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The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers."],"odd_html_tesm":["\u003cp\u003ePaxton house\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eBuilding earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.\u003c/p\u003e","\u003cp\u003eThe building was later the Ruscio Center for Global Learning with additions.\u003c/p\u003e","\u003cp\u003eThe other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.\u003c/p\u003e","\u003cp\u003eThe other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General"],"odd_tesim":["Paxton house","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","Building earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.","The building was later the Ruscio Center for Global Learning with additions.","The other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.","The other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA"],"scopecontent_html_tesm":["\u003cp\u003eThis record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.\u003c/p\u003e  ","\u003cp\u003e203-205 1/2 Huffman's Nationwide, Buck's Barbershop, Tom's Taxi; 207-211 McCoy house; 215 Tomlinson house; 217 State Farm Insurance; 221 Andre Studio; 223 Flower Center.\u003c/p\u003e","\u003cp\u003eIncludes Denmark west of Lexington, Decatur north of Lexington, Cornwall east of Lexington, and Springfield south of Lexington.\u003c/p\u003e","\u003cp\u003eMotels included are the Black and White log cabins in Fairfield, Lee-Way, Buffalo Creek, and Stevesville Drive-In.\u003c/p\u003e","\u003cp\u003eHouses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).\u003c/p\u003e","\u003cp\u003eIncludes information of Pres. George H. Denny, Prof. David C. Humphreys, Theodore Carl Link, William Henry Reid, the W\u0026amp;L Power plant, and W\u0026amp;L Reid Hall.\u003c/p\u003e","\u003cp\u003eEarlier this building was the Carnegie Library, then McCormick Library, later Williams School, and then Huntley Hall.\u003c/p\u003e","\u003cp\u003eIncludes Cedar Hill, Paxton house at Glen Maury, and the Dickinson house named Savernake.\u003c/p\u003e","\u003cp\u003eIncludes 707 South Main Street, 116 North Main and Jefferson Streets, South Main, and 107 North Main Streets.\u003c/p\u003e","\u003cp\u003eHouses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.","203-205 1/2 Huffman's Nationwide, Buck's Barbershop, Tom's Taxi; 207-211 McCoy house; 215 Tomlinson house; 217 State Farm Insurance; 221 Andre Studio; 223 Flower Center.","Includes Denmark west of Lexington, Decatur north of Lexington, Cornwall east of Lexington, and Springfield south of Lexington.","Motels included are the Black and White log cabins in Fairfield, Lee-Way, Buffalo Creek, and Stevesville Drive-In.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).","Includes information of Pres. George H. Denny, Prof. David C. Humphreys, Theodore Carl Link, William Henry Reid, the W\u0026L Power plant, and W\u0026L Reid Hall.","Earlier this building was the Carnegie Library, then McCormick Library, later Williams School, and then Huntley Hall.","Includes Cedar Hill, Paxton house at Glen Maury, and the Dickinson house named Savernake.","Includes 707 South Main Street, 116 North Main and Jefferson Streets, South Main, and 107 North Main Streets.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road)."],"userestrict_heading_ssm":["Conditions Governing Use"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students"],"persname_ssim":["Sheridan, John, 1847 - 1929"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students","Sheridan, John, 1847 - 1929"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1048,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:02:14.389Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_616_c02_c421"}},{"id":"vilxw_repositories_5_resources_991_c02_c33","type":"File","attributes":{"title":"W\u0026L Programs, 1884/1890","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_991_c02_c33#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePrograms from Washington and Lee programs from 1880 to 1899.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_991_c02_c33#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_991_c02_c33","ref_ssm":["vilxw_repositories_5_resources_991_c02_c33"],"id":"vilxw_repositories_5_resources_991_c02_c33","ead_ssi":"vilxw_repositories_5_resources_991","_root_":"vilxw_repositories_5_resources_991","_nest_parent_":"vilxw_repositories_5_resources_991_c02","parent_ssi":"vilxw_repositories_5_resources_991_c02","parent_ssim":["Ollinger Crenshaw Papers, 1770/1970","Box 2, 1749/1954"],"parent_ids_ssim":["vilxw_repositories_5_resources_991","vilxw_repositories_5_resources_991_c02"],"title_filing_ssi":"W\u0026L Programs","title_ssm":["W\u0026L Programs"],"title_tesim":["W\u0026L Programs"],"normalized_title_ssm":["W\u0026L Programs, 1884/1890"],"text":["W\u0026L Programs, 1884/1890","Ollinger Crenshaw Papers, 1770/1970","Box 2, 1749/1954","box 2","folder 94","English","Programs from Washington and Lee programs from 1880 to 1899."],"parent_unittitles_ssm":["Ollinger Crenshaw Papers, 1770/1970","Box 2, 1749/1954"],"parent_unittitles_tesim":["Ollinger Crenshaw Papers, 1770/1970","Box 2, 1749/1954"],"normalized_date_ssm":["1884/1890"],"unitdate_inclusive_ssm":["1884-1890"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":96,"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Ollinger Crenshaw Papers, 1770/1970"],"containers_ssim":["box 2","folder 94"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"language_ssim":["English"],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890],"scopecontent_html_tesm":["\u003cp\u003ePrograms from Washington and Lee programs from 1880 to 1899.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Programs from Washington and Lee programs from 1880 to 1899."],"_nest_path_":"/components#1/components#32","timestamp":"2026-06-23T07:02:14.389Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_991","ead_ssi":"vilxw_repositories_5_resources_991","_root_":"vilxw_repositories_5_resources_991","_nest_parent_":"vilxw_repositories_5_resources_991","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_991.xml","title_ssm":["Ollinger Crenshaw Papers"],"title_tesim":["Ollinger Crenshaw Papers"],"unitdate_ssm":["1770-1970"],"unitdate_bulk_ssim":["1770-1970"],"normalized_date_ssm":["1770/1970"],"normalized_title_ssm":["Ollinger Crenshaw Papers, 1770/1970"],"text":["Ollinger Crenshaw Papers, 1770/1970","WLU.Coll.0262A","/repositories/5/resources/991","Articles; correspondence 1946-1969; selected notes Gen. Lee's College; misc. papers; photos","Speech titled \"A Virginia - Why in the Crisis.\" Discusses the life of John Minor Botts, a \"black\" Republican, and his attempted presidential campaign.","Paper read at Blacksburg, VA, 1937, USSA - \"A Virginia College in the Fifties\" - Washington College. This paper covers a 1859 financial report and the changes in name at Washington College.","Speech - \"Writing a University's History: Some Episodes and a Few Problems\"","Of General Lee's College (rough draft)","Quarrels with...","Lee letters in L of Congress","George Baxter: 1799-1830","Blacks in Lexington; Colonization Free Negroes","Vincent L. 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Davidson - typed transcipts","Files concerning library","Matthew Fontaine Maury - Days in Lexington","Files concerning Peabody fund","Includes files concerning photostats","Files concerning Henry Ruffner at Washington College","Salaries","Files concerning student living conditions, costs, and fees","Files concerning Timber Ridge","Notes on the ugly club","Includes files regarding death and ser Lee's servant Thomas Hughes and other items reffering to blacks","Selected notes Gen. Lee's College; Glawgow papers 1870's and 1880's and other manuscript collections; correspondence re Lee Chapel; controversy","Notes on the Origin of Washington and Lee","Files concerning Wilson's memorial fund","Files concerning Washington and Lee during World War One","Contains letter from Patrick Henry Aylett, a student at Washington and Lee University, to his cousin Philip Fitzhugh.","A letter from John Lyle Campbell to Reverend William T. Price concerning remarks comparing Washington and Lee University and Hampden Sidney College.","This folder contains vouchers for the Fortnightly Club; a list of proposed members; a collection of letters about membership; and the constitution and by-laws of the club.","Papers of or about George Johnston, grad of Liberty Hall Academy, including: an agreement between Johnston and John Chapman, regarding a teaching position in Montgomery County; receipts related to Johnston's tuition; a letter from James Mayers; a note regarding the completion of Johnston's education; a letter from Johnston to his father about his career; and a letter from Johston to his brother concerning being snowed in. Archives of LHA by Miss Ann Johnston.","A report on Washington and Lee University during the administration of George Junkin (1848-1865), who succeeded Henry Ruffner. The report discusses how the college was practically closed during the Civil War, and changes put into place by Junkin, including Sunday services and the abolishment of the ten day Christmas break.","This folder includes Henry Louis Smith fund raising efforts for endowment at Washington and Lee and Confederate Veterans material, including letters from law offices, a life insurance company, and the United Confederate Veterans headquarters.","This folder includes Henry Louis Smith fund raising efforts for endowment at Washington and Lee and Bernard \nB. Shively and the Texas collection, including letters from law offices and a life insurance company concerning policies and bonds, a newspaper, and the Sons of Confederate Veterans headquarters.","Typed and printed items by and about John Randolph Tucker, including comments from the press of Tucker's election as a law professor, a eulogy, an address by Tucker, a biography on Tucker, and articles from the Lexington Gazette, County News, and Virginia Law Register on Tucker's death.","Letter from daughter (Born C. 1800) to Livingston Waddell on Washington College letterhead.","Programs from Washington and Lee programs from 1880 to 1899.","Charles A Graves and Law School","Washington and Lee University, University Library Special Collections and Archives","Valley Railroad (Va.)","Virginia Military Institute","Washington and Lee University. Williams School of Commerce, Economics and Politics","Hairston Family","McCormick family","Glasgow family","Crenshaw, Ollinger","Crenshaw, Albert B.","Botts, John Minor","Davis, John W. (John William)","Baxter, George Addison","Letcher, John","Preston, Maynard Junkin","Ruffner, William Henry","Tucker, Henry St. George, I","Tucker, John Randolph","Wilson, William Lyne","Glasgow, William Anderson","Campbell, Henry Donald","Campbell, J. L. (John Lyle)","LaVarre, C. A.","Junkin, George, 1798 - 1868","Peabody, George, 1795-1869","Reid, Samuel McDowell","Smith, Henry Louis","English"],"collection_title_tesim":["Ollinger Crenshaw Papers, 1770/1970"],"collection_ssim":["Ollinger Crenshaw Papers, 1770/1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0262A","/repositories/5/resources/991"],"unitid_tesim":["WLU.Coll.0262A","/repositories/5/resources/991"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_persname_ssim":["Crenshaw, Ollinger","Crenshaw, Albert B.","Botts, John Minor","Davis, John W. (John William)","Baxter, George Addison","Letcher, John","Preston, Maynard Junkin","Ruffner, William Henry","Tucker, Henry St. George, I","Tucker, John Randolph","Wilson, William Lyne","Glasgow, William Anderson","Campbell, Henry Donald","Campbell, J. L. (John Lyle)","LaVarre, C. A.","Junkin, George, 1798 - 1868","Peabody, George, 1795-1869","Reid, Samuel McDowell","Smith, Henry Louis"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Valley Railroad (Va.)","Virginia Military Institute","Washington and Lee University. Williams School of Commerce, Economics and Politics"],"creator_famname_ssim":["Hairston Family","McCormick family","Glasgow family"],"creators_ssim":["Crenshaw, Ollinger","Crenshaw, Albert B.","Botts, John Minor","Davis, John W. (John William)","Baxter, George Addison","Letcher, John","Preston, Maynard Junkin","Ruffner, William Henry","Tucker, Henry St. George, I","Tucker, John Randolph","Wilson, William Lyne","Glasgow, William Anderson","Campbell, Henry Donald","Campbell, J. L. (John Lyle)","LaVarre, C. A.","Junkin, George, 1798 - 1868","Peabody, George, 1795-1869","Reid, Samuel McDowell","Smith, Henry Louis","Washington and Lee University, University Library Special Collections and Archives","Valley Railroad (Va.)","Virginia Military Institute","Washington and Lee University. Williams School of Commerce, Economics and Politics","Hairston Family","McCormick family","Glasgow family"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet"],"extent_tesim":["2 Linear Feet"],"date_range_isim":[1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"scopecontent_html_tesm":["\u003cp\u003eArticles; correspondence 1946-1969; selected notes Gen. Lee's College; misc. papers; photos\u003c/p\u003e","\u003cp\u003eSpeech titled \"A Virginia - Why in the Crisis.\" Discusses the life of John Minor Botts, a \"black\" Republican, and his attempted presidential campaign.\u003c/p\u003e","\u003cp\u003ePaper read at Blacksburg, VA, 1937, USSA - \"A Virginia College in the Fifties\" - Washington College. This paper covers a 1859 financial report and the changes in name at Washington College.\u003c/p\u003e","\u003cp\u003eSpeech - \"Writing a University's History: Some Episodes and a Few Problems\"\u003c/p\u003e","\u003cp\u003eOf General Lee's College (rough draft)\u003c/p\u003e","\u003cp\u003eQuarrels with...\u003c/p\u003e","\u003cp\u003eLee letters in L of Congress\u003c/p\u003e","\u003cp\u003eGeorge Baxter: 1799-1830\u003c/p\u003e","\u003cp\u003eBlacks in Lexington; Colonization Free Negroes\u003c/p\u003e","\u003cp\u003eVincent L. Bradford\u003c/p\u003e","\u003cp\u003eWilliam Alexander Caruthers\u003c/p\u003e","\u003cp\u003eWashington and Lee in the 1920s including Chapel Controversy\u003c/p\u003e","\u003cp\u003eChinese Students and Washington and Lee\u003c/p\u003e","\u003cp\u003eAn undated MS outlining what happened in 1841 - 1842\u003c/p\u003e","\u003cp\u003eFaculty\u003c/p\u003e","\u003cp\u003eHunter's Raid and Restitution\u003c/p\u003e","\u003cp\u003eNotes on journalism (scholarships proposed)\u003c/p\u003e","\u003cp\u003eLaw school and faculty\u003c/p\u003e","\u003cp\u003eLaw school\u003c/p\u003e","\u003cp\u003e\"General Lee's Boyo\" students\u003c/p\u003e","\u003cp\u003eLee's death\u003c/p\u003e","\u003cp\u003eLee as person meeting with Grant\u003c/p\u003e","\u003cp\u003eLee House and other buildings and beyond\u003c/p\u003e","\u003cp\u003eR E Lee Personal\u003c/p\u003e","\u003cp\u003eLexington during Reconstruction\u003c/p\u003e","\u003cp\u003eLexington in the 1880s\u003c/p\u003e","\u003cp\u003eCorrespondence between John Letcher, James B. Dorman, J.D. Davidson - typed transcipts\u003c/p\u003e","\u003cp\u003eFiles concerning library\u003c/p\u003e","\u003cp\u003eMatthew Fontaine Maury - Days in Lexington\u003c/p\u003e","\u003cp\u003eFiles concerning Peabody fund\u003c/p\u003e","\u003cp\u003eIncludes files concerning photostats\u003c/p\u003e","\u003cp\u003eFiles concerning Henry Ruffner at Washington College\u003c/p\u003e","\u003cp\u003eSalaries\u003c/p\u003e","\u003cp\u003eFiles concerning student living conditions, costs, and fees\u003c/p\u003e","\u003cp\u003eFiles concerning Timber Ridge\u003c/p\u003e","\u003cp\u003eNotes on the ugly club\u003c/p\u003e","\u003cp\u003eIncludes files regarding death and ser Lee's servant Thomas Hughes and other items reffering to blacks\u003c/p\u003e","\u003cp\u003eSelected notes Gen. Lee's College; Glawgow papers 1870's and 1880's and other manuscript collections; correspondence re Lee Chapel; controversy\u003c/p\u003e","\u003cp\u003eNotes on the Origin of Washington and Lee\u003c/p\u003e","\u003cp\u003eFiles concerning Wilson's memorial fund\u003c/p\u003e","\u003cp\u003eFiles concerning Washington and Lee during World War One\u003c/p\u003e","\u003cp\u003eContains letter from Patrick Henry Aylett, a student at Washington and Lee University, to his cousin Philip Fitzhugh.\u003c/p\u003e","\u003cp\u003eA letter from John Lyle Campbell to Reverend William T. Price concerning remarks comparing Washington and Lee University and Hampden Sidney College.\u003c/p\u003e","\u003cp\u003eThis folder contains vouchers for the Fortnightly Club; a list of proposed members; a collection of letters about membership; and the constitution and by-laws of the club.\u003c/p\u003e","\u003cp\u003ePapers of or about George Johnston, grad of Liberty Hall Academy, including: an agreement between Johnston and John Chapman, regarding a teaching position in Montgomery County; receipts related to Johnston's tuition; a letter from James Mayers; a note regarding the completion of Johnston's education; a letter from Johnston to his father about his career; and a letter from Johston to his brother concerning being snowed in. Archives of LHA by Miss Ann Johnston.\u003c/p\u003e","\u003cp\u003eA report on Washington and Lee University during the administration of George Junkin (1848-1865), who succeeded Henry Ruffner. The report discusses how the college was practically closed during the Civil War, and changes put into place by Junkin, including Sunday services and the abolishment of the ten day Christmas break.\u003c/p\u003e","\u003cp\u003eThis folder includes Henry Louis Smith fund raising efforts for endowment at Washington and Lee and Confederate Veterans material, including letters from law offices, a life insurance company, and the United Confederate Veterans headquarters.\u003c/p\u003e","\u003cp\u003eThis folder includes Henry Louis Smith fund raising efforts for endowment at Washington and Lee and Bernard \nB. Shively and the Texas collection, including letters from law offices and a life insurance company concerning policies and bonds, a newspaper, and the Sons of Confederate Veterans headquarters.\u003c/p\u003e","\u003cp\u003eTyped and printed items by and about John Randolph Tucker, including comments from the press of Tucker's election as a law professor, a eulogy, an address by Tucker, a biography on Tucker, and articles from the Lexington Gazette, County News, and Virginia Law Register on Tucker's death.\u003c/p\u003e","\u003cp\u003eLetter from daughter (Born C. 1800) to Livingston Waddell on Washington College letterhead.\u003c/p\u003e","\u003cp\u003ePrograms from Washington and Lee programs from 1880 to 1899.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Articles; correspondence 1946-1969; selected notes Gen. Lee's College; misc. papers; photos","Speech titled \"A Virginia - Why in the Crisis.\" Discusses the life of John Minor Botts, a \"black\" Republican, and his attempted presidential campaign.","Paper read at Blacksburg, VA, 1937, USSA - \"A Virginia College in the Fifties\" - Washington College. This paper covers a 1859 financial report and the changes in name at Washington College.","Speech - \"Writing a University's History: Some Episodes and a Few Problems\"","Of General Lee's College (rough draft)","Quarrels with...","Lee letters in L of Congress","George Baxter: 1799-1830","Blacks in Lexington; Colonization Free Negroes","Vincent L. Bradford","William Alexander Caruthers","Washington and Lee in the 1920s including Chapel Controversy","Chinese Students and Washington and Lee","An undated MS outlining what happened in 1841 - 1842","Faculty","Hunter's Raid and Restitution","Notes on journalism (scholarships proposed)","Law school and faculty","Law school","\"General Lee's Boyo\" students","Lee's death","Lee as person meeting with Grant","Lee House and other buildings and beyond","R E Lee Personal","Lexington during Reconstruction","Lexington in the 1880s","Correspondence between John Letcher, James B. Dorman, J.D. Davidson - typed transcipts","Files concerning library","Matthew Fontaine Maury - Days in Lexington","Files concerning Peabody fund","Includes files concerning photostats","Files concerning Henry Ruffner at Washington College","Salaries","Files concerning student living conditions, costs, and fees","Files concerning Timber Ridge","Notes on the ugly club","Includes files regarding death and ser Lee's servant Thomas Hughes and other items reffering to blacks","Selected notes Gen. Lee's College; Glawgow papers 1870's and 1880's and other manuscript collections; correspondence re Lee Chapel; controversy","Notes on the Origin of Washington and Lee","Files concerning Wilson's memorial fund","Files concerning Washington and Lee during World War One","Contains letter from Patrick Henry Aylett, a student at Washington and Lee University, to his cousin Philip Fitzhugh.","A letter from John Lyle Campbell to Reverend William T. Price concerning remarks comparing Washington and Lee University and Hampden Sidney College.","This folder contains vouchers for the Fortnightly Club; a list of proposed members; a collection of letters about membership; and the constitution and by-laws of the club.","Papers of or about George Johnston, grad of Liberty Hall Academy, including: an agreement between Johnston and John Chapman, regarding a teaching position in Montgomery County; receipts related to Johnston's tuition; a letter from James Mayers; a note regarding the completion of Johnston's education; a letter from Johnston to his father about his career; and a letter from Johston to his brother concerning being snowed in. Archives of LHA by Miss Ann Johnston.","A report on Washington and Lee University during the administration of George Junkin (1848-1865), who succeeded Henry Ruffner. The report discusses how the college was practically closed during the Civil War, and changes put into place by Junkin, including Sunday services and the abolishment of the ten day Christmas break.","This folder includes Henry Louis Smith fund raising efforts for endowment at Washington and Lee and Confederate Veterans material, including letters from law offices, a life insurance company, and the United Confederate Veterans headquarters.","This folder includes Henry Louis Smith fund raising efforts for endowment at Washington and Lee and Bernard \nB. Shively and the Texas collection, including letters from law offices and a life insurance company concerning policies and bonds, a newspaper, and the Sons of Confederate Veterans headquarters.","Typed and printed items by and about John Randolph Tucker, including comments from the press of Tucker's election as a law professor, a eulogy, an address by Tucker, a biography on Tucker, and articles from the Lexington Gazette, County News, and Virginia Law Register on Tucker's death.","Letter from daughter (Born C. 1800) to Livingston Waddell on Washington College letterhead.","Programs from Washington and Lee programs from 1880 to 1899."],"separatedmaterial_html_tesm":["\u003cp\u003eCharles A Graves and Law School\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Charles A Graves and Law School"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Valley Railroad (Va.)","Virginia Military Institute","Washington and Lee University. Williams School of Commerce, Economics and Politics"],"famname_ssim":["Hairston Family","McCormick family","Glasgow family"],"persname_ssim":["Crenshaw, Ollinger","Crenshaw, Albert B.","Botts, John Minor","Davis, John W. (John William)","Baxter, George Addison","Letcher, John","Preston, Maynard Junkin","Ruffner, William Henry","Tucker, Henry St. George, I","Tucker, John Randolph","Wilson, William Lyne","Glasgow, William Anderson","Campbell, Henry Donald","Campbell, J. L. (John Lyle)","LaVarre, C. A.","Junkin, George, 1798 - 1868","Peabody, George, 1795-1869","Reid, Samuel McDowell","Smith, Henry Louis"],"names_coll_ssim":["Crenshaw, Ollinger"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Valley Railroad (Va.)","Virginia Military Institute","Washington and Lee University. Williams School of Commerce, Economics and Politics","Hairston Family","McCormick family","Glasgow family","Crenshaw, Ollinger","Crenshaw, Albert B.","Botts, John Minor","Davis, John W. (John William)","Baxter, George Addison","Letcher, John","Preston, Maynard Junkin","Ruffner, William Henry","Tucker, Henry St. George, I","Tucker, John Randolph","Wilson, William Lyne","Glasgow, William Anderson","Campbell, Henry Donald","Campbell, J. L. (John Lyle)","LaVarre, C. A.","Junkin, George, 1798 - 1868","Peabody, George, 1795-1869","Reid, Samuel McDowell","Smith, Henry Louis"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":97,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:02:14.389Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_991_c02_c33"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c09_c06","type":"File","attributes":{"title":"\"W.L. Sheppard\", 1873/2000","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c09_c06","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c09_c06"],"id":"viw_repositories_2_resources_9853_c01_c01_c09_c06","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c09","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c09","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard, 1859/2012"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c09"],"title_filing_ssi":"\"W.L. Sheppard\"","title_ssm":["\"W.L. Sheppard\""],"title_tesim":["\"W.L. Sheppard\""],"normalized_title_ssm":["\"W.L. Sheppard\", 1873/2000"],"text":["\"W.L. Sheppard\", 1873/2000","Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard, 1859/2012","Box 9","folder 14"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard, 1859/2012"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard, 1859/2012"],"normalized_date_ssm":["1873/2000"],"unitdate_inclusive_ssm":["1873-2000"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[4],"sort_isi":25,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"containers_ssim":["Box 9","folder 14"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"_nest_path_":"/components#0/components#0/components#8/components#5","timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09_c06"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c18_c12","type":"File","attributes":{"title":"W.L. Sheppard's Illustrations, 1871/1887","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c18_c12#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c18_c12","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c18_c12"],"id":"viw_repositories_2_resources_9853_c01_c01_c18_c12","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c18","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c18","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015","\"Clean Fun: Starring images of African-Americans in the Comic Art of America\", 1804/2013"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c18"],"title_filing_ssi":"W.L. Sheppard's Illustrations","title_ssm":["W.L. Sheppard's Illustrations"],"title_tesim":["W.L. Sheppard's Illustrations"],"normalized_title_ssm":["W.L. Sheppard's Illustrations, 1871/1887"],"text":["W.L. Sheppard's Illustrations, 1871/1887","Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015","\"Clean Fun: Starring images of African-Americans in the Comic Art of America\", 1804/2013","Box 18","folder 64"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015","\"Clean Fun: Starring images of African-Americans in the Comic Art of America\", 1804/2013"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015","\"Clean Fun: Starring images of African-Americans in the Comic Art of America\", 1804/2013"],"normalized_date_ssm":["1871/1887"],"unitdate_inclusive_ssm":["1871-1887"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[4],"sort_isi":84,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"containers_ssim":["Box 18","folder 64"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887],"_nest_path_":"/components#0/components#0/components#17/components#11","timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c18_c12"}},{"id":"wvmturhc_repositories_2_resources_5880_c02_c302","type":"File","attributes":{"title":"Wm. C. Grove vs. Shirley and Mary LaFollett, 1848/1968","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5880_c02_c302#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5880_c02_c302","ref_ssm":["wvmturhc_repositories_2_resources_5880_c02_c302"],"id":"wvmturhc_repositories_2_resources_5880_c02_c302","ead_ssi":"wvmturhc_repositories_2_resources_5880","_root_":"wvmturhc_repositories_2_resources_5880","_nest_parent_":"wvmturhc_repositories_2_resources_5880_c02","parent_ssi":"wvmturhc_repositories_2_resources_5880_c02","parent_ssim":["Siler Family Papers, 1848/1968","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89), 1848/1968"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5880","wvmturhc_repositories_2_resources_5880_c02"],"title_filing_ssi":"Wm. C. Grove vs. Shirley and Mary LaFollett","title_ssm":["Wm. C. Grove vs. Shirley and Mary LaFollett"],"title_tesim":["Wm. C. Grove vs. Shirley and Mary LaFollett"],"normalized_title_ssm":["Wm. C. Grove vs. Shirley and Mary LaFollett, 1848/1968"],"text":["Wm. C. Grove vs. Shirley and Mary LaFollett, 1848/1968","Siler Family Papers, 1848/1968","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89), 1848/1968","Box S2/Box 30","Folder 22"],"parent_unittitles_ssm":["Siler Family Papers, 1848/1968","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89), 1848/1968"],"parent_unittitles_tesim":["Siler Family Papers, 1848/1968","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89), 1848/1968"],"normalized_date_ssm":["1848/1968"],"unitdate_inclusive_ssm":["ca. 1848-1968"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":482,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Siler Family Papers, 1848/1968"],"containers_ssim":["Box S2/Box 30","Folder 22"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"_nest_path_":"/components#1/components#301","timestamp":"2026-06-23T07:57:59.598Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5880","ead_ssi":"wvmturhc_repositories_2_resources_5880","_root_":"wvmturhc_repositories_2_resources_5880","_nest_parent_":"wvmturhc_repositories_2_resources_5880","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5880.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198957","title_ssm":["Siler Family Papers"],"title_tesim":["Siler Family Papers"],"unitdate_ssm":["1848-1968"],"unitdate_inclusive_ssm":["1848-1968"],"normalized_date_ssm":["1848/1968"],"normalized_title_ssm":["Siler Family Papers, 1848/1968"],"text":["Siler Family Papers, 1848/1968","A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880","Berkeley Springs (W. Va.)","Town of Bath, West Virginia - Berkeley Springs.","United States -- History -- Civil War, 1861-1865","Bank of Berkeley Springs - Banks and Banking.","Banks and Banking - American Institute of Banking.","Banks and Banking - Bank of Berkeley Springs.","Banks and Banking - Federal Reserve Bank of Richmond.","Banks and Banking - Financial Public Relations Association.","Banks and Banking - First Virginia Corporation.","Banks and banking","Berkeley Glass Sand Company -- Glass Sand Industry","Berkeley Springs Water Works and Improvement Co. -- Power Industry","Bibles","Blueprints","Bonds -- Citizens Trust and Guaranty Company of West Virginia","Bowling","Poetry --  Nannie S. Castleman","Church schools -- Episcopal High School (Alexandria, Va.)","Churches  -- Episcopal","Civil War -- Confederate newspapers","Civil War -- Description","Civil War - political factions.","Civil War -- Confederate letters","Confederate States of America - secession crisis.","Diaries and journals.","Episcopal Church - Churches.","Estates and estate settlements.","Federal Reserve Bank of Richmond - Banks and Banking.","Financial Public Relations Association - Banks and Banking.","First Virginia Corporation - Banks and Banking.","General stores - Hammond and Siler.","Glass Sand Industry - Berkeley Glass Sand Company.","Glass Sand Industry - Pennsylvania Glass Sand Corporation.","Hancock Steel Company - Steel.","Insurance - V. E. Johnson Insurance Agency.","Land - deeds and grants.","Land Plat.","Lawyers - letters and papers.","Ledgers.","Libraries - Morgan County Library.","Magazines.","Freemasons","Morgan County - Circuit Court.","Morgan County Library - Libraries.","Music - Sheet music.","Northern Virginia Power Company - Power Industry.","Pennsylvania Glass Sand Corporation - Glass Sand Industry.","Political factions - Civil War.","Politics - Secession of Virginia.","Politics and government.","Railroads - Baltimore and Ohio Railroad.","Railroads - Western Maryland Railroad Company.","Rhodes scholarships","Rock Gap Coal and Mining Company - Stocks.","Scrapbooks","Secession of Virginia - Politics.","Business correspondence","No special access restriction applies.","missing; 2011/04/15; mrr","series 2, box 47, folder 13","--","archives and manuscripts; photographs / postcards / prints / etc.","This is a collection of letters and documents tracing the personal and business life of an eastern panhandle West Virginia family. The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).","Series include:","Series 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1","This series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.","This series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.","This series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.","This series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.","This series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.","This series includes assorted photographs of the Siler family.","This series includes ledgers for the Hammond \u0026 Siler and John T. Siler \u0026 Son businesses, assorted account books, and family bibles.","This series consists of assorted oversize material, including blueprints, children's books, and sheet music.