{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1876\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=3","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1876\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=2","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1876\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=4","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1876\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=261"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":261,"limit_value":10,"offset_value":20,"total_count":2603,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_1500","type":"collection","attributes":{"title":"Adolphus DeBussey, Soldier, Civil War Letters, 1861/1998, bulk 1861/1871","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1500#creator","type":"document_value","attributes":{"value":"Debussey, Adolphus","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1500#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCivil War correspondence of the DeBussey brothers of Ravenswood, WV. There is a single letter each from John DeBussey and George DeBussey. John DeBussey served in the Confederate Army while George DeBussey served in the 2nd. WV Cavalry. Most of the letters are from Adolphus DeBussey who served in the 4th. WV Infantry as a musician. In his letters Adolphus documents the service of his regiment in the Kanawha Valley early in the war and in the Western Theater during the battles of Vicksburg, Mississippi and Chattanooga, Tennessee. There is much mention of fighting and prolonged encampments in Alabama, Arkansas, Georgia, Mississippi, Tennessee, and West Virginia. Included are details of an 1861 Confederate raid on Burning Springs, an 1861 skirmish at Gauley Bridge, and the 1861 battle of Guyandotte. The letters also record his experiences during Sherman's march through Georgia. The collection includes Corporal Adolphus DeBussey's flute with its case.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1500#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_1500","ead_ssi":"wvmturhc_repositories_2_resources_1500","_root_":"wvmturhc_repositories_2_resources_1500","_nest_parent_":"wvmturhc_repositories_2_resources_1500","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1500.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195779","title_ssm":["Adolphus DeBussey, Soldier, Civil War Letters"],"title_tesim":["Adolphus DeBussey, Soldier, Civil War Letters"],"unitdate_ssm":["1861-1998","1861-1866, 1870-1871"],"unitdate_inclusive_ssm":["1861-1998"],"unitdate_bulk_ssim":["1861-1866, 1870-1871"],"normalized_date_ssm":["1861/1998, bulk 1861/1871"],"normalized_title_ssm":["Adolphus DeBussey, Soldier, Civil War Letters, 1861/1998, bulk 1861/1871"],"text":["Adolphus DeBussey, Soldier, Civil War Letters, 1861/1998, bulk 1861/1871","A\u0026M 3296","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1500","Civil War -- Cabell County (W. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Civil War -- Cabell County (W. Va.)","Civil War -- Charleston","Civil War - Logan County.","Civil War -- Music and musicians","Civil War - Virginia (U.S.) 4th Volunteer Infantry, Company F.","Civil War battles - Vicksburg.","Logan County - Civil War.","Music and musicians."],"access_subjects_ssm":["Civil War -- Cabell County (W. Va.)","Civil War -- Charleston","Civil War - Logan County.","Civil War -- Music and musicians","Civil War - Virginia (U.S.) 4th Volunteer Infantry, Company F.","Civil War battles - Vicksburg.","Logan County - Civil War.","Music and musicians."],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet Summary: 5 1/2 in. (1 document case, 2 1/2 in.; 1 flat storage box, 3 in.)"],"extent_tesim":["0.5 Linear Feet Summary: 5 1/2 in. (1 document case, 2 1/2 in.; 1 flat storage box, 3 in.)"],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Adolphus DeBussey, Soldier, Civil War Letters, A\u0026amp;M 3296, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Adolphus DeBussey, Soldier, Civil War Letters, A\u0026M 3296, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCivil War correspondence of the DeBussey brothers of Ravenswood, WV. There is a single letter each from John DeBussey and George DeBussey. John DeBussey served in the Confederate Army while George DeBussey served in the 2nd. WV Cavalry. Most of the letters are from Adolphus DeBussey who served in the 4th. WV Infantry as a musician. In his letters Adolphus documents the service of his regiment in the Kanawha Valley early in the war and in the Western Theater during the battles of Vicksburg, Mississippi and Chattanooga, Tennessee. There is much mention of fighting and prolonged encampments in Alabama, Arkansas, Georgia, Mississippi, Tennessee, and West Virginia. Included are details of an 1861 Confederate raid on Burning Springs, an 1861 skirmish at Gauley Bridge, and the 1861 battle of Guyandotte. The letters also record his experiences during Sherman's march through Georgia. The collection includes Corporal Adolphus DeBussey's flute with its case.