{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1857\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1857\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=2\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1857\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=13\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":13,"limit_value":10,"offset_value":0,"total_count":123,"first_page?":true,"last_page?":false}},"data":[{"id":"vifgm_civilwarpoliticalcartoons","type":"collection","attributes":{"title":"19th century newspaper illustrations collection, 1839/1894","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_civilwarpoliticalcartoons#creator","type":"document_value","attributes":{"value":"George Mason University. 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EAD markup completed by Jordan Patty in 2016.","Special Collections Research Center also holds the","The collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News. The illustrations from Puck are largely satirical in nature and the subject matter is Gilded Age politics. The subject matter of the Harper's Weekly and Illustrated London News focus on the Civil War and Mount Vernon, the home of George Washington.","There are no restrictions on personal use. Permission to publish material from the 19th century newspaper illustrations collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","The collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News.","George Mason University. Libraries.Special Collections Research Center.","George Mason University. Libraries. 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The subject matter of the Harper's Weekly and Illustrated London News focus on the Civil War and Mount Vernon, the home of George Washington.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News. The illustrations from Puck are largely satirical in nature and the subject matter is Gilded Age politics. The subject matter of the Harper's Weekly and Illustrated London News focus on the Civil War and Mount Vernon, the home of George Washington."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the 19th century newspaper illustrations collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the 19th century newspaper illustrations collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref6\" label=\"Abstract\"\u003eThe collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News.\u003c/abstract\u003e\n      "],"abstract_tesim":["The collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News."],"corpname_ssim":["George Mason University. Libraries.Special Collections Research Center.","George Mason University. Libraries. Special Collections Research Center."],"names_ssim":["George Mason University. Libraries.Special Collections Research Center.","George Mason University. Libraries. 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Permission to publish material from the 19th century newspaper illustrations collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Purchased in 2016."],"has_online_content_ssim":["false"],"extent_ssm":["3.0 linear ft."],"extent_tesim":["3.0 linear ft."],"date_range_isim":[1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized by subject.\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by subject."],"prefercite_html_tesm":["\u003cp\u003e19th century newspaper illustrations collection, C0285, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["19th century newspaper illustrations collection, C0285, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Jessica Lynn in 2016. 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The subject matter of the Harper's Weekly and Illustrated London News focus on the Civil War and Mount Vernon, the home of George Washington.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News. The illustrations from Puck are largely satirical in nature and the subject matter is Gilded Age politics. The subject matter of the Harper's Weekly and Illustrated London News focus on the Civil War and Mount Vernon, the home of George Washington."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the 19th century newspaper illustrations collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the 19th century newspaper illustrations collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref6\" label=\"Abstract\"\u003eThe collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News.\u003c/abstract\u003e\n      "],"abstract_tesim":["The collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News."],"corpname_ssim":["George Mason University. Libraries.Special Collections Research Center.","George Mason University. Libraries. Special Collections Research Center."],"names_ssim":["George Mason University. Libraries.Special Collections Research Center.","George Mason University. Libraries. Special Collections Research Center."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:19:52.252Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_civilwarpoliticalcartoons"}},{"id":"vifgm_repositories_2_resources_92","type":"collection","attributes":{"title":"Alexander Haight family collection, 1764/1976","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_92#creator","type":"document_value","attributes":{"value":"Haight, Alexander Levi, 1891-1981","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_92#abstract_or_scope","type":"document_value","attributes":{"value":"The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_92#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_92","ead_ssi":"vifgm_repositories_2_resources_92","_root_":"vifgm_repositories_2_resources_92","_nest_parent_":"vifgm_repositories_2_resources_92","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_92.xml","title_filing_ssi":"Alexander Haight family collection","title_ssm":["Alexander Haight family collection"],"title_tesim":["Alexander Haight family collection"],"unitdate_ssm":["circa 1764-1976"],"unitdate_inclusive_ssm":["circa 1764-1976"],"normalized_date_ssm":["1764/1976"],"normalized_title_ssm":["Alexander Haight family collection, 1764/1976"],"text":["Alexander Haight family collection, 1764/1976","C0159","/repositories/2/resources/92","United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America","Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers","There are no access restrictions.","Digitized selections from this collection appear in the  Sesquicentennial Civil War Documents Project  hosted on Mason Archival Repository Service (MARS).","The collection is arranged into three series.","Series\n      Series 1: Correspondence\n      Series 2: Legal and financial documents\n      Series 3: Photographs and ephemera","Fairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.","Find a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.","Find a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.","Find a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.","Find a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.","Wikipedia. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026oldid=1301635745#Chain_of_ownership.","Alexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.","Despite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.","In 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981).","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.","Collection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025.","The Special Collections Research Center holds other collections related to the history of Fairfax County and Northern Virginia, such as the Randolph H. Lytton historical Virginia collection.","The Special Collections Research Center also holds other collections related to the Civil War, such as the William Darke Briscoe Civil War diaries collection, and World War I, including the Diary of World War I Red Cross Canteen worker Florence Bishop.","The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.","R 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2","George Mason University. Libraries. Special Collections Research Center","Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864","English"],"collection_title_tesim":["Alexander Haight family collection, 1764/1976"],"collection_ssim":["Alexander Haight family collection, 1764/1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0159","/repositories/2/resources/92"],"unitid_tesim":["C0159","/repositories/2/resources/92"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"places_ssim":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"creator_ssm":["Haight, Alexander Levi, 1891-1981"],"creator_ssim":["Haight, Alexander Levi, 1891-1981"],"creator_persname_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by Alexander Levi Haight in 1978."],"access_subjects_ssim":["Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"access_subjects_ssm":["Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet 7 boxes, 1 map case"],"extent_tesim":["7 Linear Feet 7 boxes, 1 map case"],"genreform_ssim":["Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"date_range_isim":[1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eDigitized selections from this collection appear in the \u003ca href=\"http://mars.gmu.edu/handle/1920/6210\"\u003e Sesquicentennial Civil War Documents Project \u003c/a\u003e hosted on Mason Archival Repository Service (MARS).\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternate Form Available"],"altformavail_tesim":["Digitized selections from this collection appear in the  Sesquicentennial Civil War Documents Project  hosted on Mason Archival Repository Service (MARS)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 2: Legal and financial documents\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs and ephemera\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series.","Series\n      Series 1: Correspondence\n      Series 2: Legal and financial documents\n      Series 3: Photographs and ephemera"],"bibliography_html_tesm":["\u003cp\u003eFairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eWikipedia\u003c/title\u003e. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026amp;oldid=1301635745#Chain_of_ownership.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Fairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.","Find a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.","Find a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.","Find a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.","Find a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.","Wikipedia. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026oldid=1301635745#Chain_of_ownership."],"bioghist_html_tesm":["\u003cp\u003eAlexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.\u003c/p\u003e","\u003cp\u003eDespite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.\u003c/p\u003e","\u003cp\u003eIn 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Alexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.","Despite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.","In 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981)."],"prefercite_html_tesm":["\u003cp\u003eAlexander Haight family collection, C0159, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Alexander Haight family collection, C0159, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.\u003c/p\u003e","\u003cp\u003eCollection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.","Collection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to the history of \u003ca href=\"https://aspace.gmu.edu/subjects/n79043615\"\u003eFairfax County\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/subjects/1619\"\u003eNorthern Virginia\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0311\"\u003eRandolph H. Lytton historical Virginia collection\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe Special Collections Research Center also holds other collections related to the \u003ca href=\"https://aspace.gmu.edu/subjects/sh85140205\"\u003eCivil War\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0239\"\u003eWilliam Darke Briscoe Civil War diaries collection\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85148236\"\u003eWorld War I\u003c/a\u003e, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0393\"\u003eDiary of World War I Red Cross Canteen worker Florence Bishop\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to the history of Fairfax County and Northern Virginia, such as the Randolph H. Lytton historical Virginia collection.","The Special Collections Research Center also holds other collections related to the Civil War, such as the William Darke Briscoe Civil War diaries collection, and World War I, including the Diary of World War I Red Cross Canteen worker Florence Bishop."],"scopecontent_html_tesm":["\u003cp\u003eThe Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.\u003c/p\u003e","\u003cp\u003eSeries 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1a9c21db7465505ff5fd6fb4dd32382c\"\u003eThe Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cca8c73795be2609e42bfc24f7715bf9\"\u003eR 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2\u003c/physloc\u003e\n    "],"physloc_tesim":["R 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"names_coll_ssim":["Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":156,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:21:23.237Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_92","ead_ssi":"vifgm_repositories_2_resources_92","_root_":"vifgm_repositories_2_resources_92","_nest_parent_":"vifgm_repositories_2_resources_92","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_92.xml","title_filing_ssi":"Alexander Haight family collection","title_ssm":["Alexander Haight family collection"],"title_tesim":["Alexander Haight family collection"],"unitdate_ssm":["circa 1764-1976"],"unitdate_inclusive_ssm":["circa 1764-1976"],"normalized_date_ssm":["1764/1976"],"normalized_title_ssm":["Alexander Haight family collection, 1764/1976"],"text":["Alexander Haight family collection, 1764/1976","C0159","/repositories/2/resources/92","United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America","Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers","There are no access restrictions.","Digitized selections from this collection appear in the  Sesquicentennial Civil War Documents Project  hosted on Mason Archival Repository Service (MARS).","The collection is arranged into three series.","Series\n      Series 1: Correspondence\n      Series 2: Legal and financial documents\n      Series 3: Photographs and ephemera","Fairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.","Find a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.","Find a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.","Find a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.","Find a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.","Wikipedia. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026oldid=1301635745#Chain_of_ownership.","Alexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.","Despite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.","In 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981).","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.","Collection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025.","The Special Collections Research Center holds other collections related to the history of Fairfax County and Northern Virginia, such as the Randolph H. Lytton historical Virginia collection.","The Special Collections Research Center also holds other collections related to the Civil War, such as the William Darke Briscoe Civil War diaries collection, and World War I, including the Diary of World War I Red Cross Canteen worker Florence Bishop.","The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.","R 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2","George Mason University. Libraries. Special Collections Research Center","Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864","English"],"collection_title_tesim":["Alexander Haight family collection, 1764/1976"],"collection_ssim":["Alexander Haight family collection, 1764/1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0159","/repositories/2/resources/92"],"unitid_tesim":["C0159","/repositories/2/resources/92"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"places_ssim":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"creator_ssm":["Haight, Alexander Levi, 1891-1981"],"creator_ssim":["Haight, Alexander Levi, 1891-1981"],"creator_persname_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by Alexander Levi Haight in 1978."],"access_subjects_ssim":["Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"access_subjects_ssm":["Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet 7 boxes, 1 map case"],"extent_tesim":["7 Linear Feet 7 boxes, 1 map case"],"genreform_ssim":["Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"date_range_isim":[1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eDigitized selections from this collection appear in the \u003ca href=\"http://mars.gmu.edu/handle/1920/6210\"\u003e Sesquicentennial Civil War Documents Project \u003c/a\u003e hosted on Mason Archival Repository Service (MARS).\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternate Form Available"],"altformavail_tesim":["Digitized selections from this collection appear in the  Sesquicentennial Civil War Documents Project  hosted on Mason Archival Repository Service (MARS)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 2: Legal and financial documents\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs and ephemera\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series.","Series\n      Series 1: Correspondence\n      Series 2: Legal and financial documents\n      Series 3: Photographs and ephemera"],"bibliography_html_tesm":["\u003cp\u003eFairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.\u003c/p\u003e","\u003cp\u003eFind a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eWikipedia\u003c/title\u003e. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026amp;oldid=1301635745#Chain_of_ownership.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Fairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.","Find a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.","Find a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.","Find a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.","Find a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.","Wikipedia. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026oldid=1301635745#Chain_of_ownership."],"bioghist_html_tesm":["\u003cp\u003eAlexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.\u003c/p\u003e","\u003cp\u003eDespite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.\u003c/p\u003e","\u003cp\u003eIn 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Alexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.","Despite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.","In 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981)."],"prefercite_html_tesm":["\u003cp\u003eAlexander Haight family collection, C0159, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Alexander Haight family collection, C0159, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.\u003c/p\u003e","\u003cp\u003eCollection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.","Collection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to the history of \u003ca href=\"https://aspace.gmu.edu/subjects/n79043615\"\u003eFairfax County\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/subjects/1619\"\u003eNorthern Virginia\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0311\"\u003eRandolph H. Lytton historical Virginia collection\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe Special Collections Research Center also holds other collections related to the \u003ca href=\"https://aspace.gmu.edu/subjects/sh85140205\"\u003eCivil War\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0239\"\u003eWilliam Darke Briscoe Civil War diaries collection\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85148236\"\u003eWorld War I\u003c/a\u003e, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0393\"\u003eDiary of World War I Red Cross Canteen worker Florence Bishop\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to the history of Fairfax County and Northern Virginia, such as the Randolph H. Lytton historical Virginia collection.","The Special Collections Research Center also holds other collections related to the Civil War, such as the William Darke Briscoe Civil War diaries collection, and World War I, including the Diary of World War I Red Cross Canteen worker Florence Bishop."],"scopecontent_html_tesm":["\u003cp\u003eThe Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.\u003c/p\u003e","\u003cp\u003eSeries 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1a9c21db7465505ff5fd6fb4dd32382c\"\u003eThe Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cca8c73795be2609e42bfc24f7715bf9\"\u003eR 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2\u003c/physloc\u003e\n    "],"physloc_tesim":["R 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"names_coll_ssim":["Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":156,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:21:23.237Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_92"}},{"id":"vifgm_haight","type":"collection","attributes":{"title":"Alexander Haight family collection, 1764/1977","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_haight#creator","type":"document_value","attributes":{"value":"Alexander Haight","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_haight#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_haight#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_haight","ead_ssi":"vifgm_haight","_root_":"vifgm_haight","_nest_parent_":"vifgm_haight","ead_source_url_ssi":"data/gmu/haight.