{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1830\u0026facet.sort=count\u0026page=682","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1830\u0026facet.sort=count\u0026page=681","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1830\u0026facet.sort=count\u0026page=683","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1830\u0026facet.sort=count\u0026page=687"},"meta":{"pages":{"current_page":682,"next_page":683,"prev_page":681,"total_pages":687,"limit_value":10,"offset_value":6810,"total_count":6862,"first_page?":false,"last_page?":false}},"data":[{"id":"vihart_repositories_4_resources_505","type":"collection","attributes":{"title":"Woodbine Cemetery Records","creator":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_505#creator","type":"document_value","attributes":{"value":"Woodbine Cemetery","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_505#abstract_or_scope","type":"document_value","attributes":{"value":"The Woodbine Cemetery Records, circa 1830-2006, consist of materials relating to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business over approximately the past 150 years.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_505#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_505","ead_ssi":"vihart_repositories_4_resources_505","_root_":"vihart_repositories_4_resources_505","_nest_parent_":"vihart_repositories_4_resources_505","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_505.xml","title_ssm":["Woodbine Cemetery Records"],"title_tesim":["Woodbine Cemetery Records"],"unitdate_ssm":["circa 1830-2006","1940-2006"],"unitdate_bulk_ssim":["1940-2006"],"unitdate_inclusive_ssm":["circa 1830-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0236","/repositories/4/resources/505"],"text":["SC 0236","/repositories/4/resources/505","Woodbine Cemetery Records","Harrisonburg (Va.) -- History","Harrisonburg (Va.) -- Genealogy","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Cemeteries -- Virginia -- Rockingham County","Cemeteries -- Virginia -- Harrisonburg","Financial Records","Receipts (financial records)","Minutes (administrative records)","Maps (documents)","Plats (maps)","Checks (bank checks)","Directories","Ledgers (account books)","Administrative reports","Letters (correspondence)","Deeds","Parts of the collection are restricted, due to the presence of personally identifying information. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","The collection is arranged in six series. Broadly speaking, each series is arranged first by the type of material, and then chronologically within these broader categories. Exceptions to this arrangement were made in order to pay respects to the original order, as well as when precise dates could not be readily determined.","Financial Files, circa 1840-2006 (bulk 1890-2006) Administrative Files, 1853-2002 Business Records, 1898-2006 Mausoleum Records, 1924-2006 Ephemera, 1985-2000 Maps, 1913-1966","Liskey, Nelson J. \"History of Woodbine Cemetery,\" Harrisonburg, VA. 1998.","\"About Woodbine.\" Woodbine Cemetery. http://woodbinecemetery.org/about-woodbine/ (Accessed September 19, 2018).","Moore, Robert H. \"The Woodbine Cemetery.\" Historical Marker Database, February 26, 2009. https://www.hmdb.org/marker.asp?marker=16486 (Accessed September 19, 2018).","Woodbine Cemetery Company was founded on March 19, 1850 by the Virginia General Assembly, as a non-denominational burial ground in Harrisonburg, Virginia. The first land for the cemetery was purchased seven months later, on October 11, 1850, from Harrisonburg's first mayor, Isaac Hardesty, who sold 2½ acres to the cemetery company. It has continued to expand in size over the years, and the current grounds cover about 18 acres. Woodbine Cemetery contains roughly 11,550 burial plots with approximately 9,000 interred.","Soon after the Civil War, the cemetery created an area dedicated to Confederate soldiers and veterans. This section was originally maintained by the Ladies Memorial Association, founded in 1868 with the charge of caring for the graves of Confederate soldiers buried in Rockingham County. The Ladies Memorial Association erected a soldiers monument in 1876, and in 1899 with the aid of the Turner Ashby Chapter of the United Daughters of the Confederacy, replaced all wooden head boards with white marble stones. The section was expanded in 1886, when Samuel Shacklett donated a 5 acre-plot, containing land likely already in use as a Confederate cemetery. There are now over 200 Confederate soldier or veterans buried there, representing states of Virginia, North Carolina, Maryland, Louisiana, Alabama, South Carolina, Georgia, Missouri, and Tennessee. The cemetery also contains area known as \"Little Arlington,\" dedicated to those who served in World War I and World War II. ","The Community Mausoleum was erected in 1926, though there are no records of incorporation until 1936, when it was incorporated as the \"Communal Mausoleum Crypt Owners, Inc.\" In February 2006, the mausoleum merged with Woodbine Cemetery Company.","According to a Woodbine Board of Trustees report dated April 2, 1853, the original cemetery contained plots designated for African Americans, stating, \"…in the rear plats have already been appropriated to single interments, and likewise for the use of colored persons.\" According to Nelson J. Liskey's, \"History of Woodbine Cemetery,\" in 1969, the board adopted a policy that \"no restrictions as to race would be applicable to lot purchasers.\" Certificates of Ownership of Communal Mausoleum Crypts at Woodbine Cemetery state that \"the crypts are for the entombment of the human dead of the Caucasian race only.\"","Superintendents of Woodbine Cemetery include, but are not limited to, the following individuals: John Foster (1851), J.P. Hyde (1863), J.E. Good (1880), Bowman Gilmer (1918-1958), Sherman Gilmer (1958-1981), David Schrock (1981-1992), Lisa Batchelder (1992-present).","Due to the lengthy time period covered by this collection, the materials were created, collected and organized by a variety of individuals, and completeness of the records varies. Where possible, the original order and naming conventions were retained. The collection also originally contained various stamps, keys, and other 3-dimensional objects, which were not retained.","The Woodbine Cemetery Records, circa 1830-2006, are comprised of materials related to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business, between the 1850s and 2006. This includes records relating to the management of the Woodbine Mausoleum, which existed as a separate entity until 2006, when it was acquired by Woodbine Cemetery. ","Due to the lengthy time period covered, the materials were collected and organized by a variety of individuals, and completeness of the records varies. When possible, the original order and naming conventions were retained. The material relates almost exclusively to Woodbine Cemetery in Harrisonburg VA, though some of the ephemera relates to other cemeteries as well.","Financial Files, ca. 1840-2006, is comprised of financial documents of various types. These include receipts for materials purchased by the cemetery for operations, including hardware, materials, landscaping services, and other expenses relating to the day-to-day care of the cemetery grounds and buildings. Cemetery account books, receipt books, and ledgers track the income and expenditures of the Cemetery, including payments made to the cemetery for the one-time purchase of plots and ongoing income from perpetual care plots. Additional information includes cemetery tax documents are returns, employee payment and salary information, banking documents (including deposit slips and account statements), donor pledges, and other related documents directly impacting the financial affairs of Woodbine cemetery. Certain folder within this series are restricted, due to the presence of personally identifying information.","Administrative Files, ca. 1830-2002, is comprised of documents which record the information used to manage the cemetery. As such, it contains reports and minutes compiled by the cemetery's various treasurers and presidents over the years, information relating to board meetings, insurance policy papers, and other similar documents created in the course of running the business.","This series contains material relating to the business side of Woodbine Cemetery from the years 1898-2006. The materials within this series relate to the cemetery's interactions with their customers and patrons. As such, it includes lists of lot owners, deeds, and contact information for customers. Among these materials are documents relating to disputes, and questions arising about specific plots or persons in the cemetery. Also included are newsletters, fund letters, mailing lists, and correspondence generating through interactions with the Harrisonburg community at large.","This series contains the information related to the management and fundraising efforts of the Woodbine Community Mausoleum from its founding in 1989 until it was acquired by Woodbine Cemetery in 2006. This includes financial documents, board minutes, owner information, and all other material relating specifically to the Mausoleum. The voided certificates of ownership of communal mausoleum crypts at Woodbine Cemetery, dated 1927-1970, state that \"the crypts are for the entombment of the human dead of the Caucasian race only...\".","This series is comprised of general records that were maintained by the cemetery for posterity, including photographs of the cemetery, sesquicentennial celebration information, and various publications and information related to cemeteries.","This series is composed of maps and charts of Woodbine Cemetery and the Mausoleum, which show how the cemetery expanded during the 20 th  century.","A copy of the book, \"Beautiful Thornrose,\" edited by Arista Hoge (Staunton, VA: Press of the McClure Co., 1914), was separated from the collection, and is housed in Special Collections Monographs, F234.S8 B4 1914.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Woodbine Cemetery Records, circa 1830-2006, consist of materials relating to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business over approximately the past 150 years.","James Madison University Libraries Special Collections","Woodbine Cemetery","English"],"unitid_tesim":["SC 0236","/repositories/4/resources/505"],"normalized_title_ssm":["Woodbine Cemetery Records"],"collection_title_tesim":["Woodbine Cemetery Records"],"collection_ssim":["Woodbine Cemetery Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History","Harrisonburg (Va.) -- Genealogy","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy"],"geogname_ssim":["Harrisonburg (Va.) -- History","Harrisonburg (Va.) -- Genealogy","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy"],"creator_ssm":["Woodbine Cemetery","Woodbine Cemetery"],"creator_ssim":["Woodbine Cemetery","Woodbine Cemetery"],"creator_corpname_ssim":["Woodbine Cemetery","Woodbine Cemetery"],"creators_ssim":["Woodbine Cemetery","Woodbine Cemetery"],"places_ssim":["Harrisonburg (Va.) -- History","Harrisonburg (Va.) -- Genealogy","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Charlie Chenault, Woodbine Cemetery Board of Trustees, Secretary/Treasurer, on August 27, 2015. Additions were made by Lisa Batchelder, superintendent of Woodbine Cemetery, in September and October 2021."],"access_subjects_ssim":["Cemeteries -- Virginia -- Rockingham County","Cemeteries -- Virginia -- Harrisonburg","Financial Records","Receipts (financial records)","Minutes (administrative records)","Maps (documents)","Plats (maps)","Checks (bank checks)","Directories","Ledgers (account books)","Administrative reports","Letters (correspondence)","Deeds"],"access_subjects_ssm":["Cemeteries -- Virginia -- Rockingham County","Cemeteries -- Virginia -- Harrisonburg","Financial Records","Receipts (financial records)","Minutes (administrative records)","Maps (documents)","Plats (maps)","Checks (bank checks)","Directories","Ledgers (account books)","Administrative reports","Letters (correspondence)","Deeds"],"has_online_content_ssim":["false"],"extent_ssm":["26.17 cubic feet 74 boxes, 6 flat files"],"extent_tesim":["26.17 cubic feet 74 boxes, 6 flat files"],"genreform_ssim":["Financial Records","Receipts (financial records)","Minutes (administrative records)","Maps (documents)","Plats (maps)","Checks (bank checks)","Directories","Ledgers (account books)","Administrative reports","Letters (correspondence)","Deeds"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eParts of the collection are restricted, due to the presence of personally identifying information. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Parts of the collection are restricted, due to the presence of personally identifying information. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted"],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in six series. Broadly speaking, each series is arranged first by the type of material, and then chronologically within these broader categories. Exceptions to this arrangement were made in order to pay respects to the original order, as well as when precise dates could not be readily determined.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eFinancial Files, circa 1840-2006 (bulk 1890-2006)\u003c/item\u003e\n      \u003citem\u003eAdministrative Files, 1853-2002\u003c/item\u003e\n      \u003citem\u003eBusiness Records, 1898-2006\u003c/item\u003e\n      \u003citem\u003eMausoleum Records, 1924-2006\u003c/item\u003e\n      \u003citem\u003eEphemera, 1985-2000\u003c/item\u003e\n      \u003citem\u003eMaps, 1913-1966\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in six series. Broadly speaking, each series is arranged first by the type of material, and then chronologically within these broader categories. Exceptions to this arrangement were made in order to pay respects to the original order, as well as when precise dates could not be readily determined.","Financial Files, circa 1840-2006 (bulk 1890-2006) Administrative Files, 1853-2002 Business Records, 1898-2006 Mausoleum Records, 1924-2006 Ephemera, 1985-2000 Maps, 1913-1966"],"bibliography_html_tesm":["\u003cbibref\u003eLiskey, Nelson J. \"History of Woodbine Cemetery,\" Harrisonburg, VA. 1998.\u003c/bibref\u003e","\u003cbibref\u003e\"About Woodbine.\" Woodbine Cemetery. http://woodbinecemetery.org/about-woodbine/ (Accessed September 19, 2018).\u003c/bibref\u003e","\u003cbibref\u003eMoore, Robert H. \"The Woodbine Cemetery.\" Historical Marker Database, February 26, 2009. https://www.hmdb.org/marker.asp?marker=16486 (Accessed September 19, 2018).\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Liskey, Nelson J. \"History of Woodbine Cemetery,\" Harrisonburg, VA. 1998.","\"About Woodbine.\" Woodbine Cemetery. http://woodbinecemetery.org/about-woodbine/ (Accessed September 19, 2018).","Moore, Robert H. \"The Woodbine Cemetery.\" Historical Marker Database, February 26, 2009. https://www.hmdb.org/marker.asp?marker=16486 (Accessed September 19, 2018)."],"bioghist_html_tesm":["\u003cp\u003eWoodbine Cemetery Company was founded on March 19, 1850 by the Virginia General Assembly, as a non-denominational burial ground in Harrisonburg, Virginia. The first land for the cemetery was purchased seven months later, on October 11, 1850, from Harrisonburg's first mayor, Isaac Hardesty, who sold 2½ acres to the cemetery company. It has continued to expand in size over the years, and the current grounds cover about 18 acres. Woodbine Cemetery contains roughly 11,550 burial plots with approximately 9,000 interred.\u003c/p\u003e\n","\u003cp\u003eSoon after the Civil War, the cemetery created an area dedicated to Confederate soldiers and veterans. This section was originally maintained by the Ladies Memorial Association, founded in 1868 with the charge of caring for the graves of Confederate soldiers buried in Rockingham County. The Ladies Memorial Association erected a soldiers monument in 1876, and in 1899 with the aid of the Turner Ashby Chapter of the United Daughters of the Confederacy, replaced all wooden head boards with white marble stones. The section was expanded in 1886, when Samuel Shacklett donated a 5 acre-plot, containing land likely already in use as a Confederate cemetery. There are now over 200 Confederate soldier or veterans buried there, representing states of Virginia, North Carolina, Maryland, Louisiana, Alabama, South Carolina, Georgia, Missouri, and Tennessee. The cemetery also contains area known as \"Little Arlington,\" dedicated to those who served in World War I and World War II. \u003c/p\u003e\n","\u003cp\u003eThe Community Mausoleum was erected in 1926, though there are no records of incorporation until 1936, when it was incorporated as the \"Communal Mausoleum Crypt Owners, Inc.\" In February 2006, the mausoleum merged with Woodbine Cemetery Company.\u003c/p\u003e\n","\u003cp\u003eAccording to a Woodbine Board of Trustees report dated April 2, 1853, the original cemetery contained plots designated for African Americans, stating, \"…in the rear plats have already been appropriated to single interments, and likewise for the use of colored persons.\" According to Nelson J. Liskey's, \"History of Woodbine Cemetery,\" in 1969, the board adopted a policy that \"no restrictions as to race would be applicable to lot purchasers.\" Certificates of Ownership of Communal Mausoleum Crypts at Woodbine Cemetery state that \"the crypts are for the entombment of the human dead of the Caucasian race only.\"\u003c/p\u003e\n","\u003cp\u003eSuperintendents of Woodbine Cemetery include, but are not limited to, the following individuals: John Foster (1851), J.P. Hyde (1863), J.E. Good (1880), Bowman Gilmer (1918-1958), Sherman Gilmer (1958-1981), David Schrock (1981-1992), Lisa Batchelder (1992-present).\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Woodbine Cemetery Company was founded on March 19, 1850 by the Virginia General Assembly, as a non-denominational burial ground in Harrisonburg, Virginia. The first land for the cemetery was purchased seven months later, on October 11, 1850, from Harrisonburg's first mayor, Isaac Hardesty, who sold 2½ acres to the cemetery company. It has continued to expand in size over the years, and the current grounds cover about 18 acres. Woodbine Cemetery contains roughly 11,550 burial plots with approximately 9,000 interred.","Soon after the Civil War, the cemetery created an area dedicated to Confederate soldiers and veterans. This section was originally maintained by the Ladies Memorial Association, founded in 1868 with the charge of caring for the graves of Confederate soldiers buried in Rockingham County. The Ladies Memorial Association erected a soldiers monument in 1876, and in 1899 with the aid of the Turner Ashby Chapter of the United Daughters of the Confederacy, replaced all wooden head boards with white marble stones. The section was expanded in 1886, when Samuel Shacklett donated a 5 acre-plot, containing land likely already in use as a Confederate cemetery. There are now over 200 Confederate soldier or veterans buried there, representing states of Virginia, North Carolina, Maryland, Louisiana, Alabama, South Carolina, Georgia, Missouri, and Tennessee. The cemetery also contains area known as \"Little Arlington,\" dedicated to those who served in World War I and World War II. ","The Community Mausoleum was erected in 1926, though there are no records of incorporation until 1936, when it was incorporated as the \"Communal Mausoleum Crypt Owners, Inc.\" In February 2006, the mausoleum merged with Woodbine Cemetery Company.","According to a Woodbine Board of Trustees report dated April 2, 1853, the original cemetery contained plots designated for African Americans, stating, \"…in the rear plats have already been appropriated to single interments, and likewise for the use of colored persons.\" According to Nelson J. Liskey's, \"History of Woodbine Cemetery,\" in 1969, the board adopted a policy that \"no restrictions as to race would be applicable to lot purchasers.\" Certificates of Ownership of Communal Mausoleum Crypts at Woodbine Cemetery state that \"the crypts are for the entombment of the human dead of the Caucasian race only.\"","Superintendents of Woodbine Cemetery include, but are not limited to, the following individuals: John Foster (1851), J.P. Hyde (1863), J.E. Good (1880), Bowman Gilmer (1918-1958), Sherman Gilmer (1958-1981), David Schrock (1981-1992), Lisa Batchelder (1992-present)."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Woodbine Cemetery Records, circa 1830-2006 (bulk 1940-2006), SC 0236, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Woodbine Cemetery Records, circa 1830-2006 (bulk 1940-2006), SC 0236, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eDue to the lengthy time period covered by this collection, the materials were created, collected and organized by a variety of individuals, and completeness of the records varies. Where possible, the original order and naming conventions were retained. The collection also originally contained various stamps, keys, and other 3-dimensional objects, which were not retained.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Due to the lengthy time period covered by this collection, the materials were created, collected and organized by a variety of individuals, and completeness of the records varies. Where possible, the original order and naming conventions were retained. The collection also originally contained various stamps, keys, and other 3-dimensional objects, which were not retained."],"scopecontent_html_tesm":["\u003cp\u003eThe Woodbine Cemetery Records, circa 1830-2006, are comprised of materials related to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business, between the 1850s and 2006. This includes records relating to the management of the Woodbine Mausoleum, which existed as a separate entity until 2006, when it was acquired by Woodbine Cemetery. \u003c/p\u003e\n","\u003cp\u003eDue to the lengthy time period covered, the materials were collected and organized by a variety of individuals, and completeness of the records varies. When possible, the original order and naming conventions were retained. The material relates almost exclusively to Woodbine Cemetery in Harrisonburg VA, though some of the ephemera relates to other cemeteries as well.\u003c/p\u003e","\u003cp\u003eFinancial Files, ca. 1840-2006, is comprised of financial documents of various types. These include receipts for materials purchased by the cemetery for operations, including hardware, materials, landscaping services, and other expenses relating to the day-to-day care of the cemetery grounds and buildings. Cemetery account books, receipt books, and ledgers track the income and expenditures of the Cemetery, including payments made to the cemetery for the one-time purchase of plots and ongoing income from perpetual care plots. Additional information includes cemetery tax documents are returns, employee payment and salary information, banking documents (including deposit slips and account statements), donor pledges, and other related documents directly impacting the financial affairs of Woodbine cemetery. Certain folder within this series are restricted, due to the presence of personally identifying information.\u003c/p\u003e","\u003cp\u003eAdministrative Files, ca. 1830-2002, is comprised of documents which record the information used to manage the cemetery. As such, it contains reports and minutes compiled by the cemetery's various treasurers and presidents over the years, information relating to board meetings, insurance policy papers, and other similar documents created in the course of running the business.\u003c/p\u003e","\u003cp\u003eThis series contains material relating to the business side of Woodbine Cemetery from the years 1898-2006. The materials within this series relate to the cemetery's interactions with their customers and patrons. As such, it includes lists of lot owners, deeds, and contact information for customers. Among these materials are documents relating to disputes, and questions arising about specific plots or persons in the cemetery. Also included are newsletters, fund letters, mailing lists, and correspondence generating through interactions with the Harrisonburg community at large.\u003c/p\u003e","\u003cp\u003eThis series contains the information related to the management and fundraising efforts of the Woodbine Community Mausoleum from its founding in 1989 until it was acquired by Woodbine Cemetery in 2006. This includes financial documents, board minutes, owner information, and all other material relating specifically to the Mausoleum. The voided certificates of ownership of communal mausoleum crypts at Woodbine Cemetery, dated 1927-1970, state that \"the crypts are for the entombment of the human dead of the Caucasian race only...\".\u003c/p\u003e","\u003cp\u003eThis series is comprised of general records that were maintained by the cemetery for posterity, including photographs of the cemetery, sesquicentennial celebration information, and various publications and information related to cemeteries.\u003c/p\u003e","\u003cp\u003eThis series is composed of maps and charts of Woodbine Cemetery and the Mausoleum, which show how the cemetery expanded during the 20\u003cemph render=\"super\"\u003eth\u003c/emph\u003e century.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Woodbine Cemetery Records, circa 1830-2006, are comprised of materials related to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business, between the 1850s and 2006. This includes records relating to the management of the Woodbine Mausoleum, which existed as a separate entity until 2006, when it was acquired by Woodbine Cemetery. ","Due to the lengthy time period covered, the materials were collected and organized by a variety of individuals, and completeness of the records varies. When possible, the original order and naming conventions were retained. The material relates almost exclusively to Woodbine Cemetery in Harrisonburg VA, though some of the ephemera relates to other cemeteries as well.","Financial Files, ca. 1840-2006, is comprised of financial documents of various types. These include receipts for materials purchased by the cemetery for operations, including hardware, materials, landscaping services, and other expenses relating to the day-to-day care of the cemetery grounds and buildings. Cemetery account books, receipt books, and ledgers track the income and expenditures of the Cemetery, including payments made to the cemetery for the one-time purchase of plots and ongoing income from perpetual care plots. Additional information includes cemetery tax documents are returns, employee payment and salary information, banking documents (including deposit slips and account statements), donor pledges, and other related documents directly impacting the financial affairs of Woodbine cemetery. Certain folder within this series are restricted, due to the presence of personally identifying information.","Administrative Files, ca. 1830-2002, is comprised of documents which record the information used to manage the cemetery. As such, it contains reports and minutes compiled by the cemetery's various treasurers and presidents over the years, information relating to board meetings, insurance policy papers, and other similar documents created in the course of running the business.","This series contains material relating to the business side of Woodbine Cemetery from the years 1898-2006. The materials within this series relate to the cemetery's interactions with their customers and patrons. As such, it includes lists of lot owners, deeds, and contact information for customers. Among these materials are documents relating to disputes, and questions arising about specific plots or persons in the cemetery. Also included are newsletters, fund letters, mailing lists, and correspondence generating through interactions with the Harrisonburg community at large.","This series contains the information related to the management and fundraising efforts of the Woodbine Community Mausoleum from its founding in 1989 until it was acquired by Woodbine Cemetery in 2006. This includes financial documents, board minutes, owner information, and all other material relating specifically to the Mausoleum. The voided certificates of ownership of communal mausoleum crypts at Woodbine Cemetery, dated 1927-1970, state that \"the crypts are for the entombment of the human dead of the Caucasian race only...\".","This series is comprised of general records that were maintained by the cemetery for posterity, including photographs of the cemetery, sesquicentennial celebration information, and various publications and information related to cemeteries.","This series is composed of maps and charts of Woodbine Cemetery and the Mausoleum, which show how the cemetery expanded during the 20 th  century."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of the book, \"Beautiful Thornrose,\" edited by Arista Hoge (Staunton, VA: Press of the McClure Co., 1914), was separated from the collection, and is housed in Special Collections Monographs, F234.S8 B4 1914.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of the book, \"Beautiful Thornrose,\" edited by Arista Hoge (Staunton, VA: Press of the McClure Co., 1914), was separated from the collection, and is housed in Special Collections Monographs, F234.S8 B4 1914."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0421d1cf9d4c8ba636671e114731d266\"\u003eThe Woodbine Cemetery Records, circa 1830-2006, consist of materials relating to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business over approximately the past 150 years.\u003c/abstract\u003e"],"abstract_tesim":["The Woodbine Cemetery Records, circa 1830-2006, consist of materials relating to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business over approximately the past 150 years."],"names_coll_ssim":["Woodbine Cemetery"],"names_ssim":["James Madison University Libraries Special Collections","Woodbine Cemetery"],"corpname_ssim":["James Madison University Libraries Special Collections","Woodbine Cemetery"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":557,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:48.473Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_505","ead_ssi":"vihart_repositories_4_resources_505","_root_":"vihart_repositories_4_resources_505","_nest_parent_":"vihart_repositories_4_resources_505","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_505.xml","title_ssm":["Woodbine Cemetery Records"],"title_tesim":["Woodbine Cemetery Records"],"unitdate_ssm":["circa 1830-2006","1940-2006"],"unitdate_bulk_ssim":["1940-2006"],"unitdate_inclusive_ssm":["circa 1830-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0236","/repositories/4/resources/505"],"text":["SC 0236","/repositories/4/resources/505","Woodbine Cemetery Records","Harrisonburg (Va.) -- History","Harrisonburg (Va.) -- Genealogy","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Cemeteries -- Virginia -- Rockingham County","Cemeteries -- Virginia -- Harrisonburg","Financial Records","Receipts (financial records)","Minutes (administrative records)","Maps (documents)","Plats (maps)","Checks (bank checks)","Directories","Ledgers (account books)","Administrative reports","Letters (correspondence)","Deeds","Parts of the collection are restricted, due to the presence of personally identifying information. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","The collection is arranged in six series. Broadly speaking, each series is arranged first by the type of material, and then chronologically within these broader categories. Exceptions to this arrangement were made in order to pay respects to the original order, as well as when precise dates could not be readily determined.","Financial Files, circa 1840-2006 (bulk 1890-2006) Administrative Files, 1853-2002 Business Records, 1898-2006 Mausoleum Records, 1924-2006 Ephemera, 1985-2000 Maps, 1913-1966","Liskey, Nelson J. \"History of Woodbine Cemetery,\" Harrisonburg, VA. 1998.","\"About Woodbine.\" Woodbine Cemetery. http://woodbinecemetery.org/about-woodbine/ (Accessed September 19, 2018).","Moore, Robert H. \"The Woodbine Cemetery.\" Historical Marker Database, February 26, 2009. https://www.hmdb.org/marker.asp?marker=16486 (Accessed September 19, 2018).","Woodbine Cemetery Company was founded on March 19, 1850 by the Virginia General Assembly, as a non-denominational burial ground in Harrisonburg, Virginia. The first land for the cemetery was purchased seven months later, on October 11, 1850, from Harrisonburg's first mayor, Isaac Hardesty, who sold 2½ acres to the cemetery company. It has continued to expand in size over the years, and the current grounds cover about 18 acres. Woodbine Cemetery contains roughly 11,550 burial plots with approximately 9,000 interred.","Soon after the Civil War, the cemetery created an area dedicated to Confederate soldiers and veterans. This section was originally maintained by the Ladies Memorial Association, founded in 1868 with the charge of caring for the graves of Confederate soldiers buried in Rockingham County. The Ladies Memorial Association erected a soldiers monument in 1876, and in 1899 with the aid of the Turner Ashby Chapter of the United Daughters of the Confederacy, replaced all wooden head boards with white marble stones. The section was expanded in 1886, when Samuel Shacklett donated a 5 acre-plot, containing land likely already in use as a Confederate cemetery. There are now over 200 Confederate soldier or veterans buried there, representing states of Virginia, North Carolina, Maryland, Louisiana, Alabama, South Carolina, Georgia, Missouri, and Tennessee. The cemetery also contains area known as \"Little Arlington,\" dedicated to those who served in World War I and World War II. ","The Community Mausoleum was erected in 1926, though there are no records of incorporation until 1936, when it was incorporated as the \"Communal Mausoleum Crypt Owners, Inc.\" In February 2006, the mausoleum merged with Woodbine Cemetery Company.","According to a Woodbine Board of Trustees report dated April 2, 1853, the original cemetery contained plots designated for African Americans, stating, \"…in the rear plats have already been appropriated to single interments, and likewise for the use of colored persons.\" According to Nelson J. Liskey's, \"History of Woodbine Cemetery,\" in 1969, the board adopted a policy that \"no restrictions as to race would be applicable to lot purchasers.\" Certificates of Ownership of Communal Mausoleum Crypts at Woodbine Cemetery state that \"the crypts are for the entombment of the human dead of the Caucasian race only.\"","Superintendents of Woodbine Cemetery include, but are not limited to, the following individuals: John Foster (1851), J.P. Hyde (1863), J.E. Good (1880), Bowman Gilmer (1918-1958), Sherman Gilmer (1958-1981), David Schrock (1981-1992), Lisa Batchelder (1992-present).","Due to the lengthy time period covered by this collection, the materials were created, collected and organized by a variety of individuals, and completeness of the records varies. Where possible, the original order and naming conventions were retained. The collection also originally contained various stamps, keys, and other 3-dimensional objects, which were not retained.","The Woodbine Cemetery Records, circa 1830-2006, are comprised of materials related to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business, between the 1850s and 2006. This includes records relating to the management of the Woodbine Mausoleum, which existed as a separate entity until 2006, when it was acquired by Woodbine Cemetery. ","Due to the lengthy time period covered, the materials were collected and organized by a variety of individuals, and completeness of the records varies. When possible, the original order and naming conventions were retained. The material relates almost exclusively to Woodbine Cemetery in Harrisonburg VA, though some of the ephemera relates to other cemeteries as well.","Financial Files, ca. 1840-2006, is comprised of financial documents of various types. These include receipts for materials purchased by the cemetery for operations, including hardware, materials, landscaping services, and other expenses relating to the day-to-day care of the cemetery grounds and buildings. Cemetery account books, receipt books, and ledgers track the income and expenditures of the Cemetery, including payments made to the cemetery for the one-time purchase of plots and ongoing income from perpetual care plots. Additional information includes cemetery tax documents are returns, employee payment and salary information, banking documents (including deposit slips and account statements), donor pledges, and other related documents directly impacting the financial affairs of Woodbine cemetery. Certain folder within this series are restricted, due to the presence of personally identifying information.","Administrative Files, ca. 1830-2002, is comprised of documents which record the information used to manage the cemetery. As such, it contains reports and minutes compiled by the cemetery's various treasurers and presidents over the years, information relating to board meetings, insurance policy papers, and other similar documents created in the course of running the business.","This series contains material relating to the business side of Woodbine Cemetery from the years 1898-2006. The materials within this series relate to the cemetery's interactions with their customers and patrons. As such, it includes lists of lot owners, deeds, and contact information for customers. Among these materials are documents relating to disputes, and questions arising about specific plots or persons in the cemetery. Also included are newsletters, fund letters, mailing lists, and correspondence generating through interactions with the Harrisonburg community at large.","This series contains the information related to the management and fundraising efforts of the Woodbine Community Mausoleum from its founding in 1989 until it was acquired by Woodbine Cemetery in 2006. This includes financial documents, board minutes, owner information, and all other material relating specifically to the Mausoleum. The voided certificates of ownership of communal mausoleum crypts at Woodbine Cemetery, dated 1927-1970, state that \"the crypts are for the entombment of the human dead of the Caucasian race only...\".","This series is comprised of general records that were maintained by the cemetery for posterity, including photographs of the cemetery, sesquicentennial celebration information, and various publications and information related to cemeteries.","This series is composed of maps and charts of Woodbine Cemetery and the Mausoleum, which show how the cemetery expanded during the 20 th  century.","A copy of the book, \"Beautiful Thornrose,\" edited by Arista Hoge (Staunton, VA: Press of the McClure Co., 1914), was separated from the collection, and is housed in Special Collections Monographs, F234.S8 B4 1914.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Woodbine Cemetery Records, circa 1830-2006, consist of materials relating to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business over approximately the past 150 years.","James Madison University Libraries Special Collections","Woodbine Cemetery","English"],"unitid_tesim":["SC 0236","/repositories/4/resources/505"],"normalized_title_ssm":["Woodbine Cemetery Records"],"collection_title_tesim":["Woodbine Cemetery Records"],"collection_ssim":["Woodbine Cemetery Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History","Harrisonburg (Va.) -- Genealogy","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy"],"geogname_ssim":["Harrisonburg (Va.) -- History","Harrisonburg (Va.) -- Genealogy","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy"],"creator_ssm":["Woodbine Cemetery","Woodbine Cemetery"],"creator_ssim":["Woodbine Cemetery","Woodbine Cemetery"],"creator_corpname_ssim":["Woodbine Cemetery","Woodbine Cemetery"],"creators_ssim":["Woodbine Cemetery","Woodbine Cemetery"],"places_ssim":["Harrisonburg (Va.) -- History","Harrisonburg (Va.) -- Genealogy","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Charlie Chenault, Woodbine Cemetery Board of Trustees, Secretary/Treasurer, on August 27, 2015. Additions were made by Lisa Batchelder, superintendent of Woodbine Cemetery, in September and October 2021."],"access_subjects_ssim":["Cemeteries -- Virginia -- Rockingham County","Cemeteries -- Virginia -- Harrisonburg","Financial Records","Receipts (financial records)","Minutes (administrative records)","Maps (documents)","Plats (maps)","Checks (bank checks)","Directories","Ledgers (account books)","Administrative reports","Letters (correspondence)","Deeds"],"access_subjects_ssm":["Cemeteries -- Virginia -- Rockingham County","Cemeteries -- Virginia -- Harrisonburg","Financial Records","Receipts (financial records)","Minutes (administrative records)","Maps (documents)","Plats (maps)","Checks (bank checks)","Directories","Ledgers (account books)","Administrative reports","Letters (correspondence)","Deeds"],"has_online_content_ssim":["false"],"extent_ssm":["26.17 cubic feet 74 boxes, 6 flat files"],"extent_tesim":["26.17 cubic feet 74 boxes, 6 flat files"],"genreform_ssim":["Financial Records","Receipts (financial records)","Minutes (administrative records)","Maps (documents)","Plats (maps)","Checks (bank checks)","Directories","Ledgers (account books)","Administrative reports","Letters (correspondence)","Deeds"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eParts of the collection are restricted, due to the presence of personally identifying information. 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Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Parts of the collection are restricted, due to the presence of personally identifying information. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted"],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in six series. Broadly speaking, each series is arranged first by the type of material, and then chronologically within these broader categories. Exceptions to this arrangement were made in order to pay respects to the original order, as well as when precise dates could not be readily determined.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eFinancial Files, circa 1840-2006 (bulk 1890-2006)\u003c/item\u003e\n      \u003citem\u003eAdministrative Files, 1853-2002\u003c/item\u003e\n      \u003citem\u003eBusiness Records, 1898-2006\u003c/item\u003e\n      \u003citem\u003eMausoleum Records, 1924-2006\u003c/item\u003e\n      \u003citem\u003eEphemera, 1985-2000\u003c/item\u003e\n      \u003citem\u003eMaps, 1913-1966\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in six series. Broadly speaking, each series is arranged first by the type of material, and then chronologically within these broader categories. Exceptions to this arrangement were made in order to pay respects to the original order, as well as when precise dates could not be readily determined.","Financial Files, circa 1840-2006 (bulk 1890-2006) Administrative Files, 1853-2002 Business Records, 1898-2006 Mausoleum Records, 1924-2006 Ephemera, 1985-2000 Maps, 1913-1966"],"bibliography_html_tesm":["\u003cbibref\u003eLiskey, Nelson J. \"History of Woodbine Cemetery,\" Harrisonburg, VA. 1998.\u003c/bibref\u003e","\u003cbibref\u003e\"About Woodbine.\" Woodbine Cemetery. http://woodbinecemetery.org/about-woodbine/ (Accessed September 19, 2018).\u003c/bibref\u003e","\u003cbibref\u003eMoore, Robert H. \"The Woodbine Cemetery.\" Historical Marker Database, February 26, 2009. https://www.hmdb.org/marker.asp?marker=16486 (Accessed September 19, 2018).\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Liskey, Nelson J. \"History of Woodbine Cemetery,\" Harrisonburg, VA. 1998.","\"About Woodbine.\" Woodbine Cemetery. http://woodbinecemetery.org/about-woodbine/ (Accessed September 19, 2018).","Moore, Robert H. \"The Woodbine Cemetery.\" Historical Marker Database, February 26, 2009. https://www.hmdb.org/marker.asp?marker=16486 (Accessed September 19, 2018)."],"bioghist_html_tesm":["\u003cp\u003eWoodbine Cemetery Company was founded on March 19, 1850 by the Virginia General Assembly, as a non-denominational burial ground in Harrisonburg, Virginia. The first land for the cemetery was purchased seven months later, on October 11, 1850, from Harrisonburg's first mayor, Isaac Hardesty, who sold 2½ acres to the cemetery company. It has continued to expand in size over the years, and the current grounds cover about 18 acres. Woodbine Cemetery contains roughly 11,550 burial plots with approximately 9,000 interred.\u003c/p\u003e\n","\u003cp\u003eSoon after the Civil War, the cemetery created an area dedicated to Confederate soldiers and veterans. This section was originally maintained by the Ladies Memorial Association, founded in 1868 with the charge of caring for the graves of Confederate soldiers buried in Rockingham County. The Ladies Memorial Association erected a soldiers monument in 1876, and in 1899 with the aid of the Turner Ashby Chapter of the United Daughters of the Confederacy, replaced all wooden head boards with white marble stones. The section was expanded in 1886, when Samuel Shacklett donated a 5 acre-plot, containing land likely already in use as a Confederate cemetery. There are now over 200 Confederate soldier or veterans buried there, representing states of Virginia, North Carolina, Maryland, Louisiana, Alabama, South Carolina, Georgia, Missouri, and Tennessee. The cemetery also contains area known as \"Little Arlington,\" dedicated to those who served in World War I and World War II. \u003c/p\u003e\n","\u003cp\u003eThe Community Mausoleum was erected in 1926, though there are no records of incorporation until 1936, when it was incorporated as the \"Communal Mausoleum Crypt Owners, Inc.\" In February 2006, the mausoleum merged with Woodbine Cemetery Company.\u003c/p\u003e\n","\u003cp\u003eAccording to a Woodbine Board of Trustees report dated April 2, 1853, the original cemetery contained plots designated for African Americans, stating, \"…in the rear plats have already been appropriated to single interments, and likewise for the use of colored persons.\" According to Nelson J. Liskey's, \"History of Woodbine Cemetery,\" in 1969, the board adopted a policy that \"no restrictions as to race would be applicable to lot purchasers.\" Certificates of Ownership of Communal Mausoleum Crypts at Woodbine Cemetery state that \"the crypts are for the entombment of the human dead of the Caucasian race only.\"\u003c/p\u003e\n","\u003cp\u003eSuperintendents of Woodbine Cemetery include, but are not limited to, the following individuals: John Foster (1851), J.P. Hyde (1863), J.E. Good (1880), Bowman Gilmer (1918-1958), Sherman Gilmer (1958-1981), David Schrock (1981-1992), Lisa Batchelder (1992-present).\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Woodbine Cemetery Company was founded on March 19, 1850 by the Virginia General Assembly, as a non-denominational burial ground in Harrisonburg, Virginia. The first land for the cemetery was purchased seven months later, on October 11, 1850, from Harrisonburg's first mayor, Isaac Hardesty, who sold 2½ acres to the cemetery company. It has continued to expand in size over the years, and the current grounds cover about 18 acres. Woodbine Cemetery contains roughly 11,550 burial plots with approximately 9,000 interred.","Soon after the Civil War, the cemetery created an area dedicated to Confederate soldiers and veterans. This section was originally maintained by the Ladies Memorial Association, founded in 1868 with the charge of caring for the graves of Confederate soldiers buried in Rockingham County. The Ladies Memorial Association erected a soldiers monument in 1876, and in 1899 with the aid of the Turner Ashby Chapter of the United Daughters of the Confederacy, replaced all wooden head boards with white marble stones. The section was expanded in 1886, when Samuel Shacklett donated a 5 acre-plot, containing land likely already in use as a Confederate cemetery. There are now over 200 Confederate soldier or veterans buried there, representing states of Virginia, North Carolina, Maryland, Louisiana, Alabama, South Carolina, Georgia, Missouri, and Tennessee. The cemetery also contains area known as \"Little Arlington,\" dedicated to those who served in World War I and World War II. ","The Community Mausoleum was erected in 1926, though there are no records of incorporation until 1936, when it was incorporated as the \"Communal Mausoleum Crypt Owners, Inc.\" In February 2006, the mausoleum merged with Woodbine Cemetery Company.","According to a Woodbine Board of Trustees report dated April 2, 1853, the original cemetery contained plots designated for African Americans, stating, \"…in the rear plats have already been appropriated to single interments, and likewise for the use of colored persons.\" According to Nelson J. Liskey's, \"History of Woodbine Cemetery,\" in 1969, the board adopted a policy that \"no restrictions as to race would be applicable to lot purchasers.\" Certificates of Ownership of Communal Mausoleum Crypts at Woodbine Cemetery state that \"the crypts are for the entombment of the human dead of the Caucasian race only.\"","Superintendents of Woodbine Cemetery include, but are not limited to, the following individuals: John Foster (1851), J.P. Hyde (1863), J.E. Good (1880), Bowman Gilmer (1918-1958), Sherman Gilmer (1958-1981), David Schrock (1981-1992), Lisa Batchelder (1992-present)."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Woodbine Cemetery Records, circa 1830-2006 (bulk 1940-2006), SC 0236, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Woodbine Cemetery Records, circa 1830-2006 (bulk 1940-2006), SC 0236, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eDue to the lengthy time period covered by this collection, the materials were created, collected and organized by a variety of individuals, and completeness of the records varies. Where possible, the original order and naming conventions were retained. The collection also originally contained various stamps, keys, and other 3-dimensional objects, which were not retained.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Due to the lengthy time period covered by this collection, the materials were created, collected and organized by a variety of individuals, and completeness of the records varies. Where possible, the original order and naming conventions were retained. The collection also originally contained various stamps, keys, and other 3-dimensional objects, which were not retained."],"scopecontent_html_tesm":["\u003cp\u003eThe Woodbine Cemetery Records, circa 1830-2006, are comprised of materials related to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business, between the 1850s and 2006. This includes records relating to the management of the Woodbine Mausoleum, which existed as a separate entity until 2006, when it was acquired by Woodbine Cemetery. \u003c/p\u003e\n","\u003cp\u003eDue to the lengthy time period covered, the materials were collected and organized by a variety of individuals, and completeness of the records varies. When possible, the original order and naming conventions were retained. The material relates almost exclusively to Woodbine Cemetery in Harrisonburg VA, though some of the ephemera relates to other cemeteries as well.\u003c/p\u003e","\u003cp\u003eFinancial Files, ca. 1840-2006, is comprised of financial documents of various types. These include receipts for materials purchased by the cemetery for operations, including hardware, materials, landscaping services, and other expenses relating to the day-to-day care of the cemetery grounds and buildings. Cemetery account books, receipt books, and ledgers track the income and expenditures of the Cemetery, including payments made to the cemetery for the one-time purchase of plots and ongoing income from perpetual care plots. Additional information includes cemetery tax documents are returns, employee payment and salary information, banking documents (including deposit slips and account statements), donor pledges, and other related documents directly impacting the financial affairs of Woodbine cemetery. Certain folder within this series are restricted, due to the presence of personally identifying information.\u003c/p\u003e","\u003cp\u003eAdministrative Files, ca. 1830-2002, is comprised of documents which record the information used to manage the cemetery. As such, it contains reports and minutes compiled by the cemetery's various treasurers and presidents over the years, information relating to board meetings, insurance policy papers, and other similar documents created in the course of running the business.\u003c/p\u003e","\u003cp\u003eThis series contains material relating to the business side of Woodbine Cemetery from the years 1898-2006. The materials within this series relate to the cemetery's interactions with their customers and patrons. As such, it includes lists of lot owners, deeds, and contact information for customers. Among these materials are documents relating to disputes, and questions arising about specific plots or persons in the cemetery. Also included are newsletters, fund letters, mailing lists, and correspondence generating through interactions with the Harrisonburg community at large.\u003c/p\u003e","\u003cp\u003eThis series contains the information related to the management and fundraising efforts of the Woodbine Community Mausoleum from its founding in 1989 until it was acquired by Woodbine Cemetery in 2006. This includes financial documents, board minutes, owner information, and all other material relating specifically to the Mausoleum. The voided certificates of ownership of communal mausoleum crypts at Woodbine Cemetery, dated 1927-1970, state that \"the crypts are for the entombment of the human dead of the Caucasian race only...\".\u003c/p\u003e","\u003cp\u003eThis series is comprised of general records that were maintained by the cemetery for posterity, including photographs of the cemetery, sesquicentennial celebration information, and various publications and information related to cemeteries.\u003c/p\u003e","\u003cp\u003eThis series is composed of maps and charts of Woodbine Cemetery and the Mausoleum, which show how the cemetery expanded during the 20\u003cemph render=\"super\"\u003eth\u003c/emph\u003e century.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Woodbine Cemetery Records, circa 1830-2006, are comprised of materials related to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business, between the 1850s and 2006. This includes records relating to the management of the Woodbine Mausoleum, which existed as a separate entity until 2006, when it was acquired by Woodbine Cemetery. ","Due to the lengthy time period covered, the materials were collected and organized by a variety of individuals, and completeness of the records varies. When possible, the original order and naming conventions were retained. The material relates almost exclusively to Woodbine Cemetery in Harrisonburg VA, though some of the ephemera relates to other cemeteries as well.","Financial Files, ca. 1840-2006, is comprised of financial documents of various types. These include receipts for materials purchased by the cemetery for operations, including hardware, materials, landscaping services, and other expenses relating to the day-to-day care of the cemetery grounds and buildings. Cemetery account books, receipt books, and ledgers track the income and expenditures of the Cemetery, including payments made to the cemetery for the one-time purchase of plots and ongoing income from perpetual care plots. Additional information includes cemetery tax documents are returns, employee payment and salary information, banking documents (including deposit slips and account statements), donor pledges, and other related documents directly impacting the financial affairs of Woodbine cemetery. Certain folder within this series are restricted, due to the presence of personally identifying information.","Administrative Files, ca. 1830-2002, is comprised of documents which record the information used to manage the cemetery. As such, it contains reports and minutes compiled by the cemetery's various treasurers and presidents over the years, information relating to board meetings, insurance policy papers, and other similar documents created in the course of running the business.","This series contains material relating to the business side of Woodbine Cemetery from the years 1898-2006. The materials within this series relate to the cemetery's interactions with their customers and patrons. As such, it includes lists of lot owners, deeds, and contact information for customers. Among these materials are documents relating to disputes, and questions arising about specific plots or persons in the cemetery. Also included are newsletters, fund letters, mailing lists, and correspondence generating through interactions with the Harrisonburg community at large.","This series contains the information related to the management and fundraising efforts of the Woodbine Community Mausoleum from its founding in 1989 until it was acquired by Woodbine Cemetery in 2006. This includes financial documents, board minutes, owner information, and all other material relating specifically to the Mausoleum. The voided certificates of ownership of communal mausoleum crypts at Woodbine Cemetery, dated 1927-1970, state that \"the crypts are for the entombment of the human dead of the Caucasian race only...\".","This series is comprised of general records that were maintained by the cemetery for posterity, including photographs of the cemetery, sesquicentennial celebration information, and various publications and information related to cemeteries.","This series is composed of maps and charts of Woodbine Cemetery and the Mausoleum, which show how the cemetery expanded during the 20 th  century."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of the book, \"Beautiful Thornrose,\" edited by Arista Hoge (Staunton, VA: Press of the McClure Co., 1914), was separated from the collection, and is housed in Special Collections Monographs, F234.S8 B4 1914.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of the book, \"Beautiful Thornrose,\" edited by Arista Hoge (Staunton, VA: Press of the McClure Co., 1914), was separated from the collection, and is housed in Special Collections Monographs, F234.S8 B4 1914."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0421d1cf9d4c8ba636671e114731d266\"\u003eThe Woodbine Cemetery Records, circa 1830-2006, consist of materials relating to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business over approximately the past 150 years.\u003c/abstract\u003e"],"abstract_tesim":["The Woodbine Cemetery Records, circa 1830-2006, consist of materials relating to the operation of Woodbine Cemetery, in Harrisonburg, Virginia. The collection includes a wide array of financial and commercial materials, including receipt books and loose receipts, account books, checks, ledgers, bank statements, board minutes and reports, customer correspondence, insurance information, maps, and other materials produced during the course of business over approximately the past 150 years."],"names_coll_ssim":["Woodbine Cemetery"],"names_ssim":["James Madison University Libraries Special Collections","Woodbine Cemetery"],"corpname_ssim":["James Madison University Libraries Special Collections","Woodbine Cemetery"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":557,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:48.473Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_505"}},{"id":"wvmturhc_repositories_2_resources_4733","type":"collection","attributes":{"title":"Woodbridge-Blennerhassett Papers","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4733#creator","type":"document_value","attributes":{"value":"Woodbridge-Blennerhassett and Company","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4733#abstract_or_scope","type":"document_value","attributes":{"value":"Correspondence and financial records of the firm of Dudley Woodbridge and Company of Marietta, Ohio, pertaining to Woodbridge's partnership with Harman Blennerhassett. Subjects include early Ohio River trade, transportation, and markets; Blennerhassett's financial misfortunes; the Burr conspiracy; and family and social affairs. Included in the collection are extracts from the Silas Brown letters in the Library of Congress relating to the Burr Conspiracy; and an unpublished manuscript by Josephine Phillips, \"The Blennerhassett-Woodbridge Partnership: An Experiment in Chain Store Operation, 1798-1806.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4733#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_4733","ead_ssi":"wvmturhc_repositories_2_resources_4733","_root_":"wvmturhc_repositories_2_resources_4733","_nest_parent_":"wvmturhc_repositories_2_resources_4733","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4733.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198324","title_ssm":["Woodbridge-Blennerhassett Papers"],"title_tesim":["Woodbridge-Blennerhassett Papers"],"unitdate_ssm":["1797-1818, 1935"],"unitdate_inclusive_ssm":["1797-1818, 1935"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4733"],"text":["A\u0026M 1459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4733","Woodbridge-Blennerhassett Papers","Ohio River","Marietta (Ohio)","Burr Conspiracy, 1805-1807","Transportation","General stores","Rivers and river valleys.","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Correspondence and financial records of the firm of Dudley Woodbridge and Company of Marietta, Ohio, pertaining to Woodbridge's partnership with Harman Blennerhassett. Subjects include early Ohio River trade, transportation, and markets; Blennerhassett's financial misfortunes; the Burr conspiracy; and family and social affairs. Included in the collection are extracts from the Silas Brown letters in the Library of Congress relating to the Burr Conspiracy; and an unpublished manuscript by Josephine Phillips, \"The Blennerhassett-Woodbridge Partnership: An Experiment in Chain Store Operation, 1798-1806.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Woodbridge, Dudley and Company","Library of Congress","Woodbridge-Blennerhassett.","Woodbridge-Blennerhassett and Company","Brown, Silas","Phillips, Josephine","Woodbridge, Dudley.","Blennerhassett, Harman, 1764-1831","English \n.    "],"unitid_tesim":["A\u0026M 1459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4733"],"normalized_title_ssm":["Woodbridge-Blennerhassett Papers"],"collection_title_tesim":["Woodbridge-Blennerhassett Papers"],"collection_ssim":["Woodbridge-Blennerhassett Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Ohio River","Marietta (Ohio)"],"geogname_ssim":["Ohio River","Marietta (Ohio)"],"creator_ssm":["Woodbridge-Blennerhassett and Company"],"creator_ssim":["Woodbridge-Blennerhassett and Company"],"creator_persname_ssim":["Woodbridge-Blennerhassett and Company"],"creators_ssim":["Woodbridge-Blennerhassett and Company"],"places_ssim":["Ohio River","Marietta (Ohio)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Burr Conspiracy, 1805-1807","Transportation","General stores","Rivers and river valleys."],"access_subjects_ssm":["Burr Conspiracy, 1805-1807","Transportation","General stores","Rivers and river valleys."],"has_online_content_ssim":["false"],"extent_ssm":["0.15 Linear Feet Summary: 1 3/4 in. (1 reel of microfilm, typescript copies, 1.75 in.)"],"extent_tesim":["0.15 Linear Feet Summary: 1 3/4 in. (1 reel of microfilm, typescript copies, 1.75 in.)"],"date_range_isim":[1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Woodbridge-Blennerhassett Papers, A\u0026amp;M 1459, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Woodbridge-Blennerhassett Papers, A\u0026M 1459, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0cffab23bd794440587af9bfb3e22da5\"\u003eCorrespondence and financial records of the firm of Dudley Woodbridge and Company of Marietta, Ohio, pertaining to Woodbridge's partnership with Harman Blennerhassett. Subjects include early Ohio River trade, transportation, and markets; Blennerhassett's financial misfortunes; the Burr conspiracy; and family and social affairs. Included in the collection are extracts from the Silas Brown letters in the Library of Congress relating to the Burr Conspiracy; and an unpublished manuscript by Josephine Phillips, \"The Blennerhassett-Woodbridge Partnership: An Experiment in Chain Store Operation, 1798-1806.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence and financial records of the firm of Dudley Woodbridge and Company of Marietta, Ohio, pertaining to Woodbridge's partnership with Harman Blennerhassett. Subjects include early Ohio River trade, transportation, and markets; Blennerhassett's financial misfortunes; the Burr conspiracy; and family and social affairs. Included in the collection are extracts from the Silas Brown letters in the Library of Congress relating to the Burr Conspiracy; and an unpublished manuscript by Josephine Phillips, \"The Blennerhassett-Woodbridge Partnership: An Experiment in Chain Store Operation, 1798-1806."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8787073f37f6250ada30faf8681d144a\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Woodbridge, Dudley and Company","Library of Congress","Woodbridge-Blennerhassett.","Brown, Silas","Phillips, Josephine","Woodbridge, Dudley.","Blennerhassett, Harman, 1764-1831"],"names_ssim":["West Virginia and Regional History Center","Woodbridge, Dudley and Company","Library of Congress","Woodbridge-Blennerhassett.","Woodbridge-Blennerhassett and Company","Brown, Silas","Phillips, Josephine","Woodbridge, Dudley.","Blennerhassett, Harman, 1764-1831"],"corpname_ssim":["West Virginia and Regional History Center","Woodbridge, Dudley and Company","Library of Congress","Woodbridge-Blennerhassett."],"persname_ssim":["Woodbridge-Blennerhassett and Company","Brown, Silas","Phillips, Josephine","Woodbridge, Dudley.","Blennerhassett, Harman, 1764-1831"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:45:08.565Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_4733","ead_ssi":"wvmturhc_repositories_2_resources_4733","_root_":"wvmturhc_repositories_2_resources_4733","_nest_parent_":"wvmturhc_repositories_2_resources_4733","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4733.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198324","title_ssm":["Woodbridge-Blennerhassett Papers"],"title_tesim":["Woodbridge-Blennerhassett Papers"],"unitdate_ssm":["1797-1818, 1935"],"unitdate_inclusive_ssm":["1797-1818, 1935"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4733"],"text":["A\u0026M 1459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4733","Woodbridge-Blennerhassett Papers","Ohio River","Marietta (Ohio)","Burr Conspiracy, 1805-1807","Transportation","General stores","Rivers and river valleys.","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Correspondence and financial records of the firm of Dudley Woodbridge and Company of Marietta, Ohio, pertaining to Woodbridge's partnership with Harman Blennerhassett. Subjects include early Ohio River trade, transportation, and markets; Blennerhassett's financial misfortunes; the Burr conspiracy; and family and social affairs. Included in the collection are extracts from the Silas Brown letters in the Library of Congress relating to the Burr Conspiracy; and an unpublished manuscript by Josephine Phillips, \"The Blennerhassett-Woodbridge Partnership: An Experiment in Chain Store Operation, 1798-1806.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Woodbridge, Dudley and Company","Library of Congress","Woodbridge-Blennerhassett.","Woodbridge-Blennerhassett and Company","Brown, Silas","Phillips, Josephine","Woodbridge, Dudley.","Blennerhassett, Harman, 1764-1831","English \n.    "],"unitid_tesim":["A\u0026M 1459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4733"],"normalized_title_ssm":["Woodbridge-Blennerhassett Papers"],"collection_title_tesim":["Woodbridge-Blennerhassett Papers"],"collection_ssim":["Woodbridge-Blennerhassett Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Ohio River","Marietta (Ohio)"],"geogname_ssim":["Ohio River","Marietta (Ohio)"],"creator_ssm":["Woodbridge-Blennerhassett and Company"],"creator_ssim":["Woodbridge-Blennerhassett and Company"],"creator_persname_ssim":["Woodbridge-Blennerhassett and Company"],"creators_ssim":["Woodbridge-Blennerhassett and Company"],"places_ssim":["Ohio River","Marietta (Ohio)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Burr Conspiracy, 1805-1807","Transportation","General stores","Rivers and river valleys."],"access_subjects_ssm":["Burr Conspiracy, 1805-1807","Transportation","General stores","Rivers and river valleys."],"has_online_content_ssim":["false"],"extent_ssm":["0.15 Linear Feet Summary: 1 3/4 in. (1 reel of microfilm, typescript copies, 1.75 in.)"],"extent_tesim":["0.15 Linear Feet Summary: 1 3/4 in. (1 reel of microfilm, typescript copies, 1.75 in.)"],"date_range_isim":[1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Woodbridge-Blennerhassett Papers, A\u0026amp;M 1459, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Woodbridge-Blennerhassett Papers, A\u0026M 1459, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0cffab23bd794440587af9bfb3e22da5\"\u003eCorrespondence and financial records of the firm of Dudley Woodbridge and Company of Marietta, Ohio, pertaining to Woodbridge's partnership with Harman Blennerhassett. Subjects include early Ohio River trade, transportation, and markets; Blennerhassett's financial misfortunes; the Burr conspiracy; and family and social affairs. Included in the collection are extracts from the Silas Brown letters in the Library of Congress relating to the Burr Conspiracy; and an unpublished manuscript by Josephine Phillips, \"The Blennerhassett-Woodbridge Partnership: An Experiment in Chain Store Operation, 1798-1806.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence and financial records of the firm of Dudley Woodbridge and Company of Marietta, Ohio, pertaining to Woodbridge's partnership with Harman Blennerhassett. Subjects include early Ohio River trade, transportation, and markets; Blennerhassett's financial misfortunes; the Burr conspiracy; and family and social affairs. Included in the collection are extracts from the Silas Brown letters in the Library of Congress relating to the Burr Conspiracy; and an unpublished manuscript by Josephine Phillips, \"The Blennerhassett-Woodbridge Partnership: An Experiment in Chain Store Operation, 1798-1806."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8787073f37f6250ada30faf8681d144a\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Woodbridge, Dudley and Company","Library of Congress","Woodbridge-Blennerhassett.","Brown, Silas","Phillips, Josephine","Woodbridge, Dudley.","Blennerhassett, Harman, 1764-1831"],"names_ssim":["West Virginia and Regional History Center","Woodbridge, Dudley and Company","Library of Congress","Woodbridge-Blennerhassett.","Woodbridge-Blennerhassett and Company","Brown, Silas","Phillips, Josephine","Woodbridge, Dudley.","Blennerhassett, Harman, 1764-1831"],"corpname_ssim":["West Virginia and Regional History Center","Woodbridge, Dudley and Company","Library of Congress","Woodbridge-Blennerhassett."],"persname_ssim":["Woodbridge-Blennerhassett and Company","Brown, Silas","Phillips, Josephine","Woodbridge, Dudley.","Blennerhassett, Harman, 1764-1831"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:45:08.565Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4733"}},{"id":"wvmturhc_repositories_2_resources_4728","type":"collection","attributes":{"title":"Woodbridge Mercantile Company Records","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4728#creator","type":"document_value","attributes":{"value":"Woodbridge Mercantile Company","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4728#abstract_or_scope","type":"document_value","attributes":{"value":"Letter and account books, clipping scrapbooks, and miscellaneous family papers of a pioneer, Ohio Valley, general merchandise firm founded by Dudley Woodbridge, Sr., at Marietta, Ohio, and operating under various names for a period of more than sixty years. The collection also includes the account books of Daniel, Richard, and John Greene, 1808-1844; account books of F.B. Loomis, 1842-1844; a medicinal formulary book; the estate records of John Brody; records of a pension and bounty land claims agency operated by George M. Woodbridge, 1861-1864; and justice of the peace accounts, 1832-1863. Subjects include the development of river markets, transportation, and the livestock industry in the early Ohio Valley; fur trade and commerce with England and Europe; the Marietta and Susquehanna Trading Company; Kanawha and Sciota salt works; Ohio Company lands; Woodbridge-Harman Blennerhassett partnership; ginseng trade; Wheeling Cotton Manufacturing Company; ropewalk and shipbuilding in Marietta; military land warrants; estate of George Morgan; career of William Woodbridge, United States senator and governor of Michigan; pioneer education; Meadville Seminary; Ohio University; Miami University; Marietta Collegiate Institute; Belpre, Ohio; American Catholic missions; early history of Marietta; the American Colonization Society; Washington County Colonization Society; churches; Washington County Tract Society; recruiting in Marietta during the Civil War; impact of the War of 1812 on westward migration and labor; and Woodbridge family affairs. Letters are addressed to merchants in London, France, New York, Philadelphia, Pittsburgh, Charleston (West Virginia), Lexington and Louisville (Kentucky), Cincinnati, St. Louis, New Orleans, Washington, Detroit, and Baltimore. Correspondents include Lewis Cass, Philip Doddridge, and Benjamin Reeder.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4728#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_4728","ead_ssi":"wvmturhc_repositories_2_resources_4728","_root_":"wvmturhc_repositories_2_resources_4728","_nest_parent_":"wvmturhc_repositories_2_resources_4728","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4728.