{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1872\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=3","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1872\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=2","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1872\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=4","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1872\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=257"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":257,"limit_value":10,"offset_value":20,"total_count":2562,"first_page?":false,"last_page?":false}},"data":[{"id":"vaedscl_repositories_2_resources_5","type":"collection","attributes":{"title":"Advisory Committee Research Collection, 1772/2017","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vaedscl_repositories_2_resources_5#abstract_or_scope","type":"document_value","attributes":{"value":"A collection of local history items collected or approved for purchase by members of the Shenandoah Room and Truban Archives Advisory Committee during their work as representatives of the library. 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The group remained responsible for overseeing both resources until 2015 when they assumed a more traditional advisory role after the Archivist position was restored."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item] Advisory Committee Research Collection, 1772-2017, Truban Archives, Shenandoah County Library, Edinburg, Virginia, USA.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item] Advisory Committee Research Collection, 1772-2017, Truban Archives, Shenandoah County Library, Edinburg, Virginia, USA."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally stored in various ways. Parts were retained by the library in the Shenandoah Room Collection while other items originated from personal collections or were acquired directly from organizations. All have been processed together according to their association with the Advisory Committee in appropriate document and large scale boxes. Items too large for document storage have been placed in oversize folders in the archives map case.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally stored in various ways. Parts were retained by the library in the Shenandoah Room Collection while other items originated from personal collections or were acquired directly from organizations. All have been processed together according to their association with the Advisory Committee in appropriate document and large scale boxes. Items too large for document storage have been placed in oversize folders in the archives map case."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of approximately 10 linear feet of materials. This includes approximately 213 folders containing an array of local history publications, documents, photographs, and research materials. There are also 17 CDs with digital materials and a single book. They are stored in 9 boxes and one oversize folder. The collection is organized into the following four series:\u003c/p\u003e","\u003cp\u003eSeries 1, Publications, 1717-2016 includes a wide array of publications. Some of these relate to the history of local groups, businesses, organizations, individuals, and sites. Others are various scientific publications related to local geography, geology, natural features, and buildings. \u003c/p\u003e","\u003cp\u003eSeries 2, Photographs and Documents, 1792-2016 includes historic photographs and documents, including many copies and transcriptions. \u003c/p\u003e","\u003cp\u003eSeries 3, Research, 1772-2017 includes information obtained during various research projects conducted by the library, members of the advisory committee, or their associates. \u003c/p\u003e","\u003cp\u003eSeries 4, Objects, 1829-2013 includes 17 CDs with various audio recordings, scans of objects, and other digital materials. It also includes a single book. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of approximately 10 linear feet of materials. This includes approximately 213 folders containing an array of local history publications, documents, photographs, and research materials. There are also 17 CDs with digital materials and a single book. They are stored in 9 boxes and one oversize folder. The collection is organized into the following four series:","Series 1, Publications, 1717-2016 includes a wide array of publications. Some of these relate to the history of local groups, businesses, organizations, individuals, and sites. Others are various scientific publications related to local geography, geology, natural features, and buildings.","Series 2, Photographs and Documents, 1792-2016 includes historic photographs and documents, including many copies and transcriptions.","Series 3, Research, 1772-2017 includes information obtained during various research projects conducted by the library, members of the advisory committee, or their associates.","Series 4, Objects, 1829-2013 includes 17 CDs with various audio recordings, scans of objects, and other digital materials. It also includes a single book."],"abstract_html_tesm":["\u003cabstract id=\"aspace_77d0febf1924cd4f1d70137089d701b4\"\u003eA collection of local history items collected or approved for purchase by members of the Shenandoah Room and Truban Archives Advisory Committee during their work as representatives of the library. They include local history publications, especially pamphlets, primary sources, newspaper clippings, research files, and reprints.\u003c/abstract\u003e\n    "],"abstract_tesim":["A collection of local history items collected or approved for purchase by members of the Shenandoah Room and Truban Archives Advisory Committee during their work as representatives of the library. They include local history publications, especially pamphlets, primary sources, newspaper clippings, research files, and reprints."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9881fe5ced133ca9f350f9f566fda255\"\u003eShenandoah County Library - Truban Archives\u003c/physloc\u003e\n    "],"physloc_tesim":["Shenandoah County Library - Truban Archives"],"corpname_ssim":["Shenandoah County Library: Truban Archives"],"names_ssim":["Shenandoah County Library: Truban Archives"],"language_ssim":["English\n."],"total_component_count_is":235,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-17T13:57:22.154Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vaedscl_repositories_2_resources_5"}},{"id":"viu_repositories_3_resources_1551","type":"collection","attributes":{"title":"African American man tintype portrait, 1865/1900","creator":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1551#creator","type":"document_value","attributes":{"value":"Max Rambod","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1551#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1551#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1551","ead_ssi":"viu_repositories_3_resources_1551","_root_":"viu_repositories_3_resources_1551","_nest_parent_":"viu_repositories_3_resources_1551","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1551.