{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1885\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=9","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1885\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=8","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1885\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=10","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1885\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=199"},"meta":{"pages":{"current_page":9,"next_page":10,"prev_page":8,"total_pages":199,"limit_value":10,"offset_value":80,"total_count":1987,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_617","type":"collection","attributes":{"title":"Aubrey E. Strode papers, 1861/1969","creator":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_617#creator","type":"document_value","attributes":{"value":"Strode, Aubrey Ellis, 1873-1946","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_617#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAubrey E. Strode (1861-1969,88 cubic feet) was a Virginia lawyer, state senator and eugenics advocate who drafted the Virginia sterilization law and brought Buck vs. Bell to the Supreme Court. This collection consists of his personal and professional papers concerning his family, law practice, army service, political and legislative activities as a member of the Virginia Senate, the Virginia Democratic Party and the Progressive movement, and as a co-owner of the newspaper, The Amherst Progress. The bulk of the papers consists of the files of the law firms of Strode and Tucker and Strode and Edwards, containing correspondence, court records, trial transcripts, exhibits, estate settlements, debt collections, and various legal documents. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_617#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_617","ead_ssi":"viu_repositories_3_resources_617","_root_":"viu_repositories_3_resources_617","_nest_parent_":"viu_repositories_3_resources_617","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_617.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/534","title_filing_ssi":"Strode, Aubrey E., papers","title_ssm":["Aubrey E. Strode papers"],"title_tesim":["Aubrey E. Strode papers"],"unitdate_ssm":["1861-1969"],"unitdate_inclusive_ssm":["1861-1969"],"normalized_date_ssm":["1861/1969"],"normalized_title_ssm":["Aubrey E. Strode papers, 1861/1969"],"text":["Aubrey E. Strode papers, 1861/1969","Mss 3014","Archival Resource Key","/repositories/3/resources/617","women--education -- Virginia","Virginia -- Lynchburg","Virginia -- Amherst County","Eugenics -- Virginia","Involuntary sterilization","practice of law -- Virginia","United States. Army. Judge Advocate General","State Colony for Epileptics and the Feeble-Minded -- Virginia","Democratic party -- Virginia","social problems","Thornhill Wagon Company","Tobacco Growers Co-operative Association","Kenmore High School--Amherst County (Va.)","lawyers","The Strode papers are arranged in seven series. Series one consists of Strode's attorney case files with two subseries, a) legal case files and b) legal documents and small cases; series two contains the correspondence from Strode's legal practice and judgeship; the third series has family and personal correspondence; the fourth series contains topical and miscellany files; series five has financial papers; series six consists of bound volumes, notebooks, and memoranda books; the seventh and last series is folio bound volumes.","The legal correspondence, both incoming to the law office of Strode and Tucker and the outgoing correspondence from  Strode and Tucker, are arranged alphabetically within year(s) by the last name of the correspondent or the chief name of the business; This system appears to have lasted through 1917, coinciding with the beginning of Strode's Judge Advocate General service. After that, the clear delineation between Strode's own correspondence and correspondence coming into the office is not defined and the two types are generally interfiled together, alphabetically by year(s).","Family correspondence was sometimes found within Strode's legal correspondence files and sometimes elsewhere. As much as could be determined, all family correspondence has been separated and arranged by year.","Aubrey Ellis Strode, an American lawyer and Democratic politician, was born on October 2, 1873, at Amherst, Virginia, to Henry Aubrey Strode (1844-1898) and Mildred Powell Ellis Strode (1854-1898). Strode graduated from Kenmore High School at Amherst, and attended college at the University of Mississippi, Washington and Lee (1891-1892), and studied law at the University of Virginia, 1898-1899. Strode served as the principal of Ridgeway High School, Ridgeway, South Carolina, and Kenmore University High School, Amherst County, Virginia. The house \"Kenmore,\" was a colonial brick home built by Samuel Meredith Garland, whose granddaughter, Mildred Ellis, married Henry Aubrey Strode. Kenmore Farm became a preparatory high school operated by Henry Aubrey Strode between 1872 and 1889, and 1896-1899. Henry Aubrey Strode also served as the first president of Clemson University, 1890-1893. Aubrey Ellis Strode became principal and continued the school for a few years when his father fell ill.","Upon the death of his parents and being the eldest of the remaining family, Strode decided to study law, passed the bar examination and began practicing law in Amherst County and Lynchburg. His first law partner was Stickley Tucker (1879-1912), the oldest son of Cornelius S. Tucker and Sallie Stickley Tucker.  Aubrey E. Strode and John William Stickley Tucker signed articles of agreement on December 31, 1902, becoming partners in the practice of law, pertaining to the counties of Amherst and Nelson, Virginia under the name of Strode and Tucker, beginning January 1, 1903, with the general office at Amherst Court House. This practice was distinct from the law practice of Aubrey Strode in Lynchburg, Virginia. Later a memorandum of partnership agreement between Aubrey E. Strode and J. Easley Edmunds, Jr. took effect on March 1, 1923 under the firm name of Strode and Edmunds, with Strode as the senior partner.","Strode represented Amherst County and Nelson County in the Virginia Senate, from 1906-1912, and 1916-1920 and was the elector at large in Virginia in 1928. He was an active member of the Democratic Party in Virginia and a popular public speaker supporting Democratic candidates during elections. During World War I, he joined the United States Army serving with the Judge Advocate General Department of the Officers' Reserve Corps. Strode was commissioned April 23, 1918 as Major Judge Advocate and then promoted to Lieutenant Colonel Judge Advocate May 15, 1919. While in service, he was on active duty at Washington, D.C. from May 15, 1918 until January 1919, and from February through August 1919, served with the American Expeditionary Forces at Chaumont and Paris, France. Strode was discharged on August 12, 1919.","Perhaps best known as the lawyer who wrote the statute known as the Virginia Sterilization Act of 1924, Strode was also a long-time legal advisor to the Board of the State Colony for Epileptics and the Feeble-Minded. The Colony was located in Madison Heights near Lynchburg, Virginia, and authorized by a bill written in 1906 by Aubrey Strode in collaboration with Dr. Albert Priddy, who served as the first superintendent, and Joseph DeJarnette, superintendent at Western State Hospital in Staunton, Virginia.","He argued the case of Buck v. Bell before the Supreme Court of the United States in 1927. Carrie Buck was a young woman from Charlottesville who Dr. Priddy petitioned to have sterilized. Priddy died during the litigation and his successor as superintendent of the Virginia State Colony for Epileptics and the Feeble Minded, Dr. John Bell, took up the cause. The Supreme Court upheld the statute instituting compulsory sterilization of the unfit \"for the protection and health of the state\" on May 2, 1927. The Supreme Court majority opinion was written by Oliver Wendell Holmes, Jr.","Strode was also a judge in the Corporation Court of Lynchburg (1933-1944). Strode died May 17, 1946 following his retirement from the bench due to poor health.","Biographical notes on Aubrey E. Strode siblings, wives and offspring is described in this subnote.","Aubrey E. Strode was the eldest child in his family and had seven siblings, six sisters and one brother. These include: Leslie Strode (1875- ?); Grace Strode (1877-1933); Ida Strode Berry (1878-1963) married Taylor Berry in 1898; Lucille Garland Strode (1882-1954) married William Ralph Smith in 1911; Edith Strode (1882-? ) married Dr. Howard Lilienthal; Mildred Strode Vandegrift (1886-1952); and Dr. Basil E. Strode (1888-1952), who served as a 1st Lt. in the Medical Corp in World War I.","Aubrey Ellis Strode married first Rebekah Davies Brown Strode (1874-1922) of Arlington, Virginia, on June 4, 1903, and second, Louisa Hubbard Strode Smith (1896-1989) of Forest, Virginia, in 1923.","Children of Aubrey E. Strode and Rebekah Brown Strode include: William Lewis Strode (1904-1906), Mildred Ellis Strode (1906-?) who married William Tucker Battle, Rebekah Elizabeth Strode (1913-1998) who married St. George Tucker Lee in 1936, Aubrey Ellis Strode, Jr. (1908-1970), and John Thompson Brown Strode (1910-1971). Hildreth Hubbard Strode (1926-2016) was the son of Aubrey E. Strode and Louis Hubbard Strode.","\"The Amherst Progress\" was described by Strode as a \"democratic, country, weekly newspaper\" with a circulation of between seven and eight hundred subscribers in 1914. The paper was established in 1904 by Stickley Tucker (1879-1912) the editor–in-chief and business manager, and was published until his ill health and death.","This folder has been created by the processor for the convenience of students and other researchers. It was not a file created by Aubrey Strode. It does not claim to be an exhaustive resource for the topic in this collection, but a starting point.","See also Frank R. Smith v. C.J. Campbell case.","Aubrey E. Strode (1861-1969,88 cubic feet) was a Virginia lawyer, state senator and eugenics advocate who drafted the Virginia sterilization law and brought Buck vs. Bell to the Supreme Court. This collection consists of his personal and professional papers concerning his family, law practice, army service, political and legislative activities as a member of the Virginia Senate, the Virginia Democratic Party and the Progressive movement, and as a co-owner of the newspaper, The Amherst Progress. The bulk of the papers consists of the files of the law firms of Strode and Tucker and Strode and Edwards, containing correspondence, court records, trial transcripts, exhibits, estate settlements, debt collections, and various legal documents.","It also includes some speeches, bills, and correspondence with Edwin A. Alderman in the political and legislative papers in series four concerning the proposal to establish a coordinate Woman's College at the University of Virginia and the budgetary needs of the University of Virginia in the legislature. There are also letters in the family correspondence from his cousin, Dr. Rosalie Slaughter Morton (1876-1968), an American physician and surgeon, concerning her trips abroad and her autobiographical books.","There are three files in this collection entirely concerned with Strode's role in eugenics and sterilization in Virginia and they are: Carrie Buck v. Dr. J.H. Bell, 1925 June 1 (Box 9); State Colony for Epileptics and the Feeble-Minded, 1908, 1920-1922 (Box 42); and Sterilization and Eugenics, 1924-1947 (Box 159). Much of the other material is scattered among his legal practice alphabetical correspondence files, under the last name of correspondents such as William F. Drewry, superintendent of Central State Hospital; Dr. Albert Priddy, first superintendent of the Virginia Colony for Epileptics and the Feebleminded; his successor, Dr. John H. Bell; and Dr. J.S. DeJarnette, superintendent of Western State Hospital or chronologically in the political and legislative series.","Other topics with significant material in these papers include: the American Legion; The Amherst Progress (for additional information about the newspaper and the partnership with Tucker, see Strode's incoming legal practice correspondence files under \"T\" containing letters from Stickly Tucker and Strode's outgoing legal practice correspondence files under \"S\"); Judge Advocate General material; Kenmore High School, Amherst County, Virginia; the Lynchburg Jail; Marshal Lodge Memorial Hospital, where Strode served on the Board of Directors; and political and legislative material.","This series consists of files and documents generated by Aubrey Strode's legal practice and are arranged alphabetically by the first name in the legal case or document.","This subseries contains files of specific cases and are arranged alphabetically by the last name of the client mentioned first in the lawsuit, divorce case, settlement of an estate, etc.","The folder 1917 January includes the composition of a segregation ordinance for the town.","This subseries consists of individual legal document handled by Strode or very small cases without their own file, arranged alphabetically by the last name of the client or the first person mentioned in the document.","Documents include deeds, documents concerning the sale of the \"Kenmore Farm\" and school property and a memorandum of partnership agreement between Strode and J. Easley Edmunds, Jr., March 30, 1923.","Includes memoranda from Adrienne Adkerson to Strode concerning office matters, chiefly while Strode was in Richmond attending the General Assembly session (1916).","The correspondence of Strodes first wife, Rebekah Brown Strode, has been included in the Strode family correspondence before their marriage. The correspondence of his second wife, Louisa Dexter Hubbard Strode, before their marriage is included in the Hubbard family correspondence and with the Strode family afterwards, 1924 on.","Includes several letters from Strode to his family physician, Dr. F. Vooeheis about the general health of his parents and their immediate cause of death, when he was trying to get insurance. Both parents died in hospitals for the insane after health events affected their minds(December 29 and 30, 1902; and January 2, 1903).","Includes sheet music by Chertsey H. De Jarnette and Dr. J.S. De Jarnette, and a first draft of Strode's obituary by Martin Adams.","Many of these sales were conducted by Aubrey E. Strode as the trustee or commissioner for lands, mills, and other property in Amherst or nearby counties and towns.","Includes \"Aubrey H. Strode and Confederate Memories\" by Camm Patteson (1840-1909), June 2, 1905.","This folder includes a letter from Dr. Howard Lilienthal, brother-in-law of Strode, thanking Strode for his sterilization paper, attached to the letter, which Strode had forwarded to him. Dr. Lilienthal gives his own view on  sterilization as a medical man (February 16, 1925).","Includes arrangements and designs for a monument and stained glass window as a memorial for Henry Aubrey Strode and Mildred Ellis Strode and bids, estimates, and a contract for the construction of a house for Aubrey E. Strode.","B. W. Landrum account on page 38. Mr. Landrum was a merchant, farmer, and postmaster in New Glasgow, Virginia.","This collection is open for research use.","Albert and Shirley Small Special Collections Library","Hubbard family","Strode family","Strode, Aubrey Ellis, 1873-1946","Tucker, John William Stickley, 1879-1912","Smith, Louise Dexter Hubbard Strode, 1896-1989","English"],"collection_title_tesim":["Aubrey E. Strode papers, 1861/1969"],"collection_ssim":["Aubrey E. Strode papers, 1861/1969"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss 3014","Archival Resource Key","/repositories/3/resources/617"],"unitid_tesim":["Mss 3014","Archival Resource Key","/repositories/3/resources/617"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["women--education -- Virginia","Virginia -- Lynchburg","Virginia -- Amherst County"],"geogname_ssim":["women--education -- Virginia","Virginia -- Lynchburg","Virginia -- Amherst County"],"places_ssim":["women--education -- Virginia","Virginia -- Lynchburg","Virginia -- Amherst County"],"creator_ssm":["Strode, Aubrey Ellis, 1873-1946","Tucker, John William Stickley, 1879-1912"],"creator_ssim":["Strode, Aubrey Ellis, 1873-1946","Tucker, John William Stickley, 1879-1912"],"creator_persname_ssim":["Strode, Aubrey Ellis, 1873-1946","Tucker, John William Stickley, 1879-1912","Smith, Louise Dexter Hubbard Strode, 1896-1989"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creator_famname_ssim":["Hubbard family","Strode family"],"creators_ssim":["Strode, Aubrey Ellis, 1873-1946","Tucker, John William Stickley, 1879-1912","Smith, Louise Dexter Hubbard Strode, 1896-1989","Albert and Shirley Small Special Collections Library","Hubbard family","Strode family"],"access_terms_ssm":["This collection is open for research use."],"acqinfo_ssim":["The Aubrey E. Strode papers were originally were placed on loan to the University of Virginia library by his wife, Louisa Hubbard Strode Smith, on September 20, 1948, but were made a gift on June 15, 1971. Other smaller accessions were given to the Library to the original group of papers as gifts on January 25, 1961,June 14, 1971, and July 13, 1971."],"access_subjects_ssim":["Eugenics -- Virginia","Involuntary sterilization","practice of law -- Virginia","United States. Army. Judge Advocate General","State Colony for Epileptics and the Feeble-Minded -- Virginia","Democratic party -- Virginia","social problems","Thornhill Wagon Company","Tobacco Growers Co-operative Association","Kenmore High School--Amherst County (Va.)","lawyers"],"access_subjects_ssm":["Eugenics -- Virginia","Involuntary sterilization","practice of law -- Virginia","United States. Army. Judge Advocate General","State Colony for Epileptics and the Feeble-Minded -- Virginia","Democratic party -- Virginia","social problems","Thornhill Wagon Company","Tobacco Growers Co-operative Association","Kenmore High School--Amherst County (Va.)","lawyers"],"has_online_content_ssim":["false"],"extent_ssm":["88 Cubic Feet 174 document boxes, 2 large oversize folders, and 2 small oversize folders, and 8 folio ledgers"],"extent_tesim":["88 Cubic Feet 174 document boxes, 2 large oversize folders, and 2 small oversize folders, and 8 folio ledgers"],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"arrangement_html_tesm":["\u003cp\u003eThe Strode papers are arranged in seven series. Series one consists of Strode's attorney case files with two subseries, a) legal case files and b) legal documents and small cases; series two contains the correspondence from Strode's legal practice and judgeship; the third series has family and personal correspondence; the fourth series contains topical and miscellany files; series five has financial papers; series six consists of bound volumes, notebooks, and memoranda books; the seventh and last series is folio bound volumes.\u003c/p\u003e  ","\u003cp\u003eThe legal correspondence, both incoming to the law office of Strode and Tucker and the outgoing correspondence from  Strode and Tucker, are arranged alphabetically within year(s) by the last name of the correspondent or the chief name of the business; This system appears to have lasted through 1917, coinciding with the beginning of Strode's Judge Advocate General service. After that, the clear delineation between Strode's own correspondence and correspondence coming into the office is not defined and the two types are generally interfiled together, alphabetically by year(s).\u003c/p\u003e","\u003cp\u003eFamily correspondence was sometimes found within Strode's legal correspondence files and sometimes elsewhere. As much as could be determined, all family correspondence has been separated and arranged by year.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The Strode papers are arranged in seven series. Series one consists of Strode's attorney case files with two subseries, a) legal case files and b) legal documents and small cases; series two contains the correspondence from Strode's legal practice and judgeship; the third series has family and personal correspondence; the fourth series contains topical and miscellany files; series five has financial papers; series six consists of bound volumes, notebooks, and memoranda books; the seventh and last series is folio bound volumes.","The legal correspondence, both incoming to the law office of Strode and Tucker and the outgoing correspondence from  Strode and Tucker, are arranged alphabetically within year(s) by the last name of the correspondent or the chief name of the business; This system appears to have lasted through 1917, coinciding with the beginning of Strode's Judge Advocate General service. After that, the clear delineation between Strode's own correspondence and correspondence coming into the office is not defined and the two types are generally interfiled together, alphabetically by year(s).","Family correspondence was sometimes found within Strode's legal correspondence files and sometimes elsewhere. As much as could be determined, all family correspondence has been separated and arranged by year."],"bioghist_html_tesm":["\u003cp\u003eAubrey Ellis Strode, an American lawyer and Democratic politician, was born on October 2, 1873, at Amherst, Virginia, to Henry Aubrey Strode (1844-1898) and Mildred Powell Ellis Strode (1854-1898). Strode graduated from Kenmore High School at Amherst, and attended college at the University of Mississippi, Washington and Lee (1891-1892), and studied law at the University of Virginia, 1898-1899. Strode served as the principal of Ridgeway High School, Ridgeway, South Carolina, and Kenmore University High School, Amherst County, Virginia. The house \"Kenmore,\" was a colonial brick home built by Samuel Meredith Garland, whose granddaughter, Mildred Ellis, married Henry Aubrey Strode. Kenmore Farm became a preparatory high school operated by Henry Aubrey Strode between 1872 and 1889, and 1896-1899. Henry Aubrey Strode also served as the first president of Clemson University, 1890-1893. Aubrey Ellis Strode became principal and continued the school for a few years when his father fell ill. \u003c/p\u003e","\u003cp\u003eUpon the death of his parents and being the eldest of the remaining family, Strode decided to study law, passed the bar examination and began practicing law in Amherst County and Lynchburg. His first law partner was Stickley Tucker (1879-1912), the oldest son of Cornelius S. Tucker and Sallie Stickley Tucker.  Aubrey E. Strode and John William Stickley Tucker signed articles of agreement on December 31, 1902, becoming partners in the practice of law, pertaining to the counties of Amherst and Nelson, Virginia under the name of Strode and Tucker, beginning January 1, 1903, with the general office at Amherst Court House. This practice was distinct from the law practice of Aubrey Strode in Lynchburg, Virginia. Later a memorandum of partnership agreement between Aubrey E. Strode and J. Easley Edmunds, Jr. took effect on March 1, 1923 under the firm name of Strode and Edmunds, with Strode as the senior partner.\u003c/p\u003e","\u003cp\u003eStrode represented Amherst County and Nelson County in the Virginia Senate, from 1906-1912, and 1916-1920 and was the elector at large in Virginia in 1928. He was an active member of the Democratic Party in Virginia and a popular public speaker supporting Democratic candidates during elections. During World War I, he joined the United States Army serving with the Judge Advocate General Department of the Officers' Reserve Corps. Strode was commissioned April 23, 1918 as Major Judge Advocate and then promoted to Lieutenant Colonel Judge Advocate May 15, 1919. While in service, he was on active duty at Washington, D.C. from May 15, 1918 until January 1919, and from February through August 1919, served with the American Expeditionary Forces at Chaumont and Paris, France. Strode was discharged on August 12, 1919.\u003c/p\u003e","\u003cp\u003ePerhaps best known as the lawyer who wrote the statute known as the Virginia Sterilization Act of 1924, Strode was also a long-time legal advisor to the Board of the State Colony for Epileptics and the Feeble-Minded. The Colony was located in Madison Heights near Lynchburg, Virginia, and authorized by a bill written in 1906 by Aubrey Strode in collaboration with Dr. Albert Priddy, who served as the first superintendent, and Joseph DeJarnette, superintendent at Western State Hospital in Staunton, Virginia.\u003c/p\u003e","\u003cp\u003eHe argued the case of Buck v. Bell before the Supreme Court of the United States in 1927. Carrie Buck was a young woman from Charlottesville who Dr. Priddy petitioned to have sterilized. Priddy died during the litigation and his successor as superintendent of the Virginia State Colony for Epileptics and the Feeble Minded, Dr. John Bell, took up the cause. The Supreme Court upheld the statute instituting compulsory sterilization of the unfit \"for the protection and health of the state\" on May 2, 1927. The Supreme Court majority opinion was written by Oliver Wendell Holmes, Jr.\u003c/p\u003e","\u003cp\u003eStrode was also a judge in the Corporation Court of Lynchburg (1933-1944). Strode died May 17, 1946 following his retirement from the bench due to poor health.\u003c/p\u003e","\u003cp\u003eBiographical notes on Aubrey E. Strode siblings, wives and offspring is described in this subnote.\u003c/p\u003e","\u003cp\u003eAubrey E. Strode was the eldest child in his family and had seven siblings, six sisters and one brother. These include: Leslie Strode (1875- ?); Grace Strode (1877-1933); Ida Strode Berry (1878-1963) married Taylor Berry in 1898; Lucille Garland Strode (1882-1954) married William Ralph Smith in 1911; Edith Strode (1882-? ) married Dr. Howard Lilienthal; Mildred Strode Vandegrift (1886-1952); and Dr. Basil E. Strode (1888-1952), who served as a 1st Lt. in the Medical Corp in World War I.\u003c/p\u003e","\u003cp\u003eAubrey Ellis Strode married first Rebekah Davies Brown Strode (1874-1922) of Arlington, Virginia, on June 4, 1903, and second, Louisa Hubbard Strode Smith (1896-1989) of Forest, Virginia, in 1923.\u003c/p\u003e","\u003cp\u003eChildren of Aubrey E. Strode and Rebekah Brown Strode include: William Lewis Strode (1904-1906), Mildred Ellis Strode (1906-?) who married William Tucker Battle, Rebekah Elizabeth Strode (1913-1998) who married St. George Tucker Lee in 1936, Aubrey Ellis Strode, Jr. (1908-1970), and John Thompson Brown Strode (1910-1971). Hildreth Hubbard Strode (1926-2016) was the son of Aubrey E. Strode and Louis Hubbard Strode.\u003c/p\u003e  ","\u003cp\u003e\"The Amherst Progress\" was described by Strode as a \"democratic, country, weekly newspaper\" with a circulation of between seven and eight hundred subscribers in 1914. The paper was established in 1904 by Stickley Tucker (1879-1912) the editor–in-chief and business manager, and was published until his ill health and death.\u003c/p\u003e"],"bioghist_heading_ssm":["Biography","Biographical / Historical"],"bioghist_tesim":["Aubrey Ellis Strode, an American lawyer and Democratic politician, was born on October 2, 1873, at Amherst, Virginia, to Henry Aubrey Strode (1844-1898) and Mildred Powell Ellis Strode (1854-1898). Strode graduated from Kenmore High School at Amherst, and attended college at the University of Mississippi, Washington and Lee (1891-1892), and studied law at the University of Virginia, 1898-1899. Strode served as the principal of Ridgeway High School, Ridgeway, South Carolina, and Kenmore University High School, Amherst County, Virginia. The house \"Kenmore,\" was a colonial brick home built by Samuel Meredith Garland, whose granddaughter, Mildred Ellis, married Henry Aubrey Strode. Kenmore Farm became a preparatory high school operated by Henry Aubrey Strode between 1872 and 1889, and 1896-1899. Henry Aubrey Strode also served as the first president of Clemson University, 1890-1893. Aubrey Ellis Strode became principal and continued the school for a few years when his father fell ill.","Upon the death of his parents and being the eldest of the remaining family, Strode decided to study law, passed the bar examination and began practicing law in Amherst County and Lynchburg. His first law partner was Stickley Tucker (1879-1912), the oldest son of Cornelius S. Tucker and Sallie Stickley Tucker.  Aubrey E. Strode and John William Stickley Tucker signed articles of agreement on December 31, 1902, becoming partners in the practice of law, pertaining to the counties of Amherst and Nelson, Virginia under the name of Strode and Tucker, beginning January 1, 1903, with the general office at Amherst Court House. This practice was distinct from the law practice of Aubrey Strode in Lynchburg, Virginia. Later a memorandum of partnership agreement between Aubrey E. Strode and J. Easley Edmunds, Jr. took effect on March 1, 1923 under the firm name of Strode and Edmunds, with Strode as the senior partner.","Strode represented Amherst County and Nelson County in the Virginia Senate, from 1906-1912, and 1916-1920 and was the elector at large in Virginia in 1928. He was an active member of the Democratic Party in Virginia and a popular public speaker supporting Democratic candidates during elections. During World War I, he joined the United States Army serving with the Judge Advocate General Department of the Officers' Reserve Corps. Strode was commissioned April 23, 1918 as Major Judge Advocate and then promoted to Lieutenant Colonel Judge Advocate May 15, 1919. While in service, he was on active duty at Washington, D.C. from May 15, 1918 until January 1919, and from February through August 1919, served with the American Expeditionary Forces at Chaumont and Paris, France. Strode was discharged on August 12, 1919.","Perhaps best known as the lawyer who wrote the statute known as the Virginia Sterilization Act of 1924, Strode was also a long-time legal advisor to the Board of the State Colony for Epileptics and the Feeble-Minded. The Colony was located in Madison Heights near Lynchburg, Virginia, and authorized by a bill written in 1906 by Aubrey Strode in collaboration with Dr. Albert Priddy, who served as the first superintendent, and Joseph DeJarnette, superintendent at Western State Hospital in Staunton, Virginia.","He argued the case of Buck v. Bell before the Supreme Court of the United States in 1927. Carrie Buck was a young woman from Charlottesville who Dr. Priddy petitioned to have sterilized. Priddy died during the litigation and his successor as superintendent of the Virginia State Colony for Epileptics and the Feeble Minded, Dr. John Bell, took up the cause. The Supreme Court upheld the statute instituting compulsory sterilization of the unfit \"for the protection and health of the state\" on May 2, 1927. The Supreme Court majority opinion was written by Oliver Wendell Holmes, Jr.","Strode was also a judge in the Corporation Court of Lynchburg (1933-1944). Strode died May 17, 1946 following his retirement from the bench due to poor health.","Biographical notes on Aubrey E. Strode siblings, wives and offspring is described in this subnote.","Aubrey E. Strode was the eldest child in his family and had seven siblings, six sisters and one brother. These include: Leslie Strode (1875- ?); Grace Strode (1877-1933); Ida Strode Berry (1878-1963) married Taylor Berry in 1898; Lucille Garland Strode (1882-1954) married William Ralph Smith in 1911; Edith Strode (1882-? ) married Dr. Howard Lilienthal; Mildred Strode Vandegrift (1886-1952); and Dr. Basil E. Strode (1888-1952), who served as a 1st Lt. in the Medical Corp in World War I.","Aubrey Ellis Strode married first Rebekah Davies Brown Strode (1874-1922) of Arlington, Virginia, on June 4, 1903, and second, Louisa Hubbard Strode Smith (1896-1989) of Forest, Virginia, in 1923.","Children of Aubrey E. Strode and Rebekah Brown Strode include: William Lewis Strode (1904-1906), Mildred Ellis Strode (1906-?) who married William Tucker Battle, Rebekah Elizabeth Strode (1913-1998) who married St. George Tucker Lee in 1936, Aubrey Ellis Strode, Jr. (1908-1970), and John Thompson Brown Strode (1910-1971). Hildreth Hubbard Strode (1926-2016) was the son of Aubrey E. Strode and Louis Hubbard Strode.","\"The Amherst Progress\" was described by Strode as a \"democratic, country, weekly newspaper\" with a circulation of between seven and eight hundred subscribers in 1914. The paper was established in 1904 by Stickley Tucker (1879-1912) the editor–in-chief and business manager, and was published until his ill health and death."],"prefercite_html_tesm":["\u003cp\u003eMAA 3014, Aubrey E. Strode papers, Albert and Shirely Small Special Collections, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MAA 3014, Aubrey E. Strode papers, Albert and Shirely Small Special Collections, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis folder has been created by the processor for the convenience of students and other researchers. It was not a file created by Aubrey Strode. It does not claim to be an exhaustive resource for the topic in this collection, but a starting point.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This folder has been created by the processor for the convenience of students and other researchers. It was not a file created by Aubrey Strode. It does not claim to be an exhaustive resource for the topic in this collection, but a starting point."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also Frank R. Smith v. C.J. Campbell case.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["See also Frank R. Smith v. C.J. Campbell case."],"scopecontent_html_tesm":["\u003cp\u003eAubrey E. Strode (1861-1969,88 cubic feet) was a Virginia lawyer, state senator and eugenics advocate who drafted the Virginia sterilization law and brought Buck vs. Bell to the Supreme Court. This collection consists of his personal and professional papers concerning his family, law practice, army service, political and legislative activities as a member of the Virginia Senate, the Virginia Democratic Party and the Progressive movement, and as a co-owner of the newspaper, The Amherst Progress. The bulk of the papers consists of the files of the law firms of Strode and Tucker and Strode and Edwards, containing correspondence, court records, trial transcripts, exhibits, estate settlements, debt collections, and various legal documents. \u003c/p\u003e","\u003cp\u003eIt also includes some speeches, bills, and correspondence with Edwin A. Alderman in the political and legislative papers in series four concerning the proposal to establish a coordinate Woman's College at the University of Virginia and the budgetary needs of the University of Virginia in the legislature. There are also letters in the family correspondence from his cousin, Dr. Rosalie Slaughter Morton (1876-1968), an American physician and surgeon, concerning her trips abroad and her autobiographical books. \u003c/p\u003e","\u003cp\u003eThere are three files in this collection entirely concerned with Strode's role in eugenics and sterilization in Virginia and they are: Carrie Buck v. Dr. J.H. Bell, 1925 June 1 (Box 9); State Colony for Epileptics and the Feeble-Minded, 1908, 1920-1922 (Box 42); and Sterilization and Eugenics, 1924-1947 (Box 159). Much of the other material is scattered among his legal practice alphabetical correspondence files, under the last name of correspondents such as William F. Drewry, superintendent of Central State Hospital; Dr. Albert Priddy, first superintendent of the Virginia Colony for Epileptics and the Feebleminded; his successor, Dr. John H. Bell; and Dr. J.S. DeJarnette, superintendent of Western State Hospital or chronologically in the political and legislative series.\u003c/p\u003e","\u003cp\u003eOther topics with significant material in these papers include: the American Legion; The Amherst Progress (for additional information about the newspaper and the partnership with Tucker, see Strode's incoming legal practice correspondence files under \"T\" containing letters from Stickly Tucker and Strode's outgoing legal practice correspondence files under \"S\"); Judge Advocate General material; Kenmore High School, Amherst County, Virginia; the Lynchburg Jail; Marshal Lodge Memorial Hospital, where Strode served on the Board of Directors; and political and legislative material. \u003c/p\u003e  ","\u003cp\u003eThis series consists of files and documents generated by Aubrey Strode's legal practice and are arranged alphabetically by the first name in the legal case or document.\u003c/p\u003e","\u003cp\u003eThis subseries contains files of specific cases and are arranged alphabetically by the last name of the client mentioned first in the lawsuit, divorce case, settlement of an estate, etc.\u003c/p\u003e","\u003cp\u003eThe folder 1917 January includes the composition of a segregation ordinance for the town.\u003c/p\u003e","\u003cp\u003eThis subseries consists of individual legal document handled by Strode or very small cases without their own file, arranged alphabetically by the last name of the client or the first person mentioned in the document.\u003c/p\u003e","\u003cp\u003eDocuments include deeds, documents concerning the sale of the \"Kenmore Farm\" and school property and a memorandum of partnership agreement between Strode and J. Easley Edmunds, Jr., March 30, 1923.\u003c/p\u003e","\u003cp\u003eIncludes memoranda from Adrienne Adkerson to Strode concerning office matters, chiefly while Strode was in Richmond attending the General Assembly session (1916).\u003c/p\u003e","\u003cp\u003eThe correspondence of Strodes first wife, Rebekah Brown Strode, has been included in the Strode family correspondence before their marriage. The correspondence of his second wife, Louisa Dexter Hubbard Strode, before their marriage is included in the Hubbard family correspondence and with the Strode family afterwards, 1924 on.\u003c/p\u003e","\u003cp\u003eIncludes several letters from Strode to his family physician, Dr. F. Vooeheis about the general health of his parents and their immediate cause of death, when he was trying to get insurance. Both parents died in hospitals for the insane after health events affected their minds(December 29 and 30, 1902; and January 2, 1903).\u003c/p\u003e","\u003cp\u003eIncludes sheet music by Chertsey H. De Jarnette and Dr. J.S. De Jarnette, and a first draft of Strode's obituary by Martin Adams.\u003c/p\u003e","\u003cp\u003eMany of these sales were conducted by Aubrey E. Strode as the trustee or commissioner for lands, mills, and other property in Amherst or nearby counties and towns.\u003c/p\u003e","\u003cp\u003eIncludes \"Aubrey H. Strode and Confederate Memories\" by Camm Patteson (1840-1909), June 2, 1905.\u003c/p\u003e","\u003cp\u003eThis folder includes a letter from Dr. Howard Lilienthal, brother-in-law of Strode, thanking Strode for his sterilization paper, attached to the letter, which Strode had forwarded to him. Dr. Lilienthal gives his own view on  sterilization as a medical man (February 16, 1925).\u003c/p\u003e","\u003cp\u003eIncludes arrangements and designs for a monument and stained glass window as a memorial for Henry Aubrey Strode and Mildred Ellis Strode and bids, estimates, and a contract for the construction of a house for Aubrey E. Strode.\u003c/p\u003e","\u003cp\u003eB. W. Landrum account on page 38. Mr. Landrum was a merchant, farmer, and postmaster in New Glasgow, Virginia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Aubrey E. Strode (1861-1969,88 cubic feet) was a Virginia lawyer, state senator and eugenics advocate who drafted the Virginia sterilization law and brought Buck vs. Bell to the Supreme Court. This collection consists of his personal and professional papers concerning his family, law practice, army service, political and legislative activities as a member of the Virginia Senate, the Virginia Democratic Party and the Progressive movement, and as a co-owner of the newspaper, The Amherst Progress. The bulk of the papers consists of the files of the law firms of Strode and Tucker and Strode and Edwards, containing correspondence, court records, trial transcripts, exhibits, estate settlements, debt collections, and various legal documents.","It also includes some speeches, bills, and correspondence with Edwin A. Alderman in the political and legislative papers in series four concerning the proposal to establish a coordinate Woman's College at the University of Virginia and the budgetary needs of the University of Virginia in the legislature. There are also letters in the family correspondence from his cousin, Dr. Rosalie Slaughter Morton (1876-1968), an American physician and surgeon, concerning her trips abroad and her autobiographical books.","There are three files in this collection entirely concerned with Strode's role in eugenics and sterilization in Virginia and they are: Carrie Buck v. Dr. J.H. Bell, 1925 June 1 (Box 9); State Colony for Epileptics and the Feeble-Minded, 1908, 1920-1922 (Box 42); and Sterilization and Eugenics, 1924-1947 (Box 159). Much of the other material is scattered among his legal practice alphabetical correspondence files, under the last name of correspondents such as William F. Drewry, superintendent of Central State Hospital; Dr. Albert Priddy, first superintendent of the Virginia Colony for Epileptics and the Feebleminded; his successor, Dr. John H. Bell; and Dr. J.S. DeJarnette, superintendent of Western State Hospital or chronologically in the political and legislative series.","Other topics with significant material in these papers include: the American Legion; The Amherst Progress (for additional information about the newspaper and the partnership with Tucker, see Strode's incoming legal practice correspondence files under \"T\" containing letters from Stickly Tucker and Strode's outgoing legal practice correspondence files under \"S\"); Judge Advocate General material; Kenmore High School, Amherst County, Virginia; the Lynchburg Jail; Marshal Lodge Memorial Hospital, where Strode served on the Board of Directors; and political and legislative material.","This series consists of files and documents generated by Aubrey Strode's legal practice and are arranged alphabetically by the first name in the legal case or document.","This subseries contains files of specific cases and are arranged alphabetically by the last name of the client mentioned first in the lawsuit, divorce case, settlement of an estate, etc.","The folder 1917 January includes the composition of a segregation ordinance for the town.","This subseries consists of individual legal document handled by Strode or very small cases without their own file, arranged alphabetically by the last name of the client or the first person mentioned in the document.","Documents include deeds, documents concerning the sale of the \"Kenmore Farm\" and school property and a memorandum of partnership agreement between Strode and J. Easley Edmunds, Jr., March 30, 1923.","Includes memoranda from Adrienne Adkerson to Strode concerning office matters, chiefly while Strode was in Richmond attending the General Assembly session (1916).","The correspondence of Strodes first wife, Rebekah Brown Strode, has been included in the Strode family correspondence before their marriage. The correspondence of his second wife, Louisa Dexter Hubbard Strode, before their marriage is included in the Hubbard family correspondence and with the Strode family afterwards, 1924 on.","Includes several letters from Strode to his family physician, Dr. F. Vooeheis about the general health of his parents and their immediate cause of death, when he was trying to get insurance. Both parents died in hospitals for the insane after health events affected their minds(December 29 and 30, 1902; and January 2, 1903).","Includes sheet music by Chertsey H. De Jarnette and Dr. J.S. De Jarnette, and a first draft of Strode's obituary by Martin Adams.","Many of these sales were conducted by Aubrey E. Strode as the trustee or commissioner for lands, mills, and other property in Amherst or nearby counties and towns.","Includes \"Aubrey H. Strode and Confederate Memories\" by Camm Patteson (1840-1909), June 2, 1905.","This folder includes a letter from Dr. Howard Lilienthal, brother-in-law of Strode, thanking Strode for his sterilization paper, attached to the letter, which Strode had forwarded to him. Dr. Lilienthal gives his own view on  sterilization as a medical man (February 16, 1925).","Includes arrangements and designs for a monument and stained glass window as a memorial for Henry Aubrey Strode and Mildred Ellis Strode and bids, estimates, and a contract for the construction of a house for Aubrey E. Strode.","B. W. Landrum account on page 38. Mr. Landrum was a merchant, farmer, and postmaster in New Glasgow, Virginia."],"userestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is open for research use."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"famname_ssim":["Hubbard family","Strode family"],"names_coll_ssim":["Hubbard family","Strode family","Smith, Louise Dexter Hubbard Strode, 1896-1989"],"persname_ssim":["Strode, Aubrey Ellis, 1873-1946","Tucker, John William Stickley, 1879-1912","Smith, Louise Dexter Hubbard Strode, 1896-1989"],"names_ssim":["Albert and Shirley Small Special Collections Library","Hubbard family","Strode family","Strode, Aubrey Ellis, 1873-1946","Tucker, John William Stickley, 1879-1912","Smith, Louise Dexter Hubbard Strode, 1896-1989"],"language_ssim":["English"],"total_component_count_is":889,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:29:24.432Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_617","ead_ssi":"viu_repositories_3_resources_617","_root_":"viu_repositories_3_resources_617","_nest_parent_":"viu_repositories_3_resources_617","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_617.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/534","title_filing_ssi":"Strode, Aubrey E., papers","title_ssm":["Aubrey E. Strode papers"],"title_tesim":["Aubrey E. Strode papers"],"unitdate_ssm":["1861-1969"],"unitdate_inclusive_ssm":["1861-1969"],"normalized_date_ssm":["1861/1969"],"normalized_title_ssm":["Aubrey E. Strode papers, 1861/1969"],"text":["Aubrey E. Strode papers, 1861/1969","Mss 3014","Archival Resource Key","/repositories/3/resources/617","women--education -- Virginia","Virginia -- Lynchburg","Virginia -- Amherst County","Eugenics -- Virginia","Involuntary sterilization","practice of law -- Virginia","United States. Army. Judge Advocate General","State Colony for Epileptics and the Feeble-Minded -- Virginia","Democratic party -- Virginia","social problems","Thornhill Wagon Company","Tobacco Growers Co-operative Association","Kenmore High School--Amherst County (Va.)","lawyers","The Strode papers are arranged in seven series. Series one consists of Strode's attorney case files with two subseries, a) legal case files and b) legal documents and small cases; series two contains the correspondence from Strode's legal practice and judgeship; the third series has family and personal correspondence; the fourth series contains topical and miscellany files; series five has financial papers; series six consists of bound volumes, notebooks, and memoranda books; the seventh and last series is folio bound volumes.","The legal correspondence, both incoming to the law office of Strode and Tucker and the outgoing correspondence from  Strode and Tucker, are arranged alphabetically within year(s) by the last name of the correspondent or the chief name of the business; This system appears to have lasted through 1917, coinciding with the beginning of Strode's Judge Advocate General service. After that, the clear delineation between Strode's own correspondence and correspondence coming into the office is not defined and the two types are generally interfiled together, alphabetically by year(s).","Family correspondence was sometimes found within Strode's legal correspondence files and sometimes elsewhere. As much as could be determined, all family correspondence has been separated and arranged by year.","Aubrey Ellis Strode, an American lawyer and Democratic politician, was born on October 2, 1873, at Amherst, Virginia, to Henry Aubrey Strode (1844-1898) and Mildred Powell Ellis Strode (1854-1898). Strode graduated from Kenmore High School at Amherst, and attended college at the University of Mississippi, Washington and Lee (1891-1892), and studied law at the University of Virginia, 1898-1899. Strode served as the principal of Ridgeway High School, Ridgeway, South Carolina, and Kenmore University High School, Amherst County, Virginia. The house \"Kenmore,\" was a colonial brick home built by Samuel Meredith Garland, whose granddaughter, Mildred Ellis, married Henry Aubrey Strode. Kenmore Farm became a preparatory high school operated by Henry Aubrey Strode between 1872 and 1889, and 1896-1899. Henry Aubrey Strode also served as the first president of Clemson University, 1890-1893. Aubrey Ellis Strode became principal and continued the school for a few years when his father fell ill.","Upon the death of his parents and being the eldest of the remaining family, Strode decided to study law, passed the bar examination and began practicing law in Amherst County and Lynchburg. His first law partner was Stickley Tucker (1879-1912), the oldest son of Cornelius S. Tucker and Sallie Stickley Tucker.  Aubrey E. Strode and John William Stickley Tucker signed articles of agreement on December 31, 1902, becoming partners in the practice of law, pertaining to the counties of Amherst and Nelson, Virginia under the name of Strode and Tucker, beginning January 1, 1903, with the general office at Amherst Court House. This practice was distinct from the law practice of Aubrey Strode in Lynchburg, Virginia. Later a memorandum of partnership agreement between Aubrey E. Strode and J. Easley Edmunds, Jr. took effect on March 1, 1923 under the firm name of Strode and Edmunds, with Strode as the senior partner.","Strode represented Amherst County and Nelson County in the Virginia Senate, from 1906-1912, and 1916-1920 and was the elector at large in Virginia in 1928. He was an active member of the Democratic Party in Virginia and a popular public speaker supporting Democratic candidates during elections. During World War I, he joined the United States Army serving with the Judge Advocate General Department of the Officers' Reserve Corps. Strode was commissioned April 23, 1918 as Major Judge Advocate and then promoted to Lieutenant Colonel Judge Advocate May 15, 1919. While in service, he was on active duty at Washington, D.C. from May 15, 1918 until January 1919, and from February through August 1919, served with the American Expeditionary Forces at Chaumont and Paris, France. Strode was discharged on August 12, 1919.","Perhaps best known as the lawyer who wrote the statute known as the Virginia Sterilization Act of 1924, Strode was also a long-time legal advisor to the Board of the State Colony for Epileptics and the Feeble-Minded. The Colony was located in Madison Heights near Lynchburg, Virginia, and authorized by a bill written in 1906 by Aubrey Strode in collaboration with Dr. Albert Priddy, who served as the first superintendent, and Joseph DeJarnette, superintendent at Western State Hospital in Staunton, Virginia.","He argued the case of Buck v. Bell before the Supreme Court of the United States in 1927. Carrie Buck was a young woman from Charlottesville who Dr. Priddy petitioned to have sterilized. Priddy died during the litigation and his successor as superintendent of the Virginia State Colony for Epileptics and the Feeble Minded, Dr. John Bell, took up the cause. The Supreme Court upheld the statute instituting compulsory sterilization of the unfit \"for the protection and health of the state\" on May 2, 1927. The Supreme Court majority opinion was written by Oliver Wendell Holmes, Jr.","Strode was also a judge in the Corporation Court of Lynchburg (1933-1944). Strode died May 17, 1946 following his retirement from the bench due to poor health.","Biographical notes on Aubrey E. Strode siblings, wives and offspring is described in this subnote.","Aubrey E. Strode was the eldest child in his family and had seven siblings, six sisters and one brother. These include: Leslie Strode (1875- ?); Grace Strode (1877-1933); Ida Strode Berry (1878-1963) married Taylor Berry in 1898; Lucille Garland Strode (1882-1954) married William Ralph Smith in 1911; Edith Strode (1882-? ) married Dr. Howard Lilienthal; Mildred Strode Vandegrift (1886-1952); and Dr. Basil E. Strode (1888-1952), who served as a 1st Lt. in the Medical Corp in World War I.","Aubrey Ellis Strode married first Rebekah Davies Brown Strode (1874-1922) of Arlington, Virginia, on June 4, 1903, and second, Louisa Hubbard Strode Smith (1896-1989) of Forest, Virginia, in 1923.","Children of Aubrey E. Strode and Rebekah Brown Strode include: William Lewis Strode (1904-1906), Mildred Ellis Strode (1906-?) who married William Tucker Battle, Rebekah Elizabeth Strode (1913-1998) who married St. George Tucker Lee in 1936, Aubrey Ellis Strode, Jr. (1908-1970), and John Thompson Brown Strode (1910-1971). Hildreth Hubbard Strode (1926-2016) was the son of Aubrey E. Strode and Louis Hubbard Strode.","\"The Amherst Progress\" was described by Strode as a \"democratic, country, weekly newspaper\" with a circulation of between seven and eight hundred subscribers in 1914. The paper was established in 1904 by Stickley Tucker (1879-1912) the editor–in-chief and business manager, and was published until his ill health and death.","This folder has been created by the processor for the convenience of students and other researchers. It was not a file created by Aubrey Strode. It does not claim to be an exhaustive resource for the topic in this collection, but a starting point.","See also Frank R. Smith v. C.J. Campbell case.","Aubrey E. Strode (1861-1969,88 cubic feet) was a Virginia lawyer, state senator and eugenics advocate who drafted the Virginia sterilization law and brought Buck vs. Bell to the Supreme Court. This collection consists of his personal and professional papers concerning his family, law practice, army service, political and legislative activities as a member of the Virginia Senate, the Virginia Democratic Party and the Progressive movement, and as a co-owner of the newspaper, The Amherst Progress. The bulk of the papers consists of the files of the law firms of Strode and Tucker and Strode and Edwards, containing correspondence, court records, trial transcripts, exhibits, estate settlements, debt collections, and various legal documents.","It also includes some speeches, bills, and correspondence with Edwin A. Alderman in the political and legislative papers in series four concerning the proposal to establish a coordinate Woman's College at the University of Virginia and the budgetary needs of the University of Virginia in the legislature. There are also letters in the family correspondence from his cousin, Dr. Rosalie Slaughter Morton (1876-1968), an American physician and surgeon, concerning her trips abroad and her autobiographical books.","There are three files in this collection entirely concerned with Strode's role in eugenics and sterilization in Virginia and they are: Carrie Buck v. Dr. J.H. Bell, 1925 June 1 (Box 9); State Colony for Epileptics and the Feeble-Minded, 1908, 1920-1922 (Box 42); and Sterilization and Eugenics, 1924-1947 (Box 159). Much of the other material is scattered among his legal practice alphabetical correspondence files, under the last name of correspondents such as William F. Drewry, superintendent of Central State Hospital; Dr. Albert Priddy, first superintendent of the Virginia Colony for Epileptics and the Feebleminded; his successor, Dr. John H. Bell; and Dr. J.S. DeJarnette, superintendent of Western State Hospital or chronologically in the political and legislative series.","Other topics with significant material in these papers include: the American Legion; The Amherst Progress (for additional information about the newspaper and the partnership with Tucker, see Strode's incoming legal practice correspondence files under \"T\" containing letters from Stickly Tucker and Strode's outgoing legal practice correspondence files under \"S\"); Judge Advocate General material; Kenmore High School, Amherst County, Virginia; the Lynchburg Jail; Marshal Lodge Memorial Hospital, where Strode served on the Board of Directors; and political and legislative material.","This series consists of files and documents generated by Aubrey Strode's legal practice and are arranged alphabetically by the first name in the legal case or document.","This subseries contains files of specific cases and are arranged alphabetically by the last name of the client mentioned first in the lawsuit, divorce case, settlement of an estate, etc.","The folder 1917 January includes the composition of a segregation ordinance for the town.","This subseries consists of individual legal document handled by Strode or very small cases without their own file, arranged alphabetically by the last name of the client or the first person mentioned in the document.","Documents include deeds, documents concerning the sale of the \"Kenmore Farm\" and school property and a memorandum of partnership agreement between Strode and J. Easley Edmunds, Jr., March 30, 1923.","Includes memoranda from Adrienne Adkerson to Strode concerning office matters, chiefly while Strode was in Richmond attending the General Assembly session (1916).","The correspondence of Strodes first wife, Rebekah Brown Strode, has been included in the Strode family correspondence before their marriage. The correspondence of his second wife, Louisa Dexter Hubbard Strode, before their marriage is included in the Hubbard family correspondence and with the Strode family afterwards, 1924 on.","Includes several letters from Strode to his family physician, Dr. F. Vooeheis about the general health of his parents and their immediate cause of death, when he was trying to get insurance. Both parents died in hospitals for the insane after health events affected their minds(December 29 and 30, 1902; and January 2, 1903).","Includes sheet music by Chertsey H. De Jarnette and Dr. J.S. De Jarnette, and a first draft of Strode's obituary by Martin Adams.","Many of these sales were conducted by Aubrey E. Strode as the trustee or commissioner for lands, mills, and other property in Amherst or nearby counties and towns.","Includes \"Aubrey H. Strode and Confederate Memories\" by Camm Patteson (1840-1909), June 2, 1905.","This folder includes a letter from Dr. Howard Lilienthal, brother-in-law of Strode, thanking Strode for his sterilization paper, attached to the letter, which Strode had forwarded to him. Dr. Lilienthal gives his own view on  sterilization as a medical man (February 16, 1925).","Includes arrangements and designs for a monument and stained glass window as a memorial for Henry Aubrey Strode and Mildred Ellis Strode and bids, estimates, and a contract for the construction of a house for Aubrey E. Strode.","B. W. Landrum account on page 38. Mr. Landrum was a merchant, farmer, and postmaster in New Glasgow, Virginia.","This collection is open for research use.","Albert and Shirley Small Special Collections Library","Hubbard family","Strode family","Strode, Aubrey Ellis, 1873-1946","Tucker, John William Stickley, 1879-1912","Smith, Louise Dexter Hubbard Strode, 1896-1989","English"],"collection_title_tesim":["Aubrey E. Strode papers, 1861/1969"],"collection_ssim":["Aubrey E. Strode papers, 1861/1969"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss 3014","Archival Resource Key","/repositories/3/resources/617"],"unitid_tesim":["Mss 3014","Archival Resource Key","/repositories/3/resources/617"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["women--education -- Virginia","Virginia -- Lynchburg","Virginia -- Amherst County"],"geogname_ssim":["women--education -- Virginia","Virginia -- Lynchburg","Virginia -- Amherst County"],"places_ssim":["women--education -- Virginia","Virginia -- Lynchburg","Virginia -- Amherst County"],"creator_ssm":["Strode, Aubrey Ellis, 1873-1946","Tucker, John William Stickley, 1879-1912"],"creator_ssim":["Strode, Aubrey Ellis, 1873-1946","Tucker, John William Stickley, 1879-1912"],"creator_persname_ssim":["Strode, Aubrey Ellis, 1873-1946","Tucker, John William Stickley, 1879-1912","Smith, Louise Dexter Hubbard Strode, 1896-1989"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creator_famname_ssim":["Hubbard family","Strode family"],"creators_ssim":["Strode, Aubrey Ellis, 1873-1946","Tucker, John William Stickley, 1879-1912","Smith, Louise Dexter Hubbard Strode, 1896-1989","Albert and Shirley Small Special Collections Library","Hubbard family","Strode family"],"access_terms_ssm":["This collection is open for research use."],"acqinfo_ssim":["The Aubrey E. Strode papers were originally were placed on loan to the University of Virginia library by his wife, Louisa Hubbard Strode Smith, on September 20, 1948, but were made a gift on June 15, 1971. Other smaller accessions were given to the Library to the original group of papers as gifts on January 25, 1961,June 14, 1971, and July 13, 1971."],"access_subjects_ssim":["Eugenics -- Virginia","Involuntary sterilization","practice of law -- Virginia","United States. Army. Judge Advocate General","State Colony for Epileptics and the Feeble-Minded -- Virginia","Democratic party -- Virginia","social problems","Thornhill Wagon Company","Tobacco Growers Co-operative Association","Kenmore High School--Amherst County (Va.)","lawyers"],"access_subjects_ssm":["Eugenics -- Virginia","Involuntary sterilization","practice of law -- Virginia","United States. Army. Judge Advocate General","State Colony for Epileptics and the Feeble-Minded -- Virginia","Democratic party -- Virginia","social problems","Thornhill Wagon Company","Tobacco Growers Co-operative Association","Kenmore High School--Amherst County (Va.)","lawyers"],"has_online_content_ssim":["false"],"extent_ssm":["88 Cubic Feet 174 document boxes, 2 large oversize folders, and 2 small oversize folders, and 8 folio ledgers"],"extent_tesim":["88 Cubic Feet 174 document boxes, 2 large oversize folders, and 2 small oversize folders, and 8 folio ledgers"],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"arrangement_html_tesm":["\u003cp\u003eThe Strode papers are arranged in seven series. Series one consists of Strode's attorney case files with two subseries, a) legal case files and b) legal documents and small cases; series two contains the correspondence from Strode's legal practice and judgeship; the third series has family and personal correspondence; the fourth series contains topical and miscellany files; series five has financial papers; series six consists of bound volumes, notebooks, and memoranda books; the seventh and last series is folio bound volumes.\u003c/p\u003e  ","\u003cp\u003eThe legal correspondence, both incoming to the law office of Strode and Tucker and the outgoing correspondence from  Strode and Tucker, are arranged alphabetically within year(s) by the last name of the correspondent or the chief name of the business; This system appears to have lasted through 1917, coinciding with the beginning of Strode's Judge Advocate General service. After that, the clear delineation between Strode's own correspondence and correspondence coming into the office is not defined and the two types are generally interfiled together, alphabetically by year(s).\u003c/p\u003e","\u003cp\u003eFamily correspondence was sometimes found within Strode's legal correspondence files and sometimes elsewhere. As much as could be determined, all family correspondence has been separated and arranged by year.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The Strode papers are arranged in seven series. Series one consists of Strode's attorney case files with two subseries, a) legal case files and b) legal documents and small cases; series two contains the correspondence from Strode's legal practice and judgeship; the third series has family and personal correspondence; the fourth series contains topical and miscellany files; series five has financial papers; series six consists of bound volumes, notebooks, and memoranda books; the seventh and last series is folio bound volumes.","The legal correspondence, both incoming to the law office of Strode and Tucker and the outgoing correspondence from  Strode and Tucker, are arranged alphabetically within year(s) by the last name of the correspondent or the chief name of the business; This system appears to have lasted through 1917, coinciding with the beginning of Strode's Judge Advocate General service. After that, the clear delineation between Strode's own correspondence and correspondence coming into the office is not defined and the two types are generally interfiled together, alphabetically by year(s).","Family correspondence was sometimes found within Strode's legal correspondence files and sometimes elsewhere. As much as could be determined, all family correspondence has been separated and arranged by year."],"bioghist_html_tesm":["\u003cp\u003eAubrey Ellis Strode, an American lawyer and Democratic politician, was born on October 2, 1873, at Amherst, Virginia, to Henry Aubrey Strode (1844-1898) and Mildred Powell Ellis Strode (1854-1898). Strode graduated from Kenmore High School at Amherst, and attended college at the University of Mississippi, Washington and Lee (1891-1892), and studied law at the University of Virginia, 1898-1899. Strode served as the principal of Ridgeway High School, Ridgeway, South Carolina, and Kenmore University High School, Amherst County, Virginia. The house \"Kenmore,\" was a colonial brick home built by Samuel Meredith Garland, whose granddaughter, Mildred Ellis, married Henry Aubrey Strode. Kenmore Farm became a preparatory high school operated by Henry Aubrey Strode between 1872 and 1889, and 1896-1899. Henry Aubrey Strode also served as the first president of Clemson University, 1890-1893. Aubrey Ellis Strode became principal and continued the school for a few years when his father fell ill. \u003c/p\u003e","\u003cp\u003eUpon the death of his parents and being the eldest of the remaining family, Strode decided to study law, passed the bar examination and began practicing law in Amherst County and Lynchburg. His first law partner was Stickley Tucker (1879-1912), the oldest son of Cornelius S. Tucker and Sallie Stickley Tucker.  Aubrey E. Strode and John William Stickley Tucker signed articles of agreement on December 31, 1902, becoming partners in the practice of law, pertaining to the counties of Amherst and Nelson, Virginia under the name of Strode and Tucker, beginning January 1, 1903, with the general office at Amherst Court House. This practice was distinct from the law practice of Aubrey Strode in Lynchburg, Virginia. Later a memorandum of partnership agreement between Aubrey E. Strode and J. Easley Edmunds, Jr. took effect on March 1, 1923 under the firm name of Strode and Edmunds, with Strode as the senior partner.\u003c/p\u003e","\u003cp\u003eStrode represented Amherst County and Nelson County in the Virginia Senate, from 1906-1912, and 1916-1920 and was the elector at large in Virginia in 1928. He was an active member of the Democratic Party in Virginia and a popular public speaker supporting Democratic candidates during elections. During World War I, he joined the United States Army serving with the Judge Advocate General Department of the Officers' Reserve Corps. Strode was commissioned April 23, 1918 as Major Judge Advocate and then promoted to Lieutenant Colonel Judge Advocate May 15, 1919. While in service, he was on active duty at Washington, D.C. from May 15, 1918 until January 1919, and from February through August 1919, served with the American Expeditionary Forces at Chaumont and Paris, France. Strode was discharged on August 12, 1919.\u003c/p\u003e","\u003cp\u003ePerhaps best known as the lawyer who wrote the statute known as the Virginia Sterilization Act of 1924, Strode was also a long-time legal advisor to the Board of the State Colony for Epileptics and the Feeble-Minded. The Colony was located in Madison Heights near Lynchburg, Virginia, and authorized by a bill written in 1906 by Aubrey Strode in collaboration with Dr. Albert Priddy, who served as the first superintendent, and Joseph DeJarnette, superintendent at Western State Hospital in Staunton, Virginia.\u003c/p\u003e","\u003cp\u003eHe argued the case of Buck v. Bell before the Supreme Court of the United States in 1927. Carrie Buck was a young woman from Charlottesville who Dr. Priddy petitioned to have sterilized. Priddy died during the litigation and his successor as superintendent of the Virginia State Colony for Epileptics and the Feeble Minded, Dr. John Bell, took up the cause. The Supreme Court upheld the statute instituting compulsory sterilization of the unfit \"for the protection and health of the state\" on May 2, 1927. The Supreme Court majority opinion was written by Oliver Wendell Holmes, Jr.\u003c/p\u003e","\u003cp\u003eStrode was also a judge in the Corporation Court of Lynchburg (1933-1944). Strode died May 17, 1946 following his retirement from the bench due to poor health.\u003c/p\u003e","\u003cp\u003eBiographical notes on Aubrey E. Strode siblings, wives and offspring is described in this subnote.\u003c/p\u003e","\u003cp\u003eAubrey E. Strode was the eldest child in his family and had seven siblings, six sisters and one brother. These include: Leslie Strode (1875- ?); Grace Strode (1877-1933); Ida Strode Berry (1878-1963) married Taylor Berry in 1898; Lucille Garland Strode (1882-1954) married William Ralph Smith in 1911; Edith Strode (1882-? ) married Dr. Howard Lilienthal; Mildred Strode Vandegrift (1886-1952); and Dr. Basil E. Strode (1888-1952), who served as a 1st Lt. in the Medical Corp in World War I.\u003c/p\u003e","\u003cp\u003eAubrey Ellis Strode married first Rebekah Davies Brown Strode (1874-1922) of Arlington, Virginia, on June 4, 1903, and second, Louisa Hubbard Strode Smith (1896-1989) of Forest, Virginia, in 1923.\u003c/p\u003e","\u003cp\u003eChildren of Aubrey E. Strode and Rebekah Brown Strode include: William Lewis Strode (1904-1906), Mildred Ellis Strode (1906-?) who married William Tucker Battle, Rebekah Elizabeth Strode (1913-1998) who married St. George Tucker Lee in 1936, Aubrey Ellis Strode, Jr. (1908-1970), and John Thompson Brown Strode (1910-1971). Hildreth Hubbard Strode (1926-2016) was the son of Aubrey E. Strode and Louis Hubbard Strode.\u003c/p\u003e  ","\u003cp\u003e\"The Amherst Progress\" was described by Strode as a \"democratic, country, weekly newspaper\" with a circulation of between seven and eight hundred subscribers in 1914. The paper was established in 1904 by Stickley Tucker (1879-1912) the editor–in-chief and business manager, and was published until his ill health and death.\u003c/p\u003e"],"bioghist_heading_ssm":["Biography","Biographical / Historical"],"bioghist_tesim":["Aubrey Ellis Strode, an American lawyer and Democratic politician, was born on October 2, 1873, at Amherst, Virginia, to Henry Aubrey Strode (1844-1898) and Mildred Powell Ellis Strode (1854-1898). Strode graduated from Kenmore High School at Amherst, and attended college at the University of Mississippi, Washington and Lee (1891-1892), and studied law at the University of Virginia, 1898-1899. Strode served as the principal of Ridgeway High School, Ridgeway, South Carolina, and Kenmore University High School, Amherst County, Virginia. The house \"Kenmore,\" was a colonial brick home built by Samuel Meredith Garland, whose granddaughter, Mildred Ellis, married Henry Aubrey Strode. Kenmore Farm became a preparatory high school operated by Henry Aubrey Strode between 1872 and 1889, and 1896-1899. Henry Aubrey Strode also served as the first president of Clemson University, 1890-1893. Aubrey Ellis Strode became principal and continued the school for a few years when his father fell ill.","Upon the death of his parents and being the eldest of the remaining family, Strode decided to study law, passed the bar examination and began practicing law in Amherst County and Lynchburg. His first law partner was Stickley Tucker (1879-1912), the oldest son of Cornelius S. Tucker and Sallie Stickley Tucker.  Aubrey E. Strode and John William Stickley Tucker signed articles of agreement on December 31, 1902, becoming partners in the practice of law, pertaining to the counties of Amherst and Nelson, Virginia under the name of Strode and Tucker, beginning January 1, 1903, with the general office at Amherst Court House. This practice was distinct from the law practice of Aubrey Strode in Lynchburg, Virginia. Later a memorandum of partnership agreement between Aubrey E. Strode and J. Easley Edmunds, Jr. took effect on March 1, 1923 under the firm name of Strode and Edmunds, with Strode as the senior partner.","Strode represented Amherst County and Nelson County in the Virginia Senate, from 1906-1912, and 1916-1920 and was the elector at large in Virginia in 1928. He was an active member of the Democratic Party in Virginia and a popular public speaker supporting Democratic candidates during elections. During World War I, he joined the United States Army serving with the Judge Advocate General Department of the Officers' Reserve Corps. Strode was commissioned April 23, 1918 as Major Judge Advocate and then promoted to Lieutenant Colonel Judge Advocate May 15, 1919. While in service, he was on active duty at Washington, D.C. from May 15, 1918 until January 1919, and from February through August 1919, served with the American Expeditionary Forces at Chaumont and Paris, France. Strode was discharged on August 12, 1919.","Perhaps best known as the lawyer who wrote the statute known as the Virginia Sterilization Act of 1924, Strode was also a long-time legal advisor to the Board of the State Colony for Epileptics and the Feeble-Minded. The Colony was located in Madison Heights near Lynchburg, Virginia, and authorized by a bill written in 1906 by Aubrey Strode in collaboration with Dr. Albert Priddy, who served as the first superintendent, and Joseph DeJarnette, superintendent at Western State Hospital in Staunton, Virginia.","He argued the case of Buck v. Bell before the Supreme Court of the United States in 1927. Carrie Buck was a young woman from Charlottesville who Dr. Priddy petitioned to have sterilized. Priddy died during the litigation and his successor as superintendent of the Virginia State Colony for Epileptics and the Feeble Minded, Dr. John Bell, took up the cause. The Supreme Court upheld the statute instituting compulsory sterilization of the unfit \"for the protection and health of the state\" on May 2, 1927. The Supreme Court majority opinion was written by Oliver Wendell Holmes, Jr.","Strode was also a judge in the Corporation Court of Lynchburg (1933-1944). Strode died May 17, 1946 following his retirement from the bench due to poor health.","Biographical notes on Aubrey E. Strode siblings, wives and offspring is described in this subnote.","Aubrey E. Strode was the eldest child in his family and had seven siblings, six sisters and one brother. These include: Leslie Strode (1875- ?); Grace Strode (1877-1933); Ida Strode Berry (1878-1963) married Taylor Berry in 1898; Lucille Garland Strode (1882-1954) married William Ralph Smith in 1911; Edith Strode (1882-? ) married Dr. Howard Lilienthal; Mildred Strode Vandegrift (1886-1952); and Dr. Basil E. Strode (1888-1952), who served as a 1st Lt. in the Medical Corp in World War I.","Aubrey Ellis Strode married first Rebekah Davies Brown Strode (1874-1922) of Arlington, Virginia, on June 4, 1903, and second, Louisa Hubbard Strode Smith (1896-1989) of Forest, Virginia, in 1923.","Children of Aubrey E. Strode and Rebekah Brown Strode include: William Lewis Strode (1904-1906), Mildred Ellis Strode (1906-?) who married William Tucker Battle, Rebekah Elizabeth Strode (1913-1998) who married St. George Tucker Lee in 1936, Aubrey Ellis Strode, Jr. (1908-1970), and John Thompson Brown Strode (1910-1971). Hildreth Hubbard Strode (1926-2016) was the son of Aubrey E. Strode and Louis Hubbard Strode.","\"The Amherst Progress\" was described by Strode as a \"democratic, country, weekly newspaper\" with a circulation of between seven and eight hundred subscribers in 1914. The paper was established in 1904 by Stickley Tucker (1879-1912) the editor–in-chief and business manager, and was published until his ill health and death."],"prefercite_html_tesm":["\u003cp\u003eMAA 3014, Aubrey E. Strode papers, Albert and Shirely Small Special Collections, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MAA 3014, Aubrey E. Strode papers, Albert and Shirely Small Special Collections, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis folder has been created by the processor for the convenience of students and other researchers. It was not a file created by Aubrey Strode. It does not claim to be an exhaustive resource for the topic in this collection, but a starting point.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This folder has been created by the processor for the convenience of students and other researchers. It was not a file created by Aubrey Strode. It does not claim to be an exhaustive resource for the topic in this collection, but a starting point."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also Frank R. Smith v. C.J. Campbell case.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["See also Frank R. Smith v. C.J. Campbell case."],"scopecontent_html_tesm":["\u003cp\u003eAubrey E. Strode (1861-1969,88 cubic feet) was a Virginia lawyer, state senator and eugenics advocate who drafted the Virginia sterilization law and brought Buck vs. Bell to the Supreme Court. This collection consists of his personal and professional papers concerning his family, law practice, army service, political and legislative activities as a member of the Virginia Senate, the Virginia Democratic Party and the Progressive movement, and as a co-owner of the newspaper, The Amherst Progress. The bulk of the papers consists of the files of the law firms of Strode and Tucker and Strode and Edwards, containing correspondence, court records, trial transcripts, exhibits, estate settlements, debt collections, and various legal documents. \u003c/p\u003e","\u003cp\u003eIt also includes some speeches, bills, and correspondence with Edwin A. Alderman in the political and legislative papers in series four concerning the proposal to establish a coordinate Woman's College at the University of Virginia and the budgetary needs of the University of Virginia in the legislature. There are also letters in the family correspondence from his cousin, Dr. Rosalie Slaughter Morton (1876-1968), an American physician and surgeon, concerning her trips abroad and her autobiographical books. \u003c/p\u003e","\u003cp\u003eThere are three files in this collection entirely concerned with Strode's role in eugenics and sterilization in Virginia and they are: Carrie Buck v. Dr. J.H. Bell, 1925 June 1 (Box 9); State Colony for Epileptics and the Feeble-Minded, 1908, 1920-1922 (Box 42); and Sterilization and Eugenics, 1924-1947 (Box 159). Much of the other material is scattered among his legal practice alphabetical correspondence files, under the last name of correspondents such as William F. Drewry, superintendent of Central State Hospital; Dr. Albert Priddy, first superintendent of the Virginia Colony for Epileptics and the Feebleminded; his successor, Dr. John H. Bell; and Dr. J.S. DeJarnette, superintendent of Western State Hospital or chronologically in the political and legislative series.\u003c/p\u003e","\u003cp\u003eOther topics with significant material in these papers include: the American Legion; The Amherst Progress (for additional information about the newspaper and the partnership with Tucker, see Strode's incoming legal practice correspondence files under \"T\" containing letters from Stickly Tucker and Strode's outgoing legal practice correspondence files under \"S\"); Judge Advocate General material; Kenmore High School, Amherst County, Virginia; the Lynchburg Jail; Marshal Lodge Memorial Hospital, where Strode served on the Board of Directors; and political and legislative material. \u003c/p\u003e  ","\u003cp\u003eThis series consists of files and documents generated by Aubrey Strode's legal practice and are arranged alphabetically by the first name in the legal case or document.\u003c/p\u003e","\u003cp\u003eThis subseries contains files of specific cases and are arranged alphabetically by the last name of the client mentioned first in the lawsuit, divorce case, settlement of an estate, etc.\u003c/p\u003e","\u003cp\u003eThe folder 1917 January includes the composition of a segregation ordinance for the town.\u003c/p\u003e","\u003cp\u003eThis subseries consists of individual legal document handled by Strode or very small cases without their own file, arranged alphabetically by the last name of the client or the first person mentioned in the document.\u003c/p\u003e","\u003cp\u003eDocuments include deeds, documents concerning the sale of the \"Kenmore Farm\" and school property and a memorandum of partnership agreement between Strode and J. Easley Edmunds, Jr., March 30, 1923.\u003c/p\u003e","\u003cp\u003eIncludes memoranda from Adrienne Adkerson to Strode concerning office matters, chiefly while Strode was in Richmond attending the General Assembly session (1916).\u003c/p\u003e","\u003cp\u003eThe correspondence of Strodes first wife, Rebekah Brown Strode, has been included in the Strode family correspondence before their marriage. The correspondence of his second wife, Louisa Dexter Hubbard Strode, before their marriage is included in the Hubbard family correspondence and with the Strode family afterwards, 1924 on.\u003c/p\u003e","\u003cp\u003eIncludes several letters from Strode to his family physician, Dr. F. Vooeheis about the general health of his parents and their immediate cause of death, when he was trying to get insurance. Both parents died in hospitals for the insane after health events affected their minds(December 29 and 30, 1902; and January 2, 1903).