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198319","title_ssm":["Woodbridge Mercantile Company Records"],"title_tesim":["Woodbridge Mercantile Company Records"],"unitdate_ssm":["1743-1882"],"unitdate_inclusive_ssm":["1743-1882"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1455","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4728"],"text":["A\u0026M 1455","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4728","Woodbridge Mercantile Company Records","Baltimore (Md.)","Charleston.","Cincinnati (Ohio)","Detroit (Mich.)","England","Europe","France","Kanawha.","Lexington (Ky.)","London (England)","Louisville (Ky.)","Marietta (Ohio)","Michigan","New Orleans (La.)","New York (State)","Ohio River Valley","Philadelphia (Pa.)","Pittsburgh (Pa.)","Saint Louis (Mo.)","Scioto River (Ohio)","Washington (D.C.)","United States -- History -- Civil War, 1861-1865","United States -- History -- War of 1812","American ginseng","Account books","Livestock","Churches  -- Roman Catholic, American missions","Churches  -- Roman Catholic","Church buildings","Drugs and druggists.","Education","Education. SEE ALSO Schools.","Fur trade","General stores","Justices of the peace","Labor organization. SEE ALSO Coal mining - labor","Medicine. SEE ALSO Folk medicine.","Missionaries","Frontier and pioneer life","Politics and government.","Rivers and river valleys.","Salt industry and trade","Schools. SEE ALSO Academies","Slaves and slavery.","Transportation","Unions.","Universities and colleges","No special access restriction applies.","These are the records of the Woodbridge Mercantile Company and related businesses operated in Marietta, Ohio from the years 1743 to 1882. Woodbridge began the business, which included trade up and down the Ohio River from Pittsburgh and Philadelphia to Kentucky and points in between. George M. Woodbridge's business dealt in real estate, and so indicates the growth of the area west of Marietta. The growth of river trade and the types of goods traded are described extensively in the collection. Other topics include aspects of life in the early nineteenth century Ohio River Valley, real estate, and other business concerns. Prominent names in the collection include D. Woodbridge, George M. Woodbridge, and Harmon Blennerhasset.","Subjects found in collection:","Ships and shipbuilding – Volumes 1, 6, 8, 14, 31, 37, 53, 132","Transportation of goods, overland and by river (Ohio and Muskingum) – Volumes 1, 2, 4, 5, 9, 123, 124","Harmon Blennerhasset and Blennerhasset Island – Volumes 1, 2, 4, 5, 7, 19, 21, 22, 23, 24, 25","Land values and transaction of land – Volumes 56, 79, 81, 89, 131","Bank of Marietta – Volumes 2, 6, 9, 98","This series includes volumes 1-10, which are letter books dating from 1801 to 1836. These books contain copies of correspondence mostly regarding business matters of Woodbridge Mercantile Company. Subjects discussed include goods traded, ship building, river traffic and overland transportation of goods, impact of the War of 1812, Blennerhasset Island, purchases of stock in local banks, and land sales.","Letters signed D. Woodbridge, Jr. and D. Woodbridge and Co. Includes 52 letters to Harman Blennerhassett re. company business, goods ordered, and ship building, launching, and voyages. Cargo mentioned includes skins, hemp, ginseng, and pork taken in trade and purchased for sale in Pittsburgh and Philadelphia. Also, letters to James Converse, Joseph F. Munro, Mrs. Mary Jourdan (Philadelphia agent for Woodbridge \u0026 Co.), James Backus, William Woodbridge, Joseph Clarke, Jacob Burnet, John Daman, Andrew and John Oliphant, R. Caldwell, and Capt. William Latimer. Subjects include purchasing and selling various goods, shipbuilding, ropewalk business in Marietta, river traffic, instructions to agents, and Sciota Salt Works.","Subjects include dissolution of D. Woodbridge \u0026 Co. partnership, purchase and sale of goods, transportation by wagon and riverboats, salt received on commission from Donnally and Steele (Kanawha Salt Works), transactions on Ohio Company lands, ropewalk in Marietta, purchase of shares in Pittsburgh manufaturing company, settlement of Col. George Morgan estate, transactions involving sugar and cotton in New Orleans and Kentucky, riverboat accidents and loss of cargo, effects of war on emigration to Ohio, the shortage of labor, Ohio banks, purchase of stock in a Canal company, and barge building in Marietta. Correspondents include: Moses Dillon, Jeffry Price, Sen. John Lambert, John Tilford, James Mountain, Harmon Blennerhassett, George Morgan, Philip Doddridge, Capt. Daniel Greene, Jonathan Buitteau, Benjamin Morgan, and Thomas Butler. Locations include: Philadelphia, Nashville, Cincinnati, Charleston, Lexington, Zanesville, and New Orleans.","Subjects include fur trade with London and French merchants, purcahse and sale of ginseng and other products, and re. conduct of storage and commission business. Names include: Thomas Morgan, Samuel Murdock, Thomas L. Pierce, Sevil Scovil and Co., John Barr, and L. Barber. Places named include: Philadelphia, Pittsburgh, Baltimore, Lexington, New York, St. Louis, and London.","Subjects include currency exchange, shipping conditions, marketing information, rental of Blennerhassett Island, and mercantile business. Names and firms: Moses Dillon, James W. Biddle \u0026 Co., Steele, Donnally \u0026 Steele, Thomas Baker, S.\u0026G. Trotter \u0026 Co., and Gelman and Ammidon. Places named include: Ohio, Tennessee, Virginia, Pennsylvania, New York, Kentucky.","Subjects include routine business letters, the Lucy Backus Woodbridge estate, family correspondence, resignation of William Woodbridge from Congress, rental of Blennerhassett Island. Business firms mentioned: Benjamin J. Gilman, W. Wilson \u0026 Co., Robert Fulton, R. J. Meigs, Clarissa Backus, J. W. Biddle \u0026 Co., and John Sproule. Places of business include: Philadelphia, Pittsburgh, Frankfort, Lexington, Washington D.C., Zanesville, Chillicothe, Detroit, Clarksburg, and Parkersburg.","Subjects include purchase of bank stock, estate of Lucy Backus Woodbridge, currency exchange, steamboat building, and family and business affairs. Correspondents include: Jesse B. Thomas, Benjamin Reeder, E. Buckingham Jr. \u0026 Co., Elihu Chauncey, Henry Strong, Daniel Converse, Joseph Willard, Sam A. Wescott, and Henry Northrup. Places addressed: Washington D.C., Norwich, Lexington, Philadelphia, Pitssburgh, Wheeling, Clarksburg, Frankfort, St. Clairsville, Steubenville, Zanesville, and Cincinnati.","Unsigned letters, mainly from Pt. Harman, ordering goods for the D. Woodbridge Store. Also some letters concerning tobacco, ginseng, dried fruit, skins, beeswax, rags, feathers, and other products shipped to eastern markets for sale.","Subjects: principally rountine business correspondence, but also includes letters to Wheeling seeking wool. Names of steamboats and captains are mentioned in various letters. Names of persons and companies addressed: J.J. Jackson, Luther Edgerton, Jones, Tyson \u0026 Co., W. Palmer, and D.T. Chambers. Letters addressed to: Philadelphia, Pittsburgh, Parkersburg, Sistersville, Wheeling, Louisville, Pt. Harman, Salem Ripley, and McConnelsville.","Subjects: family affairs, religion, William Woodbridge's office as U.S. Judge in Michigan, Wheeling Cotton Manufacturing Co., stock in Bank of the U.S. and other banks, the Morganza Tract in Pennsylvania, churches, missionary societies,Collegiate Institute, property in Marietta, and business opportunities. Correspondents include: Lewis Cass, Thomas McKennan, Waterman Palmer, Thomas Morgan, Rev. R.H. Bishop, William Holyoke, Rev. Artemus Ballard, Joseph Gales, and Rev. James Laurie.","A few letters dated at Pittsburgh to merchants and business houses in Philadelphia, Pittsburgh, and Louisville. Also includes a cash book spanning Jan. 1834 to Oct. 1836.","This series includes volumes 11-89. These are all daybooks (blotters) from 1788-1862. Subjects included concern river boats, Harmon Blennerhasset, transactions with various firms, goods traded, land warrants, and land sales.","This series contains record books other than daybooks, including volumes 90-128, 137, 138, and 141-145. Volumes 90-128 are records of the Woodbridge Company; volumes 137-138 are the records of the Greene Company; and volumes 142-145 are the records of the F.B. Loomis Company. Many of these contain the same sort of information as the day books, in a similar format. Years covered are 1743-1854. Types of books include invoice books, ledgers, cash books, inventory, warehouse books, memorandum books, sale books, receipt books, account books, and alphabetical indexes (volume 141).","This series contains only volumes 139-140. These are pension claim books of George M. Woodbridge during the Civil War. Dates are 1861-1864 and 1863 respectively.","This series consists of volumes 129-136, which are miscellaneous collections of George M. Woodbridge. Dates run from 1779 to 1882, but most items concern the later time period. Items included are blank notes from G.M. Woodbridge's General Agency and Land Office; Justice of the Peace Accounts, listing notes, cash payments, unsettled notes, etc.; Woodbridge Autobiographical memo, including a sampling of materials found elsewhere in the collection; a prescription book; a newspaper scrapbook compiled in the 1870s; another scrapbook, containing mostly religious material; a U.S. Internal Revenue List of the Several Collection Districts (1870); and an old manuscript book containing copies of anecdotes, stories, diary excerpts, and poems written by George M. Woodbridge. This last includes such titles as \"Marietta in 1804 or 1805,\" \"The Blennerhassets,\" \"Ships and Steamboats,\" and \"Steamboats Built at Marietta.\" There are 34 such writings in the manuscript book.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Letter and account books, clipping scrapbooks, and miscellaneous family papers of a pioneer, Ohio Valley, general merchandise firm founded by Dudley Woodbridge, Sr., at Marietta, Ohio, and operating under various names for a period of more than sixty years. The collection also includes the account books of Daniel, Richard, and John Greene, 1808-1844; account books of F.B. Loomis, 1842-1844; a medicinal formulary book; the estate records of John Brody; records of a pension and bounty land claims agency operated by George M. Woodbridge, 1861-1864; and justice of the peace accounts, 1832-1863. Subjects include the development of river markets, transportation, and the livestock industry in the early Ohio Valley; fur trade and commerce with England and Europe; the Marietta and Susquehanna Trading Company; Kanawha and Sciota salt works; Ohio Company lands; Woodbridge-Harman Blennerhassett partnership; ginseng trade; Wheeling Cotton Manufacturing Company; ropewalk and shipbuilding in Marietta; military land warrants; estate of George Morgan; career of William Woodbridge, United States senator and governor of Michigan; pioneer education; Meadville Seminary; Ohio University; Miami University; Marietta Collegiate Institute; Belpre, Ohio; American Catholic missions; early history of Marietta; the American Colonization Society; Washington County Colonization Society; churches; Washington County Tract Society; recruiting in Marietta during the Civil War; impact of the War of 1812 on westward migration and labor; and Woodbridge family affairs. Letters are addressed to merchants in London, France, New York, Philadelphia, Pittsburgh, Charleston (West Virginia), Lexington and Louisville (Kentucky), Cincinnati, St. Louis, New Orleans, Washington, Detroit, and Baltimore. Correspondents include Lewis Cass, Philip Doddridge, and Benjamin Reeder.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Woodbridge Mercantile Company","American Colonization Society","Marietta and Susquehanna Trading Company","Marietta Collegiate Institute and Western Teachers' Seminary","Meadville Seminary","Miami University (Oxford, Ohio)","Ohio Company.","Ohio University","United States. Congress. Senate","Washington County Colonization Society","Washington County Tract Society","Wheeling Cotton Manufacturing Company","Woodbridge-Blennerhassett.","Brody, John.","Cass, Lewis.","Doddridge, Philip, 1773-1832","Greene, Daniel.","Greene, John.","Greene, Richard.","Loomis, F.B.","Morgan, George","Reeder, Benjamin.","Woodbridge, Dudley, Sr.","Woodbridge, George M.","Woodbridge, William.","English \n.    "],"unitid_tesim":["A\u0026M 1455","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4728"],"normalized_title_ssm":["Woodbridge Mercantile Company Records"],"collection_title_tesim":["Woodbridge Mercantile Company Records"],"collection_ssim":["Woodbridge Mercantile Company Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Baltimore (Md.)","Charleston.","Cincinnati (Ohio)","Detroit (Mich.)","England","Europe","France","Kanawha.","Lexington (Ky.)","London (England)","Louisville (Ky.)","Marietta (Ohio)","Michigan","New Orleans (La.)","New York (State)","Ohio River Valley","Philadelphia (Pa.)","Pittsburgh (Pa.)","Saint Louis (Mo.)","Scioto River (Ohio)","Washington (D.C.)","United States -- History -- Civil War, 1861-1865","United States -- History -- War of 1812"],"geogname_ssim":["Baltimore (Md.)","Charleston.","Cincinnati (Ohio)","Detroit (Mich.)","England","Europe","France","Kanawha.","Lexington (Ky.)","London (England)","Louisville (Ky.)","Marietta (Ohio)","Michigan","New Orleans (La.)","New York (State)","Ohio River Valley","Philadelphia (Pa.)","Pittsburgh (Pa.)","Saint Louis (Mo.)","Scioto River (Ohio)","Washington (D.C.)","United States -- History -- Civil War, 1861-1865","United States -- History -- War of 1812"],"creator_ssm":["Woodbridge Mercantile Company"],"creator_ssim":["Woodbridge Mercantile Company"],"creator_corpname_ssim":["Woodbridge Mercantile Company"],"creators_ssim":["Woodbridge Mercantile Company"],"places_ssim":["Baltimore (Md.)","Charleston.","Cincinnati (Ohio)","Detroit (Mich.)","England","Europe","France","Kanawha.","Lexington (Ky.)","London (England)","Louisville (Ky.)","Marietta (Ohio)","Michigan","New Orleans (La.)","New York (State)","Ohio River Valley","Philadelphia (Pa.)","Pittsburgh (Pa.)","Saint Louis (Mo.)","Scioto River (Ohio)","Washington (D.C.)","United States -- History -- Civil War, 1861-1865","United States -- History -- War of 1812"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["American ginseng","Account books","Livestock","Churches  -- Roman Catholic, American missions","Churches  -- Roman Catholic","Church buildings","Drugs and druggists.","Education","Education. SEE ALSO Schools.","Fur trade","General stores","Justices of the peace","Labor organization. SEE ALSO Coal mining - labor","Medicine. SEE ALSO Folk medicine.","Missionaries","Frontier and pioneer life","Politics and government.","Rivers and river valleys.","Salt industry and trade","Schools. SEE ALSO Academies","Slaves and slavery.","Transportation","Unions.","Universities and colleges"],"access_subjects_ssm":["American ginseng","Account books","Livestock","Churches  -- Roman Catholic, American missions","Churches  -- Roman Catholic","Church buildings","Drugs and druggists.","Education","Education. SEE ALSO Schools.","Fur trade","General stores","Justices of the peace","Labor organization. SEE ALSO Coal mining - labor","Medicine. SEE ALSO Folk medicine.","Missionaries","Frontier and pioneer life","Politics and government.","Rivers and river valleys.","Salt industry and trade","Schools. SEE ALSO Academies","Slaves and slavery.","Transportation","Unions.","Universities and colleges"],"has_online_content_ssim":["false"],"extent_ssm":["11.10 Linear Feet Summary: 11 ft. 1 1/4 in. (21 document cases, 5 in. each); (3 document cases, 2 1/2 in. each); (4 small flat storage boxes, 3 1/2 in. each); (1 small flat storage box, 5 in.); (1 reel of microfilm, 1.75 in.)"],"extent_tesim":["11.10 Linear Feet Summary: 11 ft. 1 1/4 in. (21 document cases, 5 in. each); (3 document cases, 2 1/2 in. each); (4 small flat storage boxes, 3 1/2 in. each); (1 small flat storage box, 5 in.); (1 reel of microfilm, 1.75 in.)"],"date_range_isim":[1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Woodbridge Mercantile Company Records, A\u0026amp;M 1455, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Woodbridge Mercantile Company Records, A\u0026M 1455, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThese are the records of the Woodbridge Mercantile Company and related businesses operated in Marietta, Ohio from the years 1743 to 1882. Woodbridge began the business, which included trade up and down the Ohio River from Pittsburgh and Philadelphia to Kentucky and points in between. George M. Woodbridge's business dealt in real estate, and so indicates the growth of the area west of Marietta. The growth of river trade and the types of goods traded are described extensively in the collection. Other topics include aspects of life in the early nineteenth century Ohio River Valley, real estate, and other business concerns. Prominent names in the collection include D. Woodbridge, George M. Woodbridge, and Harmon Blennerhasset.\u003c/p\u003e\n","\u003cp\u003eSubjects found in collection:\u003c/p\u003e\n","\u003cp\u003eShips and shipbuilding – Volumes 1, 6, 8, 14, 31, 37, 53, 132\u003c/p\u003e\n","\u003cp\u003eTransportation of goods, overland and by river (Ohio and Muskingum) – Volumes 1, 2, 4, 5, 9, 123, 124\u003c/p\u003e\n","\u003cp\u003eHarmon Blennerhasset and Blennerhasset Island – Volumes 1, 2, 4, 5, 7, 19, 21, 22, 23, 24, 25\u003c/p\u003e\n","\u003cp\u003eLand values and transaction of land – Volumes 56, 79, 81, 89, 131\u003c/p\u003e\n","\u003cp\u003eBank of Marietta – Volumes 2, 6, 9, 98\u003c/p\u003e","\u003cp\u003eThis series includes volumes 1-10, which are letter books dating from 1801 to 1836. These books contain copies of correspondence mostly regarding business matters of Woodbridge Mercantile Company. Subjects discussed include goods traded, ship building, river traffic and overland transportation of goods, impact of the War of 1812, Blennerhasset Island, purchases of stock in local banks, and land sales.\u003c/p\u003e","\u003cp\u003eLetters signed D. Woodbridge, Jr. and D. Woodbridge and Co. Includes 52 letters to Harman Blennerhassett re. company business, goods ordered, and ship building, launching, and voyages. Cargo mentioned includes skins, hemp, ginseng, and pork taken in trade and purchased for sale in Pittsburgh and Philadelphia. Also, letters to James Converse, Joseph F. Munro, Mrs. Mary Jourdan (Philadelphia agent for Woodbridge \u0026amp; Co.), James Backus, William Woodbridge, Joseph Clarke, Jacob Burnet, John Daman, Andrew and John Oliphant, R. Caldwell, and Capt. William Latimer. Subjects include purchasing and selling various goods, shipbuilding, ropewalk business in Marietta, river traffic, instructions to agents, and Sciota Salt Works.\u003c/p\u003e","\u003cp\u003eSubjects include dissolution of D. Woodbridge \u0026amp; Co. partnership, purchase and sale of goods, transportation by wagon and riverboats, salt received on commission from Donnally and Steele (Kanawha Salt Works), transactions on Ohio Company lands, ropewalk in Marietta, purchase of shares in Pittsburgh manufaturing company, settlement of Col. George Morgan estate, transactions involving sugar and cotton in New Orleans and Kentucky, riverboat accidents and loss of cargo, effects of war on emigration to Ohio, the shortage of labor, Ohio banks, purchase of stock in a Canal company, and barge building in Marietta. Correspondents include: Moses Dillon, Jeffry Price, Sen. John Lambert, John Tilford, James Mountain, Harmon Blennerhassett, George Morgan, Philip Doddridge, Capt. Daniel Greene, Jonathan Buitteau, Benjamin Morgan, and Thomas Butler. Locations include: Philadelphia, Nashville, Cincinnati, Charleston, Lexington, Zanesville, and New Orleans.\u003c/p\u003e","\u003cp\u003eSubjects include fur trade with London and French merchants, purcahse and sale of ginseng and other products, and re. conduct of storage and commission business. Names include: Thomas Morgan, Samuel Murdock, Thomas L. Pierce, Sevil Scovil and Co., John Barr, and L. Barber. Places named include: Philadelphia, Pittsburgh, Baltimore, Lexington, New York, St. Louis, and London.\u003c/p\u003e","\u003cp\u003eSubjects include currency exchange, shipping conditions, marketing information, rental of Blennerhassett Island, and mercantile business. Names and firms: Moses Dillon, James W. Biddle \u0026amp; Co., Steele, Donnally \u0026amp; Steele, Thomas Baker, S.\u0026amp;G. Trotter \u0026amp; Co., and Gelman and Ammidon. Places named include: Ohio, Tennessee, Virginia, Pennsylvania, New York, Kentucky.\u003c/p\u003e","\u003cp\u003eSubjects include routine business letters, the Lucy Backus Woodbridge estate, family correspondence, resignation of William Woodbridge from Congress, rental of Blennerhassett Island. Business firms mentioned: Benjamin J. Gilman, W. Wilson \u0026amp; Co., Robert Fulton, R. J. Meigs, Clarissa Backus, J. W. Biddle \u0026amp; Co., and John Sproule. Places of business include: Philadelphia, Pittsburgh, Frankfort, Lexington, Washington D.C., Zanesville, Chillicothe, Detroit, Clarksburg, and Parkersburg.\u003c/p\u003e","\u003cp\u003eSubjects include purchase of bank stock, estate of Lucy Backus Woodbridge, currency exchange, steamboat building, and family and business affairs. Correspondents include: Jesse B. Thomas, Benjamin Reeder, E. Buckingham Jr. \u0026amp; Co., Elihu Chauncey, Henry Strong, Daniel Converse, Joseph Willard, Sam A. Wescott, and Henry Northrup. Places addressed: Washington D.C., Norwich, Lexington, Philadelphia, Pitssburgh, Wheeling, Clarksburg, Frankfort, St. Clairsville, Steubenville, Zanesville, and Cincinnati.\u003c/p\u003e","\u003cp\u003eUnsigned letters, mainly from Pt. Harman, ordering goods for the D. Woodbridge Store. Also some letters concerning tobacco, ginseng, dried fruit, skins, beeswax, rags, feathers, and other products shipped to eastern markets for sale.\u003c/p\u003e","\u003cp\u003eSubjects: principally rountine business correspondence, but also includes letters to Wheeling seeking wool. Names of steamboats and captains are mentioned in various letters. Names of persons and companies addressed: J.J. Jackson, Luther Edgerton, Jones, Tyson \u0026amp; Co., W. Palmer, and D.T. Chambers. Letters addressed to: Philadelphia, Pittsburgh, Parkersburg, Sistersville, Wheeling, Louisville, Pt. Harman, Salem Ripley, and McConnelsville.\u003c/p\u003e","\u003cp\u003eSubjects: family affairs, religion, William Woodbridge's office as U.S. Judge in Michigan, Wheeling Cotton Manufacturing Co., stock in Bank of the U.S. and other banks, the Morganza Tract in Pennsylvania, churches, missionary societies,Collegiate Institute, property in Marietta, and business opportunities. Correspondents include: Lewis Cass, Thomas McKennan, Waterman Palmer, Thomas Morgan, Rev. R.H. Bishop, William Holyoke, Rev. Artemus Ballard, Joseph Gales, and Rev. James Laurie.\u003c/p\u003e","\u003cp\u003eA few letters dated at Pittsburgh to merchants and business houses in Philadelphia, Pittsburgh, and Louisville. Also includes a cash book spanning Jan. 1834 to Oct. 1836.\u003c/p\u003e","\u003cp\u003eThis series includes volumes 11-89. These are all daybooks (blotters) from 1788-1862. Subjects included concern river boats, Harmon Blennerhasset, transactions with various firms, goods traded, land warrants, and land sales.\u003c/p\u003e","\u003cp\u003eThis series contains record books other than daybooks, including volumes 90-128, 137, 138, and 141-145. Volumes 90-128 are records of the Woodbridge Company; volumes 137-138 are the records of the Greene Company; and volumes 142-145 are the records of the F.B. Loomis Company. Many of these contain the same sort of information as the day books, in a similar format. Years covered are 1743-1854. Types of books include invoice books, ledgers, cash books, inventory, warehouse books, memorandum books, sale books, receipt books, account books, and alphabetical indexes (volume 141).\u003c/p\u003e","\u003cp\u003eThis series contains only volumes 139-140. These are pension claim books of George M. Woodbridge during the Civil War. Dates are 1861-1864 and 1863 respectively.\u003c/p\u003e","\u003cp\u003eThis series consists of volumes 129-136, which are miscellaneous collections of George M. Woodbridge. Dates run from 1779 to 1882, but most items concern the later time period. Items included are blank notes from G.M. Woodbridge's General Agency and Land Office; Justice of the Peace Accounts, listing notes, cash payments, unsettled notes, etc.; Woodbridge Autobiographical memo, including a sampling of materials found elsewhere in the collection; a prescription book; a newspaper scrapbook compiled in the 1870s; another scrapbook, containing mostly religious material; a U.S. Internal Revenue List of the Several Collection Districts (1870); and an old manuscript book containing copies of anecdotes, stories, diary excerpts, and poems written by George M. Woodbridge. This last includes such titles as \"Marietta in 1804 or 1805,\" \"The Blennerhassets,\" \"Ships and Steamboats,\" and \"Steamboats Built at Marietta.\" There are 34 such writings in the manuscript book.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["These are the records of the Woodbridge Mercantile Company and related businesses operated in Marietta, Ohio from the years 1743 to 1882. Woodbridge began the business, which included trade up and down the Ohio River from Pittsburgh and Philadelphia to Kentucky and points in between. George M. Woodbridge's business dealt in real estate, and so indicates the growth of the area west of Marietta. The growth of river trade and the types of goods traded are described extensively in the collection. Other topics include aspects of life in the early nineteenth century Ohio River Valley, real estate, and other business concerns. Prominent names in the collection include D. Woodbridge, George M. Woodbridge, and Harmon Blennerhasset.","Subjects found in collection:","Ships and shipbuilding – Volumes 1, 6, 8, 14, 31, 37, 53, 132","Transportation of goods, overland and by river (Ohio and Muskingum) – Volumes 1, 2, 4, 5, 9, 123, 124","Harmon Blennerhasset and Blennerhasset Island – Volumes 1, 2, 4, 5, 7, 19, 21, 22, 23, 24, 25","Land values and transaction of land – Volumes 56, 79, 81, 89, 131","Bank of Marietta – Volumes 2, 6, 9, 98","This series includes volumes 1-10, which are letter books dating from 1801 to 1836. These books contain copies of correspondence mostly regarding business matters of Woodbridge Mercantile Company. Subjects discussed include goods traded, ship building, river traffic and overland transportation of goods, impact of the War of 1812, Blennerhasset Island, purchases of stock in local banks, and land sales.","Letters signed D. Woodbridge, Jr. and D. Woodbridge and Co. Includes 52 letters to Harman Blennerhassett re. company business, goods ordered, and ship building, launching, and voyages. Cargo mentioned includes skins, hemp, ginseng, and pork taken in trade and purchased for sale in Pittsburgh and Philadelphia. Also, letters to James Converse, Joseph F. Munro, Mrs. Mary Jourdan (Philadelphia agent for Woodbridge \u0026 Co.), James Backus, William Woodbridge, Joseph Clarke, Jacob Burnet, John Daman, Andrew and John Oliphant, R. Caldwell, and Capt. William Latimer. Subjects include purchasing and selling various goods, shipbuilding, ropewalk business in Marietta, river traffic, instructions to agents, and Sciota Salt Works.","Subjects include dissolution of D. Woodbridge \u0026 Co. partnership, purchase and sale of goods, transportation by wagon and riverboats, salt received on commission from Donnally and Steele (Kanawha Salt Works), transactions on Ohio Company lands, ropewalk in Marietta, purchase of shares in Pittsburgh manufaturing company, settlement of Col. George Morgan estate, transactions involving sugar and cotton in New Orleans and Kentucky, riverboat accidents and loss of cargo, effects of war on emigration to Ohio, the shortage of labor, Ohio banks, purchase of stock in a Canal company, and barge building in Marietta. Correspondents include: Moses Dillon, Jeffry Price, Sen. John Lambert, John Tilford, James Mountain, Harmon Blennerhassett, George Morgan, Philip Doddridge, Capt. Daniel Greene, Jonathan Buitteau, Benjamin Morgan, and Thomas Butler. Locations include: Philadelphia, Nashville, Cincinnati, Charleston, Lexington, Zanesville, and New Orleans.","Subjects include fur trade with London and French merchants, purcahse and sale of ginseng and other products, and re. conduct of storage and commission business. Names include: Thomas Morgan, Samuel Murdock, Thomas L. Pierce, Sevil Scovil and Co., John Barr, and L. Barber. Places named include: Philadelphia, Pittsburgh, Baltimore, Lexington, New York, St. Louis, and London.","Subjects include currency exchange, shipping conditions, marketing information, rental of Blennerhassett Island, and mercantile business. Names and firms: Moses Dillon, James W. Biddle \u0026 Co., Steele, Donnally \u0026 Steele, Thomas Baker, S.\u0026G. Trotter \u0026 Co., and Gelman and Ammidon. Places named include: Ohio, Tennessee, Virginia, Pennsylvania, New York, Kentucky.","Subjects include routine business letters, the Lucy Backus Woodbridge estate, family correspondence, resignation of William Woodbridge from Congress, rental of Blennerhassett Island. Business firms mentioned: Benjamin J. Gilman, W. Wilson \u0026 Co., Robert Fulton, R. J. Meigs, Clarissa Backus, J. W. Biddle \u0026 Co., and John Sproule. Places of business include: Philadelphia, Pittsburgh, Frankfort, Lexington, Washington D.C., Zanesville, Chillicothe, Detroit, Clarksburg, and Parkersburg.","Subjects include purchase of bank stock, estate of Lucy Backus Woodbridge, currency exchange, steamboat building, and family and business affairs. Correspondents include: Jesse B. Thomas, Benjamin Reeder, E. Buckingham Jr. \u0026 Co., Elihu Chauncey, Henry Strong, Daniel Converse, Joseph Willard, Sam A. Wescott, and Henry Northrup. Places addressed: Washington D.C., Norwich, Lexington, Philadelphia, Pitssburgh, Wheeling, Clarksburg, Frankfort, St. Clairsville, Steubenville, Zanesville, and Cincinnati.","Unsigned letters, mainly from Pt. Harman, ordering goods for the D. Woodbridge Store. Also some letters concerning tobacco, ginseng, dried fruit, skins, beeswax, rags, feathers, and other products shipped to eastern markets for sale.","Subjects: principally rountine business correspondence, but also includes letters to Wheeling seeking wool. Names of steamboats and captains are mentioned in various letters. Names of persons and companies addressed: J.J. Jackson, Luther Edgerton, Jones, Tyson \u0026 Co., W. Palmer, and D.T. Chambers. Letters addressed to: Philadelphia, Pittsburgh, Parkersburg, Sistersville, Wheeling, Louisville, Pt. Harman, Salem Ripley, and McConnelsville.","Subjects: family affairs, religion, William Woodbridge's office as U.S. Judge in Michigan, Wheeling Cotton Manufacturing Co., stock in Bank of the U.S. and other banks, the Morganza Tract in Pennsylvania, churches, missionary societies,Collegiate Institute, property in Marietta, and business opportunities. Correspondents include: Lewis Cass, Thomas McKennan, Waterman Palmer, Thomas Morgan, Rev. R.H. Bishop, William Holyoke, Rev. Artemus Ballard, Joseph Gales, and Rev. James Laurie.","A few letters dated at Pittsburgh to merchants and business houses in Philadelphia, Pittsburgh, and Louisville. Also includes a cash book spanning Jan. 1834 to Oct. 1836.","This series includes volumes 11-89. These are all daybooks (blotters) from 1788-1862. Subjects included concern river boats, Harmon Blennerhasset, transactions with various firms, goods traded, land warrants, and land sales.","This series contains record books other than daybooks, including volumes 90-128, 137, 138, and 141-145. Volumes 90-128 are records of the Woodbridge Company; volumes 137-138 are the records of the Greene Company; and volumes 142-145 are the records of the F.B. Loomis Company. Many of these contain the same sort of information as the day books, in a similar format. Years covered are 1743-1854. Types of books include invoice books, ledgers, cash books, inventory, warehouse books, memorandum books, sale books, receipt books, account books, and alphabetical indexes (volume 141).","This series contains only volumes 139-140. These are pension claim books of George M. Woodbridge during the Civil War. Dates are 1861-1864 and 1863 respectively.","This series consists of volumes 129-136, which are miscellaneous collections of George M. Woodbridge. Dates run from 1779 to 1882, but most items concern the later time period. Items included are blank notes from G.M. Woodbridge's General Agency and Land Office; Justice of the Peace Accounts, listing notes, cash payments, unsettled notes, etc.; Woodbridge Autobiographical memo, including a sampling of materials found elsewhere in the collection; a prescription book; a newspaper scrapbook compiled in the 1870s; another scrapbook, containing mostly religious material; a U.S. Internal Revenue List of the Several Collection Districts (1870); and an old manuscript book containing copies of anecdotes, stories, diary excerpts, and poems written by George M. Woodbridge. This last includes such titles as \"Marietta in 1804 or 1805,\" \"The Blennerhassets,\" \"Ships and Steamboats,\" and \"Steamboats Built at Marietta.\" There are 34 such writings in the manuscript book."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dbebcc5ffb758c18356de41c3aa65840\"\u003eLetter and account books, clipping scrapbooks, and miscellaneous family papers of a pioneer, Ohio Valley, general merchandise firm founded by Dudley Woodbridge, Sr., at Marietta, Ohio, and operating under various names for a period of more than sixty years. The collection also includes the account books of Daniel, Richard, and John Greene, 1808-1844; account books of F.B. Loomis, 1842-1844; a medicinal formulary book; the estate records of John Brody; records of a pension and bounty land claims agency operated by George M. Woodbridge, 1861-1864; and justice of the peace accounts, 1832-1863. Subjects include the development of river markets, transportation, and the livestock industry in the early Ohio Valley; fur trade and commerce with England and Europe; the Marietta and Susquehanna Trading Company; Kanawha and Sciota salt works; Ohio Company lands; Woodbridge-Harman Blennerhassett partnership; ginseng trade; Wheeling Cotton Manufacturing Company; ropewalk and shipbuilding in Marietta; military land warrants; estate of George Morgan; career of William Woodbridge, United States senator and governor of Michigan; pioneer education; Meadville Seminary; Ohio University; Miami University; Marietta Collegiate Institute; Belpre, Ohio; American Catholic missions; early history of Marietta; the American Colonization Society; Washington County Colonization Society; churches; Washington County Tract Society; recruiting in Marietta during the Civil War; impact of the War of 1812 on westward migration and labor; and Woodbridge family affairs. Letters are addressed to merchants in London, France, New York, Philadelphia, Pittsburgh, Charleston (West Virginia), Lexington and Louisville (Kentucky), Cincinnati, St. Louis, New Orleans, Washington, Detroit, and Baltimore. Correspondents include Lewis Cass, Philip Doddridge, and Benjamin Reeder.\u003c/abstract\u003e"],"abstract_tesim":["Letter and account books, clipping scrapbooks, and miscellaneous family papers of a pioneer, Ohio Valley, general merchandise firm founded by Dudley Woodbridge, Sr., at Marietta, Ohio, and operating under various names for a period of more than sixty years. The collection also includes the account books of Daniel, Richard, and John Greene, 1808-1844; account books of F.B. Loomis, 1842-1844; a medicinal formulary book; the estate records of John Brody; records of a pension and bounty land claims agency operated by George M. Woodbridge, 1861-1864; and justice of the peace accounts, 1832-1863. Subjects include the development of river markets, transportation, and the livestock industry in the early Ohio Valley; fur trade and commerce with England and Europe; the Marietta and Susquehanna Trading Company; Kanawha and Sciota salt works; Ohio Company lands; Woodbridge-Harman Blennerhassett partnership; ginseng trade; Wheeling Cotton Manufacturing Company; ropewalk and shipbuilding in Marietta; military land warrants; estate of George Morgan; career of William Woodbridge, United States senator and governor of Michigan; pioneer education; Meadville Seminary; Ohio University; Miami University; Marietta Collegiate Institute; Belpre, Ohio; American Catholic missions; early history of Marietta; the American Colonization Society; Washington County Colonization Society; churches; Washington County Tract Society; recruiting in Marietta during the Civil War; impact of the War of 1812 on westward migration and labor; and Woodbridge family affairs. Letters are addressed to merchants in London, France, New York, Philadelphia, Pittsburgh, Charleston (West Virginia), Lexington and Louisville (Kentucky), Cincinnati, St. Louis, New Orleans, Washington, Detroit, and Baltimore. Correspondents include Lewis Cass, Philip Doddridge, and Benjamin Reeder."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_97a19b48b0865b933e413ce17c6b47ab\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["American Colonization Society","Marietta and Susquehanna Trading Company","Marietta Collegiate Institute and Western Teachers' Seminary","Meadville Seminary","Miami University (Oxford, Ohio)","Ohio Company.","Ohio University","United States. Congress. Senate","Washington County Colonization Society","Washington County Tract Society","Wheeling Cotton Manufacturing Company","Woodbridge Mercantile Company","Woodbridge-Blennerhassett.","Brody, John.","Cass, Lewis.","Doddridge, Philip, 1773-1832","Greene, Daniel.","Greene, John.","Greene, Richard.","Loomis, F.B.","Morgan, George","Reeder, Benjamin.","Woodbridge, Dudley, Sr.","Woodbridge, George M.","Woodbridge, William."],"names_ssim":["West Virginia and Regional History Center","Woodbridge Mercantile Company","American Colonization Society","Marietta and Susquehanna Trading Company","Marietta Collegiate Institute and Western Teachers' Seminary","Meadville Seminary","Miami University (Oxford, Ohio)","Ohio Company.","Ohio University","United States. Congress. Senate","Washington County Colonization Society","Washington County Tract Society","Wheeling Cotton Manufacturing Company","Woodbridge-Blennerhassett.","Brody, John.","Cass, Lewis.","Doddridge, Philip, 1773-1832","Greene, Daniel.","Greene, John.","Greene, Richard.","Loomis, F.B.","Morgan, George","Reeder, Benjamin.","Woodbridge, Dudley, Sr.","Woodbridge, George M.","Woodbridge, William."],"corpname_ssim":["West Virginia and Regional History Center","Woodbridge Mercantile Company","American Colonization Society","Marietta and Susquehanna Trading Company","Marietta Collegiate Institute and Western Teachers' Seminary","Meadville Seminary","Miami University (Oxford, Ohio)","Ohio Company.","Ohio University","United States. Congress. Senate","Washington County Colonization Society","Washington County Tract Society","Wheeling Cotton Manufacturing Company","Woodbridge-Blennerhassett."],"persname_ssim":["Brody, John.","Cass, Lewis.","Doddridge, Philip, 1773-1832","Greene, Daniel.","Greene, John.","Greene, Richard.","Loomis, F.B.","Morgan, George","Reeder, Benjamin.","Woodbridge, Dudley, Sr.","Woodbridge, George M.","Woodbridge, William."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":150,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:52:44.665Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_4728","ead_ssi":"wvmturhc_repositories_2_resources_4728","_root_":"wvmturhc_repositories_2_resources_4728","_nest_parent_":"wvmturhc_repositories_2_resources_4728","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4728.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198319","title_ssm":["Woodbridge Mercantile Company Records"],"title_tesim":["Woodbridge Mercantile Company Records"],"unitdate_ssm":["1743-1882"],"unitdate_inclusive_ssm":["1743-1882"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1455","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4728"],"text":["A\u0026M 1455","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4728","Woodbridge Mercantile Company Records","Baltimore (Md.)","Charleston.","Cincinnati (Ohio)","Detroit (Mich.)","England","Europe","France","Kanawha.","Lexington (Ky.)","London (England)","Louisville (Ky.)","Marietta (Ohio)","Michigan","New Orleans (La.)","New York (State)","Ohio River Valley","Philadelphia (Pa.)","Pittsburgh (Pa.)","Saint Louis (Mo.)","Scioto River (Ohio)","Washington (D.C.)","United States -- History -- Civil War, 1861-1865","United States -- History -- War of 1812","American ginseng","Account books","Livestock","Churches  -- Roman Catholic, American missions","Churches  -- Roman Catholic","Church buildings","Drugs and druggists.","Education","Education. SEE ALSO Schools.","Fur trade","General stores","Justices of the peace","Labor organization. SEE ALSO Coal mining - labor","Medicine. SEE ALSO Folk medicine.","Missionaries","Frontier and pioneer life","Politics and government.","Rivers and river valleys.","Salt industry and trade","Schools. SEE ALSO Academies","Slaves and slavery.","Transportation","Unions.","Universities and colleges","No special access restriction applies.","These are the records of the Woodbridge Mercantile Company and related businesses operated in Marietta, Ohio from the years 1743 to 1882. Woodbridge began the business, which included trade up and down the Ohio River from Pittsburgh and Philadelphia to Kentucky and points in between. George M. Woodbridge's business dealt in real estate, and so indicates the growth of the area west of Marietta. The growth of river trade and the types of goods traded are described extensively in the collection. Other topics include aspects of life in the early nineteenth century Ohio River Valley, real estate, and other business concerns. Prominent names in the collection include D. Woodbridge, George M. Woodbridge, and Harmon Blennerhasset.","Subjects found in collection:","Ships and shipbuilding – Volumes 1, 6, 8, 14, 31, 37, 53, 132","Transportation of goods, overland and by river (Ohio and Muskingum) – Volumes 1, 2, 4, 5, 9, 123, 124","Harmon Blennerhasset and Blennerhasset Island – Volumes 1, 2, 4, 5, 7, 19, 21, 22, 23, 24, 25","Land values and transaction of land – Volumes 56, 79, 81, 89, 131","Bank of Marietta – Volumes 2, 6, 9, 98","This series includes volumes 1-10, which are letter books dating from 1801 to 1836. These books contain copies of correspondence mostly regarding business matters of Woodbridge Mercantile Company. Subjects discussed include goods traded, ship building, river traffic and overland transportation of goods, impact of the War of 1812, Blennerhasset Island, purchases of stock in local banks, and land sales.","Letters signed D. Woodbridge, Jr. and D. Woodbridge and Co. Includes 52 letters to Harman Blennerhassett re. company business, goods ordered, and ship building, launching, and voyages. Cargo mentioned includes skins, hemp, ginseng, and pork taken in trade and purchased for sale in Pittsburgh and Philadelphia. Also, letters to James Converse, Joseph F. Munro, Mrs. Mary Jourdan (Philadelphia agent for Woodbridge \u0026 Co.), James Backus, William Woodbridge, Joseph Clarke, Jacob Burnet, John Daman, Andrew and John Oliphant, R. Caldwell, and Capt. William Latimer. Subjects include purchasing and selling various goods, shipbuilding, ropewalk business in Marietta, river traffic, instructions to agents, and Sciota Salt Works.","Subjects include dissolution of D. Woodbridge \u0026 Co. partnership, purchase and sale of goods, transportation by wagon and riverboats, salt received on commission from Donnally and Steele (Kanawha Salt Works), transactions on Ohio Company lands, ropewalk in Marietta, purchase of shares in Pittsburgh manufaturing company, settlement of Col. George Morgan estate, transactions involving sugar and cotton in New Orleans and Kentucky, riverboat accidents and loss of cargo, effects of war on emigration to Ohio, the shortage of labor, Ohio banks, purchase of stock in a Canal company, and barge building in Marietta. Correspondents include: Moses Dillon, Jeffry Price, Sen. John Lambert, John Tilford, James Mountain, Harmon Blennerhassett, George Morgan, Philip Doddridge, Capt. Daniel Greene, Jonathan Buitteau, Benjamin Morgan, and Thomas Butler. Locations include: Philadelphia, Nashville, Cincinnati, Charleston, Lexington, Zanesville, and New Orleans.","Subjects include fur trade with London and French merchants, purcahse and sale of ginseng and other products, and re. conduct of storage and commission business. Names include: Thomas Morgan, Samuel Murdock, Thomas L. Pierce, Sevil Scovil and Co., John Barr, and L. Barber. Places named include: Philadelphia, Pittsburgh, Baltimore, Lexington, New York, St. Louis, and London.","Subjects include currency exchange, shipping conditions, marketing information, rental of Blennerhassett Island, and mercantile business. Names and firms: Moses Dillon, James W. Biddle \u0026 Co., Steele, Donnally \u0026 Steele, Thomas Baker, S.\u0026G. Trotter \u0026 Co., and Gelman and Ammidon. Places named include: Ohio, Tennessee, Virginia, Pennsylvania, New York, Kentucky.","Subjects include routine business letters, the Lucy Backus Woodbridge estate, family correspondence, resignation of William Woodbridge from Congress, rental of Blennerhassett Island. Business firms mentioned: Benjamin J. Gilman, W. Wilson \u0026 Co., Robert Fulton, R. J. Meigs, Clarissa Backus, J. W. Biddle \u0026 Co., and John Sproule. Places of business include: Philadelphia, Pittsburgh, Frankfort, Lexington, Washington D.C., Zanesville, Chillicothe, Detroit, Clarksburg, and Parkersburg.","Subjects include purchase of bank stock, estate of Lucy Backus Woodbridge, currency exchange, steamboat building, and family and business affairs. Correspondents include: Jesse B. Thomas, Benjamin Reeder, E. Buckingham Jr. \u0026 Co., Elihu Chauncey, Henry Strong, Daniel Converse, Joseph Willard, Sam A. Wescott, and Henry Northrup. Places addressed: Washington D.C., Norwich, Lexington, Philadelphia, Pitssburgh, Wheeling, Clarksburg, Frankfort, St. Clairsville, Steubenville, Zanesville, and Cincinnati.","Unsigned letters, mainly from Pt. Harman, ordering goods for the D. Woodbridge Store. Also some letters concerning tobacco, ginseng, dried fruit, skins, beeswax, rags, feathers, and other products shipped to eastern markets for sale.","Subjects: principally rountine business correspondence, but also includes letters to Wheeling seeking wool. Names of steamboats and captains are mentioned in various letters. Names of persons and companies addressed: J.J. Jackson, Luther Edgerton, Jones, Tyson \u0026 Co., W. Palmer, and D.T. Chambers. Letters addressed to: Philadelphia, Pittsburgh, Parkersburg, Sistersville, Wheeling, Louisville, Pt. Harman, Salem Ripley, and McConnelsville.","Subjects: family affairs, religion, William Woodbridge's office as U.S. Judge in Michigan, Wheeling Cotton Manufacturing Co., stock in Bank of the U.S. and other banks, the Morganza Tract in Pennsylvania, churches, missionary societies,Collegiate Institute, property in Marietta, and business opportunities. Correspondents include: Lewis Cass, Thomas McKennan, Waterman Palmer, Thomas Morgan, Rev. R.H. Bishop, William Holyoke, Rev. Artemus Ballard, Joseph Gales, and Rev. James Laurie.","A few letters dated at Pittsburgh to merchants and business houses in Philadelphia, Pittsburgh, and Louisville. Also includes a cash book spanning Jan. 1834 to Oct. 1836.","This series includes volumes 11-89. These are all daybooks (blotters) from 1788-1862. Subjects included concern river boats, Harmon Blennerhasset, transactions with various firms, goods traded, land warrants, and land sales.","This series contains record books other than daybooks, including volumes 90-128, 137, 138, and 141-145. Volumes 90-128 are records of the Woodbridge Company; volumes 137-138 are the records of the Greene Company; and volumes 142-145 are the records of the F.B. Loomis Company. Many of these contain the same sort of information as the day books, in a similar format. Years covered are 1743-1854. Types of books include invoice books, ledgers, cash books, inventory, warehouse books, memorandum books, sale books, receipt books, account books, and alphabetical indexes (volume 141).","This series contains only volumes 139-140. These are pension claim books of George M. Woodbridge during the Civil War. Dates are 1861-1864 and 1863 respectively.","This series consists of volumes 129-136, which are miscellaneous collections of George M. Woodbridge. Dates run from 1779 to 1882, but most items concern the later time period. Items included are blank notes from G.M. Woodbridge's General Agency and Land Office; Justice of the Peace Accounts, listing notes, cash payments, unsettled notes, etc.; Woodbridge Autobiographical memo, including a sampling of materials found elsewhere in the collection; a prescription book; a newspaper scrapbook compiled in the 1870s; another scrapbook, containing mostly religious material; a U.S. Internal Revenue List of the Several Collection Districts (1870); and an old manuscript book containing copies of anecdotes, stories, diary excerpts, and poems written by George M. Woodbridge. This last includes such titles as \"Marietta in 1804 or 1805,\" \"The Blennerhassets,\" \"Ships and Steamboats,\" and \"Steamboats Built at Marietta.\" There are 34 such writings in the manuscript book.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Letter and account books, clipping scrapbooks, and miscellaneous family papers of a pioneer, Ohio Valley, general merchandise firm founded by Dudley Woodbridge, Sr., at Marietta, Ohio, and operating under various names for a period of more than sixty years. The collection also includes the account books of Daniel, Richard, and John Greene, 1808-1844; account books of F.B. Loomis, 1842-1844; a medicinal formulary book; the estate records of John Brody; records of a pension and bounty land claims agency operated by George M. Woodbridge, 1861-1864; and justice of the peace accounts, 1832-1863. Subjects include the development of river markets, transportation, and the livestock industry in the early Ohio Valley; fur trade and commerce with England and Europe; the Marietta and Susquehanna Trading Company; Kanawha and Sciota salt works; Ohio Company lands; Woodbridge-Harman Blennerhassett partnership; ginseng trade; Wheeling Cotton Manufacturing Company; ropewalk and shipbuilding in Marietta; military land warrants; estate of George Morgan; career of William Woodbridge, United States senator and governor of Michigan; pioneer education; Meadville Seminary; Ohio University; Miami University; Marietta Collegiate Institute; Belpre, Ohio; American Catholic missions; early history of Marietta; the American Colonization Society; Washington County Colonization Society; churches; Washington County Tract Society; recruiting in Marietta during the Civil War; impact of the War of 1812 on westward migration and labor; and Woodbridge family affairs. Letters are addressed to merchants in London, France, New York, Philadelphia, Pittsburgh, Charleston (West Virginia), Lexington and Louisville (Kentucky), Cincinnati, St. Louis, New Orleans, Washington, Detroit, and Baltimore. Correspondents include Lewis Cass, Philip Doddridge, and Benjamin Reeder.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Woodbridge Mercantile Company","American Colonization Society","Marietta and Susquehanna Trading Company","Marietta Collegiate Institute and Western Teachers' Seminary","Meadville Seminary","Miami University (Oxford, Ohio)","Ohio Company.","Ohio University","United States. Congress. Senate","Washington County Colonization Society","Washington County Tract Society","Wheeling Cotton Manufacturing Company","Woodbridge-Blennerhassett.","Brody, John.","Cass, Lewis.","Doddridge, Philip, 1773-1832","Greene, Daniel.","Greene, John.","Greene, Richard.","Loomis, F.B.","Morgan, George","Reeder, Benjamin.","Woodbridge, Dudley, Sr.","Woodbridge, George M.","Woodbridge, William.","English \n.    "],"unitid_tesim":["A\u0026M 1455","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4728"],"normalized_title_ssm":["Woodbridge Mercantile Company Records"],"collection_title_tesim":["Woodbridge Mercantile Company Records"],"collection_ssim":["Woodbridge Mercantile Company Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Baltimore (Md.)","Charleston.","Cincinnati (Ohio)","Detroit (Mich.)","England","Europe","France","Kanawha.","Lexington (Ky.)","London (England)","Louisville (Ky.)","Marietta (Ohio)","Michigan","New Orleans (La.)","New York (State)","Ohio River Valley","Philadelphia (Pa.)","Pittsburgh (Pa.)","Saint Louis (Mo.)","Scioto River (Ohio)","Washington (D.C.)","United States -- History -- Civil War, 1861-1865","United States -- History -- War of 1812"],"geogname_ssim":["Baltimore (Md.)","Charleston.","Cincinnati (Ohio)","Detroit (Mich.)","England","Europe","France","Kanawha.","Lexington (Ky.)","London (England)","Louisville (Ky.)","Marietta (Ohio)","Michigan","New Orleans (La.)","New York (State)","Ohio River Valley","Philadelphia (Pa.)","Pittsburgh (Pa.)","Saint Louis (Mo.)","Scioto River (Ohio)","Washington (D.C.)","United States -- History -- Civil War, 1861-1865","United States -- History -- War of 1812"],"creator_ssm":["Woodbridge Mercantile Company"],"creator_ssim":["Woodbridge Mercantile Company"],"creator_corpname_ssim":["Woodbridge Mercantile Company"],"creators_ssim":["Woodbridge Mercantile Company"],"places_ssim":["Baltimore (Md.)","Charleston.","Cincinnati (Ohio)","Detroit (Mich.)","England","Europe","France","Kanawha.","Lexington (Ky.)","London (England)","Louisville (Ky.)","Marietta (Ohio)","Michigan","New Orleans (La.)","New York (State)","Ohio River Valley","Philadelphia (Pa.)","Pittsburgh (Pa.)","Saint Louis (Mo.)","Scioto River (Ohio)","Washington (D.C.)","United States -- History -- Civil War, 1861-1865","United States -- History -- War of 1812"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["American ginseng","Account books","Livestock","Churches  -- Roman Catholic, American missions","Churches  -- Roman Catholic","Church buildings","Drugs and druggists.","Education","Education. SEE ALSO Schools.","Fur trade","General stores","Justices of the peace","Labor organization. SEE ALSO Coal mining - labor","Medicine. SEE ALSO Folk medicine.","Missionaries","Frontier and pioneer life","Politics and government.","Rivers and river valleys.","Salt industry and trade","Schools. SEE ALSO Academies","Slaves and slavery.","Transportation","Unions.","Universities and colleges"],"access_subjects_ssm":["American ginseng","Account books","Livestock","Churches  -- Roman Catholic, American missions","Churches  -- Roman Catholic","Church buildings","Drugs and druggists.","Education","Education. SEE ALSO Schools.","Fur trade","General stores","Justices of the peace","Labor organization. SEE ALSO Coal mining - labor","Medicine. SEE ALSO Folk medicine.","Missionaries","Frontier and pioneer life","Politics and government.","Rivers and river valleys.","Salt industry and trade","Schools. SEE ALSO Academies","Slaves and slavery.","Transportation","Unions.","Universities and colleges"],"has_online_content_ssim":["false"],"extent_ssm":["11.10 Linear Feet Summary: 11 ft. 1 1/4 in. (21 document cases, 5 in. each); (3 document cases, 2 1/2 in. each); (4 small flat storage boxes, 3 1/2 in. each); (1 small flat storage box, 5 in.); (1 reel of microfilm, 1.75 in.)"],"extent_tesim":["11.10 Linear Feet Summary: 11 ft. 1 1/4 in. (21 document cases, 5 in. each); (3 document cases, 2 1/2 in. each); (4 small flat storage boxes, 3 1/2 in. each); (1 small flat storage box, 5 in.); (1 reel of microfilm, 1.75 in.)"],"date_range_isim":[1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Woodbridge Mercantile Company Records, A\u0026amp;M 1455, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Woodbridge Mercantile Company Records, A\u0026M 1455, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThese are the records of the Woodbridge Mercantile Company and related businesses operated in Marietta, Ohio from the years 1743 to 1882. Woodbridge began the business, which included trade up and down the Ohio River from Pittsburgh and Philadelphia to Kentucky and points in between. George M. Woodbridge's business dealt in real estate, and so indicates the growth of the area west of Marietta. The growth of river trade and the types of goods traded are described extensively in the collection. Other topics include aspects of life in the early nineteenth century Ohio River Valley, real estate, and other business concerns. Prominent names in the collection include D. Woodbridge, George M. Woodbridge, and Harmon Blennerhasset.\u003c/p\u003e\n","\u003cp\u003eSubjects found in collection:\u003c/p\u003e\n","\u003cp\u003eShips and shipbuilding – Volumes 1, 6, 8, 14, 31, 37, 53, 132\u003c/p\u003e\n","\u003cp\u003eTransportation of goods, overland and by river (Ohio and Muskingum) – Volumes 1, 2, 4, 5, 9, 123, 124\u003c/p\u003e\n","\u003cp\u003eHarmon Blennerhasset and Blennerhasset Island – Volumes 1, 2, 4, 5, 7, 19, 21, 22, 23, 24, 25\u003c/p\u003e\n","\u003cp\u003eLand values and transaction of land – Volumes 56, 79, 81, 89, 131\u003c/p\u003e\n","\u003cp\u003eBank of Marietta – Volumes 2, 6, 9, 98\u003c/p\u003e","\u003cp\u003eThis series includes volumes 1-10, which are letter books dating from 1801 to 1836. These books contain copies of correspondence mostly regarding business matters of Woodbridge Mercantile Company. Subjects discussed include goods traded, ship building, river traffic and overland transportation of goods, impact of the War of 1812, Blennerhasset Island, purchases of stock in local banks, and land sales.\u003c/p\u003e","\u003cp\u003eLetters signed D. Woodbridge, Jr. and D. Woodbridge and Co. Includes 52 letters to Harman Blennerhassett re. company business, goods ordered, and ship building, launching, and voyages. Cargo mentioned includes skins, hemp, ginseng, and pork taken in trade and purchased for sale in Pittsburgh and Philadelphia. Also, letters to James Converse, Joseph F. Munro, Mrs. Mary Jourdan (Philadelphia agent for Woodbridge \u0026amp; Co.), James Backus, William Woodbridge, Joseph Clarke, Jacob Burnet, John Daman, Andrew and John Oliphant, R. Caldwell, and Capt. William Latimer. Subjects include purchasing and selling various goods, shipbuilding, ropewalk business in Marietta, river traffic, instructions to agents, and Sciota Salt Works.\u003c/p\u003e","\u003cp\u003eSubjects include dissolution of D. Woodbridge \u0026amp; Co. partnership, purchase and sale of goods, transportation by wagon and riverboats, salt received on commission from Donnally and Steele (Kanawha Salt Works), transactions on Ohio Company lands, ropewalk in Marietta, purchase of shares in Pittsburgh manufaturing company, settlement of Col. George Morgan estate, transactions involving sugar and cotton in New Orleans and Kentucky, riverboat accidents and loss of cargo, effects of war on emigration to Ohio, the shortage of labor, Ohio banks, purchase of stock in a Canal company, and barge building in Marietta. Correspondents include: Moses Dillon, Jeffry Price, Sen. John Lambert, John Tilford, James Mountain, Harmon Blennerhassett, George Morgan, Philip Doddridge, Capt. Daniel Greene, Jonathan Buitteau, Benjamin Morgan, and Thomas Butler. Locations include: Philadelphia, Nashville, Cincinnati, Charleston, Lexington, Zanesville, and New Orleans.\u003c/p\u003e","\u003cp\u003eSubjects include fur trade with London and French merchants, purcahse and sale of ginseng and other products, and re. conduct of storage and commission business. Names include: Thomas Morgan, Samuel Murdock, Thomas L. Pierce, Sevil Scovil and Co., John Barr, and L. Barber. Places named include: Philadelphia, Pittsburgh, Baltimore, Lexington, New York, St. Louis, and London.\u003c/p\u003e","\u003cp\u003eSubjects include currency exchange, shipping conditions, marketing information, rental of Blennerhassett Island, and mercantile business. Names and firms: Moses Dillon, James W. Biddle \u0026amp; Co., Steele, Donnally \u0026amp; Steele, Thomas Baker, S.\u0026amp;G. Trotter \u0026amp; Co., and Gelman and Ammidon. Places named include: Ohio, Tennessee, Virginia, Pennsylvania, New York, Kentucky.\u003c/p\u003e","\u003cp\u003eSubjects include routine business letters, the Lucy Backus Woodbridge estate, family correspondence, resignation of William Woodbridge from Congress, rental of Blennerhassett Island. Business firms mentioned: Benjamin J. Gilman, W. Wilson \u0026amp; Co., Robert Fulton, R. J. Meigs, Clarissa Backus, J. W. Biddle \u0026amp; Co., and John Sproule. Places of business include: Philadelphia, Pittsburgh, Frankfort, Lexington, Washington D.C., Zanesville, Chillicothe, Detroit, Clarksburg, and Parkersburg.\u003c/p\u003e","\u003cp\u003eSubjects include purchase of bank stock, estate of Lucy Backus Woodbridge, currency exchange, steamboat building, and family and business affairs. Correspondents include: Jesse B. Thomas, Benjamin Reeder, E. Buckingham Jr. \u0026amp; Co., Elihu Chauncey, Henry Strong, Daniel Converse, Joseph Willard, Sam A. Wescott, and Henry Northrup. Places addressed: Washington D.C., Norwich, Lexington, Philadelphia, Pitssburgh, Wheeling, Clarksburg, Frankfort, St. Clairsville, Steubenville, Zanesville, and Cincinnati.\u003c/p\u003e","\u003cp\u003eUnsigned letters, mainly from Pt. Harman, ordering goods for the D. Woodbridge Store. Also some letters concerning tobacco, ginseng, dried fruit, skins, beeswax, rags, feathers, and other products shipped to eastern markets for sale.\u003c/p\u003e","\u003cp\u003eSubjects: principally rountine business correspondence, but also includes letters to Wheeling seeking wool. Names of steamboats and captains are mentioned in various letters. Names of persons and companies addressed: J.J. Jackson, Luther Edgerton, Jones, Tyson \u0026amp; Co., W. Palmer, and D.T. Chambers. Letters addressed to: Philadelphia, Pittsburgh, Parkersburg, Sistersville, Wheeling, Louisville, Pt. Harman, Salem Ripley, and McConnelsville.\u003c/p\u003e","\u003cp\u003eSubjects: family affairs, religion, William Woodbridge's office as U.S. Judge in Michigan, Wheeling Cotton Manufacturing Co., stock in Bank of the U.S. and other banks, the Morganza Tract in Pennsylvania, churches, missionary societies,Collegiate Institute, property in Marietta, and business opportunities. Correspondents include: Lewis Cass, Thomas McKennan, Waterman Palmer, Thomas Morgan, Rev. R.H. Bishop, William Holyoke, Rev. Artemus Ballard, Joseph Gales, and Rev. James Laurie.\u003c/p\u003e","\u003cp\u003eA few letters dated at Pittsburgh to merchants and business houses in Philadelphia, Pittsburgh, and Louisville. Also includes a cash book spanning Jan. 1834 to Oct. 1836.\u003c/p\u003e","\u003cp\u003eThis series includes volumes 11-89. These are all daybooks (blotters) from 1788-1862. Subjects included concern river boats, Harmon Blennerhasset, transactions with various firms, goods traded, land warrants, and land sales.\u003c/p\u003e","\u003cp\u003eThis series contains record books other than daybooks, including volumes 90-128, 137, 138, and 141-145. Volumes 90-128 are records of the Woodbridge Company; volumes 137-138 are the records of the Greene Company; and volumes 142-145 are the records of the F.B. Loomis Company. Many of these contain the same sort of information as the day books, in a similar format. Years covered are 1743-1854. Types of books include invoice books, ledgers, cash books, inventory, warehouse books, memorandum books, sale books, receipt books, account books, and alphabetical indexes (volume 141).\u003c/p\u003e","\u003cp\u003eThis series contains only volumes 139-140. These are pension claim books of George M. Woodbridge during the Civil War. Dates are 1861-1864 and 1863 respectively.\u003c/p\u003e","\u003cp\u003eThis series consists of volumes 129-136, which are miscellaneous collections of George M. Woodbridge. Dates run from 1779 to 1882, but most items concern the later time period. Items included are blank notes from G.M. Woodbridge's General Agency and Land Office; Justice of the Peace Accounts, listing notes, cash payments, unsettled notes, etc.; Woodbridge Autobiographical memo, including a sampling of materials found elsewhere in the collection; a prescription book; a newspaper scrapbook compiled in the 1870s; another scrapbook, containing mostly religious material; a U.S. Internal Revenue List of the Several Collection Districts (1870); and an old manuscript book containing copies of anecdotes, stories, diary excerpts, and poems written by George M. Woodbridge. This last includes such titles as \"Marietta in 1804 or 1805,\" \"The Blennerhassets,\" \"Ships and Steamboats,\" and \"Steamboats Built at Marietta.\" There are 34 such writings in the manuscript book.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["These are the records of the Woodbridge Mercantile Company and related businesses operated in Marietta, Ohio from the years 1743 to 1882. Woodbridge began the business, which included trade up and down the Ohio River from Pittsburgh and Philadelphia to Kentucky and points in between. George M. Woodbridge's business dealt in real estate, and so indicates the growth of the area west of Marietta. The growth of river trade and the types of goods traded are described extensively in the collection. Other topics include aspects of life in the early nineteenth century Ohio River Valley, real estate, and other business concerns. Prominent names in the collection include D. Woodbridge, George M. Woodbridge, and Harmon Blennerhasset.","Subjects found in collection:","Ships and shipbuilding – Volumes 1, 6, 8, 14, 31, 37, 53, 132","Transportation of goods, overland and by river (Ohio and Muskingum) – Volumes 1, 2, 4, 5, 9, 123, 124","Harmon Blennerhasset and Blennerhasset Island – Volumes 1, 2, 4, 5, 7, 19, 21, 22, 23, 24, 25","Land values and transaction of land – Volumes 56, 79, 81, 89, 131","Bank of Marietta – Volumes 2, 6, 9, 98","This series includes volumes 1-10, which are letter books dating from 1801 to 1836. These books contain copies of correspondence mostly regarding business matters of Woodbridge Mercantile Company. Subjects discussed include goods traded, ship building, river traffic and overland transportation of goods, impact of the War of 1812, Blennerhasset Island, purchases of stock in local banks, and land sales.","Letters signed D. Woodbridge, Jr. and D. Woodbridge and Co. Includes 52 letters to Harman Blennerhassett re. company business, goods ordered, and ship building, launching, and voyages. Cargo mentioned includes skins, hemp, ginseng, and pork taken in trade and purchased for sale in Pittsburgh and Philadelphia. Also, letters to James Converse, Joseph F. Munro, Mrs. Mary Jourdan (Philadelphia agent for Woodbridge \u0026 Co.), James Backus, William Woodbridge, Joseph Clarke, Jacob Burnet, John Daman, Andrew and John Oliphant, R. Caldwell, and Capt. William Latimer. Subjects include purchasing and selling various goods, shipbuilding, ropewalk business in Marietta, river traffic, instructions to agents, and Sciota Salt Works.","Subjects include dissolution of D. Woodbridge \u0026 Co. partnership, purchase and sale of goods, transportation by wagon and riverboats, salt received on commission from Donnally and Steele (Kanawha Salt Works), transactions on Ohio Company lands, ropewalk in Marietta, purchase of shares in Pittsburgh manufaturing company, settlement of Col. George Morgan estate, transactions involving sugar and cotton in New Orleans and Kentucky, riverboat accidents and loss of cargo, effects of war on emigration to Ohio, the shortage of labor, Ohio banks, purchase of stock in a Canal company, and barge building in Marietta. Correspondents include: Moses Dillon, Jeffry Price, Sen. John Lambert, John Tilford, James Mountain, Harmon Blennerhassett, George Morgan, Philip Doddridge, Capt. Daniel Greene, Jonathan Buitteau, Benjamin Morgan, and Thomas Butler. Locations include: Philadelphia, Nashville, Cincinnati, Charleston, Lexington, Zanesville, and New Orleans.","Subjects include fur trade with London and French merchants, purcahse and sale of ginseng and other products, and re. conduct of storage and commission business. Names include: Thomas Morgan, Samuel Murdock, Thomas L. Pierce, Sevil Scovil and Co., John Barr, and L. Barber. Places named include: Philadelphia, Pittsburgh, Baltimore, Lexington, New York, St. Louis, and London.","Subjects include currency exchange, shipping conditions, marketing information, rental of Blennerhassett Island, and mercantile business. Names and firms: Moses Dillon, James W. Biddle \u0026 Co., Steele, Donnally \u0026 Steele, Thomas Baker, S.\u0026G. Trotter \u0026 Co., and Gelman and Ammidon. Places named include: Ohio, Tennessee, Virginia, Pennsylvania, New York, Kentucky.","Subjects include routine business letters, the Lucy Backus Woodbridge estate, family correspondence, resignation of William Woodbridge from Congress, rental of Blennerhassett Island. Business firms mentioned: Benjamin J. Gilman, W. Wilson \u0026 Co., Robert Fulton, R. J. Meigs, Clarissa Backus, J. W. Biddle \u0026 Co., and John Sproule. Places of business include: Philadelphia, Pittsburgh, Frankfort, Lexington, Washington D.C., Zanesville, Chillicothe, Detroit, Clarksburg, and Parkersburg.","Subjects include purchase of bank stock, estate of Lucy Backus Woodbridge, currency exchange, steamboat building, and family and business affairs. Correspondents include: Jesse B. Thomas, Benjamin Reeder, E. Buckingham Jr. \u0026 Co., Elihu Chauncey, Henry Strong, Daniel Converse, Joseph Willard, Sam A. Wescott, and Henry Northrup. Places addressed: Washington D.C., Norwich, Lexington, Philadelphia, Pitssburgh, Wheeling, Clarksburg, Frankfort, St. Clairsville, Steubenville, Zanesville, and Cincinnati.","Unsigned letters, mainly from Pt. Harman, ordering goods for the D. Woodbridge Store. Also some letters concerning tobacco, ginseng, dried fruit, skins, beeswax, rags, feathers, and other products shipped to eastern markets for sale.","Subjects: principally rountine business correspondence, but also includes letters to Wheeling seeking wool. Names of steamboats and captains are mentioned in various letters. Names of persons and companies addressed: J.J. Jackson, Luther Edgerton, Jones, Tyson \u0026 Co., W. Palmer, and D.T. Chambers. Letters addressed to: Philadelphia, Pittsburgh, Parkersburg, Sistersville, Wheeling, Louisville, Pt. Harman, Salem Ripley, and McConnelsville.","Subjects: family affairs, religion, William Woodbridge's office as U.S. Judge in Michigan, Wheeling Cotton Manufacturing Co., stock in Bank of the U.S. and other banks, the Morganza Tract in Pennsylvania, churches, missionary societies,Collegiate Institute, property in Marietta, and business opportunities. Correspondents include: Lewis Cass, Thomas McKennan, Waterman Palmer, Thomas Morgan, Rev. R.H. Bishop, William Holyoke, Rev. Artemus Ballard, Joseph Gales, and Rev. James Laurie.","A few letters dated at Pittsburgh to merchants and business houses in Philadelphia, Pittsburgh, and Louisville. Also includes a cash book spanning Jan. 1834 to Oct. 1836.","This series includes volumes 11-89. These are all daybooks (blotters) from 1788-1862. Subjects included concern river boats, Harmon Blennerhasset, transactions with various firms, goods traded, land warrants, and land sales.","This series contains record books other than daybooks, including volumes 90-128, 137, 138, and 141-145. Volumes 90-128 are records of the Woodbridge Company; volumes 137-138 are the records of the Greene Company; and volumes 142-145 are the records of the F.B. Loomis Company. Many of these contain the same sort of information as the day books, in a similar format. Years covered are 1743-1854. Types of books include invoice books, ledgers, cash books, inventory, warehouse books, memorandum books, sale books, receipt books, account books, and alphabetical indexes (volume 141).","This series contains only volumes 139-140. These are pension claim books of George M. Woodbridge during the Civil War. Dates are 1861-1864 and 1863 respectively.","This series consists of volumes 129-136, which are miscellaneous collections of George M. Woodbridge. Dates run from 1779 to 1882, but most items concern the later time period. Items included are blank notes from G.M. Woodbridge's General Agency and Land Office; Justice of the Peace Accounts, listing notes, cash payments, unsettled notes, etc.; Woodbridge Autobiographical memo, including a sampling of materials found elsewhere in the collection; a prescription book; a newspaper scrapbook compiled in the 1870s; another scrapbook, containing mostly religious material; a U.S. Internal Revenue List of the Several Collection Districts (1870); and an old manuscript book containing copies of anecdotes, stories, diary excerpts, and poems written by George M. Woodbridge. This last includes such titles as \"Marietta in 1804 or 1805,\" \"The Blennerhassets,\" \"Ships and Steamboats,\" and \"Steamboats Built at Marietta.\" There are 34 such writings in the manuscript book."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dbebcc5ffb758c18356de41c3aa65840\"\u003eLetter and account books, clipping scrapbooks, and miscellaneous family papers of a pioneer, Ohio Valley, general merchandise firm founded by Dudley Woodbridge, Sr., at Marietta, Ohio, and operating under various names for a period of more than sixty years. The collection also includes the account books of Daniel, Richard, and John Greene, 1808-1844; account books of F.B. Loomis, 1842-1844; a medicinal formulary book; the estate records of John Brody; records of a pension and bounty land claims agency operated by George M. Woodbridge, 1861-1864; and justice of the peace accounts, 1832-1863. Subjects include the development of river markets, transportation, and the livestock industry in the early Ohio Valley; fur trade and commerce with England and Europe; the Marietta and Susquehanna Trading Company; Kanawha and Sciota salt works; Ohio Company lands; Woodbridge-Harman Blennerhassett partnership; ginseng trade; Wheeling Cotton Manufacturing Company; ropewalk and shipbuilding in Marietta; military land warrants; estate of George Morgan; career of William Woodbridge, United States senator and governor of Michigan; pioneer education; Meadville Seminary; Ohio University; Miami University; Marietta Collegiate Institute; Belpre, Ohio; American Catholic missions; early history of Marietta; the American Colonization Society; Washington County Colonization Society; churches; Washington County Tract Society; recruiting in Marietta during the Civil War; impact of the War of 1812 on westward migration and labor; and Woodbridge family affairs. Letters are addressed to merchants in London, France, New York, Philadelphia, Pittsburgh, Charleston (West Virginia), Lexington and Louisville (Kentucky), Cincinnati, St. Louis, New Orleans, Washington, Detroit, and Baltimore. Correspondents include Lewis Cass, Philip Doddridge, and Benjamin Reeder.\u003c/abstract\u003e"],"abstract_tesim":["Letter and account books, clipping scrapbooks, and miscellaneous family papers of a pioneer, Ohio Valley, general merchandise firm founded by Dudley Woodbridge, Sr., at Marietta, Ohio, and operating under various names for a period of more than sixty years. The collection also includes the account books of Daniel, Richard, and John Greene, 1808-1844; account books of F.B. Loomis, 1842-1844; a medicinal formulary book; the estate records of John Brody; records of a pension and bounty land claims agency operated by George M. Woodbridge, 1861-1864; and justice of the peace accounts, 1832-1863. Subjects include the development of river markets, transportation, and the livestock industry in the early Ohio Valley; fur trade and commerce with England and Europe; the Marietta and Susquehanna Trading Company; Kanawha and Sciota salt works; Ohio Company lands; Woodbridge-Harman Blennerhassett partnership; ginseng trade; Wheeling Cotton Manufacturing Company; ropewalk and shipbuilding in Marietta; military land warrants; estate of George Morgan; career of William Woodbridge, United States senator and governor of Michigan; pioneer education; Meadville Seminary; Ohio University; Miami University; Marietta Collegiate Institute; Belpre, Ohio; American Catholic missions; early history of Marietta; the American Colonization Society; Washington County Colonization Society; churches; Washington County Tract Society; recruiting in Marietta during the Civil War; impact of the War of 1812 on westward migration and labor; and Woodbridge family affairs. Letters are addressed to merchants in London, France, New York, Philadelphia, Pittsburgh, Charleston (West Virginia), Lexington and Louisville (Kentucky), Cincinnati, St. Louis, New Orleans, Washington, Detroit, and Baltimore. Correspondents include Lewis Cass, Philip Doddridge, and Benjamin Reeder."