\u003c/p\u003e","\u003cp\u003eSeries include: \nSeries 1. Inventory, undated\nSeries 2. 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There is much mention of fighting and prolonged encampments in Alabama, Arkansas, Georgia, Mississippi, Tennessee, and West Virginia. Included are details of an 1861 Confederate raid on Burning Springs, an 1861 skirmish at Gauley Bridge, and the 1861 battle of Guyandotte. The letters also record his experiences during Sherman's march through Georgia. The collection includes Corporal Adolphus DeBussey's flute with its case.","Series include: \nSeries 1. Inventory, undated\nSeries 2. Transcripts -- Preservation Copies, undated\nSeries 3. Correspondence, 1861-1871, 1912-1913, 1964, undated\nSeries 4. Ephemera -- Envelopes, 1912–1913\nSeries 5. Transcripts -- Originals, undated\nSeries 6. Article, 1998\nSeries 7. Artifact, ca. 1861-1862"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fd471c215eb274e14eb01d571b5f6aec\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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(1 document case, 2 1/2 in.; 1 flat storage box, 3 in.)"],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Adolphus DeBussey, Soldier, Civil War Letters, A\u0026amp;M 3296, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Adolphus DeBussey, Soldier, Civil War Letters, A\u0026M 3296, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCivil War correspondence of the DeBussey brothers of Ravenswood, WV. 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Transcripts -- Preservation Copies, undated\nSeries 3. Correspondence, 1861-1871, 1912-1913, 1964, undated\nSeries 4. Ephemera -- Envelopes, 1912–1913\nSeries 5. Transcripts -- Originals, undated\nSeries 6. Article, 1998\nSeries 7. Artifact, ca. 1861-1862\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Civil War correspondence of the DeBussey brothers of Ravenswood, WV. There is a single letter each from John DeBussey and George DeBussey. John DeBussey served in the Confederate Army while George DeBussey served in the 2nd. WV Cavalry. Most of the letters are from Adolphus DeBussey who served in the 4th. WV Infantry as a musician. In his letters Adolphus documents the service of his regiment in the Kanawha Valley early in the war and in the Western Theater during the battles of Vicksburg, Mississippi and Chattanooga, Tennessee. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fd471c215eb274e14eb01d571b5f6aec\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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One copy of \"The Practical Engineer,\" John Wallace, Pittsburgh, Penna., 1865, and one copy of \"The Popular Educator,\" Vols. III and IV, London, N. C.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","J.W. and A. P. Howard Company","University Company of Olympia (W.A.)","Howard family","Howard, Adolphus P.","Howard, John F.","Spencer, Edward","English"],"collection_title_tesim":["Adolphus P. Howard Papers, 1854/1904"],"collection_ssim":["Adolphus P. Howard Papers, 1854/1904"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 0515","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2814"],"unitid_tesim":["A\u0026M 0515","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2814"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Pittsburgh (Pa.)","Wellsville, N.Y.","Olympia, W.A.","Kansas"],"geogname_ssim":["Pittsburgh (Pa.)","Wellsville, N.Y.","Olympia, W.A.","Kansas"],"places_ssim":["Pittsburgh (Pa.)","Wellsville, N.Y.","Olympia, W.A.","Kansas"],"creator_ssm":["Howard, Adolphus P."],"creator_ssim":["Howard, Adolphus P."],"creator_persname_ssim":["Howard, Adolphus P.","Howard, John F.","Spencer, Edward"],"creator_corpname_ssim":["West Virginia and Regional History Center","J.W. and A. P. Howard Company","University Company of Olympia (W.A.)"],"creator_famname_ssim":["Howard family"],"creators_ssim":["Howard, Adolphus P.","Howard, John F.","Spencer, Edward","West Virginia and Regional History Center","J.W. and A. P. Howard Company","University Company of Olympia (W.A.)","Howard family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Banks and banking","Farms and farming.","Missionaries","Printers and printing.","Engineers"],"access_subjects_ssm":["Banks and banking","Farms and farming.","Missionaries","Printers and printing.","Engineers"],"has_online_content_ssim":["false"],"extent_ssm":["0.4 Linear Feet Summary: 5 in. (1 document case)"],"extent_tesim":["0.4 Linear Feet Summary: 5 in. 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Howard Papers, A\u0026M 0515, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e511, 515, 517\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["511, 515, 517"],"scopecontent_html_tesm":["\u003cp\u003eIncludes the wills of A. P. Howard, Corry, Pennsylvania; 1897, and Sarah H. Howard, Wellsville, N. Y., correspondence, reports, leases, tax receipts, and mortgage. Information on J. W. Howard and Hugh H. McCullough estates. Copy of Bradstreet's report on the University Company of Olympia, Washington and J. R. Chaplin, manager of the Company. Also, report on various business enterprises and financial standing of A. P. Howard. Some correspondence of Edward Spencer and tax receipts for land in Kansas. One copy of \"The Practical Engineer,\" John Wallace, Pittsburgh, Penna., 1865, and one copy of \"The Popular Educator,\" Vols. III and IV, London, N. C.