{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1865\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=4","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1865\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=3","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1865\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=5","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1865\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=278"},"meta":{"pages":{"current_page":4,"next_page":5,"prev_page":3,"total_pages":278,"limit_value":10,"offset_value":30,"total_count":2773,"first_page?":false,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_4283","type":"collection","attributes":{"title":"A. 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Fenn Letter"],"unitdate_ssm":["1865-01-11"],"unitdate_other_ssim":["1865-01-11"],"normalized_date_ssm":["1865"],"normalized_title_ssm":["A. Fenn Letter, 1865"],"text":["A. Fenn Letter, 1865","Ms.2024.066","Civil War","United States -- History -- Civil War, 1861-1865","The collection is open for research.","The author of this letter is likely Austin Fenn, a soldier in Co. H of the 10th Vermont Infantry. Fenn mustered into the Union Army as a private and by the end of the war had reached the rank of corporal.","Source:\nNational Park Service Civil War Soldier Details","The guide to the A. Fenn Letter by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the A. Fenn Letter was completed in June 2024.","This collection contains a four page letter from A. Penn to his wife, describing life in the army and an instance where Confederate soldiers wearing Union overcoats attacked Union forces along the Weldon Railroad to interfere with resupply efforts. The collection also contains a typed transcript of the letter.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains a four page letter from A. 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Fenn Letter, 1865-01-11, Ms2024-066, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the A. Fenn Letter was completed in June 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the A. Fenn Letter was completed in June 2024."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a four page letter from A. Penn to his wife, describing life in the army and an instance where Confederate soldiers wearing Union overcoats attacked Union forces along the Weldon Railroad to interfere with resupply efforts. The collection also contains a typed transcript of the letter.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains a four page letter from A. 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Penn to his wife, describing life in the army and an instance where Confederate soldiers wearing Union overcoats attacked Union forces along the Weldon Railroad to interfere with resupply efforts. The collection also contains a typed transcript of the letter.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains a four page letter from A. 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Fenn Letter, 1865-01-11, Ms2024-066, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the A. Fenn Letter was completed in June 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the A. Fenn Letter was completed in June 2024."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a four page letter from A. Penn to his wife, describing life in the army and an instance where Confederate soldiers wearing Union overcoats attacked Union forces along the Weldon Railroad to interfere with resupply efforts. The collection also contains a typed transcript of the letter.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains a four page letter from A. 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Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:\n\u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. 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Lang. [Carnifex Ferry, W.Va.?]. Signed by Francis Crawford and Margaret Crawford.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1644#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_1644","ead_ssi":"viw_repositories_2_resources_1644","_root_":"viw_repositories_2_resources_1644","_nest_parent_":"viw_repositories_2_resources_1644","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1644.xml","title_ssm":["Affidavit of Francis Crawford and Margaret Crawford"],"title_tesim":["Affidavit of Francis Crawford and Margaret Crawford"],"unitdate_ssm":["circa 1861-1865"],"unitdate_inclusive_ssm":["circa 1861-1865"],"normalized_date_ssm":["1861/1865"],"normalized_title_ssm":["Affidavit of Francis Crawford and Margaret Crawford, 1861/1865"],"text":["Affidavit of Francis Crawford and Margaret Crawford, 1861/1865","SC 00319","/repositories/2/resources/1644","United States--History--Civil War, 1861-1865","The collection is open to all researchers. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The Affidavit of Francis Crawford and Margaret Crawford was part of the Civil War Collection, Mss. 39.1 C76, until November 2017. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to all researchers. 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Signed by Francis Crawford and Margaret Crawford."