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_97a19b48b0865b933e413ce17c6b47ab\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["American Colonization Society","Marietta and Susquehanna Trading Company","Marietta Collegiate Institute and Western Teachers' Seminary","Meadville Seminary","Miami University (Oxford, Ohio)","Ohio Company.","Ohio University","United States. Congress. Senate","Washington County Colonization Society","Washington County Tract Society","Wheeling Cotton Manufacturing Company","Woodbridge Mercantile Company","Woodbridge-Blennerhassett.","Brody, John.","Cass, Lewis.","Doddridge, Philip, 1773-1832","Greene, Daniel.","Greene, John.","Greene, Richard.","Loomis, F.B.","Morgan, George","Reeder, Benjamin.","Woodbridge, Dudley, Sr.","Woodbridge, George M.","Woodbridge, William."],"names_ssim":["West Virginia and Regional History Center","Woodbridge Mercantile Company","American Colonization Society","Marietta and Susquehanna Trading Company","Marietta Collegiate Institute and Western Teachers' Seminary","Meadville Seminary","Miami University (Oxford, Ohio)","Ohio Company.","Ohio University","United States. Congress. Senate","Washington County Colonization Society","Washington County Tract Society","Wheeling Cotton Manufacturing Company","Woodbridge-Blennerhassett.","Brody, John.","Cass, Lewis.","Doddridge, Philip, 1773-1832","Greene, Daniel.","Greene, John.","Greene, Richard.","Loomis, F.B.","Morgan, George","Reeder, Benjamin.","Woodbridge, Dudley, Sr.","Woodbridge, George M.","Woodbridge, William."],"corpname_ssim":["West Virginia and Regional History Center","Woodbridge Mercantile Company","American Colonization Society","Marietta and Susquehanna Trading Company","Marietta Collegiate Institute and Western Teachers' Seminary","Meadville Seminary","Miami University (Oxford, Ohio)","Ohio Company.","Ohio University","United States. Congress. Senate","Washington County Colonization Society","Washington County Tract Society","Wheeling Cotton Manufacturing Company","Woodbridge-Blennerhassett."],"persname_ssim":["Brody, John.","Cass, Lewis.","Doddridge, Philip, 1773-1832","Greene, Daniel.","Greene, John.","Greene, Richard.","Loomis, F.B.","Morgan, George","Reeder, Benjamin.","Woodbridge, Dudley, Sr.","Woodbridge, George M.","Woodbridge, William."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":150,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:52:44.665Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4728"}},{"id":"wvmturhc_repositories_2_resources_2764","type":"collection","attributes":{"title":"Wood County Archives","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2764#abstract_or_scope","type":"document_value","attributes":{"value":"Records from the offices of circuit and county clerks containing inventories, wills, appraisements, estate and administrative settlements, and bills of sales.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2764#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_2764","ead_ssi":"wvmturhc_repositories_2_resources_2764","_root_":"wvmturhc_repositories_2_resources_2764","_nest_parent_":"wvmturhc_repositories_2_resources_2764","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2764.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196810","title_ssm":["Wood County Archives"],"title_tesim":["Wood County Archives"],"unitdate_ssm":["1785-1935"],"unitdate_inclusive_ssm":["1785-1935"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 0458","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2764"],"text":["A\u0026M 0458","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2764","Wood County Archives","Wood County (W. Va.) -- Archives","Court records","Estate settlements.","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Records from the offices of circuit and county clerks containing inventories, wills, appraisements, estate and administrative settlements, and bills of sales.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","English \n.    "],"unitid_tesim":["A\u0026M 0458","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2764"],"normalized_title_ssm":["Wood County Archives"],"collection_title_tesim":["Wood County Archives"],"collection_ssim":["Wood County Archives"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Wood County (W. Va.) -- Archives"],"geogname_ssim":["Wood County (W. Va.) -- Archives"],"places_ssim":["Wood County (W. Va.) -- Archives"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Court records","Estate settlements."],"access_subjects_ssm":["Court records","Estate settlements."],"has_online_content_ssim":["false"],"extent_ssm":["166.50 Linear Feet Summary: 166 ft. 6 in. (324 document cases, 5 in. each); (216 reels of microfilm, 1.75 in. each)"],"extent_tesim":["166.50 Linear Feet Summary: 166 ft. 6 in. (324 document cases, 5 in. each); (216 reels of microfilm, 1.75 in. each)"],"date_range_isim":[1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Wood County Archives, A\u0026amp;M 0458, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Wood County Archives, A\u0026M 0458, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2af4150762a30f689741a1bd39d733c6\"\u003eRecords from the offices of circuit and county clerks containing inventories, wills, appraisements, estate and administrative settlements, and bills of sales.\u003c/abstract\u003e"],"abstract_tesim":["Records from the offices of circuit and county clerks containing inventories, wills, appraisements, estate and administrative settlements, and bills of sales."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5491e8c5273e5baca08ca818c0d82aaa\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:43:18.324Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2764","ead_ssi":"wvmturhc_repositories_2_resources_2764","_root_":"wvmturhc_repositories_2_resources_2764","_nest_parent_":"wvmturhc_repositories_2_resources_2764","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2764.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196810","title_ssm":["Wood County Archives"],"title_tesim":["Wood County Archives"],"unitdate_ssm":["1785-1935"],"unitdate_inclusive_ssm":["1785-1935"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 0458","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2764"],"text":["A\u0026M 0458","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2764","Wood County Archives","Wood County (W. Va.) -- Archives","Court records","Estate settlements.","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Records from the offices of circuit and county clerks containing inventories, wills, appraisements, estate and administrative settlements, and bills of sales.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","English \n.    "],"unitid_tesim":["A\u0026M 0458","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2764"],"normalized_title_ssm":["Wood County Archives"],"collection_title_tesim":["Wood County Archives"],"collection_ssim":["Wood County Archives"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Wood County (W. Va.) -- Archives"],"geogname_ssim":["Wood County (W. Va.) -- Archives"],"places_ssim":["Wood County (W. Va.) -- Archives"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Court records","Estate settlements."],"access_subjects_ssm":["Court records","Estate settlements."],"has_online_content_ssim":["false"],"extent_ssm":["166.50 Linear Feet Summary: 166 ft. 6 in. (324 document cases, 5 in. each); (216 reels of microfilm, 1.75 in. each)"],"extent_tesim":["166.50 Linear Feet Summary: 166 ft. 6 in. (324 document cases, 5 in. each); (216 reels of microfilm, 1.75 in. each)"],"date_range_isim":[1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Wood County Archives, A\u0026amp;M 0458, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Wood County Archives, A\u0026M 0458, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2af4150762a30f689741a1bd39d733c6\"\u003eRecords from the offices of circuit and county clerks containing inventories, wills, appraisements, estate and administrative settlements, and bills of sales.\u003c/abstract\u003e"],"abstract_tesim":["Records from the offices of circuit and county clerks containing inventories, wills, appraisements, estate and administrative settlements, and bills of sales."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5491e8c5273e5baca08ca818c0d82aaa\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:43:18.324Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2764"}},{"id":"wvmturhc_repositories_2_resources_5370_c01_c02_c07","type":"File","attributes":{"title":"Wood County Papers","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5370_c01_c02_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5370_c01_c02_c07","ref_ssm":["wvmturhc_repositories_2_resources_5370_c01_c02_c07"],"id":"wvmturhc_repositories_2_resources_5370_c01_c02_c07","ead_ssi":"wvmturhc_repositories_2_resources_5370","_root_":"wvmturhc_repositories_2_resources_5370","_nest_parent_":"wvmturhc_repositories_2_resources_5370_c01_c02","parent_ssi":"wvmturhc_repositories_2_resources_5370_c01_c02","parent_ssim":["wvmturhc_repositories_2_resources_5370","wvmturhc_repositories_2_resources_5370_c01","wvmturhc_repositories_2_resources_5370_c01_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5370","wvmturhc_repositories_2_resources_5370_c01","wvmturhc_repositories_2_resources_5370_c01_c02"],"parent_unittitles_ssm":["Jim Comstock, Newspaper Editor and Collector, Papers","Series 1. Historical Documents","Series 1. Historical Documents -- West Virginia Documents"],"parent_unittitles_tesim":["Jim Comstock, Newspaper Editor and Collector, Papers","Series 1. Historical Documents","Series 1. Historical Documents -- West Virginia Documents"],"text":["Jim Comstock, Newspaper Editor and Collector, Papers","Series 1. Historical Documents","Series 1. Historical Documents -- West Virginia Documents","Wood County Papers","Box 1","Folder 12"],"title_filing_ssi":"Wood County Papers","title_ssm":["Wood County Papers"],"title_tesim":["Wood County Papers"],"unitdate_inclusive_ssm":["1800-1900"],"normalized_date_ssm":["1800/1900"],"normalized_title_ssm":["Wood County Papers"],"component_level_isim":[3],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Jim Comstock, Newspaper Editor and Collector, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":13,"parent_access_restrict_tesm":["Box 93 cannot be retrieved for use at this time. Please contact the West Virginia \u0026 Regional History Center for more information.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900],"containers_ssim":["Box 1","Folder 12"],"_nest_path_":"/components#0/components#1/components#6","timestamp":"2026-06-05T12:12:38.830Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5370","ead_ssi":"wvmturhc_repositories_2_resources_5370","_root_":"wvmturhc_repositories_2_resources_5370","_nest_parent_":"wvmturhc_repositories_2_resources_5370","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5370.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198658","title_ssm":["Jim Comstock, Newspaper Editor and Collector, Papers"],"title_tesim":["Jim Comstock, Newspaper Editor and Collector, Papers"],"unitdate_ssm":["1650-1671, 1717-2003, undated","ca. 1850-1995"],"unitdate_bulk_ssim":["ca. 1850-1995"],"unitdate_inclusive_ssm":["1650-1671, 1717-2003, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2600","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5370"],"text":["A\u0026M 2600","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5370","Jim Comstock, Newspaper Editor and Collector, Papers","Berkeley County (W. Va.)","Fairmont (W. Va.)","Marshall County (W. Va.)","Pennsylvania","United States -- History -- Civil War, 1861-1865","Wheeling (W. Va.)","Banks and banking","General stores","Glass manufacture","Mexican War, 1846-1848","Newspapers.","Political campaigns","Propaganda, Soviet","Whiskey decanters","Box 93 cannot be retrieved for use at this time. Please contact the West Virginia \u0026 Regional History Center for more information.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Lucy Elizabeth Prichard  (October 26, 1876 - July 29, 1964) was born in Cattlettsburg, Kentucky. Daughter of Robert H. and Mary Prichard, she had a brother, Karl, and a sister-in-law, Elizabeth. Lucy taught at Huntington High School from 1899-1913, and taught Latin and Classical Studies at Marshall College (now Marshall University) from 1914-1941. Marshall's Prichard Hall was named in her honor.","Louis Eckert Reed  (born October 1, 1899 in Wirt County, WV; died January 31, 1979 in Elizabeth, WV) served as a sergeant in the US Army during WWI, served as Administrative Assistant to Senator Chapman Revercomb, and worked as a prosecuting attorney in Wirt County, WV. He also wrote for  Atlantic Monthly .","James Franklin \"Jim\" Comstock  was born to Harry Clinton and Myrtle Blanche in Richwood, West Virginia on February 25, 1911. He married Miss Ola Stowers in Huntington, WV, on October 18, 1933; they would have two daughters, Sandra Ferguson and Elaine Nagy, and a son, Jay. In 1934, Comstock received B.A. from Marshall College (now Marshall University). From 1938-1942, he taught at Richwood High School and wrote for the  Clarksburg Telegram . He served in the U.S. Navy from 1944-1946, and upon returning home he founded the  Nicholas County News Leader  (originally  News Letter ) with Bronson D. McClung (1920-2004), a former student of his. On December 25, 1963, the  Nicholas County News Leader  combined with  Nicholas Republican ; in 1984, it became the  Richwood News Leader . Comstock remained an active part of the paper till his death on May 22, 1996.\n \n In 1957, Comstock founded the weekly  West Virginia Hillbilly  with McClung, and became its editor. The paper included feature articles, columns of special interest to West Virginians, book notes, and the \"Comstock Load,\" the editor's own column on the back page. Comstock first tried to sell the  Hillbilly  in 1976. In 1981, he sold it to the South Charleston Publishing Company. On February 25, 1986, he repurchased and began resuscitating the  Hillbilly . In 1992, he sold the  Hillbilly  to Sandy McCauley. In 2001, the  Hillbilly  ceased publication.","Comstock was involved in many endeavors in addition to his newspaper editing and reporting activities. In 1963, he ran unsuccessfully for Congress on the Republican ticket. He wrote, edited, and contributed to various books, including  Pa and Ma and Mr. Kennedy , a 50-volume  West Virginia Heritage Encyclopedia , and a collection of newspaper highlights entitled  Best of Hillbilly . He was also involved in republishing books by West Virginian authors. He campaigned to purchase and preserve author Pearl S. Buck's birthplace at Hillsboro, and he helped save the Cass Scenic Railroad. He also founded the University of Hard Knocks, a lighthearted honorary society that recognizes the accomplishments of people who have succeeded in life without a college degree.","Papers of James (\"Jim\") Franklin Comstock of Richwood, West Virginia, whose position as editor of the  West Virginia Hillbilly  and avocation as collector and advocate of all things West Virginia led to the preservation of much of the state's physical, visual, and textual history. The collection includes materials Comstock collected about West Virginia history as well as his own personal and professional papers.","Materials include: general series of historical documents such as letters, deeds, and county court cases pertaining to a diverse range of subjects (1717, 1754-1988, undated [includes facsimiles]); letters of Lucy Prichard, former instructor at Marshall College (now Marshall University) (1925-1927, undated); clippings and typescripts of Wirt County resident and  Atlantic Monthly  writer Louis Eckert Reed (ca. 1960-1975, undated); account books concerning economic development and commercial activities in the northern part of the state in the 19th and early 20th centuries (1830-1938); printed material about West Virginia schools, businesses, and events as well as non-West Virginia books and pamphlets (1829-1995, undated); Comstock's personal and professional correspondence (1882-1995, undated); a wide variety of photographs, including images of West Virginia cities and towns, among many others (ca. 1850s-1995, undated); microfilmed records of the Civil War and Dunmore's War (undated); glass lantern slides, which include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV (1871-1897, undated); Grand Army of the Republic and U.S. military history scrapbooks (1883-1918); broadsides, including advertisements for a circus in Moundsville (ca. 1827-1960 [includes facsimiles]); and maps and atlases of pre- and post-statehood West Virginia, counties, colonial North America, and other topics (1730-1976, undated [includes facsimiles]).","An addendum of 2013/05 includes additional personal and professional correspondence, publications, newspaper morgue files, photographs, audio-visual material, artifacts, scrapbooks, account books, and maps. For more information on Jim Comstock, see the Historical Note.","Series 1. Historical Documents; 1717, 1754-1988, undated (includes facsimiles); box 1 - box 3, folder 2. \nSeries 2. Lucy Prichard Papers; 1913-1936, undated; box 3, folders 3-8. \nSeries 3. Louis Reed Papers; ca. 1960-1975, undated; boxes 4-5. \nSeries 4. Account Books; 1830-1938; boxes 6-17. \nSeries 5. Printed Material; 1829-1995, undated; boxes 18-25. \nSeries 6. Comstock Correspondence; 1882-1995, undated (bulk 1950-1995); boxes 26-72. \nSeries 7. Photographs; ca. 1850s-1995, undated; boxes 73-81. \nSeries 8. Motion Pictures; undated; box 82. \nSeries 9. Microfilm; undated; box 82. \nSeries 10. Cassette Tapes; undated; box 82. \nSeries 11. Glass Lantern Slides; 1871-1897, undated; boxes 83-85. \nSeries 12. Scrapbooks; 1883-1918; boxes 86-91. \nSeries 13. Broadsides; ca. 1827-1960 (includes facsimiles); box 92. \nSeries 14. Maps; 1730-1976, undated (includes facsimiles); boxes 93-103, and map cabinet 1, drawer 12. \nSeries 15. Newspapers; ca. 1826-1924, 1976; box 104. \nSeries 16. Artifacts; 1952-1976, undated; boxes 105-109. \nSeries 17. Oversize; 1650-1671, 1720-1991, undated (includes facsimiles); boxes 110-118.","Addendum of 2013/05  includes material much like that in the initial acquisition, divided into the following series:","Series 18. Correspondence; 1838-2003, undated (bulk 1950-1995); box 119 - box 133 folder 4, and box 134 folders 1-11.* \nSeries 19. Publications; 1889-2002, undated; box 133, folders 5-6, box 134, folder 12, and boxes 135-136.* \nSeries 20. Subject Files; ca. 1851-1995, undated; boxes 137-146. \nSeries 21. Photographs; ca. 1870s-2003, undated; boxes 147-149.* \nSeries 22. Audio-Visual Material; 1990-1992, undated; box 150. \nSeries 23. Artifacts; undated; box 151, folders 1-2. \nSeries 24. Scrapbooks; ca. 1953-1984; box 151, folder 3 and scrapbook. \nSeries 25. Account Books; 1954-1960s; box 151 ledgers. \nSeries 26. Oversize Material; 1861-1866, 1893-1933, 1950-1998, undated; box 152 - box 156, folder 3, loose folders 1-4, oversize folder 1, and box 157. \nSeries 27. Maps; 1884-1891, 1920, 1957-1987; box 156, folders 4-10. \nSeries 28. Historical Documents; 1839-1909; box 158.","*Please note: boxes 123, 133, and 149 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.","This series includes financial records such as receipts and invoices, legal documents such as deeds and court cases, correspondence, land records, genealogy materials, ephemera, and typescript histories. Box 1 includes three subgroups: the Barnet Cushwa Papers, West Virginia Documents, and Non-West Virginia Documents. Boxes 2a-3 contain material of mixed origin. Additional historical documents can be found in Series 17, Oversize, and in subseries Oversize--Manuscripts.","This subseries includes a collection of materials documenting the activities of Cushwa, a prominent farmer and later the sheriff of Berkeley County in the 1850s. Cushwa's papers reveal his activities as administrator of the Daniel Gehr estate (1839-1843). The Berkeley County documents, including lists of landholdings, orders, taxes, and fee collections, demonstrate his duties as sheriff in the 1850s. See Series 17, Oversize, box 117 for Berkeley County land holdings, sheriff's accounts, and lists of orders, taxes, fees, etc. (1854-1858).","This subseries is comprised of correspondence and other material, principally concerning commercial and development activities in north-central West Virginia. These items are grouped by county; please note that there is overlap between counties.   Highlights include:  items relating to Harman Blennerhassett (box 1, folder 12);  a six-page letter written by William G. Brown answering questions concerning the constitutionality of the movement for West Virginia statehood (June 28, 1862) (box 1, folder 13);  letters and reminiscences focusing on the reunions of the Battle of Philippi (1911-1935) (box 1, folder 14); and  two letters from the abolitionist John Brown (box 1, folder 15)."," Additional West Virginia documents can be found in boxes 2a-2c.","Highlights of this subseries include:  four letters from soldiers in the Mexican War;  seventeen letters from Pennsylvania soldier James M. Weaver, principally to his wife, during his service in the Civil War;  a confidential letter from President James Monroe explaining his policy on fortifying the frontier;  seven Booker T. Washington letters;  two letters from Revolutionary War general Horatio Gates; and  a folder of letters written by famous 19th century figures including Samuel Clemens, Collis P. Huntington, Nathaniel P. Banks, and Newton D. Baker.","This subseries contains correspondence, invoices, deeds, tax documents, court cases, and other material. Most of the items pertain to West Virginia.  Highlights include:  bills and invoices of G.H.A. Kunst and John H. Kunst (1853-1867, 1892-1893);  papers of the Wells family of Sistersville (1806-1885);  a telegram regarding the burning of Harpers Ferry (1861);  a broadside listing members of Company H, 3rd Regiment, Potomac Home Brigade, Maryland Infantry (undated); and  legal documents regarding the manumission of slaves (1820-1828, 1856).","Lucy Prichard taught Latin and Classical Studies at Marshall College from 1914 to 1941. This series includes correspondence, photographs, and printed material. Correspondence includes Karl Prichard's letters (1918) and Lucy Prichard's letters (1925-1927, undated). Lucy's letters are addressed to her mother, Mrs. R.H. Prichard, in Huntington, WV. Many of Lucy's letters relate to her travels and studies in the Peloponnesus peninsula of Greece, the British Isles, Western Europe, and Italy in 1925 and 1927. For more information on Lucy Prichard, see the Historical Note.","This series includes newspaper clippings and typescripts of Wirt County resident and Atlantic Monthly writer Louis Eckert Reed. The newspaper clippings show images of Reed family photos (1960). The typescripts are short stories written by Louis, many likely unpublished. Also included are notes and a draft of  Burning Springs, Virginia: The Civil War's Unsolved Mystery , initially a paper that Reed prepared for the West Virginia Historical Society (see  Burning Springs, West Virginia: the Civil War's Unsolved Mystery , by Louis Reed, self-published in Elizabeth, WV, 1960). This material may have been developed for his later fictional novel,  Burning Springs  (published in Huntington, WV by University Editions/Aegina Press, 1985). For more information on Reed, see the Historical Note. A letter from Louis Reed to Jim Comstock regarding Reed's book  Warning in Appalachia  (1967) can be found in Series 6, Comstock Correspondence, box 62, folder 27. Other letters from Reed may be found elsewhere in Series 6, Correspondence.","This series includes 27 account books, many of which relate to north-central West Virginia businesses. These ledgers document general stores, a Jewish-owned clothing store in Richwood, the activities of an itinerant Methodist minister in the mining villages of north-central West Virginia, grocery stores and meat markets, a glass manufacturer, and other businesses. See Separated Materials note for information on volumes separated to other collections.","Thistle and Cox formed a partnership in Tyler County, [West] Virginia in March of 1835. This is the partnership's first ledger, which spans the years 1835-1837, but reference is made to the transfer of accounts to at least one subsequent ledger. The business appears to have been located near the Ohio River (probably in Sistersville), since customers included Ohio as well as Tyler County citizens. Although the debit side for each customer only lists the term \"merchandise\" for purchases, the ledger reveals the barter nature of much of the rural economy of Tyler County on the credit side. Among items received in trade by Thistle and Cox were chestnuts, hides, bees wax, rags, sand, tobacco, clothes, meats, produce, and various forms of labor. The ledger also frequently lists the occupations or residences of many of the customers. Included were coopers, tanners, blacksmiths, preachers, schoolteachers, and carpenters, scattered from Point Pleasant to Wheeling.","Inventory and Book Accounts. This volume contains a 66-page inventory of goods on hand and their prices in a Tyler County general store in January 1877. The inventory is divided into the following categories: fancy groceries, groceries, men's shoes, ladies' shoes, children's shoes, overshoes, dress goods, wall paper, housewares, and other. Starting on page 71 is a four-page list of the book accounts of the store's customers, presumably on that same date.","The Cordray Carriage Company was a short-lived business in Fairmont, WV. The ledger lists only the customers and the amount they owed T.L. Cordray, the proprietor of the Carriage Company. The ledger does not list the services for which the customers were charged. However, one itemized account invoice on an inserted piece of paper suggests that the Cordray Carriage Company repaired vehicles. For H.O. Amos, from 1907 through 1911, the Company repaired couplings, repaired and painted the body, repaired the interior, raised the body, and tightened and repaired the fenders, for a total charge of $118. The ledger includes more than 400 customers.","A. H. Breckstein was a Jewish merchant who operated a clothing store in the boom town of Richwood, in Nicholas County. Volume 10 is a cash book detailing daily transactions in the store, both sales and expenses, for part of 1910, and consistently for the period 1928 to 1936. There are also monthly accountings of both cash and credit sales as well as expenses. Volume 11 documents sales and purchases of clothing for the period 1926 to 1934. The sales portion of this volume repeats information available in volume 10. Volume 12 is a ledger of accounts payable for the period 1921-1928, showing the firms from which Breckstein purchased his goods. Included are companies in Baltimore, Philadelphia, Pittsburgh, and New York.","J.C. Shock was a Methodist minister assigned to a parish in Pullman, WV in 1910. However, he also appeared to be an itinerant preacher, and his account book lists ministerial services provided for the towns and villages of Duffy, Straight Fork, Falls Mill, Glady, and Kingknob, in the north-central West Virginia counties of Lewis, Ritchie, and Wetzel. The account book documents Shock's ministry, listing the text for sermons preached at various towns as well as the contributions of those towns to his salary. Most of the entries cover the years 1910-1917, at which time his base of operations seems to have shifted permanently to Falls Run and Falls Mill in Braxton County. There are entries for sermons, marriages, and assessments for those towns running to 1938. An additional folder contains miscellaneous documents related to Shock found within the ledger.","In the 1890s, Mrs. Samuel C. Gans operated a general store in Moundsville, which by 1900 was specializing in dry goods. This ledger reflects the volume of business and the timing and means of settling accounts. The early pages (for the 1890s) are more detailed, listing the items purchased from the general store. For the later period, the entries are frequently limited to the terms \"goods\" or \"merchandise.\" The back of the volume also contains some notes and miscellaneous accounts, such as rooms rented.","In 1892, a number of Charleston's German families banded together to form an Evangelical Lutheran Church. Subscriptions for a building fund and other church work began to be collected in October of that year. This ledger documents the subscriptions of the founding members of St. Paul's Evangelical Church. It also provides an accounting of the expenses and building funds contributed by the members, including the purchase of a lot on Court Street in Charleston, the church's construction, and the salary of the minister.","These volumes were written by Albert S. Hayden, Notary Public in and for the county of Marion and the state of West Virginia. He recorded handwritten copies of promissory notes and bills presented at Fairmont, WV banks for redemption, which were protested by the First National Bank of Fairmont's cashier. The ledgers also list the date protested, by whom, and the notices mailed to note signers. Most notes originated in West Virginia, but some originated in Ohio. Volume 16a covers 1870-1873. Volume 16b covers 1875-1876.","Anthony Zidn operated a grocery and dry goods store outside of Fairmont on RFD #2. Zidn was an immigrant from the Middle East (perhaps Armenia, as suggested by the fact he kept his accounts in Persian and had a Christian name). These three ledgers document his business, although most of the information is written in Persian.","The Price Brothers operated a general store in the small village of Amos on the Paw Paw Creek, eleven miles from the town of Fairmont in Marion County. The Price Brothers sold all sorts of groceries to people in the town, as documented by this ledger. In addition, the Polk business directory for 1902-1903 notes that the Price sisters operated a millinery business in Amos. There are loose papers within the ledger, including statements and product advertisements (1905-1907, undated).","At the turn of the century, there were four wholesale meat provisioners in Wheeling. This ledger represents the operations of one of them for the years 1901-1902. The company principally supplied general stores and grocers in eastern Ohio, northern West Virginia, southwestern Pennsylvania, and western Maryland. However, individuals could also buy directly. Entries typically include the name of the purchaser, the town in which the purchaser resides, and the amount of the purchase. For local buyers, the ledger frequently lists the Wheeling address. Since transactions are usually noted only as merchandise, it is impossible to glean what types of meats were being purchased at what costs.","Jacob Hornbrook was born in Tavistock, England, in 1812 and moved with his parents to Wheeling when he was a small child. Jacob's father ran a small [business?] in Wheeling. As a young man, Jacob began a mercantile business buying and selling produce on the flatboats travelling on the Ohio River. He later started a notions store, purchased interest in a steamship line and the First National Bank, and was president and owned stock in the Wheeling Gas Company. These three books, a journal (volume 20; 1847-1874), a ledger (volume 21; 1847-1874), and a cash book (volume 22; 1845-1874), document his business interests, investments, and personal expenses during the last three decades of his life. Although he remained an active investor, Hornbrook retired from his mercantile business in 1855 with an estate valued at more than $30,000. In 1852, he moved to what he called \"Forest Home\" near Wheeling Park, and he served in the West Virginia legislature during the Civil War.","This volume includes a manuscript copy of the act \"To incorporate the Wheeling Gas Company\" issued March 18, 1850; a copy of a related Wheeling city ordinance, issued April 29, 1850; stockholders meeting minutes, April 15, April 25, May 1, May 9, and May 11, 1850; and lists of subscribers, the number of shares of stock, and the amount paid.","George C. Gans was a physician practicing in Marshall County in the decades prior to the Civil War. Although most of his patients resided in the area around Moundsville and Elizabeth, Gans does not appear in either the 1840 or the 1850 U.S. census schedules for Marshall County. The ledger documents his treatment of families in Marshall County for a wide variety of ills, including typhoid fever (1861), cholera (1847), and farm injuries. Gans also routinely attended childbirths. His treatments included blistering, bleeding, venesection, lancing, and operating as well as administering medicine and pills. In return for his services, Gans routinely accepted farm produce, labor on his farm, and other useful items such as shingles. He went on to serve as an assistant surgeon in the Civil War.","This is a ledger of an Elizabeth, PA, glass manufacturer's accounts with his workers. The manufacturer ran some type of company store, and the ledger thus includes debits for cash and merchandise received by the workers and credits for the various types of labor performed, including glass blowing, teasing, cutting, coal mining, blacksmithing, and box making. In addition, the ledger includes the manufacturer's accounts with a boarding house owner for boarding his workers and with a local merchant who supplied the company store. In general, the ledger provides insights into the earnings of mid-19th century artisans as well as the operation of a small, rural glass-making establishment.","This consignment book documents commodity prices and the wide variety of goods received by a Wheeling commission merchant house during the 1830s. It also provides insights into the local industrial development, since the commission merchants routinely received goods on consignment from local manufacturers, such as the German Manufacturing Company (textiles). At the beginning of the book, there is evidence that the firm engaged a peddler to make trips in 1830, and the commission house also conducted auctions during the 1830s.","Moses Chapline was a prominent citizen in Wheeling, at various times an attorney, a general store owner, and in the 1830s, mayor. This daybook documents the daily trade at his store during 1845. Included are entries for purchases of a wide variety of goods as well as entries for store expenses, such as insurance, soap, and transportation. The A. Loring who appears frequently throughout was probably Alonzo Loring, a clerk at the store.","Harry Hood and Company was a retail meat and dairy market in Fairmont, WV. This ledger covers the last few months of 1906 and the first months of 1907. It documents purchases of meat from wholesale producers, such as Armour and Company, and sales of meat to local businesses and individuals in Fairmont. Transactions are typically listed only as \"merchandise,\" making it difficult to glean any information concerning prices or consumption patterns. The ledger is used only for the first 150 of its 500 pages, and the business does not appear in the Polk business directory of 1906-1907, suggesting the possibility that it folded some time in 1907.","This ledger documents a general store in Tyler County, probably near Middlebourne, the county seat. Although fairly routine entries characterize customer purchases, the volume also documents purchases from wholesale merchants, beginning on page 251. Included are such firms as Hubbard and Paull, and Jos. Speidel, both of Wheeling; Ed Roome of Sistersville; and Burgunder Brothers and Company, of Columbus, Ohio. Also, the ledger often lists the occupations of the store's customers. Included are John Gates, an oil rig builder (reflecting the emergence of the local oil business) and a number of customers connected to a local woolen mill.","John Gallaher, Christian Ansbrutz, and Caleb Bleakmor started a general store partnership in 1853. Prior to that date, Gallaher operated a store in Moundsville, which is documented in the first 90 pages of the daybook. The daybook follows the partnership for only six months (until September 1853), but then another Moundsville general store (involving Bleakmor) used the daybook during 1856. In the 1850 census, Bleakmor was listed as a constable, age 49, born in Maryland; and Ansbrutz was listed as a miller, age 47, born in France, worth $23,000. Only Gallaher, a 53-year-old Irishman worth $12,000, was listed as a merchant. From the evidence in the daybook, it appears that the partnership was short-lived.","This series includes ephemera, sheet music, booklets, pamphlets, and correspondence. Additional miscellaneous printed material can be found in Series 17, Oversize.","  Box 18 includes calendars, sheet music, notecards, and printed material related to West Virginia history. The notecards include screen printed notecards from Wolf Creek Printery in Alderson, WV (1976). The history printed material includes a booklet entitled  Wheeling Bicentennial, 1769-1969  (1969?).","  Box 19 includes West Virginia serial publications and magazines, as well as printed material about West Virginia schools and locations. Highlights include three issues of  The Searchlight , a serial about education (two published in Summersville, WV [1895-1896], and one published in Fayetteville, WV [1899]); an issue of  The Mikrophone: Devoted to Religion, Morality, and Temperance  (published in Highland, WV, by D.H. Davis, 1906); Scottish Rite pamphlets (published in Wheeling, 1910-1917); the Richwood High School Class of 1940 reunion program (1960); Craigsville Grade School's first yearbook (1973); and  Mountaineer Spirit , a WVU student magazine featuring an article about Jim Comstock (1968).","  Box 20 includes non-West Virginia serial publications and magazines. Highlights include an issue of  The Religious Magazine, or Spirit of the Foreign Theological Journals and Reviews  (Philadelphia: E. Littell, 1829); and E.D. Cope's  On Vertebrata from the Tertiary and Cretaceous Rocks of the North West Territory  (Montreal: W.F. Brown \u0026 Co., 1891);  Naval Training School -- Indoctrination, Hollywood Florida: Quarterdeck, Class of 3-44, 20 June 1944  (Hollywood, FL: Naval Training School, 1944); and issue no. 18 of  Papers from the Society for the Diffusion of Political Knowledge  (undated).","  Box 21 includes various writings, such as student literary magazines, works of fiction, poetry booklets, and George T. Swain's  The Incomparable Don Chafin  (Charleston, WV: Ace Enterprises, 1962).","  Box 22 includes George T. Swain's  Facts About the Two Armed Marches on Logan  (Charleston, WV: Ace Enterprises, 1962), as well as printed materials for a variety of West Virginia and non-West Virginia businesses and organizations. These include advertisements and booklets regarding the West Virginia glass industry, including Fenton Glass (1966-1976, undated), a Woman's Club of Gassaway booklet (1970), a reprint of the Berkeley Springs Hotel Brochure of 1885 (1988), and the constitution of the First Baptist Church of Richwood, WV (undated). For additional business-related printed material, see also Series 1, Historical Documents, box 2b, folders 11-12.","  Box 23 includes miscellaneous booklets, programs, book plates, articles, clippings, and other material. Highlights include  Rules of Practice in the United States Patent Office  (Washington: U.S. G.P.O., 1892), Elbert Hubbard's  Little Journeys to the Homes of Great Teachers: Erasmus  (East Aurora, Erie County, NY: The Roycrofters, 1908), the Richwood Spud and Splinter Festival Program (1940), and Eugene L. Huddleston's  The World's Greatest Mallets: C \u0026 O H-8 Versus N \u0026 W Class A  (Alderson, WV: Chesapeake \u0026 Ohio Historical Society, 1986).","  Boxes 24 and 25 contain books, including Comstock's autobiography.","This series includes Jim Comstock's personal and professional correspondence. This series contains materials that are diverse in format, including letters, scripts for radio and other media, clippings, postcards, typescripts, articles, financial materials (e.g. bank books and checks), printed material, ephemera, and photographs. Most of the photographic material in this series has been moved to Series 7, Photographs. Some materials were moved to Series 17, Oversize -- see the Series 17 description for details."," Comstock marked much of his correspondence to be filed by the first letter of the correspondent's last name. Some of this organizational scheme has survived; folders containing specific letter and year files are dispersed throughout the series. Other notations that Comstock used include \"LR\" for letters received, \"Sp\" for speech-related correspondence, \"NL\" for  News Leader -related correspondence, and \"HB\" for  West Virginia Hillbilly -related correspondence."," Topics and items of interest include:  \n letters written to Comstock by regional author Jesse Stuart, and by political figures such as Hubert H. Humphrey, Robert C. Byrd, Jennings Randolph, and Barry Goldwater (box 26 and others);  rejection letters from newspapers and magazines to which Comstock submitted material (box 26);  biographical material about Jim Comstock and his family, including a thesis about Comstock by Mary Abel (boxes 26 and 47);  Larry Maynor, journalist for the  Charleston Daily Mail  (box 29);  the sale and ultimate demise of the  West Virginia Hillbilly  (boxes 31 and 72);  the University of Hard Knocks, including a mock-up diploma, resumes, and portrait photograph headshots of potential graduates (boxes 31 and 60);  [Delf] Norona Collection payments (boxes 33 and 46);  Pearl S. Buck (box 33 and others);  Billy Edd Wheeler, West Virginia writer and musician (box 36);  Civilian Conservation Corps (CCC) reunion in 1979 (box 36);  Otto Whittaker, who worked with Comstock on  The Best of the Hillbilly  (boxes 37 and 65);  the  West Virginia Heritage Encyclopedia  (box 40);  Comstock's appearance on John Nebel's WOR radio show in 1960, including postcards and letters regarding the appearance and requests for Comstock's Richwood Kinsey Report as well as  News Leader  or  West Virginia Hillbilly  subscriptions (boxes 41-42);  Comstock's appearance on the Today Show in 1966 (box 42);  Comstock's appearance on Patricia/Patsy McCann's WOR radio show in New York in August 1977, including letters and postcards regarding the appearance and requests to receive the free six-week subscription to the  West Virginia Hillbilly  which Comstock offered on the show (boxes 42-43);  writers, with an emphasis on West Virginia authors, whose work Comstock was interested in collecting (boxes 40, 44, 45, and 62);  writings by Comstock, including short stories, articles, drafts, etc. (boxes 47-49);  Comstock's nomination and campaign for a U.S. House of Representatives seat on the Republican ticket in 1964 (boxes 51 and 56);  the  West Virginia Hillbilly  and  News Leader , including morgue files, old articles, submissions, letters, and other items (boxes 54, 55, 57, 61, 63, and others; for oversize items, see Series 17, Oversize, box 116);  Eck Bozeman (box 57);  Comstock's pocket diaries (box 57);  Comstock's naval service during World War II (box 60);  H.C. Comstock, Jim's father (box 68); and  historical research material, possibly for the  Encyclopedia  (box 72)."," Please note that the above list is not exhaustive.","This series includes print photographs, negatives, cartes de visite, cabinet cards, mounted photos, tintypes, photo postcards, slides, clippings, printed material, correspondence, photo plates, and eight canisters of large format aerial diapositives (photo transparencies). Subjects include furniture; first ladies of West Virginia; historic homes of West Virginia; identified and unidentified individual and group portraits; cities and towns of West Virginia; buildings; scenery; Museum of the Hills in Richwood, WV; glass and glassmaking; and the Greenbrier. Some of the material in this series was transferred from Series 6, Comstock Correspondence -- in cases where the photographic item was attached to correspondence, the correspondence was transferred as well. Please note that some negatives are nitrate; keep these away from heat and handle with care. Additional photographic material can be found in Series 6, Correspondence, boxes 35, 54, 55, and 72. For photos of Fenton Glass products, see Series 5, Printed Material, box 22. Some oversize photos have been separated to the Photographs Collection; most of these have been added to West Virginia History OnView. Additional oversize photos can be found in Series 17, Oversize."," Contents of the eight canisters of large format aerial diapositives (photo transparencies):"," Box 80; Canister label: \"Huntington 1-6000 April 1947\"  Box 80; Canister label: \"Chas. [Charleston?] 1957, Nitro, 1957; St. Albans, 1957, Old Chas., 1948, Airport, Big Scale (?)\"  Box 80; Canister labels: \"Elk River Coal \u0026 Lumber Co., Aerial Map Flown April 1953.\" and \"City of Huntington Scale 1-6000 Apr 28 1947\"  Box 80; Canister label: \"Harmony Near Ripley, [?] ft to 1\" old; Colin Creek Coal Stripping, large scale, 1948; Lake Chaweva, 1948; Armour Park, 1948; C\u0026O Ry [Railway?] Coal River 1948; Bellings Airport, 1947; Kanawha Airport, large and small scale, 12-9-1947; Strip to City Blvd 12-9-1947; City Strip \u0026 Kenna Home; C\u0026CCC Research 1947; Cedar Grove to Montgomery.\"  Box 81; Unlabeled canister.  Box 81; Canister label: \"1949\"  Box 81; Canister label: \"Coal City - Park Beckley, 1947 [?]\" (not usable)  Box 81; Canister label: \"4/20/53 Dick Stata Film, St. Albans - Charleston\" (not usable)","This series contains two rolls of 35 mm black and white motion picture film, and three rolls of 16 mm color motion picture film of a train. Also included is one of the canisters which contained the film. The box which formerly contained the film was labeled \"F.M.C. Movie Scraps.\" Please note that some reels are nitrate; handle with care.","This series contains two reels of microfilm, which were likely the property of Delf Norona before they were acquired by Comstock. The first reel contains West Virginia-related Civil War records; the second contains payroll and public service claims from the West Virginia region in the 1770s."," Reel 1 Contents Notes:  Records of the War Department, Office of the Adjutant General, General Orders, Mountain Department, Army in the Field, May 9 - June 28, 1862.  National Archives and Records Service, General Services Administration, Washington: 1956. 101 total pgs.  March 18 - June 18, 1862 86 total pgs."," Reel 2 Contents Notes:  Payroll for Pittsburgh, 122 leaves; Payroll for Romney, 43 leaves; Public Service Claims Romney and Winchester 1775, 37 leaves; Public Service Claims West Augusta 1775, 49 leaves; Records of Soldiers and Public Service in Dunmore's War, 279 leaves; index, 25 leaves.","This series includes two cassette tapes which were found in an envelope marked \"Larry Maynor Personal.\" The tapes include recordings of children reading stories and an oral history interview with an unidentified subject.","This series contains 75 wood framed glass lantern slides. Most slides are labeled with the subject, and some are dated. Subjects include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV, as well as Brooke County and Marshall County, WV, and Belmont County, Ohio. These images were likely created by Thomas M. Darrah of Belmont County, Ohio. For the two wooden boxes in which the slides were previously stored, please see Series 16, Artifacts, boxes 105 and 106.","This series includes scrapbooks which contain newspaper clippings and ephemera. Subjects include the Grand Army of the Republic (GAR) and U.S. military history with a focus on Civil War history. These scrapbooks may have belonged to Colonel Albert Kern of Dayton, Ohio.","This series includes originals and copies of broadsides and posters. Included are a John Dillinger wanted poster (1934); a Garrett Snuff advertisement (undated); copies of various political notices (originals ca. 1827-1886); Russian broadsides with Cyrillic text, depicting events of the Russian Civil War, USSR propaganda, and other things (ca. 1920-1930); posters for the Marshall County Fair (ca. 1960) and the Moundsville, Powhatan and Clarington Seventh Grand Annual Picnic (1873); advertisements for the Ringling Brothers and Barnum and Bailey Circus at the Moundsville Fairgrounds (undated); Showboat Rhododendron advertisements (undated); and other material.","This series includes original and facsimile maps, atlases, and books about maps. Highlights include pre- and post-Civil War maps of the West Virginia area;  Hardesty's Historical and Geographical Encyclopedia, Illustrated: containing ... special history of the Virginias, maps and histories of Tyler and Wetzel Counties, West Virginia ; maps of America before 1775; copies of [West] Virginia county maps by John Wood from 1820-1821; maps of various West Virginia cities, including, Morgantown, Moundsville, and Wheeling; and various Fry-Jefferson maps (original and copies). A detailed contents list of boxes 93-100b and map cabinet 1, drawer 12 is available. ","\nNote that the date for each map reflects the date of creation of the item, though in the case of copies it may indicate the date of the creation of the original item rather than the date the copy was made. Also, the number of items may indicate different items or different pieces of the same map. ","\n  Not yet located; Item Number 113; County Map of Virginia and West Virginia; 1874","This series includes newspapers from Wheeling, as well as a special bicentennial salute issue of the  West Virginia Hillbilly  (1976). The majority of the newspapers in this collection have been separated to the West Virginia Collection's newspaper holdings. A list of the newspapers originally inventoried for this collection can be found in the control folder."," Most of the West Virginia newspapers have been microfilmed; see Miscellaneous Reel 113 in the Microfilm Room. For a list of the contents of this reel, please see the \"W.Va. Newspapers from Comstock Collection\" three-page packet in the control folder. Additional newspaper pages and clippings can be found throughout Series 6, Comstock Correspondence and Series 17, Oversize, box 117.","This series includes a variety of artifacts and ephemera belonging to or collected by Comstock."," Boxes 105 and 106 include two wooden boxes (undated) which contained glass lantern slides (see Series 11). One box is labeled \"T.M. Darrah.\" Also included are a fountain pen used by Secretary of the Interior Oscar Chapman to sign the contract to begin building the Bureau of Mines' Appalachian Experiment Station in Morgantown, WV, with letters documenting the donation of the pen by Senator Harley M. Kilgore (1952); and a dinner plate showing a photo-like image of a priest with a group of children, from St. Albans, WV (undated)."," Box 107 includes various nametags for Comstock and his wife, from a variety of conventions and meetings (1960-1963, undated); glasses and sunglasses (undated); a sewing needle pack and a mini ruler advertising Jim Comstock for Congress (ca. 1964); a press pass for President Ford's visit to Charleston, WV (1975); and tickets to the Republican National Convention (1976); among other material."," Box 108 contains two figurines and four whiskey decanters. The figurines are a coal miner (made of coal, undated) and \"Morgan's Virginia Rifleman 1776\" (undated). The decanters are \"Old Time Coal Miner\" (1976), \"Coal Miner\" (1975), Robert E. Lee (undated), and Stonewall Jackson on horseback (undated)."," Box 109 contains six whiskey decanters: Abraham Lincoln (undated), Stonewall Jackson (undated), Hill Billy (1969), General Stonewall Jackson (1974), Randolph McCoy (1973), and Devil Anse Hatfield (1973).","This series contains oversize material that may be relevant to other series.","This subseries includes paintings, sketches, prints, photographs, educational posters, architectural drawings, vinyl records, typescripts, transparencies, clippings, manuscripts, and printed material, among other formats. Topics include Pearl Buck's birthplace, West Virginia, the Civil War, Jim Comstock's work, and other topics. More manuscripts are in the Manuscripts subseries, box 118."," Box 110 and box 111, folders 1-2 contain artwork depicting Pearl Buck's birthplace in Hillsboro, West Virginia, including paintings, sketches, a chalk drawing, and a plan for a sign (1965-1966, undated)."," Box 111, folders 3-4 and unfoldered items include two West Virginia-related prints and an unidentified photo (undated); one framed and six unframed prints depicting mining machinery, possibly of Joy Manufacturing Company (undated); an unframed painting of a coal miner (undated); twelve mounted photographs and sketches (most unidentified, undated); and four rolled photographs (1918-1955?)."," Box 112 includes educational posters regarding the Civil War and West Virginia history (undated). The posters include text, images, and photographs. Also includes mounted photographs, most with accompanying text, that have been added to West Virginia History On View. An additional eight posters regarding maps made by or related to North American Indians, likely assembled by Delf Norona, are also included (ca. 1950). For additional maps related to North American Indians/Native Americans, see also Series 14, Maps, box 98, item number 349."," Box 113 includes various West Virginia-related prints, including one of Mount Chantal near Wheeling (undated); prints of Civil War scenes sketched from nature and drawn on stone by J. Nep Roesler, Corporal of Color 47th Regiment of Ohio Volunteers (undated); a copy print of the camps of the 4th Brigade, 1st Division, 8th Army Corps. near Romney (undated); prints made from Civil War engravings (1960); W.R. Leigh bullfighting prints (1950); copies of architectural plans for alterations of Wheeling's Custom House and Post Office (undated); and other items."," Box 114 contains limited edition black and white prints from a series entitled \"Covered Bridges of West Virginia\" by Marj Teague (1977) and three copies of a vinyl record album titled \"The Legend of Clark Kessinger\" (ca. 1965)."," Box 115 includes paintings by John Wellington (undated); oversize photos (undated); an unidentified floor plan (undated); and architectural drawings or blueprints for five properties that were part of the Historic American Buildings Survey (undated). These properties are \"The Old Stone Church\" Presbyterian, Lewisburg, WV; Harewood and the ruins of St. George's Chapel, both near Charles Town, Jefferson County, WV; Traveler's Rest, near Leetown, Jefferson County, WV; and the Lee Barn in Leetown, WV."," Box 116 includes radio scripts (undated; see also Series 6, Comstock Correspondence, box 67); calendars (1984-1991);  Hillbilly  transparencies (undated; see also Series 6, Comstock Correspondence, box 54); various printed images and magazine clippings (1860-1921, undated); \"Our Wacky Weekly\" and newspaper article typescripts, probably written by Comstock (undated; see also Series 6, Comstock Correspondence, box 48, folder 1); and music-related magazines and pamphlets (1959-1966, undated)."," Box 117 includes Berkeley County documents from the Barnet Cushwa Papers (see also Series 1, Historical Documents, box 1, folders 1-5). These include lists of orders, taxes, fees, etc.; sheriff's office accounts; and land holdings (all 1854-1858). Box 117 also includes television scripts (undated); an envelope and survey plat from the Wells Family Papers (1856, undated; see also Series 1, Historical Documents, box 2a, folder 24); Civil War-related prints (1861-1868, 1955); newspaper clippings (1861, 1927-1944, undated; some from Series 6, Comstock Correspondence, box 67, folders 4 and 7); miscellaneous printed material (1817-1863, undated; includes facsimiles); and facsimile broadsides, legal documents, and clippings regarding West Virginia statehood (1861-1863).","This subseries includes oversize manuscripts, most of which pertain to West Virginia. West Virginia materials include pre- and post-statehood indentures, land grants, other legal documents, letters, certificates, and other formats pertaining to Barbour, Berkeley, Fayette, Hampshire, Hardy, Marshall, Ohio, Raleigh, and Tyler Counties. Additional indentures and land grants pertain to England (1650-1671, 1720-1721, 1833), and to Maryland, Virginia, and Texas.","This series includes Jim Comstock's personal and professional correspondence, and is composed of a wide range of formats, including letters, clippings, postcards, typescripts, articles, financial documents, printed material, ephemera, and photographs. Most of the photographic material in this series has been moved to Series 21, Photographs."," Comstock marked much of his correspondence to be filed by the first letter of the correspondent's last name. Some of this organizational scheme has survived; folders containing specific letter and year files can be found in boxes 119-125. Other notations that Comstock used include \"NL\" for  News Leader -related correspondence and \"HB\" for  West Virginia Hillbilly -related correspondence."," Topics and items of interest include:  card from Comstock to recent graduates regarding a gift subscription to the  Hillbilly  (undated) (box 119);  Comstock's work with the Pearl Buck House (box 127);  the University of Hard Knocks (box 128);  photocopies of a scrapbook about ramps and Comstock's ramp-scented ink incident; and  material regarding Comstock's work on the  Hillbilly , the  News Leader , and the  West Virginia Encyclopedia  (boxes 126-127 and other material throughout) (see also Series 20, Subject Files)."," Please note that the above list is not exhaustive and that material on the above topics may also exist in boxes not mentioned."," *Please note: boxes 123  and 133 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.","This series includes books, magazines, newspapers, journals, promotional materials, poetry, and sheet music. Topics include Jim Comstock's work, the state of West Virginia, WVU, Storer College, industry (e.g., coal, railways), and New England baked beans, among other topics.","Please note: box 133 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.","This series includes mostly morgue files of material that Comstock used in connection with his newspapers. Contents are not in alphabetical order. Formats include clippings, typescripts, photographs, print material, and other formats. The  News Leader  morgue materials (boxes 137-138) include items on a variety of subjects, such as covered bridges and the early history of Clay County. The  News Leader  morgue material also includes a folder of autographs of early West Virginia governors and other politicians, such as D.D.T. Farnsworth, John J. Jacobs, and A.B. Fleming. The  Hillbilly  morgue materials (box 139-140) pertain to a wide variety of subjects, most of whom are likely local individuals. The Newspaper Subjects (boxes 141-146) includes material for which the intended newspaper was not specified; topics include specific local individuals, national figures like Abraham Lincoln, steel and other industries, and towns.","This series includes cartes de visite, cabinet cards, mounted photographs, photographic prints, clippings, and other formats. Many subjects are identified. They include portraits and candid photos of individuals, families, politicians, sports figures, West Virginia towns and buildings. Other notable photographs include crime scene and/or accident photographs, including images of a non-commercial plane crash (undated), and photos of Jim Comstock at the West Virginia Senate (1966). Photographs can also be found in Series 18, Correspondence; Series 20, Subject Files; and Series 26, Oversize Material.  Please note: boxes 123, 133, and 149 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.","This series includes magnetic recording tapes, a VHS tape about college financing, and a vinyl record and cassette tape of Billy Crain music.","This series includes a WVLA cloth ribbon, an empty wallet, and a West Virginia Picture Book imprint plate.","This series includes material from two scrapbooks. One set of loose scrapbook pages contains clippings chiefly regarding Comstock's \"Past 80\" parties (ca. 1956). The other scrapbook of newspaper clippings chronicles the history of Richwood's Sacred Heart Hospital during the years of influence of the Pallottine Sisters from 1913-1983 (ca. 1953-1984).","This series includes two account books. One contains stencil orders from various schools as well as other bills (1960s), and the other is an account book for 1954.","This series includes newspapers, magazines, clippings, posters, prints, photographs, artwork, calendars, a genealogy chart, and other material."," Newspapers and magazines in box 152 include the  West Virginia Hillbilly  Bicentennial special edition (1976), newspaper layouts from the  Hillbilly  (1950-1976, undated), and pages from  Harper's Weekly  (1861-1866)."," Prints in boxes 153 and 154 include Civil War scenes by J. Nep Roesler, Corporal of Color 47th Regiment of Ohio Volunteers (undated)."," Photographs (in boxes 153-156 and loose folders) include regular oversize and cirkut (panoramic) photographs on a wide variety of subjects. Boxes 153 and 154 include photographs of unidentified buildings and a group portrait of a Civilian Conservation Corps reunion (1982). Boxes 155 and 156 include photos of Evenwood (1915), group portrait of a conference of National Association of Teachers in Colored Schools (ca. 1932), campaign photographs (ca. 1972), an unidentified group of cars preparing for a parade (undated), and duplicates from the loose folders."," Additional cirkut photos include:  Loose folder 1: a group portrait of the West Virginia Young People's Conference, Greenbrier Military School, Lewisburg, WV (1929), and a group portrait of the Divisional Young People's Congress, Charleston, WV (1929);  Loose folder 2: a group portrait of the Western Virginia Conference Epworth League (1928-1929);  Loose folder 3: photos of an unidentified bridge and factories or plants (1916 and undated) and the Appalachian Electric Power Company Turner Substation (1929);  Loose folder 4: a birds-eye view of Richwood (undated) and a group portrait of Cabin Creek Consolidated Coal Company Safety First Teams (1933)."," Box 156 also includes a genealogy chart and architectural drawings. The genealogy chart (undated) documents the Paull family, which is accompanied by a note: \"Goes with Jefferson [Fry-Jefferson?] Map.\" The architectural drawings (1972-1976, undated) depict buildings from Richwood.\n \n Box 157 includes a book of exhibits from the Virginia vs. West Virginia Supreme Court case in 1914, and a license for John W. Love to practice Law (1925).\n \n Also includes a muster roll for Company I, 2nd Regiment, [West] Virginia Volunteer Cavalry, U.S. Army (1863 February).","This series includes maps of West Virginia locations, such as Greenbrier County and the Monongahela National Forest, as well as maps of other states and a few world maps.","Mostly financial and legal documents from Marion, Monongalia, and Harrison Counties, bulk from 1840s to 1860s.","Separated to A\u0026M collections:","Various autographed items have been moved to A\u0026M 435.","Account book volumes 2, 2a, 3, 3a, 3b, and 3c, daybooks and ledgers from the Sistersville General Store run by Joshua and William Russell, were separated to A\u0026M 3071, Russell, Joshua \u0026 William. Sistersville General Store. Daybooks and Ledgers.","Account book volumes 4, 4a, and 4b, daybooks of John Goshorn, were separated to A\u0026M 2426, Goshorn Family. Papers.","Account book volumes 6-8, law records and accounts of Judge George A. Vincent, as well as Vincent's letters from the Historical Documents series, were separated to A\u0026M 3068, Vincent, George A., Lawyer and Judge. Papers.","Separated to the Printed Ephemera Collection:","Articles, maps, and letters, 1582-1877  (includes selections relating to the South Seas during the colonial period), on 1 reel of microfilm, P13438","Articles, letters, maps, and speeches, 1808-1863  (16 items which are listed on a sheet in the box), 1 reel of microfilm, P13439","Burnett, Nancy S.  Slovenes in Rural Appalachia: An Oral History  (Richwood, W. Va.: News Leader Press, 1994).","Separated to Printed Ephemera (Pamphlets), Periodicals, etc.:","West Virginia Odd Fellow , 1919, Charleston (1 item)","West Virginia State Weekly , 1910-1911, Fairmont (several items)","Exponent , 1917-1918, Moundsville (4 items)","Oros , 1927, Moundsville (1 item)","Pedagogue's Pastime , 1885, Moundsville (3 items)","Princeton Observer , 1950 (1 item)","Searchlight , Summersville (32 items)","West Virginia Farm Journal , 1872, Union (1 item)","Church Calendar , 1917, Wheeling (1 item)","Church News , 1892, Wheeling (1 item)","English Lutheran , 1900, Wheeling (1 item)","Musical Monthly , 1896-1897, Wheeling (6 items)","The Saturday Review , 1912 August 10, Wheeling","State Fair News , 1910, Wheeling (1 item)","William's Courier , undated, Wheeling (1 item)","Valley News Echo , Hagerstown, MD; reprint of an 1861 paper","Haney's Journal , 1869 March-October except July, New York (several items)","Our Southern Home , 1893 November, Hamlet, NC","Books separated to the West Virginia Collection or the WVU Downtown Library stacks:","Donnelly, Shirley.  Yesterday and Today: A Keepsake I, II, and III.  Fayetteville, W. Va.: Fayette County Historical Society, no date.","Keepsake Stories of the Ozarks.  Cassville, Mo.: Litho Printers, 1978.","Norton, Andre.  Catseye . London: Gollancz, 1974.","Deacon, William A.  The Four Jameses . Toronto: Macmillan Co. of Canada, 1974.","Haslip, Joan.  Catherine the Great: A Biography . New York: Putnam, 1977.","Separated to the Maps Collection:","Virginie [Virginia], Maryland en 2 Feuilles par Fry et Jefferson, 1777","Bird's Eye View of the City of Wheeling, West Virginia","Sistersville, West Virginia","Bird's Eye View of Philippi, West Virginia","Elkins, Randolph County, West Virginia","Fairmont and Palatine, West Virginia","Mannington, West Virginia","Morgantown, West Virginia","Clarksburg, West Virginia","Davis, Tucker County, West Virginia","Grafton, West Virginia","Cairo, West Virginia","Cameron, West Virginia","Harrisville, Ritchie County, West Virginia","Moundsville, West Virginia","New Martinsville, West Virginia","Parkersburg, Blennerhasset Island, West Virginia","Pennsboro, West Virginia","Salem, West Virginia","St. Mary's, West Virginia","Wellsburg, West Virginia","Buckhannon, West Virginia","Weston, West Virginia","Bird's Eye View of Keyser, West Virginia","View of Parsons, West Virginia","Aero View of Bluefield, West Virginia","Aero View of Keystone, West Virginia","Aero View of North Fork and Town of Clark, West Virginia","West Virginia Agricultural Society on Wheeling Island","Note: A spreadsheet with more details regarding the separated maps can be found in the control folder.","The majority of the newspapers in this collection have been separated into the West Virginia Collection's newspaper holdings.  Lists of the newspapers originally inventoried for this collection can be found in the control folder. Most of the West Virginia newspapers were microfilmed; see Miscellaneous Reel 113. For a list of the contents of this reel, please see the \"W.Va. Newspapers from Comstock Collection\" three-page packet in the control folder. On the third page is a list of items separated from the Comstock Collection to printed ephemera (pamphlets), periodicals, etc.","Sheet music separated to A\u0026M 723, Sheet Music:","Americans, Together.","Back to West Virginia.","Battle of Port Royal.","Brave Boys Are They.","Canoeing on the Kanawha.","Capt. Linch March.","Cherry.","Cotton Field Dance.","Down in the Lonely Dell.","Dynamite Twist.","Fair West Virginia.","Fire Fly Polka.","Glory Hallelujah.","Going Back to West Virginia.","Home Alone in West Virginia.","I Have Something Sweet to Tell You.","Imagine Me.","In Flanders' Fields.","I Want to Go Back to Michigan Down On the Farm.","J'aime Mon Amour.","Just Before the Battle, Mother.","Kingdom Coming.","La Violette de Carafa.","Love and Devotion.","Memory's Dream.","Men of West Augusta.","Mountain Land West Virginia.","On, On, On, the Boys Came Marching!","Our Grateful Heart Save Singing.","Reminiscing at Cass or the Greenbrier Shay.","Something Tells Me You're the Girl.","Song of a Woman.","Sweet Kitty Wells.","The Ballad of Oakland.","The Battle Cry of Freedom.","The Last Hope.","The Self Service Chain Store.","The Sunny Hours of Childhood.","The Vacant Chair.","The West Virginia Singer.","There's a Little Spark of Love Still Burning.","Tramp! Tramp! Tramp! The Prisoners Hope.","We Are Mountaineers.","West Virginia.","West Virginia! And My Home.","West Virginia University Songs.","What a Lovely Day!","Who Will Care For Mother Now?","Wild and Wonderful West Virginia.","William Tell Overture.","Willie My Brave.","Transferred to A\u0026M 727, Pearl S. Buck, Author. Papers:  Correspondence, manuscripts, articles, photographs and clippings by and about Pearl S. Buck and her birthplace collected by Jim Comstock (1938-1973; 6 in.)","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Papers of James (\"Jim\") Franklin Comstock of Richwood, West Virginia, whose position as editor of the  West Virginia Hillbilly  and avocation as collector and advocate of all things West Virginia led to the preservation of much of the state's physical, visual, and textual history. The collection includes materials Comstock collected about West Virginia history as well as his own personal and professional papers. Materials include: general series of historical documents such as letters, deeds, and county court cases pertaining to a diverse range of subjects (1717, 1754-1988, undated [includes facsimiles]); letters of Lucy Prichard, former instructor at Marshall College (now Marshall University) (1925-1927, undated); clippings and typescripts of Wirt County resident and  Atlantic Monthly  writer Louis Eckert Reed (ca. 1960-1975, undated); account books concerning economic development and commercial activities in the northern part of the state in the 19th and early 20th centuries (1830-1938); printed material about West Virginia schools, businesses, and events as well as non-West Virginia books and pamphlets (1829-1995, undated); Comstock's personal and professional correspondence (1882-1995, undated); a wide variety of photographs, including images of West Virginia cities and towns, among many others (ca. 1850s-1995, undated); microfilmed records of the Civil War and Dunmore's War (undated); glass lantern slides, which include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV (1871-1897, undated); Grand Army of the Republic and U.S. military history scrapbooks (1883-1918); broadsides, including advertisements for a circus in Moundsville (ca. 1827-1960 [includes facsimiles]); and maps and atlases of pre- and post-statehood West Virginia, counties, colonial North America, and other topics (1730-1976, undated [includes facsimiles]). An addendum of 2013/05 includes additional personal and professional correspondence, publications, newspaper morgue files, photographs, audio-visual material, artifacts, scrapbooks, account books, and maps. For more information on Jim Comstock, see the Historical Note.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Bleakmor, Gallaher \u0026 Ansbrutz","First National Bank of Fairmont","Grand Army of the Republic","Harry Hood \u0026 Company","St. Paul's Evangelical Lutheran Church  (Charleston, W. Va.)","Thistle \u0026 Cox","University of Hard Knocks.","Wheeling Gas Company","Comstock, Jim (James Franklin), 1911-1996","Baker, Newton Diehl, 1871-1937","Banks, Nathaniel Prentiss, 1816-1894","Blennerhassett, Harman, 1764-1831","Breckstein, A. H.","Brown, John, 1800-1859","Brown, William G.  (William Gay), 1800-1884","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Byrd, Robert C.","Chapline, Moses.","Clemens, Samuel Langhorne, 1835-1910","Cushwa, Barnet.","Eagle, Henry F.","Gans, George C.","Gans, Mrs. Samuel C.","Gates, Horatio, 1728-1806","Gehr, Daniel.","Goldwater, Barry M. (Barry Morris), 1909-1998","Hornbrook, Jacob.","Humphrey, Hubert H. (Hubert Horatio), 1911-1978","Huntington, Collis Potter, 1821-1900","Maynor, Larry.","Monroe, James, 1758-1831","Norona, Delf, 1895-1974","Prichard, Lucy, 1876-1964.","Randolph, Jennings, 1902-1998","Reed, Louis","Shock, J.C.","Stuart, Jesse, 1906-1984","Washington, Booker T., 1856-1915","Weaver, James M.","Zidn, Anthony.","English"],"unitid_tesim":["A\u0026M 2600","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5370"],"normalized_title_ssm":["Jim Comstock, Newspaper Editor and Collector, Papers"],"collection_title_tesim":["Jim Comstock, Newspaper Editor and Collector, Papers"],"collection_ssim":["Jim Comstock, Newspaper Editor and Collector, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Berkeley County (W. Va.)","Fairmont (W. Va.)","Marshall County (W. Va.)","Pennsylvania","United States -- History -- Civil War, 1861-1865","Wheeling (W. Va.)"],"geogname_ssim":["Berkeley County (W. Va.)","Fairmont (W. Va.)","Marshall County (W. Va.)","Pennsylvania","United States -- History -- Civil War, 1861-1865","Wheeling (W. Va.)"],"creator_ssm":["Comstock, Jim (James Franklin), 1911-1996"],"creator_ssim":["Comstock, Jim (James Franklin), 1911-1996"],"creator_persname_ssim":["Comstock, Jim (James Franklin), 1911-1996"],"creators_ssim":["Comstock, Jim (James Franklin), 1911-1996"],"places_ssim":["Berkeley County (W. Va.)","Fairmont (W. Va.)","Marshall County (W. Va.)","Pennsylvania","United States -- History -- Civil War, 1861-1865","Wheeling (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Banks and banking","General stores","Glass manufacture","Mexican War, 1846-1848","Newspapers.","Political campaigns","Propaganda, Soviet","Whiskey decanters"],"access_subjects_ssm":["Banks and banking","General stores","Glass manufacture","Mexican War, 1846-1848","Newspapers.","Political campaigns","Propaganda, Soviet","Whiskey decanters"],"has_online_content_ssim":["false"],"extent_ssm":["65.25 Linear Feet Summary: 65 ft. 3 1/4 in. (102 document cases, 5 in. each); (7 document cases, 2 1/2 in. each); (5 record cartons, 15 in. each); (2 record cartons, 17 in. each); (6 large flat storage boxes, 1 1/2 in. each); (2 flat storage boxes, 3 in. each); (8 large flat storage boxes, 3 in. each); (8 flat storage boxes, 3 1/2 in. each); (11 medium flat storage boxes, 3 1/2 in. each); (10 large flat storage boxes, 3 1/2 in. each); (1 large flat storage box, 5 in.); (6 oversize folders, 1 1/4 in. total)"],"extent_tesim":["65.25 Linear Feet Summary: 65 ft. 3 1/4 in. (102 document cases, 5 in. each); (7 document cases, 2 1/2 in. each); (5 record cartons, 15 in. each); (2 record cartons, 17 in. each); (6 large flat storage boxes, 1 1/2 in. each); (2 flat storage boxes, 3 in. each); (8 large flat storage boxes, 3 in. each); (8 flat storage boxes, 3 1/2 in. each); (11 medium flat storage boxes, 3 1/2 in. each); (10 large flat storage boxes, 3 1/2 in. each); (1 large flat storage box, 5 in.); (6 oversize folders, 1 1/4 in. total)"],"date_range_isim":[1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eBox 93 cannot be retrieved for use at this time. Please contact the West Virginia \u0026amp; Regional History Center for more information.