\u003c/p\u003e","\u003cp\u003eIncludes sheet music by Chertsey H. De Jarnette and Dr. J.S. De Jarnette, and a first draft of Strode's obituary by Martin Adams.\u003c/p\u003e","\u003cp\u003eMany of these sales were conducted by Aubrey E. Strode as the trustee or commissioner for lands, mills, and other property in Amherst or nearby counties and towns.\u003c/p\u003e","\u003cp\u003eIncludes \"Aubrey H. Strode and Confederate Memories\" by Camm Patteson (1840-1909), June 2, 1905.\u003c/p\u003e","\u003cp\u003eThis folder includes a letter from Dr. Howard Lilienthal, brother-in-law of Strode, thanking Strode for his sterilization paper, attached to the letter, which Strode had forwarded to him. Dr. Lilienthal gives his own view on  sterilization as a medical man (February 16, 1925).\u003c/p\u003e","\u003cp\u003eIncludes arrangements and designs for a monument and stained glass window as a memorial for Henry Aubrey Strode and Mildred Ellis Strode and bids, estimates, and a contract for the construction of a house for Aubrey E. Strode.\u003c/p\u003e","\u003cp\u003eB. W. Landrum account on page 38. Mr. Landrum was a merchant, farmer, and postmaster in New Glasgow, Virginia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Aubrey E. Strode (1861-1969,88 cubic feet) was a Virginia lawyer, state senator and eugenics advocate who drafted the Virginia sterilization law and brought Buck vs. Bell to the Supreme Court. This collection consists of his personal and professional papers concerning his family, law practice, army service, political and legislative activities as a member of the Virginia Senate, the Virginia Democratic Party and the Progressive movement, and as a co-owner of the newspaper, The Amherst Progress. The bulk of the papers consists of the files of the law firms of Strode and Tucker and Strode and Edwards, containing correspondence, court records, trial transcripts, exhibits, estate settlements, debt collections, and various legal documents.","It also includes some speeches, bills, and correspondence with Edwin A. Alderman in the political and legislative papers in series four concerning the proposal to establish a coordinate Woman's College at the University of Virginia and the budgetary needs of the University of Virginia in the legislature. There are also letters in the family correspondence from his cousin, Dr. Rosalie Slaughter Morton (1876-1968), an American physician and surgeon, concerning her trips abroad and her autobiographical books.","There are three files in this collection entirely concerned with Strode's role in eugenics and sterilization in Virginia and they are: Carrie Buck v. Dr. J.H. Bell, 1925 June 1 (Box 9); State Colony for Epileptics and the Feeble-Minded, 1908, 1920-1922 (Box 42); and Sterilization and Eugenics, 1924-1947 (Box 159). Much of the other material is scattered among his legal practice alphabetical correspondence files, under the last name of correspondents such as William F. Drewry, superintendent of Central State Hospital; Dr. Albert Priddy, first superintendent of the Virginia Colony for Epileptics and the Feebleminded; his successor, Dr. John H. Bell; and Dr. J.S. DeJarnette, superintendent of Western State Hospital or chronologically in the political and legislative series.","Other topics with significant material in these papers include: the American Legion; The Amherst Progress (for additional information about the newspaper and the partnership with Tucker, see Strode's incoming legal practice correspondence files under \"T\" containing letters from Stickly Tucker and Strode's outgoing legal practice correspondence files under \"S\"); Judge Advocate General material; Kenmore High School, Amherst County, Virginia; the Lynchburg Jail; Marshal Lodge Memorial Hospital, where Strode served on the Board of Directors; and political and legislative material.","This series consists of files and documents generated by Aubrey Strode's legal practice and are arranged alphabetically by the first name in the legal case or document.","This subseries contains files of specific cases and are arranged alphabetically by the last name of the client mentioned first in the lawsuit, divorce case, settlement of an estate, etc.","The folder 1917 January includes the composition of a segregation ordinance for the town.","This subseries consists of individual legal document handled by Strode or very small cases without their own file, arranged alphabetically by the last name of the client or the first person mentioned in the document.","Documents include deeds, documents concerning the sale of the \"Kenmore Farm\" and school property and a memorandum of partnership agreement between Strode and J. Easley Edmunds, Jr., March 30, 1923.","Includes memoranda from Adrienne Adkerson to Strode concerning office matters, chiefly while Strode was in Richmond attending the General Assembly session (1916).","The correspondence of Strodes first wife, Rebekah Brown Strode, has been included in the Strode family correspondence before their marriage. The correspondence of his second wife, Louisa Dexter Hubbard Strode, before their marriage is included in the Hubbard family correspondence and with the Strode family afterwards, 1924 on.","Includes several letters from Strode to his family physician, Dr. F. Vooeheis about the general health of his parents and their immediate cause of death, when he was trying to get insurance. Both parents died in hospitals for the insane after health events affected their minds(December 29 and 30, 1902; and January 2, 1903).","Includes sheet music by Chertsey H. De Jarnette and Dr. J.S. De Jarnette, and a first draft of Strode's obituary by Martin Adams.","Many of these sales were conducted by Aubrey E. Strode as the trustee or commissioner for lands, mills, and other property in Amherst or nearby counties and towns.","Includes \"Aubrey H. Strode and Confederate Memories\" by Camm Patteson (1840-1909), June 2, 1905.","This folder includes a letter from Dr. Howard Lilienthal, brother-in-law of Strode, thanking Strode for his sterilization paper, attached to the letter, which Strode had forwarded to him. Dr. Lilienthal gives his own view on  sterilization as a medical man (February 16, 1925).","Includes arrangements and designs for a monument and stained glass window as a memorial for Henry Aubrey Strode and Mildred Ellis Strode and bids, estimates, and a contract for the construction of a house for Aubrey E. Strode.","B. W. Landrum account on page 38. Mr. Landrum was a merchant, farmer, and postmaster in New Glasgow, Virginia."],"userestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is open for research use."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"famname_ssim":["Hubbard family","Strode family"],"names_coll_ssim":["Hubbard family","Strode family","Smith, Louise Dexter Hubbard Strode, 1896-1989"],"persname_ssim":["Strode, Aubrey Ellis, 1873-1946","Tucker, John William Stickley, 1879-1912","Smith, Louise Dexter Hubbard Strode, 1896-1989"],"names_ssim":["Albert and Shirley Small Special Collections Library","Hubbard family","Strode family","Strode, Aubrey Ellis, 1873-1946","Tucker, John William Stickley, 1879-1912","Smith, Louise Dexter Hubbard Strode, 1896-1989"],"language_ssim":["English"],"total_component_count_is":889,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:29:24.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_617"}},{"id":"viu_repositories_8_resources_216_c12","type":"Series","attributes":{"title":"Audiovisual Recordings, 1819/2016","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_8_resources_216_c12#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_8_resources_216_c12","ref_ssm":["viu_repositories_8_resources_216_c12"],"id":"viu_repositories_8_resources_216_c12","ead_ssi":"viu_repositories_8_resources_216","_root_":"viu_repositories_8_resources_216","_nest_parent_":"viu_repositories_8_resources_216","parent_ssi":"viu_repositories_8_resources_216","parent_ssim":["University of Virginia School of Nursing, 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1819/2016"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"_nest_path_":"/components#11","timestamp":"2026-06-23T07:31:42.753Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_8_resources_216","ead_ssi":"viu_repositories_8_resources_216","_root_":"viu_repositories_8_resources_216","_nest_parent_":"viu_repositories_8_resources_216","ead_source_url_ssi":"data/oai/UVA/repositories_8_resources_216.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/146266","title_ssm":["University of Virginia School of Nursing"],"title_tesim":["University of Virginia School of Nursing"],"unitdate_ssm":["1819-2016"],"unitdate_inclusive_ssm":["1819-2016"],"normalized_date_ssm":["1819/2016"],"normalized_title_ssm":["University of Virginia School of Nursing, 1819/2016"],"text":["University of Virginia School of Nursing, 1819/2016","RG-17_3","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/8/resources/216","The Eleanor Crowder Bjoring Center for Nursing Historical Inquiry","English"],"collection_title_tesim":["University of Virginia School of Nursing, 1819/2016"],"collection_ssim":["University of Virginia School of Nursing, 1819/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-17_3","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Feet"],"date_range_isim":[1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"corpname_ssim":["The Eleanor Crowder Bjoring Center for Nursing Historical Inquiry"],"names_ssim":["The Eleanor Crowder Bjoring Center for Nursing Historical Inquiry"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":794,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:31:42.753Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_8_resources_216_c12"}},{"id":"viu_repositories_3_resources_209_c03_c01","type":"File","attributes":{"title":"Autobiography of Elizabeth Oakes Smith, excerpts concerning Edgar A. Poe, photostatic copy, 1881/1885","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_209_c03_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_209_c03_c01","ref_ssm":["viu_repositories_3_resources_209_c03_c01"],"id":"viu_repositories_3_resources_209_c03_c01","ead_ssi":"viu_repositories_3_resources_209","_root_":"viu_repositories_3_resources_209","_nest_parent_":"viu_repositories_3_resources_209_c03","parent_ssi":"viu_repositories_3_resources_209_c03","parent_ssim":["Papers relating to Edgar Allan Poe and John Henry Ingram's Poe collection, 1809/1970","Papers, articles, news clippings or works about Poe"],"parent_ids_ssim":["viu_repositories_3_resources_209","viu_repositories_3_resources_209_c03"],"title_filing_ssi":"Autobiography of Elizabeth Oakes Smith, excerpts concerning Edgar A. Poe, photostatic copy","title_ssm":["Autobiography of Elizabeth Oakes Smith, excerpts concerning Edgar A. Poe, photostatic copy"],"title_tesim":["Autobiography of Elizabeth Oakes Smith, excerpts concerning Edgar A. Poe, photostatic copy"],"normalized_title_ssm":["Autobiography of Elizabeth Oakes Smith, excerpts concerning Edgar A. Poe, photostatic copy, 1881/1885"],"text":["Autobiography of Elizabeth Oakes Smith, excerpts concerning Edgar A. Poe, photostatic copy, 1881/1885","Papers relating to Edgar Allan Poe and John Henry Ingram's Poe collection, 1809/1970","Papers, articles, news clippings or works about Poe","box 8","folder 31"],"parent_unittitles_ssm":["Papers relating to Edgar Allan Poe and John Henry Ingram's Poe collection, 1809/1970","Papers, articles, news clippings or works about Poe"],"parent_unittitles_tesim":["Papers relating to Edgar Allan Poe and John Henry Ingram's Poe collection, 1809/1970","Papers, articles, news clippings or works about Poe"],"normalized_date_ssm":["1881/1885"],"unitdate_inclusive_ssm":["1881-1885"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":592,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers relating to Edgar Allan Poe and John Henry Ingram's Poe collection, 1809/1970"],"extent_ssm":["1 folder(s)"],"extent_tesim":["1 folder(s)"],"containers_ssim":["box 8","folder 31"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["Boxes 1-7 contain material from originals in another institution. No copies, transcriptions, or digital photographs can be made without the written permission of the institution holding the original. The location of all known original documents is indicated on the individual folders."],"date_range_isim":[1881,1882,1883,1884,1885],"_nest_path_":"/components#2/components#0","timestamp":"2026-06-23T07:28:59.529Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_209","ead_ssi":"viu_repositories_3_resources_209","_root_":"viu_repositories_3_resources_209","_nest_parent_":"viu_repositories_3_resources_209","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_209.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/184","title_filing_ssi":"Poe, Edgar Allan and John Henry Ingram's Poe collection, Papers relating to","title_ssm":["Papers relating to Edgar Allan Poe and John Henry Ingram's Poe collection"],"title_tesim":["Papers relating to Edgar Allan Poe and John Henry Ingram's Poe collection"],"unitdate_ssm":["1809-1970"],"unitdate_inclusive_ssm":["1809-1970"],"normalized_date_ssm":["1809/1970"],"normalized_title_ssm":["Papers relating to Edgar Allan Poe and John Henry Ingram's Poe collection, 1809/1970"],"text":["Papers relating to Edgar Allan Poe and John Henry Ingram's Poe collection, 1809/1970","MSS 16207","Archival Resource Key","/repositories/3/resources/209","Scrapbooks","There are no access restrictions.","Series I: Copies and transcriptions of Poe related material (Boxes 1-7); Series II: Correspondence about Edgar Allan Poe or the John Henry Ingram-Poe collection (Box 8); Series III: Papers, articles, news clippings or works about Poe (Boxes 9-13); and Series IV: Poe Miscellany, includes prints, scrapbooks (Boxes 13-16).","John Henry Ingram (1842-1916) was an English biographer and editor with a particular interest in the rehabilitation of the character and literary reputation of Edgar Allan Poe, which had been damaged by the memoir of Poe written by Rufus W. Griswold and published in 1850. He was the author of \"Edgar Allan Poe His Life, Letters, and Opinions,\" editor of \"The Works of Edgar Allan Poe\" (The Ingram Edition), 1874-1875, as well as others such as \"Elizabeth Barrett Browning,\" \"Christopher Marlowe and His Associates,\" and \"Chatterton and His Poetry.\" Ingram was born to John and Henrietta Smith Ingram at Finsbury, Middlesex, England. Upon his father's death, Ingram had to withdraw from the City College of London and obtained a Civil Service Commission and appointment to the Savings Bank Department of the London General Post Office on January 13, 1868. He spent his days employed in his work as a clerk and his evenings devoted to his real interest of studying and writing about literature, and collecting materials about Edgar Allan Poe. \nFor a much fuller biographical summary of John Henry Ingram, please see the online biographical note: \nhttp://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00220.xml  and the biographical sketch in the \"Guide to the Microfilm Edition of John Henry Ingram's Poe Collection,\" Paul P. Hoffman, editor (1967).","Many of these Poe related items have been transferred from previous accessions. For the convenience of the researcher, these previous accessions have been noted below in the order of acquisition.\nThese include: MSS 38-305, MSS 38-409, MSS 38-623, MSS 234, MSS 783, MSS 829, MSS 915, MSS 938, MSS 947, MSS 1003, MSS 1107, MSS 1116, MSS 1127, MSS 1176, MSS 1204, 1307, MSS 1307-a, MSS 1411, MSS 1473, MSS 1603, MSS 1739, MSS 2238, MSS 2250, MSS 2304, MSS 2307, MSS 2316, MSS 2336, MSS 2413, MSS 2456, MSS 2572, MSS 2996, MSS 3012, MSS 3012-b, MSS 3012-c, MSS 3138, MSS 3497, MSS 3857, MSS 4440-a, MSS 6577, MSS 6640, MSS 7035, MSS 7035-a, MSS 7381, MSS 7479, MSS 8657, and MSS 9272-a.","This letter was dated December 23, 1846, by the Edgar Allan Poe Society of Baltimore on their website: www.eapoe.org/people/willisnp.htm.","These are photostatic copies of pages missing from the bound print copies in the Special Collections stacks (AP 2 .B9 vol. 1-2, 1845-1846).","The ownership of all original documents with copies in this collections is indicated on the individual folders when known.","The original bill and program for \"Brazen Mask\" was transferred to Rare Books in 1977 and cataloged as Broadside 1809 .B67.","The original is in the Papers of Edgar Allan Poe, MSS 38-623","The original is in the papers of Edgar Allan Poe.","The original is in the papers of Edgar Allan Poefor original see Vault-Poe, MSS 3857","original tipped in Rare Book PS2605.A1 1901c","The original is located in MSS 3857.","This item was scanned and the original transferred to Rare Books.","The original item was transferred to Rare Books.","The original letter is in MSS 3857.","The original letter is in MSS 3857.","The original scrapbook is in Box 14, Volume 1; some of the items in the scrapbook were not transcribed, some of the loose originals transcribed are in a folder in Box 14, Folder 1a.","This collection was originally cataloged as part of MSS 38-135 but it is not described in the guide to the Ingram-Poe collection. It was commonly called the \"Poe transcripts\" even though it consisted primarily of copies of Poe correspondence, not transcriptions. Rather than re-write the Ingram-Poe guide to include this material, we decided to split off these boxes and write a guide just for them.\nSome items in the collection were transferred from other collections in the University of Virginia Special Collections Library and these are noted in individual descriptions at the folder level. Some of this material consists of copies of Edgar Allan Poe papers held at institutions other than the University of Virginia and these folders and boxes (Boxes 1-7) are stamped with that information.","Special Collections also has a microfilm of \"The True Story of Edgar Allan Poe\" by John Henry Ingram, consisting of the galleys with autograph corrections, negative microfilm copy, (M-2433).","The copies and transcriptions of Poe related material in the first series, usually correspondence or manuscripts, includes the names of correspondents, location of the originals if known, the accession number of any material acquired by the University of Virginia and accessioned as a collection before being interfiled in this collection, which was formerly known as the \"Poe transcripts.\" Also included on each folder is the reference to the page citing each item in \"The Collected Letters of the Edgar Allan Poe\" by John Ward Ostrom (1903-1993), a professor of English at Wittenberg College, Springfield, Ohio. Some original appearances in print have been transferred to Rare Books.\nThe second series contains non-contemporary correspondence about Edgar Allan Poe or the Ingram-Poe collection, particularly its purchase (see Box 8, Folder 18). Much of the correspondence is with the Librarian of the University, John S. Patton, or University of Virginia faculty.\nThe third series contains various papers, articles, news clippings and printed material arranged chronologically by year, a checklist compiled by John Ward Ostrom, notes on Poe, thesis by Alevia Stiles Alexander, and the unpublished manuscript for \"The True Story of Edgar Allan Poe\" by John Henry Ingram, also available on microfilm M-2433. \nThe last series contains Poe miscellany, including a cigarette card, photographs, post cards, prints, a scrapbook on Dr. Thomas Holley Chivers compiled by John Dewitt Miller and John Wilson Townsend, 6 Poe Miscellany scrapbooks compiled by John S. Patton, 13 etching blocks for John Henry Ingram illustrations, and an alphabetical index card file for Poe transcripts and copies.","He writes concerning the neglected condition of Poe's grave and a proposed monument to Poe, sent from Sarah H. Whitman to John H. Ingram.","He declines to write an article on Poe and discusses the work already done on Poe by Baudelaire and Hennequin.","He writes concerning a prose adaptation in one act of \"The Tell Tale Heart.\"","Reynolds sends a caption and several corrections to his written statement about Poe given previously to [Harrison?] and discusses his Poe collection, all presumably to aid in the publication of \"The Complete Works of Edgar Allan Poe\" edited by Professor Harrison.","Includes Tabb's poem for the Poe centenary and copies of \"Poe's Purgatory\" and \"Rejected.\"","Bewley sends a copy of his book on the family of Poe.","Weiss sends a copy of her book on the home life of Poe.","About 24 letters and postcards concerning Poe poems, manuscripts, editions, portraits, his desk at the \"Southern Literary Messenger\" office, and scattered comments about John R. Thompson.","Discusses  a conference of people interested in Poe's philosophy as expressed in \"Eureka\" and refers to an article on Poe by O'Sullivan.","Praises Mourey's translation of Poe.","Writes on the subject of the authenticity of the small bust portrait of Poe offered to the University of Virginia Library by Mr. J.B. MonGar, supposedly painted by Edmund Darley in the 1840s.","Contains about 28 letters concerning her book, \"Edgar Allan Poe: The Man,\" John R. Thompson, and other Poe related matters.","Tucker writes regarding a medical diagnosis of Poe's brain condition.","The postcard concerns information on a clipping.","Items include articles about Chivers and Poe; correspondence of John Wilson Townsend about Chivers, including one from Dewitt Miller, November [8], 1909, where he expresses the belief that Chivers published ten works (page 36); notes kept on Chivers works (pages 37-47); clippings about Chivers life and work (pages 49-59); letters from E.P. Chivers, grandson of Dr. Chivers, and from Emma Chivers Potter, the daughter of Dr. Thomas Holley Chivers, about biographical information (pages 61-73); photographs of Thomas Holley Chivers (page 77) and his daughter, Emma Chivers Potter (page 79); Charles W. Kent letter to Townsend, assuring him that the Raven Society would welcome the Chivers Scrapbook, October 10, 1911 (page 89); correspondence of John Wilson Townsend with institutions concerning whether they own any Chivers materials; (83-99); and \"In Praise of Dewitt Miller,\" 1911, by Townsend (pages 107-115).","Items include correspondence of John Wilson Townsend with institutions concerning whether they own any Chivers materials; one letter, February 21, 1908, from Emma Chivers Potter, the daughter of Dr. Thomas Holley Chivers, about biographical information; two articles about Chivers, 1896-1897, and bibliographical notes about two books by Chivers.","Some prints and photographs were removed and transferred to the Edgar Allan Poe collection.\nSeveral items in this collection were original printed appearances of work by Edgar Allan Poe or about him.\nThese have been transferred to Rare Books for individual cataloging.","Printed items about Poe include: \"The Americanism of Poe\" by C. Alphonso Smith (PS2638 .S47 1909); \"Poe – A Psychoanalytical View\" by Beverley Randolph Tucker (PS2631 .T83 1923); \"The Grave of Poe\" by Eugene Lemoine Didier (PS2632 .D54 1872); \"The Kit-kat\" with articles by Landon C. Bell and C. Alphonso Smith\" (AP2 .K5 v.5 no.1 1916 Copy 2); Centenary concert in the Wanamaker Auditorium commemorative of the Hundredth Anniversary of the birth of Edgar Allan Poe (PS2602 .C38 1909); and a review of Edgar Allan Poe's \"Eureka\" in \"The Indicator,\" a literary periodical conducted by students of Amherst College, 1849 February (LH1 .A514 I39 v.1 1849).","Othe items include a musical score using Poe's poem \"To Helen\" and music by Ch. M. Loeffler (PS2610 .T6 L6 1906); Musical score using Poe's poem \"Dream within a dream\" and music by Ch.M. Loeffler (PS2610 .D74 L6 1906); Miscellaneous printed materials from the Poe Alcove, UVA library (PS2631 P6 no. 01-04); Musical score using Poe's poem \"Israfel\" and music by Oliver King (PS2610 .I87 K5 1880); and \"Home Ballads by Our Home Poets,\" includes \"Annabel Lee\" (PS583 .H65 1865). The bill and program for Brazen Mask, a performance with Poe's parents in Boston, was transferred to Rare Books in 1977 and cataloged as Broadside 1809 .B67.","Printed items by Edgar Allan Poe include: \"A Valentine\" (PS2610 .V3 1849); \"Mesmerism 'in articulo mortis': an astounding and horrifying narrative, showing the extraordinary power of mesmerism in arresting the progress of death\" (PS2618 .F3 1846); \"The Purloined Letter\" (PS2618 .P8 1844); and a facsimile of \"The Murders in the Rue Morgue\" (PS2617 .A1 1905b).","Boxes 1-7 contain material from originals in another institution. No copies, transcriptions, or digital photographs can be made without the written permission of the institution holding the original. The location of all known original documents is indicated on the individual folders.","Albert and Shirley Small Special Collections Library","Poe, Edgar Allan, 1809-1849","Ingram, John Henry, 1842-1916","Griswold, Rufus Wilmot, 1815-1857","Chivers, T.H. (Thomas Holley), 1809-1858","Patton, John S. (John Shelton), 1857-1932","Whitman, Sarah Helen, 1803-1878","Thomas, Frederick W. (Frederick William), 1806-1866","Clemm, Maria Poe, 1790-1871","Kennedy, John Pendleton, 1795-1870","Ostrom, John Ward, 1903-","White, T.W. (Thomas Willis), 1788-1843","Lowell, James Russell, 1819-1891","Duyckinck, Evert A. (Evert Augustus), 1816-1878","Thompson, John Reuben, 1823-1873","Hewitt, Mary Elizabeth, 1807-1894","Richmond, Annie Locke, 1820-1898","Eveleth, George Washington, 1819-1908","English"],"collection_title_tesim":["Papers relating to Edgar Allan Poe and John Henry Ingram's Poe collection, 1809/1970"],"collection_ssim":["Papers relating to Edgar Allan Poe and John Henry Ingram's Poe collection, 1809/1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16207","Archival Resource Key","/repositories/3/resources/209"],"unitid_tesim":["MSS 16207","Archival Resource Key","/repositories/3/resources/209"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Poe, Edgar Allan, 1809-1849","Ingram, John Henry, 1842-1916"],"creator_ssim":["Poe, Edgar Allan, 1809-1849","Ingram, John Henry, 1842-1916"],"creator_persname_ssim":["Poe, Edgar Allan, 1809-1849","Ingram, John Henry, 1842-1916","Griswold, Rufus Wilmot, 1815-1857","Chivers, T.H. (Thomas Holley), 1809-1858","Patton, John S. (John Shelton), 1857-1932","Whitman, Sarah Helen, 1803-1878","Thomas, Frederick W. (Frederick William), 1806-1866","Clemm, Maria Poe, 1790-1871","Kennedy, John Pendleton, 1795-1870","Ostrom, John Ward, 1903-","White, T.W. (Thomas Willis), 1788-1843","Lowell, James Russell, 1819-1891","Duyckinck, Evert A. (Evert Augustus), 1816-1878","Thompson, John Reuben, 1823-1873","Hewitt, Mary Elizabeth, 1807-1894","Richmond, Annie Locke, 1820-1898","Eveleth, George Washington, 1819-1908"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Poe, Edgar Allan, 1809-1849","Ingram, John Henry, 1842-1916","Griswold, Rufus Wilmot, 1815-1857","Chivers, T.H. (Thomas Holley), 1809-1858","Patton, John S. (John Shelton), 1857-1932","Whitman, Sarah Helen, 1803-1878","Thomas, Frederick W. (Frederick William), 1806-1866","Clemm, Maria Poe, 1790-1871","Kennedy, John Pendleton, 1795-1870","Ostrom, John Ward, 1903-","White, T.W. (Thomas Willis), 1788-1843","Lowell, James Russell, 1819-1891","Duyckinck, Evert A. (Evert Augustus), 1816-1878","Thompson, John Reuben, 1823-1873","Hewitt, Mary Elizabeth, 1807-1894","Richmond, Annie Locke, 1820-1898","Eveleth, George Washington, 1819-1908","Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["Boxes 1-7 contain material from originals in another institution. No copies, transcriptions, or digital photographs can be made without the written permission of the institution holding the original. The location of all known original documents is indicated on the individual folders."],"acqinfo_ssim":["This part of the Ingram-Poe collection was not actually purchased from Laura Ingram with the main body of the collection (1922 March 17) but assembled by Special Collections staff over the years, some from other manuscript accessions and some copies of materials from other institutions or owners. \nIn 1933, Laura Ingram gave the University of Virginia her brother's unpublished manuscript, \"The True Story of Edgar Allan Poe,\" found in boxes 12-13 of this collection."],"access_subjects_ssim":["Scrapbooks"],"access_subjects_ssm":["Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["8 Cubic Feet 15 document boxes, 1 card file and 1 oversize folder"],"extent_tesim":["8 Cubic Feet 15 document boxes, 1 card file and 1 oversize folder"],"genreform_ssim":["Scrapbooks"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eSeries I: Copies and transcriptions of Poe related material (Boxes 1-7); Series II: Correspondence about Edgar Allan Poe or the John Henry Ingram-Poe collection (Box 8); Series III: Papers, articles, news clippings or works about Poe (Boxes 9-13); and Series IV: Poe Miscellany, includes prints, scrapbooks (Boxes 13-16).\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Copies and transcriptions of Poe related material (Boxes 1-7); Series II: Correspondence about Edgar Allan Poe or the John Henry Ingram-Poe collection (Box 8); Series III: Papers, articles, news clippings or works about Poe (Boxes 9-13); and Series IV: Poe Miscellany, includes prints, scrapbooks (Boxes 13-16)."],"bioghist_html_tesm":["\u003cp\u003eJohn Henry Ingram (1842-1916) was an English biographer and editor with a particular interest in the rehabilitation of the character and literary reputation of Edgar Allan Poe, which had been damaged by the memoir of Poe written by Rufus W. Griswold and published in 1850. He was the author of \"Edgar Allan Poe His Life, Letters, and Opinions,\" editor of \"The Works of Edgar Allan Poe\" (The Ingram Edition), 1874-1875, as well as others such as \"Elizabeth Barrett Browning,\" \"Christopher Marlowe and His Associates,\" and \"Chatterton and His Poetry.\" Ingram was born to John and Henrietta Smith Ingram at Finsbury, Middlesex, England. Upon his father's death, Ingram had to withdraw from the City College of London and obtained a Civil Service Commission and appointment to the Savings Bank Department of the London General Post Office on January 13, 1868. He spent his days employed in his work as a clerk and his evenings devoted to his real interest of studying and writing about literature, and collecting materials about Edgar Allan Poe. \nFor a much fuller biographical summary of John Henry Ingram, please see the online biographical note: \nhttp://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00220.xml  and the biographical sketch in the \"Guide to the Microfilm Edition of John Henry Ingram's Poe Collection,\" Paul P. Hoffman, editor (1967).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Henry Ingram (1842-1916) was an English biographer and editor with a particular interest in the rehabilitation of the character and literary reputation of Edgar Allan Poe, which had been damaged by the memoir of Poe written by Rufus W. Griswold and published in 1850. He was the author of \"Edgar Allan Poe His Life, Letters, and Opinions,\" editor of \"The Works of Edgar Allan Poe\" (The Ingram Edition), 1874-1875, as well as others such as \"Elizabeth Barrett Browning,\" \"Christopher Marlowe and His Associates,\" and \"Chatterton and His Poetry.\" Ingram was born to John and Henrietta Smith Ingram at Finsbury, Middlesex, England. Upon his father's death, Ingram had to withdraw from the City College of London and obtained a Civil Service Commission and appointment to the Savings Bank Department of the London General Post Office on January 13, 1868. He spent his days employed in his work as a clerk and his evenings devoted to his real interest of studying and writing about literature, and collecting materials about Edgar Allan Poe. \nFor a much fuller biographical summary of John Henry Ingram, please see the online biographical note: \nhttp://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00220.xml  and the biographical sketch in the \"Guide to the Microfilm Edition of John Henry Ingram's Poe Collection,\" Paul P. Hoffman, editor (1967)."],"odd_html_tesm":["\u003cp\u003eMany of these Poe related items have been transferred from previous accessions. For the convenience of the researcher, these previous accessions have been noted below in the order of acquisition.\nThese include: MSS 38-305, MSS 38-409, MSS 38-623, MSS 234, MSS 783, MSS 829, MSS 915, MSS 938, MSS 947, MSS 1003, MSS 1107, MSS 1116, MSS 1127, MSS 1176, MSS 1204, 1307, MSS 1307-a, MSS 1411, MSS 1473, MSS 1603, MSS 1739, MSS 2238, MSS 2250, MSS 2304, MSS 2307, MSS 2316, MSS 2336, MSS 2413, MSS 2456, MSS 2572, MSS 2996, MSS 3012, MSS 3012-b, MSS 3012-c, MSS 3138, MSS 3497, MSS 3857, MSS 4440-a, MSS 6577, MSS 6640, MSS 7035, MSS 7035-a, MSS 7381, MSS 7479, MSS 8657, and MSS 9272-a.\u003c/p\u003e  ","\u003cp\u003eThis letter was dated December 23, 1846, by the Edgar Allan Poe Society of Baltimore on their website: www.eapoe.org/people/willisnp.htm.\u003c/p\u003e","\u003cp\u003eThese are photostatic copies of pages missing from the bound print copies in the Special Collections stacks (AP 2 .B9 vol. 1-2, 1845-1846).\u003c/p\u003e"],"odd_heading_ssm":["Transfer Note","General","General"],"odd_tesim":["Many of these Poe related items have been transferred from previous accessions. For the convenience of the researcher, these previous accessions have been noted below in the order of acquisition.\nThese include: MSS 38-305, MSS 38-409, MSS 38-623, MSS 234, MSS 783, MSS 829, MSS 915, MSS 938, MSS 947, MSS 1003, MSS 1107, MSS 1116, MSS 1127, MSS 1176, MSS 1204, 1307, MSS 1307-a, MSS 1411, MSS 1473, MSS 1603, MSS 1739, MSS 2238, MSS 2250, MSS 2304, MSS 2307, MSS 2316, MSS 2336, MSS 2413, MSS 2456, MSS 2572, MSS 2996, MSS 3012, MSS 3012-b, MSS 3012-c, MSS 3138, MSS 3497, MSS 3857, MSS 4440-a, MSS 6577, MSS 6640, MSS 7035, MSS 7035-a, MSS 7381, MSS 7479, MSS 8657, and MSS 9272-a.","This letter was dated December 23, 1846, by the Edgar Allan Poe Society of Baltimore on their website: www.eapoe.org/people/willisnp.htm.","These are photostatic copies of pages missing from the bound print copies in the Special Collections stacks (AP 2 .B9 vol. 1-2, 1845-1846)."],"originalsloc_html_tesm":["\u003cp\u003eThe ownership of all original documents with copies in this collections is indicated on the individual folders when known.\u003c/p\u003e  ","\u003cp\u003eThe original bill and program for \"Brazen Mask\" was transferred to Rare Books in 1977 and cataloged as Broadside 1809 .B67.\u003c/p\u003e","\u003cp\u003eThe original is in the Papers of Edgar Allan Poe, MSS 38-623\u003c/p\u003e","\u003cp\u003eThe original is in the papers of Edgar Allan Poe.\u003c/p\u003e","\u003cp\u003eThe original is in the papers of Edgar Allan Poefor original see Vault-Poe, MSS 3857\u003c/p\u003e","\u003cp\u003eoriginal tipped in Rare Book PS2605.A1 1901c\u003c/p\u003e","\u003cp\u003eThe original is located in MSS 3857.\u003c/p\u003e","\u003cp\u003eThis item was scanned and the original transferred to Rare Books.\u003c/p\u003e","\u003cp\u003eThe original item was transferred to Rare Books.\u003c/p\u003e","\u003cp\u003eThe original letter is in MSS 3857.\u003c/p\u003e","\u003cp\u003eThe original letter is in MSS 3857.\u003c/p\u003e","\u003cp\u003eThe original scrapbook is in Box 14, Volume 1; some of the items in the scrapbook were not transcribed, some of the loose originals transcribed are in a folder in Box 14, Folder 1a.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["The ownership of all original documents with copies in this collections is indicated on the individual folders when known.","The original bill and program for \"Brazen Mask\" was transferred to Rare Books in 1977 and cataloged as Broadside 1809 .B67.","The original is in the Papers of Edgar Allan Poe, MSS 38-623","The original is in the papers of Edgar Allan Poe.","The original is in the papers of Edgar Allan Poefor original see Vault-Poe, MSS 3857","original tipped in Rare Book PS2605.A1 1901c","The original is located in MSS 3857.","This item was scanned and the original transferred to Rare Books.","The original item was transferred to Rare Books.","The original letter is in MSS 3857.","The original letter is in MSS 3857.","The original scrapbook is in Box 14, Volume 1; some of the items in the scrapbook were not transcribed, some of the loose originals transcribed are in a folder in Box 14, Folder 1a."],"prefercite_html_tesm":["\u003cp\u003ePapers Relating to Edgar Allan Poe and John Henry Ingram's Poe Collection, MSS 16207, Special Collections, University of Virginia Library, Charlottesville, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Papers Relating to Edgar Allan Poe and John Henry Ingram's Poe Collection, MSS 16207, Special Collections, University of Virginia Library, Charlottesville, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally cataloged as part of MSS 38-135 but it is not described in the guide to the Ingram-Poe collection. It was commonly called the \"Poe transcripts\" even though it consisted primarily of copies of Poe correspondence, not transcriptions. Rather than re-write the Ingram-Poe guide to include this material, we decided to split off these boxes and write a guide just for them.\nSome items in the collection were transferred from other collections in the University of Virginia Special Collections Library and these are noted in individual descriptions at the folder level. Some of this material consists of copies of Edgar Allan Poe papers held at institutions other than the University of Virginia and these folders and boxes (Boxes 1-7) are stamped with that information.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally cataloged as part of MSS 38-135 but it is not described in the guide to the Ingram-Poe collection. It was commonly called the \"Poe transcripts\" even though it consisted primarily of copies of Poe correspondence, not transcriptions. Rather than re-write the Ingram-Poe guide to include this material, we decided to split off these boxes and write a guide just for them.\nSome items in the collection were transferred from other collections in the University of Virginia Special Collections Library and these are noted in individual descriptions at the folder level. Some of this material consists of copies of Edgar Allan Poe papers held at institutions other than the University of Virginia and these folders and boxes (Boxes 1-7) are stamped with that information."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections also has a microfilm of \"The True Story of Edgar Allan Poe\" by John Henry Ingram, consisting of the galleys with autograph corrections, negative microfilm copy, (M-2433).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Special Collections also has a microfilm of \"The True Story of Edgar Allan Poe\" by John Henry Ingram, consisting of the galleys with autograph corrections, negative microfilm copy, (M-2433)."],"scopecontent_html_tesm":["\u003cp\u003eThe copies and transcriptions of Poe related material in the first series, usually correspondence or manuscripts, includes the names of correspondents, location of the originals if known, the accession number of any material acquired by the University of Virginia and accessioned as a collection before being interfiled in this collection, which was formerly known as the \"Poe transcripts.\" Also included on each folder is the reference to the page citing each item in \"The Collected Letters of the Edgar Allan Poe\" by John Ward Ostrom (1903-1993), a professor of English at Wittenberg College, Springfield, Ohio. Some original appearances in print have been transferred to Rare Books.\nThe second series contains non-contemporary correspondence about Edgar Allan Poe or the Ingram-Poe collection, particularly its purchase (see Box 8, Folder 18). Much of the correspondence is with the Librarian of the University, John S. Patton, or University of Virginia faculty.\nThe third series contains various papers, articles, news clippings and printed material arranged chronologically by year, a checklist compiled by John Ward Ostrom, notes on Poe, thesis by Alevia Stiles Alexander, and the unpublished manuscript for \"The True Story of Edgar Allan Poe\" by John Henry Ingram, also available on microfilm M-2433. \nThe last series contains Poe miscellany, including a cigarette card, photographs, post cards, prints, a scrapbook on Dr. Thomas Holley Chivers compiled by John Dewitt Miller and John Wilson Townsend, 6 Poe Miscellany scrapbooks compiled by John S. Patton, 13 etching blocks for John Henry Ingram illustrations, and an alphabetical index card file for Poe transcripts and copies.\u003c/p\u003e  ","\u003cp\u003eHe writes concerning the neglected condition of Poe's grave and a proposed monument to Poe, sent from Sarah H. Whitman to John H. Ingram.\u003c/p\u003e","\u003cp\u003eHe declines to write an article on Poe and discusses the work already done on Poe by Baudelaire and Hennequin.\u003c/p\u003e","\u003cp\u003eHe writes concerning a prose adaptation in one act of \"The Tell Tale Heart.\"\u003c/p\u003e","\u003cp\u003eReynolds sends a caption and several corrections to his written statement about Poe given previously to [Harrison?] and discusses his Poe collection, all presumably to aid in the publication of \"The Complete Works of Edgar Allan Poe\" edited by Professor Harrison.\u003c/p\u003e","\u003cp\u003eIncludes Tabb's poem for the Poe centenary and copies of \"Poe's Purgatory\" and \"Rejected.\"\u003c/p\u003e","\u003cp\u003eBewley sends a copy of his book on the family of Poe.\u003c/p\u003e","\u003cp\u003eWeiss sends a copy of her book on the home life of Poe.\u003c/p\u003e","\u003cp\u003eAbout 24 letters and postcards concerning Poe poems, manuscripts, editions, portraits, his desk at the \"Southern Literary Messenger\" office, and scattered comments about John R. Thompson.\u003c/p\u003e","\u003cp\u003eDiscusses  a conference of people interested in Poe's philosophy as expressed in \"Eureka\" and refers to an article on Poe by O'Sullivan.\u003c/p\u003e","\u003cp\u003ePraises Mourey's translation of Poe.\u003c/p\u003e","\u003cp\u003eWrites on the subject of the authenticity of the small bust portrait of Poe offered to the University of Virginia Library by Mr. J.B. MonGar, supposedly painted by Edmund Darley in the 1840s.\u003c/p\u003e","\u003cp\u003eContains about 28 letters concerning her book, \"Edgar Allan Poe: The Man,\" John R. Thompson, and other Poe related matters.\u003c/p\u003e","\u003cp\u003eTucker writes regarding a medical diagnosis of Poe's brain condition.\u003c/p\u003e","\u003cp\u003eThe postcard concerns information on a clipping.\u003c/p\u003e","\u003cp\u003eItems include articles about Chivers and Poe; correspondence of John Wilson Townsend about Chivers, including one from Dewitt Miller, November [8], 1909, where he expresses the belief that Chivers published ten works (page 36); notes kept on Chivers works (pages 37-47); clippings about Chivers life and work (pages 49-59); letters from E.P. Chivers, grandson of Dr. Chivers, and from Emma Chivers Potter, the daughter of Dr. Thomas Holley Chivers, about biographical information (pages 61-73); photographs of Thomas Holley Chivers (page 77) and his daughter, Emma Chivers Potter (page 79); Charles W. Kent letter to Townsend, assuring him that the Raven Society would welcome the Chivers Scrapbook, October 10, 1911 (page 89); correspondence of John Wilson Townsend with institutions concerning whether they own any Chivers materials; (83-99); and \"In Praise of Dewitt Miller,\" 1911, by Townsend (pages 107-115).\u003c/p\u003e","\u003cp\u003eItems include correspondence of John Wilson Townsend with institutions concerning whether they own any Chivers materials; one letter, February 21, 1908, from Emma Chivers Potter, the daughter of Dr. Thomas Holley Chivers, about biographical information; two articles about Chivers, 1896-1897, and bibliographical notes about two books by Chivers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The copies and transcriptions of Poe related material in the first series, usually correspondence or manuscripts, includes the names of correspondents, location of the originals if known, the accession number of any material acquired by the University of Virginia and accessioned as a collection before being interfiled in this collection, which was formerly known as the \"Poe transcripts.\" Also included on each folder is the reference to the page citing each item in \"The Collected Letters of the Edgar Allan Poe\" by John Ward Ostrom (1903-1993), a professor of English at Wittenberg College, Springfield, Ohio. Some original appearances in print have been transferred to Rare Books.\nThe second series contains non-contemporary correspondence about Edgar Allan Poe or the Ingram-Poe collection, particularly its purchase (see Box 8, Folder 18). Much of the correspondence is with the Librarian of the University, John S. Patton, or University of Virginia faculty.\nThe third series contains various papers, articles, news clippings and printed material arranged chronologically by year, a checklist compiled by John Ward Ostrom, notes on Poe, thesis by Alevia Stiles Alexander, and the unpublished manuscript for \"The True Story of Edgar Allan Poe\" by John Henry Ingram, also available on microfilm M-2433. \nThe last series contains Poe miscellany, including a cigarette card, photographs, post cards, prints, a scrapbook on Dr. Thomas Holley Chivers compiled by John Dewitt Miller and John Wilson Townsend, 6 Poe Miscellany scrapbooks compiled by John S. Patton, 13 etching blocks for John Henry Ingram illustrations, and an alphabetical index card file for Poe transcripts and copies.","He writes concerning the neglected condition of Poe's grave and a proposed monument to Poe, sent from Sarah H. Whitman to John H. Ingram.","He declines to write an article on Poe and discusses the work already done on Poe by Baudelaire and Hennequin.","He writes concerning a prose adaptation in one act of \"The Tell Tale Heart.\"","Reynolds sends a caption and several corrections to his written statement about Poe given previously to [Harrison?] and discusses his Poe collection, all presumably to aid in the publication of \"The Complete Works of Edgar Allan Poe\" edited by Professor Harrison.","Includes Tabb's poem for the Poe centenary and copies of \"Poe's Purgatory\" and \"Rejected.\"","Bewley sends a copy of his book on the family of Poe.","Weiss sends a copy of her book on the home life of Poe.","About 24 letters and postcards concerning Poe poems, manuscripts, editions, portraits, his desk at the \"Southern Literary Messenger\" office, and scattered comments about John R. Thompson.","Discusses  a conference of people interested in Poe's philosophy as expressed in \"Eureka\" and refers to an article on Poe by O'Sullivan.","Praises Mourey's translation of Poe.","Writes on the subject of the authenticity of the small bust portrait of Poe offered to the University of Virginia Library by Mr. J.B. MonGar, supposedly painted by Edmund Darley in the 1840s.","Contains about 28 letters concerning her book, \"Edgar Allan Poe: The Man,\" John R. Thompson, and other Poe related matters.","Tucker writes regarding a medical diagnosis of Poe's brain condition.","The postcard concerns information on a clipping.","Items include articles about Chivers and Poe; correspondence of John Wilson Townsend about Chivers, including one from Dewitt Miller, November [8], 1909, where he expresses the belief that Chivers published ten works (page 36); notes kept on Chivers works (pages 37-47); clippings about Chivers life and work (pages 49-59); letters from E.P. Chivers, grandson of Dr. Chivers, and from Emma Chivers Potter, the daughter of Dr. Thomas Holley Chivers, about biographical information (pages 61-73); photographs of Thomas Holley Chivers (page 77) and his daughter, Emma Chivers Potter (page 79); Charles W. Kent letter to Townsend, assuring him that the Raven Society would welcome the Chivers Scrapbook, October 10, 1911 (page 89); correspondence of John Wilson Townsend with institutions concerning whether they own any Chivers materials; (83-99); and \"In Praise of Dewitt Miller,\" 1911, by Townsend (pages 107-115).","Items include correspondence of John Wilson Townsend with institutions concerning whether they own any Chivers materials; one letter, February 21, 1908, from Emma Chivers Potter, the daughter of Dr. Thomas Holley Chivers, about biographical information; two articles about Chivers, 1896-1897, and bibliographical notes about two books by Chivers."],"separatedmaterial_html_tesm":["\u003cp\u003eSome prints and photographs were removed and transferred to the Edgar Allan Poe collection.\nSeveral items in this collection were original printed appearances of work by Edgar Allan Poe or about him.\nThese have been transferred to Rare Books for individual cataloging. \u003c/p\u003e","\u003cp\u003ePrinted items about Poe include: \"The Americanism of Poe\" by C. Alphonso Smith (PS2638 .S47 1909); \"Poe – A Psychoanalytical View\" by Beverley Randolph Tucker (PS2631 .T83 1923); \"The Grave of Poe\" by Eugene Lemoine Didier (PS2632 .D54 1872); \"The Kit-kat\" with articles by Landon C. Bell and C. Alphonso Smith\" (AP2 .K5 v.5 no.1 1916 Copy 2); Centenary concert in the Wanamaker Auditorium commemorative of the Hundredth Anniversary of the birth of Edgar Allan Poe (PS2602 .C38 1909); and a review of Edgar Allan Poe's \"Eureka\" in \"The Indicator,\" a literary periodical conducted by students of Amherst College, 1849 February (LH1 .A514 I39 v.1 1849). \u003c/p\u003e","\u003cp\u003eOthe items include a musical score using Poe's poem \"To Helen\" and music by Ch. M. Loeffler (PS2610 .T6 L6 1906); Musical score using Poe's poem \"Dream within a dream\" and music by Ch.M. Loeffler (PS2610 .D74 L6 1906); Miscellaneous printed materials from the Poe Alcove, UVA library (PS2631 P6 no. 01-04); Musical score using Poe's poem \"Israfel\" and music by Oliver King (PS2610 .I87 K5 1880); and \"Home Ballads by Our Home Poets,\" includes \"Annabel Lee\" (PS583 .H65 1865). The bill and program for Brazen Mask, a performance with Poe's parents in Boston, was transferred to Rare Books in 1977 and cataloged as Broadside 1809 .B67. \u003c/p\u003e","\u003cp\u003ePrinted items by Edgar Allan Poe include: \"A Valentine\" (PS2610 .V3 1849); \"Mesmerism 'in articulo mortis': an astounding and horrifying narrative, showing the extraordinary power of mesmerism in arresting the progress of death\" (PS2618 .F3 1846); \"The Purloined Letter\" (PS2618 .P8 1844); and a facsimile of \"The Murders in the Rue Morgue\" (PS2617 .A1 1905b).\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Some prints and photographs were removed and transferred to the Edgar Allan Poe collection.\nSeveral items in this collection were original printed appearances of work by Edgar Allan Poe or about him.\nThese have been transferred to Rare Books for individual cataloging.","Printed items about Poe include: \"The Americanism of Poe\" by C. Alphonso Smith (PS2638 .S47 1909); \"Poe – A Psychoanalytical View\" by Beverley Randolph Tucker (PS2631 .T83 1923); \"The Grave of Poe\" by Eugene Lemoine Didier (PS2632 .D54 1872); \"The Kit-kat\" with articles by Landon C. Bell and C. Alphonso Smith\" (AP2 .K5 v.5 no.1 1916 Copy 2); Centenary concert in the Wanamaker Auditorium commemorative of the Hundredth Anniversary of the birth of Edgar Allan Poe (PS2602 .C38 1909); and a review of Edgar Allan Poe's \"Eureka\" in \"The Indicator,\" a literary periodical conducted by students of Amherst College, 1849 February (LH1 .A514 I39 v.1 1849).","Othe items include a musical score using Poe's poem \"To Helen\" and music by Ch. M. Loeffler (PS2610 .T6 L6 1906); Musical score using Poe's poem \"Dream within a dream\" and music by Ch.M. Loeffler (PS2610 .D74 L6 1906); Miscellaneous printed materials from the Poe Alcove, UVA library (PS2631 P6 no. 01-04); Musical score using Poe's poem \"Israfel\" and music by Oliver King (PS2610 .I87 K5 1880); and \"Home Ballads by Our Home Poets,\" includes \"Annabel Lee\" (PS583 .H65 1865). The bill and program for Brazen Mask, a performance with Poe's parents in Boston, was transferred to Rare Books in 1977 and cataloged as Broadside 1809 .B67.","Printed items by Edgar Allan Poe include: \"A Valentine\" (PS2610 .V3 1849); \"Mesmerism 'in articulo mortis': an astounding and horrifying narrative, showing the extraordinary power of mesmerism in arresting the progress of death\" (PS2618 .F3 1846); \"The Purloined Letter\" (PS2618 .P8 1844); and a facsimile of \"The Murders in the Rue Morgue\" (PS2617 .A1 1905b)."],"userestrict_html_tesm":["\u003cp\u003eBoxes 1-7 contain material from originals in another institution. No copies, transcriptions, or digital photographs can be made without the written permission of the institution holding the original. The location of all known original documents is indicated on the individual folders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Boxes 1-7 contain material from originals in another institution. No copies, transcriptions, or digital photographs can be made without the written permission of the institution holding the original. The location of all known original documents is indicated on the individual folders."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Poe, Edgar Allan, 1809-1849","Ingram, John Henry, 1842-1916","Griswold, Rufus Wilmot, 1815-1857","Chivers, T.H. (Thomas Holley), 1809-1858","Patton, John S. (John Shelton), 1857-1932","Whitman, Sarah Helen, 1803-1878","Thomas, Frederick W. (Frederick William), 1806-1866","Clemm, Maria Poe, 1790-1871","Kennedy, John Pendleton, 1795-1870","Ostrom, John Ward, 1903-","White, T.W. (Thomas Willis), 1788-1843","Lowell, James Russell, 1819-1891","Duyckinck, Evert A. (Evert Augustus), 1816-1878","Thompson, John Reuben, 1823-1873","Hewitt, Mary Elizabeth, 1807-1894","Richmond, Annie Locke, 1820-1898","Eveleth, George Washington, 1819-1908"],"names_coll_ssim":["Griswold, Rufus Wilmot, 1815-1857","Chivers, T.H. (Thomas Holley), 1809-1858","Patton, John S. (John Shelton), 1857-1932","Whitman, Sarah Helen, 1803-1878","Thomas, Frederick W. (Frederick William), 1806-1866","Clemm, Maria Poe, 1790-1871","Kennedy, John Pendleton, 1795-1870","Ostrom, John Ward, 1903-","White, T.W. (Thomas Willis), 1788-1843","Lowell, James Russell, 1819-1891","Duyckinck, Evert A. (Evert Augustus), 1816-1878","Thompson, John Reuben, 1823-1873","Hewitt, Mary Elizabeth, 1807-1894","Richmond, Annie Locke, 1820-1898","Eveleth, George Washington, 1819-1908"],"names_ssim":["Albert and Shirley Small Special Collections Library","Poe, Edgar Allan, 1809-1849","Ingram, John Henry, 1842-1916","Griswold, Rufus Wilmot, 1815-1857","Chivers, T.H. (Thomas Holley), 1809-1858","Patton, John S. (John Shelton), 1857-1932","Whitman, Sarah Helen, 1803-1878","Thomas, Frederick W. (Frederick William), 1806-1866","Clemm, Maria Poe, 1790-1871","Kennedy, John Pendleton, 1795-1870","Ostrom, John Ward, 1903-","White, T.W. (Thomas Willis), 1788-1843","Lowell, James Russell, 1819-1891","Duyckinck, Evert A. (Evert Augustus), 1816-1878","Thompson, John Reuben, 1823-1873","Hewitt, Mary Elizabeth, 1807-1894","Richmond, Annie Locke, 1820-1898","Eveleth, George Washington, 1819-1908"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":659,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:59.529Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_209_c03_c01"}},{"id":"viu_repositories_3_resources_941_c01_c01_c159","type":"File","attributes":{"title":"Avery, Asa W., and John F. Avery - Correspondence  - DL1152, 1863/1946","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01_c159#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_941_c01_c01_c159","ref_ssm":["viu_repositories_3_resources_941_c01_c01_c159"],"id":"viu_repositories_3_resources_941_c01_c01_c159","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941_c01_c01","parent_ssi":"viu_repositories_3_resources_941_c01_c01","parent_ssim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians, 1806/1988","Subseries A: Personal Papers, Service Records, and Artifacts, 1806/1988"],"parent_ids_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01","viu_repositories_3_resources_941_c01_c01"],"title_filing_ssi":"Avery, Asa W., and John F. Avery - Correspondence  - DL1152","title_ssm":["Avery, Asa W., and John F. Avery - Correspondence  - DL1152"],"title_tesim":["Avery, Asa W., and John F. Avery - Correspondence  - DL1152"],"normalized_title_ssm":["Avery, Asa W., and John F. Avery - Correspondence  - DL1152, 1863/1946"],"text":["Avery, Asa W., and John F. Avery - Correspondence  - DL1152, 1863/1946","John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians, 1806/1988","Subseries A: Personal Papers, Service Records, and Artifacts, 1806/1988","box 4 VLT_PRTCL","folder 42"],"parent_unittitles_ssm":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians, 1806/1988","Subseries A: Personal Papers, Service Records, and Artifacts, 1806/1988"],"parent_unittitles_tesim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians, 1806/1988","Subseries A: Personal Papers, Service Records, and Artifacts, 1806/1988"],"normalized_date_ssm":["1863/1946"],"unitdate_inclusive_ssm":["1863-1946"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":161,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"containers_ssim":["box 4 VLT_PRTCL","folder 42"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946],"_nest_path_":"/components#0/components#0/components#158","timestamp":"2026-06-23T07:29:41.611Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"unitdate_bulk_ssim":["1861-1865"],"normalized_date_ssm":["1806/1988, bulk 1861/1865"],"normalized_title_ssm":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"text":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end.","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations).","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order.","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number.","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning).","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations).","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following:","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online Civil War Soldiers and Sailors Database (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's Confederate and Southern State Currency, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's Civil War High Commands (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3.","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included.","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials.","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001).","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"collection_title_tesim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"collection_ssim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Key","/repositories/3/resources/941"],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival 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Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e  ","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end.","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations).","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order.","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. 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Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e  ","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e  ","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e  ","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number.","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning).","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations).","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following:","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online Civil War Soldiers and Sailors Database (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's Confederate and Southern State Currency, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's Civil War High Commands (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3.","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included."],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e  ","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials.","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001).","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:29:41.611Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01_c159"}},{"id":"viu_repositories_3_resources_941_c01_c01_c177","type":"File","attributes":{"title":"Baker, Joseph D. - DL1848 - Correspondence, 1870/1887","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01_c177#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_941_c01_c01_c177","ref_ssm":["viu_repositories_3_resources_941_c01_c01_c177"],"id":"viu_repositories_3_resources_941_c01_c01_c177","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941_c01_c01","parent_ssi":"viu_repositories_3_resources_941_c01_c01","parent_ssim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians, 1806/1988","Subseries A: Personal Papers, Service Records, and Artifacts, 1806/1988"],"parent_ids_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01","viu_repositories_3_resources_941_c01_c01"],"title_filing_ssi":"Baker, Joseph D. - DL1848 - Correspondence","title_ssm":["Baker, Joseph D. - DL1848 - Correspondence"],"title_tesim":["Baker, Joseph D. - DL1848 - Correspondence"],"normalized_title_ssm":["Baker, Joseph D. - DL1848 - Correspondence, 1870/1887"],"text":["Baker, Joseph D. - DL1848 - Correspondence, 1870/1887","John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians, 1806/1988","Subseries A: Personal Papers, Service Records, and Artifacts, 1806/1988","box 5 VLT_PRTCL","folder 11"],"parent_unittitles_ssm":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians, 1806/1988","Subseries A: Personal Papers, Service Records, and Artifacts, 1806/1988"],"parent_unittitles_tesim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians, 1806/1988","Subseries A: Personal Papers, Service Records, and Artifacts, 1806/1988"],"normalized_date_ssm":["1870/1887"],"unitdate_inclusive_ssm":["1870-1887"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":179,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"containers_ssim":["box 5 VLT_PRTCL","folder 11"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887],"_nest_path_":"/components#0/components#0/components#176","timestamp":"2026-06-23T07:29:41.611Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"unitdate_bulk_ssim":["1861-1865"],"normalized_date_ssm":["1806/1988, bulk 1861/1865"],"normalized_title_ssm":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"text":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end.","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations).","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order.","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number.","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning).","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations).","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following:","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online Civil War Soldiers and Sailors Database (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's Confederate and Southern State Currency, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's Civil War High Commands (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3.","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included.","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials.","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001).","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"collection_title_tesim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"collection_ssim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Key","/repositories/3/resources/941"],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival 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Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e  ","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end.","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations).","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order.","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M. Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis \u0026amp; Cosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Platt, Oberlin, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. E. Prall, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Worms \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Roth, Freehold, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Barker, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Knecht, Easton, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victory Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by G. L. Collins, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ullary \u0026amp; Perry, Greenville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Roberts, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Zay, Findlay, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: V. B. Massey, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Kasten, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Aldridge \u0026amp; Merriman, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Rees \u0026amp; Bros., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Pope, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Klauber, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. J. 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Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e  ","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e  ","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e  ","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number.","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning).","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations).","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following:","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online Civil War Soldiers and Sailors Database (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's Confederate and Southern State Currency, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's Civil War High Commands (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3.","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included."],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e  ","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials.","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001).","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:29:41.611Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01_c177"}},{"id":"viu_viu00097_c03_c02","type":"Item","attributes":{"title":"Bank Book of James C. Cochran, 1883/1885","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu00097_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00097_c03_c02","ref_ssm":["viu_viu00097_c03_c02"],"id":"viu_viu00097_c03_c02","ead_ssi":"viu_viu00097","_root_":"viu_viu00097","_nest_parent_":"viu_viu00097_c03","parent_ssi":"viu_viu00097_c03","parent_ssim":["Folly Farm Papers \n         1774-1891","Bound Volumes"],"parent_ids_ssim":["viu_viu00097","viu_viu00097_c03"],"title_filing_ssi":"Bank Book of James C. Cochran","title_ssm":["Bank Book of James C. Cochran"],"title_tesim":["Bank Book of James C. Cochran"],"normalized_title_ssm":["Bank Book of James C. Cochran, 1883/1885"],"text":["Bank Book of James C. Cochran, 1883/1885","Folly Farm Papers \n         1774-1891","Bound Volumes","Box Box 3"],"parent_unittitles_ssm":["Folly Farm Papers \n         1774-1891","Bound Volumes"],"parent_unittitles_tesim":["Folly Farm Papers \n         1774-1891","Bound Volumes"],"normalized_date_ssm":["1883/1885"],"unitdate_other_ssim":["1883-1885"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":34,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Folly Farm Papers \n         1774-1891"],"containers_ssim":["Box Box 3"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1883,1884,1885],"_nest_path_":"/components#2/components#1","timestamp":"2026-06-23T07:31:56.027Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00097","ead_ssi":"viu_viu00097","_root_":"viu_viu00097","_nest_parent_":"viu_viu00097","ead_source_url_ssi":"data/uva-sc/viu00097.xml","title_ssm":["Folly Farm Papers \n         1774-1891"],"title_tesim":["Folly Farm Papers \n         1774-1891"],"normalized_title_ssm":["Folly Farm Papers \n         1774-1891"],"text":["Folly Farm Papers \n         1774-1891","9380 and 9380-a","842 items","Collection is open to research","Funded in part by a grant from the National Endowment\n            for the Humanities","This collection of 842 items, 1774-1891, n.d., consists of\n         correspondence, business and legal papers, account books and a\n         survey book belonging to various families. The material\n         relates to the \n         Smith familyof \n         Staunton, the \n         Lewis familyof \n         Sweet Springs(now \n         West Virginia) and the \n         Cochran familyof \n         Charlottesvilleand \n         Staunton.","Folly Farmwas founded by \n         Joseph Smithin 1818 and is located about\n         two miles south of \n         Stauntonon Route 11. It has a serpentine\n         wall which was designed by \n         Thomas Jefferson.","Correspondence of the \n         Cochran familyis mainly concerned with\n         family relationships. A few letters relate events in the Civil\n         War. An October 17, 1861 letter speaks of an overcoat factory\n         founded by \n         Stauntonwomen. In a letter to \n         Maggie Cochran(July 1, 1862) the victory\n         over McClellan at \n         Frasyers Farmis described. A letter to \n         Mittie Cochran(September 2, 1861)\n         mentions an engagement near \n         Fairfax. \n         Joseph S. Cochranattended the \n         University of Virginiaand a letter from\n         him (October 7, 1890) mentions his impressions of Professors \n         [Albert Henry] Tuttleand \n         [John William] Mallet.","Letters between \n         John Lewis Cochranand his mother \n         Margaret Lynn (Lewis) Cochrandeals\n         chiefly with family matters. The letter of September 7, 1857\n         mentions the status of their business operations. An\n         interesting letter (June 27, 1848) gives a view of slavery and\n         abolitionists. \n         Nannie Cochran's death and its effects is\n         mentioned in August 20, 1863.","Letters between \n         Howe Peyton Cochranand his mother \n         Margaret Lynn (Lewis) Cochranare about\n         personal affairs and the Civil War. The early letters concern \n         Howe Peyton Cochran's attendance of the \n         Hanover Academywhere he was very bored\n         and often homesick except when he traveled to \n         Richmond. Some interesting Civil War\n         letters are July 27, Sept 5, 14, \u0026 20, 1861. \n         Howe Peyton Cochranleft the active\n         service when a substitute was bought for him (May 23, 1862). A\n         n.d. letter mentions \n         Monticello hospitalbeing condemned due to\n         Typhoid fever. The letter of August 16, 1863 mentions the\n         deaths of \n         Nannie Cohranand \n         Maggie Cochran.","Letters between \n         Willie Lynn Cochranand his mother \n         Margaret Lynn (Lewis) Cochranwere written\n         while \n         Willie Lynn Cochranattended school in \n         Brownsburgand mostly contain pleas for\n         more letters from home.","Letters between \n         Howe Peyton Cochranand his wife \n         Nannie L. (Carrington) Cochran(married\n         December 18, 1860), written during the Civil War, are chiefly\n         personal in nature but many contain a little information about\n         the war. Some of the more important letters are as follows.\n         His letter of January 5, 1861 describes the commanding\n         officers of \n         Howe Peyton Cochran's regiment ( \n         1st regiment Virginia Artillery) which\n         included General Magruder, Colonels Sulakowski, \n         Tom Cobb, \n         Howell Cobb, Montagne, Ward, and Major\n         Brown. Letters of December 8, 11, 13, \u0026 16 detail\n         preparations for an attack that never occurred. Letters of\n         February 24, 25 discuss the problems in the company and an\n         expedition that did not start. The letters of March 1862 also\n         give the problems of the company and preparations for a large\n         battle near \n         Yorktown. The letters of April 1862\n         contain references to the skirmishes occurring at \n         Yorktown. The letters of May 9 and 14,\n         1862 gives a sketch of the battle of \n         Williamsburgwhich \n         Howe Peyton Cochran's regiment did not\n         participate in. Nearly every letter also contains a plan to\n         get out of the service or at least out of his present company\n         and into an office job: Some of the schemes include becoming a\n         teacher at \n         Randolph Macon, becoming a clerk in the\n         war department, or joining his brother \n         James Cochran's unit. A son ( \n         Campbell Carrington Cochran, named for \n         Nannie Cochran's brother who died during\n         the war) was born on July 31, 1863, and \n         Nannie Cochrandied, apparently as a\n         result of complications from childbirth, on August 11,\n         1863.","Joseph D. Cochran's application for a \n         University of Missourichemistry chair\n         mentions his teachers (August 8, 1890) while at the \n         University of Virginiaand \n         College of Richmond. The letter of August\n         21, 1890 states he received references from Professors \n         [John William] Mallet, \n         [Francis Perry] Dunnington, \n         [George Frederick] Holmes, and \n         [Ormond] Stoneof the \n         University of Virginia, Professor Puryear\n         of the \n         College of Richmond, and his present\n         congressman \n         [Henry St. George] Tucker.","In Letters to \n         Campbell Carrington Cochran, two stirring\n         accounts of the virtue of \n         Nannie Cochranand her death are given on\n         the first birthday of \n         Campbell Carrington Cochran, July 31,\n         1864.","In Letters to \n         Henry Cochranfamily affairs are\n         discussed. An October 11, 1862 letter mentions prices of basic\n         foods and how the state is covered with blood, \"Turn whichever\n         way you may nothing meets your eye, but maimed and bleeding\n         soldiers.\" A January 15, 1863 letter mentions the death of \n         Maggie Cochranfrom Typhoid Fever and\n         pneumonia. On March 18, 1863, there is a reference to the\n         battle of \n         Culpepper. A March 31, 1863 letter\n         mentions houses and hospitals being destroyed to use the wood\n         for fuel. An April 16, 1863 letter mentions the prices of\n         food.","Letters to \n         Howe Peyton Cochrancontain more letters\n         about family affairs. Howe was perusing a teaching job at \n         Randolph Maconand the letters of November\n         20, \u0026 27, 1861 mention the peculiarity of the trustees who\n         wished for their teachers to be Methodist and in the military.\n         A letter of April 14, 1862 mentions the death of \n         Campbell Carrington( \n         Nannie Cochran's brother) after the\n         battle of \n         Cournifon April 11, 1862.","Letters to Colonel and Mrs. \n         James C. Cochraninclude correspondence\n         between their sons \n         John L. Cochran, \n         Joseph D. Cochran, and daughter \n         Anne Cochranwho went to \n         Gainesville, Floridabecause of \n         John Cochran's ill health in 1886. The\n         letters give the progression of \n         John Cochran's sickness which did not\n         improve substantially and eventually caused his death in\n         February 1887 after his return to \n         Staunton.","Letters to \n         John Cochrancontains an interesting\n         letter (February 17, 1830) on the price and selling of\n         hogs.","Letters to \n         Margaret Lynn (Lewis) Cochrancontain\n         letters from her brother \n         Thomas Preston Lewiswho served with the \n         War Departmentin the 1850's. There are\n         two interesting letters: January 5, 1852 which mentions the\n         visit of a Magyar to \n         Congresswho apparently impressed\n         everyone, and the concern of the American government over \n         Napoleon Bonapartewho was coming to power\n         in \n         France; and, March 6, 1859 which mentions\n         the factional wars going on in congress and the affect it had\n         on the treasury.","The first few letters to \n         Nannie (Carrington) Cochranare from\n         relations and friends unable to attend her and \n         Howe Peyton Cochran's wedding. The letter\n         of June 10, 1861 is from \n         John Lewis Cochranand contains very\n         interesting Civil War information, including the Union's\n         treatment of prisoners.","The letters to \n         Thomas Preston Lewishave been removed\n         from a letter book containing mostly business letters. There\n         is an index which has been placed at the back of the second\n         folder. \n         Thomas Preston Lewisreceived the right to\n         practice law in \n         Virginiaon September 3, 1847. He received\n         appointments in the \n         census bureau(October 8, 1850 -#48), and\n         later the \n         War Departmentbased on recommendations by\n         Alexander Hugh Holmes Stuart(November 15,\n         1850.) \n         Thomas Preston Lewis' ancestors fought in\n         the battle of \n         Point Pleasantand an attempt had been\n         made to have that battle declared the first of the\n         revolutionary war (August 24, 1858 -#1). A no date letter (#8)\n         contains an inventory of debts \n         Thomas Preston Lewishas at a store and\n         gives prices. Letters of December 29, 1853 (#16 and #20) are\n         introduction letters written by \n         John Buchanan Floyd. October 21, 1851\n         (#48) is a letter from \n         William Sparrow. March 6, 1866 (#159)\n         states that \n         Thomas Preston Lewislost all land in the\n         war and is now broke. Letters of February 14, 1866 (#161),\n         January 21, 1867 (#162) concern \n         Thomas Preston Lewistrying to collect on\n         his debts. \n         Thomas Preston Lewisattempted to have his\n         political disability resulting from service with the\n         confederacy removed (February 25, 1869 -#166, January 24, 1870\n         -#174, January 29, 1870 -#175.) Apparently this attempt was\n         successful because \n         Thomas Preston Lewisreceived help from \n         John F. Lewisin getting an appointment\n         (October 6, 1869 -#169, March 29, 1870 -#183.) \n         John F. Lewishad assisted \n         Thomas Preston Lewisbefore getting him\n         appointed as an assistant to the registrar in 1867 (September\n         28, 1867 -#189.) December 23, 1869 (#168) is from \n         B. F. Ballardand mentions that he will\n         call for a new \n         West Virginiaconstitution. Three letters\n         concern the sale of land held in \n         Iowawhich \n         Thomas Preston Lewisgot from his debt\n         collection (July 13, 1869 -#171, May 12, 1868 -#173, and July\n         25, 1869 -#174.) An item dated April 20, 1871 (#180) is a\n         notice placed by \n         Thomas Preston Lewisto bring all claims\n         for the pensions of veterans of the War of 1812. An August 21,\n         1871 (#196) letter contains an analysis of \n         Rawley Springsin \n         Rockingham County, Virginia. Letters of\n         December 7, 1870 (#204,) February 4, 1873 (#204,) and December\n         18, 1874 (#206) refer to \n         Thomas Preston Lewisstarting and running\n         a school for boys. The school must not have been too\n         successful because the letters of November 12, 1873 and\n         December 1874 (both #207) mention relatives sending what money\n         they can to \n         Thomas Preston Lewis. On September 10,\n         1874 (#209) there is an interesting letter on the \n         Floridaschool system.","Letters to \n         Ann M. Peytonfrom her sister \n         Margaret Lynn (Lewis) Cochranmention the \n         Cochran family's move from \n         Stauntonto \n         Charlottesville(October 24, 1826.) A\n         letter in June 1836 mentions the death of their sister\n         Mary.","Letters to \n         Joseph Smithcontain many applications for\n         loans. \n         Joseph Smithserved in the \n         General Assemblyfrom December 1, 1817 to\n         February 26, 1818 (December 2, 1817.) There is a letter dated\n         January 26, 1832 from \n         R. S. Brookewhich concerns the debate in\n         the \n         General Assemblyover slavery and the\n         conflict abolition has with personal property and\n         compensation. An item of January 13, 1860 values the land held\n         by \n         Joseph Smithto be $74,900.","Letters to \n         Joseph Smithfrom \n         William Widdifieldare mainly concerned\n         with the collection of a debt from \n         David Paul Brown. A letter of March 3,\n         1862 mentions \n         Joseph Smith's brothers \n         Abraham Smithand \n         Silas H. Smith.","Appointments contain some of the appointments and\n         promotions of the families. \n         James Cochranwas appointed justice of the\n         peace in \n         Augusta countyin 1798. There are \n         Joseph Smith's military promotions while\n         a member of \n         Virginia's 32nd militia. \n         James Cochranwas appointed Postmaster of \n         Folly Millsin 1874.","Business Papers contain bills, receipts and promissory\n         notes. One bill of June 15, 1815 is from \n         Joseph Smithto the \n         United Statesfor determining the number\n         of taxable people and taxable items in \n         Augusta county; the total number of\n         taxable people was 589. \n         Joseph Smithwas a life member of the \n         Virginia Agricultural Society(October 11,\n         1854.) Also there are five \n         South Carolinabonds issued after the\n         Civil War, but never cashed in.","Essays and Poetry include a poem lamenting the death of \n         Elizabeth Battaile Smith(November 17,\n         1810), a poem about an insane hospital in \n         Boston(March 1830), an obituary of \n         Magdalene Crawford(May 21, 1849), and\n         lecture notes to teach Physics (n.d.)","French Spoliation claims represent the attempt to get money\n         for the damages done by the French before 1800. The \n         United States, however, had exonerated\n         the French from having to pay so many felt the \n         Federal governmentshould pay the\n         damages.","Inventories of Debts due \n         Joseph Smithcontain detailed lists of\n         everyone and every business which owed \n         Joseph Smithmoney. The amounts were\n         considerable, some reaching as high as $134,000.","Legal documents contain mostly deeds and a few court case\n         decisions.","Slave Lists list all the slaves owned by \n         Joseph Smithand are divided into those\n         which are hired out and those which remain at home. A n.d.