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Crawford, Francis","Crawford, Margaret","Bobbett, Rufus","Bobbett, James","Fultinear, Daniel","Crawford, Charles","Crawford, William"],"names_coll_ssim":["Bobbett, Rufus","Bobbett, James","Fultinear, Daniel","Crawford, Charles","Crawford, William"],"names_ssim":["Special Collections Research Center","Crawford, Francis","Crawford, Margaret","Bobbett, Rufus","Bobbett, James","Fultinear, Daniel","Crawford, Charles","Crawford, William"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:48:09.289Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1644"}},{"id":"viu_repositories_3_resources_1551","type":"collection","attributes":{"title":"African American man tintype portrait, 1865/1900","creator":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1551#creator","type":"document_value","attributes":{"value":"Max Rambod","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1551#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1551#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1551","ead_ssi":"viu_repositories_3_resources_1551","_root_":"viu_repositories_3_resources_1551","_nest_parent_":"viu_repositories_3_resources_1551","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1551.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/190885","title_filing_ssi":"African American man tintype portrait","title_ssm":["African American man tintype portrait"],"title_tesim":["African American man tintype portrait"],"unitdate_ssm":["c. 1865-1900"],"unitdate_bulk_ssim":["c. 1865-1900"],"normalized_date_ssm":["1865/1900"],"normalized_title_ssm":["African American man tintype portrait, 1865/1900"],"text":["African American man tintype portrait, 1865/1900","MSS 16795","Archival Resource Key","/repositories/3/resources/1551","African American young men","tintypes (prints)","The collection is open for research use.","\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)","\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)","\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)","Sources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change","\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/","Tintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. 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African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)\u003c/p\u003e","\u003cp\u003e\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)\u003c/p\u003e","\u003cp\u003e\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)\u003c/p\u003e","\u003cp\u003eSources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change\u003c/p\u003e","\u003cp\u003e\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/\u003c/p\u003e","\u003cp\u003eTintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. 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African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)","\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)","\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)","Sources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change","\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/","Tintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. 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His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century.","These portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"names_coll_ssim":["Max Rambod"],"names_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:40:42.029Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1551","ead_ssi":"viu_repositories_3_resources_1551","_root_":"viu_repositories_3_resources_1551","_nest_parent_":"viu_repositories_3_resources_1551","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1551.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/190885","title_filing_ssi":"African American man tintype portrait","title_ssm":["African American man tintype portrait"],"title_tesim":["African American man tintype portrait"],"unitdate_ssm":["c. 1865-1900"],"unitdate_bulk_ssim":["c. 1865-1900"],"normalized_date_ssm":["1865/1900"],"normalized_title_ssm":["African American man tintype portrait, 1865/1900"],"text":["African American man tintype portrait, 1865/1900","MSS 16795","Archival Resource Key","/repositories/3/resources/1551","African American young men","tintypes (prints)","The collection is open for research use.","\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)","\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)","\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)","Sources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change","\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/","Tintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. 