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company","Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy","Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses","English"],"collection_title_tesim":["Siler Family Papers, 1848/1968"],"collection_ssim":["Siler Family Papers, 1848/1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880"],"unitid_tesim":["A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Berkeley Springs (W. Va.)","Town of Bath, West Virginia - Berkeley Springs.","United States -- History -- Civil War, 1861-1865"],"geogname_ssim":["Berkeley Springs (W. Va.)","Town of Bath, West Virginia - Berkeley Springs.","United States -- History -- Civil War, 1861-1865"],"places_ssim":["Berkeley Springs (W. Va.)","Town of Bath, West Virginia - Berkeley Springs.","United States -- History -- Civil War, 1861-1865"],"creator_ssm":["Seiler family"],"creator_ssim":["Seiler family"],"creator_persname_ssim":["Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"creator_corpname_ssim":["West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company"],"creator_famname_ssim":["Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy"],"creators_ssim":["Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses","West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company","Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Purchase from (in process), (in process)"],"access_subjects_ssim":["Bank of Berkeley Springs - Banks and Banking.","Banks and Banking - American Institute of Banking.","Banks and Banking - Bank of Berkeley Springs.","Banks and Banking - Federal Reserve Bank of Richmond.","Banks and Banking - Financial Public Relations Association.","Banks and Banking - First Virginia Corporation.","Banks and banking","Berkeley Glass Sand Company -- Glass Sand Industry","Berkeley Springs Water Works and Improvement Co. -- Power Industry","Bibles","Blueprints","Bonds -- Citizens Trust and Guaranty Company of West Virginia","Bowling","Poetry --  Nannie S. Castleman","Church schools -- Episcopal High School (Alexandria, Va.)","Churches  -- Episcopal","Civil War -- Confederate newspapers","Civil War -- Description","Civil War - political factions.","Civil War -- Confederate letters","Confederate States of America - secession crisis.","Diaries and journals.","Episcopal Church - Churches.","Estates and estate settlements.","Federal Reserve Bank of Richmond - Banks and Banking.","Financial Public Relations Association - Banks and Banking.","First Virginia Corporation - Banks and Banking.","General stores - Hammond and Siler.","Glass Sand Industry - Berkeley Glass Sand Company.","Glass Sand Industry - Pennsylvania Glass Sand Corporation.","Hancock Steel Company - Steel.","Insurance - V. E. Johnson Insurance Agency.","Land - deeds and grants.","Land Plat.","Lawyers - letters and papers.","Ledgers.","Libraries - Morgan County Library.","Magazines.","Freemasons","Morgan County - Circuit Court.","Morgan County Library - Libraries.","Music - Sheet music.","Northern Virginia Power Company - Power Industry.","Pennsylvania Glass Sand Corporation - Glass Sand Industry.","Political factions - Civil War.","Politics - Secession of Virginia.","Politics and government.","Railroads - Baltimore and Ohio Railroad.","Railroads - Western Maryland Railroad Company.","Rhodes scholarships","Rock Gap Coal and Mining Company - Stocks.","Scrapbooks","Secession of Virginia - Politics.","Business correspondence"],"access_subjects_ssm":["Bank of Berkeley Springs - Banks and Banking.","Banks and Banking - American Institute of Banking.","Banks and Banking - Bank of Berkeley Springs.","Banks and Banking - Federal Reserve Bank of Richmond.","Banks and Banking - Financial Public Relations Association.","Banks and Banking - First Virginia Corporation.","Banks and banking","Berkeley Glass Sand Company -- Glass Sand Industry","Berkeley Springs Water Works and Improvement Co. -- Power Industry","Bibles","Blueprints","Bonds -- Citizens Trust and Guaranty Company of West Virginia","Bowling","Poetry --  Nannie S. Castleman","Church schools -- Episcopal High School (Alexandria, Va.)","Churches  -- Episcopal","Civil War -- Confederate newspapers","Civil War -- Description","Civil War - political factions.","Civil War -- Confederate letters","Confederate States of America - secession crisis.","Diaries and journals.","Episcopal Church - Churches.","Estates and estate settlements.","Federal Reserve Bank of Richmond - Banks and Banking.","Financial Public Relations Association - Banks and Banking.","First Virginia Corporation - Banks and Banking.","General stores - Hammond and Siler.","Glass Sand Industry - Berkeley Glass Sand Company.","Glass Sand Industry - Pennsylvania Glass Sand Corporation.","Hancock Steel Company - Steel.","Insurance - V. E. Johnson Insurance Agency.","Land - deeds and grants.","Land Plat.","Lawyers - letters and papers.","Ledgers.","Libraries - Morgan County Library.","Magazines.","Freemasons","Morgan County - Circuit Court.","Morgan County Library - Libraries.","Music - Sheet music.","Northern Virginia Power Company - Power Industry.","Pennsylvania Glass Sand Corporation - Glass Sand Industry.","Political factions - Civil War.","Politics - Secession of Virginia.","Politics and government.","Railroads - Baltimore and Ohio Railroad.","Railroads - Western Maryland Railroad Company.","Rhodes scholarships","Rock Gap Coal and Mining Company - Stocks.","Scrapbooks","Secession of Virginia - Politics.","Business correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["66.6 Linear Feet Summary: 66 ft. 7 in. (149 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 small flat storage box, 3 1/2 in.); (2 oversize folders, 2 in.); (25 wrapped packages, 3 ft. 8 in.)"],"extent_tesim":["66.6 Linear Feet Summary: 66 ft. 7 in. (149 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 small flat storage box, 3 1/2 in.); (2 oversize folders, 2 in.); (25 wrapped packages, 3 ft. 8 in.)"],"genreform_ssim":["Business correspondence"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"odd_html_tesm":["\u003cp\u003emissing; 2011/04/15; mrr\u003c/p\u003e","\u003cp\u003e\nseries 2, box 47, folder 13\u003c/p\u003e","\u003cp\u003e\n--\u003c/p\u003e  ","\u003cp\u003earchives and manuscripts; photographs / postcards / prints / etc.\u003c/p\u003e  "],"odd_heading_ssm":["Legacy Administrative Notes","Legacy Formats"],"odd_tesim":["missing; 2011/04/15; mrr","series 2, box 47, folder 13","--","archives and manuscripts; photographs / postcards / prints / etc."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Siler Family Papers, A\u0026amp;M 2200, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Siler Family Papers, A\u0026M 2200, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis is a collection of letters and documents tracing the personal and business life of an eastern panhandle West Virginia family. The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).\u003c/p\u003e","\u003cp\u003eSeries include:\u003c/p\u003e","\u003cp\u003eSeries 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\u003clb\u003e\u003c/lb\u003e\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\u003clb\u003e\u003c/lb\u003e\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\u003clb\u003e\u003c/lb\u003e\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\u003clb\u003e\u003c/lb\u003e\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1\u003c/p\u003e  ","\u003cp\u003eThis series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.\u003c/p\u003e","\u003cp\u003eThis series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.\u003c/p\u003e","\u003cp\u003eThis series includes assorted photographs of the Siler family.\u003c/p\u003e","\u003cp\u003eThis series includes ledgers for the Hammond \u0026amp; Siler and John T. Siler \u0026amp; Son businesses, assorted account books, and family bibles.\u003c/p\u003e","\u003cp\u003eThis series consists of assorted oversize material, including blueprints, children's books, and sheet music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This is a collection of letters and documents tracing the personal and business life of an eastern panhandle West Virginia family. The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).","Series include:","Series 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1","This series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.","This series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.","This series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.","This series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.","This series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.","This series includes assorted photographs of the Siler family.","This series includes ledgers for the Hammond \u0026 Siler and John T. Siler \u0026 Son businesses, assorted account books, and family bibles.","This series consists of assorted oversize material, including blueprints, children's books, and sheet music."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_172a403f6611d4a5931c460b0b7692df\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company"],"names_coll_ssim":["American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy","Seiler family","Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"famname_ssim":["Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy"],"persname_ssim":["Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"names_ssim":["West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company","Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy","Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1463,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:59.598Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5880_c02_c302"}},{"id":"viw_repositories_2_resources_580_c01_c02_c78","type":"File","attributes":{"title":"Wm. F. Vilas, Office of Postmaster General, Washington, D.C., to James Barron Hope, Norfolk, Virginia, 1885","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_580_c01_c02_c78#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAcknowledgment of Hope's commendation of him and appreciation for the Centennial Ode of Hope.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_580_c01_c02_c78#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_580_c01_c02_c78","ref_ssm":["viw_repositories_2_resources_580_c01_c02_c78"],"id":"viw_repositories_2_resources_580_c01_c02_c78","ead_ssi":"viw_repositories_2_resources_580","_root_":"viw_repositories_2_resources_580","_nest_parent_":"viw_repositories_2_resources_580_c01_c02","parent_ssi":"viw_repositories_2_resources_580_c01_c02","parent_ssim":["James Barron Hope Papers (I), 1790/1965, bulk 1847/1887","Series 1: Papers of James Barron Hope","1872-1907 and undated"],"parent_ids_ssim":["viw_repositories_2_resources_580","viw_repositories_2_resources_580_c01","viw_repositories_2_resources_580_c01_c02"],"title_filing_ssi":"Wm. F. Vilas, Office of Postmaster General, Washington, D.C., to James Barron Hope, Norfolk, Virginia","title_ssm":["Wm. F. Vilas, Office of Postmaster General, Washington, D.C., to James Barron Hope, Norfolk, Virginia"],"title_tesim":["Wm. F. Vilas, Office of Postmaster General, Washington, D.C., to James Barron Hope, Norfolk, Virginia"],"normalized_title_ssm":["Wm. F. Vilas, Office of Postmaster General, Washington, D.C., to James Barron Hope, Norfolk, Virginia, 1885"],"text":["Wm. F. Vilas, Office of Postmaster General, Washington, D.C., to James Barron Hope, Norfolk, Virginia, 1885","James Barron Hope Papers (I), 1790/1965, bulk 1847/1887","Series 1: Papers of James Barron Hope","1872-1907 and undated","Box 2","Folder 76","Acknowledgment of Hope's commendation of him and appreciation for the Centennial Ode of Hope."],"parent_unittitles_ssm":["James Barron Hope Papers (I), 1790/1965, bulk 1847/1887","Series 1: Papers of James Barron Hope","1872-1907 and undated"],"parent_unittitles_tesim":["James Barron Hope Papers (I), 1790/1965, bulk 1847/1887","Series 1: Papers of James Barron Hope","1872-1907 and undated"],"normalized_date_ssm":["1885"],"unitdate_inclusive_ssm":["28 December 1885"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":225,"repository_ssim":["College of William and Mary"],"collection_ssim":["James Barron Hope Papers (I), 1790/1965, bulk 1847/1887"],"containers_ssim":["Box 2","Folder 76"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1885],"scopecontent_html_tesm":["\u003cp\u003eAcknowledgment of Hope's commendation of him and appreciation for the Centennial Ode of Hope.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Acknowledgment of Hope's commendation of him and appreciation for the Centennial Ode of Hope."],"_nest_path_":"/components#0/components#1/components#77","timestamp":"2026-06-23T07:44:41.677Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_580","ead_ssi":"viw_repositories_2_resources_580","_root_":"viw_repositories_2_resources_580","_nest_parent_":"viw_repositories_2_resources_580","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_580.xml","title_filing_ssi":"Hope, James Barron (I)","title_ssm":["James Barron Hope Papers (I)"],"title_tesim":["James Barron Hope Papers (I)"],"unitdate_ssm":["1790-1965","1847-1887"],"unitdate_inclusive_ssm":["1790-1965"],"unitdate_bulk_ssim":["1847-1887"],"normalized_date_ssm":["1790/1965, bulk 1847/1887"],"normalized_title_ssm":["James Barron Hope Papers (I), 1790/1965, bulk 1847/1887"],"text":["James Barron Hope Papers (I), 1790/1965, bulk 1847/1887","Mss. 65 H77","/repositories/2/resources/580","Yorktown (Va.)","Yorktown (Va.)--History--Siege, 1781--Centennial celebrations, etc","Dueling--Virginia","Poets, American--19th century","United States--History--Civil War, 1861-1865","Correspondence","Manuscripts (document genre)","933 items","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Organization: This collection is organized into 9 series; Series 1 contains the papers of James Barron Hope; Series 2 contains certificates and scrapbooks; Series 3 contains Literary and artistic works of James Barron Hope; Series 4 contains newspaper and periodical articles written by or concerning James Barron Hope; Series 5 contains compositions and other literary materials; Series 6 contains items collected by Ann W. Marr, the granddaughter of James Barron Hope; Series 7 contains items collected by Janey Hope Marr, the daughter of James Barron Hope; Series 8 contains miscellaneous items; and Series 9 contains various issues of newspapers.","Arrangement: This collection is arranged chronologically by date within each series. The series are arranged according the various dates which the materials were acquisitioned or added to the collection.","James Barron Hope was born 23 March 1829 in Norfolk, Virginia. He was the grandson of Commodore James Barron (1769-1851) and son of Wilton Hope and Jane Armistead (Barron) Hope (1791-1862).","James Barron Hope attended and graduated from the College of William and Mary (1846-48). He practiced law and was the commonwealth's attorney for Norfolk.","He married Annie Beverley Whiting (1825-1920) in 1857. The couple had two daughters, Jane (\"Janey\" or \"Jennie\") Barron Hope (b. 1859?) and Ann (\"Nanny\") Hope.","James Barron Hope is known primarily for his poetry, serving as the official poet of the 250th anniversary of the Jamestown settlement. He published several volumes of writings and also edited newspapers. Hope died in 1887.","Other Information:","Additional information may be found at http://ead.lib.virginia.edu/vivaead/published/wm/viw00061.frame","There are three collections within the Special Collections Research Center, William \u0026 Mary Libraries, that relate to this Collection. They include the James Barron Hope Paper (II), the Samuel Barron Papers and the James Barron Papers.","The James Barron Hope Papers (II), Special Collections Research Center, William \u0026 Mary Libraries; including correspondence and literary works, chiefly 1861-1874, of James Barron Hope (1829-1887), soldier, author (poet, orator, and novelist), and newspaper editor, of Norfolk and Williamsburg, Virginia. James Barron Hope Papers (II), 829-1887. 195 items. Collection number: Mss. 93 H77","The Samuel Barron Papers, Special Collections Research Center, William \u0026 Mary Libraries; include papers and correspondence of three generations of Samuel Barrons, all of whom were involved in naval affairs. Samuel Barron Papers, 1793-1942. 538 items. Collection number: Mss. 65 B29","The James Barron Papers, Special Collections Research Center, William \u0026 Mary Libraries; include correspondence and papers of Commodore James Barron relating to his career in the United States Navy, and especially relating to the Chesapeake-Leopard Affair in 1807 and to his duel with Stephen Decatur. James Barron Papers, 1776-1899. 2,759 items. Collection number: Mss. 65 B27","Papers, chiefly 1847-1887, of James Barron Hope. Correspondence includes letters to his mother Jane A. Barron Hope while on a naval cruise to the Caribbean and letters to his wife, Annie Beverley Whiting Hope written during the Civil War. There are letters between Jane A. Barron Hope and her friend, Caroline Matilda Campbell. Prominent correspondents in the collection include Jubal A. Early, Benjamin S. Ewell, Hugh Blair Grigsby, Fitzhugh Lee, W. H. F. Lee, Thomas Nelson Page, John Tyler and Robert Charles Winthrop. The collection also includes editorials, atories, a play, manuscript poems of Hope including his address at the Yorktown Centennial, as well as articles and letters concerning his death and his involvement in dueling.","Papers of James Barron Hope, 1835-1963, and undated.","Box 1 consists the letters of James Barron Hope to his mother, Mrs. Jane A. Hope, while on a U.S. Cruiser in the Caribbean and of his mother to her friend, Miss Caroline H. Campbell, 1852-1858, as well as Hope's letters to Annie B. Whiting before his marriage to her and their correspondence during the Civil War, 1855-1865. An invitation from the Virginia General Assembly requesting that Hope read his poem there, 1858, and a Master of Arts degree from the College of William and Mary, 1866, are also included.","Apparently intended to accompany the poem \"Leoni Di Monota.\"","Cover endorsement: \"Copy of Sketch of Jas. Barron Hope sent to Judge French.\"","Scope and Contents Letter sent on his birthday Letter concerns new home. Endorsement: \"From my Father's mother, who was Miss Jane Barron: Buried in Warrenton, North Carolina\" [by Janey Hope Marr].","Congratulations on recovery of a wound and a bill for services. Endorsement: \"Hope-Jones duel.\" (see brief biographical note.)","Letter concerns events in his life in last seven years, including service as teacher in the family of Bishop Otey. Endorsement: \"Who taught James Barron Hope french.\"","Letter concerns visit with his father and service on the ship.","Sorrow for \"the Absent One.\"","Detailed description of the places he has visited in the Caribbean Sea.","Description of Cuba; his 23rd birthday; expressions of great affection for his mother; enclosing a poem (now lost.)","Description of Trinidad, St. Domingo and Caribbean cruise.","Letter concerns her son [James Barron Hope] at Pensacola; of her lamented father (Comm. James Barron) and the circumstances surrounding his Court Martial; of her mother.","Letter concerns his affection for his mother; of the Roman Catholic faith.","Letter concerns his impending departure for home.","Scope and Contents James [Barron Hope]has returned to Norfolk on the ship \"Cyane\"; he graduated in Law at William and Mary at the age of eighteen.","Scope and Contents Letter concerns her discontent with Capt. Pain's navigation of the Ship \"Cyane\"; James [Barron Hope]is planning to enter the practice of law.","James [Barron Hope],while ill, has employed himself in writing; pertaining to her visit Virginia; wife of Capt. Pendergast.","James [Barron Hope]is away in York.","\"James often employs himself in his writing.\"","Letter concerns \"the Massard Manuscripts\" which were sent with books and paintings as a Christmas gift.","Enclosed poem (now lost) on his 26th birthday.","Letter concerns his activities after his arrival there.","Hope's manuscripts have been sent to the Publisher, Mr. Lucas, after being rearranged and edited by Caroline; mentions many of the poems by name, including those addressed to Miss Annie.","Endorsement: \"Picture of Mrs. Jane Hope, her son, and Miss Campbell, it is supposed.\"","Letter concerns paintings.","Letter concerns Annie, and his book which appears to be well received in Norfolk.","Letter discusses her care for Annie and her review of his works.","Letter concerns his departure for Richmond.","Letter discusses his mother's health; and his employment at the County Court.","Letter concerns her sisters in Washington.","Letter concerns Caroline's expected marriage.","Letter discusses her trip by steamer, being met at Old Point by Mr. [James Barron] Hope.","Scope and Contents Letter discusses the visit of the \"Merrimac\" and Capt. Pendergast's description of a trip to England and the Continent.","Letter concerns meeting with Annie; enclosure of a poem for review.","Letter concerns the celebration of the settlement of Jamestown, at which Mr. [James Barron] Hopeis expected to read a poem.","Letter concerns family matters.","Scope and Contents Letter concerns her review of \"Leoni\"; his marriage on the 10th at \"Elmwood,\" despite the opposition of Mr. Whiting.","Acknowledges receipt of a volume of Hope's poems.","Letter discusses the marriage of James Barron Hope to Annie Whiting.","Three months after his marriage. Letter concerns a play that he has written.","Letter discusses family affairs.","Letter concerns her relatives on ships, from European waters to China.","Letter concerns her work with her husband, James Barron Hope, in his writing.","Condolences on a death in the family.","Request signed by 84 members of the General Assembly and 5 Richmond citizens that he recite again as they failed to hear delivered.","Letter discusses the expectation of their first child, and talks of her reading and other activities as a young housewife.","Letter concerns her letter to his mother.","Greetings and good wishes for the New Year.","Quartered in the Poor House in Richmond.","Everyone in good spirits in the Capital [Richmond]; 20,000 men in the army in Virginia and is daily increasing; 8,000 in the York region.","Letter concerns the battle at Bethel where \"the Hamptonians behaved with distinguished gallantry.\"","A large force has been sent to York; he is engaged in getting men for Barron's battery; going to Williamsburg.","Letter concerns recruiting in Williamsburg.","Scope and Contents Letter discusses the Yankee's loss of 525 at Bethel to Confederate. 1 killed and 7 wounded; Magruder commanded, Col. Hill praised for \"cool valor\"; flight of a Zouave Regiment.","Letter concerns Hope's Hotel and the quiet situation in Williamsburg.","On way to Williamsburg; faith and moral strength.","Force retired from Bethel to the defenses of Yorktown; alarms in Williamsburg.","Letter discusses life in their retreat, including \"a great annoyance...Julia is not in a condition to nurse the children much longer....\"","Enclosed letters to Jane, Nan and to Sam [Barron]on same sheet.","Letter concerns the Yankees in town; reference to letter sent to Annie Hope. Endorsement on cover, address to Mrs. James Barron Hope, Warrenton, North Carolina.","Letter concerns Capt. Barron and Mrs. Barron.","Application for paymaster's position, until then he is in the Wythe rifles; parents behind the Federal lines who have been forced to take oath of loyalty.","Letter concerns the confidence there, after victory at Manassas.","Mention of Comm. Samuel Barron and Capt. Samuel Barron.","Scope and Contents Mentions General Johnson, \"the Manassas man\"; Generals Lee and Magruder; his own children Jamie and Anne.","Letter concerns elegance of the life at his grandmother's place [Mrs. James Barron]; his activity in writing for the Confederate cause.","Letter concerns attacks aimed at Richmond which were defeated at Manassas; the war in Missouri; Mr. Lincoln's troubles; confidence in the ultimate result, \"the Nation born at Sumter and baptised with blood at Manassas will be hailed by the great powers of Europe as a member of the family of Empires.\"","Scope and Contents Letter discusses \"God-sent overthrow\" of Scott at Manassas; \"another battle has taken place in our peninsula.\"","\"There's a box of champagne for you at the Express Office....\"","Letter concerns his poem in the newspaper, family matters; encloses newspaper clipping of Land as a medicine.","\"...father has lost everything...am perfectly disgusted with yankees and negroes....\" Endorsement: \"...in spite of her feelings Aunt has married 'a yankee'...who came wounded to desolated Hampton....\" J[ane] H. M[arr].","Scope and Contents \"The news from Hatteras is very sad\"; \"the capture of Uncle Sam [Comm. Samuel Barron].\"","\"...alleviate your anxiety about Uncle Sam [Comm. Samuel Barron]\"; defense of his action at Hatteras.","Letter discusses his return to his post after a visit to his family.","Upon the death of Morrison of the faculty of William and Mary, a recommendation that the place be filled by James Barron Hope, \"one of the rising literary men of the state.\"","Letter concerns the crowded condition of Richmond where he had been transferred; \"no doubt that a great battle is impending.\"","\"I saw Uncle S[amuel Barron]\" who has agreed to be his security [for Quartermaster post]; \"the news...is in general, cheering.\"","Letter concerns his new position in the Quartermaster office.","Letter concerns planned abandonment of Norfolk because \"to compete with the North in producing an ironclad Navy is out of the question\"; Yorktown will be abandoned but \"we grow stronger as we go from the coast.\" Description of Randolph, Secy of Army, \"tall sinewy\" and of Mallory, Secy of Navy, \"a stupid little man.\"","\"Our troops are moving off so fast that there shall soon be none left there... the worst that can happen is to be taken prisoner....\"","Appointment to the position of Recorder for a Naval Court of Inquiry.","\"My court still continues....\"; confidence in final victory; \"today the city of Washington is in one universal shiverfrom Old Abe down....\"; plan to cut off Washington and invade the North; Southern army set at 80 to 90,000 men, the Northern 115,000.","Letter concerns his position as Judge Advocate of Court convened to consider the burning of vessels on Lake Ponchartrain, Louisiana.","Appointment as Secretary to the Naval Board for the examination of Midshipmen.","Order to report to Savannah.","Granted leave of Absence.","Recommendation included with following letter of 11 October 1862, Box-folder 1:92.","Letter covering above recommendation of 9 October 1862, Box-folder 1:92.","Introducing James Barron Hope who is in Hillsboro to find a place for his family.","Scope and Contents Appointment as Secretary to the \"Flag Officer\" commanding the Naval Forces in the waters of Virginia.","The Flag of S[amuel] Barronhas been hoisted above the \"Patrick Henry.\"","Signed G. W. Smith, Secretary of War.","Letter concerns copies of Hope's poems.","News that Burnside's army is landing on the coast.","Letter concerns a place being found for his family; congratulations on position in the Capital. Endorsement to his wife Annie.","Letter concerns question whether mail has been stopped; family matters.","Gait died of small pox; family matters.","Permission to use Navy files.","Letter concerns purchase of Army supplies.","Letter concerns problems of the Quartermaster's Department of the Confederate Army. Letter is continued with the letter below of 11 June 1863, Box-folder 1:107.","Continuation of the above letter of 26 May 1863, Box-folder 1:107.","\"What an absurd document we have in Lincoln's message--and how...disgusting the proceedings of Congress....\"","Letter concerns the effect of Yankee fire on Fort Sumter; of the fire of \"Ironsides,\" \"Monitor,\" etc.; Charleston will be lost if the second line of James Island is not held.","\" Genl. M[yers]has been superseded by Genl. Lawton, a victim of Mr. Davis personal animosity.\"","Scope and Contents While awaiting the new \"chief\"; bonds, his wife is to handle; impression of new General [Lawton].","Bond coupons turned up; family matters.","Letter concerns fever that is spreading on Mr. A's plantation, where his family is staying-need to move them; Genl. L[awton]is from Georgia, a gentleman of intelligence, successor to Myers; an official letter that is \" Very cheerfulabout Charleston.\"","Letter concerns strike in the city Post Office, so letters should be sent in a packet by Express; fall of Sumter, betterworks lay behind; \"new chief.\"","Scope and Contents Letter concerns box from Bermuda with cotton, soap, etc.; cake sent from Richmond to his family. Result in Tennessee very grand, \"son they think here\"; Rosecranz in a difficult position-- \"it will puzzle the Yankees to reinforce him.\"","Signed by Jno. Withers, Asst. Adjutant General.","Letter concerns Christian faith.","Letter concerns high prices for clothes; family matters.","Scope and Contents Letter concerns a visit to the \"Merrimac\"; Burnside expedition and other news of battles.","Letter concerns slight sickness and his old wound from his duel; the falling back of Southern forces shortens their lines, brings the enemy further from his base; hope that Belgian, French and English fleets will break the blockade of New Orleans.","Mention of Sam [Barron, IV]; \"Our army in North Carolina number 65,000 \u0026 we expect to beat the enemy whenever they advance, \u0026 Comm. Barron (11.1) told methat Mr. Randolph (late Secy [of the Army]) told himthat Genl. Johnson telegraphed that the Murfreesboro fight was a splendid victory, after all.\"","Permission to go on leave on forwarding the Surgeon's Certificate. Reply of 20 July 1864 listed below.","Sends a diploma by direction of the Faculty.","Signed by E. Taliaferro and Benj. S. Ewell,President.","The activity of Hope after the war is reflected in the correspondence included in Box 2. A duel which was averted only by the arrest of his challenger, 1873, his resignation as Editor of the Norfolk Virginianto start his own paper, The Landmarkand his appearance to read anniversary poems at the Yorktown Centennial are among the events which concern the correspondence. There is also much family correspondence, many letters including humorous sketches, doggerel, and full poems.","Letter concerns a Bill which has passed the Senate, authorizing construction of the Norfolk \u0026 Southern Railway through Richmond.","Letter concerns the interest of the French Government in the James River Canal.","Letter concerns arrangements for a duel which was to take place near South Mills, North Carolina. Endorsement by J[aney] H[ope] M[arr],1929, states that Walters was arrested in Norfolk before the duel could be fought. Enclosures: (1) A list of terms of a duel on stationery of the Norfolk Virginian. (2) Receipt for the cleaning of a pair of pistols.","Letter states that she is dreadfully anxious (probably about the duel which is in the papers; a duel that was never fought).","Giving information on the size and management of Gen. Washington's farms, 1792.","Appreciation for an ode by Hope read by Judge Smith.","Letter concerns the annoyance of \"Tom Kelly's dog.\"","Regret that Hope has withdrawn as Editor of the Virginian.","Endorsed by James Barron Hope. Letter concerns French reading and her sister Nannie.","Appreciation and regret at his indisposition.","Appreciation for the review of his book in The Landmark.","Letter concerns an address Early was to deliver at Liberty.","\"...heartly concur with you in every effort to bring the power of the Federal Executive within proper limits....\"","Appreciation for \"defence of Gen. Ransom against the malicious charge recently directed against him.\"","Letter discusses family matters and \"my Williamsburg speech.\"","Compliments on a story by her which appeared in The Landmark; value of poetry and Bible reading for an author.","Appreciation for the criticism of his verses.","Appreciation for pamphlets and kind article in The Landmark.","Letter concerns the pistols used in the Barron-Decatur duel, supposed to be in the possession of Col. Elliott, son of Barron's second in the duel.","Letter concerns political affairs in Norfolk and Portsmouth.","Compliments on his speech at Yorktown.","A discussion of possible changes from French words to make English (American) proper names.","\"...deeply pained I am to leave you...on such a mission as now engaged me....I am obeying a sense of duty ....\"","Scope and Contents Invitation to \"pronounce a poem\" at the celebration.","Appointing Hope the poet for Yorktown.","Requesting a letter of recommendation for Col. Jno. M. Brooke for the Presidency of Blacksburg College.","Invitation to Miss Janie Hope to same.","Offer to chaperone at Yorktown Celebration.","Account of his reactions to the reading of his Yorktown Ode by James Barron Hope; comparing him to Homer.","Endorsement by A[nn] W. Marr,her daughter, in January 1961.","Enclosing a copy of a resolution which is listed below, 25 October 1881, Box-folder 2:41.","Enclosed within the above letter, 31 October 1881, Box-folder 2:41.","Acknowledges, for the President, receipt of letter and \"report of the verses.\"","Request that Hope deliver his Yorktown ode in Philadelphia.","Appreciation of Yorktown poem and of allusions in it to himself.","Enclosing an invitation to deliver his Yorktown ode in Philadelphia.","Scope and Contents Letter concerns his invitation to recite his \"Ode\" before the Historical Society of Pennsylvania.","Letter concerns his last \"Annual Message.\"","Includes one card for admission to the reading of \"Yorktown Ode\" by Capt. James Barron Hope.","Scope and Contents Request that the \"eloquent Centennial Poem at Yorktown\" be delivered in Washington.","Notice of election as a member of the Historical Society of Pennsylvania. Enclosure contained within this letter listed below, Box-Folder 2:51.","Enclosure sent within above letter, Box-Folder 2:51.","Massachusetts Historical Society is too small to bring Hope to Boston to read his Yorktown ode.","E. States that he \"cannot occupy any negative or doubtful attitude on any of the great questions now engaging public attention in this State.\"","Letter concerns her writing; regards to her sister Nan.","Scope and Contents Letter concerns the reading of Hope's poem, \"Charge at Balakiava\" to audiences in England.","Scope and Contents Notice of election of President of the \"St. Cecilia Society\"; notice of his election as a Director of the Society.","Letter concerns the dowager Duchess of Sutherland who was a strong abolitionist and the young Duchess who was the reverse, in connection with an article. Endorsement by James Barron Hope.","Letter concerns Mr. Marr who is at sea in a reported storm.","Glowing report on new book by Janey, \"I hope you will not lay down your pen.\"","Scope and Contents Sends his congratulations after reading \"The Rescue\" by Miss Janey Barron Hope.","Appreciation for kind words in The Landmark.","Appreciation for the receipt of a book by Janey [Hope],which \"shows a careful study of the Colonial times.\"","Letter concerns his work as a portrait painter, and congratulations to Hope \"on being the father of a rising young novelist.