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/haight.html","title_ssm":["Alexander Haight family collection"],"title_tesim":["Alexander Haight family collection"],"unitdate_ssm":["1764-1977"],"unitdate_inclusive_ssm":["1764-1977"],"normalized_date_ssm":["1764/1977"],"normalized_title_ssm":["Alexander Haight family collection, 1764/1977"],"text":["Alexander Haight family collection, 1764/1977","C0159","Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes.","Organized into eight series by subject with each series organized alphabetically by title.","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n\n        Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n\n        Series 3: Photographs, circa 1863-1920 (Box 3)\n\n        Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n\n        Series 5: Printed Material, 1884-1900 (Box 5)\n\n        Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n\n        Series 7: Oversize, 1863-1966 (Box 9)\n\n        Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)","Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War.","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War.","George Mason University. Special Collections and Archives.","Alexander Haight","English"],"collection_title_tesim":["Alexander Haight family collection, 1764/1977"],"collection_ssim":["Alexander Haight family collection, 1764/1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0159"],"unitid_tesim":["C0159"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Alexander Haight"],"creator_ssim":["Alexander Haight"],"creator_persname_ssim":["Alexander Haight"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives."],"creators_ssim":["Alexander Haight","George Mason University. Special Collections and Archives."],"acqinfo_ssim":["Collection donated by Alexander Levi Haight in 1978."],"access_subjects_ssim":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"access_subjects_ssm":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"has_online_content_ssim":["false"],"extent_ssm":["13 linear feet (19 boxes and 12 unboxed objects)"],"extent_tesim":["13 linear feet (19 boxes and 12 unboxed objects)"],"date_range_isim":[1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series by subject with each series organized alphabetically by title.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, circa 1863-1920 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Printed Material, 1884-1900 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Oversize, 1863-1966 (Box 9)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into eight series by subject with each series organized alphabetically by title.","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n\n        Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n\n        Series 3: Photographs, circa 1863-1920 (Box 3)\n\n        Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n\n        Series 5: Printed Material, 1884-1900 (Box 5)\n\n        Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n\n        Series 7: Oversize, 1863-1966 (Box 9)\n\n        Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)"],"bioghist_html_tesm":["\u003cp\u003eAlexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.\u003c/p\u003e\n      ","\u003cp\u003eThe effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.\u003c/p\u003e\n      ","\u003cp\u003eMany of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n\u003c/p\u003e\n      ","\u003cp\u003eAlexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War.","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War."],"corpname_ssim":["George Mason University. Special Collections and Archives."],"persname_ssim":["Alexander Haight"],"names_ssim":["George Mason University. Special Collections and Archives.","Alexander Haight"],"language_ssim":["English"],"total_component_count_is":531,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:19:57.213Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_haight","ead_ssi":"vifgm_haight","_root_":"vifgm_haight","_nest_parent_":"vifgm_haight","ead_source_url_ssi":"data/gmu/haight.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/haight.html","title_ssm":["Alexander Haight family collection"],"title_tesim":["Alexander Haight family collection"],"unitdate_ssm":["1764-1977"],"unitdate_inclusive_ssm":["1764-1977"],"normalized_date_ssm":["1764/1977"],"normalized_title_ssm":["Alexander Haight family collection, 1764/1977"],"text":["Alexander Haight family collection, 1764/1977","C0159","Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes.","Organized into eight series by subject with each series organized alphabetically by title.","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n\n        Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n\n        Series 3: Photographs, circa 1863-1920 (Box 3)\n\n        Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n\n        Series 5: Printed Material, 1884-1900 (Box 5)\n\n        Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n\n        Series 7: Oversize, 1863-1966 (Box 9)\n\n        Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)","Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War.","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War.","George Mason University. Special Collections and Archives.","Alexander Haight","English"],"collection_title_tesim":["Alexander Haight family collection, 1764/1977"],"collection_ssim":["Alexander Haight family collection, 1764/1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0159"],"unitid_tesim":["C0159"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Alexander Haight"],"creator_ssim":["Alexander Haight"],"creator_persname_ssim":["Alexander Haight"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives."],"creators_ssim":["Alexander Haight","George Mason University. Special Collections and Archives."],"acqinfo_ssim":["Collection donated by Alexander Levi Haight in 1978."],"access_subjects_ssim":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"access_subjects_ssm":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"has_online_content_ssim":["false"],"extent_ssm":["13 linear feet (19 boxes and 12 unboxed objects)"],"extent_tesim":["13 linear feet (19 boxes and 12 unboxed objects)"],"date_range_isim":[1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series by subject with each series organized alphabetically by title.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, circa 1863-1920 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Printed Material, 1884-1900 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Oversize, 1863-1966 (Box 9)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into eight series by subject with each series organized alphabetically by title.","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n\n        Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n\n        Series 3: Photographs, circa 1863-1920 (Box 3)\n\n        Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n\n        Series 5: Printed Material, 1884-1900 (Box 5)\n\n        Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n\n        Series 7: Oversize, 1863-1966 (Box 9)\n\n        Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)"],"bioghist_html_tesm":["\u003cp\u003eAlexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.\u003c/p\u003e\n      ","\u003cp\u003eThe effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.