\n         item lists the amount spent on some of the slaves for\n         Christmas gifts.","Miscellaneous material includes a confirmation certificate\n         of \n         Ann (Price) Smith(June 5, 1811), lottery\n         tickets (1812), report cards of \n         Campbell Carrington Cochran(1872), a\n         survey attempting to promote the new South (1894), and\n         business cards of \n         Joseph Smithand Dr. \n         Henry Cochran.","index at back of second folder","See the \n            \n            University of Virginia Library’s use policy.","University of Virginia. Library. Special\n            Collections Dept.","Folly Farm","Frasyers Farm","University of Virginia","Hanover Academy","Monticello hospital","1st regiment Virginia Artillery","Randolph Macon","University of Missouri","College of Richmond","War Department","Congress","census bureau","General Assembly","Virginia's 32nd militia","Folly Mills","Virginia Agricultural Society","Federal government","Smith family","Lewis family","Cochran family","Joseph S. Cochran, Jr.","Joseph Smith","Thomas Jefferson","Maggie Cochran","Mittie Cochran","Joseph S. Cochran","[Albert Henry] Tuttle","[John William] Mallet","John Lewis Cochran","Margaret Lynn (Lewis) Cochran","Nannie Cochran","Howe Peyton Cochran","Nannie Cohran","Willie Lynn Cochran","Nannie L. (Carrington) Cochran","Tom Cobb","Howell Cobb","James Cochran","Campbell Carrington Cochran","Joseph D. Cochran","[Francis Perry] Dunnington","[George Frederick] Holmes","[Ormond] Stone","[Henry St. George] Tucker","Henry Cochran","Campbell Carrington","James C. Cochran","John L. Cochran","Anne Cochran","John Cochran","Thomas Preston Lewis","Napoleon Bonaparte","Nannie (Carrington) Cochran","Alexander Hugh Holmes Stuart","John Buchanan Floyd","William Sparrow","John F. Lewis","B. F. Ballard","Ann M. Peyton","R. S. Brooke","William Widdifield","David Paul Brown","Abraham Smith","Silas H. Smith","Elizabeth Battaile Smith","Magdalene Crawford","Ann (Price) Smith","English"],"collection_title_tesim":["Folly Farm Papers \n         1774-1891"],"collection_ssim":["Folly Farm Papers \n         1774-1891"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["9380 and 9380-a"],"unitid_tesim":["9380 and 9380-a"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Mr. and Mrs. Joseph S. Cochran,\n         Jr."],"creator_ssim":["Mr. and Mrs. Joseph S. Cochran,\n         Jr."],"creator_persname_ssim":["Joseph S. Cochran, Jr.","Joseph Smith","Thomas Jefferson","Maggie Cochran","Mittie Cochran","Joseph S. Cochran","[Albert Henry] Tuttle","[John William] Mallet","John Lewis Cochran","Margaret Lynn (Lewis) Cochran","Nannie Cochran","Howe Peyton Cochran","Nannie Cohran","Willie Lynn Cochran","Nannie L. (Carrington) Cochran","Tom Cobb","Howell Cobb","James Cochran","Campbell Carrington Cochran","Joseph D. Cochran","[Francis Perry] Dunnington","[George Frederick] Holmes","[Ormond] Stone","[Henry St. George] Tucker","Henry Cochran","Campbell Carrington","James C. Cochran","John L. Cochran","Anne Cochran","John Cochran","Thomas Preston Lewis","Napoleon Bonaparte","Nannie (Carrington) Cochran","Alexander Hugh Holmes Stuart","John Buchanan Floyd","William Sparrow","John F. Lewis","B. F. Ballard","Ann M. Peyton","R. S. Brooke","William Widdifield","David Paul Brown","Abraham Smith","Silas H. Smith","Elizabeth Battaile Smith","Magdalene Crawford","Ann (Price) Smith"],"creator_corpname_ssim":["University of Virginia. Library. Special\n            Collections Dept.","Folly Farm","Frasyers Farm","University of Virginia","Hanover Academy","Monticello hospital","1st regiment Virginia Artillery","Randolph Macon","University of Missouri","College of Richmond","War Department","Congress","census bureau","General Assembly","Virginia's 32nd militia","Folly Mills","Virginia Agricultural Society","Federal government"],"creator_famname_ssim":["Smith family","Lewis family","Cochran family"],"creators_ssim":["Joseph S. Cochran, Jr.","Joseph Smith","Thomas Jefferson","Maggie Cochran","Mittie Cochran","Joseph S. Cochran","[Albert Henry] Tuttle","[John William] Mallet","John Lewis Cochran","Margaret Lynn (Lewis) Cochran","Nannie Cochran","Howe Peyton Cochran","Nannie Cohran","Willie Lynn Cochran","Nannie L. (Carrington) Cochran","Tom Cobb","Howell Cobb","James Cochran","Campbell Carrington Cochran","Joseph D. Cochran","[Francis Perry] Dunnington","[George Frederick] Holmes","[Ormond] Stone","[Henry St. George] Tucker","Henry Cochran","Campbell Carrington","James C. Cochran","John L. Cochran","Anne Cochran","John Cochran","Thomas Preston Lewis","Napoleon Bonaparte","Nannie (Carrington) Cochran","Alexander Hugh Holmes Stuart","John Buchanan Floyd","William Sparrow","John F. Lewis","B. F. Ballard","Ann M. Peyton","R. S. Brooke","William Widdifield","David Paul Brown","Abraham Smith","Silas H. Smith","Elizabeth Battaile Smith","Magdalene Crawford","Ann (Price) Smith","University of Virginia. Library. Special\n            Collections Dept.","Folly Farm","Frasyers Farm","University of Virginia","Hanover Academy","Monticello hospital","1st regiment Virginia Artillery","Randolph Macon","University of Missouri","College of Richmond","War Department","Congress","census bureau","General Assembly","Virginia's 32nd militia","Folly Mills","Virginia Agricultural Society","Federal government","Smith family","Lewis family","Cochran family"],"acqinfo_ssim":["This collection was loaned to the Library by Mr. and\n            Mrs. \n            Joseph S. Cochran, Jr.of \n            Folly Farm, \n            Staunton, Virginia, on \n            October 22, 1969."],"has_online_content_ssim":["false"],"physdesc_tesim":["842 items"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research"],"prefercite_html_tesm":["\u003cp\u003eFolly Farm Papers, Accession 9380, Special Collections Department, University of\n         Virginia Library\u003c/p\u003e\n      "],"prefercite_tesim":["Folly Farm Papers, Accession 9380, Special Collections Department, University of\n         Virginia Library"],"processinfo_html_tesm":["\u003cp\u003eFunded in part by a grant from the National Endowment\n            for the Humanities\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Funding Note"],"processinfo_tesim":["Funded in part by a grant from the National Endowment\n            for the Humanities"],"scopecontent_html_tesm":["\u003cp\u003eThis collection of 842 items, 1774-1891, n.d., consists of\n         correspondence, business and legal papers, account books and a\n         survey book belonging to various families. The material\n         relates to the \n         \u003cfamname\u003eSmith family\u003c/famname\u003eof \n         \u003cgeogname\u003eStaunton\u003c/geogname\u003e, the \n         \u003cfamname\u003eLewis family\u003c/famname\u003eof \n         \u003cgeogname\u003eSweet Springs\u003c/geogname\u003e(now \n         \u003cgeogname\u003eWest Virginia\u003c/geogname\u003e) and the \n         \u003cfamname\u003eCochran family\u003c/famname\u003eof \n         \u003cgeogname\u003eCharlottesville\u003c/geogname\u003eand \n         \u003cgeogname\u003eStaunton\u003c/geogname\u003e.\u003c/p\u003e\n      ","\u003cp\u003e\u003ccorpname\u003eFolly Farm\u003c/corpname\u003ewas founded by \n         \u003cpersname\u003eJoseph Smith\u003c/persname\u003ein 1818 and is located about\n         two miles south of \n         \u003cgeogname\u003eStaunton\u003c/geogname\u003eon Route 11. It has a serpentine\n         wall which was designed by \n         \u003cpersname\u003eThomas Jefferson\u003c/persname\u003e.\u003c/p\u003e\n      ","\u003cp\u003eCorrespondence of the \n         \u003cfamname\u003eCochran family\u003c/famname\u003eis mainly concerned with\n         family relationships. A few letters relate events in the Civil\n         War. An October 17, 1861 letter speaks of an overcoat factory\n         founded by \n         \u003cgeogname\u003eStaunton\u003c/geogname\u003ewomen. In a letter to \n         \u003cpersname\u003eMaggie Cochran\u003c/persname\u003e(July 1, 1862) the victory\n         over McClellan at \n         \u003ccorpname\u003eFrasyers Farm\u003c/corpname\u003eis described. A letter to \n         \u003cpersname\u003eMittie Cochran\u003c/persname\u003e(September 2, 1861)\n         mentions an engagement near \n         \u003cgeogname\u003eFairfax\u003c/geogname\u003e. \n         \u003cpersname\u003eJoseph S. Cochran\u003c/persname\u003eattended the \n         \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003eand a letter from\n         him (October 7, 1890) mentions his impressions of Professors \n         \u003cpersname\u003e[Albert Henry] Tuttle\u003c/persname\u003eand \n         \u003cpersname\u003e[John William] Mallet\u003c/persname\u003e.\u003c/p\u003e\n      ","\u003cp\u003eLetters between \n         \u003cpersname\u003eJohn Lewis Cochran\u003c/persname\u003eand his mother \n         \u003cpersname\u003eMargaret Lynn (Lewis) Cochran\u003c/persname\u003edeals\n         chiefly with family matters. The letter of September 7, 1857\n         mentions the status of their business operations. An\n         interesting letter (June 27, 1848) gives a view of slavery and\n         abolitionists. \n         \u003cpersname\u003eNannie Cochran\u003c/persname\u003e's death and its effects is\n         mentioned in August 20, 1863.\u003c/p\u003e\n      ","\u003cp\u003eLetters between \n         \u003cpersname\u003eHowe Peyton Cochran\u003c/persname\u003eand his mother \n         \u003cpersname\u003eMargaret Lynn (Lewis) Cochran\u003c/persname\u003eare about\n         personal affairs and the Civil War. The early letters concern \n         \u003cpersname\u003eHowe Peyton Cochran\u003c/persname\u003e's attendance of the \n         \u003ccorpname\u003eHanover Academy\u003c/corpname\u003ewhere he was very bored\n         and often homesick except when he traveled to \n         \u003cgeogname\u003eRichmond\u003c/geogname\u003e. Some interesting Civil War\n         letters are July 27, Sept 5, 14, \u0026amp; 20, 1861. \n         \u003cpersname\u003eHowe Peyton Cochran\u003c/persname\u003eleft the active\n         service when a substitute was bought for him (May 23, 1862). A\n         n.d. letter mentions \n         \u003ccorpname\u003eMonticello hospital\u003c/corpname\u003ebeing condemned due to\n         Typhoid fever. The letter of August 16, 1863 mentions the\n         deaths of \n         \u003cpersname\u003eNannie Cohran\u003c/persname\u003eand \n         \u003cpersname\u003eMaggie Cochran\u003c/persname\u003e.\u003c/p\u003e\n      ","\u003cp\u003eLetters between \n         \u003cpersname\u003eWillie Lynn Cochran\u003c/persname\u003eand his mother \n         \u003cpersname\u003eMargaret Lynn (Lewis) Cochran\u003c/persname\u003ewere written\n         while \n         \u003cpersname\u003eWillie Lynn Cochran\u003c/persname\u003eattended school in \n         \u003cgeogname\u003eBrownsburg\u003c/geogname\u003eand mostly contain pleas for\n         more letters from home.\u003c/p\u003e\n      ","\u003cp\u003eLetters between \n         \u003cpersname\u003eHowe Peyton Cochran\u003c/persname\u003eand his wife \n         \u003cpersname\u003eNannie L. (Carrington) Cochran\u003c/persname\u003e(married\n         December 18, 1860), written during the Civil War, are chiefly\n         personal in nature but many contain a little information about\n         the war. Some of the more important letters are as follows.\n         His letter of January 5, 1861 describes the commanding\n         officers of \n         \u003cpersname\u003eHowe Peyton Cochran\u003c/persname\u003e's regiment ( \n         \u003ccorpname\u003e1st regiment Virginia Artillery\u003c/corpname\u003e) which\n         included General Magruder, Colonels Sulakowski, \n         \u003cpersname\u003eTom Cobb\u003c/persname\u003e, \n         \u003cpersname\u003eHowell Cobb\u003c/persname\u003e, Montagne, Ward, and Major\n         Brown. Letters of December 8, 11, 13, \u0026amp; 16 detail\n         preparations for an attack that never occurred. Letters of\n         February 24, 25 discuss the problems in the company and an\n         expedition that did not start. The letters of March 1862 also\n         give the problems of the company and preparations for a large\n         battle near \n         \u003cgeogname\u003eYorktown\u003c/geogname\u003e. The letters of April 1862\n         contain references to the skirmishes occurring at \n         \u003cgeogname\u003eYorktown\u003c/geogname\u003e. The letters of May 9 and 14,\n         1862 gives a sketch of the battle of \n         \u003cgeogname\u003eWilliamsburg\u003c/geogname\u003ewhich \n         \u003cpersname\u003eHowe Peyton Cochran\u003c/persname\u003e's regiment did not\n         participate in. Nearly every letter also contains a plan to\n         get out of the service or at least out of his present company\n         and into an office job: Some of the schemes include becoming a\n         teacher at \n         \u003ccorpname\u003eRandolph Macon\u003c/corpname\u003e, becoming a clerk in the\n         war department, or joining his brother \n         \u003cpersname\u003eJames Cochran\u003c/persname\u003e's unit. A son ( \n         \u003cpersname\u003eCampbell Carrington Cochran\u003c/persname\u003e, named for \n         \u003cpersname\u003eNannie Cochran\u003c/persname\u003e's brother who died during\n         the war) was born on July 31, 1863, and \n         \u003cpersname\u003eNannie Cochran\u003c/persname\u003edied, apparently as a\n         result of complications from childbirth, on August 11,\n         1863.\u003c/p\u003e\n      ","\u003cp\u003e\u003cpersname\u003eJoseph D. Cochran\u003c/persname\u003e's application for a \n         \u003ccorpname\u003eUniversity of Missouri\u003c/corpname\u003echemistry chair\n         mentions his teachers (August 8, 1890) while at the \n         \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003eand \n         \u003ccorpname\u003eCollege of Richmond\u003c/corpname\u003e. The letter of August\n         21, 1890 states he received references from Professors \n         \u003cpersname\u003e[John William] Mallet\u003c/persname\u003e, \n         \u003cpersname\u003e[Francis Perry] Dunnington\u003c/persname\u003e, \n         \u003cpersname\u003e[George Frederick] Holmes\u003c/persname\u003e, and \n         \u003cpersname\u003e[Ormond] Stone\u003c/persname\u003eof the \n         \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e, Professor Puryear\n         of the \n         \u003ccorpname\u003eCollege of Richmond\u003c/corpname\u003e, and his present\n         congressman \n         \u003cpersname\u003e[Henry St. George] Tucker\u003c/persname\u003e.\u003c/p\u003e\n      ","\u003cp\u003eIn Letters to \n         \u003cpersname\u003eCampbell Carrington Cochran\u003c/persname\u003e, two stirring\n         accounts of the virtue of \n         \u003cpersname\u003eNannie Cochran\u003c/persname\u003eand her death are given on\n         the first birthday of \n         \u003cpersname\u003eCampbell Carrington Cochran\u003c/persname\u003e, July 31,\n         1864.\u003c/p\u003e\n      ","\u003cp\u003eIn Letters to \n         \u003cpersname\u003eHenry Cochran\u003c/persname\u003efamily affairs are\n         discussed. An October 11, 1862 letter mentions prices of basic\n         foods and how the state is covered with blood, \"Turn whichever\n         way you may nothing meets your eye, but maimed and bleeding\n         soldiers.\" A January 15, 1863 letter mentions the death of \n         \u003cpersname\u003eMaggie Cochran\u003c/persname\u003efrom Typhoid Fever and\n         pneumonia. On March 18, 1863, there is a reference to the\n         battle of \n         \u003cgeogname\u003eCulpepper\u003c/geogname\u003e. A March 31, 1863 letter\n         mentions houses and hospitals being destroyed to use the wood\n         for fuel. An April 16, 1863 letter mentions the prices of\n         food.\u003c/p\u003e\n      ","\u003cp\u003eLetters to \n         \u003cpersname\u003eHowe Peyton Cochran\u003c/persname\u003econtain more letters\n         about family affairs. Howe was perusing a teaching job at \n         \u003ccorpname\u003eRandolph Macon\u003c/corpname\u003eand the letters of November\n         20, \u0026amp; 27, 1861 mention the peculiarity of the trustees who\n         wished for their teachers to be Methodist and in the military.\n         A letter of April 14, 1862 mentions the death of \n         \u003cpersname\u003eCampbell Carrington\u003c/persname\u003e( \n         \u003cpersname\u003eNannie Cochran\u003c/persname\u003e's brother) after the\n         battle of \n         \u003cgeogname\u003eCournif\u003c/geogname\u003eon April 11, 1862.\u003c/p\u003e\n      ","\u003cp\u003eLetters to Colonel and Mrs. \n         \u003cpersname\u003eJames C. Cochran\u003c/persname\u003einclude correspondence\n         between their sons \n         \u003cpersname\u003eJohn L. Cochran\u003c/persname\u003e, \n         \u003cpersname\u003eJoseph D. Cochran\u003c/persname\u003e, and daughter \n         \u003cpersname\u003eAnne Cochran\u003c/persname\u003ewho went to \n         \u003cgeogname\u003eGainesville, Florida\u003c/geogname\u003ebecause of \n         \u003cpersname\u003eJohn Cochran\u003c/persname\u003e's ill health in 1886. The\n         letters give the progression of \n         \u003cpersname\u003eJohn Cochran\u003c/persname\u003e's sickness which did not\n         improve substantially and eventually caused his death in\n         February 1887 after his return to \n         \u003cgeogname\u003eStaunton\u003c/geogname\u003e.\u003c/p\u003e\n      ","\u003cp\u003eLetters to \n         \u003cpersname\u003eJohn Cochran\u003c/persname\u003econtains an interesting\n         letter (February 17, 1830) on the price and selling of\n         hogs.\u003c/p\u003e\n      ","\u003cp\u003eLetters to \n         \u003cpersname\u003eMargaret Lynn (Lewis) Cochran\u003c/persname\u003econtain\n         letters from her brother \n         \u003cpersname\u003eThomas Preston Lewis\u003c/persname\u003ewho served with the \n         \u003ccorpname\u003eWar Department\u003c/corpname\u003ein the 1850's. There are\n         two interesting letters: January 5, 1852 which mentions the\n         visit of a Magyar to \n         \u003ccorpname\u003eCongress\u003c/corpname\u003ewho apparently impressed\n         everyone, and the concern of the American government over \n         \u003cpersname\u003eNapoleon Bonaparte\u003c/persname\u003ewho was coming to power\n         in \n         \u003cgeogname\u003eFrance\u003c/geogname\u003e; and, March 6, 1859 which mentions\n         the factional wars going on in congress and the affect it had\n         on the treasury.\u003c/p\u003e\n      ","\u003cp\u003eThe first few letters to \n         \u003cpersname\u003eNannie (Carrington) Cochran\u003c/persname\u003eare from\n         relations and friends unable to attend her and \n         \u003cpersname\u003eHowe Peyton Cochran\u003c/persname\u003e's wedding. The letter\n         of June 10, 1861 is from \n         \u003cpersname\u003eJohn Lewis Cochran\u003c/persname\u003eand contains very\n         interesting Civil War information, including the Union's\n         treatment of prisoners.\u003c/p\u003e\n      ","\u003cp\u003eThe letters to \n         \u003cpersname\u003eThomas Preston Lewis\u003c/persname\u003ehave been removed\n         from a letter book containing mostly business letters. There\n         is an index which has been placed at the back of the second\n         folder. \n         \u003cpersname\u003eThomas Preston Lewis\u003c/persname\u003ereceived the right to\n         practice law in \n         \u003cgeogname\u003eVirginia\u003c/geogname\u003eon September 3, 1847. He received\n         appointments in the \n         \u003ccorpname\u003ecensus bureau\u003c/corpname\u003e(October 8, 1850 -#48), and\n         later the \n         \u003ccorpname\u003eWar Department\u003c/corpname\u003ebased on recommendations by\n         \u003cpersname\u003eAlexander Hugh Holmes Stuart\u003c/persname\u003e(November 15,\n         1850.) \n         \u003cpersname\u003eThomas Preston Lewis\u003c/persname\u003e' ancestors fought in\n         the battle of \n         \u003cgeogname\u003ePoint Pleasant\u003c/geogname\u003eand an attempt had been\n         made to have that battle declared the first of the\n         revolutionary war (August 24, 1858 -#1). A no date letter (#8)\n         contains an inventory of debts \n         \u003cpersname\u003eThomas Preston Lewis\u003c/persname\u003ehas at a store and\n         gives prices. Letters of December 29, 1853 (#16 and #20) are\n         introduction letters written by \n         \u003cpersname\u003eJohn Buchanan Floyd\u003c/persname\u003e. October 21, 1851\n         (#48) is a letter from \n         \u003cpersname\u003eWilliam Sparrow\u003c/persname\u003e. March 6, 1866 (#159)\n         states that \n         \u003cpersname\u003eThomas Preston Lewis\u003c/persname\u003elost all land in the\n         war and is now broke. Letters of February 14, 1866 (#161),\n         January 21, 1867 (#162) concern \n         \u003cpersname\u003eThomas Preston Lewis\u003c/persname\u003etrying to collect on\n         his debts. \n         \u003cpersname\u003eThomas Preston Lewis\u003c/persname\u003eattempted to have his\n         political disability resulting from service with the\n         confederacy removed (February 25, 1869 -#166, January 24, 1870\n         -#174, January 29, 1870 -#175.) Apparently this attempt was\n         successful because \n         \u003cpersname\u003eThomas Preston Lewis\u003c/persname\u003ereceived help from \n         \u003cpersname\u003eJohn F. Lewis\u003c/persname\u003ein getting an appointment\n         (October 6, 1869 -#169, March 29, 1870 -#183.) \n         \u003cpersname\u003eJohn F. Lewis\u003c/persname\u003ehad assisted \n         \u003cpersname\u003eThomas Preston Lewis\u003c/persname\u003ebefore getting him\n         appointed as an assistant to the registrar in 1867 (September\n         28, 1867 -#189.) December 23, 1869 (#168) is from \n         \u003cpersname\u003eB. F. Ballard\u003c/persname\u003eand mentions that he will\n         call for a new \n         \u003cgeogname\u003eWest Virginia\u003c/geogname\u003econstitution. Three letters\n         concern the sale of land held in \n         \u003cgeogname\u003eIowa\u003c/geogname\u003ewhich \n         \u003cpersname\u003eThomas Preston Lewis\u003c/persname\u003egot from his debt\n         collection (July 13, 1869 -#171, May 12, 1868 -#173, and July\n         25, 1869 -#174.) An item dated April 20, 1871 (#180) is a\n         notice placed by \n         \u003cpersname\u003eThomas Preston Lewis\u003c/persname\u003eto bring all claims\n         for the pensions of veterans of the War of 1812. An August 21,\n         1871 (#196) letter contains an analysis of \n         \u003cgeogname\u003eRawley Springs\u003c/geogname\u003ein \n         \u003cgeogname\u003eRockingham County, Virginia\u003c/geogname\u003e. Letters of\n         December 7, 1870 (#204,) February 4, 1873 (#204,) and December\n         18, 1874 (#206) refer to \n         \u003cpersname\u003eThomas Preston Lewis\u003c/persname\u003estarting and running\n         a school for boys. The school must not have been too\n         successful because the letters of November 12, 1873 and\n         December 1874 (both #207) mention relatives sending what money\n         they can to \n         \u003cpersname\u003eThomas Preston Lewis\u003c/persname\u003e. On September 10,\n         1874 (#209) there is an interesting letter on the \n         \u003cgeogname\u003eFlorida\u003c/geogname\u003eschool system.\u003c/p\u003e\n      ","\u003cp\u003eLetters to \n         \u003cpersname\u003eAnn M. Peyton\u003c/persname\u003efrom her sister \n         \u003cpersname\u003eMargaret Lynn (Lewis) Cochran\u003c/persname\u003emention the \n         \u003cfamname\u003eCochran family\u003c/famname\u003e's move from \n         \u003cgeogname\u003eStaunton\u003c/geogname\u003eto \n         \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e(October 24, 1826.) A\n         letter in June 1836 mentions the death of their sister\n         Mary.\u003c/p\u003e\n      ","\u003cp\u003eLetters to \n         \u003cpersname\u003eJoseph Smith\u003c/persname\u003econtain many applications for\n         loans. \n         \u003cpersname\u003eJoseph Smith\u003c/persname\u003eserved in the \n         \u003ccorpname\u003eGeneral Assembly\u003c/corpname\u003efrom December 1, 1817 to\n         February 26, 1818 (December 2, 1817.) There is a letter dated\n         January 26, 1832 from \n         \u003cpersname\u003eR. S. Brooke\u003c/persname\u003ewhich concerns the debate in\n         the \n         \u003ccorpname\u003eGeneral Assembly\u003c/corpname\u003eover slavery and the\n         conflict abolition has with personal property and\n         compensation. An item of January 13, 1860 values the land held\n         by \n         \u003cpersname\u003eJoseph Smith\u003c/persname\u003eto be $74,900.\u003c/p\u003e\n      ","\u003cp\u003eLetters to \n         \u003cpersname\u003eJoseph Smith\u003c/persname\u003efrom \n         \u003cpersname\u003eWilliam Widdifield\u003c/persname\u003eare mainly concerned\n         with the collection of a debt from \n         \u003cpersname\u003eDavid Paul Brown\u003c/persname\u003e. A letter of March 3,\n         1862 mentions \n         \u003cpersname\u003eJoseph Smith\u003c/persname\u003e's brothers \n         \u003cpersname\u003eAbraham Smith\u003c/persname\u003eand \n         \u003cpersname\u003eSilas H. Smith\u003c/persname\u003e.\u003c/p\u003e\n      ","\u003cp\u003eAppointments contain some of the appointments and\n         promotions of the families. \n         \u003cpersname\u003eJames Cochran\u003c/persname\u003ewas appointed justice of the\n         peace in \n         \u003cgeogname\u003eAugusta county\u003c/geogname\u003ein 1798. There are \n         \u003cpersname\u003eJoseph Smith\u003c/persname\u003e's military promotions while\n         a member of \n         \u003ccorpname\u003eVirginia's 32nd militia\u003c/corpname\u003e. \n         \u003cpersname\u003eJames Cochran\u003c/persname\u003ewas appointed Postmaster of \n         \u003ccorpname\u003eFolly Mills\u003c/corpname\u003ein 1874.\u003c/p\u003e\n      ","\u003cp\u003eBusiness Papers contain bills, receipts and promissory\n         notes. One bill of June 15, 1815 is from \n         \u003cpersname\u003eJoseph Smith\u003c/persname\u003eto the \n         \u003cgeogname\u003eUnited States\u003c/geogname\u003efor determining the number\n         of taxable people and taxable items in \n         \u003cgeogname\u003eAugusta county\u003c/geogname\u003e; the total number of\n         taxable people was 589. \n         \u003cpersname\u003eJoseph Smith\u003c/persname\u003ewas a life member of the \n         \u003ccorpname\u003eVirginia Agricultural Society\u003c/corpname\u003e(October 11,\n         1854.) Also there are five \n         \u003cgeogname\u003eSouth Carolina\u003c/geogname\u003ebonds issued after the\n         Civil War, but never cashed in.\u003c/p\u003e\n      ","\u003cp\u003eEssays and Poetry include a poem lamenting the death of \n         \u003cpersname\u003eElizabeth Battaile Smith\u003c/persname\u003e(November 17,\n         1810), a poem about an insane hospital in \n         \u003cgeogname\u003eBoston\u003c/geogname\u003e(March 1830), an obituary of \n         \u003cpersname\u003eMagdalene Crawford\u003c/persname\u003e(May 21, 1849), and\n         lecture notes to teach Physics (n.d.)\u003c/p\u003e\n      ","\u003cp\u003eFrench Spoliation claims represent the attempt to get money\n         for the damages done by the French before 1800. The \n         \u003cgeogname\u003eUnited States\u003c/geogname\u003e, however, had exonerated\n         the French from having to pay so many felt the \n         \u003ccorpname\u003eFederal government\u003c/corpname\u003eshould pay the\n         damages.\u003c/p\u003e\n      ","\u003cp\u003eInventories of Debts due \n         \u003cpersname\u003eJoseph Smith\u003c/persname\u003econtain detailed lists of\n         everyone and every business which owed \n         \u003cpersname\u003eJoseph Smith\u003c/persname\u003emoney. The amounts were\n         considerable, some reaching as high as $134,000.\u003c/p\u003e\n      ","\u003cp\u003eLegal documents contain mostly deeds and a few court case\n         decisions.\u003c/p\u003e\n      ","\u003cp\u003eSlave Lists list all the slaves owned by \n         \u003cpersname\u003eJoseph Smith\u003c/persname\u003eand are divided into those\n         which are hired out and those which remain at home. A n.d.\n         item lists the amount spent on some of the slaves for\n         Christmas gifts.\u003c/p\u003e\n      ","\u003cp\u003eMiscellaneous material includes a confirmation certificate\n         of \n         \u003cpersname\u003eAnn (Price) Smith\u003c/persname\u003e(June 5, 1811), lottery\n         tickets (1812), report cards of \n         \u003cpersname\u003eCampbell Carrington Cochran\u003c/persname\u003e(1872), a\n         survey attempting to promote the new South (1894), and\n         business cards of \n         \u003cpersname\u003eJoseph Smith\u003c/persname\u003eand Dr. \n         \u003cpersname\u003eHenry Cochran\u003c/persname\u003e.\u003c/p\u003e\n    ","\u003cp\u003eindex at back of second folder\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection of 842 items, 1774-1891, n.d., consists of\n         correspondence, business and legal papers, account books and a\n         survey book belonging to various families. The material\n         relates to the \n         Smith familyof \n         Staunton, the \n         Lewis familyof \n         Sweet Springs(now \n         West Virginia) and the \n         Cochran familyof \n         Charlottesvilleand \n         Staunton.","Folly Farmwas founded by \n         Joseph Smithin 1818 and is located about\n         two miles south of \n         Stauntonon Route 11. It has a serpentine\n         wall which was designed by \n         Thomas Jefferson.","Correspondence of the \n         Cochran familyis mainly concerned with\n         family relationships. A few letters relate events in the Civil\n         War. An October 17, 1861 letter speaks of an overcoat factory\n         founded by \n         Stauntonwomen. In a letter to \n         Maggie Cochran(July 1, 1862) the victory\n         over McClellan at \n         Frasyers Farmis described. A letter to \n         Mittie Cochran(September 2, 1861)\n         mentions an engagement near \n         Fairfax. \n         Joseph S. Cochranattended the \n         University of Virginiaand a letter from\n         him (October 7, 1890) mentions his impressions of Professors \n         [Albert Henry] Tuttleand \n         [John William] Mallet.","Letters between \n         John Lewis Cochranand his mother \n         Margaret Lynn (Lewis) Cochrandeals\n         chiefly with family matters. The letter of September 7, 1857\n         mentions the status of their business operations. An\n         interesting letter (June 27, 1848) gives a view of slavery and\n         abolitionists. \n         Nannie Cochran's death and its effects is\n         mentioned in August 20, 1863.","Letters between \n         Howe Peyton Cochranand his mother \n         Margaret Lynn (Lewis) Cochranare about\n         personal affairs and the Civil War. The early letters concern \n         Howe Peyton Cochran's attendance of the \n         Hanover Academywhere he was very bored\n         and often homesick except when he traveled to \n         Richmond. Some interesting Civil War\n         letters are July 27, Sept 5, 14, \u0026 20, 1861. \n         Howe Peyton Cochranleft the active\n         service when a substitute was bought for him (May 23, 1862). A\n         n.d. letter mentions \n         Monticello hospitalbeing condemned due to\n         Typhoid fever. The letter of August 16, 1863 mentions the\n         deaths of \n         Nannie Cohranand \n         Maggie Cochran.","Letters between \n         Willie Lynn Cochranand his mother \n         Margaret Lynn (Lewis) Cochranwere written\n         while \n         Willie Lynn Cochranattended school in \n         Brownsburgand mostly contain pleas for\n         more letters from home.","Letters between \n         Howe Peyton Cochranand his wife \n         Nannie L. (Carrington) Cochran(married\n         December 18, 1860), written during the Civil War, are chiefly\n         personal in nature but many contain a little information about\n         the war. Some of the more important letters are as follows.\n         His letter of January 5, 1861 describes the commanding\n         officers of \n         Howe Peyton Cochran's regiment ( \n         1st regiment Virginia Artillery) which\n         included General Magruder, Colonels Sulakowski, \n         Tom Cobb, \n         Howell Cobb, Montagne, Ward, and Major\n         Brown. Letters of December 8, 11, 13, \u0026 16 detail\n         preparations for an attack that never occurred. Letters of\n         February 24, 25 discuss the problems in the company and an\n         expedition that did not start. The letters of March 1862 also\n         give the problems of the company and preparations for a large\n         battle near \n         Yorktown. The letters of April 1862\n         contain references to the skirmishes occurring at \n         Yorktown. The letters of May 9 and 14,\n         1862 gives a sketch of the battle of \n         Williamsburgwhich \n         Howe Peyton Cochran's regiment did not\n         participate in. Nearly every letter also contains a plan to\n         get out of the service or at least out of his present company\n         and into an office job: Some of the schemes include becoming a\n         teacher at \n         Randolph Macon, becoming a clerk in the\n         war department, or joining his brother \n         James Cochran's unit. A son ( \n         Campbell Carrington Cochran, named for \n         Nannie Cochran's brother who died during\n         the war) was born on July 31, 1863, and \n         Nannie Cochrandied, apparently as a\n         result of complications from childbirth, on August 11,\n         1863.","Joseph D. Cochran's application for a \n         University of Missourichemistry chair\n         mentions his teachers (August 8, 1890) while at the \n         University of Virginiaand \n         College of Richmond. The letter of August\n         21, 1890 states he received references from Professors \n         [John William] Mallet, \n         [Francis Perry] Dunnington, \n         [George Frederick] Holmes, and \n         [Ormond] Stoneof the \n         University of Virginia, Professor Puryear\n         of the \n         College of Richmond, and his present\n         congressman \n         [Henry St. George] Tucker.","In Letters to \n         Campbell Carrington Cochran, two stirring\n         accounts of the virtue of \n         Nannie Cochranand her death are given on\n         the first birthday of \n         Campbell Carrington Cochran, July 31,\n         1864.","In Letters to \n         Henry Cochranfamily affairs are\n         discussed. An October 11, 1862 letter mentions prices of basic\n         foods and how the state is covered with blood, \"Turn whichever\n         way you may nothing meets your eye, but maimed and bleeding\n         soldiers.\" A January 15, 1863 letter mentions the death of \n         Maggie Cochranfrom Typhoid Fever and\n         pneumonia. On March 18, 1863, there is a reference to the\n         battle of \n         Culpepper. A March 31, 1863 letter\n         mentions houses and hospitals being destroyed to use the wood\n         for fuel. An April 16, 1863 letter mentions the prices of\n         food.","Letters to \n         Howe Peyton Cochrancontain more letters\n         about family affairs. Howe was perusing a teaching job at \n         Randolph Maconand the letters of November\n         20, \u0026 27, 1861 mention the peculiarity of the trustees who\n         wished for their teachers to be Methodist and in the military.\n         A letter of April 14, 1862 mentions the death of \n         Campbell Carrington( \n         Nannie Cochran's brother) after the\n         battle of \n         Cournifon April 11, 1862.","Letters to Colonel and Mrs. \n         James C. Cochraninclude correspondence\n         between their sons \n         John L. Cochran, \n         Joseph D. Cochran, and daughter \n         Anne Cochranwho went to \n         Gainesville, Floridabecause of \n         John Cochran's ill health in 1886. The\n         letters give the progression of \n         John Cochran's sickness which did not\n         improve substantially and eventually caused his death in\n         February 1887 after his return to \n         Staunton.","Letters to \n         John Cochrancontains an interesting\n         letter (February 17, 1830) on the price and selling of\n         hogs.","Letters to \n         Margaret Lynn (Lewis) Cochrancontain\n         letters from her brother \n         Thomas Preston Lewiswho served with the \n         War Departmentin the 1850's. There are\n         two interesting letters: January 5, 1852 which mentions the\n         visit of a Magyar to \n         Congresswho apparently impressed\n         everyone, and the concern of the American government over \n         Napoleon Bonapartewho was coming to power\n         in \n         France; and, March 6, 1859 which mentions\n         the factional wars going on in congress and the affect it had\n         on the treasury.","The first few letters to \n         Nannie (Carrington) Cochranare from\n         relations and friends unable to attend her and \n         Howe Peyton Cochran's wedding. The letter\n         of June 10, 1861 is from \n         John Lewis Cochranand contains very\n         interesting Civil War information, including the Union's\n         treatment of prisoners.","The letters to \n         Thomas Preston Lewishave been removed\n         from a letter book containing mostly business letters. There\n         is an index which has been placed at the back of the second\n         folder. \n         Thomas Preston Lewisreceived the right to\n         practice law in \n         Virginiaon September 3, 1847. He received\n         appointments in the \n         census bureau(October 8, 1850 -#48), and\n         later the \n         War Departmentbased on recommendations by\n         Alexander Hugh Holmes Stuart(November 15,\n         1850.) \n         Thomas Preston Lewis' ancestors fought in\n         the battle of \n         Point Pleasantand an attempt had been\n         made to have that battle declared the first of the\n         revolutionary war (August 24, 1858 -#1). A no date letter (#8)\n         contains an inventory of debts \n         Thomas Preston Lewishas at a store and\n         gives prices. Letters of December 29, 1853 (#16 and #20) are\n         introduction letters written by \n         John Buchanan Floyd. October 21, 1851\n         (#48) is a letter from \n         William Sparrow. March 6, 1866 (#159)\n         states that \n         Thomas Preston Lewislost all land in the\n         war and is now broke. Letters of February 14, 1866 (#161),\n         January 21, 1867 (#162) concern \n         Thomas Preston Lewistrying to collect on\n         his debts. \n         Thomas Preston Lewisattempted to have his\n         political disability resulting from service with the\n         confederacy removed (February 25, 1869 -#166, January 24, 1870\n         -#174, January 29, 1870 -#175.) Apparently this attempt was\n         successful because \n         Thomas Preston Lewisreceived help from \n         John F. Lewisin getting an appointment\n         (October 6, 1869 -#169, March 29, 1870 -#183.) \n         John F. Lewishad assisted \n         Thomas Preston Lewisbefore getting him\n         appointed as an assistant to the registrar in 1867 (September\n         28, 1867 -#189.) December 23, 1869 (#168) is from \n         B. F. Ballardand mentions that he will\n         call for a new \n         West Virginiaconstitution. Three letters\n         concern the sale of land held in \n         Iowawhich \n         Thomas Preston Lewisgot from his debt\n         collection (July 13, 1869 -#171, May 12, 1868 -#173, and July\n         25, 1869 -#174.) An item dated April 20, 1871 (#180) is a\n         notice placed by \n         Thomas Preston Lewisto bring all claims\n         for the pensions of veterans of the War of 1812. An August 21,\n         1871 (#196) letter contains an analysis of \n         Rawley Springsin \n         Rockingham County, Virginia. Letters of\n         December 7, 1870 (#204,) February 4, 1873 (#204,) and December\n         18, 1874 (#206) refer to \n         Thomas Preston Lewisstarting and running\n         a school for boys. The school must not have been too\n         successful because the letters of November 12, 1873 and\n         December 1874 (both #207) mention relatives sending what money\n         they can to \n         Thomas Preston Lewis. On September 10,\n         1874 (#209) there is an interesting letter on the \n         Floridaschool system.","Letters to \n         Ann M. Peytonfrom her sister \n         Margaret Lynn (Lewis) Cochranmention the \n         Cochran family's move from \n         Stauntonto \n         Charlottesville(October 24, 1826.) A\n         letter in June 1836 mentions the death of their sister\n         Mary.","Letters to \n         Joseph Smithcontain many applications for\n         loans. \n         Joseph Smithserved in the \n         General Assemblyfrom December 1, 1817 to\n         February 26, 1818 (December 2, 1817.) There is a letter dated\n         January 26, 1832 from \n         R. S. Brookewhich concerns the debate in\n         the \n         General Assemblyover slavery and the\n         conflict abolition has with personal property and\n         compensation. An item of January 13, 1860 values the land held\n         by \n         Joseph Smithto be $74,900.","Letters to \n         Joseph Smithfrom \n         William Widdifieldare mainly concerned\n         with the collection of a debt from \n         David Paul Brown. A letter of March 3,\n         1862 mentions \n         Joseph Smith's brothers \n         Abraham Smithand \n         Silas H. Smith.","Appointments contain some of the appointments and\n         promotions of the families. \n         James Cochranwas appointed justice of the\n         peace in \n         Augusta countyin 1798. There are \n         Joseph Smith's military promotions while\n         a member of \n         Virginia's 32nd militia. \n         James Cochranwas appointed Postmaster of \n         Folly Millsin 1874.","Business Papers contain bills, receipts and promissory\n         notes. One bill of June 15, 1815 is from \n         Joseph Smithto the \n         United Statesfor determining the number\n         of taxable people and taxable items in \n         Augusta county; the total number of\n         taxable people was 589. \n         Joseph Smithwas a life member of the \n         Virginia Agricultural Society(October 11,\n         1854.) Also there are five \n         South Carolinabonds issued after the\n         Civil War, but never cashed in.","Essays and Poetry include a poem lamenting the death of \n         Elizabeth Battaile Smith(November 17,\n         1810), a poem about an insane hospital in \n         Boston(March 1830), an obituary of \n         Magdalene Crawford(May 21, 1849), and\n         lecture notes to teach Physics (n.d.)","French Spoliation claims represent the attempt to get money\n         for the damages done by the French before 1800. The \n         United States, however, had exonerated\n         the French from having to pay so many felt the \n         Federal governmentshould pay the\n         damages.","Inventories of Debts due \n         Joseph Smithcontain detailed lists of\n         everyone and every business which owed \n         Joseph Smithmoney. The amounts were\n         considerable, some reaching as high as $134,000.","Legal documents contain mostly deeds and a few court case\n         decisions.","Slave Lists list all the slaves owned by \n         Joseph Smithand are divided into those\n         which are hired out and those which remain at home. A n.d.\n         item lists the amount spent on some of the slaves for\n         Christmas gifts.","Miscellaneous material includes a confirmation certificate\n         of \n         Ann (Price) Smith(June 5, 1811), lottery\n         tickets (1812), report cards of \n         Campbell Carrington Cochran(1872), a\n         survey attempting to promote the new South (1894), and\n         business cards of \n         Joseph Smithand Dr. \n         Henry Cochran.","index at back of second folder"],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n            \n            University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc\u003e\u003c/physloc\u003e\n      "],"corpname_ssim":["University of Virginia. Library. Special\n            Collections Dept.","Folly Farm","Frasyers Farm","University of Virginia","Hanover Academy","Monticello hospital","1st regiment Virginia Artillery","Randolph Macon","University of Missouri","College of Richmond","War Department","Congress","census bureau","General Assembly","Virginia's 32nd militia","Folly Mills","Virginia Agricultural Society","Federal government"],"famname_ssim":["Smith family","Lewis family","Cochran family"],"persname_ssim":["Joseph S. Cochran, Jr.","Joseph Smith","Thomas Jefferson","Maggie Cochran","Mittie Cochran","Joseph S. Cochran","[Albert Henry] Tuttle","[John William] Mallet","John Lewis Cochran","Margaret Lynn (Lewis) Cochran","Nannie Cochran","Howe Peyton Cochran","Nannie Cohran","Willie Lynn Cochran","Nannie L. (Carrington) Cochran","Tom Cobb","Howell Cobb","James Cochran","Campbell Carrington Cochran","Joseph D. Cochran","[Francis Perry] Dunnington","[George Frederick] Holmes","[Ormond] Stone","[Henry St. George] Tucker","Henry Cochran","Campbell Carrington","James C. Cochran","John L. Cochran","Anne Cochran","John Cochran","Thomas Preston Lewis","Napoleon Bonaparte","Nannie (Carrington) Cochran","Alexander Hugh Holmes Stuart","John Buchanan Floyd","William Sparrow","John F. Lewis","B. F. Ballard","Ann M. Peyton","R. S. Brooke","William Widdifield","David Paul Brown","Abraham Smith","Silas H. Smith","Elizabeth Battaile Smith","Magdalene Crawford","Ann (Price) Smith"],"names_ssim":["University of Virginia. Library. Special\n            Collections Dept.","Folly Farm","Frasyers Farm","University of Virginia","Hanover Academy","Monticello hospital","1st regiment Virginia Artillery","Randolph Macon","University of Missouri","College of Richmond","War Department","Congress","census bureau","General Assembly","Virginia's 32nd militia","Folly Mills","Virginia Agricultural Society","Federal government","Smith family","Lewis family","Cochran family","Joseph S. Cochran, Jr.","Joseph Smith","Thomas Jefferson","Maggie Cochran","Mittie Cochran","Joseph S. Cochran","[Albert Henry] Tuttle","[John William] Mallet","John Lewis Cochran","Margaret Lynn (Lewis) Cochran","Nannie Cochran","Howe Peyton Cochran","Nannie Cohran","Willie Lynn Cochran","Nannie L. (Carrington) Cochran","Tom Cobb","Howell Cobb","James Cochran","Campbell Carrington Cochran","Joseph D. Cochran","[Francis Perry] Dunnington","[George Frederick] Holmes","[Ormond] Stone","[Henry St. George] Tucker","Henry Cochran","Campbell Carrington","James C. Cochran","John L. Cochran","Anne Cochran","John Cochran","Thomas Preston Lewis","Napoleon Bonaparte","Nannie (Carrington) Cochran","Alexander Hugh Holmes Stuart","John Buchanan Floyd","William Sparrow","John F. Lewis","B. F. Ballard","Ann M. Peyton","R. S. Brooke","William Widdifield","David Paul Brown","Abraham Smith","Silas H. Smith","Elizabeth Battaile Smith","Magdalene Crawford","Ann (Price) Smith"],"language_ssim":["English"],"total_component_count_is":42,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:31:56.027Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu00097_c03_c02"}},{"id":"viu_viu00730_c04_c06","type":"Item","attributes":{"title":"Bank Books and a Plantation\n                  Book, 1849/1890","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu00730_c04_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00730_c04_c06","ref_ssm":["viu_viu00730_c04_c06"],"id":"viu_viu00730_c04_c06","ead_ssi":"viu_viu00730","_root_":"viu_viu00730","_nest_parent_":"viu_viu00730_c04","parent_ssi":"viu_viu00730_c04","parent_ssim":["White Family Papers \n         1794-1921","Series IV: Legal, Business \u0026\n               Miscellaneous Papers of the White Family"],"parent_ids_ssim":["viu_viu00730","viu_viu00730_c04"],"title_filing_ssi":"Bank Books and a Plantation\n                  Book","title_ssm":["Bank Books and a Plantation\n                  Book"],"title_tesim":["Bank Books and a Plantation\n                  Book"],"normalized_title_ssm":["Bank Books and a Plantation\n                  Book, 1849/1890"],"text":["Bank Books and a Plantation\n                  Book, 1849/1890","White Family Papers \n         1794-1921","Series IV: Legal, Business \u0026\n               Miscellaneous Papers of the White Family","Box Box 3"],"parent_unittitles_ssm":["White Family Papers \n         1794-1921","Series IV: Legal, Business \u0026\n               Miscellaneous Papers of the White Family"],"parent_unittitles_tesim":["White Family Papers \n         1794-1921","Series IV: Legal, Business \u0026\n               Miscellaneous Papers of the White Family"],"normalized_date_ssm":["1849/1890"],"unitdate_other_ssim":["1849-1890"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":19,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["White Family Papers \n         1794-1921"],"containers_ssim":["Box Box 3"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890],"_nest_path_":"/components#3/components#5","timestamp":"2026-06-23T07:33:15.613Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00730","ead_ssi":"viu_viu00730","_root_":"viu_viu00730","_nest_parent_":"viu_viu00730","ead_source_url_ssi":"data/uva-sc/viu00730.xml","title_ssm":["White Family Papers \n         1794-1921"],"title_tesim":["White Family Papers \n         1794-1921"],"normalized_title_ssm":["White Family Papers \n         1794-1921"],"text":["White Family Papers \n         1794-1921","9372, -b, -c","ca. 1190 items","Collection is open to research.","The White family papers are arranged in seven series: 1)\n         business papers of Colonel James White; 2) papers regarding\n         the settlement of the James White estate; 3) correspondence of\n         the White family; 4) legal, business \u0026 miscellaneous\n         papers of the White \u0026 related families; 5) papers of the\n         Campbell family; 6) papers of the Robertson family; 7)\n         oversize items.","This arrangement has retained as much of the organization\n         imposed by a former departmental field archivist as\n         possible.","Colonel \n         James White(1770-1838) married \n         Eliza Wilsonin 1798 and they had the\n         following known children: 1) \n         Jane C. (White) Humes; 2) \n         James Lowry White(d. ca. 1838); 3) \n         Eleanor White(d. 1852); 4) \n         Ann Eliza (White) Hannum; 5) \n         William Young Conn White(1812-1882); 6) \n         Thomas W. White(1817-?); 7) \n         Newton K. White; 8) \n         Addison White; 9) \n         Milton White.","William King(1769-1808), owner of the\n         saltworks at \n         Saltville, Virginia, married \n         Mary Triggin 1799. After his death in\n         1808, \n         Mary Trigg Kingmarried \n         Francis Smithand they produced at least\n         one daughter, \n         Mary Trigg Smith. \n         Wyndham Robertson(1803-1888) married \n         Mary Trigg Smithand had the following\n         known children: 1) \n         William Robertson(d. post 1859); 2) \n         Mary Robertson(1831-1867) m. 1856 \n         William Willis Blackford(1831-1905); 3) \n         Frank Smith Robertson(1841?-1926) m. [ca.\n         1868] \n         Stella Wheeler; 4) \n         Catherine Robertsonm. 1867 \n         James L. White(1842-1914); 5) \n         Pocahontas Robertsonm. \n         Connally F. Trigg(1847-?); 6) \n         Wyndham Robertson, Jr.m. \n         Flora Henderson.","Funded in part by a grant from the National Endowment\n            for the Humanities","The \n         White familypapers contain 1,190 items (4\n         Hollinger boxes, ca. 1.5 linear feet), 1794-1921, chiefly the\n         correspondence, business and legal papers of the \n         Whiteand \n         Robertsonfamilies of \n         Abingdon, Virginia. These closely related\n         families were two of the leading participants in the business\n         and political life of Southwest \n         Virginiaduring the nineteenth century.\n         The business papers of Col. \n         James White(1770-1838), other papers\n         concerning the settlement of his estate, and the business and\n         correspondence of the \n         White family, chiefly of \n         William Young Conn White(1812-1882), all\n         contain material relating to the development of business and\n         industry in Southwest \n         Virginiaand its economic ties to \n         Tennesseeand \n         Alabamabefore and after the Civil\n         War.","The first two series of the \n         White familypapers contain Col. \n         James White's own business papers,\n         1807-1838, and papers relating to the settlement of his vast\n         estate, 1838-1878. Col. White was involved in a number of\n         mercantile interests (up to some forty-five at one time) in\n         addition to the saltworks at \n         Saltville, Washington County. This\n         included business interests in the states of \n         Virginia, \n         Tennessee, \n         Alabama, and \n         Georgia, and investments in lead mines in\n         Wythe County, iron furnaces, cotton\n         plantations, and slaves. His property was worth at least\n         $750,000 at the time of his death. Unfortunately, Col. White's\n         business papers do not furnish a complete picture of any of\n         these interests.","Col. White moved to \n         Abingdon, Virginiaabout 1795. Prior to\n         his arrival there, White had worked for \n         Talbot, Jones \u0026 Company, a \n         Baltimoremerchandising house, who\n         supplied him with enough goods to set up his own business. He\n         married Miss \n         Eliza Wilsonin 1798 and began expanding\n         his business by becoming a partner of such men as Mr.\n         Henderson in \n         Abingdonand \n         William Lynnin \n         Alabama.","One of his most important business enterprises was the\n         leasing of the saltworks at \n         Saltville, Virginia, from the executors\n         of the \n         William Kingestate. Because the chain of\n         ownership and control of the saltworks is somewhat confusing,\n         the following short history of ownership will clarify White's\n         own involvement in the property.","General \n         Francis Prestonand his family had owned\n         the salt lick when \n         William King(1769-1808) purchased the\n         land west of their claim in 1795. By 1799, King had erected\n         furnaces and began the manufacture of salt. He also rented the\n         Preston Salinesuntil his death in 1808.\n         According to his will, the salt works were carried on by his\n         brother, \n         James King, \n         William Trigg, and \n         William King's wife, \n         Mary Trigg King, and their executors\n         until 1819, when it was leased to \n         John Sanders. Sanders sold his lease\n         rights to \n         James Whitewho leased the operations\n         until 1833. Other individuals leased this property until the\n         formation of the \n         Holston Salt \u0026 Plaster Companyin\n         1864. The \n         King Saltworksproduced from 90,000 to\n         100,000 bushels of salt per year. During the Civil War, it was\n         the largest supplier of salt to the Confederacy.","The business papers of Col. White contain several items\n         related to his salt interests including: papers concerning the\n         estate of \n         William Kingand the saltworks (October\n         27, 1820; May 14, 1821; April 3, June 7, \u0026 October 4,\n         1823; and September 1834); extracts from \n         John Hardies' disposition concerning salt\n         prices, 1824-1829 (April 7, 1829); and other legal papers\n         regarding the saltworks (May 26, 1830; September 8, 1831;\n         April 1833; November 7, 1834; March 12 \u0026 September 27,\n         1836; May 26, 1837; and August 15, 1838); a valuation of\n         buildings at \n         Saltville(undated) and a memorandum\n         regarding the account books at \n         Saltville(undated).","His business papers also include the balances on the \n         Saltvillebooks (1820-1835). Papers\n         concerning cotton shipments (1837-1838) and his other\n         mercantile interests (August 25, 1821 and April 16, 1835) are\n         present but do not adequately represent the extent of his\n         involvement.","The settlement of the estate of Col. \n         James Whitewas not completed until 1878\n         and the records in the second series show the extent of\n         White's assets at his death, especially the slave and land\n         inventories (ca. 1838), a notebook regarding the estate of \n         James White, 1843-1863, and a commonplace\n         book record of the division of his property (ca. 1851).","An inventory entitled \"Inventory and appraisement of the\n         personal property belonging to the estate of Col. James White\n         deceased\" is an especially useful summation of Col. White's\n         economic status at the time of his death. It contains entries\n         for: merchandise (pp. 1-18); small notes (pp. 19-37); salt due\n         bills (p. 38); appraisements of property in \n         Clay County, Kentucky, and the \n         Limestoneand \n         BellefontePlantations in \n         Alabama(pp. 39-44); sales of personal\n         property (pp. 45-46); dividends, cash received and notes (p.\n         47); various agreements (pp. 60-121); and settlement of the\n         estate (pp. 126-129). The volume also has notes regarding the\n         periodic examination of the accounts by the commissioner which\n         were recorded by the court, 1839-1871.","The correspondence of the \n         White familyincludes many letters\n         concerning business matters; of special note are the letters\n         of \n         Thomas Wilson White(1817-? ) to his\n         brother \n         William Young Conn White(1812-1882), both\n         sons of Col. \n         James White. \n         Thomas Whitewas the manager of the\n         family's plantation \" \n         Bellefonte, \" near \n         Huntsville, Alabama, and his letters give\n         a detailed account of its affairs (Feb., Nov., and Dec. 1843;\n         Jan. 1844; Sep., Nov., and Dec. 1845; Feb., Apr., and Dec.\n         1846; Jun. 1847; Jul. 1848; Mar. and May 1849; Mar. and Jul.\n         1851; Feb.-Apr. 1852; Apr. 1854; Oct. 1857; Jan., Apr., \u0026\n         Jun. 1858; Jul., \u0026 Sep.-Oct. 1859; Nov. 1862; Jul. 1874;\n         Mar., Apr., and Dec. 1876; Feb. and Jun. 1877; and Mar.\n         1878).","Other topics of interest in the \n         White familycorrespondence include: slavery\n         (January 1, 1840; August 26, 1841; April 25 \u0026 November 29,\n         1846; January 23, 1858 and July 16, 1859); the salt\n         merchandising business (November 28, 1842), banking and\n         financial difficulties (February 9, 1843; June 1, 1847; and\n         October 13, \u0026 16, 1857); and cotton prices (January 21,\n         1844; November 23, 1845; February 28, 1846; and April 29,\n         1854).","The fourth group of papers include the legal,\n         miscellaneous, and business papers of the \n         White family. Of note in the legal papers\n         are the following: an inventory and appraisement of the\n         estates of \n         Eliza Whiteand \n         Eleanor W. White(1851-1880); an indenture\n         regarding the saltworks between \n         James Whiteand \n         William King(August 4, 1823); and land\n         grants signed by various governors of \n         Virginia, including \n         James Pleasants, \n         James Wood, and \n         John Tyler, Sr.","Miscellaneous papers include a copy of a talk concerning\n         Judge \n         Peter Johnson(1763-1831) who grew up at \"\n         Longwood\" near \n         Farmville, Virginia(undated) and a copy\n         of The Daily Express of \n         Petersburg, Virginia(April 18, 1864).","The business papers of the \n         White familyshow their widespread business\n         interests, especially those of the \n         Saltvillesaltworks and their lead mines\n         in \n         Wythe County, Virginia. The account of\n         Dr. \n         Alexander Prestonwith \n         Eliza White(December 1839), containing\n         fees for medicines and doctor visits, sheds light on the types\n         of treatment occurring on a large plantation with many slaves.\n         A list of articles bought at a sale (August 22- 26, 1842)\n         includes livestock and slave prices.","Several of these papers deal with the \n         White family's continued interest in the \n         King Saltworks, which later became the \n         Holston Salt and Plaster Company(Dec.,\n         1855; Sep., 1862; Jan., 1866; Apr., 1872; Sep., 1874; Jun.,\n         and Oct., 1875; Feb., and May 1876; and Apr., 1877). There is\n         also other material concerning the \n         Holston Salt and Plaster Companyin the\n         years, 1872-1881.","A large amount of material in the business papers concerns\n         the lead mines in \n         Wythe Countyunder the company names of \n         Austinville Lead Mining Company, \n         Union Lead Mines Company, and \n         Wythe Lead and Zinc Mine Company(Feb. and\n         May 1856; Nov. 1857; Nov. 1864; Nov. 1865; Jul. and Dec. 1866;\n         Mar., May, Jul.-Dec. 1874; Jan. 1875; Dec. 1876; and Jan.-Apr.\n         1877). The bulk of the material on the lead mines is located\n         within the years 1874-1880.","The collection also contains a small group of papers\n         concerning the \n         Campell family, 1853-1882. One letter,\n         August 23, 1862, describes some of the economic difficulties\n         resulting from the Civil War.","The next series consists of the \n         Robertson familypapers. \n         James Lowry White(1842-1914), son of \n         William Young Conn White, married \n         Catherine Markham Robertson, daughter of\n         Governor \n         Wyndham Robertson(1803-1883), who resided\n         at the \" \n         Meadows, \" near \n         Abingdon, Virginia.","The papers of \n         Powhatan Robertson, a brother of \n         Wyndham Robertson, include: reports on\n         his college work (1815-1816) and essays written by him at \n         William and Mary(undated); three small\n         travel diaries describing his European Tour through \n         France, \n         Italy, and \n         Switzerland(October 12-November 25, 1818,\n         November 26-December 22, 1818, and January 3-May 2, 1819); and\n         letters describing the government and people of \n         Switzerlandand predicting that the growth\n         of Russian power and influence would continue into the next\n         century (June 9, 1819), and a speech by \n         John Randolphduring the Missouri\n         Compromise debate (February 22, 1820).","The correspondence of the \n         Robertson familycontains several Civil War\n         letters of interest: \n         Frank Robertson's description of Major \n         John Pelham(1838-1863) who fell at \n         Kelly's Ford(March 19, 1863); bands of\n         men pillaging the country (April 1865); and reconstruction\n         politics and settlement (June 6, 1865).","The letters to \n         Kate (Robertson) Whitecontain several\n         Civil War letters from her brother Frank, who served as a\n         captain under \n         J. E. B. Stuart, about his life as an\n         officer and skirmishes ( [ca. 1860 ?]; August 25, 1861; May 7,\n         July 26, and August 3, 1862; April 5 \u0026 18, 1863; and an\n         attempt by Federal forces to capture the saltworks at \n         Abingdon(October 17, [1864]). There are\n         also many letters from \n         Wyndham Robertsonand \n         Mary Frances Trigg Robertsonto their\n         children, especially Kate.","See the \n            \n            University of Virginia Library’s use policy.","University of Virginia. Library. Special\n            Collections Dept.","Talbot, Jones \u0026 Company","Preston Salines","Holston Salt \u0026 Plaster Company","King Saltworks","Limestone","Bellefonte","Longwood","Holston Salt and Plaster Company","Austinville Lead Mining Company","Union Lead Mines Company","Wythe Lead and Zinc Mine Company","Meadows","William and Mary","White and Buchanan","Southwest Virginia, Norfolk \u0026 Western\n                  Railroad Company","Abingdon Development\n                  Company","O.W. Gray \u0026 Son","White family","White","Robertson","Campell family","Robertson family","Campbell Family","Robertson Family","James White","Eliza Wilson","Jane C. (White) Humes","James Lowry White","Eleanor White","Ann Eliza (White) Hannum","William Young Conn White","Thomas W. White","Newton K. White","Addison White","Milton White","William King","Mary Trigg","Mary Trigg King","Francis Smith","Mary Trigg Smith","Wyndham Robertson","William Robertson","Mary Robertson","William Willis Blackford","Frank Smith Robertson","Stella Wheeler","Catherine Robertson","James L. White","Pocahontas Robertson","Connally F. Trigg","Wyndham Robertson, Jr.","Flora Henderson","William Lynn","Francis Preston","James King","William Trigg","John Sanders","John Hardies","Thomas Wilson White","Thomas White","Eliza White","Eleanor W. White","James Pleasants","James Wood","John Tyler, Sr.","Peter Johnson","Alexander Preston","Catherine Markham Robertson","Powhatan Robertson","John Randolph","Frank Robertson","John Pelham","Kate (Robertson) White","J. E. B. Stuart","Mary Frances Trigg Robertson","John R. Humes","William Young Conn\n                  White","Wyndham R. White","White Family","Catherine (Robertson)\n                  White","English"],"collection_title_tesim":["White Family Papers \n         1794-1921"],"collection_ssim":["White Family Papers \n         1794-1921"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["9372, -b, -c"],"unitid_tesim":["9372, -b, -c"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["William Young Conn\n         White"],"creator_ssim":["William Young Conn\n         White"],"creator_persname_ssim":["James White","Eliza Wilson","Jane C. (White) Humes","James Lowry White","Eleanor White","Ann Eliza (White) Hannum","William Young Conn White","Thomas W. White","Newton K. White","Addison White","Milton White","William King","Mary Trigg","Mary Trigg King","Francis Smith","Mary Trigg Smith","Wyndham Robertson","William Robertson","Mary Robertson","William Willis Blackford","Frank Smith Robertson","Stella Wheeler","Catherine Robertson","James L. White","Pocahontas Robertson","Connally F. Trigg","Wyndham Robertson, Jr.","Flora Henderson","William Lynn","Francis Preston","James King","William Trigg","John Sanders","John Hardies","Thomas Wilson White","Thomas White","Eliza White","Eleanor W. White","James Pleasants","James Wood","John Tyler, Sr.","Peter Johnson","Alexander Preston","Catherine Markham Robertson","Powhatan Robertson","John Randolph","Frank Robertson","John Pelham","Kate (Robertson) White","J. E. B. Stuart","Mary Frances Trigg Robertson","John R. Humes","William Young Conn\n                  White","Wyndham R. White","White Family","Catherine (Robertson)\n                  White"],"creator_corpname_ssim":["University of Virginia. Library. Special\n            Collections Dept.","Talbot, Jones \u0026 Company","Preston Salines","Holston Salt \u0026 Plaster Company","King Saltworks","Limestone","Bellefonte","Longwood","Holston Salt and Plaster Company","Austinville Lead Mining Company","Union Lead Mines Company","Wythe Lead and Zinc Mine Company","Meadows","William and Mary","White and Buchanan","Southwest Virginia, Norfolk \u0026 Western\n                  Railroad Company","Abingdon Development\n                  Company","O.W. Gray \u0026 Son"],"creator_famname_ssim":["White family","White","Robertson","Campell family","Robertson family","Campbell Family","Robertson Family"],"creators_ssim":["James White","Eliza Wilson","Jane C. (White) Humes","James Lowry White","Eleanor White","Ann Eliza (White) Hannum","William Young Conn White","Thomas W. White","Newton K. White","Addison White","Milton White","William King","Mary Trigg","Mary Trigg King","Francis Smith","Mary Trigg Smith","Wyndham Robertson","William Robertson","Mary Robertson","William Willis Blackford","Frank Smith Robertson","Stella Wheeler","Catherine Robertson","James L. White","Pocahontas Robertson","Connally F. Trigg","Wyndham Robertson, Jr.","Flora Henderson","William Lynn","Francis Preston","James King","William Trigg","John Sanders","John Hardies","Thomas Wilson White","Thomas White","Eliza White","Eleanor W. White","James Pleasants","James Wood","John Tyler, Sr.","Peter Johnson","Alexander Preston","Catherine Markham Robertson","Powhatan Robertson","John Randolph","Frank Robertson","John Pelham","Kate (Robertson) White","J. E. B. Stuart","Mary Frances Trigg Robertson","John R. Humes","William Young Conn\n                  White","Wyndham R. White","White Family","Catherine (Robertson)\n                  White","University of Virginia. Library. Special\n            Collections Dept.","Talbot, Jones \u0026 Company","Preston Salines","Holston Salt \u0026 Plaster Company","King Saltworks","Limestone","Bellefonte","Longwood","Holston Salt and Plaster Company","Austinville Lead Mining Company","Union Lead Mines Company","Wythe Lead and Zinc Mine Company","Meadows","William and Mary","White and Buchanan","Southwest Virginia, Norfolk \u0026 Western\n                  Railroad Company","Abingdon Development\n                  Company","O.W. Gray \u0026 Son","White family","White","Robertson","Campell family","Robertson family","Campbell Family","Robertson Family"],"acqinfo_ssim":["This collection was given to the Library by Mr. William\n            Young Conn White of Abingdon, Virginia, on July 10,\n            1985."],"has_online_content_ssim":["false"],"physdesc_tesim":["ca. 1190 items"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe White family papers are arranged in seven series: 1)\n         business papers of Colonel James White; 2) papers regarding\n         the settlement of the James White estate; 3) correspondence of\n         the White family; 4) legal, business \u0026amp; miscellaneous\n         papers of the White \u0026amp; related families; 5) papers of the\n         Campbell family; 6) papers of the Robertson family; 7)\n         oversize items.\u003c/p\u003e\n      ","\u003cp\u003eThis arrangement has retained as much of the organization\n         imposed by a former departmental field archivist as\n         possible.\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Organization"],"arrangement_tesim":["The White family papers are arranged in seven series: 1)\n         business papers of Colonel James White; 2) papers regarding\n         the settlement of the James White estate; 3) correspondence of\n         the White family; 4) legal, business \u0026 miscellaneous\n         papers of the White \u0026 related families; 5) papers of the\n         Campbell family; 6) papers of the Robertson family; 7)\n         oversize items.","This arrangement has retained as much of the organization\n         imposed by a former departmental field archivist as\n         possible."],"bioghist_html_tesm":["\u003cp\u003eColonel \n         \u003cpersname\u003eJames White\u003c/persname\u003e(1770-1838) married \n         \u003cpersname\u003eEliza Wilson\u003c/persname\u003ein 1798 and they had the\n         following known children: 1) \n         \u003cpersname\u003eJane C. (White) Humes\u003c/persname\u003e; 2) \n         \u003cpersname\u003eJames Lowry White\u003c/persname\u003e(d. ca. 1838); 3) \n         \u003cpersname\u003eEleanor White\u003c/persname\u003e(d. 1852); 4) \n         \u003cpersname\u003eAnn Eliza (White) Hannum\u003c/persname\u003e; 5) \n         \u003cpersname\u003eWilliam Young Conn White\u003c/persname\u003e(1812-1882); 6) \n         \u003cpersname\u003eThomas W. White\u003c/persname\u003e(1817-?); 7) \n         \u003cpersname\u003eNewton K. White\u003c/persname\u003e; 8) \n         \u003cpersname\u003eAddison White\u003c/persname\u003e; 9) \n         \u003cpersname\u003eMilton White\u003c/persname\u003e.\u003c/p\u003e\n      ","\u003cp\u003e\u003cpersname\u003eWilliam King\u003c/persname\u003e(1769-1808), owner of the\n         saltworks at \n         \u003cgeogname\u003eSaltville, Virginia\u003c/geogname\u003e, married \n         \u003cpersname\u003eMary Trigg\u003c/persname\u003ein 1799. After his death in\n         1808, \n         \u003cpersname\u003eMary Trigg King\u003c/persname\u003emarried \n         \u003cpersname\u003eFrancis Smith\u003c/persname\u003eand they produced at least\n         one daughter, \n         \u003cpersname\u003eMary Trigg Smith\u003c/persname\u003e. \n         \u003cpersname\u003eWyndham Robertson\u003c/persname\u003e(1803-1888) married \n         \u003cpersname\u003eMary Trigg Smith\u003c/persname\u003eand had the following\n         known children: 1) \n         \u003cpersname\u003eWilliam Robertson\u003c/persname\u003e(d. post 1859); 2) \n         \u003cpersname\u003eMary Robertson\u003c/persname\u003e(1831-1867) m. 1856 \n         \u003cpersname\u003eWilliam Willis Blackford\u003c/persname\u003e(1831-1905); 3) \n         \u003cpersname\u003eFrank Smith Robertson\u003c/persname\u003e(1841?-1926) m. [ca.\n         1868] \n         \u003cpersname\u003eStella Wheeler\u003c/persname\u003e; 4) \n         \u003cpersname\u003eCatherine Robertson\u003c/persname\u003em. 1867 \n         \u003cpersname\u003eJames L. White\u003c/persname\u003e(1842-1914); 5) \n         \u003cpersname\u003ePocahontas Robertson\u003c/persname\u003em. \n         \u003cpersname\u003eConnally F. Trigg\u003c/persname\u003e(1847-?); 6) \n         \u003cpersname\u003eWyndham Robertson, Jr.\u003c/persname\u003em. \n         \u003cpersname\u003eFlora Henderson\u003c/persname\u003e.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Genealogical Information re the White \u0026 Robertson\n         families"],"bioghist_tesim":["Colonel \n         James White(1770-1838) married \n         Eliza Wilsonin 1798 and they had the\n         following known children: 1) \n         Jane C. (White) Humes; 2) \n         James Lowry White(d. ca. 1838); 3) \n         Eleanor White(d. 1852); 4) \n         Ann Eliza (White) Hannum; 5) \n         William Young Conn White(1812-1882); 6) \n         Thomas W. White(1817-?); 7) \n         Newton K. White; 8) \n         Addison White; 9) \n         Milton White.","William King(1769-1808), owner of the\n         saltworks at \n         Saltville, Virginia, married \n         Mary Triggin 1799. After his death in\n         1808, \n         Mary Trigg Kingmarried \n         Francis Smithand they produced at least\n         one daughter, \n         Mary Trigg Smith. \n         Wyndham Robertson(1803-1888) married \n         Mary Trigg Smithand had the following\n         known children: 1) \n         William Robertson(d. post 1859); 2) \n         Mary Robertson(1831-1867) m. 1856 \n         William Willis Blackford(1831-1905); 3) \n         Frank Smith Robertson(1841?-1926) m. [ca.\n         1868] \n         Stella Wheeler; 4) \n         Catherine Robertsonm. 1867 \n         James L. White(1842-1914); 5) \n         Pocahontas Robertsonm. \n         Connally F. Trigg(1847-?); 6) \n         Wyndham Robertson, Jr.m. \n         Flora Henderson."],"prefercite_html_tesm":["\u003cp\u003eWhite Family\n            Papers, Accession 9372, -b, -c, Special Collections Department, University of\n         Virginia Library\u003c/p\u003e\n      "],"prefercite_tesim":["White Family\n            Papers, Accession 9372, -b, -c, Special Collections Department, University of\n         Virginia Library"],"processinfo_html_tesm":["\u003cp\u003eFunded in part by a grant from the National Endowment\n            for the Humanities\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Funding Note"],"processinfo_tesim":["Funded in part by a grant from the National Endowment\n            for the Humanities"],"scopecontent_html_tesm":["\u003cp\u003eThe \n         \u003cfamname\u003eWhite family\u003c/famname\u003epapers contain 1,190 items (4\n         Hollinger boxes, ca. 1.5 linear feet), 1794-1921, chiefly the\n         correspondence, business and legal papers of the \n         \u003cfamname\u003eWhite\u003c/famname\u003eand \n         \u003cfamname\u003eRobertson\u003c/famname\u003efamilies of \n         \u003cgeogname\u003eAbingdon, Virginia\u003c/geogname\u003e. These closely related\n         families were two of the leading participants in the business\n         and political life of Southwest \n         \u003cgeogname\u003eVirginia\u003c/geogname\u003eduring the nineteenth century.\n         The business papers of Col. \n         \u003cpersname\u003eJames White\u003c/persname\u003e(1770-1838), other papers\n         concerning the settlement of his estate, and the business and\n         correspondence of the \n         \u003cfamname\u003eWhite family\u003c/famname\u003e, chiefly of \n         \u003cpersname\u003eWilliam Young Conn White\u003c/persname\u003e(1812-1882), all\n         contain material relating to the development of business and\n         industry in Southwest \n         \u003cgeogname\u003eVirginia\u003c/geogname\u003eand its economic ties to \n         \u003cgeogname\u003eTennessee\u003c/geogname\u003eand \n         \u003cgeogname\u003eAlabama\u003c/geogname\u003ebefore and after the Civil\n         War.\u003c/p\u003e\n      ","\u003cp\u003eThe first two series of the \n         \u003cfamname\u003eWhite family\u003c/famname\u003epapers contain Col. \n         \u003cpersname\u003eJames White\u003c/persname\u003e's own business papers,\n         1807-1838, and papers relating to the settlement of his vast\n         estate, 1838-1878. Col. White was involved in a number of\n         mercantile interests (up to some forty-five at one time) in\n         addition to the saltworks at \n         \u003cgeogname\u003eSaltville, Washington County\u003c/geogname\u003e. This\n         included business interests in the states of \n         \u003cgeogname\u003eVirginia\u003c/geogname\u003e, \n         \u003cgeogname\u003eTennessee\u003c/geogname\u003e, \n         \u003cgeogname\u003eAlabama\u003c/geogname\u003e, and \n         \u003cgeogname\u003eGeorgia\u003c/geogname\u003e, and investments in lead mines in\n         \u003cgeogname\u003eWythe County\u003c/geogname\u003e, iron furnaces, cotton\n         plantations, and slaves. His property was worth at least\n         $750,000 at the time of his death. Unfortunately, Col. White's\n         business papers do not furnish a complete picture of any of\n         these interests.\u003c/p\u003e\n      ","\u003cp\u003eCol. White moved to \n         \u003cgeogname\u003eAbingdon, Virginia\u003c/geogname\u003eabout 1795. Prior to\n         his arrival there, White had worked for \n         \u003ccorpname\u003eTalbot, Jones \u0026amp; Company\u003c/corpname\u003e, a \n         \u003cgeogname\u003eBaltimore\u003c/geogname\u003emerchandising house, who\n         supplied him with enough goods to set up his own business. He\n         married Miss \n         \u003cpersname\u003eEliza Wilson\u003c/persname\u003ein 1798 and began expanding\n         his business by becoming a partner of such men as Mr.\n         Henderson in \n         \u003cgeogname\u003eAbingdon\u003c/geogname\u003eand \n         \u003cpersname\u003eWilliam Lynn\u003c/persname\u003ein \n         \u003cgeogname\u003eAlabama\u003c/geogname\u003e.\u003c/p\u003e\n      ","\u003cp\u003eOne of his most important business enterprises was the\n         leasing of the saltworks at \n         \u003cgeogname\u003eSaltville, Virginia\u003c/geogname\u003e, from the executors\n         of the \n         \u003cpersname\u003eWilliam King\u003c/persname\u003eestate. Because the chain of\n         ownership and control of the saltworks is somewhat confusing,\n         the following short history of ownership will clarify White's\n         own involvement in the property.