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/190885","title_filing_ssi":"African American man tintype portrait","title_ssm":["African American man tintype portrait"],"title_tesim":["African American man tintype portrait"],"unitdate_ssm":["c. 1865-1900"],"unitdate_bulk_ssim":["c. 1865-1900"],"normalized_date_ssm":["1865/1900"],"normalized_title_ssm":["African American man tintype portrait, 1865/1900"],"text":["African American man tintype portrait, 1865/1900","MSS 16795","Archival Resource Key","/repositories/3/resources/1551","African American young men","tintypes (prints)","The collection is open for research use.","\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)","\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)","\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)","Sources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change","\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/","Tintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. Some of the most common subjects were Civil War fields and soldiers, who would send photos home to loved ones.","Tintype creates a photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel.The metal plates are coated with chemicals, exposed to light in a camera, and processed with additional chemistry. This creates an underexposed negative image. When that negative is placed on a dark background, the transparent areas appear black, which makes the plate look like a positive image.","This collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio.","The tintype was invented in 1855, one decade before the emancipation of enslaved African Americans across the United States. His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century.","These portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity.","Albert and Shirley Small Special Collections Library","Max Rambod","English"],"collection_title_tesim":["African American man tintype portrait, 1865/1900"],"collection_ssim":["African American man tintype portrait, 1865/1900"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 16795","Archival Resource Key","/repositories/3/resources/1551"],"unitid_tesim":["MSS 16795","Archival Resource Key","/repositories/3/resources/1551"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Max Rambod"],"creator_ssim":["Max Rambod"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"creators_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"acqinfo_ssim":["This collection was purchased from Max Rambod, Inc. by the Small Special Collections Library at the University of Virginia Library on 1 March 2023."],"access_subjects_ssim":["African American young men","tintypes (prints)"],"access_subjects_ssm":["African American young men","tintypes (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["0.03 Cubic Feet One letter-sized folder."],"extent_tesim":["0.03 Cubic Feet One letter-sized folder."],"genreform_ssim":["tintypes (prints)"],"date_range_isim":[1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003e\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)\u003c/p\u003e","\u003cp\u003e\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)\u003c/p\u003e","\u003cp\u003e\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)\u003c/p\u003e","\u003cp\u003eSources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change\u003c/p\u003e","\u003cp\u003e\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/\u003c/p\u003e","\u003cp\u003eTintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. Some of the most common subjects were Civil War fields and soldiers, who would send photos home to loved ones.\u003c/p\u003e","\u003cp\u003eTintype creates a photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel.The metal plates are coated with chemicals, exposed to light in a camera, and processed with additional chemistry. This creates an underexposed negative image. When that negative is placed on a dark background, the transparent areas appear black, which makes the plate look like a positive image. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)","\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)","\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)","Sources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change","\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/","Tintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. 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When that negative is placed on a dark background, the transparent areas appear black, which makes the plate look like a positive image."],"prefercite_html_tesm":["\u003cp\u003eMSS 16795, African American man tintype portrait, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16795, African American man tintype portrait, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio. \u003c/p\u003e","\u003cp\u003eThe tintype was invented in 1855, one decade before the emancipation of enslaved African Americans across the United States. 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His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century.","These portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"names_coll_ssim":["Max Rambod"],"names_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:38.700Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1551","ead_ssi":"viu_repositories_3_resources_1551","_root_":"viu_repositories_3_resources_1551","_nest_parent_":"viu_repositories_3_resources_1551","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1551.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/190885","title_filing_ssi":"African American man tintype portrait","title_ssm":["African American man tintype portrait"],"title_tesim":["African American man tintype portrait"],"unitdate_ssm":["c. 1865-1900"],"unitdate_bulk_ssim":["c. 1865-1900"],"normalized_date_ssm":["1865/1900"],"normalized_title_ssm":["African American man tintype portrait, 1865/1900"],"text":["African American man tintype portrait, 1865/1900","MSS 16795","Archival Resource Key","/repositories/3/resources/1551","African American young men","tintypes (prints)","The collection is open for research use.","\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)","\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)","\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)","Sources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change","\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/","Tintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. 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African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)\u003c/p\u003e","\u003cp\u003e\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)\u003c/p\u003e","\u003cp\u003e\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)\u003c/p\u003e","\u003cp\u003eSources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change\u003c/p\u003e","\u003cp\u003e\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/\u003c/p\u003e","\u003cp\u003eTintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. 