\"","Scope and Contents Letter concerns his desire to obtain a copy of \"The Rescue\" in which his ancestor, Gov. Spottswood, figures. Enclosure contained within this letter listed below, Box-Folder 2:66.","Letter concerns that James Barron Hope could supply a copy of \"The Rescue,\" by his daughter [Janey Hope]. Enclosure sent within above letter, Box-Folder 2:66.","Appreciation for an address.","Scope and Contents He has written \"a review of Miss Janey's forthcoming volume of Essays for the News. Enclosed is a sonnet \"Ship-Wreck\" by E. S. Gregory.","Letter concerns a photo of a miniature of their grandfather [James Barron] and other family letters.","Letter concerns the movement for Hope to be Collector of Customs.","Appreciation of poem read publicly by Hope.","Letter concerns a contribution of an essay to The Landmark.","Compliment on Hope's Memorial Poem, with some criticism of it.","Acknowledgment of Hope's commendation of him and appreciation for the Centennial Ode of Hope.","Request that a recommendation be made for Railway Postal Clerk.","Letter concerns an article which appeared in The Landmarkof Norfolk.","\"I thank you for your splendid vindication in The Landmark.\"","Expression of warm regard.","Introduces his niece, Rosa Chisman. Covering note for this letter is listed below, 13 April 1905, Box-folder 2:83.","Covering note for the above letter written on 28 September 1886, Box-folder 2:83.","Appreciation for \"very complimentary notice of the Department.\"","Request that Hope make the historical address at the Hampton Academy reunion.","Letter concerns work as Superintendent of Schools; family matters. Includes sketches and doggerel poems.","A \"chatty\" letter profusely illustrated with his sketches.","\"Poetry,\" family affairs, and 3 sketches.","Letter concerns her brother Richard; a profusely illustrated family letter.","Letter concerns school activities and family affairs.","Family letter with sketches.","Letter concerns family matters.","Letter concerns school business, editorials, etc.","Letter concerns family affairs and 2 pages of sketches. Enclosed: 3 more sketches.","Includes 4 pages of sketches.","Family affairs and sketches.","Letter concerns pictures sent by Mr. Marr, Nannie and \"Mama.\"","Packing for leaving there.","Request that Hope deliver a poem at the dedication of the Lee Monument.","Scope and Contents Much engrossed in work and poetry; wrote 12 verses, 12 stories, night before; two \"specimen\" verses included and description of the poem.","Scope and Contents My poem is done...is to be delivered on the 27th\"; newspaper notices of his work; labor troubles in Norfolk. Enclosure: sketches.","Announcement of the program of the day.","Family affairs; illustrated with sketches.","Letter concerns hope that James Barron Hope come north to fill the place of John R. Thompson on the Post; comments on a new play by Hope.","Scope and Contents Family affairs; endorsement from \"Papa\" to Janey.","A resolution of regret and condolence at the news of the death of James Barron Hope.","Letter concerns shock at death of Hope.","Sympathy at time of death of James Barron Hope.","Consolation on occasion of death of James Barron Hope.","Condolences from her cousin on the death of Hope.","Letter concerns distress at. the newspaper announcement of the death of Hope.","Scope and Contents Requests that poem in honor of Gen. Lee written by \"your...lamented husband\" should be read at the monument.","Endorsement: \"Wm. Couper, The Sculptor.\" Sympathy at time of death of James Barron Hope.","Appreciation for a book of poems which was received.","Letter concerns \"task confided in me,\" probably at funeral of James Barron Hope.","Letter concerns an article by Thomas Nelson Page in Lippincotton Southern Literature, in which James Barron Hope was not mentioned.","In answer to Cary, Page states that he mentioned Capt. Hope in a previous article; appreciation for article written by daughter of Capt. Hope.","Letter concerns a request, forwarded to Mrs. [Janey Hope] Marrfor information about the life of her father, [James Barron Hope].","An appreciation of the person and character of her father [James Barron Hope], and discussion of the sketch of his life which he has requested.","A request for a copy of the poem [by James Barron Hope] read at the unveiling of his grandfather's statue in Richmond.","Appreciation of the character and genius of her father [James Barron Hope].","Acknowledgment and appreciation of the receipt of copies of \"A Wreath of Virginia Bay Leaves.\"","Request for an article on James Barron Hope for The Conservative Review, and plans for the publication of his complete works.","Scope and Contents Appreciation for the gift to the museum of the poem, \"Memoriae Sacrum\" by her father [James Barron Hope], and a letter written by James Barron Hope to Miss Campbell.","Letter concerns an article on the life of her father [James Barron Hope] with specimens of his work.","Regret that she could not contribute the article on her father.","Letter concerns selections of poems by James Barron Hope. to be included in the volume and permission to use them.","Letter concerns accommodations at Jackson and Salem; regards to Mrs. and Miss Hope.","E. Letter concerns the internal revenue, \"an abomination that bears heavily upon us...born of the republican party\"; the distillation of brandy and whiskey and the importance of grape culture to Virginia; the problem of colored men running for office; the \"Whig\" and the Bourbors; John S. Wise, Mahone, the Danville riots, George H. Thomas, John Sherman and Fitzhugh Lee.","Certificates of James Barron Hope and two Scrapbooks collected by James Barron Hope and his daughter, Janey Barron Hope Marr.","Signed by Rd. Saunders, Pres., B. Tucker, John Millington and Ch. Minnegerode.","Signed as above, plus Geo. Fred'k Holmes and Arch'd C. Peachy.","Signed by H. Sheppard.","Endorsements: \"Scrap Book kept by Janey Barron Hope with clippings about her Father, James Barron Hope.\"","Endorsement: \"Scrap Book of his early work kept by James Barron Hope. Afterwards added to by his daughter [Janey Barron Hope Marr], and with some of her published work added.\"","Some of the literary and artistic work of James Barron Hope is collected in this box.","On reverse: sketch and signature James Barron Hope.","(Nannie was his daughter Anne Hope).","Endorsed: \"The property of Caroline Matilda Campbell, presented to her by her much-esteemed friend, the Author, James Barron Hope, Esq. of Hampton, Virginia\"","Endorsed as before, plus \"The Original of 'Leoni Di Monota' given to me by the author in January 1854, while in Baltimore to deliver a lecture before the Maryland Institute.\"","Endorsement letter concerns the ending, \"G. M. C., 17th September, 1855.\"","Endorsements: \"The original manuscript of this was given to the Norfolk Library by his daughter, Mrs. Janey Hope Marr.\"","Endorsement: \"By Jas. Barron Hope.\"","Endorsement: \"Proof for Mr. Hope. Do not lose this I have no copy.\"","Endorsement: \"Written in 1886-7.\"","Endorsement: \"Ms. of James Barron Hope's sonnet: 'Sir Walter Raleigh.' For Anne Whiting Marr from her mother.\"","One verse only, with sketches.","\"Dedicated to Bayard E. Hand, Esq., U.S. Navy, by his old friend and former messmate.\"","Included on the backs of some pages are the author's sketches of some of the characters, [by James Barron Hope].","\"Scene laid in Germany, Costumes those of the Sixteenth Century.-Time: the reign of Charles 5th.\"","Subheadings: \"Scriptorium\" and \"The Modern Newspapers.\" Last two pages are a poem which begins: \"Ah! here it is! I'm famous now!...It really is in print.\" Second copy, without the poem.","Endorsement: \"Given to me by the Author, J[ames] B[arrron] Hope,September 1, 1856.\"","Manuscript begins: \"To arrive at correct conclusions concerning the impulses which prompted and the principles which governed the careers of famous men....\"","Notes on Governor Yeardley, Dr. John Pott, Nathaniel Basse, Benjamin Symes, John Utie, Richard Downes, Elizabeth Rolfe, Glass and Salt Makers, Daniel Gookin and Sir William Newce.","The Manuscript begins in the middle of a sentence: \"the expedition settled on Roanoke Island....\"","A group of interesting and valuable newspaper clippings and articles in periodicals which are written by, or concern, James Barron Hope.","Poem - \"In May 1857, the two hundredth and fiftieth Anniversary at the settlement of Jamestown....\"printed in the Baltimore Sunfor 1 June 1902.","Letter concerns address by W. S. Bogart to Georgia Historical Society on \"The Four Randolphs of Virginia.\"","Scope and Contents Endorsed: \"Papa's Editorial\" and \"Editorial of James Barron Hope.\"","Includes printed letters from James Barron Hope to Comm. Samuel Barron, 29 April 1861, and James Barron Hope to Miss Imogene Barron, 12 August 1865.","This collection of manuscript poems, addresses, one story, one sketch and a daguerreotype augment the material found in Series 3, Literary and Artistic Work of James Barron Hope.","This poem was probably the \"Yorktown Ode\"delivered by James Barron Hope on the 100th anniversary of the surrender of Cornwallis at Yorktown, 19 October 1881.","Includes details of the operation of \"Mount Vernon\" Plantation.","285 pages with cover signature \"James Barron Hope.\" Enclosure see item list below, Box-folder 6:10.","Poem from the South Atlantic.","These letters, notes and newspaper clippings which were presented by Miss Anne W. Marr, daughter of Mrs. Jane Hope Marr, throw additional light on the life and accomplishments of James Barron Hope.","Agreement to build a new schooner in exchange for land in \"little England\" on the Hampton River.","Personal letters which tell of the visit of the Frigate \"Columbia\" to Hampton and the growth of the town.","References to fear of the fever, to her son James, and to a visit from Captain Barron and his family.","Personal letters with a note in the last, \"The people here are very anxious on the subject of the coming election.\"","Letter concerns a \"Volume of Poems.\"","Endorsement: \"Part of list of Confed. Naval Officers. Keep.\"","Letter concerns an article in the paper about Janie Barron Hope, and statement \"you was a great poet.\" Endorsement: \"from 'Black Tinie.\"","Letter concerns contribution of an article or story to the Alkahest Magazine.","Letters of 1854-1857 written by Jane A. Barron Hope to Miss \"Carrie\" Campbell.","Includes a copy of reply, 29 November.","Letter concerns a manuscript account of the Barron-Decatur duel.","Letter concerns article on naval history and the part played by the Barrons.","Letter concerns information on the Barrons.","Notes on James Barron Hope by his daughter [Jane Hope Marr] with typed copies of same and an additional typed note. The cover is endorsed, \"Capt. Hope's sense of Humor, J[ane] H[ope] Marr.\"","Printed Material. Letter concerns biographical sketch of James Barron Hope in The Dictionary of American Biography, with page from same.","Newspaper. E. Clipping concerning and by James Barron Hope, who was the founder and first editor of the Norfolk Landmark. Reviews of A Wreath of Virginia Bay Leaves, poems by his daughter Janey Hope Marr. Some are endorsed with comments.","Four letters, newspaper clippings, copies of periodicals and printed material collected by Janey Hope Marr, mainly concerned with her father, James Barron Hope.","Letter concerns monument to James Barron Hope.","Endorsement. Letter concerns Thomas Whiting and James Barron, the elder.","Thanking Capt. James Barron Hope for reciting a poem.","Letter concerns memorial to Lee.","Letter concerns laying cornerstone of Lee monument in Richmond.","Scope and Contents Contains \"The Birthday of Joss\"by Janey Barron Hope Marr.","Letter concerns James Barron Hope, including memorial edition of The Norfolk Weekly Landmarkfor 21 September 1887. Includes Autograph Document Signed, R. J. Bennett, Wadesboro, Auson County, North Carolina, to Mrs. James Barron Hope.","Includes an article on Commodore James Barron, U.S. Navy, by Janey Hope Marr.","Includes an article on James Barron Hope.","Contains an article on James Barron Hope by Janey Hope Marr.","Contains a poem by James Barron Hope and his photograph.","Scope and Contents Includes poem \"Balaclava\"by James Barron Hope.","Endorsement by Mrs. Polk.","Endorsement on reverse.","Note endorsed, \"Written by Jane Barron Hope (Mrs. Wilton Hope) mother of Jas. Barron Hope.\"","Criticism of an editorial in The Virginian; endorsement by James Barron Hope concerns his reply. Endorsement by J[aney] B[arron] H[ope] M[arr]tells how this led to a near duel.","Scope and Contents A demand for \"satisfaction\" sent by the hand of his friends Capt. B. Martin and F. J. Roche.","Scope and Contents Cover endorsed, \"Uncle Sam Barron's letter about Lamb-Hope duel\" signed J[aney] H[ope] Marr.","Sent with sketch of Pocahontas.","Letter of condolence upon the death of Capt. [James Barron] Hope.","Letter of condolence upon the death of James [Barron Hope].","Appreciation for a package of poems that he had received.","Letter concerns his hearing of a recitation of a poem by [James Barron] Hope on August 8, 1866.","Endorsed \"Painted for my room...by my father, James Barron Hope.\" Signed Janey Hope Marr.","With attached colored drawing on tissue, representing her departed spirit, and illustrated with flowers, willow tree, gravestone, etc.","Note reads: \"Relics of the olden times, A gift from J. F. Watson to Comdr Jas Barron. 1825. The box is of Walnut, a tree of Penn's day \u0026 the last left alive in the City of Philda.It stood till 1813 before the Hall of Independence. The oak on the lid is of the timber of the Alliance frigate, the last relic of the first Amn Navy. The Mahogany is of Columbus' house, the first in Amca, 1496.\" The following note is written on paper attached to the liner base of the box: \"a characteristic of Presdt Harrison is very applicable to Comdre Barron, vizt: 'He has a remarkably suggestive mind; and having passed through a career full of incident \u0026 variety, his retentive memory seems to be constantly on the alert for illustrations drawn from his own experience of any points that may occur' --S. L. W.\"","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Hope, James Barron, 1829-1887","English"],"collection_title_tesim":["James Barron Hope Papers (I), 1790/1965, bulk 1847/1887"],"collection_ssim":["James Barron Hope Papers (I), 1790/1965, bulk 1847/1887"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 H77","/repositories/2/resources/580"],"unitid_tesim":["Mss. 65 H77","/repositories/2/resources/580"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Yorktown (Va.)","Yorktown (Va.)--History--Siege, 1781--Centennial celebrations, etc"],"geogname_ssim":["Yorktown (Va.)","Yorktown (Va.)--History--Siege, 1781--Centennial celebrations, etc"],"places_ssim":["Yorktown (Va.)","Yorktown (Va.)--History--Siege, 1781--Centennial celebrations, etc"],"creator_ssm":["Hope, James Barron, 1829-1887"],"creator_ssim":["Hope, James Barron, 1829-1887"],"creator_persname_ssim":["Hope, James Barron, 1829-1887"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Hope, James Barron, 1829-1887","Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift: 933 items, 1945-1961."],"access_subjects_ssim":["Dueling--Virginia","Poets, American--19th century","United States--History--Civil War, 1861-1865","Correspondence","Manuscripts (document genre)"],"access_subjects_ssm":["Dueling--Virginia","Poets, American--19th century","United States--History--Civil War, 1861-1865","Correspondence","Manuscripts (document genre)"],"has_online_content_ssim":["false"],"physdesc_tesim":["933 items"],"extent_ssm":["5.00 Linear Feet"],"extent_tesim":["5.00 Linear Feet"],"genreform_ssim":["Correspondence","Manuscripts (document genre)"],"date_range_isim":[1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eOrganization: This collection is organized into 9 series; Series 1 contains the papers of James Barron Hope; Series 2 contains certificates and scrapbooks; Series 3 contains Literary and artistic works of James Barron Hope; Series 4 contains newspaper and periodical articles written by or concerning James Barron Hope; Series 5 contains compositions and other literary materials; Series 6 contains items collected by Ann W. Marr, the granddaughter of James Barron Hope; Series 7 contains items collected by Janey Hope Marr, the daughter of James Barron Hope; Series 8 contains miscellaneous items; and Series 9 contains various issues of newspapers. \u003c/p\u003e","\u003cp\u003eArrangement: This collection is arranged chronologically by date within each series. The series are arranged according the various dates which the materials were acquisitioned or added to the collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organization: This collection is organized into 9 series; Series 1 contains the papers of James Barron Hope; Series 2 contains certificates and scrapbooks; Series 3 contains Literary and artistic works of James Barron Hope; Series 4 contains newspaper and periodical articles written by or concerning James Barron Hope; Series 5 contains compositions and other literary materials; Series 6 contains items collected by Ann W. Marr, the granddaughter of James Barron Hope; Series 7 contains items collected by Janey Hope Marr, the daughter of James Barron Hope; Series 8 contains miscellaneous items; and Series 9 contains various issues of newspapers.","Arrangement: This collection is arranged chronologically by date within each series. The series are arranged according the various dates which the materials were acquisitioned or added to the collection."],"bioghist_html_tesm":["\u003cp\u003eJames Barron Hope was born 23 March 1829 in Norfolk, Virginia. He was the grandson of Commodore James Barron (1769-1851) and son of Wilton Hope and Jane Armistead (Barron) Hope (1791-1862).\u003c/p\u003e","\u003cp\u003eJames Barron Hope attended and graduated from the College of William and Mary (1846-48). He practiced law and was the commonwealth's attorney for Norfolk.\u003c/p\u003e","\u003cp\u003eHe married Annie Beverley Whiting (1825-1920) in 1857. The couple had two daughters, Jane (\"Janey\" or \"Jennie\") Barron Hope (b. 1859?) and Ann (\"Nanny\") Hope.\u003c/p\u003e","\u003cp\u003eJames Barron Hope is known primarily for his poetry, serving as the official poet of the 250th anniversary of the Jamestown settlement. He published several volumes of writings and also edited newspapers. Hope died in 1887.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Barron Hope was born 23 March 1829 in Norfolk, Virginia. He was the grandson of Commodore James Barron (1769-1851) and son of Wilton Hope and Jane Armistead (Barron) Hope (1791-1862).","James Barron Hope attended and graduated from the College of William and Mary (1846-48). He practiced law and was the commonwealth's attorney for Norfolk.","He married Annie Beverley Whiting (1825-1920) in 1857. The couple had two daughters, Jane (\"Janey\" or \"Jennie\") Barron Hope (b. 1859?) and Ann (\"Nanny\") Hope.","James Barron Hope is known primarily for his poetry, serving as the official poet of the 250th anniversary of the Jamestown settlement. He published several volumes of writings and also edited newspapers. Hope died in 1887."],"odd_html_tesm":["\u003cp\u003eOther Information:\u003c/p\u003e","\u003cp\u003e Additional information may be found at http://ead.lib.virginia.edu/vivaead/published/wm/viw00061.frame\u003c/p\u003e  "],"odd_heading_ssm":["General"],"odd_tesim":["Other Information:","Additional information may be found at http://ead.lib.virginia.edu/vivaead/published/wm/viw00061.frame"],"prefercite_html_tesm":["\u003cp\u003eJames Barron Hope Papers (I), Special Collections Research Center, Swem Library, College of William and Mary\u003c/p\u003e  "],"prefercite_tesim":["James Barron Hope Papers (I), Special Collections Research Center, Swem Library, College of William and Mary"],"relatedmaterial_html_tesm":["\u003cp\u003eThere are three collections within the Special Collections Research Center, William \u0026amp; Mary Libraries, that relate to this Collection. They include the James Barron Hope Paper (II), the Samuel Barron Papers and the James Barron Papers.\u003c/p\u003e","\u003cp\u003eThe James Barron Hope Papers (II), Special Collections Research Center, William \u0026amp; Mary Libraries; including correspondence and literary works, chiefly 1861-1874, of James Barron Hope (1829-1887), soldier, author (poet, orator, and novelist), and newspaper editor, of Norfolk and Williamsburg, Virginia. James Barron Hope Papers (II), 829-1887. 195 items. Collection number: Mss. 93 H77\u003c/p\u003e","\u003cp\u003eThe Samuel Barron Papers, Special Collections Research Center, William \u0026amp; Mary Libraries; include papers and correspondence of three generations of Samuel Barrons, all of whom were involved in naval affairs. Samuel Barron Papers, 1793-1942. 538 items. Collection number: Mss. 65 B29\u003c/p\u003e","\u003cp\u003eThe James Barron Papers, Special Collections Research Center, William \u0026amp; Mary Libraries; include correspondence and papers of Commodore James Barron relating to his career in the United States Navy, and especially relating to the Chesapeake-Leopard Affair in 1807 and to his duel with Stephen Decatur. James Barron Papers, 1776-1899. 2,759 items. Collection number: Mss. 65 B27\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There are three collections within the Special Collections Research Center, William \u0026 Mary Libraries, that relate to this Collection. They include the James Barron Hope Paper (II), the Samuel Barron Papers and the James Barron Papers.","The James Barron Hope Papers (II), Special Collections Research Center, William \u0026 Mary Libraries; including correspondence and literary works, chiefly 1861-1874, of James Barron Hope (1829-1887), soldier, author (poet, orator, and novelist), and newspaper editor, of Norfolk and Williamsburg, Virginia. James Barron Hope Papers (II), 829-1887. 195 items. Collection number: Mss. 93 H77","The Samuel Barron Papers, Special Collections Research Center, William \u0026 Mary Libraries; include papers and correspondence of three generations of Samuel Barrons, all of whom were involved in naval affairs. Samuel Barron Papers, 1793-1942. 538 items. Collection number: Mss. 65 B29","The James Barron Papers, Special Collections Research Center, William \u0026 Mary Libraries; include correspondence and papers of Commodore James Barron relating to his career in the United States Navy, and especially relating to the Chesapeake-Leopard Affair in 1807 and to his duel with Stephen Decatur. James Barron Papers, 1776-1899. 2,759 items. Collection number: Mss. 65 B27"],"scopecontent_html_tesm":["\u003cp\u003ePapers, chiefly 1847-1887, of James Barron Hope. Correspondence includes letters to his mother Jane A. Barron Hope while on a naval cruise to the Caribbean and letters to his wife, Annie Beverley Whiting Hope written during the Civil War. There are letters between Jane A. Barron Hope and her friend, Caroline Matilda Campbell. Prominent correspondents in the collection include Jubal A. Early, Benjamin S. Ewell, Hugh Blair Grigsby, Fitzhugh Lee, W. H. F. Lee, Thomas Nelson Page, John Tyler and Robert Charles Winthrop. The collection also includes editorials, atories, a play, manuscript poems of Hope including his address at the Yorktown Centennial, as well as articles and letters concerning his death and his involvement in dueling.\u003c/p\u003e  ","\u003cp\u003ePapers of James Barron Hope, 1835-1963, and undated.\u003c/p\u003e","\u003cp\u003eBox 1 consists the letters of James Barron Hope to his mother, Mrs. Jane A. Hope, while on a U.S. Cruiser in the Caribbean and of his mother to her friend, Miss Caroline H. Campbell, 1852-1858, as well as Hope's letters to Annie B. Whiting before his marriage to her and their correspondence during the Civil War, 1855-1865. An invitation from the Virginia General Assembly requesting that Hope read his poem there, 1858, and a Master of Arts degree from the College of William and Mary, 1866, are also included.\u003c/p\u003e","\u003cp\u003eApparently intended to accompany the poem \"Leoni Di Monota.\"\u003c/p\u003e","\u003cp\u003eCover endorsement: \"Copy of Sketch of Jas. Barron Hope sent to Judge French.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Letter sent on his birthday Letter concerns new home. Endorsement: \"From my Father's mother, who was Miss Jane Barron: Buried in Warrenton, North Carolina\" [by Janey Hope Marr].\u003c/p\u003e","\u003cp\u003eCongratulations on recovery of a wound and a bill for services. Endorsement: \"Hope-Jones duel.\" (see brief biographical note.)\u003c/p\u003e","\u003cp\u003eLetter concerns events in his life in last seven years, including service as teacher in the family of Bishop Otey. Endorsement: \"Who taught James Barron Hope french.\"\u003c/p\u003e","\u003cp\u003eLetter concerns visit with his father and service on the ship.\u003c/p\u003e","\u003cp\u003eSorrow for \"the Absent One.\"\u003c/p\u003e","\u003cp\u003eDetailed description of the places he has visited in the Caribbean Sea.\u003c/p\u003e","\u003cp\u003eDescription of Cuba; his 23rd birthday; expressions of great affection for his mother; enclosing a poem (now lost.)\u003c/p\u003e","\u003cp\u003eDescription of Trinidad, St. Domingo and Caribbean cruise.\u003c/p\u003e","\u003cp\u003eLetter concerns her son [James Barron Hope] at Pensacola; of her lamented father (Comm. James Barron) and the circumstances surrounding his Court Martial; of her mother.\u003c/p\u003e","\u003cp\u003eLetter concerns his affection for his mother; of the Roman Catholic faith.\u003c/p\u003e","\u003cp\u003eLetter concerns his impending departure for home.\u003c/p\u003e","\u003cp\u003eScope and Contents James [Barron Hope]has returned to Norfolk on the ship \"Cyane\"; he graduated in Law at William and Mary at the age of eighteen.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter concerns her discontent with Capt. Pain's navigation of the Ship \"Cyane\"; James [Barron Hope]is planning to enter the practice of law.\u003c/p\u003e","\u003cp\u003eJames [Barron Hope],while ill, has employed himself in writing; pertaining to her visit Virginia; wife of Capt. Pendergast.\u003c/p\u003e","\u003cp\u003eJames [Barron Hope]is away in York.\u003c/p\u003e","\u003cp\u003e\"James often employs himself in his writing.\"\u003c/p\u003e","\u003cp\u003eLetter concerns \"the Massard Manuscripts\" which were sent with books and paintings as a Christmas gift.\u003c/p\u003e","\u003cp\u003eEnclosed poem (now lost) on his 26th birthday.\u003c/p\u003e","\u003cp\u003eLetter concerns his activities after his arrival there.\u003c/p\u003e","\u003cp\u003eHope's manuscripts have been sent to the Publisher, Mr. Lucas, after being rearranged and edited by Caroline; mentions many of the poems by name, including those addressed to Miss Annie.\u003c/p\u003e","\u003cp\u003eEndorsement: \"Picture of Mrs. Jane Hope, her son, and Miss Campbell, it is supposed.\"\u003c/p\u003e","\u003cp\u003eLetter concerns paintings.\u003c/p\u003e","\u003cp\u003eLetter concerns Annie, and his book which appears to be well received in Norfolk.\u003c/p\u003e","\u003cp\u003eLetter discusses her care for Annie and her review of his works.\u003c/p\u003e","\u003cp\u003eLetter concerns his departure for Richmond.\u003c/p\u003e","\u003cp\u003eLetter discusses his mother's health; and his employment at the County Court.\u003c/p\u003e","\u003cp\u003eLetter concerns her sisters in Washington.\u003c/p\u003e","\u003cp\u003eLetter concerns Caroline's expected marriage.\u003c/p\u003e","\u003cp\u003eLetter discusses her trip by steamer, being met at Old Point by Mr. [James Barron] Hope.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter discusses the visit of the \"Merrimac\" and Capt. Pendergast's description of a trip to England and the Continent.\u003c/p\u003e","\u003cp\u003eLetter concerns meeting with Annie; enclosure of a poem for review.\u003c/p\u003e","\u003cp\u003eLetter concerns the celebration of the settlement of Jamestown, at which Mr. [James Barron] Hopeis expected to read a poem.\u003c/p\u003e","\u003cp\u003eLetter concerns family matters.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter concerns her review of \"Leoni\"; his marriage on the 10th at \"Elmwood,\" despite the opposition of Mr. Whiting.\u003c/p\u003e","\u003cp\u003eAcknowledges receipt of a volume of Hope's poems.\u003c/p\u003e","\u003cp\u003eLetter discusses the marriage of James Barron Hope to Annie Whiting.\u003c/p\u003e","\u003cp\u003eThree months after his marriage. Letter concerns a play that he has written.\u003c/p\u003e","\u003cp\u003eLetter discusses family affairs.\u003c/p\u003e","\u003cp\u003eLetter concerns her relatives on ships, from European waters to China.\u003c/p\u003e","\u003cp\u003eLetter concerns her work with her husband, James Barron Hope, in his writing.\u003c/p\u003e","\u003cp\u003eCondolences on a death in the family.\u003c/p\u003e","\u003cp\u003eRequest signed by 84 members of the General Assembly and 5 Richmond citizens that he recite again as they failed to hear delivered.\u003c/p\u003e","\u003cp\u003eLetter discusses the expectation of their first child, and talks of her reading and other activities as a young housewife.\u003c/p\u003e","\u003cp\u003eLetter concerns her letter to his mother.\u003c/p\u003e","\u003cp\u003eGreetings and good wishes for the New Year.\u003c/p\u003e","\u003cp\u003eQuartered in the Poor House in Richmond.\u003c/p\u003e","\u003cp\u003eEveryone in good spirits in the Capital [Richmond]; 20,000 men in the army in Virginia and is daily increasing; 8,000 in the York region.\u003c/p\u003e","\u003cp\u003eLetter concerns the battle at Bethel where \"the Hamptonians behaved with distinguished gallantry.\"\u003c/p\u003e","\u003cp\u003eA large force has been sent to York; he is engaged in getting men for Barron's battery; going to Williamsburg.\u003c/p\u003e","\u003cp\u003eLetter concerns recruiting in Williamsburg.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter discusses the Yankee's loss of 525 at Bethel to Confederate. 1 killed and 7 wounded; Magruder commanded, Col. Hill praised for \"cool valor\"; flight of a Zouave Regiment.\u003c/p\u003e","\u003cp\u003eLetter concerns Hope's Hotel and the quiet situation in Williamsburg.\u003c/p\u003e","\u003cp\u003eOn way to Williamsburg; faith and moral strength.\u003c/p\u003e","\u003cp\u003eForce retired from Bethel to the defenses of Yorktown; alarms in Williamsburg.\u003c/p\u003e","\u003cp\u003eLetter discusses life in their retreat, including \"a great annoyance...Julia is not in a condition to nurse the children much longer....\"\u003c/p\u003e","\u003cp\u003eEnclosed letters to Jane, Nan and to Sam [Barron]on same sheet.\u003c/p\u003e","\u003cp\u003eLetter concerns the Yankees in town; reference to letter sent to Annie Hope. Endorsement on cover, address to Mrs. James Barron Hope, Warrenton, North Carolina.\u003c/p\u003e","\u003cp\u003eLetter concerns Capt. Barron and Mrs. Barron.\u003c/p\u003e","\u003cp\u003eApplication for paymaster's position, until then he is in the Wythe rifles; parents behind the Federal lines who have been forced to take oath of loyalty.\u003c/p\u003e","\u003cp\u003eLetter concerns the confidence there, after victory at Manassas.\u003c/p\u003e","\u003cp\u003eMention of Comm. Samuel Barron and Capt. Samuel Barron.\u003c/p\u003e","\u003cp\u003eScope and Contents Mentions General Johnson, \"the Manassas man\"; Generals Lee and Magruder; his own children Jamie and Anne.\u003c/p\u003e","\u003cp\u003eLetter concerns elegance of the life at his grandmother's place [Mrs. James Barron]; his activity in writing for the Confederate cause.\u003c/p\u003e","\u003cp\u003eLetter concerns attacks aimed at Richmond which were defeated at Manassas; the war in Missouri; Mr. Lincoln's troubles; confidence in the ultimate result, \"the Nation born at Sumter and baptised with blood at Manassas will be hailed by the great powers of Europe as a member of the family of Empires.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Letter discusses \"God-sent overthrow\" of Scott at Manassas; \"another battle has taken place in our peninsula.\"\u003c/p\u003e","\u003cp\u003e\"There's a box of champagne for you at the Express Office....\"\u003c/p\u003e","\u003cp\u003eLetter concerns his poem in the newspaper, family matters; encloses newspaper clipping of Land as a medicine.\u003c/p\u003e","\u003cp\u003e\"...father has lost everything...am perfectly disgusted with yankees and negroes....\" Endorsement: \"...in spite of her feelings Aunt has married 'a yankee'...who came wounded to desolated Hampton....\" J[ane] H. M[arr].\u003c/p\u003e","\u003cp\u003eScope and Contents \"The news from Hatteras is very sad\"; \"the capture of Uncle Sam [Comm. Samuel Barron].\"\u003c/p\u003e","\u003cp\u003e\"...alleviate your anxiety about Uncle Sam [Comm. Samuel Barron]\"; defense of his action at Hatteras.\u003c/p\u003e","\u003cp\u003eLetter discusses his return to his post after a visit to his family.\u003c/p\u003e","\u003cp\u003eUpon the death of Morrison of the faculty of William and Mary, a recommendation that the place be filled by James Barron Hope, \"one of the rising literary men of the state.\"\u003c/p\u003e","\u003cp\u003eLetter concerns the crowded condition of Richmond where he had been transferred; \"no doubt that a great battle is impending.\"\u003c/p\u003e","\u003cp\u003e\"I saw Uncle S[amuel Barron]\" who has agreed to be his security [for Quartermaster post]; \"the news...is in general, cheering.\"\u003c/p\u003e","\u003cp\u003eLetter concerns his new position in the Quartermaster office.\u003c/p\u003e","\u003cp\u003eLetter concerns planned abandonment of Norfolk because \"to compete with the North in producing an ironclad Navy is out of the question\"; Yorktown will be abandoned but \"we grow stronger as we go from the coast.\" Description of Randolph, Secy of Army, \"tall sinewy\" and of Mallory, Secy of Navy, \"a stupid little man.\"\u003c/p\u003e","\u003cp\u003e\"Our troops are moving off so fast that there shall soon be none left there... the worst that can happen is to be taken prisoner....\"\u003c/p\u003e","\u003cp\u003eAppointment to the position of Recorder for a Naval Court of Inquiry.\u003c/p\u003e","\u003cp\u003e\"My court still continues....\"; confidence in final victory; \"today the city of Washington is in one universal shiverfrom Old Abe down....\"; plan to cut off Washington and invade the North; Southern army set at 80 to 90,000 men, the Northern 115,000.\u003c/p\u003e","\u003cp\u003eLetter concerns his position as Judge Advocate of Court convened to consider the burning of vessels on Lake Ponchartrain, Louisiana.\u003c/p\u003e","\u003cp\u003eAppointment as Secretary to the Naval Board for the examination of Midshipmen.\u003c/p\u003e","\u003cp\u003eOrder to report to Savannah.\u003c/p\u003e","\u003cp\u003eGranted leave of Absence.\u003c/p\u003e","\u003cp\u003eRecommendation included with following letter of 11 October 1862, Box-folder 1:92.\u003c/p\u003e","\u003cp\u003eLetter covering above recommendation of 9 October 1862, Box-folder 1:92.\u003c/p\u003e","\u003cp\u003eIntroducing James Barron Hope who is in Hillsboro to find a place for his family.\u003c/p\u003e","\u003cp\u003eScope and Contents Appointment as Secretary to the \"Flag Officer\" commanding the Naval Forces in the waters of Virginia.