\u003cp\u003eexpressing appreciation of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Rivers to the Sea]\u003c/title\u003e\u003c/bibref\u003eand praising her verses\u003c/p\u003e","\u003cp\u003epraising her book and her expression of her \"love\n                  in terms of nature,\" and wishing to see Sara\u003c/p\u003e","\u003cp\u003ethanking her for \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand commenting on her growth\u003c/p\u003e","\u003cp\u003ementioning the review of her new book to be in\n                  December's issue\u003c/p\u003e","\u003cp\u003epraising her new book and expressing his pleasure\n                  in having met her and \n                  \u003cpersname\u003eErnst B. Filsinger\u003c/persname\u003ein St.\n                  Louis\u003c/p\u003e","\u003cp\u003estating that he received her new book through \n                  \u003cpersname\u003eHarriet Monroe\u003c/persname\u003eand will place it\n                  among his memorable things, and revealing some\n                  feelings toward war\u003c/p\u003e","\u003cp\u003ementioning his health, the pleasant publicity of\n                  his \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePortmanteau\u003c/title\u003e\u003c/bibref\u003e, and her book\u003c/p\u003e","\u003cp\u003erequesting a contribution for a select anthology\n                  of Pierrot and Columbine poems\u003c/p\u003e","\u003cp\u003erequesting permission to use her poem \"The Kiss\"\n                  in a musical setting\u003c/p\u003e","\u003cp\u003ethanking her for the volume and telling anecdotes\n                  about himself\u003c/p\u003e","\u003cp\u003eexpressing admiration for her and pleasure at her\n                  kind words concerning her own work\u003c/p\u003e","\u003cp\u003eexpressing her delight upon receiving and reading\n                  her \"exquisite little volume\"\u003c/p\u003e","\u003cp\u003ethanking her for \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, encouraging her and \n                  \u003cpersname\u003eErnst B. Filsinger\u003c/persname\u003eto go to the\n                  Poets dinner, and mentioning receipt of the Chicago\n                  first prize for \"the Chinese nightingale\" and the\n                  progress of his Movie-Book\u003c/p\u003e","\u003cp\u003eexpressing her pleasure in reading \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand promising a review shortly\u003c/p\u003e","\u003cp\u003epraising her blank verse in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and mentioning works by himself and his\n                  wife, Jean, and the opinions of \n                  \u003cpersname\u003eRobert Frost\u003c/persname\u003eand \n                  \u003cpersname\u003eMax Eastman\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eexpressing his fondness for her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003erequesting permission to publish her poem \"The\n                  Kiss\" in a musical setting\u003c/p\u003e","\u003cp\u003epraising her work and commenting on the Rieder\n                  translation\u003c/p\u003e","\u003cp\u003epraising the \"wonderful lyric qualities\" of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, saying that the \"songs are so directly\n                  from the heart and life not only of a true poet but\n                  of a true woman...\"\u003c/p\u003e","\u003cp\u003eexpressing her and her husband's, \n                  \u003cpersname\u003eHenry Mills Alden\u003c/persname\u003e, admiration\n                  for her `singing leaves'\u003c/p\u003e","\u003cp\u003epraising her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand her ability to \"bring a seeing eye to\n                  the most outworn or ordinary situations...\"\u003c/p\u003e","\u003cp\u003ecommenting that she is \"writing the best singing\n                  verse in the country today\" and that \"our singers are\n                  all too few and our \n                  \u003cpersname\u003eEzra Pound\u003c/persname\u003es and \n                  \u003cpersname\u003eGertrude Stein\u003c/persname\u003es are all too\n                  many!\"\u003c/p\u003e","\u003cp\u003eadmitting to being an admirer of her poetry, and\n                  planning to read \"Off Capri\" to \n                  \u003ccorpname\u003eThe Centennial Club\u003c/corpname\u003e\u003c/p\u003e","\u003cp\u003etelling her plans to write an article on \n                  \u003cpersname\u003eCarl Vrooman\u003c/persname\u003eand \n                  \u003cpersname\u003eJulia Scott Vrooman\u003c/persname\u003eand wishing\n                  to quote from \n                  \u003cpersname\u003eSara Teasdale's verses\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ecommenting on her \"very unusual lyric gift\" and\n                  the satisfying \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and mentioning Sara's fragile health\u003c/p\u003e","\u003cp\u003eciting her work as \"sincere and artistic,\"\n                  thanking her for the German versions of her poems,\n                  and wishing to publish some of her verse in the \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eYale Review\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ediscussing an enclosed review of her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, remarking on the sign of prodigy in \n                  \u003cpersname\u003eStephen Vincent Benet\u003c/persname\u003e(younger\n                  brother of \n                  \u003cpersname\u003eWilliam Rose Benet\u003c/persname\u003e), mentioning\n                  his wife \n                  \u003cpersname\u003eJean Untermeyer\u003c/persname\u003e's hit with \n                  \u003cpersname\u003eAmy Lowell\u003c/persname\u003e, and likens one of \n                  \u003cpersname\u003eG. K. Chesterton\u003c/persname\u003e's poems to \n                  \u003cpersname\u003eVachel Lindsay\u003c/persname\u003e's style\u003c/p\u003e","\u003cp\u003equoting praises from Mrs. Meynell about the verses\n                  of Sara and of \n                  \u003cpersname\u003eMargaret Widdemer\u003c/persname\u003eas well as\n                  expressing his and his wife \n                  \u003cpersname\u003eGrace Dawson\u003c/persname\u003e's delight with\n                  them, and mentioning his new book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Etchics of Confucius\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003erequesting permission to set to music her poem\n                  \"Spring in War Time\"\u003c/p\u003e","\u003cp\u003epraising \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand especially \"The Answer\"\u003c/p\u003e","\u003cp\u003esharing her admiration of \"the lilt and the lift\n                  of the poems\" in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, mentioning \n                  \u003cpersname\u003eJesse R[ittenhouse]\u003c/persname\u003e, \n                  \u003cpersname\u003eMargaret Fuller\u003c/persname\u003e, \n                  \u003cpersname\u003eMargaret Widdemer\u003c/persname\u003e, \n                  \u003cpersname\u003eRoyal Dixon\u003c/persname\u003e, and discussing the\n                  hardship of the family of the late \n                  \u003cpersname\u003eMadison Cawein\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eaccepting her poems \"In a Hospital\" and \"Flames\"\n                  for publication\u003c/p\u003e","\u003cp\u003einforming her that they have elected her an\n                  honorary member\u003c/p\u003e","\u003cp\u003erequesting a personal biographical sketch of her\n                  by one of her friends\u003c/p\u003e","\u003cp\u003ethanking her for her \"melodious book\" and\n                  commenting on some of his favorite poems\u003c/p\u003e","\u003cp\u003easking about `The New Moon' and the series of\n                  hospital songs, and thanking her for an article by \n                  \u003cpersname\u003eHarris Merton Lyon\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ediscussing \n                  \u003cpersname\u003eWillard Huntington Wright\u003c/persname\u003e's\n                  critical pen, and praising \n                  \u003cpersname\u003eSara Tesdale\u003c/persname\u003e's songs\u003c/p\u003e","\u003cp\u003eexpressing pleasure at one of her stories and\n                  wishing she would do more prose\u003c/p\u003e","\u003cp\u003econcerning \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003eoffering fee for her story \"The Black Hearth\"\u003c/p\u003e","\u003cp\u003esending an affectionate holiday letter\u003c/p\u003e","\u003cp\u003epraising \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand saying that no other American poet \"so\n                  feelingly, so spontaneously and beautifully senses\n                  the primal human emotions\"\u003c/p\u003e","\u003cp\u003ethanking her for the copy of [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e] and commenting on her favorite poems and\n                  on one fault, and promising to send a copy of her own\n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSix French Poets\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003esending some old photographs of Vine\u003c/p\u003e","\u003cp\u003eexplaining that she does her readings \"all for\n                  love of the fine new movement in poetry,\" and\n                  requests a copy of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ewelcoming her book in their \n                  \u003ccorpname\u003ePoets Corner\u003c/corpname\u003e, praising her work,\n                  and inviting her to the College to see the work they\n                  are trying to do for the young women...\u003c/p\u003e","\u003cp\u003ementioning her stay at the Dawsons' ( \n                  \u003cpersname\u003eMiles Dawson\u003c/persname\u003eand \n                  \u003cpersname\u003eGrace Dawson\u003c/persname\u003e) where she saw\n                  Sara's bridal picture\u003c/p\u003e","\u003cp\u003erequesting formal permission to include some of\n                  her poems in an anthology of the \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNew Poetry\u003c/title\u003e\u003c/bibref\u003e, with a personal handwritten note at the\n                  bottom and on the verso\u003c/p\u003e","\u003cp\u003eexpressing his interest in translating some of her\n                  work into Spanish and asking for her published books\n                  and a photograph\u003c/p\u003e","\u003cp\u003erequesting permission to publish \"The Kiss\" set to\n                  music\u003c/p\u003e","\u003cp\u003ediscussing a school project and requesting a\n                  letter and a photograph\u003c/p\u003e","\u003cp\u003eaccepting her \"Songs in a Hospital\" and requesting\n                  one other poem for publication\u003c/p\u003e","\u003cp\u003epraising Sara and her work on behalf of \"Ned\" ( \n                  \u003cpersname\u003eEdna Wahlert\u003c/persname\u003e) and herself, and\n                  enclosing an \"honest tribute from Ned\"\u003c/p\u003e","\u003cp\u003eacccepting her poem \"Old Days\" for publication\u003c/p\u003e","\u003cp\u003eexpressing her satisfaction at hearing from her\n                  and Ned ( \n                  \u003cpersname\u003eEdna Wahlert\u003c/persname\u003e)\u003c/p\u003e","\u003cp\u003ethanking her belatedly for her gift of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ethanking her for the letter and gift of poetry\u003c/p\u003e","\u003cp\u003econcerning her own article on \"Masterpieces of\n                  American Women Poets\"\u003c/p\u003e","\u003cp\u003epraising her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse and Other Poems\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003eexpressing her pleasure in reading \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and mentioning it being listed in the\n                  April issue\u003c/p\u003e","\u003cp\u003eextending an invitation for her to read some of\n                  her poems at a benefit tea\u003c/p\u003e","\u003cp\u003eaccepting her poem \"Child, Child\" for publication\n                  if it is not to be published in a book soon\u003c/p\u003e","\u003cp\u003eexpressing his pleasure with her letter, poems,\n                  and songs as well as his enjoyment in singing her\n                  songs, and mentioning a singing engagement at the \n                  \u003ccorpname\u003eBrowning Society\u003c/corpname\u003eSoiree\u003c/p\u003e","\u003cp\u003ewriting of her enjoyment in hearing \n                  \u003cpersname\u003eErnst B. Filsinger\u003c/persname\u003eread Sara's\n                  poems at The Wednesday Club, and inviting her to tea\n                  with \n                  \u003cpersname\u003eCelia Harris\u003c/persname\u003eand herself\u003c/p\u003e","\u003cp\u003ethanking her for the book which has not yet\n                  arrived and sending regards to \"Johns and Miss\n                  Monroe\"\u003c/p\u003e","\u003cp\u003ere \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ecalling her new book delightful and commenting on\n                  her ability to \"keep command over so sure an\n                  artistry,\" and enclosing a copy of his poem \"To St.\n                  Louis\"\u003c/p\u003e","\u003cp\u003eexpressing pride at her letter and gift of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003erequesting permission to obtain the rights to \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"Joy\" to\n                  use in a musical setting, with ANS from Reedy to \n                  \u003cpersname\u003eSara Teasdale Filsinger\u003c/persname\u003eat\n                  top\u003c/p\u003e","\u003cp\u003ethanking her for the letter and beautiful book,\n                  and expressing an inerest in setting some of her\n                  poems to music\u003c/p\u003e","\u003cp\u003eindicating that he has set to classical music her\n                  poem \"Flames\"\u003c/p\u003e","\u003cp\u003ewriting of activities of the \n                  \u003ccorpname\u003eBrowning Society\u003c/corpname\u003eand enclosing a\n                  program\u003c/p\u003e","\u003cp\u003eexpressing his certainty that some of her lyrics\n                  will inspire some composer to set them to music\u003c/p\u003e","\u003cp\u003ewishing to secure the \"Song Maker\" and one other\n                  lyric for use in a vocal number in \"Missouri's Place\n                  in Literature\"\u003c/p\u003e","\u003cp\u003ethanking her for the gift of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and expressing an interest in setting some\n                  of them to music\u003c/p\u003e","\u003cp\u003ethanking her for the pretty \"Mary Arden poem\"\u003c/p\u003e","\u003cp\u003eenclosing three photographs of \n                  \u003cpersname\u003eWilliam Faversham\u003c/persname\u003eand others at\n                  the Shakespeare Celebration\u003c/p\u003e","\u003cp\u003erequesting permission to use \"The Kiss\" in a\n                  musical setting\u003c/p\u003e","\u003cp\u003ethanking her for the letter and copies of her\n                  poems, and mentioning a discussion with \n                  \u003cpersname\u003eEdmund Clarence Stedman\u003c/persname\u003eover what\n                  constitutes a lyric poem\u003c/p\u003e","\u003cp\u003erequesting permission to set to music \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"I Heard a\n                  Cry\"\u003c/p\u003e","\u003cp\u003econcerning Newark's Poem Competition and its civic\n                  theme\u003c/p\u003e","\u003cp\u003erequesting her membership and expressing\n                  admiration\u003c/p\u003e","\u003cp\u003econcerning her assistance as