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H."],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:04:54.928Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_919"}},{"id":"wvmturhc_repositories_2_resources_2135","type":"collection","attributes":{"title":"Aileen Shafer, Collector, Material regarding African-Americans, 1829/1884","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2135#creator","type":"document_value","attributes":{"value":"Shafer, Aileen","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2135#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eNineteenth century records regarding African-Americans, including deed of emancipation (1829), two brief autograph letters by abolitionists Charles Sumner and Wendell Phillips (1850, 1882), eight copies of \"The Anti-Slavery Record\", a significant abolitionist publication (1835), and twenty popular song broadsides featuring minstrel song themes (ca. 1830s-1860s).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2135#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_2135","ead_ssi":"wvmturhc_repositories_2_resources_2135","_root_":"wvmturhc_repositories_2_resources_2135","_nest_parent_":"wvmturhc_repositories_2_resources_2135","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2135.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196237","title_ssm":["Aileen Shafer, Collector, Material regarding African-Americans"],"title_tesim":["Aileen Shafer, Collector, Material regarding African-Americans"],"unitdate_ssm":["1829-1884"],"unitdate_inclusive_ssm":["1829-1884"],"normalized_date_ssm":["1829/1884"],"normalized_title_ssm":["Aileen Shafer, Collector, Material regarding African-Americans, 1829/1884"],"text":["Aileen Shafer, Collector, Material regarding African-Americans, 1829/1884","A\u0026M 3756","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2135","African Americans","African Americans  -- History -- Miscellanea","Minstrel music","Slaves and slavery.","No special access restriction applies.","The Anti-Slavery Record, a monthly publication, promoted the complete and immediate abolition of slavery.  It was published for the American Anti-Slavery Society by R.G. Williams.  The newspaper was published for three years, 1835-1837, volume 1, issue 1 January 1835 through volume 3, issue 12, December 1837.  Aileen Shafer's collection includes volume 1, issue 1 through issue 10, 1835.","Issues of The Anti-Slavery Record feature excerpts from newspapers and speeches; reports on the slave trade and slave auctions; contributions by abolitionists such as Timothy Weld, John Rankin, and Elizur Wright; excerpts from Seabrook's proslavery Essay on the Management of Slavery; and eyewitness accounts of the torture and murder of slaves. Of particular note are the wood-cut engravings found throughout the issues.","Excerpted from a sales ad for issues of The Anti-Slavery Record by Bauman Rare Books.  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Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.","Hampden-Sydney College Archives \u0026 Special Collections","Hampden-Sydney College","English\n."],"collection_title_tesim":["A.J. Morrison Collection, 1754/1975"],"collection_ssim":["A.J. 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As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.  \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"access_subjects_ssim":["United States--History","Military history"],"access_subjects_ssm":["United States--History","Military history"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet 1 Box"],"extent_tesim":["0.5 Cubic Feet 1 Box"],"genreform_ssim":["Military history"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access to materials:"],"accessrestrict_tesim":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"arrangement_html_tesm":["\u003cp\u003eThe manuscript was originally divided into paper-clipped sections. Paper clips were removed and each section has been placed in a separate folder in accordance with the original order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement:"],"arrangement_tesim":["The manuscript was originally divided into paper-clipped sections. Paper clips were removed and each section has been placed in a separate folder in accordance with the original order."],"bioghist_html_tesm":["\u003cp\u003eA.J. Morrison (d. 1923) was the grandson of Hampden-Sydney President J. M. P. Atkinson, and a 1895 graduate of the College. After receiving his Pd.D. at Johns Hopkins, he returned to Hampden-Sydney, where he engaged in copious historical research related to Prince Edward County and Hampden-Sydney College.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/historical note:"],"bioghist_tesim":["A.J. Morrison (d. 1923) was the grandson of Hampden-Sydney President J. M. P. Atkinson, and a 1895 graduate of the College. After receiving his Pd.D. at Johns Hopkins, he returned to Hampden-Sydney, where he engaged in copious historical research related to Prince Edward County and Hampden-Sydney College."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], A.J. Morrison Collection, CA 000102, Hampden-Sydney College Archives and Special Collections, Hampden-Sydney, VA\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], A.J. Morrison Collection, CA 000102, Hampden-Sydney College Archives and Special Collections, Hampden-Sydney, VA"],"processinfo_html_tesm":["\u003cp\u003eProcessed by: Maryska Connelly-Brown, 2018. Machine-readable finding aid created from previous inventories by: Sarah Almond, 2020 April.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing information:"],"processinfo_tesim":["Processed by: Maryska Connelly-Brown, 2018. Machine-readable finding aid created from previous inventories by: Sarah Almond, 2020 April."],"relatedmaterial_html_tesm":["\u003cp\u003ePaul L. Grier Vertical Files (CA 000101)\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related materials:"],"relatedmaterial_tesim":["Paul L. Grier Vertical Files (CA 000101)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains an unfinished manuscript by A.J. Morrison about Prince Edward County, along with letters, newspaper clippings, and various documents about local history. Dates of materials range from 1754-1975.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope/content:"],"scopecontent_tesim":["The collection contains an unfinished manuscript by A.J. Morrison about Prince Edward County, along with letters, newspaper clippings, and various documents about local history. Dates of materials range from 1754-1975."],"userestrict_html_tesm":["\u003cp\u003eThe nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine depsite reasonable efforts. 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Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use of these materials:"],"userestrict_tesim":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.  \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections","Hampden-Sydney College"],"names_coll_ssim":["Hampden-Sydney College"],"names_ssim":["Hampden-Sydney College Archives \u0026 Special Collections","Hampden-Sydney College"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content 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