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His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century.","These portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity.","Albert and Shirley Small Special Collections Library","Max Rambod","English"],"collection_title_tesim":["African American man tintype portrait, 1865/1900"],"collection_ssim":["African American man tintype portrait, 1865/1900"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 16795","Archival Resource Key","/repositories/3/resources/1551"],"unitid_tesim":["MSS 16795","Archival Resource Key","/repositories/3/resources/1551"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Max Rambod"],"creator_ssim":["Max Rambod"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"creators_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"acqinfo_ssim":["This collection was purchased from Max Rambod, Inc. by the Small Special Collections Library at the University of Virginia Library on 1 March 2023."],"access_subjects_ssim":["African American young men","tintypes (prints)"],"access_subjects_ssm":["African American young men","tintypes (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["0.03 Cubic Feet One letter-sized folder."],"extent_tesim":["0.03 Cubic Feet One letter-sized folder."],"genreform_ssim":["tintypes (prints)"],"date_range_isim":[1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003e\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)\u003c/p\u003e","\u003cp\u003e\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)\u003c/p\u003e","\u003cp\u003e\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)\u003c/p\u003e","\u003cp\u003eSources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change\u003c/p\u003e","\u003cp\u003e\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/\u003c/p\u003e","\u003cp\u003eTintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. Some of the most common subjects were Civil War fields and soldiers, who would send photos home to loved ones.\u003c/p\u003e","\u003cp\u003eTintype creates a photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel.The metal plates are coated with chemicals, exposed to light in a camera, and processed with additional chemistry. This creates an underexposed negative image. When that negative is placed on a dark background, the transparent areas appear black, which makes the plate look like a positive image. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"African Americans' engagement with photography in the 19th century began a tradition for Black photographers' use of photography today to promote social change. African Americans, whether they are in front or behind the camera, create empowering images that define the beauty and resilience contained within the Black experience.\" (1)","\"To pose for a photograph became an empowering act for African Americans. It served as a way to counteract racist caricatures that distort facial features and mocked Black society. African Americans in urban and rural settings participated in photography to demonstrate dignity in the Black experience.\" (1)","\"For African Americans in particular, photographic portraits offered a means of self-representation and empowerment. The abolitionist Frederick Douglass—who was himself the most photographed man of the 19th century—consistently championed the medium for its capacity to affirm the humanity and dignity of its sitters and challenge dehumanizing, racist stereotypes. Other Black Americans, including native Virginian James Presley Ball (1825–1904), practiced and shaped the medium from its earliest years.\" (2)","Sources:\n\"How Black people in the 19th century used photography as a tool for social change\"\nhttps://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change","\"A Powerful Influence: Early Photographs of African Americans from the Collection of Dennis O. Williams\" Virginia Museum of Fine Arts. Dr. Sarah Kennel, curator. November 19, 2022- June 15 2023.\nhttps://vmfa.museum/exhibitions/exhibitions/powerful-influence-early-photographs-african-americans-collection-dennis-o-williams/","Tintypes were portable, cheap, and fast to make. They came onto the scene in 1853 and were used through 1930. Photographers could easily sell their services at fairs or travel to battlefields. Some of the most common subjects were Civil War fields and soldiers, who would send photos home to loved ones.","Tintype creates a photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel.The metal plates are coated with chemicals, exposed to light in a camera, and processed with additional chemistry. This creates an underexposed negative image. When that negative is placed on a dark background, the transparent areas appear black, which makes the plate look like a positive image."],"prefercite_html_tesm":["\u003cp\u003eMSS 16795, African American man tintype portrait, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16795, African American man tintype portrait, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio. \u003c/p\u003e","\u003cp\u003eThe tintype was invented in 1855, one decade before the emancipation of enslaved African Americans across the United States. His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century. \u003c/p\u003e","\u003cp\u003eThese portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection features one 2.25 X4\" tintype photograph of an unidentified African American man dressed in a three-piece suit with a bowtie, pocket square, and derby hat with a sash perched at a stylish angle on his head. The man leans against a marble column against a plain background in a studio.","The tintype was invented in 1855, one decade before the emancipation of enslaved African Americans across the United States. His suit, medium, and background suggest a date roughly within the mid-to-late nineteenth century.","These portraits come from a time just after emanicipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"names_coll_ssim":["Max Rambod"],"names_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:40:42.029Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1551"}},{"id":"viw_repositories_2_resources_7514","type":"collection","attributes":{"title":"African American Stereoview Collection, 1860/1901","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_7514#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains numerous stereograms taken throughout the Jim Crow Era. The stereograms portray the racist attitudes of the time period. Stereograms are an early form of photography which was often used for educational purposes. When a view finder is used to look at the stereograms, the images appear to be three dimensional.