\u003c/p\u003e\n      ","\u003cp\u003eGeneral \n         \u003cpersname\u003eFrancis Preston\u003c/persname\u003eand his family had owned\n         the salt lick when \n         \u003cpersname\u003eWilliam King\u003c/persname\u003e(1769-1808) purchased the\n         land west of their claim in 1795. By 1799, King had erected\n         furnaces and began the manufacture of salt. He also rented the\n         \u003ccorpname\u003ePreston Salines\u003c/corpname\u003euntil his death in 1808.\n         According to his will, the salt works were carried on by his\n         brother, \n         \u003cpersname\u003eJames King\u003c/persname\u003e, \n         \u003cpersname\u003eWilliam Trigg\u003c/persname\u003e, and \n         \u003cpersname\u003eWilliam King\u003c/persname\u003e's wife, \n         \u003cpersname\u003eMary Trigg King\u003c/persname\u003e, and their executors\n         until 1819, when it was leased to \n         \u003cpersname\u003eJohn Sanders\u003c/persname\u003e. Sanders sold his lease\n         rights to \n         \u003cpersname\u003eJames White\u003c/persname\u003ewho leased the operations\n         until 1833. Other individuals leased this property until the\n         formation of the \n         \u003ccorpname\u003eHolston Salt \u0026amp; Plaster Company\u003c/corpname\u003ein\n         1864. The \n         \u003ccorpname\u003eKing Saltworks\u003c/corpname\u003eproduced from 90,000 to\n         100,000 bushels of salt per year. During the Civil War, it was\n         the largest supplier of salt to the Confederacy.\u003c/p\u003e\n      ","\u003cp\u003eThe business papers of Col. White contain several items\n         related to his salt interests including: papers concerning the\n         estate of \n         \u003cpersname\u003eWilliam King\u003c/persname\u003eand the saltworks (October\n         27, 1820; May 14, 1821; April 3, June 7, \u0026amp; October 4,\n         1823; and September 1834); extracts from \n         \u003cpersname\u003eJohn Hardies\u003c/persname\u003e' disposition concerning salt\n         prices, 1824-1829 (April 7, 1829); and other legal papers\n         regarding the saltworks (May 26, 1830; September 8, 1831;\n         April 1833; November 7, 1834; March 12 \u0026amp; September 27,\n         1836; May 26, 1837; and August 15, 1838); a valuation of\n         buildings at \n         \u003cgeogname\u003eSaltville\u003c/geogname\u003e(undated) and a memorandum\n         regarding the account books at \n         \u003cgeogname\u003eSaltville\u003c/geogname\u003e(undated).\u003c/p\u003e\n      ","\u003cp\u003eHis business papers also include the balances on the \n         \u003cgeogname\u003eSaltville\u003c/geogname\u003ebooks (1820-1835). Papers\n         concerning cotton shipments (1837-1838) and his other\n         mercantile interests (August 25, 1821 and April 16, 1835) are\n         present but do not adequately represent the extent of his\n         involvement.\u003c/p\u003e\n      ","\u003cp\u003eThe settlement of the estate of Col. \n         \u003cpersname\u003eJames White\u003c/persname\u003ewas not completed until 1878\n         and the records in the second series show the extent of\n         White's assets at his death, especially the slave and land\n         inventories (ca. 1838), a notebook regarding the estate of \n         \u003cpersname\u003eJames White\u003c/persname\u003e, 1843-1863, and a commonplace\n         book record of the division of his property (ca. 1851).\u003c/p\u003e\n      ","\u003cp\u003eAn inventory entitled \"Inventory and appraisement of the\n         personal property belonging to the estate of Col. James White\n         deceased\" is an especially useful summation of Col. White's\n         economic status at the time of his death. It contains entries\n         for: merchandise (pp. 1-18); small notes (pp. 19-37); salt due\n         bills (p. 38); appraisements of property in \n         \u003cgeogname\u003eClay County, Kentucky\u003c/geogname\u003e, and the \n         \u003ccorpname\u003eLimestone\u003c/corpname\u003eand \n         \u003ccorpname\u003eBellefonte\u003c/corpname\u003ePlantations in \n         \u003cgeogname\u003eAlabama\u003c/geogname\u003e(pp. 39-44); sales of personal\n         property (pp. 45-46); dividends, cash received and notes (p.\n         47); various agreements (pp. 60-121); and settlement of the\n         estate (pp. 126-129). The volume also has notes regarding the\n         periodic examination of the accounts by the commissioner which\n         were recorded by the court, 1839-1871.\u003c/p\u003e\n      ","\u003cp\u003eThe correspondence of the \n         \u003cfamname\u003eWhite family\u003c/famname\u003eincludes many letters\n         concerning business matters; of special note are the letters\n         of \n         \u003cpersname\u003eThomas Wilson White\u003c/persname\u003e(1817-? ) to his\n         brother \n         \u003cpersname\u003eWilliam Young Conn White\u003c/persname\u003e(1812-1882), both\n         sons of Col. \n         \u003cpersname\u003eJames White\u003c/persname\u003e. \n         \u003cpersname\u003eThomas White\u003c/persname\u003ewas the manager of the\n         family's plantation \" \n         \u003ccorpname\u003eBellefonte\u003c/corpname\u003e, \" near \n         \u003cgeogname\u003eHuntsville, Alabama\u003c/geogname\u003e, and his letters give\n         a detailed account of its affairs (Feb., Nov., and Dec. 1843;\n         Jan. 1844; Sep., Nov., and Dec. 1845; Feb., Apr., and Dec.\n         1846; Jun. 1847; Jul. 1848; Mar. and May 1849; Mar. and Jul.\n         1851; Feb.-Apr. 1852; Apr. 1854; Oct. 1857; Jan., Apr., \u0026amp;\n         Jun. 1858; Jul., \u0026amp; Sep.-Oct. 1859; Nov. 1862; Jul. 1874;\n         Mar., Apr., and Dec. 1876; Feb. and Jun. 1877; and Mar.\n         1878).\u003c/p\u003e\n      ","\u003cp\u003eOther topics of interest in the \n         \u003cfamname\u003eWhite family\u003c/famname\u003ecorrespondence include: slavery\n         (January 1, 1840; August 26, 1841; April 25 \u0026amp; November 29,\n         1846; January 23, 1858 and July 16, 1859); the salt\n         merchandising business (November 28, 1842), banking and\n         financial difficulties (February 9, 1843; June 1, 1847; and\n         October 13, \u0026amp; 16, 1857); and cotton prices (January 21,\n         1844; November 23, 1845; February 28, 1846; and April 29,\n         1854).\u003c/p\u003e\n      ","\u003cp\u003eThe fourth group of papers include the legal,\n         miscellaneous, and business papers of the \n         \u003cfamname\u003eWhite family\u003c/famname\u003e. Of note in the legal papers\n         are the following: an inventory and appraisement of the\n         estates of \n         \u003cpersname\u003eEliza White\u003c/persname\u003eand \n         \u003cpersname\u003eEleanor W. White\u003c/persname\u003e(1851-1880); an indenture\n         regarding the saltworks between \n         \u003cpersname\u003eJames White\u003c/persname\u003eand \n         \u003cpersname\u003eWilliam King\u003c/persname\u003e(August 4, 1823); and land\n         grants signed by various governors of \n         \u003cgeogname\u003eVirginia\u003c/geogname\u003e, including \n         \u003cpersname\u003eJames Pleasants\u003c/persname\u003e, \n         \u003cpersname\u003eJames Wood\u003c/persname\u003e, and \n         \u003cpersname\u003eJohn Tyler, Sr.\u003c/persname\u003e\u003c/p\u003e\n      ","\u003cp\u003eMiscellaneous papers include a copy of a talk concerning\n         Judge \n         \u003cpersname\u003ePeter Johnson\u003c/persname\u003e(1763-1831) who grew up at \"\n         \u003ccorpname\u003eLongwood\u003c/corpname\u003e\" near \n         \u003cgeogname\u003eFarmville, Virginia\u003c/geogname\u003e(undated) and a copy\n         of The Daily Express of \n         \u003cgeogname\u003ePetersburg, Virginia\u003c/geogname\u003e(April 18, 1864).\u003c/p\u003e\n      ","\u003cp\u003eThe business papers of the \n         \u003cfamname\u003eWhite family\u003c/famname\u003eshow their widespread business\n         interests, especially those of the \n         \u003cgeogname\u003eSaltville\u003c/geogname\u003esaltworks and their lead mines\n         in \n         \u003cgeogname\u003eWythe County, Virginia\u003c/geogname\u003e. The account of\n         Dr. \n         \u003cpersname\u003eAlexander Preston\u003c/persname\u003ewith \n         \u003cpersname\u003eEliza White\u003c/persname\u003e(December 1839), containing\n         fees for medicines and doctor visits, sheds light on the types\n         of treatment occurring on a large plantation with many slaves.\n         A list of articles bought at a sale (August 22- 26, 1842)\n         includes livestock and slave prices.\u003c/p\u003e\n      ","\u003cp\u003eSeveral of these papers deal with the \n         \u003cfamname\u003eWhite family\u003c/famname\u003e's continued interest in the \n         \u003ccorpname\u003eKing Saltworks\u003c/corpname\u003e, which later became the \n         \u003ccorpname\u003eHolston Salt and Plaster Company\u003c/corpname\u003e(Dec.,\n         1855; Sep., 1862; Jan., 1866; Apr., 1872; Sep., 1874; Jun.,\n         and Oct., 1875; Feb., and May 1876; and Apr., 1877). There is\n         also other material concerning the \n         \u003ccorpname\u003eHolston Salt and Plaster Company\u003c/corpname\u003ein the\n         years, 1872-1881.\u003c/p\u003e\n      ","\u003cp\u003eA large amount of material in the business papers concerns\n         the lead mines in \n         \u003cgeogname\u003eWythe County\u003c/geogname\u003eunder the company names of \n         \u003ccorpname\u003eAustinville Lead Mining Company\u003c/corpname\u003e, \n         \u003ccorpname\u003eUnion Lead Mines Company\u003c/corpname\u003e, and \n         \u003ccorpname\u003eWythe Lead and Zinc Mine Company\u003c/corpname\u003e(Feb. and\n         May 1856; Nov. 1857; Nov. 1864; Nov. 1865; Jul. and Dec. 1866;\n         Mar., May, Jul.-Dec. 1874; Jan. 1875; Dec. 1876; and Jan.-Apr.\n         1877). The bulk of the material on the lead mines is located\n         within the years 1874-1880.\u003c/p\u003e\n      ","\u003cp\u003eThe collection also contains a small group of papers\n         concerning the \n         \u003cfamname\u003eCampell family\u003c/famname\u003e, 1853-1882. One letter,\n         August 23, 1862, describes some of the economic difficulties\n         resulting from the Civil War.\u003c/p\u003e\n      ","\u003cp\u003eThe next series consists of the \n         \u003cfamname\u003eRobertson family\u003c/famname\u003epapers. \n         \u003cpersname\u003eJames Lowry White\u003c/persname\u003e(1842-1914), son of \n         \u003cpersname\u003eWilliam Young Conn White\u003c/persname\u003e, married \n         \u003cpersname\u003eCatherine Markham Robertson\u003c/persname\u003e, daughter of\n         Governor \n         \u003cpersname\u003eWyndham Robertson\u003c/persname\u003e(1803-1883), who resided\n         at the \" \n         \u003ccorpname\u003eMeadows\u003c/corpname\u003e, \" near \n         \u003cgeogname\u003eAbingdon, Virginia\u003c/geogname\u003e.\u003c/p\u003e\n      ","\u003cp\u003eThe papers of \n         \u003cpersname\u003ePowhatan Robertson\u003c/persname\u003e, a brother of \n         \u003cpersname\u003eWyndham Robertson\u003c/persname\u003e, include: reports on\n         his college work (1815-1816) and essays written by him at \n         \u003ccorpname\u003eWilliam and Mary\u003c/corpname\u003e(undated); three small\n         travel diaries describing his European Tour through \n         \u003cgeogname\u003eFrance\u003c/geogname\u003e, \n         \u003cgeogname\u003eItaly\u003c/geogname\u003e, and \n         \u003cgeogname\u003eSwitzerland\u003c/geogname\u003e(October 12-November 25, 1818,\n         November 26-December 22, 1818, and January 3-May 2, 1819); and\n         letters describing the government and people of \n         \u003cgeogname\u003eSwitzerland\u003c/geogname\u003eand predicting that the growth\n         of Russian power and influence would continue into the next\n         century (June 9, 1819), and a speech by \n         \u003cpersname\u003eJohn Randolph\u003c/persname\u003eduring the Missouri\n         Compromise debate (February 22, 1820).\u003c/p\u003e\n      ","\u003cp\u003eThe correspondence of the \n         \u003cfamname\u003eRobertson family\u003c/famname\u003econtains several Civil War\n         letters of interest: \n         \u003cpersname\u003eFrank Robertson\u003c/persname\u003e's description of Major \n         \u003cpersname\u003eJohn Pelham\u003c/persname\u003e(1838-1863) who fell at \n         \u003cgeogname\u003eKelly's Ford\u003c/geogname\u003e(March 19, 1863); bands of\n         men pillaging the country (April 1865); and reconstruction\n         politics and settlement (June 6, 1865).\u003c/p\u003e\n      ","\u003cp\u003eThe letters to \n         \u003cpersname\u003eKate (Robertson) White\u003c/persname\u003econtain several\n         Civil War letters from her brother Frank, who served as a\n         captain under \n         \u003cpersname\u003eJ. E. B. Stuart\u003c/persname\u003e, about his life as an\n         officer and skirmishes ( [ca. 1860 ?]; August 25, 1861; May 7,\n         July 26, and August 3, 1862; April 5 \u0026amp; 18, 1863; and an\n         attempt by Federal forces to capture the saltworks at \n         \u003cgeogname\u003eAbingdon\u003c/geogname\u003e(October 17, [1864]). There are\n         also many letters from \n         \u003cpersname\u003eWyndham Robertson\u003c/persname\u003eand \n         \u003cpersname\u003eMary Frances Trigg Robertson\u003c/persname\u003eto their\n         children, especially Kate.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The \n         White familypapers contain 1,190 items (4\n         Hollinger boxes, ca. 1.5 linear feet), 1794-1921, chiefly the\n         correspondence, business and legal papers of the \n         Whiteand \n         Robertsonfamilies of \n         Abingdon, Virginia. These closely related\n         families were two of the leading participants in the business\n         and political life of Southwest \n         Virginiaduring the nineteenth century.\n         The business papers of Col. \n         James White(1770-1838), other papers\n         concerning the settlement of his estate, and the business and\n         correspondence of the \n         White family, chiefly of \n         William Young Conn White(1812-1882), all\n         contain material relating to the development of business and\n         industry in Southwest \n         Virginiaand its economic ties to \n         Tennesseeand \n         Alabamabefore and after the Civil\n         War.","The first two series of the \n         White familypapers contain Col. \n         James White's own business papers,\n         1807-1838, and papers relating to the settlement of his vast\n         estate, 1838-1878. Col. White was involved in a number of\n         mercantile interests (up to some forty-five at one time) in\n         addition to the saltworks at \n         Saltville, Washington County. This\n         included business interests in the states of \n         Virginia, \n         Tennessee, \n         Alabama, and \n         Georgia, and investments in lead mines in\n         Wythe County, iron furnaces, cotton\n         plantations, and slaves. His property was worth at least\n         $750,000 at the time of his death. Unfortunately, Col. White's\n         business papers do not furnish a complete picture of any of\n         these interests.","Col. White moved to \n         Abingdon, Virginiaabout 1795. Prior to\n         his arrival there, White had worked for \n         Talbot, Jones \u0026 Company, a \n         Baltimoremerchandising house, who\n         supplied him with enough goods to set up his own business. He\n         married Miss \n         Eliza Wilsonin 1798 and began expanding\n         his business by becoming a partner of such men as Mr.\n         Henderson in \n         Abingdonand \n         William Lynnin \n         Alabama.","One of his most important business enterprises was the\n         leasing of the saltworks at \n         Saltville, Virginia, from the executors\n         of the \n         William Kingestate. Because the chain of\n         ownership and control of the saltworks is somewhat confusing,\n         the following short history of ownership will clarify White's\n         own involvement in the property.","General \n         Francis Prestonand his family had owned\n         the salt lick when \n         William King(1769-1808) purchased the\n         land west of their claim in 1795. By 1799, King had erected\n         furnaces and began the manufacture of salt. He also rented the\n         Preston Salinesuntil his death in 1808.\n         According to his will, the salt works were carried on by his\n         brother, \n         James King, \n         William Trigg, and \n         William King's wife, \n         Mary Trigg King, and their executors\n         until 1819, when it was leased to \n         John Sanders. Sanders sold his lease\n         rights to \n         James Whitewho leased the operations\n         until 1833. Other individuals leased this property until the\n         formation of the \n         Holston Salt \u0026 Plaster Companyin\n         1864. The \n         King Saltworksproduced from 90,000 to\n         100,000 bushels of salt per year. During the Civil War, it was\n         the largest supplier of salt to the Confederacy.","The business papers of Col. White contain several items\n         related to his salt interests including: papers concerning the\n         estate of \n         William Kingand the saltworks (October\n         27, 1820; May 14, 1821; April 3, June 7, \u0026 October 4,\n         1823; and September 1834); extracts from \n         John Hardies' disposition concerning salt\n         prices, 1824-1829 (April 7, 1829); and other legal papers\n         regarding the saltworks (May 26, 1830; September 8, 1831;\n         April 1833; November 7, 1834; March 12 \u0026 September 27,\n         1836; May 26, 1837; and August 15, 1838); a valuation of\n         buildings at \n         Saltville(undated) and a memorandum\n         regarding the account books at \n         Saltville(undated).","His business papers also include the balances on the \n         Saltvillebooks (1820-1835). Papers\n         concerning cotton shipments (1837-1838) and his other\n         mercantile interests (August 25, 1821 and April 16, 1835) are\n         present but do not adequately represent the extent of his\n         involvement.","The settlement of the estate of Col. \n         James Whitewas not completed until 1878\n         and the records in the second series show the extent of\n         White's assets at his death, especially the slave and land\n         inventories (ca. 1838), a notebook regarding the estate of \n         James White, 1843-1863, and a commonplace\n         book record of the division of his property (ca. 1851).","An inventory entitled \"Inventory and appraisement of the\n         personal property belonging to the estate of Col. James White\n         deceased\" is an especially useful summation of Col. White's\n         economic status at the time of his death. It contains entries\n         for: merchandise (pp. 1-18); small notes (pp. 19-37); salt due\n         bills (p. 38); appraisements of property in \n         Clay County, Kentucky, and the \n         Limestoneand \n         BellefontePlantations in \n         Alabama(pp. 39-44); sales of personal\n         property (pp. 45-46); dividends, cash received and notes (p.\n         47); various agreements (pp. 60-121); and settlement of the\n         estate (pp. 126-129). The volume also has notes regarding the\n         periodic examination of the accounts by the commissioner which\n         were recorded by the court, 1839-1871.","The correspondence of the \n         White familyincludes many letters\n         concerning business matters; of special note are the letters\n         of \n         Thomas Wilson White(1817-? ) to his\n         brother \n         William Young Conn White(1812-1882), both\n         sons of Col. \n         James White. \n         Thomas Whitewas the manager of the\n         family's plantation \" \n         Bellefonte, \" near \n         Huntsville, Alabama, and his letters give\n         a detailed account of its affairs (Feb., Nov., and Dec. 1843;\n         Jan. 1844; Sep., Nov., and Dec. 1845; Feb., Apr., and Dec.\n         1846; Jun. 1847; Jul. 1848; Mar. and May 1849; Mar. and Jul.\n         1851; Feb.-Apr. 1852; Apr. 1854; Oct. 1857; Jan., Apr., \u0026\n         Jun. 1858; Jul., \u0026 Sep.-Oct. 1859; Nov. 1862; Jul. 1874;\n         Mar., Apr., and Dec. 1876; Feb. and Jun. 1877; and Mar.\n         1878).","Other topics of interest in the \n         White familycorrespondence include: slavery\n         (January 1, 1840; August 26, 1841; April 25 \u0026 November 29,\n         1846; January 23, 1858 and July 16, 1859); the salt\n         merchandising business (November 28, 1842), banking and\n         financial difficulties (February 9, 1843; June 1, 1847; and\n         October 13, \u0026 16, 1857); and cotton prices (January 21,\n         1844; November 23, 1845; February 28, 1846; and April 29,\n         1854).","The fourth group of papers include the legal,\n         miscellaneous, and business papers of the \n         White family. Of note in the legal papers\n         are the following: an inventory and appraisement of the\n         estates of \n         Eliza Whiteand \n         Eleanor W. White(1851-1880); an indenture\n         regarding the saltworks between \n         James Whiteand \n         William King(August 4, 1823); and land\n         grants signed by various governors of \n         Virginia, including \n         James Pleasants, \n         James Wood, and \n         John Tyler, Sr.","Miscellaneous papers include a copy of a talk concerning\n         Judge \n         Peter Johnson(1763-1831) who grew up at \"\n         Longwood\" near \n         Farmville, Virginia(undated) and a copy\n         of The Daily Express of \n         Petersburg, Virginia(April 18, 1864).","The business papers of the \n         White familyshow their widespread business\n         interests, especially those of the \n         Saltvillesaltworks and their lead mines\n         in \n         Wythe County, Virginia. The account of\n         Dr. \n         Alexander Prestonwith \n         Eliza White(December 1839), containing\n         fees for medicines and doctor visits, sheds light on the types\n         of treatment occurring on a large plantation with many slaves.\n         A list of articles bought at a sale (August 22- 26, 1842)\n         includes livestock and slave prices.","Several of these papers deal with the \n         White family's continued interest in the \n         King Saltworks, which later became the \n         Holston Salt and Plaster Company(Dec.,\n         1855; Sep., 1862; Jan., 1866; Apr., 1872; Sep., 1874; Jun.,\n         and Oct., 1875; Feb., and May 1876; and Apr., 1877). There is\n         also other material concerning the \n         Holston Salt and Plaster Companyin the\n         years, 1872-1881.","A large amount of material in the business papers concerns\n         the lead mines in \n         Wythe Countyunder the company names of \n         Austinville Lead Mining Company, \n         Union Lead Mines Company, and \n         Wythe Lead and Zinc Mine Company(Feb. and\n         May 1856; Nov. 1857; Nov. 1864; Nov. 1865; Jul. and Dec. 1866;\n         Mar., May, Jul.-Dec. 1874; Jan. 1875; Dec. 1876; and Jan.-Apr.\n         1877). The bulk of the material on the lead mines is located\n         within the years 1874-1880.","The collection also contains a small group of papers\n         concerning the \n         Campell family, 1853-1882. One letter,\n         August 23, 1862, describes some of the economic difficulties\n         resulting from the Civil War.","The next series consists of the \n         Robertson familypapers. \n         James Lowry White(1842-1914), son of \n         William Young Conn White, married \n         Catherine Markham Robertson, daughter of\n         Governor \n         Wyndham Robertson(1803-1883), who resided\n         at the \" \n         Meadows, \" near \n         Abingdon, Virginia.","The papers of \n         Powhatan Robertson, a brother of \n         Wyndham Robertson, include: reports on\n         his college work (1815-1816) and essays written by him at \n         William and Mary(undated); three small\n         travel diaries describing his European Tour through \n         France, \n         Italy, and \n         Switzerland(October 12-November 25, 1818,\n         November 26-December 22, 1818, and January 3-May 2, 1819); and\n         letters describing the government and people of \n         Switzerlandand predicting that the growth\n         of Russian power and influence would continue into the next\n         century (June 9, 1819), and a speech by \n         John Randolphduring the Missouri\n         Compromise debate (February 22, 1820).","The correspondence of the \n         Robertson familycontains several Civil War\n         letters of interest: \n         Frank Robertson's description of Major \n         John Pelham(1838-1863) who fell at \n         Kelly's Ford(March 19, 1863); bands of\n         men pillaging the country (April 1865); and reconstruction\n         politics and settlement (June 6, 1865).","The letters to \n         Kate (Robertson) Whitecontain several\n         Civil War letters from her brother Frank, who served as a\n         captain under \n         J. E. B. Stuart, about his life as an\n         officer and skirmishes ( [ca. 1860 ?]; August 25, 1861; May 7,\n         July 26, and August 3, 1862; April 5 \u0026 18, 1863; and an\n         attempt by Federal forces to capture the saltworks at \n         Abingdon(October 17, [1864]). There are\n         also many letters from \n         Wyndham Robertsonand \n         Mary Frances Trigg Robertsonto their\n         children, especially Kate."],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n            \n            University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc\u003e\u003c/physloc\u003e\n      "],"corpname_ssim":["University of Virginia. Library. Special\n            Collections Dept.","Talbot, Jones \u0026 Company","Preston Salines","Holston Salt \u0026 Plaster Company","King Saltworks","Limestone","Bellefonte","Longwood","Holston Salt and Plaster Company","Austinville Lead Mining Company","Union Lead Mines Company","Wythe Lead and Zinc Mine Company","Meadows","William and Mary","White and Buchanan","Southwest Virginia, Norfolk \u0026 Western\n                  Railroad Company","Abingdon Development\n                  Company","O.W. Gray \u0026 Son"],"famname_ssim":["White family","White","Robertson","Campell family","Robertson family","Campbell Family","Robertson Family"],"persname_ssim":["James White","Eliza Wilson","Jane C. (White) Humes","James Lowry White","Eleanor White","Ann Eliza (White) Hannum","William Young Conn White","Thomas W. White","Newton K. White","Addison White","Milton White","William King","Mary Trigg","Mary Trigg King","Francis Smith","Mary Trigg Smith","Wyndham Robertson","William Robertson","Mary Robertson","William Willis Blackford","Frank Smith Robertson","Stella Wheeler","Catherine Robertson","James L. White","Pocahontas Robertson","Connally F. Trigg","Wyndham Robertson, Jr.","Flora Henderson","William Lynn","Francis Preston","James King","William Trigg","John Sanders","John Hardies","Thomas Wilson White","Thomas White","Eliza White","Eleanor W. White","James Pleasants","James Wood","John Tyler, Sr.","Peter Johnson","Alexander Preston","Catherine Markham Robertson","Powhatan Robertson","John Randolph","Frank Robertson","John Pelham","Kate (Robertson) White","J. E. B. Stuart","Mary Frances Trigg Robertson","John R. Humes","William Young Conn\n                  White","Wyndham R. White","White Family","Catherine (Robertson)\n                  White"],"names_ssim":["University of Virginia. Library. Special\n            Collections Dept.","Talbot, Jones \u0026 Company","Preston Salines","Holston Salt \u0026 Plaster Company","King Saltworks","Limestone","Bellefonte","Longwood","Holston Salt and Plaster Company","Austinville Lead Mining Company","Union Lead Mines Company","Wythe Lead and Zinc Mine Company","Meadows","William and Mary","White and Buchanan","Southwest Virginia, Norfolk \u0026 Western\n                  Railroad Company","Abingdon Development\n                  Company","O.W. Gray \u0026 Son","White family","White","Robertson","Campell family","Robertson family","Campbell Family","Robertson Family","James White","Eliza Wilson","Jane C. (White) Humes","James Lowry White","Eleanor White","Ann Eliza (White) Hannum","William Young Conn White","Thomas W. White","Newton K. White","Addison White","Milton White","William King","Mary Trigg","Mary Trigg King","Francis Smith","Mary Trigg Smith","Wyndham Robertson","William Robertson","Mary Robertson","William Willis Blackford","Frank Smith Robertson","Stella Wheeler","Catherine Robertson","James L. White","Pocahontas Robertson","Connally F. Trigg","Wyndham Robertson, Jr.","Flora Henderson","William Lynn","Francis Preston","James King","William Trigg","John Sanders","John Hardies","Thomas Wilson White","Thomas White","Eliza White","Eleanor W. White","James Pleasants","James Wood","John Tyler, Sr.","Peter Johnson","Alexander Preston","Catherine Markham Robertson","Powhatan Robertson","John Randolph","Frank Robertson","John Pelham","Kate (Robertson) White","J. E. B. Stuart","Mary Frances Trigg Robertson","John R. Humes","William Young Conn\n                  White","Wyndham R. White","White Family","Catherine (Robertson)\n                  White"],"language_ssim":["English"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:33:15.613Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu00730_c04_c06"}},{"id":"viu_viu00032_c02_c07","type":"Item","attributes":{"title":"Bank Statements \u0026 Canceled Check\n                  Samples., 1882/1895","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu00032_c02_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00032_c02_c07","ref_ssm":["viu_viu00032_c02_c07"],"id":"viu_viu00032_c02_c07","ead_ssi":"viu_viu00032","_root_":"viu_viu00032","_nest_parent_":"viu_viu00032_c02","parent_ssi":"viu_viu00032_c02","parent_ssim":["Baylor Family Papers \n         1653-1915","SERIES II: LEGAL \u0026 FINANCIAL\n               PAPERS"],"parent_ids_ssim":["viu_viu00032","viu_viu00032_c02"],"title_filing_ssi":"Bank Statements \u0026 Canceled Check\n                  Samples.","title_ssm":["Bank Statements \u0026 Canceled Check\n                  Samples."],"title_tesim":["Bank Statements \u0026 Canceled Check\n                  Samples."],"normalized_title_ssm":["Bank Statements \u0026 Canceled Check\n                  Samples., 1882/1895"],"text":["Bank Statements \u0026 Canceled Check\n                  Samples., 1882/1895","Baylor Family Papers \n         1653-1915","SERIES II: LEGAL \u0026 FINANCIAL\n               PAPERS","Box Box 2"],"parent_unittitles_ssm":["Baylor Family Papers \n         1653-1915","SERIES II: LEGAL \u0026 FINANCIAL\n               PAPERS"],"parent_unittitles_tesim":["Baylor Family Papers \n         1653-1915","SERIES II: LEGAL \u0026 FINANCIAL\n               PAPERS"],"normalized_date_ssm":["1882/1895"],"unitdate_other_ssim":["1882-1895"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":10,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Baylor Family Papers \n         1653-1915"],"containers_ssim":["Box Box 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895],"_nest_path_":"/components#1/components#6","timestamp":"2026-06-23T07:31:42.753Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00032","ead_ssi":"viu_viu00032","_root_":"viu_viu00032","_nest_parent_":"viu_viu00032","ead_source_url_ssi":"data/uva-sc/viu00032.xml","title_ssm":["Baylor Family Papers \n         1653-1915"],"title_tesim":["Baylor Family Papers \n         1653-1915"],"normalized_title_ssm":["Baylor Family Papers \n         1653-1915"],"text":["Baylor Family Papers \n         1653-1915","2257","2000 items","There are no restrictions.","The \n          Baylor Family Papers have been arranged in\n         the following six series:","I. Correspondence (Box 1)","II. Legal and Financial Papers (Boxes 2-3)","III. Miscellaneous Papers (Box 4)","IV. Notebooks and Bound Volumes (Boxes 5-7)","V. Papers of \n          James B. Baylor and the \n          United States Coast \u0026 Geodetic\n         Survey (Boxes 8-11)","VI. Oversize Items \u0026 2M Volumes","John Baylor 1 ( \n         1650- \n         1720) resident of \n          Gloucester County, Virginia, and later \n          King and Queen County, Virginia, married \n          Lucy Todd O'Brien (ca.1681-?) of \n          New Kent County, Virginia, in \n         1698. They were believed to have had three\n         offspring, \n          Frances Baylor, \n          Robert Baylor, and \n          John Baylor 2. The children of their son,\n         Colonel \n          John2 Baylor ( \n         1705- \n         1772), and \n          Frances Walker (?- \n         1783) were as follows:","1) \n          Courtney Baylor m. Jasper Clayton of \n          Gloucester County","2) \n          Lucy Baylor m. \n          John Armistead","3) \n          Frances Baylor m. \n          John Nicholson","4) \n          Elizabeth Baylor unmarried","5) \n          John Baylor 3 ( \n         1750- \n         1808) m. \n          Frances Norton ( \n         1760- \n         1815) in \n         1778","6) \n          George Baylor ( \n         1752- \n         1784) m. \n          Lucy Page in \n         1778","7) \n          Walker Baylor ( ? - \n         1823) m. \n          Jane Bledsoe","8) \n          Robert Baylor m. Miss Gwynne","The children of \n          John Baylor 3 and \n          Frances Norton were:","1) \n          Frances Courtney Baylor ( \n         1779- \n         1780)","2) \n          Courtney Orange Baylor ( \n         1781-? ) m. _____ Fox","3) \n          Lucy Elizabeth Todd Baylor ( ? - \n         1823) m. [Sen. \n          John H. Upshaw ] in \n         1809","4) \n          Louisa Henrietta Baylor m. [ \n          William T. Upshaw ]","5) \n          Susanna Frances Baylor ( \n         1783- \n         1837) m. \n          John Sutton","6) \n          John Baylor 4 m. \n          Maria Ann Roy ( \n         1790- \n         1850) in \n         1819","7) Dr. \n          George Daniel Baylor m. Miss Lewis","The issue of \n          John Baylor 4 and \n          Maria Ann Roy was Dr. \n          John Roy Baylor","John Baylor ( \n         1821- \n         1897) who married \n          Anne Bowen of \n          Albemarle County and produced the\n         following offspring:","1) Captain \n          James Bowen Baylor ( \n         1849- \n         1924) m. \n          Ellen Carter Bruce (died ca. \n         1899) in ca. \n         1881, producing three children: \n          Evelyn Courtney Blackford Baylor, \n          Anne Baylor, and \n          John Baylor ( \n         1890- \n         1968).","2) \n          Maria Roy Baylor","3) \n          John Roy Baylor, Jr. ( \n         1851- \n         1926) m. \n          Julia Howard","Scope and Content\n        The papers of the \n             Baylor family of \"Newmarket,\" \n             Bowling Green, Caroline County, Virginia, contain ca.\n            2000 items (11 Hollinger boxes, 4.5 linear feet),\n            1653-1915, and consist of correspondence, legal and\n            financial papers, ledgers, genealogical material, students\n            notebooks and bound volumes, scrapbooks, photographs, a\n            diary, literary compositions, military papers pertaining to\n            the Revolutionary War, newsclippings, the records of James Bowen Baylor and the \n             United States Coast and Geodetic Survey, and miscellaneous papers.\n        These papers pertain to John Baylor (1650-1720) of \n             Gloucester County, and King and Queen County, Virginia, and his wife, \n             Lucy Todd O'Brien of New Kent County, Virginia, and four generations of their descendants. The \n             John Baylor ledgers, 1719-1755, reveal that John Baylor was a wealthy merchant,\n            planter, and shipowner. He also served as a burgess, representing Gloucester County in the 1693 General Assembly and King and Queen County in 1718.\n        John Baylor's son, John Baylor (1705-1772), greatly increased the family landholdings when he received a royal\n            land grant in 1726 in what was to become Caroline County, Virginia. John Baylor was educated in \n             England, at the \n             Putney Grammer School and \n             Caius College, \n             Cambridge. While in \n             England, he developed a keen interest\n            in thoroughbred horses and horse racing, going so far as to\n            name his new home, \" \n             Newmarket, \" for the famous English\n            racing center. He became an important colonial horse\n            importer and breeder whose stables greatly contributed to\n            the development of American thoroughbreds. \n             John Baylor also rendered public\n            service to the newly formed county of \n             Caroline, as a colonel in the county\n            militia and a burgess in 1742-1749, and 1756-1765.\n        All four of the sons of \n             John Baylor (1705-1772) contributed in\n            some way to the American effort during the Revolutionary\n            War. \n             John Baylor (1750-1808), the heir of \" \n             Newmarket, \" while unable to fight due\n            to a childhood injury, gave financial support to the war\n            effort. He later had difficulties in shedding his\n            reputation as a \"Tory\" because he had gone back to \n             England in 1778 to marry his cousin, \n             Frances Norton (1760-1815) and had to\n            live in \n             Europe until they could obtain a return\n            passage to \n             America.\n        \n                George Baylor (1752-1784) was a member\n            of the \n             Caroline County Committee of Safety,\n            1775-1776, and from 1775-1777, he was aide-de-camp of\n            General \n             George Washington. He was commanding\n            officer of the \n             3rd Regiment Light Dragoons when he was\n            wounded and captured on September 28, 1778. He was\n            eventually exchanged and his regiment was consolidated with\n            the \n             First Continental Dragoons on November\n            9, 1782, which he commanded until the end of the war. On\n            September 30, 1783, he received his commission as a Brevet\n            Brigadier General.\n        \n                Walker Baylor served as a lieutenant\n            and captain of the \n             3rd Regiment Light Dragoons during the\n            Revolution. He along with his other brother \n             Robert Baylor, who also served in the\n            Revolution, immigrated to \n             Kentucky. Later \n             Robert Baylor apparently settled in the\n             Pearl River area of the \n             Mississippi Territory.\n        The estate of \n             John Baylor (1750-1808) was hopelessly\n            entangled when he inherited it from his father in 1772 and\n            much of it was lost through his own ineptitude as a\n            businessman and the dishonesty of others. However, the\n            house and two thousand acres were entailed and could not be\n            alienated; these were passed on to his son, \n             John Baylor ( ? ), who married \n             Maria Ann Roy and produced Dr. \n             John Roy Baylor (1821-1897). It was Dr.\n             John Roy Baylor's son, Captain \n             James Bowen Baylor (1848-1924), who was\n            a member of the \n             United States Coast and Geodetic\n            Survey team.\n        The correspondence series contains the correspondence\n            from family members, friends, and business associates of\n            all the above generations of the \n             Baylor family, beginning with Colonel \n             John Baylor (1705-1772). Letters\n            pertaining to the sojourn of \n             John Baylor (1750-1808) in \n             England prior to and during the\n            Revolutionary War include the following: a reference to\n            Colonel \n             John Baylor's son at school in \n             Caius College, \n             Cambridge (August 12,1769); his\n            intentions of returning to the \n             United States (December 28, 1770); the\n            advice of \n             William Bond, a former teacher of \n             John Baylor, for him to seek further\n            educational opportunities upon the continent rather than to\n            return to college studies (July 15, 1773); \n             William Bond's request for \n             John Baylor to ignore \"national evils\"\n            and to visit \n             England (May 4, 1778); \n             John Baylor's trip to \n             England to wed his cousin, \n             Frances Norton (1778); a reference to\n            the Baylor's leaving \n             England, and comments concerning the\n            fashions and decadence of \n             England (May 4, 1779).\n        Correspondence concerning events leading up to and\n            including the Revolutionary War includes: \n             Sam Waterman's support of the Stamp\n            Act repeal and the danger of shipping livestock from \n             London to \n             John Baylor (March 6, 1766); a Mr.\n            Grand's letter refusing to advise \n             John Baylor due to threat of prison\n            (March 28, [1772]): copies of \n             Committee of Correspondence letters to \n             John Norton asking him to keep them\n            informed regarding events in \n             England and Acts of \n             Parliament and his reply (April 6,\n            \u0026 July 6, 1773); a recommendation for the Baron of\n            [Bonstetten] who served in the Danish and Prussian Wars\n            (September 27,1777); \n             John Baylor as a prisoner aboard a\n            British ship, Thomas [Thortican], possibly due to suspicion\n            that he was reportedly carrying a treaty between \n             France and the \n             United States (February 5, 1778); the\n            birth of Colonel \n             George Baylor's son (May 6, 1779); \n             Walker Baylor asking his brother to\n            send him some money to cover his expenses incurred in\n            fighting in the Revolution (August 13, 1779); a statement\n            of \n             Edmund Pendleton, the Chairman of the \n             Caroline Committee of Correspondence,\n            regarding the loyalty of \n             John Baylor to the colonial cause,\n            relating that \n             John Baylor supported the actions of\n            the Americans at \n             Lexington, and returned to \n             England only to marry (October 13,\n            1779); the statement of \n             George Baylor regarding the loyalty of\n            his brother evidenced by his opinion of events at \n             Lexington, and his recommendation of\n            Baron de Wolfen in the service of the \n             American Army, and concluding with the\n            explanation that \n             John Baylor did not fight due to a\n            physical infirmity acquired in his youth (October 14,1779);\n             John Wormeley requests \n             John Baylor to use his influence to\n            give him an escort to visit his father in \n             Virginia (August 16, 1782); and a\n            request for \n             George Baylor to help recover money\n            form one of the officers of his regiment for Mr. Alexander\n            (September 3, 1783).\n        Other subjects of note include: the tobacco growing and\n            export business (May 8, 1741; March 6, 1766; August 12,\n            1769; February 5, 1778; June 29, 1788; March 10, 1789; June\n            6, 1789; March 15, 1793; \u0026 February 5, 1790); iron and\n            forge business (October 11, 1771; \u0026 April 13, 1774);\n            horses and horse breeding (\"Sober John\"-October25, 1754;\n            \"Fearnought\"-March 21, 1771; October 30, 1756; March 6,\n            1766; and July 17, 1800); and a discussion about whether\n            the Spanish will allow free trade up the \n             Mississippi River and \n             Ohio River ([December 4], 1783).\n        Several letters mention slaves and slavery. Among these\n            are: slaves for sale (April 14, 1770; March 21, 1771;\n            September 14, 1771; \u0026 June 19, 1811); mention of slave\n            passes, a slave detained on the road for lack of one, and a\n            visit of slaves with the family in \n             Gloucester County, Virginia (July 12,\n            1813); the prices of slaves in the \n             Pearl River area of the \n             Mississippi Territory and prices of\n            hire (November 28, 1816); and a letter from a Quaker, \n             George Boone, of \n             Berks County, Pennsylvania, attempting\n            to verify that \n             James Martin, a black man who claimed\n            to have been born to free parents and wrongly sold as part\n            of Colonel \n             John Baylor's estate, was indeed a\n            free black and not legally owned by \n             Thomas Adams of \n             Orange County, Virginia (August 12,\n            1818).\n        There is a group of letters between \n             John Baylor, \n             John Frere, and \n             John Baylor's former teacher in \n             England, \n             William Bond, concerning education for\n            his two sons, \n             John Baylor and \n             George Daniel Baylor. This\n            correspondence sheds some light on the attempts of\n            Americans to educate their sons following the Revolution\n            and includes: a discussion of \n             Eton and \n             Rugby and changes that have occurred at\n             Cambridge (August 17, 1793); a\n            suggestion to try \n             Glasgow in \n             Scotland (March 1, 1796); the\n            possibility of using a tutor (February 27, 1797); terms to\n            secure a tutor from \n             England and his opinion of \n             Eton (October 2, 1797); and a\n            suggestion to use an American clergyman for a tutor (June\n            22, 1799 \u0026 June 30, 1800).\n        Other subjects mentioned include: the French Revolution\n            (July 2, August 17, and [September 18], 1793); a\n            description of fashions ([September 18], 1793); a\n            description of \n             Warm Springs, \n             Bath County, Virginia (August 26,\n            1805); the career of \n             Napoleon Bonaparte (June 30 \u0026 July\n            17, 1800); the settlement of \n             John Baylor's estate (December 26,\n            1801; \u0026 January 3, 1804); the \n             Louisiana Purchase (September 17,\n            1803); a woman's viewpoint and thoughts (April 9, 1802);\n            the interdiction of His Majesty's ships from American ports\n            and the War of 1812 (August 29, 1808; March 25, 1812; and\n            July 18, 1813); an excellent discussion of social and\n            economic life in \n             Pearl River, \n             Mississippi Territory (November 28,\n            1816); the financial difficulties of the \n             Baylor family (September 1, 1819; \u0026\n            July 25, 1820); a meteorite falling in \n             Washington, D.C. (March 18, 1821); the\n            celebration in \n             Richmond of the French victory over the\n            Turkish Dey of \n             Algiers (September 13, 1830); the\n            medical studies of \n             John Roy Baylor (January 31, 1842);\n            discussion of \n             George Catlin's book about American\n            Indians and the explorations of \n             John C. Fremont and \n             Charles Wilkes (April 30, 1846); a\n            detailed description of \n             William P. Palmer's trip to \n             Europe (October 30, 1865); and the\n            voyage of Presbyterian missionary \n             E. Lanc[aster] to \n             Rio De Janeiro (August 26, 1869).\n        Events during the Civil War period are represented by\n            the following: \n             William P. Palmer's comments\n            concerning \n             John Brown's raid at \n             Harper's Ferry and the preparations for\n            his hanging (November 22 \u0026 December 1, 1859); the\n            struggle for possession of the \n             Fredericksburg Water Power\n            Company (March 17 \u0026 November 3, 1863; \u0026\n            September 5, 1865); the building of \n             Confederate stables and cabins for a\n            camp in \n             Louisa near the gold mines of \n             Louisa County's \n             Walnut Grove and \n             Slate Grove, formerly owned by Yankee\n            speculators (December 30, 1863); requests for donations of\n            flour and foodstuffs for soldiers (February 25, 1865); and\n            the assassination of \n             Abraham Lincoln deplored (April 25,\n            1865). Related topics include the mention of seeing \n             Robert E. Lee at \n             White Sulpher Springs, West\n            Virginia (August 17, 1867) and a letter from \n             Henry Stephens Randall declining to\n            visit the Old Dominion until the scars of the Civil War are\n            healed (n.d.).\n        Other post-Civil War subjects include: racial tensions\n            (August 11, 1878) and the \n             Richmond riots during which a white\n            policeman was killed in \n             Old Market Hall (March 20, 1870); \n             John Roy Baylor's assurances that his\n            black tenant farmers were not involved in the violence in \n             Caroline County (n.d.); life in \n             St. Louis, Missouri (September \u0026\n            July 3, 1873); a description of a shoot-out in \n             Uvalde County, Texas (May 10, 1881);\n            the black vote during Reconstruction in \n             Virginia (October 28, 1889); mention of\n             Micajah Woods, the \n             University of Virginia, and \n             Monticello (October 21, 1887); and the \n             Richmond, Fredericksburg, \u0026 Potomac Railroad\n            Company (March 21, 1873; \u0026 May 20, 1881).\n        Letters containing genealogical information include the\n            following families: the \n             Norton family (June 22, 1828); \n             Robert Baylor's (August 14, 1828); the\n             Frere family (June 28, 1872 \u0026 n.d.);\n            the \n             Roy family (March 21, 1887 \u0026 January\n            8, 1885); the \n             Braxton family (April 20, 1810); the \n             Baylor family (February 20, 1895); and\n            the \n             Texas \n                Baylor family (April 28 \u0026 May 2,\n            1894).\n        For a list of individual correspondents, please consult\n            the \n             Baylor family sliplist.\n        The next series of papers contain the legal and\n            financial papers of the \n             Baylor family. These include: the\n            amnesty papers of Dr. \n             John Roy Baylor (1865); land plats and\n            surveys (1701-1841) of \n             Virginia lands in \n             King William County, \n             King and Queen County, \n             Spotsylvania County, \n             Caroline County, \n             Pocahontas County, and \n             Orange County, many of which were done\n            by surveyor, \n             James Taylor; and other legal\n            documents such as indentures, bonds, deeds, land grants,\n            and bills of complaint. Items of special note are: copies\n            of land grants signed by \n             Alexander Spotswood (July 20, 1722) and\n             Hugh Drysdale (July 16, 1726); a list\n            of named slaves sold to \n             John Baylor (December 12, 1751);\n            charges against \n             Philip Easter, overseer for \n             John Baylor, particularly for\n            \"constantly driving of the Negroes for which I paid a great\n            deal of tobacco,\" especially old \n             Sarah, a midwife (ca. 1757); agreement\n            of \n             John Hatley Norton to buy \n             John Baylor's tobacco (December 12,\n            1776); a water lot rental (June 12, 1794); articles of\n            agreement concerning a grist mill in \n             Caroline County (June 18, 1813); the\n            pardon of \n             John Crowley signed by \n             James Madison and \n             James Monroe (September 11, 1815); an\n            indenture of 1820 with named slaves; a schedule of property\n            with a named slave (December 17, 1822); an agreement\n            concerning a mill with \n             P. Harrison as the miller (1831); a\n            certificate of exemption from active service in the \n             Confederate Army as an agriculturalist\n            (November 10, 1864); and a copy of a receipt concerning\n            work done on a gravel pit for the \n             Richmond, Fredericksburg, \u0026 Potomac\n            Railroad (June 2, 1870).\n        This series also contains copies of the wills of \n             John Baylor (1705-1772), dated February\n            19, 1770, and \n             Frances Baylor (1760-1815), dated June\n            12, 1815, both mentioning family slaves by name.\n        The financial papers of the \n             Baylor family contain six small account\n            books, 1859-1870, listing payment to hired hands, one of\n            which contains the \n             Tiverton Farm Stockbook (1866); bank\n            statements; a farm book for the \n             Greenwood Farm; \n             John Baylor's receipt book, 1792-1795,\n            which mentions Negroes purchased (December 5, 1790), \n             George Baylor's estate (February 17,\n            1792), and Negroes sold (February 23, 1795); and other\n            miscellaneous financial papers.\n        Topics in the financial papers include the following: an\n            account with \n             Donald Robertson for \n             Robert Baylor and \n             Walker Baylor's schooling (April 1,\n            1772); Colonel Braxton's smith works (April 1736); the \n             Rappahannock River Forge belonging to \n             James Hunter (March 31, 1784); tobacco\n            accounts (1775-1776; 1782; June \u0026 August 1782, October\n            2, 1789; February 24, 1784; March 19 \u0026 December 11,\n            1875; and n.d.); horses and racing (January 16, 1741; July\n            11, 1777, May 29, 1767; November 15, 1774; April 1, 1756;\n            and list of horses, n.d.); an account for carpenter and\n            house work [1726]; an account with the \n             Swan Tavern (September 23, 1815); the\n            settling of \n             John Baylor's estate (1750-1808)\n            (January 5, 1812; May 29, 1811; October 27, 1812; September\n            10, 1815; October 2, 1819; June 1, 1821; August 3, 1821;\n            and n.d.); medical accounts (April 12, 1830); corn and meal\n            from \n             John Baylor's mill (January 1, 1830);\n            and a blacksmith account (January 1, 1875).\n        There are also accounts with the \n             Confederate government (November 14\n            \u0026 24, \u0026 December 12, 1863; March 24 \u0026 May 3,\n            1864; and February 4, 1865) and many concerning slaves and\n            slavery.\n        These include: duty paid on Negroes (1742-1744); claim\n            for payment for capturing and placing \n             John Baylor's runaway slave in the \n             Spotsylvania goal (April 16, 1744); the\n            sale of \n             George Baylor's slaves (November 28,\n            1786); slaves for hire (December 26, 1805; June 15, 1814);\n            hire of \" \n             Ned \" as a mason (October 2, 1814);\n            clothing for Negroes (1814); grog for servants (September\n            23, 1815); bills of sale for unnamed slaves (June 11,\n            1847); \n             Mary and daughter \n             Elizabeth (September 4, 1848); \n             Miles (February 20, 1849); \n             Pompey (June 11, 1847); slave boy, \n             Frank (January 15, 1851); \n             Kitty Brook and \n             Fanny (December 28, 1853); \n             George Cooper (June 18, 1857); and\n            slave hire (April 30, 1859 \u0026 ca. 1854).\n        The miscellaneous series contains a diary (1780) of \n             John Baylor 1750-1808) describing a\n            journey from \" \n             Newmarket \" to \n             Warm Springs, \n             Augusta County, Virginia, and\n            mentioning Dr. \n             [Thomas ?] Walker and his son, \n             Thomas Walker, of \n             Albemarle County, Virginia, and \n             John Baylor's \n             Orange plantations; genealogical\n            material pertaining to the \n             Roy family, \n             Baylor family, and \n             Norton family, and including\n            biographical sketches of \n             Mungo Roy and \n             John Baylor (1750-1808); a \"History of\n            the Early Church in Virginia\"; several literary\n            compositions by \n             Maria Roy Baylor; and a memorandum\n            book of \n             John Baylor (1750-1808) which describes\n            the beginning of his voyage on the Potomack (October 1775)\n            and furnishes a description of saltworks at \n             Portsmouth, [England] (1778).\n        Other material in this series includes military papers,\n            miscellaneous papers, newsclippings, and loose photographs.\n            Thirteen of the items in the military papers pertain to\n            Colonel \n             John Baylor (1705-1772) and the \n             Caroline militia, who served under\n            Colonel \n             George Washington in the construction\n            of a fort at \n             Winchester, Virginia, during the\n            French and Indian War, 1756-1757, and consist of company\n            returns, orders for payment, and receipts for payment.\n        The rest of the military papers consist of Revolutionary\n            War material, relating to \n             George Baylor, aide-de-camp to General\n             George Washington, 1775-1777, and\n            Commander of the \n             Third Regiment of Light Dragoons, and\n            the papers about clothing, arms, and other supplies,\n            regimental finances, roster of officers, and weekly returns\n            of the regiment. Among these papers are: a copy of a letter\n            from General Burgoyne to Colonel Phillipson concerning\n            military conditions and discussing his ill-fated \n             Saratoga campaign (October 20, 1777); a\n            mention of \n             George Baylor's upcoming marriage\n            (February 4, 1778); \n             B. Dade's request to be exchanged as a\n            prisoner of war (February 1779); monies owed for supplies\n            to \n             James Hunter with an itemized account\n            (October 12 \u0026 November 1, 1779); the problems and\n            arrangements involved in outfitting the regiment (February\n            4, June 6 \u0026 12, 1778; October 13, 1780; October 26,\n            1781 [2 letters]; November 2, 1781; April 3 \u0026 August\n            14, 1782); the difficulty of working with the \"financier \n             Robert Morris \" (October 13, 1780); an\n            outbreak of smallpox in the \n             Third Regiment at \n             Petersburg, Virginia (November 25,\n            1781); and an order for a review of the \n             Continental army for July 4, 1782. A\n            final item is a general order for a discharge from the \n             4th Regiment of \n             Virginia militia during the War of 1812\n            (April 10, 1814). For a list of individual correspondents,\n            please consult the original list in the control folder.\n        The miscellaneous folder contains the following: a\n            printed score sheet for archery (July 4, 1771); a list of\n            books, probably from the library of \n             John Baylor [ca. 1800 ?]; notes\n            concerning Blackstone's law; a pamphlet, \"The Lewis and\n            Clark Expedition,\" by \n             Grace Flandrau (n.d.); an oath to \"our\n            Sovereign Lord King George\" (n.d.); and a parochial report,\n             Emmanuel Church, \n             Greenwood Parish, Reverend \n             W.M. Nelson, Rector (n.d.).\n        The newsclippings, 1921-1933, concern \n             University of Virginia events, news of\n            the \n             Ivy area, the \n             Lewis Association of America, the \n             Lewis family, and historical\n            articles.\n        The loose photographs, mostly unidentified, include:\n            Mrs. Rutherford's children, \n             Rosa Rutherford, \n             Charles Frere and \n             Douglas Frere, possible photographs of\n            \" \n             Newmarket, \" and \n             University of Virginia professors.\n        The notebooks and bound volumes series contains the\n            following: a photograph album; school notebooks of \n             Maria Roy Baylor, \n             Frank Blackford, and \n             James B. Baylor; an expense book; two\n            scrapbooks of newsclippings; and the \n            Letters of Junius,hand\n            copied by \n             John Baylor (1769-1771).\n        Those volumes belonging to Dr. \n             John Roy Baylor include: a genealogical\n            and historical notebook (1872); a medical notebook and farm\n            expense book which records a controversy with the \n             Clayton family over slaves (1847-1851); a\n            farm account book, 1856-1892, with accounts with the \n             Fredericksburg Water Power Company, a\n            servant's account (June-August, 1865), and reports of wheat\n            crops; an account book with grape expenses, sheep\n            memorandum, apple accounts, and a mill account (1868-1874);\n            and another farm book with an account with the \n             Bowling Green Tanning Yard, and slave\n            hire records with named slaves (1847-1868).\n        The photograph album, apparently given to \n             John Roy Baylor by his granddaughter on\n            Christmas of 1887, contains photographs of the following: \n             Rosa Seddon Rutherford (1891 \u0026\n            n.d.); \n             Helen Rutherford Johnson; \n             James B. Baylor; \n             Frances Starke Bowen, of \" \n             Mirador, \" \n             Albemarle County (1886); \n             Fanny Courtenay Baylor (1886); the\n            mother of \n             Fanny Courtenay Baylor; a portrait of\n            Colonel \n             George Armistead; \n             Roy Ellerson Massie; General \n             Lewis Armistead (killed at \n             Gettysburg ); \n             Maria Roy Baylor; \n             Eloise Baylor (1885); \n             Julia Howard Baylor; and \n             John Roy Baylor.\n        The series containing the papers of \n             James B. Baylor and the \n             United States Coast and Geodetic\n            Survey consists of the financial records of the\n            survey teams led by \n             John Baylor, circular letters from the\n            home office in \n             Washington, D.C., the official\n            correspondence and reports of \n             John Baylor, photographs, printed\n            material, \n             United States government property\n            inventories, and bound volumes.\n        \n                James Bowen Baylor (1849-1924)\n            graduated with an engineering degree from the \n             University of Virginia in 1872 and was\n            appointed an aid in the \n             United States Coast and Geodetic Survey\n            Department in 1874, continuing to work as a field\n            agent throughout his career. His many assignments included:\n            the determination of the elements of earth's magnetism from\n             Canada to \n             Mexico; the survey of oyster grounds\n            in \n             Louisiana and \n             Virginia, 1889-1894; his appointment\n            as a Commissioner of the \n             United States Supreme Court to settle\n            the \n             Virginia - \n             Tennessee boundary line dispute,\n            establishing it in the middle of Main Street, \n             Bristol, 1900-1902; and also the\n            establishment of boundaries between \n             Virginia and \n             Maryland, \n             New York and \n             Pennsylvania, and the \n             United States and \n             Canada.\n        The Oyster Industry Protection Correspondence contains\n            much correspondence from \n             William Ellinger of \n             Fox Island, Virginia, who describes\n            himself as an oyster planter. Printed material consists of\n            death notices for \n             United States Coast and Geodetic\n            Survey men, \n             Richard D. Cutts and \n             Benjamin Peirce (1880\u0026 1883), and\n            three pamphlets concerning the \n             United States and Canadian boundary,\n            the oyster laws of \n             Virginia, and a \n             Virginia Military Institute valedictory\n            address by \n             Edward Hutson Russell.\n        Oversize items include a survey of the lands of \n             John Roy Baylor (June 1847),\n            photographs of the \n             United States Coast and Geodetic\n            Survey, and a printed plan of the fairgrounds of\n            the \n             Virginia State Agricultural Society, \n             Richmond, 1854.\n        The three \n             Baylor family ledgers, 1719-1755, contain\n            many references to the purchase of slaves (see\n            addendum).","The papers of the \n             Baylor family of \"Newmarket,\" \n             Bowling Green, Caroline County, Virginia, contain ca.\n            2000 items (11 Hollinger boxes, 4.5 linear feet),\n            1653-1915, and consist of correspondence, legal and\n            financial papers, ledgers, genealogical material, students\n            notebooks and bound volumes, scrapbooks, photographs, a\n            diary, literary compositions, military papers pertaining to\n            the Revolutionary War, newsclippings, the records of James Bowen Baylor and the \n             United States Coast and Geodetic Survey, and miscellaneous papers.","These papers pertain to John Baylor (1650-1720) of \n             Gloucester County, and King and Queen County, Virginia, and his wife, \n             Lucy Todd O'Brien of New Kent County, Virginia, and four generations of their descendants. The \n             John Baylor ledgers, 1719-1755, reveal that John Baylor was a wealthy merchant,\n            planter, and shipowner. He also served as a burgess, representing Gloucester County in the 1693 General Assembly and King and Queen County in 1718.","John Baylor's son, John Baylor (1705-1772), greatly increased the family landholdings when he received a royal\n            land grant in 1726 in what was to become Caroline County, Virginia. John Baylor was educated in \n             England, at the \n             Putney Grammer School and \n             Caius College, \n             Cambridge. While in \n             England, he developed a keen interest\n            in thoroughbred horses and horse racing, going so far as to\n            name his new home, \" \n             Newmarket, \" for the famous English\n            racing center. He became an important colonial horse\n            importer and breeder whose stables greatly contributed to\n            the development of American thoroughbreds. \n             John Baylor also rendered public\n            service to the newly formed county of \n             Caroline, as a colonel in the county\n            militia and a burgess in 1742-1749, and 1756-1765.","All four of the sons of \n             John Baylor (1705-1772) contributed in\n            some way to the American effort during the Revolutionary\n            War. \n             John Baylor (1750-1808), the heir of \" \n             Newmarket, \" while unable to fight due\n            to a childhood injury, gave financial support to the war\n            effort. He later had difficulties in shedding his\n            reputation as a \"Tory\" because he had gone back to \n             England in 1778 to marry his cousin, \n             Frances Norton (1760-1815) and had to\n            live in \n             Europe until they could obtain a return\n            passage to \n             America.","George Baylor (1752-1784) was a member\n            of the \n             Caroline County Committee of Safety,\n            1775-1776, and from 1775-1777, he was aide-de-camp of\n            General \n             George Washington. He was commanding\n            officer of the \n             3rd Regiment Light Dragoons when he was\n            wounded and captured on September 28, 1778. He was\n            eventually exchanged and his regiment was consolidated with\n            the \n             First Continental Dragoons on November\n            9, 1782, which he commanded until the end of the war. On\n            September 30, 1783, he received his commission as a Brevet\n            Brigadier General.","Walker Baylor served as a lieutenant\n            and captain of the \n             3rd Regiment Light Dragoons during the\n            Revolution. He along with his other brother \n             Robert Baylor, who also served in the\n            Revolution, immigrated to \n             Kentucky. Later \n             Robert Baylor apparently settled in the\n             Pearl River area of the \n             Mississippi Territory.","The estate of \n             John Baylor (1750-1808) was hopelessly\n            entangled when he inherited it from his father in 1772 and\n            much of it was lost through his own ineptitude as a\n            businessman and the dishonesty of others. However, the\n            house and two thousand acres were entailed and could not be\n            alienated; these were passed on to his son, \n             John Baylor ( ? ), who married \n             Maria Ann Roy and produced Dr. \n             John Roy Baylor (1821-1897). It was Dr.\n             John Roy Baylor's son, Captain \n             James Bowen Baylor (1848-1924), who was\n            a member of the \n             United States Coast and Geodetic\n            Survey team.","The correspondence series contains the correspondence\n            from family members, friends, and business associates of\n            all the above generations of the \n             Baylor family, beginning with Colonel \n             John Baylor (1705-1772). Letters\n            pertaining to the sojourn of \n             John Baylor (1750-1808) in \n             England prior to and during the\n            Revolutionary War include the following: a reference to\n            Colonel \n             John Baylor's son at school in \n             Caius College, \n             Cambridge (August 12,1769); his\n            intentions of returning to the \n             United States (December 28, 1770); the\n            advice of \n             William Bond, a former teacher of \n             John Baylor, for him to seek further\n            educational opportunities upon the continent rather than to\n            return to college studies (July 15, 1773); \n             William Bond's request for \n             John Baylor to ignore \"national evils\"\n            and to visit \n             England (May 4, 1778); \n             John Baylor's trip to \n             England to wed his cousin, \n             Frances Norton (1778); a reference to\n            the Baylor's leaving \n             England, and comments concerning the\n            fashions and decadence of \n             England (May 4, 1779).","Correspondence concerning events leading up to and\n            including the Revolutionary War includes: \n             Sam Waterman's support of the Stamp\n            Act repeal and the danger of shipping livestock from \n             London to \n             John Baylor (March 6, 1766); a Mr.\n            Grand's letter refusing to advise \n             John Baylor due to threat of prison\n            (March 28, [1772]): copies of \n             Committee of Correspondence letters to \n             John Norton asking him to keep them\n            informed regarding events in \n             England and Acts of \n             Parliament and his reply (April 6,\n            \u0026 July 6, 1773); a recommendation for the Baron of\n            [Bonstetten] who served in the Danish and Prussian Wars\n            (September 27,1777); \n             John Baylor as a prisoner aboard a\n            British ship, Thomas [Thortican], possibly due to suspicion\n            that he was reportedly carrying a treaty between \n             France and the \n             United States (February 5, 1778); the\n            birth of Colonel \n             George Baylor's son (May 6, 1779); \n             Walker Baylor asking his brother to\n            send him some money to cover his expenses incurred in\n            fighting in the Revolution (August 13, 1779); a statement\n            of \n             Edmund Pendleton, the Chairman of the \n             Caroline Committee of Correspondence,\n            regarding the loyalty of \n             John Baylor to the colonial cause,\n            relating that \n             John Baylor supported the actions of\n            the Americans at \n             Lexington, and returned to \n             England only to marry (October 13,\n            1779); the statement of \n             George Baylor regarding the loyalty of\n            his brother evidenced by his opinion of events at \n             Lexington, and his recommendation of\n            Baron de Wolfen in the service of the \n             American Army, and concluding with the\n            explanation that \n             John Baylor did not fight due to a\n            physical infirmity acquired in his youth (October 14,1779);\n             John Wormeley requests \n             John Baylor to use his influence to\n            give him an escort to visit his father in \n             Virginia (August 16, 1782); and a\n            request for \n             George Baylor to help recover money\n            form one of the officers of his regiment for Mr. Alexander\n            (September 3, 1783).","Other subjects of note include: the tobacco growing and\n            export business (May 8, 1741; March 6, 1766; August 12,\n            1769; February 5, 1778; June 29, 1788; March 10, 1789; June\n            6, 1789; March 15, 1793; \u0026 February 5, 1790); iron and\n            forge business (October 11, 1771; \u0026 April 13, 1774);\n            horses and horse breeding (\"Sober John\"-October25, 1754;\n            \"Fearnought\"-March 21, 1771; October 30, 1756; March 6,\n            1766; and July 17, 1800); and a discussion about whether\n            the Spanish will allow free trade up the \n             Mississippi River and \n             Ohio River ([December 4], 1783).","Several letters mention slaves and slavery. Among these\n            are: slaves for sale (April 14, 1770; March 21, 1771;\n            September 14, 1771; \u0026 June 19, 1811); mention of slave\n            passes, a slave detained on the road for lack of one, and a\n            visit of slaves with the family in \n             Gloucester County, Virginia (July 12,\n            1813); the prices of slaves in the \n             Pearl River area of the \n             Mississippi Territory and prices of\n            hire (November 28, 1816); and a letter from a Quaker, \n             George Boone, of \n             Berks County, Pennsylvania, attempting\n            to verify that \n             James Martin, a black man who claimed\n            to have been born to free parents and wrongly sold as part\n            of Colonel \n             John Baylor's estate, was indeed a\n            free black and not legally owned by \n             Thomas Adams of \n             Orange County, Virginia (August 12,\n            1818).","There is a group of letters between \n             John Baylor, \n             John Frere, and \n             John Baylor's former teacher in \n             England, \n             William Bond, concerning education for\n            his two sons, \n             John Baylor and \n             George Daniel Baylor. This\n            correspondence sheds some light on the attempts of\n            Americans to educate their sons following the Revolution\n            and includes: a discussion of \n             Eton and \n             Rugby and changes that have occurred at\n             Cambridge (August 17, 1793); a\n            suggestion to try \n             Glasgow in \n             Scotland (March 1, 1796); the\n            possibility of using a tutor (February 27, 1797); terms to\n            secure a tutor from \n             England and his opinion of \n             Eton (October 2, 1797); and a\n            suggestion to use an American clergyman for a tutor (June\n            22, 1799 \u0026 June 30, 1800).","Other subjects mentioned include: the French Revolution\n            (July 2, August 17, and [September 18], 1793); a\n            description of fashions ([September 18], 1793); a\n            description of \n             Warm Springs, \n             Bath County, Virginia (August 26,\n            1805); the career of \n             Napoleon Bonaparte (June 30 \u0026 July\n            17, 1800); the settlement of \n             John Baylor's estate (December 26,\n            1801; \u0026 January 3, 1804); the \n             Louisiana Purchase (September 17,\n            1803); a woman's viewpoint and thoughts (April 9, 1802);\n            the interdiction of His Majesty's ships from American ports\n            and the War of 1812 (August 29, 1808; March 25, 1812; and\n            July 18, 1813); an excellent discussion of social and\n            economic life in \n             Pearl River, \n             Mississippi Territory (November 28,\n            1816); the financial difficulties of the \n             Baylor family (September 1, 1819; \u0026\n            July 25, 1820); a meteorite falling in \n             Washington, D.C. (March 18, 1821); the\n            celebration in \n             Richmond of the French victory over the\n            Turkish Dey of \n             Algiers (September 13, 1830); the\n            medical studies of \n             John Roy Baylor (January 31, 1842);\n            discussion of \n             George Catlin's book about American\n            Indians and the explorations of \n             John C. Fremont and \n             Charles Wilkes (April 30, 1846); a\n            detailed description of \n             William P. Palmer's trip to \n             Europe (October 30, 1865); and the\n            voyage of Presbyterian missionary \n             E. Lanc[aster] to \n             Rio De Janeiro (August 26, 1869).","Events during the Civil War period are represented by\n            the following: \n             William P. Palmer's comments\n            concerning \n             John Brown's raid at \n             Harper's Ferry and the preparations for\n            his hanging (November 22 \u0026 December 1, 1859); the\n            struggle for possession of the \n             Fredericksburg Water Power\n            Company (March 17 \u0026 November 3, 1863; \u0026\n            September 5, 1865); the building of \n             Confederate stables and cabins for a\n            camp in \n             Louisa near the gold mines of \n             Louisa County's \n             Walnut Grove and \n             Slate Grove, formerly owned by Yankee\n            speculators (December 30, 1863); requests for donations of\n            flour and foodstuffs for soldiers (February 25, 1865); and\n            the assassination of \n             Abraham Lincoln deplored (April 25,\n            1865). Related topics include the mention of seeing \n             Robert E. Lee at \n             White Sulpher Springs, West\n            Virginia (August 17, 1867) and a letter from \n             Henry Stephens Randall declining to\n            visit the Old Dominion until the scars of the Civil War are\n            healed (n.d.).","Other post-Civil War subjects include: racial tensions\n            (August 11, 1878) and the \n             Richmond riots during which a white\n            policeman was killed in \n             Old Market Hall (March 20, 1870); \n             John Roy Baylor's assurances that his\n            black tenant farmers were not involved in the violence in \n             Caroline County (n.d.); life in \n             St. Louis, Missouri (September \u0026\n            July 3, 1873); a description of a shoot-out in \n             Uvalde County, Texas (May 10, 1881);\n            the black vote during Reconstruction in \n             Virginia (October 28, 1889); mention of\n             Micajah Woods, the \n             University of Virginia, and \n             Monticello (October 21, 1887); and the \n             Richmond, Fredericksburg, \u0026 Potomac Railroad\n            Company (March 21, 1873; \u0026 May 20, 1881).","Letters containing genealogical information include the\n            following families: the \n             Norton family (June 22, 1828); \n             Robert Baylor's (August 14, 1828); the\n             Frere family (June 28, 1872 \u0026 n.d.);\n            the \n             Roy family (March 21, 1887 \u0026 January\n            8, 1885); the \n             Braxton family (April 20, 1810); the \n             Baylor family (February 20, 1895); and\n            the \n             Texas \n                Baylor family (April 28 \u0026 May 2,\n            1894).","For a list of individual correspondents, please consult\n            the \n             Baylor family sliplist.","The next series of papers contain the legal and\n            financial papers of the \n             Baylor family. These include: the\n            amnesty papers of Dr. \n             John Roy Baylor (1865); land plats and\n            surveys (1701-1841) of \n             Virginia lands in \n             King William County, \n             King and Queen County, \n             Spotsylvania County, \n             Caroline County, \n             Pocahontas County, and \n             Orange County, many of which were done\n            by surveyor, \n             James Taylor; and other legal\n            documents such as indentures, bonds, deeds, land grants,\n            and bills of complaint. Items of special note are: copies\n            of land grants signed by \n             Alexander Spotswood (July 20, 1722) and\n             Hugh Drysdale (July 16, 1726); a list\n            of named slaves sold to \n             John Baylor (December 12, 1751);\n            charges against \n             Philip Easter, overseer for \n             John Baylor, particularly for\n            \"constantly driving of the Negroes for which I paid a great\n            deal of tobacco,\" especially old \n             Sarah, a midwife (ca. 1757); agreement\n            of \n             John Hatley Norton to buy \n             John Baylor's tobacco (December 12,\n            1776); a water lot rental (June 12, 1794); articles of\n            agreement concerning a grist mill in \n             Caroline County (June 18, 1813); the\n            pardon of \n             John Crowley signed by \n             James Madison and \n             James Monroe (September 11, 1815); an\n            indenture of 1820 with named slaves; a schedule of property\n            with a named slave (December 17, 1822); an agreement\n            concerning a mill with \n             P. Harrison as the miller (1831); a\n            certificate of exemption from active service in the \n             Confederate Army as an agriculturalist\n            (November 10, 1864); and a copy of a receipt concerning\n            work done on a gravel pit for the \n             Richmond, Fredericksburg, \u0026 Potomac\n            Railroad (June 2, 1870).","This series also contains copies of the wills of \n             John Baylor (1705-1772), dated February\n            19, 1770, and \n             Frances Baylor (1760-1815), dated June\n            12, 1815, both mentioning family slaves by name.","The financial papers of the \n             Baylor family contain six small account\n            books, 1859-1870, listing payment to hired hands, one of\n            which contains the \n             Tiverton Farm Stockbook (1866); bank\n            statements; a farm book for the \n             Greenwood Farm; \n             John Baylor's receipt book, 1792-1795,\n            which mentions Negroes purchased (December 5, 1790), \n             George Baylor's estate (February 17,\n            1792), and Negroes sold (February 23, 1795); and other\n            miscellaneous financial papers.","Topics in the financial papers include the following: an\n            account with \n             Donald Robertson for \n             Robert Baylor and \n             Walker Baylor's schooling (April 1,\n            1772); Colonel Braxton's smith works (April 1736); the \n             Rappahannock River Forge belonging to \n             James Hunter (March 31, 1784); tobacco\n            accounts (1775-1776; 1782; June \u0026 August 1782, October\n            2, 1789; February 24, 1784; March 19 \u0026 December 11,\n            1875; and n.d.); horses and racing (January 16, 1741; July\n            11, 1777, May 29, 1767; November 15, 1774; April 1, 1756;\n            and list of horses, n.d.); an account for carpenter and\n            house work [1726]; an account with the \n             Swan Tavern (September 23, 1815); the\n            settling of \n             John Baylor's estate (1750-1808)\n            (January 5, 1812; May 29, 1811; October 27, 1812; September\n            10, 1815; October 2, 1819; June 1, 1821; August 3, 1821;\n            and n.d.); medical accounts (April 12, 1830); corn and meal\n            from \n             John Baylor's mill (January 1, 1830);\n            and a blacksmith account (January 1, 1875).","There are also accounts with the \n             Confederate government (November 14\n            \u0026 24, \u0026 December 12, 1863; March 24 \u0026 May 3,\n            1864; and February 4, 1865) and many concerning slaves and\n            slavery.","These include: duty paid on Negroes (1742-1744); claim\n            for payment for capturing and placing \n             John Baylor's runaway slave in the \n             Spotsylvania goal (April 16, 1744); the\n            sale of \n             George Baylor's slaves (November 28,\n            1786); slaves for hire (December 26, 1805; June 15, 1814);\n            hire of \" \n             Ned \" as a mason (October 2, 1814);\n            clothing for Negroes (1814); grog for servants (September\n            23, 1815); bills of sale for unnamed slaves (June 11,\n            1847); \n             Mary and daughter \n             Elizabeth (September 4, 1848); \n             Miles (February 20, 1849); \n             Pompey (June 11, 1847); slave boy, \n             Frank (January 15, 1851); \n             Kitty Brook and \n             Fanny (December 28, 1853); \n             George Cooper (June 18, 1857); and\n            slave hire (April 30, 1859 \u0026 ca. 1854).","The miscellaneous series contains a diary (1780) of \n             John Baylor 1750-1808) describing a\n            journey from \" \n             Newmarket \" to \n             Warm Springs, \n             Augusta County, Virginia, and\n            mentioning Dr. \n             [Thomas ?] Walker and his son, \n             Thomas Walker, of \n             Albemarle County, Virginia, and \n             John Baylor's \n             Orange plantations; genealogical\n            material pertaining to the \n             Roy family, \n             Baylor family, and \n             Norton family, and including\n            biographical sketches of \n             Mungo Roy and \n             John Baylor (1750-1808); a \"History of\n            the Early Church in Virginia\"; several literary\n            compositions by \n             Maria Roy Baylor; and a memorandum\n            book of \n             John Baylor (1750-1808) which describes\n            the beginning of his voyage on the Potomack (October 1775)\n            and furnishes a description of saltworks at \n             Portsmouth, [England] (1778).","Other material in this series includes military papers,\n            miscellaneous papers, newsclippings, and loose photographs.