\u003c/p\u003e","\u003cp\u003eThe Flag of S[amuel] Barronhas been hoisted above the \"Patrick Henry.\"\u003c/p\u003e","\u003cp\u003eSigned G. W. Smith, Secretary of War.\u003c/p\u003e","\u003cp\u003eLetter concerns copies of Hope's poems.\u003c/p\u003e","\u003cp\u003eNews that Burnside's army is landing on the coast.\u003c/p\u003e","\u003cp\u003eLetter concerns a place being found for his family; congratulations on position in the Capital. Endorsement to his wife Annie.\u003c/p\u003e","\u003cp\u003eLetter concerns question whether mail has been stopped; family matters.\u003c/p\u003e","\u003cp\u003eGait died of small pox; family matters.\u003c/p\u003e","\u003cp\u003ePermission to use Navy files.\u003c/p\u003e","\u003cp\u003eLetter concerns purchase of Army supplies.\u003c/p\u003e","\u003cp\u003eLetter concerns problems of the Quartermaster's Department of the Confederate Army. Letter is continued with the letter below of 11 June 1863, Box-folder 1:107.\u003c/p\u003e","\u003cp\u003eContinuation of the above letter of 26 May 1863, Box-folder 1:107.\u003c/p\u003e","\u003cp\u003e\"What an absurd document we have in Lincoln's message--and how...disgusting the proceedings of Congress....\"\u003c/p\u003e","\u003cp\u003eLetter concerns the effect of Yankee fire on Fort Sumter; of the fire of \"Ironsides,\" \"Monitor,\" etc.; Charleston will be lost if the second line of James Island is not held.\u003c/p\u003e","\u003cp\u003e\" Genl. M[yers]has been superseded by Genl. Lawton, a victim of Mr. Davis personal animosity.\"\u003c/p\u003e","\u003cp\u003eScope and Contents While awaiting the new \"chief\"; bonds, his wife is to handle; impression of new General [Lawton].\u003c/p\u003e","\u003cp\u003eBond coupons turned up; family matters.\u003c/p\u003e","\u003cp\u003eLetter concerns fever that is spreading on Mr. A's plantation, where his family is staying-need to move them; Genl. L[awton]is from Georgia, a gentleman of intelligence, successor to Myers; an official letter that is \" Very cheerfulabout Charleston.\"\u003c/p\u003e","\u003cp\u003eLetter concerns strike in the city Post Office, so letters should be sent in a packet by Express; fall of Sumter, betterworks lay behind; \"new chief.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Letter concerns box from Bermuda with cotton, soap, etc.; cake sent from Richmond to his family. Result in Tennessee very grand, \"son they think here\"; Rosecranz in a difficult position-- \"it will puzzle the Yankees to reinforce him.\"\u003c/p\u003e","\u003cp\u003eSigned by Jno. Withers, Asst. Adjutant General.\u003c/p\u003e","\u003cp\u003eLetter concerns Christian faith.\u003c/p\u003e","\u003cp\u003eLetter concerns high prices for clothes; family matters.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter concerns a visit to the \"Merrimac\"; Burnside expedition and other news of battles.\u003c/p\u003e","\u003cp\u003eLetter concerns slight sickness and his old wound from his duel; the falling back of Southern forces shortens their lines, brings the enemy further from his base; hope that Belgian, French and English fleets will break the blockade of New Orleans.\u003c/p\u003e","\u003cp\u003eMention of Sam [Barron, IV]; \"Our army in North Carolina number 65,000 \u0026amp; we expect to beat the enemy whenever they advance, \u0026amp; Comm. Barron (11.1) told methat Mr. Randolph (late Secy [of the Army]) told himthat Genl. Johnson telegraphed that the Murfreesboro fight was a splendid victory, after all.\"\u003c/p\u003e","\u003cp\u003ePermission to go on leave on forwarding the Surgeon's Certificate. Reply of 20 July 1864 listed below.\u003c/p\u003e","\u003cp\u003eSends a diploma by direction of the Faculty.\u003c/p\u003e","\u003cp\u003eSigned by E. Taliaferro and Benj. S. Ewell,President.\u003c/p\u003e","\u003cp\u003eThe activity of Hope after the war is reflected in the correspondence included in Box 2. A duel which was averted only by the arrest of his challenger, 1873, his resignation as Editor of the Norfolk Virginianto start his own paper, The Landmarkand his appearance to read anniversary poems at the Yorktown Centennial are among the events which concern the correspondence. There is also much family correspondence, many letters including humorous sketches, doggerel, and full poems.\u003c/p\u003e","\u003cp\u003eLetter concerns a Bill which has passed the Senate, authorizing construction of the Norfolk \u0026amp; Southern Railway through Richmond.\u003c/p\u003e","\u003cp\u003eLetter concerns the interest of the French Government in the James River Canal.\u003c/p\u003e","\u003cp\u003eLetter concerns arrangements for a duel which was to take place near South Mills, North Carolina. Endorsement by J[aney] H[ope] M[arr],1929, states that Walters was arrested in Norfolk before the duel could be fought. Enclosures: (1) A list of terms of a duel on stationery of the Norfolk Virginian. (2) Receipt for the cleaning of a pair of pistols.\u003c/p\u003e","\u003cp\u003eLetter states that she is dreadfully anxious (probably about the duel which is in the papers; a duel that was never fought).\u003c/p\u003e","\u003cp\u003eGiving information on the size and management of Gen. Washington's farms, 1792.\u003c/p\u003e","\u003cp\u003eAppreciation for an ode by Hope read by Judge Smith.\u003c/p\u003e","\u003cp\u003eLetter concerns the annoyance of \"Tom Kelly's dog.\"\u003c/p\u003e","\u003cp\u003eRegret that Hope has withdrawn as Editor of the Virginian.\u003c/p\u003e","\u003cp\u003eEndorsed by James Barron Hope. Letter concerns French reading and her sister Nannie.\u003c/p\u003e","\u003cp\u003eAppreciation and regret at his indisposition.\u003c/p\u003e","\u003cp\u003eAppreciation for the review of his book in The Landmark.\u003c/p\u003e","\u003cp\u003eLetter concerns an address Early was to deliver at Liberty.\u003c/p\u003e","\u003cp\u003e\"...heartly concur with you in every effort to bring the power of the Federal Executive within proper limits....\"\u003c/p\u003e","\u003cp\u003eAppreciation for \"defence of Gen. Ransom against the malicious charge recently directed against him.\"\u003c/p\u003e","\u003cp\u003eLetter discusses family matters and \"my Williamsburg speech.\"\u003c/p\u003e","\u003cp\u003eCompliments on a story by her which appeared in The Landmark; value of poetry and Bible reading for an author.\u003c/p\u003e","\u003cp\u003eAppreciation for the criticism of his verses.\u003c/p\u003e","\u003cp\u003eAppreciation for pamphlets and kind article in The Landmark.\u003c/p\u003e","\u003cp\u003eLetter concerns the pistols used in the Barron-Decatur duel, supposed to be in the possession of Col. Elliott, son of Barron's second in the duel.\u003c/p\u003e","\u003cp\u003eLetter concerns political affairs in Norfolk and Portsmouth.\u003c/p\u003e","\u003cp\u003eCompliments on his speech at Yorktown.\u003c/p\u003e","\u003cp\u003eA discussion of possible changes from French words to make English (American) proper names.\u003c/p\u003e","\u003cp\u003e\"...deeply pained I am to leave you...on such a mission as now engaged me....I am obeying a sense of duty ....\"\u003c/p\u003e","\u003cp\u003eScope and Contents Invitation to \"pronounce a poem\" at the celebration.\u003c/p\u003e","\u003cp\u003eAppointing Hope the poet for Yorktown.\u003c/p\u003e","\u003cp\u003eRequesting a letter of recommendation for Col. Jno. M. Brooke for the Presidency of Blacksburg College.\u003c/p\u003e","\u003cp\u003eInvitation to Miss Janie Hope to same.\u003c/p\u003e","\u003cp\u003eOffer to chaperone at Yorktown Celebration.\u003c/p\u003e","\u003cp\u003eAccount of his reactions to the reading of his Yorktown Ode by James Barron Hope; comparing him to Homer.\u003c/p\u003e","\u003cp\u003eEndorsement by A[nn] W. Marr,her daughter, in January 1961.\u003c/p\u003e","\u003cp\u003eEnclosing a copy of a resolution which is listed below, 25 October 1881, Box-folder 2:41.\u003c/p\u003e","\u003cp\u003eEnclosed within the above letter, 31 October 1881, Box-folder 2:41.\u003c/p\u003e","\u003cp\u003eAcknowledges, for the President, receipt of letter and \"report of the verses.\"\u003c/p\u003e","\u003cp\u003eRequest that Hope deliver his Yorktown ode in Philadelphia.\u003c/p\u003e","\u003cp\u003eAppreciation of Yorktown poem and of allusions in it to himself.\u003c/p\u003e","\u003cp\u003eEnclosing an invitation to deliver his Yorktown ode in Philadelphia.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter concerns his invitation to recite his \"Ode\" before the Historical Society of Pennsylvania.\u003c/p\u003e","\u003cp\u003eLetter concerns his last \"Annual Message.\"\u003c/p\u003e","\u003cp\u003eIncludes one card for admission to the reading of \"Yorktown Ode\" by Capt. James Barron Hope.\u003c/p\u003e","\u003cp\u003eScope and Contents Request that the \"eloquent Centennial Poem at Yorktown\" be delivered in Washington.\u003c/p\u003e","\u003cp\u003eNotice of election as a member of the Historical Society of Pennsylvania. Enclosure contained within this letter listed below, Box-Folder 2:51.\u003c/p\u003e","\u003cp\u003eEnclosure sent within above letter, Box-Folder 2:51.\u003c/p\u003e","\u003cp\u003eMassachusetts Historical Society is too small to bring Hope to Boston to read his Yorktown ode.\u003c/p\u003e","\u003cp\u003eE. States that he \"cannot occupy any negative or doubtful attitude on any of the great questions now engaging public attention in this State.\"\u003c/p\u003e","\u003cp\u003eLetter concerns her writing; regards to her sister Nan.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter concerns the reading of Hope's poem, \"Charge at Balakiava\" to audiences in England.\u003c/p\u003e","\u003cp\u003eScope and Contents Notice of election of President of the \"St. Cecilia Society\"; notice of his election as a Director of the Society.\u003c/p\u003e","\u003cp\u003eLetter concerns the dowager Duchess of Sutherland who was a strong abolitionist and the young Duchess who was the reverse, in connection with an article. Endorsement by James Barron Hope.\u003c/p\u003e","\u003cp\u003eLetter concerns Mr. Marr who is at sea in a reported storm.\u003c/p\u003e","\u003cp\u003eGlowing report on new book by Janey, \"I hope you will not lay down your pen.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Sends his congratulations after reading \"The Rescue\" by Miss Janey Barron Hope.\u003c/p\u003e","\u003cp\u003eAppreciation for kind words in The Landmark.\u003c/p\u003e","\u003cp\u003eAppreciation for the receipt of a book by Janey [Hope],which \"shows a careful study of the Colonial times.\"\u003c/p\u003e","\u003cp\u003eLetter concerns his work as a portrait painter, and congratulations to Hope \"on being the father of a rising young novelist.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Letter concerns his desire to obtain a copy of \"The Rescue\" in which his ancestor, Gov. Spottswood, figures. Enclosure contained within this letter listed below, Box-Folder 2:66.\u003c/p\u003e","\u003cp\u003eLetter concerns that James Barron Hope could supply a copy of \"The Rescue,\" by his daughter [Janey Hope]. Enclosure sent within above letter, Box-Folder 2:66.\u003c/p\u003e","\u003cp\u003eAppreciation for an address.\u003c/p\u003e","\u003cp\u003eScope and Contents He has written \"a review of Miss Janey's forthcoming volume of Essays for the News. Enclosed is a sonnet \"Ship-Wreck\" by E. S. Gregory.\u003c/p\u003e","\u003cp\u003eLetter concerns a photo of a miniature of their grandfather [James Barron] and other family letters.\u003c/p\u003e","\u003cp\u003eLetter concerns the movement for Hope to be Collector of Customs.\u003c/p\u003e","\u003cp\u003eAppreciation of poem read publicly by Hope.\u003c/p\u003e","\u003cp\u003eLetter concerns a contribution of an essay to The Landmark.\u003c/p\u003e","\u003cp\u003eCompliment on Hope's Memorial Poem, with some criticism of it.\u003c/p\u003e","\u003cp\u003eAcknowledgment of Hope's commendation of him and appreciation for the Centennial Ode of Hope.\u003c/p\u003e","\u003cp\u003eRequest that a recommendation be made for Railway Postal Clerk.\u003c/p\u003e","\u003cp\u003eLetter concerns an article which appeared in The Landmarkof Norfolk.\u003c/p\u003e","\u003cp\u003e\"I thank you for your splendid vindication in The Landmark.\"\u003c/p\u003e","\u003cp\u003eExpression of warm regard.\u003c/p\u003e","\u003cp\u003eIntroduces his niece, Rosa Chisman. Covering note for this letter is listed below, 13 April 1905, Box-folder 2:83.\u003c/p\u003e","\u003cp\u003eCovering note for the above letter written on 28 September 1886, Box-folder 2:83.\u003c/p\u003e","\u003cp\u003eAppreciation for \"very complimentary notice of the Department.\"\u003c/p\u003e","\u003cp\u003eRequest that Hope make the historical address at the Hampton Academy reunion.\u003c/p\u003e","\u003cp\u003eLetter concerns work as Superintendent of Schools; family matters. Includes sketches and doggerel poems.\u003c/p\u003e","\u003cp\u003eA \"chatty\" letter profusely illustrated with his sketches.\u003c/p\u003e","\u003cp\u003e\"Poetry,\" family affairs, and 3 sketches.\u003c/p\u003e","\u003cp\u003eLetter concerns her brother Richard; a profusely illustrated family letter.\u003c/p\u003e","\u003cp\u003eLetter concerns school activities and family affairs.\u003c/p\u003e","\u003cp\u003eFamily letter with sketches.\u003c/p\u003e","\u003cp\u003eLetter concerns family matters.\u003c/p\u003e","\u003cp\u003eLetter concerns school business, editorials, etc.\u003c/p\u003e","\u003cp\u003eLetter concerns family affairs and 2 pages of sketches. Enclosed: 3 more sketches.\u003c/p\u003e","\u003cp\u003eIncludes 4 pages of sketches.\u003c/p\u003e","\u003cp\u003eFamily affairs and sketches.\u003c/p\u003e","\u003cp\u003eLetter concerns pictures sent by Mr. Marr, Nannie and \"Mama.\"\u003c/p\u003e","\u003cp\u003ePacking for leaving there.\u003c/p\u003e","\u003cp\u003eRequest that Hope deliver a poem at the dedication of the Lee Monument.\u003c/p\u003e","\u003cp\u003eScope and Contents Much engrossed in work and poetry; wrote 12 verses, 12 stories, night before; two \"specimen\" verses included and description of the poem.\u003c/p\u003e","\u003cp\u003eScope and Contents My poem is done...is to be delivered on the 27th\"; newspaper notices of his work; labor troubles in Norfolk. Enclosure: sketches.\u003c/p\u003e","\u003cp\u003eAnnouncement of the program of the day.\u003c/p\u003e","\u003cp\u003eFamily affairs; illustrated with sketches.\u003c/p\u003e","\u003cp\u003eLetter concerns hope that James Barron Hope come north to fill the place of John R. Thompson on the Post; comments on a new play by Hope.\u003c/p\u003e","\u003cp\u003eScope and Contents Family affairs; endorsement from \"Papa\" to Janey.\u003c/p\u003e","\u003cp\u003eA resolution of regret and condolence at the news of the death of James Barron Hope.\u003c/p\u003e","\u003cp\u003eLetter concerns shock at death of Hope.\u003c/p\u003e","\u003cp\u003eSympathy at time of death of James Barron Hope.\u003c/p\u003e","\u003cp\u003eConsolation on occasion of death of James Barron Hope.\u003c/p\u003e","\u003cp\u003eCondolences from her cousin on the death of Hope.\u003c/p\u003e","\u003cp\u003eLetter concerns distress at. the newspaper announcement of the death of Hope.\u003c/p\u003e","\u003cp\u003eScope and Contents Requests that poem in honor of Gen. Lee written by \"your...lamented husband\" should be read at the monument.\u003c/p\u003e","\u003cp\u003eEndorsement: \"Wm. Couper, The Sculptor.\" Sympathy at time of death of James Barron Hope.\u003c/p\u003e","\u003cp\u003eAppreciation for a book of poems which was received.\u003c/p\u003e","\u003cp\u003eLetter concerns \"task confided in me,\" probably at funeral of James Barron Hope.\u003c/p\u003e","\u003cp\u003eLetter concerns an article by Thomas Nelson Page in Lippincotton Southern Literature, in which James Barron Hope was not mentioned.\u003c/p\u003e","\u003cp\u003eIn answer to Cary, Page states that he mentioned Capt. Hope in a previous article; appreciation for article written by daughter of Capt. Hope.\u003c/p\u003e","\u003cp\u003eLetter concerns a request, forwarded to Mrs. [Janey Hope] Marrfor information about the life of her father, [James Barron Hope].\u003c/p\u003e","\u003cp\u003eAn appreciation of the person and character of her father [James Barron Hope], and discussion of the sketch of his life which he has requested.\u003c/p\u003e","\u003cp\u003eA request for a copy of the poem [by James Barron Hope] read at the unveiling of his grandfather's statue in Richmond.\u003c/p\u003e","\u003cp\u003eAppreciation of the character and genius of her father [James Barron Hope].\u003c/p\u003e","\u003cp\u003eAcknowledgment and appreciation of the receipt of copies of \"A Wreath of Virginia Bay Leaves.\"\u003c/p\u003e","\u003cp\u003eRequest for an article on James Barron Hope for The Conservative Review, and plans for the publication of his complete works.\u003c/p\u003e","\u003cp\u003eScope and Contents Appreciation for the gift to the museum of the poem, \"Memoriae Sacrum\" by her father [James Barron Hope], and a letter written by James Barron Hope to Miss Campbell.\u003c/p\u003e","\u003cp\u003eLetter concerns an article on the life of her father [James Barron Hope] with specimens of his work.\u003c/p\u003e","\u003cp\u003eRegret that she could not contribute the article on her father.\u003c/p\u003e","\u003cp\u003eLetter concerns selections of poems by James Barron Hope. to be included in the volume and permission to use them.\u003c/p\u003e","\u003cp\u003eLetter concerns accommodations at Jackson and Salem; regards to Mrs. and Miss Hope.\u003c/p\u003e","\u003cp\u003eE. Letter concerns the internal revenue, \"an abomination that bears heavily upon us...born of the republican party\"; the distillation of brandy and whiskey and the importance of grape culture to Virginia; the problem of colored men running for office; the \"Whig\" and the Bourbors; John S. Wise, Mahone, the Danville riots, George H. Thomas, John Sherman and Fitzhugh Lee.\u003c/p\u003e","\u003cp\u003eCertificates of James Barron Hope and two Scrapbooks collected by James Barron Hope and his daughter, Janey Barron Hope Marr.\u003c/p\u003e","\u003cp\u003eSigned by Rd. Saunders, Pres., B. Tucker, John Millington and Ch. Minnegerode.\u003c/p\u003e","\u003cp\u003eSigned as above, plus Geo. Fred'k Holmes and Arch'd C. Peachy.\u003c/p\u003e","\u003cp\u003eSigned by H. Sheppard.\u003c/p\u003e","\u003cp\u003eEndorsements: \"Scrap Book kept by Janey Barron Hope with clippings about her Father, James Barron Hope.\"\u003c/p\u003e","\u003cp\u003eEndorsement: \"Scrap Book of his early work kept by James Barron Hope. Afterwards added to by his daughter [Janey Barron Hope Marr], and with some of her published work added.\"\u003c/p\u003e","\u003cp\u003eSome of the literary and artistic work of James Barron Hope is collected in this box.\u003c/p\u003e","\u003cp\u003eOn reverse: sketch and signature James Barron Hope.\u003c/p\u003e","\u003cp\u003e(Nannie was his daughter Anne Hope).\u003c/p\u003e","\u003cp\u003eEndorsed: \"The property of Caroline Matilda Campbell, presented to her by her much-esteemed friend, the Author, James Barron Hope, Esq. of Hampton, Virginia\"\u003c/p\u003e","\u003cp\u003eEndorsed as before, plus \"The Original of 'Leoni Di Monota' given to me by the author in January 1854, while in Baltimore to deliver a lecture before the Maryland Institute.\"\u003c/p\u003e","\u003cp\u003eEndorsement letter concerns the ending, \"G. M. C., 17th September, 1855.\"\u003c/p\u003e","\u003cp\u003eEndorsements: \"The original manuscript of this was given to the Norfolk Library by his daughter, Mrs. Janey Hope Marr.\"\u003c/p\u003e","\u003cp\u003eEndorsement: \"By Jas. Barron Hope.\"\u003c/p\u003e","\u003cp\u003eEndorsement: \"Proof for Mr. Hope. Do not lose this I have no copy.\"\u003c/p\u003e","\u003cp\u003eEndorsement: \"Written in 1886-7.\"\u003c/p\u003e","\u003cp\u003eEndorsement: \"Ms. of James Barron Hope's sonnet: 'Sir Walter Raleigh.' For Anne Whiting Marr from her mother.\"\u003c/p\u003e","\u003cp\u003eOne verse only, with sketches.\u003c/p\u003e","\u003cp\u003e\"Dedicated to Bayard E. Hand, Esq., U.S. Navy, by his old friend and former messmate.\"\u003c/p\u003e","\u003cp\u003eIncluded on the backs of some pages are the author's sketches of some of the characters, [by James Barron Hope].\u003c/p\u003e","\u003cp\u003e\"Scene laid in Germany, Costumes those of the Sixteenth Century.-Time: the reign of Charles 5th.\"\u003c/p\u003e","\u003cp\u003eSubheadings: \"Scriptorium\" and \"The Modern Newspapers.\" Last two pages are a poem which begins: \"Ah! here it is! I'm famous now!...It really is in print.\" Second copy, without the poem.\u003c/p\u003e","\u003cp\u003eEndorsement: \"Given to me by the Author, J[ames] B[arrron] Hope,September 1, 1856.\"\u003c/p\u003e","\u003cp\u003eManuscript begins: \"To arrive at correct conclusions concerning the impulses which prompted and the principles which governed the careers of famous men....\"\u003c/p\u003e","\u003cp\u003eNotes on Governor Yeardley, Dr. John Pott, Nathaniel Basse, Benjamin Symes, John Utie, Richard Downes, Elizabeth Rolfe, Glass and Salt Makers, Daniel Gookin and Sir William Newce.\u003c/p\u003e","\u003cp\u003eThe Manuscript begins in the middle of a sentence: \"the expedition settled on Roanoke Island....\"\u003c/p\u003e","\u003cp\u003eA group of interesting and valuable newspaper clippings and articles in periodicals which are written by, or concern, James Barron Hope.\u003c/p\u003e","\u003cp\u003ePoem - \"In May 1857, the two hundredth and fiftieth Anniversary at the settlement of Jamestown....\"printed in the Baltimore Sunfor 1 June 1902.\u003c/p\u003e","\u003cp\u003eLetter concerns address by W. S. Bogart to Georgia Historical Society on \"The Four Randolphs of Virginia.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Endorsed: \"Papa's Editorial\" and \"Editorial of James Barron Hope.\"\u003c/p\u003e","\u003cp\u003eIncludes printed letters from James Barron Hope to Comm. Samuel Barron, 29 April 1861, and James Barron Hope to Miss Imogene Barron, 12 August 1865.\u003c/p\u003e","\u003cp\u003eThis collection of manuscript poems, addresses, one story, one sketch and a daguerreotype augment the material found in Series 3, Literary and Artistic Work of James Barron Hope.\u003c/p\u003e","\u003cp\u003eThis poem was probably the \"Yorktown Ode\"delivered by James Barron Hope on the 100th anniversary of the surrender of Cornwallis at Yorktown, 19 October 1881.\u003c/p\u003e","\u003cp\u003eIncludes details of the operation of \"Mount Vernon\" Plantation.\u003c/p\u003e","\u003cp\u003e285 pages with cover signature \"James Barron Hope.\" Enclosure see item list below, Box-folder 6:10.\u003c/p\u003e","\u003cp\u003ePoem from the South Atlantic.\u003c/p\u003e","\u003cp\u003eThese letters, notes and newspaper clippings which were presented by Miss Anne W. Marr, daughter of Mrs. Jane Hope Marr, throw additional light on the life and accomplishments of James Barron Hope.\u003c/p\u003e","\u003cp\u003eAgreement to build a new schooner in exchange for land in \"little England\" on the Hampton River.\u003c/p\u003e","\u003cp\u003ePersonal letters which tell of the visit of the Frigate \"Columbia\" to Hampton and the growth of the town.\u003c/p\u003e","\u003cp\u003eReferences to fear of the fever, to her son James, and to a visit from Captain Barron and his family.\u003c/p\u003e","\u003cp\u003ePersonal letters with a note in the last, \"The people here are very anxious on the subject of the coming election.\"\u003c/p\u003e","\u003cp\u003eLetter concerns a \"Volume of Poems.\"\u003c/p\u003e","\u003cp\u003eEndorsement: \"Part of list of Confed. Naval Officers. Keep.\"\u003c/p\u003e","\u003cp\u003eLetter concerns an article in the paper about Janie Barron Hope, and statement \"you was a great poet.\" Endorsement: \"from 'Black Tinie.\"\u003c/p\u003e","\u003cp\u003eLetter concerns contribution of an article or story to the Alkahest Magazine.\u003c/p\u003e","\u003cp\u003eLetters of 1854-1857 written by Jane A. Barron Hope to Miss \"Carrie\" Campbell.\u003c/p\u003e","\u003cp\u003eIncludes a copy of reply, 29 November.\u003c/p\u003e","\u003cp\u003eLetter concerns a manuscript account of the Barron-Decatur duel.\u003c/p\u003e","\u003cp\u003eLetter concerns article on naval history and the part played by the Barrons.\u003c/p\u003e","\u003cp\u003eLetter concerns information on the Barrons.\u003c/p\u003e","\u003cp\u003eNotes on James Barron Hope by his daughter [Jane Hope Marr] with typed copies of same and an additional typed note. The cover is endorsed, \"Capt. Hope's sense of Humor, J[ane] H[ope] Marr.\"\u003c/p\u003e","\u003cp\u003ePrinted Material. Letter concerns biographical sketch of James Barron Hope in The Dictionary of American Biography, with page from same.\u003c/p\u003e","\u003cp\u003eNewspaper. E. Clipping concerning and by James Barron Hope, who was the founder and first editor of the Norfolk Landmark. Reviews of A Wreath of Virginia Bay Leaves, poems by his daughter Janey Hope Marr. Some are endorsed with comments.\u003c/p\u003e","\u003cp\u003eFour letters, newspaper clippings, copies of periodicals and printed material collected by Janey Hope Marr, mainly concerned with her father, James Barron Hope.\u003c/p\u003e","\u003cp\u003eLetter concerns monument to James Barron Hope.\u003c/p\u003e","\u003cp\u003eEndorsement. Letter concerns Thomas Whiting and James Barron, the elder.\u003c/p\u003e","\u003cp\u003eThanking Capt. James Barron Hope for reciting a poem.\u003c/p\u003e","\u003cp\u003eLetter concerns memorial to Lee.\u003c/p\u003e","\u003cp\u003eLetter concerns laying cornerstone of Lee monument in Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Contains \"The Birthday of Joss\"by Janey Barron Hope Marr.\u003c/p\u003e","\u003cp\u003eLetter concerns James Barron Hope, including memorial edition of The Norfolk Weekly Landmarkfor 21 September 1887. Includes Autograph Document Signed, R. J. Bennett, Wadesboro, Auson County, North Carolina, to Mrs. James Barron Hope.\u003c/p\u003e","\u003cp\u003eIncludes an article on Commodore James Barron, U.S. Navy, by Janey Hope Marr.\u003c/p\u003e","\u003cp\u003eIncludes an article on James Barron Hope.\u003c/p\u003e","\u003cp\u003eContains an article on James Barron Hope by Janey Hope Marr.\u003c/p\u003e","\u003cp\u003eContains a poem by James Barron Hope and his photograph.\u003c/p\u003e","\u003cp\u003eScope and Contents Includes poem \"Balaclava\"by James Barron Hope.\u003c/p\u003e","\u003cp\u003eEndorsement by Mrs. Polk.\u003c/p\u003e","\u003cp\u003eEndorsement on reverse.\u003c/p\u003e","\u003cp\u003eNote endorsed, \"Written by Jane Barron Hope (Mrs. Wilton Hope) mother of Jas. Barron Hope.\"\u003c/p\u003e","\u003cp\u003eCriticism of an editorial in The Virginian; endorsement by James Barron Hope concerns his reply. Endorsement by J[aney] B[arron] H[ope] M[arr]tells how this led to a near duel.\u003c/p\u003e","\u003cp\u003eScope and Contents A demand for \"satisfaction\" sent by the hand of his friends Capt. B. Martin and F. J. Roche.\u003c/p\u003e","\u003cp\u003eScope and Contents Cover endorsed, \"Uncle Sam Barron's letter about Lamb-Hope duel\" signed J[aney] H[ope] Marr.\u003c/p\u003e","\u003cp\u003eSent with sketch of Pocahontas.\u003c/p\u003e","\u003cp\u003eLetter of condolence upon the death of Capt. [James Barron] Hope.\u003c/p\u003e","\u003cp\u003eLetter of condolence upon the death of James [Barron Hope].\u003c/p\u003e","\u003cp\u003eAppreciation for a package of poems that he had received.\u003c/p\u003e","\u003cp\u003eLetter concerns his hearing of a recitation of a poem by [James Barron] Hope on August 8, 1866.\u003c/p\u003e","\u003cp\u003eEndorsed \"Painted for my room...by my father, James Barron Hope.\" Signed Janey Hope Marr.\u003c/p\u003e","\u003cp\u003eWith attached colored drawing on tissue, representing her departed spirit, and illustrated with flowers, willow tree, gravestone, etc.\u003c/p\u003e","\u003cp\u003eNote reads: \"Relics of the olden times, A gift from J. F. Watson to Comdr Jas Barron. 1825. The box is of Walnut, a tree of Penn's day \u0026amp; the last left alive in the City of Philda.It stood till 1813 before the Hall of Independence. The oak on the lid is of the timber of the Alliance frigate, the last relic of the first Amn Navy. The Mahogany is of Columbus' house, the first in Amca, 1496.\" The following note is written on paper attached to the liner base of the box: \"a characteristic of Presdt Harrison is very applicable to Comdre Barron, vizt: 'He has a remarkably suggestive mind; and having passed through a career full of incident \u0026amp; variety, his retentive memory seems to be constantly on the alert for illustrations drawn from his own experience of any points that may occur' --S. L. W.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers, chiefly 1847-1887, of James Barron Hope. Correspondence includes letters to his mother Jane A. Barron Hope while on a naval cruise to the Caribbean and letters to his wife, Annie Beverley Whiting Hope written during the Civil War. There are letters between Jane A. Barron Hope and her friend, Caroline Matilda Campbell. Prominent correspondents in the collection include Jubal A. Early, Benjamin S. Ewell, Hugh Blair Grigsby, Fitzhugh Lee, W. H. F. Lee, Thomas Nelson Page, John Tyler and Robert Charles Winthrop. The collection also includes editorials, atories, a play, manuscript poems of Hope including his address at the Yorktown Centennial, as well as articles and letters concerning his death and his involvement in dueling.","Papers of James Barron Hope, 1835-1963, and undated.","Box 1 consists the letters of James Barron Hope to his mother, Mrs. Jane A. Hope, while on a U.S. Cruiser in the Caribbean and of his mother to her friend, Miss Caroline H. Campbell, 1852-1858, as well as Hope's letters to Annie B. Whiting before his marriage to her and their correspondence during the Civil War, 1855-1865. An invitation from the Virginia General Assembly requesting that Hope read his poem there, 1858, and a Master of Arts degree from the College of William and Mary, 1866, are also included.","Apparently intended to accompany the poem \"Leoni Di Monota.\"","Cover endorsement: \"Copy of Sketch of Jas. Barron Hope sent to Judge French.\"","Scope and Contents Letter sent on his birthday Letter concerns new home. Endorsement: \"From my Father's mother, who was Miss Jane Barron: Buried in Warrenton, North Carolina\" [by Janey Hope Marr].","Congratulations on recovery of a wound and a bill for services. Endorsement: \"Hope-Jones duel.\" (see brief biographical note.)","Letter concerns events in his life in last seven years, including service as teacher in the family of Bishop Otey. Endorsement: \"Who taught James Barron Hope french.\"","Letter concerns visit with his father and service on the ship.","Sorrow for \"the Absent One.\"","Detailed description of the places he has visited in the Caribbean Sea.","Description of Cuba; his 23rd birthday; expressions of great affection for his mother; enclosing a poem (now lost.)","Description of Trinidad, St. Domingo and Caribbean cruise.","Letter concerns her son [James Barron Hope] at Pensacola; of her lamented father (Comm. James Barron) and the circumstances surrounding his Court Martial; of her mother.","Letter concerns his affection for his mother; of the Roman Catholic faith.","Letter concerns his impending departure for home.","Scope and Contents James [Barron Hope]has returned to Norfolk on the ship \"Cyane\"; he graduated in Law at William and Mary at the age of eighteen.","Scope and Contents Letter concerns her discontent with Capt. Pain's navigation of the Ship \"Cyane\"; James [Barron Hope]is planning to enter the practice of law.","James [Barron Hope],while ill, has employed himself in writing; pertaining to her visit Virginia; wife of Capt. Pendergast.","James [Barron Hope]is away in York.","\"James often employs himself in his writing.\"","Letter concerns \"the Massard Manuscripts\" which were sent with books and paintings as a Christmas gift.","Enclosed poem (now lost) on his 26th birthday.","Letter concerns his activities after his arrival there.","Hope's manuscripts have been sent to the Publisher, Mr. Lucas, after being rearranged and edited by Caroline; mentions many of the poems by name, including those addressed to Miss Annie.","Endorsement: \"Picture of Mrs. Jane Hope, her son, and Miss Campbell, it is supposed.\"","Letter concerns paintings.","Letter concerns Annie, and his book which appears to be well received in Norfolk.","Letter discusses her care for Annie and her review of his works.","Letter concerns his departure for Richmond.","Letter discusses his mother's health; and his employment at the County Court.","Letter concerns her sisters in Washington.","Letter concerns Caroline's expected marriage.","Letter discusses her trip by steamer, being met at Old Point by Mr. [James Barron] Hope.","Scope and Contents Letter discusses the visit of the \"Merrimac\" and Capt. Pendergast's description of a trip to England and the Continent.","Letter concerns meeting with Annie; enclosure of a poem for review.","Letter concerns the celebration of the settlement of Jamestown, at which Mr. [James Barron] Hopeis expected to read a poem.","Letter concerns family matters.","Scope and Contents Letter concerns her review of \"Leoni\"; his marriage on the 10th at \"Elmwood,\" despite the opposition of Mr. Whiting.","Acknowledges receipt of a volume of Hope's poems.","Letter discusses the marriage of James Barron Hope to Annie Whiting.","Three months after his marriage. Letter concerns a play that he has written.","Letter discusses family affairs.","Letter concerns her relatives on ships, from European waters to China.","Letter concerns her work with her husband, James Barron Hope, in his writing.","Condolences on a death in the family.","Request signed by 84 members of the General Assembly and 5 Richmond citizens that he recite again as they failed to hear delivered.","Letter discusses the expectation of their first child, and talks of her reading and other activities as a young housewife.","Letter concerns her letter to his mother.","Greetings and good wishes for the New Year.","Quartered in the Poor House in Richmond.","Everyone in good spirits in the Capital [Richmond]; 20,000 men in the army in Virginia and is daily increasing; 8,000 in the York region.","Letter concerns the battle at Bethel where \"the Hamptonians behaved with distinguished gallantry.\"","A large force has been sent to York; he is engaged in getting men for Barron's battery; going to Williamsburg.","Letter concerns recruiting in Williamsburg.","Scope and Contents Letter discusses the Yankee's loss of 525 at Bethel to Confederate. 1 killed and 7 wounded; Magruder commanded, Col. Hill praised for \"cool valor\"; flight of a Zouave Regiment.","Letter concerns Hope's Hotel and the quiet situation in Williamsburg.","On way to Williamsburg; faith and moral strength.","Force retired from Bethel to the defenses of Yorktown; alarms in Williamsburg.","Letter discusses life in their retreat, including \"a great annoyance...Julia is not in a condition to nurse the children much longer....