judge\u003c/p\u003e","\u003cp\u003ethanking her for her letter and poems, which gave\n                  him a great deal of pleasure\u003c/p\u003e","\u003cp\u003erequesting permission to use her poem \"In a\n                  Hospital\" in a volume of selections from English and\n                  American poets about the war to be edited by himself\n                  on behalf of the \n                  \u003ccorpname\u003eBelgian Scholarship\n                  Committee\u003c/corpname\u003e\u003c/p\u003e","\u003cp\u003econcerning a meeting of American poets to be held\n                  on June 28 \"in memory of \n                  \u003cpersname\u003ePadraic Pearse\u003c/persname\u003e, \n                  \u003cpersname\u003eThomas MacDonagh\u003c/persname\u003e, and \n                  \u003cpersname\u003eJoseph Plunkett\u003c/persname\u003e, the three poets\n                  who were executed for their share in the recent\n                  uprising in \n                  \u003cgeogname\u003eDublin\u003c/geogname\u003e, \" and asking for one of\n                  her poems to be read\u003c/p\u003e","\u003cp\u003eenclosing a request to set to music \"Child,\n                  Child\"\u003c/p\u003e","\u003cp\u003eextending appreciation for her part in the \n                  \u003cgeogname\u003eSt. Louis\u003c/geogname\u003eConvention, and\n                  commenting on her two beautiful odes read by \n                  \u003cpersname\u003eWilliam Faversham\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eoffering preliminary terms for the spring 1917\n                  publication of her anthology of love lyrics by\n                  women\u003c/p\u003e","\u003cp\u003econcerning \n                  \u003ccorpname\u003eHoughton Mifflin Company\u003c/corpname\u003e's\n                  acceptance of Sara's \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003emore concerning \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003erequesting copies of her two Shakespearian odes\n                  both read by \n                  \u003cpersname\u003eWilliam Faversham\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ethanking her for her charming note about her\n                  daughter \n                  \u003cpersname\u003eHilda Conkling\u003c/persname\u003e's poem, and\n                  enclosing some poems by the five-year old\u003c/p\u003e","\u003cp\u003erequesting permission to set to music her poem \"A\n                  Poem of Young Love\"\u003c/p\u003e","\u003cp\u003eexpressing her enjoyment over \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and mentioning Sara's discriminating\n                  comment on \n                  \u003cpersname\u003eSappho\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003erequesting permission to print her \"Testament\" in\n                  a little volume of sermons\u003c/p\u003e","\u003cp\u003eaccepting a poem for publication\u003c/p\u003e","\u003cp\u003erequesting again permission to set to music her \"A\n                  Poem of Young Love\" as well as \"When I am Dead\"\u003c/p\u003e","\u003cp\u003epraising her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003eexpressing his interest in having her poetry set\n                  to some `Ozark songs'\u003c/p\u003e","\u003cp\u003erequesting permission to use her lyrics \"A\n                  Benediction\" in a musical setting by \n                  \u003cpersname\u003eC. Whitney Coombs\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003easking permission to use the second verse of \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"Child,\n                  Child\" on a card to be distributed among friends\u003c/p\u003e","\u003cp\u003erequesting permission to set to music \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"Child,\n                  Child\"\u003c/p\u003e","\u003cp\u003eexpressing his pleasure at her new poems, and\n                  mentioning the protest against the Post Office\n                  banning of the works of \n                  \u003cpersname\u003eTheodore Dreiser\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003econcerning letters requesting permission to use\n                  some of Sara's lyrics\u003c/p\u003e","\u003cp\u003eaccepting her poem \"Other Men\" for publication\u003c/p\u003e","\u003cp\u003erequesting permission to set to music her poems\n                  \"Deep in the Night,\" \"Come,\" and \"The Flight\"\u003c/p\u003e","\u003cp\u003erequesting an original verse to use as a guide for\n                  contestants in a health poetry contest in which \n                  \u003cpersname\u003eHarriet Monroe\u003c/persname\u003e, \n                  \u003cpersname\u003eHenry Adams Bellows\u003c/persname\u003e, and \n                  \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ewill\n                  act as judges\u003c/p\u003e","\u003cp\u003erequesting permission to use one of her poems in\n                  an anthology she is editing entitled \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice--One Hundred\n                     Love-Lyrics by Women\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003eaccepting her poem \"August Moonrise\" for\n                  publication if conditions are agreeable\u003c/p\u003e","\u003cp\u003easking her consent on behalf of her singing master\n                  to have a song published using her verse \"Jewels\"\u003c/p\u003e","\u003cp\u003ecommenting on the poems she liked best including a\n                  group of \"Songs Out of Stress\"\u003c/p\u003e","\u003cp\u003eadmitting that she has been enthusiastically\n                  reading from Sara's poems at her Poetry Readings and\n                  asks for furthur cooperation\u003c/p\u003e","\u003cp\u003eseeking biographical information for their club\n                  studying living English and American poets\u003c/p\u003e","\u003cp\u003ewriting as her agent and enclosing a check for her\n                  poem \"The Philosopher\" which is to be published in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eGood Housekeeping\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003eaccepting her poem \"The Ballad of St. Kevin\" for\n                  their Christmas issue\u003c/p\u003e","\u003cp\u003erequesting permission to publish her poem \"The\n                  Cloud\" set to music\u003c/p\u003e","\u003cp\u003erequesting permission to publish \"The Look\" set to\n                  music along with some others she is working on\u003c/p\u003e","\u003cp\u003econcerning a project with \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Bookman\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003ccorpname\u003eDodd, Mead, \u0026amp; Company\u003c/corpname\u003ein the\n                  form of an anthology of new poems by American\n                  poets\u003c/p\u003e","\u003cp\u003erequesting permission to use some of her poems in\n                  musical settings\u003c/p\u003e","\u003cp\u003erequesting permission to use \"The Cloud\" and\n                  \"Night Song at Amalfi\" by \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003ein musical\n                  settings\u003c/p\u003e","\u003cp\u003eadmiring her work and wondering how to obtain her\n                  books other than \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ereferring to a letter, November 22, 1916, from \n                  \u003cpersname\u003eJulius Kranz\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eadmiring \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's \"November Night\"\n                  and commenting on its \"wonderful imagery, its\n                  sympathetic feeling...\"\u003c/p\u003e","\u003cp\u003etranslating a reference to \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003efrom Yiddish to English\u003c/p\u003e","\u003cp\u003ereferring to a note in praise of her \"November\n                  Night\"\u003c/p\u003e","\u003cp\u003ewriting as her agent and sending a check for\n                  \"Spring Rain\" which is to be published in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eCentury Magazine\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003eoffering an agreement for her proposal of a book\n                  of `Love Lyrics'\u003c/p\u003e","\u003cp\u003ewriting of entertaining friends with a reading of\n                  her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand their enjoyment\u003c/p\u003e","\u003cp\u003esending the agreement for the proposed book of\n                  love lyrics\u003c/p\u003e","\u003cp\u003ethanking her for \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003econcerning the publication of several of his songs\n                  made from her lyrics\u003c/p\u003e","\u003cp\u003eacknowledging her letter and volume of verse\u003c/p\u003e","\u003cp\u003einviting her to talk intimately about her work at\n                  the \n                  \u003ccorpname\u003eWriters Guild\u003c/corpname\u003eDay at the \n                  \u003ccorpname\u003eUniversity of Missouri\u003c/corpname\u003e\u003c/p\u003e","\u003cp\u003erequesting one of her bookplates in exchange for\n                  the enclosed one of her own\u003c/p\u003e","\u003cp\u003eexpressing his enjoyment in reading her poems,\n                  particularly \"I Shall Not Care,\" \"Off Algiers,\" and\n                  \"Capri\"\u003c/p\u003e","\u003cp\u003erevealing that he would be pleased to have her\n                  work appear more often in the magazine\u003c/p\u003e","\u003cp\u003epraising her poems in the form of a poem entitled\n                  \"Why Not\"\u003c/p\u003e","\u003cp\u003erequesting permission to use her poem\n                  \"Grandfather's Love\" in a musical setting for a\n                  colleciton of childrens' songs\u003c/p\u003e","\u003cp\u003eaccepting her poem \"Tonight\" for publication but\n                  declining \"Defeated\" due to spacing problems\u003c/p\u003e","\u003cp\u003erequesting permission to use her poem \"Swans\" in a\n                  musical setting\u003c/p\u003e","\u003cp\u003eaccepting her poem \"Schooners\" for publication\u003c/p\u003e","\u003cp\u003erequesting permission to set to music her two\n                  poems \"Joy\" and \"The Look\"\u003c/p\u003e","\u003cp\u003eaccepting her poem \"The Strawberry Man\" for\n                  publication, and expressing sympathy for her\n                  sickness\u003c/p\u003e","\u003cp\u003erequesting permission to use a few of her lyrics\n                  in a revision of his \"The Home Book of Verse\"\u003c/p\u003e","\u003cp\u003epraising her poem \"Dreams\" and requesting\n                  permission to publish it in a musical setting\u003c/p\u003e","\u003cp\u003econcerning a magazine, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Madrigal\u003c/title\u003e\u003c/bibref\u003e, devoted to the publication of love lyrics\n                  and requesting a contribution\u003c/p\u003e","\u003cp\u003eexpressing gratitude for her sending \"At Midnight\"\n                  which he will include in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Masque of Poets\u003c/title\u003e\u003c/bibref\u003eand send to \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Bookman\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003erevealing that he has set her poem \"Swans\" as a\n                  song after receiving a copy of her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003erequesting permission to use her poem \"Deep in the\n                  Night\" for a musical setting\u003c/p\u003e","\u003cp\u003econcerning the changed version of \"The Prayer of\n                  the Gardener\"\u003c/p\u003e","\u003cp\u003econcerning a volume he is editing entitled \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of New York Verse\u003c/title\u003e\u003c/bibref\u003eand wishing to include some of Sara's\n                  poems\u003c/p\u003e","\u003cp\u003econcerning a musical setting of her poem\n                  \"Pierrot\"\u003c/p\u003e","\u003cp\u003ewishing to have published the enclosed Danish\n                  translation of her poem \"Rain\"\u003c/p\u003e","\u003cp\u003erequesting permission to publish a musical setting\n                  for women's chorus of her poem \"Dusk in June\"\u003c/p\u003e","\u003cp\u003erequesting permission to use her poem \"Helen of\n                  Troy\" in a collection of poems about ancient Troy\u003c/p\u003e","\u003cp\u003erequesting permission to use her poem \"Sea\n                  Longing\" in a \"book on modern tendencies of poetry as\n                  exhibited in the sonnet\"\u003c/p\u003e","\u003cp\u003einforming her that her poem-sequence \"Songs Out of\n                  Sorrow\" has received the highest vote in balloting of\n                  the \n                  \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e\u003c/p\u003e","\u003cp\u003ethanking her for the letter and poem, and\n                  mentioning activities in the \n                  \u003ccorpname\u003eNational League\u003c/corpname\u003e\u003c/p\u003e","\u003cp\u003epraising her poem \"Tonight\" and wishing to tell\n                  her about his own brand of poetry-making\u003c/p\u003e","\u003cp\u003eexpressing her feelings for the poems in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and commenting on their being \"so simple\n                  and natural and real\"\u003c/p\u003e","\u003cp\u003eseeking help in the way of reviewing with her own\n                  verses and asking where to obtain \"Songs Out of\n                  Sorrow\"\u003c/p\u003e","\u003cp\u003eaccepting her poem \"Embers\" and requesting\n                  material for a free ad\u003c/p\u003e","\u003cp\u003epraising her poem \"Schooners\" and inquiring about\n                  the names of the vessels\u003c/p\u003e","\u003cp\u003erequesting autographed volumes of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eto be auctioned for the \n                  \u003ccorpname\u003eAmerican Ambulance Fund\u003c/corpname\u003e\u003c/p\u003e","\u003cp\u003erequesting permission to publish \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"Tonight\"\n                  set to music\u003c/p\u003e","\u003cp\u003econcerning a request for permission to publish her\n                  poem \"Buried Love\" with a musical setting from Miss \n                  \u003cpersname\u003eMima A. Taylor\u003c/persname\u003eof \n                  \u003ccorpname\u003eKilmarnock, Scotland\u003c/corpname\u003e\u003c/p\u003e","\u003cp\u003erequesting permission to use \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"The Look\"\n                  in a musical setting to be published by \n                  \u003cpersname\u003eHarold Flammer\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003econcerning the September 11 letter from Mrs. \n                  \u003cpersname\u003eA. R. Wilson\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003e[concerning \n                  \u003cpersname\u003eRalph T. Whitney\u003c/persname\u003e]\u003c/p\u003e","\u003cp\u003econcerning his request of September 5\u003c/p\u003e","\u003cp\u003epraising Sara's love songs and commenting that the\n                  two books [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice: One Hundred Love\n                     Lyrics by Women\u003c/title\u003e\u003c/bibref\u003e] are pretty, and writing family news\u003c/p\u003e","\u003cp\u003ethanking her for the two books, one of love songs,\n                  the other a collection of poems by women\u003c/p\u003e","\u003cp\u003ethanking her for the forthcoming volume and\n                  promising to read it with pleasure\u003c/p\u003e","\u003cp\u003ethanking her for the two volumes [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice: One