\u003c/p\u003e\n      ","\u003cp\u003eMany of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n\u003c/p\u003e\n      ","\u003cp\u003eAlexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War.","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War."],"corpname_ssim":["George Mason University. Special Collections and Archives."],"persname_ssim":["Alexander Haight"],"names_ssim":["George Mason University. Special Collections and Archives.","Alexander Haight"],"language_ssim":["English"],"total_component_count_is":531,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:19:57.213Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_haight"}},{"id":"vifgm_northamerbroadside_c02_c01","type":"File","attributes":{"title":"Boston Museum Broadside, 1857","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_northamerbroadside_c02_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e Mrs. Farren, \"Griselda, The Forest Child\", \"The Milliners' Holiday\", \"Second Love\", Mr. W. Warren. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_northamerbroadside_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_northamerbroadside_c02_c01","ref_ssm":["vifgm_northamerbroadside_c02_c01"],"id":"vifgm_northamerbroadside_c02_c01","ead_ssi":"vifgm_northamerbroadside","_root_":"vifgm_northamerbroadside","_nest_parent_":"vifgm_northamerbroadside_c02","parent_ssi":"vifgm_northamerbroadside_c02","parent_ssim":["North American 19th century theatre broadside collection, 1850/1867","Series 2: Boston Museum Broadsides, 1852/1858"],"parent_ids_ssim":["vifgm_northamerbroadside","vifgm_northamerbroadside_c02"],"title_filing_ssi":"Boston Museum Broadside,","title_ssm":["Boston Museum Broadside"],"title_tesim":["Boston Museum Broadside"],"normalized_title_ssm":["Boston Museum Broadside, 1857"],"text":["Boston Museum Broadside, 1857","North American 19th century theatre broadside collection, 1850/1867","Series 2: Boston Museum Broadsides, 1852/1858","Box 1","Folder 2","Mrs. Farren, \"Griselda, The Forest Child\", \"The Milliners' Holiday\", \"Second Love\", Mr. W. Warren."],"parent_unittitles_ssm":["North American 19th century theatre broadside collection, 1850/1867","Series 2: Boston Museum Broadsides, 1852/1858"],"parent_unittitles_tesim":["North American 19th century theatre broadside collection, 1850/1867","Series 2: Boston Museum Broadsides, 1852/1858"],"normalized_date_ssm":["1857"],"unitdate_other_ssim":["January 24, 1857"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":9,"repository_ssim":["George Mason University"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"containers_ssim":["Box 1","Folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1857],"scopecontent_html_tesm":["\u003cp\u003e Mrs. Farren, \"Griselda, The Forest Child\", \"The Milliners' Holiday\", \"Second Love\", Mr. W. Warren.\n\t\u003c/p\u003e\n          "],"scopecontent_tesim":["Mrs. Farren, \"Griselda, The Forest Child\", \"The Milliners' Holiday\", \"Second Love\", Mr. W. Warren."],"_nest_path_":"/components#1/components#0","timestamp":"2026-07-23T21:20:07.979Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_northamerbroadside","ead_ssi":"vifgm_northamerbroadside","_root_":"vifgm_northamerbroadside","_nest_parent_":"vifgm_northamerbroadside","ead_source_url_ssi":"data/gmu/northamerbroadside.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"normalized_date_ssm":["1850/1867"],"normalized_title_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"text":["North American 19th century theatre broadside collection, 1850/1867","C0081","Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870.","Organized mainly by venue. Some single broadsides grouped together.","Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n\n        Series 2: Boston Museum, 1852-1858 (Box 1)\n\n        Series 3: Boston Theatre, 1854-1858 (Box 1)\n\n        Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\n        Series 5: Boston Academy of Music, 1860 (Box 1)\n\n        Series 6: Canada and New York City, 1855-1867 (Box 1)\n\n        Series 7: Boston and New York City, 1850s-1860s (Box 1)","Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum.","English"],"collection_title_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081"],"unitid_tesim":["C0081"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. \nLibraries.\nSpecial Collections and Archives."],"creator_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives."],"creator_corpname_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"creators_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870."],"access_subjects_ssm":["Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870."],"has_online_content_ssim":["false"],"extent_ssm":["2 linear ft.; 1 box"],"extent_tesim":["2 linear ft.; 1 box"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867],"arrangement_html_tesm":["\u003cp\u003eOrganized mainly by venue. Some single broadsides grouped together.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized mainly by venue. Some single broadsides grouped together.","Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n\n        Series 2: Boston Museum, 1852-1858 (Box 1)\n\n        Series 3: Boston Theatre, 1854-1858 (Box 1)\n\n        Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\n        Series 5: Boston Academy of Music, 1860 (Box 1)\n\n        Series 6: Canada and New York City, 1855-1867 (Box 1)\n\n        Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.\n\u003c/p\u003e\n      ","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \n\u003c/p\u003e\n      ","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"corpname_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"names_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"language_ssim":["English"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:07.979Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_northamerbroadside_c02_c01"}},{"id":"vifgm_northamerbroadside_c02_c02","type":"File","attributes":{"title":"Boston Museum Broadside, 1857","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_northamerbroadside_c02_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e Mrs. Farren, \"Second Love\", Mrs. H. Eckhardt, \"Tit for Tat\"-or-\"The Double Strategem\", J. 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Eckhardt, \"Tit for Tat\"-or-\"The Double Strategem\", J. Palgrave Simpson."],"parent_unittitles_ssm":["North American 19th century theatre broadside collection, 1850/1867","Series 2: Boston Museum Broadsides, 1852/1858"],"parent_unittitles_tesim":["North American 19th century theatre broadside collection, 1850/1867","Series 2: Boston Museum Broadsides, 1852/1858"],"normalized_date_ssm":["1857"],"unitdate_other_ssim":["January 28, 1857"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":10,"repository_ssim":["George Mason University"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"containers_ssim":["Box 1","Folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1857],"scopecontent_html_tesm":["\u003cp\u003e Mrs. Farren, \"Second Love\", Mrs. H. Eckhardt, \"Tit for Tat\"-or-\"The Double Strategem\", J. Palgrave Simpson.\n\t\u003c/p\u003e\n          "],"scopecontent_tesim":["Mrs. Farren, \"Second Love\", Mrs. H. Eckhardt, \"Tit for Tat\"-or-\"The Double Strategem\", J. Palgrave Simpson."],"_nest_path_":"/components#1/components#1","timestamp":"2026-07-23T21:20:07.979Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_northamerbroadside","ead_ssi":"vifgm_northamerbroadside","_root_":"vifgm_northamerbroadside","_nest_parent_":"vifgm_northamerbroadside","ead_source_url_ssi":"data/gmu/northamerbroadside.