\n            Thirteen of the items in the military papers pertain to\n            Colonel \n             John Baylor (1705-1772) and the \n             Caroline militia, who served under\n            Colonel \n             George Washington in the construction\n            of a fort at \n             Winchester, Virginia, during the\n            French and Indian War, 1756-1757, and consist of company\n            returns, orders for payment, and receipts for payment.","The rest of the military papers consist of Revolutionary\n            War material, relating to \n             George Baylor, aide-de-camp to General\n             George Washington, 1775-1777, and\n            Commander of the \n             Third Regiment of Light Dragoons, and\n            the papers about clothing, arms, and other supplies,\n            regimental finances, roster of officers, and weekly returns\n            of the regiment. Among these papers are: a copy of a letter\n            from General Burgoyne to Colonel Phillipson concerning\n            military conditions and discussing his ill-fated \n             Saratoga campaign (October 20, 1777); a\n            mention of \n             George Baylor's upcoming marriage\n            (February 4, 1778); \n             B. Dade's request to be exchanged as a\n            prisoner of war (February 1779); monies owed for supplies\n            to \n             James Hunter with an itemized account\n            (October 12 \u0026 November 1, 1779); the problems and\n            arrangements involved in outfitting the regiment (February\n            4, June 6 \u0026 12, 1778; October 13, 1780; October 26,\n            1781 [2 letters]; November 2, 1781; April 3 \u0026 August\n            14, 1782); the difficulty of working with the \"financier \n             Robert Morris \" (October 13, 1780); an\n            outbreak of smallpox in the \n             Third Regiment at \n             Petersburg, Virginia (November 25,\n            1781); and an order for a review of the \n             Continental army for July 4, 1782. A\n            final item is a general order for a discharge from the \n             4th Regiment of \n             Virginia militia during the War of 1812\n            (April 10, 1814). For a list of individual correspondents,\n            please consult the original list in the control folder.","The miscellaneous folder contains the following: a\n            printed score sheet for archery (July 4, 1771); a list of\n            books, probably from the library of \n             John Baylor [ca. 1800 ?]; notes\n            concerning Blackstone's law; a pamphlet, \"The Lewis and\n            Clark Expedition,\" by \n             Grace Flandrau (n.d.); an oath to \"our\n            Sovereign Lord King George\" (n.d.); and a parochial report,\n             Emmanuel Church, \n             Greenwood Parish, Reverend \n             W.M. Nelson, Rector (n.d.).","The newsclippings, 1921-1933, concern \n             University of Virginia events, news of\n            the \n             Ivy area, the \n             Lewis Association of America, the \n             Lewis family, and historical\n            articles.","The loose photographs, mostly unidentified, include:\n            Mrs. Rutherford's children, \n             Rosa Rutherford, \n             Charles Frere and \n             Douglas Frere, possible photographs of\n            \" \n             Newmarket, \" and \n             University of Virginia professors.","The notebooks and bound volumes series contains the\n            following: a photograph album; school notebooks of \n             Maria Roy Baylor, \n             Frank Blackford, and \n             James B. Baylor; an expense book; two\n            scrapbooks of newsclippings; and the \n            Letters of Junius,hand\n            copied by \n             John Baylor (1769-1771).","Those volumes belonging to Dr. \n             John Roy Baylor include: a genealogical\n            and historical notebook (1872); a medical notebook and farm\n            expense book which records a controversy with the \n             Clayton family over slaves (1847-1851); a\n            farm account book, 1856-1892, with accounts with the \n             Fredericksburg Water Power Company, a\n            servant's account (June-August, 1865), and reports of wheat\n            crops; an account book with grape expenses, sheep\n            memorandum, apple accounts, and a mill account (1868-1874);\n            and another farm book with an account with the \n             Bowling Green Tanning Yard, and slave\n            hire records with named slaves (1847-1868).","The photograph album, apparently given to \n             John Roy Baylor by his granddaughter on\n            Christmas of 1887, contains photographs of the following: \n             Rosa Seddon Rutherford (1891 \u0026\n            n.d.); \n             Helen Rutherford Johnson; \n             James B. Baylor; \n             Frances Starke Bowen, of \" \n             Mirador, \" \n             Albemarle County (1886); \n             Fanny Courtenay Baylor (1886); the\n            mother of \n             Fanny Courtenay Baylor; a portrait of\n            Colonel \n             George Armistead; \n             Roy Ellerson Massie; General \n             Lewis Armistead (killed at \n             Gettysburg ); \n             Maria Roy Baylor; \n             Eloise Baylor (1885); \n             Julia Howard Baylor; and \n             John Roy Baylor.","The series containing the papers of \n             James B. Baylor and the \n             United States Coast and Geodetic\n            Survey consists of the financial records of the\n            survey teams led by \n             John Baylor, circular letters from the\n            home office in \n             Washington, D.C., the official\n            correspondence and reports of \n             John Baylor, photographs, printed\n            material, \n             United States government property\n            inventories, and bound volumes.","James Bowen Baylor (1849-1924)\n            graduated with an engineering degree from the \n             University of Virginia in 1872 and was\n            appointed an aid in the \n             United States Coast and Geodetic Survey\n            Department in 1874, continuing to work as a field\n            agent throughout his career. His many assignments included:\n            the determination of the elements of earth's magnetism from\n             Canada to \n             Mexico; the survey of oyster grounds\n            in \n             Louisiana and \n             Virginia, 1889-1894; his appointment\n            as a Commissioner of the \n             United States Supreme Court to settle\n            the \n             Virginia - \n             Tennessee boundary line dispute,\n            establishing it in the middle of Main Street, \n             Bristol, 1900-1902; and also the\n            establishment of boundaries between \n             Virginia and \n             Maryland, \n             New York and \n             Pennsylvania, and the \n             United States and \n             Canada.","The Oyster Industry Protection Correspondence contains\n            much correspondence from \n             William Ellinger of \n             Fox Island, Virginia, who describes\n            himself as an oyster planter. Printed material consists of\n            death notices for \n             United States Coast and Geodetic\n            Survey men, \n             Richard D. Cutts and \n             Benjamin Peirce (1880\u0026 1883), and\n            three pamphlets concerning the \n             United States and Canadian boundary,\n            the oyster laws of \n             Virginia, and a \n             Virginia Military Institute valedictory\n            address by \n             Edward Hutson Russell.","Oversize items include a survey of the lands of \n             John Roy Baylor (June 1847),\n            photographs of the \n             United States Coast and Geodetic\n            Survey, and a printed plan of the fairgrounds of\n            the \n             Virginia State Agricultural Society, \n             Richmond, 1854.","The three \n             Baylor family ledgers, 1719-1755, contain\n            many references to the purchase of slaves (see\n            addendum).","ADDENDUM RE THE BAYLOR LEDGERS\n        The three \n             Baylor family ledgers contain many\n            references concerning tobacco exports, the purchase of\n            merchandise, work done on various ships, and slaves, which\n            at times had their place of origin noted, as in \" \n             Madigaschar woman,\" \"man of \n             Callabar, \" and \" \n             Barbadoes negro.\" The accounts of the\n            first two ledgers are indexed in the front of the\n            volumes.\n        References to slavery occurring in volume one include\n            the following pages: 12, 13, 15, 17, 22-24, 26, 28, 35, 37,\n            39, 47, 49, 64-66, 68, 70-71, 77, 80-81, 83, 92-93,\n            101-102, 113-114, 127, 130, 134, 166, \u0026 175. References\n            to slavery in volume two include: 10, 16, 30, 34, 56,\n            63-64, 74, 86, 88, 102, 115, 123, 134, 183, \u0026 207.\n            Volume three pages include: 40, 71, 124, 130, 132, 135,\n            146, 148, 152-153, \u0026 155.\n        Occasionally the names of the slave ships and other\n            vessels are recorded in the ledgers with notes on the\n            contents purchased from them. These, along with their\n            volume and page number, are listed below.\n        \n                Ann \u0026 Sarah 1.96, 139, 150, \u0026\n            155\n        \n                Berkeley 1.38, 64, 71, 98, 121, 149,\n            \u0026 167; \u0026 2.50\n        \n                Betty 1.94\n        \n                Callabar 1.39, 68, \u0026 98; \u0026\n            2.96, 111, 136\n        \n                Greyhound 1.23, 37, 38, 65, 92, \u0026\n            96; \u0026 2.4, 54, \u0026 97\n        \n                Hunter 1.68\n        \n                Little John 1.9, 10, 12, 25, \u0026 75;\n            \u0026 2.116 \u0026 136\n        \n                Little York 2.124\n        \n                Lucy 1.94 \u0026 149\n        \n                Mattapony Pink 1.9, 33, 94, 99, 135,\n            145, 158, 180, \u0026 185\n        \n                Nassopenex Sloop 1.2, 5, 38, \u0026\n            75\n        \n                Parnel Galley 2.22\n        \n                Prince Eugene 1.139, 150, \u0026\n            162-164\n        \n                Twerton 1.15, 39, 103, \u0026 2.90\n        Other entries include: the Iron Mine Adventurers 1.1\n            \u0026 1.11; horses 1.28; the \n             Germana mines 2.188; \n             John Baylor's estate 2.73 \u0026 131;\n            quitrents for land in \n             Caroline County, \n             Spotsylvania County, \n             Orange County, and \n             King and Queen County 2.34 \u0026 79;\n            and doctor and midwife accounts 3.120-121, 142, \u0026 149.\n            Volume three also has many references to the manufacture\n            and repair of hardware, utensils, and agricultural\n            equipment. In addition, at the end of the last volume,\n            there is a list of memoranda concerning agreements and\n            contracts of \n             John Baylor, a memorandum of slaves\n            sold off \n             W. Lyde's plantation (November 30,\n            1742) and a list of all the Negroes belonging to Baylor in\n            1744.","The three \n             Baylor family ledgers contain many\n            references concerning tobacco exports, the purchase of\n            merchandise, work done on various ships, and slaves, which\n            at times had their place of origin noted, as in \" \n             Madigaschar woman,\" \"man of \n             Callabar, \" and \" \n             Barbadoes negro.\" The accounts of the\n            first two ledgers are indexed in the front of the\n            volumes.","References to slavery occurring in volume one include\n            the following pages: 12, 13, 15, 17, 22-24, 26, 28, 35, 37,\n            39, 47, 49, 64-66, 68, 70-71, 77, 80-81, 83, 92-93,\n            101-102, 113-114, 127, 130, 134, 166, \u0026 175. References\n            to slavery in volume two include: 10, 16, 30, 34, 56,\n            63-64, 74, 86, 88, 102, 115, 123, 134, 183, \u0026 207.\n            Volume three pages include: 40, 71, 124, 130, 132, 135,\n            146, 148, 152-153, \u0026 155.","Occasionally the names of the slave ships and other\n            vessels are recorded in the ledgers with notes on the\n            contents purchased from them. These, along with their\n            volume and page number, are listed below.","Ann \u0026 Sarah 1.96, 139, 150, \u0026\n            155","Berkeley 1.38, 64, 71, 98, 121, 149,\n            \u0026 167; \u0026 2.50","Betty 1.94","Callabar 1.39, 68, \u0026 98; \u0026\n            2.96, 111, 136","Greyhound 1.23, 37, 38, 65, 92, \u0026\n            96; \u0026 2.4, 54, \u0026 97","Hunter 1.68","Little John 1.9, 10, 12, 25, \u0026 75;\n            \u0026 2.116 \u0026 136","Little York 2.124","Lucy 1.94 \u0026 149","Mattapony Pink 1.9, 33, 94, 99, 135,\n            145, 158, 180, \u0026 185","Nassopenex Sloop 1.2, 5, 38, \u0026\n            75","Parnel Galley 2.22","Prince Eugene 1.139, 150, \u0026\n            162-164","Twerton 1.15, 39, 103, \u0026 2.90","Other entries include: the Iron Mine Adventurers 1.1\n            \u0026 1.11; horses 1.28; the \n             Germana mines 2.188; \n             John Baylor's estate 2.73 \u0026 131;\n            quitrents for land in \n             Caroline County, \n             Spotsylvania County, \n             Orange County, and \n             King and Queen County 2.34 \u0026 79;\n            and doctor and midwife accounts 3.120-121, 142, \u0026 149.\n            Volume three also has many references to the manufacture\n            and repair of hardware, utensils, and agricultural\n            equipment. In addition, at the end of the last volume,\n            there is a list of memoranda concerning agreements and\n            contracts of \n             John Baylor, a memorandum of slaves\n            sold off \n             W. Lyde's plantation (November 30,\n            1742) and a list of all the Negroes belonging to Baylor in\n            1744.","See the \n            \n            University of Virginia Library’s use policy.","English"],"collection_title_tesim":["Baylor Family Papers \n         1653-1915"],"collection_ssim":["Baylor Family Papers \n         1653-1915"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2257"],"unitid_tesim":["2257"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["John Baylor and \n          James Baylor Blackford"],"creator_ssim":["John Baylor and \n          James Baylor Blackford"],"acqinfo_ssim":["This collection was loaned to the Library by \n             John Baylor of Baltimore, Maryland, and \n             James Baylor Blackford of Richmond, Virginia, on \n            April 12, 1946, and was made a gift on \n            August 31, 1954."],"has_online_content_ssim":["false"],"physdesc_tesim":["2000 items"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe \n          Baylor Family Papers have been arranged in\n         the following six series:\u003c/p\u003e\n      ","\u003cp\u003eI. Correspondence (Box 1)\u003c/p\u003e\n      ","\u003cp\u003eII. Legal and Financial Papers (Boxes 2-3)\u003c/p\u003e\n      ","\u003cp\u003eIII. Miscellaneous Papers (Box 4)\u003c/p\u003e\n      ","\u003cp\u003eIV. Notebooks and Bound Volumes (Boxes 5-7)\u003c/p\u003e\n      ","\u003cp\u003eV. Papers of \n          James B. Baylor and the \n          United States Coast \u0026amp; Geodetic\n         Survey (Boxes 8-11)\u003c/p\u003e\n      ","\u003cp\u003eVI. Oversize Items \u0026amp; 2M Volumes\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Organization"],"arrangement_tesim":["The \n          Baylor Family Papers have been arranged in\n         the following six series:","I. Correspondence (Box 1)","II. Legal and Financial Papers (Boxes 2-3)","III. Miscellaneous Papers (Box 4)","IV. Notebooks and Bound Volumes (Boxes 5-7)","V. Papers of \n          James B. Baylor and the \n          United States Coast \u0026 Geodetic\n         Survey (Boxes 8-11)","VI. Oversize Items \u0026 2M Volumes"],"bioghist_html_tesm":["\u003cp\u003e\n             John Baylor 1 ( \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1650\u003c/date\u003e- \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1720\u003c/date\u003e) resident of \n          Gloucester County, Virginia, and later \n          King and Queen County, Virginia, married \n          Lucy Todd O'Brien (ca.1681-?) of \n          New Kent County, Virginia, in \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1698\u003c/date\u003e. They were believed to have had three\n         offspring, \n          Frances Baylor, \n          Robert Baylor, and \n          John Baylor 2. The children of their son,\n         Colonel \n          John2 Baylor ( \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1705\u003c/date\u003e- \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1772\u003c/date\u003e), and \n          Frances Walker (?- \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1783\u003c/date\u003e) were as follows:\u003c/p\u003e\n      ","\u003cp\u003e1) \n          Courtney Baylor m. Jasper Clayton of \n          Gloucester County \n         \u003c/p\u003e\n      ","\u003cp\u003e2) \n          Lucy Baylor m. \n          John Armistead \n         \u003c/p\u003e\n      ","\u003cp\u003e3) \n          Frances Baylor m. \n          John Nicholson \n         \u003c/p\u003e\n      ","\u003cp\u003e4) \n          Elizabeth Baylor unmarried\u003c/p\u003e\n      ","\u003cp\u003e5) \n          John Baylor 3 ( \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1750\u003c/date\u003e- \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1808\u003c/date\u003e) m. \n          Frances Norton ( \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1760\u003c/date\u003e- \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1815\u003c/date\u003e) in \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1778\u003c/date\u003e\u003c/p\u003e\n      ","\u003cp\u003e6) \n          George Baylor ( \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1752\u003c/date\u003e- \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1784\u003c/date\u003e) m. \n          Lucy Page in \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1778\u003c/date\u003e\u003c/p\u003e\n      ","\u003cp\u003e7) \n          Walker Baylor ( ? - \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1823\u003c/date\u003e) m. \n          Jane Bledsoe \n         \u003c/p\u003e\n      ","\u003cp\u003e8) \n          Robert Baylor m. Miss Gwynne\u003c/p\u003e\n      ","\u003cp\u003eThe children of \n          John Baylor 3 and \n          Frances Norton were:\u003c/p\u003e\n      ","\u003cp\u003e1) \n          Frances Courtney Baylor ( \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1779\u003c/date\u003e- \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1780\u003c/date\u003e)\u003c/p\u003e\n      ","\u003cp\u003e2) \n          Courtney Orange Baylor ( \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1781\u003c/date\u003e-? ) m. _____ Fox\u003c/p\u003e\n      ","\u003cp\u003e3) \n          Lucy Elizabeth Todd Baylor ( ? - \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1823\u003c/date\u003e) m. [Sen. \n          John H. Upshaw ] in \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1809\u003c/date\u003e\u003c/p\u003e\n      ","\u003cp\u003e4) \n          Louisa Henrietta Baylor m. [ \n          William T. Upshaw ]\u003c/p\u003e\n      ","\u003cp\u003e5) \n          Susanna Frances Baylor ( \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1783\u003c/date\u003e- \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1837\u003c/date\u003e) m. \n          John Sutton \n         \u003c/p\u003e\n      ","\u003cp\u003e6) \n          John Baylor 4 m. \n          Maria Ann Roy ( \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1790\u003c/date\u003e- \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1850\u003c/date\u003e) in \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1819\u003c/date\u003e\u003c/p\u003e\n      ","\u003cp\u003e7) Dr. \n          George Daniel Baylor m. Miss Lewis\u003c/p\u003e\n      ","\u003cp\u003eThe issue of \n          John Baylor 4 and \n          Maria Ann Roy was Dr. \n          John Roy Baylor \n         \u003c/p\u003e\n      ","\u003cp\u003e\n             John Baylor ( \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1821\u003c/date\u003e- \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1897\u003c/date\u003e) who married \n          Anne Bowen of \n          Albemarle County and produced the\n         following offspring:\u003c/p\u003e\n      ","\u003cp\u003e1) Captain \n          James Bowen Baylor ( \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1849\u003c/date\u003e- \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1924\u003c/date\u003e) m. \n          Ellen Carter Bruce (died ca. \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1899\u003c/date\u003e) in ca. \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1881\u003c/date\u003e, producing three children: \n          Evelyn Courtney Blackford Baylor, \n          Anne Baylor, and \n          John Baylor ( \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1890\u003c/date\u003e- \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1968\u003c/date\u003e).\u003c/p\u003e\n      ","\u003cp\u003e2) \n          Maria Roy Baylor \n         \u003c/p\u003e\n      ","\u003cp\u003e3) \n          John Roy Baylor, Jr. ( \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1851\u003c/date\u003e- \n         \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1926\u003c/date\u003e) m. \n          Julia Howard \n         \u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["John Baylor 1 ( \n         1650- \n         1720) resident of \n          Gloucester County, Virginia, and later \n          King and Queen County, Virginia, married \n          Lucy Todd O'Brien (ca.1681-?) of \n          New Kent County, Virginia, in \n         1698. They were believed to have had three\n         offspring, \n          Frances Baylor, \n          Robert Baylor, and \n          John Baylor 2. The children of their son,\n         Colonel \n          John2 Baylor ( \n         1705- \n         1772), and \n          Frances Walker (?- \n         1783) were as follows:","1) \n          Courtney Baylor m. Jasper Clayton of \n          Gloucester County","2) \n          Lucy Baylor m. \n          John Armistead","3) \n          Frances Baylor m. \n          John Nicholson","4) \n          Elizabeth Baylor unmarried","5) \n          John Baylor 3 ( \n         1750- \n         1808) m. \n          Frances Norton ( \n         1760- \n         1815) in \n         1778","6) \n          George Baylor ( \n         1752- \n         1784) m. \n          Lucy Page in \n         1778","7) \n          Walker Baylor ( ? - \n         1823) m. \n          Jane Bledsoe","8) \n          Robert Baylor m. Miss Gwynne","The children of \n          John Baylor 3 and \n          Frances Norton were:","1) \n          Frances Courtney Baylor ( \n         1779- \n         1780)","2) \n          Courtney Orange Baylor ( \n         1781-? ) m. _____ Fox","3) \n          Lucy Elizabeth Todd Baylor ( ? - \n         1823) m. [Sen. \n          John H. Upshaw ] in \n         1809","4) \n          Louisa Henrietta Baylor m. [ \n          William T. Upshaw ]","5) \n          Susanna Frances Baylor ( \n         1783- \n         1837) m. \n          John Sutton","6) \n          John Baylor 4 m. \n          Maria Ann Roy ( \n         1790- \n         1850) in \n         1819","7) Dr. \n          George Daniel Baylor m. Miss Lewis","The issue of \n          John Baylor 4 and \n          Maria Ann Roy was Dr. \n          John Roy Baylor","John Baylor ( \n         1821- \n         1897) who married \n          Anne Bowen of \n          Albemarle County and produced the\n         following offspring:","1) Captain \n          James Bowen Baylor ( \n         1849- \n         1924) m. \n          Ellen Carter Bruce (died ca. \n         1899) in ca. \n         1881, producing three children: \n          Evelyn Courtney Blackford Baylor, \n          Anne Baylor, and \n          John Baylor ( \n         1890- \n         1968).","2) \n          Maria Roy Baylor","3) \n          John Roy Baylor, Jr. ( \n         1851- \n         1926) m. \n          Julia Howard"],"prefercite_html_tesm":["\u003cp\u003ePapers of the Baylor Family, Accession #2257, Special Collections, University of Virginia Library, Charlottesville, Va.\u003c/p\u003e\n      "],"prefercite_tesim":["Papers of the Baylor Family, Accession #2257, Special Collections, University of Virginia Library, Charlottesville, Va."],"scopecontent_heading_ssm":["Scope and Content Information","Scope and Content","ADDENDUM RE THE BAYLOR LEDGERS"],"scopecontent_tesim":["Scope and Content\n        The papers of the \n             Baylor family of \"Newmarket,\" \n             Bowling Green, Caroline County, Virginia, contain ca.\n            2000 items (11 Hollinger boxes, 4.5 linear feet),\n            1653-1915, and consist of correspondence, legal and\n            financial papers, ledgers, genealogical material, students\n            notebooks and bound volumes, scrapbooks, photographs, a\n            diary, literary compositions, military papers pertaining to\n            the Revolutionary War, newsclippings, the records of James Bowen Baylor and the \n             United States Coast and Geodetic Survey, and miscellaneous papers.\n        These papers pertain to John Baylor (1650-1720) of \n             Gloucester County, and King and Queen County, Virginia, and his wife, \n             Lucy Todd O'Brien of New Kent County, Virginia, and four generations of their descendants. The \n             John Baylor ledgers, 1719-1755, reveal that John Baylor was a wealthy merchant,\n            planter, and shipowner. He also served as a burgess, representing Gloucester County in the 1693 General Assembly and King and Queen County in 1718.\n        John Baylor's son, John Baylor (1705-1772), greatly increased the family landholdings when he received a royal\n            land grant in 1726 in what was to become Caroline County, Virginia. John Baylor was educated in \n             England, at the \n             Putney Grammer School and \n             Caius College, \n             Cambridge. While in \n             England, he developed a keen interest\n            in thoroughbred horses and horse racing, going so far as to\n            name his new home, \" \n             Newmarket, \" for the famous English\n            racing center. He became an important colonial horse\n            importer and breeder whose stables greatly contributed to\n            the development of American thoroughbreds. \n             John Baylor also rendered public\n            service to the newly formed county of \n             Caroline, as a colonel in the county\n            militia and a burgess in 1742-1749, and 1756-1765.\n        All four of the sons of \n             John Baylor (1705-1772) contributed in\n            some way to the American effort during the Revolutionary\n            War. \n             John Baylor (1750-1808), the heir of \" \n             Newmarket, \" while unable to fight due\n            to a childhood injury, gave financial support to the war\n            effort. He later had difficulties in shedding his\n            reputation as a \"Tory\" because he had gone back to \n             England in 1778 to marry his cousin, \n             Frances Norton (1760-1815) and had to\n            live in \n             Europe until they could obtain a return\n            passage to \n             America.\n        \n                George Baylor (1752-1784) was a member\n            of the \n             Caroline County Committee of Safety,\n            1775-1776, and from 1775-1777, he was aide-de-camp of\n            General \n             George Washington. He was commanding\n            officer of the \n             3rd Regiment Light Dragoons when he was\n            wounded and captured on September 28, 1778. He was\n            eventually exchanged and his regiment was consolidated with\n            the \n             First Continental Dragoons on November\n            9, 1782, which he commanded until the end of the war. On\n            September 30, 1783, he received his commission as a Brevet\n            Brigadier General.\n        \n                Walker Baylor served as a lieutenant\n            and captain of the \n             3rd Regiment Light Dragoons during the\n            Revolution. He along with his other brother \n             Robert Baylor, who also served in the\n            Revolution, immigrated to \n             Kentucky. Later \n             Robert Baylor apparently settled in the\n             Pearl River area of the \n             Mississippi Territory.\n        The estate of \n             John Baylor (1750-1808) was hopelessly\n            entangled when he inherited it from his father in 1772 and\n            much of it was lost through his own ineptitude as a\n            businessman and the dishonesty of others. However, the\n            house and two thousand acres were entailed and could not be\n            alienated; these were passed on to his son, \n             John Baylor ( ? ), who married \n             Maria Ann Roy and produced Dr. \n             John Roy Baylor (1821-1897). It was Dr.\n             John Roy Baylor's son, Captain \n             James Bowen Baylor (1848-1924), who was\n            a member of the \n             United States Coast and Geodetic\n            Survey team.\n        The correspondence series contains the correspondence\n            from family members, friends, and business associates of\n            all the above generations of the \n             Baylor family, beginning with Colonel \n             John Baylor (1705-1772). Letters\n            pertaining to the sojourn of \n             John Baylor (1750-1808) in \n             England prior to and during the\n            Revolutionary War include the following: a reference to\n            Colonel \n             John Baylor's son at school in \n             Caius College, \n             Cambridge (August 12,1769); his\n            intentions of returning to the \n             United States (December 28, 1770); the\n            advice of \n             William Bond, a former teacher of \n             John Baylor, for him to seek further\n            educational opportunities upon the continent rather than to\n            return to college studies (July 15, 1773); \n             William Bond's request for \n             John Baylor to ignore \"national evils\"\n            and to visit \n             England (May 4, 1778); \n             John Baylor's trip to \n             England to wed his cousin, \n             Frances Norton (1778); a reference to\n            the Baylor's leaving \n             England, and comments concerning the\n            fashions and decadence of \n             England (May 4, 1779).\n        Correspondence concerning events leading up to and\n            including the Revolutionary War includes: \n             Sam Waterman's support of the Stamp\n            Act repeal and the danger of shipping livestock from \n             London to \n             John Baylor (March 6, 1766); a Mr.\n            Grand's letter refusing to advise \n             John Baylor due to threat of prison\n            (March 28, [1772]): copies of \n             Committee of Correspondence letters to \n             John Norton asking him to keep them\n            informed regarding events in \n             England and Acts of \n             Parliament and his reply (April 6,\n            \u0026 July 6, 1773); a recommendation for the Baron of\n            [Bonstetten] who served in the Danish and Prussian Wars\n            (September 27,1777); \n             John Baylor as a prisoner aboard a\n            British ship, Thomas [Thortican], possibly due to suspicion\n            that he was reportedly carrying a treaty between \n             France and the \n             United States (February 5, 1778); the\n            birth of Colonel \n             George Baylor's son (May 6, 1779); \n             Walker Baylor asking his brother to\n            send him some money to cover his expenses incurred in\n            fighting in the Revolution (August 13, 1779); a statement\n            of \n             Edmund Pendleton, the Chairman of the \n             Caroline Committee of Correspondence,\n            regarding the loyalty of \n             John Baylor to the colonial cause,\n            relating that \n             John Baylor supported the actions of\n            the Americans at \n             Lexington, and returned to \n             England only to marry (October 13,\n            1779); the statement of \n             George Baylor regarding the loyalty of\n            his brother evidenced by his opinion of events at \n             Lexington, and his recommendation of\n            Baron de Wolfen in the service of the \n             American Army, and concluding with the\n            explanation that \n             John Baylor did not fight due to a\n            physical infirmity acquired in his youth (October 14,1779);\n             John Wormeley requests \n             John Baylor to use his influence to\n            give him an escort to visit his father in \n             Virginia (August 16, 1782); and a\n            request for \n             George Baylor to help recover money\n            form one of the officers of his regiment for Mr. Alexander\n            (September 3, 1783).\n        Other subjects of note include: the tobacco growing and\n            export business (May 8, 1741; March 6, 1766; August 12,\n            1769; February 5, 1778; June 29, 1788; March 10, 1789; June\n            6, 1789; March 15, 1793; \u0026 February 5, 1790); iron and\n            forge business (October 11, 1771; \u0026 April 13, 1774);\n            horses and horse breeding (\"Sober John\"-October25, 1754;\n            \"Fearnought\"-March 21, 1771; October 30, 1756; March 6,\n            1766; and July 17, 1800); and a discussion about whether\n            the Spanish will allow free trade up the \n             Mississippi River and \n             Ohio River ([December 4], 1783).\n        Several letters mention slaves and slavery. Among these\n            are: slaves for sale (April 14, 1770; March 21, 1771;\n            September 14, 1771; \u0026 June 19, 1811); mention of slave\n            passes, a slave detained on the road for lack of one, and a\n            visit of slaves with the family in \n             Gloucester County, Virginia (July 12,\n            1813); the prices of slaves in the \n             Pearl River area of the \n             Mississippi Territory and prices of\n            hire (November 28, 1816); and a letter from a Quaker, \n             George Boone, of \n             Berks County, Pennsylvania, attempting\n            to verify that \n             James Martin, a black man who claimed\n            to have been born to free parents and wrongly sold as part\n            of Colonel \n             John Baylor's estate, was indeed a\n            free black and not legally owned by \n             Thomas Adams of \n             Orange County, Virginia (August 12,\n            1818).\n        There is a group of letters between \n             John Baylor, \n             John Frere, and \n             John Baylor's former teacher in \n             England, \n             William Bond, concerning education for\n            his two sons, \n             John Baylor and \n             George Daniel Baylor. This\n            correspondence sheds some light on the attempts of\n            Americans to educate their sons following the Revolution\n            and includes: a discussion of \n             Eton and \n             Rugby and changes that have occurred at\n             Cambridge (August 17, 1793); a\n            suggestion to try \n             Glasgow in \n             Scotland (March 1, 1796); the\n            possibility of using a tutor (February 27, 1797); terms to\n            secure a tutor from \n             England and his opinion of \n             Eton (October 2, 1797); and a\n            suggestion to use an American clergyman for a tutor (June\n            22, 1799 \u0026 June 30, 1800).\n        Other subjects mentioned include: the French Revolution\n            (July 2, August 17, and [September 18], 1793); a\n            description of fashions ([September 18], 1793); a\n            description of \n             Warm Springs, \n             Bath County, Virginia (August 26,\n            1805); the career of \n             Napoleon Bonaparte (June 30 \u0026 July\n            17, 1800); the settlement of \n             John Baylor's estate (December 26,\n            1801; \u0026 January 3, 1804); the \n             Louisiana Purchase (September 17,\n            1803); a woman's viewpoint and thoughts (April 9, 1802);\n            the interdiction of His Majesty's ships from American ports\n            and the War of 1812 (August 29, 1808; March 25, 1812; and\n            July 18, 1813); an excellent discussion of social and\n            economic life in \n             Pearl River, \n             Mississippi Territory (November 28,\n            1816); the financial difficulties of the \n             Baylor family (September 1, 1819; \u0026\n            July 25, 1820); a meteorite falling in \n             Washington, D.C. (March 18, 1821); the\n            celebration in \n             Richmond of the French victory over the\n            Turkish Dey of \n             Algiers (September 13, 1830); the\n            medical studies of \n             John Roy Baylor (January 31, 1842);\n            discussion of \n             George Catlin's book about American\n            Indians and the explorations of \n             John C. Fremont and \n             Charles Wilkes (April 30, 1846); a\n            detailed description of \n             William P. Palmer's trip to \n             Europe (October 30, 1865); and the\n            voyage of Presbyterian missionary \n             E. Lanc[aster] to \n             Rio De Janeiro (August 26, 1869).\n        Events during the Civil War period are represented by\n            the following: \n             William P. Palmer's comments\n            concerning \n             John Brown's raid at \n             Harper's Ferry and the preparations for\n            his hanging (November 22 \u0026 December 1, 1859); the\n            struggle for possession of the \n             Fredericksburg Water Power\n            Company (March 17 \u0026 November 3, 1863; \u0026\n            September 5, 1865); the building of \n             Confederate stables and cabins for a\n            camp in \n             Louisa near the gold mines of \n             Louisa County's \n             Walnut Grove and \n             Slate Grove, formerly owned by Yankee\n            speculators (December 30, 1863); requests for donations of\n            flour and foodstuffs for soldiers (February 25, 1865); and\n            the assassination of \n             Abraham Lincoln deplored (April 25,\n            1865). Related topics include the mention of seeing \n             Robert E. Lee at \n             White Sulpher Springs, West\n            Virginia (August 17, 1867) and a letter from \n             Henry Stephens Randall declining to\n            visit the Old Dominion until the scars of the Civil War are\n            healed (n.d.).\n        Other post-Civil War subjects include: racial tensions\n            (August 11, 1878) and the \n             Richmond riots during which a white\n            policeman was killed in \n             Old Market Hall (March 20, 1870); \n             John Roy Baylor's assurances that his\n            black tenant farmers were not involved in the violence in \n             Caroline County (n.d.); life in \n             St. Louis, Missouri (September \u0026\n            July 3, 1873); a description of a shoot-out in \n             Uvalde County, Texas (May 10, 1881);\n            the black vote during Reconstruction in \n             Virginia (October 28, 1889); mention of\n             Micajah Woods, the \n             University of Virginia, and \n             Monticello (October 21, 1887); and the \n             Richmond, Fredericksburg, \u0026 Potomac Railroad\n            Company (March 21, 1873; \u0026 May 20, 1881).\n        Letters containing genealogical information include the\n            following families: the \n             Norton family (June 22, 1828); \n             Robert Baylor's (August 14, 1828); the\n             Frere family (June 28, 1872 \u0026 n.d.);\n            the \n             Roy family (March 21, 1887 \u0026 January\n            8, 1885); the \n             Braxton family (April 20, 1810); the \n             Baylor family (February 20, 1895); and\n            the \n             Texas \n                Baylor family (April 28 \u0026 May 2,\n            1894).\n        For a list of individual correspondents, please consult\n            the \n             Baylor family sliplist.\n        The next series of papers contain the legal and\n            financial papers of the \n             Baylor family. These include: the\n            amnesty papers of Dr. \n             John Roy Baylor (1865); land plats and\n            surveys (1701-1841) of \n             Virginia lands in \n             King William County, \n             King and Queen County, \n             Spotsylvania County, \n             Caroline County, \n             Pocahontas County, and \n             Orange County, many of which were done\n            by surveyor, \n             James Taylor; and other legal\n            documents such as indentures, bonds, deeds, land grants,\n            and bills of complaint. Items of special note are: copies\n            of land grants signed by \n             Alexander Spotswood (July 20, 1722) and\n             Hugh Drysdale (July 16, 1726); a list\n            of named slaves sold to \n             John Baylor (December 12, 1751);\n            charges against \n             Philip Easter, overseer for \n             John Baylor, particularly for\n            \"constantly driving of the Negroes for which I paid a great\n            deal of tobacco,\" especially old \n             Sarah, a midwife (ca. 1757); agreement\n            of \n             John Hatley Norton to buy \n             John Baylor's tobacco (December 12,\n            1776); a water lot rental (June 12, 1794); articles of\n            agreement concerning a grist mill in \n             Caroline County (June 18, 1813); the\n            pardon of \n             John Crowley signed by \n             James Madison and \n             James Monroe (September 11, 1815); an\n            indenture of 1820 with named slaves; a schedule of property\n            with a named slave (December 17, 1822); an agreement\n            concerning a mill with \n             P. Harrison as the miller (1831); a\n            certificate of exemption from active service in the \n             Confederate Army as an agriculturalist\n            (November 10, 1864); and a copy of a receipt concerning\n            work done on a gravel pit for the \n             Richmond, Fredericksburg, \u0026 Potomac\n            Railroad (June 2, 1870).\n        This series also contains copies of the wills of \n             John Baylor (1705-1772), dated February\n            19, 1770, and \n             Frances Baylor (1760-1815), dated June\n            12, 1815, both mentioning family slaves by name.\n        The financial papers of the \n             Baylor family contain six small account\n            books, 1859-1870, listing payment to hired hands, one of\n            which contains the \n             Tiverton Farm Stockbook (1866); bank\n            statements; a farm book for the \n             Greenwood Farm; \n             John Baylor's receipt book, 1792-1795,\n            which mentions Negroes purchased (December 5, 1790), \n             George Baylor's estate (February 17,\n            1792), and Negroes sold (February 23, 1795); and other\n            miscellaneous financial papers.\n        Topics in the financial papers include the following: an\n            account with \n             Donald Robertson for \n             Robert Baylor and \n             Walker Baylor's schooling (April 1,\n            1772); Colonel Braxton's smith works (April 1736); the \n             Rappahannock River Forge belonging to \n             James Hunter (March 31, 1784); tobacco\n            accounts (1775-1776; 1782; June \u0026 August 1782, October\n            2, 1789; February 24, 1784; March 19 \u0026 December 11,\n            1875; and n.d.); horses and racing (January 16, 1741; July\n            11, 1777, May 29, 1767; November 15, 1774; April 1, 1756;\n            and list of horses, n.d.); an account for carpenter and\n            house work [1726]; an account with the \n             Swan Tavern (September 23, 1815); the\n            settling of \n             John Baylor's estate (1750-1808)\n            (January 5, 1812; May 29, 1811; October 27, 1812; September\n            10, 1815; October 2, 1819; June 1, 1821; August 3, 1821;\n            and n.d.); medical accounts (April 12, 1830); corn and meal\n            from \n             John Baylor's mill (January 1, 1830);\n            and a blacksmith account (January 1, 1875).\n        There are also accounts with the \n             Confederate government (November 14\n            \u0026 24, \u0026 December 12, 1863; March 24 \u0026 May 3,\n            1864; and February 4, 1865) and many concerning slaves and\n            slavery.\n        These include: duty paid on Negroes (1742-1744); claim\n            for payment for capturing and placing \n             John Baylor's runaway slave in the \n             Spotsylvania goal (April 16, 1744); the\n            sale of \n             George Baylor's slaves (November 28,\n            1786); slaves for hire (December 26, 1805; June 15, 1814);\n            hire of \" \n             Ned \" as a mason (October 2, 1814);\n            clothing for Negroes (1814); grog for servants (September\n            23, 1815); bills of sale for unnamed slaves (June 11,\n            1847); \n             Mary and daughter \n             Elizabeth (September 4, 1848); \n             Miles (February 20, 1849); \n             Pompey (June 11, 1847); slave boy, \n             Frank (January 15, 1851); \n             Kitty Brook and \n             Fanny (December 28, 1853); \n             George Cooper (June 18, 1857); and\n            slave hire (April 30, 1859 \u0026 ca. 1854).\n        The miscellaneous series contains a diary (1780) of \n             John Baylor 1750-1808) describing a\n            journey from \" \n             Newmarket \" to \n             Warm Springs, \n             Augusta County, Virginia, and\n            mentioning Dr. \n             [Thomas ?] Walker and his son, \n             Thomas Walker, of \n             Albemarle County, Virginia, and \n             John Baylor's \n             Orange plantations; genealogical\n            material pertaining to the \n             Roy family, \n             Baylor family, and \n             Norton family, and including\n            biographical sketches of \n             Mungo Roy and \n             John Baylor (1750-1808); a \"History of\n            the Early Church in Virginia\"; several literary\n            compositions by \n             Maria Roy Baylor; and a memorandum\n            book of \n             John Baylor (1750-1808) which describes\n            the beginning of his voyage on the Potomack (October 1775)\n            and furnishes a description of saltworks at \n             Portsmouth, [England] (1778).\n        Other material in this series includes military papers,\n            miscellaneous papers, newsclippings, and loose photographs.\n            Thirteen of the items in the military papers pertain to\n            Colonel \n             John Baylor (1705-1772) and the \n             Caroline militia, who served under\n            Colonel \n             George Washington in the construction\n            of a fort at \n             Winchester, Virginia, during the\n            French and Indian War, 1756-1757, and consist of company\n            returns, orders for payment, and receipts for payment.\n        The rest of the military papers consist of Revolutionary\n            War material, relating to \n             George Baylor, aide-de-camp to General\n             George Washington, 1775-1777, and\n            Commander of the \n             Third Regiment of Light Dragoons, and\n            the papers about clothing, arms, and other supplies,\n            regimental finances, roster of officers, and weekly returns\n            of the regiment. Among these papers are: a copy of a letter\n            from General Burgoyne to Colonel Phillipson concerning\n            military conditions and discussing his ill-fated \n             Saratoga campaign (October 20, 1777); a\n            mention of \n             George Baylor's upcoming marriage\n            (February 4, 1778); \n             B. Dade's request to be exchanged as a\n            prisoner of war (February 1779); monies owed for supplies\n            to \n             James Hunter with an itemized account\n            (October 12 \u0026 November 1, 1779); the problems and\n            arrangements involved in outfitting the regiment (February\n            4, June 6 \u0026 12, 1778; October 13, 1780; October 26,\n            1781 [2 letters]; November 2, 1781; April 3 \u0026 August\n            14, 1782); the difficulty of working with the \"financier \n             Robert Morris \" (October 13, 1780); an\n            outbreak of smallpox in the \n             Third Regiment at \n             Petersburg, Virginia (November 25,\n            1781); and an order for a review of the \n             Continental army for July 4, 1782. A\n            final item is a general order for a discharge from the \n             4th Regiment of \n             Virginia militia during the War of 1812\n            (April 10, 1814). For a list of individual correspondents,\n            please consult the original list in the control folder.\n        The miscellaneous folder contains the following: a\n            printed score sheet for archery (July 4, 1771); a list of\n            books, probably from the library of \n             John Baylor [ca. 1800 ?]; notes\n            concerning Blackstone's law; a pamphlet, \"The Lewis and\n            Clark Expedition,\" by \n             Grace Flandrau (n.d.); an oath to \"our\n            Sovereign Lord King George\" (n.d.); and a parochial report,\n             Emmanuel Church, \n             Greenwood Parish, Reverend \n             W.M. Nelson, Rector (n.d.).\n        The newsclippings, 1921-1933, concern \n             University of Virginia events, news of\n            the \n             Ivy area, the \n             Lewis Association of America, the \n             Lewis family, and historical\n            articles.\n        The loose photographs, mostly unidentified, include:\n            Mrs. Rutherford's children, \n             Rosa Rutherford, \n             Charles Frere and \n             Douglas Frere, possible photographs of\n            \" \n             Newmarket, \" and \n             University of Virginia professors.\n        The notebooks and bound volumes series contains the\n            following: a photograph album; school notebooks of \n             Maria Roy Baylor, \n             Frank Blackford, and \n             James B. Baylor; an expense book; two\n            scrapbooks of newsclippings; and the \n            Letters of Junius,hand\n            copied by \n             John Baylor (1769-1771).\n        Those volumes belonging to Dr. \n             John Roy Baylor include: a genealogical\n            and historical notebook (1872); a medical notebook and farm\n            expense book which records a controversy with the \n             Clayton family over slaves (1847-1851); a\n            farm account book, 1856-1892, with accounts with the \n             Fredericksburg Water Power Company, a\n            servant's account (June-August, 1865), and reports of wheat\n            crops; an account book with grape expenses, sheep\n            memorandum, apple accounts, and a mill account (1868-1874);\n            and another farm book with an account with the \n             Bowling Green Tanning Yard, and slave\n            hire records with named slaves (1847-1868).\n        The photograph album, apparently given to \n             John Roy Baylor by his granddaughter on\n            Christmas of 1887, contains photographs of the following: \n             Rosa Seddon Rutherford (1891 \u0026\n            n.d.); \n             Helen Rutherford Johnson; \n             James B. Baylor; \n             Frances Starke Bowen, of \" \n             Mirador, \" \n             Albemarle County (1886); \n             Fanny Courtenay Baylor (1886); the\n            mother of \n             Fanny Courtenay Baylor; a portrait of\n            Colonel \n             George Armistead; \n             Roy Ellerson Massie; General \n             Lewis Armistead (killed at \n             Gettysburg ); \n             Maria Roy Baylor; \n             Eloise Baylor (1885); \n             Julia Howard Baylor; and \n             John Roy Baylor.\n        The series containing the papers of \n             James B. Baylor and the \n             United States Coast and Geodetic\n            Survey consists of the financial records of the\n            survey teams led by \n             John Baylor, circular letters from the\n            home office in \n             Washington, D.C., the official\n            correspondence and reports of \n             John Baylor, photographs, printed\n            material, \n             United States government property\n            inventories, and bound volumes.\n        \n                James Bowen Baylor (1849-1924)\n            graduated with an engineering degree from the \n             University of Virginia in 1872 and was\n            appointed an aid in the \n             United States Coast and Geodetic Survey\n            Department in 1874, continuing to work as a field\n            agent throughout his career. His many assignments included:\n            the determination of the elements of earth's magnetism from\n             Canada to \n             Mexico; the survey of oyster grounds\n            in \n             Louisiana and \n             Virginia, 1889-1894; his appointment\n            as a Commissioner of the \n             United States Supreme Court to settle\n            the \n             Virginia - \n             Tennessee boundary line dispute,\n            establishing it in the middle of Main Street, \n             Bristol, 1900-1902; and also the\n            establishment of boundaries between \n             Virginia and \n             Maryland, \n             New York and \n             Pennsylvania, and the \n             United States and \n             Canada.\n        The Oyster Industry Protection Correspondence contains\n            much correspondence from \n             William Ellinger of \n             Fox Island, Virginia, who describes\n            himself as an oyster planter. Printed material consists of\n            death notices for \n             United States Coast and Geodetic\n            Survey men, \n             Richard D. Cutts and \n             Benjamin Peirce (1880\u0026 1883), and\n            three pamphlets concerning the \n             United States and Canadian boundary,\n            the oyster laws of \n             Virginia, and a \n             Virginia Military Institute valedictory\n            address by \n             Edward Hutson Russell.\n        Oversize items include a survey of the lands of \n             John Roy Baylor (June 1847),\n            photographs of the \n             United States Coast and Geodetic\n            Survey, and a printed plan of the fairgrounds of\n            the \n             Virginia State Agricultural Society, \n             Richmond, 1854.\n        The three \n             Baylor family ledgers, 1719-1755, contain\n            many references to the purchase of slaves (see\n            addendum).","The papers of the \n             Baylor family of \"Newmarket,\" \n             Bowling Green, Caroline County, Virginia, contain ca.\n            2000 items (11 Hollinger boxes, 4.5 linear feet),\n            1653-1915, and consist of correspondence, legal and\n            financial papers, ledgers, genealogical material, students\n            notebooks and bound volumes, scrapbooks, photographs, a\n            diary, literary compositions, military papers pertaining to\n            the Revolutionary War, newsclippings, the records of James Bowen Baylor and the \n             United States Coast and Geodetic Survey, and miscellaneous papers.","These papers pertain to John Baylor (1650-1720) of \n             Gloucester County, and King and Queen County, Virginia, and his wife, \n             Lucy Todd O'Brien of New Kent County, Virginia, and four generations of their descendants. The \n             John Baylor ledgers, 1719-1755, reveal that John Baylor was a wealthy merchant,\n            planter, and shipowner. He also served as a burgess, representing Gloucester County in the 1693 General Assembly and King and Queen County in 1718.","John Baylor's son, John Baylor (1705-1772), greatly increased the family landholdings when he received a royal\n            land grant in 1726 in what was to become Caroline County, Virginia. John Baylor was educated in \n             England, at the \n             Putney Grammer School and \n             Caius College, \n             Cambridge. While in \n             England, he developed a keen interest\n            in thoroughbred horses and horse racing, going so far as to\n            name his new home, \" \n             Newmarket, \" for the famous English\n            racing center. He became an important colonial horse\n            importer and breeder whose stables greatly contributed to\n            the development of American thoroughbreds. \n             John Baylor also rendered public\n            service to the newly formed county of \n             Caroline, as a colonel in the county\n            militia and a burgess in 1742-1749, and 1756-1765.","All four of the sons of \n             John Baylor (1705-1772) contributed in\n            some way to the American effort during the Revolutionary\n            War. \n             John Baylor (1750-1808), the heir of \" \n             Newmarket, \" while unable to fight due\n            to a childhood injury, gave financial support to the war\n            effort. He later had difficulties in shedding his\n            reputation as a \"Tory\" because he had gone back to \n             England in 1778 to marry his cousin, \n             Frances Norton (1760-1815) and had to\n            live in \n             Europe until they could obtain a return\n            passage to \n             America.","George Baylor (1752-1784) was a member\n            of the \n             Caroline County Committee of Safety,\n            1775-1776, and from 1775-1777, he was aide-de-camp of\n            General \n             George Washington. He was commanding\n            officer of the \n             3rd Regiment Light Dragoons when he was\n            wounded and captured on September 28, 1778. He was\n            eventually exchanged and his regiment was consolidated with\n            the \n             First Continental Dragoons on November\n            9, 1782, which he commanded until the end of the war. On\n            September 30, 1783, he received his commission as a Brevet\n            Brigadier General.","Walker Baylor served as a lieutenant\n            and captain of the \n             3rd Regiment Light Dragoons during the\n            Revolution. He along with his other brother \n             Robert Baylor, who also served in the\n            Revolution, immigrated to \n             Kentucky. Later \n             Robert Baylor apparently settled in the\n             Pearl River area of the \n             Mississippi Territory.","The estate of \n             John Baylor (1750-1808) was hopelessly\n            entangled when he inherited it from his father in 1772 and\n            much of it was lost through his own ineptitude as a\n            businessman and the dishonesty of others. However, the\n            house and two thousand acres were entailed and could not be\n            alienated; these were passed on to his son, \n             John Baylor ( ? ), who married \n             Maria Ann Roy and produced Dr. \n             John Roy Baylor (1821-1897). It was Dr.\n             John Roy Baylor's son, Captain \n             James Bowen Baylor (1848-1924), who was\n            a member of the \n             United States Coast and Geodetic\n            Survey team.","The correspondence series contains the correspondence\n            from family members, friends, and business associates of\n            all the above generations of the \n             Baylor family, beginning with Colonel \n             John Baylor (1705-1772). Letters\n            pertaining to the sojourn of \n             John Baylor (1750-1808) in \n             England prior to and during the\n            Revolutionary War include the following: a reference to\n            Colonel \n             John Baylor's son at school in \n             Caius College, \n             Cambridge (August 12,1769); his\n            intentions of returning to the \n             United States (December 28, 1770); the\n            advice of \n             William Bond, a former teacher of \n             John Baylor, for him to seek further\n            educational opportunities upon the continent rather than to\n            return to college studies (July 15, 1773); \n             William Bond's request for \n             John Baylor to ignore \"national evils\"\n            and to visit \n             England (May 4, 1778); \n             John Baylor's trip to \n             England to wed his cousin, \n             Frances Norton (1778); a reference to\n            the Baylor's leaving \n             England, and comments concerning the\n            fashions and decadence of \n             England (May 4, 1779).","Correspondence concerning events leading up to and\n            including the Revolutionary War includes: \n             Sam Waterman's support of the Stamp\n            Act repeal and the danger of shipping livestock from \n             London to \n             John Baylor (March 6, 1766); a Mr.\n            Grand's letter refusing to advise \n             John Baylor due to threat of prison\n            (March 28, [1772]): copies of \n             Committee of Correspondence letters to \n             John Norton asking him to keep them\n            informed regarding events in \n             England and Acts of \n             Parliament and his reply (April 6,\n            \u0026 July 6, 1773); a recommendation for the Baron of\n            [Bonstetten] who served in the Danish and Prussian Wars\n            (September 27,1777); \n             John Baylor as a prisoner aboard a\n            British ship, Thomas [Thortican], possibly due to suspicion\n            that he was reportedly carrying a treaty between \n             France and the \n             United States (February 5, 1778); the\n            birth of Colonel \n             George Baylor's son (May 6, 1779); \n             Walker Baylor asking his brother to\n            send him some money to cover his expenses incurred in\n            fighting in the Revolution (August 13, 1779); a statement\n            of \n             Edmund Pendleton, the Chairman of the \n             Caroline Committee of Correspondence,\n            regarding the loyalty of \n             John Baylor to the colonial cause,\n            relating that \n             John Baylor supported the actions of\n            the Americans at \n             Lexington, and returned to \n             England only to marry (October 13,\n            1779); the statement of \n             George Baylor regarding the loyalty of\n            his brother evidenced by his opinion of events at \n             Lexington, and his recommendation of\n            Baron de Wolfen in the service of the \n             American Army, and concluding with the\n            explanation that \n             John Baylor did not fight due to a\n            physical infirmity acquired in his youth (October 14,1779);\n             John Wormeley requests \n             John Baylor to use his influence to\n            give him an escort to visit his father in \n             Virginia (August 16, 1782); and a\n            request for \n             George Baylor to help recover money\n            form one of the officers of his regiment for Mr. Alexander\n            (September 3, 1783).","Other subjects of note include: the tobacco growing and\n            export business (May 8, 1741; March 6, 1766; August 12,\n            1769; February 5, 1778; June 29, 1788; March 10, 1789; June\n            6, 1789; March 15, 1793; \u0026 February 5, 1790); iron and\n            forge business (October 11, 1771; \u0026 April 13, 1774);\n            horses and horse breeding (\"Sober John\"-October25, 1754;\n            \"Fearnought\"-March 21, 1771; October 30, 1756; March 6,\n            1766; and July 17, 1800); and a discussion about whether\n            the Spanish will allow free trade up the \n             Mississippi River and \n             Ohio River ([December 4], 1783).","Several letters mention slaves and slavery. Among these\n            are: slaves for sale (April 14, 1770; March 21, 1771;\n            September 14, 1771; \u0026 June 19, 1811); mention of slave\n            passes, a slave detained on the road for lack of one, and a\n            visit of slaves with the family in \n             Gloucester County, Virginia (July 12,\n            1813); the prices of slaves in the \n             Pearl River area of the \n             Mississippi Territory and prices of\n            hire (November 28, 1816); and a letter from a Quaker, \n             George Boone, of \n             Berks County, Pennsylvania, attempting\n            to verify that \n             James Martin, a black man who claimed\n            to have been born to free parents and wrongly sold as part\n            of Colonel \n             John Baylor's estate, was indeed a\n            free black and not legally owned by \n             Thomas Adams of \n             Orange County, Virginia (August 12,\n            1818).","There is a group of letters between \n             John Baylor, \n             John Frere, and \n             John Baylor's former teacher in \n             England, \n             William Bond, concerning education for\n            his two sons, \n             John Baylor and \n             George Daniel Baylor. This\n            correspondence sheds some light on the attempts of\n            Americans to educate their sons following the Revolution\n            and includes: a discussion of \n             Eton and \n             Rugby and changes that have occurred at\n             Cambridge (August 17, 1793); a\n            suggestion to try \n             Glasgow in \n             Scotland (March 1, 1796); the\n            possibility of using a tutor (February 27, 1797); terms to\n            secure a tutor from \n             England and his opinion of \n             Eton (October 2, 1797); and a\n            suggestion to use an American clergyman for a tutor (June\n            22, 1799 \u0026 June 30, 1800).","Other subjects mentioned include: the French Revolution\n            (July 2, August 17, and [September 18], 1793); a\n            description of fashions ([September 18], 1793); a\n            description of \n             Warm Springs, \n             Bath County, Virginia (August 26,\n            1805); the career of \n             Napoleon Bonaparte (June 30 \u0026 July\n            17, 1800); the settlement of \n             John Baylor's estate (December 26,\n            1801; \u0026 January 3, 1804); the \n             Louisiana Purchase (September 17,\n            1803); a woman's viewpoint and thoughts (April 9, 1802);\n            the interdiction of His Majesty's ships from American ports\n            and the War of 1812 (August 29, 1808; March 25, 1812; and\n            July 18, 1813); an excellent discussion of social and\n            economic life in \n             Pearl River, \n             Mississippi Territory (November 28,\n            1816); the financial difficulties of the \n             Baylor family (September 1, 1819; \u0026\n            July 25, 1820); a meteorite falling in \n             Washington, D.C. (March 18, 1821); the\n            celebration in \n             Richmond of the French victory over the\n            Turkish Dey of \n             Algiers (September 13, 1830); the\n            medical studies of \n             John Roy Baylor (January 31, 1842);\n            discussion of \n             George Catlin's book about American\n            Indians and the explorations of \n             John C. Fremont and \n             Charles Wilkes (April 30, 1846); a\n            detailed description of \n             William P. Palmer's trip to \n             Europe (October 30, 1865); and the\n            voyage of Presbyterian missionary \n             E. Lanc[aster] to \n             Rio De Janeiro (August 26, 1869).","Events during the Civil War period are represented by\n            the following: \n             William P. Palmer's comments\n            concerning \n             John Brown's raid at \n             Harper's Ferry and the preparations for\n            his hanging (November 22 \u0026 December 1, 1859); the\n            struggle for possession of the \n             Fredericksburg Water Power\n            Company (March 17 \u0026 November 3, 1863; \u0026\n            September 5, 1865); the building of \n             Confederate stables and cabins for a\n            camp in \n             Louisa near the gold mines of \n             Louisa County's \n             Walnut Grove and \n             Slate Grove, formerly owned by Yankee\n            speculators (December 30, 1863); requests for donations of\n            flour and foodstuffs for soldiers (February 25, 1865); and\n            the assassination of \n             Abraham Lincoln deplored (April 25,\n            1865). Related topics include the mention of seeing \n             Robert E. Lee at \n             White Sulpher Springs, West\n            Virginia (August 17, 1867) and a letter from \n             Henry Stephens Randall declining to\n            visit the Old Dominion until the scars of the Civil War are\n            healed (n.d.).","Other post-Civil War subjects include: racial tensions\n            (August 11, 1878) and the \n             Richmond riots during which a white\n            policeman was killed in \n             Old Market Hall (March 20, 1870); \n             John Roy Baylor's assurances that his\n            black tenant farmers were not involved in the violence in \n             Caroline County (n.d.); life in \n             St. Louis, Missouri (September \u0026\n            July 3, 1873); a description of a shoot-out in \n             Uvalde County, Texas (May 10, 1881);\n            the black vote during Reconstruction in \n             Virginia (October 28, 1889); mention of\n             Micajah Woods, the \n             University of Virginia, and \n             Monticello (October 21, 1887); and the \n             Richmond, Fredericksburg, \u0026 Potomac Railroad\n            Company (March 21, 1873; \u0026 May 20, 1881).","Letters containing genealogical information include the\n            following families: the \n             Norton family (June 22, 1828); \n             Robert Baylor's (August 14, 1828); the\n             Frere family (June 28, 1872 \u0026 n.d.);\n            the \n             Roy family (March 21, 1887 \u0026 January\n            8, 1885); the \n             Braxton family (April 20, 1810); the \n             Baylor family (February 20, 1895); and\n            the \n             Texas \n                Baylor family (April 28 \u0026 May 2,\n            1894).","For a list of individual correspondents, please consult\n            the \n             Baylor family sliplist.","The next series of papers contain the legal and\n            financial papers of the \n             Baylor family. These include: the\n            amnesty papers of Dr. \n             John Roy Baylor (1865); land plats and\n            surveys (1701-1841) of \n             Virginia lands in \n             King William County, \n             King and Queen County, \n             Spotsylvania County, \n             Caroline County, \n             Pocahontas County, and \n             Orange County, many of which were done\n            by surveyor, \n             James Taylor; and other legal\n            documents such as indentures, bonds, deeds, land grants,\n            and bills of complaint. Items of special note are: copies\n            of land grants signed by \n             Alexander Spotswood (July 20, 1722) and\n             Hugh Drysdale (July 16, 1726); a list\n            of named slaves sold to \n             John Baylor (December 12, 1751);\n            charges against \n             Philip Easter, overseer for \n             John Baylor, particularly for\n            \"constantly driving of the Negroes for which I paid a great\n            deal of tobacco,\" especially old \n             Sarah, a midwife (ca. 1757); agreement\n            of \n             John Hatley Norton to buy \n             John Baylor's tobacco (December 12,\n            1776); a water lot rental (June 12, 1794); articles of\n            agreement concerning a grist mill in \n             Caroline County (June 18, 1813); the\n            pardon of \n             John Crowley signed by \n             James Madison and \n             James Monroe (September 11, 1815); an\n            indenture of 1820 with named slaves; a schedule of property\n            with a named slave (December 17, 1822); an agreement\n            concerning a mill with \n             P. Harrison as the miller (1831); a\n            certificate of exemption from active service in the \n             Confederate Army as an agriculturalist\n            (November 10, 1864); and a copy of a receipt concerning\n            work done on a gravel pit for the \n             Richmond, Fredericksburg, \u0026 Potomac\n            Railroad (June 2, 1870).","This series also contains copies of the wills of \n             John Baylor (1705-1772), dated February\n            19, 1770, and \n             Frances Baylor (1760-1815), dated June\n            12, 1815, both mentioning family slaves by name.","The financial papers of the \n             Baylor family contain six small account\n            books, 1859-1870, listing payment to hired hands, one of\n            which contains the \n             Tiverton Farm Stockbook (1866); bank\n            statements; a farm book for the \n             Greenwood Farm; \n             John Baylor's receipt book, 1792-1795,\n            which mentions Negroes purchased (December 5, 1790), \n             George Baylor's estate (February 17,\n            1792), and Negroes sold (February 23, 1795); and other\n            miscellaneous financial papers.","Topics in the financial papers include the following: an\n            account with \n             Donald Robertson for \n             Robert Baylor and \n             Walker Baylor's schooling (April 1,\n            1772); Colonel Braxton's smith works (April 1736); the \n             Rappahannock River Forge belonging to \n             James Hunter (March 31, 1784); tobacco\n            accounts (1775-1776; 1782; June \u0026 August 1782, October\n            2, 1789; February 24, 1784; March 19 \u0026 December 11,\n            1875; and n.d.); horses and racing (January 16, 1741; July\n            11, 1777, May 29, 1767; November 15, 1774; April 1, 1756;\n            and list of horses, n.d.); an account for carpenter and\n            house work [1726]; an account with the \n             Swan Tavern (September 23, 1815); the\n            settling of \n             John Baylor's estate (1750-1808)\n            (January 5, 1812; May 29, 1811; October 27, 1812; September\n            10, 1815; October 2, 1819; June 1, 1821; August 3, 1821;\n            and n.d.); medical accounts (April 12, 1830); corn and meal\n            from \n             John Baylor's mill (January 1, 1830);\n            and a blacksmith account (January 1, 1875).","There are also accounts with the \n             Confederate government (November 14\n            \u0026 24, \u0026 December 12, 1863; March 24 \u0026 May 3,\n            1864; and February 4, 1865) and many concerning slaves and\n            slavery.","These include: duty paid on Negroes (1742-1744); claim\n            for payment for capturing and placing \n             John Baylor's runaway slave in the \n             Spotsylvania goal (April 16, 1744); the\n            sale of \n             George Baylor's slaves (November 28,\n            1786); slaves for hire (December 26, 1805; June 15, 1814);\n            hire of \" \n             Ned \" as a mason (October 2, 1814);\n            clothing for Negroes (1814); grog for servants (September\n            23, 1815); bills of sale for unnamed slaves (June 11,\n            1847); \n             Mary and daughter \n             Elizabeth (September 4, 1848); \n             Miles (February 20, 1849); \n             Pompey (June 11, 1847); slave boy, \n             Frank (January 15, 1851); \n             Kitty Brook and \n             Fanny (December 28, 1853); \n             George Cooper (June 18, 1857); and\n            slave hire (April 30, 1859 \u0026 ca. 1854).","The miscellaneous series contains a diary (1780) of \n             John Baylor 1750-1808) describing a\n            journey from \" \n             Newmarket \" to \n             Warm Springs, \n             Augusta County, Virginia, and\n            mentioning Dr. \n             [Thomas ?] Walker and his son, \n             Thomas Walker, of \n             Albemarle County, Virginia, and \n             John Baylor's \n             Orange plantations; genealogical\n            material pertaining to the \n             Roy family, \n             Baylor family, and \n             Norton family, and including\n            biographical sketches of \n             Mungo Roy and \n             John Baylor (1750-1808); a \"History of\n            the Early Church in Virginia\"; several literary\n            compositions by \n             Maria Roy Baylor; and a memorandum\n            book of \n             John Baylor (1750-1808) which describes\n            the beginning of his voyage on the Potomack (October 1775)\n            and furnishes a description of saltworks at \n             Portsmouth, [England] (1778).","Other material in this series includes military papers,\n            miscellaneous papers, newsclippings, and loose photographs.