Hundred Love\n                     Lyrics by Women\u003c/title\u003e\u003c/bibref\u003e] and praising her own love songs as being\n                  of a higher level than the other women's verses\u003c/p\u003e","\u003cp\u003erequesting permission to use her verse \"Tonight\"\n                  in a musical setting\u003c/p\u003e","\u003cp\u003ethanking her for the book of lyrics, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice: One Hundred Love\n                     Lyrics by Women\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003ethanking her for the volume, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e, and commenting on her \"gift for pure\n                  lyric\"\u003c/p\u003e","\u003cp\u003ethanking her for the book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e, and finding in it verses for songs\u003c/p\u003e","\u003cp\u003ethanking her for the book of her poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e, and commenting on its \"lyric\n                  loveliness\"\u003c/p\u003e","\u003cp\u003ethanking her for the inscribed \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003eand praising her work\u003c/p\u003e","\u003cp\u003ediscussing Sara's \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice: One Hundred Love\n                     Lyrics by Women\u003c/title\u003e\u003c/bibref\u003eand her own \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eCornucopia of Red and Green Comfits\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003cpersname\u003eVachel Lindsay\u003c/persname\u003eand his work\u003c/p\u003e","\u003cp\u003ethanking her for the charming little book, [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e","\u003cp\u003eaccepting her poems \"Sons\" for the January issue\n                  and \"When we are Happiest\" for a later one\u003c/p\u003e","\u003cp\u003eaccepting a poem for their Christmas issue\u003c/p\u003e","\u003cp\u003eaccepting her poem \"The Cup\" for publication\u003c/p\u003e","\u003cp\u003ethanking her for the charming letter and gift of\n                  poems\u003c/p\u003e","\u003cp\u003epraising her volume of poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e, and asking if she has any war poems to\n                  possibly read at the MacDowell Center\u003c/p\u003e","\u003cp\u003esending her a poem by himself entitled \"Sara--An\n                  Acrostic\"\u003c/p\u003e","\u003cp\u003einforming her of the \n                  \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003eaward\n                  for her volume \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e","\u003cp\u003einquiring about the possibilities of further\n                  work\u003c/p\u003e","\u003cp\u003eexpressing gratitude for her letter and mentioning\n                  her own physical weakness\u003c/p\u003e","\u003cp\u003ementioning \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse and Other Poems\u003c/title\u003e\u003c/bibref\u003e, and asking after her family\u003c/p\u003e","\u003cp\u003ecommenting on the latter's verses and encouraging\n                  her\u003c/p\u003e","\u003cp\u003ethanking her for her book and telling of his\n                  enjoyment in reading it\u003c/p\u003e","\u003cp\u003ewriting to her friend after a long interval,\n                  telling of her separation from \n                  \u003cpersname\u003eErnst B. Filsinger\u003c/persname\u003e, a visit in\n                  May to \n                  \u003cgeogname\u003eFrance\u003c/geogname\u003ewith \n                  \u003cpersname\u003eMargaret Conklin\u003c/persname\u003e, her problems\n                  since being seriously injured in a taxi-cab in March\n                  1928, and plans for a visit to \n                  \u003cgeogname\u003eCalifornia\u003c/geogname\u003e\u003c/p\u003e","\u003cp\u003ereviving ties with her old friend\u003c/p\u003e","\u003cp\u003eexchanging family news, and mentioning \n                  \u003cpersname\u003eJoseph Hergesheimer\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ethanking her profusely for the gift of a\n                  butterfly, mentioning \n                  \u003cpersname\u003eJay Van Everen\u003c/persname\u003e's praise of it,\n                  referring to her essay on \n                  \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e, discussing \n                  \u003cpersname\u003eVirginia Woolf\u003c/persname\u003e, comparing the\n                  views of the Empire State Building and the Eiffel\n                  Tower, and saying she would be glad to meet \n                  \u003cpersname\u003eMary Ware Dennett\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ediscussing the lingering effects of the Depression\n                  on New York, and her frail physical condition and\n                  wanting to leave \n                  \u003cgeogname\u003eNew York\u003c/geogname\u003e; and, mentioning Mrs. \n                  \u003cpersname\u003eVachel Lindsay\u003c/persname\u003e, her own\n                  biography of \n                  \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e, and\n                  friends\u003c/p\u003e","\u003cp\u003ediscussing her decreased income, work on her essay\n                  about \n                  \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e, and personal\n                  news\u003c/p\u003e","\u003cp\u003ementioning meeting \n                  \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e's two\n                  nieces\u003c/p\u003e","\u003cp\u003ediscussing life in \n                  \u003cgeogname\u003eSpain\u003c/geogname\u003e; and giving a personal\n                  discourse on the relationships of \n                  \u003cpersname\u003eGeorge Bernard Shaw\u003c/persname\u003eand \n                  \u003cpersname\u003eEllen Terry\u003c/persname\u003eand \n                  \u003cpersname\u003eHenry Irving\u003c/persname\u003e, and comparing\n                  Terry to \n                  \u003cpersname\u003eEleonora Duse\u003c/persname\u003eas an actress and\n                  lover\u003c/p\u003e","\u003cp\u003ementioning the latter's \"Crumbs,\" \n                  \u003cpersname\u003eSarah Bernhardt\u003c/persname\u003eand \n                  \u003cpersname\u003eEleonora Duse\u003c/persname\u003e, \n                  \u003cpersname\u003eWilliam Marion Reedy\u003c/persname\u003eand \n                  \u003cpersname\u003eTyrell Williams\u003c/persname\u003e, and \n                  \u003cpersname\u003eVirginia Woolf\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eexpressing her feelings about the gift of the\n                  beautiful butterfly and the importance of childhood\n                  memories\u003c/p\u003e","\u003cp\u003econcerning some pictures of \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ediscussing \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's suicide\u003c/p\u003e","\u003cp\u003ementioning \n                  \u003cpersname\u003eWilliamina Parrish\u003c/persname\u003e, \n                  \u003cpersname\u003eMartha Prentice Merwin\u003c/persname\u003e, and \n                  \u003cpersname\u003eUpton Sinclair\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003eenclosing horoscope and related enclosures\u003c/p\u003e","\u003cp\u003ediscussing \n                  \u003cpersname\u003eMorgan McCormick\u003c/persname\u003eand \n                  \u003cpersname\u003eIsabel (Parrish) McCormick\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003esending additional horoscope material\u003c/p\u003e","\u003cp\u003eremembering \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's death and\n                  mentioning old friends\u003c/p\u003e","\u003cp\u003esending a photograph of \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e; and, discussing\n                  Sara's wishes after her death: the \n                  \u003cpersname\u003eChristina Rossetti\u003c/persname\u003ebook and other\n                  works remaining unpublished and keeping her life\n                  private\u003c/p\u003e","\u003cp\u003ewriting news of \n                  \u003cpersname\u003eTyrell Williams\u003c/persname\u003eand \n                  \u003cpersname\u003eNell Niedringhaus Williams\u003c/persname\u003eand\n                  biographical information\u003c/p\u003e","\u003cp\u003ewriting family news and mentioning \n                  \u003cpersname\u003eCelia [E. Harris]\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ementioning \n                  \u003cpersname\u003eVine Colby\u003c/persname\u003e, \n                  \u003cpersname\u003ePetronelle Sombart\u003c/persname\u003e, \n                  \u003cpersname\u003eEdna \"Ned\" Wahlert\u003c/persname\u003e, and \n                  \u003cpersname\u003eEdith Wyatt\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003ementioning \n                  \u003cpersname\u003eCaroline Risque\u003c/persname\u003e, \n                  \u003cpersname\u003eVine Colby\u003c/persname\u003e, and briefly\n                  describing her life in \n                  \u003cgeogname\u003eLincoln\u003c/geogname\u003e\u003c/p\u003e","\u003cp\u003edescribing the pleasure that the \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePotter's Wheels\u003c/title\u003e\u003c/bibref\u003ebrings her and others, mentioning \n                  \u003cpersname\u003eCelia E. Harris\u003c/persname\u003e' convalescence,\n                  with ANS from Celia, mentioning her own and \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's illnesses\u003c/p\u003e","\u003cp\u003eordering photographs\u003c/p\u003e","\u003cp\u003eacknowledging the photographs of \n                  \u003cpersname\u003eCelia E. Harris\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003efrom an \"enchanting old place\"\u003c/p\u003e"],"scopecontent_tesim":["sending thanks for her sympathy and inviting her\n                  to visit","revealing his delight in a poem she sent and\n                  discussing her style","re looking over proofs to her volume of poetry [ \n                   Sonnets to Duse and Other Poems ]","mentioning her \n                   E[leanora] D[use] sonnet being\n                  accepted by \n                   Poet Lore for publication","re horseback riding and critiquing a poem,\n                  \"Vengeance\" by Colby","mentioning the July \n                   Potter's Wheel","sending her a review of \n                   Sara Teasdale 's volume of poetry\n                   Sonnets to Duse...","praising her book \n                   Sonnets to Duse...","extending his thanks for the copy of her book \n                   Sonnets to Duse... and hoping for its success","thanking her for the copy of her book \n                   Sonnets to Duse... , praising it, and wishing for its\n                  success","revealing her pride of her childhood friend ( \n                   Sara Teasdale ) after seeing her\n                  \"Guenevere\" in \n                   The Digest","expressing his pleasure in presenting her poem\n                  [\"Guenevere\"] to the world, praising her book of\n                  verses, \n                   Sonnets to Duse... , and encouraging her to continue writing\n                  verses in her careful fashion","praising her poem [\"Guenevere\"]","thanking her for the copy of her book \n                   Sonnets to Duse... praising her effort, and mentioning seeing\n                  actress \n                   Olga Nethersole .","thanking her for the autograph copy of her book \n                   Sonnets to Duse... , writing about getting settled in their new\n                  home","asking for a day to visit, expressing her pleasure\n                  in her ( \n                   Sara Teasdale 's ) book \n                   Sonnets to Duse... , with ALS from \n                   Mary D. Harris to \n                   Sara Teasdale , expressing her\n                  pride in Teasdale and her book","writing about the beauty of her poems and that he\n                  has written a review of her book [ \n                   Sonnets to Duse... ]","praising her book [ \n                   Sonnets to Duse... ]","sending his review of her book [ \n                   Sonnets to Duse... ] from \n                   The Saturday Review","concerning her delight in receiving a letter from \n                   Arthur Symons , and saying that\n                  Symons is \"not only one of the greatest living\n                  critics, but...a poet of true feeling...\"","thanking her for the copy of her book [ \n                   Sonnets to Duse... ], and discussing \n                   Arthur Symons","enclosing the \"notice by \n                   Arthur Symons from \n                   Saturday Review \"","thanking her for the presentation copy of her book\n                  [Sonnets to Duse...] and praising her poems and\n                  sonnets","thanking her for the copy of her book [ \n                   Sonnets to Duse... ]","thanking her for the copy of her book [ \n                   Sonnets to Duse... ], and encouraging her to pursue her gift of\n                  writing verse","expressing appreciation of the copy of her book [ \n                   Sonnets to Duse... ]","thanking her for the copy of her book [ \n                   Sonnets to Duse... ] and wanting to see her","stating that \n                   Eleanora Duse would be returning\n                  to her home at 54 Via Robbia soon, sent to \n                   Sara Teasdale by \n                   Jerome A. Quay","explaining the content of the November 19, 1907\n                  letter re \n                   Eleanora Duse","writing that he would be glad to use \"The Heart's\n                  Hearth\" in the Christmas issue","thanking her for the copy of her book [ \n                   Sonnets to Duse... ] and expressing his and his wife's\n                  enjoyment of her poetry","returning her poems except for \"Dusk\" which he\n                  hopes will go into the January issue","acknowledging receipt of her letter and copy of\n                  her book [ \n                   Sonnets to Duse... ] to be forwarded to \n                   Eleanora Duse","wishing to purchase her book of verse [ \n                   Sonnets to Duse... ]as a Christmas gift","praising her book of verse, \n                   Sonnets to Duse... , and including a poem","sending a copy of her \n                   Sonnets to Duse... for her to autograph and saying that \"Dusk\"\n                  will be in the February issue","thanking her for the book, [ \n                   Sonnets to Duse... ], commenting on her gift for writing\n                  poetry, and wanting her parents to visit on their way\n                  from \n                   Philadelphia, Pennsylvania","thanking her for the book [ \n                   Sonnets to Duse... ]","thanking her for the book [ \n                   Sonnets to Duse... ], praising the sonnets, and wishing to talk\n                  with her","praising her book [ \n                   Sonnets to Duse... ] and relating personally to some of the\n                  poems, and discussing the relationship between a work\n                  and its artist and how they are perceived by\n                  others","returning her poem unused due to lack of space","re the birth of their baby, \n                   Barbara George","expressing appreciation for the book of verses [ \n                   Sonnets to Duse... ] sent to \n                   Mary F. Raphael , who is not\n                  well, and saying that Mrs. Raphael has sent three\n                  autographed photographs of her pictures to \n                   Sara Teasdale","commenting favorably on her book of verse [ \n                   Sonnets to Duse... ], which she borrowed from \n                   Fred R. Macauley , referring to \n                   Sara Teasdale as having \"the\n                  unmistakable lyric touch,\" comparing her own verse to\n                   Sara Teasdale 's , and wanting to\n                  talk with her and get to know her","expressing her pleasure in \n                   Sara Teasdale 's poem,\n                  \"Guenevere,\" writing that their interpretations of\n                  Tennyson's masterpiece are very similar and that she\n                  will send a photograph of her picture of the work\n                  which illustrates this","sending congratulations for their baby, \n                   Barbara George","thanking her for the copy of her book [ \n                   Sonnets to Duse... ]","praising her book of verse, \n                   Sonnets to Duse... , and complimenting her writing","acknowledging her praise for his translation of\n                  the odes and fragments of \n                   Sappho and writing that he would\n                  be glad to send her a copy, and referring to one of\n                  her poems as being of \"rare beauty of thought and\n                  expression\"","expressing enjoyment of her book [ \n                   Sonnets to Duse... ] and congratulating her on its success","thanking her for her book of poems [ \n                   Sonnets to Duse... ] and expressing his appreciation of the\n                  dedicatory triolet to himself, giving high praise to\n                  her sonnets and comparing her admirably to \n                   Christina Rossetti , critiquing\n                  some of the poems, and giving her the original draft\n                  of \"The Sleep Wind\"","asking for \n                   Sara Teasdale 's address in order\n                  to write for permission to set her \"The Heart's\n                  Hearth\" to music","acknowledging receipt of her poem dedicated to \n                   John Keats for the anniversary of\n                  his death","enclosing a March 23rd letter from \n                   Adelia C. Arens and relaying\n                  praises for her Sonnet on \n                   John Keats from \n                   Elizabeth Waddell and \n                   R.E. Lee Gibson","hoping she is well and commenting on her\n                  treatments","requesting a paragraph referring to her poem,\n                  \"Love in Autumn\" and information about herself, with\n                  a page from his magazine","writing a note about her lines on \n                   John Keats on a postcard showing\n                  where Keats died which was sent to him from \n                   Rome, Italy","sending along an article from \n                   The Evening Post about new books of verse which mentions \n                   Sara Teasdale 's sonnet to \n                   Sappho","acknowledging receipt of her remembrance and\n                  wishing to hear her read some of her poems","thanking her for her letter and copy of her book, \n                   Sonnets to Duse... , saying she had already read her poems\n                  while at the home of \n                   Arthur Symons along with \n                   Julia Marlowe , and mentioning\n                  some of her favorite poems by \n                   Sara Teasdale","re \n                   Sara Teasdale 's impending\n                  arrival in \n                   Tucson","advising her on having \n                   Helen of Troy published","thanking her for the Christmas gift and saying she\n                  is going home next week","hoping she had a restful journey home","thanking him for his kindness and sending love to \n                   Marion Cummings Stanley","writing \"passed Liberal all right\"","acknowledging receipt of a package","accepting \"Helen\" for publication","thanking her for the copy of her book, \n                   Sonnets to Duse... , and praising it as well as her gift of\n                  writing","chiding her for not writing","relating that a Mr. \n                   Sidney Fane of London, England\n                  has asked permission to set her poem \"Buried Love\" to\n                  music","accepting her poems \"November\" and \"Vox Amoris\"\n                  for publication","asking her to read a book of poems and write a\n                  criticism of it","commenting on the death of \n                   Algernon Charles Swinburne","telling her that her poems are beautiful","writing that her poetry sings; commenting on her\n                  literary gift, her lyrical quality, and \"the value of\n                  the songs,\"; and, discussing the \"necessity of\n                  deciding between the artificial-imagination and this\n                  other thing of simplicity in beauty-simplicity and\n                  the heart.\" There is much literary thought and\n                  discussion","writing about having his songs published,\n                  including one with the words to \n                   Sara Teasdale 's poem, \"Buried\n                  Love\"","re the beauty of spring","accepting her poem, \"The Prayer,\" for\n                  publicaton","showing an interest in her poem, \"On the Death of\n                  Swinburne\" and wishing to reproduce something of hers\n                  in one of their issues","sending a copy of one of his new songs, \"A Queen\n                  of the Long Age\"","discussing \n                   Witter Bynner 's favorable\n                  comments on her poetry and his being with publishers \n                   Small, Maynard \u0026 Company ,\n                  mentioning \n                   John Stapleton Cowley 's praise\n                  of \"Guenevere,\" and \n                   Zoe Aikin 's new book","thanking her for her book of poems [ \n                   Sonnets to Duse... ] and naming his favorites","describing the peacefulness of \n                   Charlevoix and her visit with \n                   Sara Teasdale , and asking him to\n                  send some money","re boating","mentioning a boat trip around \n                   Traverse Bay with \n                   Mamie Teasdale Wheless , her\n                  delight with \n                   Charlevoix and \n                   Sara Teasdale and her family, and\n                  wanting to discuss plans with him","discussing a trip around \n                   Pine Lake on a \"miniature ferry,\"\n                  plans for leaving there and returning to \n                   Tucson, Arizona , mentioning \n                   Sara Teasdale 's and her poetry\n                  writing, receiving \"Mr. Sappho's\" \n                   [John Myers O'Hara] new book, \n                   Songs of the Open","re personal matters and plans for leaving","writing about \n                   Marion Cummings Stanley 's visit,\n                  on a postcard with a view of a river, \"The Old\n                  Channel,\" in \n                   Charlevoix","sending a postcard with another view of a river,\n                  \"Old River,\" in \n                   Charlevoix","writing personal news","thanking her for the copy of her book [ \n                   Sonnets to Duse... ] and praising her work","praising her book, \n                   Sonnets to Duse... , commenting on \"Japanese Incense\" as being\n                  \"as fragrant in words as is the perfume it speaks,\"\n                  and saying that her love-songs are as lovely as those\n                  of \n                   Sappho","sending pictures of the buildings in which she is\n                  spending time, and reminiscing about time spent with \n                   Marion Cummings Stanley","accepting her poem, \"To Cleis,\" for publicaton","thanking her for the gift","sending a Christmas greeting","thanking him for the candy","sending his appreciation of her gift of the book [\n                   Sonnets to Duse... ]","requesting the return of her short monologue,\n                  \"Sappho,\" with ANS from the Editor saying that they\n                  are using it in the February issue","thinking of her in this \"loveliest, quaintest\n                  town\"","thanking him for the gift of \"the dear little\n                  Japanese girl feeding the fawns\"","thanking her for \"the interesting sixteenth\n                  century gentleman with a telephone receiver\"","receiving the baby picutres of \n                   Barbara George and the newborn,\n                  and asking that the \n                   Potter's Wheel be sent to \n                   Lillie Rose Ernst at \n                   Hosmer Hall","requesting permission to set to music her poem,\n                  \"Pierrot,\" and giving some information about herself\n                  including being a student of \n                   Leopold Godowsky","requesting permission to set to music her poem,\n                  \"Daisy Time\"","requesting permission to set to music her poem,\n                  \"Pierrot\"","enclosing a letter from someone in \n                   Aberdeen, Scotland requesting\n                  permission to use one of her poems","wishing to obtain \n                   Sara Teasdale 's consent for\n                  publishing a song with her poem, \"Daisy Time,\" set to\n                  music","discussing \"Miss French's\" work in poetry, gladly\n                  accepting \n                   Sara Teasdale 's praise of his\n                  own work, and mentioning \n                   John Myers O'Hara and his\n                  \"Sapphic poems\"","requesting permission to publish as a song her\n                  poem \"Daisy Time\" which she has set to music","re using her poems","sending a check in payment for two of her poems to\n                  be published in \n                   Putnam's Monthly","concerning her poem, \"Erinna,\" which is to appear\n                  in their second issue, and mentioning as among her\n                  admirers, \n                   Louis Untermeyer , \n                   Mitchell Kennerley , \n                   Michael Monahan , and \n                   Richard Le Galliene","concerning the publication of her volume of poems,\n                  their undertaking the publishing of four or five\n                  volumes of verse as well as the second book of \"The\n                  Younger Choir,\" and companies wanting a guarantee of\n                  sales when publishing poetry","offering her a publishing proposition for her\n                  volume of verse specifying that she would bear the\n                  entire cost of production","accepting her poem, \"The Wind,\" for\n                  publication","requesting permission to set to music her poem,\n                  \"Daisy Time\"","thanking her for the lace jabot, describing at\n                  great length the Potter party, and mentioning each of\n                  the \n                   Potters","according her the right to make further use of her\n                  verse, \"Song,\" published by the magazine last July in\n                  her book or in a musical setting, and accepting her\n                  poem, \"The Wind,\" for publication","thanking her for her letter and volume, \n                   Sonnets to Duse...","returning the \"Young Choir\" with his signature","concerning an evening of poetry [a meeting of the \n                   Poetry Society of America ]","giving his weekday schedule","wanting to meet her at the next meeting and\n                  commenting that Sara Teasdale's \"Helen,\" read by\n                  Witter Bynner, was well accepted","giving his weekday schedule","writing that he has set to music two of her poems,\n                  \"Buried Love\" and \"Pierrot\"","finding her quatrain \"At Night\" to be pure and\n                  true","thanking her for the book [ \n                   Sonnets to Duse... ], and saying it was both a pleasure to read\n                  it and to meet her, and commenting that \"poets are\n                  the most charming people on earth\"","thanking her for giving him permission to use her\n                  poems, \"Daisy Time\" and \"Song\" as musical settings,\n                  and asking permission to use \"Twilight\"","thanking him for his note about a photograph of\n                  herself she had sent","calling her \"On the Tower\" a magnificent piece of\n                  work and printing it in the August issue","requesting permission to submit for publication a\n                  musical setting of her poem, \"The Prayer\"","thanking her for her courtesy and for the pleasure\n                  her poems give her","acknowledging receipt of her lyrics, and asking\n                  her charge for using them","giving high praise to her work in the book of\n                  poems [ \n                   Helen of Troy and Other Poems ], and wanting to write a nice review for \n                   The Hesperian","praising her book of poems [ \n                   Helen of Troy... ], especially the love songs, and wanting to\n                  send her a copy of his selected \n                   Poems","thanking her for the gift of the charming book [ \n                   Helen of Troy... ]","commenting on her book of poems, \n                   Helen of Troy...","thanking her for the copy of \n                   Helen of Troy... and wishing her success","thanking her for the gift, [ \n                   Helen of Troy... ], and planning to read the verses with her\n                  husband on their wedding trip","thanking her for the volume, [ \n                   Helen of Troy... ], and commenting on its \"lyric\n                  splendor\"","thanking her for the book, [ \n                   Helen of Troy... ], saying that he has written a review of\n                  her book for \n                   The Mirror , and commenting that \"On the Tower\" us\n                  \"dramatic promise as well as fine poetry\"","thanking her for the copy of \n                   Helen of Troy... , and sending in return a copy of his \n                   Poems","calling the verses in her book, [ \n                   Helen of Troy... ] \"dear and familiar,\" showing pride in the\n                  dedication, saying that she was glad the book arrived\n                  after her spell of illness and melancholy and that\n                  she is looking forward to better health and the\n                  success of her own book","thanking her for the book \n                   Helen of Troy... , and promising to copy some verses for\n                  her","referring to her new book, \n                   Helen to Troy... , as a \"perfect delight,\" and thanking her\n                  for the copy","commenting that \n                   Orrick Johns has written a fine\n                  review of \n                   Helen of Troy...","thanking her for the volume of \n                   Helen of Troy... , and mentioning the lyrics she especially\n                  liked","thanking her for the gift of her book, \n                   Helen of Troy... , and commenting that the love-songs are her\n                  favorite and that they \"have that artlessness that\n                  signifies the mastery of art\"","thanking her for sending the volume of verse, \n                   Helen of Troy... , and indicating that it has already become\n                  a family treasure","thanking her for the book, \n                   Helen of Troy... , and mentioning his boarders' reaction to\n                  the volume","thanking her for the gift of her poems, \n                   Helen of Troy...","requesting permission to set to music her poem,\n                  \"Twilight,\" with ANS from her mother, \n                   Mary Elizabeth Willard Teasdale ,\n                  on back","admiring her \"powers \u0026 artistic\n                  discrimination,\" commenting on his own verse, \"The\n                  Poet,\" which \n                   Sara Teasdale had praised,\n                  sending her \"a little burlesque volume,\" \n                   The Younger Quire , saying she will like the review of her \n                   Helen of Troy... , and praising her work","expressing his enjoyment of her poems, extending\n                  congratulations on her book, \n                   Helen of Troy... , commenting on \n                   Charles Hanson Towne 's splendid\n                  work, and saying that his own \"sense of rhythm is so\n                  lyrical in style...