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"normalized_date_ssm":["1850/1867"],"normalized_title_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"text":["North American 19th century theatre broadside collection, 1850/1867","C0081","Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870.","Organized mainly by venue. Some single broadsides grouped together.","Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n\n        Series 2: Boston Museum, 1852-1858 (Box 1)\n\n        Series 3: Boston Theatre, 1854-1858 (Box 1)\n\n        Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\n        Series 5: Boston Academy of Music, 1860 (Box 1)\n\n        Series 6: Canada and New York City, 1855-1867 (Box 1)\n\n        Series 7: Boston and New York City, 1850s-1860s (Box 1)","Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum.","English"],"collection_title_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081"],"unitid_tesim":["C0081"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. \nLibraries.\nSpecial Collections and Archives."],"creator_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives."],"creator_corpname_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"creators_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870."],"access_subjects_ssm":["Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870."],"has_online_content_ssim":["false"],"extent_ssm":["2 linear ft.; 1 box"],"extent_tesim":["2 linear ft.; 1 box"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867],"arrangement_html_tesm":["\u003cp\u003eOrganized mainly by venue. Some single broadsides grouped together.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized mainly by venue. Some single broadsides grouped together.","Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n\n        Series 2: Boston Museum, 1852-1858 (Box 1)\n\n        Series 3: Boston Theatre, 1854-1858 (Box 1)\n\n        Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\n        Series 5: Boston Academy of Music, 1860 (Box 1)\n\n        Series 6: Canada and New York City, 1855-1867 (Box 1)\n\n        Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. 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However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \n\u003c/p\u003e\n      ","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. 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Smith, \"The Cure for the Heart Ache\", \"Therese\"-or-\"The Orphan of Geneva\""],"parent_unittitles_ssm":["North American 19th century theatre broadside collection, 1850/1867","Series 2: Boston Museum Broadsides, 1852/1858"],"parent_unittitles_tesim":["North American 19th century theatre broadside collection, 1850/1867","Series 2: Boston Museum Broadsides, 1852/1858"],"normalized_date_ssm":["1857"],"unitdate_other_ssim":["October 23, 1857"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":12,"repository_ssim":["George Mason University"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"containers_ssim":["Box 1","Folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1857],"scopecontent_html_tesm":["\u003cp\u003e Benefit of W.H. Smith, \"The Cure for the Heart Ache\", \"Therese\"-or-\"The Orphan of Geneva\"\n\t\u003c/p\u003e\n          "],"scopecontent_tesim":["Benefit of W.H. Smith, \"The Cure for the Heart Ache\", \"Therese\"-or-\"The Orphan of Geneva\""],"_nest_path_":"/components#1/components#3","timestamp":"2026-07-23T21:20:07.979Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_northamerbroadside","ead_ssi":"vifgm_northamerbroadside","_root_":"vifgm_northamerbroadside","_nest_parent_":"vifgm_northamerbroadside","ead_source_url_ssi":"data/gmu/northamerbroadside.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"normalized_date_ssm":["1850/1867"],"normalized_title_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"text":["North American 19th century theatre broadside collection, 1850/1867","C0081","Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870.","Organized mainly by venue. Some single broadsides grouped together.","Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n\n        Series 2: Boston Museum, 1852-1858 (Box 1)\n\n        Series 3: Boston Theatre, 1854-1858 (Box 1)\n\n        Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\n        Series 5: Boston Academy of Music, 1860 (Box 1)\n\n        Series 6: Canada and New York City, 1855-1867 (Box 1)\n\n        Series 7: Boston and New York City, 1850s-1860s (Box 1)","Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum.","English"],"collection_title_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081"],"unitid_tesim":["C0081"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. \nLibraries.\nSpecial Collections and Archives."],"creator_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives."],"creator_corpname_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"creators_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870."],"access_subjects_ssm":["Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870."],"has_online_content_ssim":["false"],"extent_ssm":["2 linear ft.; 1 box"],"extent_tesim":["2 linear ft.; 1 box"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867],"arrangement_html_tesm":["\u003cp\u003eOrganized mainly by venue. Some single broadsides grouped together.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized mainly by venue. Some single broadsides grouped together.","Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n\n        Series 2: Boston Museum, 1852-1858 (Box 1)\n\n        Series 3: Boston Theatre, 1854-1858 (Box 1)\n\n        Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\n        Series 5: Boston Academy of Music, 1860 (Box 1)\n\n        Series 6: Canada and New York City, 1855-1867 (Box 1)\n\n        Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.\n\u003c/p\u003e\n      ","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \n\u003c/p\u003e\n      ","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"corpname_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"names_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"language_ssim":["English"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:07.979Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_northamerbroadside_c02_c04"}},{"id":"vifgm_repositories_2_resources_37_c02_c01","type":"File","attributes":{"title":"Boston Museum Broadside, 1857","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37_c02_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eMrs. Farren, \"Griselda, The Forest Child\", \"The Milliners' Holiday\", \"Second Love\", Mr. W. Warren.