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes the wills of A. P. Howard, Corry, Pennsylvania; 1897, and Sarah H. Howard, Wellsville, N. Y., correspondence, reports, leases, tax receipts, and mortgage. Information on J. W. Howard and Hugh H. McCullough estates. Copy of Bradstreet's report on the University Company of Olympia, Washington and J. R. Chaplin, manager of the Company. Also, report on various business enterprises and financial standing of A. P. Howard. Some correspondence of Edward Spencer and tax receipts for land in Kansas. One copy of \"The Practical Engineer,\" John Wallace, Pittsburgh, Penna., 1865, and one copy of \"The Popular Educator,\" Vols. III and IV, London, N. C."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1f42716ae40bcf4c34ce3aebebeb5711\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","J.W. and A. P. Howard Company","University Company of Olympia (W.A.)"],"names_coll_ssim":["J.W. and A. P. Howard Company","University Company of Olympia (W.A.)","Howard family","Howard, Adolphus P.","Howard, John F.","Spencer, Edward"],"famname_ssim":["Howard family"],"persname_ssim":["Howard, Adolphus P.","Howard, John F.","Spencer, Edward"],"names_ssim":["West Virginia and Regional History Center","J.W. and A. P. 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One copy of \"The Practical Engineer,\" John Wallace, Pittsburgh, Penna., 1865, and one copy of \"The Popular Educator,\" Vols. III and IV, London, N. C.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","J.W. and A. P. Howard Company","University Company of Olympia (W.A.)","Howard family","Howard, Adolphus P.","Howard, John F.","Spencer, Edward","English"],"collection_title_tesim":["Adolphus P. Howard Papers, 1854/1904"],"collection_ssim":["Adolphus P. 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Howard Papers, A\u0026M 0515, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e511, 515, 517\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["511, 515, 517"],"scopecontent_html_tesm":["\u003cp\u003eIncludes the wills of A. P. Howard, Corry, Pennsylvania; 1897, and Sarah H. Howard, Wellsville, N. Y., correspondence, reports, leases, tax receipts, and mortgage. Information on J. W. Howard and Hugh H. McCullough estates. Copy of Bradstreet's report on the University Company of Olympia, Washington and J. R. Chaplin, manager of the Company. Also, report on various business enterprises and financial standing of A. P. Howard. Some correspondence of Edward Spencer and tax receipts for land in Kansas. One copy of \"The Practical Engineer,\" John Wallace, Pittsburgh, Penna., 1865, and one copy of \"The Popular Educator,\" Vols. 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They include local history publications, especially pamphlets, primary sources, newspaper clippings, research files, and reprints.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vaedscl_repositories_2_resources_5#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vaedscl_repositories_2_resources_5","ead_ssi":"vaedscl_repositories_2_resources_5","_root_":"vaedscl_repositories_2_resources_5","_nest_parent_":"vaedscl_repositories_2_resources_5","ead_source_url_ssi":"data/oai/SCL/repositories_2_resources_5.xml","title_ssm":["Advisory Committee Research Collection"],"title_tesim":["Advisory Committee Research Collection"],"unitdate_ssm":["Items were created in or are topically related to the dates 1772-2017."],"unitdate_inclusive_ssm":["Items were created in or are topically related to the dates 1772-2017."],"normalized_date_ssm":["1772/2017"],"normalized_title_ssm":["Advisory Committee Research Collection, 1772/2017"],"text":["Advisory Committee Research Collection, 1772/2017","2015-0004","/repositories/2/resources/5","Belle Grove (Va.)","Winchester (Va)","Shenandoah County (Va.)","New Market (Va)","Edinburg (Va)","Fort Valley (Va.)","Utica (N.Y.)","Timberville (Va)","Rockingham County (Va.)","Front Royal (Va.)","Toms Brook (Va)","Page County (Va.)","Woodstock (Va)","Mt. Jackson (Va.)","Hupp Family","Schools - Virginia - Shenandoah County","Garber, Lydia","Wise, Robert","Orndorff, Mason","Public schools - Virginia - Shenandoah County","Lutheran churches - Virginia - Shenandoah County","Motels - Virginia - Mt. Jackson","This collection is open to researchers without restrictions. Researchers must register and agree to all copyright laws and archives policies before using the collection. Please contact the Shenandoah County Library before visiting to use this collection.","This collection is arranged in four (4) series:","Series I: Publications, 1717-2016","Series II: Photographs and Documents, 1792-2016","Series III: Research, 1772-2017","Series IV: Objects, 1829-2013","Items within each series are arranged chronologically.","The Shenandoah Room and Truban