\"","requesting some biographical information for his\n                  upcoming article on poets","praising her book of verse, \n                   Helen of Troy... , discussing a trip to \n                   Europe and plans for a future\n                  trip abroad, and mentioning a meeting of the \n                   Poetry Society of America with a\n                  discussion of the Irish plays and invluding\n                  interesting persons such as \n                   Henry Van Dyke and \n                   Curtis Hidden Page","expressing his appreciation of the gift of her\n                  book, \n                   Helen of Troy... , and sending a token in return","giving high praise to her book of verse, \n                   Helen of Troy... , calling \"Helen of Troy\" and \"On the Tower\"\n                  \"postive triumphs,\" critiquing several of the poems,\n                  comparing her favorably to \n                   Elizabeth Barrett Browning and \n                   Christina Rossetti , and writing\n                  a French translation of \"The Pagan End\"","thanking her for the volume of her poems, \n                   Helen of Troy... , calling her \"a real poet,\" and saying that\n                  it will be a delightful privilege to read her new\n                  poems","requesting permission to publish his musical\n                  setting of her verse, \"Song,\" and asking to use the\n                  first line as the title","wishing to meet with her to discuss her book, \n                   Helen of Troy...","sending thanks for her book of verse, \n                   Helen of Troy...","reminiscing about a Thanksgiving dinner with \n                   Marion Cummings Stanley and Sara,\n                  writing about Marion's despair over the illness of\n                  her mother, and expressing his delight in reading her\n                  book, \n                   Helen of Troy...","thanking her for the book, \n                   Helen of Troy... and commenting on her great talent","re a column review of \n                   Sara Teasdale 's book, \n                   Helen of Troy... , in the following day's paper","expressing her pleasure at receiving her book, \n                   Helen of Troy... , and encouraging her to \"keep on\n                  singing-for all of us\"","reminiscing about her stay with him and \n                   Marion Cummings Stanley , and\n                  asking him to send a copy of her book (which she will\n                  supply), \n                   Helen of Troy... , to \n                   Richard LeGallienne of \n                   Harper's Magazine , under his own name","drawing her attention to the notice of her book, \n                   Helen of Troy... , in the Sunday \n                   New York Times","looking forward to reading her volume of verse, \n                   Helen of Troy... , and hoping that their reviewer will\n                  mention it","enclosing some clippings for \n                   Marion Cummings Stanley ,\n                  planning to mail her book, \n                   Helen of Troy... to him to send to \n                   Richard LeGallienne , and\n                  mentioning her poor health","commenting on the \n                   St. Louis Times review of her book, \n                   Helen of Troy... , and on their literary relationship","apologizing for the delay in sending copies of \n                   Helen of Troy... to periodicals she requested, and returning\n                  the reviews of her book","accepting \"The Lights of New York,\" \"Sea Longing,\"\n                  and \"Triolets\" for publication","accepting one of her sonnets for the next issue\n                  and revealing that \n                   Louis Untermeyer will be\n                  reviewing her book, \n                   Helen of Troy... , in the current issue","praising the verses in her book, \n                   Helen of Troy... and commenting on their beauty","reminding her of her promise to present a copy of\n                  her book, \n                   Helen of Troy... , to him","sending holiday greetings and commenting \"how\n                  pleasing to turn to a comforting poem and find solace\n                  in a kindred spirit\"","requesting information from her for his \"calendar\n                  of the poets\"","concerning an enquiry on her first volume, \n                   Sonnets to Duse...","congratulating her after seeing the review of her\n                  book, Helen of Troy..., in the St. Louis Times,\n                  written on an announcement of new employment with\n                  Hornblower \u0026 Weeks","concerning the \n                   Poetry Society of America , and\n                  mentioning certain persons -- \n                   Cale Young Rice , \n                   Josephine Peabody , \n                   Percy Mackaye --planning to\n                  attend their annual dinner","writing in answer to her note about his review of \n                   Helen of Troy... and further critiquing the poetry as he\n                  would have if given more space in \n                   The International , and commenting that the attitude in the\n                  love lyrics is that of a woman","thanking her for the book of poems, \n                   Helen of Troy... , finding her lyrics \"poignant and\n                  pertinent,\" commenting on several of his personal\n                  favorites, and giving a brief comment on \n                   Rudyard Kipling","enclosing a letter from a friend praising \n                   Sara Teasdale 's book of poems, \n                   Helen of Troy... and commenting on Teasdale's\n                  understanding","asking the basis for her poem, \"Sappho\"","expressing gratitude for the copy of her book, \n                   Helen of Troy... , and commenting on her gift of song","commenting that her \"The Poor House\" was the only\n                  poem read at the meeting of the \n                   Poetry Society of America","saying she has read her book, \n                   Helen of Troy... , and writing of having the same dream\n                  twice","requesting permission to set to music her poem\n                  \"When Love Comes Singing to his Heart\"","revealing himself as an admirer of her work and\n                  putting her in a class with himself","receiving her acceptance to the annual dinner of\n                  the \n                   Poetry Society of America","thanking her for her effort to go to the Guild and\n                  for allowing him to use her poems in a musical\n                  setting","thanking her for `The Book of Poems' and sending a\n                  circular of \n                   Home Progress along with some literary notes","sending a review and thanking her for the charming\n                  poems","writing that he will run \n                   Marion Cummings Stanley 's\n                  article about her poems, and congratulating her on\n                  her move to \n                   New York","commenting on his book of poems and preparing for\n                  her move to \n                   New York","praising her as the \"most gifted of the lyric\n                  girls,\" also signed by \n                   Richard LeGallienne and \n                   B. Russell Herts","appreciative of her book, \n                   [Helen of Troy...]","taking the liberty of sending his edition of\n                  poems, and expressing his delight in her two books \n                   [Sonnets to Duse...] and \n                   [Helen of Troy...]","sending her a copy of his book, commenting on her\n                  style and on his own, asking if she knows \n                   Zoe Akins and writing that she\n                  sent him her book of poems, and discussing the beauty\n                  of \n                   Carmel","showing his gratitude for her book, \n                   [Helen of Troy...] , and inviting her to tea","expressing her \"more poignant\" pleasure in \n                   Sara Teasdale 's poems after\n                  meeting her","thanking her for her book \n                   [Helen of Troy...] and admiring its style, and giving a message\n                  from \n                   Edith Thomas","acknowledging receipt of her book \n                   [Helen of Troy...] and expressing his pleasure in reading it,\n                  and giving a critique of many of the poems","praising her poem, \"The Poorhouse\" and confirming\n                  luncheon plans","thanking her for the inscribed copy of her book \n                   [Helen of Troy...]","expressing her delight in seeing \n                   Sara Teasdale 's name in so many\n                  magazines, and requesting to have tea with her","thanking her for her letter of appreciation for \n                   Louis Untermeyer 's poem, and\n                  commenting on \n                   George Sylvester Viereck , \n                   B. Russell Herts , and \n                   Orrick Johns","commenting on her sweet letter and on \"the\n                  twilight of Poetry\"","finding her genius in the pages of \n                   Helen of Troy...","commenting on the review of her book, \n                   [Helen of Troy...] , which he previously sent, written on a\n                  flyer about himself entitled \"A .... Journalistic\n                  Jubilee.. .\"","thanking her for the note and book of verse \n                   [Helen of Troy...]","referring to her poem, \"Four Winds,\" as \"deep,\n                  refreshing, and ... so cruelly true,\" and waiting to\n                  pick up a copy of her volume \n                   [Helen of Troy...]","writing that he will sign his name to the sonnet\n                  [as requested], intending to return \n                   The Younger Choir in person instead of by mail, inviting her\n                  and \n                   Dugald Stewart Walker to visit\n                  one evening, and expecting Aline and Kenton to call\n                  on her the following day","requesting her to \"contribute an original\n                  complimentary poem in honor of Browning's centenary\"\n                  for an article in the \n                   Boston Transcript on May 4, honoring \n                   Robert Browning , and mentioning \n                   Carman Bliss , \n                   Edwin Markham , and \n                   Edwin Arlington Robinson as being\n                  among those who have already consented","concerning a request through their \n                   London office from Messrs. \n                   Chappell \u0026 Co., Ltd. , to\n                  publish her poem, \"Pierrot,\" with a musical\n                  setting","expressing his pleasure in receiving her book of\n                  poems \n                   [Helen of Troy...] , and looking forward to meeting her one\n                  day","expressing his pleasure in reading her book \n                   [Helen of Troy...] , and commenting on her writing\n                  improvement","looking forward to having her inscribe his copy of\n                  her book of poems","expressing her great pleasure at receiving her\n                  letter and book \n                   [Helen of Troy...] , and discussing friendship","thanking her for her book of poems \n                   [Helen of Troy...] , and returning her kindness with a copy of\n                  her own novel","wanting to exchange his book, \n                   The Iron Muse , autographed, for any one of her books, and\n                  explaining the concept of his book, enclosing two of\n                  his poems, \"Reno\" and \"The Star\"","acknowledging her kindness in sending the\n                  inscribed copy of her book \n                   [Helen of Troy...] , and expressing his thoughts after meeting\n                  her, with enclosure on \"The Modern School\"","thanking her for a copy of her volume of poems, \n                   Helen of Troy... , and commenting on her clarity of poetic\n                  ideas","concerning the club's thirty-fourth meeting and\n                  enclosing a program","requesting \"new treasures\" for \"The Lyric Year,\"\n                  and referring to a poem in process addressed to \n                   Sara Teasdale","commenting on his verse coming slowly and on\n                  finishing his poem dedicated to \n                   Sara Teasdale by a year or so,\n                  and writing to ask if she \"will not find the rare\n                  inspiration on the sea,\" in reference to her sailing\n                  to \n                   Europe","intending to extend the poetry contest and\n                  commenting on her wanting to sell her poem","requesting her to autograph a recently purchased\n                  book of her writings","requesting permission to use two of her poems in\n                  musical settings","requesting to use another one of her poems, \"Less\n                  than the Cloud to the Wind,\" in a musical setting,\n                  and sending the title notice about \"When Love Comes\n                  Singing\"","requesting permission to use her verse, \"At\n                  Night,\" in a musical setting","requesting biographical data, a photograph and\n                  review copies from her publishers for an upcoming\n                  series of special articles on American poets that he\n                  is going to undertake in his new capacity as head of\n                  a literary department in \n                   The Minneapolis Journal","following up on his last letter since he has not\n                  heard from her, and naming some contributors to the\n                  article","repeating a prior request","requesting permission to use her poem, \"Pierrot,\"\n                  in a musical setting","requesting permission to put \n                   Sara Teasdale 's verse, \"Song,\"\n                  to music","thanking her for the letter and copy of \n                   Helen of Troy... , trying to express the sincerity of his\n                  motive in doing the project, and praising her blank\n                  verse poems","praising her volumes, \n                   Sonnets to Duse... and \n                   Helen of Troy... , and desiring to obtain a copy of the\n                  latter","acknowledging receipt of her songs and letters,\n                  praising the \"rapture and delicacy\" of her \"From the\n                  Sea,\" and mentioning the poetry contest","passing on a compliment from \n                   Ella Wheeler Willcox and\n                  requesting a list of her books along with the\n                  publishers' names","asking for \n                   Jessie Belle Rittenhouse 's\n                  address in order to express her interest in the \n                   Poetry Society of America , and\n                  praising \n                   Sara Teasdale 's verses","accepting her poem, \"I Shall Not Care,\" for\n                  publication","expressing his pleasure in \n                   Mitchell Kennerley 's acceptance\n                  of her poem for \"The Lyric Year\"","sending \"a few lines of opinion upon your\n                  verse...