{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1886\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1886\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=2\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1886\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=7\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":7,"limit_value":10,"offset_value":0,"total_count":62,"first_page?":true,"last_page?":false}},"data":[{"id":"vircu_repositories_5_resources_535","type":"collection","attributes":{"title":"Adalbert J. Volck Collection of Etchings","creator":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_535#creator","type":"document_value","attributes":{"value":"Volck, Adalbert John, 1828-1912","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_535#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Volck Collection is comprised of 29 Confederate War Etchings and three folders containing articles about the artist and his work. Also included is an original first edition of \"The Grasshopper,\" a cantata written by a Virginian, Innes Randolph, and illustrated by Volck.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_535#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_5_resources_535","ead_ssi":"vircu_repositories_5_resources_535","_root_":"vircu_repositories_5_resources_535","_nest_parent_":"vircu_repositories_5_resources_535","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_535.xml","aspace_url_ssi":"https://archives.library.vcu.edu/repositories/5/resources/535","title_filing_ssi":"Volck, Adalbert J., Collection of Etchings","title_ssm":["Adalbert J. Volck Collection of Etchings"],"title_tesim":["Adalbert J. Volck Collection of Etchings"],"unitdate_ssm":["1861-1979"],"unitdate_inclusive_ssm":["1861-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 149","/repositories/5/resources/535"],"text":["M 149","/repositories/5/resources/535","Adalbert J. Volck Collection of Etchings","Etching","American Civil War.","Civil War, U. S., 1861-1865","Collection is open to research.","The etchings are arranged according to their index numbers, 1 through 29. The folders in box 3 are arranged alphabetically.","Adalbert J. Volck was born on April 14, 1828 in Augsburg, Bavaria. He studied in Nürnberg and Munich, but left the due to his involvment in the Revolution of 1848. Volck came to the United States in 1849 and became caught up in the gold rush. By 1851, he had enrolled in the Baltimore College of Dental Surgery, receiving his D.D.S the following year. Volck was a charter member of the Maryland State Dental Association and a founder of the Association of Dental Surgeons. A southern sympathizer, he was instrumental during the American Civil War in getting medical supplies to the South. ","During the war, Volck made a series of caricatures favorable to the South under the pseudonym of V. Blada. The Confederate War Etchings, the best known of this series, are in the Volck Collection. After the war, Volck became interested in others fields of art. Several of his works can be seen here in Richmond, at the Valentine Museum (portrait of Lee) and the Confederate Museum (shield). Volck died in March, 1912 at the age of 84.","The Volck Collection is comprised of 29 Confederate War Etchings and three folders containing articles about the artist and his work. Also included is an original first edition of \"The Grasshopper,\" a cantata written by a Virginian, Innes Randolph, and illustrated by Volck.","There are no restrictions.","VCU James Branch Cabell Library","Volck, Adalbert John, 1828-1912","English \n.    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The folders in box 3 are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The etchings are arranged according to their index numbers, 1 through 29. The folders in box 3 are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eAdalbert J. Volck was born on April 14, 1828 in Augsburg, Bavaria. He studied in Nürnberg and Munich, but left the due to his involvment in the Revolution of 1848. Volck came to the United States in 1849 and became caught up in the gold rush. By 1851, he had enrolled in the Baltimore College of Dental Surgery, receiving his D.D.S the following year. Volck was a charter member of the Maryland State Dental Association and a founder of the Association of Dental Surgeons. A southern sympathizer, he was instrumental during the American Civil War in getting medical supplies to the South. \u003c/p\u003e\n","\u003cp\u003eDuring the war, Volck made a series of caricatures favorable to the South under the pseudonym of V. Blada. The Confederate War Etchings, the best known of this series, are in the Volck Collection. After the war, Volck became interested in others fields of art. Several of his works can be seen here in Richmond, at the Valentine Museum (portrait of Lee) and the Confederate Museum (shield). Volck died in March, 1912 at the age of 84.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Adalbert J. Volck was born on April 14, 1828 in Augsburg, Bavaria. He studied in Nürnberg and Munich, but left the due to his involvment in the Revolution of 1848. Volck came to the United States in 1849 and became caught up in the gold rush. By 1851, he had enrolled in the Baltimore College of Dental Surgery, receiving his D.D.S the following year. Volck was a charter member of the Maryland State Dental Association and a founder of the Association of Dental Surgeons. A southern sympathizer, he was instrumental during the American Civil War in getting medical supplies to the South. ","During the war, Volck made a series of caricatures favorable to the South under the pseudonym of V. Blada. The Confederate War Etchings, the best known of this series, are in the Volck Collection. After the war, Volck became interested in others fields of art. Several of his works can be seen here in Richmond, at the Valentine Museum (portrait of Lee) and the Confederate Museum (shield). Volck died in March, 1912 at the age of 84."],"prefercite_html_tesm":["\u003cp\u003eAdalbert J. Volck Collection of Etchings, Collection Number M 149, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e"],"prefercite_tesim":["Adalbert J. Volck Collection of Etchings, Collection Number M 149, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe Volck Collection is comprised of 29 Confederate War Etchings and three folders containing articles about the artist and his work. Also included is an original first edition of \"The Grasshopper,\" a cantata written by a Virginian, Innes Randolph, and illustrated by Volck.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Volck Collection is comprised of 29 Confederate War Etchings and three folders containing articles about the artist and his work. Also included is an original first edition of \"The Grasshopper,\" a cantata written by a Virginian, Innes Randolph, and illustrated by Volck."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Volck, Adalbert John, 1828-1912"],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Volck, Adalbert John, 1828-1912"],"persname_ssim":["Volck, Adalbert John, 1828-1912"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":33,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:16:11.514Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_535","ead_ssi":"vircu_repositories_5_resources_535","_root_":"vircu_repositories_5_resources_535","_nest_parent_":"vircu_repositories_5_resources_535","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_535.xml","aspace_url_ssi":"https://archives.library.vcu.edu/repositories/5/resources/535","title_filing_ssi":"Volck, Adalbert J., Collection of Etchings","title_ssm":["Adalbert J. Volck Collection of Etchings"],"title_tesim":["Adalbert J. Volck Collection of Etchings"],"unitdate_ssm":["1861-1979"],"unitdate_inclusive_ssm":["1861-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 149","/repositories/5/resources/535"],"text":["M 149","/repositories/5/resources/535","Adalbert J. Volck Collection of Etchings","Etching","American Civil War.","Civil War, U. S., 1861-1865","Collection is open to research.","The etchings are arranged according to their index numbers, 1 through 29. The folders in box 3 are arranged alphabetically.","Adalbert J. Volck was born on April 14, 1828 in Augsburg, Bavaria. He studied in Nürnberg and Munich, but left the due to his involvment in the Revolution of 1848. Volck came to the United States in 1849 and became caught up in the gold rush. By 1851, he had enrolled in the Baltimore College of Dental Surgery, receiving his D.D.S the following year. Volck was a charter member of the Maryland State Dental Association and a founder of the Association of Dental Surgeons. A southern sympathizer, he was instrumental during the American Civil War in getting medical supplies to the South. ","During the war, Volck made a series of caricatures favorable to the South under the pseudonym of V. Blada. The Confederate War Etchings, the best known of this series, are in the Volck Collection. After the war, Volck became interested in others fields of art. Several of his works can be seen here in Richmond, at the Valentine Museum (portrait of Lee) and the Confederate Museum (shield). Volck died in March, 1912 at the age of 84.","The Volck Collection is comprised of 29 Confederate War Etchings and three folders containing articles about the artist and his work. Also included is an original first edition of \"The Grasshopper,\" a cantata written by a Virginian, Innes Randolph, and illustrated by Volck.","There are no restrictions.","VCU James Branch Cabell Library","Volck, Adalbert John, 1828-1912","English \n.    "],"unitid_tesim":["M 149","/repositories/5/resources/535"],"normalized_title_ssm":["Adalbert J. Volck Collection of Etchings"],"collection_title_tesim":["Adalbert J. Volck Collection of Etchings"],"collection_ssim":["Adalbert J. Volck Collection of Etchings"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Volck, Adalbert John, 1828-1912"],"creator_ssim":["Volck, Adalbert John, 1828-1912"],"creator_persname_ssim":["Volck, Adalbert John, 1828-1912"],"creators_ssim":["Volck, Adalbert John, 1828-1912"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["The collection was purchased by the Department in 1979."],"access_subjects_ssim":["Etching","American Civil War.","Civil War, U. S., 1861-1865"],"access_subjects_ssm":["Etching","American Civil War.","Civil War, U. 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A southern sympathizer, he was instrumental during the American Civil War in getting medical supplies to the South. \u003c/p\u003e\n","\u003cp\u003eDuring the war, Volck made a series of caricatures favorable to the South under the pseudonym of V. Blada. The Confederate War Etchings, the best known of this series, are in the Volck Collection. After the war, Volck became interested in others fields of art. Several of his works can be seen here in Richmond, at the Valentine Museum (portrait of Lee) and the Confederate Museum (shield). Volck died in March, 1912 at the age of 84.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Adalbert J. Volck was born on April 14, 1828 in Augsburg, Bavaria. He studied in Nürnberg and Munich, but left the due to his involvment in the Revolution of 1848. Volck came to the United States in 1849 and became caught up in the gold rush. By 1851, he had enrolled in the Baltimore College of Dental Surgery, receiving his D.D.S the following year. Volck was a charter member of the Maryland State Dental Association and a founder of the Association of Dental Surgeons. A southern sympathizer, he was instrumental during the American Civil War in getting medical supplies to the South. ","During the war, Volck made a series of caricatures favorable to the South under the pseudonym of V. Blada. The Confederate War Etchings, the best known of this series, are in the Volck Collection. After the war, Volck became interested in others fields of art. Several of his works can be seen here in Richmond, at the Valentine Museum (portrait of Lee) and the Confederate Museum (shield). Volck died in March, 1912 at the age of 84."],"prefercite_html_tesm":["\u003cp\u003eAdalbert J. Volck Collection of Etchings, Collection Number M 149, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e"],"prefercite_tesim":["Adalbert J. Volck Collection of Etchings, Collection Number M 149, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe Volck Collection is comprised of 29 Confederate War Etchings and three folders containing articles about the artist and his work. Also included is an original first edition of \"The Grasshopper,\" a cantata written by a Virginian, Innes Randolph, and illustrated by Volck.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Volck Collection is comprised of 29 Confederate War Etchings and three folders containing articles about the artist and his work. 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"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":33,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:16:11.514Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_535"}},{"id":"vircu_repositories_5_resources_279","type":"collection","attributes":{"title":"Adele Goodman Clark papers","creator":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_279#creator","type":"document_value","attributes":{"value":"Clark, Adèle, 1882-1983","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_279#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_279#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_5_resources_279","ead_ssi":"vircu_repositories_5_resources_279","_root_":"vircu_repositories_5_resources_279","_nest_parent_":"vircu_repositories_5_resources_279","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_279.xml","title_filing_ssi":"Clark, Adele Goodman, papers","title_ssm":["Adele Goodman Clark papers"],"title_tesim":["Adele Goodman Clark papers"],"unitdate_ssm":["1849-1978"],"unitdate_inclusive_ssm":["1849-1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 9","/repositories/5/resources/279"],"text":["M 9","/repositories/5/resources/279","Adele Goodman Clark papers","Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond","Collection is open to research.","Series I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)","A founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.","The second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*","Clark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.","After passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.","Selected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.","In addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.","Clark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.","During the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.","In the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.","Clark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.","Clark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"","Adèle Clark died at the age of 100 on June 5, 1983.","[Information from newspaper accounts and the Adèle Goodman Clark Papers.]","The Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.","The collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman","Willoughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).","The collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.","While the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.","The suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.","The bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.","The records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.","Documentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.","Clark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.","The collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.","The fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.","The final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.","The collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.","Significant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.","Special Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items.","There are no restrictions.","VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives","English"],"unitid_tesim":["M 9","/repositories/5/resources/279"],"normalized_title_ssm":["Adele Goodman Clark papers"],"collection_title_tesim":["Adele Goodman Clark papers"],"collection_ssim":["Adele Goodman Clark papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Clark, Adèle, 1882-1983"],"creator_ssim":["Clark, Adèle, 1882-1983"],"creator_persname_ssim":["Clark, Adèle, 1882-1983"],"creators_ssim":["Clark, Adèle, 1882-1983"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"access_subjects_ssm":["Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["128 Linear Feet"],"extent_tesim":["128 Linear Feet"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Restrictions on Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eSeries I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)"],"bioghist_html_tesm":["\u003cp\u003eA founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.