\n            Thirteen of the items in the military papers pertain to\n            Colonel \n             John Baylor (1705-1772) and the \n             Caroline militia, who served under\n            Colonel \n             George Washington in the construction\n            of a fort at \n             Winchester, Virginia, during the\n            French and Indian War, 1756-1757, and consist of company\n            returns, orders for payment, and receipts for payment.","The rest of the military papers consist of Revolutionary\n            War material, relating to \n             George Baylor, aide-de-camp to General\n             George Washington, 1775-1777, and\n            Commander of the \n             Third Regiment of Light Dragoons, and\n            the papers about clothing, arms, and other supplies,\n            regimental finances, roster of officers, and weekly returns\n            of the regiment. Among these papers are: a copy of a letter\n            from General Burgoyne to Colonel Phillipson concerning\n            military conditions and discussing his ill-fated \n             Saratoga campaign (October 20, 1777); a\n            mention of \n             George Baylor's upcoming marriage\n            (February 4, 1778); \n             B. Dade's request to be exchanged as a\n            prisoner of war (February 1779); monies owed for supplies\n            to \n             James Hunter with an itemized account\n            (October 12 \u0026 November 1, 1779); the problems and\n            arrangements involved in outfitting the regiment (February\n            4, June 6 \u0026 12, 1778; October 13, 1780; October 26,\n            1781 [2 letters]; November 2, 1781; April 3 \u0026 August\n            14, 1782); the difficulty of working with the \"financier \n             Robert Morris \" (October 13, 1780); an\n            outbreak of smallpox in the \n             Third Regiment at \n             Petersburg, Virginia (November 25,\n            1781); and an order for a review of the \n             Continental army for July 4, 1782. A\n            final item is a general order for a discharge from the \n             4th Regiment of \n             Virginia militia during the War of 1812\n            (April 10, 1814). For a list of individual correspondents,\n            please consult the original list in the control folder.","The miscellaneous folder contains the following: a\n            printed score sheet for archery (July 4, 1771); a list of\n            books, probably from the library of \n             John Baylor [ca. 1800 ?]; notes\n            concerning Blackstone's law; a pamphlet, \"The Lewis and\n            Clark Expedition,\" by \n             Grace Flandrau (n.d.); an oath to \"our\n            Sovereign Lord King George\" (n.d.); and a parochial report,\n             Emmanuel Church, \n             Greenwood Parish, Reverend \n             W.M. Nelson, Rector (n.d.).","The newsclippings, 1921-1933, concern \n             University of Virginia events, news of\n            the \n             Ivy area, the \n             Lewis Association of America, the \n             Lewis family, and historical\n            articles.","The loose photographs, mostly unidentified, include:\n            Mrs. Rutherford's children, \n             Rosa Rutherford, \n             Charles Frere and \n             Douglas Frere, possible photographs of\n            \" \n             Newmarket, \" and \n             University of Virginia professors.","The notebooks and bound volumes series contains the\n            following: a photograph album; school notebooks of \n             Maria Roy Baylor, \n             Frank Blackford, and \n             James B. Baylor; an expense book; two\n            scrapbooks of newsclippings; and the \n            Letters of Junius,hand\n            copied by \n             John Baylor (1769-1771).","Those volumes belonging to Dr. \n             John Roy Baylor include: a genealogical\n            and historical notebook (1872); a medical notebook and farm\n            expense book which records a controversy with the \n             Clayton family over slaves (1847-1851); a\n            farm account book, 1856-1892, with accounts with the \n             Fredericksburg Water Power Company, a\n            servant's account (June-August, 1865), and reports of wheat\n            crops; an account book with grape expenses, sheep\n            memorandum, apple accounts, and a mill account (1868-1874);\n            and another farm book with an account with the \n             Bowling Green Tanning Yard, and slave\n            hire records with named slaves (1847-1868).","The photograph album, apparently given to \n             John Roy Baylor by his granddaughter on\n            Christmas of 1887, contains photographs of the following: \n             Rosa Seddon Rutherford (1891 \u0026\n            n.d.); \n             Helen Rutherford Johnson; \n             James B. Baylor; \n             Frances Starke Bowen, of \" \n             Mirador, \" \n             Albemarle County (1886); \n             Fanny Courtenay Baylor (1886); the\n            mother of \n             Fanny Courtenay Baylor; a portrait of\n            Colonel \n             George Armistead; \n             Roy Ellerson Massie; General \n             Lewis Armistead (killed at \n             Gettysburg ); \n             Maria Roy Baylor; \n             Eloise Baylor (1885); \n             Julia Howard Baylor; and \n             John Roy Baylor.","The series containing the papers of \n             James B. Baylor and the \n             United States Coast and Geodetic\n            Survey consists of the financial records of the\n            survey teams led by \n             John Baylor, circular letters from the\n            home office in \n             Washington, D.C., the official\n            correspondence and reports of \n             John Baylor, photographs, printed\n            material, \n             United States government property\n            inventories, and bound volumes.","James Bowen Baylor (1849-1924)\n            graduated with an engineering degree from the \n             University of Virginia in 1872 and was\n            appointed an aid in the \n             United States Coast and Geodetic Survey\n            Department in 1874, continuing to work as a field\n            agent throughout his career. His many assignments included:\n            the determination of the elements of earth's magnetism from\n             Canada to \n             Mexico; the survey of oyster grounds\n            in \n             Louisiana and \n             Virginia, 1889-1894; his appointment\n            as a Commissioner of the \n             United States Supreme Court to settle\n            the \n             Virginia - \n             Tennessee boundary line dispute,\n            establishing it in the middle of Main Street, \n             Bristol, 1900-1902; and also the\n            establishment of boundaries between \n             Virginia and \n             Maryland, \n             New York and \n             Pennsylvania, and the \n             United States and \n             Canada.","The Oyster Industry Protection Correspondence contains\n            much correspondence from \n             William Ellinger of \n             Fox Island, Virginia, who describes\n            himself as an oyster planter. Printed material consists of\n            death notices for \n             United States Coast and Geodetic\n            Survey men, \n             Richard D. Cutts and \n             Benjamin Peirce (1880\u0026 1883), and\n            three pamphlets concerning the \n             United States and Canadian boundary,\n            the oyster laws of \n             Virginia, and a \n             Virginia Military Institute valedictory\n            address by \n             Edward Hutson Russell.","Oversize items include a survey of the lands of \n             John Roy Baylor (June 1847),\n            photographs of the \n             United States Coast and Geodetic\n            Survey, and a printed plan of the fairgrounds of\n            the \n             Virginia State Agricultural Society, \n             Richmond, 1854.","The three \n             Baylor family ledgers, 1719-1755, contain\n            many references to the purchase of slaves (see\n            addendum).","ADDENDUM RE THE BAYLOR LEDGERS\n        The three \n             Baylor family ledgers contain many\n            references concerning tobacco exports, the purchase of\n            merchandise, work done on various ships, and slaves, which\n            at times had their place of origin noted, as in \" \n             Madigaschar woman,\" \"man of \n             Callabar, \" and \" \n             Barbadoes negro.\" The accounts of the\n            first two ledgers are indexed in the front of the\n            volumes.\n        References to slavery occurring in volume one include\n            the following pages: 12, 13, 15, 17, 22-24, 26, 28, 35, 37,\n            39, 47, 49, 64-66, 68, 70-71, 77, 80-81, 83, 92-93,\n            101-102, 113-114, 127, 130, 134, 166, \u0026 175. References\n            to slavery in volume two include: 10, 16, 30, 34, 56,\n            63-64, 74, 86, 88, 102, 115, 123, 134, 183, \u0026 207.\n            Volume three pages include: 40, 71, 124, 130, 132, 135,\n            146, 148, 152-153, \u0026 155.\n        Occasionally the names of the slave ships and other\n            vessels are recorded in the ledgers with notes on the\n            contents purchased from them. These, along with their\n            volume and page number, are listed below.\n        \n                Ann \u0026 Sarah 1.96, 139, 150, \u0026\n            155\n        \n                Berkeley 1.38, 64, 71, 98, 121, 149,\n            \u0026 167; \u0026 2.50\n        \n                Betty 1.94\n        \n                Callabar 1.39, 68, \u0026 98; \u0026\n            2.96, 111, 136\n        \n                Greyhound 1.23, 37, 38, 65, 92, \u0026\n            96; \u0026 2.4, 54, \u0026 97\n        \n                Hunter 1.68\n        \n                Little John 1.9, 10, 12, 25, \u0026 75;\n            \u0026 2.116 \u0026 136\n        \n                Little York 2.124\n        \n                Lucy 1.94 \u0026 149\n        \n                Mattapony Pink 1.9, 33, 94, 99, 135,\n            145, 158, 180, \u0026 185\n        \n                Nassopenex Sloop 1.2, 5, 38, \u0026\n            75\n        \n                Parnel Galley 2.22\n        \n                Prince Eugene 1.139, 150, \u0026\n            162-164\n        \n                Twerton 1.15, 39, 103, \u0026 2.90\n        Other entries include: the Iron Mine Adventurers 1.1\n            \u0026 1.11; horses 1.28; the \n             Germana mines 2.188; \n             John Baylor's estate 2.73 \u0026 131;\n            quitrents for land in \n             Caroline County, \n             Spotsylvania County, \n             Orange County, and \n             King and Queen County 2.34 \u0026 79;\n            and doctor and midwife accounts 3.120-121, 142, \u0026 149.\n            Volume three also has many references to the manufacture\n            and repair of hardware, utensils, and agricultural\n            equipment. In addition, at the end of the last volume,\n            there is a list of memoranda concerning agreements and\n            contracts of \n             John Baylor, a memorandum of slaves\n            sold off \n             W. Lyde's plantation (November 30,\n            1742) and a list of all the Negroes belonging to Baylor in\n            1744.","The three \n             Baylor family ledgers contain many\n            references concerning tobacco exports, the purchase of\n            merchandise, work done on various ships, and slaves, which\n            at times had their place of origin noted, as in \" \n             Madigaschar woman,\" \"man of \n             Callabar, \" and \" \n             Barbadoes negro.\" The accounts of the\n            first two ledgers are indexed in the front of the\n            volumes.","References to slavery occurring in volume one include\n            the following pages: 12, 13, 15, 17, 22-24, 26, 28, 35, 37,\n            39, 47, 49, 64-66, 68, 70-71, 77, 80-81, 83, 92-93,\n            101-102, 113-114, 127, 130, 134, 166, \u0026 175. References\n            to slavery in volume two include: 10, 16, 30, 34, 56,\n            63-64, 74, 86, 88, 102, 115, 123, 134, 183, \u0026 207.\n            Volume three pages include: 40, 71, 124, 130, 132, 135,\n            146, 148, 152-153, \u0026 155.","Occasionally the names of the slave ships and other\n            vessels are recorded in the ledgers with notes on the\n            contents purchased from them. These, along with their\n            volume and page number, are listed below.","Ann \u0026 Sarah 1.96, 139, 150, \u0026\n            155","Berkeley 1.38, 64, 71, 98, 121, 149,\n            \u0026 167; \u0026 2.50","Betty 1.94","Callabar 1.39, 68, \u0026 98; \u0026\n            2.96, 111, 136","Greyhound 1.23, 37, 38, 65, 92, \u0026\n            96; \u0026 2.4, 54, \u0026 97","Hunter 1.68","Little John 1.9, 10, 12, 25, \u0026 75;\n            \u0026 2.116 \u0026 136","Little York 2.124","Lucy 1.94 \u0026 149","Mattapony Pink 1.9, 33, 94, 99, 135,\n            145, 158, 180, \u0026 185","Nassopenex Sloop 1.2, 5, 38, \u0026\n            75","Parnel Galley 2.22","Prince Eugene 1.139, 150, \u0026\n            162-164","Twerton 1.15, 39, 103, \u0026 2.90","Other entries include: the Iron Mine Adventurers 1.1\n            \u0026 1.11; horses 1.28; the \n             Germana mines 2.188; \n             John Baylor's estate 2.73 \u0026 131;\n            quitrents for land in \n             Caroline County, \n             Spotsylvania County, \n             Orange County, and \n             King and Queen County 2.34 \u0026 79;\n            and doctor and midwife accounts 3.120-121, 142, \u0026 149.\n            Volume three also has many references to the manufacture\n            and repair of hardware, utensils, and agricultural\n            equipment. In addition, at the end of the last volume,\n            there is a list of memoranda concerning agreements and\n            contracts of \n             John Baylor, a memorandum of slaves\n            sold off \n             W. Lyde's plantation (November 30,\n            1742) and a list of all the Negroes belonging to Baylor in\n            1744."],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n            \n            University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc\u003e\u003c/physloc\u003e\n      "],"language_ssim":["English"],"total_component_count_is":66,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:31:42.753Z","scopecontent_html_tesm":["\u003cscopecontent\u003e\n        \u003chead\u003eScope and Content\u003c/head\u003e\n        \u003cp\u003eThe papers of the \n             Baylor family of \"Newmarket,\" \n             Bowling Green, Caroline County, Virginia, contain ca.\n            2000 items (11 Hollinger boxes, 4.5 linear feet),\n            1653-1915, and consist of correspondence, legal and\n            financial papers, ledgers, genealogical material, students\n            notebooks and bound volumes, scrapbooks, photographs, a\n            diary, literary compositions, military papers pertaining to\n            the Revolutionary War, newsclippings, the records of James Bowen Baylor and the \n             United States Coast and Geodetic Survey, and miscellaneous papers.\u003c/p\u003e\n        \u003cp\u003eThese papers pertain to John Baylor (1650-1720) of \n             Gloucester County, and King and Queen County, Virginia, and his wife, \n             Lucy Todd O'Brien of New Kent County, Virginia, and four generations of their descendants. The \n             John Baylor ledgers, 1719-1755, reveal that John Baylor was a wealthy merchant,\n            planter, and shipowner. He also served as a burgess, representing Gloucester County in the 1693 General Assembly and King and Queen County in 1718.\u003c/p\u003e\n        \u003cp\u003eJohn Baylor's son, John Baylor (1705-1772), greatly increased the family landholdings when he received a royal\n            land grant in 1726 in what was to become Caroline County, Virginia. John Baylor was educated in \n             England, at the \n             Putney Grammer School and \n             Caius College, \n             Cambridge. While in \n             England, he developed a keen interest\n            in thoroughbred horses and horse racing, going so far as to\n            name his new home, \" \n             Newmarket, \" for the famous English\n            racing center. He became an important colonial horse\n            importer and breeder whose stables greatly contributed to\n            the development of American thoroughbreds. \n             John Baylor also rendered public\n            service to the newly formed county of \n             Caroline, as a colonel in the county\n            militia and a burgess in 1742-1749, and 1756-1765.\u003c/p\u003e\n        \u003cp\u003eAll four of the sons of \n             John Baylor (1705-1772) contributed in\n            some way to the American effort during the Revolutionary\n            War. \n             John Baylor (1750-1808), the heir of \" \n             Newmarket, \" while unable to fight due\n            to a childhood injury, gave financial support to the war\n            effort. He later had difficulties in shedding his\n            reputation as a \"Tory\" because he had gone back to \n             England in 1778 to marry his cousin, \n             Frances Norton (1760-1815) and had to\n            live in \n             Europe until they could obtain a return\n            passage to \n             America.\u003c/p\u003e\n        \u003cp\u003e\n                George Baylor (1752-1784) was a member\n            of the \n             Caroline County Committee of Safety,\n            1775-1776, and from 1775-1777, he was aide-de-camp of\n            General \n             George Washington. He was commanding\n            officer of the \n             3rd Regiment Light Dragoons when he was\n            wounded and captured on September 28, 1778. He was\n            eventually exchanged and his regiment was consolidated with\n            the \n             First Continental Dragoons on November\n            9, 1782, which he commanded until the end of the war. On\n            September 30, 1783, he received his commission as a Brevet\n            Brigadier General.\u003c/p\u003e\n        \u003cp\u003e\n                Walker Baylor served as a lieutenant\n            and captain of the \n             3rd Regiment Light Dragoons during the\n            Revolution. He along with his other brother \n             Robert Baylor, who also served in the\n            Revolution, immigrated to \n             Kentucky. Later \n             Robert Baylor apparently settled in the\n             Pearl River area of the \n             Mississippi Territory.\u003c/p\u003e\n        \u003cp\u003eThe estate of \n             John Baylor (1750-1808) was hopelessly\n            entangled when he inherited it from his father in 1772 and\n            much of it was lost through his own ineptitude as a\n            businessman and the dishonesty of others. However, the\n            house and two thousand acres were entailed and could not be\n            alienated; these were passed on to his son, \n             John Baylor ( ? ), who married \n             Maria Ann Roy and produced Dr. \n             John Roy Baylor (1821-1897). It was Dr.\n             John Roy Baylor's son, Captain \n             James Bowen Baylor (1848-1924), who was\n            a member of the \n             United States Coast and Geodetic\n            Survey team.\u003c/p\u003e\n        \u003cp\u003eThe correspondence series contains the correspondence\n            from family members, friends, and business associates of\n            all the above generations of the \n             Baylor family, beginning with Colonel \n             John Baylor (1705-1772). Letters\n            pertaining to the sojourn of \n             John Baylor (1750-1808) in \n             England prior to and during the\n            Revolutionary War include the following: a reference to\n            Colonel \n             John Baylor's son at school in \n             Caius College, \n             Cambridge (August 12,1769); his\n            intentions of returning to the \n             United States (December 28, 1770); the\n            advice of \n             William Bond, a former teacher of \n             John Baylor, for him to seek further\n            educational opportunities upon the continent rather than to\n            return to college studies (July 15, 1773); \n             William Bond's request for \n             John Baylor to ignore \"national evils\"\n            and to visit \n             England (May 4, 1778); \n             John Baylor's trip to \n             England to wed his cousin, \n             Frances Norton (1778); a reference to\n            the Baylor's leaving \n             England, and comments concerning the\n            fashions and decadence of \n             England (May 4, 1779).\u003c/p\u003e\n        \u003cp\u003eCorrespondence concerning events leading up to and\n            including the Revolutionary War includes: \n             Sam Waterman's support of the Stamp\n            Act repeal and the danger of shipping livestock from \n             London to \n             John Baylor (March 6, 1766); a Mr.\n            Grand's letter refusing to advise \n             John Baylor due to threat of prison\n            (March 28, [1772]): copies of \n             Committee of Correspondence letters to \n             John Norton asking him to keep them\n            informed regarding events in \n             England and Acts of \n             Parliament and his reply (April 6,\n            \u0026amp; July 6, 1773); a recommendation for the Baron of\n            [Bonstetten] who served in the Danish and Prussian Wars\n            (September 27,1777); \n             John Baylor as a prisoner aboard a\n            British ship, Thomas [Thortican], possibly due to suspicion\n            that he was reportedly carrying a treaty between \n             France and the \n             United States (February 5, 1778); the\n            birth of Colonel \n             George Baylor's son (May 6, 1779); \n             Walker Baylor asking his brother to\n            send him some money to cover his expenses incurred in\n            fighting in the Revolution (August 13, 1779); a statement\n            of \n             Edmund Pendleton, the Chairman of the \n             Caroline Committee of Correspondence,\n            regarding the loyalty of \n             John Baylor to the colonial cause,\n            relating that \n             John Baylor supported the actions of\n            the Americans at \n             Lexington, and returned to \n             England only to marry (October 13,\n            1779); the statement of \n             George Baylor regarding the loyalty of\n            his brother evidenced by his opinion of events at \n             Lexington, and his recommendation of\n            Baron de Wolfen in the service of the \n             American Army, and concluding with the\n            explanation that \n             John Baylor did not fight due to a\n            physical infirmity acquired in his youth (October 14,1779);\n             John Wormeley requests \n             John Baylor to use his influence to\n            give him an escort to visit his father in \n             Virginia (August 16, 1782); and a\n            request for \n             George Baylor to help recover money\n            form one of the officers of his regiment for Mr. Alexander\n            (September 3, 1783).\u003c/p\u003e\n        \u003cp\u003eOther subjects of note include: the tobacco growing and\n            export business (May 8, 1741; March 6, 1766; August 12,\n            1769; February 5, 1778; June 29, 1788; March 10, 1789; June\n            6, 1789; March 15, 1793; \u0026amp; February 5, 1790); iron and\n            forge business (October 11, 1771; \u0026amp; April 13, 1774);\n            horses and horse breeding (\"Sober John\"-October25, 1754;\n            \"Fearnought\"-March 21, 1771; October 30, 1756; March 6,\n            1766; and July 17, 1800); and a discussion about whether\n            the Spanish will allow free trade up the \n             Mississippi River and \n             Ohio River ([December 4], 1783).\u003c/p\u003e\n        \u003cp\u003eSeveral letters mention slaves and slavery. Among these\n            are: slaves for sale (April 14, 1770; March 21, 1771;\n            September 14, 1771; \u0026amp; June 19, 1811); mention of slave\n            passes, a slave detained on the road for lack of one, and a\n            visit of slaves with the family in \n             Gloucester County, Virginia (July 12,\n            1813); the prices of slaves in the \n             Pearl River area of the \n             Mississippi Territory and prices of\n            hire (November 28, 1816); and a letter from a Quaker, \n             George Boone, of \n             Berks County, Pennsylvania, attempting\n            to verify that \n             James Martin, a black man who claimed\n            to have been born to free parents and wrongly sold as part\n            of Colonel \n             John Baylor's estate, was indeed a\n            free black and not legally owned by \n             Thomas Adams of \n             Orange County, Virginia (August 12,\n            1818).\u003c/p\u003e\n        \u003cp\u003eThere is a group of letters between \n             John Baylor, \n             John Frere, and \n             John Baylor's former teacher in \n             England, \n             William Bond, concerning education for\n            his two sons, \n             John Baylor and \n             George Daniel Baylor. This\n            correspondence sheds some light on the attempts of\n            Americans to educate their sons following the Revolution\n            and includes: a discussion of \n             Eton and \n             Rugby and changes that have occurred at\n             Cambridge (August 17, 1793); a\n            suggestion to try \n             Glasgow in \n             Scotland (March 1, 1796); the\n            possibility of using a tutor (February 27, 1797); terms to\n            secure a tutor from \n             England and his opinion of \n             Eton (October 2, 1797); and a\n            suggestion to use an American clergyman for a tutor (June\n            22, 1799 \u0026amp; June 30, 1800).\u003c/p\u003e\n        \u003cp\u003eOther subjects mentioned include: the French Revolution\n            (July 2, August 17, and [September 18], 1793); a\n            description of fashions ([September 18], 1793); a\n            description of \n             Warm Springs, \n             Bath County, Virginia (August 26,\n            1805); the career of \n             Napoleon Bonaparte (June 30 \u0026amp; July\n            17, 1800); the settlement of \n             John Baylor's estate (December 26,\n            1801; \u0026amp; January 3, 1804); the \n             Louisiana Purchase (September 17,\n            1803); a woman's viewpoint and thoughts (April 9, 1802);\n            the interdiction of His Majesty's ships from American ports\n            and the War of 1812 (August 29, 1808; March 25, 1812; and\n            July 18, 1813); an excellent discussion of social and\n            economic life in \n             Pearl River, \n             Mississippi Territory (November 28,\n            1816); the financial difficulties of the \n             Baylor family (September 1, 1819; \u0026amp;\n            July 25, 1820); a meteorite falling in \n             Washington, D.C. (March 18, 1821); the\n            celebration in \n             Richmond of the French victory over the\n            Turkish Dey of \n             Algiers (September 13, 1830); the\n            medical studies of \n             John Roy Baylor (January 31, 1842);\n            discussion of \n             George Catlin's book about American\n            Indians and the explorations of \n             John C. Fremont and \n             Charles Wilkes (April 30, 1846); a\n            detailed description of \n             William P. Palmer's trip to \n             Europe (October 30, 1865); and the\n            voyage of Presbyterian missionary \n             E. Lanc[aster] to \n             Rio De Janeiro (August 26, 1869).\u003c/p\u003e\n        \u003cp\u003eEvents during the Civil War period are represented by\n            the following: \n             William P. Palmer's comments\n            concerning \n             John Brown's raid at \n             Harper's Ferry and the preparations for\n            his hanging (November 22 \u0026amp; December 1, 1859); the\n            struggle for possession of the \n             Fredericksburg Water Power\n            Company (March 17 \u0026amp; November 3, 1863; \u0026amp;\n            September 5, 1865); the building of \n             Confederate stables and cabins for a\n            camp in \n             Louisa near the gold mines of \n             Louisa County's \n             Walnut Grove and \n             Slate Grove, formerly owned by Yankee\n            speculators (December 30, 1863); requests for donations of\n            flour and foodstuffs for soldiers (February 25, 1865); and\n            the assassination of \n             Abraham Lincoln deplored (April 25,\n            1865). Related topics include the mention of seeing \n             Robert E. Lee at \n             White Sulpher Springs, West\n            Virginia (August 17, 1867) and a letter from \n             Henry Stephens Randall declining to\n            visit the Old Dominion until the scars of the Civil War are\n            healed (n.d.).\u003c/p\u003e\n        \u003cp\u003eOther post-Civil War subjects include: racial tensions\n            (August 11, 1878) and the \n             Richmond riots during which a white\n            policeman was killed in \n             Old Market Hall (March 20, 1870); \n             John Roy Baylor's assurances that his\n            black tenant farmers were not involved in the violence in \n             Caroline County (n.d.); life in \n             St. Louis, Missouri (September \u0026amp;\n            July 3, 1873); a description of a shoot-out in \n             Uvalde County, Texas (May 10, 1881);\n            the black vote during Reconstruction in \n             Virginia (October 28, 1889); mention of\n             Micajah Woods, the \n             University of Virginia, and \n             Monticello (October 21, 1887); and the \n             Richmond, Fredericksburg, \u0026amp; Potomac Railroad\n            Company (March 21, 1873; \u0026amp; May 20, 1881).\u003c/p\u003e\n        \u003cp\u003eLetters containing genealogical information include the\n            following families: the \n             Norton family (June 22, 1828); \n             Robert Baylor's (August 14, 1828); the\n             Frere family (June 28, 1872 \u0026amp; n.d.);\n            the \n             Roy family (March 21, 1887 \u0026amp; January\n            8, 1885); the \n             Braxton family (April 20, 1810); the \n             Baylor family (February 20, 1895); and\n            the \n             Texas \n                Baylor family (April 28 \u0026amp; May 2,\n            1894).\u003c/p\u003e\n        \u003cp\u003eFor a list of individual correspondents, please consult\n            the \n             Baylor family sliplist.\u003c/p\u003e\n        \u003cp\u003eThe next series of papers contain the legal and\n            financial papers of the \n             Baylor family. These include: the\n            amnesty papers of Dr. \n             John Roy Baylor (1865); land plats and\n            surveys (1701-1841) of \n             Virginia lands in \n             King William County, \n             King and Queen County, \n             Spotsylvania County, \n             Caroline County, \n             Pocahontas County, and \n             Orange County, many of which were done\n            by surveyor, \n             James Taylor; and other legal\n            documents such as indentures, bonds, deeds, land grants,\n            and bills of complaint. Items of special note are: copies\n            of land grants signed by \n             Alexander Spotswood (July 20, 1722) and\n             Hugh Drysdale (July 16, 1726); a list\n            of named slaves sold to \n             John Baylor (December 12, 1751);\n            charges against \n             Philip Easter, overseer for \n             John Baylor, particularly for\n            \"constantly driving of the Negroes for which I paid a great\n            deal of tobacco,\" especially old \n             Sarah, a midwife (ca. 1757); agreement\n            of \n             John Hatley Norton to buy \n             John Baylor's tobacco (December 12,\n            1776); a water lot rental (June 12, 1794); articles of\n            agreement concerning a grist mill in \n             Caroline County (June 18, 1813); the\n            pardon of \n             John Crowley signed by \n             James Madison and \n             James Monroe (September 11, 1815); an\n            indenture of 1820 with named slaves; a schedule of property\n            with a named slave (December 17, 1822); an agreement\n            concerning a mill with \n             P. Harrison as the miller (1831); a\n            certificate of exemption from active service in the \n             Confederate Army as an agriculturalist\n            (November 10, 1864); and a copy of a receipt concerning\n            work done on a gravel pit for the \n             Richmond, Fredericksburg, \u0026amp; Potomac\n            Railroad (June 2, 1870).\u003c/p\u003e\n        \u003cp\u003eThis series also contains copies of the wills of \n             John Baylor (1705-1772), dated February\n            19, 1770, and \n             Frances Baylor (1760-1815), dated June\n            12, 1815, both mentioning family slaves by name.\u003c/p\u003e\n        \u003cp\u003eThe financial papers of the \n             Baylor family contain six small account\n            books, 1859-1870, listing payment to hired hands, one of\n            which contains the \n             Tiverton Farm Stockbook (1866); bank\n            statements; a farm book for the \n             Greenwood Farm; \n             John Baylor's receipt book, 1792-1795,\n            which mentions Negroes purchased (December 5, 1790), \n             George Baylor's estate (February 17,\n            1792), and Negroes sold (February 23, 1795); and other\n            miscellaneous financial papers.\u003c/p\u003e\n        \u003cp\u003eTopics in the financial papers include the following: an\n            account with \n             Donald Robertson for \n             Robert Baylor and \n             Walker Baylor's schooling (April 1,\n            1772); Colonel Braxton's smith works (April 1736); the \n             Rappahannock River Forge belonging to \n             James Hunter (March 31, 1784); tobacco\n            accounts (1775-1776; 1782; June \u0026amp; August 1782, October\n            2, 1789; February 24, 1784; March 19 \u0026amp; December 11,\n            1875; and n.d.); horses and racing (January 16, 1741; July\n            11, 1777, May 29, 1767; November 15, 1774; April 1, 1756;\n            and list of horses, n.d.); an account for carpenter and\n            house work [1726]; an account with the \n             Swan Tavern (September 23, 1815); the\n            settling of \n             John Baylor's estate (1750-1808)\n            (January 5, 1812; May 29, 1811; October 27, 1812; September\n            10, 1815; October 2, 1819; June 1, 1821; August 3, 1821;\n            and n.d.); medical accounts (April 12, 1830); corn and meal\n            from \n             John Baylor's mill (January 1, 1830);\n            and a blacksmith account (January 1, 1875).\u003c/p\u003e\n        \u003cp\u003eThere are also accounts with the \n             Confederate government (November 14\n            \u0026amp; 24, \u0026amp; December 12, 1863; March 24 \u0026amp; May 3,\n            1864; and February 4, 1865) and many concerning slaves and\n            slavery.\u003c/p\u003e\n        \u003cp\u003eThese include: duty paid on Negroes (1742-1744); claim\n            for payment for capturing and placing \n             John Baylor's runaway slave in the \n             Spotsylvania goal (April 16, 1744); the\n            sale of \n             George Baylor's slaves (November 28,\n            1786); slaves for hire (December 26, 1805; June 15, 1814);\n            hire of \" \n             Ned \" as a mason (October 2, 1814);\n            clothing for Negroes (1814); grog for servants (September\n            23, 1815); bills of sale for unnamed slaves (June 11,\n            1847); \n             Mary and daughter \n             Elizabeth (September 4, 1848); \n             Miles (February 20, 1849); \n             Pompey (June 11, 1847); slave boy, \n             Frank (January 15, 1851); \n             Kitty Brook and \n             Fanny (December 28, 1853); \n             George Cooper (June 18, 1857); and\n            slave hire (April 30, 1859 \u0026amp; ca. 1854).\u003c/p\u003e\n        \u003cp\u003eThe miscellaneous series contains a diary (1780) of \n             John Baylor 1750-1808) describing a\n            journey from \" \n             Newmarket \" to \n             Warm Springs, \n             Augusta County, Virginia, and\n            mentioning Dr. \n             [Thomas ?] Walker and his son, \n             Thomas Walker, of \n             Albemarle County, Virginia, and \n             John Baylor's \n             Orange plantations; genealogical\n            material pertaining to the \n             Roy family, \n             Baylor family, and \n             Norton family, and including\n            biographical sketches of \n             Mungo Roy and \n             John Baylor (1750-1808); a \"History of\n            the Early Church in Virginia\"; several literary\n            compositions by \n             Maria Roy Baylor; and a memorandum\n            book of \n             John Baylor (1750-1808) which describes\n            the beginning of his voyage on the Potomack (October 1775)\n            and furnishes a description of saltworks at \n             Portsmouth, [England] (1778).\u003c/p\u003e\n        \u003cp\u003eOther material in this series includes military papers,\n            miscellaneous papers, newsclippings, and loose photographs.\n            Thirteen of the items in the military papers pertain to\n            Colonel \n             John Baylor (1705-1772) and the \n             Caroline militia, who served under\n            Colonel \n             George Washington in the construction\n            of a fort at \n             Winchester, Virginia, during the\n            French and Indian War, 1756-1757, and consist of company\n            returns, orders for payment, and receipts for payment.\u003c/p\u003e\n        \u003cp\u003eThe rest of the military papers consist of Revolutionary\n            War material, relating to \n             George Baylor, aide-de-camp to General\n             George Washington, 1775-1777, and\n            Commander of the \n             Third Regiment of Light Dragoons, and\n            the papers about clothing, arms, and other supplies,\n            regimental finances, roster of officers, and weekly returns\n            of the regiment. Among these papers are: a copy of a letter\n            from General Burgoyne to Colonel Phillipson concerning\n            military conditions and discussing his ill-fated \n             Saratoga campaign (October 20, 1777); a\n            mention of \n             George Baylor's upcoming marriage\n            (February 4, 1778); \n             B. Dade's request to be exchanged as a\n            prisoner of war (February 1779); monies owed for supplies\n            to \n             James Hunter with an itemized account\n            (October 12 \u0026amp; November 1, 1779); the problems and\n            arrangements involved in outfitting the regiment (February\n            4, June 6 \u0026amp; 12, 1778; October 13, 1780; October 26,\n            1781 [2 letters]; November 2, 1781; April 3 \u0026amp; August\n            14, 1782); the difficulty of working with the \"financier \n             Robert Morris \" (October 13, 1780); an\n            outbreak of smallpox in the \n             Third Regiment at \n             Petersburg, Virginia (November 25,\n            1781); and an order for a review of the \n             Continental army for July 4, 1782. A\n            final item is a general order for a discharge from the \n             4th Regiment of \n             Virginia militia during the War of 1812\n            (April 10, 1814). For a list of individual correspondents,\n            please consult the original list in the control folder.\u003c/p\u003e\n        \u003cp\u003eThe miscellaneous folder contains the following: a\n            printed score sheet for archery (July 4, 1771); a list of\n            books, probably from the library of \n             John Baylor [ca. 1800 ?]; notes\n            concerning Blackstone's law; a pamphlet, \"The Lewis and\n            Clark Expedition,\" by \n             Grace Flandrau (n.d.); an oath to \"our\n            Sovereign Lord King George\" (n.d.); and a parochial report,\n             Emmanuel Church, \n             Greenwood Parish, Reverend \n             W.M. Nelson, Rector (n.d.).\u003c/p\u003e\n        \u003cp\u003eThe newsclippings, 1921-1933, concern \n             University of Virginia events, news of\n            the \n             Ivy area, the \n             Lewis Association of America, the \n             Lewis family, and historical\n            articles.\u003c/p\u003e\n        \u003cp\u003eThe loose photographs, mostly unidentified, include:\n            Mrs. Rutherford's children, \n             Rosa Rutherford, \n             Charles Frere and \n             Douglas Frere, possible photographs of\n            \" \n             Newmarket, \" and \n             University of Virginia professors.\u003c/p\u003e\n        \u003cp\u003eThe notebooks and bound volumes series contains the\n            following: a photograph album; school notebooks of \n             Maria Roy Baylor, \n             Frank Blackford, and \n             James B. Baylor; an expense book; two\n            scrapbooks of newsclippings; and the \n            \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLetters of Junius,\u003c/title\u003ehand\n            copied by \n             John Baylor (1769-1771).\u003c/p\u003e\n        \u003cp\u003eThose volumes belonging to Dr. \n             John Roy Baylor include: a genealogical\n            and historical notebook (1872); a medical notebook and farm\n            expense book which records a controversy with the \n             Clayton family over slaves (1847-1851); a\n            farm account book, 1856-1892, with accounts with the \n             Fredericksburg Water Power Company, a\n            servant's account (June-August, 1865), and reports of wheat\n            crops; an account book with grape expenses, sheep\n            memorandum, apple accounts, and a mill account (1868-1874);\n            and another farm book with an account with the \n             Bowling Green Tanning Yard, and slave\n            hire records with named slaves (1847-1868).\u003c/p\u003e\n        \u003cp\u003eThe photograph album, apparently given to \n             John Roy Baylor by his granddaughter on\n            Christmas of 1887, contains photographs of the following: \n             Rosa Seddon Rutherford (1891 \u0026amp;\n            n.d.); \n             Helen Rutherford Johnson; \n             James B. Baylor; \n             Frances Starke Bowen, of \" \n             Mirador, \" \n             Albemarle County (1886); \n             Fanny Courtenay Baylor (1886); the\n            mother of \n             Fanny Courtenay Baylor; a portrait of\n            Colonel \n             George Armistead; \n             Roy Ellerson Massie; General \n             Lewis Armistead (killed at \n             Gettysburg ); \n             Maria Roy Baylor; \n             Eloise Baylor (1885); \n             Julia Howard Baylor; and \n             John Roy Baylor.\u003c/p\u003e\n        \u003cp\u003eThe series containing the papers of \n             James B. Baylor and the \n             United States Coast and Geodetic\n            Survey consists of the financial records of the\n            survey teams led by \n             John Baylor, circular letters from the\n            home office in \n             Washington, D.C., the official\n            correspondence and reports of \n             John Baylor, photographs, printed\n            material, \n             United States government property\n            inventories, and bound volumes.\u003c/p\u003e\n        \u003cp\u003e\n                James Bowen Baylor (1849-1924)\n            graduated with an engineering degree from the \n             University of Virginia in 1872 and was\n            appointed an aid in the \n             United States Coast and Geodetic Survey\n            Department in 1874, continuing to work as a field\n            agent throughout his career. His many assignments included:\n            the determination of the elements of earth's magnetism from\n             Canada to \n             Mexico; the survey of oyster grounds\n            in \n             Louisiana and \n             Virginia, 1889-1894; his appointment\n            as a Commissioner of the \n             United States Supreme Court to settle\n            the \n             Virginia - \n             Tennessee boundary line dispute,\n            establishing it in the middle of Main Street, \n             Bristol, 1900-1902; and also the\n            establishment of boundaries between \n             Virginia and \n             Maryland, \n             New York and \n             Pennsylvania, and the \n             United States and \n             Canada.\u003c/p\u003e\n        \u003cp\u003eThe Oyster Industry Protection Correspondence contains\n            much correspondence from \n             William Ellinger of \n             Fox Island, Virginia, who describes\n            himself as an oyster planter. Printed material consists of\n            death notices for \n             United States Coast and Geodetic\n            Survey men, \n             Richard D. Cutts and \n             Benjamin Peirce (1880\u0026amp; 1883), and\n            three pamphlets concerning the \n             United States and Canadian boundary,\n            the oyster laws of \n             Virginia, and a \n             Virginia Military Institute valedictory\n            address by \n             Edward Hutson Russell.\u003c/p\u003e\n        \u003cp\u003eOversize items include a survey of the lands of \n             John Roy Baylor (June 1847),\n            photographs of the \n             United States Coast and Geodetic\n            Survey, and a printed plan of the fairgrounds of\n            the \n             Virginia State Agricultural Society, \n             Richmond, 1854.\u003c/p\u003e\n        \u003cp\u003eThe three \n             Baylor family ledgers, 1719-1755, contain\n            many references to the purchase of slaves (see\n            addendum).\u003c/p\u003e\n      \u003c/scopecontent\u003e\n      ","\u003cp\u003eThe papers of the \n             Baylor family of \"Newmarket,\" \n             Bowling Green, Caroline County, Virginia, contain ca.\n            2000 items (11 Hollinger boxes, 4.5 linear feet),\n            1653-1915, and consist of correspondence, legal and\n            financial papers, ledgers, genealogical material, students\n            notebooks and bound volumes, scrapbooks, photographs, a\n            diary, literary compositions, military papers pertaining to\n            the Revolutionary War, newsclippings, the records of James Bowen Baylor and the \n             United States Coast and Geodetic Survey, and miscellaneous papers.\u003c/p\u003e\n        ","\u003cp\u003eThese papers pertain to John Baylor (1650-1720) of \n             Gloucester County, and King and Queen County, Virginia, and his wife, \n             Lucy Todd O'Brien of New Kent County, Virginia, and four generations of their descendants. The \n             John Baylor ledgers, 1719-1755, reveal that John Baylor was a wealthy merchant,\n            planter, and shipowner. He also served as a burgess, representing Gloucester County in the 1693 General Assembly and King and Queen County in 1718.\u003c/p\u003e\n        ","\u003cp\u003eJohn Baylor's son, John Baylor (1705-1772), greatly increased the family landholdings when he received a royal\n            land grant in 1726 in what was to become Caroline County, Virginia. John Baylor was educated in \n             England, at the \n             Putney Grammer School and \n             Caius College, \n             Cambridge. While in \n             England, he developed a keen interest\n            in thoroughbred horses and horse racing, going so far as to\n            name his new home, \" \n             Newmarket, \" for the famous English\n            racing center. He became an important colonial horse\n            importer and breeder whose stables greatly contributed to\n            the development of American thoroughbreds. \n             John Baylor also rendered public\n            service to the newly formed county of \n             Caroline, as a colonel in the county\n            militia and a burgess in 1742-1749, and 1756-1765.\u003c/p\u003e\n        ","\u003cp\u003eAll four of the sons of \n             John Baylor (1705-1772) contributed in\n            some way to the American effort during the Revolutionary\n            War. \n             John Baylor (1750-1808), the heir of \" \n             Newmarket, \" while unable to fight due\n            to a childhood injury, gave financial support to the war\n            effort. He later had difficulties in shedding his\n            reputation as a \"Tory\" because he had gone back to \n             England in 1778 to marry his cousin, \n             Frances Norton (1760-1815) and had to\n            live in \n             Europe until they could obtain a return\n            passage to \n             America.\u003c/p\u003e\n        ","\u003cp\u003e\n                George Baylor (1752-1784) was a member\n            of the \n             Caroline County Committee of Safety,\n            1775-1776, and from 1775-1777, he was aide-de-camp of\n            General \n             George Washington. He was commanding\n            officer of the \n             3rd Regiment Light Dragoons when he was\n            wounded and captured on September 28, 1778. He was\n            eventually exchanged and his regiment was consolidated with\n            the \n             First Continental Dragoons on November\n            9, 1782, which he commanded until the end of the war. On\n            September 30, 1783, he received his commission as a Brevet\n            Brigadier General.\u003c/p\u003e\n        ","\u003cp\u003e\n                Walker Baylor served as a lieutenant\n            and captain of the \n             3rd Regiment Light Dragoons during the\n            Revolution. He along with his other brother \n             Robert Baylor, who also served in the\n            Revolution, immigrated to \n             Kentucky. Later \n             Robert Baylor apparently settled in the\n             Pearl River area of the \n             Mississippi Territory.\u003c/p\u003e\n        ","\u003cp\u003eThe estate of \n             John Baylor (1750-1808) was hopelessly\n            entangled when he inherited it from his father in 1772 and\n            much of it was lost through his own ineptitude as a\n            businessman and the dishonesty of others. However, the\n            house and two thousand acres were entailed and could not be\n            alienated; these were passed on to his son, \n             John Baylor ( ? ), who married \n             Maria Ann Roy and produced Dr. \n             John Roy Baylor (1821-1897). It was Dr.\n             John Roy Baylor's son, Captain \n             James Bowen Baylor (1848-1924), who was\n            a member of the \n             United States Coast and Geodetic\n            Survey team.\u003c/p\u003e\n        ","\u003cp\u003eThe correspondence series contains the correspondence\n            from family members, friends, and business associates of\n            all the above generations of the \n             Baylor family, beginning with Colonel \n             John Baylor (1705-1772). Letters\n            pertaining to the sojourn of \n             John Baylor (1750-1808) in \n             England prior to and during the\n            Revolutionary War include the following: a reference to\n            Colonel \n             John Baylor's son at school in \n             Caius College, \n             Cambridge (August 12,1769); his\n            intentions of returning to the \n             United States (December 28, 1770); the\n            advice of \n             William Bond, a former teacher of \n             John Baylor, for him to seek further\n            educational opportunities upon the continent rather than to\n            return to college studies (July 15, 1773); \n             William Bond's request for \n             John Baylor to ignore \"national evils\"\n            and to visit \n             England (May 4, 1778); \n             John Baylor's trip to \n             England to wed his cousin, \n             Frances Norton (1778); a reference to\n            the Baylor's leaving \n             England, and comments concerning the\n            fashions and decadence of \n             England (May 4, 1779).\u003c/p\u003e\n        ","\u003cp\u003eCorrespondence concerning events leading up to and\n            including the Revolutionary War includes: \n             Sam Waterman's support of the Stamp\n            Act repeal and the danger of shipping livestock from \n             London to \n             John Baylor (March 6, 1766); a Mr.\n            Grand's letter refusing to advise \n             John Baylor due to threat of prison\n            (March 28, [1772]): copies of \n             Committee of Correspondence letters to \n             John Norton asking him to keep them\n            informed regarding events in \n             England and Acts of \n             Parliament and his reply (April 6,\n            \u0026amp; July 6, 1773); a recommendation for the Baron of\n            [Bonstetten] who served in the Danish and Prussian Wars\n            (September 27,1777); \n             John Baylor as a prisoner aboard a\n            British ship, Thomas [Thortican], possibly due to suspicion\n            that he was reportedly carrying a treaty between \n             France and the \n             United States (February 5, 1778); the\n            birth of Colonel \n             George Baylor's son (May 6, 1779); \n             Walker Baylor asking his brother to\n            send him some money to cover his expenses incurred in\n            fighting in the Revolution (August 13, 1779); a statement\n            of \n             Edmund Pendleton, the Chairman of the \n             Caroline Committee of Correspondence,\n            regarding the loyalty of \n             John Baylor to the colonial cause,\n            relating that \n             John Baylor supported the actions of\n            the Americans at \n             Lexington, and returned to \n             England only to marry (October 13,\n            1779); the statement of \n             George Baylor regarding the loyalty of\n            his brother evidenced by his opinion of events at \n             Lexington, and his recommendation of\n            Baron de Wolfen in the service of the \n             American Army, and concluding with the\n            explanation that \n             John Baylor did not fight due to a\n            physical infirmity acquired in his youth (October 14,1779);\n             John Wormeley requests \n             John Baylor to use his influence to\n            give him an escort to visit his father in \n             Virginia (August 16, 1782); and a\n            request for \n             George Baylor to help recover money\n            form one of the officers of his regiment for Mr. Alexander\n            (September 3, 1783).\u003c/p\u003e\n        ","\u003cp\u003eOther subjects of note include: the tobacco growing and\n            export business (May 8, 1741; March 6, 1766; August 12,\n            1769; February 5, 1778; June 29, 1788; March 10, 1789; June\n            6, 1789; March 15, 1793; \u0026amp; February 5, 1790); iron and\n            forge business (October 11, 1771; \u0026amp; April 13, 1774);\n            horses and horse breeding (\"Sober John\"-October25, 1754;\n            \"Fearnought\"-March 21, 1771; October 30, 1756; March 6,\n            1766; and July 17, 1800); and a discussion about whether\n            the Spanish will allow free trade up the \n             Mississippi River and \n             Ohio River ([December 4], 1783).\u003c/p\u003e\n        ","\u003cp\u003eSeveral letters mention slaves and slavery. Among these\n            are: slaves for sale (April 14, 1770; March 21, 1771;\n            September 14, 1771; \u0026amp; June 19, 1811); mention of slave\n            passes, a slave detained on the road for lack of one, and a\n            visit of slaves with the family in \n             Gloucester County, Virginia (July 12,\n            1813); the prices of slaves in the \n             Pearl River area of the \n             Mississippi Territory and prices of\n            hire (November 28, 1816); and a letter from a Quaker, \n             George Boone, of \n             Berks County, Pennsylvania, attempting\n            to verify that \n             James Martin, a black man who claimed\n            to have been born to free parents and wrongly sold as part\n            of Colonel \n             John Baylor's estate, was indeed a\n            free black and not legally owned by \n             Thomas Adams of \n             Orange County, Virginia (August 12,\n            1818).\u003c/p\u003e\n        ","\u003cp\u003eThere is a group of letters between \n             John Baylor, \n             John Frere, and \n             John Baylor's former teacher in \n             England, \n             William Bond, concerning education for\n            his two sons, \n             John Baylor and \n             George Daniel Baylor. This\n            correspondence sheds some light on the attempts of\n            Americans to educate their sons following the Revolution\n            and includes: a discussion of \n             Eton and \n             Rugby and changes that have occurred at\n             Cambridge (August 17, 1793); a\n            suggestion to try \n             Glasgow in \n             Scotland (March 1, 1796); the\n            possibility of using a tutor (February 27, 1797); terms to\n            secure a tutor from \n             England and his opinion of \n             Eton (October 2, 1797); and a\n            suggestion to use an American clergyman for a tutor (June\n            22, 1799 \u0026amp; June 30, 1800).\u003c/p\u003e\n        ","\u003cp\u003eOther subjects mentioned include: the French Revolution\n            (July 2, August 17, and [September 18], 1793); a\n            description of fashions ([September 18], 1793); a\n            description of \n             Warm Springs, \n             Bath County, Virginia (August 26,\n            1805); the career of \n             Napoleon Bonaparte (June 30 \u0026amp; July\n            17, 1800); the settlement of \n             John Baylor's estate (December 26,\n            1801; \u0026amp; January 3, 1804); the \n             Louisiana Purchase (September 17,\n            1803); a woman's viewpoint and thoughts (April 9, 1802);\n            the interdiction of His Majesty's ships from American ports\n            and the War of 1812 (August 29, 1808; March 25, 1812; and\n            July 18, 1813); an excellent discussion of social and\n            economic life in \n             Pearl River, \n             Mississippi Territory (November 28,\n            1816); the financial difficulties of the \n             Baylor family (September 1, 1819; \u0026amp;\n            July 25, 1820); a meteorite falling in \n             Washington, D.C. (March 18, 1821); the\n            celebration in \n             Richmond of the French victory over the\n            Turkish Dey of \n             Algiers (September 13, 1830); the\n            medical studies of \n             John Roy Baylor (January 31, 1842);\n            discussion of \n             George Catlin's book about American\n            Indians and the explorations of \n             John C. Fremont and \n             Charles Wilkes (April 30, 1846); a\n            detailed description of \n             William P. Palmer's trip to \n             Europe (October 30, 1865); and the\n            voyage of Presbyterian missionary \n             E. Lanc[aster] to \n             Rio De Janeiro (August 26, 1869).\u003c/p\u003e\n        ","\u003cp\u003eEvents during the Civil War period are represented by\n            the following: \n             William P. Palmer's comments\n            concerning \n             John Brown's raid at \n             Harper's Ferry and the preparations for\n            his hanging (November 22 \u0026amp; December 1, 1859); the\n            struggle for possession of the \n             Fredericksburg Water Power\n            Company (March 17 \u0026amp; November 3, 1863; \u0026amp;\n            September 5, 1865); the building of \n             Confederate stables and cabins for a\n            camp in \n             Louisa near the gold mines of \n             Louisa County's \n             Walnut Grove and \n             Slate Grove, formerly owned by Yankee\n            speculators (December 30, 1863); requests for donations of\n            flour and foodstuffs for soldiers (February 25, 1865); and\n            the assassination of \n             Abraham Lincoln deplored (April 25,\n            1865). Related topics include the mention of seeing \n             Robert E. Lee at \n             White Sulpher Springs, West\n            Virginia (August 17, 1867) and a letter from \n             Henry Stephens Randall declining to\n            visit the Old Dominion until the scars of the Civil War are\n            healed (n.d.).\u003c/p\u003e\n        ","\u003cp\u003eOther post-Civil War subjects include: racial tensions\n            (August 11, 1878) and the \n             Richmond riots during which a white\n            policeman was killed in \n             Old Market Hall (March 20, 1870); \n             John Roy Baylor's assurances that his\n            black tenant farmers were not involved in the violence in \n             Caroline County (n.d.); life in \n             St. Louis, Missouri (September \u0026amp;\n            July 3, 1873); a description of a shoot-out in \n             Uvalde County, Texas (May 10, 1881);\n            the black vote during Reconstruction in \n             Virginia (October 28, 1889); mention of\n             Micajah Woods, the \n             University of Virginia, and \n             Monticello (October 21, 1887); and the \n             Richmond, Fredericksburg, \u0026amp; Potomac Railroad\n            Company (March 21, 1873; \u0026amp; May 20, 1881).\u003c/p\u003e\n        ","\u003cp\u003eLetters containing genealogical information include the\n            following families: the \n             Norton family (June 22, 1828); \n             Robert Baylor's (August 14, 1828); the\n             Frere family (June 28, 1872 \u0026amp; n.d.);\n            the \n             Roy family (March 21, 1887 \u0026amp; January\n            8, 1885); the \n             Braxton family (April 20, 1810); the \n             Baylor family (February 20, 1895); and\n            the \n             Texas \n                Baylor family (April 28 \u0026amp; May 2,\n            1894).\u003c/p\u003e\n        ","\u003cp\u003eFor a list of individual correspondents, please consult\n            the \n             Baylor family sliplist.\u003c/p\u003e\n        ","\u003cp\u003eThe next series of papers contain the legal and\n            financial papers of the \n             Baylor family. These include: the\n            amnesty papers of Dr. \n             John Roy Baylor (1865); land plats and\n            surveys (1701-1841) of \n             Virginia lands in \n             King William County, \n             King and Queen County, \n             Spotsylvania County, \n             Caroline County, \n             Pocahontas County, and \n             Orange County, many of which were done\n            by surveyor, \n             James Taylor; and other legal\n            documents such as indentures, bonds, deeds, land grants,\n            and bills of complaint. Items of special note are: copies\n            of land grants signed by \n             Alexander Spotswood (July 20, 1722) and\n             Hugh Drysdale (July 16, 1726); a list\n            of named slaves sold to \n             John Baylor (December 12, 1751);\n            charges against \n             Philip Easter, overseer for \n             John Baylor, particularly for\n            \"constantly driving of the Negroes for which I paid a great\n            deal of tobacco,\" especially old \n             Sarah, a midwife (ca. 1757); agreement\n            of \n             John Hatley Norton to buy \n             John Baylor's tobacco (December 12,\n            1776); a water lot rental (June 12, 1794); articles of\n            agreement concerning a grist mill in \n             Caroline County (June 18, 1813); the\n            pardon of \n             John Crowley signed by \n             James Madison and \n             James Monroe (September 11, 1815); an\n            indenture of 1820 with named slaves; a schedule of property\n            with a named slave (December 17, 1822); an agreement\n            concerning a mill with \n             P. Harrison as the miller (1831); a\n            certificate of exemption from active service in the \n             Confederate Army as an agriculturalist\n            (November 10, 1864); and a copy of a receipt concerning\n            work done on a gravel pit for the \n             Richmond, Fredericksburg, \u0026amp; Potomac\n            Railroad (June 2, 1870).\u003c/p\u003e\n        ","\u003cp\u003eThis series also contains copies of the wills of \n             John Baylor (1705-1772), dated February\n            19, 1770, and \n             Frances Baylor (1760-1815), dated June\n            12, 1815, both mentioning family slaves by name.\u003c/p\u003e\n        ","\u003cp\u003eThe financial papers of the \n             Baylor family contain six small account\n            books, 1859-1870, listing payment to hired hands, one of\n            which contains the \n             Tiverton Farm Stockbook (1866); bank\n            statements; a farm book for the \n             Greenwood Farm; \n             John Baylor's receipt book, 1792-1795,\n            which mentions Negroes purchased (December 5, 1790), \n             George Baylor's estate (February 17,\n            1792), and Negroes sold (February 23, 1795); and other\n            miscellaneous financial papers.\u003c/p\u003e\n        ","\u003cp\u003eTopics in the financial papers include the following: an\n            account with \n             Donald Robertson for \n             Robert Baylor and \n             Walker Baylor's schooling (April 1,\n            1772); Colonel Braxton's smith works (April 1736); the \n             Rappahannock River Forge belonging to \n             James Hunter (March 31, 1784); tobacco\n            accounts (1775-1776; 1782; June \u0026amp; August 1782, October\n            2, 1789; February 24, 1784; March 19 \u0026amp; December 11,\n            1875; and n.d.); horses and racing (January 16, 1741; July\n            11, 1777, May 29, 1767; November 15, 1774; April 1, 1756;\n            and list of horses, n.d.); an account for carpenter and\n            house work [1726]; an account with the \n             Swan Tavern (September 23, 1815); the\n            settling of \n             John Baylor's estate (1750-1808)\n            (January 5, 1812; May 29, 1811; October 27, 1812; September\n            10, 1815; October 2, 1819; June 1, 1821; August 3, 1821;\n            and n.d.); medical accounts (April 12, 1830); corn and meal\n            from \n             John Baylor's mill (January 1, 1830);\n            and a blacksmith account (January 1, 1875).\u003c/p\u003e\n        ","\u003cp\u003eThere are also accounts with the \n             Confederate government (November 14\n            \u0026amp; 24, \u0026amp; December 12, 1863; March 24 \u0026amp; May 3,\n            1864; and February 4, 1865) and many concerning slaves and\n            slavery.\u003c/p\u003e\n        ","\u003cp\u003eThese include: duty paid on Negroes (1742-1744); claim\n            for payment for capturing and placing \n             John Baylor's runaway slave in the \n             Spotsylvania goal (April 16, 1744); the\n            sale of \n             George Baylor's slaves (November 28,\n            1786); slaves for hire (December 26, 1805; June 15, 1814);\n            hire of \" \n             Ned \" as a mason (October 2, 1814);\n            clothing for Negroes (1814); grog for servants (September\n            23, 1815); bills of sale for unnamed slaves (June 11,\n            1847); \n             Mary and daughter \n             Elizabeth (September 4, 1848); \n             Miles (February 20, 1849); \n             Pompey (June 11, 1847); slave boy, \n             Frank (January 15, 1851); \n             Kitty Brook and \n             Fanny (December 28, 1853); \n             George Cooper (June 18, 1857); and\n            slave hire (April 30, 1859 \u0026amp; ca. 1854).\u003c/p\u003e\n        ","\u003cp\u003eThe miscellaneous series contains a diary (1780) of \n             John Baylor 1750-1808) describing a\n            journey from \" \n             Newmarket \" to \n             Warm Springs, \n             Augusta County, Virginia, and\n            mentioning Dr. \n             [Thomas ?] Walker and his son, \n             Thomas Walker, of \n             Albemarle County, Virginia, and \n             John Baylor's \n             Orange plantations; genealogical\n            material pertaining to the \n             Roy family, \n             Baylor family, and \n             Norton family, and including\n            biographical sketches of \n             Mungo Roy and \n             John Baylor (1750-1808); a \"History of\n            the Early Church in Virginia\"; several literary\n            compositions by \n             Maria Roy Baylor; and a memorandum\n            book of \n             John Baylor (1750-1808) which describes\n            the beginning of his voyage on the Potomack (October 1775)\n            and furnishes a description of saltworks at \n             Portsmouth, [England] (1778).\u003c/p\u003e\n        ","\u003cp\u003eOther material in this series includes military papers,\n            miscellaneous papers, newsclippings, and loose photographs.\n            Thirteen of the items in the military papers pertain to\n            Colonel \n             John Baylor (1705-1772) and the \n             Caroline militia, who served under\n            Colonel \n             George Washington in the construction\n            of a fort at \n             Winchester, Virginia, during the\n            French and Indian War, 1756-1757, and consist of company\n            returns, orders for payment, and receipts for payment.\u003c/p\u003e\n        ","\u003cp\u003eThe rest of the military papers consist of Revolutionary\n            War material, relating to \n             George Baylor, aide-de-camp to General\n             George Washington, 1775-1777, and\n            Commander of the \n             Third Regiment of Light Dragoons, and\n            the papers about clothing, arms, and other supplies,\n            regimental finances, roster of officers, and weekly returns\n            of the regiment. Among these papers are: a copy of a letter\n            from General Burgoyne to Colonel Phillipson concerning\n            military conditions and discussing his ill-fated \n             Saratoga campaign (October 20, 1777); a\n            mention of \n             George Baylor's upcoming marriage\n            (February 4, 1778); \n             B. Dade's request to be exchanged as a\n            prisoner of war (February 1779); monies owed for supplies\n            to \n             James Hunter with an itemized account\n            (October 12 \u0026amp; November 1, 1779); the problems and\n            arrangements involved in outfitting the regiment (February\n            4, June 6 \u0026amp; 12, 1778; October 13, 1780; October 26,\n            1781 [2 letters]; November 2, 1781; April 3 \u0026amp; August\n            14, 1782); the difficulty of working with the \"financier \n             Robert Morris \" (October 13, 1780); an\n            outbreak of smallpox in the \n             Third Regiment at \n             Petersburg, Virginia (November 25,\n            1781); and an order for a review of the \n             Continental army for July 4, 1782. A\n            final item is a general order for a discharge from the \n             4th Regiment of \n             Virginia militia during the War of 1812\n            (April 10, 1814). For a list of individual correspondents,\n            please consult the original list in the control folder.\u003c/p\u003e\n        ","\u003cp\u003eThe miscellaneous folder contains the following: a\n            printed score sheet for archery (July 4, 1771); a list of\n            books, probably from the library of \n             John Baylor [ca. 1800 ?]; notes\n            concerning Blackstone's law; a pamphlet, \"The Lewis and\n            Clark Expedition,\" by \n             Grace Flandrau (n.d.); an oath to \"our\n            Sovereign Lord King George\" (n.d.); and a parochial report,\n             Emmanuel Church, \n             Greenwood Parish, Reverend \n             W.M. Nelson, Rector (n.d.).\u003c/p\u003e\n        ","\u003cp\u003eThe newsclippings, 1921-1933, concern \n             University of Virginia events, news of\n            the \n             Ivy area, the \n             Lewis Association of America, the \n             Lewis family, and historical\n            articles.\u003c/p\u003e\n        ","\u003cp\u003eThe loose photographs, mostly unidentified, include:\n            Mrs. Rutherford's children, \n             Rosa Rutherford, \n             Charles Frere and \n             Douglas Frere, possible photographs of\n            \" \n             Newmarket, \" and \n             University of Virginia professors.\u003c/p\u003e\n        ","\u003cp\u003eThe notebooks and bound volumes series contains the\n            following: a photograph album; school notebooks of \n             Maria Roy Baylor, \n             Frank Blackford, and \n             James B. Baylor; an expense book; two\n            scrapbooks of newsclippings; and the \n            \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLetters of Junius,\u003c/title\u003ehand\n            copied by \n             John Baylor (1769-1771).