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_7514#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_7514","ead_ssi":"viw_repositories_2_resources_7514","_root_":"viw_repositories_2_resources_7514","_nest_parent_":"viw_repositories_2_resources_7514","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_7514.xml","title_ssm":["African American Stereoview Collection"],"title_tesim":["African American Stereoview Collection"],"unitdate_ssm":["1860-1901 and undated"],"unitdate_inclusive_ssm":["1860-1901 and undated"],"normalized_date_ssm":["1860/1901"],"normalized_title_ssm":["African American Stereoview Collection, 1860/1901"],"text":["African American Stereoview Collection, 1860/1901","MS 00129","/repositories/2/resources/7514","African Americans--History.","Stereoscopic photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection contains numerous stereograms taken throughout the Jim Crow Era. The stereograms portray the racist attitudes of the time period. Stereograms are an early form of photography which was often used for educational purposes. When a view finder is used to look at the stereograms, the images appear to be three dimensional.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["African American Stereoview Collection, 1860/1901"],"collection_ssim":["African American Stereoview Collection, 1860/1901"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00129","/repositories/2/resources/7514"],"unitid_tesim":["MS 00129","/repositories/2/resources/7514"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["African Americans--History."],"geogname_ssim":["African Americans--History."],"places_ssim":["African Americans--History."],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Stereoscopic photographs"],"access_subjects_ssm":["Stereoscopic photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.50 Linear Feet"],"extent_tesim":["0.50 Linear Feet"],"genreform_ssim":["Stereoscopic photographs"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains numerous stereograms taken throughout the Jim Crow Era. The stereograms portray the racist attitudes of the time period. Stereograms are an early form of photography which was often used for educational purposes. When a view finder is used to look at the stereograms, the images appear to be three dimensional.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains numerous stereograms taken throughout the Jim Crow Era. The stereograms portray the racist attitudes of the time period. Stereograms are an early form of photography which was often used for educational purposes. When a view finder is used to look at the stereograms, the images appear to be three dimensional."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:50:27.248Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_7514","ead_ssi":"viw_repositories_2_resources_7514","_root_":"viw_repositories_2_resources_7514","_nest_parent_":"viw_repositories_2_resources_7514","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_7514.xml","title_ssm":["African American Stereoview Collection"],"title_tesim":["African American Stereoview Collection"],"unitdate_ssm":["1860-1901 and undated"],"unitdate_inclusive_ssm":["1860-1901 and undated"],"normalized_date_ssm":["1860/1901"],"normalized_title_ssm":["African American Stereoview Collection, 1860/1901"],"text":["African American Stereoview Collection, 1860/1901","MS 00129","/repositories/2/resources/7514","African Americans--History.","Stereoscopic photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection contains numerous stereograms taken throughout the Jim Crow Era. The stereograms portray the racist attitudes of the time period. Stereograms are an early form of photography which was often used for educational purposes. When a view finder is used to look at the stereograms, the images appear to be three dimensional.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["African American Stereoview Collection, 1860/1901"],"collection_ssim":["African American Stereoview Collection, 1860/1901"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00129","/repositories/2/resources/7514"],"unitid_tesim":["MS 00129","/repositories/2/resources/7514"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["African Americans--History."],"geogname_ssim":["African Americans--History."],"places_ssim":["African Americans--History."],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Stereoscopic photographs"],"access_subjects_ssm":["Stereoscopic photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.50 Linear Feet"],"extent_tesim":["0.50 Linear Feet"],"genreform_ssim":["Stereoscopic photographs"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains numerous stereograms taken throughout the Jim Crow Era. The stereograms portray the racist attitudes of the time period. Stereograms are an early form of photography which was often used for educational purposes. When a view finder is used to look at the stereograms, the images appear to be three dimensional.