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Box 93 cannot be retrieved for use at this time. Please contact the West Virginia \u0026 Regional History Center for more information.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"bioghist_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eLucy Elizabeth Prichard\u003c/emph\u003e (October 26, 1876 - July 29, 1964) was born in Cattlettsburg, Kentucky. Daughter of Robert H. and Mary Prichard, she had a brother, Karl, and a sister-in-law, Elizabeth. Lucy taught at Huntington High School from 1899-1913, and taught Latin and Classical Studies at Marshall College (now Marshall University) from 1914-1941. Marshall's Prichard Hall was named in her honor.\u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eLouis Eckert Reed\u003c/emph\u003e (born October 1, 1899 in Wirt County, WV; died January 31, 1979 in Elizabeth, WV) served as a sergeant in the US Army during WWI, served as Administrative Assistant to Senator Chapman Revercomb, and worked as a prosecuting attorney in Wirt County, WV. He also wrote for \u003cemph render=\"italic\"\u003eAtlantic Monthly\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eJames Franklin \"Jim\" Comstock\u003c/emph\u003e was born to Harry Clinton and Myrtle Blanche in Richwood, West Virginia on February 25, 1911. He married Miss Ola Stowers in Huntington, WV, on October 18, 1933; they would have two daughters, Sandra Ferguson and Elaine Nagy, and a son, Jay. In 1934, Comstock received B.A. from Marshall College (now Marshall University). From 1938-1942, he taught at Richwood High School and wrote for the \u003cemph render=\"italic\"\u003eClarksburg Telegram\u003c/emph\u003e. He served in the U.S. Navy from 1944-1946, and upon returning home he founded the \u003cemph render=\"italic\"\u003eNicholas County News Leader\u003c/emph\u003e (originally \u003cemph render=\"italic\"\u003eNews Letter\u003c/emph\u003e) with Bronson D. McClung (1920-2004), a former student of his. On December 25, 1963, the \u003cemph render=\"italic\"\u003eNicholas County News Leader\u003c/emph\u003e combined with \u003cemph render=\"italic\"\u003eNicholas Republican\u003c/emph\u003e; in 1984, it became the \u003cemph render=\"italic\"\u003eRichwood News Leader\u003c/emph\u003e. Comstock remained an active part of the paper till his death on May 22, 1996.\n \n In 1957, Comstock founded the weekly \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e with McClung, and became its editor. The paper included feature articles, columns of special interest to West Virginians, book notes, and the \"Comstock Load,\" the editor's own column on the back page. Comstock first tried to sell the \u003cemph render=\"italic\"\u003eHillbilly \u003c/emph\u003ein 1976. In 1981, he sold it to the South Charleston Publishing Company. On February 25, 1986, he repurchased and began resuscitating the \u003cemph render=\"italic\"\u003eHillbilly\u003c/emph\u003e. In 1992, he sold the \u003cemph render=\"italic\"\u003eHillbilly \u003c/emph\u003eto Sandy McCauley. In 2001, the \u003cemph render=\"italic\"\u003eHillbilly \u003c/emph\u003eceased publication.\u003c/p\u003e\n","\u003cp\u003eComstock was involved in many endeavors in addition to his newspaper editing and reporting activities. In 1963, he ran unsuccessfully for Congress on the Republican ticket. He wrote, edited, and contributed to various books, including \u003cemph render=\"italic\"\u003ePa and Ma and Mr. Kennedy\u003c/emph\u003e, a 50-volume \u003cemph render=\"italic\"\u003eWest Virginia Heritage Encyclopedia\u003c/emph\u003e, and a collection of newspaper highlights entitled \u003cemph render=\"italic\"\u003eBest of Hillbilly\u003c/emph\u003e. He was also involved in republishing books by West Virginian authors. He campaigned to purchase and preserve author Pearl S. Buck's birthplace at Hillsboro, and he helped save the Cass Scenic Railroad. He also founded the University of Hard Knocks, a lighthearted honorary society that recognizes the accomplishments of people who have succeeded in life without a college degree.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Lucy Elizabeth Prichard  (October 26, 1876 - July 29, 1964) was born in Cattlettsburg, Kentucky. Daughter of Robert H. and Mary Prichard, she had a brother, Karl, and a sister-in-law, Elizabeth. Lucy taught at Huntington High School from 1899-1913, and taught Latin and Classical Studies at Marshall College (now Marshall University) from 1914-1941. Marshall's Prichard Hall was named in her honor.","Louis Eckert Reed  (born October 1, 1899 in Wirt County, WV; died January 31, 1979 in Elizabeth, WV) served as a sergeant in the US Army during WWI, served as Administrative Assistant to Senator Chapman Revercomb, and worked as a prosecuting attorney in Wirt County, WV. He also wrote for  Atlantic Monthly .","James Franklin \"Jim\" Comstock  was born to Harry Clinton and Myrtle Blanche in Richwood, West Virginia on February 25, 1911. He married Miss Ola Stowers in Huntington, WV, on October 18, 1933; they would have two daughters, Sandra Ferguson and Elaine Nagy, and a son, Jay. In 1934, Comstock received B.A. from Marshall College (now Marshall University). From 1938-1942, he taught at Richwood High School and wrote for the  Clarksburg Telegram . He served in the U.S. Navy from 1944-1946, and upon returning home he founded the  Nicholas County News Leader  (originally  News Letter ) with Bronson D. McClung (1920-2004), a former student of his. On December 25, 1963, the  Nicholas County News Leader  combined with  Nicholas Republican ; in 1984, it became the  Richwood News Leader . Comstock remained an active part of the paper till his death on May 22, 1996.\n \n In 1957, Comstock founded the weekly  West Virginia Hillbilly  with McClung, and became its editor. The paper included feature articles, columns of special interest to West Virginians, book notes, and the \"Comstock Load,\" the editor's own column on the back page. Comstock first tried to sell the  Hillbilly  in 1976. In 1981, he sold it to the South Charleston Publishing Company. On February 25, 1986, he repurchased and began resuscitating the  Hillbilly . In 1992, he sold the  Hillbilly  to Sandy McCauley. In 2001, the  Hillbilly  ceased publication.","Comstock was involved in many endeavors in addition to his newspaper editing and reporting activities. In 1963, he ran unsuccessfully for Congress on the Republican ticket. He wrote, edited, and contributed to various books, including  Pa and Ma and Mr. Kennedy , a 50-volume  West Virginia Heritage Encyclopedia , and a collection of newspaper highlights entitled  Best of Hillbilly . He was also involved in republishing books by West Virginian authors. He campaigned to purchase and preserve author Pearl S. Buck's birthplace at Hillsboro, and he helped save the Cass Scenic Railroad. He also founded the University of Hard Knocks, a lighthearted honorary society that recognizes the accomplishments of people who have succeeded in life without a college degree."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Jim Comstock, Newspaper Editor and Collector, Papers, A\u0026amp;M 2600, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Jim Comstock, Newspaper Editor and Collector, Papers, A\u0026M 2600, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of James (\"Jim\") Franklin Comstock of Richwood, West Virginia, whose position as editor of the \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e and avocation as collector and advocate of all things West Virginia led to the preservation of much of the state's physical, visual, and textual history. The collection includes materials Comstock collected about West Virginia history as well as his own personal and professional papers.\u003c/p\u003e\n","\u003cp\u003eMaterials include: general series of historical documents such as letters, deeds, and county court cases pertaining to a diverse range of subjects (1717, 1754-1988, undated [includes facsimiles]); letters of Lucy Prichard, former instructor at Marshall College (now Marshall University) (1925-1927, undated); clippings and typescripts of Wirt County resident and \u003cemph render=\"italic\"\u003eAtlantic Monthly\u003c/emph\u003e writer Louis Eckert Reed (ca. 1960-1975, undated); account books concerning economic development and commercial activities in the northern part of the state in the 19th and early 20th centuries (1830-1938); printed material about West Virginia schools, businesses, and events as well as non-West Virginia books and pamphlets (1829-1995, undated); Comstock's personal and professional correspondence (1882-1995, undated); a wide variety of photographs, including images of West Virginia cities and towns, among many others (ca. 1850s-1995, undated); microfilmed records of the Civil War and Dunmore's War (undated); glass lantern slides, which include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV (1871-1897, undated); Grand Army of the Republic and U.S. military history scrapbooks (1883-1918); broadsides, including advertisements for a circus in Moundsville (ca. 1827-1960 [includes facsimiles]); and maps and atlases of pre- and post-statehood West Virginia, counties, colonial North America, and other topics (1730-1976, undated [includes facsimiles]).\u003c/p\u003e\n","\u003cp\u003eAn addendum of 2013/05 includes additional personal and professional correspondence, publications, newspaper morgue files, photographs, audio-visual material, artifacts, scrapbooks, account books, and maps. For more information on Jim Comstock, see the Historical Note.\u003c/p\u003e\n","\u003cp\u003eSeries 1. Historical Documents; 1717, 1754-1988, undated (includes facsimiles); box 1 - box 3, folder 2.\u003clb\u003e\u003c/lb\u003e\nSeries 2. Lucy Prichard Papers; 1913-1936, undated; box 3, folders 3-8.\u003clb\u003e\u003c/lb\u003e\nSeries 3. Louis Reed Papers; ca. 1960-1975, undated; boxes 4-5.\u003clb\u003e\u003c/lb\u003e\nSeries 4. Account Books; 1830-1938; boxes 6-17.\u003clb\u003e\u003c/lb\u003e\nSeries 5. Printed Material; 1829-1995, undated; boxes 18-25.\u003clb\u003e\u003c/lb\u003e\nSeries 6. Comstock Correspondence; 1882-1995, undated (bulk 1950-1995); boxes 26-72.\u003clb\u003e\u003c/lb\u003e\nSeries 7. Photographs; ca. 1850s-1995, undated; boxes 73-81.\u003clb\u003e\u003c/lb\u003e\nSeries 8. Motion Pictures; undated; box 82.\u003clb\u003e\u003c/lb\u003e\nSeries 9. Microfilm; undated; box 82.\u003clb\u003e\u003c/lb\u003e\nSeries 10. Cassette Tapes; undated; box 82.\u003clb\u003e\u003c/lb\u003e\nSeries 11. Glass Lantern Slides; 1871-1897, undated; boxes 83-85.\u003clb\u003e\u003c/lb\u003e\nSeries 12. Scrapbooks; 1883-1918; boxes 86-91.\u003clb\u003e\u003c/lb\u003e\nSeries 13. Broadsides; ca. 1827-1960 (includes facsimiles); box 92.\u003clb\u003e\u003c/lb\u003e\nSeries 14. Maps; 1730-1976, undated (includes facsimiles); boxes 93-103, and map cabinet 1, drawer 12.\u003clb\u003e\u003c/lb\u003e\nSeries 15. Newspapers; ca. 1826-1924, 1976; box 104.\u003clb\u003e\u003c/lb\u003e\nSeries 16. Artifacts; 1952-1976, undated; boxes 105-109.\u003clb\u003e\u003c/lb\u003e\nSeries 17. Oversize; 1650-1671, 1720-1991, undated (includes facsimiles); boxes 110-118.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eAddendum of 2013/05\u003c/emph\u003e includes material much like that in the initial acquisition, divided into the following series:\u003c/p\u003e\n","\u003cp\u003eSeries 18. Correspondence; 1838-2003, undated (bulk 1950-1995); box 119 - box 133 folder 4, and box 134 folders 1-11.*\u003clb\u003e\u003c/lb\u003e\nSeries 19. Publications; 1889-2002, undated; box 133, folders 5-6, box 134, folder 12, and boxes 135-136.*\u003clb\u003e\u003c/lb\u003e\nSeries 20. Subject Files; ca. 1851-1995, undated; boxes 137-146.\u003clb\u003e\u003c/lb\u003e\nSeries 21. Photographs; ca. 1870s-2003, undated; boxes 147-149.*\u003clb\u003e\u003c/lb\u003e\nSeries 22. Audio-Visual Material; 1990-1992, undated; box 150.\u003clb\u003e\u003c/lb\u003e\nSeries 23. Artifacts; undated; box 151, folders 1-2.\u003clb\u003e\u003c/lb\u003e\nSeries 24. Scrapbooks; ca. 1953-1984; box 151, folder 3 and scrapbook.\u003clb\u003e\u003c/lb\u003e\nSeries 25. Account Books; 1954-1960s; box 151 ledgers.\u003clb\u003e\u003c/lb\u003e\nSeries 26. Oversize Material; 1861-1866, 1893-1933, 1950-1998, undated; box 152 - box 156, folder 3, loose folders 1-4, oversize folder 1, and box 157.\u003clb\u003e\u003c/lb\u003e\nSeries 27. Maps; 1884-1891, 1920, 1957-1987; box 156, folders 4-10.\u003clb\u003e\u003c/lb\u003e\nSeries 28. Historical Documents; 1839-1909; box 158.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003e*Please note: boxes 123, 133, and 149 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eThis series includes financial records such as receipts and invoices, legal documents such as deeds and court cases, correspondence, land records, genealogy materials, ephemera, and typescript histories. Box 1 includes three subgroups: the Barnet Cushwa Papers, West Virginia Documents, and Non-West Virginia Documents. Boxes 2a-3 contain material of mixed origin. Additional historical documents can be found in Series 17, Oversize, and in subseries Oversize--Manuscripts.\u003c/p\u003e","\u003cp\u003eThis subseries includes a collection of materials documenting the activities of Cushwa, a prominent farmer and later the sheriff of Berkeley County in the 1850s. Cushwa's papers reveal his activities as administrator of the Daniel Gehr estate (1839-1843). The Berkeley County documents, including lists of landholdings, orders, taxes, and fee collections, demonstrate his duties as sheriff in the 1850s. See Series 17, Oversize, box 117 for Berkeley County land holdings, sheriff's accounts, and lists of orders, taxes, fees, etc. (1854-1858).\u003c/p\u003e","\u003cp\u003eThis subseries is comprised of correspondence and other material, principally concerning commercial and development activities in north-central West Virginia. These items are grouped by county; please note that there is overlap between counties. \u003clb\u003e\u003c/lb\u003e Highlights include: \u003clb\u003e\u003c/lb\u003eitems relating to Harman Blennerhassett (box 1, folder 12); \u003clb\u003e\u003c/lb\u003ea six-page letter written by William G. Brown answering questions concerning the constitutionality of the movement for West Virginia statehood (June 28, 1862) (box 1, folder 13); \u003clb\u003e\u003c/lb\u003eletters and reminiscences focusing on the reunions of the Battle of Philippi (1911-1935) (box 1, folder 14); and \u003clb\u003e\u003c/lb\u003etwo letters from the abolitionist John Brown (box 1, folder 15).\u003c/p\u003e\n","\u003cp\u003e Additional West Virginia documents can be found in boxes 2a-2c.\u003c/p\u003e","\u003cp\u003eHighlights of this subseries include: \u003clb\u003e\u003c/lb\u003efour letters from soldiers in the Mexican War; \u003clb\u003e\u003c/lb\u003eseventeen letters from Pennsylvania soldier James M. Weaver, principally to his wife, during his service in the Civil War; \u003clb\u003e\u003c/lb\u003ea confidential letter from President James Monroe explaining his policy on fortifying the frontier; \u003clb\u003e\u003c/lb\u003eseven Booker T. Washington letters; \u003clb\u003e\u003c/lb\u003etwo letters from Revolutionary War general Horatio Gates; and \u003clb\u003e\u003c/lb\u003ea folder of letters written by famous 19th century figures including Samuel Clemens, Collis P. Huntington, Nathaniel P. Banks, and Newton D. Baker.\u003c/p\u003e","\u003cp\u003eThis subseries contains correspondence, invoices, deeds, tax documents, court cases, and other material. Most of the items pertain to West Virginia. \u003clb\u003e\u003c/lb\u003eHighlights include: \u003clb\u003e\u003c/lb\u003ebills and invoices of G.H.A. Kunst and John H. Kunst (1853-1867, 1892-1893); \u003clb\u003e\u003c/lb\u003epapers of the Wells family of Sistersville (1806-1885); \u003clb\u003e\u003c/lb\u003ea telegram regarding the burning of Harpers Ferry (1861); \u003clb\u003e\u003c/lb\u003ea broadside listing members of Company H, 3rd Regiment, Potomac Home Brigade, Maryland Infantry (undated); and \u003clb\u003e\u003c/lb\u003elegal documents regarding the manumission of slaves (1820-1828, 1856).\u003c/p\u003e","\u003cp\u003eLucy Prichard taught Latin and Classical Studies at Marshall College from 1914 to 1941. This series includes correspondence, photographs, and printed material. Correspondence includes Karl Prichard's letters (1918) and Lucy Prichard's letters (1925-1927, undated). Lucy's letters are addressed to her mother, Mrs. R.H. Prichard, in Huntington, WV. Many of Lucy's letters relate to her travels and studies in the Peloponnesus peninsula of Greece, the British Isles, Western Europe, and Italy in 1925 and 1927. For more information on Lucy Prichard, see the Historical Note.\u003c/p\u003e","\u003cp\u003eThis series includes newspaper clippings and typescripts of Wirt County resident and Atlantic Monthly writer Louis Eckert Reed. The newspaper clippings show images of Reed family photos (1960). The typescripts are short stories written by Louis, many likely unpublished. Also included are notes and a draft of \u003cemph render=\"italic\"\u003eBurning Springs, Virginia: The Civil War's Unsolved Mystery\u003c/emph\u003e, initially a paper that Reed prepared for the West Virginia Historical Society (see \u003cemph render=\"italic\"\u003eBurning Springs, West Virginia: the Civil War's Unsolved Mystery\u003c/emph\u003e, by Louis Reed, self-published in Elizabeth, WV, 1960). This material may have been developed for his later fictional novel, \u003cemph render=\"italic\"\u003eBurning Springs\u003c/emph\u003e (published in Huntington, WV by University Editions/Aegina Press, 1985). For more information on Reed, see the Historical Note. A letter from Louis Reed to Jim Comstock regarding Reed's book \u003cemph render=\"italic\"\u003eWarning in Appalachia\u003c/emph\u003e (1967) can be found in Series 6, Comstock Correspondence, box 62, folder 27. Other letters from Reed may be found elsewhere in Series 6, Correspondence.\u003c/p\u003e","\u003cp\u003eThis series includes 27 account books, many of which relate to north-central West Virginia businesses. These ledgers document general stores, a Jewish-owned clothing store in Richwood, the activities of an itinerant Methodist minister in the mining villages of north-central West Virginia, grocery stores and meat markets, a glass manufacturer, and other businesses. See Separated Materials note for information on volumes separated to other collections.\u003c/p\u003e","\u003cp\u003eThistle and Cox formed a partnership in Tyler County, [West] Virginia in March of 1835. This is the partnership's first ledger, which spans the years 1835-1837, but reference is made to the transfer of accounts to at least one subsequent ledger. The business appears to have been located near the Ohio River (probably in Sistersville), since customers included Ohio as well as Tyler County citizens. Although the debit side for each customer only lists the term \"merchandise\" for purchases, the ledger reveals the barter nature of much of the rural economy of Tyler County on the credit side. Among items received in trade by Thistle and Cox were chestnuts, hides, bees wax, rags, sand, tobacco, clothes, meats, produce, and various forms of labor. The ledger also frequently lists the occupations or residences of many of the customers. Included were coopers, tanners, blacksmiths, preachers, schoolteachers, and carpenters, scattered from Point Pleasant to Wheeling.\u003c/p\u003e","\u003cp\u003eInventory and Book Accounts. This volume contains a 66-page inventory of goods on hand and their prices in a Tyler County general store in January 1877. The inventory is divided into the following categories: fancy groceries, groceries, men's shoes, ladies' shoes, children's shoes, overshoes, dress goods, wall paper, housewares, and other. Starting on page 71 is a four-page list of the book accounts of the store's customers, presumably on that same date.\u003c/p\u003e","\u003cp\u003eThe Cordray Carriage Company was a short-lived business in Fairmont, WV. The ledger lists only the customers and the amount they owed T.L. Cordray, the proprietor of the Carriage Company. The ledger does not list the services for which the customers were charged. However, one itemized account invoice on an inserted piece of paper suggests that the Cordray Carriage Company repaired vehicles. For H.O. Amos, from 1907 through 1911, the Company repaired couplings, repaired and painted the body, repaired the interior, raised the body, and tightened and repaired the fenders, for a total charge of $118. The ledger includes more than 400 customers.\u003c/p\u003e","\u003cp\u003eA. H. Breckstein was a Jewish merchant who operated a clothing store in the boom town of Richwood, in Nicholas County. Volume 10 is a cash book detailing daily transactions in the store, both sales and expenses, for part of 1910, and consistently for the period 1928 to 1936. There are also monthly accountings of both cash and credit sales as well as expenses. Volume 11 documents sales and purchases of clothing for the period 1926 to 1934. The sales portion of this volume repeats information available in volume 10. Volume 12 is a ledger of accounts payable for the period 1921-1928, showing the firms from which Breckstein purchased his goods. Included are companies in Baltimore, Philadelphia, Pittsburgh, and New York.\u003c/p\u003e","\u003cp\u003eJ.C. Shock was a Methodist minister assigned to a parish in Pullman, WV in 1910. However, he also appeared to be an itinerant preacher, and his account book lists ministerial services provided for the towns and villages of Duffy, Straight Fork, Falls Mill, Glady, and Kingknob, in the north-central West Virginia counties of Lewis, Ritchie, and Wetzel. The account book documents Shock's ministry, listing the text for sermons preached at various towns as well as the contributions of those towns to his salary. Most of the entries cover the years 1910-1917, at which time his base of operations seems to have shifted permanently to Falls Run and Falls Mill in Braxton County. There are entries for sermons, marriages, and assessments for those towns running to 1938. An additional folder contains miscellaneous documents related to Shock found within the ledger.\u003c/p\u003e","\u003cp\u003eIn the 1890s, Mrs. Samuel C. Gans operated a general store in Moundsville, which by 1900 was specializing in dry goods. This ledger reflects the volume of business and the timing and means of settling accounts. The early pages (for the 1890s) are more detailed, listing the items purchased from the general store. For the later period, the entries are frequently limited to the terms \"goods\" or \"merchandise.\" The back of the volume also contains some notes and miscellaneous accounts, such as rooms rented.\u003c/p\u003e","\u003cp\u003eIn 1892, a number of Charleston's German families banded together to form an Evangelical Lutheran Church. Subscriptions for a building fund and other church work began to be collected in October of that year. This ledger documents the subscriptions of the founding members of St. Paul's Evangelical Church. It also provides an accounting of the expenses and building funds contributed by the members, including the purchase of a lot on Court Street in Charleston, the church's construction, and the salary of the minister.\u003c/p\u003e","\u003cp\u003eThese volumes were written by Albert S. Hayden, Notary Public in and for the county of Marion and the state of West Virginia. He recorded handwritten copies of promissory notes and bills presented at Fairmont, WV banks for redemption, which were protested by the First National Bank of Fairmont's cashier. The ledgers also list the date protested, by whom, and the notices mailed to note signers. Most notes originated in West Virginia, but some originated in Ohio. Volume 16a covers 1870-1873. Volume 16b covers 1875-1876.\u003c/p\u003e","\u003cp\u003eAnthony Zidn operated a grocery and dry goods store outside of Fairmont on RFD #2. Zidn was an immigrant from the Middle East (perhaps Armenia, as suggested by the fact he kept his accounts in Persian and had a Christian name). These three ledgers document his business, although most of the information is written in Persian.\u003c/p\u003e","\u003cp\u003eThe Price Brothers operated a general store in the small village of Amos on the Paw Paw Creek, eleven miles from the town of Fairmont in Marion County. The Price Brothers sold all sorts of groceries to people in the town, as documented by this ledger. In addition, the Polk business directory for 1902-1903 notes that the Price sisters operated a millinery business in Amos. There are loose papers within the ledger, including statements and product advertisements (1905-1907, undated).\u003c/p\u003e","\u003cp\u003eAt the turn of the century, there were four wholesale meat provisioners in Wheeling. This ledger represents the operations of one of them for the years 1901-1902. The company principally supplied general stores and grocers in eastern Ohio, northern West Virginia, southwestern Pennsylvania, and western Maryland. However, individuals could also buy directly. Entries typically include the name of the purchaser, the town in which the purchaser resides, and the amount of the purchase. For local buyers, the ledger frequently lists the Wheeling address. Since transactions are usually noted only as merchandise, it is impossible to glean what types of meats were being purchased at what costs.\u003c/p\u003e","\u003cp\u003eJacob Hornbrook was born in Tavistock, England, in 1812 and moved with his parents to Wheeling when he was a small child. Jacob's father ran a small [business?] in Wheeling. As a young man, Jacob began a mercantile business buying and selling produce on the flatboats travelling on the Ohio River. He later started a notions store, purchased interest in a steamship line and the First National Bank, and was president and owned stock in the Wheeling Gas Company. These three books, a journal (volume 20; 1847-1874), a ledger (volume 21; 1847-1874), and a cash book (volume 22; 1845-1874), document his business interests, investments, and personal expenses during the last three decades of his life. Although he remained an active investor, Hornbrook retired from his mercantile business in 1855 with an estate valued at more than $30,000. In 1852, he moved to what he called \"Forest Home\" near Wheeling Park, and he served in the West Virginia legislature during the Civil War.\u003c/p\u003e","\u003cp\u003eThis volume includes a manuscript copy of the act \"To incorporate the Wheeling Gas Company\" issued March 18, 1850; a copy of a related Wheeling city ordinance, issued April 29, 1850; stockholders meeting minutes, April 15, April 25, May 1, May 9, and May 11, 1850; and lists of subscribers, the number of shares of stock, and the amount paid.\u003c/p\u003e","\u003cp\u003eGeorge C. Gans was a physician practicing in Marshall County in the decades prior to the Civil War. Although most of his patients resided in the area around Moundsville and Elizabeth, Gans does not appear in either the 1840 or the 1850 U.S. census schedules for Marshall County. The ledger documents his treatment of families in Marshall County for a wide variety of ills, including typhoid fever (1861), cholera (1847), and farm injuries. Gans also routinely attended childbirths. His treatments included blistering, bleeding, venesection, lancing, and operating as well as administering medicine and pills. In return for his services, Gans routinely accepted farm produce, labor on his farm, and other useful items such as shingles. He went on to serve as an assistant surgeon in the Civil War.\u003c/p\u003e","\u003cp\u003eThis is a ledger of an Elizabeth, PA, glass manufacturer's accounts with his workers. The manufacturer ran some type of company store, and the ledger thus includes debits for cash and merchandise received by the workers and credits for the various types of labor performed, including glass blowing, teasing, cutting, coal mining, blacksmithing, and box making. In addition, the ledger includes the manufacturer's accounts with a boarding house owner for boarding his workers and with a local merchant who supplied the company store. In general, the ledger provides insights into the earnings of mid-19th century artisans as well as the operation of a small, rural glass-making establishment.\u003c/p\u003e","\u003cp\u003eThis consignment book documents commodity prices and the wide variety of goods received by a Wheeling commission merchant house during the 1830s. It also provides insights into the local industrial development, since the commission merchants routinely received goods on consignment from local manufacturers, such as the German Manufacturing Company (textiles). At the beginning of the book, there is evidence that the firm engaged a peddler to make trips in 1830, and the commission house also conducted auctions during the 1830s.\u003c/p\u003e","\u003cp\u003eMoses Chapline was a prominent citizen in Wheeling, at various times an attorney, a general store owner, and in the 1830s, mayor. This daybook documents the daily trade at his store during 1845. Included are entries for purchases of a wide variety of goods as well as entries for store expenses, such as insurance, soap, and transportation. The A. Loring who appears frequently throughout was probably Alonzo Loring, a clerk at the store.\u003c/p\u003e","\u003cp\u003eHarry Hood and Company was a retail meat and dairy market in Fairmont, WV. This ledger covers the last few months of 1906 and the first months of 1907. It documents purchases of meat from wholesale producers, such as Armour and Company, and sales of meat to local businesses and individuals in Fairmont. Transactions are typically listed only as \"merchandise,\" making it difficult to glean any information concerning prices or consumption patterns. The ledger is used only for the first 150 of its 500 pages, and the business does not appear in the Polk business directory of 1906-1907, suggesting the possibility that it folded some time in 1907.\u003c/p\u003e","\u003cp\u003eThis ledger documents a general store in Tyler County, probably near Middlebourne, the county seat. Although fairly routine entries characterize customer purchases, the volume also documents purchases from wholesale merchants, beginning on page 251. Included are such firms as Hubbard and Paull, and Jos. Speidel, both of Wheeling; Ed Roome of Sistersville; and Burgunder Brothers and Company, of Columbus, Ohio. Also, the ledger often lists the occupations of the store's customers. Included are John Gates, an oil rig builder (reflecting the emergence of the local oil business) and a number of customers connected to a local woolen mill.\u003c/p\u003e","\u003cp\u003eJohn Gallaher, Christian Ansbrutz, and Caleb Bleakmor started a general store partnership in 1853. Prior to that date, Gallaher operated a store in Moundsville, which is documented in the first 90 pages of the daybook. The daybook follows the partnership for only six months (until September 1853), but then another Moundsville general store (involving Bleakmor) used the daybook during 1856. In the 1850 census, Bleakmor was listed as a constable, age 49, born in Maryland; and Ansbrutz was listed as a miller, age 47, born in France, worth $23,000. Only Gallaher, a 53-year-old Irishman worth $12,000, was listed as a merchant. From the evidence in the daybook, it appears that the partnership was short-lived.\u003c/p\u003e","\u003cp\u003eThis series includes ephemera, sheet music, booklets, pamphlets, and correspondence. Additional miscellaneous printed material can be found in Series 17, Oversize.\u003c/p\u003e\n","\u003cp\u003e  Box 18 includes calendars, sheet music, notecards, and printed material related to West Virginia history. The notecards include screen printed notecards from Wolf Creek Printery in Alderson, WV (1976). The history printed material includes a booklet entitled \u003cemph render=\"italic\"\u003eWheeling Bicentennial, 1769-1969\u003c/emph\u003e (1969?).\u003c/p\u003e\n","\u003cp\u003e  Box 19 includes West Virginia serial publications and magazines, as well as printed material about West Virginia schools and locations. Highlights include three issues of \u003cemph render=\"italic\"\u003eThe Searchlight\u003c/emph\u003e, a serial about education (two published in Summersville, WV [1895-1896], and one published in Fayetteville, WV [1899]); an issue of \u003cemph render=\"italic\"\u003eThe Mikrophone: Devoted to Religion, Morality, and Temperance \u003c/emph\u003e(published in Highland, WV, by D.H. Davis, 1906); Scottish Rite pamphlets (published in Wheeling, 1910-1917); the Richwood High School Class of 1940 reunion program (1960); Craigsville Grade School's first yearbook (1973); and \u003cemph render=\"italic\"\u003eMountaineer Spirit\u003c/emph\u003e, a WVU student magazine featuring an article about Jim Comstock (1968).\u003c/p\u003e\n","\u003cp\u003e  Box 20 includes non-West Virginia serial publications and magazines. Highlights include an issue of \u003cemph render=\"italic\"\u003eThe Religious Magazine, or Spirit of the Foreign Theological Journals and Reviews\u003c/emph\u003e (Philadelphia: E. Littell, 1829); and E.D. Cope's \u003cemph render=\"italic\"\u003eOn Vertebrata from the Tertiary and Cretaceous Rocks of the North West Territory\u003c/emph\u003e (Montreal: W.F. Brown \u0026amp; Co., 1891); \u003cemph render=\"italic\"\u003eNaval Training School -- Indoctrination, Hollywood Florida: Quarterdeck, Class of 3-44, 20 June 1944\u003c/emph\u003e (Hollywood, FL: Naval Training School, 1944); and issue no. 18 of \u003cemph render=\"italic\"\u003ePapers from the Society for the Diffusion of Political Knowledge\u003c/emph\u003e (undated).\u003c/p\u003e\n","\u003cp\u003e  Box 21 includes various writings, such as student literary magazines, works of fiction, poetry booklets, and George T. Swain's \u003cemph render=\"italic\"\u003eThe Incomparable Don Chafin\u003c/emph\u003e (Charleston, WV: Ace Enterprises, 1962).\u003c/p\u003e\n","\u003cp\u003e  Box 22 includes George T. Swain's \u003cemph render=\"italic\"\u003eFacts About the Two Armed Marches on Logan\u003c/emph\u003e (Charleston, WV: Ace Enterprises, 1962), as well as printed materials for a variety of West Virginia and non-West Virginia businesses and organizations. These include advertisements and booklets regarding the West Virginia glass industry, including Fenton Glass (1966-1976, undated), a Woman's Club of Gassaway booklet (1970), a reprint of the Berkeley Springs Hotel Brochure of 1885 (1988), and the constitution of the First Baptist Church of Richwood, WV (undated). For additional business-related printed material, see also Series 1, Historical Documents, box 2b, folders 11-12.\u003c/p\u003e\n","\u003cp\u003e  Box 23 includes miscellaneous booklets, programs, book plates, articles, clippings, and other material. Highlights include \u003cemph render=\"italic\"\u003eRules of Practice in the United States Patent Office\u003c/emph\u003e (Washington: U.S. G.P.O., 1892), Elbert Hubbard's \u003cemph render=\"italic\"\u003eLittle Journeys to the Homes of Great Teachers: Erasmus\u003c/emph\u003e (East Aurora, Erie County, NY: The Roycrofters, 1908), the Richwood Spud and Splinter Festival Program (1940), and Eugene L. Huddleston's \u003cemph render=\"italic\"\u003eThe World's Greatest Mallets: C \u0026amp; O H-8 Versus N \u0026amp; W Class A\u003c/emph\u003e (Alderson, WV: Chesapeake \u0026amp; Ohio Historical Society, 1986).\u003c/p\u003e\n","\u003cp\u003e  Boxes 24 and 25 contain books, including Comstock's autobiography.\u003c/p\u003e","\u003cp\u003eThis series includes Jim Comstock's personal and professional correspondence. This series contains materials that are diverse in format, including letters, scripts for radio and other media, clippings, postcards, typescripts, articles, financial materials (e.g. bank books and checks), printed material, ephemera, and photographs. Most of the photographic material in this series has been moved to Series 7, Photographs. Some materials were moved to Series 17, Oversize -- see the Series 17 description for details.\u003c/p\u003e\n","\u003cp\u003e Comstock marked much of his correspondence to be filed by the first letter of the correspondent's last name. Some of this organizational scheme has survived; folders containing specific letter and year files are dispersed throughout the series. Other notations that Comstock used include \"LR\" for letters received, \"Sp\" for speech-related correspondence, \"NL\" for \u003cemph render=\"italic\"\u003eNews Leader\u003c/emph\u003e-related correspondence, and \"HB\" for \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e-related correspondence.\u003c/p\u003e\n","\u003cp\u003e Topics and items of interest include: \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\n letters written to Comstock by regional author Jesse Stuart, and by political figures such as Hubert H. Humphrey, Robert C. Byrd, Jennings Randolph, and Barry Goldwater (box 26 and others); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003erejection letters from newspapers and magazines to which Comstock submitted material (box 26); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ebiographical material about Jim Comstock and his family, including a thesis about Comstock by Mary Abel (boxes 26 and 47); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eLarry Maynor, journalist for the \u003cemph render=\"italic\"\u003eCharleston Daily Mail\u003c/emph\u003e (box 29); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ethe sale and ultimate demise of the \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e (boxes 31 and 72); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ethe University of Hard Knocks, including a mock-up diploma, resumes, and portrait photograph headshots of potential graduates (boxes 31 and 60); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e[Delf] Norona Collection payments (boxes 33 and 46); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ePearl S. Buck (box 33 and others); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eBilly Edd Wheeler, West Virginia writer and musician (box 36); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eCivilian Conservation Corps (CCC) reunion in 1979 (box 36); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eOtto Whittaker, who worked with Comstock on \u003cemph render=\"italic\"\u003eThe Best of the Hillbilly\u003c/emph\u003e (boxes 37 and 65); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ethe \u003cemph render=\"italic\"\u003eWest Virginia Heritage Encyclopedia\u003c/emph\u003e (box 40); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eComstock's appearance on John Nebel's WOR radio show in 1960, including postcards and letters regarding the appearance and requests for Comstock's Richwood Kinsey Report as well as \u003cemph render=\"italic\"\u003eNews Leader\u003c/emph\u003e or \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e subscriptions (boxes 41-42); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eComstock's appearance on the Today Show in 1966 (box 42); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eComstock's appearance on Patricia/Patsy McCann's WOR radio show in New York in August 1977, including letters and postcards regarding the appearance and requests to receive the free six-week subscription to the \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e which Comstock offered on the show (boxes 42-43); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ewriters, with an emphasis on West Virginia authors, whose work Comstock was interested in collecting (boxes 40, 44, 45, and 62); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ewritings by Comstock, including short stories, articles, drafts, etc. (boxes 47-49); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eComstock's nomination and campaign for a U.S. House of Representatives seat on the Republican ticket in 1964 (boxes 51 and 56); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ethe \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eNews Leader\u003c/emph\u003e, including morgue files, old articles, submissions, letters, and other items (boxes 54, 55, 57, 61, 63, and others; for oversize items, see Series 17, Oversize, box 116); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eEck Bozeman (box 57); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eComstock's pocket diaries (box 57); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eComstock's naval service during World War II (box 60); \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eH.C. Comstock, Jim's father (box 68); and \u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003ehistorical research material, possibly for the \u003cemph render=\"italic\"\u003eEncyclopedia \u003c/emph\u003e(box 72).\u003c/p\u003e\n","\u003cp\u003e Please note that the above list is not exhaustive.\u003c/p\u003e","\u003cp\u003eThis series includes print photographs, negatives, cartes de visite, cabinet cards, mounted photos, tintypes, photo postcards, slides, clippings, printed material, correspondence, photo plates, and eight canisters of large format aerial diapositives (photo transparencies). Subjects include furniture; first ladies of West Virginia; historic homes of West Virginia; identified and unidentified individual and group portraits; cities and towns of West Virginia; buildings; scenery; Museum of the Hills in Richwood, WV; glass and glassmaking; and the Greenbrier. Some of the material in this series was transferred from Series 6, Comstock Correspondence -- in cases where the photographic item was attached to correspondence, the correspondence was transferred as well. Please note that some negatives are nitrate; keep these away from heat and handle with care. Additional photographic material can be found in Series 6, Correspondence, boxes 35, 54, 55, and 72. For photos of Fenton Glass products, see Series 5, Printed Material, box 22. Some oversize photos have been separated to the Photographs Collection; most of these have been added to West Virginia History OnView. Additional oversize photos can be found in Series 17, Oversize.\u003c/p\u003e\n","\u003cp\u003e Contents of the eight canisters of large format aerial diapositives (photo transparencies):\u003c/p\u003e\n","\u003cp\u003e Box 80; Canister label: \"Huntington 1-6000 April 1947\" \u003clb\u003e\u003c/lb\u003eBox 80; Canister label: \"Chas. [Charleston?] 1957, Nitro, 1957; St. Albans, 1957, Old Chas., 1948, Airport, Big Scale (?)\" \u003clb\u003e\u003c/lb\u003eBox 80; Canister labels: \"Elk River Coal \u0026amp; Lumber Co., Aerial Map Flown April 1953.\" and \"City of Huntington Scale 1-6000 Apr 28 1947\" \u003clb\u003e\u003c/lb\u003eBox 80; Canister label: \"Harmony Near Ripley, [?] ft to 1\" old; Colin Creek Coal Stripping, large scale, 1948; Lake Chaweva, 1948; Armour Park, 1948; C\u0026amp;O Ry [Railway?] Coal River 1948; Bellings Airport, 1947; Kanawha Airport, large and small scale, 12-9-1947; Strip to City Blvd 12-9-1947; City Strip \u0026amp; Kenna Home; C\u0026amp;CCC Research 1947; Cedar Grove to Montgomery.\" \u003clb\u003e\u003c/lb\u003eBox 81; Unlabeled canister. \u003clb\u003e\u003c/lb\u003eBox 81; Canister label: \"1949\" \u003clb\u003e\u003c/lb\u003eBox 81; Canister label: \"Coal City - Park Beckley, 1947 [?]\" (not usable) \u003clb\u003e\u003c/lb\u003eBox 81; Canister label: \"4/20/53 Dick Stata Film, St. Albans - Charleston\" (not usable)\u003c/p\u003e","\u003cp\u003eThis series contains two rolls of 35 mm black and white motion picture film, and three rolls of 16 mm color motion picture film of a train. Also included is one of the canisters which contained the film. The box which formerly contained the film was labeled \"F.M.C. Movie Scraps.\" Please note that some reels are nitrate; handle with care.\u003c/p\u003e","\u003cp\u003eThis series contains two reels of microfilm, which were likely the property of Delf Norona before they were acquired by Comstock. The first reel contains West Virginia-related Civil War records; the second contains payroll and public service claims from the West Virginia region in the 1770s.\u003c/p\u003e\n","\u003cp\u003e Reel 1 Contents Notes: \u003clb\u003e\u003c/lb\u003eRecords of the War Department, Office of the Adjutant General, General Orders, Mountain Department, Army in the Field, May 9 - June 28, 1862. \u003clb\u003e\u003c/lb\u003eNational Archives and Records Service, General Services Administration, Washington: 1956. 101 total pgs. \u003clb\u003e\u003c/lb\u003eMarch 18 - June 18, 1862 86 total pgs.\u003c/p\u003e\n","\u003cp\u003e Reel 2 Contents Notes: \u003clb\u003e\u003c/lb\u003ePayroll for Pittsburgh, 122 leaves; Payroll for Romney, 43 leaves; Public Service Claims Romney and Winchester 1775, 37 leaves; Public Service Claims West Augusta 1775, 49 leaves; Records of Soldiers and Public Service in Dunmore's War, 279 leaves; index, 25 leaves.\u003c/p\u003e","\u003cp\u003eThis series includes two cassette tapes which were found in an envelope marked \"Larry Maynor Personal.\" The tapes include recordings of children reading stories and an oral history interview with an unidentified subject.\u003c/p\u003e","\u003cp\u003eThis series contains 75 wood framed glass lantern slides. Most slides are labeled with the subject, and some are dated. Subjects include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV, as well as Brooke County and Marshall County, WV, and Belmont County, Ohio. These images were likely created by Thomas M. Darrah of Belmont County, Ohio. For the two wooden boxes in which the slides were previously stored, please see Series 16, Artifacts, boxes 105 and 106.\u003c/p\u003e","\u003cp\u003eThis series includes scrapbooks which contain newspaper clippings and ephemera. Subjects include the Grand Army of the Republic (GAR) and U.S. military history with a focus on Civil War history. These scrapbooks may have belonged to Colonel Albert Kern of Dayton, Ohio.\u003c/p\u003e","\u003cp\u003eThis series includes originals and copies of broadsides and posters. Included are a John Dillinger wanted poster (1934); a Garrett Snuff advertisement (undated); copies of various political notices (originals ca. 1827-1886); Russian broadsides with Cyrillic text, depicting events of the Russian Civil War, USSR propaganda, and other things (ca. 1920-1930); posters for the Marshall County Fair (ca. 1960) and the Moundsville, Powhatan and Clarington Seventh Grand Annual Picnic (1873); advertisements for the Ringling Brothers and Barnum and Bailey Circus at the Moundsville Fairgrounds (undated); Showboat Rhododendron advertisements (undated); and other material.\u003c/p\u003e","\u003cp\u003eThis series includes original and facsimile maps, atlases, and books about maps. Highlights include pre- and post-Civil War maps of the West Virginia area; \u003cemph render=\"italic\"\u003eHardesty's Historical and Geographical Encyclopedia, Illustrated: containing ... special history of the Virginias, maps and histories of Tyler and Wetzel Counties, West Virginia\u003c/emph\u003e; maps of America before 1775; copies of [West] Virginia county maps by John Wood from 1820-1821; maps of various West Virginia cities, including, Morgantown, Moundsville, and Wheeling; and various Fry-Jefferson maps (original and copies). A detailed contents list of boxes 93-100b and map cabinet 1, drawer 12 is available. \u003c/p\u003e\n","\u003cp\u003e\nNote that the date for each map reflects the date of creation of the item, though in the case of copies it may indicate the date of the creation of the original item rather than the date the copy was made. Also, the number of items may indicate different items or different pieces of the same map. \u003c/p\u003e\n","\u003cp\u003e\n  Not yet located; Item Number 113; County Map of Virginia and West Virginia; 1874\u003c/p\u003e","\u003cp\u003eThis series includes newspapers from Wheeling, as well as a special bicentennial salute issue of the \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e (1976). The majority of the newspapers in this collection have been separated to the West Virginia Collection's newspaper holdings. A list of the newspapers originally inventoried for this collection can be found in the control folder.\u003c/p\u003e\n","\u003cp\u003e Most of the West Virginia newspapers have been microfilmed; see Miscellaneous Reel 113 in the Microfilm Room. For a list of the contents of this reel, please see the \"W.Va. Newspapers from Comstock Collection\" three-page packet in the control folder. Additional newspaper pages and clippings can be found throughout Series 6, Comstock Correspondence and Series 17, Oversize, box 117.\u003c/p\u003e","\u003cp\u003eThis series includes a variety of artifacts and ephemera belonging to or collected by Comstock.\u003c/p\u003e\n","\u003cp\u003e Boxes 105 and 106 include two wooden boxes (undated) which contained glass lantern slides (see Series 11). One box is labeled \"T.M. Darrah.\" Also included are a fountain pen used by Secretary of the Interior Oscar Chapman to sign the contract to begin building the Bureau of Mines' Appalachian Experiment Station in Morgantown, WV, with letters documenting the donation of the pen by Senator Harley M. Kilgore (1952); and a dinner plate showing a photo-like image of a priest with a group of children, from St. Albans, WV (undated).\u003c/p\u003e\n","\u003cp\u003e Box 107 includes various nametags for Comstock and his wife, from a variety of conventions and meetings (1960-1963, undated); glasses and sunglasses (undated); a sewing needle pack and a mini ruler advertising Jim Comstock for Congress (ca. 1964); a press pass for President Ford's visit to Charleston, WV (1975); and tickets to the Republican National Convention (1976); among other material.\u003c/p\u003e\n","\u003cp\u003e Box 108 contains two figurines and four whiskey decanters. The figurines are a coal miner (made of coal, undated) and \"Morgan's Virginia Rifleman 1776\" (undated). The decanters are \"Old Time Coal Miner\" (1976), \"Coal Miner\" (1975), Robert E. Lee (undated), and Stonewall Jackson on horseback (undated).\u003c/p\u003e\n","\u003cp\u003e Box 109 contains six whiskey decanters: Abraham Lincoln (undated), Stonewall Jackson (undated), Hill Billy (1969), General Stonewall Jackson (1974), Randolph McCoy (1973), and Devil Anse Hatfield (1973).\u003c/p\u003e","\u003cp\u003eThis series contains oversize material that may be relevant to other series.\u003c/p\u003e","\u003cp\u003eThis subseries includes paintings, sketches, prints, photographs, educational posters, architectural drawings, vinyl records, typescripts, transparencies, clippings, manuscripts, and printed material, among other formats. Topics include Pearl Buck's birthplace, West Virginia, the Civil War, Jim Comstock's work, and other topics. More manuscripts are in the Manuscripts subseries, box 118.\u003c/p\u003e\n","\u003cp\u003e Box 110 and box 111, folders 1-2 contain artwork depicting Pearl Buck's birthplace in Hillsboro, West Virginia, including paintings, sketches, a chalk drawing, and a plan for a sign (1965-1966, undated).\u003c/p\u003e\n","\u003cp\u003e Box 111, folders 3-4 and unfoldered items include two West Virginia-related prints and an unidentified photo (undated); one framed and six unframed prints depicting mining machinery, possibly of Joy Manufacturing Company (undated); an unframed painting of a coal miner (undated); twelve mounted photographs and sketches (most unidentified, undated); and four rolled photographs (1918-1955?).\u003c/p\u003e\n","\u003cp\u003e Box 112 includes educational posters regarding the Civil War and West Virginia history (undated). The posters include text, images, and photographs. Also includes mounted photographs, most with accompanying text, that have been added to West Virginia History On View. An additional eight posters regarding maps made by or related to North American Indians, likely assembled by Delf Norona, are also included (ca. 1950). For additional maps related to North American Indians/Native Americans, see also Series 14, Maps, box 98, item number 349.\u003c/p\u003e\n","\u003cp\u003e Box 113 includes various West Virginia-related prints, including one of Mount Chantal near Wheeling (undated); prints of Civil War scenes sketched from nature and drawn on stone by J. Nep Roesler, Corporal of Color 47th Regiment of Ohio Volunteers (undated); a copy print of the camps of the 4th Brigade, 1st Division, 8th Army Corps. near Romney (undated); prints made from Civil War engravings (1960); W.R. Leigh bullfighting prints (1950); copies of architectural plans for alterations of Wheeling's Custom House and Post Office (undated); and other items.\u003c/p\u003e\n","\u003cp\u003e Box 114 contains limited edition black and white prints from a series entitled \"Covered Bridges of West Virginia\" by Marj Teague (1977) and three copies of a vinyl record album titled \"The Legend of Clark Kessinger\" (ca. 1965).\u003c/p\u003e\n","\u003cp\u003e Box 115 includes paintings by John Wellington (undated); oversize photos (undated); an unidentified floor plan (undated); and architectural drawings or blueprints for five properties that were part of the Historic American Buildings Survey (undated). These properties are \"The Old Stone Church\" Presbyterian, Lewisburg, WV; Harewood and the ruins of St. George's Chapel, both near Charles Town, Jefferson County, WV; Traveler's Rest, near Leetown, Jefferson County, WV; and the Lee Barn in Leetown, WV.\u003c/p\u003e\n","\u003cp\u003e Box 116 includes radio scripts (undated; see also Series 6, Comstock Correspondence, box 67); calendars (1984-1991); \u003cemph render=\"italic\"\u003eHillbilly \u003c/emph\u003etransparencies (undated; see also Series 6, Comstock Correspondence, box 54); various printed images and magazine clippings (1860-1921, undated); \"Our Wacky Weekly\" and newspaper article typescripts, probably written by Comstock (undated; see also Series 6, Comstock Correspondence, box 48, folder 1); and music-related magazines and pamphlets (1959-1966, undated).\u003c/p\u003e\n","\u003cp\u003e Box 117 includes Berkeley County documents from the Barnet Cushwa Papers (see also Series 1, Historical Documents, box 1, folders 1-5). These include lists of orders, taxes, fees, etc.; sheriff's office accounts; and land holdings (all 1854-1858). Box 117 also includes television scripts (undated); an envelope and survey plat from the Wells Family Papers (1856, undated; see also Series 1, Historical Documents, box 2a, folder 24); Civil War-related prints (1861-1868, 1955); newspaper clippings (1861, 1927-1944, undated; some from Series 6, Comstock Correspondence, box 67, folders 4 and 7); miscellaneous printed material (1817-1863, undated; includes facsimiles); and facsimile broadsides, legal documents, and clippings regarding West Virginia statehood (1861-1863).\u003c/p\u003e","\u003cp\u003eThis subseries includes oversize manuscripts, most of which pertain to West Virginia. West Virginia materials include pre- and post-statehood indentures, land grants, other legal documents, letters, certificates, and other formats pertaining to Barbour, Berkeley, Fayette, Hampshire, Hardy, Marshall, Ohio, Raleigh, and Tyler Counties. Additional indentures and land grants pertain to England (1650-1671, 1720-1721, 1833), and to Maryland, Virginia, and Texas.\u003c/p\u003e","\u003cp\u003eThis series includes Jim Comstock's personal and professional correspondence, and is composed of a wide range of formats, including letters, clippings, postcards, typescripts, articles, financial documents, printed material, ephemera, and photographs. Most of the photographic material in this series has been moved to Series 21, Photographs.\u003c/p\u003e\n","\u003cp\u003e Comstock marked much of his correspondence to be filed by the first letter of the correspondent's last name. Some of this organizational scheme has survived; folders containing specific letter and year files can be found in boxes 119-125. Other notations that Comstock used include \"NL\" for \u003cemph render=\"italic\"\u003eNews Leader\u003c/emph\u003e-related correspondence and \"HB\" for \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e-related correspondence.\u003c/p\u003e\n","\u003cp\u003e Topics and items of interest include: \u003clb\u003e\u003c/lb\u003ecard from Comstock to recent graduates regarding a gift subscription to the \u003cemph render=\"italic\"\u003eHillbilly \u003c/emph\u003e(undated) (box 119); \u003clb\u003e\u003c/lb\u003eComstock's work with the Pearl Buck House (box 127); \u003clb\u003e\u003c/lb\u003ethe University of Hard Knocks (box 128); \u003clb\u003e\u003c/lb\u003ephotocopies of a scrapbook about ramps and Comstock's ramp-scented ink incident; and \u003clb\u003e\u003c/lb\u003ematerial regarding Comstock's work on the \u003cemph render=\"italic\"\u003eHillbilly\u003c/emph\u003e, the \u003cemph render=\"italic\"\u003eNews Leader\u003c/emph\u003e, and the \u003cemph render=\"italic\"\u003eWest Virginia Encyclopedia\u003c/emph\u003e (boxes 126-127 and other material throughout) (see also Series 20, Subject Files).\u003c/p\u003e\n","\u003cp\u003e Please note that the above list is not exhaustive and that material on the above topics may also exist in boxes not mentioned.\u003c/p\u003e\n","\u003cp\u003e \u003cemph\u003e *Please note: boxes 123  and 133 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eThis series includes books, magazines, newspapers, journals, promotional materials, poetry, and sheet music. Topics include Jim Comstock's work, the state of West Virginia, WVU, Storer College, industry (e.g., coal, railways), and New England baked beans, among other topics.\u003c/p\u003e\n","\u003cp\u003e \u003cemph\u003ePlease note: box 133 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eThis series includes mostly morgue files of material that Comstock used in connection with his newspapers. Contents are not in alphabetical order. Formats include clippings, typescripts, photographs, print material, and other formats. The \u003cemph render=\"italic\"\u003eNews Leader\u003c/emph\u003e morgue materials (boxes 137-138) include items on a variety of subjects, such as covered bridges and the early history of Clay County. The \u003cemph render=\"italic\"\u003eNews Leader\u003c/emph\u003e morgue material also includes a folder of autographs of early West Virginia governors and other politicians, such as D.D.T. Farnsworth, John J. Jacobs, and A.B. Fleming. The \u003cemph render=\"italic\"\u003eHillbilly \u003c/emph\u003emorgue materials (box 139-140) pertain to a wide variety of subjects, most of whom are likely local individuals. The Newspaper Subjects (boxes 141-146) includes material for which the intended newspaper was not specified; topics include specific local individuals, national figures like Abraham Lincoln, steel and other industries, and towns.\u003c/p\u003e","\u003cp\u003eThis series includes cartes de visite, cabinet cards, mounted photographs, photographic prints, clippings, and other formats. Many subjects are identified. They include portraits and candid photos of individuals, families, politicians, sports figures, West Virginia towns and buildings. Other notable photographs include crime scene and/or accident photographs, including images of a non-commercial plane crash (undated), and photos of Jim Comstock at the West Virginia Senate (1966). Photographs can also be found in Series 18, Correspondence; Series 20, Subject Files; and Series 26, Oversize Material. \u003clb\u003e\u003c/lb\u003e\n\u003cemph\u003ePlease note: boxes 123, 133, and 149 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eThis series includes magnetic recording tapes, a VHS tape about college financing, and a vinyl record and cassette tape of Billy Crain music.\u003c/p\u003e","\u003cp\u003eThis series includes a WVLA cloth ribbon, an empty wallet, and a West Virginia Picture Book imprint plate.\u003c/p\u003e","\u003cp\u003eThis series includes material from two scrapbooks. One set of loose scrapbook pages contains clippings chiefly regarding Comstock's \"Past 80\" parties (ca. 1956). The other scrapbook of newspaper clippings chronicles the history of Richwood's Sacred Heart Hospital during the years of influence of the Pallottine Sisters from 1913-1983 (ca. 1953-1984).\u003c/p\u003e","\u003cp\u003eThis series includes two account books. One contains stencil orders from various schools as well as other bills (1960s), and the other is an account book for 1954.\u003c/p\u003e","\u003cp\u003eThis series includes newspapers, magazines, clippings, posters, prints, photographs, artwork, calendars, a genealogy chart, and other material.\u003c/p\u003e\n","\u003cp\u003e Newspapers and magazines in box 152 include the \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e Bicentennial special edition (1976), newspaper layouts from the \u003cemph render=\"italic\"\u003eHillbilly \u003c/emph\u003e(1950-1976, undated), and pages from \u003cemph render=\"italic\"\u003eHarper's Weekly\u003c/emph\u003e (1861-1866).\u003c/p\u003e\n","\u003cp\u003e Prints in boxes 153 and 154 include Civil War scenes by J. Nep Roesler, Corporal of Color 47th Regiment of Ohio Volunteers (undated).\u003c/p\u003e\n","\u003cp\u003e Photographs (in boxes 153-156 and loose folders) include regular oversize and cirkut (panoramic) photographs on a wide variety of subjects. Boxes 153 and 154 include photographs of unidentified buildings and a group portrait of a Civilian Conservation Corps reunion (1982). Boxes 155 and 156 include photos of Evenwood (1915), group portrait of a conference of National Association of Teachers in Colored Schools (ca. 1932), campaign photographs (ca. 1972), an unidentified group of cars preparing for a parade (undated), and duplicates from the loose folders.\u003c/p\u003e\n","\u003cp\u003e Additional cirkut photos include: \u003clb\u003e\u003c/lb\u003eLoose folder 1: a group portrait of the West Virginia Young People's Conference, Greenbrier Military School, Lewisburg, WV (1929), and a group portrait of the Divisional Young People's Congress, Charleston, WV (1929); \u003clb\u003e\u003c/lb\u003eLoose folder 2: a group portrait of the Western Virginia Conference Epworth League (1928-1929); \u003clb\u003e\u003c/lb\u003eLoose folder 3: photos of an unidentified bridge and factories or plants (1916 and undated) and the Appalachian Electric Power Company Turner Substation (1929); \u003clb\u003e\u003c/lb\u003eLoose folder 4: a birds-eye view of Richwood (undated) and a group portrait of Cabin Creek Consolidated Coal Company Safety First Teams (1933).\u003c/p\u003e\n","\u003cp\u003e Box 156 also includes a genealogy chart and architectural drawings. The genealogy chart (undated) documents the Paull family, which is accompanied by a note: \"Goes with Jefferson [Fry-Jefferson?] Map.\" The architectural drawings (1972-1976, undated) depict buildings from Richwood.\n \n Box 157 includes a book of exhibits from the Virginia vs. West Virginia Supreme Court case in 1914, and a license for John W. Love to practice Law (1925).\n \n Also includes a muster roll for Company I, 2nd Regiment, [West] Virginia Volunteer Cavalry, U.S. Army (1863 February).\u003c/p\u003e","\u003cp\u003eThis series includes maps of West Virginia locations, such as Greenbrier County and the Monongahela National Forest, as well as maps of other states and a few world maps.\u003c/p\u003e","\u003cp\u003eMostly financial and legal documents from Marion, Monongalia, and Harrison Counties, bulk from 1840s to 1860s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of James (\"Jim\") Franklin Comstock of Richwood, West Virginia, whose position as editor of the  West Virginia Hillbilly  and avocation as collector and advocate of all things West Virginia led to the preservation of much of the state's physical, visual, and textual history. The collection includes materials Comstock collected about West Virginia history as well as his own personal and professional papers.","Materials include: general series of historical documents such as letters, deeds, and county court cases pertaining to a diverse range of subjects (1717, 1754-1988, undated [includes facsimiles]); letters of Lucy Prichard, former instructor at Marshall College (now Marshall University) (1925-1927, undated); clippings and typescripts of Wirt County resident and  Atlantic Monthly  writer Louis Eckert Reed (ca. 1960-1975, undated); account books concerning economic development and commercial activities in the northern part of the state in the 19th and early 20th centuries (1830-1938); printed material about West Virginia schools, businesses, and events as well as non-West Virginia books and pamphlets (1829-1995, undated); Comstock's personal and professional correspondence (1882-1995, undated); a wide variety of photographs, including images of West Virginia cities and towns, among many others (ca. 1850s-1995, undated); microfilmed records of the Civil War and Dunmore's War (undated); glass lantern slides, which include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV (1871-1897, undated); Grand Army of the Republic and U.S. military history scrapbooks (1883-1918); broadsides, including advertisements for a circus in Moundsville (ca. 1827-1960 [includes facsimiles]); and maps and atlases of pre- and post-statehood West Virginia, counties, colonial North America, and other topics (1730-1976, undated [includes facsimiles]).","An addendum of 2013/05 includes additional personal and professional correspondence, publications, newspaper morgue files, photographs, audio-visual material, artifacts, scrapbooks, account books, and maps. For more information on Jim Comstock, see the Historical Note.","Series 1. Historical Documents; 1717, 1754-1988, undated (includes facsimiles); box 1 - box 3, folder 2. \nSeries 2. Lucy Prichard Papers; 1913-1936, undated; box 3, folders 3-8. \nSeries 3. Louis Reed Papers; ca. 1960-1975, undated; boxes 4-5. \nSeries 4. Account Books; 1830-1938; boxes 6-17. \nSeries 5. Printed Material; 1829-1995, undated; boxes 18-25. \nSeries 6. Comstock Correspondence; 1882-1995, undated (bulk 1950-1995); boxes 26-72. \nSeries 7. Photographs; ca. 1850s-1995, undated; boxes 73-81. \nSeries 8. Motion Pictures; undated; box 82. \nSeries 9. Microfilm; undated; box 82. \nSeries 10. Cassette Tapes; undated; box 82. \nSeries 11. Glass Lantern Slides; 1871-1897, undated; boxes 83-85. \nSeries 12. Scrapbooks; 1883-1918; boxes 86-91. \nSeries 13. Broadsides; ca. 1827-1960 (includes facsimiles); box 92. \nSeries 14. Maps; 1730-1976, undated (includes facsimiles); boxes 93-103, and map cabinet 1, drawer 12. \nSeries 15. Newspapers; ca. 1826-1924, 1976; box 104. \nSeries 16. Artifacts; 1952-1976, undated; boxes 105-109. \nSeries 17. Oversize; 1650-1671, 1720-1991, undated (includes facsimiles); boxes 110-118.","Addendum of 2013/05  includes material much like that in the initial acquisition, divided into the following series:","Series 18. Correspondence; 1838-2003, undated (bulk 1950-1995); box 119 - box 133 folder 4, and box 134 folders 1-11.* \nSeries 19. Publications; 1889-2002, undated; box 133, folders 5-6, box 134, folder 12, and boxes 135-136.* \nSeries 20. Subject Files; ca. 1851-1995, undated; boxes 137-146. \nSeries 21. Photographs; ca. 1870s-2003, undated; boxes 147-149.* \nSeries 22. Audio-Visual Material; 1990-1992, undated; box 150. \nSeries 23. Artifacts; undated; box 151, folders 1-2. \nSeries 24. Scrapbooks; ca. 1953-1984; box 151, folder 3 and scrapbook. \nSeries 25. Account Books; 1954-1960s; box 151 ledgers. \nSeries 26. Oversize Material; 1861-1866, 1893-1933, 1950-1998, undated; box 152 - box 156, folder 3, loose folders 1-4, oversize folder 1, and box 157. \nSeries 27. Maps; 1884-1891, 1920, 1957-1987; box 156, folders 4-10. \nSeries 28. Historical Documents; 1839-1909; box 158.","*Please note: boxes 123, 133, and 149 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.","This series includes financial records such as receipts and invoices, legal documents such as deeds and court cases, correspondence, land records, genealogy materials, ephemera, and typescript histories. Box 1 includes three subgroups: the Barnet Cushwa Papers, West Virginia Documents, and Non-West Virginia Documents. Boxes 2a-3 contain material of mixed origin. Additional historical documents can be found in Series 17, Oversize, and in subseries Oversize--Manuscripts.","This subseries includes a collection of materials documenting the activities of Cushwa, a prominent farmer and later the sheriff of Berkeley County in the 1850s. Cushwa's papers reveal his activities as administrator of the Daniel Gehr estate (1839-1843). The Berkeley County documents, including lists of landholdings, orders, taxes, and fee collections, demonstrate his duties as sheriff in the 1850s. See Series 17, Oversize, box 117 for Berkeley County land holdings, sheriff's accounts, and lists of orders, taxes, fees, etc. (1854-1858).","This subseries is comprised of correspondence and other material, principally concerning commercial and development activities in north-central West Virginia. These items are grouped by county; please note that there is overlap between counties.   Highlights include:  items relating to Harman Blennerhassett (box 1, folder 12);  a six-page letter written by William G. Brown answering questions concerning the constitutionality of the movement for West Virginia statehood (June 28, 1862) (box 1, folder 13);  letters and reminiscences focusing on the reunions of the Battle of Philippi (1911-1935) (box 1, folder 14); and  two letters from the abolitionist John Brown (box 1, folder 15)."," Additional West Virginia documents can be found in boxes 2a-2c.","Highlights of this subseries include:  four letters from soldiers in the Mexican War;  seventeen letters from Pennsylvania soldier James M. Weaver, principally to his wife, during his service in the Civil War;  a confidential letter from President James Monroe explaining his policy on fortifying the frontier;  seven Booker T. Washington letters;  two letters from Revolutionary War general Horatio Gates; and  a folder of letters written by famous 19th century figures including Samuel Clemens, Collis P. Huntington, Nathaniel P. Banks, and Newton D. Baker.","This subseries contains correspondence, invoices, deeds, tax documents, court cases, and other material. Most of the items pertain to West Virginia.  Highlights include:  bills and invoices of G.H.A. Kunst and John H. Kunst (1853-1867, 1892-1893);  papers of the Wells family of Sistersville (1806-1885);  a telegram regarding the burning of Harpers Ferry (1861);  a broadside listing members of Company H, 3rd Regiment, Potomac Home Brigade, Maryland Infantry (undated); and  legal documents regarding the manumission of slaves (1820-1828, 1856).","Lucy Prichard taught Latin and Classical Studies at Marshall College from 1914 to 1941. This series includes correspondence, photographs, and printed material. Correspondence includes Karl Prichard's letters (1918) and Lucy Prichard's letters (1925-1927, undated). Lucy's letters are addressed to her mother, Mrs. R.H. Prichard, in Huntington, WV. Many of Lucy's letters relate to her travels and studies in the Peloponnesus peninsula of Greece, the British Isles, Western Europe, and Italy in 1925 and 1927. For more information on Lucy Prichard, see the Historical Note.","This series includes newspaper clippings and typescripts of Wirt County resident and Atlantic Monthly writer Louis Eckert Reed. The newspaper clippings show images of Reed family photos (1960). The typescripts are short stories written by Louis, many likely unpublished. Also included are notes and a draft of  Burning Springs, Virginia: The Civil War's Unsolved Mystery , initially a paper that Reed prepared for the West Virginia Historical Society (see  Burning Springs, West Virginia: the Civil War's Unsolved Mystery , by Louis Reed, self-published in Elizabeth, WV, 1960). This material may have been developed for his later fictional novel,  Burning Springs  (published in Huntington, WV by University Editions/Aegina Press, 1985). For more information on Reed, see the Historical Note. A letter from Louis Reed to Jim Comstock regarding Reed's book  Warning in Appalachia  (1967) can be found in Series 6, Comstock Correspondence, box 62, folder 27. Other letters from Reed may be found elsewhere in Series 6, Correspondence.","This series includes 27 account books, many of which relate to north-central West Virginia businesses. These ledgers document general stores, a Jewish-owned clothing store in Richwood, the activities of an itinerant Methodist minister in the mining villages of north-central West Virginia, grocery stores and meat markets, a glass manufacturer, and other businesses. See Separated Materials note for information on volumes separated to other collections.","Thistle and Cox formed a partnership in Tyler County, [West] Virginia in March of 1835. This is the partnership's first ledger, which spans the years 1835-1837, but reference is made to the transfer of accounts to at least one subsequent ledger. The business appears to have been located near the Ohio River (probably in Sistersville), since customers included Ohio as well as Tyler County citizens. Although the debit side for each customer only lists the term \"merchandise\" for purchases, the ledger reveals the barter nature of much of the rural economy of Tyler County on the credit side. Among items received in trade by Thistle and Cox were chestnuts, hides, bees wax, rags, sand, tobacco, clothes, meats, produce, and various forms of labor. The ledger also frequently lists the occupations or residences of many of the customers. Included were coopers, tanners, blacksmiths, preachers, schoolteachers, and carpenters, scattered from Point Pleasant to Wheeling.","Inventory and Book Accounts. This volume contains a 66-page inventory of goods on hand and their prices in a Tyler County general store in January 1877. The inventory is divided into the following categories: fancy groceries, groceries, men's shoes, ladies' shoes, children's shoes, overshoes, dress goods, wall paper, housewares, and other. Starting on page 71 is a four-page list of the book accounts of the store's customers, presumably on that same date.","The Cordray Carriage Company was a short-lived business in Fairmont, WV. The ledger lists only the customers and the amount they owed T.L. Cordray, the proprietor of the Carriage Company. The ledger does not list the services for which the customers were charged. However, one itemized account invoice on an inserted piece of paper suggests that the Cordray Carriage Company repaired vehicles. For H.O. Amos, from 1907 through 1911, the Company repaired couplings, repaired and painted the body, repaired the interior, raised the body, and tightened and repaired the fenders, for a total charge of $118. The ledger includes more than 400 customers.","A. H. Breckstein was a Jewish merchant who operated a clothing store in the boom town of Richwood, in Nicholas County. Volume 10 is a cash book detailing daily transactions in the store, both sales and expenses, for part of 1910, and consistently for the period 1928 to 1936. There are also monthly accountings of both cash and credit sales as well as expenses. Volume 11 documents sales and purchases of clothing for the period 1926 to 1934. The sales portion of this volume repeats information available in volume 10. Volume 12 is a ledger of accounts payable for the period 1921-1928, showing the firms from which Breckstein purchased his goods. Included are companies in Baltimore, Philadelphia, Pittsburgh, and New York.","J.C. Shock was a Methodist minister assigned to a parish in Pullman, WV in 1910. However, he also appeared to be an itinerant preacher, and his account book lists ministerial services provided for the towns and villages of Duffy, Straight Fork, Falls Mill, Glady, and Kingknob, in the north-central West Virginia counties of Lewis, Ritchie, and Wetzel. The account book documents Shock's ministry, listing the text for sermons preached at various towns as well as the contributions of those towns to his salary. Most of the entries cover the years 1910-1917, at which time his base of operations seems to have shifted permanently to Falls Run and Falls Mill in Braxton County. There are entries for sermons, marriages, and assessments for those towns running to 1938. An additional folder contains miscellaneous documents related to Shock found within the ledger.","In the 1890s, Mrs. Samuel C. Gans operated a general store in Moundsville, which by 1900 was specializing in dry goods. This ledger reflects the volume of business and the timing and means of settling accounts. The early pages (for the 1890s) are more detailed, listing the items purchased from the general store. For the later period, the entries are frequently limited to the terms \"goods\" or \"merchandise.