\u003c/p\u003e\n","\u003cp\u003eThe second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*\u003c/p\u003e\n","\u003cp\u003eClark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.\u003c/p\u003e\n","\u003cp\u003eAfter passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.\u003c/p\u003e\n","\u003cp\u003eSelected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.\u003c/p\u003e\n","\u003cp\u003eIn addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.\u003c/p\u003e\n","\u003cp\u003eClark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.\u003c/p\u003e\n","\u003cp\u003eDuring the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.\u003c/p\u003e\n","\u003cp\u003eIn the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.\u003c/p\u003e\n","\u003cp\u003eClark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.\u003c/p\u003e\n","\u003cp\u003eClark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"\u003c/p\u003e\n","\u003cp\u003eAdèle Clark died at the age of 100 on June 5, 1983.\u003c/p\u003e\n","\u003cp\u003e[Information from newspaper accounts and the Adèle Goodman Clark Papers.]\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["A founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.","The second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*","Clark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.","After passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.","Selected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.","In addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.","Clark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.","During the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.","In the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.","Clark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.","Clark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"","Adèle Clark died at the age of 100 on June 5, 1983.","[Information from newspaper accounts and the Adèle Goodman Clark Papers.]"],"prefercite_html_tesm":["\u003cp\u003eAdele Goodman Clark papers, Collection # M 9, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Adele Goodman Clark papers, Collection # M 9, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.\u003c/p\u003e\n","\u003cp\u003eThe collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman\u003c/p\u003e\n","\u003cp\u003eWilloughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).\u003c/p\u003e\n","\u003cp\u003eThe collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.\u003c/p\u003e\n","\u003cp\u003eWhile the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.\u003c/p\u003e\n","\u003cp\u003eThe suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.\u003c/p\u003e\n","\u003cp\u003eThe bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.\u003c/p\u003e\n","\u003cp\u003eThe records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.\u003c/p\u003e\n","\u003cp\u003eDocumentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.\u003c/p\u003e\n","\u003cp\u003eClark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.\u003c/p\u003e\n","\u003cp\u003eThe collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.\u003c/p\u003e\n","\u003cp\u003eThe fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.\u003c/p\u003e\n","\u003cp\u003eThe final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.\u003c/p\u003e\n","\u003cp\u003eSignificant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.\u003c/p\u003e\n","\u003cp\u003eSpecial Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.","The collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman","Willoughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).","The collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.","While the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.","The suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.","The bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.","The records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.","Documentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.","Clark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.","The collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.","The fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.","The final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.","The collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.","Significant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.","Special Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983 -- Archives"],"names_ssim":["VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives"],"corpname_ssim":["VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives"],"persname_ssim":["Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3079,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:15:37.796Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_279","ead_ssi":"vircu_repositories_5_resources_279","_root_":"vircu_repositories_5_resources_279","_nest_parent_":"vircu_repositories_5_resources_279","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_279.xml","title_filing_ssi":"Clark, Adele Goodman, papers","title_ssm":["Adele Goodman Clark papers"],"title_tesim":["Adele Goodman Clark papers"],"unitdate_ssm":["1849-1978"],"unitdate_inclusive_ssm":["1849-1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 9","/repositories/5/resources/279"],"text":["M 9","/repositories/5/resources/279","Adele Goodman Clark papers","Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond","Collection is open to research.","Series I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)","A founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.","The second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*","Clark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.","After passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.","Selected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.","In addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.","Clark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.","During the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.","In the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.","Clark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.","Clark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"","Adèle Clark died at the age of 100 on June 5, 1983.","[Information from newspaper accounts and the Adèle Goodman Clark Papers.]","The Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.","The collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman","Willoughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).","The collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.","While the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.","The suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.","The bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.","The records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.","Documentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.","Clark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.","The collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.","The fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.","The final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.","The collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.","Significant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.","Special Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items.","There are no restrictions.","VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives","English"],"unitid_tesim":["M 9","/repositories/5/resources/279"],"normalized_title_ssm":["Adele Goodman Clark papers"],"collection_title_tesim":["Adele Goodman Clark papers"],"collection_ssim":["Adele Goodman Clark papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Clark, Adèle, 1882-1983"],"creator_ssim":["Clark, Adèle, 1882-1983"],"creator_persname_ssim":["Clark, Adèle, 1882-1983"],"creators_ssim":["Clark, Adèle, 1882-1983"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"access_subjects_ssm":["Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["128 Linear Feet"],"extent_tesim":["128 Linear Feet"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Restrictions on Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eSeries I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)"],"bioghist_html_tesm":["\u003cp\u003eA founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.\u003c/p\u003e\n","\u003cp\u003eThe second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*\u003c/p\u003e\n","\u003cp\u003eClark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.\u003c/p\u003e\n","\u003cp\u003eAfter passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.\u003c/p\u003e\n","\u003cp\u003eSelected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.\u003c/p\u003e\n","\u003cp\u003eIn addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.\u003c/p\u003e\n","\u003cp\u003eClark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.\u003c/p\u003e\n","\u003cp\u003eDuring the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.\u003c/p\u003e\n","\u003cp\u003eIn the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.\u003c/p\u003e\n","\u003cp\u003eClark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.\u003c/p\u003e\n","\u003cp\u003eClark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"\u003c/p\u003e\n","\u003cp\u003eAdèle Clark died at the age of 100 on June 5, 1983.\u003c/p\u003e\n","\u003cp\u003e[Information from newspaper accounts and the Adèle Goodman Clark Papers.]\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["A founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.","The second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*","Clark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.","After passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.","Selected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.","In addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.","Clark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.","During the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.","In the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.","Clark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.","Clark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"","Adèle Clark died at the age of 100 on June 5, 1983.","[Information from newspaper accounts and the Adèle Goodman Clark Papers.]"],"prefercite_html_tesm":["\u003cp\u003eAdele Goodman Clark papers, Collection # M 9, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Adele Goodman Clark papers, Collection # M 9, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.\u003c/p\u003e\n","\u003cp\u003eThe collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman\u003c/p\u003e\n","\u003cp\u003eWilloughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).\u003c/p\u003e\n","\u003cp\u003eThe collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.\u003c/p\u003e\n","\u003cp\u003eWhile the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.\u003c/p\u003e\n","\u003cp\u003eThe suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.\u003c/p\u003e\n","\u003cp\u003eThe bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.\u003c/p\u003e\n","\u003cp\u003eThe records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.\u003c/p\u003e\n","\u003cp\u003eDocumentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.\u003c/p\u003e\n","\u003cp\u003eClark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.\u003c/p\u003e\n","\u003cp\u003eThe collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.\u003c/p\u003e\n","\u003cp\u003eThe fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.\u003c/p\u003e\n","\u003cp\u003eThe final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.\u003c/p\u003e\n","\u003cp\u003eSignificant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.\u003c/p\u003e\n","\u003cp\u003eSpecial Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.","The collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman","Willoughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).","The collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.","While the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.","The suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.","The bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.","The records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.","Documentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.","Clark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.","The collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.","The fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.","The final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.","The collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.","Significant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.","Special Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983 -- Archives"],"names_ssim":["VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives"],"corpname_ssim":["VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives"],"persname_ssim":["Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3079,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:15:37.796Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_279"}},{"id":"vircu_repositories_5_resources_279_c14_c10_c07","type":"Item","attributes":{"title":"Art Reproductions and Illustrations, [5 folders],","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_279_c14_c10_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_279_c14_c10_c07","ref_ssm":["vircu_repositories_5_resources_279_c14_c10_c07"],"id":"vircu_repositories_5_resources_279_c14_c10_c07","ead_ssi":"vircu_repositories_5_resources_279","_root_":"vircu_repositories_5_resources_279","_nest_parent_":"vircu_repositories_5_resources_279_c14_c10","parent_ssi":"vircu_repositories_5_resources_279_c14_c10","parent_ssim":["vircu_repositories_5_resources_279","vircu_repositories_5_resources_279_c14","vircu_repositories_5_resources_279_c14_c10"],"parent_ids_ssim":["vircu_repositories_5_resources_279","vircu_repositories_5_resources_279_c14","vircu_repositories_5_resources_279_c14_c10"],"parent_unittitles_ssm":["Adele Goodman Clark papers","Series XIV: Art","Subseries J: Artwork"],"parent_unittitles_tesim":["Adele Goodman Clark papers","Series XIV: Art","Subseries J: Artwork"],"text":["Adele Goodman Clark papers","Series XIV: Art","Subseries J: Artwork","Art Reproductions and Illustrations, [5 folders],","box 191"],"title_filing_ssi":"Art Reproductions and Illustrations, [5 folders],","title_ssm":["Art Reproductions and Illustrations, [5 folders],"],"title_tesim":["Art Reproductions and Illustrations, [5 folders],"],"unitdate_other_ssim":["undated, 1850(?), 1935"],"normalized_date_ssm":["1850/1935"],"normalized_title_ssm":["Art Reproductions and Illustrations, [5 folders],"],"component_level_isim":[3],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Adele Goodman Clark papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2863,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935],"containers_ssim":["box 191"],"_nest_path_":"/components#13/components#9/components#6","timestamp":"2026-05-01T00:15:37.796Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_279","ead_ssi":"vircu_repositories_5_resources_279","_root_":"vircu_repositories_5_resources_279","_nest_parent_":"vircu_repositories_5_resources_279","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_279.xml","title_filing_ssi":"Clark, Adele Goodman, papers","title_ssm":["Adele Goodman Clark papers"],"title_tesim":["Adele Goodman Clark papers"],"unitdate_ssm":["1849-1978"],"unitdate_inclusive_ssm":["1849-1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 9","/repositories/5/resources/279"],"text":["M 9","/repositories/5/resources/279","Adele Goodman Clark papers","Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond","Collection is open to research.","Series I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)","A founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.","The second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*","Clark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.","After passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.","Selected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.","In addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.","Clark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.","During the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.","In the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.","Clark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.","Clark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"","Adèle Clark died at the age of 100 on June 5, 1983.","[Information from newspaper accounts and the Adèle Goodman Clark Papers.]","The Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.","The collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman","Willoughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).","The collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.","While the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.","The suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.","The bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.","The records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.","Documentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.","Clark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.","The collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.","The fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.","The final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.","The collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.","Significant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.","Special Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items.","There are no restrictions.","VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives","English"],"unitid_tesim":["M 9","/repositories/5/resources/279"],"normalized_title_ssm":["Adele Goodman Clark papers"],"collection_title_tesim":["Adele Goodman Clark papers"],"collection_ssim":["Adele Goodman Clark papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Clark, Adèle, 1882-1983"],"creator_ssim":["Clark, Adèle, 1882-1983"],"creator_persname_ssim":["Clark, Adèle, 1882-1983"],"creators_ssim":["Clark, Adèle, 1882-1983"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"access_subjects_ssm":["Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["128 Linear Feet"],"extent_tesim":["128 Linear Feet"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Restrictions on Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eSeries I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)"],"bioghist_html_tesm":["\u003cp\u003eA founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.