\"","concerning her request for his review of \n                   Helen of Troy... and his own editorship of \"The Poetry\n                  Journal\"","writing a brief opinion of \n                   [Helen of Troy...]","admiring her and thanking her for her kind\n                  thoughts","accepting \n                   Sara Teasdale 's poem, \"Off\n                  Capri\"","commenting on the honesty of her poetry,\n                  mentioning her review of \n                   Helen of Troy... , and asking if she knows \n                   George Buchanan Fife","thanking her for the copy of \n                   Helen of Troy...","expressing her admiration for \n                   Sara Teasdale 's poetry and her\n                  gratitude for Teasdale noticing her writing","accepting her Christmas poem and requesting a\n                  review of \n                   John Hall Wheelock 's book of\n                  poetry","confessing to be a great admirer of her poetry and\n                   Helen of Troy... , thanking her for her note, and enclosing a\n                  circular of his new book, \n                   The Beloved Adventure","accepting \"Sappho\" for future publication","thanking him for the booklet","thanking her for the book and giving a glowing\n                  opinion of \n                   [Helen of Troy...]","accepting \"The Hour,\" with a slight change in the\n                  second stanza","returning her poem, \"The Hour,\" since she rejects\n                  the change and apologizing for a printing error","looking forward to meeting an old friend \n                   (Sara Teasdale) for the first\n                  time","thanking her for the volume, \n                   Helen of Troy...","reaching an agreement concerning her poem, \"The\n                  Hour\"","accepting her two poems, \"Song\" and \"Gifts\"","expressing his having the \"true pleasure of\n                  finding a heart-full of real love lyrics\" and\n                  praising her work","accepting two of her poems for \n                   The Poetry Journal , and mentioning a tete-a-tete with \n                   [Alfred] Noyes","commenting that her work is just what the \n                   Smart Set needs","praising her as the best \"writer of delicate\n                  lyrics\" and commenting on some of her verse in \n                   Helen of Troy...","sending a tribute to her muse and expressing his\n                  enjoyment of her visit","praising her volume and apologizing for his delay\n                  in writing due to his busy schedule","keeping six of her poems for publication and\n                  suggesting a few changes","mentioning the \n                   [Alfred] Noyes affair and \n                   [Jessie Belle] Rittenhouse ,\n                  sending her copy of \n                   Helen of Troy... for an inscription and praising its\n                  \"Love-Songs,\" and discussing a reading by \n                   Alfred Noyes of \n                   The Forty Singing Seamen","admitting to be an admirer of her work and\n                  accepting \"Enough\" and \"Prayer\"","requesting permission to set \"Pierrot Plays in the\n                  Garden\" to music","commenting on her note and verse, \"A Forsaken\n                  Garden\" about the vandalism of \n                   Snows Garden","calling her poem, [\"A Forsaken Garden\"] \"pure\n                  music in plainest English!...\"","requesting permission to publish a song, \n                   Sara Teasdale 's \"Pierrot,\" set\n                  to music","sending under separate cover \n                   The Creed of a Beggar and \n                   The Rules of the Road , and looking forward to \"a most profitable\n                  friendship\"","thanking her for the book of verse, \n                   Helen of Troy... , and praising her true touch","praising one of her narrative poems and hoping to\n                  be able to publish it","holding two of her poems, \"After Parting\" and\n                  \"February\"","discussing the poet's adaptation of his or her\n                  work to their wants","promising to take \n                   Sara Teasdale 's book of poems to\n                  a nice quiet spot","thanking her for her book, \n                   [Helen of Troy...]","requesting a signed autograph copy of her poem, \"I\n                  Shall not Care\"","praising her \"The Carpenter's Son\" as a beautiful\n                  and impressive poem and accepting it for their\n                  Christmas issue","requesting an autograph quotation and\n                  signature","accepting \"Spring Night\" for publication and\n                  requesting biographical information","accepting \"Sea Spray\" at the usual rate","holding two of her poems, \"Spring Night\" and \"The\n                  Subway Station,\" with a discussion of his thoughts on\n                  the latter","accepting \"Heinkehr\"","requesting an autograph poem and signature to add\n                  to his \"collection of autographic documents\" in\n                  American literature","expressing her regrets at missing her visit and\n                  explaining their custom concerning payment when using\n                  a manuscript","praising her work","inviting her to read her poetry at the \n                   Monday Club 's Poets Day, and\n                  mentioning \n                   Zoe Akins","discussing his \n                   Anthology of Magazine Verse , requesting her to obtain permission from \n                   Robert Bridges to use her\n                  \"Sappho\" in the publication, and praising her\n                  verse","requesting a portrait and autograph copies of her\n                  poems \"Sappho\" and \"The Old Maid\" for promotional\n                  purposes","asking her consent to set her poem, \"Enough\" to\n                  music","hoping to see her at the Literature Committee\n                  meeting the following day, and mentioning \n                   John Hall Wheelock","discussing her poetry","requesting permission to set to music her poem,\n                  \"The Lines\"","expressing appreciation of hearing several of \n                   Sara Teasdale 's poems","accepting her poems, \"The Bay of Naples,\"\n                  \"Alchemy,\" and \"Twilight,\" w/ANS from \n                   Margaret Elizabeth Willard\n                  Teasdale on verso","requesting to use \"The Look\" in a musical\n                  setting","thanking her for the book, \n                   Helen of Troy... and praising her work","requesting permission to publish her poem, \"Song,\"\n                  with a musical setting","expressing concern over \n                   Marion Cummings Stanley","asking for an autographed volume of her work with\n                  a dedication for an exhibit","praising her ability to write about certain\n                  subjects with such ease","expressing pleasure in her \n                   Helen of Troy... and naming several of her favorites, and\n                  mentioning poets she likes, such as \n                   Emily Dickinson , \n                   Josephine Preston Peabody , \n                   John Banister Tabb , and \n                   Bliss Carman","accepting her poem, \"To the Mother Of A Poet\"","requesting permission to use her poem, \"The Look,\"\n                  with a musical setting in the annual book of Songs by\n                  Wellesley Students","requesting permission to set her poem, \"The Look,\"\n                  to music","requesting one or more of \n                   Sara Teasdale 's poems to be\n                  included in her compilation books of poems and\n                  prayers, \"Sunlit Days\" and \"Starlit Nights\"","thanking her for permission to set her poem, \"The\n                  Look,\" to music and mentioning \n                   Eunice Tietjens","enclosing a check for use of her poem, \"At Night,\"\n                  in their July issue","requesting permission to use her poem, \"The Look,\"\n                  for a musical setting","praising and critiquing her \n                   Rivers to the Sea","asking for her \"hearty approval\" and help with\n                  their `House Party' honoring \n                   Missouri authors and writers, and\n                  describing the city's and the library's plans for the\n                  affair","requesting \n                   Sara Teasdale 's presence at a\n                  dinner in honor of \n                   Jessie Belle Rittenhouse as one\n                  of those represented in Rittenhouse's volume, \n                   The Little Book of Modern American\n                     Verse","asking who published \n                   Sonnets to Duse and \n                   Helen of Troy... and whether or not she has had published\n                  subsequent volumes","requesting permission to publish \"The Look,\" as a\n                  song","requesting permission to publish her poem, \"The\n                  Look,\" as a song, and explaining that she is\n                  seventeen and wishes to further her education as a\n                  pianist","requesting on behalf of the composer permission to\n                  publish her poem, \"The Look,\" with a musical\n                  setting","claiming that his daughter \n                   Barbara George 's poems are\n                  charming, and giving news of her marriage to \n                   Ernst B. Filsinger on December\n                  19","requesting some sentiment and autograph for his\n                  collection","accepting her poems \"Swan\" and \"Come\" for\n                  publication, and mentioning \"Dusk in War-Time,\"\n                  \"Morning,\" \"Leaves,\" and \"Bitterness\"","requesting her autograph for his collection of\n                  over two-hundred poets","accepting her poems \"Peace\" and \"The Lighted\n                  Window\" for publication, w/ANS at bottom","requesting her membership in their new\n                  organization","requesting permission to publish her poem \"The\n                  Look\" to a musical setting","requesting permission to publish her poem \"Spring\"\n                  with the understanding that they cannot pay","extending an invitation to her and her husband to\n                  see him and his class on April 1, and briefly\n                  discussing his plans for that day's class","requesting permission to publish \n                   Sara Teasdale 's \"The River\" with\n                  music","requesting permission to publish a musical setting\n                  of her poem \"The Look\"","requesting permission to use three of her poems as\n                  lyrics for songs","accepting her poem \"The Cloud\" for publication","requesting permission to use several of her poems\n                  from \n                   Helen of Troy... for musical settings","thanking him for his generous praise, admiring his\n                  wife's poetry, and mentioning \n                   Louis Untermeyer","concerning an idea of selling an autographed\n                  collection of books of verse and about verse to raise\n                  money for \n                   The Poetry Journal , and mentioning \n                   Conrad Aiken , \n                   Temple Scott , and \n                   William Stanley Braithwaite","accepting her poem \"Dreams\" for publication","writing in appreciation of her charming note, and\n                  mentioning \n                   Theodosia (Garrison) Faulks","writing in appreciation of her kind note and\n                  enclosed lyrics, praising \"Night Song at Amalfi\"\n                  particularly, and wishing to compose songs from some\n                  of the poems whenever she is not too busy with giving\n                  concerts","expecting to set to music her poems \"Come\" and\n                  \"The Kiss\" this summer","criticizing \n                   Sara Teasdale 's recently\n                  published \"In a Lighted Window\"","discussing her little boy poem [\"In a Lighted\n                  Window\"] and Judge Walker's opinion of it in his June\n                  18 letter, expressing his view of \n                   Zoe [Akin] and her anthology, and\n                  discussing free verse","offering a royalty of ten percent on all copies\n                  sold of her \n                   Rivers to the Sea and submitting a sample page","accepting the revision of \"Summer Night,\n                  Riverside\" for future publication","congratulating her on her success with \n                   The MacMillan Company","requesting permission to set to music her poem\n                  \"The Look\"","congratulating her on having her poems published\n                  by \n                   The MacMillan Company and telling\n                  of her own writing","requesting to use two musical settings \"But What\n                  if I Heard my First Love\" and \"The Kiss in Colin's\n                  Eye\" based on her poems","concerning the publication of \n                   Sara Teasdale 's poetry and the\n                  possibility of having advance order copies\n                  autographed","concerning his anthology coming out in October,\n                  and asking her assistance by sending her extra set of\n                  proofs when corrected and by contacting \n                   William Marion Reedy","praising her poems that she sent and hoping to use\n                  some of them","feeling that her book will be a success","complimenting her poems as being admirably fitted\n                  for American songs, and saying that she has set four\n                  of them to musical settings","criticizing the Imagist movement but commenting\n                  favorably on \n                   John Gould Fletcher 's work, and\n                  mentioning his drifting away from the group","accepting one of her poems for publication","concerning a suite of songs \"Five Songs of Autumn\"\n                  written by himself using her poems \"Twilight,\"\n                  \"November,\" \"Dreams,\" and \"Dead Leaves\"","agreeing to see her book and review it, discussing\n                  the \"woman and poet,\" mentioning \n                   MacMillan publishing his \n                   Song of Hugh Glass , and inquiring about her interest in\n                  Greek","agreeing to review her book and giving a lengthy\n                  discussion of a reviewer's work","praising and criticizing her poetry, and\n                  discussing the teaching of poetry","requesting permission to quote her poem \"Spring in\n                  War Time\" in a book being prepared about the war in \n                   Europe","requesting permission to use her poem \"I Shall Not\n                  Care\" in a musical setting","asking for some poems","giving glowing and detailed praise of her work in \n                   Rivers to the Sea , writing of \"the deep human beauty of this\n                  great poem,\" \"the holy core of life itself...and\n                  needful to be reminded by such as you,--...,\" \n                   Sara Teasdale as \"an unabashed\n                  lover of life,\" \"this expression of the fundamental\n                  emotion in its elements...