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_37_c02_c01","ref_ssm":["vifgm_repositories_2_resources_37_c02_c01"],"id":"vifgm_repositories_2_resources_37_c02_c01","ead_ssi":"vifgm_repositories_2_resources_37","_root_":"vifgm_repositories_2_resources_37","_nest_parent_":"vifgm_repositories_2_resources_37_c02","parent_ssi":"vifgm_repositories_2_resources_37_c02","parent_ssim":["North American 19th century theatre broadside collection, 1850/1867","Series 2: Boston Museum Broadsides, 1852/1858"],"parent_ids_ssim":["vifgm_repositories_2_resources_37","vifgm_repositories_2_resources_37_c02"],"title_filing_ssi":"Boston Museum Broadside","title_ssm":["Boston Museum Broadside"],"title_tesim":["Boston Museum Broadside"],"normalized_title_ssm":["Boston Museum Broadside, 1857"],"text":["Boston Museum Broadside, 1857","North American 19th century theatre broadside collection, 1850/1867","Series 2: Boston Museum Broadsides, 1852/1858","box 1","folder 2","Mrs. Farren, \"Griselda, The Forest Child\", \"The Milliners' Holiday\", \"Second Love\", Mr. W. Warren."],"parent_unittitles_ssm":["North American 19th century theatre broadside collection, 1850/1867","Series 2: Boston Museum Broadsides, 1852/1858"],"parent_unittitles_tesim":["North American 19th century theatre broadside collection, 1850/1867","Series 2: Boston Museum Broadsides, 1852/1858"],"normalized_date_ssm":["1857"],"unitdate_other_ssim":["January 24, 1857"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":9,"repository_ssim":["George Mason University"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"containers_ssim":["box 1","folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"date_range_isim":[1857],"scopecontent_html_tesm":["\u003cp\u003eMrs. Farren, \"Griselda, The Forest Child\", \"The Milliners' Holiday\", \"Second Love\", Mr. W. Warren.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Mrs. Farren, \"Griselda, The Forest Child\", \"The Milliners' Holiday\", \"Second Love\", Mr. W. Warren."],"_nest_path_":"/components#1/components#0","timestamp":"2026-07-23T21:20:41.383Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_37","ead_ssi":"vifgm_repositories_2_resources_37","_root_":"vifgm_repositories_2_resources_37","_nest_parent_":"vifgm_repositories_2_resources_37","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_37.xml","title_filing_ssi":"North American 19th century theatre broadside collection","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"normalized_date_ssm":["1850/1867"],"normalized_title_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"text":["North American 19th century theatre broadside collection, 1850/1867","C0081","/repositories/2/resources/37","Boston (Mass.)","New York (N.Y.)","Canada","Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters","There are no access restrictions.","Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)","Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.","The Special Collections Research CEnter also holds many other .","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","R29, C4, S1","George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum","English"],"collection_title_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081","/repositories/2/resources/37"],"unitid_tesim":["C0081","/repositories/2/resources/37"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Boston (Mass.)","New York (N.Y.)","Canada"],"geogname_ssim":["Boston (Mass.)","New York (N.Y.)","Canada"],"places_ssim":["Boston (Mass.)","New York (N.Y.)","Canada"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. 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(See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"access_subjects_ssm":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"genreform_ssim":["Broadsides -- 1850-1870","Theatrical posters"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into seven series predominantly by venue. Some single broadsides grouped together.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. \u003c/p\u003e","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"prefercite_html_tesm":["\u003cp\u003eNorth American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["North American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman. EAD markup completed by Kate Norman in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research CEnter also holds many other \u003cextptr show=\"new\" title=\"theatre collections\" href=\"https://aspace.gmu.edu/subjects/sh85134522\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research CEnter also holds many other ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \u003c/p\u003e","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d05ea848f0d59764ae39f991551616c8\" label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_32a9d920136e071738de0b78dff77807\"\u003eR29, C4, S1\u003c/physloc\u003e\n    "],"physloc_tesim":["R29, C4, S1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_coll_ssim":["Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_ssim":["George Mason University. Libraries. 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Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.","The Special Collections Research CEnter also holds many other .","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. 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Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","R29, C4, S1","George Mason University. Libraries. 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However, this struggle between religious and artistic ideas lasted into the 20th century. \u003c/p\u003e","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"prefercite_html_tesm":["\u003cp\u003eNorth American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["North American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman. 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The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \u003c/p\u003e","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d05ea848f0d59764ae39f991551616c8\" label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. 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The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"date_range_isim":[1857],"scopecontent_html_tesm":["\u003cp\u003eBenefit of W.H. Smith, \"The Cure for the Heart Ache\", \"Therese\"-or-\"The Orphan of Geneva\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Benefit of W.H. Smith, \"The Cure for the Heart Ache\", \"Therese\"-or-\"The Orphan of Geneva\""],"_nest_path_":"/components#1/components#3","timestamp":"2026-07-23T21:20:41.383Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_37","ead_ssi":"vifgm_repositories_2_resources_37","_root_":"vifgm_repositories_2_resources_37","_nest_parent_":"vifgm_repositories_2_resources_37","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_37.xml","title_filing_ssi":"North American 19th century theatre broadside collection","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"normalized_date_ssm":["1850/1867"],"normalized_title_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"text":["North American 19th century theatre broadside collection, 1850/1867","C0081","/repositories/2/resources/37","Boston (Mass.)","New York (N.Y.)","Canada","Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters","There are no access restrictions.","Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)","Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.","The Special Collections Research CEnter also holds many other .","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","R29, C4, S1","George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum","English"],"collection_title_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081","/repositories/2/resources/37"],"unitid_tesim":["C0081","/repositories/2/resources/37"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Boston (Mass.)","New York (N.Y.)","Canada"],"geogname_ssim":["Boston (Mass.)","New York (N.Y.)","Canada"],"places_ssim":["Boston (Mass.)","New York (N.Y.)","Canada"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. 