\u003c/p\u003e\n","\u003cp\u003eThe second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*\u003c/p\u003e\n","\u003cp\u003eClark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.\u003c/p\u003e\n","\u003cp\u003eAfter passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.\u003c/p\u003e\n","\u003cp\u003eSelected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.\u003c/p\u003e\n","\u003cp\u003eIn addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.\u003c/p\u003e\n","\u003cp\u003eClark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.\u003c/p\u003e\n","\u003cp\u003eDuring the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.\u003c/p\u003e\n","\u003cp\u003eIn the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.\u003c/p\u003e\n","\u003cp\u003eClark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.\u003c/p\u003e\n","\u003cp\u003eClark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"\u003c/p\u003e\n","\u003cp\u003eAdèle Clark died at the age of 100 on June 5, 1983.\u003c/p\u003e\n","\u003cp\u003e[Information from newspaper accounts and the Adèle Goodman Clark Papers.]\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["A founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.","The second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*","Clark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.","After passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.","Selected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.","In addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.","Clark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.","During the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.","In the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.","Clark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.","Clark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"","Adèle Clark died at the age of 100 on June 5, 1983.","[Information from newspaper accounts and the Adèle Goodman Clark Papers.]"],"prefercite_html_tesm":["\u003cp\u003eAdele Goodman Clark papers, Collection # M 9, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Adele Goodman Clark papers, Collection # M 9, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.\u003c/p\u003e\n","\u003cp\u003eThe collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman\u003c/p\u003e\n","\u003cp\u003eWilloughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).\u003c/p\u003e\n","\u003cp\u003eThe collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.\u003c/p\u003e\n","\u003cp\u003eWhile the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.\u003c/p\u003e\n","\u003cp\u003eThe suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.\u003c/p\u003e\n","\u003cp\u003eThe bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.\u003c/p\u003e\n","\u003cp\u003eThe records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.\u003c/p\u003e\n","\u003cp\u003eDocumentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.\u003c/p\u003e\n","\u003cp\u003eClark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.\u003c/p\u003e\n","\u003cp\u003eThe collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.\u003c/p\u003e\n","\u003cp\u003eThe fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.\u003c/p\u003e\n","\u003cp\u003eThe final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.\u003c/p\u003e\n","\u003cp\u003eSignificant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.\u003c/p\u003e\n","\u003cp\u003eSpecial Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.","The collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman","Willoughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).","The collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.","While the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.","The suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.","The bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.","The records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.","Documentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.","Clark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.","The collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.","The fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.","The final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.","The collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.","Significant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.","Special Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983 -- Archives"],"names_ssim":["VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives"],"corpname_ssim":["VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives"],"persname_ssim":["Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3079,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:15:37.796Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_279_c14_c10_c07"}},{"id":"vircu_repositories_5_resources_96_c01_c43","type":"File","attributes":{"title":"Burt, Katherine N.","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_96_c01_c43#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_96_c01_c43","ref_ssm":["vircu_repositories_5_resources_96_c01_c43"],"id":"vircu_repositories_5_resources_96_c01_c43","ead_ssi":"vircu_repositories_5_resources_96","_root_":"vircu_repositories_5_resources_96","_nest_parent_":"vircu_repositories_5_resources_96_c01","parent_ssi":"vircu_repositories_5_resources_96_c01","parent_ssim":["vircu_repositories_5_resources_96","vircu_repositories_5_resources_96_c01"],"parent_ids_ssim":["vircu_repositories_5_resources_96","vircu_repositories_5_resources_96_c01"],"parent_unittitles_ssm":["James Branch Cabell collection","Series I--Correspondence"],"parent_unittitles_tesim":["James Branch Cabell collection","Series I--Correspondence"],"text":["James Branch Cabell collection","Series I--Correspondence","Burt, Katherine N.","box 1"],"title_filing_ssi":"Burt, Katherine N.","title_ssm":["Burt, Katherine N."],"title_tesim":["Burt, Katherine N."],"unitdate_inclusive_ssm":["undated"],"normalized_date_ssm":["1860/1960"],"normalized_title_ssm":["Burt, Katherine N."],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["James Branch Cabell collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":44,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"containers_ssim":["box 1"],"_nest_path_":"/components#0/components#42","timestamp":"2026-05-01T00:17:59.403Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_96","ead_ssi":"vircu_repositories_5_resources_96","_root_":"vircu_repositories_5_resources_96","_nest_parent_":"vircu_repositories_5_resources_96","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_96.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vcu-cab/vircu00065.xml","title_filing_ssi":"Cabell, James Branch, collection","title_ssm":["James Branch Cabell collection"],"title_tesim":["James Branch Cabell collection"],"unitdate_ssm":["1860-1971"],"unitdate_inclusive_ssm":["1860-1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 214","/repositories/5/resources/96"],"text":["M 214","/repositories/5/resources/96","James Branch Cabell collection","Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts. -- Virginia -- Richmond","The collection is open to research.","Collection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.","Richmond author James Branch Cabell (1879-1958) is best known for his controversial book,  Jurgen  (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the  Richmond Times  as a copyholder. In 1899 he moved to New York City and worked for the  New York Herald  as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the  Richmond News . During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as  Harper's Monthly Magazine  and the  Saturday Evening Post .","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of  International . He published his first book,  The Eagle's Shadow , in the autumn of 1904 after it appeared serially in the  Saturday Evening Post  during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the  New York Evening Mail , H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing  Jurgen . The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of  Jurgen , a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled  The Biography of the Life of Manuel ; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the  American Spectator  (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over  Jurgen  ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of  Let Me Lie . It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","\nCabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing. ","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.","The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends. ","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.","There are no restrictions.","VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M.","English \n.    "],"unitid_tesim":["M 214","/repositories/5/resources/96"],"normalized_title_ssm":["James Branch Cabell collection"],"collection_title_tesim":["James Branch Cabell collection"],"collection_ssim":["James Branch Cabell collection"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creator_persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"creators_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Margaret Freeman Cabell in 1976."],"access_subjects_ssim":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts. -- Virginia -- Richmond"],"access_subjects_ssm":["Authors, American -- Virginia -- Richmond","Authors, American -- Manuscripts. -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet Also includes 3000 volume library"],"extent_tesim":["10 Linear Feet Also includes 3000 volume library"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically. Series I -- Correspondence (1860s-1960s); Series II -- Manuscripts; Series III -- Ephemera, printed material, illustrations, newspaper clippings, etc.; Series IV -- Cabell Society (1963- 1971); Series V -- Between Friends; Series VI -- Criticisms of Cabell's work; Series VII -- Periodicals (essays, reviews and fiction by Cabell); Series VIII -- Dramatic and musical interpretations of Cabell's work; Series IX -- Scrapbooks, notebooks and oversized items.","The collection includes materials removed from books in Cabell's personal library. When Jean Maurice Duke cataloged the book collection he assigned a number (written in pencil) to each item indicating what volume the materials was taken from. Please see James Branch Cabell's Library: A Catalogue by Duke, for reference."],"bioghist_html_tesm":["\u003cp\u003eRichmond author James Branch Cabell (1879-1958) is best known for his controversial book, \u003ctitle\u003eJurgen\u003c/title\u003e (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.\u003c/p\u003e\n","\u003cp\u003eCabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.\u003c/p\u003e\n","\u003cp\u003eAfter attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the \u003ctitle\u003eRichmond Times\u003c/title\u003e as a copyholder. In 1899 he moved to New York City and worked for the \u003ctitle\u003eNew York Herald\u003c/title\u003e as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the \u003ctitle\u003eRichmond News\u003c/title\u003e. During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as \u003ctitle\u003eHarper's Monthly Magazine\u003c/title\u003e and the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003eIn 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).\u003c/p\u003e\n","\u003cp\u003eAlthough he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of \u003ctitle\u003eInternational\u003c/title\u003e. He published his first book, \u003ctitle\u003eThe Eagle's Shadow\u003c/title\u003e, in the autumn of 1904 after it appeared serially in the \u003ctitle\u003eSaturday Evening Post\u003c/title\u003e during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the \u003ctitle\u003eNew York Evening Mail\u003c/title\u003e, H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.\u003c/p\u003e\n","\u003cp\u003eOn January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing \u003ctitle\u003eJurgen\u003c/title\u003e. The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.\u003c/p\u003e\n","\u003cp\u003eThe obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"\u003c/p\u003e\n","\u003cp\u003eThroughout the 1920s, he continued to publish in the style of \u003ctitle\u003eJurgen\u003c/title\u003e, a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled \u003ctitle\u003eThe Biography of the Life of Manuel\u003c/title\u003e; the last volume was published in 1930.\u003c/p\u003e\n","\u003cp\u003eCabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the \u003ctitle\u003eAmerican Spectator\u003c/title\u003e (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.\u003c/p\u003e\n","\u003cp\u003eWhile the controversy over \u003ctitle\u003eJurgen\u003c/title\u003e ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of \u003ctitle\u003eLet Me Lie\u003c/title\u003e. It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.\u003c/p\u003e\n","\u003cp\u003eCabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.\u003c/p\u003e\n","\u003cp\u003e\nCabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing. \u003c/p\u003e\n","\u003cp\u003eSoon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richmond author James Branch Cabell (1879-1958) is best known for his controversial book,  Jurgen  (1919), a fantasy set in Cabell's mythical medieval world of Poictesme (pronounced Pwa-tem). The New York Society for the Suppression of Vice contended the book was obscene. A trial over its content brought the reclusive writer national fame. Throughout the 1920s, Cabell's literary peers, including H.L. Mencken and Sinclair Lewis, praised his works.","Cabell was born April 14, 1879, at 101 E. Franklin St., the present site of the Richmond Public Library. His father was Robert Gamble Cabell, II (1847-1922), a physician; his mother Anne Harris (1859-1915), daughter of Col. and Mrs. James R. Branch. Cabell's great grandfather was William H. Cabell, governor of Virginia from 1805-1808. Cabell had two brothers, Robert Gamble Cabell, III (1881-1968) and John Lottier Cabell (1883-1946). His parents divorced in 1907.","After attending the College of William and Mary (1893-1898), where he taught courses in French and Greek while an undergraduate, Cabell worked briefly at the  Richmond Times  as a copyholder. In 1899 he moved to New York City and worked for the  New York Herald  as a social reporter.  