\u003c/p\u003e\n        ","\u003cp\u003eThose volumes belonging to Dr. \n             John Roy Baylor include: a genealogical\n            and historical notebook (1872); a medical notebook and farm\n            expense book which records a controversy with the \n             Clayton family over slaves (1847-1851); a\n            farm account book, 1856-1892, with accounts with the \n             Fredericksburg Water Power Company, a\n            servant's account (June-August, 1865), and reports of wheat\n            crops; an account book with grape expenses, sheep\n            memorandum, apple accounts, and a mill account (1868-1874);\n            and another farm book with an account with the \n             Bowling Green Tanning Yard, and slave\n            hire records with named slaves (1847-1868).\u003c/p\u003e\n        ","\u003cp\u003eThe photograph album, apparently given to \n             John Roy Baylor by his granddaughter on\n            Christmas of 1887, contains photographs of the following: \n             Rosa Seddon Rutherford (1891 \u0026amp;\n            n.d.); \n             Helen Rutherford Johnson; \n             James B. Baylor; \n             Frances Starke Bowen, of \" \n             Mirador, \" \n             Albemarle County (1886); \n             Fanny Courtenay Baylor (1886); the\n            mother of \n             Fanny Courtenay Baylor; a portrait of\n            Colonel \n             George Armistead; \n             Roy Ellerson Massie; General \n             Lewis Armistead (killed at \n             Gettysburg ); \n             Maria Roy Baylor; \n             Eloise Baylor (1885); \n             Julia Howard Baylor; and \n             John Roy Baylor.\u003c/p\u003e\n        ","\u003cp\u003eThe series containing the papers of \n             James B. Baylor and the \n             United States Coast and Geodetic\n            Survey consists of the financial records of the\n            survey teams led by \n             John Baylor, circular letters from the\n            home office in \n             Washington, D.C., the official\n            correspondence and reports of \n             John Baylor, photographs, printed\n            material, \n             United States government property\n            inventories, and bound volumes.\u003c/p\u003e\n        ","\u003cp\u003e\n                James Bowen Baylor (1849-1924)\n            graduated with an engineering degree from the \n             University of Virginia in 1872 and was\n            appointed an aid in the \n             United States Coast and Geodetic Survey\n            Department in 1874, continuing to work as a field\n            agent throughout his career. His many assignments included:\n            the determination of the elements of earth's magnetism from\n             Canada to \n             Mexico; the survey of oyster grounds\n            in \n             Louisiana and \n             Virginia, 1889-1894; his appointment\n            as a Commissioner of the \n             United States Supreme Court to settle\n            the \n             Virginia - \n             Tennessee boundary line dispute,\n            establishing it in the middle of Main Street, \n             Bristol, 1900-1902; and also the\n            establishment of boundaries between \n             Virginia and \n             Maryland, \n             New York and \n             Pennsylvania, and the \n             United States and \n             Canada.\u003c/p\u003e\n        ","\u003cp\u003eThe Oyster Industry Protection Correspondence contains\n            much correspondence from \n             William Ellinger of \n             Fox Island, Virginia, who describes\n            himself as an oyster planter. Printed material consists of\n            death notices for \n             United States Coast and Geodetic\n            Survey men, \n             Richard D. Cutts and \n             Benjamin Peirce (1880\u0026amp; 1883), and\n            three pamphlets concerning the \n             United States and Canadian boundary,\n            the oyster laws of \n             Virginia, and a \n             Virginia Military Institute valedictory\n            address by \n             Edward Hutson Russell.\u003c/p\u003e\n        ","\u003cp\u003eOversize items include a survey of the lands of \n             John Roy Baylor (June 1847),\n            photographs of the \n             United States Coast and Geodetic\n            Survey, and a printed plan of the fairgrounds of\n            the \n             Virginia State Agricultural Society, \n             Richmond, 1854.\u003c/p\u003e\n        ","\u003cp\u003eThe three \n             Baylor family ledgers, 1719-1755, contain\n            many references to the purchase of slaves (see\n            addendum).\u003c/p\u003e\n      ","\u003cscopecontent\u003e\n        \u003chead\u003eADDENDUM RE THE BAYLOR LEDGERS\u003c/head\u003e\n        \u003cp\u003eThe three \n             Baylor family ledgers contain many\n            references concerning tobacco exports, the purchase of\n            merchandise, work done on various ships, and slaves, which\n            at times had their place of origin noted, as in \" \n             Madigaschar woman,\" \"man of \n             Callabar, \" and \" \n             Barbadoes negro.\" The accounts of the\n            first two ledgers are indexed in the front of the\n            volumes.\u003c/p\u003e\n        \u003cp\u003eReferences to slavery occurring in volume one include\n            the following pages: 12, 13, 15, 17, 22-24, 26, 28, 35, 37,\n            39, 47, 49, 64-66, 68, 70-71, 77, 80-81, 83, 92-93,\n            101-102, 113-114, 127, 130, 134, 166, \u0026amp; 175. References\n            to slavery in volume two include: 10, 16, 30, 34, 56,\n            63-64, 74, 86, 88, 102, 115, 123, 134, 183, \u0026amp; 207.\n            Volume three pages include: 40, 71, 124, 130, 132, 135,\n            146, 148, 152-153, \u0026amp; 155.\u003c/p\u003e\n        \u003cp\u003eOccasionally the names of the slave ships and other\n            vessels are recorded in the ledgers with notes on the\n            contents purchased from them. These, along with their\n            volume and page number, are listed below.\u003c/p\u003e\n        \u003cp\u003e\n                Ann \u0026amp; Sarah 1.96, 139, 150, \u0026amp;\n            155\u003c/p\u003e\n        \u003cp\u003e\n                Berkeley 1.38, 64, 71, 98, 121, 149,\n            \u0026amp; 167; \u0026amp; 2.50\u003c/p\u003e\n        \u003cp\u003e\n                Betty 1.94\u003c/p\u003e\n        \u003cp\u003e\n                Callabar 1.39, 68, \u0026amp; 98; \u0026amp;\n            2.96, 111, 136\u003c/p\u003e\n        \u003cp\u003e\n                Greyhound 1.23, 37, 38, 65, 92, \u0026amp;\n            96; \u0026amp; 2.4, 54, \u0026amp; 97\u003c/p\u003e\n        \u003cp\u003e\n                Hunter 1.68\u003c/p\u003e\n        \u003cp\u003e\n                Little John 1.9, 10, 12, 25, \u0026amp; 75;\n            \u0026amp; 2.116 \u0026amp; 136\u003c/p\u003e\n        \u003cp\u003e\n                Little York 2.124\u003c/p\u003e\n        \u003cp\u003e\n                Lucy 1.94 \u0026amp; 149\u003c/p\u003e\n        \u003cp\u003e\n                Mattapony Pink 1.9, 33, 94, 99, 135,\n            145, 158, 180, \u0026amp; 185\u003c/p\u003e\n        \u003cp\u003e\n                Nassopenex Sloop 1.2, 5, 38, \u0026amp;\n            75\u003c/p\u003e\n        \u003cp\u003e\n                Parnel Galley 2.22\u003c/p\u003e\n        \u003cp\u003e\n                Prince Eugene 1.139, 150, \u0026amp;\n            162-164\u003c/p\u003e\n        \u003cp\u003e\n                Twerton 1.15, 39, 103, \u0026amp; 2.90\u003c/p\u003e\n        \u003cp\u003eOther entries include: the Iron Mine Adventurers 1.1\n            \u0026amp; 1.11; horses 1.28; the \n             Germana mines 2.188; \n             John Baylor's estate 2.73 \u0026amp; 131;\n            quitrents for land in \n             Caroline County, \n             Spotsylvania County, \n             Orange County, and \n             King and Queen County 2.34 \u0026amp; 79;\n            and doctor and midwife accounts 3.120-121, 142, \u0026amp; 149.\n            Volume three also has many references to the manufacture\n            and repair of hardware, utensils, and agricultural\n            equipment. In addition, at the end of the last volume,\n            there is a list of memoranda concerning agreements and\n            contracts of \n             John Baylor, a memorandum of slaves\n            sold off \n             W. Lyde's plantation (November 30,\n            1742) and a list of all the Negroes belonging to Baylor in\n            1744.\u003c/p\u003e\n      \u003c/scopecontent\u003e\n    ","\u003cp\u003eThe three \n             Baylor family ledgers contain many\n            references concerning tobacco exports, the purchase of\n            merchandise, work done on various ships, and slaves, which\n            at times had their place of origin noted, as in \" \n             Madigaschar woman,\" \"man of \n             Callabar, \" and \" \n             Barbadoes negro.\" The accounts of the\n            first two ledgers are indexed in the front of the\n            volumes.\u003c/p\u003e\n        ","\u003cp\u003eReferences to slavery occurring in volume one include\n            the following pages: 12, 13, 15, 17, 22-24, 26, 28, 35, 37,\n            39, 47, 49, 64-66, 68, 70-71, 77, 80-81, 83, 92-93,\n            101-102, 113-114, 127, 130, 134, 166, \u0026amp; 175. References\n            to slavery in volume two include: 10, 16, 30, 34, 56,\n            63-64, 74, 86, 88, 102, 115, 123, 134, 183, \u0026amp; 207.\n            Volume three pages include: 40, 71, 124, 130, 132, 135,\n            146, 148, 152-153, \u0026amp; 155.\u003c/p\u003e\n        ","\u003cp\u003eOccasionally the names of the slave ships and other\n            vessels are recorded in the ledgers with notes on the\n            contents purchased from them. These, along with their\n            volume and page number, are listed below.\u003c/p\u003e\n        ","\u003cp\u003e\n                Ann \u0026amp; Sarah 1.96, 139, 150, \u0026amp;\n            155\u003c/p\u003e\n        ","\u003cp\u003e\n                Berkeley 1.38, 64, 71, 98, 121, 149,\n            \u0026amp; 167; \u0026amp; 2.50\u003c/p\u003e\n        ","\u003cp\u003e\n                Betty 1.94\u003c/p\u003e\n        ","\u003cp\u003e\n                Callabar 1.39, 68, \u0026amp; 98; \u0026amp;\n            2.96, 111, 136\u003c/p\u003e\n        ","\u003cp\u003e\n                Greyhound 1.23, 37, 38, 65, 92, \u0026amp;\n            96; \u0026amp; 2.4, 54, \u0026amp; 97\u003c/p\u003e\n        ","\u003cp\u003e\n                Hunter 1.68\u003c/p\u003e\n        ","\u003cp\u003e\n                Little John 1.9, 10, 12, 25, \u0026amp; 75;\n            \u0026amp; 2.116 \u0026amp; 136\u003c/p\u003e\n        ","\u003cp\u003e\n                Little York 2.124\u003c/p\u003e\n        ","\u003cp\u003e\n                Lucy 1.94 \u0026amp; 149\u003c/p\u003e\n        ","\u003cp\u003e\n                Mattapony Pink 1.9, 33, 94, 99, 135,\n            145, 158, 180, \u0026amp; 185\u003c/p\u003e\n        ","\u003cp\u003e\n                Nassopenex Sloop 1.2, 5, 38, \u0026amp;\n            75\u003c/p\u003e\n        ","\u003cp\u003e\n                Parnel Galley 2.22\u003c/p\u003e\n        ","\u003cp\u003e\n                Prince Eugene 1.139, 150, \u0026amp;\n            162-164\u003c/p\u003e\n        ","\u003cp\u003e\n                Twerton 1.15, 39, 103, \u0026amp; 2.90\u003c/p\u003e\n        ","\u003cp\u003eOther entries include: the Iron Mine Adventurers 1.1\n            \u0026amp; 1.11; horses 1.28; the \n             Germana mines 2.188; \n             John Baylor's estate 2.73 \u0026amp; 131;\n            quitrents for land in \n             Caroline County, \n             Spotsylvania County, \n             Orange County, and \n             King and Queen County 2.34 \u0026amp; 79;\n            and doctor and midwife accounts 3.120-121, 142, \u0026amp; 149.\n            Volume three also has many references to the manufacture\n            and repair of hardware, utensils, and agricultural\n            equipment. In addition, at the end of the last volume,\n            there is a list of memoranda concerning agreements and\n            contracts of \n             John Baylor, a memorandum of slaves\n            sold off \n             W. Lyde's plantation (November 30,\n            1742) and a list of all the Negroes belonging to Baylor in\n            1744.\u003c/p\u003e\n      "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu00032_c02_c07"}},{"id":"viu_repositories_3_resources_949","type":"collection","attributes":{"title":"Barrett Minor Literary collection, 1802/1944","creator":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_949#creator","type":"document_value","attributes":{"value":"Barrett, Clifton Waller, 1901-1991","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_949#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eMcDonell asks the merchants to forward his enclosed letters (not present) to Lord Selkirk and two to New York.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_949#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_949","ead_ssi":"viu_repositories_3_resources_949","_root_":"viu_repositories_3_resources_949","_nest_parent_":"viu_repositories_3_resources_949","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_949.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/143186","title_filing_ssi":"Clifton Waller Barrett Minor Literary collection","title_ssm":["Barrett Minor Literary collection"],"title_tesim":["Barrett Minor Literary collection"],"unitdate_ssm":["1802-1944"],"unitdate_inclusive_ssm":["1802-1944"],"normalized_date_ssm":["1802/1944"],"normalized_title_ssm":["Barrett Minor Literary collection, 1802/1944"],"text":["Barrett Minor Literary collection, 1802/1944","MSS 16460","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/949","Poets","authors","dramatists","American Literature--19th Century--History and Criticism","American Literature--20th Century--History and Criticism","This collection is open for research.","McDonell was a Scottish Roman Catholic Bishop in Canada (deceased 1840). He was the first Roman Catholic Bishop of Kingston, Ontario, Canada. He attended Scots College at Paris and Valladolid; and was ordained a priest in 1787. He returned to Scotland and spent five years as a priest at Braes of Lochaber. He was the first Catholic chaplain in the British Army since the Reformation, as part of the Glengarry Light Infantry Fencibles Regiment.  In 1804, he appealed to the Government to give the men a tract of land in Glengarry, Canada.  Later in life he established Churches, schools and the Regiopolis College in Kingston. He died in Dunfries, Scotland in 1840.","Marian Griswold Nevins MacDowell (1857-1956) was an American pianist and philanthropist. Marian and her husband, Edward MacDowell, an American composer, founded an artist retreat in Peterboro, New Hampshire, in 1907.","Mrs. Will Owen Jones, the pianist Edith M. Doolittle, was the wife of a newspaper editor in Lincoln, Nebraska.","William Osborne McDowell (1848-1927) was a financier and businessman who founded many patriotic organizations including the Sons of the American Revoltion. He was also the Chairman of the Columbian Liberty Bell Committee, which sent a replica of the Liberty Bell on tour in the United States.","John McGill (1809-1872) was the Roman Catholic bishop of the Diocese of Richmond, Virginia, from 1850-1872, and editor of the \"Catholic Advocate.\"","Philo Norton McGiffin (1860-1897) was an American naval officer who later served in the Chinese naval service as an advisor during the First Sino-Japanese War, and participated in the \"Battle of the Yellow Sea.\" He was also the first American to command a modern battleship in wartime.","John Thomas McIntyre (1871-1951) was an American playwright and novelist from Philadelphia, known for mystery and crime fiction during the Golden Age.","Oscar Odd McIntyre (1884-1938), born in Plattsburg, Missouri, was a New York newspaper columnist in the 1920s and 1930s, well-known for his daily column \"New York Day by Day.\"","Edwin Carty Ranck (1879-1957), born in Lexington, Kentucky, was a journalist and poet who wrote for the \"New York Times\" at one point.","Samuel Roy McKelvie (1881-1956) was the Governor of Nebraska 1919-1923. He was the editor of \"Nebraska Farmer\" beginning in 1905 but became principal owner and publisher of that paper in 1908, continuing as publisher after his terms as governor.","Will Owen Jones (1862-1928) was a newspaper editor, who worked for the \"Nebraska State Journal\" becoming the managing editor in 1892. He was married to pianist Edith M. Doolittle and they had one child, Mariel Jones.","William B. McKinley (1856-1926) served as United States Representative and Senator from Illinois as a member of the Republican Party. He was also a the chief executive of the Illinois Traction System (electric railway).","F.E.M. Cole was the Western Advertising Manager, \"McClure's Magazine,\" Chicago, Illinois.","Ellen MacKubin was a fiction writer, born in Chicago, Illinois. Her sister was the artist, Florence MacKubin.","Mary MacLane (1881-1929) was a controversial Canandian-born American writer and motion picture actress whose reputation as an openly bisexual vocal feminist plus her frank autobiographical writing, earned her the title of \"Wild Woman of Butte.\"","John O'Hara Cosgrove (1866-?), born in Melbourne, Australia, worked as a reporter for \"The San Francisco Call\" (1887-1890) and eventually became the editor of the \"New York Sunday World Magazine\" and \"Everybody's Magazine.\"","Edward A. McLaughlin (1798-1861) was a poet born in Stanford, Connecticut and served in the United States Navy. He wrote  \"The Lovers of the Deep\".","MacLean, born in Rockville, Connecticut, was an educator, with advanced degrees from Yale and Leipzig, a pastor, and a Professor of English Language and Literature, University of Minnesota (1883-1895), and Chancellor of the University of Nebraska.","Louis Mantell was Deputy Consul in Belfast, Ireland, at the this time.","Charles Wainwright March (1815-1864), a journalist and essayist, was the author of \"Daniel Webster and His Contemporaries\" and \"Reminiscences of Congress.\"","George Perkins Marsh (1801-1882), American diplomat and philogist, born in Woodstock, Vermont, who spoke over twenty languages. He also served in the United States House of Representatives and practiced law in Burlington, Vermont.","Marguerite Mooers Marshall (1887-1964) American writer born in Kingston, New Hampshire, attended Tufts College, and was married to Sydney Walters Dean. She was a journalist for the \"New York Evening World\" and other newspapers and authored at least thirteen novels.","Joseph William Martin, Jr. (1884-1968) was a Republican member of the United States House of Representatives from 1925-1967, and Speaker of the House from 1947-1949 and 1953-1955.","Caroline Atwater Mason (1853-1939) was an American novelist and travel writer, born in Providence, Rhode Island, and married clergyman, John H. Mason in 1877. She authored at least five novels.","Mary Augusta Mason was a poet born in Windsor, New York, in 1861. She had poems in various anthologies and published at least one book, \"With the Seasons.\"","Walt Mason (1862-1939), a popular humorist, was born in Columbus, Ontario, Canada, but came to the United States for newspaper work in 1880. He worked for \"Atchison Globe,\" the \"Nebraska State Journal,\" and the \"Washington Evening News. In 1893, Mason married Ella Foss (1861-1936).","Later he was associated with William Allen White at the publication, \"Emporia Gazette.\" He authored \"Rhymes of the Range\" and \"Uncle Walt\" and his columns \"Rippling Rhymes\" and \"Poetic Philosophy\" appeared in numerous newspapers.","From 1921 until their deaths, Walt and Ella Foss Mason lived in La Jolla, California.","Frederic Massor was a French author who apparently penned two works about Napoleon, \"Napolean at Home\" and \"Napoleon and the Women of his Court.\"","Lucy Blanche Lyttelton Masterman (1884-1977) was a British poet and diarist who jointed the Fabian Society. In 1908, she was married to Charles Masterman, a member of parliament. She published several books of poems, \"A Book of Wild Things,\" \"Lyrical Poems,\" and \"Poems.\" She also co-authored \"Wives of the Prime Ministers 1844-1906\" and wrote a biography of her husband. She was politically active in the Liberal Party and made a strong showing in several elections but did not win.","Frances Aymar Mathews (1865-1925) was an American playwright and novelist born in New York City, who was known for her play \"Pretty Peggy.\" She began her career writing for magazines like \"Harper's Bazaar.\" She also wrote historical romances, \"My Lady Peggy Goes to Town\" and \"My Lady Peggy Leaves Town.\"","Charles Robert Maturin (1780-1824) was an Irish Protestant clergyman in the Church of Ireland who wrote Gothic plays and novels, best known for \"Melmoth the Wanderer.\" He was born in Dublin and attended Trinity College.","Fontaine Maury (1761-1824), born in Albemarle County, Virginia, was a private secretary to President Monroe and later the first clerk of the Navy Department. When he left government service, Maury became a merchant and mayor in Fredricksburg, Virginia.","Information derived from Brian Nilsson, Librarian of the Fontaine Maury Society.","William Babington Maxwell (1866-1938) was a British novelist and playwright who married Sydney Constance Brabazon in 1906. He served in World War I in the Royal Fusiliers until 1917, as a Regimental Transport Officer, which he wrote about in his autobiography \"Time Gathered.\" He served as the chairman of both the Society of Authors and the National Book Council. Maxwell wrote around 38 novels, plus short stories and plays.","William Orton Tewson (1877-1947) was an editor and literary critic.","Samuel Joseph May (1797-1871) was an American Unitarian minister and reformer from Syracuse, New York, who attended Harvard University. In 1825, he married Lucretia Flagge Coffin and had five children. He was active in abolition, educational reform, and women's rights movements. He also began and edited a biweekly, \"The Liberal Christian.\"","Katherine Mayo (1867-1940) was an American historian and nativist who opposed non-white and Catholic immigration to the United States and supported sterotypes of African Americans. Her best know work was \"Mother India\" which deeply critized Indian society and culture.","McDonell asks the merchants to forward his enclosed letters (not present) to Lord Selkirk and two to New York.","Congratulates Mrs. Owens upon her daughter's success in playing the MacDowell concerto (July 22, 1918). Marian MacDowell apologizes for not responding to the receipt of Owen's fine program due to circumstances and overwork, since it always pleases her to see the \"Keltic\"on a program and she admired the way she divided the songs from the piano numbers (1922 December 27). The later letter is accompanied by a pamphlet, \"The Peterborough Colony\" by Hermann Hagedorn. Both letters have envelopes.","McDowell writes to McClure about his work on the production of the Columbian Liberty Bell Committee and his address before the National Peace Congress at Mystic, Connecticut, \"American Liberty and the World's Destiny.\"","McGill sends a letter of sympathy upon the death of the recipient's mother, mentioning her exemplary life, her virtues, and her fidelity in service of God.","McGiffin sends a proposal for an article describing the naval action during the \"Battle of the Yellow Sea (1894)\" involving two Chinese vesssels, the \"Kwang-Yi\" and Tsao-kiang, which were intercepted and attacked by three powerful Japanese cruisers. He was on the Court of Inquiry to determine who was to blame for this action which was fought before war was declared and had in his possession copies of all the evidence and photographs of the damages.","This was the final paragraph of an article \"Our Quinzaine at La Salette\" by McIlvaine published in \"The Atantic\" October 1894 issue.","McIntyre responds to Chapman's question about baseball stories, saying he had only written three of that type, all of which were short stories (April 30, 1923). He also writes that Chapman's letter about his book, \"Shot Towers,\" has arrived.  But since \"there are some motion picture matters pending for this book, and as they may have a book up with the second serial rights I feel I'd better take no action toward placing them as yet\" (December 6, 1926?).","McIntyre asks Mr. Tewson if he could review Roy Helton's book \"The Early Adventures of Peacham Grew\" which is coming out next month (published in 1925) since he was a \"great plugger for this story in manuscript.\"","McIntyre has received his letter and heard of Ranck's success with interest. He will have the publisher send him an autographed book soon, but it went into a third printing after being sold out. May be writing about \"White Light Nights\" published in 1924. McIntyre has just returned from Europe and plans to go back briefly in three weeks.","The letter from McKelvie designates Jones as a delegate to the Tercentenary Celebration of the Landing of the Pilgrims at Plymouth to be held on December 21 (November 24, 1920). Unfortunately, there were no funds to pay his expenses.","The certificate signed by McKelvie appointed Will Owen Jones to the General Committee on the Tercentary Celebration of the Landing of the Pilgrims (May 25, 1920), with envelope.","McKinley writes of the receipt of Cole's letter about the proposed increase in postage rates and promises to carefully consider his views.","One manuscript contains part of the concluding paragraph which tells of a meeting of officers at the Colonel's Quarters where a \"brilliant young soldier's fault was tenderly condoned and where every man enshrined in his memory an ideal of a soldier's wife and the Colonel returned Dick's sword to him.\" Published as \"His Honor\" in \"The Atlantic\" October 1894 issue.","The other manuscript's concluding sentence says, \"She has made him bring back to us what we want\" Zenith  City said, \"Let her take away what she wants.\" This was published in \"The Atlantic\" as \"A Life Tenant\" in the July 1897 issue.","MacLane writes Cosgrove while wintering in St. Augustine, Florida, where she is writing her third book and describes the beauty of the area. She also mentions meeting and dining with the writer, Miss Clara Elizabeth Laughlin (1873-1941), at the Touraine. She says that every time she sees a copy of \"Everybody's Magazine\" his statement to her \"I didn't think you were so artificial as you are\" still rankles.","Asks McClure if he will consider any of his literary work for publication and encloses a short story as a speciman for his examination.","March asks his friend to write him at Portsmouth, New Hampshire and hopes he will be able to review his book for the \"Waterford Independent.\"","Marsh recommends Donald G. Mitchell, author of \"Fresh Gleanings,\" a recent volume of European Travels, as one who would be likely to accept an invitation to lecture his association.","The Walt Mason materials include:","Folder 30: A signed short poem beginning \"If days were always sunny\" on the back of a postcard in color with a picture of Walt's home in Emporia, Kansas (undated)","Folder 31: A signed typewritten one page manuscript of the poem, \"Bix\" (undated)","Folder 32: Typed letter signed, 1 page, from Walt Mason to Will Owen Jones, \"The State Journal\" (1912 June 20) with envelope; Mason sent a check for the sum he thought he owed Jones, but admitted his life at the time prevented a very accurate accounting. He also admitted that \"it was the most fortunate day of my life when I got next to W.A. White. He gave methe right sort of encouragement and got some ambition stirred up in me.Since the luck turned things have come my way with a rush.\"","Folder 33: Typed letter signed, 1 page, from Walt Mason to Will Owen Jones, \"The State Journal\" (1918 September 3) with envelope, Walt Mason described the positive impact of his article in \"American Magazine\" called \"Down and Out at Forty-Five.\"","Folder 34: Signed autograph note  on the back of a photograph postcard of Walt Mason's residence in La Jolla, California (1927 May 23)","Folder 35: Signed typed letter, 1 page, from Walt Mason to Will Owen Jones, with envelope (1927 June 7); He was pleased with the way his article appeared and he asked for five copies to be sent to him.","Folder 36: Signed typed letter, 1 page, from Walt Mason to an unidentified correspondent, but possibly Will Owen Jones (1927 July 8), in which he expressed his appreciation for the Anniversary number.","Folder 37: Signed postcard, La Jolla Cliffs, California, from Walt Mason to Will Owen Jones, \"The Journal\" Lincoln, Nebraska, informing him that he will be at La Jolla through the summer, at least (1920 May 10).","Folder 38: Signed (with initials), autograph letter, 2 pages, from Walt Mason to \"Dear Friend\" at the Lincoln \"Journal\" asking if he could send an occasional contribution as he has time for the people who look for his material in the publication (undated).","Folder 39: Printed photograph and autobiographical article, \"Down and Out at Forty-five\" by Walt Mason, with a brief printed note by William Allen White, titled \"What Happened to Walt Mason\" both in the same issue of \"The American Magazine\" (1918 September)","Folder 40: Newspaper clipping about Walt Mason (undated)","Both cards from Massor are arranging a time to visit him at his home in Paris. He warns that his English is very bad but he understands the language and that his residence is usually closed, so he will need to know the time of his visit.","She sends her poem and a letter to O'Donnell in answer to his request for her autograph. She also mentions that her poems are available in an American edition published by Mr. Mosher of Portland, Maine, under her maiden name.","Mathews thanks McClure for his quick response and promises to write some short stories for him providing the price is high enough. She is currently writing a short story of an encounter with the son of Napoleon III in an out of the way spot in Europe and could do more along that line, as well as other settings in Canada or other foreign lands.","Maury wrote to Mason requesting the full details of his testimony regarding General David B. Mitchell (1766-1837), agent to the Creek Indians, and others, being involved in the smuggling of African enslaved persons at the Creek Agency. He also asked for information about Mitchell's unauthorized payment to the Creek nation for their services during the Creek War.","Maxwell congratulated Tewson upon his appointment to the editorship of the \"Evening Post Literary Review.\" He also offers a series of twelve articles to him for publication provided they could be published after the date of their publication in \"The Evening Standard\" which has first publication rights. He sends three articles, \"Condemned to Death,\" \"Why Cannot We Still Be Young?\" and \"The Undying Past.\"","Expressing gladness that Blodgett was interested in her book \"Mother India,\" Mayo writes that \"American public opinion focussed on the shackles that are killing Hindu India, is the most powerful weapon for India's rescue that this world, under God, contains today.\"","There are no use restrictions.","All of these letters and other materials by authors with last names beginning with M,  are located in Box 18 of the Barrett Minor Literary Collection. The other Barrett Minor authors were all described by various volunteers and then cataloged in Workflows by the Manuscripts cataloger. The cataloger retired before this section could be catalogued in Workflows separately.","Albert and Shirley Small Special Collections Library","Barrett, Clifton Waller, 1901-1991","English"],"collection_title_tesim":["Barrett Minor Literary collection, 1802/1944"],"collection_ssim":["Barrett Minor Literary collection, 1802/1944"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16460","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/949"],"unitid_tesim":["MSS 16460","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/949"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Barrett, Clifton Waller, 1901-1991"],"creator_ssim":["Barrett, Clifton Waller, 1901-1991"],"creator_persname_ssim":["Barrett, Clifton Waller, 1901-1991"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Barrett, Clifton Waller, 1901-1991","Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["There are no use restrictions."],"acqinfo_ssim":["The Clifton Waller Barrett Libray, Minor Authors Collection, was a gift of Clifton Waller Barrett over many years that was completed at his death in 1991."],"access_subjects_ssim":["Poets","authors","dramatists","American Literature--19th Century--History and Criticism","American Literature--20th Century--History and Criticism"],"access_subjects_ssm":["Poets","authors","dramatists","American Literature--19th Century--History and Criticism","American Literature--20th Century--History and Criticism"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet"],"extent_tesim":["0.5 Cubic Feet"],"genreform_ssim":["American Literature--19th Century--History and Criticism","American Literature--20th Century--History and Criticism"],"date_range_isim":[1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eMcDonell was a Scottish Roman Catholic Bishop in Canada (deceased 1840). He was the first Roman Catholic Bishop of Kingston, Ontario, Canada. He attended Scots College at Paris and Valladolid; and was ordained a priest in 1787. He returned to Scotland and spent five years as a priest at Braes of Lochaber. He was the first Catholic chaplain in the British Army since the Reformation, as part of the Glengarry Light Infantry Fencibles Regiment.  In 1804, he appealed to the Government to give the men a tract of land in Glengarry, Canada.  Later in life he established Churches, schools and the Regiopolis College in Kingston. He died in Dunfries, Scotland in 1840.\u003c/p\u003e","\u003cp\u003eMarian Griswold Nevins MacDowell (1857-1956) was an American pianist and philanthropist. Marian and her husband, Edward MacDowell, an American composer, founded an artist retreat in Peterboro, New Hampshire, in 1907. \u003c/p\u003e","\u003cp\u003eMrs. Will Owen Jones, the pianist Edith M. Doolittle, was the wife of a newspaper editor in Lincoln, Nebraska.\u003c/p\u003e","\u003cp\u003eWilliam Osborne McDowell (1848-1927) was a financier and businessman who founded many patriotic organizations including the Sons of the American Revoltion. He was also the Chairman of the Columbian Liberty Bell Committee, which sent a replica of the Liberty Bell on tour in the United States.\u003c/p\u003e","\u003cp\u003eJohn McGill (1809-1872) was the Roman Catholic bishop of the Diocese of Richmond, Virginia, from 1850-1872, and editor of the \"Catholic Advocate.\"\u003c/p\u003e","\u003cp\u003ePhilo Norton McGiffin (1860-1897) was an American naval officer who later served in the Chinese naval service as an advisor during the First Sino-Japanese War, and participated in the \"Battle of the Yellow Sea.\" He was also the first American to command a modern battleship in wartime.\u003c/p\u003e","\u003cp\u003eJohn Thomas McIntyre (1871-1951) was an American playwright and novelist from Philadelphia, known for mystery and crime fiction during the Golden Age.\u003c/p\u003e","\u003cp\u003eOscar Odd McIntyre (1884-1938), born in Plattsburg, Missouri, was a New York newspaper columnist in the 1920s and 1930s, well-known for his daily column \"New York Day by Day.\"\u003c/p\u003e","\u003cp\u003eEdwin Carty Ranck (1879-1957), born in Lexington, Kentucky, was a journalist and poet who wrote for the \"New York Times\" at one point.\u003c/p\u003e","\u003cp\u003eSamuel Roy McKelvie (1881-1956) was the Governor of Nebraska 1919-1923. He was the editor of \"Nebraska Farmer\" beginning in 1905 but became principal owner and publisher of that paper in 1908, continuing as publisher after his terms as governor. \u003c/p\u003e","\u003cp\u003eWill Owen Jones (1862-1928) was a newspaper editor, who worked for the \"Nebraska State Journal\" becoming the managing editor in 1892. He was married to pianist Edith M. Doolittle and they had one child, Mariel Jones.\u003c/p\u003e","\u003cp\u003eWilliam B. McKinley (1856-1926) served as United States Representative and Senator from Illinois as a member of the Republican Party. He was also a the chief executive of the Illinois Traction System (electric railway). \u003c/p\u003e","\u003cp\u003eF.E.M. Cole was the Western Advertising Manager, \"McClure's Magazine,\" Chicago, Illinois.\u003c/p\u003e","\u003cp\u003eEllen MacKubin was a fiction writer, born in Chicago, Illinois. Her sister was the artist, Florence MacKubin.\u003c/p\u003e","\u003cp\u003eMary MacLane (1881-1929) was a controversial Canandian-born American writer and motion picture actress whose reputation as an openly bisexual vocal feminist plus her frank autobiographical writing, earned her the title of \"Wild Woman of Butte.\"\u003c/p\u003e","\u003cp\u003eJohn O'Hara Cosgrove (1866-?), born in Melbourne, Australia, worked as a reporter for \"The San Francisco Call\" (1887-1890) and eventually became the editor of the \"New York Sunday World Magazine\" and \"Everybody's Magazine.\"\u003c/p\u003e","\u003cp\u003eEdward A. McLaughlin (1798-1861) was a poet born in Stanford, Connecticut and served in the United States Navy. He wrote  \"The Lovers of the Deep\".\u003c/p\u003e","\u003cp\u003eMacLean, born in Rockville, Connecticut, was an educator, with advanced degrees from Yale and Leipzig, a pastor, and a Professor of English Language and Literature, University of Minnesota (1883-1895), and Chancellor of the University of Nebraska.\u003c/p\u003e","\u003cp\u003eLouis Mantell was Deputy Consul in Belfast, Ireland, at the this time.\u003c/p\u003e","\u003cp\u003eCharles Wainwright March (1815-1864), a journalist and essayist, was the author of \"Daniel Webster and His Contemporaries\" and \"Reminiscences of Congress.\"\u003c/p\u003e","\u003cp\u003eGeorge Perkins Marsh (1801-1882), American diplomat and philogist, born in Woodstock, Vermont, who spoke over twenty languages. He also served in the United States House of Representatives and practiced law in Burlington, Vermont.\u003c/p\u003e","\u003cp\u003eMarguerite Mooers Marshall (1887-1964) American writer born in Kingston, New Hampshire, attended Tufts College, and was married to Sydney Walters Dean. She was a journalist for the \"New York Evening World\" and other newspapers and authored at least thirteen novels.\u003c/p\u003e","\u003cp\u003eJoseph William Martin, Jr. (1884-1968) was a Republican member of the United States House of Representatives from 1925-1967, and Speaker of the House from 1947-1949 and 1953-1955.\u003c/p\u003e","\u003cp\u003eCaroline Atwater Mason (1853-1939) was an American novelist and travel writer, born in Providence, Rhode Island, and married clergyman, John H. Mason in 1877. She authored at least five novels.\u003c/p\u003e","\u003cp\u003eMary Augusta Mason was a poet born in Windsor, New York, in 1861. She had poems in various anthologies and published at least one book, \"With the Seasons.\"\u003c/p\u003e","\u003cp\u003eWalt Mason (1862-1939), a popular humorist, was born in Columbus, Ontario, Canada, but came to the United States for newspaper work in 1880. He worked for \"Atchison Globe,\" the \"Nebraska State Journal,\" and the \"Washington Evening News. In 1893, Mason married Ella Foss (1861-1936). \u003c/p\u003e","\u003cp\u003eLater he was associated with William Allen White at the publication, \"Emporia Gazette.\" He authored \"Rhymes of the Range\" and \"Uncle Walt\" and his columns \"Rippling Rhymes\" and \"Poetic Philosophy\" appeared in numerous newspapers. \u003c/p\u003e","\u003cp\u003eFrom 1921 until their deaths, Walt and Ella Foss Mason lived in La Jolla, California. \u003c/p\u003e","\u003cp\u003eFrederic Massor was a French author who apparently penned two works about Napoleon, \"Napolean at Home\" and \"Napoleon and the Women of his Court.\"\u003c/p\u003e","\u003cp\u003eLucy Blanche Lyttelton Masterman (1884-1977) was a British poet and diarist who jointed the Fabian Society. In 1908, she was married to Charles Masterman, a member of parliament. She published several books of poems, \"A Book of Wild Things,\" \"Lyrical Poems,\" and \"Poems.\" She also co-authored \"Wives of the Prime Ministers 1844-1906\" and wrote a biography of her husband. She was politically active in the Liberal Party and made a strong showing in several elections but did not win.\u003c/p\u003e","\u003cp\u003eFrances Aymar Mathews (1865-1925) was an American playwright and novelist born in New York City, who was known for her play \"Pretty Peggy.\" She began her career writing for magazines like \"Harper's Bazaar.\" She also wrote historical romances, \"My Lady Peggy Goes to Town\" and \"My Lady Peggy Leaves Town.\"\u003c/p\u003e","\u003cp\u003eCharles Robert Maturin (1780-1824) was an Irish Protestant clergyman in the Church of Ireland who wrote Gothic plays and novels, best known for \"Melmoth the Wanderer.\" He was born in Dublin and attended Trinity College.\u003c/p\u003e","\u003cp\u003eFontaine Maury (1761-1824), born in Albemarle County, Virginia, was a private secretary to President Monroe and later the first clerk of the Navy Department. When he left government service, Maury became a merchant and mayor in Fredricksburg, Virginia.\u003c/p\u003e","\u003cp\u003eInformation derived from Brian Nilsson, Librarian of the Fontaine Maury Society.\u003c/p\u003e","\u003cp\u003eWilliam Babington Maxwell (1866-1938) was a British novelist and playwright who married Sydney Constance Brabazon in 1906. He served in World War I in the Royal Fusiliers until 1917, as a Regimental Transport Officer, which he wrote about in his autobiography \"Time Gathered.\" He served as the chairman of both the Society of Authors and the National Book Council. Maxwell wrote around 38 novels, plus short stories and plays.\u003c/p\u003e","\u003cp\u003eWilliam Orton Tewson (1877-1947) was an editor and literary critic.\u003c/p\u003e","\u003cp\u003eSamuel Joseph May (1797-1871) was an American Unitarian minister and reformer from Syracuse, New York, who attended Harvard University. In 1825, he married Lucretia Flagge Coffin and had five children. He was active in abolition, educational reform, and women's rights movements. He also began and edited a biweekly, \"The Liberal Christian.\"\u003c/p\u003e","\u003cp\u003eKatherine Mayo (1867-1940) was an American historian and nativist who opposed non-white and Catholic immigration to the United States and supported sterotypes of African Americans. Her best know work was \"Mother India\" which deeply critized Indian society and culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["McDonell was a Scottish Roman Catholic Bishop in Canada (deceased 1840). He was the first Roman Catholic Bishop of Kingston, Ontario, Canada. He attended Scots College at Paris and Valladolid; and was ordained a priest in 1787. He returned to Scotland and spent five years as a priest at Braes of Lochaber. He was the first Catholic chaplain in the British Army since the Reformation, as part of the Glengarry Light Infantry Fencibles Regiment.  In 1804, he appealed to the Government to give the men a tract of land in Glengarry, Canada.  Later in life he established Churches, schools and the Regiopolis College in Kingston. He died in Dunfries, Scotland in 1840.","Marian Griswold Nevins MacDowell (1857-1956) was an American pianist and philanthropist. Marian and her husband, Edward MacDowell, an American composer, founded an artist retreat in Peterboro, New Hampshire, in 1907.","Mrs. Will Owen Jones, the pianist Edith M. Doolittle, was the wife of a newspaper editor in Lincoln, Nebraska.","William Osborne McDowell (1848-1927) was a financier and businessman who founded many patriotic organizations including the Sons of the American Revoltion. He was also the Chairman of the Columbian Liberty Bell Committee, which sent a replica of the Liberty Bell on tour in the United States.","John McGill (1809-1872) was the Roman Catholic bishop of the Diocese of Richmond, Virginia, from 1850-1872, and editor of the \"Catholic Advocate.\"","Philo Norton McGiffin (1860-1897) was an American naval officer who later served in the Chinese naval service as an advisor during the First Sino-Japanese War, and participated in the \"Battle of the Yellow Sea.\" He was also the first American to command a modern battleship in wartime.","John Thomas McIntyre (1871-1951) was an American playwright and novelist from Philadelphia, known for mystery and crime fiction during the Golden Age.","Oscar Odd McIntyre (1884-1938), born in Plattsburg, Missouri, was a New York newspaper columnist in the 1920s and 1930s, well-known for his daily column \"New York Day by Day.\"","Edwin Carty Ranck (1879-1957), born in Lexington, Kentucky, was a journalist and poet who wrote for the \"New York Times\" at one point.","Samuel Roy McKelvie (1881-1956) was the Governor of Nebraska 1919-1923. He was the editor of \"Nebraska Farmer\" beginning in 1905 but became principal owner and publisher of that paper in 1908, continuing as publisher after his terms as governor.","Will Owen Jones (1862-1928) was a newspaper editor, who worked for the \"Nebraska State Journal\" becoming the managing editor in 1892. He was married to pianist Edith M. Doolittle and they had one child, Mariel Jones.","William B. McKinley (1856-1926) served as United States Representative and Senator from Illinois as a member of the Republican Party. He was also a the chief executive of the Illinois Traction System (electric railway).","F.E.M. Cole was the Western Advertising Manager, \"McClure's Magazine,\" Chicago, Illinois.","Ellen MacKubin was a fiction writer, born in Chicago, Illinois. Her sister was the artist, Florence MacKubin.","Mary MacLane (1881-1929) was a controversial Canandian-born American writer and motion picture actress whose reputation as an openly bisexual vocal feminist plus her frank autobiographical writing, earned her the title of \"Wild Woman of Butte.\"","John O'Hara Cosgrove (1866-?), born in Melbourne, Australia, worked as a reporter for \"The San Francisco Call\" (1887-1890) and eventually became the editor of the \"New York Sunday World Magazine\" and \"Everybody's Magazine.\"","Edward A. McLaughlin (1798-1861) was a poet born in Stanford, Connecticut and served in the United States Navy. He wrote  \"The Lovers of the Deep\".","MacLean, born in Rockville, Connecticut, was an educator, with advanced degrees from Yale and Leipzig, a pastor, and a Professor of English Language and Literature, University of Minnesota (1883-1895), and Chancellor of the University of Nebraska.","Louis Mantell was Deputy Consul in Belfast, Ireland, at the this time.","Charles Wainwright March (1815-1864), a journalist and essayist, was the author of \"Daniel Webster and His Contemporaries\" and \"Reminiscences of Congress.\"","George Perkins Marsh (1801-1882), American diplomat and philogist, born in Woodstock, Vermont, who spoke over twenty languages. He also served in the United States House of Representatives and practiced law in Burlington, Vermont.","Marguerite Mooers Marshall (1887-1964) American writer born in Kingston, New Hampshire, attended Tufts College, and was married to Sydney Walters Dean. She was a journalist for the \"New York Evening World\" and other newspapers and authored at least thirteen novels.","Joseph William Martin, Jr. (1884-1968) was a Republican member of the United States House of Representatives from 1925-1967, and Speaker of the House from 1947-1949 and 1953-1955.","Caroline Atwater Mason (1853-1939) was an American novelist and travel writer, born in Providence, Rhode Island, and married clergyman, John H. Mason in 1877. She authored at least five novels.","Mary Augusta Mason was a poet born in Windsor, New York, in 1861. She had poems in various anthologies and published at least one book, \"With the Seasons.\"","Walt Mason (1862-1939), a popular humorist, was born in Columbus, Ontario, Canada, but came to the United States for newspaper work in 1880. He worked for \"Atchison Globe,\" the \"Nebraska State Journal,\" and the \"Washington Evening News. In 1893, Mason married Ella Foss (1861-1936).","Later he was associated with William Allen White at the publication, \"Emporia Gazette.\" He authored \"Rhymes of the Range\" and \"Uncle Walt\" and his columns \"Rippling Rhymes\" and \"Poetic Philosophy\" appeared in numerous newspapers.","From 1921 until their deaths, Walt and Ella Foss Mason lived in La Jolla, California.","Frederic Massor was a French author who apparently penned two works about Napoleon, \"Napolean at Home\" and \"Napoleon and the Women of his Court.\"","Lucy Blanche Lyttelton Masterman (1884-1977) was a British poet and diarist who jointed the Fabian Society. In 1908, she was married to Charles Masterman, a member of parliament. She published several books of poems, \"A Book of Wild Things,\" \"Lyrical Poems,\" and \"Poems.\" She also co-authored \"Wives of the Prime Ministers 1844-1906\" and wrote a biography of her husband. She was politically active in the Liberal Party and made a strong showing in several elections but did not win.","Frances Aymar Mathews (1865-1925) was an American playwright and novelist born in New York City, who was known for her play \"Pretty Peggy.\" She began her career writing for magazines like \"Harper's Bazaar.\" She also wrote historical romances, \"My Lady Peggy Goes to Town\" and \"My Lady Peggy Leaves Town.\"","Charles Robert Maturin (1780-1824) was an Irish Protestant clergyman in the Church of Ireland who wrote Gothic plays and novels, best known for \"Melmoth the Wanderer.\" He was born in Dublin and attended Trinity College.","Fontaine Maury (1761-1824), born in Albemarle County, Virginia, was a private secretary to President Monroe and later the first clerk of the Navy Department. When he left government service, Maury became a merchant and mayor in Fredricksburg, Virginia.","Information derived from Brian Nilsson, Librarian of the Fontaine Maury Society.","William Babington Maxwell (1866-1938) was a British novelist and playwright who married Sydney Constance Brabazon in 1906. He served in World War I in the Royal Fusiliers until 1917, as a Regimental Transport Officer, which he wrote about in his autobiography \"Time Gathered.\" He served as the chairman of both the Society of Authors and the National Book Council. Maxwell wrote around 38 novels, plus short stories and plays.","William Orton Tewson (1877-1947) was an editor and literary critic.","Samuel Joseph May (1797-1871) was an American Unitarian minister and reformer from Syracuse, New York, who attended Harvard University. In 1825, he married Lucretia Flagge Coffin and had five children. He was active in abolition, educational reform, and women's rights movements. He also began and edited a biweekly, \"The Liberal Christian.\"","Katherine Mayo (1867-1940) was an American historian and nativist who opposed non-white and Catholic immigration to the United States and supported sterotypes of African Americans. Her best know work was \"Mother India\" which deeply critized Indian society and culture."],"prefercite_html_tesm":["\u003cp\u003eClifton Waller Barrett Library Minor Authors, MSS 16460, 1802-1944, University of Virginia Special Collections Library, Charlottesville, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Clifton Waller Barrett Library Minor Authors, MSS 16460, 1802-1944, University of Virginia Special Collections Library, Charlottesville, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eMcDonell asks the merchants to forward his enclosed letters (not present) to Lord Selkirk and two to New York.\u003c/p\u003e","\u003cp\u003eCongratulates Mrs. Owens upon her daughter's success in playing the MacDowell concerto (July 22, 1918). Marian MacDowell apologizes for not responding to the receipt of Owen's fine program due to circumstances and overwork, since it always pleases her to see the \"Keltic\"on a program and she admired the way she divided the songs from the piano numbers (1922 December 27). The later letter is accompanied by a pamphlet, \"The Peterborough Colony\" by Hermann Hagedorn. Both letters have envelopes.\u003c/p\u003e","\u003cp\u003eMcDowell writes to McClure about his work on the production of the Columbian Liberty Bell Committee and his address before the National Peace Congress at Mystic, Connecticut, \"American Liberty and the World's Destiny.\"\u003c/p\u003e","\u003cp\u003eMcGill sends a letter of sympathy upon the death of the recipient's mother, mentioning her exemplary life, her virtues, and her fidelity in service of God.\u003c/p\u003e","\u003cp\u003eMcGiffin sends a proposal for an article describing the naval action during the \"Battle of the Yellow Sea (1894)\" involving two Chinese vesssels, the \"Kwang-Yi\" and Tsao-kiang, which were intercepted and attacked by three powerful Japanese cruisers. He was on the Court of Inquiry to determine who was to blame for this action which was fought before war was declared and had in his possession copies of all the evidence and photographs of the damages.\u003c/p\u003e","\u003cp\u003eThis was the final paragraph of an article \"Our Quinzaine at La Salette\" by McIlvaine published in \"The Atantic\" October 1894 issue.\u003c/p\u003e","\u003cp\u003eMcIntyre responds to Chapman's question about baseball stories, saying he had only written three of that type, all of which were short stories (April 30, 1923). He also writes that Chapman's letter about his book, \"Shot Towers,\" has arrived.  But since \"there are some motion picture matters pending for this book, and as they may have a book up with the second serial rights I feel I'd better take no action toward placing them as yet\" (December 6, 1926?).\u003c/p\u003e","\u003cp\u003eMcIntyre asks Mr. Tewson if he could review Roy Helton's book \"The Early Adventures of Peacham Grew\" which is coming out next month (published in 1925) since he was a \"great plugger for this story in manuscript.\"\u003c/p\u003e","\u003cp\u003eMcIntyre has received his letter and heard of Ranck's success with interest. He will have the publisher send him an autographed book soon, but it went into a third printing after being sold out. May be writing about \"White Light Nights\" published in 1924. McIntyre has just returned from Europe and plans to go back briefly in three weeks.\u003c/p\u003e","\u003cp\u003eThe letter from McKelvie designates Jones as a delegate to the Tercentenary Celebration of the Landing of the Pilgrims at Plymouth to be held on December 21 (November 24, 1920). Unfortunately, there were no funds to pay his expenses.\u003c/p\u003e","\u003cp\u003eThe certificate signed by McKelvie appointed Will Owen Jones to the General Committee on the Tercentary Celebration of the Landing of the Pilgrims (May 25, 1920), with envelope. \u003c/p\u003e","\u003cp\u003eMcKinley writes of the receipt of Cole's letter about the proposed increase in postage rates and promises to carefully consider his views.\u003c/p\u003e","\u003cp\u003eOne manuscript contains part of the concluding paragraph which tells of a meeting of officers at the Colonel's Quarters where a \"brilliant young soldier's fault was tenderly condoned and where every man enshrined in his memory an ideal of a soldier's wife and the Colonel returned Dick's sword to him.\" Published as \"His Honor\" in \"The Atlantic\" October 1894 issue. \u003c/p\u003e","\u003cp\u003eThe other manuscript's concluding sentence says, \"She has made him bring back to us what we want\" Zenith  City said, \"Let her take away what she wants.\" This was published in \"The Atlantic\" as \"A Life Tenant\" in the July 1897 issue.\u003c/p\u003e","\u003cp\u003eMacLane writes Cosgrove while wintering in St. Augustine, Florida, where she is writing her third book and describes the beauty of the area. She also mentions meeting and dining with the writer, Miss Clara Elizabeth Laughlin (1873-1941), at the Touraine. She says that every time she sees a copy of \"Everybody's Magazine\" his statement to her \"I didn't think you were so artificial as you are\" still rankles.\u003c/p\u003e","\u003cp\u003eAsks McClure if he will consider any of his literary work for publication and encloses a short story as a speciman for his examination.\u003c/p\u003e","\u003cp\u003eMarch asks his friend to write him at Portsmouth, New Hampshire and hopes he will be able to review his book for the \"Waterford Independent.\"\u003c/p\u003e","\u003cp\u003eMarsh recommends Donald G. Mitchell, author of \"Fresh Gleanings,\" a recent volume of European Travels, as one who would be likely to accept an invitation to lecture his association.\u003c/p\u003e","\u003cp\u003eThe Walt Mason materials include: \u003c/p\u003e","\u003cp\u003eFolder 30: A signed short poem beginning \"If days were always sunny\" on the back of a postcard in color with a picture of Walt's home in Emporia, Kansas (undated)\u003c/p\u003e","\u003cp\u003eFolder 31: A signed typewritten one page manuscript of the poem, \"Bix\" (undated)\u003c/p\u003e","\u003cp\u003eFolder 32: Typed letter signed, 1 page, from Walt Mason to Will Owen Jones, \"The State Journal\" (1912 June 20) with envelope; Mason sent a check for the sum he thought he owed Jones, but admitted his life at the time prevented a very accurate accounting. He also admitted that \"it was the most fortunate day of my life when I got next to W.A. White. He gave methe right sort of encouragement and got some ambition stirred up in me.Since the luck turned things have come my way with a rush.\"\u003c/p\u003e","\u003cp\u003eFolder 33: Typed letter signed, 1 page, from Walt Mason to Will Owen Jones, \"The State Journal\" (1918 September 3) with envelope, Walt Mason described the positive impact of his article in \"American Magazine\" called \"Down and Out at Forty-Five.\"\u003c/p\u003e","\u003cp\u003eFolder 34: Signed autograph note  on the back of a photograph postcard of Walt Mason's residence in La Jolla, California (1927 May 23)\u003c/p\u003e","\u003cp\u003eFolder 35: Signed typed letter, 1 page, from Walt Mason to Will Owen Jones, with envelope (1927 June 7); He was pleased with the way his article appeared and he asked for five copies to be sent to him.\u003c/p\u003e","\u003cp\u003eFolder 36: Signed typed letter, 1 page, from Walt Mason to an unidentified correspondent, but possibly Will Owen Jones (1927 July 8), in which he expressed his appreciation for the Anniversary number.\u003c/p\u003e","\u003cp\u003eFolder 37: Signed postcard, La Jolla Cliffs, California, from Walt Mason to Will Owen Jones, \"The Journal\" Lincoln, Nebraska, informing him that he will be at La Jolla through the summer, at least (1920 May 10).\u003c/p\u003e","\u003cp\u003eFolder 38: Signed (with initials), autograph letter, 2 pages, from Walt Mason to \"Dear Friend\" at the Lincoln \"Journal\" asking if he could send an occasional contribution as he has time for the people who look for his material in the publication (undated).\u003c/p\u003e","\u003cp\u003eFolder 39: Printed photograph and autobiographical article, \"Down and Out at Forty-five\" by Walt Mason, with a brief printed note by William Allen White, titled \"What Happened to Walt Mason\" both in the same issue of \"The American Magazine\" (1918 September)\u003c/p\u003e","\u003cp\u003eFolder 40: Newspaper clipping about Walt Mason (undated)\u003c/p\u003e","\u003cp\u003eBoth cards from Massor are arranging a time to visit him at his home in Paris. He warns that his English is very bad but he understands the language and that his residence is usually closed, so he will need to know the time of his visit.\u003c/p\u003e","\u003cp\u003eShe sends her poem and a letter to O'Donnell in answer to his request for her autograph. She also mentions that her poems are available in an American edition published by Mr. Mosher of Portland, Maine, under her maiden name.\u003c/p\u003e","\u003cp\u003eMathews thanks McClure for his quick response and promises to write some short stories for him providing the price is high enough. She is currently writing a short story of an encounter with the son of Napoleon III in an out of the way spot in Europe and could do more along that line, as well as other settings in Canada or other foreign lands.\u003c/p\u003e","\u003cp\u003eMaury wrote to Mason requesting the full details of his testimony regarding General David B. Mitchell (1766-1837), agent to the Creek Indians, and others, being involved in the smuggling of African enslaved persons at the Creek Agency. He also asked for information about Mitchell's unauthorized payment to the Creek nation for their services during the Creek War.\u003c/p\u003e","\u003cp\u003eMaxwell congratulated Tewson upon his appointment to the editorship of the \"Evening Post Literary Review.\" He also offers a series of twelve articles to him for publication provided they could be published after the date of their publication in \"The Evening Standard\" which has first publication rights. He sends three articles, \"Condemned to Death,\" \"Why Cannot We Still Be Young?\" and \"The Undying Past.\"\u003c/p\u003e","\u003cp\u003eExpressing gladness that Blodgett was interested in her book \"Mother India,\" Mayo writes that \"American public opinion focussed on the shackles that are killing Hindu India, is the most powerful weapon for India's rescue that this world, under God, contains today.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["McDonell asks the merchants to forward his enclosed letters (not present) to Lord Selkirk and two to New York.","Congratulates Mrs. Owens upon her daughter's success in playing the MacDowell concerto (July 22, 1918). Marian MacDowell apologizes for not responding to the receipt of Owen's fine program due to circumstances and overwork, since it always pleases her to see the \"Keltic\"on a program and she admired the way she divided the songs from the piano numbers (1922 December 27). The later letter is accompanied by a pamphlet, \"The Peterborough Colony\" by Hermann Hagedorn. Both letters have envelopes.","McDowell writes to McClure about his work on the production of the Columbian Liberty Bell Committee and his address before the National Peace Congress at Mystic, Connecticut, \"American Liberty and the World's Destiny.\"","McGill sends a letter of sympathy upon the death of the recipient's mother, mentioning her exemplary life, her virtues, and her fidelity in service of God.","McGiffin sends a proposal for an article describing the naval action during the \"Battle of the Yellow Sea (1894)\" involving two Chinese vesssels, the \"Kwang-Yi\" and Tsao-kiang, which were intercepted and attacked by three powerful Japanese cruisers. He was on the Court of Inquiry to determine who was to blame for this action which was fought before war was declared and had in his possession copies of all the evidence and photographs of the damages.","This was the final paragraph of an article \"Our Quinzaine at La Salette\" by McIlvaine published in \"The Atantic\" October 1894 issue.","McIntyre responds to Chapman's question about baseball stories, saying he had only written three of that type, all of which were short stories (April 30, 1923). He also writes that Chapman's letter about his book, \"Shot Towers,\" has arrived.  But since \"there are some motion picture matters pending for this book, and as they may have a book up with the second serial rights I feel I'd better take no action toward placing them as yet\" (December 6, 1926?).","McIntyre asks Mr. Tewson if he could review Roy Helton's book \"The Early Adventures of Peacham Grew\" which is coming out next month (published in 1925) since he was a \"great plugger for this story in manuscript.\"","McIntyre has received his letter and heard of Ranck's success with interest. He will have the publisher send him an autographed book soon, but it went into a third printing after being sold out. May be writing about \"White Light Nights\" published in 1924. McIntyre has just returned from Europe and plans to go back briefly in three weeks.","The letter from McKelvie designates Jones as a delegate to the Tercentenary Celebration of the Landing of the Pilgrims at Plymouth to be held on December 21 (November 24, 1920). Unfortunately, there were no funds to pay his expenses.","The certificate signed by McKelvie appointed Will Owen Jones to the General Committee on the Tercentary Celebration of the Landing of the Pilgrims (May 25, 1920), with envelope.","McKinley writes of the receipt of Cole's letter about the proposed increase in postage rates and promises to carefully consider his views.","One manuscript contains part of the concluding paragraph which tells of a meeting of officers at the Colonel's Quarters where a \"brilliant young soldier's fault was tenderly condoned and where every man enshrined in his memory an ideal of a soldier's wife and the Colonel returned Dick's sword to him.\" Published as \"His Honor\" in \"The Atlantic\" October 1894 issue.","The other manuscript's concluding sentence says, \"She has made him bring back to us what we want\" Zenith  City said, \"Let her take away what she wants.\" This was published in \"The Atlantic\" as \"A Life Tenant\" in the July 1897 issue.","MacLane writes Cosgrove while wintering in St. Augustine, Florida, where she is writing her third book and describes the beauty of the area. She also mentions meeting and dining with the writer, Miss Clara Elizabeth Laughlin (1873-1941), at the Touraine. She says that every time she sees a copy of \"Everybody's Magazine\" his statement to her \"I didn't think you were so artificial as you are\" still rankles.","Asks McClure if he will consider any of his literary work for publication and encloses a short story as a speciman for his examination.","March asks his friend to write him at Portsmouth, New Hampshire and hopes he will be able to review his book for the \"Waterford Independent.\"","Marsh recommends Donald G. Mitchell, author of \"Fresh Gleanings,\" a recent volume of European Travels, as one who would be likely to accept an invitation to lecture his association.","The Walt Mason materials include:","Folder 30: A signed short poem beginning \"If days were always sunny\" on the back of a postcard in color with a picture of Walt's home in Emporia, Kansas (undated)","Folder 31: A signed typewritten one page manuscript of the poem, \"Bix\" (undated)","Folder 32: Typed letter signed, 1 page, from Walt Mason to Will Owen Jones, \"The State Journal\" (1912 June 20) with envelope; Mason sent a check for the sum he thought he owed Jones, but admitted his life at the time prevented a very accurate accounting. He also admitted that \"it was the most fortunate day of my life when I got next to W.A. White. He gave methe right sort of encouragement and got some ambition stirred up in me.Since the luck turned things have come my way with a rush.\"","Folder 33: Typed letter signed, 1 page, from Walt Mason to Will Owen Jones, \"The State Journal\" (1918 September 3) with envelope, Walt Mason described the positive impact of his article in \"American Magazine\" called \"Down and Out at Forty-Five.\"","Folder 34: Signed autograph note  on the back of a photograph postcard of Walt Mason's residence in La Jolla, California (1927 May 23)","Folder 35: Signed typed letter, 1 page, from Walt Mason to Will Owen Jones, with envelope (1927 June 7); He was pleased with the way his article appeared and he asked for five copies to be sent to him.","Folder 36: Signed typed letter, 1 page, from Walt Mason to an unidentified correspondent, but possibly Will Owen Jones (1927 July 8), in which he expressed his appreciation for the Anniversary number.","Folder 37: Signed postcard, La Jolla Cliffs, California, from Walt Mason to Will Owen Jones, \"The Journal\" Lincoln, Nebraska, informing him that he will be at La Jolla through the summer, at least (1920 May 10).","Folder 38: Signed (with initials), autograph letter, 2 pages, from Walt Mason to \"Dear Friend\" at the Lincoln \"Journal\" asking if he could send an occasional contribution as he has time for the people who look for his material in the publication (undated).","Folder 39: Printed photograph and autobiographical article, \"Down and Out at Forty-five\" by Walt Mason, with a brief printed note by William Allen White, titled \"What Happened to Walt Mason\" both in the same issue of \"The American Magazine\" (1918 September)","Folder 40: Newspaper clipping about Walt Mason (undated)","Both cards from Massor are arranging a time to visit him at his home in Paris. He warns that his English is very bad but he understands the language and that his residence is usually closed, so he will need to know the time of his visit.","She sends her poem and a letter to O'Donnell in answer to his request for her autograph. She also mentions that her poems are available in an American edition published by Mr. Mosher of Portland, Maine, under her maiden name.","Mathews thanks McClure for his quick response and promises to write some short stories for him providing the price is high enough. She is currently writing a short story of an encounter with the son of Napoleon III in an out of the way spot in Europe and could do more along that line, as well as other settings in Canada or other foreign lands.","Maury wrote to Mason requesting the full details of his testimony regarding General David B. Mitchell (1766-1837), agent to the Creek Indians, and others, being involved in the smuggling of African enslaved persons at the Creek Agency. He also asked for information about Mitchell's unauthorized payment to the Creek nation for their services during the Creek War.","Maxwell congratulated Tewson upon his appointment to the editorship of the \"Evening Post Literary Review.\" He also offers a series of twelve articles to him for publication provided they could be published after the date of their publication in \"The Evening Standard\" which has first publication rights. He sends three articles, \"Condemned to Death,\" \"Why Cannot We Still Be Young?\" and \"The Undying Past.\"","Expressing gladness that Blodgett was interested in her book \"Mother India,\" Mayo writes that \"American public opinion focussed on the shackles that are killing Hindu India, is the most powerful weapon for India's rescue that this world, under God, contains today.\""],"userestrict_html_tesm":["\u003cp\u003eThere are no use restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["There are no use restrictions."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bc01e8b03ad98bc7323a28ec79d4d80a\"\u003eAll of these letters and other materials by authors with last names beginning with M,  are located in Box 18 of the Barrett Minor Literary Collection. The other Barrett Minor authors were all described by various volunteers and then cataloged in Workflows by the Manuscripts cataloger. The cataloger retired before this section could be catalogued in Workflows separately.\u003c/physloc\u003e\n    "],"physloc_tesim":["All of these letters and other materials by authors with last names beginning with M,  are located in Box 18 of the Barrett Minor Literary Collection. The other Barrett Minor authors were all described by various volunteers and then cataloged in Workflows by the Manuscripts cataloger. The cataloger retired before this section could be catalogued in Workflows separately."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Barrett, Clifton Waller, 1901-1991"],"names_ssim":["Albert and Shirley Small Special Collections Library","Barrett, Clifton Waller, 1901-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":34,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:30:00.774Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_949","ead_ssi":"viu_repositories_3_resources_949","_root_":"viu_repositories_3_resources_949","_nest_parent_":"viu_repositories_3_resources_949","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_949.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/143186","title_filing_ssi":"Clifton Waller Barrett Minor Literary collection","title_ssm":["Barrett Minor Literary collection"],"title_tesim":["Barrett Minor Literary collection"],"unitdate_ssm":["1802-1944"],"unitdate_inclusive_ssm":["1802-1944"],"normalized_date_ssm":["1802/1944"],"normalized_title_ssm":["Barrett Minor Literary collection, 1802/1944"],"text":["Barrett Minor Literary collection, 1802/1944","MSS 16460","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/949","Poets","authors","dramatists","American Literature--19th Century--History and Criticism","American Literature--20th Century--History and Criticism","This collection is open for research.","McDonell was a Scottish Roman Catholic Bishop in Canada (deceased 1840). He was the first Roman Catholic Bishop of Kingston, Ontario, Canada. He attended Scots College at Paris and Valladolid; and was ordained a priest in 1787. He returned to Scotland and spent five years as a priest at Braes of Lochaber. He was the first Catholic chaplain in the British Army since the Reformation, as part of the Glengarry Light Infantry Fencibles Regiment.  In 1804, he appealed to the Government to give the men a tract of land in Glengarry, Canada.  Later in life he established Churches, schools and the Regiopolis College in Kingston. He died in Dunfries, Scotland in 1840.","Marian Griswold Nevins MacDowell (1857-1956) was an American pianist and philanthropist. Marian and her husband, Edward MacDowell, an American composer, founded an artist retreat in Peterboro, New Hampshire, in 1907.","Mrs. Will Owen Jones, the pianist Edith M. Doolittle, was the wife of a newspaper editor in Lincoln, Nebraska.","William Osborne McDowell (1848-1927) was a financier and businessman who founded many patriotic organizations including the Sons of the American Revoltion. He was also the Chairman of the Columbian Liberty Bell Committee, which sent a replica of the Liberty Bell on tour in the United States.","John McGill (1809-1872) was the Roman Catholic bishop of the Diocese of Richmond, Virginia, from 1850-1872, and editor of the \"Catholic Advocate.\"","Philo Norton McGiffin (1860-1897) was an American naval officer who later served in the Chinese naval service as an advisor during the First Sino-Japanese War, and participated in the \"Battle of the Yellow Sea.\" He was also the first American to command a modern battleship in wartime.","John Thomas McIntyre (1871-1951) was an American playwright and novelist from Philadelphia, known for mystery and crime fiction during the Golden Age.","Oscar Odd McIntyre (1884-1938), born in Plattsburg, Missouri, was a New York newspaper columnist in the 1920s and 1930s, well-known for his daily column \"New York Day by Day.\"","Edwin Carty Ranck (1879-1957), born in Lexington, Kentucky, was a journalist and poet who wrote for the \"New York Times\" at one point.","Samuel Roy McKelvie (1881-1956) was the Governor of Nebraska 1919-1923. He was the editor of \"Nebraska Farmer\" beginning in 1905 but became principal owner and publisher of that paper in 1908, continuing as publisher after his terms as governor.","Will Owen Jones (1862-1928) was a newspaper editor, who worked for the \"Nebraska State Journal\" becoming the managing editor in 1892. He was married to pianist Edith M. Doolittle and they had one child, Mariel Jones.","William B. McKinley (1856-1926) served as United States Representative and Senator from Illinois as a member of the Republican Party. He was also a the chief executive of the Illinois Traction System (electric railway).","F.E.M. Cole was the Western Advertising Manager, \"McClure's Magazine,\" Chicago, Illinois.","Ellen MacKubin was a fiction writer, born in Chicago, Illinois. Her sister was the artist, Florence MacKubin.","Mary MacLane (1881-1929) was a controversial Canandian-born American writer and motion picture actress whose reputation as an openly bisexual vocal feminist plus her frank autobiographical writing, earned her the title of \"Wild Woman of Butte.\"","John O'Hara Cosgrove (1866-?), born in Melbourne, Australia, worked as a reporter for \"The San Francisco Call\" (1887-1890) and eventually became the editor of the \"New York Sunday World Magazine\" and \"Everybody's Magazine.\"","Edward A. McLaughlin (1798-1861) was a poet born in Stanford, Connecticut and served in the United States Navy. He wrote  \"The Lovers of the Deep\".","MacLean, born in Rockville, Connecticut, was an educator, with advanced degrees from Yale and Leipzig, a pastor, and a Professor of English Language and Literature, University of Minnesota (1883-1895), and Chancellor of the University of Nebraska.","Louis Mantell was Deputy Consul in Belfast, Ireland, at the this time.","Charles Wainwright March (1815-1864), a journalist and essayist, was the author of \"Daniel Webster and His Contemporaries\" and \"Reminiscences of Congress.\"","George Perkins Marsh (1801-1882), American diplomat and philogist, born in Woodstock, Vermont, who spoke over twenty languages. He also served in the United States House of Representatives and practiced law in Burlington, Vermont.","Marguerite Mooers Marshall (1887-1964) American writer born in Kingston, New Hampshire, attended Tufts College, and was married to Sydney Walters Dean. She was a journalist for the \"New York Evening World\" and other newspapers and authored at least thirteen novels.","Joseph William Martin, Jr. (1884-1968) was a Republican member of the United States House of Representatives from 1925-1967, and Speaker of the House from 1947-1949 and 1953-1955.","Caroline Atwater Mason (1853-1939) was an American novelist and travel writer, born in Providence, Rhode Island, and married clergyman, John H. Mason in 1877. She authored at least five novels.","Mary Augusta Mason was a poet born in Windsor, New York, in 1861. She had poems in various anthologies and published at least one book, \"With the Seasons.\"","Walt Mason (1862-1939), a popular humorist, was born in Columbus, Ontario, Canada, but came to the United States for newspaper work in 1880. He worked for \"Atchison Globe,\" the \"Nebraska State Journal,\" and the \"Washington Evening News. In 1893, Mason married Ella Foss (1861-1936).","Later he was associated with William Allen White at the publication, \"Emporia Gazette.\" He authored \"Rhymes of the Range\" and \"Uncle Walt\" and his columns \"Rippling Rhymes\" and \"Poetic Philosophy\" appeared in numerous newspapers.","From 1921 until their deaths, Walt and Ella Foss Mason lived in La Jolla, California.","Frederic Massor was a French author who apparently penned two works about Napoleon, \"Napolean at Home\" and \"Napoleon and the Women of his Court.\"","Lucy Blanche Lyttelton Masterman (1884-1977) was a British poet and diarist who jointed the Fabian Society. In 1908, she was married to Charles Masterman, a member of parliament. She published several books of poems, \"A Book of Wild Things,\" \"Lyrical Poems,\" and \"Poems.\" She also co-authored \"Wives of the Prime Ministers 1844-1906\" and wrote a biography of her husband. She was politically active in the Liberal Party and made a strong showing in several elections but did not win.","Frances Aymar Mathews (1865-1925) was an American playwright and novelist born in New York City, who was known for her play \"Pretty Peggy.\" She began her career writing for magazines like \"Harper's Bazaar.\" She also wrote historical romances, \"My Lady Peggy Goes to Town\" and \"My Lady Peggy Leaves Town.\"","Charles Robert Maturin (1780-1824) was an Irish Protestant clergyman in the Church of Ireland who wrote Gothic plays and novels, best known for \"Melmoth the Wanderer.\" He was born in Dublin and attended Trinity College.","Fontaine Maury (1761-1824), born in Albemarle County, Virginia, was a private secretary to President Monroe and later the first clerk of the Navy Department. When he left government service, Maury became a merchant and mayor in Fredricksburg, Virginia.","Information derived from Brian Nilsson, Librarian of the Fontaine Maury Society.","William Babington Maxwell (1866-1938) was a British novelist and playwright who married Sydney Constance Brabazon in 1906. He served in World War I in the Royal Fusiliers until 1917, as a Regimental Transport Officer, which he wrote about in his autobiography \"Time Gathered.\" He served as the chairman of both the Society of Authors and the National Book Council. Maxwell wrote around 38 novels, plus short stories and plays.","William Orton Tewson (1877-1947) was an editor and literary critic.","Samuel Joseph May (1797-1871) was an American Unitarian minister and reformer from Syracuse, New York, who attended Harvard University. In 1825, he married Lucretia Flagge Coffin and had five children. He was active in abolition, educational reform, and women's rights movements. He also began and edited a biweekly, \"The Liberal Christian.\"","Katherine Mayo (1867-1940) was an American historian and nativist who opposed non-white and Catholic immigration to the United States and supported sterotypes of African Americans. Her best know work was \"Mother India\" which deeply critized Indian society and culture.","McDonell asks the merchants to forward his enclosed letters (not present) to Lord Selkirk and two to New York.","Congratulates Mrs. Owens upon her daughter's success in playing the MacDowell concerto (July 22, 1918). Marian MacDowell apologizes for not responding to the receipt of Owen's fine program due to circumstances and overwork, since it always pleases her to see the \"Keltic\"on a program and she admired the way she divided the songs from the piano numbers (1922 December 27). The later letter is accompanied by a pamphlet, \"The Peterborough Colony\" by Hermann Hagedorn. Both letters have envelopes.","McDowell writes to McClure about his work on the production of the Columbian Liberty Bell Committee and his address before the National Peace Congress at Mystic, Connecticut, \"American Liberty and the World's Destiny.