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains numerous stereograms taken throughout the Jim Crow Era. The stereograms portray the racist attitudes of the time period. Stereograms are an early form of photography which was often used for educational purposes. When a view finder is used to look at the stereograms, the images appear to be three dimensional."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:50:27.248Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_7514"}},{"id":"vilxw_repositories_5_resources_1174","type":"collection","attributes":{"title":"African and African American photograph collection, 1850/1945","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_1174#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_1174#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_1174","ead_ssi":"vilxw_repositories_5_resources_1174","_root_":"vilxw_repositories_5_resources_1174","_nest_parent_":"vilxw_repositories_5_resources_1174","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_1174.xml","title_filing_ssi":"African and African American photograph collection","title_ssm":["African and African American photograph collection"],"title_tesim":["African and African American photograph collection"],"unitdate_ssm":["circa 1850s-1945"],"unitdate_inclusive_ssm":["circa 1850s-1945"],"normalized_date_ssm":["1850/1945"],"normalized_title_ssm":["African and African American photograph collection, 1850/1945"],"text":["African and African American photograph collection, 1850/1945","WLU.Coll.0552","/repositories/5/resources/1174","African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers","This collection is open for research use.","This collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.","Washington and Lee University, University Library Special Collections and Archives","English"],"collection_title_tesim":["African and African American photograph collection, 1850/1945"],"collection_ssim":["African and African American photograph collection, 1850/1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0552","/repositories/5/resources/1174"],"unitid_tesim":["WLU.Coll.0552","/repositories/5/resources/1174"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"creators_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source."],"acqinfo_ssim":["Purchases in November 2023 and June 2024"],"access_subjects_ssim":["African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers"],"access_subjects_ssm":["African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet one document case, 1 folder in a shared box, 1 oversize folder"],"extent_tesim":["2.5 Linear Feet one document case, 1 folder in a shared box, 1 oversize folder"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], African and African American Photograph Collection (WLU Coll. 0552), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], African and African American Photograph Collection (WLU Coll. 0552), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. 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Typescripts available.","A paper explaining the relationship of the cousins, a biography of both men, and a genealogy report of the Cornwall Family and descendants of John and Rebecca Hand sent by a descendant in 2009 is also part of the collection.","4 items."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Hand, A. H."],"names_ssim":["Special Collections Research Center","Hand, A. H."],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:52:23.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_919"}},{"id":"viblbv_repositories_2_resources_2743","type":"collection","attributes":{"title":"Aileen B. Cowardin Friendship Book, 1863/1870","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2743#creator","type":"document_value","attributes":{"value":"Cowardin, Alice Bolling, b.1848(?)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2743#abstract_or_scope","type":"document_value","attributes":{"value":"The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2743#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2743","ead_ssi":"viblbv_repositories_2_resources_2743","_root_":"viblbv_repositories_2_resources_2743","_nest_parent_":"viblbv_repositories_2_resources_2743","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2743.xml","title_filing_ssi":"Cowardin, Aileen B. Friendship Book","title_ssm":["Aileen B. Cowardin Friendship Book"],"title_tesim":["Aileen B. Cowardin Friendship Book"],"unitdate_ssm":["1863-1870"],"unitdate_inclusive_ssm":["1863-1870"],"normalized_date_ssm":["1863/1870"],"normalized_title_ssm":["Aileen B. Cowardin Friendship Book, 1863/1870"],"text":["Aileen B. Cowardin Friendship Book, 1863/1870","Ms.2011.104","Women -- History","Local/Regional History and Appalachian South","United States -- History -- Civil War, 1861-1865","Civil War","Collection is open for research.","Although biographical information is limited, it is likely that Aileen B. Cowardin was born about 1848 in Virginia. She appears to have had four brothers, at least two of whom fought for the Confederacy, one enlisting with a local defense