He returned to Richmond in 1901 and worked several months on the staff of the  Richmond News . During the next ten years, he performed genealogical research and wrote numerous short stories and articles, which he contributed to national magazines such as  Harper's Monthly Magazine  and the  Saturday Evening Post .","In 1911, Cabell worked as a bookkeeper for his uncle James R. Branch's coal mine in West Virginia. Returning to Richmond in 1913, he married Rebecca Priscilla Bradley Shepherd (1874-1949), a widow with five children by her previous marriage. They had one son, Ballard Hartwell Cabell (1915-1980).","Although he had written for newspapers, Cabell's first published nonfiction work was \"The Comedies of William Congreve,\" which appeared in the April 1901 edition of  International . He published his first book,  The Eagle's Shadow , in the autumn of 1904 after it appeared serially in the  Saturday Evening Post  during that summer. His work was slow to draw critical attention. However, by 1918 he had published ten major works and began attracting critical admirers. In an article for the  New York Evening Mail , H.L. Mencken described Cabell as \"the only first-rate literary craftsman that the whole South can show.\" Cabell's stature and fame as an author increased with the 1919 publication of Jurgen.","On January 14, 1920, the New York State Society for the Prevention of Vice charged Cabell's publishing editor, Guy Holt, with violating the anti-obscenity provisions of the New York State Penal Code by publishing  Jurgen . The controversy over the charges and the attempt at censorship brought Cabell much notoriety. Writers defended the artistry of Jurgen and Cabell's right to publish it.","The obscenity trial over Jurgen began October 16, 1922, and ended three days later with an acquittal of all charges. The presiding judge, Charles C. Nott, stated in his decision \"...the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed\" and that because of Cabell's writing style \"...it is doubtful if the book could be read or understood at all by more than a very limited number of readers.\"","Throughout the 1920s, he continued to publish in the style of  Jurgen , a combination of satire, symbolism, and fantasy, set in a mythical medieval French province of Poictesme. The name was a compound of two provinces located in the South of France, Poitiers and Angouleme. Cabell blended an assortment of myths and legends laced with puns, anagrams, and allegories in these books. These works eventually became part of an eighteen-volume collection entitled  The Biography of the Life of Manuel ; the last volume was published in 1930.","Cabell had become well regarded by prominent writers of the period and maintained an extensive correspondence with a wide circle of literary artists and friends, including Mencken, Joseph Hergesheimer, Burton Rascoe, Theodore Dreiser, Sinclair Lewis, F. Scott Fitzgerald, Carl Van Vechten, and fellow Richmonder and close friend Ellen Glasgow (1873-1945). He had known Glasgow since his days at William and Mary. He served as editor of the Virginia War History Commission (1919-1926) and later joined Dreiser, Eugene O'Neil, and others on the editorial board of the  American Spectator  (1932-1935). In 1937, Cabell was elected to the American Academy of Arts and Sciences.","While the controversy over  Jurgen  ensured Cabell an audience throughout most of the 1920s, interest in his books dropped sharply in the New Deal era of the 1930s and continued to decline. In 1932, in an attempt to break away from his past, he began publishing under the name Branch Cabell. During the next three decades, he wrote and published nearly twenty more books. They were grouped in a series of trilogies. He returned as James Branch Cabell in 1947 with the publication of  Let Me Lie . It was the first installment of his fifth and last trilogy, consisting mainly of semi-autobiographical essays filled with remembrances of Virginia.","Cabell continued to live and work in Richmond, residing at 3201 Monument Avenue. By 1935 he and his family began spending most of their winter months in St. Augustine, Florida, due to Cabell's reoccurring bouts of pneumonia. During their stay in Florida in 1949, his wife died of heart failure. In 1950, he married Margaret Waller Freeman (1893-1983), whom he had known for many years. Cabell suffered a cerebral hemorrhage in 1958, and on May 5, he died at his home in Richmond.","\nCabell's writings, published in various magazines, newspapers, and anthologies, included numerous short stories, poetry, essays, book reviews, and one play. He authored more than 52 volumes of work, including three devoted to genealogy. Cabell is recognized as one of the first contemporary writers from the South. Like his friend, Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his imagination, consider him a pioneer of fantasy writing. ","Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors."],"prefercite_html_tesm":["\u003cp\u003eJames Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["James Branch Cabell collection, Collection # M 214, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.\u003c/p\u003e\n","\u003cp\u003eSeries I contains correspondence between Cabell and his contemporaries in the literary world, family and friends. \u003c/p\u003e\n","\u003cp\u003eSeries II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.\u003c/p\u003e\n","\u003cp\u003eSeries III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.\u003c/p\u003e\n","\u003cp\u003eSeries IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.\u003c/p\u003e\n","\u003cp\u003eSeries V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.\u003c/p\u003e\n","\u003cp\u003eSeries VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.\u003c/p\u003e\n","\u003cp\u003eSeries VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.\u003c/p\u003e\n","\u003cp\u003eSeries VIII contains plays, poems, and other works inspired by Cabell's work.\u003c/p\u003e\n","\u003cp\u003eSeries IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains James Branch Cabell's personal papers along with materials by other creators related to Cabell. Cabell corresponded with a number of American and British authors such as H.L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser, as well as with family, friends, editors and publishers. Other materials of note include his manuscripts with Cabells handwritten edits, his notebooks containing information about his published works along with poems and other writings, and the materials found inside the books of his personal library. The materials provide insight into Cabell's writings and personal interests based upon the content he placed within the books of his collection.","Series I contains correspondence between Cabell and his contemporaries in the literary world, family and friends. ","Series II includes various Cabell manuscripts as story ideas, notes, early drafts, school work, essays and poems.","Series III is composed primarily of materials found placed inside Cabell's books and includes ephemera, pamphlets, newspaper clippings, etc.","Series IV are materials from the Cabell Society and contain correspondence between its founders and correspondence between Cabell and Nelson Bond and Cabell and Frederick Eddy.","Series V has materials related to the book Between Friends: Letters of James Branch Cabell and Others, edited by Padraic Colum and Margaret Freeman Cabell.","Series VI consists of various criticisms of Cabell's writings, most of which were collected by Jean Maurice Duke while writing James Branch Cabell: A Reference Guide.","Series VII includes works by Cabell printed in various periodicals. He often published essays, short stories, and other fiction in periodicals before later revising them into book form. The majority of this series is made up of bound volumes. Each volume is named for a published Cabell book and contains the full periodical where the content originally appeared before he developed it into a book.","Series VIII contains plays, poems, and other works inspired by Cabell's work.","Series IX includes scrapbooks and notebooks containing clippings, letters, notes, poems, and other writings by Cabell."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Cabell, James Branch, 1879-1958","Flora, Joseph M."],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"persname_ssim":["Cabell, James Branch, 1879-1958","Flora, Joseph M."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":493,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:17:59.403Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_96_c01_c43"}},{"id":"vircu_repositories_5_resources_58_c02_c01","type":"Item","attributes":{"title":"Card 1: P.13.414, 1-1 It. Gas, 2 It. Electric, Antique Brass Combination Brackets, made 3 arms; centre for gas; 2 side arms electric, with rich cut glass","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_58_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_58_c02_c01","ref_ssm":["vircu_repositories_5_resources_58_c02_c01"],"id":"vircu_repositories_5_resources_58_c02_c01","ead_ssi":"vircu_repositories_5_resources_58","_root_":"vircu_repositories_5_resources_58","_nest_parent_":"vircu_repositories_5_resources_58_c02","parent_ssi":"vircu_repositories_5_resources_58_c02","parent_ssim":["vircu_repositories_5_resources_58","vircu_repositories_5_resources_58_c02"],"parent_ids_ssim":["vircu_repositories_5_resources_58","vircu_repositories_5_resources_58_c02"],"parent_unittitles_ssm":["James W. Allison papers","Light and Gas Fixtures"],"parent_unittitles_tesim":["James W. Allison papers","Light and Gas Fixtures"],"text":["James W. Allison papers","Light and Gas Fixtures","Card 1: P.13.414, 1-1 It. Gas, 2 It. Electric, Antique Brass Combination Brackets, made 3 arms; centre for gas; 2 side arms electric, with rich cut glass","box 4"],"title_filing_ssi":"Card 1: P.13.414, 1-1 It. Gas, 2 It. Electric, Antique Brass Combination Brackets, made 3 arms; centre for gas; 2 side arms electric, with rich cut glass","title_ssm":["Card 1: P.13.414, 1-1 It. Gas, 2 It. Electric, Antique Brass Combination Brackets, made 3 arms; centre for gas; 2 side arms electric, with rich cut glass"],"title_tesim":["Card 1: P.13.414, 1-1 It. Gas, 2 It. Electric, Antique Brass Combination Brackets, made 3 arms; centre for gas; 2 side arms electric, with rich cut glass"],"unitdate_inclusive_ssm":["1885-1886"],"normalized_date_ssm":["1885/1886"],"normalized_title_ssm":["Card 1: P.13.414, 1-1 It. Gas, 2 It. Electric, Antique Brass Combination Brackets, made 3 arms; centre for gas; 2 side arms electric, with rich cut glass"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["James W. Allison papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":115,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1885,1886],"containers_ssim":["box 4"],"_nest_path_":"/components#1/components#0","timestamp":"2026-05-01T00:16:11.514Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_58","ead_ssi":"vircu_repositories_5_resources_58","_root_":"vircu_repositories_5_resources_58","_nest_parent_":"vircu_repositories_5_resources_58","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_58.xml","aspace_url_ssi":"https://archives.library.vcu.edu/repositories/5/resources/58","title_filing_ssi":"Allison, James W., Papers","title_ssm":["James W. Allison papers"],"title_tesim":["James W. Allison papers"],"unitdate_ssm":["1892-1896, 1971"],"unitdate_bulk_ssim":["1892-1896, 1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 1","/repositories/5/resources/58"],"text":["M 1","/repositories/5/resources/58","James W. Allison papers","Businessmen -- Manuscripts -- Virginia -- Richmond","The collection is open to research.","A selection of letters from this collection have been digitized and are available via   VCU Libraries Digital Collections. \n VCU Libraries Digital Collections.","The collection is arranged into four series and arranged chronologically where applicable.","Series 1: Correspondence, 1892-1896","Series 2: Electric Light and Gas Fixtures, circa 1885-1886","Series 3: Wallpaper and Plaster, 1971","Series 4: Plans and Blueprints, 1890s","James Waters Allison was born in Richmond, Virginia on December 15, 1833 to William Allison (1783-1850) and Nancy Ann Waters Allison (1799-1860). Allison, a life-long resident of Richmond, began in business with the firm of Ludlam \u0026 Watson, forwarding merchants and agents for the Powhatan Steamship Company. He later worked with the Old Dominion Steamship Company. After his father's death in 1850, Allison began a tobacco manufacturing company with his partner William Palmer. The business closed at the outbreak of the Civil War. In 1858 Allison married his first wife Mary Robbins Zimmerman of Alexandria, Virginia. They had a daughter, Dora, born in 1859.","After the war ended in 1865, Allison and his partner Edmund B. Addison established the seed and fertilizer firm of Allison and Addison. By the 1890s the company had greatly expanded and become one of the most successful fertilizer producers in the South with branches in Charleston, South Carolina, Columbus and Savannah, Georgia, as well as other southern cities. After the death of his first wife, Allison married Bettie L. Thomas (1848-1876) of Richmond, but she died not long after their marriage. Minnie Clemens Jones (1870-1927) became his third wife in December 1890 and Allison began searching for a new home in 1891.","At some point Allison decided to build rather than buy and acquired a lot on West Franklin Street, Richmond's most fashionable residential neighborhood during that period. The house was designed by New York architectural firm of Griffin \u0026 Randall and built between 1894 and 1896. Both partners boasted fine architectural pedigrees. Percy Griffin (1866-1921) graduated from the architectural school at the Massachusetts Institute of Technology (MIT) in 1884 and then worked in the office of H. H. Richardson. T. Henry Randall (1862-1905), a native of Annapolis, Maryland had also worked for Richardson after attending Johns Hopkins University, MIT, and the Ecole de Beaux-Arts in Paris. Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.","Allison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. He as was a member of the James River Improvement Committee and was a founding member of the Broad Street Methodist Episcopal Church, South.","Allison's son James Waters Allison, Jr. (1894-1979) eventually inherited the house on West Franklin Street. In 1938 the family sold the home to the Richmond Professional Institute (RPI), which was used as the office and residence of Henry Hibbs, dean of RPI. The house continued to be used as the office of the president when RPI and the Medical College of Virginia merged to form VCU in 1968.","James W. Allison, Jr. gave his father's papers to Elizabeth S. Bocock. Bocock donated these material to Warren W. Brandt, then president of VCU. President Brandt transferred the materials to James Branch Cabell Library.","The James W. Allison papers are a valuable resource for those interested in late 19th century architectural history or who want to know more about the history of this building due to its use as the VCU Office of the President. The collection contains original architectural drawings, correspondence, specifications, building notes, memoranda, blueprints, and illustrations dealing with the design and construction of 910 West Franklin Street. The majority of the letters are from the architects Percy Griffin and T. Henry Randall. The correspondence details the demise of the Griffin and Randall's architectural firm which dissolved in 1894. Also included with this collection are plaster and wallpaper fragments collected after fire at the house in 1971.","Some blueprints and plans are fragile.","There are no restrictions.","VCU James Branch Cabell Library","Allison, James (James W.)","English"],"unitid_tesim":["M 1","/repositories/5/resources/58"],"normalized_title_ssm":["James W. Allison papers"],"collection_title_tesim":["James W. Allison papers"],"collection_ssim":["James W. 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Allison, a life-long resident of Richmond, began in business with the firm of Ludlam \u0026amp; Watson, forwarding merchants and agents for the Powhatan Steamship Company. He later worked with the Old Dominion Steamship Company. After his father's death in 1850, Allison began a tobacco manufacturing company with his partner William Palmer. The business closed at the outbreak of the Civil War. In 1858 Allison married his first wife Mary Robbins Zimmerman of Alexandria, Virginia. They had a daughter, Dora, born in 1859.\u003c/p\u003e\n","\u003cp\u003eAfter the war ended in 1865, Allison and his partner Edmund B. Addison established the seed and fertilizer firm of Allison and Addison. By the 1890s the company had greatly expanded and become one of the most successful fertilizer producers in the South with branches in Charleston, South Carolina, Columbus and Savannah, Georgia, as well as other southern cities. After the death of his first wife, Allison married Bettie L. Thomas (1848-1876) of Richmond, but she died not long after their marriage. Minnie Clemens Jones (1870-1927) became his third wife in December 1890 and Allison began searching for a new home in 1891.