Archives Advisory Committee was established in 2012 to help manage operations of these resources at a time when the Archivist position remained unfunded. The group remained responsible for overseeing both resources until 2015 when they assumed a more traditional advisory role after the Archivist position was restored.","This collection was originally stored in various ways. Parts were retained by the library in the Shenandoah Room Collection while other items originated from personal collections or were acquired directly from organizations. All have been processed together according to their association with the Advisory Committee in appropriate document and large scale boxes. Items too large for document storage have been placed in oversize folders in the archives map case.","This collection consists of approximately 10 linear feet of materials. This includes approximately 213 folders containing an array of local history publications, documents, photographs, and research materials. There are also 17 CDs with digital materials and a single book. They are stored in 9 boxes and one oversize folder. The collection is organized into the following four series:","Series 1, Publications, 1717-2016 includes a wide array of publications. Some of these relate to the history of local groups, businesses, organizations, individuals, and sites. Others are various scientific publications related to local geography, geology, natural features, and buildings.","Series 2, Photographs and Documents, 1792-2016 includes historic photographs and documents, including many copies and transcriptions.","Series 3, Research, 1772-2017 includes information obtained during various research projects conducted by the library, members of the advisory committee, or their associates.","Series 4, Objects, 1829-2013 includes 17 CDs with various audio recordings, scans of objects, and other digital materials. It also includes a single book.","A collection of local history items collected or approved for purchase by members of the Shenandoah Room and Truban Archives Advisory Committee during their work as representatives of the library. They include local history publications, especially pamphlets, primary sources, newspaper clippings, research files, and reprints.","Shenandoah County Library - Truban Archives","Shenandoah County Library: Truban Archives","English\n."],"collection_title_tesim":["Advisory Committee Research Collection, 1772/2017"],"collection_ssim":["Advisory Committee Research Collection, 1772/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2015-0004","/repositories/2/resources/5"],"unitid_tesim":["2015-0004","/repositories/2/resources/5"],"repository_ssm":["Shenandoah County Library"],"repository_ssim":["Shenandoah County Library"],"geogname_ssm":["Belle Grove (Va.)","Winchester (Va)","Shenandoah County (Va.)","New Market (Va)","Edinburg (Va)","Fort Valley (Va.)","Utica (N.Y.)","Timberville (Va)","Rockingham County (Va.)","Front Royal (Va.)","Toms Brook (Va)","Page County (Va.)","Woodstock (Va)","Mt. Jackson (Va.)"],"geogname_ssim":["Belle Grove (Va.)","Winchester (Va)","Shenandoah County (Va.)","New Market (Va)","Edinburg (Va)","Fort Valley (Va.)","Utica (N.Y.)","Timberville (Va)","Rockingham County (Va.)","Front Royal (Va.)","Toms Brook (Va)","Page County (Va.)","Woodstock (Va)","Mt. Jackson (Va.)"],"places_ssim":["Belle Grove (Va.)","Winchester (Va)","Shenandoah County (Va.)","New Market (Va)","Edinburg (Va)","Fort Valley (Va.)","Utica (N.Y.)","Timberville (Va)","Rockingham County (Va.)","Front Royal (Va.)","Toms Brook (Va)","Page County (Va.)","Woodstock (Va)","Mt. Jackson (Va.)"],"creator_corpname_ssim":["Shenandoah County Library: Truban Archives"],"creators_ssim":["Shenandoah County Library: Truban Archives"],"acqinfo_ssim":["Acquired through the work of the Shenandoah Room and Truban Archives Advisory Committee of the Shenandoah County Library. Some items were acquired at community events, from thrift stores, through anonymous personal donations, or through research projects. Several local history pamphlets, unpublished manuscripts, etc. were transferred directly from the Shenandoah Room Collection."],"access_subjects_ssim":["Hupp Family","Schools - Virginia - Shenandoah County","Garber, Lydia","Wise, Robert","Orndorff, Mason","Public schools - Virginia - Shenandoah County","Lutheran churches - Virginia - Shenandoah County","Motels - Virginia - Mt. Jackson"],"access_subjects_ssm":["Hupp Family","Schools - Virginia - Shenandoah County","Garber, Lydia","Wise, Robert","Orndorff, Mason","Public schools - Virginia - Shenandoah County","Lutheran churches - Virginia - Shenandoah County","Motels - Virginia - Mt. 