\" The back of the volume also contains some notes and miscellaneous accounts, such as rooms rented.","In 1892, a number of Charleston's German families banded together to form an Evangelical Lutheran Church. Subscriptions for a building fund and other church work began to be collected in October of that year. This ledger documents the subscriptions of the founding members of St. Paul's Evangelical Church. It also provides an accounting of the expenses and building funds contributed by the members, including the purchase of a lot on Court Street in Charleston, the church's construction, and the salary of the minister.","These volumes were written by Albert S. Hayden, Notary Public in and for the county of Marion and the state of West Virginia. He recorded handwritten copies of promissory notes and bills presented at Fairmont, WV banks for redemption, which were protested by the First National Bank of Fairmont's cashier. The ledgers also list the date protested, by whom, and the notices mailed to note signers. Most notes originated in West Virginia, but some originated in Ohio. Volume 16a covers 1870-1873. Volume 16b covers 1875-1876.","Anthony Zidn operated a grocery and dry goods store outside of Fairmont on RFD #2. Zidn was an immigrant from the Middle East (perhaps Armenia, as suggested by the fact he kept his accounts in Persian and had a Christian name). These three ledgers document his business, although most of the information is written in Persian.","The Price Brothers operated a general store in the small village of Amos on the Paw Paw Creek, eleven miles from the town of Fairmont in Marion County. The Price Brothers sold all sorts of groceries to people in the town, as documented by this ledger. In addition, the Polk business directory for 1902-1903 notes that the Price sisters operated a millinery business in Amos. There are loose papers within the ledger, including statements and product advertisements (1905-1907, undated).","At the turn of the century, there were four wholesale meat provisioners in Wheeling. This ledger represents the operations of one of them for the years 1901-1902. The company principally supplied general stores and grocers in eastern Ohio, northern West Virginia, southwestern Pennsylvania, and western Maryland. However, individuals could also buy directly. Entries typically include the name of the purchaser, the town in which the purchaser resides, and the amount of the purchase. For local buyers, the ledger frequently lists the Wheeling address. Since transactions are usually noted only as merchandise, it is impossible to glean what types of meats were being purchased at what costs.","Jacob Hornbrook was born in Tavistock, England, in 1812 and moved with his parents to Wheeling when he was a small child. Jacob's father ran a small [business?] in Wheeling. As a young man, Jacob began a mercantile business buying and selling produce on the flatboats travelling on the Ohio River. He later started a notions store, purchased interest in a steamship line and the First National Bank, and was president and owned stock in the Wheeling Gas Company. These three books, a journal (volume 20; 1847-1874), a ledger (volume 21; 1847-1874), and a cash book (volume 22; 1845-1874), document his business interests, investments, and personal expenses during the last three decades of his life. Although he remained an active investor, Hornbrook retired from his mercantile business in 1855 with an estate valued at more than $30,000. In 1852, he moved to what he called \"Forest Home\" near Wheeling Park, and he served in the West Virginia legislature during the Civil War.","This volume includes a manuscript copy of the act \"To incorporate the Wheeling Gas Company\" issued March 18, 1850; a copy of a related Wheeling city ordinance, issued April 29, 1850; stockholders meeting minutes, April 15, April 25, May 1, May 9, and May 11, 1850; and lists of subscribers, the number of shares of stock, and the amount paid.","George C. Gans was a physician practicing in Marshall County in the decades prior to the Civil War. Although most of his patients resided in the area around Moundsville and Elizabeth, Gans does not appear in either the 1840 or the 1850 U.S. census schedules for Marshall County. The ledger documents his treatment of families in Marshall County for a wide variety of ills, including typhoid fever (1861), cholera (1847), and farm injuries. Gans also routinely attended childbirths. His treatments included blistering, bleeding, venesection, lancing, and operating as well as administering medicine and pills. In return for his services, Gans routinely accepted farm produce, labor on his farm, and other useful items such as shingles. He went on to serve as an assistant surgeon in the Civil War.","This is a ledger of an Elizabeth, PA, glass manufacturer's accounts with his workers. The manufacturer ran some type of company store, and the ledger thus includes debits for cash and merchandise received by the workers and credits for the various types of labor performed, including glass blowing, teasing, cutting, coal mining, blacksmithing, and box making. In addition, the ledger includes the manufacturer's accounts with a boarding house owner for boarding his workers and with a local merchant who supplied the company store. In general, the ledger provides insights into the earnings of mid-19th century artisans as well as the operation of a small, rural glass-making establishment.","This consignment book documents commodity prices and the wide variety of goods received by a Wheeling commission merchant house during the 1830s. It also provides insights into the local industrial development, since the commission merchants routinely received goods on consignment from local manufacturers, such as the German Manufacturing Company (textiles). At the beginning of the book, there is evidence that the firm engaged a peddler to make trips in 1830, and the commission house also conducted auctions during the 1830s.","Moses Chapline was a prominent citizen in Wheeling, at various times an attorney, a general store owner, and in the 1830s, mayor. This daybook documents the daily trade at his store during 1845. Included are entries for purchases of a wide variety of goods as well as entries for store expenses, such as insurance, soap, and transportation. The A. Loring who appears frequently throughout was probably Alonzo Loring, a clerk at the store.","Harry Hood and Company was a retail meat and dairy market in Fairmont, WV. This ledger covers the last few months of 1906 and the first months of 1907. It documents purchases of meat from wholesale producers, such as Armour and Company, and sales of meat to local businesses and individuals in Fairmont. Transactions are typically listed only as \"merchandise,\" making it difficult to glean any information concerning prices or consumption patterns. The ledger is used only for the first 150 of its 500 pages, and the business does not appear in the Polk business directory of 1906-1907, suggesting the possibility that it folded some time in 1907.","This ledger documents a general store in Tyler County, probably near Middlebourne, the county seat. Although fairly routine entries characterize customer purchases, the volume also documents purchases from wholesale merchants, beginning on page 251. Included are such firms as Hubbard and Paull, and Jos. Speidel, both of Wheeling; Ed Roome of Sistersville; and Burgunder Brothers and Company, of Columbus, Ohio. Also, the ledger often lists the occupations of the store's customers. Included are John Gates, an oil rig builder (reflecting the emergence of the local oil business) and a number of customers connected to a local woolen mill.","John Gallaher, Christian Ansbrutz, and Caleb Bleakmor started a general store partnership in 1853. Prior to that date, Gallaher operated a store in Moundsville, which is documented in the first 90 pages of the daybook. The daybook follows the partnership for only six months (until September 1853), but then another Moundsville general store (involving Bleakmor) used the daybook during 1856. In the 1850 census, Bleakmor was listed as a constable, age 49, born in Maryland; and Ansbrutz was listed as a miller, age 47, born in France, worth $23,000. Only Gallaher, a 53-year-old Irishman worth $12,000, was listed as a merchant. From the evidence in the daybook, it appears that the partnership was short-lived.","This series includes ephemera, sheet music, booklets, pamphlets, and correspondence. Additional miscellaneous printed material can be found in Series 17, Oversize.","  Box 18 includes calendars, sheet music, notecards, and printed material related to West Virginia history. The notecards include screen printed notecards from Wolf Creek Printery in Alderson, WV (1976). The history printed material includes a booklet entitled  Wheeling Bicentennial, 1769-1969  (1969?).","  Box 19 includes West Virginia serial publications and magazines, as well as printed material about West Virginia schools and locations. Highlights include three issues of  The Searchlight , a serial about education (two published in Summersville, WV [1895-1896], and one published in Fayetteville, WV [1899]); an issue of  The Mikrophone: Devoted to Religion, Morality, and Temperance  (published in Highland, WV, by D.H. Davis, 1906); Scottish Rite pamphlets (published in Wheeling, 1910-1917); the Richwood High School Class of 1940 reunion program (1960); Craigsville Grade School's first yearbook (1973); and  Mountaineer Spirit , a WVU student magazine featuring an article about Jim Comstock (1968).","  Box 20 includes non-West Virginia serial publications and magazines. Highlights include an issue of  The Religious Magazine, or Spirit of the Foreign Theological Journals and Reviews  (Philadelphia: E. Littell, 1829); and E.D. Cope's  On Vertebrata from the Tertiary and Cretaceous Rocks of the North West Territory  (Montreal: W.F. Brown \u0026 Co., 1891);  Naval Training School -- Indoctrination, Hollywood Florida: Quarterdeck, Class of 3-44, 20 June 1944  (Hollywood, FL: Naval Training School, 1944); and issue no. 18 of  Papers from the Society for the Diffusion of Political Knowledge  (undated).","  Box 21 includes various writings, such as student literary magazines, works of fiction, poetry booklets, and George T. Swain's  The Incomparable Don Chafin  (Charleston, WV: Ace Enterprises, 1962).","  Box 22 includes George T. Swain's  Facts About the Two Armed Marches on Logan  (Charleston, WV: Ace Enterprises, 1962), as well as printed materials for a variety of West Virginia and non-West Virginia businesses and organizations. These include advertisements and booklets regarding the West Virginia glass industry, including Fenton Glass (1966-1976, undated), a Woman's Club of Gassaway booklet (1970), a reprint of the Berkeley Springs Hotel Brochure of 1885 (1988), and the constitution of the First Baptist Church of Richwood, WV (undated). For additional business-related printed material, see also Series 1, Historical Documents, box 2b, folders 11-12.","  Box 23 includes miscellaneous booklets, programs, book plates, articles, clippings, and other material. Highlights include  Rules of Practice in the United States Patent Office  (Washington: U.S. G.P.O., 1892), Elbert Hubbard's  Little Journeys to the Homes of Great Teachers: Erasmus  (East Aurora, Erie County, NY: The Roycrofters, 1908), the Richwood Spud and Splinter Festival Program (1940), and Eugene L. Huddleston's  The World's Greatest Mallets: C \u0026 O H-8 Versus N \u0026 W Class A  (Alderson, WV: Chesapeake \u0026 Ohio Historical Society, 1986).","  Boxes 24 and 25 contain books, including Comstock's autobiography.","This series includes Jim Comstock's personal and professional correspondence. This series contains materials that are diverse in format, including letters, scripts for radio and other media, clippings, postcards, typescripts, articles, financial materials (e.g. bank books and checks), printed material, ephemera, and photographs. Most of the photographic material in this series has been moved to Series 7, Photographs. Some materials were moved to Series 17, Oversize -- see the Series 17 description for details."," Comstock marked much of his correspondence to be filed by the first letter of the correspondent's last name. Some of this organizational scheme has survived; folders containing specific letter and year files are dispersed throughout the series. Other notations that Comstock used include \"LR\" for letters received, \"Sp\" for speech-related correspondence, \"NL\" for  News Leader -related correspondence, and \"HB\" for  West Virginia Hillbilly -related correspondence."," Topics and items of interest include:  \n letters written to Comstock by regional author Jesse Stuart, and by political figures such as Hubert H. Humphrey, Robert C. Byrd, Jennings Randolph, and Barry Goldwater (box 26 and others);  rejection letters from newspapers and magazines to which Comstock submitted material (box 26);  biographical material about Jim Comstock and his family, including a thesis about Comstock by Mary Abel (boxes 26 and 47);  Larry Maynor, journalist for the  Charleston Daily Mail  (box 29);  the sale and ultimate demise of the  West Virginia Hillbilly  (boxes 31 and 72);  the University of Hard Knocks, including a mock-up diploma, resumes, and portrait photograph headshots of potential graduates (boxes 31 and 60);  [Delf] Norona Collection payments (boxes 33 and 46);  Pearl S. Buck (box 33 and others);  Billy Edd Wheeler, West Virginia writer and musician (box 36);  Civilian Conservation Corps (CCC) reunion in 1979 (box 36);  Otto Whittaker, who worked with Comstock on  The Best of the Hillbilly  (boxes 37 and 65);  the  West Virginia Heritage Encyclopedia  (box 40);  Comstock's appearance on John Nebel's WOR radio show in 1960, including postcards and letters regarding the appearance and requests for Comstock's Richwood Kinsey Report as well as  News Leader  or  West Virginia Hillbilly  subscriptions (boxes 41-42);  Comstock's appearance on the Today Show in 1966 (box 42);  Comstock's appearance on Patricia/Patsy McCann's WOR radio show in New York in August 1977, including letters and postcards regarding the appearance and requests to receive the free six-week subscription to the  West Virginia Hillbilly  which Comstock offered on the show (boxes 42-43);  writers, with an emphasis on West Virginia authors, whose work Comstock was interested in collecting (boxes 40, 44, 45, and 62);  writings by Comstock, including short stories, articles, drafts, etc. (boxes 47-49);  Comstock's nomination and campaign for a U.S. House of Representatives seat on the Republican ticket in 1964 (boxes 51 and 56);  the  West Virginia Hillbilly  and  News Leader , including morgue files, old articles, submissions, letters, and other items (boxes 54, 55, 57, 61, 63, and others; for oversize items, see Series 17, Oversize, box 116);  Eck Bozeman (box 57);  Comstock's pocket diaries (box 57);  Comstock's naval service during World War II (box 60);  H.C. Comstock, Jim's father (box 68); and  historical research material, possibly for the  Encyclopedia  (box 72)."," Please note that the above list is not exhaustive.","This series includes print photographs, negatives, cartes de visite, cabinet cards, mounted photos, tintypes, photo postcards, slides, clippings, printed material, correspondence, photo plates, and eight canisters of large format aerial diapositives (photo transparencies). Subjects include furniture; first ladies of West Virginia; historic homes of West Virginia; identified and unidentified individual and group portraits; cities and towns of West Virginia; buildings; scenery; Museum of the Hills in Richwood, WV; glass and glassmaking; and the Greenbrier. Some of the material in this series was transferred from Series 6, Comstock Correspondence -- in cases where the photographic item was attached to correspondence, the correspondence was transferred as well. Please note that some negatives are nitrate; keep these away from heat and handle with care. Additional photographic material can be found in Series 6, Correspondence, boxes 35, 54, 55, and 72. For photos of Fenton Glass products, see Series 5, Printed Material, box 22. Some oversize photos have been separated to the Photographs Collection; most of these have been added to West Virginia History OnView. Additional oversize photos can be found in Series 17, Oversize."," Contents of the eight canisters of large format aerial diapositives (photo transparencies):"," Box 80; Canister label: \"Huntington 1-6000 April 1947\"  Box 80; Canister label: \"Chas. [Charleston?] 1957, Nitro, 1957; St. Albans, 1957, Old Chas., 1948, Airport, Big Scale (?)\"  Box 80; Canister labels: \"Elk River Coal \u0026 Lumber Co., Aerial Map Flown April 1953.\" and \"City of Huntington Scale 1-6000 Apr 28 1947\"  Box 80; Canister label: \"Harmony Near Ripley, [?] ft to 1\" old; Colin Creek Coal Stripping, large scale, 1948; Lake Chaweva, 1948; Armour Park, 1948; C\u0026O Ry [Railway?] Coal River 1948; Bellings Airport, 1947; Kanawha Airport, large and small scale, 12-9-1947; Strip to City Blvd 12-9-1947; City Strip \u0026 Kenna Home; C\u0026CCC Research 1947; Cedar Grove to Montgomery.\"  Box 81; Unlabeled canister.  Box 81; Canister label: \"1949\"  Box 81; Canister label: \"Coal City - Park Beckley, 1947 [?]\" (not usable)  Box 81; Canister label: \"4/20/53 Dick Stata Film, St. Albans - Charleston\" (not usable)","This series contains two rolls of 35 mm black and white motion picture film, and three rolls of 16 mm color motion picture film of a train. Also included is one of the canisters which contained the film. The box which formerly contained the film was labeled \"F.M.C. Movie Scraps.\" Please note that some reels are nitrate; handle with care.","This series contains two reels of microfilm, which were likely the property of Delf Norona before they were acquired by Comstock. The first reel contains West Virginia-related Civil War records; the second contains payroll and public service claims from the West Virginia region in the 1770s."," Reel 1 Contents Notes:  Records of the War Department, Office of the Adjutant General, General Orders, Mountain Department, Army in the Field, May 9 - June 28, 1862.  National Archives and Records Service, General Services Administration, Washington: 1956. 101 total pgs.  March 18 - June 18, 1862 86 total pgs."," Reel 2 Contents Notes:  Payroll for Pittsburgh, 122 leaves; Payroll for Romney, 43 leaves; Public Service Claims Romney and Winchester 1775, 37 leaves; Public Service Claims West Augusta 1775, 49 leaves; Records of Soldiers and Public Service in Dunmore's War, 279 leaves; index, 25 leaves.","This series includes two cassette tapes which were found in an envelope marked \"Larry Maynor Personal.\" The tapes include recordings of children reading stories and an oral history interview with an unidentified subject.","This series contains 75 wood framed glass lantern slides. Most slides are labeled with the subject, and some are dated. Subjects include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV, as well as Brooke County and Marshall County, WV, and Belmont County, Ohio. These images were likely created by Thomas M. Darrah of Belmont County, Ohio. For the two wooden boxes in which the slides were previously stored, please see Series 16, Artifacts, boxes 105 and 106.","This series includes scrapbooks which contain newspaper clippings and ephemera. Subjects include the Grand Army of the Republic (GAR) and U.S. military history with a focus on Civil War history. These scrapbooks may have belonged to Colonel Albert Kern of Dayton, Ohio.","This series includes originals and copies of broadsides and posters. Included are a John Dillinger wanted poster (1934); a Garrett Snuff advertisement (undated); copies of various political notices (originals ca. 1827-1886); Russian broadsides with Cyrillic text, depicting events of the Russian Civil War, USSR propaganda, and other things (ca. 1920-1930); posters for the Marshall County Fair (ca. 1960) and the Moundsville, Powhatan and Clarington Seventh Grand Annual Picnic (1873); advertisements for the Ringling Brothers and Barnum and Bailey Circus at the Moundsville Fairgrounds (undated); Showboat Rhododendron advertisements (undated); and other material.","This series includes original and facsimile maps, atlases, and books about maps. Highlights include pre- and post-Civil War maps of the West Virginia area;  Hardesty's Historical and Geographical Encyclopedia, Illustrated: containing ... special history of the Virginias, maps and histories of Tyler and Wetzel Counties, West Virginia ; maps of America before 1775; copies of [West] Virginia county maps by John Wood from 1820-1821; maps of various West Virginia cities, including, Morgantown, Moundsville, and Wheeling; and various Fry-Jefferson maps (original and copies). A detailed contents list of boxes 93-100b and map cabinet 1, drawer 12 is available. ","\nNote that the date for each map reflects the date of creation of the item, though in the case of copies it may indicate the date of the creation of the original item rather than the date the copy was made. Also, the number of items may indicate different items or different pieces of the same map. ","\n  Not yet located; Item Number 113; County Map of Virginia and West Virginia; 1874","This series includes newspapers from Wheeling, as well as a special bicentennial salute issue of the  West Virginia Hillbilly  (1976). The majority of the newspapers in this collection have been separated to the West Virginia Collection's newspaper holdings. A list of the newspapers originally inventoried for this collection can be found in the control folder."," Most of the West Virginia newspapers have been microfilmed; see Miscellaneous Reel 113 in the Microfilm Room. For a list of the contents of this reel, please see the \"W.Va. Newspapers from Comstock Collection\" three-page packet in the control folder. Additional newspaper pages and clippings can be found throughout Series 6, Comstock Correspondence and Series 17, Oversize, box 117.","This series includes a variety of artifacts and ephemera belonging to or collected by Comstock."," Boxes 105 and 106 include two wooden boxes (undated) which contained glass lantern slides (see Series 11). One box is labeled \"T.M. Darrah.\" Also included are a fountain pen used by Secretary of the Interior Oscar Chapman to sign the contract to begin building the Bureau of Mines' Appalachian Experiment Station in Morgantown, WV, with letters documenting the donation of the pen by Senator Harley M. Kilgore (1952); and a dinner plate showing a photo-like image of a priest with a group of children, from St. Albans, WV (undated)."," Box 107 includes various nametags for Comstock and his wife, from a variety of conventions and meetings (1960-1963, undated); glasses and sunglasses (undated); a sewing needle pack and a mini ruler advertising Jim Comstock for Congress (ca. 1964); a press pass for President Ford's visit to Charleston, WV (1975); and tickets to the Republican National Convention (1976); among other material."," Box 108 contains two figurines and four whiskey decanters. The figurines are a coal miner (made of coal, undated) and \"Morgan's Virginia Rifleman 1776\" (undated). The decanters are \"Old Time Coal Miner\" (1976), \"Coal Miner\" (1975), Robert E. Lee (undated), and Stonewall Jackson on horseback (undated)."," Box 109 contains six whiskey decanters: Abraham Lincoln (undated), Stonewall Jackson (undated), Hill Billy (1969), General Stonewall Jackson (1974), Randolph McCoy (1973), and Devil Anse Hatfield (1973).","This series contains oversize material that may be relevant to other series.","This subseries includes paintings, sketches, prints, photographs, educational posters, architectural drawings, vinyl records, typescripts, transparencies, clippings, manuscripts, and printed material, among other formats. Topics include Pearl Buck's birthplace, West Virginia, the Civil War, Jim Comstock's work, and other topics. More manuscripts are in the Manuscripts subseries, box 118."," Box 110 and box 111, folders 1-2 contain artwork depicting Pearl Buck's birthplace in Hillsboro, West Virginia, including paintings, sketches, a chalk drawing, and a plan for a sign (1965-1966, undated)."," Box 111, folders 3-4 and unfoldered items include two West Virginia-related prints and an unidentified photo (undated); one framed and six unframed prints depicting mining machinery, possibly of Joy Manufacturing Company (undated); an unframed painting of a coal miner (undated); twelve mounted photographs and sketches (most unidentified, undated); and four rolled photographs (1918-1955?)."," Box 112 includes educational posters regarding the Civil War and West Virginia history (undated). The posters include text, images, and photographs. Also includes mounted photographs, most with accompanying text, that have been added to West Virginia History On View. An additional eight posters regarding maps made by or related to North American Indians, likely assembled by Delf Norona, are also included (ca. 1950). For additional maps related to North American Indians/Native Americans, see also Series 14, Maps, box 98, item number 349."," Box 113 includes various West Virginia-related prints, including one of Mount Chantal near Wheeling (undated); prints of Civil War scenes sketched from nature and drawn on stone by J. Nep Roesler, Corporal of Color 47th Regiment of Ohio Volunteers (undated); a copy print of the camps of the 4th Brigade, 1st Division, 8th Army Corps. near Romney (undated); prints made from Civil War engravings (1960); W.R. Leigh bullfighting prints (1950); copies of architectural plans for alterations of Wheeling's Custom House and Post Office (undated); and other items."," Box 114 contains limited edition black and white prints from a series entitled \"Covered Bridges of West Virginia\" by Marj Teague (1977) and three copies of a vinyl record album titled \"The Legend of Clark Kessinger\" (ca. 1965)."," Box 115 includes paintings by John Wellington (undated); oversize photos (undated); an unidentified floor plan (undated); and architectural drawings or blueprints for five properties that were part of the Historic American Buildings Survey (undated). These properties are \"The Old Stone Church\" Presbyterian, Lewisburg, WV; Harewood and the ruins of St. George's Chapel, both near Charles Town, Jefferson County, WV; Traveler's Rest, near Leetown, Jefferson County, WV; and the Lee Barn in Leetown, WV."," Box 116 includes radio scripts (undated; see also Series 6, Comstock Correspondence, box 67); calendars (1984-1991);  Hillbilly  transparencies (undated; see also Series 6, Comstock Correspondence, box 54); various printed images and magazine clippings (1860-1921, undated); \"Our Wacky Weekly\" and newspaper article typescripts, probably written by Comstock (undated; see also Series 6, Comstock Correspondence, box 48, folder 1); and music-related magazines and pamphlets (1959-1966, undated)."," Box 117 includes Berkeley County documents from the Barnet Cushwa Papers (see also Series 1, Historical Documents, box 1, folders 1-5). These include lists of orders, taxes, fees, etc.; sheriff's office accounts; and land holdings (all 1854-1858). Box 117 also includes television scripts (undated); an envelope and survey plat from the Wells Family Papers (1856, undated; see also Series 1, Historical Documents, box 2a, folder 24); Civil War-related prints (1861-1868, 1955); newspaper clippings (1861, 1927-1944, undated; some from Series 6, Comstock Correspondence, box 67, folders 4 and 7); miscellaneous printed material (1817-1863, undated; includes facsimiles); and facsimile broadsides, legal documents, and clippings regarding West Virginia statehood (1861-1863).","This subseries includes oversize manuscripts, most of which pertain to West Virginia. West Virginia materials include pre- and post-statehood indentures, land grants, other legal documents, letters, certificates, and other formats pertaining to Barbour, Berkeley, Fayette, Hampshire, Hardy, Marshall, Ohio, Raleigh, and Tyler Counties. Additional indentures and land grants pertain to England (1650-1671, 1720-1721, 1833), and to Maryland, Virginia, and Texas.","This series includes Jim Comstock's personal and professional correspondence, and is composed of a wide range of formats, including letters, clippings, postcards, typescripts, articles, financial documents, printed material, ephemera, and photographs. Most of the photographic material in this series has been moved to Series 21, Photographs."," Comstock marked much of his correspondence to be filed by the first letter of the correspondent's last name. Some of this organizational scheme has survived; folders containing specific letter and year files can be found in boxes 119-125. Other notations that Comstock used include \"NL\" for  News Leader -related correspondence and \"HB\" for  West Virginia Hillbilly -related correspondence."," Topics and items of interest include:  card from Comstock to recent graduates regarding a gift subscription to the  Hillbilly  (undated) (box 119);  Comstock's work with the Pearl Buck House (box 127);  the University of Hard Knocks (box 128);  photocopies of a scrapbook about ramps and Comstock's ramp-scented ink incident; and  material regarding Comstock's work on the  Hillbilly , the  News Leader , and the  West Virginia Encyclopedia  (boxes 126-127 and other material throughout) (see also Series 20, Subject Files)."," Please note that the above list is not exhaustive and that material on the above topics may also exist in boxes not mentioned."," *Please note: boxes 123  and 133 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.","This series includes books, magazines, newspapers, journals, promotional materials, poetry, and sheet music. Topics include Jim Comstock's work, the state of West Virginia, WVU, Storer College, industry (e.g., coal, railways), and New England baked beans, among other topics.","Please note: box 133 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.","This series includes mostly morgue files of material that Comstock used in connection with his newspapers. Contents are not in alphabetical order. Formats include clippings, typescripts, photographs, print material, and other formats. The  News Leader  morgue materials (boxes 137-138) include items on a variety of subjects, such as covered bridges and the early history of Clay County. The  News Leader  morgue material also includes a folder of autographs of early West Virginia governors and other politicians, such as D.D.T. Farnsworth, John J. Jacobs, and A.B. Fleming. The  Hillbilly  morgue materials (box 139-140) pertain to a wide variety of subjects, most of whom are likely local individuals. The Newspaper Subjects (boxes 141-146) includes material for which the intended newspaper was not specified; topics include specific local individuals, national figures like Abraham Lincoln, steel and other industries, and towns.","This series includes cartes de visite, cabinet cards, mounted photographs, photographic prints, clippings, and other formats. Many subjects are identified. They include portraits and candid photos of individuals, families, politicians, sports figures, West Virginia towns and buildings. Other notable photographs include crime scene and/or accident photographs, including images of a non-commercial plane crash (undated), and photos of Jim Comstock at the West Virginia Senate (1966). Photographs can also be found in Series 18, Correspondence; Series 20, Subject Files; and Series 26, Oversize Material.  Please note: boxes 123, 133, and 149 could contain allergens. Masks and gloves will be provided for patrons wishing to use them.","This series includes magnetic recording tapes, a VHS tape about college financing, and a vinyl record and cassette tape of Billy Crain music.","This series includes a WVLA cloth ribbon, an empty wallet, and a West Virginia Picture Book imprint plate.","This series includes material from two scrapbooks. One set of loose scrapbook pages contains clippings chiefly regarding Comstock's \"Past 80\" parties (ca. 1956). The other scrapbook of newspaper clippings chronicles the history of Richwood's Sacred Heart Hospital during the years of influence of the Pallottine Sisters from 1913-1983 (ca. 1953-1984).","This series includes two account books. One contains stencil orders from various schools as well as other bills (1960s), and the other is an account book for 1954.","This series includes newspapers, magazines, clippings, posters, prints, photographs, artwork, calendars, a genealogy chart, and other material."," Newspapers and magazines in box 152 include the  West Virginia Hillbilly  Bicentennial special edition (1976), newspaper layouts from the  Hillbilly  (1950-1976, undated), and pages from  Harper's Weekly  (1861-1866)."," Prints in boxes 153 and 154 include Civil War scenes by J. Nep Roesler, Corporal of Color 47th Regiment of Ohio Volunteers (undated)."," Photographs (in boxes 153-156 and loose folders) include regular oversize and cirkut (panoramic) photographs on a wide variety of subjects. Boxes 153 and 154 include photographs of unidentified buildings and a group portrait of a Civilian Conservation Corps reunion (1982). Boxes 155 and 156 include photos of Evenwood (1915), group portrait of a conference of National Association of Teachers in Colored Schools (ca. 1932), campaign photographs (ca. 1972), an unidentified group of cars preparing for a parade (undated), and duplicates from the loose folders."," Additional cirkut photos include:  Loose folder 1: a group portrait of the West Virginia Young People's Conference, Greenbrier Military School, Lewisburg, WV (1929), and a group portrait of the Divisional Young People's Congress, Charleston, WV (1929);  Loose folder 2: a group portrait of the Western Virginia Conference Epworth League (1928-1929);  Loose folder 3: photos of an unidentified bridge and factories or plants (1916 and undated) and the Appalachian Electric Power Company Turner Substation (1929);  Loose folder 4: a birds-eye view of Richwood (undated) and a group portrait of Cabin Creek Consolidated Coal Company Safety First Teams (1933)."," Box 156 also includes a genealogy chart and architectural drawings. The genealogy chart (undated) documents the Paull family, which is accompanied by a note: \"Goes with Jefferson [Fry-Jefferson?] Map.\" The architectural drawings (1972-1976, undated) depict buildings from Richwood.\n \n Box 157 includes a book of exhibits from the Virginia vs. West Virginia Supreme Court case in 1914, and a license for John W. Love to practice Law (1925).\n \n Also includes a muster roll for Company I, 2nd Regiment, [West] Virginia Volunteer Cavalry, U.S. Army (1863 February).","This series includes maps of West Virginia locations, such as Greenbrier County and the Monongahela National Forest, as well as maps of other states and a few world maps.","Mostly financial and legal documents from Marion, Monongalia, and Harrison Counties, bulk from 1840s to 1860s."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeparated to A\u0026amp;M collections:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eVarious autographed items have been moved to A\u0026amp;M 435.\u003c/p\u003e\n","\u003cp\u003eAccount book volumes 2, 2a, 3, 3a, 3b, and 3c, daybooks and ledgers from the Sistersville General Store run by Joshua and William Russell, were separated to A\u0026amp;M 3071, Russell, Joshua \u0026amp; William. Sistersville General Store. Daybooks and Ledgers.\u003c/p\u003e\n","\u003cp\u003eAccount book volumes 4, 4a, and 4b, daybooks of John Goshorn, were separated to A\u0026amp;M 2426, Goshorn Family. Papers.\u003c/p\u003e\n","\u003cp\u003eAccount book volumes 6-8, law records and accounts of Judge George A. Vincent, as well as Vincent's letters from the Historical Documents series, were separated to A\u0026amp;M 3068, Vincent, George A., Lawyer and Judge. Papers.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeparated to the Printed Ephemera Collection:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eArticles, maps, and letters, 1582-1877  (includes selections relating to the South Seas during the colonial period), on 1 reel of microfilm, P13438\u003c/p\u003e\n","\u003cp\u003eArticles, letters, maps, and speeches, 1808-1863  (16 items which are listed on a sheet in the box), 1 reel of microfilm, P13439\u003c/p\u003e\n","\u003cp\u003eBurnett, Nancy S. \u003ctitle render=\"italic\"\u003eSlovenes in Rural Appalachia: An Oral History\u003c/title\u003e (Richwood, W. Va.: News Leader Press, 1994).\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeparated to Printed Ephemera (Pamphlets), Periodicals, etc.:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eWest Virginia Odd Fellow\u003c/title\u003e, 1919, Charleston (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eWest Virginia State Weekly\u003c/title\u003e, 1910-1911, Fairmont (several items)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eExponent\u003c/title\u003e, 1917-1918, Moundsville (4 items)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eOros\u003c/title\u003e, 1927, Moundsville (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003ePedagogue's Pastime\u003c/title\u003e, 1885, Moundsville (3 items)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003ePrinceton Observer\u003c/title\u003e, 1950 (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eSearchlight\u003c/title\u003e, Summersville (32 items)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eWest Virginia Farm Journal\u003c/title\u003e, 1872, Union (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eChurch Calendar\u003c/title\u003e, 1917, Wheeling (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eChurch News\u003c/title\u003e, 1892, Wheeling (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eEnglish Lutheran\u003c/title\u003e, 1900, Wheeling (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eMusical Monthly\u003c/title\u003e, 1896-1897, Wheeling (6 items)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eThe Saturday Review\u003c/title\u003e, 1912 August 10, Wheeling\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eState Fair News\u003c/title\u003e, 1910, Wheeling (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eWilliam's Courier\u003c/title\u003e, undated, Wheeling (1 item)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eValley News Echo\u003c/title\u003e, Hagerstown, MD; reprint of an 1861 paper\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eHaney's Journal\u003c/title\u003e, 1869 March-October except July, New York (several items)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eOur Southern Home\u003c/title\u003e, 1893 November, Hamlet, NC\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eBooks separated to the West Virginia Collection or the WVU Downtown Library stacks:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eDonnelly, Shirley. \u003ctitle render=\"italic\"\u003eYesterday and Today: A Keepsake I, II, and III.\u003c/title\u003e Fayetteville, W. Va.: Fayette County Historical Society, no date.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eKeepsake Stories of the Ozarks.\u003c/title\u003e Cassville, Mo.: Litho Printers, 1978.\u003c/p\u003e\n","\u003cp\u003eNorton, Andre. \u003ctitle render=\"italic\"\u003eCatseye\u003c/title\u003e. London: Gollancz, 1974.\u003c/p\u003e\n","\u003cp\u003eDeacon, William A. \u003ctitle render=\"italic\"\u003eThe Four Jameses\u003c/title\u003e. Toronto: Macmillan Co. of Canada, 1974.\u003c/p\u003e\n","\u003cp\u003eHaslip, Joan. \u003ctitle render=\"italic\"\u003eCatherine the Great: A Biography\u003c/title\u003e. New York: Putnam, 1977.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeparated to the Maps Collection:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eVirginie [Virginia], Maryland en 2 Feuilles par Fry et Jefferson, 1777\u003c/p\u003e\n","\u003cp\u003eBird's Eye View of the City of Wheeling, West Virginia\u003c/p\u003e\n","\u003cp\u003eSistersville, West Virginia\u003c/p\u003e\n","\u003cp\u003eBird's Eye View of Philippi, West Virginia\u003c/p\u003e\n","\u003cp\u003eElkins, Randolph County, West Virginia\u003c/p\u003e\n","\u003cp\u003eFairmont and Palatine, West Virginia\u003c/p\u003e\n","\u003cp\u003eMannington, West Virginia\u003c/p\u003e\n","\u003cp\u003eMorgantown, West Virginia\u003c/p\u003e\n","\u003cp\u003eClarksburg, West Virginia\u003c/p\u003e\n","\u003cp\u003eDavis, Tucker County, West Virginia\u003c/p\u003e\n","\u003cp\u003eGrafton, West Virginia\u003c/p\u003e\n","\u003cp\u003eCairo, West Virginia\u003c/p\u003e\n","\u003cp\u003eCameron, West Virginia\u003c/p\u003e\n","\u003cp\u003eHarrisville, Ritchie County, West Virginia\u003c/p\u003e\n","\u003cp\u003eMoundsville, West Virginia\u003c/p\u003e\n","\u003cp\u003eNew Martinsville, West Virginia\u003c/p\u003e\n","\u003cp\u003eParkersburg, Blennerhasset Island, West Virginia\u003c/p\u003e\n","\u003cp\u003ePennsboro, West Virginia\u003c/p\u003e\n","\u003cp\u003eSalem, West Virginia\u003c/p\u003e\n","\u003cp\u003eSt. Mary's, West Virginia\u003c/p\u003e\n","\u003cp\u003eWellsburg, West Virginia\u003c/p\u003e\n","\u003cp\u003eBuckhannon, West Virginia\u003c/p\u003e\n","\u003cp\u003eWeston, West Virginia\u003c/p\u003e\n","\u003cp\u003eBird's Eye View of Keyser, West Virginia\u003c/p\u003e\n","\u003cp\u003eView of Parsons, West Virginia\u003c/p\u003e\n","\u003cp\u003eAero View of Bluefield, West Virginia\u003c/p\u003e\n","\u003cp\u003eAero View of Keystone, West Virginia\u003c/p\u003e\n","\u003cp\u003eAero View of North Fork and Town of Clark, West Virginia\u003c/p\u003e\n","\u003cp\u003eWest Virginia Agricultural Society on Wheeling Island\u003c/p\u003e\n","\u003cp\u003eNote: A spreadsheet with more details regarding the separated maps can be found in the control folder.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eThe majority of the newspapers in this collection have been separated into the West Virginia Collection's newspaper holdings.\u003c/emph\u003e Lists of the newspapers originally inventoried for this collection can be found in the control folder. Most of the West Virginia newspapers were microfilmed; see Miscellaneous Reel 113. For a list of the contents of this reel, please see the \"W.Va. Newspapers from Comstock Collection\" three-page packet in the control folder. On the third page is a list of items separated from the Comstock Collection to printed ephemera (pamphlets), periodicals, etc.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSheet music separated to A\u0026amp;M 723, Sheet Music:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eAmericans, Together.\u003c/p\u003e\n","\u003cp\u003eBack to West Virginia.\u003c/p\u003e\n","\u003cp\u003eBattle of Port Royal.\u003c/p\u003e\n","\u003cp\u003eBrave Boys Are They.\u003c/p\u003e\n","\u003cp\u003eCanoeing on the Kanawha.\u003c/p\u003e\n","\u003cp\u003eCapt. Linch March.\u003c/p\u003e\n","\u003cp\u003eCherry.\u003c/p\u003e\n","\u003cp\u003eCotton Field Dance.\u003c/p\u003e\n","\u003cp\u003eDown in the Lonely Dell.\u003c/p\u003e\n","\u003cp\u003eDynamite Twist.\u003c/p\u003e\n","\u003cp\u003eFair West Virginia.\u003c/p\u003e\n","\u003cp\u003eFire Fly Polka.\u003c/p\u003e\n","\u003cp\u003eGlory Hallelujah.\u003c/p\u003e\n","\u003cp\u003eGoing Back to West Virginia.\u003c/p\u003e\n","\u003cp\u003eHome Alone in West Virginia.\u003c/p\u003e\n","\u003cp\u003eI Have Something Sweet to Tell You.\u003c/p\u003e\n","\u003cp\u003eImagine Me.\u003c/p\u003e\n","\u003cp\u003eIn Flanders' Fields.\u003c/p\u003e\n","\u003cp\u003eI Want to Go Back to Michigan Down On the Farm.\u003c/p\u003e\n","\u003cp\u003eJ'aime Mon Amour.\u003c/p\u003e\n","\u003cp\u003eJust Before the Battle, Mother.\u003c/p\u003e\n","\u003cp\u003eKingdom Coming.\u003c/p\u003e\n","\u003cp\u003eLa Violette de Carafa.\u003c/p\u003e\n","\u003cp\u003eLove and Devotion.\u003c/p\u003e\n","\u003cp\u003eMemory's Dream.\u003c/p\u003e\n","\u003cp\u003eMen of West Augusta.\u003c/p\u003e\n","\u003cp\u003eMountain Land West Virginia.\u003c/p\u003e\n","\u003cp\u003eOn, On, On, the Boys Came Marching!\u003c/p\u003e\n","\u003cp\u003eOur Grateful Heart Save Singing.\u003c/p\u003e\n","\u003cp\u003eReminiscing at Cass or the Greenbrier Shay.\u003c/p\u003e\n","\u003cp\u003eSomething Tells Me You're the Girl.\u003c/p\u003e\n","\u003cp\u003eSong of a Woman.\u003c/p\u003e\n","\u003cp\u003eSweet Kitty Wells.\u003c/p\u003e\n","\u003cp\u003eThe Ballad of Oakland.\u003c/p\u003e\n","\u003cp\u003eThe Battle Cry of Freedom.\u003c/p\u003e\n","\u003cp\u003eThe Last Hope.\u003c/p\u003e\n","\u003cp\u003eThe Self Service Chain Store.\u003c/p\u003e\n","\u003cp\u003eThe Sunny Hours of Childhood.\u003c/p\u003e\n","\u003cp\u003eThe Vacant Chair.\u003c/p\u003e\n","\u003cp\u003eThe West Virginia Singer.\u003c/p\u003e\n","\u003cp\u003eThere's a Little Spark of Love Still Burning.\u003c/p\u003e\n","\u003cp\u003eTramp! Tramp! Tramp! The Prisoners Hope.\u003c/p\u003e\n","\u003cp\u003eWe Are Mountaineers.\u003c/p\u003e\n","\u003cp\u003eWest Virginia.\u003c/p\u003e\n","\u003cp\u003eWest Virginia! And My Home.\u003c/p\u003e\n","\u003cp\u003eWest Virginia University Songs.\u003c/p\u003e\n","\u003cp\u003eWhat a Lovely Day!\u003c/p\u003e\n","\u003cp\u003eWho Will Care For Mother Now?\u003c/p\u003e\n","\u003cp\u003eWild and Wonderful West Virginia.\u003c/p\u003e\n","\u003cp\u003eWilliam Tell Overture.\u003c/p\u003e\n","\u003cp\u003eWillie My Brave.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eTransferred to A\u0026amp;M 727, Pearl S. Buck, Author. Papers:\u003c/emph\u003e Correspondence, manuscripts, articles, photographs and clippings by and about Pearl S. Buck and her birthplace collected by Jim Comstock (1938-1973; 6 in.)\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to A\u0026M collections:","Various autographed items have been moved to A\u0026M 435.","Account book volumes 2, 2a, 3, 3a, 3b, and 3c, daybooks and ledgers from the Sistersville General Store run by Joshua and William Russell, were separated to A\u0026M 3071, Russell, Joshua \u0026 William. Sistersville General Store. Daybooks and Ledgers.","Account book volumes 4, 4a, and 4b, daybooks of John Goshorn, were separated to A\u0026M 2426, Goshorn Family. Papers.","Account book volumes 6-8, law records and accounts of Judge George A. Vincent, as well as Vincent's letters from the Historical Documents series, were separated to A\u0026M 3068, Vincent, George A., Lawyer and Judge. Papers.","Separated to the Printed Ephemera Collection:","Articles, maps, and letters, 1582-1877  (includes selections relating to the South Seas during the colonial period), on 1 reel of microfilm, P13438","Articles, letters, maps, and speeches, 1808-1863  (16 items which are listed on a sheet in the box), 1 reel of microfilm, P13439","Burnett, Nancy S.  Slovenes in Rural Appalachia: An Oral History  (Richwood, W. Va.: News Leader Press, 1994).","Separated to Printed Ephemera (Pamphlets), Periodicals, etc.:","West Virginia Odd Fellow , 1919, Charleston (1 item)","West Virginia State Weekly , 1910-1911, Fairmont (several items)","Exponent , 1917-1918, Moundsville (4 items)","Oros , 1927, Moundsville (1 item)","Pedagogue's Pastime , 1885, Moundsville (3 items)","Princeton Observer , 1950 (1 item)","Searchlight , Summersville (32 items)","West Virginia Farm Journal , 1872, Union (1 item)","Church Calendar , 1917, Wheeling (1 item)","Church News , 1892, Wheeling (1 item)","English Lutheran , 1900, Wheeling (1 item)","Musical Monthly , 1896-1897, Wheeling (6 items)","The Saturday Review , 1912 August 10, Wheeling","State Fair News , 1910, Wheeling (1 item)","William's Courier , undated, Wheeling (1 item)","Valley News Echo , Hagerstown, MD; reprint of an 1861 paper","Haney's Journal , 1869 March-October except July, New York (several items)","Our Southern Home , 1893 November, Hamlet, NC","Books separated to the West Virginia Collection or the WVU Downtown Library stacks:","Donnelly, Shirley.  Yesterday and Today: A Keepsake I, II, and III.  Fayetteville, W. Va.: Fayette County Historical Society, no date.","Keepsake Stories of the Ozarks.  Cassville, Mo.: Litho Printers, 1978.","Norton, Andre.  Catseye . London: Gollancz, 1974.","Deacon, William A.  The Four Jameses . Toronto: Macmillan Co. of Canada, 1974.","Haslip, Joan.  Catherine the Great: A Biography . New York: Putnam, 1977.","Separated to the Maps Collection:","Virginie [Virginia], Maryland en 2 Feuilles par Fry et Jefferson, 1777","Bird's Eye View of the City of Wheeling, West Virginia","Sistersville, West Virginia","Bird's Eye View of Philippi, West Virginia","Elkins, Randolph County, West Virginia","Fairmont and Palatine, West Virginia","Mannington, West Virginia","Morgantown, West Virginia","Clarksburg, West Virginia","Davis, Tucker County, West Virginia","Grafton, West Virginia","Cairo, West Virginia","Cameron, West Virginia","Harrisville, Ritchie County, West Virginia","Moundsville, West Virginia","New Martinsville, West Virginia","Parkersburg, Blennerhasset Island, West Virginia","Pennsboro, West Virginia","Salem, West Virginia","St. Mary's, West Virginia","Wellsburg, West Virginia","Buckhannon, West Virginia","Weston, West Virginia","Bird's Eye View of Keyser, West Virginia","View of Parsons, West Virginia","Aero View of Bluefield, West Virginia","Aero View of Keystone, West Virginia","Aero View of North Fork and Town of Clark, West Virginia","West Virginia Agricultural Society on Wheeling Island","Note: A spreadsheet with more details regarding the separated maps can be found in the control folder.","The majority of the newspapers in this collection have been separated into the West Virginia Collection's newspaper holdings.  Lists of the newspapers originally inventoried for this collection can be found in the control folder. Most of the West Virginia newspapers were microfilmed; see Miscellaneous Reel 113. For a list of the contents of this reel, please see the \"W.Va. Newspapers from Comstock Collection\" three-page packet in the control folder. On the third page is a list of items separated from the Comstock Collection to printed ephemera (pamphlets), periodicals, etc.","Sheet music separated to A\u0026M 723, Sheet Music:","Americans, Together.","Back to West Virginia.","Battle of Port Royal.","Brave Boys Are They.","Canoeing on the Kanawha.","Capt. Linch March.","Cherry.","Cotton Field Dance.","Down in the Lonely Dell.","Dynamite Twist.","Fair West Virginia.","Fire Fly Polka.","Glory Hallelujah.","Going Back to West Virginia.","Home Alone in West Virginia.","I Have Something Sweet to Tell You.","Imagine Me.","In Flanders' Fields.","I Want to Go Back to Michigan Down On the Farm.","J'aime Mon Amour.","Just Before the Battle, Mother.","Kingdom Coming.","La Violette de Carafa.","Love and Devotion.","Memory's Dream.","Men of West Augusta.","Mountain Land West Virginia.","On, On, On, the Boys Came Marching!","Our Grateful Heart Save Singing.","Reminiscing at Cass or the Greenbrier Shay.","Something Tells Me You're the Girl.","Song of a Woman.","Sweet Kitty Wells.","The Ballad of Oakland.","The Battle Cry of Freedom.","The Last Hope.","The Self Service Chain Store.","The Sunny Hours of Childhood.","The Vacant Chair.","The West Virginia Singer.","There's a Little Spark of Love Still Burning.","Tramp! Tramp! Tramp! The Prisoners Hope.","We Are Mountaineers.","West Virginia.","West Virginia! And My Home.","West Virginia University Songs.","What a Lovely Day!","Who Will Care For Mother Now?","Wild and Wonderful West Virginia.","William Tell Overture.","Willie My Brave.","Transferred to A\u0026M 727, Pearl S. Buck, Author. Papers:  Correspondence, manuscripts, articles, photographs and clippings by and about Pearl S. Buck and her birthplace collected by Jim Comstock (1938-1973; 6 in.)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_65d6b5a9a55c1158201a2641c226d229\"\u003ePapers of James (\"Jim\") Franklin Comstock of Richwood, West Virginia, whose position as editor of the \u003cemph render=\"italic\"\u003eWest Virginia Hillbilly\u003c/emph\u003e and avocation as collector and advocate of all things West Virginia led to the preservation of much of the state's physical, visual, and textual history. The collection includes materials Comstock collected about West Virginia history as well as his own personal and professional papers. Materials include: general series of historical documents such as letters, deeds, and county court cases pertaining to a diverse range of subjects (1717, 1754-1988, undated [includes facsimiles]); letters of Lucy Prichard, former instructor at Marshall College (now Marshall University) (1925-1927, undated); clippings and typescripts of Wirt County resident and \u003cemph render=\"italic\"\u003eAtlantic Monthly\u003c/emph\u003e writer Louis Eckert Reed (ca. 1960-1975, undated); account books concerning economic development and commercial activities in the northern part of the state in the 19th and early 20th centuries (1830-1938); printed material about West Virginia schools, businesses, and events as well as non-West Virginia books and pamphlets (1829-1995, undated); Comstock's personal and professional correspondence (1882-1995, undated); a wide variety of photographs, including images of West Virginia cities and towns, among many others (ca. 1850s-1995, undated); microfilmed records of the Civil War and Dunmore's War (undated); glass lantern slides, which include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV (1871-1897, undated); Grand Army of the Republic and U.S. military history scrapbooks (1883-1918); broadsides, including advertisements for a circus in Moundsville (ca. 1827-1960 [includes facsimiles]); and maps and atlases of pre- and post-statehood West Virginia, counties, colonial North America, and other topics (1730-1976, undated [includes facsimiles]). An addendum of 2013/05 includes additional personal and professional correspondence, publications, newspaper morgue files, photographs, audio-visual material, artifacts, scrapbooks, account books, and maps. For more information on Jim Comstock, see the Historical Note.\u003c/abstract\u003e"],"abstract_tesim":["Papers of James (\"Jim\") Franklin Comstock of Richwood, West Virginia, whose position as editor of the  West Virginia Hillbilly  and avocation as collector and advocate of all things West Virginia led to the preservation of much of the state's physical, visual, and textual history. The collection includes materials Comstock collected about West Virginia history as well as his own personal and professional papers. Materials include: general series of historical documents such as letters, deeds, and county court cases pertaining to a diverse range of subjects (1717, 1754-1988, undated [includes facsimiles]); letters of Lucy Prichard, former instructor at Marshall College (now Marshall University) (1925-1927, undated); clippings and typescripts of Wirt County resident and  Atlantic Monthly  writer Louis Eckert Reed (ca. 1960-1975, undated); account books concerning economic development and commercial activities in the northern part of the state in the 19th and early 20th centuries (1830-1938); printed material about West Virginia schools, businesses, and events as well as non-West Virginia books and pamphlets (1829-1995, undated); Comstock's personal and professional correspondence (1882-1995, undated); a wide variety of photographs, including images of West Virginia cities and towns, among many others (ca. 1850s-1995, undated); microfilmed records of the Civil War and Dunmore's War (undated); glass lantern slides, which include views of scenery and buildings in Wheeling and various other locations in Ohio County, WV (1871-1897, undated); Grand Army of the Republic and U.S. military history scrapbooks (1883-1918); broadsides, including advertisements for a circus in Moundsville (ca. 1827-1960 [includes facsimiles]); and maps and atlases of pre- and post-statehood West Virginia, counties, colonial North America, and other topics (1730-1976, undated [includes facsimiles]). An addendum of 2013/05 includes additional personal and professional correspondence, publications, newspaper morgue files, photographs, audio-visual material, artifacts, scrapbooks, account books, and maps. For more information on Jim Comstock, see the Historical Note."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_41b33a00fb61928ece3953eb9c83a996\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Bleakmor, Gallaher \u0026 Ansbrutz","First National Bank of Fairmont","Grand Army of the Republic","Harry Hood \u0026 Company","St. Paul's Evangelical Lutheran Church  (Charleston, W. Va.)","Thistle \u0026 Cox","University of Hard Knocks.","Wheeling Gas Company","Baker, Newton Diehl, 1871-1937","Banks, Nathaniel Prentiss, 1816-1894","Blennerhassett, Harman, 1764-1831","Breckstein, A. H.","Brown, John, 1800-1859","Brown, William G.  (William Gay), 1800-1884","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Byrd, Robert C.","Chapline, Moses.","Clemens, Samuel Langhorne, 1835-1910","Comstock, Jim (James Franklin), 1911-1996","Cushwa, Barnet.","Eagle, Henry F.","Gans, George C.","Gans, Mrs. Samuel C.","Gates, Horatio, 1728-1806","Gehr, Daniel.","Goldwater, Barry M. (Barry Morris), 1909-1998","Hornbrook, Jacob.","Humphrey, Hubert H. (Hubert Horatio), 1911-1978","Huntington, Collis Potter, 1821-1900","Maynor, Larry.","Monroe, James, 1758-1831","Norona, Delf, 1895-1974","Prichard, Lucy, 1876-1964.","Randolph, Jennings, 1902-1998","Reed, Louis","Shock, J.C.","Stuart, Jesse, 1906-1984","Washington, Booker T., 1856-1915","Weaver, James M.","Zidn, Anthony."],"names_ssim":["West Virginia and Regional History Center","Bleakmor, Gallaher \u0026 Ansbrutz","First National Bank of Fairmont","Grand Army of the Republic","Harry Hood \u0026 Company","St. Paul's Evangelical Lutheran Church  (Charleston, W. Va.)","Thistle \u0026 Cox","University of Hard Knocks.","Wheeling Gas Company","Comstock, Jim (James Franklin), 1911-1996","Baker, Newton Diehl, 1871-1937","Banks, Nathaniel Prentiss, 1816-1894","Blennerhassett, Harman, 1764-1831","Breckstein, A. H.","Brown, John, 1800-1859","Brown, William G.  (William Gay), 1800-1884","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Byrd, Robert C.","Chapline, Moses.","Clemens, Samuel Langhorne, 1835-1910","Cushwa, Barnet.","Eagle, Henry F.","Gans, George C.","Gans, Mrs. Samuel C.","Gates, Horatio, 1728-1806","Gehr, Daniel.","Goldwater, Barry M. (Barry Morris), 1909-1998","Hornbrook, Jacob.","Humphrey, Hubert H. (Hubert Horatio), 1911-1978","Huntington, Collis Potter, 1821-1900","Maynor, Larry.","Monroe, James, 1758-1831","Norona, Delf, 1895-1974","Prichard, Lucy, 1876-1964.","Randolph, Jennings, 1902-1998","Reed, Louis","Shock, J.C.","Stuart, Jesse, 1906-1984","Washington, Booker T., 1856-1915","Weaver, James M.","Zidn, Anthony."],"corpname_ssim":["West Virginia and Regional History Center","Bleakmor, Gallaher \u0026 Ansbrutz","First National Bank of Fairmont","Grand Army of the Republic","Harry Hood \u0026 Company","St. Paul's Evangelical Lutheran Church  (Charleston, W. Va.)","Thistle \u0026 Cox","University of Hard Knocks.","Wheeling Gas Company"],"persname_ssim":["Comstock, Jim (James Franklin), 1911-1996","Baker, Newton Diehl, 1871-1937","Banks, Nathaniel Prentiss, 1816-1894","Blennerhassett, Harman, 1764-1831","Breckstein, A. H.","Brown, John, 1800-1859","Brown, William G.  (William Gay), 1800-1884","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Byrd, Robert C.","Chapline, Moses.","Clemens, Samuel Langhorne, 1835-1910","Cushwa, Barnet.","Eagle, Henry F.","Gans, George C.","Gans, Mrs. Samuel C.","Gates, Horatio, 1728-1806","Gehr, Daniel.","Goldwater, Barry M. (Barry Morris), 1909-1998","Hornbrook, Jacob.","Humphrey, Hubert H. (Hubert Horatio), 1911-1978","Huntington, Collis Potter, 1821-1900","Maynor, Larry.","Monroe, James, 1758-1831","Norona, Delf, 1895-1974","Prichard, Lucy, 1876-1964.","Randolph, Jennings, 1902-1998","Reed, Louis","Shock, J.C.","Stuart, Jesse, 1906-1984","Washington, Booker T., 1856-1915","Weaver, James M.","Zidn, Anthony."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":514,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T12:12:38.830Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5370_c01_c02_c07"}},{"id":"viw_repositories_2_resources_5556","type":"collection","attributes":{"title":"Wood Family Papers","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_5556#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eDated 1806-1878. Business and legal papers of John H. Wood, constable of Louisa County, VA. Included are a receipt for $0.76 which he paid for 138 acres of land, that being taxes due; the papers of William J., David, and Charles W. Wood; and papers of Charles Vest, Albemarle County. Also contains personal letters with economic and political comments.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_5556#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_5556","ead_ssi":"viw_repositories_2_resources_5556","_root_":"viw_repositories_2_resources_5556","_nest_parent_":"viw_repositories_2_resources_5556","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_5556.xml","title_filing_ssi":"Wood Family Papers","title_ssm":["Wood Family Papers"],"title_tesim":["Wood Family Papers"],"unitdate_ssm":["1806-1878"],"unitdate_inclusive_ssm":["1806-1878"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 W85","/repositories/2/resources/5556"],"text":["Mss. 65 W85","/repositories/2/resources/5556","Wood Family Papers","Albemarle County (Va.)","Louisa County (Va.)--History","Legal documents","United States--Economic history","United States--Politics and Government","Correspondence","Financial records","542.00 items","Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Dated 1806-1878. Business and legal papers of John H. Wood, constable of Louisa County, VA. Included are a receipt for $0.76 which he paid for 138 acres of land, that being taxes due; the papers of William J., David, and Charles W. Wood; and papers of Charles Vest, Albemarle County. Also contains personal letters with economic and political comments.","6 folders.","Special Collections Research Center","Wood family","English"],"unitid_tesim":["Mss. 65 W85","/repositories/2/resources/5556"],"normalized_title_ssm":["Wood Family Papers"],"collection_title_tesim":["Wood Family Papers"],"collection_ssim":["Wood Family Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Albemarle County (Va.)","Louisa County (Va.)--History"],"geogname_ssim":["Albemarle County (Va.)","Louisa County (Va.)--History"],"places_ssim":["Albemarle County (Va.)","Louisa County (Va.)--History"],"acqinfo_ssim":["Purchase"],"access_subjects_ssim":["Legal documents","United States--Economic history","United States--Politics and Government","Correspondence","Financial records"],"access_subjects_ssm":["Legal documents","United States--Economic history","United States--Politics and Government","Correspondence","Financial records"],"has_online_content_ssim":["false"],"physdesc_tesim":["542.00 items"],"extent_ssm":["0.50 Linear Feet"],"extent_tesim":["0.50 Linear Feet"],"genreform_ssim":["Correspondence","Financial records"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eWood Family Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Wood Family Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eDated 1806-1878. Business and legal papers of John H. Wood, constable of Louisa County, VA. Included are a receipt for $0.76 which he paid for 138 acres of land, that being taxes due; the papers of William J., David, and Charles W. Wood; and papers of Charles Vest, Albemarle County. Also contains personal letters with economic and political comments.\u003c/p\u003e","\u003cp\u003e6 folders.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Dated 1806-1878. Business and legal papers of John H. Wood, constable of Louisa County, VA. Included are a receipt for $0.76 which he paid for 138 acres of land, that being taxes due; the papers of William J., David, and Charles W. Wood; and papers of Charles Vest, Albemarle County. Also contains personal letters with economic and political comments.","6 folders."],"names_ssim":["Special Collections Research Center","Wood family"],"corpname_ssim":["Special Collections Research Center"],"names_coll_ssim":["Wood family"],"famname_ssim":["Wood family"],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T09:24:01.629Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_5556","ead_ssi":"viw_repositories_2_resources_5556","_root_":"viw_repositories_2_resources_5556","_nest_parent_":"viw_repositories_2_resources_5556","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_5556.xml","title_filing_ssi":"Wood Family Papers","title_ssm":["Wood Family Papers"],"title_tesim":["Wood Family Papers"],"unitdate_ssm":["1806-1878"],"unitdate_inclusive_ssm":["1806-1878"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 W85","/repositories/2/resources/5556"],"text":["Mss. 65 W85","/repositories/2/resources/5556","Wood Family Papers","Albemarle County (Va.)","Louisa County (Va.)--History","Legal documents","United States--Economic history","United States--Politics and Government","Correspondence","Financial records","542.00 items","Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Dated 1806-1878. Business and legal papers of John H. Wood, constable of Louisa County, VA. Included are a receipt for $0.76 which he paid for 138 acres of land, that being taxes due; the papers of William J., David, and Charles W. Wood; and papers of Charles Vest, Albemarle County. Also contains personal letters with economic and political comments.","6 folders.","Special Collections Research Center","Wood family","English"],"unitid_tesim":["Mss. 65 W85","/repositories/2/resources/5556"],"normalized_title_ssm":["Wood Family Papers"],"collection_title_tesim":["Wood Family Papers"],"collection_ssim":["Wood Family Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Albemarle County (Va.)","Louisa County (Va.)--History"],"geogname_ssim":["Albemarle County (Va.)","Louisa County (Va.)--History"],"places_ssim":["Albemarle County (Va.)","Louisa County (Va.)--History"],"acqinfo_ssim":["Purchase"],"access_subjects_ssim":["Legal documents","United States--Economic history","United States--Politics and Government","Correspondence","Financial records"],"access_subjects_ssm":["Legal documents","United States--Economic history","United States--Politics and Government","Correspondence","Financial records"],"has_online_content_ssim":["false"],"physdesc_tesim":["542.00 items"],"extent_ssm":["0.50 Linear Feet"],"extent_tesim":["0.50 Linear Feet"],"genreform_ssim":["Correspondence","Financial records"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eWood Family Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Wood Family Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eDated 1806-1878. Business and legal papers of John H. Wood, constable of Louisa County, VA. Included are a receipt for $0.76 which he paid for 138 acres of land, that being taxes due; the papers of William J., David, and Charles W. Wood; and papers of Charles Vest, Albemarle County. Also contains personal letters with economic and political comments.\u003c/p\u003e","\u003cp\u003e6 folders.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Dated 1806-1878. Business and legal papers of John H. Wood, constable of Louisa County, VA. Included are a receipt for $0.76 which he paid for 138 acres of land, that being taxes due; the papers of William J., David, and Charles W. Wood; and papers of Charles Vest, Albemarle County. Also contains personal letters with economic and political comments.","6 folders."],"names_ssim":["Special Collections Research Center","Wood family"],"corpname_ssim":["Special Collections Research Center"],"names_coll_ssim":["Wood family"],"famname_ssim":["Wood family"],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T09:24:01.629Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_5556"}},{"id":"viw_repositories_2_resources_8490","type":"collection","attributes":{"title":"Woolfolk Family Papers","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8490#creator","type":"document_value","attributes":{"value":"Woolfolk Family","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8490#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePapers of the Woolfolk family of Caroline County, Virginia including correspondence and accounts of John George Woolfolk, Jourdan Woolfolk, Pichegru Woolfolk and John William Woolfolk. The collection includes correspondence, accounts and vouchers for the stage line run by the Woolfolk family (Allen \u0026amp; Woolfolk; Jourdan Woolfolk \u0026amp; Company; and Woolfolk \u0026amp; Hoomes). Includes records of routes, rates, supplies, arrangements for layover of passengers and mail contracts of the Potomac Steamboat and Stage Company as well as papers concerning stock purchases in the Richmond, Fredericksburg, and Potomac Railroad. Also includes bound account books for the stage lines. Note: Includes letters written by James Lyons, Timothy Pickering, Robert Ryland and Benjamin Waller; letters of and accounts concerning members of the Maury family; and lists, 1829 and 1837, of vaccinated slaves. Lot 2 consists of about 6000 pieces of papers of the Woolfolk Family of Caroline County, Virginia, dated 1793-1876. There are financial records relating to the stage line and mail service, records relating to agricultural business, correspondence, insurance records, military records, records relating to the erection of Antioch Baptist Church, and copies of newspapers.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8490#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8490","ead_ssi":"viw_repositories_2_resources_8490","_root_":"viw_repositories_2_resources_8490","_nest_parent_":"viw_repositories_2_resources_8490","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8490.xml","title_filing_ssi":"Woolfolk Family Papers","title_ssm":["Woolfolk Family Papers"],"title_tesim":["Woolfolk Family Papers"],"unitdate_ssm":["1775-1893"],"unitdate_inclusive_ssm":["1775-1893"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 39.1 W88","/repositories/2/resources/8490"],"text":["Mss. 39.1 W88","/repositories/2/resources/8490","Woolfolk Family Papers","Caroline County (Va.)--History--18th century","Caroline County (Va.)--History--19th century","Coaching--United States--History--19th century","Postal service--United States--History","Richmond, Fredericksburg, and Potomac Railroad","Slavery--Virginia--History--19th century","Transportation--Virginia","Correspondence","Financial records","Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Organization: Organized into 14 series. Lot 1 comprises series 1-7. Lot 2 comprises series 8-14. There is a certain overlap between some of the series of lot 1 and 2. Lot 2 is has not been processed beyond the Series arrangement. ","Series 1: Correspondence relating to the stage line; Series 2: Accounts and vouchers of the stage line; Series 3: Other papers relating to the stage line and the Richmond, Fredericksburg, and Potomac Railroad; Series 4: Correspondence of the Woolfolk family; Series 5: Papers of various persons, A-Z; Series 6: Other Papers; Series 7: Bound volumes; Series 8: Papers relating to the stage and mail service operated by members of the Woolfolk Family; Series 9: Papers relating to members of the Woolfolk Family, A-Z; Series 10: Papers relating to the estate of John Hoomes; Series 11: Subscription lists, invoices and receipts relative to the erection of Antioch Christian Church, Bowling Green, Virginia; Series 12: Records of the Caroline troop of cavalry, 1816-1820; Series 13: Newspapers; Series 14: Miscellaneous. ","Arrangement: Lot 1: The series are arranged chronologically, with the exception of series 5, which is arranged alphabetically by last name and chronologically within. Lot 2: Series 9 is arranged alphabetically by last name; the other series of Lot 2 have not been further arranged at this point.","The Woolfolk family originally emigrated from Wales. John George Woolfolk (1750-1819) ran a stage line and had a contract to carry the mail. His sons Pichegru Woolfolk and Jourdan Woolfolk continued the stage line. Jourdan had a son, John William Woolfolk, among other children.","Additional information may be found at http://ead.lib.virginia.edu/vivaxtf/view?docId=wm/viw00078.xml;query=woolfolk;brand=default","Box and folder list compiled by Patricia Senabria, SCRC staff,  in October 2011.","John William Woolfolk Notebook (Mss. MsV Ad225).","Papers of the Woolfolk family of Caroline County, Virginia including correspondence and accounts of John George Woolfolk, Jourdan Woolfolk, Pichegru Woolfolk and John William Woolfolk. The collection includes correspondence, accounts and vouchers for the stage line run by the Woolfolk family (Allen \u0026  Woolfolk; Jourdan Woolfolk \u0026 Company; and Woolfolk \u0026  Hoomes). Includes records of routes, rates, supplies, arrangements for layover of passengers and mail contracts of the Potomac Steamboat and Stage Company as well as papers concerning stock purchases in the Richmond, Fredericksburg, and Potomac Railroad. Also includes bound account books for the stage lines. Note: Includes letters written by James Lyons, Timothy Pickering, Robert Ryland and Benjamin Waller; letters of and accounts concerning members of the Maury family; and lists, 1829 and 1837, of vaccinated slaves. Lot 2 consists of about 6000 pieces of papers of the Woolfolk Family of Caroline County, Virginia, dated 1793-1876. There are financial records relating to the stage line and mail service, records relating to agricultural business, correspondence, insurance records, military records, records relating to the erection of Antioch Baptist Church, and copies of newspapers.","An article by Vera Palmer in the Richmond Times Dispatch concerning the Woolfolk family, the stage line, and Mulberry Place, the Woolfolk plantation in Caroline County, Virginia.","This file also contains letters relating to the carrying mails and to connections with the Fredericksburg and Potomac Steamship Company, and the Richmond, Fredericksburg, and Potomac Railroad.","Note: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.","Note: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.","Note: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.","Note: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.","Trust deed to secure payment to John G. Woolfolk for the purchase of his interest in the stage line from Richmond to Norfolk and in the carrying of mail by that line, and from Osborns to Bermuda hundred.","Scope and Contents Agreement of Edwin Porter \u0026 Co., and Jourdan Woolfolk with NC Lipscomb concerning the boarding of stage drivers and passengers.","Scope and Contents Contract of Jourdan Woolfolk with the United States for carrying the mail from Bowling Green, Virginia, by Turner's Store, to White Chimneys, and back, twice a week.","Scope and Contents Contract of Jourdan Woolfolk with the United States for carrying the mail from Bowling Green, Virginia, by Turner's Store and White Chimneys, to Mahgohic, and back, twice a week.","Lists of subscribers to the Richmond and Potomac railroad survey whose subscriptions were returned by Jourdan Woolfolk.","Papers relating to cash transactions of Jourdan Woolfolk with the Richmond, Fredericksburg and Potomac Railroad. Including several receipts for cash paid in purchase of stock.","Vouchers relating to payments for and dividens on stock in the Richmond, Fredericksburg, and Potomac Railroad purchased by Pichegru and John Woolfolk.","Enclosure: Invoice for goods purchased of E. Andrews by John Hoomes for John G. Woolfolk.","Enclosure: Certificate of redemption by Henry P. Brodnax for John Woolfolk of four tracts of land in Lincoln, Shelby, and Hardin Counties, Kentucky, which had been sold for taxes.","Note: A receipt for money allowed Thomas Swann by the overseers of the poor appears on the same sheet.","Enclosure: An account of James Covington with William W. Dickinson.","Contains accounts of the stage line.","The book contains also stage line accounts.","The estate of John G. Woolfolk in account with Jourdan Woolfolk, Hawes Coleman, and John M. Burke, administrators.","The book contains also blacksmith and grain accounts of Elizabeth P. Woolfolk, 1823-1825, and accounts of the estate of Elizabeth P. Woolfolk,","The book also contains personal accounts of Jourdan Woolfolk.","This book contains accounts of Jourdan Woolfolk as administrator, trustee and guardian, and accounts with the stage line.","The book contains also accounts of the estate of John G. Woolfolk and personal accounts of Jourdan Woolfolk.","The book contains also accounts of the estate of John G. Woolfolk with Jourdan Woolfolk and personal accounts of Jourdan Woolfolk.","The book contains also accounts of the estate of John G. Woolfolk with Jourdan Woolfolk and personal accounts of John G. Woolfolk.","The book contains also a few personal accounts of Jourdan Woolfolk.","The book contains also personal accounts of Jourdan Woolfolk.","The book contains also many personal accounts of Jourdan Woolfolk.","The book contains also personal accounts of Jourdan Woolfolk.","Scope and Contents The book contains also stage line accounts, 1827-1833, and post office department drafts received by J.W. Woolfolk \u0026 Co. for carrying mail, 1836-1847.","Special Collections Research Center","Potomac Steamboat and Stage Company","Woolfolk Family","Maury family","Woolfolk family","Pickering, Timothy, 1745-1829","Ryland, Robert, 1805-1899","Waller, Benjamin","Woolfolk, John George, 1750-1819","Woolfolk, John William","Woolfolk, Jourdan, b. 1796","Woolfolk, Pichegru","English"],"unitid_tesim":["Mss. 39.1 W88","/repositories/2/resources/8490"],"normalized_title_ssm":["Woolfolk Family Papers"],"collection_title_tesim":["Woolfolk Family Papers"],"collection_ssim":["Woolfolk Family Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Caroline County (Va.)