\u003c/p\u003e\n","\u003cp\u003eAt some point Allison decided to build rather than buy and acquired a lot on West Franklin Street, Richmond's most fashionable residential neighborhood during that period. The house was designed by New York architectural firm of Griffin \u0026amp; Randall and built between 1894 and 1896. Both partners boasted fine architectural pedigrees. Percy Griffin (1866-1921) graduated from the architectural school at the Massachusetts Institute of Technology (MIT) in 1884 and then worked in the office of H. H. Richardson. T. Henry Randall (1862-1905), a native of Annapolis, Maryland had also worked for Richardson after attending Johns Hopkins University, MIT, and the Ecole de Beaux-Arts in Paris. Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.\u003c/p\u003e\n","\u003cp\u003eAllison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. He as was a member of the James River Improvement Committee and was a founding member of the Broad Street Methodist Episcopal Church, South.\u003c/p\u003e\n","\u003cp\u003eAllison's son James Waters Allison, Jr. (1894-1979) eventually inherited the house on West Franklin Street. In 1938 the family sold the home to the Richmond Professional Institute (RPI), which was used as the office and residence of Henry Hibbs, dean of RPI. The house continued to be used as the office of the president when RPI and the Medical College of Virginia merged to form VCU in 1968.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Waters Allison was born in Richmond, Virginia on December 15, 1833 to William Allison (1783-1850) and Nancy Ann Waters Allison (1799-1860). Allison, a life-long resident of Richmond, began in business with the firm of Ludlam \u0026 Watson, forwarding merchants and agents for the Powhatan Steamship Company. He later worked with the Old Dominion Steamship Company. After his father's death in 1850, Allison began a tobacco manufacturing company with his partner William Palmer. The business closed at the outbreak of the Civil War. In 1858 Allison married his first wife Mary Robbins Zimmerman of Alexandria, Virginia. They had a daughter, Dora, born in 1859.","After the war ended in 1865, Allison and his partner Edmund B. Addison established the seed and fertilizer firm of Allison and Addison. By the 1890s the company had greatly expanded and become one of the most successful fertilizer producers in the South with branches in Charleston, South Carolina, Columbus and Savannah, Georgia, as well as other southern cities. After the death of his first wife, Allison married Bettie L. Thomas (1848-1876) of Richmond, but she died not long after their marriage. Minnie Clemens Jones (1870-1927) became his third wife in December 1890 and Allison began searching for a new home in 1891.","At some point Allison decided to build rather than buy and acquired a lot on West Franklin Street, Richmond's most fashionable residential neighborhood during that period. The house was designed by New York architectural firm of Griffin \u0026 Randall and built between 1894 and 1896. Both partners boasted fine architectural pedigrees. Percy Griffin (1866-1921) graduated from the architectural school at the Massachusetts Institute of Technology (MIT) in 1884 and then worked in the office of H. H. Richardson. T. Henry Randall (1862-1905), a native of Annapolis, Maryland had also worked for Richardson after attending Johns Hopkins University, MIT, and the Ecole de Beaux-Arts in Paris. Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.","Allison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. He as was a member of the James River Improvement Committee and was a founding member of the Broad Street Methodist Episcopal Church, South.","Allison's son James Waters Allison, Jr. (1894-1979) eventually inherited the house on West Franklin Street. In 1938 the family sold the home to the Richmond Professional Institute (RPI), which was used as the office and residence of Henry Hibbs, dean of RPI. The house continued to be used as the office of the president when RPI and the Medical College of Virginia merged to form VCU in 1968."],"custodhist_html_tesm":["\u003cp\u003eJames W. Allison, Jr. gave his father's papers to Elizabeth S. Bocock. Bocock donated these material to Warren W. Brandt, then president of VCU. President Brandt transferred the materials to James Branch Cabell Library.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["James W. Allison, Jr. gave his father's papers to Elizabeth S. Bocock. Bocock donated these material to Warren W. Brandt, then president of VCU. President Brandt transferred the materials to James Branch Cabell Library."],"scopecontent_html_tesm":["\u003cp\u003eThe James W. Allison papers are a valuable resource for those interested in late 19th century architectural history or who want to know more about the history of this building due to its use as the VCU Office of the President. The collection contains original architectural drawings, correspondence, specifications, building notes, memoranda, blueprints, and illustrations dealing with the design and construction of 910 West Franklin Street. The majority of the letters are from the architects Percy Griffin and T. Henry Randall. The correspondence details the demise of the Griffin and Randall's architectural firm which dissolved in 1894. Also included with this collection are plaster and wallpaper fragments collected after fire at the house in 1971.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The James W. Allison papers are a valuable resource for those interested in late 19th century architectural history or who want to know more about the history of this building due to its use as the VCU Office of the President. The collection contains original architectural drawings, correspondence, specifications, building notes, memoranda, blueprints, and illustrations dealing with the design and construction of 910 West Franklin Street. The majority of the letters are from the architects Percy Griffin and T. Henry Randall. The correspondence details the demise of the Griffin and Randall's architectural firm which dissolved in 1894. Also included with this collection are plaster and wallpaper fragments collected after fire at the house in 1971."],"userestrict_html_tesm":["\u003cp\u003eSome blueprints and plans are fragile.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions"],"userestrict_tesim":["Some blueprints and plans are fragile.","There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Allison, James (James W.)"],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Allison, James (James W.)"],"persname_ssim":["Allison, James (James W.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":130,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:16:11.514Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_58_c02_c01"}},{"id":"vircu_repositories_5_resources_58_c02_c02","type":"Item","attributes":{"title":"Card 2: P.15.170, 1-3 It. Rich French Gilt Combination Bracket, with etched glass, and Card 2:P.15.171, 1 It Comb. Bracket","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_58_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_58_c02_c02","ref_ssm":["vircu_repositories_5_resources_58_c02_c02"],"id":"vircu_repositories_5_resources_58_c02_c02","ead_ssi":"vircu_repositories_5_resources_58","_root_":"vircu_repositories_5_resources_58","_nest_parent_":"vircu_repositories_5_resources_58_c02","parent_ssi":"vircu_repositories_5_resources_58_c02","parent_ssim":["vircu_repositories_5_resources_58","vircu_repositories_5_resources_58_c02"],"parent_ids_ssim":["vircu_repositories_5_resources_58","vircu_repositories_5_resources_58_c02"],"parent_unittitles_ssm":["James W. Allison papers","Light and Gas Fixtures"],"parent_unittitles_tesim":["James W. Allison papers","Light and Gas Fixtures"],"text":["James W. Allison papers","Light and Gas Fixtures","Card 2: P.15.170, 1-3 It. Rich French Gilt Combination Bracket, with etched glass, and Card 2:P.15.171, 1 It Comb. Bracket","box 4"],"title_filing_ssi":"Card 2: P.15.170, 1-3 It. Rich French Gilt Combination Bracket, with etched glass, and Card 2:P.15.171, 1 It Comb. Bracket","title_ssm":["Card 2: P.15.170, 1-3 It. Rich French Gilt Combination Bracket, with etched glass, and Card 2:P.15.171, 1 It Comb. Bracket"],"title_tesim":["Card 2: P.15.170, 1-3 It. Rich French Gilt Combination Bracket, with etched glass, and Card 2:P.15.171, 1 It Comb. Bracket"],"unitdate_inclusive_ssm":["1885-1886"],"normalized_date_ssm":["1885/1886"],"normalized_title_ssm":["Card 2: P.15.170, 1-3 It. Rich French Gilt Combination Bracket, with etched glass, and Card 2:P.15.171, 1 It Comb. Bracket"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["James W. 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Allison papers"],"unitdate_ssm":["1892-1896, 1971"],"unitdate_bulk_ssim":["1892-1896, 1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 1","/repositories/5/resources/58"],"text":["M 1","/repositories/5/resources/58","James W. Allison papers","Businessmen -- Manuscripts -- Virginia -- Richmond","The collection is open to research.","A selection of letters from this collection have been digitized and are available via   VCU Libraries Digital Collections. \n VCU Libraries Digital Collections.","The collection is arranged into four series and arranged chronologically where applicable.","Series 1: Correspondence, 1892-1896","Series 2: Electric Light and Gas Fixtures, circa 1885-1886","Series 3: Wallpaper and Plaster, 1971","Series 4: Plans and Blueprints, 1890s","James Waters Allison was born in Richmond, Virginia on December 15, 1833 to William Allison (1783-1850) and Nancy Ann Waters Allison (1799-1860). 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Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.","Allison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. 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Allison, a life-long resident of Richmond, began in business with the firm of Ludlam \u0026amp; Watson, forwarding merchants and agents for the Powhatan Steamship Company. He later worked with the Old Dominion Steamship Company. After his father's death in 1850, Allison began a tobacco manufacturing company with his partner William Palmer. The business closed at the outbreak of the Civil War. In 1858 Allison married his first wife Mary Robbins Zimmerman of Alexandria, Virginia. They had a daughter, Dora, born in 1859.\u003c/p\u003e\n","\u003cp\u003eAfter the war ended in 1865, Allison and his partner Edmund B. Addison established the seed and fertilizer firm of Allison and Addison. By the 1890s the company had greatly expanded and become one of the most successful fertilizer producers in the South with branches in Charleston, South Carolina, Columbus and Savannah, Georgia, as well as other southern cities. After the death of his first wife, Allison married Bettie L. 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Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.\u003c/p\u003e\n","\u003cp\u003eAllison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. He as was a member of the James River Improvement Committee and was a founding member of the Broad Street Methodist Episcopal Church, South.\u003c/p\u003e\n","\u003cp\u003eAllison's son James Waters Allison, Jr. (1894-1979) eventually inherited the house on West Franklin Street. In 1938 the family sold the home to the Richmond Professional Institute (RPI), which was used as the office and residence of Henry Hibbs, dean of RPI. The house continued to be used as the office of the president when RPI and the Medical College of Virginia merged to form VCU in 1968.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Waters Allison was born in Richmond, Virginia on December 15, 1833 to William Allison (1783-1850) and Nancy Ann Waters Allison (1799-1860). Allison, a life-long resident of Richmond, began in business with the firm of Ludlam \u0026 Watson, forwarding merchants and agents for the Powhatan Steamship Company. He later worked with the Old Dominion Steamship Company. After his father's death in 1850, Allison began a tobacco manufacturing company with his partner William Palmer. The business closed at the outbreak of the Civil War. In 1858 Allison married his first wife Mary Robbins Zimmerman of Alexandria, Virginia. They had a daughter, Dora, born in 1859.","After the war ended in 1865, Allison and his partner Edmund B. Addison established the seed and fertilizer firm of Allison and Addison. By the 1890s the company had greatly expanded and become one of the most successful fertilizer producers in the South with branches in Charleston, South Carolina, Columbus and Savannah, Georgia, as well as other southern cities. After the death of his first wife, Allison married Bettie L. Thomas (1848-1876) of Richmond, but she died not long after their marriage. Minnie Clemens Jones (1870-1927) became his third wife in December 1890 and Allison began searching for a new home in 1891.","At some point Allison decided to build rather than buy and acquired a lot on West Franklin Street, Richmond's most fashionable residential neighborhood during that period. The house was designed by New York architectural firm of Griffin \u0026 Randall and built between 1894 and 1896. Both partners boasted fine architectural pedigrees. Percy Griffin (1866-1921) graduated from the architectural school at the Massachusetts Institute of Technology (MIT) in 1884 and then worked in the office of H. H. Richardson. T. Henry Randall (1862-1905), a native of Annapolis, Maryland had also worked for Richardson after attending Johns Hopkins University, MIT, and the Ecole de Beaux-Arts in Paris. Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.","Allison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. He as was a member of the James River Improvement Committee and was a founding member of the Broad Street Methodist Episcopal Church, South.","Allison's son James Waters Allison, Jr. (1894-1979) eventually inherited the house on West Franklin Street. In 1938 the family sold the home to the Richmond Professional Institute (RPI), which was used as the office and residence of Henry Hibbs, dean of RPI. The house continued to be used as the office of the president when RPI and the Medical College of Virginia merged to form VCU in 1968."],"custodhist_html_tesm":["\u003cp\u003eJames W. Allison, Jr. gave his father's papers to Elizabeth S. Bocock. Bocock donated these material to Warren W. Brandt, then president of VCU. President Brandt transferred the materials to James Branch Cabell Library.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["James W. Allison, Jr. gave his father's papers to Elizabeth S. Bocock. Bocock donated these material to Warren W. Brandt, then president of VCU. President Brandt transferred the materials to James Branch Cabell Library."],"scopecontent_html_tesm":["\u003cp\u003eThe James W. Allison papers are a valuable resource for those interested in late 19th century architectural history or who want to know more about the history of this building due to its use as the VCU Office of the President. The collection contains original architectural drawings, correspondence, specifications, building notes, memoranda, blueprints, and illustrations dealing with the design and construction of 910 West Franklin Street. The majority of the letters are from the architects Percy Griffin and T. Henry Randall. The correspondence details the demise of the Griffin and Randall's architectural firm which dissolved in 1894. Also included with this collection are plaster and wallpaper fragments collected after fire at the house in 1971.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The James W. Allison papers are a valuable resource for those interested in late 19th century architectural history or who want to know more about the history of this building due to its use as the VCU Office of the President. The collection contains original architectural drawings, correspondence, specifications, building notes, memoranda, blueprints, and illustrations dealing with the design and construction of 910 West Franklin Street. The majority of the letters are from the architects Percy Griffin and T. Henry Randall. The correspondence details the demise of the Griffin and Randall's architectural firm which dissolved in 1894. Also included with this collection are plaster and wallpaper fragments collected after fire at the house in 1971."],"userestrict_html_tesm":["\u003cp\u003eSome blueprints and plans are fragile.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions"],"userestrict_tesim":["Some blueprints and plans are fragile.","There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Allison, James (James W.)"],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Allison, James (James W.)"],"persname_ssim":["Allison, James (James W.