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They are stored in 9 boxes and one oversize folder. The collection is organized into the following four series:\u003c/p\u003e","\u003cp\u003eSeries 1, Publications, 1717-2016 includes a wide array of publications. Some of these relate to the history of local groups, businesses, organizations, individuals, and sites. Others are various scientific publications related to local geography, geology, natural features, and buildings. \u003c/p\u003e","\u003cp\u003eSeries 2, Photographs and Documents, 1792-2016 includes historic photographs and documents, including many copies and transcriptions. \u003c/p\u003e","\u003cp\u003eSeries 3, Research, 1772-2017 includes information obtained during various research projects conducted by the library, members of the advisory committee, or their associates. \u003c/p\u003e","\u003cp\u003eSeries 4, Objects, 1829-2013 includes 17 CDs with various audio recordings, scans of objects, and other digital materials. 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They include local history publications, especially pamphlets, primary sources, newspaper clippings, research files, and reprints."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9881fe5ced133ca9f350f9f566fda255\"\u003eShenandoah County Library - Truban Archives\u003c/physloc\u003e\n    "],"physloc_tesim":["Shenandoah County Library - Truban Archives"],"corpname_ssim":["Shenandoah County Library: Truban Archives"],"names_ssim":["Shenandoah County Library: Truban Archives"],"language_ssim":["English\n."],"total_component_count_is":235,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:07:40.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaedscl_repositories_2_resources_5","ead_ssi":"vaedscl_repositories_2_resources_5","_root_":"vaedscl_repositories_2_resources_5","_nest_parent_":"vaedscl_repositories_2_resources_5","ead_source_url_ssi":"data/oai/SCL/repositories_2_resources_5.xml","title_ssm":["Advisory Committee Research Collection"],"title_tesim":["Advisory Committee Research Collection"],"unitdate_ssm":["Items were created in or are topically related to the dates 1772-2017."],"unitdate_inclusive_ssm":["Items were created in or are topically related to the dates 1772-2017."],"normalized_date_ssm":["1772/2017"],"normalized_title_ssm":["Advisory Committee Research Collection, 1772/2017"],"text":["Advisory Committee Research Collection, 1772/2017","2015-0004","/repositories/2/resources/5","Belle Grove (Va.)","Winchester (Va)","Shenandoah County (Va.)","New Market (Va)","Edinburg (Va)","Fort Valley (Va.)","Utica (N.Y.)","Timberville (Va)","Rockingham County (Va.)","Front Royal (Va.)","Toms Brook (Va)","Page County (Va.)","Woodstock (Va)","Mt. Jackson (Va.)","Hupp Family","Schools - Virginia - Shenandoah County","Garber, Lydia","Wise, Robert","Orndorff, Mason","Public schools - Virginia - Shenandoah County","Lutheran churches - Virginia - Shenandoah County","Motels - Virginia - Mt. Jackson","This collection is open to researchers without restrictions. Researchers must register and agree to all copyright laws and archives policies before using the collection. Please contact the Shenandoah County Library before visiting to use this collection.","This collection is arranged in four (4) series:","Series I: Publications, 1717-2016","Series II: Photographs and Documents, 1792-2016","Series III: Research, 1772-2017","Series IV: Objects, 1829-2013","Items within each series are arranged chronologically.","The Shenandoah Room and Truban Archives Advisory Committee was established in 2012 to help manage operations of these resources at a time when the Archivist position remained unfunded. The group remained responsible for overseeing both resources until 2015 when they assumed a more traditional advisory role after the Archivist position was restored.","This collection was originally stored in various ways. Parts were retained by the library in the Shenandoah Room Collection while other items originated from personal collections or were acquired directly from organizations. All have been processed together according to their association with the Advisory Committee in appropriate document and large scale boxes. Items too large for document storage have been placed in oversize folders in the archives map case.","This collection consists of approximately 10 linear feet of materials. This includes approximately 213 folders containing an array of local history publications, documents, photographs, and research materials. There are also 17 CDs with digital materials and a single book. They are stored in 9 boxes and one oversize folder. 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Items too large for document storage have been placed in oversize folders in the archives map case.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally stored in various ways. Parts were retained by the library in the Shenandoah Room Collection while other items originated from personal collections or were acquired directly from organizations. All have been processed together according to their association with the Advisory Committee in appropriate document and large scale boxes. Items too large for document storage have been placed in oversize folders in the archives map case."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of approximately 10 linear feet of materials. This includes approximately 213 folders containing an array of local history publications, documents, photographs, and research materials. There are also 17 CDs with digital materials and a single book. 