--History--18th century","Caroline County (Va.)--History--19th century"],"geogname_ssim":["Caroline County (Va.)--History--18th century","Caroline County (Va.)--History--19th century"],"creator_ssm":["Woolfolk Family","Pickering, Timothy, 1745-1829","Ryland, Robert, 1805-1899","Waller, Benjamin","Woolfolk, John George, 1750-1819","Woolfolk, John William","Woolfolk, Jourdan, b. 1796","Woolfolk, Pichegru"],"creator_ssim":["Woolfolk Family","Pickering, Timothy, 1745-1829","Ryland, Robert, 1805-1899","Waller, Benjamin","Woolfolk, John George, 1750-1819","Woolfolk, John William","Woolfolk, Jourdan, b. 1796","Woolfolk, Pichegru"],"creator_persname_ssim":["Pickering, Timothy, 1745-1829","Ryland, Robert, 1805-1899","Waller, Benjamin","Woolfolk, John George, 1750-1819","Woolfolk, John William","Woolfolk, Jourdan, b. 1796","Woolfolk, Pichegru"],"creator_famname_ssim":["Woolfolk Family"],"creators_ssim":["Pickering, Timothy, 1745-1829","Ryland, Robert, 1805-1899","Waller, Benjamin","Woolfolk, John George, 1750-1819","Woolfolk, John William","Woolfolk, Jourdan, b. 1796","Woolfolk, Pichegru","Woolfolk Family"],"places_ssim":["Caroline County (Va.)--History--18th century","Caroline County (Va.)--History--19th century"],"acqinfo_ssim":["Gift: 3,980 items, November 5, 1937. Gift: 6,000 items, June 27, 1939."],"access_subjects_ssim":["Coaching--United States--History--19th century","Postal service--United States--History","Richmond, Fredericksburg, and Potomac Railroad","Slavery--Virginia--History--19th century","Transportation--Virginia","Correspondence","Financial records"],"access_subjects_ssm":["Coaching--United States--History--19th century","Postal service--United States--History","Richmond, Fredericksburg, and Potomac Railroad","Slavery--Virginia--History--19th century","Transportation--Virginia","Correspondence","Financial records"],"has_online_content_ssim":["false"],"extent_ssm":["10.5 Linear Feet"],"extent_tesim":["10.5 Linear Feet"],"genreform_ssim":["Correspondence","Financial records"],"date_range_isim":[1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eOrganization: Organized into 14 series. Lot 1 comprises series 1-7. Lot 2 comprises series 8-14. There is a certain overlap between some of the series of lot 1 and 2. Lot 2 is has not been processed beyond the Series arrangement. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence relating to the stage line; Series 2: Accounts and vouchers of the stage line; Series 3: Other papers relating to the stage line and the Richmond, Fredericksburg, and Potomac Railroad; Series 4: Correspondence of the Woolfolk family; Series 5: Papers of various persons, A-Z; Series 6: Other Papers; Series 7: Bound volumes; Series 8: Papers relating to the stage and mail service operated by members of the Woolfolk Family; Series 9: Papers relating to members of the Woolfolk Family, A-Z; Series 10: Papers relating to the estate of John Hoomes; Series 11: Subscription lists, invoices and receipts relative to the erection of Antioch Christian Church, Bowling Green, Virginia; Series 12: Records of the Caroline troop of cavalry, 1816-1820; Series 13: Newspapers; Series 14: Miscellaneous. \u003c/p\u003e\n","\u003cp\u003eArrangement: Lot 1: The series are arranged chronologically, with the exception of series 5, which is arranged alphabetically by last name and chronologically within. Lot 2: Series 9 is arranged alphabetically by last name; the other series of Lot 2 have not been further arranged at this point.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Organization: Organized into 14 series. Lot 1 comprises series 1-7. Lot 2 comprises series 8-14. There is a certain overlap between some of the series of lot 1 and 2. Lot 2 is has not been processed beyond the Series arrangement. ","Series 1: Correspondence relating to the stage line; Series 2: Accounts and vouchers of the stage line; Series 3: Other papers relating to the stage line and the Richmond, Fredericksburg, and Potomac Railroad; Series 4: Correspondence of the Woolfolk family; Series 5: Papers of various persons, A-Z; Series 6: Other Papers; Series 7: Bound volumes; Series 8: Papers relating to the stage and mail service operated by members of the Woolfolk Family; Series 9: Papers relating to members of the Woolfolk Family, A-Z; Series 10: Papers relating to the estate of John Hoomes; Series 11: Subscription lists, invoices and receipts relative to the erection of Antioch Christian Church, Bowling Green, Virginia; Series 12: Records of the Caroline troop of cavalry, 1816-1820; Series 13: Newspapers; Series 14: Miscellaneous. ","Arrangement: Lot 1: The series are arranged chronologically, with the exception of series 5, which is arranged alphabetically by last name and chronologically within. Lot 2: Series 9 is arranged alphabetically by last name; the other series of Lot 2 have not been further arranged at this point."],"bioghist_html_tesm":["\u003cp\u003eThe Woolfolk family originally emigrated from Wales. John George Woolfolk (1750-1819) ran a stage line and had a contract to carry the mail. His sons Pichegru Woolfolk and Jourdan Woolfolk continued the stage line. Jourdan had a son, John William Woolfolk, among other children.\u003c/p\u003e"],"bioghist_heading_ssm":["Family History:"],"bioghist_tesim":["The Woolfolk family originally emigrated from Wales. John George Woolfolk (1750-1819) ran a stage line and had a contract to carry the mail. His sons Pichegru Woolfolk and Jourdan Woolfolk continued the stage line. Jourdan had a son, John William Woolfolk, among other children."],"odd_html_tesm":["\u003cp\u003eAdditional information may be found at http://ead.lib.virginia.edu/vivaxtf/view?docId=wm/viw00078.xml;query=woolfolk;brand=default\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Additional information may be found at http://ead.lib.virginia.edu/vivaxtf/view?docId=wm/viw00078.xml;query=woolfolk;brand=default"],"prefercite_html_tesm":["\u003cp\u003eWoolfolk Family Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Woolfolk Family Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eBox and folder list compiled by Patricia Senabria, SCRC staff,  in October 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Box and folder list compiled by Patricia Senabria, SCRC staff,  in October 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eJohn William Woolfolk Notebook (Mss. MsV Ad225).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["John William Woolfolk Notebook (Mss. MsV Ad225)."],"scopecontent_html_tesm":["\u003cp\u003ePapers of the Woolfolk family of Caroline County, Virginia including correspondence and accounts of John George Woolfolk, Jourdan Woolfolk, Pichegru Woolfolk and John William Woolfolk. The collection includes correspondence, accounts and vouchers for the stage line run by the Woolfolk family (Allen \u0026amp;  Woolfolk; Jourdan Woolfolk \u0026amp; Company; and Woolfolk \u0026amp;  Hoomes). Includes records of routes, rates, supplies, arrangements for layover of passengers and mail contracts of the Potomac Steamboat and Stage Company as well as papers concerning stock purchases in the Richmond, Fredericksburg, and Potomac Railroad. Also includes bound account books for the stage lines. Note: Includes letters written by James Lyons, Timothy Pickering, Robert Ryland and Benjamin Waller; letters of and accounts concerning members of the Maury family; and lists, 1829 and 1837, of vaccinated slaves. Lot 2 consists of about 6000 pieces of papers of the Woolfolk Family of Caroline County, Virginia, dated 1793-1876. There are financial records relating to the stage line and mail service, records relating to agricultural business, correspondence, insurance records, military records, records relating to the erection of Antioch Baptist Church, and copies of newspapers.\u003c/p\u003e","\u003cp\u003eAn article by Vera Palmer in the Richmond Times Dispatch concerning the Woolfolk family, the stage line, and Mulberry Place, the Woolfolk plantation in Caroline County, Virginia.\u003c/p\u003e","\u003cp\u003eThis file also contains letters relating to the carrying mails and to connections with the Fredericksburg and Potomac Steamship Company, and the Richmond, Fredericksburg, and Potomac Railroad.\u003c/p\u003e","\u003cp\u003eNote: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.\u003c/p\u003e","\u003cp\u003eNote: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.\u003c/p\u003e","\u003cp\u003eNote: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.\u003c/p\u003e","\u003cp\u003eNote: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.\u003c/p\u003e","\u003cp\u003eTrust deed to secure payment to John G. Woolfolk for the purchase of his interest in the stage line from Richmond to Norfolk and in the carrying of mail by that line, and from Osborns to Bermuda hundred.\u003c/p\u003e","\u003cp\u003eScope and Contents Agreement of Edwin Porter \u0026amp; Co., and Jourdan Woolfolk with NC Lipscomb concerning the boarding of stage drivers and passengers.\u003c/p\u003e","\u003cp\u003eScope and Contents Contract of Jourdan Woolfolk with the United States for carrying the mail from Bowling Green, Virginia, by Turner's Store, to White Chimneys, and back, twice a week.\u003c/p\u003e","\u003cp\u003eScope and Contents Contract of Jourdan Woolfolk with the United States for carrying the mail from Bowling Green, Virginia, by Turner's Store and White Chimneys, to Mahgohic, and back, twice a week.\u003c/p\u003e","\u003cp\u003eLists of subscribers to the Richmond and Potomac railroad survey whose subscriptions were returned by Jourdan Woolfolk.\u003c/p\u003e","\u003cp\u003ePapers relating to cash transactions of Jourdan Woolfolk with the Richmond, Fredericksburg and Potomac Railroad. Including several receipts for cash paid in purchase of stock.\u003c/p\u003e","\u003cp\u003eVouchers relating to payments for and dividens on stock in the Richmond, Fredericksburg, and Potomac Railroad purchased by Pichegru and John Woolfolk.\u003c/p\u003e","\u003cp\u003eEnclosure: Invoice for goods purchased of E. Andrews by John Hoomes for John G. Woolfolk.\u003c/p\u003e","\u003cp\u003eEnclosure: Certificate of redemption by Henry P. Brodnax for John Woolfolk of four tracts of land in Lincoln, Shelby, and Hardin Counties, Kentucky, which had been sold for taxes.\u003c/p\u003e","\u003cp\u003eNote: A receipt for money allowed Thomas Swann by the overseers of the poor appears on the same sheet.\u003c/p\u003e","\u003cp\u003eEnclosure: An account of James Covington with William W. Dickinson.\u003c/p\u003e","\u003cp\u003eContains accounts of the stage line.\u003c/p\u003e","\u003cp\u003eThe book contains also stage line accounts.\u003c/p\u003e","\u003cp\u003eThe estate of John G. Woolfolk in account with Jourdan Woolfolk, Hawes Coleman, and John M. Burke, administrators.\u003c/p\u003e","\u003cp\u003eThe book contains also blacksmith and grain accounts of Elizabeth P. Woolfolk, 1823-1825, and accounts of the estate of Elizabeth P. Woolfolk,\u003c/p\u003e","\u003cp\u003eThe book also contains personal accounts of Jourdan Woolfolk.\u003c/p\u003e","\u003cp\u003eThis book contains accounts of Jourdan Woolfolk as administrator, trustee and guardian, and accounts with the stage line.\u003c/p\u003e","\u003cp\u003eThe book contains also accounts of the estate of John G. Woolfolk and personal accounts of Jourdan Woolfolk.\u003c/p\u003e","\u003cp\u003eThe book contains also accounts of the estate of John G. Woolfolk with Jourdan Woolfolk and personal accounts of Jourdan Woolfolk.\u003c/p\u003e","\u003cp\u003eThe book contains also accounts of the estate of John G. Woolfolk with Jourdan Woolfolk and personal accounts of John G. Woolfolk.\u003c/p\u003e","\u003cp\u003eThe book contains also a few personal accounts of Jourdan Woolfolk.\u003c/p\u003e","\u003cp\u003eThe book contains also personal accounts of Jourdan Woolfolk.\u003c/p\u003e","\u003cp\u003eThe book contains also many personal accounts of Jourdan Woolfolk.\u003c/p\u003e","\u003cp\u003eThe book contains also personal accounts of Jourdan Woolfolk.\u003c/p\u003e","\u003cp\u003eScope and Contents The book contains also stage line accounts, 1827-1833, and post office department drafts received by J.W. Woolfolk \u0026amp; Co. for carrying mail, 1836-1847.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of the Woolfolk family of Caroline County, Virginia including correspondence and accounts of John George Woolfolk, Jourdan Woolfolk, Pichegru Woolfolk and John William Woolfolk. The collection includes correspondence, accounts and vouchers for the stage line run by the Woolfolk family (Allen \u0026  Woolfolk; Jourdan Woolfolk \u0026 Company; and Woolfolk \u0026  Hoomes). Includes records of routes, rates, supplies, arrangements for layover of passengers and mail contracts of the Potomac Steamboat and Stage Company as well as papers concerning stock purchases in the Richmond, Fredericksburg, and Potomac Railroad. Also includes bound account books for the stage lines. Note: Includes letters written by James Lyons, Timothy Pickering, Robert Ryland and Benjamin Waller; letters of and accounts concerning members of the Maury family; and lists, 1829 and 1837, of vaccinated slaves. Lot 2 consists of about 6000 pieces of papers of the Woolfolk Family of Caroline County, Virginia, dated 1793-1876. There are financial records relating to the stage line and mail service, records relating to agricultural business, correspondence, insurance records, military records, records relating to the erection of Antioch Baptist Church, and copies of newspapers.","An article by Vera Palmer in the Richmond Times Dispatch concerning the Woolfolk family, the stage line, and Mulberry Place, the Woolfolk plantation in Caroline County, Virginia.","This file also contains letters relating to the carrying mails and to connections with the Fredericksburg and Potomac Steamship Company, and the Richmond, Fredericksburg, and Potomac Railroad.","Note: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.","Note: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.","Note: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.","Note: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.","Trust deed to secure payment to John G. Woolfolk for the purchase of his interest in the stage line from Richmond to Norfolk and in the carrying of mail by that line, and from Osborns to Bermuda hundred.","Scope and Contents Agreement of Edwin Porter \u0026 Co., and Jourdan Woolfolk with NC Lipscomb concerning the boarding of stage drivers and passengers.","Scope and Contents Contract of Jourdan Woolfolk with the United States for carrying the mail from Bowling Green, Virginia, by Turner's Store, to White Chimneys, and back, twice a week.","Scope and Contents Contract of Jourdan Woolfolk with the United States for carrying the mail from Bowling Green, Virginia, by Turner's Store and White Chimneys, to Mahgohic, and back, twice a week.","Lists of subscribers to the Richmond and Potomac railroad survey whose subscriptions were returned by Jourdan Woolfolk.","Papers relating to cash transactions of Jourdan Woolfolk with the Richmond, Fredericksburg and Potomac Railroad. Including several receipts for cash paid in purchase of stock.","Vouchers relating to payments for and dividens on stock in the Richmond, Fredericksburg, and Potomac Railroad purchased by Pichegru and John Woolfolk.","Enclosure: Invoice for goods purchased of E. Andrews by John Hoomes for John G. Woolfolk.","Enclosure: Certificate of redemption by Henry P. Brodnax for John Woolfolk of four tracts of land in Lincoln, Shelby, and Hardin Counties, Kentucky, which had been sold for taxes.","Note: A receipt for money allowed Thomas Swann by the overseers of the poor appears on the same sheet.","Enclosure: An account of James Covington with William W. Dickinson.","Contains accounts of the stage line.","The book contains also stage line accounts.","The estate of John G. Woolfolk in account with Jourdan Woolfolk, Hawes Coleman, and John M. Burke, administrators.","The book contains also blacksmith and grain accounts of Elizabeth P. Woolfolk, 1823-1825, and accounts of the estate of Elizabeth P. Woolfolk,","The book also contains personal accounts of Jourdan Woolfolk.","This book contains accounts of Jourdan Woolfolk as administrator, trustee and guardian, and accounts with the stage line.","The book contains also accounts of the estate of John G. Woolfolk and personal accounts of Jourdan Woolfolk.","The book contains also accounts of the estate of John G. Woolfolk with Jourdan Woolfolk and personal accounts of Jourdan Woolfolk.","The book contains also accounts of the estate of John G. Woolfolk with Jourdan Woolfolk and personal accounts of John G. Woolfolk.","The book contains also a few personal accounts of Jourdan Woolfolk.","The book contains also personal accounts of Jourdan Woolfolk.","The book contains also many personal accounts of Jourdan Woolfolk.","The book contains also personal accounts of Jourdan Woolfolk.","Scope and Contents The book contains also stage line accounts, 1827-1833, and post office department drafts received by J.W. Woolfolk \u0026 Co. for carrying mail, 1836-1847."],"names_coll_ssim":["Potomac Steamboat and Stage Company","Maury family","Woolfolk family"],"names_ssim":["Special Collections Research Center","Potomac Steamboat and Stage Company","Woolfolk Family","Maury family","Woolfolk family","Pickering, Timothy, 1745-1829","Ryland, Robert, 1805-1899","Waller, Benjamin","Woolfolk, John George, 1750-1819","Woolfolk, John William","Woolfolk, Jourdan, b. 1796","Woolfolk, Pichegru"],"corpname_ssim":["Special Collections Research Center","Potomac Steamboat and Stage Company"],"famname_ssim":["Woolfolk Family","Maury family","Woolfolk family"],"persname_ssim":["Pickering, Timothy, 1745-1829","Ryland, Robert, 1805-1899","Waller, Benjamin","Woolfolk, John George, 1750-1819","Woolfolk, John William","Woolfolk, Jourdan, b. 1796","Woolfolk, Pichegru"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":134,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T08:38:05.169Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8490","ead_ssi":"viw_repositories_2_resources_8490","_root_":"viw_repositories_2_resources_8490","_nest_parent_":"viw_repositories_2_resources_8490","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8490.xml","title_filing_ssi":"Woolfolk Family Papers","title_ssm":["Woolfolk Family Papers"],"title_tesim":["Woolfolk Family Papers"],"unitdate_ssm":["1775-1893"],"unitdate_inclusive_ssm":["1775-1893"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 39.1 W88","/repositories/2/resources/8490"],"text":["Mss. 39.1 W88","/repositories/2/resources/8490","Woolfolk Family Papers","Caroline County (Va.)--History--18th century","Caroline County (Va.)--History--19th century","Coaching--United States--History--19th century","Postal service--United States--History","Richmond, Fredericksburg, and Potomac Railroad","Slavery--Virginia--History--19th century","Transportation--Virginia","Correspondence","Financial records","Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Organization: Organized into 14 series. Lot 1 comprises series 1-7. Lot 2 comprises series 8-14. There is a certain overlap between some of the series of lot 1 and 2. Lot 2 is has not been processed beyond the Series arrangement. ","Series 1: Correspondence relating to the stage line; Series 2: Accounts and vouchers of the stage line; Series 3: Other papers relating to the stage line and the Richmond, Fredericksburg, and Potomac Railroad; Series 4: Correspondence of the Woolfolk family; Series 5: Papers of various persons, A-Z; Series 6: Other Papers; Series 7: Bound volumes; Series 8: Papers relating to the stage and mail service operated by members of the Woolfolk Family; Series 9: Papers relating to members of the Woolfolk Family, A-Z; Series 10: Papers relating to the estate of John Hoomes; Series 11: Subscription lists, invoices and receipts relative to the erection of Antioch Christian Church, Bowling Green, Virginia; Series 12: Records of the Caroline troop of cavalry, 1816-1820; Series 13: Newspapers; Series 14: Miscellaneous. ","Arrangement: Lot 1: The series are arranged chronologically, with the exception of series 5, which is arranged alphabetically by last name and chronologically within. Lot 2: Series 9 is arranged alphabetically by last name; the other series of Lot 2 have not been further arranged at this point.","The Woolfolk family originally emigrated from Wales. John George Woolfolk (1750-1819) ran a stage line and had a contract to carry the mail. His sons Pichegru Woolfolk and Jourdan Woolfolk continued the stage line. Jourdan had a son, John William Woolfolk, among other children.","Additional information may be found at http://ead.lib.virginia.edu/vivaxtf/view?docId=wm/viw00078.xml;query=woolfolk;brand=default","Box and folder list compiled by Patricia Senabria, SCRC staff,  in October 2011.","John William Woolfolk Notebook (Mss. MsV Ad225).","Papers of the Woolfolk family of Caroline County, Virginia including correspondence and accounts of John George Woolfolk, Jourdan Woolfolk, Pichegru Woolfolk and John William Woolfolk. The collection includes correspondence, accounts and vouchers for the stage line run by the Woolfolk family (Allen \u0026  Woolfolk; Jourdan Woolfolk \u0026 Company; and Woolfolk \u0026  Hoomes). Includes records of routes, rates, supplies, arrangements for layover of passengers and mail contracts of the Potomac Steamboat and Stage Company as well as papers concerning stock purchases in the Richmond, Fredericksburg, and Potomac Railroad. Also includes bound account books for the stage lines. Note: Includes letters written by James Lyons, Timothy Pickering, Robert Ryland and Benjamin Waller; letters of and accounts concerning members of the Maury family; and lists, 1829 and 1837, of vaccinated slaves. Lot 2 consists of about 6000 pieces of papers of the Woolfolk Family of Caroline County, Virginia, dated 1793-1876. There are financial records relating to the stage line and mail service, records relating to agricultural business, correspondence, insurance records, military records, records relating to the erection of Antioch Baptist Church, and copies of newspapers.","An article by Vera Palmer in the Richmond Times Dispatch concerning the Woolfolk family, the stage line, and Mulberry Place, the Woolfolk plantation in Caroline County, Virginia.","This file also contains letters relating to the carrying mails and to connections with the Fredericksburg and Potomac Steamship Company, and the Richmond, Fredericksburg, and Potomac Railroad.","Note: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.","Note: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.","Note: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.","Note: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.","Trust deed to secure payment to John G. Woolfolk for the purchase of his interest in the stage line from Richmond to Norfolk and in the carrying of mail by that line, and from Osborns to Bermuda hundred.","Scope and Contents Agreement of Edwin Porter \u0026 Co., and Jourdan Woolfolk with NC Lipscomb concerning the boarding of stage drivers and passengers.","Scope and Contents Contract of Jourdan Woolfolk with the United States for carrying the mail from Bowling Green, Virginia, by Turner's Store, to White Chimneys, and back, twice a week.","Scope and Contents Contract of Jourdan Woolfolk with the United States for carrying the mail from Bowling Green, Virginia, by Turner's Store and White Chimneys, to Mahgohic, and back, twice a week.","Lists of subscribers to the Richmond and Potomac railroad survey whose subscriptions were returned by Jourdan Woolfolk.","Papers relating to cash transactions of Jourdan Woolfolk with the Richmond, Fredericksburg and Potomac Railroad. Including several receipts for cash paid in purchase of stock.","Vouchers relating to payments for and dividens on stock in the Richmond, Fredericksburg, and Potomac Railroad purchased by Pichegru and John Woolfolk.","Enclosure: Invoice for goods purchased of E. Andrews by John Hoomes for John G. Woolfolk.","Enclosure: Certificate of redemption by Henry P. Brodnax for John Woolfolk of four tracts of land in Lincoln, Shelby, and Hardin Counties, Kentucky, which had been sold for taxes.","Note: A receipt for money allowed Thomas Swann by the overseers of the poor appears on the same sheet.","Enclosure: An account of James Covington with William W. Dickinson.","Contains accounts of the stage line.","The book contains also stage line accounts.","The estate of John G. Woolfolk in account with Jourdan Woolfolk, Hawes Coleman, and John M. Burke, administrators.","The book contains also blacksmith and grain accounts of Elizabeth P. Woolfolk, 1823-1825, and accounts of the estate of Elizabeth P. Woolfolk,","The book also contains personal accounts of Jourdan Woolfolk.","This book contains accounts of Jourdan Woolfolk as administrator, trustee and guardian, and accounts with the stage line.","The book contains also accounts of the estate of John G. Woolfolk and personal accounts of Jourdan Woolfolk.","The book contains also accounts of the estate of John G. Woolfolk with Jourdan Woolfolk and personal accounts of Jourdan Woolfolk.","The book contains also accounts of the estate of John G. Woolfolk with Jourdan Woolfolk and personal accounts of John G. Woolfolk.","The book contains also a few personal accounts of Jourdan Woolfolk.","The book contains also personal accounts of Jourdan Woolfolk.","The book contains also many personal accounts of Jourdan Woolfolk.","The book contains also personal accounts of Jourdan Woolfolk.","Scope and Contents The book contains also stage line accounts, 1827-1833, and post office department drafts received by J.W. Woolfolk \u0026 Co. for carrying mail, 1836-1847.","Special Collections Research Center","Potomac Steamboat and Stage Company","Woolfolk Family","Maury family","Woolfolk family","Pickering, Timothy, 1745-1829","Ryland, Robert, 1805-1899","Waller, Benjamin","Woolfolk, John George, 1750-1819","Woolfolk, John William","Woolfolk, Jourdan, b. 1796","Woolfolk, Pichegru","English"],"unitid_tesim":["Mss. 39.1 W88","/repositories/2/resources/8490"],"normalized_title_ssm":["Woolfolk Family Papers"],"collection_title_tesim":["Woolfolk Family Papers"],"collection_ssim":["Woolfolk Family Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Caroline County (Va.)--History--18th century","Caroline County (Va.)--History--19th century"],"geogname_ssim":["Caroline County (Va.)--History--18th century","Caroline County (Va.)--History--19th century"],"creator_ssm":["Woolfolk Family","Pickering, Timothy, 1745-1829","Ryland, Robert, 1805-1899","Waller, Benjamin","Woolfolk, John George, 1750-1819","Woolfolk, John William","Woolfolk, Jourdan, b. 1796","Woolfolk, Pichegru"],"creator_ssim":["Woolfolk Family","Pickering, Timothy, 1745-1829","Ryland, Robert, 1805-1899","Waller, Benjamin","Woolfolk, John George, 1750-1819","Woolfolk, John William","Woolfolk, Jourdan, b. 1796","Woolfolk, Pichegru"],"creator_persname_ssim":["Pickering, Timothy, 1745-1829","Ryland, Robert, 1805-1899","Waller, Benjamin","Woolfolk, John George, 1750-1819","Woolfolk, John William","Woolfolk, Jourdan, b. 1796","Woolfolk, Pichegru"],"creator_famname_ssim":["Woolfolk Family"],"creators_ssim":["Pickering, Timothy, 1745-1829","Ryland, Robert, 1805-1899","Waller, Benjamin","Woolfolk, John George, 1750-1819","Woolfolk, John William","Woolfolk, Jourdan, b. 1796","Woolfolk, Pichegru","Woolfolk Family"],"places_ssim":["Caroline County (Va.)--History--18th century","Caroline County (Va.)--History--19th century"],"acqinfo_ssim":["Gift: 3,980 items, November 5, 1937. Gift: 6,000 items, June 27, 1939."],"access_subjects_ssim":["Coaching--United States--History--19th century","Postal service--United States--History","Richmond, Fredericksburg, and Potomac Railroad","Slavery--Virginia--History--19th century","Transportation--Virginia","Correspondence","Financial records"],"access_subjects_ssm":["Coaching--United States--History--19th century","Postal service--United States--History","Richmond, Fredericksburg, and Potomac Railroad","Slavery--Virginia--History--19th century","Transportation--Virginia","Correspondence","Financial records"],"has_online_content_ssim":["false"],"extent_ssm":["10.5 Linear Feet"],"extent_tesim":["10.5 Linear Feet"],"genreform_ssim":["Correspondence","Financial records"],"date_range_isim":[1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eOrganization: Organized into 14 series. Lot 1 comprises series 1-7. Lot 2 comprises series 8-14. There is a certain overlap between some of the series of lot 1 and 2. Lot 2 is has not been processed beyond the Series arrangement. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence relating to the stage line; Series 2: Accounts and vouchers of the stage line; Series 3: Other papers relating to the stage line and the Richmond, Fredericksburg, and Potomac Railroad; Series 4: Correspondence of the Woolfolk family; Series 5: Papers of various persons, A-Z; Series 6: Other Papers; Series 7: Bound volumes; Series 8: Papers relating to the stage and mail service operated by members of the Woolfolk Family; Series 9: Papers relating to members of the Woolfolk Family, A-Z; Series 10: Papers relating to the estate of John Hoomes; Series 11: Subscription lists, invoices and receipts relative to the erection of Antioch Christian Church, Bowling Green, Virginia; Series 12: Records of the Caroline troop of cavalry, 1816-1820; Series 13: Newspapers; Series 14: Miscellaneous. \u003c/p\u003e\n","\u003cp\u003eArrangement: Lot 1: The series are arranged chronologically, with the exception of series 5, which is arranged alphabetically by last name and chronologically within. Lot 2: Series 9 is arranged alphabetically by last name; the other series of Lot 2 have not been further arranged at this point.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Organization: Organized into 14 series. Lot 1 comprises series 1-7. Lot 2 comprises series 8-14. There is a certain overlap between some of the series of lot 1 and 2. Lot 2 is has not been processed beyond the Series arrangement. ","Series 1: Correspondence relating to the stage line; Series 2: Accounts and vouchers of the stage line; Series 3: Other papers relating to the stage line and the Richmond, Fredericksburg, and Potomac Railroad; Series 4: Correspondence of the Woolfolk family; Series 5: Papers of various persons, A-Z; Series 6: Other Papers; Series 7: Bound volumes; Series 8: Papers relating to the stage and mail service operated by members of the Woolfolk Family; Series 9: Papers relating to members of the Woolfolk Family, A-Z; Series 10: Papers relating to the estate of John Hoomes; Series 11: Subscription lists, invoices and receipts relative to the erection of Antioch Christian Church, Bowling Green, Virginia; Series 12: Records of the Caroline troop of cavalry, 1816-1820; Series 13: Newspapers; Series 14: Miscellaneous. ","Arrangement: Lot 1: The series are arranged chronologically, with the exception of series 5, which is arranged alphabetically by last name and chronologically within. Lot 2: Series 9 is arranged alphabetically by last name; the other series of Lot 2 have not been further arranged at this point."],"bioghist_html_tesm":["\u003cp\u003eThe Woolfolk family originally emigrated from Wales. John George Woolfolk (1750-1819) ran a stage line and had a contract to carry the mail. His sons Pichegru Woolfolk and Jourdan Woolfolk continued the stage line. Jourdan had a son, John William Woolfolk, among other children.\u003c/p\u003e"],"bioghist_heading_ssm":["Family History:"],"bioghist_tesim":["The Woolfolk family originally emigrated from Wales. John George Woolfolk (1750-1819) ran a stage line and had a contract to carry the mail. His sons Pichegru Woolfolk and Jourdan Woolfolk continued the stage line. Jourdan had a son, John William Woolfolk, among other children."],"odd_html_tesm":["\u003cp\u003eAdditional information may be found at http://ead.lib.virginia.edu/vivaxtf/view?docId=wm/viw00078.xml;query=woolfolk;brand=default\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Additional information may be found at http://ead.lib.virginia.edu/vivaxtf/view?docId=wm/viw00078.xml;query=woolfolk;brand=default"],"prefercite_html_tesm":["\u003cp\u003eWoolfolk Family Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Woolfolk Family Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eBox and folder list compiled by Patricia Senabria, SCRC staff,  in October 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Box and folder list compiled by Patricia Senabria, SCRC staff,  in October 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eJohn William Woolfolk Notebook (Mss. MsV Ad225).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["John William Woolfolk Notebook (Mss. MsV Ad225)."],"scopecontent_html_tesm":["\u003cp\u003ePapers of the Woolfolk family of Caroline County, Virginia including correspondence and accounts of John George Woolfolk, Jourdan Woolfolk, Pichegru Woolfolk and John William Woolfolk. The collection includes correspondence, accounts and vouchers for the stage line run by the Woolfolk family (Allen \u0026amp;  Woolfolk; Jourdan Woolfolk \u0026amp; Company; and Woolfolk \u0026amp;  Hoomes). Includes records of routes, rates, supplies, arrangements for layover of passengers and mail contracts of the Potomac Steamboat and Stage Company as well as papers concerning stock purchases in the Richmond, Fredericksburg, and Potomac Railroad. Also includes bound account books for the stage lines. Note: Includes letters written by James Lyons, Timothy Pickering, Robert Ryland and Benjamin Waller; letters of and accounts concerning members of the Maury family; and lists, 1829 and 1837, of vaccinated slaves. Lot 2 consists of about 6000 pieces of papers of the Woolfolk Family of Caroline County, Virginia, dated 1793-1876. There are financial records relating to the stage line and mail service, records relating to agricultural business, correspondence, insurance records, military records, records relating to the erection of Antioch Baptist Church, and copies of newspapers.\u003c/p\u003e","\u003cp\u003eAn article by Vera Palmer in the Richmond Times Dispatch concerning the Woolfolk family, the stage line, and Mulberry Place, the Woolfolk plantation in Caroline County, Virginia.\u003c/p\u003e","\u003cp\u003eThis file also contains letters relating to the carrying mails and to connections with the Fredericksburg and Potomac Steamship Company, and the Richmond, Fredericksburg, and Potomac Railroad.\u003c/p\u003e","\u003cp\u003eNote: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.\u003c/p\u003e","\u003cp\u003eNote: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.\u003c/p\u003e","\u003cp\u003eNote: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.\u003c/p\u003e","\u003cp\u003eNote: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.\u003c/p\u003e","\u003cp\u003eTrust deed to secure payment to John G. Woolfolk for the purchase of his interest in the stage line from Richmond to Norfolk and in the carrying of mail by that line, and from Osborns to Bermuda hundred.\u003c/p\u003e","\u003cp\u003eScope and Contents Agreement of Edwin Porter \u0026amp; Co., and Jourdan Woolfolk with NC Lipscomb concerning the boarding of stage drivers and passengers.\u003c/p\u003e","\u003cp\u003eScope and Contents Contract of Jourdan Woolfolk with the United States for carrying the mail from Bowling Green, Virginia, by Turner's Store, to White Chimneys, and back, twice a week.\u003c/p\u003e","\u003cp\u003eScope and Contents Contract of Jourdan Woolfolk with the United States for carrying the mail from Bowling Green, Virginia, by Turner's Store and White Chimneys, to Mahgohic, and back, twice a week.\u003c/p\u003e","\u003cp\u003eLists of subscribers to the Richmond and Potomac railroad survey whose subscriptions were returned by Jourdan Woolfolk.\u003c/p\u003e","\u003cp\u003ePapers relating to cash transactions of Jourdan Woolfolk with the Richmond, Fredericksburg and Potomac Railroad. Including several receipts for cash paid in purchase of stock.\u003c/p\u003e","\u003cp\u003eVouchers relating to payments for and dividens on stock in the Richmond, Fredericksburg, and Potomac Railroad purchased by Pichegru and John Woolfolk.\u003c/p\u003e","\u003cp\u003eEnclosure: Invoice for goods purchased of E. Andrews by John Hoomes for John G. Woolfolk.\u003c/p\u003e","\u003cp\u003eEnclosure: Certificate of redemption by Henry P. Brodnax for John Woolfolk of four tracts of land in Lincoln, Shelby, and Hardin Counties, Kentucky, which had been sold for taxes.\u003c/p\u003e","\u003cp\u003eNote: A receipt for money allowed Thomas Swann by the overseers of the poor appears on the same sheet.\u003c/p\u003e","\u003cp\u003eEnclosure: An account of James Covington with William W. Dickinson.\u003c/p\u003e","\u003cp\u003eContains accounts of the stage line.\u003c/p\u003e","\u003cp\u003eThe book contains also stage line accounts.\u003c/p\u003e","\u003cp\u003eThe estate of John G. Woolfolk in account with Jourdan Woolfolk, Hawes Coleman, and John M. Burke, administrators.\u003c/p\u003e","\u003cp\u003eThe book contains also blacksmith and grain accounts of Elizabeth P. Woolfolk, 1823-1825, and accounts of the estate of Elizabeth P. Woolfolk,\u003c/p\u003e","\u003cp\u003eThe book also contains personal accounts of Jourdan Woolfolk.\u003c/p\u003e","\u003cp\u003eThis book contains accounts of Jourdan Woolfolk as administrator, trustee and guardian, and accounts with the stage line.\u003c/p\u003e","\u003cp\u003eThe book contains also accounts of the estate of John G. Woolfolk and personal accounts of Jourdan Woolfolk.\u003c/p\u003e","\u003cp\u003eThe book contains also accounts of the estate of John G. Woolfolk with Jourdan Woolfolk and personal accounts of Jourdan Woolfolk.\u003c/p\u003e","\u003cp\u003eThe book contains also accounts of the estate of John G. Woolfolk with Jourdan Woolfolk and personal accounts of John G. Woolfolk.\u003c/p\u003e","\u003cp\u003eThe book contains also a few personal accounts of Jourdan Woolfolk.\u003c/p\u003e","\u003cp\u003eThe book contains also personal accounts of Jourdan Woolfolk.\u003c/p\u003e","\u003cp\u003eThe book contains also many personal accounts of Jourdan Woolfolk.\u003c/p\u003e","\u003cp\u003eThe book contains also personal accounts of Jourdan Woolfolk.\u003c/p\u003e","\u003cp\u003eScope and Contents The book contains also stage line accounts, 1827-1833, and post office department drafts received by J.W. Woolfolk \u0026amp; Co. for carrying mail, 1836-1847.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of the Woolfolk family of Caroline County, Virginia including correspondence and accounts of John George Woolfolk, Jourdan Woolfolk, Pichegru Woolfolk and John William Woolfolk. The collection includes correspondence, accounts and vouchers for the stage line run by the Woolfolk family (Allen \u0026  Woolfolk; Jourdan Woolfolk \u0026 Company; and Woolfolk \u0026  Hoomes). Includes records of routes, rates, supplies, arrangements for layover of passengers and mail contracts of the Potomac Steamboat and Stage Company as well as papers concerning stock purchases in the Richmond, Fredericksburg, and Potomac Railroad. Also includes bound account books for the stage lines. Note: Includes letters written by James Lyons, Timothy Pickering, Robert Ryland and Benjamin Waller; letters of and accounts concerning members of the Maury family; and lists, 1829 and 1837, of vaccinated slaves. Lot 2 consists of about 6000 pieces of papers of the Woolfolk Family of Caroline County, Virginia, dated 1793-1876. There are financial records relating to the stage line and mail service, records relating to agricultural business, correspondence, insurance records, military records, records relating to the erection of Antioch Baptist Church, and copies of newspapers.","An article by Vera Palmer in the Richmond Times Dispatch concerning the Woolfolk family, the stage line, and Mulberry Place, the Woolfolk plantation in Caroline County, Virginia.","This file also contains letters relating to the carrying mails and to connections with the Fredericksburg and Potomac Steamship Company, and the Richmond, Fredericksburg, and Potomac Railroad.","Note: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.","Note: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.","Note: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.","Note: This file contains also accounts of the Potomac carrying of mail. All the accounts after 1840 pertain to the carrying of mail. See also Bound Volumes.","Trust deed to secure payment to John G. Woolfolk for the purchase of his interest in the stage line from Richmond to Norfolk and in the carrying of mail by that line, and from Osborns to Bermuda hundred.","Scope and Contents Agreement of Edwin Porter \u0026 Co., and Jourdan Woolfolk with NC Lipscomb concerning the boarding of stage drivers and passengers.","Scope and Contents Contract of Jourdan Woolfolk with the United States for carrying the mail from Bowling Green, Virginia, by Turner's Store, to White Chimneys, and back, twice a week.","Scope and Contents Contract of Jourdan Woolfolk with the United States for carrying the mail from Bowling Green, Virginia, by Turner's Store and White Chimneys, to Mahgohic, and back, twice a week.","Lists of subscribers to the Richmond and Potomac railroad survey whose subscriptions were returned by Jourdan Woolfolk.","Papers relating to cash transactions of Jourdan Woolfolk with the Richmond, Fredericksburg and Potomac Railroad. Including several receipts for cash paid in purchase of stock.","Vouchers relating to payments for and dividens on stock in the Richmond, Fredericksburg, and Potomac Railroad purchased by Pichegru and John Woolfolk.","Enclosure: Invoice for goods purchased of E. Andrews by John Hoomes for John G. Woolfolk.","Enclosure: Certificate of redemption by Henry P. Brodnax for John Woolfolk of four tracts of land in Lincoln, Shelby, and Hardin Counties, Kentucky, which had been sold for taxes.","Note: A receipt for money allowed Thomas Swann by the overseers of the poor appears on the same sheet.","Enclosure: An account of James Covington with William W. Dickinson.","Contains accounts of the stage line.","The book contains also stage line accounts.","The estate of John G. Woolfolk in account with Jourdan Woolfolk, Hawes Coleman, and John M. Burke, administrators.","The book contains also blacksmith and grain accounts of Elizabeth P. Woolfolk, 1823-1825, and accounts of the estate of Elizabeth P. Woolfolk,","The book also contains personal accounts of Jourdan Woolfolk.","This book contains accounts of Jourdan Woolfolk as administrator, trustee and guardian, and accounts with the stage line.","The book contains also accounts of the estate of John G. Woolfolk and personal accounts of Jourdan Woolfolk.","The book contains also accounts of the estate of John G. Woolfolk with Jourdan Woolfolk and personal accounts of Jourdan Woolfolk.","The book contains also accounts of the estate of John G. Woolfolk with Jourdan Woolfolk and personal accounts of John G. Woolfolk.","The book contains also a few personal accounts of Jourdan Woolfolk.","The book contains also personal accounts of Jourdan Woolfolk.","The book contains also many personal accounts of Jourdan Woolfolk.","The book contains also personal accounts of Jourdan Woolfolk.","Scope and Contents The book contains also stage line accounts, 1827-1833, and post office department drafts received by J.W. Woolfolk \u0026 Co. for carrying mail, 1836-1847."],"names_coll_ssim":["Potomac Steamboat and Stage Company","Maury family","Woolfolk family"],"names_ssim":["Special Collections Research Center","Potomac Steamboat and Stage Company","Woolfolk Family","Maury family","Woolfolk family","Pickering, Timothy, 1745-1829","Ryland, Robert, 1805-1899","Waller, Benjamin","Woolfolk, John George, 1750-1819","Woolfolk, John William","Woolfolk, Jourdan, b. 1796","Woolfolk, Pichegru"],"corpname_ssim":["Special Collections Research Center","Potomac Steamboat and Stage Company"],"famname_ssim":["Woolfolk Family","Maury family","Woolfolk family"],"persname_ssim":["Pickering, Timothy, 1745-1829","Ryland, Robert, 1805-1899","Waller, Benjamin","Woolfolk, John George, 1750-1819","Woolfolk, John William","Woolfolk, Jourdan, b. 1796","Woolfolk, Pichegru"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":134,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T08:38:05.169Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8490"}},{"id":"vaallhs_repositories_2_resources_128_c10_c04","type":"File","attributes":{"title":"Working Catalog","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vaallhs_repositories_2_resources_128_c10_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis catalog contains a relisting of the contents of the 1815 catalog and supplement sorted by the first letter of the alphabet with pamphlets listed separately as well as books added between April 1833 and the suspension of library operations after 1848 listed by subject. Although its initial form was compiled by George Drinker some time earlier, it does not appear to gone into effect until sometime after 1834 where there is a gap in circulation records. Because the numbering up to 1,725 remained the same, earlier print catalogs can also be employed for those number for the period from 1815-1848 even though this catalog alone can be used for the numbers 1,726-1,793 during that period.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vaallhs_repositories_2_resources_128_c10_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_128_c10_c04","ref_ssm":["vaallhs_repositories_2_resources_128_c10_c04"],"id":"vaallhs_repositories_2_resources_128_c10_c04","ead_ssi":"vaallhs_repositories_2_resources_128","_root_":"vaallhs_repositories_2_resources_128","_nest_parent_":"vaallhs_repositories_2_resources_128_c10","parent_ssi":"vaallhs_repositories_2_resources_128_c10","parent_ssim":["vaallhs_repositories_2_resources_128","vaallhs_repositories_2_resources_128_c10"],"parent_ids_ssim":["vaallhs_repositories_2_resources_128","vaallhs_repositories_2_resources_128_c10"],"parent_unittitles_ssm":["Alexandria Library Company Records (MS002)","Series X: Catalogs"],"parent_unittitles_tesim":["Alexandria Library Company Records (MS002)","Series X: Catalogs"],"text":["Alexandria Library Company Records (MS002)","Series X: Catalogs","Working Catalog","English","box 09","folder 104","History #1-122 -Ecclesiastical History Biography #1-145 Voyages and Travels #1-213 Theology #1-113 Lexicography [crossed out] #1-6 Periodicals #1-31 Novels and Romances #1-350","As well as the unnumbered subjects: ","Poetry, Belles Letters and the Drama Lexicography, Statistics and Encyclopedia Chemistry, Minerology, Surgery, and Materia Medica Periodicals, Philosophy, and Miscellaneous and General Science Law, Oratory of the Bar, and Military and Political Journals","This volume was difficult to date, for while an inscription makes clear that the book itself was in possession of the library by the end of March 1830, it does not make clear that it was being applied to its intended purpose. It contains a calendar suggesting 1833-1834, but books go until at least 1841 and perhaps 1844, and publication date can differ greatly from acquisition date. Circulation records also show that while created earlier, it was not yet the primary catalog by 1834, and due to gaps in the records we can only demonstrate that the subject system was in use between 1841 and 1848. Although Drinker's name is everywhere, his long service as librarian prevents this information from being particularly useful. In light of all this, it was given a recordkeeping date of 1830-1848, indicating that the collection was documented and it could have been used by librarians during that period, new books were recorded there covering this period, even though the period of active use may have begun at a later, unknown date.","This catalog contains a relisting of the contents of the 1815 catalog and supplement sorted by the first letter of the alphabet with pamphlets listed separately as well as books added between April 1833 and the suspension of library operations after 1848 listed by subject. Although its initial form was compiled by George Drinker some time earlier, it does not appear to gone into effect until sometime after 1834 where there is a gap in circulation records. Because the numbering up to 1,725 remained the same, earlier print catalogs can also be employed for those number for the period from 1815-1848 even though this catalog alone can be used for the numbers 1,726-1,793 during that period.","\nAdditions beyond 1,793 are only usable for the period 1841-1848, because they were relisted here under a combined subject/numbering system after being originally cataloged differently up to around 1,825. The later rearrangement left no record of how those 30 or so numbers should be understood during the period before 1834.","\nThese later additions occupy the latter sections which include materials published from the late-1830s and early 1840s. Other indications of the ongoing nature of the listings include the blank entry for #351 at the end of Novels and Romances and the blank page with the heading \"Biography\" following the rest of that section.","\nThe third, and final section, is the \"List of Books from the Reading Room.\" These are dated 1840-1841, and consist almost entirely of new additions to the periodicals with a few exceptions, chiefly among the first few entries. This suggests that the page may not have been used for its original purpose.","\nThe title/subject organization of the latter part of the catalog is helpful in understanding acquisition priorities during the late-1830s and the Lyceum period of the 1840s.","\nThe inside cover contains a calendar for 1833 going through February 1834, with the Thursdays closest to the middle of each month marked (none are the dates of official meetings). There is also a 29 March 1830 inscription by Drinker, Treasurer, authorizing James Dunlap in financial matters while he is librarian, which may predate the decision to use the book as a catalog. Drinker may have done the first 1,725 entries at that time in preparation for the publication of the 1815 supplement."],"title_filing_ssi":"Working Catalog","title_ssm":["Working Catalog"],"title_tesim":["Working Catalog"],"unitdate_inclusive_ssm":["Circa 1830-1848"],"normalized_date_ssm":["1830/1848"],"normalized_title_ssm":["Working Catalog"],"component_level_isim":[2],"repository_ssim":["Alexandria Library"],"collection_ssim":["Alexandria Library Company Records (MS002)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":119,"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848],"language_ssim":["English"],"containers_ssim":["box 09","folder 104"],"arrangement_html_tesm":["\u003cul\u003e\n\u003cli\u003eHistory #1-122\u003c/li\u003e\n\u003cul\u003e\n\u003cli\u003e-Ecclesiastical History\u003c/li\u003e\n\u003c/ul\u003e \n\u003cli\u003eBiography #1-145\u003c/li\u003e\n\u003cli\u003eVoyages and Travels #1-213\u003c/li\u003e\n\u003cli\u003eTheology #1-113\u003c/li\u003e\n\u003cli\u003eLexicography [crossed out] #1-6\u003c/li\u003e\n\u003cli\u003ePeriodicals #1-31\u003c/li\u003e\n\u003cli\u003eNovels and Romances #1-350\u003c/li\u003e\n\u003c/ul\u003e","\u003cp\u003eAs well as the unnumbered subjects: \u003c/p\u003e","\u003cul\u003e\n\n\u003cli\u003ePoetry, Belles Letters and the Drama\u003c/li\u003e\n\n\u003cli\u003eLexicography, Statistics and Encyclopedia\u003c/li\u003e\n\n\u003cli\u003eChemistry, Minerology, Surgery, and Materia Medica\u003c/li\u003e\n\n\u003cli\u003ePeriodicals, Philosophy, and Miscellaneous and General Science\u003c/li\u003e\n\n\u003cli\u003eLaw, Oratory of the Bar, and Military and Political Journals\u003c/li\u003e\n\u003c/ul\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["History #1-122 -Ecclesiastical History Biography #1-145 Voyages and Travels #1-213 Theology #1-113 Lexicography [crossed out] #1-6 Periodicals #1-31 Novels and Romances #1-350","As well as the unnumbered subjects: ","Poetry, Belles Letters and the Drama Lexicography, Statistics and Encyclopedia Chemistry, Minerology, Surgery, and Materia Medica Periodicals, Philosophy, and Miscellaneous and General Science Law, Oratory of the Bar, and Military and Political Journals"],"processinfo_html_tesm":["\u003cp\u003eThis volume was difficult to date, for while an inscription makes clear that the book itself was in possession of the library by the end of March 1830, it does not make clear that it was being applied to its intended purpose. It contains a calendar suggesting 1833-1834, but books go until at least 1841 and perhaps 1844, and publication date can differ greatly from acquisition date. Circulation records also show that while created earlier, it was not yet the primary catalog by 1834, and due to gaps in the records we can only demonstrate that the subject system was in use between 1841 and 1848. Although Drinker's name is everywhere, his long service as librarian prevents this information from being particularly useful. In light of all this, it was given a recordkeeping date of 1830-1848, indicating that the collection was documented and it could have been used by librarians during that period, new books were recorded there covering this period, even though the period of active use may have begun at a later, unknown date.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This volume was difficult to date, for while an inscription makes clear that the book itself was in possession of the library by the end of March 1830, it does not make clear that it was being applied to its intended purpose. It contains a calendar suggesting 1833-1834, but books go until at least 1841 and perhaps 1844, and publication date can differ greatly from acquisition date. Circulation records also show that while created earlier, it was not yet the primary catalog by 1834, and due to gaps in the records we can only demonstrate that the subject system was in use between 1841 and 1848. Although Drinker's name is everywhere, his long service as librarian prevents this information from being particularly useful. In light of all this, it was given a recordkeeping date of 1830-1848, indicating that the collection was documented and it could have been used by librarians during that period, new books were recorded there covering this period, even though the period of active use may have begun at a later, unknown date."],"scopecontent_html_tesm":["\u003cp\u003eThis catalog contains a relisting of the contents of the 1815 catalog and supplement sorted by the first letter of the alphabet with pamphlets listed separately as well as books added between April 1833 and the suspension of library operations after 1848 listed by subject. Although its initial form was compiled by George Drinker some time earlier, it does not appear to gone into effect until sometime after 1834 where there is a gap in circulation records. Because the numbering up to 1,725 remained the same, earlier print catalogs can also be employed for those number for the period from 1815-1848 even though this catalog alone can be used for the numbers 1,726-1,793 during that period.\u003c/p\u003e","\u003cp\u003e\nAdditions beyond 1,793 are only usable for the period 1841-1848, because they were relisted here under a combined subject/numbering system after being originally cataloged differently up to around 1,825. The later rearrangement left no record of how those 30 or so numbers should be understood during the period before 1834.\u003c/p\u003e","\u003cp\u003e\nThese later additions occupy the latter sections which include materials published from the late-1830s and early 1840s. Other indications of the ongoing nature of the listings include the blank entry for #351 at the end of Novels and Romances and the blank page with the heading \"Biography\" following the rest of that section.\u003c/p\u003e","\u003cp\u003e\nThe third, and final section, is the \"List of Books from the Reading Room.\" These are dated 1840-1841, and consist almost entirely of new additions to the periodicals with a few exceptions, chiefly among the first few entries. This suggests that the page may not have been used for its original purpose.\u003c/p\u003e","\u003cp\u003e\nThe title/subject organization of the latter part of the catalog is helpful in understanding acquisition priorities during the late-1830s and the Lyceum period of the 1840s.\u003c/p\u003e","\u003cp\u003e\nThe inside cover contains a calendar for 1833 going through February 1834, with the Thursdays closest to the middle of each month marked (none are the dates of official meetings). There is also a 29 March 1830 inscription by Drinker, Treasurer, authorizing James Dunlap in financial matters while he is librarian, which may predate the decision to use the book as a catalog. Drinker may have done the first 1,725 entries at that time in preparation for the publication of the 1815 supplement.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This catalog contains a relisting of the contents of the 1815 catalog and supplement sorted by the first letter of the alphabet with pamphlets listed separately as well as books added between April 1833 and the suspension of library operations after 1848 listed by subject. Although its initial form was compiled by George Drinker some time earlier, it does not appear to gone into effect until sometime after 1834 where there is a gap in circulation records. Because the numbering up to 1,725 remained the same, earlier print catalogs can also be employed for those number for the period from 1815-1848 even though this catalog alone can be used for the numbers 1,726-1,793 during that period.","\nAdditions beyond 1,793 are only usable for the period 1841-1848, because they were relisted here under a combined subject/numbering system after being originally cataloged differently up to around 1,825. The later rearrangement left no record of how those 30 or so numbers should be understood during the period before 1834.","\nThese later additions occupy the latter sections which include materials published from the late-1830s and early 1840s. Other indications of the ongoing nature of the listings include the blank entry for #351 at the end of Novels and Romances and the blank page with the heading \"Biography\" following the rest of that section.","\nThe third, and final section, is the \"List of Books from the Reading Room.\" These are dated 1840-1841, and consist almost entirely of new additions to the periodicals with a few exceptions, chiefly among the first few entries. This suggests that the page may not have been used for its original purpose.","\nThe title/subject organization of the latter part of the catalog is helpful in understanding acquisition priorities during the late-1830s and the Lyceum period of the 1840s.","\nThe inside cover contains a calendar for 1833 going through February 1834, with the Thursdays closest to the middle of each month marked (none are the dates of official meetings). There is also a 29 March 1830 inscription by Drinker, Treasurer, authorizing James Dunlap in financial matters while he is librarian, which may predate the decision to use the book as a catalog. Drinker may have done the first 1,725 entries at that time in preparation for the publication of the 1815 supplement."],"_nest_path_":"/components#9/components#3","timestamp":"2026-05-21T03:58:50.090Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_128","ead_ssi":"vaallhs_repositories_2_resources_128","_root_":"vaallhs_repositories_2_resources_128","_nest_parent_":"vaallhs_repositories_2_resources_128","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_128.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/128","title_ssm":["Alexandria Library Company Records (MS002)"],"title_tesim":["Alexandria Library Company Records (MS002)"],"unitdate_ssm":["1794-2007"],"unitdate_inclusive_ssm":["1794-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS002","/repositories/2/resources/128"],"text":["MS002","/repositories/2/resources/128","Alexandria Library Company Records (MS002)","Libraries -- Subscription Libraries","Lectures and Lecturing","Associations, institutions, etc","Public libraries.","Reel 00037, beginning of the reel.","Reel 00037, filmed after 1911-1930 volume but before the Executive minutes of 1938-1947.","Reel 00037 after 1794-1861 volume.","Reel 00037, following 1897-1911 volume.","Reel 00037 filmed after 1868-1879 minutes but before the 1938-1947 executive board minutes.","In 1967, Marjorie Darnell Evans completed a multi-year thesis project for Catholic University of America publishing a reorganized 1815 catalog in alphabetical order by author, and a typed copy of the original as an appendix, of which photocopies also exist.","On Archive.org \nhttps://archive.org/details/catalogueofalexa00alex/page/n5","Reel 00039","The accounting records in the subscription books shifted back and forth between two systems, one listing transactions chronologically and the other listing them under the names of individuals.","\nWith the exception of the 1826-1854 book, all entries are characterized by double-entry bookkeeping, with the left side page documenting money going out (\"to\"), and the right hand page documenting money coming in (\"by\"), this can be confusing as bills for subscriptions seem at times to have been listed in the outgoing section.","\nMost of the books begin with indexes of numbered names in no clear order. The same numbers appear in columns toward the right of the accounts pages, just before the amounts, apparently signifying people and groups with which the transactions were undertaken. These numbers should not be confused with the columns on the left indicating the calendar day. They were dropped around 1826.","\nPayments under the names of individuals appear in the first part of the 1794-1799 volume, the latter parts of the 1799-1809 and 1809-1819 volumes, and throughout the bulk of the two volumes covering 1820-1828.","Arrangement is by year of lecture under its title and orator apart from the seat plan and correspondence on administrative issues. Those are arranged chronologically. Lectures in the modern series were assigned numbers by the Library Company until 1980.","The printed 1801 and 1815 catalogs were arranged by subject and size, with the 1815 supplement seemingly arranged in accession order. ","\nThe 1856 printed catalog was arranged alphabetically by author or title. ","\nWorking catalogs are arranged by number, except that the 1830-1848 switched to a subject system sometime after 1834 and the 1876 is arranged alphabetically. ","\nCatalogs from 1898 on use a version of the Dewey Decimal System. \nThe old magazines are arranged by title. ","\nSee individual arrangement notes for details. ","Civil History, Voyages and Travels, Biography, Antiquities, Geography, and Maps etc. (p.13)  Folios (1-9)  Quartos (10-24)  Octavos (25-109)  Duodecima and Infra (110-151)  Ecclesiastical History, Theology, Didactic Pieces, Moral Philosophy, and Metaphysics (p.29)  Folios (152-154)  Quartos (155-156)  Octavos (157-188)  Duodecima and Infra (189-218)  Arts and Sciences, Natural History, Natural Philosophy, and Miscellaneous Literature (p. 35)  Folios (219-222)  Quartos (223-225)  Octavos (226-266)  Duodecima and Infra (267-293)  Law, Politics, Political Economy, Agriculture, Commerce, etc. (p.42)  Folios (294-295)  Quartos (296)  Octavos (297-326)  Duodecima and Infra (327-338)  Poetry, Plays, Belles Lettres, and Criticism etc. (p.47)  Octavos (339-353)  Duodecima and Infra (354-385)  Novels and Romances (p.52)  Octavos (386)  Duodecimas and Infra (387-427)  Appendix and Supplementary (428-452) (p.54) ","The 1,027 titles were assigned numbers according to the following classification system based on size and subject. The title counts are taken from Evans, 1967.","Miscellaneous Folios (21 titles)  Miscellaneous Quarto (33 titles)  Civil History, Voyages and Travels, Geography, Antiquities, Biography, etc.  Octavos (223 titles)  Duodecima and Infra (95 titles)  Ecclesiastical History, Theology, Essays Moral and Religious, Moral Philosophy and Metaphysics etc.  Octavos (54 titles)  Duodecima and Infra (47 titles)  Miscellaneous _______ General Science, The Arts, Domestic Economy, Natural Philosophy, Periodical Essays, Magazines and Reviews, etc.  Octavo (72 titles)  Duodecima and Infra (43 titles)  Law, Politics, Political Economy, Agriculture, Commerce, etc.  Octavo (60 titles)  Duodecima and Infra (13 titles)  Poetry, the Drama, Belles Lettres, and Criticism Octavo (39 titles)  Duodecima and Infra (13 titles)  Novels and Romances etc. (130 titles)  Appendix-Supplementary and Miscellaneous (30 titles) ","The catalog uses a numbering system in which the full number is given only every hundred and but which otherwise provides only the last two digits, hence the sequence: 98, 99, 1100, 01, 02. ","\nThe main portion of the catalog appears to be in accession order. At the end of the numbers #1,028-#1,728, a cross-listing of about 20 periodical works appears.","History #1-122 -Ecclesiastical History Biography #1-145 Voyages and Travels #1-213 Theology #1-113 Lexicography [crossed out] #1-6 Periodicals #1-31 Novels and Romances #1-350","As well as the unnumbered subjects: ","Poetry, Belles Letters and the Drama Lexicography, Statistics and Encyclopedia Chemistry, Minerology, Surgery, and Materia Medica Periodicals, Philosophy, and Miscellaneous and General Science Law, Oratory of the Bar, and Military and Political Journals","The catalog is arranged alphabetically, usually by author, but otherwise by title. Different volumes bear different numbers. A certain amount of cross-listing is also evident, most obviously through the appendix of Tours, Voyages, and Travels, containing works listed by country that also appear in the main catalog by author. Multi-volume works have the number of volumes indicated following their titles, their numbers end with hyphens to indicate an ascending number for each successive volume.","\nThere are some variations in how titles are counted. The \"Edinburg Encyclopedia\" for example is listed as #1- with 21 volumes but under \"Encyclopedia, Domestic\" it is listed as \"Edinburg\" with 18 volumes and a separate 3 volume supplement at #19-.","The catalog is arranged numerically from 1 to 5,063 following the model of the 1815 Supplement, with numbers greater than 100 being listed in full only every 100 numbers and at the top of each page, but otherwise by their last two digits (e.g. 98, 99, 3900, 1, 2).","\nEntries include the number, title, and volume of the work. The last three pages have volume numbers and titles. Their sequence is unclear and some are periodicals.","The arrangement of the catalog is alphabetical by title with a few additional sections by subject.  The alphabetical portion includes the letters A-N and Q-Y with the letters O and P missing. The subject headings are \"History\" after \"H,\" \"Letters\" after \"L,\" \"Memoirs\" after \"M,\" and \"British Prose Writers\" after \"P.\" A similar practice was used for the \"Pamphlets\" section of Drinker's catalog of the 1830-1848.  Books are numbered up to 4,314.","The main listing of titles is alphabetical by titles beginning with the letters \"R\" and \"S.\"","Arrangement is by classification number and title based on a version of the Dewey Decimal System, but differs from the fifth edition (1894) in some respects, such as listing 973 as \"Egypt\" rather than the United States. (see the 1894 at https://catalog.hathitrust.org/Record/007477697)","\nClass headings and numbers are followed by subclass numbers, the first two letters of the author's name, and a number in case there are multiple books by that author. Volumes and publications dates are appended to the end of the title.","\nCase numbers (shelf locations) have been written in by hand as well as additional titles written in the margins.","The classification is identical to the 1898 except for the added subheadings of Cuba, Japan, and Korea.