\"","McGill sends a letter of sympathy upon the death of the recipient's mother, mentioning her exemplary life, her virtues, and her fidelity in service of God.","McGiffin sends a proposal for an article describing the naval action during the \"Battle of the Yellow Sea (1894)\" involving two Chinese vesssels, the \"Kwang-Yi\" and Tsao-kiang, which were intercepted and attacked by three powerful Japanese cruisers. He was on the Court of Inquiry to determine who was to blame for this action which was fought before war was declared and had in his possession copies of all the evidence and photographs of the damages.","This was the final paragraph of an article \"Our Quinzaine at La Salette\" by McIlvaine published in \"The Atantic\" October 1894 issue.","McIntyre responds to Chapman's question about baseball stories, saying he had only written three of that type, all of which were short stories (April 30, 1923). He also writes that Chapman's letter about his book, \"Shot Towers,\" has arrived.  But since \"there are some motion picture matters pending for this book, and as they may have a book up with the second serial rights I feel I'd better take no action toward placing them as yet\" (December 6, 1926?).","McIntyre asks Mr. Tewson if he could review Roy Helton's book \"The Early Adventures of Peacham Grew\" which is coming out next month (published in 1925) since he was a \"great plugger for this story in manuscript.\"","McIntyre has received his letter and heard of Ranck's success with interest. He will have the publisher send him an autographed book soon, but it went into a third printing after being sold out. May be writing about \"White Light Nights\" published in 1924. McIntyre has just returned from Europe and plans to go back briefly in three weeks.","The letter from McKelvie designates Jones as a delegate to the Tercentenary Celebration of the Landing of the Pilgrims at Plymouth to be held on December 21 (November 24, 1920). Unfortunately, there were no funds to pay his expenses.","The certificate signed by McKelvie appointed Will Owen Jones to the General Committee on the Tercentary Celebration of the Landing of the Pilgrims (May 25, 1920), with envelope.","McKinley writes of the receipt of Cole's letter about the proposed increase in postage rates and promises to carefully consider his views.","One manuscript contains part of the concluding paragraph which tells of a meeting of officers at the Colonel's Quarters where a \"brilliant young soldier's fault was tenderly condoned and where every man enshrined in his memory an ideal of a soldier's wife and the Colonel returned Dick's sword to him.\" Published as \"His Honor\" in \"The Atlantic\" October 1894 issue.","The other manuscript's concluding sentence says, \"She has made him bring back to us what we want\" Zenith  City said, \"Let her take away what she wants.\" This was published in \"The Atlantic\" as \"A Life Tenant\" in the July 1897 issue.","MacLane writes Cosgrove while wintering in St. Augustine, Florida, where she is writing her third book and describes the beauty of the area. She also mentions meeting and dining with the writer, Miss Clara Elizabeth Laughlin (1873-1941), at the Touraine. She says that every time she sees a copy of \"Everybody's Magazine\" his statement to her \"I didn't think you were so artificial as you are\" still rankles.","Asks McClure if he will consider any of his literary work for publication and encloses a short story as a speciman for his examination.","March asks his friend to write him at Portsmouth, New Hampshire and hopes he will be able to review his book for the \"Waterford Independent.\"","Marsh recommends Donald G. Mitchell, author of \"Fresh Gleanings,\" a recent volume of European Travels, as one who would be likely to accept an invitation to lecture his association.","The Walt Mason materials include:","Folder 30: A signed short poem beginning \"If days were always sunny\" on the back of a postcard in color with a picture of Walt's home in Emporia, Kansas (undated)","Folder 31: A signed typewritten one page manuscript of the poem, \"Bix\" (undated)","Folder 32: Typed letter signed, 1 page, from Walt Mason to Will Owen Jones, \"The State Journal\" (1912 June 20) with envelope; Mason sent a check for the sum he thought he owed Jones, but admitted his life at the time prevented a very accurate accounting. He also admitted that \"it was the most fortunate day of my life when I got next to W.A. White. He gave methe right sort of encouragement and got some ambition stirred up in me.Since the luck turned things have come my way with a rush.\"","Folder 33: Typed letter signed, 1 page, from Walt Mason to Will Owen Jones, \"The State Journal\" (1918 September 3) with envelope, Walt Mason described the positive impact of his article in \"American Magazine\" called \"Down and Out at Forty-Five.\"","Folder 34: Signed autograph note  on the back of a photograph postcard of Walt Mason's residence in La Jolla, California (1927 May 23)","Folder 35: Signed typed letter, 1 page, from Walt Mason to Will Owen Jones, with envelope (1927 June 7); He was pleased with the way his article appeared and he asked for five copies to be sent to him.","Folder 36: Signed typed letter, 1 page, from Walt Mason to an unidentified correspondent, but possibly Will Owen Jones (1927 July 8), in which he expressed his appreciation for the Anniversary number.","Folder 37: Signed postcard, La Jolla Cliffs, California, from Walt Mason to Will Owen Jones, \"The Journal\" Lincoln, Nebraska, informing him that he will be at La Jolla through the summer, at least (1920 May 10).","Folder 38: Signed (with initials), autograph letter, 2 pages, from Walt Mason to \"Dear Friend\" at the Lincoln \"Journal\" asking if he could send an occasional contribution as he has time for the people who look for his material in the publication (undated).","Folder 39: Printed photograph and autobiographical article, \"Down and Out at Forty-five\" by Walt Mason, with a brief printed note by William Allen White, titled \"What Happened to Walt Mason\" both in the same issue of \"The American Magazine\" (1918 September)","Folder 40: Newspaper clipping about Walt Mason (undated)","Both cards from Massor are arranging a time to visit him at his home in Paris. He warns that his English is very bad but he understands the language and that his residence is usually closed, so he will need to know the time of his visit.","She sends her poem and a letter to O'Donnell in answer to his request for her autograph. She also mentions that her poems are available in an American edition published by Mr. Mosher of Portland, Maine, under her maiden name.","Mathews thanks McClure for his quick response and promises to write some short stories for him providing the price is high enough. She is currently writing a short story of an encounter with the son of Napoleon III in an out of the way spot in Europe and could do more along that line, as well as other settings in Canada or other foreign lands.","Maury wrote to Mason requesting the full details of his testimony regarding General David B. Mitchell (1766-1837), agent to the Creek Indians, and others, being involved in the smuggling of African enslaved persons at the Creek Agency. He also asked for information about Mitchell's unauthorized payment to the Creek nation for their services during the Creek War.","Maxwell congratulated Tewson upon his appointment to the editorship of the \"Evening Post Literary Review.\" He also offers a series of twelve articles to him for publication provided they could be published after the date of their publication in \"The Evening Standard\" which has first publication rights. He sends three articles, \"Condemned to Death,\" \"Why Cannot We Still Be Young?\" and \"The Undying Past.\"","Expressing gladness that Blodgett was interested in her book \"Mother India,\" Mayo writes that \"American public opinion focussed on the shackles that are killing Hindu India, is the most powerful weapon for India's rescue that this world, under God, contains today.\"","There are no use restrictions.","All of these letters and other materials by authors with last names beginning with M,  are located in Box 18 of the Barrett Minor Literary Collection. The other Barrett Minor authors were all described by various volunteers and then cataloged in Workflows by the Manuscripts cataloger. The cataloger retired before this section could be catalogued in Workflows separately.","Albert and Shirley Small Special Collections Library","Barrett, Clifton Waller, 1901-1991","English"],"collection_title_tesim":["Barrett Minor Literary collection, 1802/1944"],"collection_ssim":["Barrett Minor Literary collection, 1802/1944"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16460","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/949"],"unitid_tesim":["MSS 16460","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/949"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Barrett, Clifton Waller, 1901-1991"],"creator_ssim":["Barrett, Clifton Waller, 1901-1991"],"creator_persname_ssim":["Barrett, Clifton Waller, 1901-1991"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Barrett, Clifton Waller, 1901-1991","Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["There are no use restrictions."],"acqinfo_ssim":["The Clifton Waller Barrett Libray, Minor Authors Collection, was a gift of Clifton Waller Barrett over many years that was completed at his death in 1991."],"access_subjects_ssim":["Poets","authors","dramatists","American Literature--19th Century--History and Criticism","American Literature--20th Century--History and Criticism"],"access_subjects_ssm":["Poets","authors","dramatists","American Literature--19th Century--History and Criticism","American Literature--20th Century--History and Criticism"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet"],"extent_tesim":["0.5 Cubic Feet"],"genreform_ssim":["American Literature--19th Century--History and Criticism","American Literature--20th Century--History and Criticism"],"date_range_isim":[1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eMcDonell was a Scottish Roman Catholic Bishop in Canada (deceased 1840). He was the first Roman Catholic Bishop of Kingston, Ontario, Canada. He attended Scots College at Paris and Valladolid; and was ordained a priest in 1787. He returned to Scotland and spent five years as a priest at Braes of Lochaber. He was the first Catholic chaplain in the British Army since the Reformation, as part of the Glengarry Light Infantry Fencibles Regiment.  In 1804, he appealed to the Government to give the men a tract of land in Glengarry, Canada.  Later in life he established Churches, schools and the Regiopolis College in Kingston. He died in Dunfries, Scotland in 1840.\u003c/p\u003e","\u003cp\u003eMarian Griswold Nevins MacDowell (1857-1956) was an American pianist and philanthropist. Marian and her husband, Edward MacDowell, an American composer, founded an artist retreat in Peterboro, New Hampshire, in 1907. \u003c/p\u003e","\u003cp\u003eMrs. Will Owen Jones, the pianist Edith M. Doolittle, was the wife of a newspaper editor in Lincoln, Nebraska.\u003c/p\u003e","\u003cp\u003eWilliam Osborne McDowell (1848-1927) was a financier and businessman who founded many patriotic organizations including the Sons of the American Revoltion. He was also the Chairman of the Columbian Liberty Bell Committee, which sent a replica of the Liberty Bell on tour in the United States.\u003c/p\u003e","\u003cp\u003eJohn McGill (1809-1872) was the Roman Catholic bishop of the Diocese of Richmond, Virginia, from 1850-1872, and editor of the \"Catholic Advocate.\"\u003c/p\u003e","\u003cp\u003ePhilo Norton McGiffin (1860-1897) was an American naval officer who later served in the Chinese naval service as an advisor during the First Sino-Japanese War, and participated in the \"Battle of the Yellow Sea.\" He was also the first American to command a modern battleship in wartime.\u003c/p\u003e","\u003cp\u003eJohn Thomas McIntyre (1871-1951) was an American playwright and novelist from Philadelphia, known for mystery and crime fiction during the Golden Age.\u003c/p\u003e","\u003cp\u003eOscar Odd McIntyre (1884-1938), born in Plattsburg, Missouri, was a New York newspaper columnist in the 1920s and 1930s, well-known for his daily column \"New York Day by Day.\"\u003c/p\u003e","\u003cp\u003eEdwin Carty Ranck (1879-1957), born in Lexington, Kentucky, was a journalist and poet who wrote for the \"New York Times\" at one point.\u003c/p\u003e","\u003cp\u003eSamuel Roy McKelvie (1881-1956) was the Governor of Nebraska 1919-1923. He was the editor of \"Nebraska Farmer\" beginning in 1905 but became principal owner and publisher of that paper in 1908, continuing as publisher after his terms as governor. \u003c/p\u003e","\u003cp\u003eWill Owen Jones (1862-1928) was a newspaper editor, who worked for the \"Nebraska State Journal\" becoming the managing editor in 1892. He was married to pianist Edith M. Doolittle and they had one child, Mariel Jones.\u003c/p\u003e","\u003cp\u003eWilliam B. McKinley (1856-1926) served as United States Representative and Senator from Illinois as a member of the Republican Party. He was also a the chief executive of the Illinois Traction System (electric railway). \u003c/p\u003e","\u003cp\u003eF.E.M. Cole was the Western Advertising Manager, \"McClure's Magazine,\" Chicago, Illinois.\u003c/p\u003e","\u003cp\u003eEllen MacKubin was a fiction writer, born in Chicago, Illinois. Her sister was the artist, Florence MacKubin.\u003c/p\u003e","\u003cp\u003eMary MacLane (1881-1929) was a controversial Canandian-born American writer and motion picture actress whose reputation as an openly bisexual vocal feminist plus her frank autobiographical writing, earned her the title of \"Wild Woman of Butte.\"\u003c/p\u003e","\u003cp\u003eJohn O'Hara Cosgrove (1866-?), born in Melbourne, Australia, worked as a reporter for \"The San Francisco Call\" (1887-1890) and eventually became the editor of the \"New York Sunday World Magazine\" and \"Everybody's Magazine.\"\u003c/p\u003e","\u003cp\u003eEdward A. McLaughlin (1798-1861) was a poet born in Stanford, Connecticut and served in the United States Navy. He wrote  \"The Lovers of the Deep\".\u003c/p\u003e","\u003cp\u003eMacLean, born in Rockville, Connecticut, was an educator, with advanced degrees from Yale and Leipzig, a pastor, and a Professor of English Language and Literature, University of Minnesota (1883-1895), and Chancellor of the University of Nebraska.\u003c/p\u003e","\u003cp\u003eLouis Mantell was Deputy Consul in Belfast, Ireland, at the this time.\u003c/p\u003e","\u003cp\u003eCharles Wainwright March (1815-1864), a journalist and essayist, was the author of \"Daniel Webster and His Contemporaries\" and \"Reminiscences of Congress.\"\u003c/p\u003e","\u003cp\u003eGeorge Perkins Marsh (1801-1882), American diplomat and philogist, born in Woodstock, Vermont, who spoke over twenty languages. He also served in the United States House of Representatives and practiced law in Burlington, Vermont.\u003c/p\u003e","\u003cp\u003eMarguerite Mooers Marshall (1887-1964) American writer born in Kingston, New Hampshire, attended Tufts College, and was married to Sydney Walters Dean. She was a journalist for the \"New York Evening World\" and other newspapers and authored at least thirteen novels.\u003c/p\u003e","\u003cp\u003eJoseph William Martin, Jr. (1884-1968) was a Republican member of the United States House of Representatives from 1925-1967, and Speaker of the House from 1947-1949 and 1953-1955.\u003c/p\u003e","\u003cp\u003eCaroline Atwater Mason (1853-1939) was an American novelist and travel writer, born in Providence, Rhode Island, and married clergyman, John H. Mason in 1877. She authored at least five novels.\u003c/p\u003e","\u003cp\u003eMary Augusta Mason was a poet born in Windsor, New York, in 1861. She had poems in various anthologies and published at least one book, \"With the Seasons.\"\u003c/p\u003e","\u003cp\u003eWalt Mason (1862-1939), a popular humorist, was born in Columbus, Ontario, Canada, but came to the United States for newspaper work in 1880. He worked for \"Atchison Globe,\" the \"Nebraska State Journal,\" and the \"Washington Evening News. In 1893, Mason married Ella Foss (1861-1936). \u003c/p\u003e","\u003cp\u003eLater he was associated with William Allen White at the publication, \"Emporia Gazette.\" He authored \"Rhymes of the Range\" and \"Uncle Walt\" and his columns \"Rippling Rhymes\" and \"Poetic Philosophy\" appeared in numerous newspapers. \u003c/p\u003e","\u003cp\u003eFrom 1921 until their deaths, Walt and Ella Foss Mason lived in La Jolla, California. \u003c/p\u003e","\u003cp\u003eFrederic Massor was a French author who apparently penned two works about Napoleon, \"Napolean at Home\" and \"Napoleon and the Women of his Court.\"\u003c/p\u003e","\u003cp\u003eLucy Blanche Lyttelton Masterman (1884-1977) was a British poet and diarist who jointed the Fabian Society. In 1908, she was married to Charles Masterman, a member of parliament. She published several books of poems, \"A Book of Wild Things,\" \"Lyrical Poems,\" and \"Poems.\" She also co-authored \"Wives of the Prime Ministers 1844-1906\" and wrote a biography of her husband. She was politically active in the Liberal Party and made a strong showing in several elections but did not win.\u003c/p\u003e","\u003cp\u003eFrances Aymar Mathews (1865-1925) was an American playwright and novelist born in New York City, who was known for her play \"Pretty Peggy.\" She began her career writing for magazines like \"Harper's Bazaar.\" She also wrote historical romances, \"My Lady Peggy Goes to Town\" and \"My Lady Peggy Leaves Town.\"\u003c/p\u003e","\u003cp\u003eCharles Robert Maturin (1780-1824) was an Irish Protestant clergyman in the Church of Ireland who wrote Gothic plays and novels, best known for \"Melmoth the Wanderer.\" He was born in Dublin and attended Trinity College.\u003c/p\u003e","\u003cp\u003eFontaine Maury (1761-1824), born in Albemarle County, Virginia, was a private secretary to President Monroe and later the first clerk of the Navy Department. When he left government service, Maury became a merchant and mayor in Fredricksburg, Virginia.\u003c/p\u003e","\u003cp\u003eInformation derived from Brian Nilsson, Librarian of the Fontaine Maury Society.\u003c/p\u003e","\u003cp\u003eWilliam Babington Maxwell (1866-1938) was a British novelist and playwright who married Sydney Constance Brabazon in 1906. He served in World War I in the Royal Fusiliers until 1917, as a Regimental Transport Officer, which he wrote about in his autobiography \"Time Gathered.\" He served as the chairman of both the Society of Authors and the National Book Council. Maxwell wrote around 38 novels, plus short stories and plays.\u003c/p\u003e","\u003cp\u003eWilliam Orton Tewson (1877-1947) was an editor and literary critic.\u003c/p\u003e","\u003cp\u003eSamuel Joseph May (1797-1871) was an American Unitarian minister and reformer from Syracuse, New York, who attended Harvard University. In 1825, he married Lucretia Flagge Coffin and had five children. He was active in abolition, educational reform, and women's rights movements. He also began and edited a biweekly, \"The Liberal Christian.\"\u003c/p\u003e","\u003cp\u003eKatherine Mayo (1867-1940) was an American historian and nativist who opposed non-white and Catholic immigration to the United States and supported sterotypes of African Americans. Her best know work was \"Mother India\" which deeply critized Indian society and culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["McDonell was a Scottish Roman Catholic Bishop in Canada (deceased 1840). He was the first Roman Catholic Bishop of Kingston, Ontario, Canada. He attended Scots College at Paris and Valladolid; and was ordained a priest in 1787. He returned to Scotland and spent five years as a priest at Braes of Lochaber. He was the first Catholic chaplain in the British Army since the Reformation, as part of the Glengarry Light Infantry Fencibles Regiment.  In 1804, he appealed to the Government to give the men a tract of land in Glengarry, Canada.  Later in life he established Churches, schools and the Regiopolis College in Kingston. He died in Dunfries, Scotland in 1840.","Marian Griswold Nevins MacDowell (1857-1956) was an American pianist and philanthropist. Marian and her husband, Edward MacDowell, an American composer, founded an artist retreat in Peterboro, New Hampshire, in 1907.","Mrs. Will Owen Jones, the pianist Edith M. Doolittle, was the wife of a newspaper editor in Lincoln, Nebraska.","William Osborne McDowell (1848-1927) was a financier and businessman who founded many patriotic organizations including the Sons of the American Revoltion. He was also the Chairman of the Columbian Liberty Bell Committee, which sent a replica of the Liberty Bell on tour in the United States.","John McGill (1809-1872) was the Roman Catholic bishop of the Diocese of Richmond, Virginia, from 1850-1872, and editor of the \"Catholic Advocate.\"","Philo Norton McGiffin (1860-1897) was an American naval officer who later served in the Chinese naval service as an advisor during the First Sino-Japanese War, and participated in the \"Battle of the Yellow Sea.\" He was also the first American to command a modern battleship in wartime.","John Thomas McIntyre (1871-1951) was an American playwright and novelist from Philadelphia, known for mystery and crime fiction during the Golden Age.","Oscar Odd McIntyre (1884-1938), born in Plattsburg, Missouri, was a New York newspaper columnist in the 1920s and 1930s, well-known for his daily column \"New York Day by Day.\"","Edwin Carty Ranck (1879-1957), born in Lexington, Kentucky, was a journalist and poet who wrote for the \"New York Times\" at one point.","Samuel Roy McKelvie (1881-1956) was the Governor of Nebraska 1919-1923. He was the editor of \"Nebraska Farmer\" beginning in 1905 but became principal owner and publisher of that paper in 1908, continuing as publisher after his terms as governor.","Will Owen Jones (1862-1928) was a newspaper editor, who worked for the \"Nebraska State Journal\" becoming the managing editor in 1892. He was married to pianist Edith M. Doolittle and they had one child, Mariel Jones.","William B. McKinley (1856-1926) served as United States Representative and Senator from Illinois as a member of the Republican Party. He was also a the chief executive of the Illinois Traction System (electric railway).","F.E.M. Cole was the Western Advertising Manager, \"McClure's Magazine,\" Chicago, Illinois.","Ellen MacKubin was a fiction writer, born in Chicago, Illinois. Her sister was the artist, Florence MacKubin.","Mary MacLane (1881-1929) was a controversial Canandian-born American writer and motion picture actress whose reputation as an openly bisexual vocal feminist plus her frank autobiographical writing, earned her the title of \"Wild Woman of Butte.\"","John O'Hara Cosgrove (1866-?), born in Melbourne, Australia, worked as a reporter for \"The San Francisco Call\" (1887-1890) and eventually became the editor of the \"New York Sunday World Magazine\" and \"Everybody's Magazine.\"","Edward A. McLaughlin (1798-1861) was a poet born in Stanford, Connecticut and served in the United States Navy. He wrote  \"The Lovers of the Deep\".","MacLean, born in Rockville, Connecticut, was an educator, with advanced degrees from Yale and Leipzig, a pastor, and a Professor of English Language and Literature, University of Minnesota (1883-1895), and Chancellor of the University of Nebraska.","Louis Mantell was Deputy Consul in Belfast, Ireland, at the this time.","Charles Wainwright March (1815-1864), a journalist and essayist, was the author of \"Daniel Webster and His Contemporaries\" and \"Reminiscences of Congress.\"","George Perkins Marsh (1801-1882), American diplomat and philogist, born in Woodstock, Vermont, who spoke over twenty languages. He also served in the United States House of Representatives and practiced law in Burlington, Vermont.","Marguerite Mooers Marshall (1887-1964) American writer born in Kingston, New Hampshire, attended Tufts College, and was married to Sydney Walters Dean. She was a journalist for the \"New York Evening World\" and other newspapers and authored at least thirteen novels.","Joseph William Martin, Jr. (1884-1968) was a Republican member of the United States House of Representatives from 1925-1967, and Speaker of the House from 1947-1949 and 1953-1955.","Caroline Atwater Mason (1853-1939) was an American novelist and travel writer, born in Providence, Rhode Island, and married clergyman, John H. Mason in 1877. She authored at least five novels.","Mary Augusta Mason was a poet born in Windsor, New York, in 1861. She had poems in various anthologies and published at least one book, \"With the Seasons.\"","Walt Mason (1862-1939), a popular humorist, was born in Columbus, Ontario, Canada, but came to the United States for newspaper work in 1880. He worked for \"Atchison Globe,\" the \"Nebraska State Journal,\" and the \"Washington Evening News. In 1893, Mason married Ella Foss (1861-1936).","Later he was associated with William Allen White at the publication, \"Emporia Gazette.\" He authored \"Rhymes of the Range\" and \"Uncle Walt\" and his columns \"Rippling Rhymes\" and \"Poetic Philosophy\" appeared in numerous newspapers.","From 1921 until their deaths, Walt and Ella Foss Mason lived in La Jolla, California.","Frederic Massor was a French author who apparently penned two works about Napoleon, \"Napolean at Home\" and \"Napoleon and the Women of his Court.\"","Lucy Blanche Lyttelton Masterman (1884-1977) was a British poet and diarist who jointed the Fabian Society. In 1908, she was married to Charles Masterman, a member of parliament. She published several books of poems, \"A Book of Wild Things,\" \"Lyrical Poems,\" and \"Poems.\" She also co-authored \"Wives of the Prime Ministers 1844-1906\" and wrote a biography of her husband. She was politically active in the Liberal Party and made a strong showing in several elections but did not win.","Frances Aymar Mathews (1865-1925) was an American playwright and novelist born in New York City, who was known for her play \"Pretty Peggy.\" She began her career writing for magazines like \"Harper's Bazaar.\" She also wrote historical romances, \"My Lady Peggy Goes to Town\" and \"My Lady Peggy Leaves Town.\"","Charles Robert Maturin (1780-1824) was an Irish Protestant clergyman in the Church of Ireland who wrote Gothic plays and novels, best known for \"Melmoth the Wanderer.\" He was born in Dublin and attended Trinity College.","Fontaine Maury (1761-1824), born in Albemarle County, Virginia, was a private secretary to President Monroe and later the first clerk of the Navy Department. When he left government service, Maury became a merchant and mayor in Fredricksburg, Virginia.","Information derived from Brian Nilsson, Librarian of the Fontaine Maury Society.","William Babington Maxwell (1866-1938) was a British novelist and playwright who married Sydney Constance Brabazon in 1906. He served in World War I in the Royal Fusiliers until 1917, as a Regimental Transport Officer, which he wrote about in his autobiography \"Time Gathered.\" He served as the chairman of both the Society of Authors and the National Book Council. Maxwell wrote around 38 novels, plus short stories and plays.","William Orton Tewson (1877-1947) was an editor and literary critic.","Samuel Joseph May (1797-1871) was an American Unitarian minister and reformer from Syracuse, New York, who attended Harvard University. In 1825, he married Lucretia Flagge Coffin and had five children. He was active in abolition, educational reform, and women's rights movements. He also began and edited a biweekly, \"The Liberal Christian.\"","Katherine Mayo (1867-1940) was an American historian and nativist who opposed non-white and Catholic immigration to the United States and supported sterotypes of African Americans. Her best know work was \"Mother India\" which deeply critized Indian society and culture."],"prefercite_html_tesm":["\u003cp\u003eClifton Waller Barrett Library Minor Authors, MSS 16460, 1802-1944, University of Virginia Special Collections Library, Charlottesville, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Clifton Waller Barrett Library Minor Authors, MSS 16460, 1802-1944, University of Virginia Special Collections Library, Charlottesville, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eMcDonell asks the merchants to forward his enclosed letters (not present) to Lord Selkirk and two to New York.\u003c/p\u003e","\u003cp\u003eCongratulates Mrs. Owens upon her daughter's success in playing the MacDowell concerto (July 22, 1918). Marian MacDowell apologizes for not responding to the receipt of Owen's fine program due to circumstances and overwork, since it always pleases her to see the \"Keltic\"on a program and she admired the way she divided the songs from the piano numbers (1922 December 27). The later letter is accompanied by a pamphlet, \"The Peterborough Colony\" by Hermann Hagedorn. Both letters have envelopes.\u003c/p\u003e","\u003cp\u003eMcDowell writes to McClure about his work on the production of the Columbian Liberty Bell Committee and his address before the National Peace Congress at Mystic, Connecticut, \"American Liberty and the World's Destiny.\"\u003c/p\u003e","\u003cp\u003eMcGill sends a letter of sympathy upon the death of the recipient's mother, mentioning her exemplary life, her virtues, and her fidelity in service of God.\u003c/p\u003e","\u003cp\u003eMcGiffin sends a proposal for an article describing the naval action during the \"Battle of the Yellow Sea (1894)\" involving two Chinese vesssels, the \"Kwang-Yi\" and Tsao-kiang, which were intercepted and attacked by three powerful Japanese cruisers. He was on the Court of Inquiry to determine who was to blame for this action which was fought before war was declared and had in his possession copies of all the evidence and photographs of the damages.\u003c/p\u003e","\u003cp\u003eThis was the final paragraph of an article \"Our Quinzaine at La Salette\" by McIlvaine published in \"The Atantic\" October 1894 issue.\u003c/p\u003e","\u003cp\u003eMcIntyre responds to Chapman's question about baseball stories, saying he had only written three of that type, all of which were short stories (April 30, 1923). He also writes that Chapman's letter about his book, \"Shot Towers,\" has arrived.  But since \"there are some motion picture matters pending for this book, and as they may have a book up with the second serial rights I feel I'd better take no action toward placing them as yet\" (December 6, 1926?).\u003c/p\u003e","\u003cp\u003eMcIntyre asks Mr. Tewson if he could review Roy Helton's book \"The Early Adventures of Peacham Grew\" which is coming out next month (published in 1925) since he was a \"great plugger for this story in manuscript.\"\u003c/p\u003e","\u003cp\u003eMcIntyre has received his letter and heard of Ranck's success with interest. He will have the publisher send him an autographed book soon, but it went into a third printing after being sold out. May be writing about \"White Light Nights\" published in 1924. McIntyre has just returned from Europe and plans to go back briefly in three weeks.\u003c/p\u003e","\u003cp\u003eThe letter from McKelvie designates Jones as a delegate to the Tercentenary Celebration of the Landing of the Pilgrims at Plymouth to be held on December 21 (November 24, 1920). Unfortunately, there were no funds to pay his expenses.\u003c/p\u003e","\u003cp\u003eThe certificate signed by McKelvie appointed Will Owen Jones to the General Committee on the Tercentary Celebration of the Landing of the Pilgrims (May 25, 1920), with envelope. \u003c/p\u003e","\u003cp\u003eMcKinley writes of the receipt of Cole's letter about the proposed increase in postage rates and promises to carefully consider his views.\u003c/p\u003e","\u003cp\u003eOne manuscript contains part of the concluding paragraph which tells of a meeting of officers at the Colonel's Quarters where a \"brilliant young soldier's fault was tenderly condoned and where every man enshrined in his memory an ideal of a soldier's wife and the Colonel returned Dick's sword to him.\" Published as \"His Honor\" in \"The Atlantic\" October 1894 issue. \u003c/p\u003e","\u003cp\u003eThe other manuscript's concluding sentence says, \"She has made him bring back to us what we want\" Zenith  City said, \"Let her take away what she wants.\" This was published in \"The Atlantic\" as \"A Life Tenant\" in the July 1897 issue.\u003c/p\u003e","\u003cp\u003eMacLane writes Cosgrove while wintering in St. Augustine, Florida, where she is writing her third book and describes the beauty of the area. She also mentions meeting and dining with the writer, Miss Clara Elizabeth Laughlin (1873-1941), at the Touraine. She says that every time she sees a copy of \"Everybody's Magazine\" his statement to her \"I didn't think you were so artificial as you are\" still rankles.\u003c/p\u003e","\u003cp\u003eAsks McClure if he will consider any of his literary work for publication and encloses a short story as a speciman for his examination.\u003c/p\u003e","\u003cp\u003eMarch asks his friend to write him at Portsmouth, New Hampshire and hopes he will be able to review his book for the \"Waterford Independent.\"\u003c/p\u003e","\u003cp\u003eMarsh recommends Donald G. Mitchell, author of \"Fresh Gleanings,\" a recent volume of European Travels, as one who would be likely to accept an invitation to lecture his association.\u003c/p\u003e","\u003cp\u003eThe Walt Mason materials include: \u003c/p\u003e","\u003cp\u003eFolder 30: A signed short poem beginning \"If days were always sunny\" on the back of a postcard in color with a picture of Walt's home in Emporia, Kansas (undated)\u003c/p\u003e","\u003cp\u003eFolder 31: A signed typewritten one page manuscript of the poem, \"Bix\" (undated)\u003c/p\u003e","\u003cp\u003eFolder 32: Typed letter signed, 1 page, from Walt Mason to Will Owen Jones, \"The State Journal\" (1912 June 20) with envelope; Mason sent a check for the sum he thought he owed Jones, but admitted his life at the time prevented a very accurate accounting. He also admitted that \"it was the most fortunate day of my life when I got next to W.A. White. He gave methe right sort of encouragement and got some ambition stirred up in me.Since the luck turned things have come my way with a rush.\"\u003c/p\u003e","\u003cp\u003eFolder 33: Typed letter signed, 1 page, from Walt Mason to Will Owen Jones, \"The State Journal\" (1918 September 3) with envelope, Walt Mason described the positive impact of his article in \"American Magazine\" called \"Down and Out at Forty-Five.\"\u003c/p\u003e","\u003cp\u003eFolder 34: Signed autograph note  on the back of a photograph postcard of Walt Mason's residence in La Jolla, California (1927 May 23)\u003c/p\u003e","\u003cp\u003eFolder 35: Signed typed letter, 1 page, from Walt Mason to Will Owen Jones, with envelope (1927 June 7); He was pleased with the way his article appeared and he asked for five copies to be sent to him.\u003c/p\u003e","\u003cp\u003eFolder 36: Signed typed letter, 1 page, from Walt Mason to an unidentified correspondent, but possibly Will Owen Jones (1927 July 8), in which he expressed his appreciation for the Anniversary number.\u003c/p\u003e","\u003cp\u003eFolder 37: Signed postcard, La Jolla Cliffs, California, from Walt Mason to Will Owen Jones, \"The Journal\" Lincoln, Nebraska, informing him that he will be at La Jolla through the summer, at least (1920 May 10).\u003c/p\u003e","\u003cp\u003eFolder 38: Signed (with initials), autograph letter, 2 pages, from Walt Mason to \"Dear Friend\" at the Lincoln \"Journal\" asking if he could send an occasional contribution as he has time for the people who look for his material in the publication (undated).\u003c/p\u003e","\u003cp\u003eFolder 39: Printed photograph and autobiographical article, \"Down and Out at Forty-five\" by Walt Mason, with a brief printed note by William Allen White, titled \"What Happened to Walt Mason\" both in the same issue of \"The American Magazine\" (1918 September)\u003c/p\u003e","\u003cp\u003eFolder 40: Newspaper clipping about Walt Mason (undated)\u003c/p\u003e","\u003cp\u003eBoth cards from Massor are arranging a time to visit him at his home in Paris. He warns that his English is very bad but he understands the language and that his residence is usually closed, so he will need to know the time of his visit.\u003c/p\u003e","\u003cp\u003eShe sends her poem and a letter to O'Donnell in answer to his request for her autograph. She also mentions that her poems are available in an American edition published by Mr. Mosher of Portland, Maine, under her maiden name.\u003c/p\u003e","\u003cp\u003eMathews thanks McClure for his quick response and promises to write some short stories for him providing the price is high enough. She is currently writing a short story of an encounter with the son of Napoleon III in an out of the way spot in Europe and could do more along that line, as well as other settings in Canada or other foreign lands.\u003c/p\u003e","\u003cp\u003eMaury wrote to Mason requesting the full details of his testimony regarding General David B. Mitchell (1766-1837), agent to the Creek Indians, and others, being involved in the smuggling of African enslaved persons at the Creek Agency. He also asked for information about Mitchell's unauthorized payment to the Creek nation for their services during the Creek War.\u003c/p\u003e","\u003cp\u003eMaxwell congratulated Tewson upon his appointment to the editorship of the \"Evening Post Literary Review.\" He also offers a series of twelve articles to him for publication provided they could be published after the date of their publication in \"The Evening Standard\" which has first publication rights. He sends three articles, \"Condemned to Death,\" \"Why Cannot We Still Be Young?\" and \"The Undying Past.\"\u003c/p\u003e","\u003cp\u003eExpressing gladness that Blodgett was interested in her book \"Mother India,\" Mayo writes that \"American public opinion focussed on the shackles that are killing Hindu India, is the most powerful weapon for India's rescue that this world, under God, contains today.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["McDonell asks the merchants to forward his enclosed letters (not present) to Lord Selkirk and two to New York.","Congratulates Mrs. Owens upon her daughter's success in playing the MacDowell concerto (July 22, 1918). Marian MacDowell apologizes for not responding to the receipt of Owen's fine program due to circumstances and overwork, since it always pleases her to see the \"Keltic\"on a program and she admired the way she divided the songs from the piano numbers (1922 December 27). The later letter is accompanied by a pamphlet, \"The Peterborough Colony\" by Hermann Hagedorn. Both letters have envelopes.","McDowell writes to McClure about his work on the production of the Columbian Liberty Bell Committee and his address before the National Peace Congress at Mystic, Connecticut, \"American Liberty and the World's Destiny.\"","McGill sends a letter of sympathy upon the death of the recipient's mother, mentioning her exemplary life, her virtues, and her fidelity in service of God.","McGiffin sends a proposal for an article describing the naval action during the \"Battle of the Yellow Sea (1894)\" involving two Chinese vesssels, the \"Kwang-Yi\" and Tsao-kiang, which were intercepted and attacked by three powerful Japanese cruisers. He was on the Court of Inquiry to determine who was to blame for this action which was fought before war was declared and had in his possession copies of all the evidence and photographs of the damages.","This was the final paragraph of an article \"Our Quinzaine at La Salette\" by McIlvaine published in \"The Atantic\" October 1894 issue.","McIntyre responds to Chapman's question about baseball stories, saying he had only written three of that type, all of which were short stories (April 30, 1923). He also writes that Chapman's letter about his book, \"Shot Towers,\" has arrived.  But since \"there are some motion picture matters pending for this book, and as they may have a book up with the second serial rights I feel I'd better take no action toward placing them as yet\" (December 6, 1926?).","McIntyre asks Mr. Tewson if he could review Roy Helton's book \"The Early Adventures of Peacham Grew\" which is coming out next month (published in 1925) since he was a \"great plugger for this story in manuscript.\"","McIntyre has received his letter and heard of Ranck's success with interest. He will have the publisher send him an autographed book soon, but it went into a third printing after being sold out. May be writing about \"White Light Nights\" published in 1924. McIntyre has just returned from Europe and plans to go back briefly in three weeks.","The letter from McKelvie designates Jones as a delegate to the Tercentenary Celebration of the Landing of the Pilgrims at Plymouth to be held on December 21 (November 24, 1920). Unfortunately, there were no funds to pay his expenses.","The certificate signed by McKelvie appointed Will Owen Jones to the General Committee on the Tercentary Celebration of the Landing of the Pilgrims (May 25, 1920), with envelope.","McKinley writes of the receipt of Cole's letter about the proposed increase in postage rates and promises to carefully consider his views.","One manuscript contains part of the concluding paragraph which tells of a meeting of officers at the Colonel's Quarters where a \"brilliant young soldier's fault was tenderly condoned and where every man enshrined in his memory an ideal of a soldier's wife and the Colonel returned Dick's sword to him.\" Published as \"His Honor\" in \"The Atlantic\" October 1894 issue.","The other manuscript's concluding sentence says, \"She has made him bring back to us what we want\" Zenith  City said, \"Let her take away what she wants.\" This was published in \"The Atlantic\" as \"A Life Tenant\" in the July 1897 issue.","MacLane writes Cosgrove while wintering in St. Augustine, Florida, where she is writing her third book and describes the beauty of the area. She also mentions meeting and dining with the writer, Miss Clara Elizabeth Laughlin (1873-1941), at the Touraine. She says that every time she sees a copy of \"Everybody's Magazine\" his statement to her \"I didn't think you were so artificial as you are\" still rankles.","Asks McClure if he will consider any of his literary work for publication and encloses a short story as a speciman for his examination.","March asks his friend to write him at Portsmouth, New Hampshire and hopes he will be able to review his book for the \"Waterford Independent.\"","Marsh recommends Donald G. Mitchell, author of \"Fresh Gleanings,\" a recent volume of European Travels, as one who would be likely to accept an invitation to lecture his association.","The Walt Mason materials include:","Folder 30: A signed short poem beginning \"If days were always sunny\" on the back of a postcard in color with a picture of Walt's home in Emporia, Kansas (undated)","Folder 31: A signed typewritten one page manuscript of the poem, \"Bix\" (undated)","Folder 32: Typed letter signed, 1 page, from Walt Mason to Will Owen Jones, \"The State Journal\" (1912 June 20) with envelope; Mason sent a check for the sum he thought he owed Jones, but admitted his life at the time prevented a very accurate accounting. He also admitted that \"it was the most fortunate day of my life when I got next to W.A. White. He gave methe right sort of encouragement and got some ambition stirred up in me.Since the luck turned things have come my way with a rush.\"","Folder 33: Typed letter signed, 1 page, from Walt Mason to Will Owen Jones, \"The State Journal\" (1918 September 3) with envelope, Walt Mason described the positive impact of his article in \"American Magazine\" called \"Down and Out at Forty-Five.\"","Folder 34: Signed autograph note  on the back of a photograph postcard of Walt Mason's residence in La Jolla, California (1927 May 23)","Folder 35: Signed typed letter, 1 page, from Walt Mason to Will Owen Jones, with envelope (1927 June 7); He was pleased with the way his article appeared and he asked for five copies to be sent to him.","Folder 36: Signed typed letter, 1 page, from Walt Mason to an unidentified correspondent, but possibly Will Owen Jones (1927 July 8), in which he expressed his appreciation for the Anniversary number.","Folder 37: Signed postcard, La Jolla Cliffs, California, from Walt Mason to Will Owen Jones, \"The Journal\" Lincoln, Nebraska, informing him that he will be at La Jolla through the summer, at least (1920 May 10).","Folder 38: Signed (with initials), autograph letter, 2 pages, from Walt Mason to \"Dear Friend\" at the Lincoln \"Journal\" asking if he could send an occasional contribution as he has time for the people who look for his material in the publication (undated).","Folder 39: Printed photograph and autobiographical article, \"Down and Out at Forty-five\" by Walt Mason, with a brief printed note by William Allen White, titled \"What Happened to Walt Mason\" both in the same issue of \"The American Magazine\" (1918 September)","Folder 40: Newspaper clipping about Walt Mason (undated)","Both cards from Massor are arranging a time to visit him at his home in Paris. He warns that his English is very bad but he understands the language and that his residence is usually closed, so he will need to know the time of his visit.","She sends her poem and a letter to O'Donnell in answer to his request for her autograph. She also mentions that her poems are available in an American edition published by Mr. Mosher of Portland, Maine, under her maiden name.","Mathews thanks McClure for his quick response and promises to write some short stories for him providing the price is high enough. She is currently writing a short story of an encounter with the son of Napoleon III in an out of the way spot in Europe and could do more along that line, as well as other settings in Canada or other foreign lands.","Maury wrote to Mason requesting the full details of his testimony regarding General David B. Mitchell (1766-1837), agent to the Creek Indians, and others, being involved in the smuggling of African enslaved persons at the Creek Agency. He also asked for information about Mitchell's unauthorized payment to the Creek nation for their services during the Creek War.","Maxwell congratulated Tewson upon his appointment to the editorship of the \"Evening Post Literary Review.\" He also offers a series of twelve articles to him for publication provided they could be published after the date of their publication in \"The Evening Standard\" which has first publication rights. He sends three articles, \"Condemned to Death,\" \"Why Cannot We Still Be Young?\" and \"The Undying Past.\"","Expressing gladness that Blodgett was interested in her book \"Mother India,\" Mayo writes that \"American public opinion focussed on the shackles that are killing Hindu India, is the most powerful weapon for India's rescue that this world, under God, contains today.\""],"userestrict_html_tesm":["\u003cp\u003eThere are no use restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["There are no use restrictions."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bc01e8b03ad98bc7323a28ec79d4d80a\"\u003eAll of these letters and other materials by authors with last names beginning with M,  are located in Box 18 of the Barrett Minor Literary Collection. The other Barrett Minor authors were all described by various volunteers and then cataloged in Workflows by the Manuscripts cataloger. The cataloger retired before this section could be catalogued in Workflows separately.\u003c/physloc\u003e\n    "],"physloc_tesim":["All of these letters and other materials by authors with last names beginning with M,  are located in Box 18 of the Barrett Minor Literary Collection. The other Barrett Minor authors were all described by various volunteers and then cataloged in Workflows by the Manuscripts cataloger. The cataloger retired before this section could be catalogued in Workflows separately."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Barrett, Clifton Waller, 1901-1991"],"names_ssim":["Albert and Shirley Small Special Collections Library","Barrett, Clifton Waller, 1901-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":34,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:30:00.774Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_949"}},{"id":"viu_viu00575_c05_c01","type":"Item","attributes":{"title":"Barringer Genealogy and Family\n                  history, 1812/1959","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu00575_c05_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00575_c05_c01","ref_ssm":["viu_viu00575_c05_c01"],"id":"viu_viu00575_c05_c01","ead_ssi":"viu_viu00575","_root_":"viu_viu00575","_nest_parent_":"viu_viu00575_c05","parent_ssi":"viu_viu00575_c05","parent_ssim":["Barringer Family Papers \n         ca.\n         1812-1966","Series V: Genealogical Material"],"parent_ids_ssim":["viu_viu00575","viu_viu00575_c05"],"title_filing_ssi":"Barringer Genealogy and Family\n                  history","title_ssm":["Barringer Genealogy and Family\n                  history"],"title_tesim":["Barringer Genealogy and Family\n                  history"],"normalized_title_ssm":["Barringer Genealogy and Family\n                  history, 1812/1959"],"text":["Barringer Genealogy and Family\n                  history, 1812/1959","Barringer Family Papers \n         ca.\n         1812-1966","Series V: Genealogical Material","Box Box 9"],"parent_unittitles_ssm":["Barringer Family Papers \n         ca.\n         1812-1966","Series V: Genealogical Material"],"parent_unittitles_tesim":["Barringer Family Papers \n         ca.\n         1812-1966","Series V: Genealogical Material"],"normalized_date_ssm":["1812/1959"],"unitdate_other_ssim":["1812, 1867-1959, n. d."],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":45,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Barringer Family Papers \n         ca.\n         1812-1966"],"containers_ssim":["Box Box 9"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"_nest_path_":"/components#4/components#0","timestamp":"2026-06-23T07:33:15.613Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00575","ead_ssi":"viu_viu00575","_root_":"viu_viu00575","_nest_parent_":"viu_viu00575","ead_source_url_ssi":"data/uva-sc/viu00575.xml","title_ssm":["Barringer Family Papers \n         ca.\n         1812-1966"],"title_tesim":["Barringer Family Papers \n         ca.\n         1812-1966"],"normalized_title_ssm":["Barringer Family Papers \n         ca.\n         1812-1966"],"text":["Barringer Family Papers \n         ca.\n         1812-1966","2588, -a, -b, -c, -d, -e, -g","This collection consists of ca. 3000 items.","There are no restrictions.","The \n          Barringer Family Papers are arranged in\n         eight series: I. General Correspondence; II. \n          Virginia Polytechnic Institute Papers;\n         III. Fire Extinguisher Papers; IV. Literary Manuscripts; V.\n         Genealogical Material; VI.Printed Material; VII.\n         Miscellaneous; VIII. Bound Volumes. These series are ordered\n         chronologically with two exceptions: Series IV. Literary\n         Manuscripts, which is arranged alphabetically by fragment\n         topics and essay titles; Series V. Genealogical Material,\n         which is arranged alphabetically by family name. Most letters\n         have been filed under Series I. General Correspondence.\n         However, letters pertaining exclusively to Barringer's tenure\n         at \n          Virginia Polytechnic Institute to his\n         fire extinguisher patents, or to genealogical topics, have\n         been placed in those respective series.","The \n          Barringer Family Papers comprise ca. 2,830\n         items (twelve Hollinger boxes and 1 oversize folder, 5.2\n         linear shelf feet), 1828-1963, consisting of correspondence,\n         legal and financial documents, literary manuscripts,\n         genealogical material, newsclippings, photographs and keepsake\n         items, certificates and commissions, printed articles and\n         pamphlets, monographs and broadsides. These papers pertain\n         chiefly to \n          Paul Brandon Barringer (1857-1941) and\n         other members of his family, most notably General \n          Rufus Barringer (1821-1895) and \n          Victor C. Barringer (1828-1896). A few of\n         these papers also pertain to \n          T. J. \"Stonewall\" Jackson and his wife, \n          Anna Morrison Jackson who were related\n         to the \n          Barringer family by marriage. Additional\n         genealogical data exist for the following families: \n          Brandon, Graham, Hannah, Massey, Morrison, Spragins, Washington, and \n          Woodson.","The bulk of the \n          Barringer material consists of the personal\n         papers of \n          Paul Brandon Barringer professor of\n         medicine and chairman of the faculty of the \n          University of Virginia founder of the \n          University of Virginia Hospital\n         president of the \n          Agricultural and Mechanical College of\n         Virginia (presently \n          Virginia Polytechnic Institute and State\n         University), a member of the \n          Virginia Board of Health and \n          Virginia Board of Agriculture an\n         inventor, and author on topics varying from family history to\n         racial affairs. Little of this material illuminates his\n         professional life with the exception of those documents\n         associated with his tenure at \n          Virginia Polytechnic Institute. The chief\n         focus of his papers is social and intellectual.","Most of the correspondence in these papers deals with \n          Barringer family affairs and personal\n         matters concerning \n          Paul B. Barringer. Topics include family\n         illness, real estate dealings and other financial matters,\n         speaking engagements, the American Negro, and occasionally,\n         politics (especially Barringer's unsuccessful attempt to be\n         appointed \n          United States Secretary of Agriculture).\n         Among the correspondents are: \n          Edwin A. Alderman \n          Harry F. Byrd \n          John Armstrong Chaloner \n          Lenoir Chambers \n          William A. Clark \n          Hugh S. Cumming \n          Charles W. Dabney \n          John Dalzell \n          Josephus Daniels \n          Noah K. Davis \n          R. T. W. Duke \n          E. C. Glass \n          Carter Glass \n          Armistead C. Gordon \n          Hugh S. Johnson \n          Fitzhugh Lee \n          Andrew J. Montague \n          R. Walton Moore \n          John L. Newcomb \n          Robert C. Ogden \n          Lee S. Overman \n          Thomas N. Page \n          Thomas W. Page \n          William L. Phelps \n          John F. Rixey \n          Albert Shaw \n          C. Alphonso Smith \n          Claude A. Swanson \n          Benjamin R. Tillman \n          J. Hoge Tyler \n          Oscar W. Underwood \n          Henry A. Wallace and \n          John Sharp Williams. Among those\n         corresponding with \n          Paul B. Barringer concerning racial\n         matters are: \n          Lyman Abbott \n          Frank P. Brent \n          John W. Daniel \n          H. B. Frissell \n          Armistead C. Gordon \n          Thomas W. Harrison \n          Hilary A. Herbert \n          Edgar G. Murphy \n          Clarence Poe \n          Charles D. Warner and \n          Booker T. Washington. Additional\n         correspondence includes editorial letters written by \n          Paul B. Barringer which discuss political,\n         civic and social issues. A small group of letters (11 items)\n         contains typed and autograph documents by President \n          Theodore Roosevelt chiefly concerning\n         his visit to the \n          University of Virginia in 1903.","Correspondence from the nineteenth century also includes\n         letters by \n          Daniel Laurens Barringer (Congressman, \n          North Carolina), \n          Daniel Moreau Barringer (Congressman, \n          North Carolina ; Minister to \n          Spain), \n          T. J. \"Stonewall\" Jackson (photocopies)\n         and his wife, \n          Anna (Morrison) Jackson and General \n          Rufus Barringer who offers a detailed\n         account of life as a Confederate prisoner of war at \n          Fort Delaware, Delaware (ALS-Photostat).\n         Other occasional references to Civil War news (especially\n         during 1863) and to the sale, price and investment value of\n         slaves also appear in some of these early letters. Letters\n         dated from the 1870's include accounts of boarding school life\n         (Bingham School, Mebaneville, North Carolina; Kenmore University School, Amherst Court House, Virginia; A. F. Seminary, Staunton, Virginia) by \n          Paul B. Barringer and \n          Anna Barringer.","An important group of correspondence and related papers\n         documents a series of investigations stemming from charges\n         made by the \n          Virginia Polytechnic Institute Alumni Association\n         Welfare Committee against \n          Paul B. Barringer while he was president\n         of \n          Virginia Polytechnic\n         Institute (1907-1913). Included in these documents\n         are newsclippings, affidavits, evidentiary exhibits, copies of\n         formal charges and Barringer's replies to them, and printed\n         matter regarding the investigation. An additional set of\n         documents concerns charges made against \n          R. J. Noell of the \n          Radford State Normal School by the Radford\n         Record (1913).","The \n          Barringer Family Papers also contain\n         autograph and typescript notes and literary drafts, as well as\n         printed articles and monographs, written chiefly either by or\n         about \n          Paul B. Barringer. Included are essays,\n         memoirs and several printed monographs by Barringer, but most\n         of the material comprises note and draft fragments.\n         Anthropology, race, religion and theology are the predominant\n         topics in these writings. Other subjects, including economics,\n         history, medicine, prohibition and biography, are also\n         represented. Additional authors include General \n          Rufus Barringer and \n          Daniel Moreau Barringer.","A separate group of documents (104 items) contains\n         drawings, legal papers, printed specifications and patent\n         certificates ( \n          United States of America \n          Canada \n          Great Britain) for a fire extinguisher\n         which \n          Paul B. Barringer invented.","Among the miscellaneous items within these papers are\n         documents referring to the \n          University of Virginia \n          Michel Ney (Marshal of \n          France) (1769-1815), and \n          Georgia O'Keeffe (1887-). Miscellaneous\n         financial documents include receipts of \n          Victor C. Barringer General \n          Rufus Barringer and \n          Paul B. Barringer accounts from \n          Paul B. Barringer 's ophthalmology\n         practice, canceled checks, and bank statements and utility\n         accounts compiled during \n          Paul B. Barringer 's tenure at \n          Virginia Polytechnic Institute\n         Certificates commissions and licences (many\n         oversize) awarded to \n          Paul B. Barringer and \n          Nannie (Hannah) Barringer include his\n         license to practice medicine in \n          Virginia (1890). Engravings and numerous\n         photographs depict various family members and \" \n          Gravel Hill \" a home in \n          Charlotte County, Virginia.","In addition, these papers contain numerous newsclippings\n         pertaining to the \n          Barringer and \n          Morrison families in \n          Virginia and \n          North Carolina and three theater\n         broadsides featuring \n          Edwin Booth in leading roles. Bound\n         volumes, which include a commonplace book of General \n          Rufus Barringer \n          Paul B. Barringer 's case book, and a\n         scrapbook of newsclippings pertaining to the \"Negro question,\"\n         are also included.","Photographs of interest include Robert E. Lee with former Confederate generals at White Sulphur Springs, 1869 and Dr. Paul Barringer and Dr. William Mann Randolph in a buggy at \"the Corner,\" 1906.","See the \n            \n            University of Virginia Library’s use policy.","English"],"collection_title_tesim":["Barringer Family Papers \n         ca.\n         1812-1966"],"collection_ssim":["Barringer Family Papers \n         ca.\n         1812-1966"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2588, -a, -b, -c, -d, -e, -g"],"unitid_tesim":["2588, -a, -b, -c, -d, -e, -g"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["The Barringer Family Papers were given to the\n            Library by various members of the Barringer family between 1937 and 1981."],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection consists of ca. 3000 items."],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe \n          Barringer Family Papers are arranged in\n         eight series: I. General Correspondence; II. \n          Virginia Polytechnic Institute Papers;\n         III. Fire Extinguisher Papers; IV. Literary Manuscripts; V.\n         Genealogical Material; VI.Printed Material; VII.\n         Miscellaneous; VIII. Bound Volumes. These series are ordered\n         chronologically with two exceptions: Series IV. Literary\n         Manuscripts, which is arranged alphabetically by fragment\n         topics and essay titles; Series V. Genealogical Material,\n         which is arranged alphabetically by family name. Most letters\n         have been filed under Series I. General Correspondence.\n         However, letters pertaining exclusively to Barringer's tenure\n         at \n          Virginia Polytechnic Institute to his\n         fire extinguisher patents, or to genealogical topics, have\n         been placed in those respective series.\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Organization"],"arrangement_tesim":["The \n          Barringer Family Papers are arranged in\n         eight series: I. General Correspondence; II. \n          Virginia Polytechnic Institute Papers;\n         III. Fire Extinguisher Papers; IV. Literary Manuscripts; V.\n         Genealogical Material; VI.Printed Material; VII.\n         Miscellaneous; VIII. Bound Volumes. These series are ordered\n         chronologically with two exceptions: Series IV. Literary\n         Manuscripts, which is arranged alphabetically by fragment\n         topics and essay titles; Series V. Genealogical Material,\n         which is arranged alphabetically by family name. Most letters\n         have been filed under Series I. General Correspondence.\n         However, letters pertaining exclusively to Barringer's tenure\n         at \n          Virginia Polytechnic Institute to his\n         fire extinguisher patents, or to genealogical topics, have\n         been placed in those respective series."],"prefercite_html_tesm":["\u003cp\u003eBarringer Family Papers, Accession #2588, -a, -b, -c, -d, -e, -g, Special Collections, University of Virginia Library, Charlottesville, Va.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Barringer Family Papers, Accession #2588, -a, -b, -c, -d, -e, -g, Special Collections, University of Virginia Library, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe \n          Barringer Family Papers comprise ca. 2,830\n         items (twelve Hollinger boxes and 1 oversize folder, 5.2\n         linear shelf feet), 1828-1963, consisting of correspondence,\n         legal and financial documents, literary manuscripts,\n         genealogical material, newsclippings, photographs and keepsake\n         items, certificates and commissions, printed articles and\n         pamphlets, monographs and broadsides. These papers pertain\n         chiefly to \n          Paul Brandon Barringer (1857-1941) and\n         other members of his family, most notably General \n          Rufus Barringer (1821-1895) and \n          Victor C. Barringer (1828-1896). A few of\n         these papers also pertain to \n          T. J. \"Stonewall\" Jackson and his wife, \n          Anna Morrison Jackson who were related\n         to the \n          Barringer family by marriage. Additional\n         genealogical data exist for the following families: \n          Brandon, Graham, Hannah, Massey, Morrison, Spragins, Washington, and \n          Woodson.\u003c/p\u003e\n      ","\u003cp\u003eThe bulk of the \n          Barringer material consists of the personal\n         papers of \n          Paul Brandon Barringer professor of\n         medicine and chairman of the faculty of the \n          University of Virginia founder of the \n          University of Virginia Hospital\n         president of the \n          Agricultural and Mechanical College of\n         Virginia (presently \n          Virginia Polytechnic Institute and State\n         University), a member of the \n          Virginia Board of Health and \n          Virginia Board of Agriculture an\n         inventor, and author on topics varying from family history to\n         racial affairs. Little of this material illuminates his\n         professional life with the exception of those documents\n         associated with his tenure at \n          Virginia Polytechnic Institute. The chief\n         focus of his papers is social and intellectual.\u003c/p\u003e\n      ","\u003cp\u003eMost of the correspondence in these papers deals with \n          Barringer family affairs and personal\n         matters concerning \n          Paul B. Barringer. Topics include family\n         illness, real estate dealings and other financial matters,\n         speaking engagements, the American Negro, and occasionally,\n         politics (especially Barringer's unsuccessful attempt to be\n         appointed \n          United States Secretary of Agriculture).\n         Among the correspondents are: \n          Edwin A. Alderman \n          Harry F. Byrd \n          John Armstrong Chaloner \n          Lenoir Chambers \n          William A. Clark \n          Hugh S. Cumming \n          Charles W. Dabney \n          John Dalzell \n          Josephus Daniels \n          Noah K. Davis \n          R. T. W. Duke \n          E. C. Glass \n          Carter Glass \n          Armistead C. Gordon \n          Hugh S. Johnson \n          Fitzhugh Lee \n          Andrew J. Montague \n          R. Walton Moore \n          John L. Newcomb \n          Robert C. Ogden \n          Lee S. Overman \n          Thomas N. Page \n          Thomas W. Page \n          William L. Phelps \n          John F. Rixey \n          Albert Shaw \n          C. Alphonso Smith \n          Claude A. Swanson \n          Benjamin R. Tillman \n          J. Hoge Tyler \n          Oscar W. Underwood \n          Henry A. Wallace and \n          John Sharp Williams. Among those\n         corresponding with \n          Paul B. Barringer concerning racial\n         matters are: \n          Lyman Abbott \n          Frank P. Brent \n          John W. Daniel \n          H. B. Frissell \n          Armistead C. Gordon \n          Thomas W. Harrison \n          Hilary A. Herbert \n          Edgar G. Murphy \n          Clarence Poe \n          Charles D. Warner and \n          Booker T. Washington. Additional\n         correspondence includes editorial letters written by \n          Paul B. Barringer which discuss political,\n         civic and social issues. A small group of letters (11 items)\n         contains typed and autograph documents by President \n          Theodore Roosevelt chiefly concerning\n         his visit to the \n          University of Virginia in 1903.\u003c/p\u003e\n      ","\u003cp\u003eCorrespondence from the nineteenth century also includes\n         letters by \n          Daniel Laurens Barringer (Congressman, \n          North Carolina), \n          Daniel Moreau Barringer (Congressman, \n          North Carolina ; Minister to \n          Spain), \n          T. J. \"Stonewall\" Jackson (photocopies)\n         and his wife, \n          Anna (Morrison) Jackson and General \n          Rufus Barringer who offers a detailed\n         account of life as a Confederate prisoner of war at \n          Fort Delaware, Delaware (ALS-Photostat).\n         Other occasional references to Civil War news (especially\n         during 1863) and to the sale, price and investment value of\n         slaves also appear in some of these early letters. Letters\n         dated from the 1870's include accounts of boarding school life\n         (Bingham School, Mebaneville, North Carolina; Kenmore University School, Amherst Court House, Virginia; A. F. Seminary, Staunton, Virginia) by \n          Paul B. Barringer and \n          Anna Barringer.\u003c/p\u003e\n      ","\u003cp\u003eAn important group of correspondence and related papers\n         documents a series of investigations stemming from charges\n         made by the \n          Virginia Polytechnic Institute Alumni Association\n         Welfare Committee against \n          Paul B. Barringer while he was president\n         of \n          Virginia Polytechnic\n         Institute (1907-1913). Included in these documents\n         are newsclippings, affidavits, evidentiary exhibits, copies of\n         formal charges and Barringer's replies to them, and printed\n         matter regarding the investigation. An additional set of\n         documents concerns charges made against \n          R. J. Noell of the \n          Radford State Normal School by the Radford\n         Record (1913).\u003c/p\u003e\n      ","\u003cp\u003eThe \n          Barringer Family Papers also contain\n         autograph and typescript notes and literary drafts, as well as\n         printed articles and monographs, written chiefly either by or\n         about \n          Paul B. Barringer. Included are essays,\n         memoirs and several printed monographs by Barringer, but most\n         of the material comprises note and draft fragments.\n         Anthropology, race, religion and theology are the predominant\n         topics in these writings. Other subjects, including economics,\n         history, medicine, prohibition and biography, are also\n         represented. Additional authors include General \n          Rufus Barringer and \n          Daniel Moreau Barringer.\u003c/p\u003e\n      ","\u003cp\u003eA separate group of documents (104 items) contains\n         drawings, legal papers, printed specifications and patent\n         certificates ( \n          United States of America \n          Canada \n          Great Britain) for a fire extinguisher\n         which \n          Paul B. Barringer invented.\u003c/p\u003e\n      ","\u003cp\u003eAmong the miscellaneous items within these papers are\n         documents referring to the \n          University of Virginia \n          Michel Ney (Marshal of \n          France) (1769-1815), and \n          Georgia O'Keeffe (1887-). Miscellaneous\n         financial documents include receipts of \n          Victor C. Barringer General \n          Rufus Barringer and \n          Paul B. Barringer accounts from \n          Paul B. Barringer 's ophthalmology\n         practice, canceled checks, and bank statements and utility\n         accounts compiled during \n          Paul B. Barringer 's tenure at \n          Virginia Polytechnic Institute\n         Certificates commissions and licences (many\n         oversize) awarded to \n          Paul B. Barringer and \n          Nannie (Hannah) Barringer include his\n         license to practice medicine in \n          Virginia (1890). Engravings and numerous\n         photographs depict various family members and \" \n          Gravel Hill \" a home in \n          Charlotte County, Virginia.\u003c/p\u003e\n      ","\u003cp\u003eIn addition, these papers contain numerous newsclippings\n         pertaining to the \n          Barringer and \n          Morrison families in \n          Virginia and \n          North Carolina and three theater\n         broadsides featuring \n          Edwin Booth in leading roles. Bound\n         volumes, which include a commonplace book of General \n          Rufus Barringer \n          Paul B. Barringer 's case book, and a\n         scrapbook of newsclippings pertaining to the \"Negro question,\"\n         are also included.\u003c/p\u003e\n      ","\u003cp\u003ePhotographs of interest include Robert E. Lee with former Confederate generals at White Sulphur Springs, 1869 and Dr. Paul Barringer and Dr. William Mann Randolph in a buggy at \"the Corner,\" 1906.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The \n          Barringer Family Papers comprise ca. 2,830\n         items (twelve Hollinger boxes and 1 oversize folder, 5.2\n         linear shelf feet), 1828-1963, consisting of correspondence,\n         legal and financial documents, literary manuscripts,\n         genealogical material, newsclippings, photographs and keepsake\n         items, certificates and commissions, printed articles and\n         pamphlets, monographs and broadsides. These papers pertain\n         chiefly to \n          Paul Brandon Barringer (1857-1941) and\n         other members of his family, most notably General \n          Rufus Barringer (1821-1895) and \n          Victor C. Barringer (1828-1896). A few of\n         these papers also pertain to \n          T. J. \"Stonewall\" Jackson and his wife, \n          Anna Morrison Jackson who were related\n         to the \n          Barringer family by marriage. Additional\n         genealogical data exist for the following families: \n          Brandon, Graham, Hannah, Massey, Morrison, Spragins, Washington, and \n          Woodson.","The bulk of the \n          Barringer material consists of the personal\n         papers of \n          Paul Brandon Barringer professor of\n         medicine and chairman of the faculty of the \n          University of Virginia founder of the \n          University of Virginia Hospital\n         president of the \n          Agricultural and Mechanical College of\n         Virginia (presently \n          Virginia Polytechnic Institute and State\n         University), a member of the \n          Virginia Board of Health and \n          Virginia Board of Agriculture an\n         inventor, and author on topics varying from family history to\n         racial affairs. Little of this material illuminates his\n         professional life with the exception of those documents\n         associated with his tenure at \n          Virginia Polytechnic Institute. The chief\n         focus of his papers is social and intellectual.","Most of the correspondence in these papers deals with \n          Barringer family affairs and personal\n         matters concerning \n          Paul B. Barringer. Topics include family\n         illness, real estate dealings and other financial matters,\n         speaking engagements, the American Negro, and occasionally,\n         politics (especially Barringer's unsuccessful attempt to be\n         appointed \n          United States Secretary of Agriculture).\n         Among the correspondents are: \n          Edwin A. Alderman \n          Harry F. Byrd \n          John Armstrong Chaloner \n          Lenoir Chambers \n          William A. Clark \n          Hugh S. Cumming \n          Charles W. Dabney \n          John Dalzell \n          Josephus Daniels \n          Noah K. Davis \n          R. T. W. Duke \n          E. C. Glass \n          Carter Glass \n          Armistead C. Gordon \n          Hugh S. Johnson \n          Fitzhugh Lee \n          Andrew J. Montague \n          R. Walton Moore \n          John L. Newcomb \n          Robert C. Ogden \n          Lee S. Overman \n          Thomas N. Page \n          Thomas W. Page \n          William L. Phelps \n          John F. Rixey \n          Albert Shaw \n          C. Alphonso Smith \n          Claude A. Swanson \n          Benjamin R. Tillman \n          J. Hoge Tyler \n          Oscar W. Underwood \n          Henry A. Wallace and \n          John Sharp Williams. Among those\n         corresponding with \n          Paul B. Barringer concerning racial\n         matters are: \n          Lyman Abbott \n          Frank P. Brent \n          John W. Daniel \n          H. B. Frissell \n          Armistead C. Gordon \n          Thomas W. Harrison \n          Hilary A. Herbert \n          Edgar G. Murphy \n          Clarence Poe \n          Charles D. Warner and \n          Booker T. Washington. Additional\n         correspondence includes editorial letters written by \n          Paul B. Barringer which discuss political,\n         civic and social issues. A small group of letters (11 items)\n         contains typed and autograph documents by President \n          Theodore Roosevelt chiefly concerning\n         his visit to the \n          University of Virginia in 1903.","Correspondence from the nineteenth century also includes\n         letters by \n          Daniel Laurens Barringer (Congressman, \n          North Carolina), \n          Daniel Moreau Barringer (Congressman, \n          North Carolina ; Minister to \n          Spain), \n          T. J. \"Stonewall\" Jackson (photocopies)\n         and his wife, \n          Anna (Morrison) Jackson and General \n          Rufus Barringer who offers a detailed\n         account of life as a Confederate prisoner of war at \n          Fort Delaware, Delaware (ALS-Photostat).\n         Other occasional references to Civil War news (especially\n         during 1863) and to the sale, price and investment value of\n         slaves also appear in some of these early letters. Letters\n         dated from the 1870's include accounts of boarding school life\n         (Bingham School, Mebaneville, North Carolina; Kenmore University School, Amherst Court House, Virginia; A. F. Seminary, Staunton, Virginia) by \n          Paul B. Barringer and \n          Anna Barringer.","An important group of correspondence and related papers\n         documents a series of investigations stemming from charges\n         made by the \n          Virginia Polytechnic Institute Alumni Association\n         Welfare Committee against \n          Paul B. Barringer while he was president\n         of \n          Virginia Polytechnic\n         Institute (1907-1913). Included in these documents\n         are newsclippings, affidavits, evidentiary exhibits, copies of\n         formal charges and Barringer's replies to them, and printed\n         matter regarding the investigation. An additional set of\n         documents concerns charges made against \n          R. J. Noell of the \n          Radford State Normal School by the Radford\n         Record (1913).","The \n          Barringer Family Papers also contain\n         autograph and typescript notes and literary drafts, as well as\n         printed articles and monographs, written chiefly either by or\n         about \n          Paul B. Barringer. Included are essays,\n         memoirs and several printed monographs by Barringer, but most\n         of the material comprises note and draft fragments.\n         Anthropology, race, religion and theology are the predominant\n         topics in these writings. Other subjects, including economics,\n         history, medicine, prohibition and biography, are also\n         represented. Additional authors include General \n          Rufus Barringer and \n          Daniel Moreau Barringer.","A separate group of documents (104 items) contains\n         drawings, legal papers, printed specifications and patent\n         certificates ( \n          United States of America \n          Canada \n          Great Britain) for a fire extinguisher\n         which \n          Paul B. Barringer invented.","Among the miscellaneous items within these papers are\n         documents referring to the \n          University of Virginia \n          Michel Ney (Marshal of \n          France) (1769-1815), and \n          Georgia O'Keeffe (1887-). Miscellaneous\n         financial documents include receipts of \n          Victor C. Barringer General \n          Rufus Barringer and \n          Paul B. Barringer accounts from \n          Paul B. Barringer 's ophthalmology\n         practice, canceled checks, and bank statements and utility\n         accounts compiled during \n          Paul B. Barringer 's tenure at \n          Virginia Polytechnic Institute\n         Certificates commissions and licences (many\n         oversize) awarded to \n          Paul B. Barringer and \n          Nannie (Hannah) Barringer include his\n         license to practice medicine in \n          Virginia (1890). Engravings and numerous\n         photographs depict various family members and \" \n          Gravel Hill \" a home in \n          Charlotte County, Virginia.","In addition, these papers contain numerous newsclippings\n         pertaining to the \n          Barringer and \n          Morrison families in \n          Virginia and \n          North Carolina and three theater\n         broadsides featuring \n          Edwin Booth in leading roles. Bound\n         volumes, which include a commonplace book of General \n          Rufus Barringer \n          Paul B. Barringer 's case book, and a\n         scrapbook of newsclippings pertaining to the \"Negro question,\"\n         are also included.","Photographs of interest include Robert E. Lee with former Confederate generals at White Sulphur Springs, 1869 and Dr. Paul Barringer and Dr. William Mann Randolph in a buggy at \"the Corner,\" 1906."],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n            \n            University of Virginia Library’s use policy."],"language_ssim":["English"],"total_component_count_is":94,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:33:15.613Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu00575_c05_c01"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":1987},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1885\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1885\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"A. 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