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(See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"access_subjects_ssm":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"genreform_ssim":["Broadsides -- 1850-1870","Theatrical posters"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into seven series predominantly by venue. Some single broadsides grouped together.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. \u003c/p\u003e","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"prefercite_html_tesm":["\u003cp\u003eNorth American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["North American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman. EAD markup completed by Kate Norman in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research CEnter also holds many other \u003cextptr show=\"new\" title=\"theatre collections\" href=\"https://aspace.gmu.edu/subjects/sh85134522\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research CEnter also holds many other ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \u003c/p\u003e","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d05ea848f0d59764ae39f991551616c8\" label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_32a9d920136e071738de0b78dff77807\"\u003eR29, C4, S1\u003c/physloc\u003e\n    "],"physloc_tesim":["R29, C4, S1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_coll_ssim":["Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:41.383Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37_c02_c04"}},{"id":"vifgm_northamerbroadside_c03_c10","type":"File","attributes":{"title":"Boston Theatre Broadside, 1857","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_northamerbroadside_c03_c10#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe WOnderful Ravels, Mlle. Robert from the Academy of Paris, M. Leon Espinoza, \"School Master\", \"Festival Dansant\", \"Jocko-The Brazilian Ape\", \"La Esmerelda\", corps de ballet. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_northamerbroadside_c03_c10#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_northamerbroadside_c03_c10","ref_ssm":["vifgm_northamerbroadside_c03_c10"],"id":"vifgm_northamerbroadside_c03_c10","ead_ssi":"vifgm_northamerbroadside","_root_":"vifgm_northamerbroadside","_nest_parent_":"vifgm_northamerbroadside_c03","parent_ssi":"vifgm_northamerbroadside_c03","parent_ssim":["North American 19th century theatre broadside collection, 1850/1867","Series 3: Boston Theatre, 1854/1858"],"parent_ids_ssim":["vifgm_northamerbroadside","vifgm_northamerbroadside_c03"],"title_filing_ssi":"Boston Theatre Broadside,","title_ssm":["Boston Theatre Broadside"],"title_tesim":["Boston Theatre Broadside"],"normalized_title_ssm":["Boston Theatre Broadside, 1857"],"text":["Boston Theatre Broadside, 1857","North American 19th century theatre broadside collection, 1850/1867","Series 3: Boston Theatre, 1854/1858","Box 1","Folder 3","The WOnderful Ravels, Mlle. Robert from the Academy of Paris, M. Leon Espinoza, \"School Master\", \"Festival Dansant\", \"Jocko-The Brazilian Ape\", \"La Esmerelda\", corps de ballet."],"parent_unittitles_ssm":["North American 19th century theatre broadside collection, 1850/1867","Series 3: Boston Theatre, 1854/1858"],"parent_unittitles_tesim":["North American 19th century theatre broadside collection, 1850/1867","Series 3: Boston Theatre, 1854/1858"],"normalized_date_ssm":["1857"],"unitdate_other_ssim":["January 10, 1857"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":39,"repository_ssim":["George Mason University"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"containers_ssim":["Box 1","Folder 3"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1857],"scopecontent_html_tesm":["\u003cp\u003eThe WOnderful Ravels, Mlle. Robert from the Academy of Paris, M. 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Some single broadsides grouped together.","Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n\n        Series 2: Boston Museum, 1852-1858 (Box 1)\n\n        Series 3: Boston Theatre, 1854-1858 (Box 1)\n\n        Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\n        Series 5: Boston Academy of Music, 1860 (Box 1)\n\n        Series 6: Canada and New York City, 1855-1867 (Box 1)\n\n        Series 7: Boston and New York City, 1850s-1860s (Box 1)","Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. 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Some single broadsides grouped together.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized mainly by venue. Some single broadsides grouped together.","Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n\n        Series 2: Boston Museum, 1852-1858 (Box 1)\n\n        Series 3: Boston Theatre, 1854-1858 (Box 1)\n\n        Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\n        Series 5: Boston Academy of Music, 1860 (Box 1)\n\n        Series 6: Canada and New York City, 1855-1867 (Box 1)\n\n        Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.\n\u003c/p\u003e\n      ","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \n\u003c/p\u003e\n      ","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"corpname_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"names_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"language_ssim":["English"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:07.979Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_northamerbroadside_c03_c10"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":123},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1857\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1857\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"19th century newspaper illustrations collection, 1839/1894","value":"19th century newspaper illustrations collection, 1839/1894","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=19th+century+newspaper+illustrations+collection%2C+1839%2F1894\u0026f%5Bdate_range%5D%5B%5D=1857\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}},{"attributes":{"label":"Alexander Haight family collection, 1764/1976","value":"Alexander Haight family collection, 1764/1976","hits":5},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alexander+Haight+family+collection%2C+1764%2F1976\u0026f%5Bdate_range%5D%5B%5D=1857\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}},{"attributes":{"label":"Alexander Haight family collection, 1764/1977","value":"Alexander Haight family collection, 1764/1977","hits":9},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alexander+Haight+family+collection%2C+1764%2F1977\u0026f%5Bdate_range%5D%5B%5D=1857\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}},{"attributes":{"label":"C-SPAN records, 1809/2012, bulk 1978/2012","value":"C-SPAN records, 1809/2012, bulk 1978/2012","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=C-SPAN+records%2C+1809%2F2012%2C+bulk+1978%2F2012\u0026f%5Bdate_range%5D%5B%5D=1857\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}},{"attributes":{"label":"C. 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