\nThere is an alphabetical index of subjects.","The 1912 supplement to the catalog was arranged according the same version of the Dewey Decimal System used in previous publications, with classification numbers for which no books were added to the collection omitted. The two lists of magazines divided them into bound and unbound collections, each arranged by title and date.","Alphabetical by title. Note that bound and unbound magazines are grouped together, rather than separated as in the 1912 supplement list.","The original circulation book of 1794-1795 contains two different systems for tracking loans and borrowers. The columns of the initial system included, from left-to-right: patron name, the time the book was out, book number, and book size. Each book size had its own column, which from left-to-right were folio, \"4-to\" (quarto), \"8-vo\" (octavio), \"12-mo\" (duodecimo or twelvemo), and \"16-mo\" (sextodecimo or sixteenmo).","\nThis method was abandoned, and subsequently an attempt was made to record circulation by subscriber. Each subscriber was assigned a number and accorded a set of pages bearing that number instead of page numbers. An index of them appears at the back with some names crossed out. They are not in alphabetical order on the whole, and may represent the order in which they become subscribers. The left-hand pages list the books taken out and the right-hand pages represent returns. As such, similar years and dates are repeated on both sides.","\nBy the start of the 1801-1805 records, the library \nhad switched to a chronological format, which was flexible enough to accommodate increases in the number of subscribers and variations in their degree of patronage but at the cost of making an individual's activity more difficult to isolate. Columns consisted of: patron, title number and volume number, date and day of the week, date returned, and the number of days late and fine (if any).","\nThis remained standard through 1834 with minor variations, like the addition of a date at the top of the page in the 1814-1818 volume, which lasted into the 1830s, and a key for marks indicating returns and renewals in the 1822-1824 volume.","\nThe 1841-1848 volume introduced a new system which separated each set of records into daily sections, with a heading for each day. The columns from left-to-right provided: title number, patron name, returned date, and subject section; the latter being a feature of the working catalog in use at the time.","\nAbbreviated titles started to appear near the end of June 1845, with some of them being numbered and others not. By July 1845, a majority of the entries were like that. This method disappeared and reappeared over the years that followed.","\nBetween September 1846 and September 1848 the circulation records were kept in the second part of an account book (see notes for the subscription series). The subject system continued during this period under a new organization of columns, consisting of: subject, number (within subject), patron name (with volume number), and finally a column with either a note saying \"return,\" a date, or often a blank field.","\nThe 1857-1858 volume has alphabetical tabs on which patrons are recorded chronologically under the first letter of their name. The columns are also different. From left-to-right they include:  date, patron name (including institutions), title number, and return date. The year is given at the top. In place of a return note, some fields contain other notes like \"mistake\" or \"transferred to Roxbury,\" which are open to interpretation. Titles resume appearing in place of numbers in mid-1858.","\nThe volume covering 1862-1868 shows considerable variation. Initially it featured columns on the left with headings for each day followed by the patron name, while on the right the columns showed the title number and return date. Starting on September 27, 1859 (page 114), the left-hand column was divided between patron name and title, while the columns for title number and return date on the right remained in place. From March 1860 (page 127) to March 1861 (page 175) it returned to the earlier format.","\nThe 1870-1871 volume introduced the columns that would be standard for most of the remainder of the series ending in 1880. They consisted of checkout date, patron name, book title, title number, and return date. The exception was a period beginning in May 1871 and ending on 1 January 1872 of the 1871-1872 volume. During that period, the records provided sections by patron name, with columns for checkout date, title, and return date. There were no title numbers during that period. The arrangement of names was partially alphabetized, possibly reflecting the addition of new names to an originally alphabetical arrangement.","\nIt can be difficult to tell what year it is in some of the later volumes. In the 1872-1874 volume year breaks occur on pages 113 (1873) and 292 (1874). In the 1874-1880 volume they occur on pages 137 (1875), 275 (1876), 345 (1877), 375 (1878), 434 (1879), and 454 (1880).","In the 1780s, a discussion group of Alexandria gentlemen called \"The Society for the Promotion of Useful Knowledge\" was formed. In 1794, many of these same individuals gathered to form the nucleus of the Alexandria Library Company (ALC). The ALC was a subscription library modelled after the Philadelphia Library Company, which had also emerged from such a club. ","Society president Reverend John Muir became president of the ALC, a position he would hold for almost 20 years. Many of the library's founders are known to have been members of local Masonic lodges. Elisha Cullen Dick, who had succeeded George Washington as the leader of Lodge 22, was among the first directors of the ALC as well as the secretary of the earlier Society. The first Librarian was Edward Stabler, the proprietor of an apothecary shop. In 1796, Stabler was replaced by James Kennedy, who served as librarian until 1818. Overlaps and family links between the leadership of the library and other Alexandria institutions remained common over the next century and a half. ","For a time, the Alexandria Lyceum (founded in 1838) and the ALC shared a physical space as well as similar missions. The Alexandria Lyceum was founded as part of a national movement focused on educational lectures. The union between the two organizations was dissolved in 1844, but the library continued to rent space from the Lyceum. The library was later said to have been in a state of \"suspended animation\" from around 1846 to 1852. In 1852, a \"Young Men's\" group took over under the original charter, publishing a new catalog in 1856. The library continued to operate into the Civil War. It remained in the Lyceum but not without acrimony, which is evident in the Alexandria Gazette in 1860. ","In October 1867, an agreement was reached with what was variously referred to as the Alexandria Christian Association and the YMCA for assistance with running the library. The library separated from this organization during the early 1870s. By the second half of the 1870s, the library fell into a decline which the directors blamed on the lack of a published catalog. ","The first library catalog had been prepared by Kennedy in 1796 and published sometime thereafter. The earliest catalog of which there is an extant copy was published in 1801, followed by another in 1808 of which there are few traces. A more enduring catalog was created in 1815. The 1830s saw publication of a supplement to the 1815 catalog and the creation of a working catalog that would be used into the late 1840s. Normal circulation records end in April 1861 when the library was converted into a military hospital. There are stray entries in May and December before operations resumed on a limited basis in May 1862 and continued at least through that year. Over a thousand volumes were lost during the war. Due to the decline in usage in the 1870s, a new catalog was produced by librarian Emma J. Young in 1872 but never published. After two years with Young's catalog, another was commissioned from Dr. Theo West, which also went unpublished. As a stopgap, handwritten copies were used by patrons. In 1898, a new catalog was created which utilized a decimal system for the first time. The last published catalog was a supplement to the 1912 version. ","In the late 1870s, appeals were made to the men of Alexandria for support,. The directors met with another \"Young Men's Library Association\" in 1878 without success, records of operations stop after January 1880.","The Gazette reported in January 1881 that the books were now in the custody of the school board, whose membership included William F. Carne, a former library company director and the son of one its former presidents. In May 1887 it reported that Carne, as leader of the board's library committee, was inviting associations wishing to participate in re-opening the library to a meeting at the Peabody school building where the books were held, and explained that he had always intended a reading room to be opened to the public once space was freed up for that purpose.","In June 1887, the Gazette reported that the \"Reading Circle of Washington and Lee Schools\" organized by teachers two years prior and the YMCA would operate the free library during the summer, in the hope that in September \"an effort will be made, with a very fair prospect of success, to re-organize the Library Company.\" Gazette reports in 1890 and 1891 refer to continued efforts by Carne and others to \"re-open\" the library, and in 1892 being part of a \"committee on the project for a free public library,\" but they did not succeed.","In the decades after 1870s librarianship not only professionalized but underwent a rapid gender shift, and apart from the periods in which there was no librarian for financial reasons, no male librarians seem to have been employed until well into the 20th century. Women's library organizations had become common nationally, and along with the philanthropy of Andrew Carnegie played a major role in the growth of public libraries in America starting in the late 19th century.","In September 1897, the Alexandria Library Association led by Virginia Corse received custody of the books then in possession of the school board. With a modest donation from Carnegie, by 1898 the library was back in business, but as a subscription library, it would not become a free public library for almost 40 years. The new library needed a new librarian, and after one or two initial hires, the association found Alice Green (1865-1956), who would serve from 1902-1937 and in a lesser capacity into the mid-1940s. During this period, space for the library was rented from the United Daughters of the Confederacy (UDC).","The Depression brought financial hardship. As the crisis worsened in early 1931, the association had obtained $1,000 from the city council to form \"a nucleus for the establishment of a public library.\" Discussion of becoming a public library had been common since the 1920s, as the efforts of Carnegie and others had made them the norm nationally. Attempts were made to sell older books and hold fundraisers as subscription fees dried up. There was also a dispute with the UDC over a rent increase in 1933. The library was aided by the wealth of its members, including a $5,000 bequest in 1935 from its long-time treasurer, Margaret L. Smoot.","Members built political support both on the council and among the public in the mid-1930s and in 1937 it was agreed that a building would be constructed on the site of the old cemetery of the Society of Friends and that the city government would cover annual expenses of no more than $5,000 for the association to operate a free library. One member of the board would be appointed by the city. The new governing organization was rebranded the Alexandria Library Society.  Agreements were signed in January, and the library opened at the Kate Waller Barrett Branch's current location, 717 Queen Street.","Another change after 1937 was the gender composition of the leadership. Men served on the board of the new Society and played prominent roles after 1937. After 1948 they typically occupied the presidency of the organization. Most elections were unanimous, often with women casting most of the votes, but it ceased to be a women's organization. ","In 1945 a technicality in the Society's contract with the city was brought to the attention of the board. Namely that the $5,000 the city was obligated to provide each year was not the minimum but rather the maximum contribution, and that the higher appropriations it had been making were illegal. The city took this as an opportunity to demand a contract change beyond the funding formula. Although the men of the city council had representation on the board, the women of the Society were still ultimately running the library, and the Society was asked to allow a majority of the executive board to be appointed by the city, and a minority by the Society. That the city legally \"owned the building and all its contents\" so long as it paid $5,000 per year was also pointed out. The Alexandria Library Society signed the new contract, surrendering control of the library in November 1947. In its reduced role, the Society still elected members to the board and received reports from the librarian. It also retained independent funds that could be used for the benefit of the library. With the library now fully the city's responsibility, the membership was also able to more openly advocate for additional funding.","Another longstanding issue at the library was race. The president's 1928 annual report had endorsed becoming a \"free city library,\" but feared that becoming a Carnegie library \"would bring in some elements hitherto unknown and I think undesirable in our Library.\" In the 1930s the library association favored providing segregated facilities, but, after repeated meetings with the city council, failed to achieve even that modest goal. In the 13 March, 1939, minutes, the issue was revisited yet again, but without result. ","Four days later on 17 March 1939, Sergeant George Wilson was turned down for a library card because of his race and Samuel Tucker filed a civil rights lawsuit against the librarian on his behalf. Plans for a segregated facility were dusted off, and new staff was hired so that the librarian could focus on the controversy. On 21 August 1939, several black men organized by Tucker entered the library and followed Wilson's example, but after being refused, seated themselves in the library with books, beginning America's first library sit-in. It ended only after the city manager called the police, and all were arrested. The lawsuit was dismissed on technical grounds, but to prevent a new lawsuit the city approved the Robert H. Robinson branch, which opened in 1940. Tucker refused to accept a card there. ","A major issue in the early 1950s was the push to expand the overcrowded main library serving the white community. The white librarian at the time, who had been hired in a junior capacity during Tucker's campaign in 1939, suggested to the Society that the expansion could be an opportunity to integrate. In the midst of the debates over expansion and additional funding, an opportunity emerged to purchase a neighboring building on the corner of North Columbus and Queen, which was later demolished. This prompted a discussion about the Alexandria Library Society's connection to the original library company. It was decided to change the name from the \"Alexandria Library Society\" to the \"Alexandria Library Company,\" make the appropriate filings with the state government, and reinstate the 1799 charter, which would be revised by the legislature in the 1980s to help obtain tax-exempt status from the IRS.","This name change was completed at one of the company's most consequential meetings in February 1956. Every member was asked to sign their name in the minute book to signal their assent. A letter from a local civil rights activist questioning the legality of library segregation was also read, but deemed the province of the library board, which referred the matter back to the company whose reply is not preserved.","Member Mangum Weeks thereupon raised the question of the future role of the Library Company, and proposed resuming the tradition of annual lectures dating from the Lyceum period using funds from the newly instituted membership dues. This proposal was adopted, and preparing the annual lectures soon became a major focus of the Company. The Library Company continues to appoint members to the board of the Alexandria Library and hold its annual lecture series. It commissioned a new history of the library by William Seale in 2007, which can be found at the Local History and Special Collections Branch.","Chronological listings for both presidents of the board and librarians up to the modern day.","Presidents of the Library Company and Its Successors February 1794-February 1813 Rev. James Muir February 1813-February 1815 Hugh Smith February 1815-March 1824 John Roberts March 1824-February 1829 Hugh Smith February 1829-February 1835 John Richards February 1835-February 1840 John Roberts February 1840-1852 Elias Harrison 1852-February 1855 J. Louis Kinzer February 1855-September 1858 Francis Miller September 1858- February 1859 Richard L. Carne February 1859-September 1859 Caleb S. Hallowell September 1859-February 1860 William G. Cazenove February 1860-February 1870 Richard L. Carne February 1870-February 1873 K. Kemper February 1873-October 1873 Samuel H. Janney October 1873-February 1874 Sidney C. Neale February 1874-June 1879 Mercer Slaughter September 1897-October 1905 Virginia Corse July 1906-June 1925 Mrs. Samuel. L. Monroe October 1925-April 1930 Loula Smoot April 1930-November 1933 Mrs. Henry B. Soule, [Jessie E. Soule] December 1933-December 1934 Mary Lloyd December 1934-December 1936 Susan Thomson December 1936-November 1937 Mrs. Louis Scott November 1937-November 1944 Mrs. Curtis Backus November 1944-November 1946 Mrs. [Lawrence] Fawcett, [Mary Fawcett] November 1946-November 1947 Howard Worth Smith November 1947-October 1948 [Miss Anne] Lewis Jones October 1948-October 1949 Miss Horne October 1949-October 1950 Mr. Stanley King October 1950-December 1951 Mr. [Joseph] Crockett December 1951-February 1955 Mr. Robert Moncure February 1955-February 1957 Dr. [W. Bruce] Silcox February 1957-February 1959 Stanley King February 1959-February 1962 Mangum Weeks February 1962-February 1963 Richard Bales February 1963-February 1965 Donald King February 1965-February 1967 David Squires February 1967-February 1969 Howard Worth Smith Jr. February 1969-February 1971 William Francis Smith February 1971-February 1972 John T. Ticer February 1972-February 1974 David M. Abshire February 1974-February 1976 Mrs. Merill Beede February 1976-February 1978 Mrs. Douglas Lindsey February 1978-February 1980 Clarke T. Cooper Jr. February 1980-February 1982 William Seale February 1982-February 1983 Denys Peter Myers February 1983-February 1985 William B. Hurd February 1985-February 1986 George J. Stansfield February 1986-February 1987 Dr. Ernest A. Connally February 1987-February 1989 Dr. Wilton C. Corkern, Jr. February 1989-March 1991 James M. Lewis March 1991-March 1992 Mrs. Anne Smith Paul March 1992-March 1993 Richard R. G. Hobson March 1993-March 1995 Dabney Waring March 1995-March 1997 James R. Hobson March 1997-March 1998 Robert C. Reed March 1998-March 2000 Neil Horstman March 2000-March 2002 Carroll Johnson March 2002-March 2003 Thomas C. Brown Jr.","Librarians of Alexandria February 1794-February 1796 Edward Stabler February 1796-February 1818 James Kennedy February 1818-August 1826 William Cranch August 1826-October 1829 W. Samuel Mark October 1829-March 1845 George Drinker March 1845-September 1845 James M. Eaches September 1845-September 1852 C.F. Stuart September 1852-April 1853 H. W. P. Junius September 1852-April 1853 L.? Hunter November 1853 Office Abolished February 1854-October 1855 E. M.[Magruder?] Lowe October 1855-September 1858 Norval E. Foard September 1858-February 1859 S. Scott February 1859-September 1859 Edward R. Roxbury September 1859-February 1860 James A. Clarridge February 1860-April 1861 Charles R. Burgess (acting) April 1861-Unknown Edwin N. Wise March 1868 Wr. Bushby April 1870-May 1871 August Henning July 1871-March 1872 W. F. Stansbury March 1872-August 1873 Emma J. Young October 1873-March 1876 Emily English March 1876 Position Eliminated June 1879 R. Pendleton Bruin (unofficial? acting?) October 1900-October 1903 F. Olive Lyons October 1903-April 1937 (continued part-time, mentioned up to 1946) Alice Green April 1937-December 1938 Miss Beatrice Workman January 1939-January 1941 Katherine Scoggin (later Martyn) February 1941-June 1948 Bessie Watson July 1948-June 1969 (hired part-time October 1939, letter of resignation later that month) Ellen C. Burke July 1969-October 1992 (librarian from 1958) Jeanne G. Plitt","The initial combination of financial and subscription records likely reflected the company's initial dependence on subscription fees, in contrast to the later subscription library in the city that relied more on donors. This recordkeeping system appears to have been a casualty of the merger with the Lyceum, which became official in early 1840.","\nAs the physical volume in use at that time was still mostly blank, it was repeatedly repurposed, first for additional circulation records (until these too lapsed) and later for a \"list of Stockholders and the amount due from each for the year commencing the 13th February 1854,\" which likely relates to the revitalization of the company after its agreement with the Young Men's group. The agreement required the men to find 100 subscribers, and the list was likely prepared for the annual meeting originally scheduled for 20 February (a week after the date on the list), at which it was decided to void the shares of individuals who had not paid.","The 1980 lecture of Dr. William Dudley on \"Captain Gordon and the Raid on Alexandria 1814\" was recorded but was left off the lists of annual lectures printed in later years. It marks the point at which the sequential numbering of annual lectures was stopped. The reason for this is unknown.","No catalog was published under the first librarian, but four were published during the 1796-1818 tenure of his successor.","\nOn 29 December 1796 he was directed to prepare a catalog of books \"classed according to their size and arranged in the order of the alphabet, with the number and cost or value of each,\" although a March 1797 entry suggests that it was still not complete four months later. No copy of this catalog has survived, but there would have been between 200 and 400 titles at that time.","\nThe growth of the collection was driven in part by the acceptance of books in place of subscription fees and the purchase of private libraries. In May 1800 a committee was formed to examine its acquisitions for books that were \"useless, superfluous or of immoral tendency,\" which decided in September to postpone acting on them until it was time to print a new catalog. That time came on 2 November 1801 when a committee was appointed to assist the librarian in creating a new catalog.","\nOn 1 February 1808 the board decided to print a new catalog at 50 cents a copy because \"many members were without any.\" On 2 May this catalog was reported to be largely complete. Another meeting was planned shortly thereafter so that it could be printed \"without delay.\" That meeting is undocumented, if indeed it took place. No copy of this catalog or any direct record of its publication is currently known. But it must have existed since it was referenced in a later circulation book and the librarian received a bonus for his work on it in March 1809.","\nOn 2 May 1814, it was decided to create another new catalog. It would eventually have 1,027 numbers, which circulation records show the library had reached by July 1814. On 14 November 1814, the librarian reported the catalog \"ready for the press.\" He was instructed to obtain 150 copies \"with all convenient dispatch,\" a number raised to 200 the following month. In February 1815, he reported the catalog \"about half-finished\" and presented a copy to the board, which set a price of 50 cents. In March he received compensation for \"his additional trouble in preparing the new catalogue for the press,\" suggesting that the printing had been completed.","\nThe 1815 catalog was later extended by a published supplement that added additional numbers. Unlike other printed works, there is no mention of when the supplement was produced in the minutes. It is, however, clear from circulation records that all its books had circulated by 14 August 1830. According to the minutes, a meeting had been called for 10 May 1830 only to be quickly adjourned \"there appearing no business requiring the attention of the board,\" and quarterly meetings on 2 August and 2 November were adjourned, lacking a quorum. The librarian at the time had replaced his predecessor in October 1829 and been confirmed in the position the following March. It seems plausible that he pushed to update the catalog after becoming librarian but that the question was either not deemed important or could not be addressed due to the lack of quorum but that it was printed in 1830 anyway.","\nAt the same time, a working catalog was created for use in the library itself. It is the earliest preserved catalog of this type but was probably not the first. It contains a relisting of the contents of the 1815 catalog and supplement sorted by the first letter of the alphabet with pamphlets listed separately as well as books added between April 1833 and the suspension of library operations after 1848 listed by subject. Although its initial form was compiled some time earlier, it does not appear to have come into use until sometime after 1834 where there is a gap in the circulation records. The first 1,725 entries may have been added at the time of the 1815 supplement with the shift to a new method of arrangement occurring later. ","\nOn 8 March 1856 a committee of the revived library company was assigned to rearrange and renumber the books for publication. On 29 November 1856, the board voted for 300 copies of the finished catalog to be produced.","\nOn 18 June 1858 board president Andrew Jamison resigned. On 4 September Richard L. Carne, the chairmen of the committee on the catalog and president pro-tem submitted \"his amendment to the catalog\" and appointed Sylvester Scott as librarian to constitute a \"committee of revisal.\" A new working catalog is preserved from this period continuing into the Civil War, although it does not appear to have been published.","\nFrom the reestablishment of the library in the late 1860s to its failure at the close of the 1870s the lack of a published catalog to advertise the available books was identified as a major issue. The last version of the catalog prior to the Civil War had contained over 5,000 books, of which it was estimated in 1871 that 1,000-1,500 had been lost.","\nCirculations records from the early 1870s feature book numbers around 1,000 that do not correspond to any known listing, and numbers were abandoned entirely from May 1871 to January 1872. It was decided on 2 October 1872 to create a new catalog, and the task was assigned to the new librarian, Emma Young. The fact that the numbers of the circulating books changed to include some with numbers over 5,000 after 4 December 1872 indicates that this work was completed, but it was never published and there is no surviving catalog from that period.","\nThe limited use of the catalog is evident from the prevalence of high numbered works among those in circulation. The highest numbers indicated recent acquisitions, which often received announcements in the Alexandria Gazette.","\nAt the 20 February 1874 meeting, it was noted that \"the last catalogue was published some years previous to the war and had become, by reasons of subsequent losses and additions, very incomplete\" and the board decided to appoint Dr. Theo West \"to catalogue and arrange the books.\" They planned to print the catalog in time for the 1875 annual meeting, but printing was postponed indefinitely. ","\nThe new catalog went into effect on 10 July 1874 as seen in the shift in circulation records from a system with numbers up to around 5,800 to a new catalog going to 4,314, but again they were unable to publish it.  Seven months later at the 19 February 1875 meeting, it was decided to arrange a printing \"as soon as possible,\" but this did not occur either.","\nOn 10 March 1876 the board decided upon a different plan. The catalog was to be divided among the directors so that copies might be made \"for the librarian's desk.\" The published account of the 21 February 1877 annual meeting noted that \"many persons have given as a reason for not becoming subscribers the inaccessibility of the old library which was not catalogued. This plea no longer holds.\" Doctor West's catalog \"copied by members of the Board without expense, bound in good style, can now always be found on the Librarian's desk.\" Operations ceased and the books went into storage a few years later.","\nAt the 8 January 1898 meeting of the newly formed Alexandria Library Association, it was moved that the \"the catalogue be printed at once\" with the addition of blank pages between the leaves for advertisements from city merchants.","\nThis catalog was the first to use a version of the Dewey Decimal System, which had become popular since its first publication in 1888, reaching its 5th edition in 1894. This was the first modern classification system in the history of the Alexandria Library.","\nSubsequent to the publication of the 1898 catalog in January of that year, there are several mentions of publishing \"supplements\" such as on 11 April 1899 and 11 July 1899 which may refer to the practice of publishing notices with the titles of new additions in the Alexandria Gazette, such as those of 6 July and 13 July 1899.","\nOn 1 January 1902 there was a push for a \"supplementary catalogue (being a catalogue of books up to date) be printed\" and the president appointed a committee for that purpose. It was postponed pending the catalog's completion. On 9 October 1906 the board voted to accept an offer from a Mr. White to print 1000 copies in return for advertising space. According to the 8 January 1907 minutes, the library was given half the copies of the 1906 catalog for free, of which it sold 200 and gave 300 away.","\nThe 12 April 1910 minutes mention a decision to \"again postpone the publication a supplementary catalogue.\" On 23 January 1912 it was again put off until the 9 April meeting, where it was decided for a new catalog to be printed and priced at five cents a copy and \"to have the names of the old magazines put into the new catalogue but not into the card catalogue.\" On 12 June 1912 it was reported that \"the catalogue was in the hands of the printer and that Mrs. Monroe was reading the proof\" and the \"new catalog\" was deemed \"ready for distribution\" on 8 October 1912.","\nThe annual report at that same meeting noted that \"the year has also seen the completion of the labelling, classifying, and cataloguing of all the old and valuable magazines which the Board has for so long a time desired to put into shape for distribution,\" which a review of the supplement suggests meant works in good condition available for circulation.","\nOn 11 April 1933 Mrs. Newell \"volunteered to catalogue old magazines in order that their value may be ascertained.\"  On 9 May 1933 she presented a \"typewritten list\" of \"old magazines\" for appraisal as part of their depression era fundraising efforts. On 10 October she reported them to be of \"no value\" and suggested having them sent to the Salvation Army for use as old paper. On 8 January 1934 the board approved this proposal for those magazines of \"no value,\" which do not appear to have included many titles listed in this catalog.","\nNo explicit reason for the abandonment of published catalogs after 1912 was given, but the allusion to card catalogs suggests that it was a final step in the transition from numerical catalogs, which favored bound volumes by allowing new titles to be added to the end of the sequence, to the Dewey Decimal System, which required new titles to be inserted in the correct place in the existing list and was more easily managed with cards which did not require leaving space for new titles as the 1876 catalog had.","The circulation records began with the original library company in 1794 and continued until its collapse in 1880. Some of the gaps in the records reflect periods during which its activity was disrupted.","\nDuring the War of 1812, British forces arrived in Alexandria on 29 August 1814 and remained there until 2 September. The library normally closed on Sundays, and remained closed from Sunday 28 August through Tuesday 30 August. It opened from 31 August to 2 September, during which time only four books circulated.","\nThe library was also affected by the Civil War. Hostilities between the Union and Confederacy began at Fort Sumter on 12 April 1861. A vote on Virginia secession was held on 17 April and ratified by a referendum on 23 May. Alexandria was occupied by Union forces the following day. Confederate forces had briefly made use of the Lyceum building housing the library, but it later served as a hospital for the Union. Some books were moved out but others were not.","\nIt is unclear were the library operated from in 1861 and 1862, but it did operate. There was a significant reduction in circulation leading up to the war, dropping to a single entry for 22 April 1861. Solitary patrons were recorded for 18th and 30th of May, and an individual withdrew a book every day through 21-25 December, although the May and December entries are in a different hand and initially broke with the format. In early June 1862 however, the library resumed semi-regular hours, usually opening only Tuesday and Thursday but occasionally other days. Records continue into mid-October, after which two pages are missing from the book before it resumes in 1868. Returns are dated as late as December 1862, and it is unclear when the library ceased operations.","\nAttempts to preserve the library in the late 1870s were unsuccessful, and the number of pages per year charts its decline and eventual failure over the second half of the decade.","Volume ended up with the Leadbeater family in the 1860s but was donated back in 1922. Was moved at one point in Collection 98 (Library Records after 1937) but was moved back to the Library Company Records in 2018.","Filmed 5/1/1969\n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service","Filmed 5/1/1969\n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service","Filmed 5/1/1969 \n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service","Filmed 5/1/1969\n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service","Filmed 5/1/1969\n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service","Filmed 5/1/1969\n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service","A microfilm reproduction of a copy from the Library of Congress with an 1876 stamp donated as a gift of Mr. Allen Reese 3/1/49.","The binding is almost completely broken and many leaves are loose.","Ms 2-2","Ms 2-3","Ms 2-3","Ms 2-3","Ms 2-3","Box 98-2 Folder 16","Ms 2-9","Many of the books have damaged bindings or missing covers. The 1801-1805 volume has both problems, while the 1809-1811 is missing a page and the front cover. The 1814-1816 is also missing pages, as is the 1858-1868 volume for the crucial period of 1862-1863.","A reprocessing project begun in 2018 incorporated several boxes of previously unprocessed materials dating from the 1960s to the 2000s, with the bulk dating from after 1980. They included many short, overlapping sequences of correspondence, lecture, meeting, and member records which were merged into continuations of established series including primarily correspondence and lectures but also meetings and member correspondence. The \"subject files\" were added to the existing miscellaneous series. ","\nSeveral other changes were also made. A re-examination of the catalog, subscription, and circulation books was undertaken and most were renumbered, described, and relabeled based on primary source research. The 1794-1861 minute book that had been donated back in 1922 was also discovered misfiled in Ms 98 (which covers the library proper since 1937) and was returned to its original collection. Some letters found in minute books were moved to the correspondence series, and their original locations were bookmarked with acid free paper. Photocopies of catalogs were removed. ","Records concerning individual lectures, such as programs and invitations, were foldered by individual lecture unless part of a separate series. This permitted the titles of lectures and names of lecturers to be better indexed and gaps in documentation to be made more obvious than would have been the case with separate subseries for programs, transcripts, etc.","There is no mention of when the supplement was produced in the minutes, which is odd for a printed pamphlet. As a result dating was attempted starting from the circulation records, which showed the #1,728 was first checked out on 14 August 1830. According to the minutes, a meeting had been called for 10 May 1830, only to be quickly adjourned \"there appearing no business requiring the attention of the board,\" and quarterly meetings on 2 August and 2 November adjourned for lack of a quorum.  The librarian at the time, George Drinker, had replaced his predecessor in October 1829 and been confirmed in the position in March, so the working hypothesis is that he pushed to update the catalog after becoming librarian but the question was either not deemed important or could not be addressed due to the lack of a quorum and that it was printing anyway sometime in 1830. That date may need to be updated in light of additional evidence in the future (e.g. the Gazette becoming searchable for the 1830s).","\nThe location of the original is unknown despite Library of Congress Classification number noted by a previous processor resembling that of the original 1815 catalog. ","\nThe collection originally contained a photocopy which was removed. I had the image of a staple, suggesting it was a copy of a copy. It was not correctly dated. A modern processor had written \"NOT used. The # sequence would conflict with 1815 catalogue complied by Evans\" in reference to the effort to reconstruct the 1815 arrangement made by Marjorie Darnell Evans, possibly the only record that the individual had access to, and added an \"1815\" date in pen. This is all the more perplexing as another hand had also added a \"1\" before the first number to highlight the fact that the numbers were higher than the 1815 catalog, a fact that tendency to list only the last two digits otherwise obscured.","This volume was difficult to date, for while an inscription makes clear that the book itself was in possession of the library by the end of March 1830, it does not make clear that it was being applied to its intended purpose. It contains a calendar suggesting 1833-1834, but books go until at least 1841 and perhaps 1844, and publication date can differ greatly from acquisition date. Circulation records also show that while created earlier, it was not yet the primary catalog by 1834, and due to gaps in the records we can only demonstrate that the subject system was in use between 1841 and 1848. Although Drinker's name is everywhere, his long service as librarian prevents this information from being particularly useful. In light of all this, it was given a recordkeeping date of 1830-1848, indicating that the collection was documented and it could have been used by librarians during that period, new books were recorded there covering this period, even though the period of active use may have begun at a later, unknown date.","A previous processor had dated this catalog \"1799?\" but the second page of titles lists an \"Address on the Life and actions of Gen. R. E. Lee delivered on the 12th of Oct. 1871 before the Society of Confederate Soldiers and Sailors in Maryland\" which seemed unlikely to predate the Civil War by so many years, so a later date was sought. Although the initial catalog was completed in 1874, it has been given the date of 1876 when this copy was physically created by the directors.","A copy of the \"S\" section of the 1876 catalog was found in the circulation book for the early 1840s, although it dated from decades later. It was moved to the same folder as the \"R\" section, being from the same period and seemingly in the same hand. They were also given a date along with the 1876 catalog.","A photocopy of the original was removed from the collection.","The catalog was previously dated to the 19th century, but has been dated to May 1933 based on the minutes as described in the historical note. The specific reference to a typescript in connection with the term \"old magazines\" in 1933 is difficult to ignore and the scattered notes on condition fit with the goal of appraising the magazines being pursued at that time. I also found it unlikely that the list was drawn up in 1912 as part of the catalog supplement for that year given the differences in arrangement, like the supplement separating bound and unbound volumes, and the differences in contents, like the absence of the Atheneum from the supplement.","A copy of the \"S\" section of the 1876 catalog was found in this circulation book, although it obviously dated from decades later than its period of active use. It was moved to the same folder as the \"R\" section.","The Alexandria Library Records (Ms 98) document the library as a separate institution from 1937 onward.","\nIt particularly complements this collection in its early decades through its administrative correspondence, board correspondence, minutes, annual reports, and organizational records, including contracts with the Alexandria Library Society.","\nThe minutes of the library's executive board (1938-1947) are included in the microfilm version of the library minute books 1794-1947.","Transcripts of library company lectures 2-18 are available in the library.","Lecture series : [transcripts of the audiotapes made of the scholars invited to speak at these annual lectures] Alexandria Library Co. Lecture Series #2 080 LEC 2 Alexandria Library Co. Lecture Series #3 080 LEC 3 Alexandria Library Co. Lecture Series #4 080 LEC 4 Alexandria Library Co. Lecture Series #5 080 LEC 5 Alexandria Library Co. Lecture Series #6 080 LEC 6 Alexandria Library Co. Lecture Series #7 080 LEC 7 Alexandria Library Co. Lecture Series #8 080 LEC 8 Alexandria Library Co. Lecture Series #9 080 LEC 9 Alexandria Library Co. Lecture Series #10 080 LEC 10 Alexandria Library Co. Lecture Series #11 080 LEC 11 Alexandria Library Co. Lecture Series #12 080 LEC 12 Alexandria Library Co. Lecture Series #13 080 LEC 13 Alexandria Library Co. Lecture Series #14 080 LEC 14 Alexandria Library Co. Lecture Series #15 080 LEC 15 Alexandria Library Co. Lecture Series #16 080 LEC 16 Alexandria Library Co. Lecture Series #17 080 LEC 17 Alexandria Library Co. Lecture Series #18 080 LEC 18","The collection consists of circulation, subscription, and financial ledgers, annual lecture series documents, catalogues, correspondence, and various organizational documents. Topics include: foundation of the\nAlexandria Library Company, its cycles of growth and decline reflecting the local economy; the formation of the local public library system; and the on-going activities of the Alexandria Library Company, most notably its lecture series.","The organizational records series contains those records directly concerned with the library company and its predecessors as organizations. It covers charters, by-laws, contracts, the legal definition of the company, and its history. Charters and by-laws between 1794 and 1944 are generally documented in the minutes and or reprinted in catalogs or the Alexandria Gazette.","The general correspondence series covers a long period of the history of the Library Company and its successors, with the bulk from the modern Library Company after 1954, when more documentation was being produced and captured in a systematic way.","\nFrom the earlier period, one folder covers the old Library Company, including an account of the Civil War and two folders cover the period of the Alexandria Library Association consisting primarily of correspondence with Andrew Carnegie about his financial support. The material from the Alexandria Library Society chiefly consists of copies of minutes. \nFor library related inquiries after 1937 see the extensive public library correspondence in Ms 98.","\nThe post-1954 correspondence includes lecture arrangements, nomination and member correspondence, announcements, and all manner of memoranda and external correspondence.","The financial reports series includes monthly financial reports from the Alexandria Library Association prior the establishment of the public library and annual reports of the Library Company after 1953 along with a limited amount of additional correspondence on related issues.","\nThere is also a file of annual reports which the Library Company was required to make to the state as a corporation.","\nFor records relating to the Alexandria Library Company's efforts to become tax-exempt in the 1980s, see the Organizational Records series.","The meetings series consists chiefly of bound and unbound minutes from the Alexandria Library Company and its successors.","\nThe bound minutes cover the early Library Company from 1794 to its last meeting in 1879, the Alexandria Library Association and Library Society from 1897 through its loss of control of the library in the late 1947, and the Society and modern Library Company from 1948 to 1993.","\nAfter 1937, there are two minute books, one for the \"executive board,\" which ran the library, and the other for the Library Society and later Library Company which appointed some of its members. The 1938-1947 executive board minutes are included in the microfilm copy of the older bound volumes, but the original is located in Ms 98.","\nBylaws, agreements, financial, and membership information often appear in the records, as do records of elections. In some periods, annual reports are pasted into the minute books, which like a lot of library business, was printed in the Gazette.","\nThe unbound meeting records cover the modern period of the Library Company and contain minutes, announcements of meetings, and notes, although for the earlier periods the minutes are merely photocopies of the bound volumes as indicated by page numbers.","The members series contains records relating to the selection, participation, and retention of members of the Library Company, with a focus on the modern period from the 1950s onward. It includes records of the nominating committee, correspondence with and about current or prospective members, and lists of members and guests attending the annual lectures. One of these lists is also available on a 3½ inch disk.","The subscription series consists of bound volumes of records documenting the subscribers of the company while doubling as ledgers for many of the financial transactions of the pre-Lyceum period (1794-1839), with gaps between volumes. Apart from the minutes, the volumes contain the only information on the subscribers of the late 1790s, for which there is a gap in the circulation records.","\nThere are also additional financial records from 1826-1839 and a list of subscribers, paid and not, from 1854. These appear in the same volume (see historical note), along with the circulation records for 1846-1848 in between.","\nThe stubs of printed subscription certificates from 1874-1879 are also included in this series. Each contains an identifying number, the name of a subscriber, and a dollar amount, accompanied in some cases by dates or other notations. A few of the completed patron slips are also in this volume, including dates and the signature of the treasurer.","This series contains information on the annual lecture series, with the bulk covering the period after its revival in 1957. The files for the early years include much of the correspondence arranging for the lectures and information on the lecturers as well as in some cases printed copies of the prepared text. For later years the files consist largely of lecture announcements, programs, and attendance lists. ","\nAudio or video recordings were made of most lectures, but are not currently available. Correspondence relating to the recordings can be found in the relevant subseries. ","\nCorrespondence is also available regarding the production of the printed programs and the selection of speakers during the 1970s along with an undated seat plan. ","\nInformation on attendance and the financial aspects of the lectures can be found in other series. ","\nPrint transcriptions for certain lectures are available in the reading room.","The collection's miscellany includes annual reports of the library, a survey of the old library company books, seals, stationary, and printed matter including poems, fundraising pamphlets, and literature about the library from the League of Women Voters.","The news clippings series consists chiefly of articles about the annual lectures or which report on the annual meetings and the election of officers and members.","The catalogs provide listings of books showing what was available at the library during different time periods and identifying books for some parts of the circulation records. Catalogs also frequently included information on other topics, including the rules of the library, founding documents, library histories, and the value of the books. ","\nTitles were often abbreviated, especially in the working catalogs, and dates of publication were often lacking. This can make identifying a work from the catalog difficult even when copies of it are extant elsewhere. ","\nCatalogs can be used reliably for most of the numerical listings in the circulation records for roughly 1801-1807, 1815-1848, 1856-1862, and 1874-1879. The 1815 catalog was not only bigger than the 1801, but had been renumbered. Because of this practice, the 1801 catalog cannot be relied upon for records prior to its implementation nor after the point in 1807-1808 when its successor went into effect. Since there is no way to know if the 1815 catalog was an extension of the 1808, it likewise cannot be trusted prior to implementation. The 1815 and its supplement were used for a longer period and the 1830-1848 used it as a base, although it altered its system of arrangement leaving around 30 or so numbers undefined for part of the 1830s. The 1856 printed and 1858-1860 working catalogs cover much of the same material and are usable for records into the Civil War. The 1856 is available online in a searchable format and organized to be browsed, while the working catalog is arranged by number. The 1876 copy of the catalog implemented in July 1874 is missing the letters O-P, but is otherwise usable for the last few years of circulation records. ","\nSee specific catalog notes for details. ","The 1801 catalog corresponds to the title numbers 1-452 in the circulations records from around 1802-1808 and offers the number of volumes and value for each. It is hard to be precise since the dates on which it came into and fell out of use at the library are unknown. The fact that books were removed as well as added at the time of its adoption and its organization suggest that it may not be reliable for the 1794-1796 circulation records, and possibly not even for books circulating earlier in 1801 which were likely identified by an earlier catalog. ","\nIn addition to a listing of books, the catalog includes the revised act of incorporation dated September 1799, the laws of the company passed on 2 November 1801 and an alphabetical membership list. \nAt the back is a list of book donations from largest to smallest, including the name of the donor, the total number of volumes donated, and a list of title numbers, along with an index to the catalog and some errata. ","\nIt was printed by Cottom and Stewart in Alexandria and sold for fifty cents a copy. ","This catalog of 1,027 titles includes the title number, number of volumes, and price, as well as a note to indicate whether something was a donation. It is a reliable reference for the decades that followed, but should be used with caution for earlier periods. Comparison with the 1801 catalog shows that titles were inserted with very low numbers, and it is unclear how the 1808 catalog was organized. Given the way the catalog was divided, there is no clear method by which accretions could have been added to the working catalog other than accession order, whereas the 1815 catalog required them to be categorized. ","\nIt is therefore logical to assume that numbers added in between catalog issuances were later changed, and that the 1815 catalog is probably not valid for the preceding period. ","\nThe full title of the catalog included the phrase \"to which are prefixed, the Act of Incorporation; the Laws of the Company, and the Names of the Members,\" but our copy contains only pages 11-46 and does not contain front matter. It is unclear whether the first ten pages were removed, or John A. Stewart's edition was simply printed without them. ","This printed catalog supplement extends the 1815 catalog from #1,027 to #1,728 updating it to August 1830. It was likely published around that time by William Greer, printer, and matches the titles. It matches the numbers of a listing of books dated 1828 in one of the circulation books suggesting that no rearrangement of newer books occurred prior to publication. ","\nThe supplement has most of the same information as the 1815, offering the number, title, volume, and value of each title, but lacks its classification system by size and subject. Despite a short cross-listing of periodical works, it has neither the subject classification nor even alphabetization to make it a ready reference. ","This catalog contains a relisting of the contents of the 1815 catalog and supplement sorted by the first letter of the alphabet with pamphlets listed separately as well as books added between April 1833 and the suspension of library operations after 1848 listed by subject. Although its initial form was compiled by George Drinker some time earlier, it does not appear to gone into effect until sometime after 1834 where there is a gap in circulation records. Because the numbering up to 1,725 remained the same, earlier print catalogs can also be employed for those number for the period from 1815-1848 even though this catalog alone can be used for the numbers 1,726-1,793 during that period.","\nAdditions beyond 1,793 are only usable for the period 1841-1848, because they were relisted here under a combined subject/numbering system after being originally cataloged differently up to around 1,825. The later rearrangement left no record of how those 30 or so numbers should be understood during the period before 1834.","\nThese later additions occupy the latter sections which include materials published from the late-1830s and early 1840s. Other indications of the ongoing nature of the listings include the blank entry for #351 at the end of Novels and Romances and the blank page with the heading \"Biography\" following the rest of that section.","\nThe third, and final section, is the \"List of Books from the Reading Room.\" These are dated 1840-1841, and consist almost entirely of new additions to the periodicals with a few exceptions, chiefly among the first few entries. This suggests that the page may not have been used for its original purpose.","\nThe title/subject organization of the latter part of the catalog is helpful in understanding acquisition priorities during the late-1830s and the Lyceum period of the 1840s.","\nThe inside cover contains a calendar for 1833 going through February 1834, with the Thursdays closest to the middle of each month marked (none are the dates of official meetings). There is also a 29 March 1830 inscription by Drinker, Treasurer, authorizing James Dunlap in financial matters while he is librarian, which may predate the decision to use the book as a catalog. Drinker may have done the first 1,725 entries at that time in preparation for the publication of the 1815 supplement.","As noted in its introduction, the 300 copies of the 1856 catalog were created not as \"a model catalog but such a one as would be practically useful to the readers of the library.\" It serves as a guide to the collection as contemporary subscribers would have known it, covering the first 4,473 volume numbers for this period. For looking up numbers from the circulation records, it is easier to use the searchable catalog of surviving books or the online version. For later acquisitions, one may use the manuscript catalog that was in use internally from 1858-1860 which is arranged by number.","\nIn addition to the aforementioned note on the catalog's creation, the catalog also includes a historical note on the early history of the library and a copy of the 1799 act of incorporation.","This catalog was implemented sometime in the fall of 1858 as an \"amendment\" to the catalog of 1856 and was likely expanded on an ongoing basis up to the Civil War. Since the 1856 catalog was presumably still in use by subscribers, the two contain largely the same information apart from three key differences. Firstly, the 1858 added accretions to the book collection, extending the book numbers from 4,473 to 5,063. The second difference is that it lists the books by number, to assist the librarians in managing the books, rather than by author and title, which in the 1856 catalog assisted subscribers in finding them. Lastly, it should be noted that titles in both catalogs are abbreviated in different ways.","\nDespite the overlap and differences of organization, a person looking up a number in the circulation records between February 1857 and 17 September 1859 may still find it easier to consult a searchable online version of the catalog and reserve use of the 1858 for its last 600 numbers. Starting on 27 September 1859, titles began to appear in the circulation records alongside the numbers, making either catalog usable for numbers below 4,474, although due to unpredictable title abbreviations numerical catalogs remained more reliable.","\nThe catalog was signed by a number of librarians of the company inside the front and back covers, sometimes more than once. This includes a listing made in 1871 which is notable for the presence of names not associated with the title \"librarian\" by the minutes.","The initial form of this catalog was compiled by Doctor Theo West and put into use on 10 July 1874, although there may have been additions by the time it was copied by the directors of the library company into its current form. It was intended for publication, but was later advertised as merely being available at the librarian's desk. It was therefore organized with the aim of finding books by title, like a printed catalog, rather than by number like the manuscript catalogs from before the Civil War. It remained in use until the company shut down after 1880.","\nThe book contains a detailed history of the library company including the text of the 1799 act of incorporation written by \"John Stewart, Keeper of the Rolls.\" It is also the only extant catalog with a book plate, albeit one with the shelf location and classification numbers left blank.","\nThe listing of books is missing the letters O and P at a point where the binding is broken, either because they were removed from this edition or never added in. Title information includes the title and number of each book as well as a \"case\" number (presumably for shelving) and occasional volume and date information. Space is left in many places for additional titles to be added, although in some cases this was handled by inserted slips of paper. For details on the organization of the title list see the arrangement note.","This listing of \"R\" titles is largely the same as that copied by the directors for the 1876 catalog, but appears to be in a different hand (most noticeably the number 8). The listing for \"S\" appears to be the same hand as \"R.\" Also included are two pieces of paper with additional titles, and notes in blue asking that additional space be left for new titles to be added. That feature of the main 1876 catalog is absent here and may be the reason it was not included in a complete volume.","The 1898 catalog provides the earliest record of the library's collection after its reestablishment by the Alexandria Library Association, including numbers of volumes and publications dates for each title. The subject classification allows a simple method of gauging the balance of the collection between different areas, particularly in comparison with the publications of 1906 and 1912. Handwritten notes seem to indicate additions and shelf locations, although the date and provenance of those notes is unclear.","A complete update to the 1898 catalog, the 1906 retained the same basic classification system apart from the addition of 3 new sub-classes. It also includes a chart of subscription prices for the library at the front giving lengths of time and numbers of books and a large number of advertisements from local businesses.","\nFor the new subclasses see arrangement note.","The 1912 supplement to the catalog includes additions to the library collection since 1906 as well as a listing of old magazines, which were not mentioned in the 1906 catalog. Most classification numbers were therefore unneeded. The bulk of the entries appear to be fiction and old magazines.","This typescript contains a listing of \"old magazines\" by title and volume that were in the collection in 1933. It also includes some notes on their condition, such as whether they were bound and missing covers, pages, and volumes.","The circulation records consist of bound volumes containing lists of books checked out. They typically list the name of the subscriber, the date, and some method of identifying the work along with various other details. For much of its history, the old library company identified books only by number, although titles and combinations of numbers and titles began appearing around 1845, with titles becoming commonplace after 1858.","\nThe catalogs can be used reliably for only some of the numerical listings due to additions following the publication of rapidly outdated catalogs and changes in numbering that preceded new ones. They are relevant to some of the numbers for 1801-1807, 1815-1848, 1856-1862, and 1874-1879 (see catalog series notes and below). Because of possible renumbering, the 1801 catalog cannot be relied upon for records prior to its implementation nor after the point in 1807-1808 when its successor went into effect. Since there is no way to know if the 1815 catalog was an extension of the 1808 or if it was the first to change the numbering from the 1801, it likewise cannot be trusted prior to its implementation.","\nThe 1815 and its supplement were used for a longer period and the 1834-1848 catalog used it as a base, despite altering its system of arrangement for later materials and leaving about 30 numbers unclear due to renumbering. The 1856 printed and 1858-1860 working catalogs cover much of the same material and are usable into the Civil War. Notably, the 1856 is available online in a searchable format. It was arranged to be browsed, while the working catalog is arranged by number only. The 1876 copy of the catalog implemented in July 1874 is missing the letters O-P, but is otherwise usable for the last few years of circulation records.","\nEven when numbers cannot be identified, useful information can be inferred from changes in the numbering system and preferences for numbers from particular periods, such as for new acquisitions. One can also use the records to quantify the level of patronage as a whole in various periods. There are no circulation records at the book level from the Alexandria Library Association (1897-1937) and later, although summary reports of circulation became common during the modern period and were often noted in minutes and annual reports.","\nThere are significant gaps in the circulation records, which nominally cover the period from November 1794 to January 1880. These come in several different types. Some of them appear to indicate missing volumes, including July 1795-June 1801, May 1811-February 1814, January 1835-Feburary 1841, September 1848-October 1858, and 1868-1870, but there are also gaps of a few months between volumes in 1805, 1824, 1846, 1871, and 1874. Additionally, there is a month of pages missing from the middle of 1831, and two pages are missing after October 1862, even though returns were noted as late December, before resuming in April 1868 (on the Civil War see the historical note for this series).","\nTitle numbers began at around 200, gradually rising to over 5,000 before the Civil War. After the war, numbers ran below 1,000 for the most part, before changing to numbers over 5,000 again on 4 December 1873 (p.279) and then dropping to lower numbers on 10 July 1874 (p.69), with some titles in the 5000s being renumbered to the 3000s.","\nMany of volumes contain lists of books in their front or back matter, usually including both titles and numbers. This is one of the only sources for matching that information for some periods of the library's history and includes the only reference to the 1808 catalog outside the minutes. They include lists of missing books (the 1822-1824 volume), books sent to be bound (1824-1828 and 1828-1831) and of the Waverly Novels (1822-1824).","\nChanges in the hand recording the information signal personnel changes, and many of the volumes were inscribed with the names of librarians or members of the company, occasionally accompanied by other kinds of scribbling as in 1814-1816, 1831-1834, and especially 1858-1868. There is also some doodling, which appears inside the covers in a modest way in the 1814-1816 volume and far more extensively in the 1841-1848 and 1858-1868 ones. The 1841-1848 also contains doodles among the actual circulation records.","\nFor the columns and specific information that varied over time see the arrangement note for this series.","Local History and Special Collections Branch, Alexandria Library","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Alexandria Library (Alexandria, Va.)","English"],"unitid_tesim":["MS002","/repositories/2/resources/128"],"normalized_title_ssm":["Alexandria Library Company Records (MS002)"],"collection_title_tesim":["Alexandria Library Company Records (MS002)"],"collection_ssim":["Alexandria Library Company Records (MS002)"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"geogname_ssm":["Libraries -- Subscription Libraries","Lectures and Lecturing","Associations, institutions, etc"],"geogname_ssim":["Libraries -- Subscription Libraries","Lectures and Lecturing","Associations, institutions, etc"],"creator_ssm":["Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)"],"creator_ssim":["Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)"],"creator_corpname_ssim":["Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)"],"creators_ssim":["Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)"],"places_ssim":["Libraries -- Subscription Libraries","Lectures and Lecturing","Associations, institutions, etc"],"access_subjects_ssim":["Public libraries."],"access_subjects_ssm":["Public libraries."],"has_online_content_ssim":["false"],"extent_ssm":["8.10 Cubic Feet 13 boxes, 2 oversize boxes, 1 record carton"],"extent_tesim":["8.10 Cubic Feet 13 boxes, 2 oversize boxes, 1 record carton"],"date_range_isim":[1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"altformavail_html_tesm":["\u003cp\u003eReel 00037, beginning of the reel.\u003c/p\u003e","\u003cp\u003eReel 00037, filmed after 1911-1930 volume but before the Executive minutes of 1938-1947.\u003c/p\u003e","\u003cp\u003eReel 00037 after 1794-1861 volume.\u003c/p\u003e","\u003cp\u003eReel 00037, following 1897-1911 volume.\u003c/p\u003e","\u003cp\u003eReel 00037 filmed after 1868-1879 minutes but before the 1938-1947 executive board minutes.\u003c/p\u003e","\u003cp\u003eIn 1967, Marjorie Darnell Evans completed a multi-year thesis project for Catholic University of America publishing a reorganized 1815 catalog in alphabetical order by author, and a typed copy of the original as an appendix, of which photocopies also exist.\u003c/p\u003e","\u003cp\u003eOn Archive.org \nhttps://archive.org/details/catalogueofalexa00alex/page/n5\u003c/p\u003e","\u003cp\u003eReel 00039\u003c/p\u003e"],"altformavail_heading_ssm":["Microfilm Copy","Microfilm Copy","Microfilm Copy","Microfilm Copy","Microfilm Copies","Existence and Location of Copies","Digitized Copy","Microfilm Copy"],"altformavail_tesim":["Reel 00037, beginning of the reel.","Reel 00037, filmed after 1911-1930 volume but before the Executive minutes of 1938-1947.","Reel 00037 after 1794-1861 volume.","Reel 00037, following 1897-1911 volume.","Reel 00037 filmed after 1868-1879 minutes but before the 1938-1947 executive board minutes.","In 1967, Marjorie Darnell Evans completed a multi-year thesis project for Catholic University of America publishing a reorganized 1815 catalog in alphabetical order by author, and a typed copy of the original as an appendix, of which photocopies also exist.","On Archive.org \nhttps://archive.org/details/catalogueofalexa00alex/page/n5","Reel 00039"],"arrangement_html_tesm":["\u003cp\u003eThe accounting records in the subscription books shifted back and forth between two systems, one listing transactions chronologically and the other listing them under the names of individuals.\u003c/p\u003e\n","\u003cp\u003e\nWith the exception of the 1826-1854 book, all entries are characterized by double-entry bookkeeping, with the left side page documenting money going out (\"to\"), and the right hand page documenting money coming in (\"by\"), this can be confusing as bills for subscriptions seem at times to have been listed in the outgoing section.\u003c/p\u003e\n","\u003cp\u003e\nMost of the books begin with indexes of numbered names in no clear order. The same numbers appear in columns toward the right of the accounts pages, just before the amounts, apparently signifying people and groups with which the transactions were undertaken. These numbers should not be confused with the columns on the left indicating the calendar day. They were dropped around 1826.\u003c/p\u003e\n","\u003cp\u003e\nPayments under the names of individuals appear in the first part of the 1794-1799 volume, the latter parts of the 1799-1809 and 1809-1819 volumes, and throughout the bulk of the two volumes covering 1820-1828.\u003c/p\u003e","\u003cp\u003eArrangement is by year of lecture under its title and orator apart from the seat plan and correspondence on administrative issues. Those are arranged chronologically. Lectures in the modern series were assigned numbers by the Library Company until 1980.\u003c/p\u003e","\u003cp\u003eThe printed 1801 and 1815 catalogs were arranged by subject and size, with the 1815 supplement seemingly arranged in accession order. \u003c/p\u003e\n","\u003cp\u003e\nThe 1856 printed catalog was arranged alphabetically by author or title. \u003c/p\u003e\n","\u003cp\u003e\nWorking catalogs are arranged by number, except that the 1830-1848 switched to a subject system sometime after 1834 and the 1876 is arranged alphabetically. \u003c/p\u003e\n","\u003cp\u003e\nCatalogs from 1898 on use a version of the Dewey Decimal System. \nThe old magazines are arranged by title. \u003c/p\u003e\n","\u003cp\u003e\nSee individual arrangement notes for details. \u003c/p\u003e","\u003cul\u003e\n\u003cli\u003eCivil History, Voyages and Travels, Biography, Antiquities, Geography, and Maps etc. (p.13) \u003c/li\u003e\n\n\u003cul\u003e\n\u003cli\u003eFolios (1-9) \u003c/li\u003e\n\u003cli\u003eQuartos (10-24) \u003c/li\u003e\n\u003cli\u003eOctavos (25-109) \u003c/li\u003e\n\u003cli\u003eDuodecima and Infra (110-151) \u003c/li\u003e\n\n\t\u003c/ul\u003e\n\u003cli\u003eEcclesiastical History, Theology, Didactic Pieces, Moral Philosophy, and Metaphysics (p.29) \u003c/li\u003e\n\n\u003cul\u003e\n\u003cli\u003eFolios (152-154) \u003c/li\u003e\t\n\u003cli\u003eQuartos (155-156) \u003c/li\u003e\n\u003cli\u003eOctavos (157-188) \u003c/li\u003e\n\u003cli\u003eDuodecima and Infra (189-218) \u003c/li\u003e\n\n\t\u003c/ul\u003e\n\u003cli\u003eArts and Sciences, Natural History, Natural Philosophy, and Miscellaneous Literature (p. 35) \u003c/li\u003e\n\n\u003cul\u003e\n\u003cli\u003eFolios (219-222) \u003c/li\u003e\n\u003cli\u003eQuartos (223-225) \u003c/li\u003e\n\u003cli\u003eOctavos (226-266) \u003c/li\u003e\n\u003cli\u003eDuodecima and Infra (267-293) \u003c/li\u003e\n\u003c/ul\u003e\n\u003cli\u003eLaw, Politics, Political Economy, Agriculture, Commerce, etc. (p.42) \u003c/li\u003e\n\n\u003cul\u003e\n\u003cli\u003eFolios (294-295) \u003c/li\u003e\n\u003cli\u003eQuartos (296) \u003c/li\u003e\n\u003cli\u003eOctavos (297-326) \u003c/li\u003e\n\u003cli\u003eDuodecima and Infra (327-338) \u003c/li\u003e\n\n\t\u003c/ul\u003e\n\u003cli\u003ePoetry, Plays, Belles Lettres, and Criticism etc. (p.47) \u003c/li\u003e\n\n\u003cul\u003e\n\u003cli\u003eOctavos (339-353) \u003c/li\u003e\n\u003cli\u003eDuodecima and Infra (354-385) \u003c/li\u003e\n\n\t\u003c/ul\u003e\n\u003cli\u003eNovels and Romances (p.52) \u003c/li\u003e\n\n\u003cul\u003e\n\u003cli\u003eOctavos (386) \u003c/li\u003e\n\u003cli\u003eDuodecimas and Infra (387-427) \u003c/li\u003e\n\n\t\u003c/ul\u003e\n\u003cli\u003eAppendix and Supplementary (428-452) (p.54) \u003c/li\u003e\n\u003c/ul\u003e","\u003cp\u003eThe 1,027 titles were assigned numbers according to the following classification system based on size and subject. The title counts are taken from Evans, 1967.\u003c/p\u003e","\u003cul\u003e\n\u003cli\u003eMiscellaneous Folios (21 titles) \u003c/li\u003e\n\u003cli\u003eMiscellaneous Quarto (33 titles) \u003c/li\u003e\n\u003cli\u003eCivil History, Voyages and Travels, Geography, Antiquities, Biography, etc. \u003c/li\u003e\n\n\u003cul\u003e\n\u003cli\u003eOctavos (223 titles) \u003c/li\u003e\n\u003cli\u003eDuodecima and Infra (95 titles) \u003c/li\u003e\n\n\t\u003c/ul\u003e\n\u003cli\u003eEcclesiastical History, Theology, Essays Moral and Religious, Moral Philosophy and Metaphysics etc. \u003c/li\u003e\n\u003cul\u003e\n\u003cli\u003eOctavos (54 titles) \u003c/li\u003e\n\u003cli\u003eDuodecima and Infra (47 titles) \u003c/li\u003e\n\u003c/ul\u003e\n\u003cli\u003eMiscellaneous _______ General Science, The Arts, Domestic Economy, Natural Philosophy, Periodical Essays, Magazines and Reviews, etc. \u003c/li\u003e\n\n\t\u003cul\u003e\n\u003cli\u003eOctavo (72 titles) \u003c/li\u003e\n\u003cli\u003eDuodecima and Infra (43 titles) \u003c/li\u003e\n\u003c/ul\u003e\t\n\u003cli\u003eLaw, Politics, Political Economy, Agriculture, Commerce, etc. \u003c/li\u003e\n\u003cul\u003e\n\u003cli\u003eOctavo (60 titles) \u003c/li\u003e\n\u003cli\u003eDuodecima and Infra (13 titles) \u003c/li\u003e\n\u003c/ul\u003e\n\u003cli\u003ePoetry, the Drama, Belles Lettres, and Criticism\u003c/li\u003e\n\u003cul\u003e\n\u003cli\u003eOctavo (39 titles) \u003c/li\u003e\n\u003cli\u003eDuodecima and Infra (13 titles) \u003c/li\u003e\n\u003c/ul\u003e\n\u003cli\u003eNovels and Romances etc. (130 titles) \u003c/li\u003e\n\n\u003cli\u003eAppendix-Supplementary and Miscellaneous (30 titles) \u003c/li\u003e\n\u003c/ul\u003e","\u003cp\u003eThe catalog uses a numbering system in which the full number is given only every hundred and but which otherwise provides only the last two digits, hence the sequence: 98, 99, 1100, 01, 02. \u003c/p\u003e\n","\u003cp\u003e\nThe main portion of the catalog appears to be in accession order. At the end of the numbers #1,028-#1,728, a cross-listing of about 20 periodical works appears.\u003c/p\u003e","\u003cul\u003e\n\u003cli\u003eHistory #1-122\u003c/li\u003e\n\u003cul\u003e\n\u003cli\u003e-Ecclesiastical History\u003c/li\u003e\n\u003c/ul\u003e \n\u003cli\u003eBiography #1-145\u003c/li\u003e\n\u003cli\u003eVoyages and Travels #1-213\u003c/li\u003e\n\u003cli\u003eTheology #1-113\u003c/li\u003e\n\u003cli\u003eLexicography [crossed out] #1-6\u003c/li\u003e\n\u003cli\u003ePeriodicals #1-31\u003c/li\u003e\n\u003cli\u003eNovels and Romances #1-350\u003c/li\u003e\n\u003c/ul\u003e","\u003cp\u003eAs well as the unnumbered subjects: \u003c/p\u003e","\u003cul\u003e\n\n\u003cli\u003ePoetry, Belles Letters and the Drama\u003c/li\u003e\n\n\u003cli\u003eLexicography, Statistics and Encyclopedia\u003c/li\u003e\n\n\u003cli\u003eChemistry, Minerology, Surgery, and Materia Medica\u003c/li\u003e\n\n\u003cli\u003ePeriodicals, Philosophy, and Miscellaneous and General Science\u003c/li\u003e\n\n\u003cli\u003eLaw, Oratory of the Bar, and Military and Political Journals\u003c/li\u003e\n\u003c/ul\u003e","\u003cp\u003eThe catalog is arranged alphabetically, usually by author, but otherwise by title. Different volumes bear different numbers. A certain amount of cross-listing is also evident, most obviously through the appendix of Tours, Voyages, and Travels, containing works listed by country that also appear in the main catalog by author. Multi-volume works have the number of volumes indicated following their titles, their numbers end with hyphens to indicate an ascending number for each successive volume.\u003c/p\u003e\n","\u003cp\u003e\nThere are some variations in how titles are counted. The \"Edinburg Encyclopedia\" for example is listed as #1- with 21 volumes but under \"Encyclopedia, Domestic\" it is listed as \"Edinburg\" with 18 volumes and a separate 3 volume supplement at #19-.\u003c/p\u003e","\u003cp\u003eThe catalog is arranged numerically from 1 to 5,063 following the model of the 1815 Supplement, with numbers greater than 100 being listed in full only every 100 numbers and at the top of each page, but otherwise by their last two digits (e.g. 98, 99, 3900, 1, 2).\u003c/p\u003e\n","\u003cp\u003e\nEntries include the number, title, and volume of the work. The last three pages have volume numbers and titles. Their sequence is unclear and some are periodicals.\u003c/p\u003e","\u003cp\u003eThe arrangement of the catalog is alphabetical by title with a few additional sections by subject.  The alphabetical portion includes the letters A-N and Q-Y with the letters O and P missing. The subject headings are \"History\" after \"H,\" \"Letters\" after \"L,\" \"Memoirs\" after \"M,\" and \"British Prose Writers\" after \"P.\" A similar practice was used for the \"Pamphlets\" section of Drinker's catalog of the 1830-1848.  Books are numbered up to 4,314.\u003c/p\u003e","\u003cp\u003eThe main listing of titles is alphabetical by titles beginning with the letters \"R\" and \"S.\"\u003c/p\u003e","\u003cp\u003eArrangement is by classification number and title based on a version of the Dewey Decimal System, but differs from the fifth edition (1894) in some respects, such as listing 973 as \"Egypt\" rather than the United States. (see the 1894 at https://catalog.hathitrust.org/Record/007477697)\u003c/p\u003e\n","\u003cp\u003e\nClass headings and numbers are followed by subclass numbers, the first two letters of the author's name, and a number in case there are multiple books by that author. Volumes and publications dates are appended to the end of the title.