regiment when he was only fourteen. She also had an older sister. In 1860, the family lived in Hanover, Virginia. By 1870, they had relocated to Greenbrier County, West Virginia. No additional information was found.","The processing, arrangement, and description of the Aileen B. Cowardin Friendship Book was completed in November 2011.","The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found. Several pages contain items of Civil War and/or local history interest:","The first few pages contain unsent Confederate 3-cent blue stamps and a City of Richmond 10-cent voucher\nPage 11 contains is a visiting card of J. F. Damman dated 1877 with part of a leaf attached to a picture stating that it came from the tomb of Stonewall Jackson\nPage 15 includes a fragment of cedar with a notation that is came from Jackson's grave, including poetry\nPage 29 contains samples from Staunton, Virginia, and White Sulphur Springs, Greenbrier County, West Virginia\nPage 57 contains a faded, but genuine signature of Gen. Robert E. Lee pasted to the page","Permission to publish material from Aileen B. Cowardin Friendship Book must be obtained from Special Collections, Virginia Tech.","The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found.","Special Collections and University Archives, Virginia Tech","Cowardin, Alice Bolling, b.1848(?)","English\n."],"collection_title_tesim":["Aileen B. Cowardin Friendship Book, 1863/1870"],"collection_ssim":["Aileen B. 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No additional information was found."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Aileen B. Cowardin Friendship Book, Ms2011-104, Special Collections, Virginia Polytechnic Institute and State University, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Aileen B. Cowardin Friendship Book, Ms2011-104, Special Collections, Virginia Polytechnic Institute and State University, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Aileen B. Cowardin Friendship Book was completed in November 2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Aileen B. Cowardin Friendship Book was completed in November 2011."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found. Several pages contain items of Civil War and/or local history interest:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eThe first few pages contain unsent Confederate 3-cent blue stamps and a City of Richmond 10-cent voucher\u003c/item\u003e\n\u003citem\u003ePage 11 contains is a visiting card of J. F. Damman dated 1877 with part of a leaf attached to a picture stating that it came from the tomb of Stonewall Jackson\u003c/item\u003e\n\u003citem\u003ePage 15 includes a fragment of cedar with a notation that is came from Jackson's grave, including poetry\u003c/item\u003e\n\u003citem\u003ePage 29 contains samples from Staunton, Virginia, and White Sulphur Springs, Greenbrier County, West Virginia\u003c/item\u003e\n\u003citem\u003ePage 57 contains a faded, but genuine signature of Gen. Robert E. Lee pasted to the page\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found. Several pages contain items of Civil War and/or local history interest:","The first few pages contain unsent Confederate 3-cent blue stamps and a City of Richmond 10-cent voucher\nPage 11 contains is a visiting card of J. F. Damman dated 1877 with part of a leaf attached to a picture stating that it came from the tomb of Stonewall Jackson\nPage 15 includes a fragment of cedar with a notation that is came from Jackson's grave, including poetry\nPage 29 contains samples from Staunton, Virginia, and White Sulphur Springs, Greenbrier County, West Virginia\nPage 57 contains a faded, but genuine signature of Gen. Robert E. Lee pasted to the page"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Aileen B. Cowardin Friendship Book must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Aileen B. Cowardin Friendship Book must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e0b50ed9469bce2ebe8bc7ec4f42bf47\" label=\"Abstract\"\u003eThe collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. 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Cowardin Friendship Book was completed in November 2011.","The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found. Several pages contain items of Civil War and/or local history interest:","The first few pages contain unsent Confederate 3-cent blue stamps and a City of Richmond 10-cent voucher\nPage 11 contains is a visiting card of J. F. Damman dated 1877 with part of a leaf attached to a picture stating that it came from the tomb of Stonewall Jackson\nPage 15 includes a fragment of cedar with a notation that is came from Jackson's grave, including poetry\nPage 29 contains samples from Staunton, Virginia, and White Sulphur Springs, Greenbrier County, West Virginia\nPage 57 contains a faded, but genuine signature of Gen. Robert E. Lee pasted to the page","Permission to publish material from Aileen B. Cowardin Friendship Book must be obtained from Special Collections, Virginia Tech.","The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found.","Special Collections and University Archives, Virginia Tech","Cowardin, Alice Bolling, b.1848(?)","English\n."],"collection_title_tesim":["Aileen B. Cowardin Friendship Book, 1863/1870"],"collection_ssim":["Aileen B. 