\"","revealing that the Library system has copies of\n                  her book of poems, \n                   Rivers to the Sea","thanking her for the inscribed copy of her book \n                   [Rivers to the Sea] , and promising a judgment","writing in response to Sara's illness and\n                  mentioning her new book and some of her verse","expressing his gratitude for her book and praising\n                  the verses","(written in German)","replying to her letter concerning a full face or\n                  profile picture of her to use in their service","(written in German)","expressing appreciation of her book \n                   [Rivers to the Sea] and praising her verses","praising her book and her expression of her \"love\n                  in terms of nature,\" and wishing to see Sara","thanking her for \n                   Rivers to the Sea and commenting on her growth","mentioning the review of her new book to be in\n                  December's issue","praising her new book and expressing his pleasure\n                  in having met her and \n                   Ernst B. Filsinger in St.\n                  Louis","stating that he received her new book through \n                   Harriet Monroe and will place it\n                  among his memorable things, and revealing some\n                  feelings toward war","mentioning his health, the pleasant publicity of\n                  his \n                   Portmanteau , and her book","requesting a contribution for a select anthology\n                  of Pierrot and Columbine poems","requesting permission to use her poem \"The Kiss\"\n                  in a musical setting","thanking her for the volume and telling anecdotes\n                  about himself","expressing admiration for her and pleasure at her\n                  kind words concerning her own work","expressing her delight upon receiving and reading\n                  her \"exquisite little volume\"","thanking her for \n                   Rivers to the Sea , encouraging her and \n                   Ernst B. Filsinger to go to the\n                  Poets dinner, and mentioning receipt of the Chicago\n                  first prize for \"the Chinese nightingale\" and the\n                  progress of his Movie-Book","expressing her pleasure in reading \n                   Rivers to the Sea and promising a review shortly","praising her blank verse in \n                   Rivers to the Sea , and mentioning works by himself and his\n                  wife, Jean, and the opinions of \n                   Robert Frost and \n                   Max Eastman","expressing his fondness for her \n                   Rivers to the Sea","requesting permission to publish her poem \"The\n                  Kiss\" in a musical setting","praising her work and commenting on the Rieder\n                  translation","praising the \"wonderful lyric qualities\" of \n                   Rivers to the Sea , saying that the \"songs are so directly\n                  from the heart and life not only of a true poet but\n                  of a true woman...\"","expressing her and her husband's, \n                   Henry Mills Alden , admiration\n                  for her `singing leaves'","praising her \n                   Rivers to the Sea and her ability to \"bring a seeing eye to\n                  the most outworn or ordinary situations...\"","commenting that she is \"writing the best singing\n                  verse in the country today\" and that \"our singers are\n                  all too few and our \n                   Ezra Pound s and \n                   Gertrude Stein s are all too\n                  many!\"","admitting to being an admirer of her poetry, and\n                  planning to read \"Off Capri\" to \n                   The Centennial Club","telling her plans to write an article on \n                   Carl Vrooman and \n                   Julia Scott Vrooman and wishing\n                  to quote from \n                   Sara Teasdale's verses","commenting on her \"very unusual lyric gift\" and\n                  the satisfying \n                   Rivers to the Sea , and mentioning Sara's fragile health","citing her work as \"sincere and artistic,\"\n                  thanking her for the German versions of her poems,\n                  and wishing to publish some of her verse in the \n                   Yale Review","discussing an enclosed review of her \n                   Rivers to the Sea , remarking on the sign of prodigy in \n                   Stephen Vincent Benet (younger\n                  brother of \n                   William Rose Benet ), mentioning\n                  his wife \n                   Jean Untermeyer 's hit with \n                   Amy Lowell , and likens one of \n                   G. K. Chesterton 's poems to \n                   Vachel Lindsay 's style","quoting praises from Mrs. Meynell about the verses\n                  of Sara and of \n                   Margaret Widdemer as well as\n                  expressing his and his wife \n                   Grace Dawson 's delight with\n                  them, and mentioning his new book \n                   The Etchics of Confucius","requesting permission to set to music her poem\n                  \"Spring in War Time\"","praising \n                   Rivers to the Sea and especially \"The Answer\"","sharing her admiration of \"the lilt and the lift\n                  of the poems\" in \n                   Rivers to the Sea , mentioning \n                   Jesse R[ittenhouse] , \n                   Margaret Fuller , \n                   Margaret Widdemer , \n                   Royal Dixon , and discussing the\n                  hardship of the family of the late \n                   Madison Cawein","accepting her poems \"In a Hospital\" and \"Flames\"\n                  for publication","informing her that they have elected her an\n                  honorary member","requesting a personal biographical sketch of her\n                  by one of her friends","thanking her for her \"melodious book\" and\n                  commenting on some of his favorite poems","asking about `The New Moon' and the series of\n                  hospital songs, and thanking her for an article by \n                   Harris Merton Lyon","discussing \n                   Willard Huntington Wright 's\n                  critical pen, and praising \n                   Sara Tesdale 's songs","expressing pleasure at one of her stories and\n                  wishing she would do more prose","concerning \n                   Rivers to the Sea","offering fee for her story \"The Black Hearth\"","sending an affectionate holiday letter","praising \n                   Sara Teasdale 's \n                   Rivers to the Sea and saying that no other American poet \"so\n                  feelingly, so spontaneously and beautifully senses\n                  the primal human emotions\"","thanking her for the copy of [ \n                   Rivers to the Sea ] and commenting on her favorite poems and\n                  on one fault, and promising to send a copy of her own\n                   Six French Poets","sending some old photographs of Vine","explaining that she does her readings \"all for\n                  love of the fine new movement in poetry,\" and\n                  requests a copy of \n                   Rivers to the Sea","welcoming her book in their \n                   Poets Corner , praising her work,\n                  and inviting her to the College to see the work they\n                  are trying to do for the young women...","mentioning her stay at the Dawsons' ( \n                   Miles Dawson and \n                   Grace Dawson ) where she saw\n                  Sara's bridal picture","requesting formal permission to include some of\n                  her poems in an anthology of the \n                   New Poetry , with a personal handwritten note at the\n                  bottom and on the verso","expressing his interest in translating some of her\n                  work into Spanish and asking for her published books\n                  and a photograph","requesting permission to publish \"The Kiss\" set to\n                  music","discussing a school project and requesting a\n                  letter and a photograph","accepting her \"Songs in a Hospital\" and requesting\n                  one other poem for publication","praising Sara and her work on behalf of \"Ned\" ( \n                   Edna Wahlert ) and herself, and\n                  enclosing an \"honest tribute from Ned\"","acccepting her poem \"Old Days\" for publication","expressing her satisfaction at hearing from her\n                  and Ned ( \n                   Edna Wahlert )","thanking her belatedly for her gift of \n                   Rivers to the Sea","thanking her for the letter and gift of poetry","concerning her own article on \"Masterpieces of\n                  American Women Poets\"","praising her \n                   Sonnets to Duse and Other Poems and \n                   Rivers to the Sea","expressing her pleasure in reading \n                   Rivers to the Sea , and mentioning it being listed in the\n                  April issue","extending an invitation for her to read some of\n                  her poems at a benefit tea","accepting her poem \"Child, Child\" for publication\n                  if it is not to be published in a book soon","expressing his pleasure with her letter, poems,\n                  and songs as well as his enjoyment in singing her\n                  songs, and mentioning a singing engagement at the \n                   Browning Society Soiree","writing of her enjoyment in hearing \n                   Ernst B. Filsinger read Sara's\n                  poems at The Wednesday Club, and inviting her to tea\n                  with \n                   Celia Harris and herself","thanking her for the book which has not yet\n                  arrived and sending regards to \"Johns and Miss\n                  Monroe\"","re \n                   Rivers to the Sea","calling her new book delightful and commenting on\n                  her ability to \"keep command over so sure an\n                  artistry,\" and enclosing a copy of his poem \"To St.\n                  Louis\"","expressing pride at her letter and gift of \n                   Rivers to the Sea","requesting permission to obtain the rights to \n                   Sara Teasdale 's poem \"Joy\" to\n                  use in a musical setting, with ANS from Reedy to \n                   Sara Teasdale Filsinger at\n                  top","thanking her for the letter and beautiful book,\n                  and expressing an inerest in setting some of her\n                  poems to music","indicating that he has set to classical music her\n                  poem \"Flames\"","writing of activities of the \n                   Browning Society and enclosing a\n                  program","expressing his certainty that some of her lyrics\n                  will inspire some composer to set them to music","wishing to secure the \"Song Maker\" and one other\n                  lyric for use in a vocal number in \"Missouri's Place\n                  in Literature\"","thanking her for the gift of \n                   Rivers to the Sea , and expressing an interest in setting some\n                  of them to music","thanking her for the pretty \"Mary Arden poem\"","enclosing three photographs of \n                   William Faversham and others at\n                  the Shakespeare Celebration","requesting permission to use \"The Kiss\" in a\n                  musical setting","thanking her for the letter and copies of her\n                  poems, and mentioning a discussion with \n                   Edmund Clarence Stedman over what\n                  constitutes a lyric poem","requesting permission to set to music \n                   Sara Teasdale 's poem \"I Heard a\n                  Cry\"","concerning Newark's Poem Competition and its civic\n                  theme","requesting her membership and expressing\n                  admiration","concerning her assistance as judge","thanking her for her letter and poems, which gave\n                  him a great deal of pleasure","requesting permission to use her poem \"In a\n                  Hospital\" in a volume of selections from English and\n                  American poets about the war to be edited by himself\n                  on behalf of the \n                   Belgian Scholarship\n                  Committee","concerning a meeting of American poets to be held\n                  on June 28 \"in memory of \n                   Padraic Pearse , \n                   Thomas MacDonagh , and \n                   Joseph Plunkett , the three poets\n                  who were executed for their share in the recent\n                  uprising in \n                   Dublin , \" and asking for one of\n                  her poems to be read","enclosing a request to set to music \"Child,\n                  Child\"","extending appreciation for her part in the \n                   St. Louis Convention, and\n                  commenting on her two beautiful odes read by \n                   William Faversham","offering preliminary terms for the spring 1917\n                  publication of her anthology of love lyrics by\n                  women","concerning \n                   Houghton Mifflin Company 's\n                  acceptance of Sara's \n                   The Answering Voice...","more concerning \n                   The Answering Voice...","requesting copies of her two Shakespearian odes\n                  both read by \n                   William Faversham","thanking her for her charming note about her\n                  daughter \n                   Hilda Conkling 's poem, and\n                  enclosing some poems by the five-year old","requesting permission to set to music her poem \"A\n                  Poem of Young Love\"","expressing her enjoyment over \n                   Rivers to the Sea , and mentioning Sara's discriminating\n                  comment on \n                   Sappho","requesting permission to print her \"Testament\" in\n                  a little volume of sermons","accepting a poem for publication","requesting again permission to set to music her \"A\n                  Poem of Young Love\" as well as \"When I am Dead\"","praising her \n                   Rivers to the Sea","expressing his interest in having her poetry set\n                  to some `Ozark songs'","requesting permission to use her lyrics \"A\n                  Benediction\" in a musical setting by \n                   C. Whitney Coombs","asking permission to use the second verse of \n                   Sara Teasdale 's poem \"Child,\n                  Child\" on a card to be distributed among friends","requesting permission to set to music \n                   Sara Teasdale 's poem \"Child,\n                  Child\"","expressing his pleasure at her new poems, and\n                  mentioning the protest against the Post Office\n                  banning of the works of \n                   Theodore Dreiser","concerning letters requesting permission to use\n                  some of Sara's lyrics","accepting her poem \"Other Men\" for publication","requesting permission to set to music her poems\n                  \"Deep in the Night,\" \"Come,\" and \"The Flight\"","requesting an original verse to use as a guide for\n                  contestants in a health poetry contest in which \n                   Harriet Monroe , \n                   Henry Adams Bellows , and \n                   William Stanley Braithwaite will\n                  act as judges","requesting permission to use one of her poems in\n                  an anthology she is editing entitled \n                   The Answering Voice--One Hundred\n                     Love-Lyrics by Women","accepting her poem \"August Moonrise\" for\n                  publication if conditions are agreeable","asking her consent on behalf of her singing master\n                  to have a song published using her verse \"Jewels\"","commenting on the poems she liked best including a\n                  group of \"Songs Out of Stress\"","admitting that she has been enthusiastically\n                  reading from Sara's poems at her Poetry Readings and\n                  asks for furthur cooperation","seeking biographical information for their club\n                  studying living English and American poets","writing as her agent and enclosing a check for her\n                  poem \"The Philosopher\" which is to be published in \n                   Good Housekeeping","accepting her poem \"The Ballad of St. Kevin\" for\n                  their Christmas issue","requesting permission to publish her poem \"The\n                  Cloud\" set to music","requesting permission to publish \"The Look\" set to\n                  music along with some others she is working on","concerning a project with \n                   The Bookman and \n                   Dodd, Mead, \u0026 Company in the\n                  form of an anthology of new poems by American\n                  poets","requesting permission to use some of her poems in\n                  musical settings","requesting permission to use \"The Cloud\" and\n                  \"Night Song at Amalfi\" by \n                   Sara Teasdale in musical\n                  settings","admiring her work and wondering how to obtain her\n                  books other than \n                   Rivers to the Sea","referring to a letter, November 22, 1916, from \n                   Julius Kranz","admiring \n                   Sara Teasdale 's \"November Night\"\n                  and commenting on its \"wonderful imagery, its\n                  sympathetic feeling...