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":130,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:16:11.514Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_58_c02_c02"}},{"id":"vircu_repositories_5_resources_58_c02_c03","type":"Item","attributes":{"title":"Card 3: P.16.872, 1-4 lt. Antique Brass Combination Chandelier, made with 8 arms; all with rich cut gas globes","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_58_c02_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_58_c02_c03","ref_ssm":["vircu_repositories_5_resources_58_c02_c03"],"id":"vircu_repositories_5_resources_58_c02_c03","ead_ssi":"vircu_repositories_5_resources_58","_root_":"vircu_repositories_5_resources_58","_nest_parent_":"vircu_repositories_5_resources_58_c02","parent_ssi":"vircu_repositories_5_resources_58_c02","parent_ssim":["vircu_repositories_5_resources_58","vircu_repositories_5_resources_58_c02"],"parent_ids_ssim":["vircu_repositories_5_resources_58","vircu_repositories_5_resources_58_c02"],"parent_unittitles_ssm":["James W. Allison papers","Light and Gas Fixtures"],"parent_unittitles_tesim":["James W. Allison papers","Light and Gas Fixtures"],"text":["James W. Allison papers","Light and Gas Fixtures","Card 3: P.16.872, 1-4 lt. Antique Brass Combination Chandelier, made with 8 arms; all with rich cut gas globes","box 4"],"title_filing_ssi":"Card 3: P.16.872, 1-4 lt. Antique Brass Combination Chandelier, made with 8 arms; all with rich cut gas globes","title_ssm":["Card 3: P.16.872, 1-4 lt. Antique Brass Combination Chandelier, made with 8 arms; all with rich cut gas globes"],"title_tesim":["Card 3: P.16.872, 1-4 lt. Antique Brass Combination Chandelier, made with 8 arms; all with rich cut gas globes"],"unitdate_inclusive_ssm":["1885-1886"],"normalized_date_ssm":["1885/1886"],"normalized_title_ssm":["Card 3: P.16.872, 1-4 lt. Antique Brass Combination Chandelier, made with 8 arms; all with rich cut gas globes"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["James W. 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Allison papers"],"unitdate_ssm":["1892-1896, 1971"],"unitdate_bulk_ssim":["1892-1896, 1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 1","/repositories/5/resources/58"],"text":["M 1","/repositories/5/resources/58","James W. Allison papers","Businessmen -- Manuscripts -- Virginia -- Richmond","The collection is open to research.","A selection of letters from this collection have been digitized and are available via   VCU Libraries Digital Collections. \n VCU Libraries Digital Collections.","The collection is arranged into four series and arranged chronologically where applicable.","Series 1: Correspondence, 1892-1896","Series 2: Electric Light and Gas Fixtures, circa 1885-1886","Series 3: Wallpaper and Plaster, 1971","Series 4: Plans and Blueprints, 1890s","James Waters Allison was born in Richmond, Virginia on December 15, 1833 to William Allison (1783-1850) and Nancy Ann Waters Allison (1799-1860). Allison, a life-long resident of Richmond, began in business with the firm of Ludlam \u0026 Watson, forwarding merchants and agents for the Powhatan Steamship Company. He later worked with the Old Dominion Steamship Company. After his father's death in 1850, Allison began a tobacco manufacturing company with his partner William Palmer. The business closed at the outbreak of the Civil War. In 1858 Allison married his first wife Mary Robbins Zimmerman of Alexandria, Virginia. They had a daughter, Dora, born in 1859.","After the war ended in 1865, Allison and his partner Edmund B. Addison established the seed and fertilizer firm of Allison and Addison. By the 1890s the company had greatly expanded and become one of the most successful fertilizer producers in the South with branches in Charleston, South Carolina, Columbus and Savannah, Georgia, as well as other southern cities. After the death of his first wife, Allison married Bettie L. Thomas (1848-1876) of Richmond, but she died not long after their marriage. Minnie Clemens Jones (1870-1927) became his third wife in December 1890 and Allison began searching for a new home in 1891.","At some point Allison decided to build rather than buy and acquired a lot on West Franklin Street, Richmond's most fashionable residential neighborhood during that period. The house was designed by New York architectural firm of Griffin \u0026 Randall and built between 1894 and 1896. Both partners boasted fine architectural pedigrees. Percy Griffin (1866-1921) graduated from the architectural school at the Massachusetts Institute of Technology (MIT) in 1884 and then worked in the office of H. H. Richardson. T. Henry Randall (1862-1905), a native of Annapolis, Maryland had also worked for Richardson after attending Johns Hopkins University, MIT, and the Ecole de Beaux-Arts in Paris. Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.","Allison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. He as was a member of the James River Improvement Committee and was a founding member of the Broad Street Methodist Episcopal Church, South.","Allison's son James Waters Allison, Jr. (1894-1979) eventually inherited the house on West Franklin Street. In 1938 the family sold the home to the Richmond Professional Institute (RPI), which was used as the office and residence of Henry Hibbs, dean of RPI. The house continued to be used as the office of the president when RPI and the Medical College of Virginia merged to form VCU in 1968.","James W. Allison, Jr. gave his father's papers to Elizabeth S. Bocock. Bocock donated these material to Warren W. Brandt, then president of VCU. President Brandt transferred the materials to James Branch Cabell Library.","The James W. Allison papers are a valuable resource for those interested in late 19th century architectural history or who want to know more about the history of this building due to its use as the VCU Office of the President. The collection contains original architectural drawings, correspondence, specifications, building notes, memoranda, blueprints, and illustrations dealing with the design and construction of 910 West Franklin Street. The majority of the letters are from the architects Percy Griffin and T. Henry Randall. The correspondence details the demise of the Griffin and Randall's architectural firm which dissolved in 1894. Also included with this collection are plaster and wallpaper fragments collected after fire at the house in 1971.","Some blueprints and plans are fragile.","There are no restrictions.","VCU James Branch Cabell Library","Allison, James (James W.)","English"],"unitid_tesim":["M 1","/repositories/5/resources/58"],"normalized_title_ssm":["James W. Allison papers"],"collection_title_tesim":["James W. Allison papers"],"collection_ssim":["James W. 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Allison, a life-long resident of Richmond, began in business with the firm of Ludlam \u0026amp; Watson, forwarding merchants and agents for the Powhatan Steamship Company. He later worked with the Old Dominion Steamship Company. After his father's death in 1850, Allison began a tobacco manufacturing company with his partner William Palmer. The business closed at the outbreak of the Civil War. In 1858 Allison married his first wife Mary Robbins Zimmerman of Alexandria, Virginia. They had a daughter, Dora, born in 1859.\u003c/p\u003e\n","\u003cp\u003eAfter the war ended in 1865, Allison and his partner Edmund B. Addison established the seed and fertilizer firm of Allison and Addison. By the 1890s the company had greatly expanded and become one of the most successful fertilizer producers in the South with branches in Charleston, South Carolina, Columbus and Savannah, Georgia, as well as other southern cities. After the death of his first wife, Allison married Bettie L. Thomas (1848-1876) of Richmond, but she died not long after their marriage. Minnie Clemens Jones (1870-1927) became his third wife in December 1890 and Allison began searching for a new home in 1891.\u003c/p\u003e\n","\u003cp\u003eAt some point Allison decided to build rather than buy and acquired a lot on West Franklin Street, Richmond's most fashionable residential neighborhood during that period. The house was designed by New York architectural firm of Griffin \u0026amp; Randall and built between 1894 and 1896. Both partners boasted fine architectural pedigrees. Percy Griffin (1866-1921) graduated from the architectural school at the Massachusetts Institute of Technology (MIT) in 1884 and then worked in the office of H. H. Richardson. T. Henry Randall (1862-1905), a native of Annapolis, Maryland had also worked for Richardson after attending Johns Hopkins University, MIT, and the Ecole de Beaux-Arts in Paris. Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.\u003c/p\u003e\n","\u003cp\u003eAllison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. He as was a member of the James River Improvement Committee and was a founding member of the Broad Street Methodist Episcopal Church, South.\u003c/p\u003e\n","\u003cp\u003eAllison's son James Waters Allison, Jr. (1894-1979) eventually inherited the house on West Franklin Street. In 1938 the family sold the home to the Richmond Professional Institute (RPI), which was used as the office and residence of Henry Hibbs, dean of RPI. The house continued to be used as the office of the president when RPI and the Medical College of Virginia merged to form VCU in 1968.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Waters Allison was born in Richmond, Virginia on December 15, 1833 to William Allison (1783-1850) and Nancy Ann Waters Allison (1799-1860). Allison, a life-long resident of Richmond, began in business with the firm of Ludlam \u0026 Watson, forwarding merchants and agents for the Powhatan Steamship Company. He later worked with the Old Dominion Steamship Company. After his father's death in 1850, Allison began a tobacco manufacturing company with his partner William Palmer. The business closed at the outbreak of the Civil War. In 1858 Allison married his first wife Mary Robbins Zimmerman of Alexandria, Virginia. They had a daughter, Dora, born in 1859.","After the war ended in 1865, Allison and his partner Edmund B. Addison established the seed and fertilizer firm of Allison and Addison. By the 1890s the company had greatly expanded and become one of the most successful fertilizer producers in the South with branches in Charleston, South Carolina, Columbus and Savannah, Georgia, as well as other southern cities. After the death of his first wife, Allison married Bettie L. Thomas (1848-1876) of Richmond, but she died not long after their marriage. Minnie Clemens Jones (1870-1927) became his third wife in December 1890 and Allison began searching for a new home in 1891.","At some point Allison decided to build rather than buy and acquired a lot on West Franklin Street, Richmond's most fashionable residential neighborhood during that period. The house was designed by New York architectural firm of Griffin \u0026 Randall and built between 1894 and 1896. Both partners boasted fine architectural pedigrees. Percy Griffin (1866-1921) graduated from the architectural school at the Massachusetts Institute of Technology (MIT) in 1884 and then worked in the office of H. H. Richardson. T. Henry Randall (1862-1905), a native of Annapolis, Maryland had also worked for Richardson after attending Johns Hopkins University, MIT, and the Ecole de Beaux-Arts in Paris. Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.","Allison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. He as was a member of the James River Improvement Committee and was a founding member of the Broad Street Methodist Episcopal Church, South.","Allison's son James Waters Allison, Jr. (1894-1979) eventually inherited the house on West Franklin Street. In 1938 the family sold the home to the Richmond Professional Institute (RPI), which was used as the office and residence of Henry Hibbs, dean of RPI. The house continued to be used as the office of the president when RPI and the Medical College of Virginia merged to form VCU in 1968."],"custodhist_html_tesm":["\u003cp\u003eJames W. Allison, Jr. gave his father's papers to Elizabeth S. Bocock. Bocock donated these material to Warren W. Brandt, then president of VCU. President Brandt transferred the materials to James Branch Cabell Library.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["James W. Allison, Jr. gave his father's papers to Elizabeth S. Bocock. Bocock donated these material to Warren W. Brandt, then president of VCU. President Brandt transferred the materials to James Branch Cabell Library."],"scopecontent_html_tesm":["\u003cp\u003eThe James W. Allison papers are a valuable resource for those interested in late 19th century architectural history or who want to know more about the history of this building due to its use as the VCU Office of the President. The collection contains original architectural drawings, correspondence, specifications, building notes, memoranda, blueprints, and illustrations dealing with the design and construction of 910 West Franklin Street. The majority of the letters are from the architects Percy Griffin and T. Henry Randall. The correspondence details the demise of the Griffin and Randall's architectural firm which dissolved in 1894. 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Also included with this collection are plaster and wallpaper fragments collected after fire at the house in 1971."],"userestrict_html_tesm":["\u003cp\u003eSome blueprints and plans are fragile.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions"],"userestrict_tesim":["Some blueprints and plans are fragile.","There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Allison, James (James W.)"],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Allison, James (James W.)"],"persname_ssim":["Allison, James (James W.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":130,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:16:11.514Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_58_c02_c03"}},{"id":"vircu_repositories_5_resources_58_c02_c04","type":"Item","attributes":{"title":"Card 4: P.16.873, 1-4 lt. 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Allison, a life-long resident of Richmond, began in business with the firm of Ludlam \u0026 Watson, forwarding merchants and agents for the Powhatan Steamship Company. He later worked with the Old Dominion Steamship Company. After his father's death in 1850, Allison began a tobacco manufacturing company with his partner William Palmer. The business closed at the outbreak of the Civil War. In 1858 Allison married his first wife Mary Robbins Zimmerman of Alexandria, Virginia. They had a daughter, Dora, born in 1859.","After the war ended in 1865, Allison and his partner Edmund B. Addison established the seed and fertilizer firm of Allison and Addison. By the 1890s the company had greatly expanded and become one of the most successful fertilizer producers in the South with branches in Charleston, South Carolina, Columbus and Savannah, Georgia, as well as other southern cities. After the death of his first wife, Allison married Bettie L. Thomas (1848-1876) of Richmond, but she died not long after their marriage. Minnie Clemens Jones (1870-1927) became his third wife in December 1890 and Allison began searching for a new home in 1891.","At some point Allison decided to build rather than buy and acquired a lot on West Franklin Street, Richmond's most fashionable residential neighborhood during that period. The house was designed by New York architectural firm of Griffin \u0026 Randall and built between 1894 and 1896. Both partners boasted fine architectural pedigrees. Percy Griffin (1866-1921) graduated from the architectural school at the Massachusetts Institute of Technology (MIT) in 1884 and then worked in the office of H. H. Richardson. T. Henry Randall (1862-1905), a native of Annapolis, Maryland had also worked for Richardson after attending Johns Hopkins University, MIT, and the Ecole de Beaux-Arts in Paris. Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.","Allison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. He as was a member of the James River Improvement Committee and was a founding member of the Broad Street Methodist Episcopal Church, South.","Allison's son James Waters Allison, Jr. (1894-1979) eventually inherited the house on West Franklin Street. In 1938 the family sold the home to the Richmond Professional Institute (RPI), which was used as the office and residence of Henry Hibbs, dean of RPI. The house continued to be used as the office of the president when RPI and the Medical College of Virginia merged to form VCU in 1968.","James W. Allison, Jr. gave his father's papers to Elizabeth S. Bocock. Bocock donated these material to Warren W. Brandt, then president of VCU. President Brandt transferred the materials to James Branch Cabell Library.","The James W. Allison papers are a valuable resource for those interested in late 19th century architectural history or who want to know more about the history of this building due to its use as the VCU Office of the President. The collection contains original architectural drawings, correspondence, specifications, building notes, memoranda, blueprints, and illustrations dealing with the design and construction of 910 West Franklin Street. The majority of the letters are from the architects Percy Griffin and T. Henry Randall. The correspondence details the demise of the Griffin and Randall's architectural firm which dissolved in 1894. Also included with this collection are plaster and wallpaper fragments collected after fire at the house in 1971.","Some blueprints and plans are fragile.","There are no restrictions.","VCU James Branch Cabell Library","Allison, James (James W.)","English"],"unitid_tesim":["M 1","/repositories/5/resources/58"],"normalized_title_ssm":["James W. Allison papers"],"collection_title_tesim":["James W. Allison papers"],"collection_ssim":["James W. 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Allison, a life-long resident of Richmond, began in business with the firm of Ludlam \u0026amp; Watson, forwarding merchants and agents for the Powhatan Steamship Company. He later worked with the Old Dominion Steamship Company. After his father's death in 1850, Allison began a tobacco manufacturing company with his partner William Palmer. The business closed at the outbreak of the Civil War. In 1858 Allison married his first wife Mary Robbins Zimmerman of Alexandria, Virginia. They had a daughter, Dora, born in 1859.\u003c/p\u003e\n","\u003cp\u003eAfter the war ended in 1865, Allison and his partner Edmund B. Addison established the seed and fertilizer firm of Allison and Addison. By the 1890s the company had greatly expanded and become one of the most successful fertilizer producers in the South with branches in Charleston, South Carolina, Columbus and Savannah, Georgia, as well as other southern cities. After the death of his first wife, Allison married Bettie L. Thomas (1848-1876) of Richmond, but she died not long after their marriage. Minnie Clemens Jones (1870-1927) became his third wife in December 1890 and Allison began searching for a new home in 1891.\u003c/p\u003e\n","\u003cp\u003eAt some point Allison decided to build rather than buy and acquired a lot on West Franklin Street, Richmond's most fashionable residential neighborhood during that period. The house was designed by New York architectural firm of Griffin \u0026amp; Randall and built between 1894 and 1896. Both partners boasted fine architectural pedigrees. Percy Griffin (1866-1921) graduated from the architectural school at the Massachusetts Institute of Technology (MIT) in 1884 and then worked in the office of H. H. Richardson. T. Henry Randall (1862-1905), a native of Annapolis, Maryland had also worked for Richardson after attending Johns Hopkins University, MIT, and the Ecole de Beaux-Arts in Paris. Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.\u003c/p\u003e\n","\u003cp\u003eAllison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. He as was a member of the James River Improvement Committee and was a founding member of the Broad Street Methodist Episcopal Church, South.\u003c/p\u003e\n","\u003cp\u003eAllison's son James Waters Allison, Jr. (1894-1979) eventually inherited the house on West Franklin Street. In 1938 the family sold the home to the Richmond Professional Institute (RPI), which was used as the office and residence of Henry Hibbs, dean of RPI. The house continued to be used as the office of the president when RPI and the Medical College of Virginia merged to form VCU in 1968.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Waters Allison was born in Richmond, Virginia on December 15, 1833 to William Allison (1783-1850) and Nancy Ann Waters Allison (1799-1860). Allison, a life-long resident of Richmond, began in business with the firm of Ludlam \u0026 Watson, forwarding merchants and agents for the Powhatan Steamship Company. He later worked with the Old Dominion Steamship Company. After his father's death in 1850, Allison began a tobacco manufacturing company with his partner William Palmer. The business closed at the outbreak of the Civil War. In 1858 Allison married his first wife Mary Robbins Zimmerman of Alexandria, Virginia. They had a daughter, Dora, born in 1859.","After the war ended in 1865, Allison and his partner Edmund B. Addison established the seed and fertilizer firm of Allison and Addison. By the 1890s the company had greatly expanded and become one of the most successful fertilizer producers in the South with branches in Charleston, South Carolina, Columbus and Savannah, Georgia, as well as other southern cities. After the death of his first wife, Allison married Bettie L. Thomas (1848-1876) of Richmond, but she died not long after their marriage. Minnie Clemens Jones (1870-1927) became his third wife in December 1890 and Allison began searching for a new home in 1891.","At some point Allison decided to build rather than buy and acquired a lot on West Franklin Street, Richmond's most fashionable residential neighborhood during that period. The house was designed by New York architectural firm of Griffin \u0026 Randall and built between 1894 and 1896. Both partners boasted fine architectural pedigrees. Percy Griffin (1866-1921) graduated from the architectural school at the Massachusetts Institute of Technology (MIT) in 1884 and then worked in the office of H. H. Richardson. T. Henry Randall (1862-1905), a native of Annapolis, Maryland had also worked for Richardson after attending Johns Hopkins University, MIT, and the Ecole de Beaux-Arts in Paris. Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.","Allison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. He as was a member of the James River Improvement Committee and was a founding member of the Broad Street Methodist Episcopal Church, South.","Allison's son James Waters Allison, Jr. (1894-1979) eventually inherited the house on West Franklin Street. In 1938 the family sold the home to the Richmond Professional Institute (RPI), which was used as the office and residence of Henry Hibbs, dean of RPI. The house continued to be used as the office of the president when RPI and the Medical College of Virginia merged to form VCU in 1968."],"custodhist_html_tesm":["\u003cp\u003eJames W. Allison, Jr. gave his father's papers to Elizabeth S. Bocock. Bocock donated these material to Warren W. Brandt, then president of VCU. President Brandt transferred the materials to James Branch Cabell Library.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["James W. Allison, Jr. gave his father's papers to Elizabeth S. Bocock. Bocock donated these material to Warren W. Brandt, then president of VCU. President Brandt transferred the materials to James Branch Cabell Library."],"scopecontent_html_tesm":["\u003cp\u003eThe James W. Allison papers are a valuable resource for those interested in late 19th century architectural history or who want to know more about the history of this building due to its use as the VCU Office of the President. The collection contains original architectural drawings, correspondence, specifications, building notes, memoranda, blueprints, and illustrations dealing with the design and construction of 910 West Franklin Street. The majority of the letters are from the architects Percy Griffin and T. Henry Randall. The correspondence details the demise of the Griffin and Randall's architectural firm which dissolved in 1894. Also included with this collection are plaster and wallpaper fragments collected after fire at the house in 1971.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The James W. Allison papers are a valuable resource for those interested in late 19th century architectural history or who want to know more about the history of this building due to its use as the VCU Office of the President. The collection contains original architectural drawings, correspondence, specifications, building notes, memoranda, blueprints, and illustrations dealing with the design and construction of 910 West Franklin Street. The majority of the letters are from the architects Percy Griffin and T. Henry Randall. The correspondence details the demise of the Griffin and Randall's architectural firm which dissolved in 1894. Also included with this collection are plaster and wallpaper fragments collected after fire at the house in 1971."],"userestrict_html_tesm":["\u003cp\u003eSome blueprints and plans are fragile.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions"],"userestrict_tesim":["Some blueprints and plans are fragile.","There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Allison, James (James W.)"],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Allison, James (James W.)"],"persname_ssim":["Allison, James (James W.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":130,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:16:11.514Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_58_c02_c04"}},{"id":"vircu_repositories_5_resources_58_c02_c05","type":"Item","attributes":{"title":"Card 5: P.16.877, 4-2 lt. Etruscan Combination Brackets, with rich cut glass electric shades","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_58_c02_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_58_c02_c05","ref_ssm":["vircu_repositories_5_resources_58_c02_c05"],"id":"vircu_repositories_5_resources_58_c02_c05","ead_ssi":"vircu_repositories_5_resources_58","_root_":"vircu_repositories_5_resources_58","_nest_parent_":"vircu_repositories_5_resources_58_c02","parent_ssi":"vircu_repositories_5_resources_58_c02","parent_ssim":["vircu_repositories_5_resources_58","vircu_repositories_5_resources_58_c02"],"parent_ids_ssim":["vircu_repositories_5_resources_58","vircu_repositories_5_resources_58_c02"],"parent_unittitles_ssm":["James W. Allison papers","Light and Gas Fixtures"],"parent_unittitles_tesim":["James W. Allison papers","Light and Gas Fixtures"],"text":["James W. Allison papers","Light and Gas Fixtures","Card 5: P.16.877, 4-2 lt. Etruscan Combination Brackets, with rich cut glass electric shades","box 4"],"title_filing_ssi":"Card 5: P.16.877, 4-2 lt. Etruscan Combination Brackets, with rich cut glass electric shades","title_ssm":["Card 5: P.16.877, 4-2 lt. Etruscan Combination Brackets, with rich cut glass electric shades"],"title_tesim":["Card 5: P.16.877, 4-2 lt. Etruscan Combination Brackets, with rich cut glass electric shades"],"unitdate_inclusive_ssm":["1885-1886"],"normalized_date_ssm":["1885/1886"],"normalized_title_ssm":["Card 5: P.16.877, 4-2 lt. Etruscan Combination Brackets, with rich cut glass electric shades"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["James W. 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Allison papers"],"unitdate_ssm":["1892-1896, 1971"],"unitdate_bulk_ssim":["1892-1896, 1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 1","/repositories/5/resources/58"],"text":["M 1","/repositories/5/resources/58","James W. Allison papers","Businessmen -- Manuscripts -- Virginia -- Richmond","The collection is open to research.","A selection of letters from this collection have been digitized and are available via   VCU Libraries Digital Collections. \n VCU Libraries Digital Collections.","The collection is arranged into four series and arranged chronologically where applicable.","Series 1: Correspondence, 1892-1896","Series 2: Electric Light and Gas Fixtures, circa 1885-1886","Series 3: Wallpaper and Plaster, 1971","Series 4: Plans and Blueprints, 1890s","James Waters Allison was born in Richmond, Virginia on December 15, 1833 to William Allison (1783-1850) and Nancy Ann Waters Allison (1799-1860). 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Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.","Allison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. He as was a member of the James River Improvement Committee and was a founding member of the Broad Street Methodist Episcopal Church, South.","Allison's son James Waters Allison, Jr. (1894-1979) eventually inherited the house on West Franklin Street. In 1938 the family sold the home to the Richmond Professional Institute (RPI), which was used as the office and residence of Henry Hibbs, dean of RPI. The house continued to be used as the office of the president when RPI and the Medical College of Virginia merged to form VCU in 1968.","James W. Allison, Jr. gave his father's papers to Elizabeth S. Bocock. Bocock donated these material to Warren W. Brandt, then president of VCU. President Brandt transferred the materials to James Branch Cabell Library.","The James W. Allison papers are a valuable resource for those interested in late 19th century architectural history or who want to know more about the history of this building due to its use as the VCU Office of the President. 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Thomas (1848-1876) of Richmond, but she died not long after their marriage. Minnie Clemens Jones (1870-1927) became his third wife in December 1890 and Allison began searching for a new home in 1891.\u003c/p\u003e\n","\u003cp\u003eAt some point Allison decided to build rather than buy and acquired a lot on West Franklin Street, Richmond's most fashionable residential neighborhood during that period. The house was designed by New York architectural firm of Griffin \u0026amp; Randall and built between 1894 and 1896. Both partners boasted fine architectural pedigrees. Percy Griffin (1866-1921) graduated from the architectural school at the Massachusetts Institute of Technology (MIT) in 1884 and then worked in the office of H. H. Richardson. T. Henry Randall (1862-1905), a native of Annapolis, Maryland had also worked for Richardson after attending Johns Hopkins University, MIT, and the Ecole de Beaux-Arts in Paris. Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.\u003c/p\u003e\n","\u003cp\u003eAllison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. He as was a member of the James River Improvement Committee and was a founding member of the Broad Street Methodist Episcopal Church, South.\u003c/p\u003e\n","\u003cp\u003eAllison's son James Waters Allison, Jr. (1894-1979) eventually inherited the house on West Franklin Street. In 1938 the family sold the home to the Richmond Professional Institute (RPI), which was used as the office and residence of Henry Hibbs, dean of RPI. The house continued to be used as the office of the president when RPI and the Medical College of Virginia merged to form VCU in 1968.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Waters Allison was born in Richmond, Virginia on December 15, 1833 to William Allison (1783-1850) and Nancy Ann Waters Allison (1799-1860). Allison, a life-long resident of Richmond, began in business with the firm of Ludlam \u0026 Watson, forwarding merchants and agents for the Powhatan Steamship Company. He later worked with the Old Dominion Steamship Company. After his father's death in 1850, Allison began a tobacco manufacturing company with his partner William Palmer. The business closed at the outbreak of the Civil War. In 1858 Allison married his first wife Mary Robbins Zimmerman of Alexandria, Virginia. They had a daughter, Dora, born in 1859.","After the war ended in 1865, Allison and his partner Edmund B. Addison established the seed and fertilizer firm of Allison and Addison. By the 1890s the company had greatly expanded and become one of the most successful fertilizer producers in the South with branches in Charleston, South Carolina, Columbus and Savannah, Georgia, as well as other southern cities. After the death of his first wife, Allison married Bettie L. Thomas (1848-1876) of Richmond, but she died not long after their marriage. Minnie Clemens Jones (1870-1927) became his third wife in December 1890 and Allison began searching for a new home in 1891.","At some point Allison decided to build rather than buy and acquired a lot on West Franklin Street, Richmond's most fashionable residential neighborhood during that period. The house was designed by New York architectural firm of Griffin \u0026 Randall and built between 1894 and 1896. Both partners boasted fine architectural pedigrees. Percy Griffin (1866-1921) graduated from the architectural school at the Massachusetts Institute of Technology (MIT) in 1884 and then worked in the office of H. H. Richardson. T. Henry Randall (1862-1905), a native of Annapolis, Maryland had also worked for Richardson after attending Johns Hopkins University, MIT, and the Ecole de Beaux-Arts in Paris. Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.","Allison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. He as was a member of the James River Improvement Committee and was a founding member of the Broad Street Methodist Episcopal Church, South.","Allison's son James Waters Allison, Jr. (1894-1979) eventually inherited the house on West Franklin Street. In 1938 the family sold the home to the Richmond Professional Institute (RPI), which was used as the office and residence of Henry Hibbs, dean of RPI. The house continued to be used as the office of the president when RPI and the Medical College of Virginia merged to form VCU in 1968."],"custodhist_html_tesm":["\u003cp\u003eJames W. Allison, Jr. gave his father's papers to Elizabeth S. Bocock. Bocock donated these material to Warren W. Brandt, then president of VCU. President Brandt transferred the materials to James Branch Cabell Library.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["James W. Allison, Jr. gave his father's papers to Elizabeth S. Bocock. Bocock donated these material to Warren W. Brandt, then president of VCU. President Brandt transferred the materials to James Branch Cabell Library."],"scopecontent_html_tesm":["\u003cp\u003eThe James W. Allison papers are a valuable resource for those interested in late 19th century architectural history or who want to know more about the history of this building due to its use as the VCU Office of the President. The collection contains original architectural drawings, correspondence, specifications, building notes, memoranda, blueprints, and illustrations dealing with the design and construction of 910 West Franklin Street. The majority of the letters are from the architects Percy Griffin and T. Henry Randall. The correspondence details the demise of the Griffin and Randall's architectural firm which dissolved in 1894. Also included with this collection are plaster and wallpaper fragments collected after fire at the house in 1971.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The James W. Allison papers are a valuable resource for those interested in late 19th century architectural history or who want to know more about the history of this building due to its use as the VCU Office of the President. The collection contains original architectural drawings, correspondence, specifications, building notes, memoranda, blueprints, and illustrations dealing with the design and construction of 910 West Franklin Street. The majority of the letters are from the architects Percy Griffin and T. Henry Randall. The correspondence details the demise of the Griffin and Randall's architectural firm which dissolved in 1894. Also included with this collection are plaster and wallpaper fragments collected after fire at the house in 1971."],"userestrict_html_tesm":["\u003cp\u003eSome blueprints and plans are fragile.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions"],"userestrict_tesim":["Some blueprints and plans are fragile.","There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Allison, James (James W.)"],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Allison, James (James W.)"],"persname_ssim":["Allison, James (James W.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":130,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:16:11.514Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_58_c02_c05"}},{"id":"vircu_repositories_5_resources_58_c02_c06","type":"Item","attributes":{"title":"Card 6: P.16.940, 4-2 lt. Butler's Silver Combination Brackets, with rich cut glass electric shades","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_58_c02_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_58_c02_c06","ref_ssm":["vircu_repositories_5_resources_58_c02_c06"],"id":"vircu_repositories_5_resources_58_c02_c06","ead_ssi":"vircu_repositories_5_resources_58","_root_":"vircu_repositories_5_resources_58","_nest_parent_":"vircu_repositories_5_resources_58_c02","parent_ssi":"vircu_repositories_5_resources_58_c02","parent_ssim":["vircu_repositories_5_resources_58","vircu_repositories_5_resources_58_c02"],"parent_ids_ssim":["vircu_repositories_5_resources_58","vircu_repositories_5_resources_58_c02"],"parent_unittitles_ssm":["James W. Allison papers","Light and Gas Fixtures"],"parent_unittitles_tesim":["James W. Allison papers","Light and Gas Fixtures"],"text":["James W. Allison papers","Light and Gas Fixtures","Card 6: P.16.940, 4-2 lt. Butler's Silver Combination Brackets, with rich cut glass electric shades","box 4"],"title_filing_ssi":"Card 6: P.16.940, 4-2 lt. Butler's Silver Combination Brackets, with rich cut glass electric shades","title_ssm":["Card 6: P.16.940, 4-2 lt. Butler's Silver Combination Brackets, with rich cut glass electric shades"],"title_tesim":["Card 6: P.16.940, 4-2 lt. Butler's Silver Combination Brackets, with rich cut glass electric shades"],"unitdate_inclusive_ssm":["1885-1886"],"normalized_date_ssm":["1885/1886"],"normalized_title_ssm":["Card 6: P.16.940, 4-2 lt. Butler's Silver Combination Brackets, with rich cut glass electric shades"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["James W. Allison papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":120,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1885,1886],"containers_ssim":["box 4"],"_nest_path_":"/components#1/components#5","timestamp":"2026-05-01T00:16:11.514Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_58","ead_ssi":"vircu_repositories_5_resources_58","_root_":"vircu_repositories_5_resources_58","_nest_parent_":"vircu_repositories_5_resources_58","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_58.xml","aspace_url_ssi":"https://archives.library.vcu.edu/repositories/5/resources/58","title_filing_ssi":"Allison, James W., Papers","title_ssm":["James W. Allison papers"],"title_tesim":["James W. Allison papers"],"unitdate_ssm":["1892-1896, 1971"],"unitdate_bulk_ssim":["1892-1896, 1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 1","/repositories/5/resources/58"],"text":["M 1","/repositories/5/resources/58","James W. Allison papers","Businessmen -- Manuscripts -- Virginia -- Richmond","The collection is open to research.","A selection of letters from this collection have been digitized and are available via   VCU Libraries Digital Collections. \n VCU Libraries Digital Collections.","The collection is arranged into four series and arranged chronologically where applicable.","Series 1: Correspondence, 1892-1896","Series 2: Electric Light and Gas Fixtures, circa 1885-1886","Series 3: Wallpaper and Plaster, 1971","Series 4: Plans and Blueprints, 1890s","James Waters Allison was born in Richmond, Virginia on December 15, 1833 to William Allison (1783-1850) and Nancy Ann Waters Allison (1799-1860). Allison, a life-long resident of Richmond, began in business with the firm of Ludlam \u0026 Watson, forwarding merchants and agents for the Powhatan Steamship Company. He later worked with the Old Dominion Steamship Company. After his father's death in 1850, Allison began a tobacco manufacturing company with his partner William Palmer. The business closed at the outbreak of the Civil War. In 1858 Allison married his first wife Mary Robbins Zimmerman of Alexandria, Virginia. They had a daughter, Dora, born in 1859.","After the war ended in 1865, Allison and his partner Edmund B. Addison established the seed and fertilizer firm of Allison and Addison. By the 1890s the company had greatly expanded and become one of the most successful fertilizer producers in the South with branches in Charleston, South Carolina, Columbus and Savannah, Georgia, as well as other southern cities. After the death of his first wife, Allison married Bettie L. Thomas (1848-1876) of Richmond, but she died not long after their marriage. Minnie Clemens Jones (1870-1927) became his third wife in December 1890 and Allison began searching for a new home in 1891.","At some point Allison decided to build rather than buy and acquired a lot on West Franklin Street, Richmond's most fashionable residential neighborhood during that period. The house was designed by New York architectural firm of Griffin \u0026 Randall and built between 1894 and 1896. Both partners boasted fine architectural pedigrees. Percy Griffin (1866-1921) graduated from the architectural school at the Massachusetts Institute of Technology (MIT) in 1884 and then worked in the office of H. H. Richardson. T. Henry Randall (1862-1905), a native of Annapolis, Maryland had also worked for Richardson after attending Johns Hopkins University, MIT, and the Ecole de Beaux-Arts in Paris. Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.","Allison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. He as was a member of the James River Improvement Committee and was a founding member of the Broad Street Methodist Episcopal Church, South.","Allison's son James Waters Allison, Jr. (1894-1979) eventually inherited the house on West Franklin Street. In 1938 the family sold the home to the Richmond Professional Institute (RPI), which was used as the office and residence of Henry Hibbs, dean of RPI. The house continued to be used as the office of the president when RPI and the Medical College of Virginia merged to form VCU in 1968.","James W. Allison, Jr. gave his father's papers to Elizabeth S. Bocock. Bocock donated these material to Warren W. Brandt, then president of VCU. President Brandt transferred the materials to James Branch Cabell Library.","The James W. Allison papers are a valuable resource for those interested in late 19th century architectural history or who want to know more about the history of this building due to its use as the VCU Office of the President. The collection contains original architectural drawings, correspondence, specifications, building notes, memoranda, blueprints, and illustrations dealing with the design and construction of 910 West Franklin Street. The majority of the letters are from the architects Percy Griffin and T. Henry Randall. The correspondence details the demise of the Griffin and Randall's architectural firm which dissolved in 1894. Also included with this collection are plaster and wallpaper fragments collected after fire at the house in 1971.","Some blueprints and plans are fragile.","There are no restrictions.","VCU James Branch Cabell Library","Allison, James (James W.)","English"],"unitid_tesim":["M 1","/repositories/5/resources/58"],"normalized_title_ssm":["James W. Allison papers"],"collection_title_tesim":["James W. Allison papers"],"collection_ssim":["James W. 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Allison, a life-long resident of Richmond, began in business with the firm of Ludlam \u0026amp; Watson, forwarding merchants and agents for the Powhatan Steamship Company. He later worked with the Old Dominion Steamship Company. After his father's death in 1850, Allison began a tobacco manufacturing company with his partner William Palmer. The business closed at the outbreak of the Civil War. In 1858 Allison married his first wife Mary Robbins Zimmerman of Alexandria, Virginia. They had a daughter, Dora, born in 1859.\u003c/p\u003e\n","\u003cp\u003eAfter the war ended in 1865, Allison and his partner Edmund B. Addison established the seed and fertilizer firm of Allison and Addison. By the 1890s the company had greatly expanded and become one of the most successful fertilizer producers in the South with branches in Charleston, South Carolina, Columbus and Savannah, Georgia, as well as other southern cities. After the death of his first wife, Allison married Bettie L. Thomas (1848-1876) of Richmond, but she died not long after their marriage. Minnie Clemens Jones (1870-1927) became his third wife in December 1890 and Allison began searching for a new home in 1891.\u003c/p\u003e\n","\u003cp\u003eAt some point Allison decided to build rather than buy and acquired a lot on West Franklin Street, Richmond's most fashionable residential neighborhood during that period. The house was designed by New York architectural firm of Griffin \u0026amp; Randall and built between 1894 and 1896. Both partners boasted fine architectural pedigrees. Percy Griffin (1866-1921) graduated from the architectural school at the Massachusetts Institute of Technology (MIT) in 1884 and then worked in the office of H. H. Richardson. T. Henry Randall (1862-1905), a native of Annapolis, Maryland had also worked for Richardson after attending Johns Hopkins University, MIT, and the Ecole de Beaux-Arts in Paris. Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.\u003c/p\u003e\n","\u003cp\u003eAllison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. He as was a member of the James River Improvement Committee and was a founding member of the Broad Street Methodist Episcopal Church, South.\u003c/p\u003e\n","\u003cp\u003eAllison's son James Waters Allison, Jr. (1894-1979) eventually inherited the house on West Franklin Street. In 1938 the family sold the home to the Richmond Professional Institute (RPI), which was used as the office and residence of Henry Hibbs, dean of RPI. The house continued to be used as the office of the president when RPI and the Medical College of Virginia merged to form VCU in 1968.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Waters Allison was born in Richmond, Virginia on December 15, 1833 to William Allison (1783-1850) and Nancy Ann Waters Allison (1799-1860). Allison, a life-long resident of Richmond, began in business with the firm of Ludlam \u0026 Watson, forwarding merchants and agents for the Powhatan Steamship Company. He later worked with the Old Dominion Steamship Company. After his father's death in 1850, Allison began a tobacco manufacturing company with his partner William Palmer. The business closed at the outbreak of the Civil War. In 1858 Allison married his first wife Mary Robbins Zimmerman of Alexandria, Virginia. They had a daughter, Dora, born in 1859.","After the war ended in 1865, Allison and his partner Edmund B. Addison established the seed and fertilizer firm of Allison and Addison. By the 1890s the company had greatly expanded and become one of the most successful fertilizer producers in the South with branches in Charleston, South Carolina, Columbus and Savannah, Georgia, as well as other southern cities. After the death of his first wife, Allison married Bettie L. Thomas (1848-1876) of Richmond, but she died not long after their marriage. Minnie Clemens Jones (1870-1927) became his third wife in December 1890 and Allison began searching for a new home in 1891.","At some point Allison decided to build rather than buy and acquired a lot on West Franklin Street, Richmond's most fashionable residential neighborhood during that period. The house was designed by New York architectural firm of Griffin \u0026 Randall and built between 1894 and 1896. Both partners boasted fine architectural pedigrees. Percy Griffin (1866-1921) graduated from the architectural school at the Massachusetts Institute of Technology (MIT) in 1884 and then worked in the office of H. H. Richardson. T. Henry Randall (1862-1905), a native of Annapolis, Maryland had also worked for Richardson after attending Johns Hopkins University, MIT, and the Ecole de Beaux-Arts in Paris. Randall, chose the Colonial Revival design of the house, making it one of the first of that style built in Richmond. It pre-dates other early Colonial Revival houses on Monument Avenue by some 10 years. In 1894, while engaged on this project Griffin and Randall decided to dissolve their partnership. Allison was forced to choose which architect he wanted to oversee the completion of his house. Randall, who was the senior partner and had the most influence over the building's design, was selected.","Allison had little time to enjoy his new home as he died suddenly at the age of 65 in 1898. The funeral services were conducted at the home on West Franklin and he was buried in Hollywood Cemetery. At the time of his death Allison left an estate of nearly one million dollars. Allison had been active in other endeavors beyond his firm. He was on the board of directors of the Nation Bank of Virginia and President of the Old Dominion Fruit Growing Company. He as was a member of the James River Improvement Committee and was a founding member of the Broad Street Methodist Episcopal Church, South.","Allison's son James Waters Allison, Jr. (1894-1979) eventually inherited the house on West Franklin Street. In 1938 the family sold the home to the Richmond Professional Institute (RPI), which was used as the office and residence of Henry Hibbs, dean of RPI. The house continued to be used as the office of the president when RPI and the Medical College of Virginia merged to form VCU in 1968."],"custodhist_html_tesm":["\u003cp\u003eJames W. Allison, Jr. gave his father's papers to Elizabeth S. Bocock. Bocock donated these material to Warren W. Brandt, then president of VCU. President Brandt transferred the materials to James Branch Cabell Library.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["James W. Allison, Jr. gave his father's papers to Elizabeth S. Bocock. Bocock donated these material to Warren W. 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