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No additional information was found."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Aileen B. Cowardin Friendship Book, Ms2011-104, Special Collections, Virginia Polytechnic Institute and State University, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Aileen B. Cowardin Friendship Book, Ms2011-104, Special Collections, Virginia Polytechnic Institute and State University, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Aileen B. Cowardin Friendship Book was completed in November 2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Aileen B. Cowardin Friendship Book was completed in November 2011."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found. Several pages contain items of Civil War and/or local history interest:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eThe first few pages contain unsent Confederate 3-cent blue stamps and a City of Richmond 10-cent voucher\u003c/item\u003e\n\u003citem\u003ePage 11 contains is a visiting card of J. F. Damman dated 1877 with part of a leaf attached to a picture stating that it came from the tomb of Stonewall Jackson\u003c/item\u003e\n\u003citem\u003ePage 15 includes a fragment of cedar with a notation that is came from Jackson's grave, including poetry\u003c/item\u003e\n\u003citem\u003ePage 29 contains samples from Staunton, Virginia, and White Sulphur Springs, Greenbrier County, West Virginia\u003c/item\u003e\n\u003citem\u003ePage 57 contains a faded, but genuine signature of Gen. Robert E. Lee pasted to the page\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found. Several pages contain items of Civil War and/or local history interest:","The first few pages contain unsent Confederate 3-cent blue stamps and a City of Richmond 10-cent voucher\nPage 11 contains is a visiting card of J. F. Damman dated 1877 with part of a leaf attached to a picture stating that it came from the tomb of Stonewall Jackson\nPage 15 includes a fragment of cedar with a notation that is came from Jackson's grave, including poetry\nPage 29 contains samples from Staunton, Virginia, and White Sulphur Springs, Greenbrier County, West Virginia\nPage 57 contains a faded, but genuine signature of Gen. Robert E. Lee pasted to the page"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Aileen B. Cowardin Friendship Book must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Aileen B. Cowardin Friendship Book must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e0b50ed9469bce2ebe8bc7ec4f42bf47\" label=\"Abstract\"\u003eThe collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection consists of a friendship book collected and maintained by Aileen B. Cowardin. The book includes leaf and plant samples, most of which are labeled as to the location where they were found."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Cowardin, Alice Bolling, b.1848(?)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Cowardin, Alice Bolling, b.1848(?)"],"language_ssim":["English\n."],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:52.444Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2743"}},{"id":"wvmturhc_repositories_2_resources_2135","type":"collection","attributes":{"title":"Aileen Shafer, Collector, Material regarding African-Americans, 1829/1884","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2135#creator","type":"document_value","attributes":{"value":"Shafer, Aileen","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2135#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eNineteenth century records regarding African-Americans, including deed of emancipation (1829), two brief autograph letters by abolitionists Charles Sumner and Wendell Phillips (1850, 1882), eight copies of \"The Anti-Slavery Record\", a significant abolitionist publication (1835), and twenty popular song broadsides featuring minstrel song themes (ca. 1830s-1860s).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2135#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_2135","ead_ssi":"wvmturhc_repositories_2_resources_2135","_root_":"wvmturhc_repositories_2_resources_2135","_nest_parent_":"wvmturhc_repositories_2_resources_2135","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2135.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196237","title_ssm":["Aileen Shafer, Collector, Material regarding African-Americans"],"title_tesim":["Aileen Shafer, Collector, Material regarding African-Americans"],"unitdate_ssm":["1829-1884"],"unitdate_inclusive_ssm":["1829-1884"],"normalized_date_ssm":["1829/1884"],"normalized_title_ssm":["Aileen Shafer, Collector, Material regarding African-Americans, 1829/1884"],"text":["Aileen Shafer, Collector, Material regarding African-Americans, 1829/1884","A\u0026M 3756","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2135","African Americans","African Americans  -- History -- Miscellanea","Minstrel music","Slaves and slavery.","No special access restriction applies.","The Anti-Slavery Record, a monthly publication, promoted the complete and immediate abolition of slavery.  It was published for the American Anti-Slavery Society by R.G. Williams.  The newspaper was published for three years, 1835-1837, volume 1, issue 1 January 1835 through volume 3, issue 12, December 1837.  