\"","Enclosed letters to Jane, Nan and to Sam [Barron]on same sheet.","Letter concerns the Yankees in town; reference to letter sent to Annie Hope. Endorsement on cover, address to Mrs. James Barron Hope, Warrenton, North Carolina.","Letter concerns Capt. Barron and Mrs. Barron.","Application for paymaster's position, until then he is in the Wythe rifles; parents behind the Federal lines who have been forced to take oath of loyalty.","Letter concerns the confidence there, after victory at Manassas.","Mention of Comm. Samuel Barron and Capt. Samuel Barron.","Scope and Contents Mentions General Johnson, \"the Manassas man\"; Generals Lee and Magruder; his own children Jamie and Anne.","Letter concerns elegance of the life at his grandmother's place [Mrs. James Barron]; his activity in writing for the Confederate cause.","Letter concerns attacks aimed at Richmond which were defeated at Manassas; the war in Missouri; Mr. Lincoln's troubles; confidence in the ultimate result, \"the Nation born at Sumter and baptised with blood at Manassas will be hailed by the great powers of Europe as a member of the family of Empires.\"","Scope and Contents Letter discusses \"God-sent overthrow\" of Scott at Manassas; \"another battle has taken place in our peninsula.\"","\"There's a box of champagne for you at the Express Office....\"","Letter concerns his poem in the newspaper, family matters; encloses newspaper clipping of Land as a medicine.","\"...father has lost everything...am perfectly disgusted with yankees and negroes....\" Endorsement: \"...in spite of her feelings Aunt has married 'a yankee'...who came wounded to desolated Hampton....\" J[ane] H. M[arr].","Scope and Contents \"The news from Hatteras is very sad\"; \"the capture of Uncle Sam [Comm. Samuel Barron].\"","\"...alleviate your anxiety about Uncle Sam [Comm. Samuel Barron]\"; defense of his action at Hatteras.","Letter discusses his return to his post after a visit to his family.","Upon the death of Morrison of the faculty of William and Mary, a recommendation that the place be filled by James Barron Hope, \"one of the rising literary men of the state.\"","Letter concerns the crowded condition of Richmond where he had been transferred; \"no doubt that a great battle is impending.\"","\"I saw Uncle S[amuel Barron]\" who has agreed to be his security [for Quartermaster post]; \"the news...is in general, cheering.\"","Letter concerns his new position in the Quartermaster office.","Letter concerns planned abandonment of Norfolk because \"to compete with the North in producing an ironclad Navy is out of the question\"; Yorktown will be abandoned but \"we grow stronger as we go from the coast.\" Description of Randolph, Secy of Army, \"tall sinewy\" and of Mallory, Secy of Navy, \"a stupid little man.\"","\"Our troops are moving off so fast that there shall soon be none left there... the worst that can happen is to be taken prisoner....\"","Appointment to the position of Recorder for a Naval Court of Inquiry.","\"My court still continues....\"; confidence in final victory; \"today the city of Washington is in one universal shiverfrom Old Abe down....\"; plan to cut off Washington and invade the North; Southern army set at 80 to 90,000 men, the Northern 115,000.","Letter concerns his position as Judge Advocate of Court convened to consider the burning of vessels on Lake Ponchartrain, Louisiana.","Appointment as Secretary to the Naval Board for the examination of Midshipmen.","Order to report to Savannah.","Granted leave of Absence.","Recommendation included with following letter of 11 October 1862, Box-folder 1:92.","Letter covering above recommendation of 9 October 1862, Box-folder 1:92.","Introducing James Barron Hope who is in Hillsboro to find a place for his family.","Scope and Contents Appointment as Secretary to the \"Flag Officer\" commanding the Naval Forces in the waters of Virginia.","The Flag of S[amuel] Barronhas been hoisted above the \"Patrick Henry.\"","Signed G. W. Smith, Secretary of War.","Letter concerns copies of Hope's poems.","News that Burnside's army is landing on the coast.","Letter concerns a place being found for his family; congratulations on position in the Capital. Endorsement to his wife Annie.","Letter concerns question whether mail has been stopped; family matters.","Gait died of small pox; family matters.","Permission to use Navy files.","Letter concerns purchase of Army supplies.","Letter concerns problems of the Quartermaster's Department of the Confederate Army. Letter is continued with the letter below of 11 June 1863, Box-folder 1:107.","Continuation of the above letter of 26 May 1863, Box-folder 1:107.","\"What an absurd document we have in Lincoln's message--and how...disgusting the proceedings of Congress....\"","Letter concerns the effect of Yankee fire on Fort Sumter; of the fire of \"Ironsides,\" \"Monitor,\" etc.; Charleston will be lost if the second line of James Island is not held.","\" Genl. M[yers]has been superseded by Genl. Lawton, a victim of Mr. Davis personal animosity.\"","Scope and Contents While awaiting the new \"chief\"; bonds, his wife is to handle; impression of new General [Lawton].","Bond coupons turned up; family matters.","Letter concerns fever that is spreading on Mr. A's plantation, where his family is staying-need to move them; Genl. L[awton]is from Georgia, a gentleman of intelligence, successor to Myers; an official letter that is \" Very cheerfulabout Charleston.\"","Letter concerns strike in the city Post Office, so letters should be sent in a packet by Express; fall of Sumter, betterworks lay behind; \"new chief.\"","Scope and Contents Letter concerns box from Bermuda with cotton, soap, etc.; cake sent from Richmond to his family. Result in Tennessee very grand, \"son they think here\"; Rosecranz in a difficult position-- \"it will puzzle the Yankees to reinforce him.\"","Signed by Jno. Withers, Asst. Adjutant General.","Letter concerns Christian faith.","Letter concerns high prices for clothes; family matters.","Scope and Contents Letter concerns a visit to the \"Merrimac\"; Burnside expedition and other news of battles.","Letter concerns slight sickness and his old wound from his duel; the falling back of Southern forces shortens their lines, brings the enemy further from his base; hope that Belgian, French and English fleets will break the blockade of New Orleans.","Mention of Sam [Barron, IV]; \"Our army in North Carolina number 65,000 \u0026 we expect to beat the enemy whenever they advance, \u0026 Comm. Barron (11.1) told methat Mr. Randolph (late Secy [of the Army]) told himthat Genl. Johnson telegraphed that the Murfreesboro fight was a splendid victory, after all.\"","Permission to go on leave on forwarding the Surgeon's Certificate. Reply of 20 July 1864 listed below.","Sends a diploma by direction of the Faculty.","Signed by E. Taliaferro and Benj. S. Ewell,President.","The activity of Hope after the war is reflected in the correspondence included in Box 2. A duel which was averted only by the arrest of his challenger, 1873, his resignation as Editor of the Norfolk Virginianto start his own paper, The Landmarkand his appearance to read anniversary poems at the Yorktown Centennial are among the events which concern the correspondence. There is also much family correspondence, many letters including humorous sketches, doggerel, and full poems.","Letter concerns a Bill which has passed the Senate, authorizing construction of the Norfolk \u0026 Southern Railway through Richmond.","Letter concerns the interest of the French Government in the James River Canal.","Letter concerns arrangements for a duel which was to take place near South Mills, North Carolina. Endorsement by J[aney] H[ope] M[arr],1929, states that Walters was arrested in Norfolk before the duel could be fought. Enclosures: (1) A list of terms of a duel on stationery of the Norfolk Virginian. (2) Receipt for the cleaning of a pair of pistols.","Letter states that she is dreadfully anxious (probably about the duel which is in the papers; a duel that was never fought).","Giving information on the size and management of Gen. Washington's farms, 1792.","Appreciation for an ode by Hope read by Judge Smith.","Letter concerns the annoyance of \"Tom Kelly's dog.\"","Regret that Hope has withdrawn as Editor of the Virginian.","Endorsed by James Barron Hope. Letter concerns French reading and her sister Nannie.","Appreciation and regret at his indisposition.","Appreciation for the review of his book in The Landmark.","Letter concerns an address Early was to deliver at Liberty.","\"...heartly concur with you in every effort to bring the power of the Federal Executive within proper limits....\"","Appreciation for \"defence of Gen. Ransom against the malicious charge recently directed against him.\"","Letter discusses family matters and \"my Williamsburg speech.\"","Compliments on a story by her which appeared in The Landmark; value of poetry and Bible reading for an author.","Appreciation for the criticism of his verses.","Appreciation for pamphlets and kind article in The Landmark.","Letter concerns the pistols used in the Barron-Decatur duel, supposed to be in the possession of Col. Elliott, son of Barron's second in the duel.","Letter concerns political affairs in Norfolk and Portsmouth.","Compliments on his speech at Yorktown.","A discussion of possible changes from French words to make English (American) proper names.","\"...deeply pained I am to leave you...on such a mission as now engaged me....I am obeying a sense of duty ....\"","Scope and Contents Invitation to \"pronounce a poem\" at the celebration.","Appointing Hope the poet for Yorktown.","Requesting a letter of recommendation for Col. Jno. M. Brooke for the Presidency of Blacksburg College.","Invitation to Miss Janie Hope to same.","Offer to chaperone at Yorktown Celebration.","Account of his reactions to the reading of his Yorktown Ode by James Barron Hope; comparing him to Homer.","Endorsement by A[nn] W. Marr,her daughter, in January 1961.","Enclosing a copy of a resolution which is listed below, 25 October 1881, Box-folder 2:41.","Enclosed within the above letter, 31 October 1881, Box-folder 2:41.","Acknowledges, for the President, receipt of letter and \"report of the verses.\"","Request that Hope deliver his Yorktown ode in Philadelphia.","Appreciation of Yorktown poem and of allusions in it to himself.","Enclosing an invitation to deliver his Yorktown ode in Philadelphia.","Scope and Contents Letter concerns his invitation to recite his \"Ode\" before the Historical Society of Pennsylvania.","Letter concerns his last \"Annual Message.\"","Includes one card for admission to the reading of \"Yorktown Ode\" by Capt. James Barron Hope.","Scope and Contents Request that the \"eloquent Centennial Poem at Yorktown\" be delivered in Washington.","Notice of election as a member of the Historical Society of Pennsylvania. Enclosure contained within this letter listed below, Box-Folder 2:51.","Enclosure sent within above letter, Box-Folder 2:51.","Massachusetts Historical Society is too small to bring Hope to Boston to read his Yorktown ode.","E. States that he \"cannot occupy any negative or doubtful attitude on any of the great questions now engaging public attention in this State.\"","Letter concerns her writing; regards to her sister Nan.","Scope and Contents Letter concerns the reading of Hope's poem, \"Charge at Balakiava\" to audiences in England.","Scope and Contents Notice of election of President of the \"St. Cecilia Society\"; notice of his election as a Director of the Society.","Letter concerns the dowager Duchess of Sutherland who was a strong abolitionist and the young Duchess who was the reverse, in connection with an article. Endorsement by James Barron Hope.","Letter concerns Mr. Marr who is at sea in a reported storm.","Glowing report on new book by Janey, \"I hope you will not lay down your pen.\"","Scope and Contents Sends his congratulations after reading \"The Rescue\" by Miss Janey Barron Hope.","Appreciation for kind words in The Landmark.","Appreciation for the receipt of a book by Janey [Hope],which \"shows a careful study of the Colonial times.\"","Letter concerns his work as a portrait painter, and congratulations to Hope \"on being the father of a rising young novelist.\"","Scope and Contents Letter concerns his desire to obtain a copy of \"The Rescue\" in which his ancestor, Gov. Spottswood, figures. Enclosure contained within this letter listed below, Box-Folder 2:66.","Letter concerns that James Barron Hope could supply a copy of \"The Rescue,\" by his daughter [Janey Hope]. Enclosure sent within above letter, Box-Folder 2:66.","Appreciation for an address.","Scope and Contents He has written \"a review of Miss Janey's forthcoming volume of Essays for the News. Enclosed is a sonnet \"Ship-Wreck\" by E. S. Gregory.","Letter concerns a photo of a miniature of their grandfather [James Barron] and other family letters.","Letter concerns the movement for Hope to be Collector of Customs.","Appreciation of poem read publicly by Hope.","Letter concerns a contribution of an essay to The Landmark.","Compliment on Hope's Memorial Poem, with some criticism of it.","Acknowledgment of Hope's commendation of him and appreciation for the Centennial Ode of Hope.","Request that a recommendation be made for Railway Postal Clerk.","Letter concerns an article which appeared in The Landmarkof Norfolk.","\"I thank you for your splendid vindication in The Landmark.\"","Expression of warm regard.","Introduces his niece, Rosa Chisman. Covering note for this letter is listed below, 13 April 1905, Box-folder 2:83.","Covering note for the above letter written on 28 September 1886, Box-folder 2:83.","Appreciation for \"very complimentary notice of the Department.\"","Request that Hope make the historical address at the Hampton Academy reunion.","Letter concerns work as Superintendent of Schools; family matters. Includes sketches and doggerel poems.","A \"chatty\" letter profusely illustrated with his sketches.","\"Poetry,\" family affairs, and 3 sketches.","Letter concerns her brother Richard; a profusely illustrated family letter.","Letter concerns school activities and family affairs.","Family letter with sketches.","Letter concerns family matters.","Letter concerns school business, editorials, etc.","Letter concerns family affairs and 2 pages of sketches. Enclosed: 3 more sketches.","Includes 4 pages of sketches.","Family affairs and sketches.","Letter concerns pictures sent by Mr. Marr, Nannie and \"Mama.\"","Packing for leaving there.","Request that Hope deliver a poem at the dedication of the Lee Monument.","Scope and Contents Much engrossed in work and poetry; wrote 12 verses, 12 stories, night before; two \"specimen\" verses included and description of the poem.","Scope and Contents My poem is done...is to be delivered on the 27th\"; newspaper notices of his work; labor troubles in Norfolk. Enclosure: sketches.","Announcement of the program of the day.","Family affairs; illustrated with sketches.","Letter concerns hope that James Barron Hope come north to fill the place of John R. Thompson on the Post; comments on a new play by Hope.","Scope and Contents Family affairs; endorsement from \"Papa\" to Janey.","A resolution of regret and condolence at the news of the death of James Barron Hope.","Letter concerns shock at death of Hope.","Sympathy at time of death of James Barron Hope.","Consolation on occasion of death of James Barron Hope.","Condolences from her cousin on the death of Hope.","Letter concerns distress at. the newspaper announcement of the death of Hope.","Scope and Contents Requests that poem in honor of Gen. Lee written by \"your...lamented husband\" should be read at the monument.","Endorsement: \"Wm. Couper, The Sculptor.\" Sympathy at time of death of James Barron Hope.","Appreciation for a book of poems which was received.","Letter concerns \"task confided in me,\" probably at funeral of James Barron Hope.","Letter concerns an article by Thomas Nelson Page in Lippincotton Southern Literature, in which James Barron Hope was not mentioned.","In answer to Cary, Page states that he mentioned Capt. Hope in a previous article; appreciation for article written by daughter of Capt. Hope.","Letter concerns a request, forwarded to Mrs. [Janey Hope] Marrfor information about the life of her father, [James Barron Hope].","An appreciation of the person and character of her father [James Barron Hope], and discussion of the sketch of his life which he has requested.","A request for a copy of the poem [by James Barron Hope] read at the unveiling of his grandfather's statue in Richmond.","Appreciation of the character and genius of her father [James Barron Hope].","Acknowledgment and appreciation of the receipt of copies of \"A Wreath of Virginia Bay Leaves.\"","Request for an article on James Barron Hope for The Conservative Review, and plans for the publication of his complete works.","Scope and Contents Appreciation for the gift to the museum of the poem, \"Memoriae Sacrum\" by her father [James Barron Hope], and a letter written by James Barron Hope to Miss Campbell.","Letter concerns an article on the life of her father [James Barron Hope] with specimens of his work.","Regret that she could not contribute the article on her father.","Letter concerns selections of poems by James Barron Hope. to be included in the volume and permission to use them.","Letter concerns accommodations at Jackson and Salem; regards to Mrs. and Miss Hope.","E. Letter concerns the internal revenue, \"an abomination that bears heavily upon us...born of the republican party\"; the distillation of brandy and whiskey and the importance of grape culture to Virginia; the problem of colored men running for office; the \"Whig\" and the Bourbors; John S. Wise, Mahone, the Danville riots, George H. Thomas, John Sherman and Fitzhugh Lee.","Certificates of James Barron Hope and two Scrapbooks collected by James Barron Hope and his daughter, Janey Barron Hope Marr.","Signed by Rd. Saunders, Pres., B. Tucker, John Millington and Ch. Minnegerode.","Signed as above, plus Geo. Fred'k Holmes and Arch'd C. Peachy.","Signed by H. Sheppard.","Endorsements: \"Scrap Book kept by Janey Barron Hope with clippings about her Father, James Barron Hope.\"","Endorsement: \"Scrap Book of his early work kept by James Barron Hope. Afterwards added to by his daughter [Janey Barron Hope Marr], and with some of her published work added.\"","Some of the literary and artistic work of James Barron Hope is collected in this box.","On reverse: sketch and signature James Barron Hope.","(Nannie was his daughter Anne Hope).","Endorsed: \"The property of Caroline Matilda Campbell, presented to her by her much-esteemed friend, the Author, James Barron Hope, Esq. of Hampton, Virginia\"","Endorsed as before, plus \"The Original of 'Leoni Di Monota' given to me by the author in January 1854, while in Baltimore to deliver a lecture before the Maryland Institute.\"","Endorsement letter concerns the ending, \"G. M. C., 17th September, 1855.\"","Endorsements: \"The original manuscript of this was given to the Norfolk Library by his daughter, Mrs. Janey Hope Marr.\"","Endorsement: \"By Jas. Barron Hope.\"","Endorsement: \"Proof for Mr. Hope. Do not lose this I have no copy.\"","Endorsement: \"Written in 1886-7.\"","Endorsement: \"Ms. of James Barron Hope's sonnet: 'Sir Walter Raleigh.' For Anne Whiting Marr from her mother.\"","One verse only, with sketches.","\"Dedicated to Bayard E. Hand, Esq., U.S. Navy, by his old friend and former messmate.\"","Included on the backs of some pages are the author's sketches of some of the characters, [by James Barron Hope].","\"Scene laid in Germany, Costumes those of the Sixteenth Century.-Time: the reign of Charles 5th.\"","Subheadings: \"Scriptorium\" and \"The Modern Newspapers.\" Last two pages are a poem which begins: \"Ah! here it is! I'm famous now!...It really is in print.\" Second copy, without the poem.","Endorsement: \"Given to me by the Author, J[ames] B[arrron] Hope,September 1, 1856.\"","Manuscript begins: \"To arrive at correct conclusions concerning the impulses which prompted and the principles which governed the careers of famous men....\"","Notes on Governor Yeardley, Dr. John Pott, Nathaniel Basse, Benjamin Symes, John Utie, Richard Downes, Elizabeth Rolfe, Glass and Salt Makers, Daniel Gookin and Sir William Newce.","The Manuscript begins in the middle of a sentence: \"the expedition settled on Roanoke Island....\"","A group of interesting and valuable newspaper clippings and articles in periodicals which are written by, or concern, James Barron Hope.","Poem - \"In May 1857, the two hundredth and fiftieth Anniversary at the settlement of Jamestown....\"printed in the Baltimore Sunfor 1 June 1902.","Letter concerns address by W. S. Bogart to Georgia Historical Society on \"The Four Randolphs of Virginia.\"","Scope and Contents Endorsed: \"Papa's Editorial\" and \"Editorial of James Barron Hope.\"","Includes printed letters from James Barron Hope to Comm. Samuel Barron, 29 April 1861, and James Barron Hope to Miss Imogene Barron, 12 August 1865.","This collection of manuscript poems, addresses, one story, one sketch and a daguerreotype augment the material found in Series 3, Literary and Artistic Work of James Barron Hope.","This poem was probably the \"Yorktown Ode\"delivered by James Barron Hope on the 100th anniversary of the surrender of Cornwallis at Yorktown, 19 October 1881.","Includes details of the operation of \"Mount Vernon\" Plantation.","285 pages with cover signature \"James Barron Hope.\" Enclosure see item list below, Box-folder 6:10.","Poem from the South Atlantic.","These letters, notes and newspaper clippings which were presented by Miss Anne W. Marr, daughter of Mrs. Jane Hope Marr, throw additional light on the life and accomplishments of James Barron Hope.","Agreement to build a new schooner in exchange for land in \"little England\" on the Hampton River.","Personal letters which tell of the visit of the Frigate \"Columbia\" to Hampton and the growth of the town.","References to fear of the fever, to her son James, and to a visit from Captain Barron and his family.","Personal letters with a note in the last, \"The people here are very anxious on the subject of the coming election.\"","Letter concerns a \"Volume of Poems.\"","Endorsement: \"Part of list of Confed. Naval Officers. Keep.\"","Letter concerns an article in the paper about Janie Barron Hope, and statement \"you was a great poet.\" Endorsement: \"from 'Black Tinie.\"","Letter concerns contribution of an article or story to the Alkahest Magazine.","Letters of 1854-1857 written by Jane A. Barron Hope to Miss \"Carrie\" Campbell.","Includes a copy of reply, 29 November.","Letter concerns a manuscript account of the Barron-Decatur duel.","Letter concerns article on naval history and the part played by the Barrons.","Letter concerns information on the Barrons.","Notes on James Barron Hope by his daughter [Jane Hope Marr] with typed copies of same and an additional typed note. The cover is endorsed, \"Capt. Hope's sense of Humor, J[ane] H[ope] Marr.\"","Printed Material. Letter concerns biographical sketch of James Barron Hope in The Dictionary of American Biography, with page from same.","Newspaper. E. Clipping concerning and by James Barron Hope, who was the founder and first editor of the Norfolk Landmark. Reviews of A Wreath of Virginia Bay Leaves, poems by his daughter Janey Hope Marr. Some are endorsed with comments.","Four letters, newspaper clippings, copies of periodicals and printed material collected by Janey Hope Marr, mainly concerned with her father, James Barron Hope.","Letter concerns monument to James Barron Hope.","Endorsement. Letter concerns Thomas Whiting and James Barron, the elder.","Thanking Capt. James Barron Hope for reciting a poem.","Letter concerns memorial to Lee.","Letter concerns laying cornerstone of Lee monument in Richmond.","Scope and Contents Contains \"The Birthday of Joss\"by Janey Barron Hope Marr.","Letter concerns James Barron Hope, including memorial edition of The Norfolk Weekly Landmarkfor 21 September 1887. Includes Autograph Document Signed, R. J. Bennett, Wadesboro, Auson County, North Carolina, to Mrs. James Barron Hope.","Includes an article on Commodore James Barron, U.S. Navy, by Janey Hope Marr.","Includes an article on James Barron Hope.","Contains an article on James Barron Hope by Janey Hope Marr.","Contains a poem by James Barron Hope and his photograph.","Scope and Contents Includes poem \"Balaclava\"by James Barron Hope.","Endorsement by Mrs. Polk.","Endorsement on reverse.","Note endorsed, \"Written by Jane Barron Hope (Mrs. Wilton Hope) mother of Jas. Barron Hope.\"","Criticism of an editorial in The Virginian; endorsement by James Barron Hope concerns his reply. Endorsement by J[aney] B[arron] H[ope] M[arr]tells how this led to a near duel.","Scope and Contents A demand for \"satisfaction\" sent by the hand of his friends Capt. B. Martin and F. J. Roche.","Scope and Contents Cover endorsed, \"Uncle Sam Barron's letter about Lamb-Hope duel\" signed J[aney] H[ope] Marr.","Sent with sketch of Pocahontas.","Letter of condolence upon the death of Capt. [James Barron] Hope.","Letter of condolence upon the death of James [Barron Hope].","Appreciation for a package of poems that he had received.","Letter concerns his hearing of a recitation of a poem by [James Barron] Hope on August 8, 1866.","Endorsed \"Painted for my room...by my father, James Barron Hope.\" Signed Janey Hope Marr.","With attached colored drawing on tissue, representing her departed spirit, and illustrated with flowers, willow tree, gravestone, etc.","Note reads: \"Relics of the olden times, A gift from J. F. Watson to Comdr Jas Barron. 1825. The box is of Walnut, a tree of Penn's day \u0026 the last left alive in the City of Philda.It stood till 1813 before the Hall of Independence. The oak on the lid is of the timber of the Alliance frigate, the last relic of the first Amn Navy. The Mahogany is of Columbus' house, the first in Amca, 1496.\" The following note is written on paper attached to the liner base of the box: \"a characteristic of Presdt Harrison is very applicable to Comdre Barron, vizt: 'He has a remarkably suggestive mind; and having passed through a career full of incident \u0026 variety, his retentive memory seems to be constantly on the alert for illustrations drawn from his own experience of any points that may occur' --S. L. W.\""],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Hope, James Barron, 1829-1887"],"names_ssim":["Special Collections Research Center","Hope, James Barron, 1829-1887"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":490,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:44:41.677Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_580_c01_c02_c78"}},{"id":"wvmturhc_repositories_2_resources_5880_c02_c156","type":"File","attributes":{"title":"Wm. H. Brady vs. Ernest Hovermale, 1848/1968","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5880_c02_c156#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5880_c02_c156","ref_ssm":["wvmturhc_repositories_2_resources_5880_c02_c156"],"id":"wvmturhc_repositories_2_resources_5880_c02_c156","ead_ssi":"wvmturhc_repositories_2_resources_5880","_root_":"wvmturhc_repositories_2_resources_5880","_nest_parent_":"wvmturhc_repositories_2_resources_5880_c02","parent_ssi":"wvmturhc_repositories_2_resources_5880_c02","parent_ssim":["Siler Family Papers, 1848/1968","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89), 1848/1968"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5880","wvmturhc_repositories_2_resources_5880_c02"],"title_filing_ssi":"Wm. H. Brady vs. Ernest Hovermale","title_ssm":["Wm. H. Brady vs. Ernest Hovermale"],"title_tesim":["Wm. H. Brady vs. Ernest Hovermale"],"normalized_title_ssm":["Wm. H. Brady vs. Ernest Hovermale, 1848/1968"],"text":["Wm. H. Brady vs. Ernest Hovermale, 1848/1968","Siler Family Papers, 1848/1968","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89), 1848/1968","Box S2/Box 25","Folder 6"],"parent_unittitles_ssm":["Siler Family Papers, 1848/1968","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89), 1848/1968"],"parent_unittitles_tesim":["Siler Family Papers, 1848/1968","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89), 1848/1968"],"normalized_date_ssm":["1848/1968"],"unitdate_inclusive_ssm":["ca. 1848-1968"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":336,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Siler Family Papers, 1848/1968"],"containers_ssim":["Box S2/Box 25","Folder 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"_nest_path_":"/components#1/components#155","timestamp":"2026-06-23T07:57:59.598Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5880","ead_ssi":"wvmturhc_repositories_2_resources_5880","_root_":"wvmturhc_repositories_2_resources_5880","_nest_parent_":"wvmturhc_repositories_2_resources_5880","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5880.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198957","title_ssm":["Siler Family Papers"],"title_tesim":["Siler Family Papers"],"unitdate_ssm":["1848-1968"],"unitdate_inclusive_ssm":["1848-1968"],"normalized_date_ssm":["1848/1968"],"normalized_title_ssm":["Siler Family Papers, 1848/1968"],"text":["Siler Family Papers, 1848/1968","A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880","Berkeley Springs (W. Va.)","Town of Bath, West Virginia - Berkeley Springs.","United States -- History -- Civil War, 1861-1865","Bank of Berkeley Springs - Banks and Banking.","Banks and Banking - American Institute of Banking.","Banks and Banking - Bank of Berkeley Springs.","Banks and Banking - Federal Reserve Bank of Richmond.","Banks and Banking - Financial Public Relations Association.","Banks and Banking - First Virginia Corporation.","Banks and banking","Berkeley Glass Sand Company -- Glass Sand Industry","Berkeley Springs Water Works and Improvement Co. -- Power Industry","Bibles","Blueprints","Bonds -- Citizens Trust and Guaranty Company of West Virginia","Bowling","Poetry --  Nannie S. Castleman","Church schools -- Episcopal High School (Alexandria, Va.)","Churches  -- Episcopal","Civil War -- Confederate newspapers","Civil War -- Description","Civil War - political factions.","Civil War -- Confederate letters","Confederate States of America - secession crisis.","Diaries and journals.","Episcopal Church - Churches.","Estates and estate settlements.","Federal Reserve Bank of Richmond - Banks and Banking.","Financial Public Relations Association - Banks and Banking.","First Virginia Corporation - Banks and Banking.","General stores - Hammond and Siler.","Glass Sand Industry - Berkeley Glass Sand Company.","Glass Sand Industry - Pennsylvania Glass Sand Corporation.","Hancock Steel Company - Steel.","Insurance - V. E. Johnson Insurance Agency.","Land - deeds and grants.","Land Plat.","Lawyers - letters and papers.","Ledgers.","Libraries - Morgan County Library.","Magazines.","Freemasons","Morgan County - Circuit Court.","Morgan County Library - Libraries.","Music - Sheet music.","Northern Virginia Power Company - Power Industry.","Pennsylvania Glass Sand Corporation - Glass Sand Industry.","Political factions - Civil War.","Politics - Secession of Virginia.","Politics and government.","Railroads - Baltimore and Ohio Railroad.","Railroads - Western Maryland Railroad Company.","Rhodes scholarships","Rock Gap Coal and Mining Company - Stocks.","Scrapbooks","Secession of Virginia - Politics.","Business correspondence","No special access restriction applies.","missing; 2011/04/15; mrr","series 2, box 47, folder 13","--","archives and manuscripts; photographs / postcards / prints / etc.","This is a collection of letters and documents tracing the personal and business life of an eastern panhandle West Virginia family. The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).","Series include:","Series 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1","This series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.","This series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.","This series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.","This series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.","This series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.","This series includes assorted photographs of the Siler family.","This series includes ledgers for the Hammond \u0026 Siler and John T. Siler \u0026 Son businesses, assorted account books, and family bibles.","This series consists of assorted oversize material, including blueprints, children's books, and sheet music.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company","Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy","Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses","English"],"collection_title_tesim":["Siler Family Papers, 1848/1968"],"collection_ssim":["Siler Family Papers, 1848/1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880"],"unitid_tesim":["A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Berkeley Springs (W. Va.)","Town of Bath, West Virginia - Berkeley Springs.","United States -- History -- Civil War, 1861-1865"],"geogname_ssim":["Berkeley Springs (W. Va.)","Town of Bath, West Virginia - Berkeley Springs.","United States -- History -- Civil War, 1861-1865"],"places_ssim":["Berkeley Springs (W. Va.)","Town of Bath, West Virginia - Berkeley Springs.","United States -- History -- Civil War, 1861-1865"],"creator_ssm":["Seiler family"],"creator_ssim":["Seiler family"],"creator_persname_ssim":["Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. 