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The man leans against a marble column against a plain background in a studio. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1551#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1551","ead_ssi":"viu_repositories_3_resources_1551","_root_":"viu_repositories_3_resources_1551","_nest_parent_":"viu_repositories_3_resources_1551","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1551.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/190885","title_filing_ssi":"African American man tintype portrait","title_ssm":["African American man tintype portrait"],"title_tesim":["African American man tintype portrait"],"unitdate_ssm":["c. 1865-1900"],"unitdate_bulk_ssim":["c. 1865-1900"],"normalized_date_ssm":["1865/1900"],"normalized_title_ssm":["African American man tintype portrait, 1865/1900"],"text":["African American man tintype portrait, 1865/1900","MSS 16795","Archival Resource Key","/repositories/3/resources/1551","African American young men","tintypes (prints)","The collection is open for research use.","\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)","\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)","\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)","Sources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change","\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/","Tintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. Some of the most common subjects were Civil War fields and soldiers, who would send photos home to loved ones.","Tintype creates a photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel.The metal plates are coated with chemicals, exposed to light in a camera, and processed with additional chemistry. This creates an underexposed negative image. When that negative is placed on a dark background, the transparent areas appear black, which makes the plate look like a positive image.","This collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio.","The tintype was invented in 1855, one decade before the emancipation of enslaved African Americans across the United States. His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century.","These portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity.","Albert and Shirley Small Special Collections Library","Max Rambod","English"],"collection_title_tesim":["African American man tintype portrait, 1865/1900"],"collection_ssim":["African American man tintype portrait, 1865/1900"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 16795","Archival Resource Key","/repositories/3/resources/1551"],"unitid_tesim":["MSS 16795","Archival Resource Key","/repositories/3/resources/1551"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Max Rambod"],"creator_ssim":["Max Rambod"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"creators_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"acqinfo_ssim":["This collection was purchased from Max Rambod, Inc. by the Small Special Collections Library at the University of Virginia Library on 1 March 2023."],"access_subjects_ssim":["African American young men","tintypes (prints)"],"access_subjects_ssm":["African American young men","tintypes (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["0.03 Cubic Feet One letter-sized folder."],"extent_tesim":["0.03 Cubic Feet One letter-sized folder."],"genreform_ssim":["tintypes (prints)"],"date_range_isim":[1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003e\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)\u003c/p\u003e","\u003cp\u003e\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)\u003c/p\u003e","\u003cp\u003e\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)\u003c/p\u003e","\u003cp\u003eSources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change\u003c/p\u003e","\u003cp\u003e\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/\u003c/p\u003e","\u003cp\u003eTintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. Some of the most common subjects were Civil War fields and soldiers, who would send photos home to loved ones.\u003c/p\u003e","\u003cp\u003eTintype creates a photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel.The metal plates are coated with chemicals, exposed to light in a camera, and processed with additional chemistry. This creates an underexposed negative image. When that negative is placed on a dark background, the transparent areas appear black, which makes the plate look like a positive image. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)","\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)","\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)","Sources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change","\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/","Tintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. Some of the most common subjects were Civil War fields and soldiers, who would send photos home to loved ones.","Tintype creates a photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel.The metal plates are coated with chemicals, exposed to light in a camera, and processed with additional chemistry. This creates an underexposed negative image. When that negative is placed on a dark background, the transparent areas appear black, which makes the plate look like a positive image."],"prefercite_html_tesm":["\u003cp\u003eMSS 16795, African American man tintype portrait, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16795, African American man tintype portrait, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio. \u003c/p\u003e","\u003cp\u003eThe tintype was invented in 1855, one decade before the emancipation of enslaved African Americans across the United States. His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century. \u003c/p\u003e","\u003cp\u003eThese portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio.","The tintype was invented in 1855, one decade before the emancipation of enslaved African Americans across the United States. His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century.","These portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"names_coll_ssim":["Max Rambod"],"names_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:40:42.029Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1551","ead_ssi":"viu_repositories_3_resources_1551","_root_":"viu_repositories_3_resources_1551","_nest_parent_":"viu_repositories_3_resources_1551","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1551.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/190885","title_filing_ssi":"African American man tintype portrait","title_ssm":["African American man tintype portrait"],"title_tesim":["African American man tintype portrait"],"unitdate_ssm":["c. 1865-1900"],"unitdate_bulk_ssim":["c. 1865-1900"],"normalized_date_ssm":["1865/1900"],"normalized_title_ssm":["African American man tintype portrait, 1865/1900"],"text":["African American man tintype portrait, 1865/1900","MSS 16795","Archival Resource Key","/repositories/3/resources/1551","African American young men","tintypes (prints)","The collection is open for research use.","\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)","\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)","\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)","Sources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change","\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/","Tintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. Some of the most common subjects were Civil War fields and soldiers, who would send photos home to loved ones.","Tintype creates a photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel.The metal plates are coated with chemicals, exposed to light in a camera, and processed with additional chemistry. This creates an underexposed negative image. When that negative is placed on a dark background, the transparent areas appear black, which makes the plate look like a positive image.","This collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio.","The tintype was invented in 1855, one decade before the emancipation of enslaved African Americans across the United States. His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century.","These portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. 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African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)\u003c/p\u003e","\u003cp\u003e\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)\u003c/p\u003e","\u003cp\u003e\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)\u003c/p\u003e","\u003cp\u003eSources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change\u003c/p\u003e","\u003cp\u003e\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/\u003c/p\u003e","\u003cp\u003eTintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. Some of the most common subjects were Civil War fields and soldiers, who would send photos home to loved ones.\u003c/p\u003e","\u003cp\u003eTintype creates a photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel.The metal plates are coated with chemicals, exposed to light in a camera, and processed with additional chemistry. This creates an underexposed negative image. When that negative is placed on a dark background, the transparent areas appear black, which makes the plate look like a positive image. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)","\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)","\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)","Sources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change","\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/","Tintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. Some of the most common subjects were Civil War fields and soldiers, who would send photos home to loved ones.","Tintype creates a photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel.The metal plates are coated with chemicals, exposed to light in a camera, and processed with additional chemistry. This creates an underexposed negative image. When that negative is placed on a dark background, the transparent