Aileen Shafer's collection includes volume 1, issue 1 through issue 10, 1835.","Issues of The Anti-Slavery Record feature excerpts from newspapers and speeches; reports on the slave trade and slave auctions; contributions by abolitionists such as Timothy Weld, John Rankin, and Elizur Wright; excerpts from Seabrook's proslavery Essay on the Management of Slavery; and eyewitness accounts of the torture and murder of slaves. Of particular note are the wood-cut engravings found throughout the issues.","Excerpted from a sales ad for issues of The Anti-Slavery Record by Bauman Rare Books.  Accessed December 2, 2020.","Note: Electronic versions of all issues of The Anti-Slavery Recordare available online from a number of sources including Google Books, the Hathi Trust, and the WVU Libraries' database HeinOnline.","Nineteenth century records regarding African-Americans, including deed of emancipation (1829), two brief autograph letters by abolitionists Charles Sumner and Wendell Phillips (1850, 1882), eight copies of \"The Anti-Slavery Record\", a significant abolitionist publication (1835), and twenty popular song broadsides featuring minstrel song themes (ca. 1830s-1860s).","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.","Hampden-Sydney College Archives \u0026 Special Collections","Hampden-Sydney College","English\n."],"collection_title_tesim":["A.J. Morrison Collection, 1754/1975"],"collection_ssim":["A.J. 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As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.  \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"access_subjects_ssim":["United States--History","Military history"],"access_subjects_ssm":["United States--History","Military history"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet 1 Box"],"extent_tesim":["0.5 Cubic Feet 1 Box"],"genreform_ssim":["Military history"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access to materials:"],"accessrestrict_tesim":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"arrangement_html_tesm":["\u003cp\u003eThe manuscript was originally divided into paper-clipped sections. Paper clips were removed and each section has been placed in a separate folder in accordance with the original order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement:"],"arrangement_tesim":["The manuscript was originally divided into paper-clipped sections. Paper clips were removed and each section has been placed in a separate folder in accordance with the original order."],"bioghist_html_tesm":["\u003cp\u003eA.J. Morrison (d. 1923) was the grandson of Hampden-Sydney President J. M. P. Atkinson, and a 1895 graduate of the College. After receiving his Pd.D. at Johns Hopkins, he returned to Hampden-Sydney, where he engaged in copious historical research related to Prince Edward County and Hampden-Sydney College.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/historical note:"],"bioghist_tesim":["A.J. Morrison (d. 1923) was the grandson of Hampden-Sydney President J. M. P. Atkinson, and a 1895 graduate of the College. After receiving his Pd.D. at Johns Hopkins, he returned to Hampden-Sydney, where he engaged in copious historical research related to Prince Edward County and Hampden-Sydney College."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], A.J. Morrison Collection, CA 000102, Hampden-Sydney College Archives and Special Collections, Hampden-Sydney, VA\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], A.J. Morrison Collection, CA 000102, Hampden-Sydney College Archives and Special Collections, Hampden-Sydney, VA"],"processinfo_html_tesm":["\u003cp\u003eProcessed by: Maryska Connelly-Brown, 2018. Machine-readable finding aid created from previous inventories by: Sarah Almond, 2020 April.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing information:"],"processinfo_tesim":["Processed by: Maryska Connelly-Brown, 2018. Machine-readable finding aid created from previous inventories by: Sarah Almond, 2020 April."],"relatedmaterial_html_tesm":["\u003cp\u003ePaul L. Grier Vertical Files (CA 000101)\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related materials:"],"relatedmaterial_tesim":["Paul L. Grier Vertical Files (CA 000101)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains an unfinished manuscript by A.J. Morrison about Prince Edward County, along with letters, newspaper clippings, and various documents about local history. Dates of materials range from 1754-1975.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope/content:"],"scopecontent_tesim":["The collection contains an unfinished manuscript by A.J. Morrison about Prince Edward County, along with letters, newspaper clippings, and various documents about local history. Dates of materials range from 1754-1975."],"userestrict_html_tesm":["\u003cp\u003eThe nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine depsite reasonable efforts. 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Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use of these materials:"],"userestrict_tesim":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.  \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections","Hampden-Sydney College"],"names_coll_ssim":["Hampden-Sydney College"],"names_ssim":["Hampden-Sydney College Archives \u0026 Special Collections","Hampden-Sydney College"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content 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