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House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company"],"creator_famname_ssim":["Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy"],"creators_ssim":["Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses","West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company","Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Purchase from (in process), (in process)"],"access_subjects_ssim":["Bank of Berkeley Springs - Banks and Banking.","Banks and Banking - American Institute of Banking.","Banks and Banking - Bank of Berkeley Springs.","Banks and Banking - Federal Reserve Bank of Richmond.","Banks and Banking - Financial Public Relations Association.","Banks and Banking - First Virginia Corporation.","Banks and banking","Berkeley Glass Sand Company -- Glass Sand Industry","Berkeley Springs Water Works and Improvement Co. -- Power Industry","Bibles","Blueprints","Bonds -- Citizens Trust and Guaranty Company of West Virginia","Bowling","Poetry --  Nannie S. Castleman","Church schools -- Episcopal High School (Alexandria, Va.)","Churches  -- Episcopal","Civil War -- Confederate newspapers","Civil War -- Description","Civil War - political factions.","Civil War -- Confederate letters","Confederate States of America - secession crisis.","Diaries and journals.","Episcopal Church - Churches.","Estates and estate settlements.","Federal Reserve Bank of Richmond - Banks and Banking.","Financial Public Relations Association - Banks and Banking.","First Virginia Corporation - Banks and Banking.","General stores - Hammond and Siler.","Glass Sand Industry - Berkeley Glass Sand Company.","Glass Sand Industry - Pennsylvania Glass Sand Corporation.","Hancock Steel Company - Steel.","Insurance - V. E. Johnson Insurance Agency.","Land - deeds and grants.","Land Plat.","Lawyers - letters and papers.","Ledgers.","Libraries - Morgan County Library.","Magazines.","Freemasons","Morgan County - Circuit Court.","Morgan County Library - Libraries.","Music - Sheet music.","Northern Virginia Power Company - Power Industry.","Pennsylvania Glass Sand Corporation - Glass Sand Industry.","Political factions - Civil War.","Politics - Secession of Virginia.","Politics and government.","Railroads - Baltimore and Ohio Railroad.","Railroads - Western Maryland Railroad Company.","Rhodes scholarships","Rock Gap Coal and Mining Company - Stocks.","Scrapbooks","Secession of Virginia - Politics.","Business correspondence"],"access_subjects_ssm":["Bank of Berkeley Springs - Banks and Banking.","Banks and Banking - American Institute of Banking.","Banks and Banking - Bank of Berkeley Springs.","Banks and Banking - Federal Reserve Bank of Richmond.","Banks and Banking - Financial Public Relations Association.","Banks and Banking - First Virginia Corporation.","Banks and banking","Berkeley Glass Sand Company -- Glass Sand Industry","Berkeley Springs Water Works and Improvement Co. -- Power Industry","Bibles","Blueprints","Bonds -- Citizens Trust and Guaranty Company of West Virginia","Bowling","Poetry --  Nannie S. Castleman","Church schools -- Episcopal High School (Alexandria, Va.)","Churches  -- Episcopal","Civil War -- Confederate newspapers","Civil War -- Description","Civil War - political factions.","Civil War -- Confederate letters","Confederate States of America - secession crisis.","Diaries and journals.","Episcopal Church - Churches.","Estates and estate settlements.","Federal Reserve Bank of Richmond - Banks and Banking.","Financial Public Relations Association - Banks and Banking.","First Virginia Corporation - Banks and Banking.","General stores - Hammond and Siler.","Glass Sand Industry - Berkeley Glass Sand Company.","Glass Sand Industry - Pennsylvania Glass Sand Corporation.","Hancock Steel Company - Steel.","Insurance - V. E. Johnson Insurance Agency.","Land - deeds and grants.","Land Plat.","Lawyers - letters and papers.","Ledgers.","Libraries - Morgan County Library.","Magazines.","Freemasons","Morgan County - Circuit Court.","Morgan County Library - Libraries.","Music - Sheet music.","Northern Virginia Power Company - Power Industry.","Pennsylvania Glass Sand Corporation - Glass Sand Industry.","Political factions - Civil War.","Politics - Secession of Virginia.","Politics and government.","Railroads - Baltimore and Ohio Railroad.","Railroads - Western Maryland Railroad Company.","Rhodes scholarships","Rock Gap Coal and Mining Company - Stocks.","Scrapbooks","Secession of Virginia - Politics.","Business correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["66.6 Linear Feet Summary: 66 ft. 7 in. (149 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 small flat storage box, 3 1/2 in.); (2 oversize folders, 2 in.); (25 wrapped packages, 3 ft. 8 in.)"],"extent_tesim":["66.6 Linear Feet Summary: 66 ft. 7 in. (149 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 small flat storage box, 3 1/2 in.); (2 oversize folders, 2 in.); (25 wrapped packages, 3 ft. 8 in.)"],"genreform_ssim":["Business correspondence"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"odd_html_tesm":["\u003cp\u003emissing; 2011/04/15; mrr\u003c/p\u003e","\u003cp\u003e\nseries 2, box 47, folder 13\u003c/p\u003e","\u003cp\u003e\n--\u003c/p\u003e  ","\u003cp\u003earchives and manuscripts; photographs / postcards / prints / etc.\u003c/p\u003e  "],"odd_heading_ssm":["Legacy Administrative Notes","Legacy Formats"],"odd_tesim":["missing; 2011/04/15; mrr","series 2, box 47, folder 13","--","archives and manuscripts; photographs / postcards / prints / etc."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Siler Family Papers, A\u0026amp;M 2200, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Siler Family Papers, A\u0026M 2200, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis is a collection of letters and documents tracing the personal and business life of an eastern panhandle West Virginia family. The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).\u003c/p\u003e","\u003cp\u003eSeries include:\u003c/p\u003e","\u003cp\u003eSeries 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\u003clb\u003e\u003c/lb\u003e\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\u003clb\u003e\u003c/lb\u003e\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\u003clb\u003e\u003c/lb\u003e\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\u003clb\u003e\u003c/lb\u003e\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1\u003c/p\u003e  ","\u003cp\u003eThis series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.\u003c/p\u003e","\u003cp\u003eThis series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.\u003c/p\u003e","\u003cp\u003eThis series includes assorted photographs of the Siler family.\u003c/p\u003e","\u003cp\u003eThis series includes ledgers for the Hammond \u0026amp; Siler and John T. Siler \u0026amp; Son businesses, assorted account books, and family bibles.\u003c/p\u003e","\u003cp\u003eThis series consists of assorted oversize material, including blueprints, children's books, and sheet music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This is a collection of letters and documents tracing the personal and business life of an eastern panhandle West Virginia family. The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).","Series include:","Series 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1","This series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.","This series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.","This series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.","This series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.","This series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.","This series includes assorted photographs of the Siler family.","This series includes ledgers for the Hammond \u0026 Siler and John T. Siler \u0026 Son businesses, assorted account books, and family bibles.","This series consists of assorted oversize material, including blueprints, children's books, and sheet music."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_172a403f6611d4a5931c460b0b7692df\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company"],"names_coll_ssim":["American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy","Seiler family","Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"famname_ssim":["Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy"],"persname_ssim":["Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"names_ssim":["West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company","Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy","Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1463,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:59.598Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5880_c02_c156"}},{"id":"wvmturhc_repositories_2_resources_1578_c02_c116","type":"File","attributes":{"title":"Women's Centenary Show - Cast and Scripts, 1858/1989","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1578_c02_c116#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1578_c02_c116","ref_ssm":["wvmturhc_repositories_2_resources_1578_c02_c116"],"id":"wvmturhc_repositories_2_resources_1578_c02_c116","ead_ssi":"wvmturhc_repositories_2_resources_1578","_root_":"wvmturhc_repositories_2_resources_1578","_nest_parent_":"wvmturhc_repositories_2_resources_1578_c02","parent_ssi":"wvmturhc_repositories_2_resources_1578_c02","parent_ssim":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992","Series 2. Planning, 1858/1996, bulk 1986/1991"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1578","wvmturhc_repositories_2_resources_1578_c02"],"title_filing_ssi":"Women's Centenary Show - Cast and Scripts","title_ssm":["Women's Centenary Show - Cast and Scripts"],"title_tesim":["Women's Centenary Show - Cast and Scripts"],"normalized_title_ssm":["Women's Centenary Show - Cast and Scripts, 1858/1989"],"text":["Women's Centenary Show - Cast and Scripts, 1858/1989","West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992","Series 2. Planning, 1858/1996, bulk 1986/1991","Box 9","Folder 16","Oversize material moved to A\u0026M 3376, Box 12, Folder 23"],"parent_unittitles_ssm":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992","Series 2. Planning, 1858/1996, bulk 1986/1991"],"parent_unittitles_tesim":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992","Series 2. Planning, 1858/1996, bulk 1986/1991"],"normalized_date_ssm":["1858/1989"],"unitdate_inclusive_ssm":["1858-1989 and undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":634,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992"],"containers_ssim":["Box 9","Folder 16"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Materials in box 21 are restricted due to the presence of student works and resumes. Materials in box 21 may be accessed 75 years after the latest date of creation, starting in 2061.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"separatedmaterial_html_tesm":["\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 23\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Oversize material moved to A\u0026M 3376, Box 12, Folder 23"],"_nest_path_":"/components#1/components#115","timestamp":"2026-06-23T07:53:36.499Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1578","ead_ssi":"wvmturhc_repositories_2_resources_1578","_root_":"wvmturhc_repositories_2_resources_1578","_nest_parent_":"wvmturhc_repositories_2_resources_1578","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1578.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195854","title_ssm":["West Virginia University, Women's Studies Center, Women's Centenary, Records"],"title_tesim":["West Virginia University, Women's Studies Center, Women's Centenary, Records"],"unitdate_ssm":["1849-2000 and undated","1890-1992"],"unitdate_inclusive_ssm":["1849-2000 and undated"],"unitdate_bulk_ssim":["1890-1992"],"normalized_date_ssm":["1849/2000, bulk 1980/1992"],"normalized_title_ssm":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992"],"text":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992","A\u0026M 3376","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1578","West Virginia Feminist Activist and Women's History Collection","West Virginia University  --  Women's Centenary (1891-1991)","Women --  Education","Women in higher education","Adult education of women","Special events - West Virginia University.","Materials in box 21 are restricted due to the presence of student works and resumes. Materials in box 21 may be accessed 75 years after the latest date of creation, starting in 2061.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","The Center for Women's and Gender Studies (CWGS) is an academic unit within West Virginia University's Eberly College of Arts and Sciences that offers a central location for discourse relative to the field of women's and gender studies. CWGS finds its origins in an informal Caucus for Women's Concerns formed in 1972 within West Viginia University (WVU) to \"achieve equitable treatment of women.\" In 1977, the Caucus submitted recommendations to then-WVU President Gene Budig regarding the establishment of a women's studies program and an advisory council on women's concerns. In response to these recommendations, the Caucus was officially accepted by the university as the Council for Women's Concerns (CWC), which included a Women's Studies Subcommittee formed to research and help facilitate a formal women's studies program.","The first proposal for a women's studies program was submitted to the CWC by Renata Pore in 1978, upon which a search committee headed by Dr. Enid Portnoy of the English Department was established. In 1980, the Women's Studies Program (WSP) was officially established as an interdisciplinary program in the College of Arts and Sciences. Judith Stitzel, a founding member of the CWC, was selected to serve as the first part-time coordinator of the WSP.","Under Stitzel's direction, the WSP developed an undergraduate Certificate Program in Women's Studies to be first offered in 1984. Simultaneously, the Center for Women's Studies (CWS) was established in the Office of the Vice President for Academic Affairs and Research to provide a collective space for students to gather. Judith Stitzel was made the founding director of the center, a position she would hold until 1992, making her the longest consecutive director of the center. The CWS would become affiliated with the Eberly College of Arts and Sciences in 1993.","The first undergraduate Certificates in Women's Studies at WVU were awarded to six students in 1986, the same year the first Master of Arts in Liberal Studies (MALS) graduated in Women's Studies. The Carrie Koeteurius Scholarship, which is still offered as of 2024, was first awarded to Deborah Gregory Eck and Lilo Ast in 1987.","One of the early major projects of the CWC, the Women's Centenary, \"Excellence Through Equity\" began planning in 1987 with Dr. Lillian Waugh being chosen as the research coordinator. After several years of planning and research, the Women's Centenary commenced in September 1989 on the 100-year anniversary of the first group of women to be admitted to WVU as degree candidates. Events were held over a two-year period, including lecture series, galas, building rededications, historical tours, exhibits, time capsule creations, and county-wide engagements. The Women's Centenary culminated with a convocation in 1991 on the 100-year anniversary of the first woman to graduate from WVU, Harriet Lyon.","In 1992, Judith Stitzel stepped down as director of the CWC, and the position was taken up by Helen Bannan from 1994 to 1998. Under Barbara Howe's directorship from 1998 to 2007, a BA and undergraduate minor in women's studies was established to coexist with the Certificate in Women's Studies. The first WVU women's studies major, Jamie Lynn Baxter, graduated in December 2003.","Janice Spleth served as interim director between 2008 and 2009, before Ann Oberhauser took directorship in 2009. Under her leadership in 2012, the CWC was renamed the Center for Women's and Gender Studies to incorporate a larger scale of classes and topics. After Oberhauser stepped down in 2013, Jennifer Orlikoff took directorship until 2016. Between 2016 and 2019, Cari Carpenter and Kasi Jackson served as interim directors, during which the LGBTQ+ Center was opened. In 2019, Sharon Bird became director, a position she still holds as of October 2024. In 2021, the Center for Women's and Gender Studies moved into its home in the Hodges Hall, Suite 505.","This collection contains materials collected or created by the Center for Women's Studies (CWS) while researching and preparing for the West Virginia University (WVU) Women's Centenary between 1989 and 1991. While research and planning materials are the most prevalent materials in the collection, there are also administrive and ephemeral materials. The majority of materials relate to women at WVU, particularly during the late nineteenth and early twentieth centuries. Included are bigoraphies, notes, photographs, correspondence, newspaper clippings, essays, programs, rosters, and exhibit panels.","The colleciton is divided into four series, with additional sub-series as indicated below.","Series 1: Research, 1849-2000 and undated","- Sub-Series 1: Exhibit Panels, circa 1875-1990 and undated\n- Sub-Series 2: Families and Individuals, 1870-2000 and undated\n- Sub-Series 3: West Virginia University (WVU), 1849-2000 and undated","Series 2: Planning, 1858-1996 and undated","Series 3: Administration, 1875-1997 and undated","Series 4: Ephemera, undated","An addendum of 2012 August 14 can be found in series 4 as item 1.\nAn addendum of 2019 March 28 can be found in boxes 19 and 20.","This series contains materials collected or created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary. It prominently contains research relating to early women who attended WVU such as Harriet Lyon-Jewett and Sallie Lowther Norris. Also included are martials created by using the completed research, such as exhibit panels and newspaper articles. Other materials include notes, correspondence, photographs, rosters, and biographies.","This sub-series contains exhibit panels created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary.","This sub-series contains materials collected and created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary and relating to early individuals and families affiliated with the university, primarily women.","Contains floppy disk (digitized)","VHS Tape","This sub-series contains materials collected or created by the Center for Women's Studies (CWS) during research for the West Virginia University (WVU) Women's Centenary. It primarily consists of research on general aspects of WVU during the introduction of coeducation.","This series contains materials collected and created by the Center for Women's Studies (CWS) while planning for the West Virginia University (WVU) Women's Centenary.","Contains floppy disc","Contains floppy disc","This series contains materials collected or created by the Center for Women's Studies (CWS) while facilitating operations and management during the West Virginia University (WVU) Women's Centenary.","This series contains ephemeral material created by the Center for Women's Studies (CWS) for the West Virginia University (WVU) Women's Centenary.","Oversize material moved to A\u0026M 3376, Box 16, Folder 6","Oversize material moved to A\u0026M 3376, Box 16, Folder 7","Oversize material moved to A\u0026M 3376, Box 16, Folder 8","Oversize material moved to A\u0026M 3376, Box 16, Folder 9","Oversize material moved to A\u0026M 3376, Box 12, Folder 4","Oversize material moved to A\u0026M 3376, Box 12, Folder 5","Oversize material moved to A\u0026M 3376, Box 12, Folder 6","Oversize material moved to A\u0026M 3376, Box 12, Folder 7","Oversize material moved to A\u0026M 3376, Box 12, Folder 8","Oversize material moved to A\u0026M 3376, Box 12, Folder 9","Oversize material moved to A\u0026M 3376, Box 18, Folder 1","Oversize material moved to A\u0026M 3376, Box 12, Folder 10","Oversize material moved to A\u0026M 3376, Box 12, Folder 11","Oversize material moved to A\u0026M 3376, Box 16, Folder 19","Oversize material moved to A\u0026M 3376, Box 12, Folder 19","Oversize material moved to A\u0026M 3376, Box 12, Folder 20","Removed from A\u0026M 3376, Box 4, Folder 56","Removed from A\u0026M 3376, Box 4, Folder 59","Removed from A\u0026M 3376, Box 5, Folder 1","Removed from A\u0026M 3376, Box 5, Folder 8","Removed from A\u0026M 3376, Box 5, Folder 10","Removed from A\u0026M 3376, Box 5, Folder 16","Removed from A\u0026M 3376, Box 5, Folder 28","Removed from A\u0026M 3376, Box 5, Folder 31","Removed from A\u0026M 3376, Box 7, Folder 40","Removed from A\u0026M 3376, Box 4, Folder 8","Removed from A\u0026M 3376, Box 4, Folder 28","Removed from A\u0026M 3376, Box 4, Folder 36","Removed from A\u0026M 3376, Box 4, Folder 46","Removed from A\u0026M 3376, Box 4, Folder 50","Removed from A\u0026M 3376, Box 7, Folder 15","Removed from A\u0026M 3376, Box 3, Folder 34","Oversize material moved to A\u0026M 3376, Box 16, Folder 1","Oversize material moved to A\u0026M 3376, Box 13, Folder 1","Oversize material moved to A\u0026M 3376, Box 16, Folder 2","Oversize material moved to A\u0026M 3376, Box 12, Folder 1","Oversize material moved to A\u0026M 3376, Box 18, Folder 2","Oversize material moved to A\u0026M 3376, Box 16, Folder 3","Oversize material moved to A\u0026M 3376, Box 12, Folder 2","Oversize material moved to A\u0026M 3367, Box 16, Folder 4","Oversize material moved to A\u0026M 3376, Box 16, Folder 5","Oversize material moved to A\u0026M 3376, Box 13, Folder 2","Oversize material moved to A\u0026M 3376, Box 18, Folder 3","Oversize material moved to A\u0026M 3376, Box 16, Folder 10","Oversize material moved to A\u0026M 3376, Box 13, Folder 3","Oversize material moved to A\u0026M 3376, Box 12, Folder 12","Oversize material moved to A\u0026M 3376, Box 16, Folder 11","Oversize material moved to A\u0026M 3376, Box 12, Folder 13","Oversize material moved to A\u0026M 3376, Box 16, Folder 12","Oversize material moved to A\u0026M 3376, Box 16, Folder 13","Oversize material moved to A\u0026M 3376, Box 12, Folder 17","Oversize material moved to A\u0026M 3376, Box 13, Folder 7","Oversize material moved to A\u0026M 3376, Box 12, Folder 18","Oversize material moved to A\u0026M 3376, Box 16, Folder 21","Oversize material moved to A\u0026M 3376, Box 16, Folder 26","Removed from A\u0026M 3376, Box 3, Folder 32","Removed from A\u0026M 3376, Box 4, Folder 7","Removed from A\u0026M 3376, Box 5, Folder 62","Removed from A\u0026M 3376, Box 5, Folder 66","Removed from A\u0026M 3376, Box 8, Folder 7","Removed from A\u0026M 3376, Box 8, Folder 25","Removed from A\u0026M 3376, Box 8, Folder 26","Removed from A\u0026M 3376, Box 3, Folder 23","Removed from A\u0026M 3376, Box 4, Folder 13","Removed from A\u0026M 3376, Box 5, Folder 59","Removed from A\u0026M 3376, Box 7, Folder 45","Removed from A\u0026M 3376, Box 3, Folder 18","Removed from A\u0026M 3376, Box 3, Folder 27","Removed from A\u0026M 3376, Box 4, Folder 5","Removed from A\u0026M 3376, Box 4, Folder 11","Removed from A\u0026M 3376, Box 5, Folder 36","Removed from A\u0026M 3376, Box 5, Folder 63","Removed from A\u0026M 3376, Box 6, Folder 4","Removed from A\u0026M 3376, Box 6, Folder 26","Removed from A\u0026M 3376, Box 8, Folder 10","Removed from A\u0026M 3376, Box 11, Folder 8","Removed from A\u0026M 3376, Box 3, Folder 41","Removed from A\u0026M 3376, Box 5, Folder 35","Oversize materials moved to A\u0026M 3376, Box 12, Folder 3","Oversize material moved to A\u0026M 3376, Box 18, Folder 5","Oversize material moved to A\u0026M 3376, Box 16, Folder 14","Oversize material moved to A\u0026M 3376, Box 13, Folder 4","Oversize material moved to A\u0026M 3376, Box 16, Folder 15","Oversize material moved to A\u0026M 3376, Box 12, Folder 15","Oversize material moved to A\u0026M 3376, Box 18, Folder 6","Oversize material moved to A\u0026M 3376, Box 16, Folder 16","Oversize material moved to A\u0026M 3376, Box 18, Folder 7","Oversize material moved to A\u0026M 3376, Box 16, Folder 17","Oversize material moved to A\u0026M 3376, Box 16, Folder 18","Oversize material moved to A\u0026M 3376, Box 12, Folder 16","Oversize material moved to A\u0026M 3376, Box 13, Folder 5","Oversize material moved to A\u0026M 3376, Box 13, Folder 6","Oversize material moved to A\u0026M 3376, Box 18, Folder 8","Oversize material moved to A\u0026M 3376, Box 13, Folder 8","Oversize material moved to A\u0026M 3376, Box 13, Folder 9","Oversize material moved to A\u0026M 3376, Box 16, Folder 22","Oversize material moved to A\u0026M 3376, Box 16, Folder 23","Oversize material moved to A\u0026M 3376, Box 12, Folder 21","Oversize material moved to A\u0026M 3376, Box 18, Folder 9","Oversize material moved to A\u0026M 3376, Box 16, Folder 24","Oversize material moved to A\u0026M 3376, Box 12, Folder 22","Oversize material moved to A\u0026M 3376, Box 12, Folder 23","Oversize material moved to A\u0026M 3376, Box 12, Folder 24","Oversize material moved to A\u0026M 3376, Box 12, Folder 25","Oversize material moved to A\u0026M 3376, Box 12, Folder 26","Oversize material moved to A\u0026M 3376, Box 13, Folder 10","Oversize material moved to A\u0026M 3376, Box 12, Folder 27","Oversize material moved to A\u0026M 3376, Box 18, Folder 10","Oversize material moved to A\u0026M 3376, Box 16, Folder 25","Oversize material moved to A\u0026M 3376, Box 18, Folder 11","Removed from A\u0026M 3376, Box 4, Folder 17","Removed from A\u0026M 3376, Box 6, Folder 46","Removed from A\u0026M 3376, Box 7, Folder 31","Removed from A\u0026M 3376, Box 8, Folder 33","Removed from A\u0026M 3367, Box 8, Folder 42","Removed from A\u0026M 3376, Box 9, Folder 16","Removed from A\u0026M 3376, Box 9, Folder 34","Removed from A\u0026M 3376, Box 9, Folder 35","Removed from A\u0026M 3376, Box 9, Folder 36","Removed from A\u0026M 3376, Box 10, Folder 2","Removed from A\u0026M 3376, Box 6, Folder 38","Removed from A\u0026M 3376, Box 7, Folder 33","Removed from A\u0026M 3376, Box 7, Folder 37","Removed from A\u0026M 3376, Box 7, Folder 63","Removed from A\u0026M 3376, Box 7, Folder 71","Removed from A\u0026M 3376, Box 10, Folder 1","Removed from A\u0026M 3376, Box 6, Folder 36","Removed from A\u0026M 3376, Box 6, Folder 45","Removed from A\u0026M 3376, Box 6, Folder 49","Removed from A\u0026M 3376, Box 7, Folder 2","Removed from A\u0026M 3376, Box 7, Folder 3","Removed from A\u0026M 3376, Box 8, Folder 14","Removed from A\u0026M 3376, Box 8, Folder 28","Removed from A\u0026M 3376, Box 8, Folder 41","Removed from A\u0026M 3376, Box 10, Folder 8","Removed from A\u0026M 3376, Box 6, Folder 34","Removed from A\u0026M 3376, Box 6, Folder 47","Removed from A\u0026M 3376, Box 7, Folder 1","Removed from A\u0026M 3376, Box 7, Folder 61","Removed from A\u0026M 3376, Box 8, Folder 40","Removed from A\u0026M 3376, Box 10, Folder 3","Removed from A\u0026M 3376, Box 10, Folder 9","Oversize material moved to A\u0026M 3376, Box 12, Folder 14","Oversize material moved to A\u0026M 3376, Box 18, Folder 4","Oversize material moved to A\u0026M 3376, Box 16, Folder 20","Removed from A\u0026M 3376, Box 6, Folder 29","Removed from A\u0026M 3376, Box 7, Folder 53","Removed from A\u0026M 3376, Box 6, Folder 32","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","This collection contains materials collected or created by the WVU Center for Women's Studies (CWS) in preparation for the Women's Centenary between 1989 and 1991. It mostly consists of research on early women students at WVU as well as planning materials for events to commemorate the Women's Centenary.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J.","English\n."],"collection_title_tesim":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992"],"collection_ssim":["West Virginia University, Women's Studies Center, Women's Centenary, Records, 1849/2000, bulk 1980/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3376","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1578"],"unitid_tesim":["A\u0026M 3376","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1578"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"creator_ssim":["West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"creator_persname_ssim":["Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"creator_corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Center for Women's Studies"],"creators_ssim":["Waugh, Lillian J., 1941-2018","Howe, Barbara J.","West Virginia and Regional History Center","West Virginia University. Center for Women's Studies"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Transfer from WVU, Women's Studies Center, Waugh, Lillian, 2001 February 16","Gift from Waugh, Lillian J., 2012 August 14","Gift from Howe, Barbara J., 2019 March 28"],"access_subjects_ssim":["West Virginia Feminist Activist and Women's History Collection","West Virginia University  --  Women's Centenary (1891-1991)","Women --  Education","Women in higher education","Adult education of women","Special events - West Virginia University."],"access_subjects_ssm":["West Virginia Feminist Activist and Women's History Collection","West Virginia University  --  Women's Centenary (1891-1991)","Women --  Education","Women in higher education","Adult education of women","Special events - West Virginia University."],"has_online_content_ssim":["false"],"extent_ssm":["16.33 Linear Feet 11 record cartons, 15 in. each; 1 document case, 5 in.; 1 document case, 2.5 in.; 3 flat storage boxes, 4 in. each; 2 flat storage boxes, 3 in. each; 3 flat storage boxes, 1.5 in. each; 1 framed portrait, 1 in.","0.004 Gigabytes 110 files, formats include .wsp, .rtf, .dig, and .noc"],"extent_tesim":["16.33 Linear Feet 11 record cartons, 15 in. each; 1 document case, 5 in.; 1 document case, 2.5 in.; 3 flat storage boxes, 4 in. each; 2 flat storage boxes, 3 in. each; 3 flat storage boxes, 1.5 in. each; 1 framed portrait, 1 in.","0.004 Gigabytes 110 files, formats include .wsp, .rtf, .dig, and .noc"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eMaterials in box 21 are restricted due to the presence of student works and resumes. Materials in box 21 may be accessed 75 years after the latest date of creation, starting in 2061.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Materials in box 21 are restricted due to the presence of student works and resumes. Materials in box 21 may be accessed 75 years after the latest date of creation, starting in 2061.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eThe Center for Women's and Gender Studies (CWGS) is an academic unit within West Virginia University's Eberly College of Arts and Sciences that offers a central location for discourse relative to the field of women's and gender studies. CWGS finds its origins in an informal Caucus for Women's Concerns formed in 1972 within West Viginia University (WVU) to \"achieve equitable treatment of women.\" In 1977, the Caucus submitted recommendations to then-WVU President Gene Budig regarding the establishment of a women's studies program and an advisory council on women's concerns. In response to these recommendations, the Caucus was officially accepted by the university as the Council for Women's Concerns (CWC), which included a Women's Studies Subcommittee formed to research and help facilitate a formal women's studies program.\u003c/p\u003e","\u003cp\u003eThe first proposal for a women's studies program was submitted to the CWC by Renata Pore in 1978, upon which a search committee headed by Dr. Enid Portnoy of the English Department was established. In 1980, the Women's Studies Program (WSP) was officially established as an interdisciplinary program in the College of Arts and Sciences. Judith Stitzel, a founding member of the CWC, was selected to serve as the first part-time coordinator of the WSP.\u003c/p\u003e","\u003cp\u003eUnder Stitzel's direction, the WSP developed an undergraduate Certificate Program in Women's Studies to be first offered in 1984. Simultaneously, the Center for Women's Studies (CWS) was established in the Office of the Vice President for Academic Affairs and Research to provide a collective space for students to gather. Judith Stitzel was made the founding director of the center, a position she would hold until 1992, making her the longest consecutive director of the center. The CWS would become affiliated with the Eberly College of Arts and Sciences in 1993.\u003c/p\u003e","\u003cp\u003eThe first undergraduate Certificates in Women's Studies at WVU were awarded to six students in 1986, the same year the first Master of Arts in Liberal Studies (MALS) graduated in Women's Studies. The Carrie Koeteurius Scholarship, which is still offered as of 2024, was first awarded to Deborah Gregory Eck and Lilo Ast in 1987.\u003c/p\u003e","\u003cp\u003eOne of the early major projects of the CWC, the Women's Centenary, \"Excellence Through Equity\" began planning in 1987 with Dr. Lillian Waugh being chosen as the research coordinator. After several years of planning and research, the Women's Centenary commenced in September 1989 on the 100-year anniversary of the first group of women to be admitted to WVU as degree candidates. Events were held over a two-year period, including lecture series, galas, building rededications, historical tours, exhibits, time capsule creations, and county-wide engagements. The Women's Centenary culminated with a convocation in 1991 on the 100-year anniversary of the first woman to graduate from WVU, Harriet Lyon.\u003c/p\u003e","\u003cp\u003eIn 1992, Judith Stitzel stepped down as director of the CWC, and the position was taken up by Helen Bannan from 1994 to 1998. Under Barbara Howe's directorship from 1998 to 2007, a BA and undergraduate minor in women's studies was established to coexist with the Certificate in Women's Studies. The first WVU women's studies major, Jamie Lynn Baxter, graduated in December 2003.\u003c/p\u003e","\u003cp\u003eJanice Spleth served as interim director between 2008 and 2009, before Ann Oberhauser took directorship in 2009. Under her leadership in 2012, the CWC was renamed the Center for Women's and Gender Studies to incorporate a larger scale of classes and topics. After Oberhauser stepped down in 2013, Jennifer Orlikoff took directorship until 2016. Between 2016 and 2019, Cari Carpenter and Kasi Jackson served as interim directors, during which the LGBTQ+ Center was opened. In 2019, Sharon Bird became director, a position she still holds as of October 2024. In 2021, the Center for Women's and Gender Studies moved into its home in the Hodges Hall, Suite 505.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Center for Women's and Gender Studies (CWGS) is an academic unit within West Virginia University's Eberly College of Arts and Sciences that offers a central location for discourse relative to the field of women's and gender studies. CWGS finds its origins in an informal Caucus for Women's Concerns formed in 1972 within West Viginia University (WVU) to \"achieve equitable treatment of women.