areas appear black, which makes the plate look like a positive image."],"prefercite_html_tesm":["\u003cp\u003eMSS 16795, African American man tintype portrait, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16795, African American man tintype portrait, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio. \u003c/p\u003e","\u003cp\u003eThe tintype was invented in 1855, one decade before the emancipation of enslaved African Americans across the United States. His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century. \u003c/p\u003e","\u003cp\u003eThese portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio.","The tintype was invented in 1855, one decade before the emancipation of enslaved African Americans across the United States. His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century.","These portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"names_coll_ssim":["Max Rambod"],"names_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:40:42.029Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1551"}},{"id":"viw_repositories_2_resources_7514","type":"collection","attributes":{"title":"African American Stereoview Collection, 1860/1901","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_7514#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains numerous stereograms taken throughout the Jim Crow Era. The stereograms portray the racist attitudes of the time period. Stereograms are an early form of photography which was often used for educational purposes. When a view finder is used to look at the stereograms, the images appear to be three dimensional.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_7514#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_7514","ead_ssi":"viw_repositories_2_resources_7514","_root_":"viw_repositories_2_resources_7514","_nest_parent_":"viw_repositories_2_resources_7514","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_7514.xml","title_ssm":["African American Stereoview Collection"],"title_tesim":["African American Stereoview Collection"],"unitdate_ssm":["1860-1901 and undated"],"unitdate_inclusive_ssm":["1860-1901 and undated"],"normalized_date_ssm":["1860/1901"],"normalized_title_ssm":["African American Stereoview Collection, 1860/1901"],"text":["African American Stereoview Collection, 1860/1901","MS 00129","/repositories/2/resources/7514","African Americans--History.","Stereoscopic photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection contains numerous stereograms taken throughout the Jim Crow Era. The stereograms portray the racist attitudes of the time period. Stereograms are an early form of photography which was often used for educational purposes. When a view finder is used to look at the stereograms, the images appear to be three dimensional.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["African American Stereoview Collection, 1860/1901"],"collection_ssim":["African American Stereoview Collection, 1860/1901"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00129","/repositories/2/resources/7514"],"unitid_tesim":["MS 00129","/repositories/2/resources/7514"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["African Americans--History."],"geogname_ssim":["African Americans--History."],"places_ssim":["African Americans--History."],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Stereoscopic photographs"],"access_subjects_ssm":["Stereoscopic photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.50 Linear Feet"],"extent_tesim":["0.50 Linear Feet"],"genreform_ssim":["Stereoscopic photographs"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains numerous stereograms taken throughout the Jim Crow Era. The stereograms portray the racist attitudes of the time period. 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H.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_919#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eLetters, 16 March and 21 July 1835, of A. H. Hand, Princeton, New Jersey to his cousin Augustus Cornwall, Catskill, New York, giving advice on being a student and discussing the value of an education. Typescripts available.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_919#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_919","ead_ssi":"viw_repositories_2_resources_919","_root_":"viw_repositories_2_resources_919","_nest_parent_":"viw_repositories_2_resources_919","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_919.xml","title_filing_ssi":"Hand, A. H. Papers","title_ssm":["A. H. Hand Papers"],"title_tesim":["A. H. Hand Papers"],"unitdate_ssm":["1835, 2009"],"unitdate_inclusive_ssm":["1835, 2009"],"normalized_date_ssm":["1835/2009"],"normalized_title_ssm":["A. H. Hand Papers, 1835/2009"],"text":["A. H. Hand Papers, 1835/2009","SC 01080","/repositories/2/resources/919","Education, Higher--History--19th century","Education--History--19th century","Education--New York (State)","Princeton (N.J.)--History--19th century","Correspondence","Typescripts","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. 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