\"","translating a reference to \n                   Rivers to the Sea from Yiddish to English","referring to a note in praise of her \"November\n                  Night\"","writing as her agent and sending a check for\n                  \"Spring Rain\" which is to be published in \n                   Century Magazine","offering an agreement for her proposal of a book\n                  of `Love Lyrics'","writing of entertaining friends with a reading of\n                  her \n                   Rivers to the Sea and their enjoyment","sending the agreement for the proposed book of\n                  love lyrics","thanking her for \n                   Rivers to the Sea","concerning the publication of several of his songs\n                  made from her lyrics","acknowledging her letter and volume of verse","inviting her to talk intimately about her work at\n                  the \n                   Writers Guild Day at the \n                   University of Missouri","requesting one of her bookplates in exchange for\n                  the enclosed one of her own","expressing his enjoyment in reading her poems,\n                  particularly \"I Shall Not Care,\" \"Off Algiers,\" and\n                  \"Capri\"","revealing that he would be pleased to have her\n                  work appear more often in the magazine","praising her poems in the form of a poem entitled\n                  \"Why Not\"","requesting permission to use her poem\n                  \"Grandfather's Love\" in a musical setting for a\n                  colleciton of childrens' songs","accepting her poem \"Tonight\" for publication but\n                  declining \"Defeated\" due to spacing problems","requesting permission to use her poem \"Swans\" in a\n                  musical setting","accepting her poem \"Schooners\" for publication","requesting permission to set to music her two\n                  poems \"Joy\" and \"The Look\"","accepting her poem \"The Strawberry Man\" for\n                  publication, and expressing sympathy for her\n                  sickness","requesting permission to use a few of her lyrics\n                  in a revision of his \"The Home Book of Verse\"","praising her poem \"Dreams\" and requesting\n                  permission to publish it in a musical setting","concerning a magazine, \n                   The Madrigal , devoted to the publication of love lyrics\n                  and requesting a contribution","expressing gratitude for her sending \"At Midnight\"\n                  which he will include in \n                   The Masque of Poets and send to \n                   The Bookman","revealing that he has set her poem \"Swans\" as a\n                  song after receiving a copy of her \n                   Rivers to the Sea","requesting permission to use her poem \"Deep in the\n                  Night\" for a musical setting","concerning the changed version of \"The Prayer of\n                  the Gardener\"","concerning a volume he is editing entitled \n                   The Book of New York Verse and wishing to include some of Sara's\n                  poems","concerning a musical setting of her poem\n                  \"Pierrot\"","wishing to have published the enclosed Danish\n                  translation of her poem \"Rain\"","requesting permission to publish a musical setting\n                  for women's chorus of her poem \"Dusk in June\"","requesting permission to use her poem \"Helen of\n                  Troy\" in a collection of poems about ancient Troy","requesting permission to use her poem \"Sea\n                  Longing\" in a \"book on modern tendencies of poetry as\n                  exhibited in the sonnet\"","informing her that her poem-sequence \"Songs Out of\n                  Sorrow\" has received the highest vote in balloting of\n                  the \n                   Poetry Society of America","thanking her for the letter and poem, and\n                  mentioning activities in the \n                   National League","praising her poem \"Tonight\" and wishing to tell\n                  her about his own brand of poetry-making","expressing her feelings for the poems in \n                   Rivers to the Sea , and commenting on their being \"so simple\n                  and natural and real\"","seeking help in the way of reviewing with her own\n                  verses and asking where to obtain \"Songs Out of\n                  Sorrow\"","accepting her poem \"Embers\" and requesting\n                  material for a free ad","praising her poem \"Schooners\" and inquiring about\n                  the names of the vessels","requesting autographed volumes of \n                   Rivers to the Sea to be auctioned for the \n                   American Ambulance Fund","requesting permission to publish \n                   Sara Teasdale 's poem \"Tonight\"\n                  set to music","concerning a request for permission to publish her\n                  poem \"Buried Love\" with a musical setting from Miss \n                   Mima A. Taylor of \n                   Kilmarnock, Scotland","requesting permission to use \n                   Sara Teasdale 's poem \"The Look\"\n                  in a musical setting to be published by \n                   Harold Flammer","concerning the September 11 letter from Mrs. \n                   A. R. Wilson","[concerning \n                   Ralph T. Whitney ]","concerning his request of September 5","praising Sara's love songs and commenting that the\n                  two books [ \n                   Love Songs and \n                   The Answering Voice: One Hundred Love\n                     Lyrics by Women ] are pretty, and writing family news","thanking her for the two books, one of love songs,\n                  the other a collection of poems by women","thanking her for the forthcoming volume and\n                  promising to read it with pleasure","thanking her for the two volumes [ \n                   Love Songs and \n                   The Answering Voice: One Hundred Love\n                     Lyrics by Women ] and praising her own love songs as being\n                  of a higher level than the other women's verses","requesting permission to use her verse \"Tonight\"\n                  in a musical setting","thanking her for the book of lyrics, \n                   The Answering Voice: One Hundred Love\n                     Lyrics by Women","thanking her for the volume, \n                   Love Songs , and commenting on her \"gift for pure\n                  lyric\"","thanking her for the book, \n                   Love Songs , and finding in it verses for songs","thanking her for the book of her poems, \n                   Love Songs , and commenting on its \"lyric\n                  loveliness\"","thanking her for the inscribed \n                   Love Songs and praising her work","discussing Sara's \n                   The Answering Voice: One Hundred Love\n                     Lyrics by Women and her own \n                   Cornucopia of Red and Green Comfits and \n                   Vachel Lindsay and his work","thanking her for the charming little book, [ \n                   Love Songs ]","accepting her poems \"Sons\" for the January issue\n                  and \"When we are Happiest\" for a later one","accepting a poem for their Christmas issue","accepting her poem \"The Cup\" for publication","thanking her for the charming letter and gift of\n                  poems","praising her volume of poems, \n                   Love Songs , and asking if she has any war poems to\n                  possibly read at the MacDowell Center","sending her a poem by himself entitled \"Sara--An\n                  Acrostic\"","informing her of the \n                   Poetry Society of America award\n                  for her volume \n                   Love Songs","inquiring about the possibilities of further\n                  work","expressing gratitude for her letter and mentioning\n                  her own physical weakness","mentioning \n                   Sonnets to Duse and Other Poems , and asking after her family","commenting on the latter's verses and encouraging\n                  her","thanking her for her book and telling of his\n                  enjoyment in reading it","writing to her friend after a long interval,\n                  telling of her separation from \n                   Ernst B. Filsinger , a visit in\n                  May to \n                   France with \n                   Margaret Conklin , her problems\n                  since being seriously injured in a taxi-cab in March\n                  1928, and plans for a visit to \n                   California","reviving ties with her old friend","exchanging family news, and mentioning \n                   Joseph Hergesheimer","thanking her profusely for the gift of a\n                  butterfly, mentioning \n                   Jay Van Everen 's praise of it,\n                  referring to her essay on \n                   Christina Rossetti , discussing \n                   Virginia Woolf , comparing the\n                  views of the Empire State Building and the Eiffel\n                  Tower, and saying she would be glad to meet \n                   Mary Ware Dennett","discussing the lingering effects of the Depression\n                  on New York, and her frail physical condition and\n                  wanting to leave \n                   New York ; and, mentioning Mrs. \n                   Vachel Lindsay , her own\n                  biography of \n                   Christina Rossetti , and\n                  friends","discussing her decreased income, work on her essay\n                  about \n                   Christina Rossetti , and personal\n                  news","mentioning meeting \n                   Christina Rossetti 's two\n                  nieces","discussing life in \n                   Spain ; and giving a personal\n                  discourse on the relationships of \n                   George Bernard Shaw and \n                   Ellen Terry and \n                   Henry Irving , and comparing\n                  Terry to \n                   Eleonora Duse as an actress and\n                  lover","mentioning the latter's \"Crumbs,\" \n                   Sarah Bernhardt and \n                   Eleonora Duse , \n                   William Marion Reedy and \n                   Tyrell Williams , and \n                   Virginia Woolf","expressing her feelings about the gift of the\n                  beautiful butterfly and the importance of childhood\n                  memories","concerning some pictures of \n                   Sara Teasdale","discussing \n                   Sara Teasdale 's suicide","mentioning \n                   Williamina Parrish , \n                   Martha Prentice Merwin , and \n                   Upton Sinclair","enclosing horoscope and related enclosures","discussing \n                   Morgan McCormick and \n                   Isabel (Parrish) McCormick","sending additional horoscope material","remembering \n                   Sara Teasdale 's death and\n                  mentioning old friends","sending a photograph of \n                   Sara Teasdale ; and, discussing\n                  Sara's wishes after her death: the \n                   Christina Rossetti book and other\n                  works remaining unpublished and keeping her life\n                  private","writing news of \n                   Tyrell Williams and \n                   Nell Niedringhaus Williams and\n                  biographical information","writing family news and mentioning \n                   Celia [E. Harris]","mentioning \n                   Vine Colby , \n                   Petronelle Sombart , \n                   Edna \"Ned\" Wahlert , and \n                   Edith Wyatt","mentioning \n                   Caroline Risque , \n                   Vine Colby , and briefly\n                  describing her life in \n                   Lincoln","describing the pleasure that the \n                   Potter's Wheels brings her and others, mentioning \n                   Celia E. Harris ' convalescence,\n                  with ANS from Celia, mentioning her own and \n                   Sara Teasdale 's illnesses","ordering photographs","acknowledging the photographs of \n                   Celia E. Harris","from an \"enchanting old place\""],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n             \n            University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"names_ssim":["University of Virginia. Library. Special\n            Collections Dept.","Potters","Charles Scribner's Sons","Harper \u0026 Brothers","Small, Maynard \u0026 Company","Hosmer Hall","The Century Company","G. P. Putnam's Sons","G.P. Putnam's Sons","Poetry Society of America","Chappell \u0026 Co., Ltd.","Putnam Publishing\n                  Company","Monday Club","The Denver Music Company","The MacMillan Company","G. Schirmer (Inc.)","Stix, Baer, \u0026 Fuller","MacMillan","Underwood's News Photo Service","The Centennial Club","Poets Corner","Browning Society","MacMillan Company","Belgian Scholarship\n                  Committee","Houghton Mifflin Company","Charles Scribner \u0026\n                  Sons","Dodd, Mead, \u0026 Company","Writers Guild","University of Missouri","National League","American Ambulance Fund","Kilmarnock, Scotland","Greek Ethics Club","State Historical Society of\n                  Missouri","St. Louis Museum of Fine\n                  Arts","National Arts Club","Poetry Society of\n                  America","J. B. Lippincott Company","Frank A. 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