\" In 1977, the Caucus submitted recommendations to then-WVU President Gene Budig regarding the establishment of a women's studies program and an advisory council on women's concerns. In response to these recommendations, the Caucus was officially accepted by the university as the Council for Women's Concerns (CWC), which included a Women's Studies Subcommittee formed to research and help facilitate a formal women's studies program.","The first proposal for a women's studies program was submitted to the CWC by Renata Pore in 1978, upon which a search committee headed by Dr. Enid Portnoy of the English Department was established. In 1980, the Women's Studies Program (WSP) was officially established as an interdisciplinary program in the College of Arts and Sciences. Judith Stitzel, a founding member of the CWC, was selected to serve as the first part-time coordinator of the WSP.","Under Stitzel's direction, the WSP developed an undergraduate Certificate Program in Women's Studies to be first offered in 1984. Simultaneously, the Center for Women's Studies (CWS) was established in the Office of the Vice President for Academic Affairs and Research to provide a collective space for students to gather. Judith Stitzel was made the founding director of the center, a position she would hold until 1992, making her the longest consecutive director of the center. The CWS would become affiliated with the Eberly College of Arts and Sciences in 1993.","The first undergraduate Certificates in Women's Studies at WVU were awarded to six students in 1986, the same year the first Master of Arts in Liberal Studies (MALS) graduated in Women's Studies. The Carrie Koeteurius Scholarship, which is still offered as of 2024, was first awarded to Deborah Gregory Eck and Lilo Ast in 1987.","One of the early major projects of the CWC, the Women's Centenary, \"Excellence Through Equity\" began planning in 1987 with Dr. Lillian Waugh being chosen as the research coordinator. After several years of planning and research, the Women's Centenary commenced in September 1989 on the 100-year anniversary of the first group of women to be admitted to WVU as degree candidates. Events were held over a two-year period, including lecture series, galas, building rededications, historical tours, exhibits, time capsule creations, and county-wide engagements. The Women's Centenary culminated with a convocation in 1991 on the 100-year anniversary of the first woman to graduate from WVU, Harriet Lyon.","In 1992, Judith Stitzel stepped down as director of the CWC, and the position was taken up by Helen Bannan from 1994 to 1998. Under Barbara Howe's directorship from 1998 to 2007, a BA and undergraduate minor in women's studies was established to coexist with the Certificate in Women's Studies. The first WVU women's studies major, Jamie Lynn Baxter, graduated in December 2003.","Janice Spleth served as interim director between 2008 and 2009, before Ann Oberhauser took directorship in 2009. Under her leadership in 2012, the CWC was renamed the Center for Women's and Gender Studies to incorporate a larger scale of classes and topics. After Oberhauser stepped down in 2013, Jennifer Orlikoff took directorship until 2016. Between 2016 and 2019, Cari Carpenter and Kasi Jackson served as interim directors, during which the LGBTQ+ Center was opened. In 2019, Sharon Bird became director, a position she still holds as of October 2024. In 2021, the Center for Women's and Gender Studies moved into its home in the Hodges Hall, Suite 505."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, Women's Studies Center, Women's Centenary, Records, A\u0026amp;M 3376, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, Women's Studies Center, Women's Centenary, Records, A\u0026M 3376, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials collected or created by the Center for Women's Studies (CWS) while researching and preparing for the West Virginia University (WVU) Women's Centenary between 1989 and 1991. While research and planning materials are the most prevalent materials in the collection, there are also administrive and ephemeral materials. The majority of materials relate to women at WVU, particularly during the late nineteenth and early twentieth centuries. Included are bigoraphies, notes, photographs, correspondence, newspaper clippings, essays, programs, rosters, and exhibit panels.\u003c/p\u003e","\u003cp\u003eThe colleciton is divided into four series, with additional sub-series as indicated below.\u003c/p\u003e","\u003cp\u003eSeries 1: Research, 1849-2000 and undated\u003c/p\u003e","\u003cp\u003e- Sub-Series 1: Exhibit Panels, circa 1875-1990 and undated\n- Sub-Series 2: Families and Individuals, 1870-2000 and undated\n- Sub-Series 3: West Virginia University (WVU), 1849-2000 and undated\u003c/p\u003e","\u003cp\u003eSeries 2: Planning, 1858-1996 and undated\u003c/p\u003e","\u003cp\u003eSeries 3: Administration, 1875-1997 and undated\u003c/p\u003e","\u003cp\u003eSeries 4: Ephemera, undated\u003c/p\u003e","\u003cp\u003eAn addendum of 2012 August 14 can be found in series 4 as item 1.\nAn addendum of 2019 March 28 can be found in boxes 19 and 20. \u003c/p\u003e  ","\u003cp\u003eThis series contains materials collected or created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary. It prominently contains research relating to early women who attended WVU such as Harriet Lyon-Jewett and Sallie Lowther Norris. Also included are martials created by using the completed research, such as exhibit panels and newspaper articles. Other materials include notes, correspondence, photographs, rosters, and biographies.\u003c/p\u003e","\u003cp\u003eThis sub-series contains exhibit panels created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected and created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary and relating to early individuals and families affiliated with the university, primarily women.\u003c/p\u003e","\u003cp\u003eContains floppy disk (digitized)\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected or created by the Center for Women's Studies (CWS) during research for the West Virginia University (WVU) Women's Centenary. It primarily consists of research on general aspects of WVU during the introduction of coeducation.\u003c/p\u003e","\u003cp\u003eThis series contains materials collected and created by the Center for Women's Studies (CWS) while planning for the West Virginia University (WVU) Women's Centenary.\u003c/p\u003e","\u003cp\u003eContains floppy disc\u003c/p\u003e","\u003cp\u003eContains floppy disc\u003c/p\u003e","\u003cp\u003eThis series contains materials collected or created by the Center for Women's Studies (CWS) while facilitating operations and management during the West Virginia University (WVU) Women's Centenary.\u003c/p\u003e","\u003cp\u003eThis series contains ephemeral material created by the Center for Women's Studies (CWS) for the West Virginia University (WVU) Women's Centenary.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains materials collected or created by the Center for Women's Studies (CWS) while researching and preparing for the West Virginia University (WVU) Women's Centenary between 1989 and 1991. While research and planning materials are the most prevalent materials in the collection, there are also administrive and ephemeral materials. The majority of materials relate to women at WVU, particularly during the late nineteenth and early twentieth centuries. Included are bigoraphies, notes, photographs, correspondence, newspaper clippings, essays, programs, rosters, and exhibit panels.","The colleciton is divided into four series, with additional sub-series as indicated below.","Series 1: Research, 1849-2000 and undated","- Sub-Series 1: Exhibit Panels, circa 1875-1990 and undated\n- Sub-Series 2: Families and Individuals, 1870-2000 and undated\n- Sub-Series 3: West Virginia University (WVU), 1849-2000 and undated","Series 2: Planning, 1858-1996 and undated","Series 3: Administration, 1875-1997 and undated","Series 4: Ephemera, undated","An addendum of 2012 August 14 can be found in series 4 as item 1.\nAn addendum of 2019 March 28 can be found in boxes 19 and 20.","This series contains materials collected or created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary. It prominently contains research relating to early women who attended WVU such as Harriet Lyon-Jewett and Sallie Lowther Norris. Also included are martials created by using the completed research, such as exhibit panels and newspaper articles. Other materials include notes, correspondence, photographs, rosters, and biographies.","This sub-series contains exhibit panels created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary.","This sub-series contains materials collected and created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary and relating to early individuals and families affiliated with the university, primarily women.","Contains floppy disk (digitized)","VHS Tape","This sub-series contains materials collected or created by the Center for Women's Studies (CWS) during research for the West Virginia University (WVU) Women's Centenary. It primarily consists of research on general aspects of WVU during the introduction of coeducation.","This series contains materials collected and created by the Center for Women's Studies (CWS) while planning for the West Virginia University (WVU) Women's Centenary.","Contains floppy disc","Contains floppy disc","This series contains materials collected or created by the Center for Women's Studies (CWS) while facilitating operations and management during the West Virginia University (WVU) Women's Centenary.","This series contains ephemeral material created by the Center for Women's Studies (CWS) for the West Virginia University (WVU) Women's Centenary."],"separatedmaterial_html_tesm":["\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 6\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 7\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 8\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 9\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 4\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 5\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 6\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 7\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 8\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 9\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 1\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 10\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 11\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 19\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 19\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 20\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 56\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 59\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 1\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 10\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 16\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 31\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 40\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 36\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 46\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 50\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 3, Folder 34\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 1\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 1\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 2\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 1\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 2\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 3\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 2\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3367, Box 16, Folder 4\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 5\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 2\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 3\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 10\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 3\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 12\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 11\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 13\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 12\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 13\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 17\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 7\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 18\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 21\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 3, Folder 32\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 7\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 62\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 66\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 7\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 25\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 3, Folder 23\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 13\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 59\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 45\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 3, Folder 18\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 3, Folder 27\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 5\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 11\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 36\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 63\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 4\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 10\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 11, Folder 8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 3, Folder 41\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 35\u003c/p\u003e","\u003cp\u003eOversize materials moved to A\u0026amp;M 3376, Box 12, Folder 3\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 5\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 14\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 4\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 15\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 15\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 6\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 16\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 7\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 17\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 18\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 16\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 5\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 6\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 8\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 8\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 9\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 22\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 23\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 21\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 9\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 24\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 22\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 23\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 24\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 25\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 26\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 10\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 27\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 10\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 25\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 11\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 17\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 46\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 31\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 33\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3367, Box 8, Folder 42\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 9, Folder 16\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 9, Folder 34\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 9, Folder 35\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 9, Folder 36\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 10, Folder 2\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 38\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 33\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 37\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 63\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 71\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 10, Folder 1\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 36\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 45\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 49\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 2\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 3\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 14\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 41\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 10, Folder 8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 34\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 47\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 1\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 61\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 40\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 10, Folder 3\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 10, Folder 9\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 14\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 4\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 20\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 29\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 53\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 32\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Oversize material moved to A\u0026M 3376, Box 16, Folder 6","Oversize material moved to A\u0026M 3376, Box 16, Folder 7","Oversize material moved to A\u0026M 3376, Box 16, Folder 8","Oversize material moved to A\u0026M 3376, Box 16, Folder 9","Oversize material moved to A\u0026M 3376, Box 12, Folder 4","Oversize material moved to A\u0026M 3376, Box 12, Folder 5","Oversize material moved to A\u0026M 3376, Box 12, Folder 6","Oversize material moved to A\u0026M 3376, Box 12, Folder 7","Oversize material moved to A\u0026M 3376, Box 12, Folder 8","Oversize material moved to A\u0026M 3376, Box 12, Folder 9","Oversize material moved to A\u0026M 3376, Box 18, Folder 1","Oversize material moved to A\u0026M 3376, Box 12, Folder 10","Oversize material moved to A\u0026M 3376, Box 12, Folder 11","Oversize material moved to A\u0026M 3376, Box 16, Folder 19","Oversize material moved to A\u0026M 3376, Box 12, Folder 19","Oversize material moved to A\u0026M 3376, Box 12, Folder 20","Removed from A\u0026M 3376, Box 4, Folder 56","Removed from A\u0026M 3376, Box 4, Folder 59","Removed from A\u0026M 3376, Box 5, Folder 1","Removed from A\u0026M 3376, Box 5, Folder 8","Removed from A\u0026M 3376, Box 5, Folder 10","Removed from A\u0026M 3376, Box 5, Folder 16","Removed from A\u0026M 3376, Box 5, Folder 28","Removed from A\u0026M 3376, Box 5, Folder 31","Removed from A\u0026M 3376, Box 7, Folder 40","Removed from A\u0026M 3376, Box 4, Folder 8","Removed from A\u0026M 3376, Box 4, Folder 28","Removed from A\u0026M 3376, Box 4, Folder 36","Removed from A\u0026M 3376, Box 4, Folder 46","Removed from A\u0026M 3376, Box 4, Folder 50","Removed from A\u0026M 3376, Box 7, Folder 15","Removed from A\u0026M 3376, Box 3, Folder 34","Oversize material moved to A\u0026M 3376, Box 16, Folder 1","Oversize material moved to A\u0026M 3376, Box 13, Folder 1","Oversize material moved to A\u0026M 3376, Box 16, Folder 2","Oversize material moved to A\u0026M 3376, Box 12, Folder 1","Oversize material moved to A\u0026M 3376, Box 18, Folder 2","Oversize material moved to A\u0026M 3376, Box 16, Folder 3","Oversize material moved to A\u0026M 3376, Box 12, Folder 2","Oversize material moved to A\u0026M 3367, Box 16, Folder 4","Oversize material moved to A\u0026M 3376, Box 16, Folder 5","Oversize material moved to A\u0026M 3376, Box 13, Folder 2","Oversize material moved to A\u0026M 3376, Box 18, Folder 3","Oversize material moved to A\u0026M 3376, Box 16, Folder 10","Oversize material moved to A\u0026M 3376, Box 13, Folder 3","Oversize material moved to A\u0026M 3376, Box 12, Folder 12","Oversize material moved to A\u0026M 3376, Box 16, Folder 11","Oversize material moved to A\u0026M 3376, Box 12, Folder 13","Oversize material moved to A\u0026M 3376, Box 16, Folder 12","Oversize material moved to A\u0026M 3376, Box 16, Folder 13","Oversize material moved to A\u0026M 3376, Box 12, Folder 17","Oversize material moved to A\u0026M 3376, Box 13, Folder 7","Oversize material moved to A\u0026M 3376, Box 12, Folder 18","Oversize material moved to A\u0026M 3376, Box 16, Folder 21","Oversize material moved to A\u0026M 3376, Box 16, Folder 26","Removed from A\u0026M 3376, Box 3, Folder 32","Removed from A\u0026M 3376, Box 4, Folder 7","Removed from A\u0026M 3376, Box 5, Folder 62","Removed from A\u0026M 3376, Box 5, Folder 66","Removed from A\u0026M 3376, Box 8, Folder 7","Removed from A\u0026M 3376, Box 8, Folder 25","Removed from A\u0026M 3376, Box 8, Folder 26","Removed from A\u0026M 3376, Box 3, Folder 23","Removed from A\u0026M 3376, Box 4, Folder 13","Removed from A\u0026M 3376, Box 5, Folder 59","Removed from A\u0026M 3376, Box 7, Folder 45","Removed from A\u0026M 3376, Box 3, Folder 18","Removed from A\u0026M 3376, Box 3, Folder 27","Removed from A\u0026M 3376, Box 4, Folder 5","Removed from A\u0026M 3376, Box 4, Folder 11","Removed from A\u0026M 3376, Box 5, Folder 36","Removed from A\u0026M 3376, Box 5, Folder 63","Removed from A\u0026M 3376, Box 6, Folder 4","Removed from A\u0026M 3376, Box 6, Folder 26","Removed from A\u0026M 3376, Box 8, Folder 10","Removed from A\u0026M 3376, Box 11, Folder 8","Removed from A\u0026M 3376, Box 3, Folder 41","Removed from A\u0026M 3376, Box 5, Folder 35","Oversize materials moved to A\u0026M 3376, Box 12, Folder 3","Oversize material moved to A\u0026M 3376, Box 18, Folder 5","Oversize material moved to A\u0026M 3376, Box 16, Folder 14","Oversize material moved to A\u0026M 3376, Box 13, Folder 4","Oversize material moved to A\u0026M 3376, Box 16, Folder 15","Oversize material moved to A\u0026M 3376, Box 12, Folder 15","Oversize material moved to A\u0026M 3376, Box 18, Folder 6","Oversize material moved to A\u0026M 3376, Box 16, Folder 16","Oversize material moved to A\u0026M 3376, Box 18, Folder 7","Oversize material moved to A\u0026M 3376, Box 16, Folder 17","Oversize material moved to A\u0026M 3376, Box 16, Folder 18","Oversize material moved to A\u0026M 3376, Box 12, Folder 16","Oversize material moved to A\u0026M 3376, Box 13, Folder 5","Oversize material moved to A\u0026M 3376, Box 13, Folder 6","Oversize material moved to A\u0026M 3376, Box 18, Folder 8","Oversize material moved to A\u0026M 3376, Box 13, Folder 8","Oversize material moved to A\u0026M 3376, Box 13, Folder 9","Oversize material moved to A\u0026M 3376, Box 16, Folder 22","Oversize material moved to A\u0026M 3376, Box 16, Folder 23","Oversize material moved to A\u0026M 3376, Box 12, Folder 21","Oversize material moved to A\u0026M 3376, Box 18, Folder 9","Oversize material moved to A\u0026M 3376, Box 16, Folder 24","Oversize material moved to A\u0026M 3376, Box 12, Folder 22","Oversize material moved to A\u0026M 3376, Box 12, Folder 23","Oversize material moved to A\u0026M 3376, Box 12, Folder 24","Oversize material moved to A\u0026M 3376, Box 12, Folder 25","Oversize material moved to A\u0026M 3376, Box 12, Folder 26","Oversize material moved to A\u0026M 3376, Box 13, Folder 10","Oversize material moved to A\u0026M 3376, Box 12, Folder 27","Oversize material moved to A\u0026M 3376, Box 18, Folder 10","Oversize material moved to A\u0026M 3376, Box 16, Folder 25","Oversize material moved to A\u0026M 3376, Box 18, Folder 11","Removed from A\u0026M 3376, Box 4, Folder 17","Removed from A\u0026M 3376, Box 6, Folder 46","Removed from A\u0026M 3376, Box 7, Folder 31","Removed from A\u0026M 3376, Box 8, Folder 33","Removed from A\u0026M 3367, Box 8, Folder 42","Removed from A\u0026M 3376, Box 9, Folder 16","Removed from A\u0026M 3376, Box 9, Folder 34","Removed from A\u0026M 3376, Box 9, Folder 35","Removed from A\u0026M 3376, Box 9, Folder 36","Removed from A\u0026M 3376, Box 10, Folder 2","Removed from A\u0026M 3376, Box 6, Folder 38","Removed from A\u0026M 3376, Box 7, Folder 33","Removed from A\u0026M 3376, Box 7, Folder 37","Removed from A\u0026M 3376, Box 7, Folder 63","Removed from A\u0026M 3376, Box 7, Folder 71","Removed from A\u0026M 3376, Box 10, Folder 1","Removed from A\u0026M 3376, Box 6, Folder 36","Removed from A\u0026M 3376, Box 6, Folder 45","Removed from A\u0026M 3376, Box 6, Folder 49","Removed from A\u0026M 3376, Box 7, Folder 2","Removed from A\u0026M 3376, Box 7, Folder 3","Removed from A\u0026M 3376, Box 8, Folder 14","Removed from A\u0026M 3376, Box 8, Folder 28","Removed from A\u0026M 3376, Box 8, Folder 41","Removed from A\u0026M 3376, Box 10, Folder 8","Removed from A\u0026M 3376, Box 6, Folder 34","Removed from A\u0026M 3376, Box 6, Folder 47","Removed from A\u0026M 3376, Box 7, Folder 1","Removed from A\u0026M 3376, Box 7, Folder 61","Removed from A\u0026M 3376, Box 8, Folder 40","Removed from A\u0026M 3376, Box 10, Folder 3","Removed from A\u0026M 3376, Box 10, Folder 9","Oversize material moved to A\u0026M 3376, Box 12, Folder 14","Oversize material moved to A\u0026M 3376, Box 18, Folder 4","Oversize material moved to A\u0026M 3376, Box 16, Folder 20","Removed from A\u0026M 3376, Box 6, Folder 29","Removed from A\u0026M 3376, Box 7, Folder 53","Removed from A\u0026M 3376, Box 6, Folder 32"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1fe76a994c6e56435a8cddd682eee94b\"\u003eThis collection contains materials collected or created by the WVU Center for Women's Studies (CWS) in preparation for the Women's Centenary between 1989 and 1991. It mostly consists of research on early women students at WVU as well as planning materials for events to commemorate the Women's Centenary.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials collected or created by the WVU Center for Women's Studies (CWS) in preparation for the Women's Centenary between 1989 and 1991. It mostly consists of research on early women students at WVU as well as planning materials for events to commemorate the Women's Centenary."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_feba19d90bf0868b155eb1cec3aad97f\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Center for Women's Studies"],"names_coll_ssim":["West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"persname_ssim":["Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":711,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:53:36.499Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1578_c02_c116"}},{"id":"wvmturhc_repositories_2_resources_3751_c04_c57","type":"File","attributes":{"title":"Women's Group Photograph, 1885","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3751_c04_c57#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_3751_c04_c57","ref_ssm":["wvmturhc_repositories_2_resources_3751_c04_c57"],"id":"wvmturhc_repositories_2_resources_3751_c04_c57","ead_ssi":"wvmturhc_repositories_2_resources_3751","_root_":"wvmturhc_repositories_2_resources_3751","_nest_parent_":"wvmturhc_repositories_2_resources_3751_c04","parent_ssi":"wvmturhc_repositories_2_resources_3751_c04","parent_ssim":["West Virginia University, Women's Studies Center, Records, 1885/2002","Series 4. Women and West Virginia University (WVU), 1885/2000"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3751","wvmturhc_repositories_2_resources_3751_c04"],"title_filing_ssi":"Women's Group Photograph","title_ssm":["Women's Group Photograph"],"title_tesim":["Women's Group Photograph"],"normalized_title_ssm":["Women's Group Photograph, 1885"],"text":["Women's Group Photograph, 1885","West Virginia University, Women's Studies Center, Records, 1885/2002","Series 4. Women and West Virginia University (WVU), 1885/2000","Box 21","Folder 3"],"parent_unittitles_ssm":["West Virginia University, Women's Studies Center, Records, 1885/2002","Series 4. Women and West Virginia University (WVU), 1885/2000"],"parent_unittitles_tesim":["West Virginia University, Women's Studies Center, Records, 1885/2002","Series 4. Women and West Virginia University (WVU), 1885/2000"],"normalized_date_ssm":["1885"],"unitdate_other_ssim":["1885"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":89,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["West Virginia University, Women's Studies Center, Records, 1885/2002"],"containers_ssim":["Box 21","Folder 3"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Casework files, reference letters, and infant care materials are closed for one-hundred years after the latest date of creation due to private and sensitive information. Materials in box 27 may begin to be accessed in 2039."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1885],"_nest_path_":"/components#3/components#56","timestamp":"2026-06-23T07:55:51.089Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3751","ead_ssi":"wvmturhc_repositories_2_resources_3751","_root_":"wvmturhc_repositories_2_resources_3751","_nest_parent_":"wvmturhc_repositories_2_resources_3751","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3751.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/208352","title_ssm":["West Virginia University, Women's Studies Center, Records"],"title_tesim":["West Virginia University, Women's Studies Center, Records"],"unitdate_ssm":["1885-2002 and undated"],"unitdate_inclusive_ssm":["1885-2002 and undated"],"normalized_date_ssm":["1885/2002"],"normalized_title_ssm":["West Virginia University, Women's Studies Center, Records, 1885/2002"],"text":["West Virginia University, Women's Studies Center, Records, 1885/2002","A\u0026M 5048","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3751","Women's studies","Women in higher education","Social workers","Education - Home economics.","West Virginia University  -- Students","West Virginia University  --  Women's Centenary (1891-1991)","West Virginia University - student activities.","West Virginia University - Student organizations.","West Virginia University - student letters.","College Sports for Women","Women --  Education","West Virginia Feminist Activist and Women's History Collection","Casework files, reference letters, and infant care materials are closed for one-hundred years after the latest date of creation due to private and sensitive information. Materials in box 27 may begin to be accessed in 2039.","The Center for Women's and Gender Studies (CWGS) is an academic unit within West Virginia University's Eberly College of Arts and Sciences that offers a central location for discourse relative to the field of women's and gender studies. CWGS finds its origins in an informal Caucus for Women's Concerns formed in 1972 within West Viginia University (WVU) to \"achieve equitable treatment of women.\" In 1977, the Caucus submitted recommendations to then-WVU President Gene Budig regarding the establishment of a women's studies program and an advisory council on women's concerns. In response to these recommendations, the Caucus was officially accepted by the university as the Council for Women's Concerns (CWC), which included a Women's Studies Subcommittee formed to research and help facilitate a formal women's studies program.","The first proposal for a women's studies program was submitted to the CWC by Renata Pore in 1978, upon which a search committee headed by Dr. Enid Portnoy of the English Department was established. In 1980, the Women's Studies Program (WSP) was officially established as an interdisciplinary program in the College of Arts and Sciences. Judith Stitzel, a founding member of the CWC, was selected to serve as the first part-time coordinator of the WSP.","Under Stitzel's direction, the WSP developed an undergraduate Certificate Program in Women's Studies to be first offered in 1984. Simultaneously, the Center for Women's Studies (CWS) was established in the Office of the Vice President for Academic Affairs and Research to provide a collective space for students to gather. Judith Stitzel was made the founding director of the center, a position she would hold until 1992, making her the longest consecutive director of the center. The CWS would become affiliated with the Eberly College of Arts and Sciences in 1993.","The first undergraduate Certificates in Women's Studies at WVU were awarded to six students in 1986, the same year the first Master of Arts in Liberal Studies (MALS) graduated in Women's Studies. The Carrie Koeteurius Scholarship, which is still offered as of 2024, was first awarded to Deborah Gregory Eck and Lilo Ast in 1987.","One of the major projects of the CWS, the Women's Centenary, \"Excellence Through Equity\" began planning in 1987 with Dr. Lillian Waugh being chosen as the research coordinator. After several years of planning and research, the Women's Centenary commenced in September 1989 on the 100-year anniversary of the first group of women to be admitted to WVU as degree candidates. Events were held over a two-year period, including lecture series, galas, building rededications, historical tours, exhibits, time capsule creations, and county-wide engagements. The Women's Centenary culminated with a convocation in 1991 on the 100-year anniversary of the first woman to graduate from WVU, Harriet Lyon.","In 1992, Judith Stitzel stepped down as director of the CWS, and the position was taken up by Helen Bannan from 1994 to 1998.  Under Barbara Howe's directorship from 1998 to 2007, a BA and undergraduate minor in women's studies was established to coexist with the Certificate in Women's Studies. The first WVU women's studies major, Jamie Lynn Baxter, graduated in December 2003.","Janice Spleth served as interim director between 2008 and 2009, before Ann Oberhauser took directorship in 2009. Under her leadership in 2012, the CWS was renamed the Center for Women's and Gender Studies to incorporate a larger scale of classes and topics. After Oberhauser stepped down in 2013, Jennifer Orlikoff took directorship until 2016. Between 2016 and 2019, Cari Carpenter and Kasi Jackson served as interim directors, during which the LGBTQ+ Center was opened. In 2019, Sharon Bird became director, a position she still holds as of October 2024. In 2021, the Center for Women's and Gender Studies moved into its home in the Hodges Hall, Suite 505.","A\u0026M 3107, A\u0026M 3376, A\u0026M 5052, A\u0026M 5131, and A\u0026M 5234.","The collection contains materials from the West Virginia University Women's Studies Center, now called the Center for Women's and Gender Studies. Materials include financial documents, organization records, newspaper clippings, correspondence, photographs, scrapbooks, posters, and textiles. The earliest materials in the collection are letters from the first women to attend West Virginia University in 1885 prior to their admittance to the university in 1889. The latest materials include papers used by the West Virginia Women's Studies Center in their outreach and activity groups in 2002. The collection was divided into fifteen series based upon legacy titles provided with the original transfer of materials as well as addendums and restricted materials:","Series 1. Velma W. Miller (VWM) Papers, 1952-1996 and undated (Boxes 1, 4-5, and 21)","Series 2. Greek Life, 1905-1948 and undated (Boxes 2 and 4)","Series 3. Elma Hicks Martin (EHM), 1920-1994 and undated (Boxes 3 and 23)","Series 4. Women and West Virignia Univeristy, 1885-2000 and undated (Boxes 3, 6, 16-23, and 26)\n   \n    - Addendum 2006 March 29 (Box 26)","Series 5. Social Work Papers, 1922-1942 and undated (Boxes 3-4)","Series 6. Glassware Companies, 1899-1965 and undated (Boxes 3-4, 6-7, 11, and 23)","Series 7. Tida Bailey (TB) Papers, 1887-1991 and undated (Boxes 6, 15, and 23)","Series 8. Natalie Tennant (NT) Papers, 1990-1991 and undated (Boxes 6 and 21)","Series 9. Carrie Kate Fleming (CKF) Papers, 1890-1966 and undated (Boxes 9-10)","Series 10. Religion and Sprituality, 1971-1999 and undated (Boxes 7 and 12)","Series 11. West Virginia Women's Commission, 1984-1998 and undated (Boxes 8, and 13-14)","Series 12. General West Virginia Publications, 1951-1998 (Box 8)","Series 13. Equity, 1982-1997 and undated (Box 12)","Series 14. Home Economics, 1927-1994 and undated (Boxes 12-13, 15, and 21)","Series 15. Lillian J. Waugh Papers, 1937-2002 and undated (Boxes 24-25)","- Addendum 2001/07/11 (Boxes 24 and 25)\n    \nSeries 16. Restricted, 1928-2000 and undated (Box 27)","This series consists of papers created and collected by Velma M. Miller (1907-1996), a founding member of the West Virginia Alliance for Women's Studies (WVAWS) and the first female president of the Monongalia Chamber of Commerce. Materials include newspaper clippings, correspondence, photographs, awards, scrapbooks and newsletters documenting her community service and work for the WVAWS and Monongalia County.","This series consists of scrapbooks, correspondence, and ephemera relating to various Greek life fraternities and sororities including Phi Upsilon Omicron, Phi Phi Alpha, and Chi Omega, particularly in regards to the development of women's involvement in these chapters. The scrapbooks contain photographs, correspondence, invitations, awards, certificates, cards, drawings, and ephemera from 1905 to 1948.","This series consists of facsimile journal entries by Elma Hicks Martin (1909-1995), an early female graduate of WVU, from 1920 to 1994.","This series consists of materials collected during research for the West Virginia University (WVU) Women's Centenary and generally relating to women at WVU, widely ranging from 1885 to 2000. It includes newsletters, newspaper clippings, publications, correspondence, exhibit materials, photographs, event and exhibit planning, ephemera, and research. Of particular interest are two dresses worn by early female students at WVU as well as a puppet created in the likeness of the first female graduate Harriet Lyon for the WVU Women's Centenary. There are also two reel to reel audio tapes and one cassette tape. Included in the 2006 March 03 addendum (Box 26) are two plaques that list the women who won the \"Mary Catherine Buswell Award\" which awarded women for their outstanding service at West Virginia University. Some award winners include Carol Wilkinson, Lillian J. Waugh, Kittie J. Blakemore, and Judith Stitzel.","One cassette tape \"2/4/89 HAI to LJW\", one reel to reel audio tape unlabeled","One reel to reel audio tape","This series includes materials relating to social work in the Morgantown area between 1910 and 1942. It includes studies into social work and information about students studying social work at West Virginia University, such as class journals and essays. Materials also include newspaper articles, publications, and reports.","This series contains materials regarding the function and operations of the Economy Tumbler Company (ETC), Morgantown Glassware Guild (MGG), and Morgantown Glass Works (MGW) between 1899 and 1965. It includes correspondence financial reports, audit reports, band ledgers, deeds, correspondence, loans, leases, tax forms, certificates, and receipts.","This series contains materials relating to Tida Bailey, a teacher in Monongalia County in the 1890s. It includes correspondence, school materials, teacher certificates, programs, suffrage poems, photographs, and social event ephemera dated from 1887 and 1926.","Contains human hair","This series contains newspaper clippings related to Natalie Tennant, the first female WVU Mountaineer mascot from 1990 to 1991.","This series contains materials collected by Carrie Kate Fleming, an early female graduate of West Virginia University and member of Phi Betta Kappa. Materials include scrapbooks created by Carrie K. Fleming and her sister, Rosalean, and a military ball handbag.","This series contains research materials related to the study of women and spirituality. Materials include articles, poetry, meeting minutes, and publications.","This series contains material created by the West Virginia Women's Commission which was formed in 1977 to improve the status of women in West Virginia. Materials include reports, correspondence, pamphlets, articles, publications, catalogs, and policy papers.","This series contains publications related to West Virginia history.","This series contains materials related to the promotion of sex equity in schools and the workplace. Materials include reports, manuals, notes, and conference materials.","This series includes material created by the Home Economics department at West Virginia University. Materials include guest registers, photographs, and scrapbooks.","Included in the 2002 July 11 addendum (Boxes 24 and 25) are the records of Lillian Waugh, employee of the WVU Women's Studies Center from 1986 to 2000.  It includes: directories of the Morgantown branch of the American Association of University Women (1998-2001); records of the WVU Women's Centenary and WVU Women's Studies Center (1986-2000); records of the Council for Women's Concerns (1977-1981) and the Social Justice Council (1988-1993); records of the West Virginia Alliance for Women's Studies (WVAWS) (1988-1991, 1997-2000); and short story sketches by Jane Greer, business woman and wife of H.C. Greer, owner and Publisher of the Morgantown Post (1937).","Material moved to Donor Files","Material moved to Donor Files","Box 03, Folder 19, has been moved to Box 27, Folder 01 [Restricted] in accordance with sensitive materials policies. Material may be accessed in 2039.","Box 12, Folder 14, and Box 12, Folder 15 has been moved to Box 27, Folder 02, and Box 27, Folder 03 [Restricted] in accordance with sensitive materials policies. Material may be accessed in 2056.","Box 24, Folder 22, has been moved to Box 27, Folder 04 [Restricted] in accordance with sensitive materials policies. Material may be accessed in 2100.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Brown, Lillian C. Holmes, 1914-2010","Fleming, Dolores A., 1933-2015","Jewett, Eugene Alden, 1941-2013","Temple, Mary Walter","Miller, Velma W.","Martin, Elma Hicks","Tennant, Natalie.","Lyon, Harriet E.","English\n."],"collection_title_tesim":["West Virginia University, Women's Studies Center, Records, 1885/2002"],"collection_ssim":["West Virginia University, Women's Studies Center, Records, 1885/2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5048","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3751"],"unitid_tesim":["A\u0026M 5048","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3751"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["West Virginia University. Center for Women's Studies","West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Brown, Lillian C. Holmes, 1914-2010","Fleming, Dolores A., 1933-2015","Jewett, Eugene Alden, 1941-2013","Temple, Mary Walter"],"creator_ssim":["West Virginia University. Center for Women's Studies","West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Brown, Lillian C. Holmes, 1914-2010","Fleming, Dolores A., 1933-2015","Jewett, Eugene Alden, 1941-2013","Temple, Mary Walter"],"creator_persname_ssim":["Waugh, Lillian J., 1941-2018","Brown, Lillian C. Holmes, 1914-2010","Fleming, Dolores A., 1933-2015","Jewett, Eugene Alden, 1941-2013","Temple, Mary Walter","Miller, Velma W.","Martin, Elma Hicks","Tennant, Natalie.","Lyon, Harriet E."],"creator_corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Center for Women's Studies"],"creators_ssim":["Waugh, Lillian J., 1941-2018","Brown, Lillian C. Holmes, 1914-2010","Fleming, Dolores A., 1933-2015","Jewett, Eugene Alden, 1941-2013","Temple, Mary Walter","Miller, Velma W.","Martin, Elma Hicks","Tennant, Natalie.","Lyon, Harriet E.","West Virginia and Regional History Center","West Virginia University. Center for Women's Studies"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Transfer from West Virginia University Women's Studies Center, Waugh, Lillian, 2000 January 18.","Transfer from West Virginia University Women's Studies Center, Waugh, Lillian, 2001 February 16.","Gift of Waugh, Lillian, 2002 July 07.","Transfer from West Virginia University Women's Studies Center, 2006 March 29."],"access_subjects_ssim":["Women's studies","Women in higher education","Social workers","Education - Home economics.","West Virginia University  -- Students","West Virginia University  --  Women's Centenary (1891-1991)","West Virginia University - student activities.","West Virginia University - Student organizations.","West Virginia University - student letters.","College Sports for Women","Women --  Education","West Virginia Feminist Activist and Women's History Collection"],"access_subjects_ssm":["Women's studies","Women in higher education","Social workers","Education - Home economics.","West Virginia University  -- Students","West Virginia University  --  Women's Centenary (1891-1991)","West Virginia University - student activities.","West Virginia University - Student organizations.","West Virginia University - student letters.","College Sports for Women","Women --  Education","West Virginia Feminist Activist and Women's History Collection"],"has_online_content_ssim":["false"],"extent_ssm":["19.67 Linear Feet 19 ft. 7 in. (4 document cases, 5 in. each; 10 record cartons, 15 in. each; 5 flat storage boxes, 3 in. each; 4 flat storage boxes, 4 in. each; 3 flat storage box, 6 in.; 1 oversized record carton, 17 in.)"],"extent_tesim":["19.67 Linear Feet 19 ft. 7 in. (4 document cases, 5 in. each; 10 record cartons, 15 in. each; 5 flat storage boxes, 3 in. each; 4 flat storage boxes, 4 in. each; 3 flat storage box, 6 in.; 1 oversized record carton, 17 in.)"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eCasework files, reference letters, and infant care materials are closed for one-hundred years after the latest date of creation due to private and sensitive information. Materials in box 27 may begin to be accessed in 2039.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Casework files, reference letters, and infant care materials are closed for one-hundred years after the latest date of creation due to private and sensitive information. Materials in box 27 may begin to be accessed in 2039."],"bioghist_html_tesm":["\u003cp\u003eThe Center for Women's and Gender Studies (CWGS) is an academic unit within West Virginia University's Eberly College of Arts and Sciences that offers a central location for discourse relative to the field of women's and gender studies. CWGS finds its origins in an informal Caucus for Women's Concerns formed in 1972 within West Viginia University (WVU) to \"achieve equitable treatment of women.\" In 1977, the Caucus submitted recommendations to then-WVU President Gene Budig regarding the establishment of a women's studies program and an advisory council on women's concerns. In response to these recommendations, the Caucus was officially accepted by the university as the Council for Women's Concerns (CWC), which included a Women's Studies Subcommittee formed to research and help facilitate a formal women's studies program.  \u003c/p\u003e","\u003cp\u003eThe first proposal for a women's studies program was submitted to the CWC by Renata Pore in 1978, upon which a search committee headed by Dr. Enid Portnoy of the English Department was established. In 1980, the Women's Studies Program (WSP) was officially established as an interdisciplinary program in the College of Arts and Sciences. Judith Stitzel, a founding member of the CWC, was selected to serve as the first part-time coordinator of the WSP.  \u003c/p\u003e","\u003cp\u003eUnder Stitzel's direction, the WSP developed an undergraduate Certificate Program in Women's Studies to be first offered in 1984. Simultaneously, the Center for Women's Studies (CWS) was established in the Office of the Vice President for Academic Affairs and Research to provide a collective space for students to gather. Judith Stitzel was made the founding director of the center, a position she would hold until 1992, making her the longest consecutive director of the center. The CWS would become affiliated with the Eberly College of Arts and Sciences in 1993.\u003c/p\u003e","\u003cp\u003eThe first undergraduate Certificates in Women's Studies at WVU were awarded to six students in 1986, the same year the first Master of Arts in Liberal Studies (MALS) graduated in Women's Studies. The Carrie Koeteurius Scholarship, which is still offered as of 2024, was first awarded to Deborah Gregory Eck and Lilo Ast in 1987.  \u003c/p\u003e","\u003cp\u003eOne of the major projects of the CWS, the Women's Centenary, \"Excellence Through Equity\" began planning in 1987 with Dr. Lillian Waugh being chosen as the research coordinator. After several years of planning and research, the Women's Centenary commenced in September 1989 on the 100-year anniversary of the first group of women to be admitted to WVU as degree candidates. Events were held over a two-year period, including lecture series, galas, building rededications, historical tours, exhibits, time capsule creations, and county-wide engagements. The Women's Centenary culminated with a convocation in 1991 on the 100-year anniversary of the first woman to graduate from WVU, Harriet Lyon. \u003c/p\u003e","\u003cp\u003eIn 1992, Judith Stitzel stepped down as director of the CWS, and the position was taken up by Helen Bannan from 1994 to 1998.  Under Barbara Howe's directorship from 1998 to 2007, a BA and undergraduate minor in women's studies was established to coexist with the Certificate in Women's Studies. The first WVU women's studies major, Jamie Lynn Baxter, graduated in December 2003.  \u003c/p\u003e","\u003cp\u003eJanice Spleth served as interim director between 2008 and 2009, before Ann Oberhauser took directorship in 2009. Under her leadership in 2012, the CWS was renamed the Center for Women's and Gender Studies to incorporate a larger scale of classes and topics. After Oberhauser stepped down in 2013, Jennifer Orlikoff took directorship until 2016. Between 2016 and 2019, Cari Carpenter and Kasi Jackson served as interim directors, during which the LGBTQ+ Center was opened. In 2019, Sharon Bird became director, a position she still holds as of October 2024. In 2021, the Center for Women's and Gender Studies moved into its home in the Hodges Hall, Suite 505.  \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Center for Women's and Gender Studies (CWGS) is an academic unit within West Virginia University's Eberly College of Arts and Sciences that offers a central location for discourse relative to the field of women's and gender studies. CWGS finds its origins in an informal Caucus for Women's Concerns formed in 1972 within West Viginia University (WVU) to \"achieve equitable treatment of women.\" In 1977, the Caucus submitted recommendations to then-WVU President Gene Budig regarding the establishment of a women's studies program and an advisory council on women's concerns. In response to these recommendations, the Caucus was officially accepted by the university as the Council for Women's Concerns (CWC), which included a Women's Studies Subcommittee formed to research and help facilitate a formal women's studies program.","The first proposal for a women's studies program was submitted to the CWC by Renata Pore in 1978, upon which a search committee headed by Dr. Enid Portnoy of the English Department was established. In 1980, the Women's Studies Program (WSP) was officially established as an interdisciplinary program in the College of Arts and Sciences. Judith Stitzel, a founding member of the CWC, was selected to serve as the first part-time coordinator of the WSP.","Under Stitzel's direction, the WSP developed an undergraduate Certificate Program in Women's Studies to be first offered in 1984. Simultaneously, the Center for Women's Studies (CWS) was established in the Office of the Vice President for Academic Affairs and Research to provide a collective space for students to gather. Judith Stitzel was made the founding director of the center, a position she would hold until 1992, making her the longest consecutive director of the center. The CWS would become affiliated with the Eberly College of Arts and Sciences in 1993.","The first undergraduate Certificates in Women's Studies at WVU were awarded to six students in 1986, the same year the first Master of Arts in Liberal Studies (MALS) graduated in Women's Studies. The Carrie Koeteurius Scholarship, which is still offered as of 2024, was first awarded to Deborah Gregory Eck and Lilo Ast in 1987.","One of the major projects of the CWS, the Women's Centenary, \"Excellence Through Equity\" began planning in 1987 with Dr. Lillian Waugh being chosen as the research coordinator. After several years of planning and research, the Women's Centenary commenced in September 1989 on the 100-year anniversary of the first group of women to be admitted to WVU as degree candidates. Events were held over a two-year period, including lecture series, galas, building rededications, historical tours, exhibits, time capsule creations, and county-wide engagements. The Women's Centenary culminated with a convocation in 1991 on the 100-year anniversary of the first woman to graduate from WVU, Harriet Lyon.","In 1992, Judith Stitzel stepped down as director of the CWS, and the position was taken up by Helen Bannan from 1994 to 1998.  Under Barbara Howe's directorship from 1998 to 2007, a BA and undergraduate minor in women's studies was established to coexist with the Certificate in Women's Studies. The first WVU women's studies major, Jamie Lynn Baxter, graduated in December 2003.","Janice Spleth served as interim director between 2008 and 2009, before Ann Oberhauser took directorship in 2009. Under her leadership in 2012, the CWS was renamed the Center for Women's and Gender Studies to incorporate a larger scale of classes and topics. After Oberhauser stepped down in 2013, Jennifer Orlikoff took directorship until 2016. Between 2016 and 2019, Cari Carpenter and Kasi Jackson served as interim directors, during which the LGBTQ+ Center was opened. In 2019, Sharon Bird became director, a position she still holds as of October 2024. In 2021, the Center for Women's and Gender Studies moved into its home in the Hodges Hall, Suite 505."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, Women's Studies Center, Records, A\u0026amp;M 5048, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, Women's Studies Center, Records, A\u0026M 5048, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eA\u0026amp;M 3107, A\u0026amp;M 3376, A\u0026amp;M 5052, A\u0026amp;M 5131, and A\u0026amp;M 5234.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["A\u0026M 3107, A\u0026M 3376, A\u0026M 5052, A\u0026M 5131, and A\u0026M 5234."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials from the West Virginia University Women's Studies Center, now called the Center for Women's and Gender Studies. Materials include financial documents, organization records, newspaper clippings, correspondence, photographs, scrapbooks, posters, and textiles. The earliest materials in the collection are letters from the first women to attend West Virginia University in 1885 prior to their admittance to the university in 1889. The latest materials include papers used by the West Virginia Women's Studies Center in their outreach and activity groups in 2002. The collection was divided into fifteen series based upon legacy titles provided with the original transfer of materials as well as addendums and restricted materials:\u003c/p\u003e","\u003cp\u003eSeries 1. Velma W. Miller (VWM) Papers, 1952-1996 and undated (Boxes 1, 4-5, and 21)\u003c/p\u003e","\u003cp\u003eSeries 2. Greek Life, 1905-1948 and undated (Boxes 2 and 4)\u003c/p\u003e","\u003cp\u003eSeries 3. Elma Hicks Martin (EHM), 1920-1994 and undated (Boxes 3 and 23)\u003c/p\u003e","\u003cp\u003eSeries 4. Women and West Virignia Univeristy, 1885-2000 and undated (Boxes 3, 6, 16-23, and 26)\n   \n    - Addendum 2006 March 29 (Box 26)\u003c/p\u003e","\u003cp\u003eSeries 5. Social Work Papers, 1922-1942 and undated (Boxes 3-4)\u003c/p\u003e","\u003cp\u003eSeries 6. Glassware Companies, 1899-1965 and undated (Boxes 3-4, 6-7, 11, and 23)\u003c/p\u003e","\u003cp\u003eSeries 7. Tida Bailey (TB) Papers, 1887-1991 and undated (Boxes 6, 15, and 23)\u003c/p\u003e","\u003cp\u003eSeries 8. Natalie Tennant (NT) Papers, 1990-1991 and undated (Boxes 6 and 21)\u003c/p\u003e","\u003cp\u003eSeries 9. Carrie Kate Fleming (CKF) Papers, 1890-1966 and undated (Boxes 9-10)\u003c/p\u003e","\u003cp\u003eSeries 10. Religion and Sprituality, 1971-1999 and undated (Boxes 7 and 12)\u003c/p\u003e","\u003cp\u003eSeries 11. West Virginia Women's Commission, 1984-1998 and undated (Boxes 8, and 13-14)\u003c/p\u003e","\u003cp\u003eSeries 12. General West Virginia Publications, 1951-1998 (Box 8)\u003c/p\u003e","\u003cp\u003eSeries 13. Equity, 1982-1997 and undated (Box 12)\u003c/p\u003e","\u003cp\u003eSeries 14. Home Economics, 1927-1994 and undated (Boxes 12-13, 15, and 21)\u003c/p\u003e","\u003cp\u003eSeries 15. Lillian J. Waugh Papers, 1937-2002 and undated (Boxes 24-25)\u003c/p\u003e","\u003cp\u003e    - Addendum 2001/07/11 (Boxes 24 and 25)\n    \nSeries 16. Restricted, 1928-2000 and undated (Box 27)\u003c/p\u003e  ","\u003cp\u003eThis series consists of papers created and collected by Velma M. Miller (1907-1996), a founding member of the West Virginia Alliance for Women's Studies (WVAWS) and the first female president of the Monongalia Chamber of Commerce. Materials include newspaper clippings, correspondence, photographs, awards, scrapbooks and newsletters documenting her community service and work for the WVAWS and Monongalia County.\u003c/p\u003e","\u003cp\u003eThis series consists of scrapbooks, correspondence, and ephemera relating to various Greek life fraternities and sororities including Phi Upsilon Omicron, Phi Phi Alpha, and Chi Omega, particularly in regards to the development of women's involvement in these chapters. The scrapbooks contain photographs, correspondence, invitations, awards, certificates, cards, drawings, and ephemera from 1905 to 1948.\u003c/p\u003e","\u003cp\u003eThis series consists of facsimile journal entries by Elma Hicks Martin (1909-1995), an early female graduate of WVU, from 1920 to 1994.\u003c/p\u003e","\u003cp\u003eThis series consists of materials collected during research for the West Virginia University (WVU) Women's Centenary and generally relating to women at WVU, widely ranging from 1885 to 2000. It includes newsletters, newspaper clippings, publications, correspondence, exhibit materials, photographs, event and exhibit planning, ephemera, and research. Of particular interest are two dresses worn by early female students at WVU as well as a puppet created in the likeness of the first female graduate Harriet Lyon for the WVU Women's Centenary. There are also two reel to reel audio tapes and one cassette tape. Included in the 2006 March 03 addendum (Box 26) are two plaques that list the women who won the \"Mary Catherine Buswell Award\" which awarded women for their outstanding service at West Virginia University. Some award winners include Carol Wilkinson, Lillian J. Waugh, Kittie J. Blakemore, and Judith Stitzel.\u003c/p\u003e","\u003cp\u003eOne cassette tape \"2/4/89 HAI to LJW\", one reel to reel audio tape unlabeled\u003c/p\u003e","\u003cp\u003eOne reel to reel audio tape\u003c/p\u003e","\u003cp\u003eThis series includes materials relating to social work in the Morgantown area between 1910 and 1942. It includes studies into social work and information about students studying social work at West Virginia University, such as class journals and essays. Materials also include newspaper articles, publications, and reports.\u003c/p\u003e","\u003cp\u003eThis series contains materials regarding the function and operations of the Economy Tumbler Company (ETC), Morgantown Glassware Guild (MGG), and Morgantown Glass Works (MGW) between 1899 and 1965. It includes correspondence financial reports, audit reports, band ledgers, deeds, correspondence, loans, leases, tax forms, certificates, and receipts.\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Tida Bailey, a teacher in Monongalia County in the 1890s. It includes correspondence, school materials, teacher certificates, programs, suffrage poems, photographs, and social event ephemera dated from 1887 and 1926.\u003c/p\u003e","\u003cp\u003eContains human hair\u003c/p\u003e","\u003cp\u003eThis series contains newspaper clippings related to Natalie Tennant, the first female WVU Mountaineer mascot from 1990 to 1991.\u003c/p\u003e","\u003cp\u003eThis series contains materials collected by Carrie Kate Fleming, an early female graduate of West Virginia University and member of Phi Betta Kappa. Materials include scrapbooks created by Carrie K. Fleming and her sister, Rosalean, and a military ball handbag.\u003c/p\u003e","\u003cp\u003eThis series contains research materials related to the study of women and spirituality. Materials include articles, poetry, meeting minutes, and publications.\u003c/p\u003e","\u003cp\u003eThis series contains material created by the West Virginia Women's Commission which was formed in 1977 to improve the status of women in West Virginia. Materials include reports, correspondence, pamphlets, articles, publications, catalogs, and policy papers.\u003c/p\u003e","\u003cp\u003eThis series contains publications related to West Virginia history.\u003c/p\u003e","\u003cp\u003eThis series contains materials related to the promotion of sex equity in schools and the workplace. Materials include reports, manuals, notes, and conference materials.\u003c/p\u003e","\u003cp\u003eThis series includes material created by the Home Economics department at West Virginia University. Materials include guest registers, photographs, and scrapbooks.\u003c/p\u003e","\u003cp\u003eIncluded in the 2002 July 11 addendum (Boxes 24 and 25) are the records of Lillian Waugh, employee of the WVU Women's Studies Center from 1986 to 2000.  It includes: directories of the Morgantown branch of the American Association of University Women (1998-2001); records of the WVU Women's Centenary and WVU Women's Studies Center (1986-2000); records of the Council for Women's Concerns (1977-1981) and the Social Justice Council (1988-1993); records of the West Virginia Alliance for Women's Studies (WVAWS) (1988-1991, 1997-2000); and short story sketches by Jane Greer, business woman and wife of H.C. Greer, owner and Publisher of the \u003ctitle\u003eMorgantown Post\u003c/title\u003e (1937).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains materials from the West Virginia University Women's Studies Center, now called the Center for Women's and Gender Studies. Materials include financial documents, organization records, newspaper clippings, correspondence, photographs, scrapbooks, posters, and textiles. The earliest materials in the collection are letters from the first women to attend West Virginia University in 1885 prior to their admittance to the university in 1889. The latest materials include papers used by the West Virginia Women's Studies Center in their outreach and activity groups in 2002. The collection was divided into fifteen series based upon legacy titles provided with the original transfer of materials as well as addendums and restricted materials:","Series 1. Velma W. Miller (VWM) Papers, 1952-1996 and undated (Boxes 1, 4-5, and 21)","Series 2. Greek Life, 1905-1948 and undated (Boxes 2 and 4)","Series 3. Elma Hicks Martin (EHM), 1920-1994 and undated (Boxes 3 and 23)","Series 4. Women and West Virignia Univeristy, 1885-2000 and undated (Boxes 3, 6, 16-23, and 26)\n   \n    - Addendum 2006 March 29 (Box 26)","Series 5. Social Work Papers, 1922-1942 and undated (Boxes 3-4)","Series 6. Glassware Companies, 1899-1965 and undated (Boxes 3-4, 6-7, 11, and 23)","Series 7. Tida Bailey (TB) Papers, 1887-1991 and undated (Boxes 6, 15, and 23)","Series 8. Natalie Tennant (NT) Papers, 1990-1991 and undated (Boxes 6 and 21)","Series 9. Carrie Kate Fleming (CKF) Papers, 1890-1966 and undated (Boxes 9-10)","Series 10. Religion and Sprituality, 1971-1999 and undated (Boxes 7 and 12)","Series 11. West Virginia Women's Commission, 1984-1998 and undated (Boxes 8, and 13-14)","Series 12. General West Virginia Publications, 1951-1998 (Box 8)","Series 13. Equity, 1982-1997 and undated (Box 12)","Series 14. Home Economics, 1927-1994 and undated (Boxes 12-13, 15, and 21)","Series 15. Lillian J. Waugh Papers, 1937-2002 and undated (Boxes 24-25)","- Addendum 2001/07/11 (Boxes 24 and 25)\n    \nSeries 16. Restricted, 1928-2000 and undated (Box 27)","This series consists of papers created and collected by Velma M. Miller (1907-1996), a founding member of the West Virginia Alliance for Women's Studies (WVAWS) and the first female president of the Monongalia Chamber of Commerce. Materials include newspaper clippings, correspondence, photographs, awards, scrapbooks and newsletters documenting her community service and work for the WVAWS and Monongalia County.","This series consists of scrapbooks, correspondence, and ephemera relating to various Greek life fraternities and sororities including Phi Upsilon Omicron, Phi Phi Alpha, and Chi Omega, particularly in regards to the development of women's involvement in these chapters. The scrapbooks contain photographs, correspondence, invitations, awards, certificates, cards, drawings, and ephemera from 1905 to 1948.","This series consists of facsimile journal entries by Elma Hicks Martin (1909-1995), an early female graduate of WVU, from 1920 to 1994.","This series consists of materials collected during research for the West Virginia University (WVU) Women's Centenary and generally relating to women at WVU, widely ranging from 1885 to 2000. It includes newsletters, newspaper clippings, publications, correspondence, exhibit materials, photographs, event and exhibit planning, ephemera, and research. Of particular interest are two dresses worn by early female students at WVU as well as a puppet created in the likeness of the first female graduate Harriet Lyon for the WVU Women's Centenary. There are also two reel to reel audio tapes and one cassette tape. Included in the 2006 March 03 addendum (Box 26) are two plaques that list the women who won the \"Mary Catherine Buswell Award\" which awarded women for their outstanding service at West Virginia University. Some award winners include Carol Wilkinson, Lillian J. Waugh, Kittie J. Blakemore, and Judith Stitzel.","One cassette tape \"2/4/89 HAI to LJW\", one reel to reel audio tape unlabeled","One reel to reel audio tape","This series includes materials relating to social work in the Morgantown area between 1910 and 1942. It includes studies into social work and information about students studying social work at West Virginia University, such as class journals and essays. Materials also include newspaper articles, publications, and reports.","This series contains materials regarding the function and operations of the Economy Tumbler Company (ETC), Morgantown Glassware Guild (MGG), and Morgantown Glass Works (MGW) between 1899 and 1965. It includes correspondence financial reports, audit reports, band ledgers, deeds, correspondence, loans, leases, tax forms, certificates, and receipts.","This series contains materials relating to Tida Bailey, a teacher in Monongalia County in the 1890s. It includes correspondence, school materials, teacher certificates, programs, suffrage poems, photographs, and social event ephemera dated from 1887 and 1926.","Contains human hair","This series contains newspaper clippings related to Natalie Tennant, the first female WVU Mountaineer mascot from 1990 to 1991.","This series contains materials collected by Carrie Kate Fleming, an early female graduate of West Virginia University and member of Phi Betta Kappa. Materials include scrapbooks created by Carrie K. Fleming and her sister, Rosalean, and a military ball handbag.","This series contains research materials related to the study of women and spirituality. Materials include articles, poetry, meeting minutes, and publications.","This series contains material created by the West Virginia Women's Commission which was formed in 1977 to improve the status of women in West Virginia. Materials include reports, correspondence, pamphlets, articles, publications, catalogs, and policy papers.","This series contains publications related to West Virginia history.","This series contains materials related to the promotion of sex equity in schools and the workplace. Materials include reports, manuals, notes, and conference materials.","This series includes material created by the Home Economics department at West Virginia University. Materials include guest registers, photographs, and scrapbooks.","Included in the 2002 July 11 addendum (Boxes 24 and 25) are the records of Lillian Waugh, employee of the WVU Women's Studies Center from 1986 to 2000.  It includes: directories of the Morgantown branch of the American Association of University Women (1998-2001); records of the WVU Women's Centenary and WVU Women's Studies Center (1986-2000); records of the Council for Women's Concerns (1977-1981) and the Social Justice Council (1988-1993); records of the West Virginia Alliance for Women's Studies (WVAWS) (1988-1991, 1997-2000); and short story sketches by Jane Greer, business woman and wife of H.C. Greer, owner and Publisher of the Morgantown Post (1937)."],"separatedmaterial_html_tesm":["\u003cp\u003eMaterial moved to Donor Files\u003c/p\u003e","\u003cp\u003eMaterial moved to Donor Files\u003c/p\u003e","\u003cp\u003eBox 03, Folder 19, has been moved to Box 27, Folder 01 [Restricted] in accordance with sensitive materials policies. Material may be accessed in 2039.\u003c/p\u003e","\u003cp\u003eBox 12, Folder 14, and Box 12, Folder 15 has been moved to Box 27, Folder 02, and Box 27, Folder 03 [Restricted] in accordance with sensitive materials policies. Material may be accessed in 2056.\u003c/p\u003e","\u003cp\u003eBox 24, Folder 22, has been moved to Box 27, Folder 04 [Restricted] in accordance with sensitive materials policies. Material may be accessed in 2100.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Material moved to Donor Files","Material moved to Donor Files","Box 03, Folder 19, has been moved to Box 27, Folder 01 [Restricted] in accordance with sensitive materials policies. 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