\u003c/p\u003e\n","\u003cp\u003e\nCase numbers (shelf locations) have been written in by hand as well as additional titles written in the margins.\u003c/p\u003e","\u003cp\u003eThe classification is identical to the 1898 except for the added subheadings of Cuba, Japan, and Korea.\nThere is an alphabetical index of subjects.\u003c/p\u003e","\u003cp\u003eThe 1912 supplement to the catalog was arranged according the same version of the Dewey Decimal System used in previous publications, with classification numbers for which no books were added to the collection omitted. The two lists of magazines divided them into bound and unbound collections, each arranged by title and date.\u003c/p\u003e","\u003cp\u003eAlphabetical by title. Note that bound and unbound magazines are grouped together, rather than separated as in the 1912 supplement list.\u003c/p\u003e","\u003cp\u003eThe original circulation book of 1794-1795 contains two different systems for tracking loans and borrowers. The columns of the initial system included, from left-to-right: patron name, the time the book was out, book number, and book size. Each book size had its own column, which from left-to-right were folio, \"4-to\" (quarto), \"8-vo\" (octavio), \"12-mo\" (duodecimo or twelvemo), and \"16-mo\" (sextodecimo or sixteenmo).\u003c/p\u003e\n","\u003cp\u003e\nThis method was abandoned, and subsequently an attempt was made to record circulation by subscriber. Each subscriber was assigned a number and accorded a set of pages bearing that number instead of page numbers. An index of them appears at the back with some names crossed out. They are not in alphabetical order on the whole, and may represent the order in which they become subscribers. The left-hand pages list the books taken out and the right-hand pages represent returns. As such, similar years and dates are repeated on both sides.\u003c/p\u003e\n","\u003cp\u003e\nBy the start of the 1801-1805 records, the library \nhad switched to a chronological format, which was flexible enough to accommodate increases in the number of subscribers and variations in their degree of patronage but at the cost of making an individual's activity more difficult to isolate. Columns consisted of: patron, title number and volume number, date and day of the week, date returned, and the number of days late and fine (if any).\u003c/p\u003e\n","\u003cp\u003e\nThis remained standard through 1834 with minor variations, like the addition of a date at the top of the page in the 1814-1818 volume, which lasted into the 1830s, and a key for marks indicating returns and renewals in the 1822-1824 volume.\u003c/p\u003e\n","\u003cp\u003e\nThe 1841-1848 volume introduced a new system which separated each set of records into daily sections, with a heading for each day. The columns from left-to-right provided: title number, patron name, returned date, and subject section; the latter being a feature of the working catalog in use at the time.\u003c/p\u003e\n","\u003cp\u003e\nAbbreviated titles started to appear near the end of June 1845, with some of them being numbered and others not. By July 1845, a majority of the entries were like that. This method disappeared and reappeared over the years that followed.\u003c/p\u003e\n","\u003cp\u003e\nBetween September 1846 and September 1848 the circulation records were kept in the second part of an account book (see notes for the subscription series). The subject system continued during this period under a new organization of columns, consisting of: subject, number (within subject), patron name (with volume number), and finally a column with either a note saying \"return,\" a date, or often a blank field.\u003c/p\u003e\n","\u003cp\u003e\nThe 1857-1858 volume has alphabetical tabs on which patrons are recorded chronologically under the first letter of their name. The columns are also different. From left-to-right they include:  date, patron name (including institutions), title number, and return date. The year is given at the top. In place of a return note, some fields contain other notes like \"mistake\" or \"transferred to Roxbury,\" which are open to interpretation. Titles resume appearing in place of numbers in mid-1858.\u003c/p\u003e\n","\u003cp\u003e\nThe volume covering 1862-1868 shows considerable variation. Initially it featured columns on the left with headings for each day followed by the patron name, while on the right the columns showed the title number and return date. Starting on September 27, 1859 (page 114), the left-hand column was divided between patron name and title, while the columns for title number and return date on the right remained in place. From March 1860 (page 127) to March 1861 (page 175) it returned to the earlier format.\u003c/p\u003e\n","\u003cp\u003e\nThe 1870-1871 volume introduced the columns that would be standard for most of the remainder of the series ending in 1880. They consisted of checkout date, patron name, book title, title number, and return date. The exception was a period beginning in May 1871 and ending on 1 January 1872 of the 1871-1872 volume. During that period, the records provided sections by patron name, with columns for checkout date, title, and return date. There were no title numbers during that period. The arrangement of names was partially alphabetized, possibly reflecting the addition of new names to an originally alphabetical arrangement.\u003c/p\u003e\n","\u003cp\u003e\nIt can be difficult to tell what year it is in some of the later volumes. In the 1872-1874 volume year breaks occur on pages 113 (1873) and 292 (1874). In the 1874-1880 volume they occur on pages 137 (1875), 275 (1876), 345 (1877), 375 (1878), 434 (1879), and 454 (1880).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The accounting records in the subscription books shifted back and forth between two systems, one listing transactions chronologically and the other listing them under the names of individuals.","\nWith the exception of the 1826-1854 book, all entries are characterized by double-entry bookkeeping, with the left side page documenting money going out (\"to\"), and the right hand page documenting money coming in (\"by\"), this can be confusing as bills for subscriptions seem at times to have been listed in the outgoing section.","\nMost of the books begin with indexes of numbered names in no clear order. The same numbers appear in columns toward the right of the accounts pages, just before the amounts, apparently signifying people and groups with which the transactions were undertaken. These numbers should not be confused with the columns on the left indicating the calendar day. They were dropped around 1826.","\nPayments under the names of individuals appear in the first part of the 1794-1799 volume, the latter parts of the 1799-1809 and 1809-1819 volumes, and throughout the bulk of the two volumes covering 1820-1828.","Arrangement is by year of lecture under its title and orator apart from the seat plan and correspondence on administrative issues. Those are arranged chronologically. Lectures in the modern series were assigned numbers by the Library Company until 1980.","The printed 1801 and 1815 catalogs were arranged by subject and size, with the 1815 supplement seemingly arranged in accession order. ","\nThe 1856 printed catalog was arranged alphabetically by author or title. ","\nWorking catalogs are arranged by number, except that the 1830-1848 switched to a subject system sometime after 1834 and the 1876 is arranged alphabetically. ","\nCatalogs from 1898 on use a version of the Dewey Decimal System. \nThe old magazines are arranged by title. ","\nSee individual arrangement notes for details. ","Civil History, Voyages and Travels, Biography, Antiquities, Geography, and Maps etc. (p.13)  Folios (1-9)  Quartos (10-24)  Octavos (25-109)  Duodecima and Infra (110-151)  Ecclesiastical History, Theology, Didactic Pieces, Moral Philosophy, and Metaphysics (p.29)  Folios (152-154)  Quartos (155-156)  Octavos (157-188)  Duodecima and Infra (189-218)  Arts and Sciences, Natural History, Natural Philosophy, and Miscellaneous Literature (p. 35)  Folios (219-222)  Quartos (223-225)  Octavos (226-266)  Duodecima and Infra (267-293)  Law, Politics, Political Economy, Agriculture, Commerce, etc. (p.42)  Folios (294-295)  Quartos (296)  Octavos (297-326)  Duodecima and Infra (327-338)  Poetry, Plays, Belles Lettres, and Criticism etc. (p.47)  Octavos (339-353)  Duodecima and Infra (354-385)  Novels and Romances (p.52)  Octavos (386)  Duodecimas and Infra (387-427)  Appendix and Supplementary (428-452) (p.54) ","The 1,027 titles were assigned numbers according to the following classification system based on size and subject. The title counts are taken from Evans, 1967.","Miscellaneous Folios (21 titles)  Miscellaneous Quarto (33 titles)  Civil History, Voyages and Travels, Geography, Antiquities, Biography, etc.  Octavos (223 titles)  Duodecima and Infra (95 titles)  Ecclesiastical History, Theology, Essays Moral and Religious, Moral Philosophy and Metaphysics etc.  Octavos (54 titles)  Duodecima and Infra (47 titles)  Miscellaneous _______ General Science, The Arts, Domestic Economy, Natural Philosophy, Periodical Essays, Magazines and Reviews, etc.  Octavo (72 titles)  Duodecima and Infra (43 titles)  Law, Politics, Political Economy, Agriculture, Commerce, etc.  Octavo (60 titles)  Duodecima and Infra (13 titles)  Poetry, the Drama, Belles Lettres, and Criticism Octavo (39 titles)  Duodecima and Infra (13 titles)  Novels and Romances etc. (130 titles)  Appendix-Supplementary and Miscellaneous (30 titles) ","The catalog uses a numbering system in which the full number is given only every hundred and but which otherwise provides only the last two digits, hence the sequence: 98, 99, 1100, 01, 02. ","\nThe main portion of the catalog appears to be in accession order. At the end of the numbers #1,028-#1,728, a cross-listing of about 20 periodical works appears.","History #1-122 -Ecclesiastical History Biography #1-145 Voyages and Travels #1-213 Theology #1-113 Lexicography [crossed out] #1-6 Periodicals #1-31 Novels and Romances #1-350","As well as the unnumbered subjects: ","Poetry, Belles Letters and the Drama Lexicography, Statistics and Encyclopedia Chemistry, Minerology, Surgery, and Materia Medica Periodicals, Philosophy, and Miscellaneous and General Science Law, Oratory of the Bar, and Military and Political Journals","The catalog is arranged alphabetically, usually by author, but otherwise by title. Different volumes bear different numbers. A certain amount of cross-listing is also evident, most obviously through the appendix of Tours, Voyages, and Travels, containing works listed by country that also appear in the main catalog by author. Multi-volume works have the number of volumes indicated following their titles, their numbers end with hyphens to indicate an ascending number for each successive volume.","\nThere are some variations in how titles are counted. The \"Edinburg Encyclopedia\" for example is listed as #1- with 21 volumes but under \"Encyclopedia, Domestic\" it is listed as \"Edinburg\" with 18 volumes and a separate 3 volume supplement at #19-.","The catalog is arranged numerically from 1 to 5,063 following the model of the 1815 Supplement, with numbers greater than 100 being listed in full only every 100 numbers and at the top of each page, but otherwise by their last two digits (e.g. 98, 99, 3900, 1, 2).","\nEntries include the number, title, and volume of the work. The last three pages have volume numbers and titles. Their sequence is unclear and some are periodicals.","The arrangement of the catalog is alphabetical by title with a few additional sections by subject.  The alphabetical portion includes the letters A-N and Q-Y with the letters O and P missing. The subject headings are \"History\" after \"H,\" \"Letters\" after \"L,\" \"Memoirs\" after \"M,\" and \"British Prose Writers\" after \"P.\" A similar practice was used for the \"Pamphlets\" section of Drinker's catalog of the 1830-1848.  Books are numbered up to 4,314.","The main listing of titles is alphabetical by titles beginning with the letters \"R\" and \"S.\"","Arrangement is by classification number and title based on a version of the Dewey Decimal System, but differs from the fifth edition (1894) in some respects, such as listing 973 as \"Egypt\" rather than the United States. (see the 1894 at https://catalog.hathitrust.org/Record/007477697)","\nClass headings and numbers are followed by subclass numbers, the first two letters of the author's name, and a number in case there are multiple books by that author. Volumes and publications dates are appended to the end of the title.","\nCase numbers (shelf locations) have been written in by hand as well as additional titles written in the margins.","The classification is identical to the 1898 except for the added subheadings of Cuba, Japan, and Korea.\nThere is an alphabetical index of subjects.","The 1912 supplement to the catalog was arranged according the same version of the Dewey Decimal System used in previous publications, with classification numbers for which no books were added to the collection omitted. The two lists of magazines divided them into bound and unbound collections, each arranged by title and date.","Alphabetical by title. Note that bound and unbound magazines are grouped together, rather than separated as in the 1912 supplement list.","The original circulation book of 1794-1795 contains two different systems for tracking loans and borrowers. The columns of the initial system included, from left-to-right: patron name, the time the book was out, book number, and book size. Each book size had its own column, which from left-to-right were folio, \"4-to\" (quarto), \"8-vo\" (octavio), \"12-mo\" (duodecimo or twelvemo), and \"16-mo\" (sextodecimo or sixteenmo).","\nThis method was abandoned, and subsequently an attempt was made to record circulation by subscriber. Each subscriber was assigned a number and accorded a set of pages bearing that number instead of page numbers. An index of them appears at the back with some names crossed out. They are not in alphabetical order on the whole, and may represent the order in which they become subscribers. The left-hand pages list the books taken out and the right-hand pages represent returns. As such, similar years and dates are repeated on both sides.","\nBy the start of the 1801-1805 records, the library \nhad switched to a chronological format, which was flexible enough to accommodate increases in the number of subscribers and variations in their degree of patronage but at the cost of making an individual's activity more difficult to isolate. Columns consisted of: patron, title number and volume number, date and day of the week, date returned, and the number of days late and fine (if any).","\nThis remained standard through 1834 with minor variations, like the addition of a date at the top of the page in the 1814-1818 volume, which lasted into the 1830s, and a key for marks indicating returns and renewals in the 1822-1824 volume.","\nThe 1841-1848 volume introduced a new system which separated each set of records into daily sections, with a heading for each day. The columns from left-to-right provided: title number, patron name, returned date, and subject section; the latter being a feature of the working catalog in use at the time.","\nAbbreviated titles started to appear near the end of June 1845, with some of them being numbered and others not. By July 1845, a majority of the entries were like that. This method disappeared and reappeared over the years that followed.","\nBetween September 1846 and September 1848 the circulation records were kept in the second part of an account book (see notes for the subscription series). The subject system continued during this period under a new organization of columns, consisting of: subject, number (within subject), patron name (with volume number), and finally a column with either a note saying \"return,\" a date, or often a blank field.","\nThe 1857-1858 volume has alphabetical tabs on which patrons are recorded chronologically under the first letter of their name. The columns are also different. From left-to-right they include:  date, patron name (including institutions), title number, and return date. The year is given at the top. In place of a return note, some fields contain other notes like \"mistake\" or \"transferred to Roxbury,\" which are open to interpretation. Titles resume appearing in place of numbers in mid-1858.","\nThe volume covering 1862-1868 shows considerable variation. Initially it featured columns on the left with headings for each day followed by the patron name, while on the right the columns showed the title number and return date. Starting on September 27, 1859 (page 114), the left-hand column was divided between patron name and title, while the columns for title number and return date on the right remained in place. From March 1860 (page 127) to March 1861 (page 175) it returned to the earlier format.","\nThe 1870-1871 volume introduced the columns that would be standard for most of the remainder of the series ending in 1880. They consisted of checkout date, patron name, book title, title number, and return date. The exception was a period beginning in May 1871 and ending on 1 January 1872 of the 1871-1872 volume. During that period, the records provided sections by patron name, with columns for checkout date, title, and return date. There were no title numbers during that period. The arrangement of names was partially alphabetized, possibly reflecting the addition of new names to an originally alphabetical arrangement.","\nIt can be difficult to tell what year it is in some of the later volumes. In the 1872-1874 volume year breaks occur on pages 113 (1873) and 292 (1874). In the 1874-1880 volume they occur on pages 137 (1875), 275 (1876), 345 (1877), 375 (1878), 434 (1879), and 454 (1880)."],"bioghist_heading_ssm":["Biographical / Historical","Presidents and Librarians of the Library","Historical Note","Biographical / Historical","Historical Note","Historical Note"],"bioghist_tesim":["In the 1780s, a discussion group of Alexandria gentlemen called \"The Society for the Promotion of Useful Knowledge\" was formed. In 1794, many of these same individuals gathered to form the nucleus of the Alexandria Library Company (ALC). The ALC was a subscription library modelled after the Philadelphia Library Company, which had also emerged from such a club. ","Society president Reverend John Muir became president of the ALC, a position he would hold for almost 20 years. Many of the library's founders are known to have been members of local Masonic lodges. Elisha Cullen Dick, who had succeeded George Washington as the leader of Lodge 22, was among the first directors of the ALC as well as the secretary of the earlier Society. The first Librarian was Edward Stabler, the proprietor of an apothecary shop. In 1796, Stabler was replaced by James Kennedy, who served as librarian until 1818. Overlaps and family links between the leadership of the library and other Alexandria institutions remained common over the next century and a half. ","For a time, the Alexandria Lyceum (founded in 1838) and the ALC shared a physical space as well as similar missions. The Alexandria Lyceum was founded as part of a national movement focused on educational lectures. The union between the two organizations was dissolved in 1844, but the library continued to rent space from the Lyceum. The library was later said to have been in a state of \"suspended animation\" from around 1846 to 1852. In 1852, a \"Young Men's\" group took over under the original charter, publishing a new catalog in 1856. The library continued to operate into the Civil War. It remained in the Lyceum but not without acrimony, which is evident in the Alexandria Gazette in 1860. ","In October 1867, an agreement was reached with what was variously referred to as the Alexandria Christian Association and the YMCA for assistance with running the library. The library separated from this organization during the early 1870s. By the second half of the 1870s, the library fell into a decline which the directors blamed on the lack of a published catalog. ","The first library catalog had been prepared by Kennedy in 1796 and published sometime thereafter. The earliest catalog of which there is an extant copy was published in 1801, followed by another in 1808 of which there are few traces. A more enduring catalog was created in 1815. The 1830s saw publication of a supplement to the 1815 catalog and the creation of a working catalog that would be used into the late 1840s. Normal circulation records end in April 1861 when the library was converted into a military hospital. There are stray entries in May and December before operations resumed on a limited basis in May 1862 and continued at least through that year. Over a thousand volumes were lost during the war. Due to the decline in usage in the 1870s, a new catalog was produced by librarian Emma J. Young in 1872 but never published. After two years with Young's catalog, another was commissioned from Dr. Theo West, which also went unpublished. As a stopgap, handwritten copies were used by patrons. In 1898, a new catalog was created which utilized a decimal system for the first time. The last published catalog was a supplement to the 1912 version. ","In the late 1870s, appeals were made to the men of Alexandria for support,. The directors met with another \"Young Men's Library Association\" in 1878 without success, records of operations stop after January 1880.","The Gazette reported in January 1881 that the books were now in the custody of the school board, whose membership included William F. Carne, a former library company director and the son of one its former presidents. In May 1887 it reported that Carne, as leader of the board's library committee, was inviting associations wishing to participate in re-opening the library to a meeting at the Peabody school building where the books were held, and explained that he had always intended a reading room to be opened to the public once space was freed up for that purpose.","In June 1887, the Gazette reported that the \"Reading Circle of Washington and Lee Schools\" organized by teachers two years prior and the YMCA would operate the free library during the summer, in the hope that in September \"an effort will be made, with a very fair prospect of success, to re-organize the Library Company.\" Gazette reports in 1890 and 1891 refer to continued efforts by Carne and others to \"re-open\" the library, and in 1892 being part of a \"committee on the project for a free public library,\" but they did not succeed.","In the decades after 1870s librarianship not only professionalized but underwent a rapid gender shift, and apart from the periods in which there was no librarian for financial reasons, no male librarians seem to have been employed until well into the 20th century. Women's library organizations had become common nationally, and along with the philanthropy of Andrew Carnegie played a major role in the growth of public libraries in America starting in the late 19th century.","In September 1897, the Alexandria Library Association led by Virginia Corse received custody of the books then in possession of the school board. With a modest donation from Carnegie, by 1898 the library was back in business, but as a subscription library, it would not become a free public library for almost 40 years. The new library needed a new librarian, and after one or two initial hires, the association found Alice Green (1865-1956), who would serve from 1902-1937 and in a lesser capacity into the mid-1940s. During this period, space for the library was rented from the United Daughters of the Confederacy (UDC).","The Depression brought financial hardship. As the crisis worsened in early 1931, the association had obtained $1,000 from the city council to form \"a nucleus for the establishment of a public library.\" Discussion of becoming a public library had been common since the 1920s, as the efforts of Carnegie and others had made them the norm nationally. Attempts were made to sell older books and hold fundraisers as subscription fees dried up. There was also a dispute with the UDC over a rent increase in 1933. The library was aided by the wealth of its members, including a $5,000 bequest in 1935 from its long-time treasurer, Margaret L. Smoot.","Members built political support both on the council and among the public in the mid-1930s and in 1937 it was agreed that a building would be constructed on the site of the old cemetery of the Society of Friends and that the city government would cover annual expenses of no more than $5,000 for the association to operate a free library. One member of the board would be appointed by the city. The new governing organization was rebranded the Alexandria Library Society.  Agreements were signed in January, and the library opened at the Kate Waller Barrett Branch's current location, 717 Queen Street.","Another change after 1937 was the gender composition of the leadership. Men served on the board of the new Society and played prominent roles after 1937. After 1948 they typically occupied the presidency of the organization. Most elections were unanimous, often with women casting most of the votes, but it ceased to be a women's organization. ","In 1945 a technicality in the Society's contract with the city was brought to the attention of the board. Namely that the $5,000 the city was obligated to provide each year was not the minimum but rather the maximum contribution, and that the higher appropriations it had been making were illegal. The city took this as an opportunity to demand a contract change beyond the funding formula. Although the men of the city council had representation on the board, the women of the Society were still ultimately running the library, and the Society was asked to allow a majority of the executive board to be appointed by the city, and a minority by the Society. That the city legally \"owned the building and all its contents\" so long as it paid $5,000 per year was also pointed out. The Alexandria Library Society signed the new contract, surrendering control of the library in November 1947. In its reduced role, the Society still elected members to the board and received reports from the librarian. It also retained independent funds that could be used for the benefit of the library. With the library now fully the city's responsibility, the membership was also able to more openly advocate for additional funding.","Another longstanding issue at the library was race. The president's 1928 annual report had endorsed becoming a \"free city library,\" but feared that becoming a Carnegie library \"would bring in some elements hitherto unknown and I think undesirable in our Library.\" In the 1930s the library association favored providing segregated facilities, but, after repeated meetings with the city council, failed to achieve even that modest goal. In the 13 March, 1939, minutes, the issue was revisited yet again, but without result. ","Four days later on 17 March 1939, Sergeant George Wilson was turned down for a library card because of his race and Samuel Tucker filed a civil rights lawsuit against the librarian on his behalf. Plans for a segregated facility were dusted off, and new staff was hired so that the librarian could focus on the controversy. On 21 August 1939, several black men organized by Tucker entered the library and followed Wilson's example, but after being refused, seated themselves in the library with books, beginning America's first library sit-in. It ended only after the city manager called the police, and all were arrested. The lawsuit was dismissed on technical grounds, but to prevent a new lawsuit the city approved the Robert H. Robinson branch, which opened in 1940. Tucker refused to accept a card there. ","A major issue in the early 1950s was the push to expand the overcrowded main library serving the white community. The white librarian at the time, who had been hired in a junior capacity during Tucker's campaign in 1939, suggested to the Society that the expansion could be an opportunity to integrate. In the midst of the debates over expansion and additional funding, an opportunity emerged to purchase a neighboring building on the corner of North Columbus and Queen, which was later demolished. This prompted a discussion about the Alexandria Library Society's connection to the original library company. It was decided to change the name from the \"Alexandria Library Society\" to the \"Alexandria Library Company,\" make the appropriate filings with the state government, and reinstate the 1799 charter, which would be revised by the legislature in the 1980s to help obtain tax-exempt status from the IRS.","This name change was completed at one of the company's most consequential meetings in February 1956. Every member was asked to sign their name in the minute book to signal their assent. A letter from a local civil rights activist questioning the legality of library segregation was also read, but deemed the province of the library board, which referred the matter back to the company whose reply is not preserved.","Member Mangum Weeks thereupon raised the question of the future role of the Library Company, and proposed resuming the tradition of annual lectures dating from the Lyceum period using funds from the newly instituted membership dues. This proposal was adopted, and preparing the annual lectures soon became a major focus of the Company. The Library Company continues to appoint members to the board of the Alexandria Library and hold its annual lecture series. It commissioned a new history of the library by William Seale in 2007, which can be found at the Local History and Special Collections Branch.","Chronological listings for both presidents of the board and librarians up to the modern day.","Presidents of the Library Company and Its Successors February 1794-February 1813 Rev. James Muir February 1813-February 1815 Hugh Smith February 1815-March 1824 John Roberts March 1824-February 1829 Hugh Smith February 1829-February 1835 John Richards February 1835-February 1840 John Roberts February 1840-1852 Elias Harrison 1852-February 1855 J. Louis Kinzer February 1855-September 1858 Francis Miller September 1858- February 1859 Richard L. Carne February 1859-September 1859 Caleb S. Hallowell September 1859-February 1860 William G. Cazenove February 1860-February 1870 Richard L. Carne February 1870-February 1873 K. Kemper February 1873-October 1873 Samuel H. Janney October 1873-February 1874 Sidney C. Neale February 1874-June 1879 Mercer Slaughter September 1897-October 1905 Virginia Corse July 1906-June 1925 Mrs. Samuel. L. Monroe October 1925-April 1930 Loula Smoot April 1930-November 1933 Mrs. Henry B. Soule, [Jessie E. Soule] December 1933-December 1934 Mary Lloyd December 1934-December 1936 Susan Thomson December 1936-November 1937 Mrs. Louis Scott November 1937-November 1944 Mrs. Curtis Backus November 1944-November 1946 Mrs. [Lawrence] Fawcett, [Mary Fawcett] November 1946-November 1947 Howard Worth Smith November 1947-October 1948 [Miss Anne] Lewis Jones October 1948-October 1949 Miss Horne October 1949-October 1950 Mr. Stanley King October 1950-December 1951 Mr. [Joseph] Crockett December 1951-February 1955 Mr. Robert Moncure February 1955-February 1957 Dr. [W. Bruce] Silcox February 1957-February 1959 Stanley King February 1959-February 1962 Mangum Weeks February 1962-February 1963 Richard Bales February 1963-February 1965 Donald King February 1965-February 1967 David Squires February 1967-February 1969 Howard Worth Smith Jr. February 1969-February 1971 William Francis Smith February 1971-February 1972 John T. Ticer February 1972-February 1974 David M. Abshire February 1974-February 1976 Mrs. Merill Beede February 1976-February 1978 Mrs. Douglas Lindsey February 1978-February 1980 Clarke T. Cooper Jr. February 1980-February 1982 William Seale February 1982-February 1983 Denys Peter Myers February 1983-February 1985 William B. Hurd February 1985-February 1986 George J. Stansfield February 1986-February 1987 Dr. Ernest A. Connally February 1987-February 1989 Dr. Wilton C. Corkern, Jr. February 1989-March 1991 James M. Lewis March 1991-March 1992 Mrs. Anne Smith Paul March 1992-March 1993 Richard R. G. Hobson March 1993-March 1995 Dabney Waring March 1995-March 1997 James R. Hobson March 1997-March 1998 Robert C. Reed March 1998-March 2000 Neil Horstman March 2000-March 2002 Carroll Johnson March 2002-March 2003 Thomas C. Brown Jr.","Librarians of Alexandria February 1794-February 1796 Edward Stabler February 1796-February 1818 James Kennedy February 1818-August 1826 William Cranch August 1826-October 1829 W. Samuel Mark October 1829-March 1845 George Drinker March 1845-September 1845 James M. Eaches September 1845-September 1852 C.F. Stuart September 1852-April 1853 H. W. P. Junius September 1852-April 1853 L.? Hunter November 1853 Office Abolished February 1854-October 1855 E. M.[Magruder?] Lowe October 1855-September 1858 Norval E. Foard September 1858-February 1859 S. Scott February 1859-September 1859 Edward R. Roxbury September 1859-February 1860 James A. Clarridge February 1860-April 1861 Charles R. Burgess (acting) April 1861-Unknown Edwin N. Wise March 1868 Wr. Bushby April 1870-May 1871 August Henning July 1871-March 1872 W. F. Stansbury March 1872-August 1873 Emma J. Young October 1873-March 1876 Emily English March 1876 Position Eliminated June 1879 R. Pendleton Bruin (unofficial? acting?) October 1900-October 1903 F. Olive Lyons October 1903-April 1937 (continued part-time, mentioned up to 1946) Alice Green April 1937-December 1938 Miss Beatrice Workman January 1939-January 1941 Katherine Scoggin (later Martyn) February 1941-June 1948 Bessie Watson July 1948-June 1969 (hired part-time October 1939, letter of resignation later that month) Ellen C. Burke July 1969-October 1992 (librarian from 1958) Jeanne G. Plitt","The initial combination of financial and subscription records likely reflected the company's initial dependence on subscription fees, in contrast to the later subscription library in the city that relied more on donors. This recordkeeping system appears to have been a casualty of the merger with the Lyceum, which became official in early 1840.","\nAs the physical volume in use at that time was still mostly blank, it was repeatedly repurposed, first for additional circulation records (until these too lapsed) and later for a \"list of Stockholders and the amount due from each for the year commencing the 13th February 1854,\" which likely relates to the revitalization of the company after its agreement with the Young Men's group. The agreement required the men to find 100 subscribers, and the list was likely prepared for the annual meeting originally scheduled for 20 February (a week after the date on the list), at which it was decided to void the shares of individuals who had not paid.","The 1980 lecture of Dr. William Dudley on \"Captain Gordon and the Raid on Alexandria 1814\" was recorded but was left off the lists of annual lectures printed in later years. It marks the point at which the sequential numbering of annual lectures was stopped. The reason for this is unknown.","No catalog was published under the first librarian, but four were published during the 1796-1818 tenure of his successor.","\nOn 29 December 1796 he was directed to prepare a catalog of books \"classed according to their size and arranged in the order of the alphabet, with the number and cost or value of each,\" although a March 1797 entry suggests that it was still not complete four months later. No copy of this catalog has survived, but there would have been between 200 and 400 titles at that time.","\nThe growth of the collection was driven in part by the acceptance of books in place of subscription fees and the purchase of private libraries. In May 1800 a committee was formed to examine its acquisitions for books that were \"useless, superfluous or of immoral tendency,\" which decided in September to postpone acting on them until it was time to print a new catalog. That time came on 2 November 1801 when a committee was appointed to assist the librarian in creating a new catalog.","\nOn 1 February 1808 the board decided to print a new catalog at 50 cents a copy because \"many members were without any.\" On 2 May this catalog was reported to be largely complete. Another meeting was planned shortly thereafter so that it could be printed \"without delay.\" That meeting is undocumented, if indeed it took place. No copy of this catalog or any direct record of its publication is currently known. But it must have existed since it was referenced in a later circulation book and the librarian received a bonus for his work on it in March 1809.","\nOn 2 May 1814, it was decided to create another new catalog. It would eventually have 1,027 numbers, which circulation records show the library had reached by July 1814. On 14 November 1814, the librarian reported the catalog \"ready for the press.\" He was instructed to obtain 150 copies \"with all convenient dispatch,\" a number raised to 200 the following month. In February 1815, he reported the catalog \"about half-finished\" and presented a copy to the board, which set a price of 50 cents. In March he received compensation for \"his additional trouble in preparing the new catalogue for the press,\" suggesting that the printing had been completed.","\nThe 1815 catalog was later extended by a published supplement that added additional numbers. Unlike other printed works, there is no mention of when the supplement was produced in the minutes. It is, however, clear from circulation records that all its books had circulated by 14 August 1830. According to the minutes, a meeting had been called for 10 May 1830 only to be quickly adjourned \"there appearing no business requiring the attention of the board,\" and quarterly meetings on 2 August and 2 November were adjourned, lacking a quorum. The librarian at the time had replaced his predecessor in October 1829 and been confirmed in the position the following March. It seems plausible that he pushed to update the catalog after becoming librarian but that the question was either not deemed important or could not be addressed due to the lack of quorum but that it was printed in 1830 anyway.","\nAt the same time, a working catalog was created for use in the library itself. It is the earliest preserved catalog of this type but was probably not the first. It contains a relisting of the contents of the 1815 catalog and supplement sorted by the first letter of the alphabet with pamphlets listed separately as well as books added between April 1833 and the suspension of library operations after 1848 listed by subject. Although its initial form was compiled some time earlier, it does not appear to have come into use until sometime after 1834 where there is a gap in the circulation records. The first 1,725 entries may have been added at the time of the 1815 supplement with the shift to a new method of arrangement occurring later. ","\nOn 8 March 1856 a committee of the revived library company was assigned to rearrange and renumber the books for publication. On 29 November 1856, the board voted for 300 copies of the finished catalog to be produced.","\nOn 18 June 1858 board president Andrew Jamison resigned. On 4 September Richard L. Carne, the chairmen of the committee on the catalog and president pro-tem submitted \"his amendment to the catalog\" and appointed Sylvester Scott as librarian to constitute a \"committee of revisal.\" A new working catalog is preserved from this period continuing into the Civil War, although it does not appear to have been published.","\nFrom the reestablishment of the library in the late 1860s to its failure at the close of the 1870s the lack of a published catalog to advertise the available books was identified as a major issue. The last version of the catalog prior to the Civil War had contained over 5,000 books, of which it was estimated in 1871 that 1,000-1,500 had been lost.","\nCirculations records from the early 1870s feature book numbers around 1,000 that do not correspond to any known listing, and numbers were abandoned entirely from May 1871 to January 1872. It was decided on 2 October 1872 to create a new catalog, and the task was assigned to the new librarian, Emma Young. The fact that the numbers of the circulating books changed to include some with numbers over 5,000 after 4 December 1872 indicates that this work was completed, but it was never published and there is no surviving catalog from that period.","\nThe limited use of the catalog is evident from the prevalence of high numbered works among those in circulation. The highest numbers indicated recent acquisitions, which often received announcements in the Alexandria Gazette.","\nAt the 20 February 1874 meeting, it was noted that \"the last catalogue was published some years previous to the war and had become, by reasons of subsequent losses and additions, very incomplete\" and the board decided to appoint Dr. Theo West \"to catalogue and arrange the books.\" They planned to print the catalog in time for the 1875 annual meeting, but printing was postponed indefinitely. ","\nThe new catalog went into effect on 10 July 1874 as seen in the shift in circulation records from a system with numbers up to around 5,800 to a new catalog going to 4,314, but again they were unable to publish it.  Seven months later at the 19 February 1875 meeting, it was decided to arrange a printing \"as soon as possible,\" but this did not occur either.","\nOn 10 March 1876 the board decided upon a different plan. The catalog was to be divided among the directors so that copies might be made \"for the librarian's desk.\" The published account of the 21 February 1877 annual meeting noted that \"many persons have given as a reason for not becoming subscribers the inaccessibility of the old library which was not catalogued. This plea no longer holds.\" Doctor West's catalog \"copied by members of the Board without expense, bound in good style, can now always be found on the Librarian's desk.\" Operations ceased and the books went into storage a few years later.","\nAt the 8 January 1898 meeting of the newly formed Alexandria Library Association, it was moved that the \"the catalogue be printed at once\" with the addition of blank pages between the leaves for advertisements from city merchants.","\nThis catalog was the first to use a version of the Dewey Decimal System, which had become popular since its first publication in 1888, reaching its 5th edition in 1894. This was the first modern classification system in the history of the Alexandria Library.","\nSubsequent to the publication of the 1898 catalog in January of that year, there are several mentions of publishing \"supplements\" such as on 11 April 1899 and 11 July 1899 which may refer to the practice of publishing notices with the titles of new additions in the Alexandria Gazette, such as those of 6 July and 13 July 1899.","\nOn 1 January 1902 there was a push for a \"supplementary catalogue (being a catalogue of books up to date) be printed\" and the president appointed a committee for that purpose. It was postponed pending the catalog's completion. On 9 October 1906 the board voted to accept an offer from a Mr. White to print 1000 copies in return for advertising space. According to the 8 January 1907 minutes, the library was given half the copies of the 1906 catalog for free, of which it sold 200 and gave 300 away.","\nThe 12 April 1910 minutes mention a decision to \"again postpone the publication a supplementary catalogue.\" On 23 January 1912 it was again put off until the 9 April meeting, where it was decided for a new catalog to be printed and priced at five cents a copy and \"to have the names of the old magazines put into the new catalogue but not into the card catalogue.\" On 12 June 1912 it was reported that \"the catalogue was in the hands of the printer and that Mrs. Monroe was reading the proof\" and the \"new catalog\" was deemed \"ready for distribution\" on 8 October 1912.","\nThe annual report at that same meeting noted that \"the year has also seen the completion of the labelling, classifying, and cataloguing of all the old and valuable magazines which the Board has for so long a time desired to put into shape for distribution,\" which a review of the supplement suggests meant works in good condition available for circulation.","\nOn 11 April 1933 Mrs. Newell \"volunteered to catalogue old magazines in order that their value may be ascertained.\"  On 9 May 1933 she presented a \"typewritten list\" of \"old magazines\" for appraisal as part of their depression era fundraising efforts. On 10 October she reported them to be of \"no value\" and suggested having them sent to the Salvation Army for use as old paper. On 8 January 1934 the board approved this proposal for those magazines of \"no value,\" which do not appear to have included many titles listed in this catalog.","\nNo explicit reason for the abandonment of published catalogs after 1912 was given, but the allusion to card catalogs suggests that it was a final step in the transition from numerical catalogs, which favored bound volumes by allowing new titles to be added to the end of the sequence, to the Dewey Decimal System, which required new titles to be inserted in the correct place in the existing list and was more easily managed with cards which did not require leaving space for new titles as the 1876 catalog had.","The circulation records began with the original library company in 1794 and continued until its collapse in 1880. Some of the gaps in the records reflect periods during which its activity was disrupted.","\nDuring the War of 1812, British forces arrived in Alexandria on 29 August 1814 and remained there until 2 September. The library normally closed on Sundays, and remained closed from Sunday 28 August through Tuesday 30 August. It opened from 31 August to 2 September, during which time only four books circulated.","\nThe library was also affected by the Civil War. Hostilities between the Union and Confederacy began at Fort Sumter on 12 April 1861. A vote on Virginia secession was held on 17 April and ratified by a referendum on 23 May. Alexandria was occupied by Union forces the following day. Confederate forces had briefly made use of the Lyceum building housing the library, but it later served as a hospital for the Union. Some books were moved out but others were not.","\nIt is unclear were the library operated from in 1861 and 1862, but it did operate. There was a significant reduction in circulation leading up to the war, dropping to a single entry for 22 April 1861. Solitary patrons were recorded for 18th and 30th of May, and an individual withdrew a book every day through 21-25 December, although the May and December entries are in a different hand and initially broke with the format. In early June 1862 however, the library resumed semi-regular hours, usually opening only Tuesday and Thursday but occasionally other days. Records continue into mid-October, after which two pages are missing from the book before it resumes in 1868. Returns are dated as late as December 1862, and it is unclear when the library ceased operations.","\nAttempts to preserve the library in the late 1870s were unsuccessful, and the number of pages per year charts its decline and eventual failure over the second half of the decade."],"custodhist_html_tesm":["\u003cp\u003eVolume ended up with the Leadbeater family in the 1860s but was donated back in 1922. Was moved at one point in Collection 98 (Library Records after 1937) but was moved back to the Library Company Records in 2018.\u003c/p\u003e\n","\u003cp\u003eFilmed 5/1/1969\n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service\u003c/p\u003e","\u003cp\u003eFilmed 5/1/1969\n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service\u003c/p\u003e","\u003cp\u003eFilmed 5/1/1969 \n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service\u003c/p\u003e","\u003cp\u003eFilmed 5/1/1969\n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service\u003c/p\u003e","\u003cp\u003eFilmed 5/1/1969\n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service\u003c/p\u003e","\u003cp\u003eFilmed 5/1/1969\n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service\u003c/p\u003e","\u003cp\u003eA microfilm reproduction of a copy from the Library of Congress with an 1876 stamp donated as a gift of Mr. Allen Reese 3/1/49.\u003c/p\u003e"],"custodhist_heading_ssm":["Filming","Filming","Filming","Filming","Filming","Filming","Custodial History"],"custodhist_tesim":["Volume ended up with the Leadbeater family in the 1860s but was donated back in 1922. Was moved at one point in Collection 98 (Library Records after 1937) but was moved back to the Library Company Records in 2018.","Filmed 5/1/1969\n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service","Filmed 5/1/1969\n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service","Filmed 5/1/1969 \n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service","Filmed 5/1/1969\n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service","Filmed 5/1/1969\n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service","Filmed 5/1/1969\n\"Alexandria Library Minute Books - 6 Vols\"\nUniversity of Virginia Library Photographic Service","A microfilm reproduction of a copy from the Library of Congress with an 1876 stamp donated as a gift of Mr. Allen Reese 3/1/49."],"odd_html_tesm":["\u003cp\u003eThe binding is almost completely broken and many leaves are loose.\u003c/p\u003e"],"odd_heading_ssm":["Preservation Issues"],"odd_tesim":["The binding is almost completely broken and many leaves are loose."],"originalsloc_html_tesm":["\u003cp\u003eMs 2-2\u003c/p\u003e","\u003cp\u003eMs 2-3\u003c/p\u003e","\u003cp\u003eMs 2-3\u003c/p\u003e","\u003cp\u003eMs 2-3\u003c/p\u003e","\u003cp\u003eMs 2-3\u003c/p\u003e","\u003cp\u003eBox 98-2 Folder 16\u003c/p\u003e","\u003cp\u003eMs 2-9\u003c/p\u003e"],"originalsloc_heading_ssm":["Original","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["Ms 2-2","Ms 2-3","Ms 2-3","Ms 2-3","Ms 2-3","Box 98-2 Folder 16","Ms 2-9"],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|7a4491fe-5b8d-43e9-aa46-69ecce4c0734/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b7440eb8-cab3-49ef-a806-544c69df6052/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|45250c6e-0ae5-4c4b-8138-4c4c511858e8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4e39853c-b5a8-4675-a06f-7953899ae59a/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|fdb1b89e-1b2d-4dfd-9fa2-465e616067bf/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2dfd54ff-e8ce-43ba-9000-ab683da7a8ef/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2c80870f-ddfb-4167-8253-d65296d7cd86/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|ad158688-2c04-4ab7-afd1-df8e3379bae0/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|abf75092-01fd-4353-bede-44d7b5bbeb8f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|6be8ecf3-e13c-4657-a7cb-262a9f1f4a59/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|6906239b-1b0f-4b89-aec4-9aa352a5df59/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a7738ce6-d450-47bd-a4d5-1e83cbcbf467/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|497faa8c-6bf1-4057-8680-39ce21028a8d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|43e96f9a-0de2-4fcf-bda7-fc6c6012999b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|246a553a-bb3d-4758-b2ef-968fc9d23b9a/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|78a8358d-f035-4220-bd72-8bc1978f19f0/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e9186ddb-de0f-43a7-8acf-363c6be1cf83/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|5a7fe0d4-0da7-4532-a9c3-9213ecd39bb3/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|995b0274-3101-4553-aaee-70bcc822225b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|5e1c25f0-b2eb-4bbd-a254-8552d26c1615/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|453efb51-92e1-4f4c-b18d-fa7a15c12d01/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|794d5ea7-a3b9-4a44-89cb-a9affbfdcb68/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials"],"otherfindaid_tesim":["Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection"],"phystech_html_tesm":["\u003cp\u003eMany of the books have damaged bindings or missing covers. The 1801-1805 volume has both problems, while the 1809-1811 is missing a page and the front cover. The 1814-1816 is also missing pages, as is the 1858-1868 volume for the crucial period of 1862-1863.\u003c/p\u003e"],"phystech_heading_ssm":["Preservation Issues"],"phystech_tesim":["Many of the books have damaged bindings or missing covers. The 1801-1805 volume has both problems, while the 1809-1811 is missing a page and the front cover. The 1814-1816 is also missing pages, as is the 1858-1868 volume for the crucial period of 1862-1863."],"prefercite_html_tesm":["\u003cp\u003e[Item], Alexandria Library Company Records, MS002, Alexandria Library, Local History and Special Collections, Alexandria, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Item], Alexandria Library Company Records, MS002, Alexandria Library, Local History and Special Collections, Alexandria, Virginia."],"processinfo_html_tesm":["\u003cp\u003eA reprocessing project begun in 2018 incorporated several boxes of previously unprocessed materials dating from the 1960s to the 2000s, with the bulk dating from after 1980. They included many short, overlapping sequences of correspondence, lecture, meeting, and member records which were merged into continuations of established series including primarily correspondence and lectures but also meetings and member correspondence. The \"subject files\" were added to the existing miscellaneous series. \u003c/p\u003e","\u003cp\u003e\nSeveral other changes were also made. A re-examination of the catalog, subscription, and circulation books was undertaken and most were renumbered, described, and relabeled based on primary source research. The 1794-1861 minute book that had been donated back in 1922 was also discovered misfiled in Ms 98 (which covers the library proper since 1937) and was returned to its original collection. Some letters found in minute books were moved to the correspondence series, and their original locations were bookmarked with acid free paper. Photocopies of catalogs were removed. \u003c/p\u003e","\u003cp\u003eRecords concerning individual lectures, such as programs and invitations, were foldered by individual lecture unless part of a separate series. This permitted the titles of lectures and names of lecturers to be better indexed and gaps in documentation to be made more obvious than would have been the case with separate subseries for programs, transcripts, etc.\u003c/p\u003e","\u003cp\u003eThere is no mention of when the supplement was produced in the minutes, which is odd for a printed pamphlet. As a result dating was attempted starting from the circulation records, which showed the #1,728 was first checked out on 14 August 1830. According to the minutes, a meeting had been called for 10 May 1830, only to be quickly adjourned \"there appearing no business requiring the attention of the board,\" and quarterly meetings on 2 August and 2 November adjourned for lack of a quorum.  The librarian at the time, George Drinker, had replaced his predecessor in October 1829 and been confirmed in the position in March, so the working hypothesis is that he pushed to update the catalog after becoming librarian but the question was either not deemed important or could not be addressed due to the lack of a quorum and that it was printing anyway sometime in 1830. That date may need to be updated in light of additional evidence in the future (e.g. the Gazette becoming searchable for the 1830s).\u003c/p\u003e","\u003cp\u003e\nThe location of the original is unknown despite Library of Congress Classification number noted by a previous processor resembling that of the original 1815 catalog. \u003c/p\u003e","\u003cp\u003e\nThe collection originally contained a photocopy which was removed. I had the image of a staple, suggesting it was a copy of a copy. It was not correctly dated. A modern processor had written \"NOT used. The # sequence would conflict with 1815 catalogue complied by Evans\" in reference to the effort to reconstruct the 1815 arrangement made by Marjorie Darnell Evans, possibly the only record that the individual had access to, and added an \"1815\" date in pen. This is all the more perplexing as another hand had also added a \"1\" before the first number to highlight the fact that the numbers were higher than the 1815 catalog, a fact that tendency to list only the last two digits otherwise obscured.\u003c/p\u003e","\u003cp\u003eThis volume was difficult to date, for while an inscription makes clear that the book itself was in possession of the library by the end of March 1830, it does not make clear that it was being applied to its intended purpose. It contains a calendar suggesting 1833-1834, but books go until at least 1841 and perhaps 1844, and publication date can differ greatly from acquisition date. Circulation records also show that while created earlier, it was not yet the primary catalog by 1834, and due to gaps in the records we can only demonstrate that the subject system was in use between 1841 and 1848. Although Drinker's name is everywhere, his long service as librarian prevents this information from being particularly useful. In light of all this, it was given a recordkeeping date of 1830-1848, indicating that the collection was documented and it could have been used by librarians during that period, new books were recorded there covering this period, even though the period of active use may have begun at a later, unknown date.\u003c/p\u003e","\u003cp\u003eA previous processor had dated this catalog \"1799?\" but the second page of titles lists an \"Address on the Life and actions of Gen. R. E. Lee delivered on the 12th of Oct. 1871 before the Society of Confederate Soldiers and Sailors in Maryland\" which seemed unlikely to predate the Civil War by so many years, so a later date was sought. Although the initial catalog was completed in 1874, it has been given the date of 1876 when this copy was physically created by the directors.\u003c/p\u003e","\u003cp\u003eA copy of the \"S\" section of the 1876 catalog was found in the circulation book for the early 1840s, although it dated from decades later. It was moved to the same folder as the \"R\" section, being from the same period and seemingly in the same hand. They were also given a date along with the 1876 catalog.\u003c/p\u003e","\u003cp\u003eA photocopy of the original was removed from the collection.\u003c/p\u003e","\u003cp\u003eThe catalog was previously dated to the 19th century, but has been dated to May 1933 based on the minutes as described in the historical note. The specific reference to a typescript in connection with the term \"old magazines\" in 1933 is difficult to ignore and the scattered notes on condition fit with the goal of appraising the magazines being pursued at that time. I also found it unlikely that the list was drawn up in 1912 as part of the catalog supplement for that year given the differences in arrangement, like the supplement separating bound and unbound volumes, and the differences in contents, like the absence of the Atheneum from the supplement.\u003c/p\u003e","\u003cp\u003eA copy of the \"S\" section of the 1876 catalog was found in this circulation book, although it obviously dated from decades later than its period of active use. It was moved to the same folder as the \"R\" section.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["A reprocessing project begun in 2018 incorporated several boxes of previously unprocessed materials dating from the 1960s to the 2000s, with the bulk dating from after 1980. They included many short, overlapping sequences of correspondence, lecture, meeting, and member records which were merged into continuations of established series including primarily correspondence and lectures but also meetings and member correspondence. The \"subject files\" were added to the existing miscellaneous series. ","\nSeveral other changes were also made. A re-examination of the catalog, subscription, and circulation books was undertaken and most were renumbered, described, and relabeled based on primary source research. The 1794-1861 minute book that had been donated back in 1922 was also discovered misfiled in Ms 98 (which covers the library proper since 1937) and was returned to its original collection. Some letters found in minute books were moved to the correspondence series, and their original locations were bookmarked with acid free paper. Photocopies of catalogs were removed. ","Records concerning individual lectures, such as programs and invitations, were foldered by individual lecture unless part of a separate series. This permitted the titles of lectures and names of lecturers to be better indexed and gaps in documentation to be made more obvious than would have been the case with separate subseries for programs, transcripts, etc.","There is no mention of when the supplement was produced in the minutes, which is odd for a printed pamphlet. As a result dating was attempted starting from the circulation records, which showed the #1,728 was first checked out on 14 August 1830. According to the minutes, a meeting had been called for 10 May 1830, only to be quickly adjourned \"there appearing no business requiring the attention of the board,\" and quarterly meetings on 2 August and 2 November adjourned for lack of a quorum.  The librarian at the time, George Drinker, had replaced his predecessor in October 1829 and been confirmed in the position in March, so the working hypothesis is that he pushed to update the catalog after becoming librarian but the question was either not deemed important or could not be addressed due to the lack of a quorum and that it was printing anyway sometime in 1830. That date may need to be updated in light of additional evidence in the future (e.g. the Gazette becoming searchable for the 1830s).","\nThe location of the original is unknown despite Library of Congress Classification number noted by a previous processor resembling that of the original 1815 catalog. ","\nThe collection originally contained a photocopy which was removed. I had the image of a staple, suggesting it was a copy of a copy. It was not correctly dated. A modern processor had written \"NOT used. The # sequence would conflict with 1815 catalogue complied by Evans\" in reference to the effort to reconstruct the 1815 arrangement made by Marjorie Darnell Evans, possibly the only record that the individual had access to, and added an \"1815\" date in pen. This is all the more perplexing as another hand had also added a \"1\" before the first number to highlight the fact that the numbers were higher than the 1815 catalog, a fact that tendency to list only the last two digits otherwise obscured.","This volume was difficult to date, for while an inscription makes clear that the book itself was in possession of the library by the end of March 1830, it does not make clear that it was being applied to its intended purpose. It contains a calendar suggesting 1833-1834, but books go until at least 1841 and perhaps 1844, and publication date can differ greatly from acquisition date. Circulation records also show that while created earlier, it was not yet the primary catalog by 1834, and due to gaps in the records we can only demonstrate that the subject system was in use between 1841 and 1848. Although Drinker's name is everywhere, his long service as librarian prevents this information from being particularly useful. In light of all this, it was given a recordkeeping date of 1830-1848, indicating that the collection was documented and it could have been used by librarians during that period, new books were recorded there covering this period, even though the period of active use may have begun at a later, unknown date.","A previous processor had dated this catalog \"1799?\" but the second page of titles lists an \"Address on the Life and actions of Gen. R. E. Lee delivered on the 12th of Oct. 1871 before the Society of Confederate Soldiers and Sailors in Maryland\" which seemed unlikely to predate the Civil War by so many years, so a later date was sought. Although the initial catalog was completed in 1874, it has been given the date of 1876 when this copy was physically created by the directors.","A copy of the \"S\" section of the 1876 catalog was found in the circulation book for the early 1840s, although it dated from decades later. It was moved to the same folder as the \"R\" section, being from the same period and seemingly in the same hand. They were also given a date along with the 1876 catalog.","A photocopy of the original was removed from the collection.","The catalog was previously dated to the 19th century, but has been dated to May 1933 based on the minutes as described in the historical note. The specific reference to a typescript in connection with the term \"old magazines\" in 1933 is difficult to ignore and the scattered notes on condition fit with the goal of appraising the magazines being pursued at that time. I also found it unlikely that the list was drawn up in 1912 as part of the catalog supplement for that year given the differences in arrangement, like the supplement separating bound and unbound volumes, and the differences in contents, like the absence of the Atheneum from the supplement.","A copy of the \"S\" section of the 1876 catalog was found in this circulation book, although it obviously dated from decades later than its period of active use. It was moved to the same folder as the \"R\" section."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Alexandria Library Records (Ms 98) document the library as a separate institution from 1937 onward.\u003c/p\u003e\n","\u003cp\u003e\nIt particularly complements this collection in its early decades through its administrative correspondence, board correspondence, minutes, annual reports, and organizational records, including contracts with the Alexandria Library Society.\u003c/p\u003e\n","\u003cp\u003e\nThe minutes of the library's executive board (1938-1947) are included in the microfilm version of the library minute books 1794-1947.\u003c/p\u003e\n","\u003cp\u003eTranscripts of library company lectures 2-18 are available in the library.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eLecture series : [transcripts of the audiotapes made of the scholars invited to speak at these annual lectures]\u003c/head\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAlexandria Library Co. Lecture Series #2\u003c/label\u003e\n        \u003citem\u003e080 LEC 2\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAlexandria Library Co. Lecture Series #3\u003c/label\u003e\n        \u003citem\u003e080 LEC 3\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAlexandria Library Co. Lecture Series #4\u003c/label\u003e\n        \u003citem\u003e080 LEC 4\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAlexandria Library Co. Lecture Series #5\u003c/label\u003e\n        \u003citem\u003e080 LEC 5\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAlexandria Library Co. Lecture Series #6\u003c/label\u003e\n        \u003citem\u003e080 LEC 6\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAlexandria Library Co. Lecture Series #7\u003c/label\u003e\n        \u003citem\u003e080 LEC 7\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAlexandria Library Co. Lecture Series #8\u003c/label\u003e\n        \u003citem\u003e080 LEC 8\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAlexandria Library Co. Lecture Series #9\u003c/label\u003e\n        \u003citem\u003e080 LEC 9\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAlexandria Library Co. Lecture Series #10\u003c/label\u003e\n        \u003citem\u003e080 LEC 10\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAlexandria Library Co. Lecture Series #11\u003c/label\u003e\n        \u003citem\u003e080 LEC 11\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAlexandria Library Co. Lecture Series #12\u003c/label\u003e\n        \u003citem\u003e080 LEC 12\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAlexandria Library Co. Lecture Series #13\u003c/label\u003e\n        \u003citem\u003e080 LEC 13\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAlexandria Library Co. Lecture Series #14\u003c/label\u003e\n        \u003citem\u003e080 LEC 14\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAlexandria Library Co. Lecture Series #15\u003c/label\u003e\n        \u003citem\u003e080 LEC 15\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAlexandria Library Co. Lecture Series #16\u003c/label\u003e\n        \u003citem\u003e080 LEC 16\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAlexandria Library Co. Lecture Series #17\u003c/label\u003e\n        \u003citem\u003e080 LEC 17\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAlexandria Library Co. Lecture Series #18\u003c/label\u003e\n        \u003citem\u003e080 LEC 18\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Alexandria Library Records (Ms 98) document the library as a separate institution from 1937 onward.","\nIt particularly complements this collection in its early decades through its administrative correspondence, board correspondence, minutes, annual reports, and organizational records, including contracts with the Alexandria Library Society.","\nThe minutes of the library's executive board (1938-1947) are included in the microfilm version of the library minute books 1794-1947.","Transcripts of library company lectures 2-18 are available in the library.","Lecture series : [transcripts of the audiotapes made of the scholars invited to speak at these annual lectures] Alexandria Library Co. Lecture Series #2 080 LEC 2 Alexandria Library Co. Lecture Series #3 080 LEC 3 Alexandria Library Co. Lecture Series #4 080 LEC 4 Alexandria Library Co. Lecture Series #5 080 LEC 5 Alexandria Library Co. Lecture Series #6 080 LEC 6 Alexandria Library Co. Lecture Series #7 080 LEC 7 Alexandria Library Co. Lecture Series #8 080 LEC 8 Alexandria Library Co. Lecture Series #9 080 LEC 9 Alexandria Library Co. Lecture Series #10 080 LEC 10 Alexandria Library Co. Lecture Series #11 080 LEC 11 Alexandria Library Co. Lecture Series #12 080 LEC 12 Alexandria Library Co. Lecture Series #13 080 LEC 13 Alexandria Library Co. Lecture Series #14 080 LEC 14 Alexandria Library Co. Lecture Series #15 080 LEC 15 Alexandria Library Co. Lecture Series #16 080 LEC 16 Alexandria Library Co. Lecture Series #17 080 LEC 17 Alexandria Library Co. Lecture Series #18 080 LEC 18"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of circulation, subscription, and financial ledgers, annual lecture series documents, catalogues, correspondence, and various organizational documents. Topics include: foundation of the\nAlexandria Library Company, its cycles of growth and decline reflecting the local economy; the formation of the local public library system; and the on-going activities of the Alexandria Library Company, most notably its lecture series.\u003c/p\u003e","\u003cp\u003eThe organizational records series contains those records directly concerned with the library company and its predecessors as organizations. It covers charters, by-laws, contracts, the legal definition of the company, and its history. Charters and by-laws between 1794 and 1944 are generally documented in the minutes and or reprinted in catalogs or the Alexandria Gazette.\u003c/p\u003e","\u003cp\u003eThe general correspondence series covers a long period of the history of the Library Company and its successors, with the bulk from the modern Library Company after 1954, when more documentation was being produced and captured in a systematic way.\u003c/p\u003e\n","\u003cp\u003e\nFrom the earlier period, one folder covers the old Library Company, including an account of the Civil War and two folders cover the period of the Alexandria Library Association consisting primarily of correspondence with Andrew Carnegie about his financial support. The material from the Alexandria Library Society chiefly consists of copies of minutes. \nFor library related inquiries after 1937 see the extensive public library correspondence in Ms 98.\u003c/p\u003e\n","\u003cp\u003e\nThe post-1954 correspondence includes lecture arrangements, nomination and member correspondence, announcements, and all manner of memoranda and external correspondence.\u003c/p\u003e","\u003cp\u003eThe financial reports series includes monthly financial reports from the Alexandria Library Association prior the establishment of the public library and annual reports of the Library Company after 1953 along with a limited amount of additional correspondence on related issues.\u003c/p\u003e\n","\u003cp\u003e\nThere is also a file of annual reports which the Library Company was required to make to the state as a corporation.\u003c/p\u003e\n","\u003cp\u003e\nFor records relating to the Alexandria Library Company's efforts to become tax-exempt in the 1980s, see the Organizational Records series.\u003c/p\u003e","\u003cp\u003eThe meetings series consists chiefly of bound and unbound minutes from the Alexandria Library Company and its successors.\u003c/p\u003e\n","\u003cp\u003e\nThe bound minutes cover the early Library Company from 1794 to its last meeting in 1879, the Alexandria Library Association and Library Society from 1897 through its loss of control of the library in the late 1947, and the Society and modern Library Company from 1948 to 1993.\u003c/p\u003e\n","\u003cp\u003e\nAfter 1937, there are two minute books, one for the \"executive board,\" which ran the library, and the other for the Library Society and later Library Company which appointed some of its members. The 1938-1947 executive board minutes are included in the microfilm copy of the older bound volumes, but the original is located in Ms 98.\u003c/p\u003e\n","\u003cp\u003e\nBylaws, agreements, financial, and membership information often appear in the records, as do records of elections. In some periods, annual reports are pasted into the minute books, which like a lot of library business, was printed in the Gazette.\u003c/p\u003e\n","\u003cp\u003e\nThe unbound meeting records cover the modern period of the Library Company and contain minutes, announcements of meetings, and notes, although for the earlier periods the minutes are merely photocopies of the bound volumes as indicated by page numbers.\u003c/p\u003e","\u003cp\u003eThe members series contains records relating to the selection, participation, and retention of members of the Library Company, with a focus on the modern period from the 1950s onward. It includes records of the nominating committee, correspondence with and about current or prospective members, and lists of members and guests attending the annual lectures. One of these lists is also available on a 3½ inch disk.\u003c/p\u003e","\u003cp\u003eThe subscription series consists of bound volumes of records documenting the subscribers of the company while doubling as ledgers for many of the financial transactions of the pre-Lyceum period (1794-1839), with gaps between volumes. Apart from the minutes, the volumes contain the only information on the subscribers of the late 1790s, for which there is a gap in the circulation records.\u003c/p\u003e\n","\u003cp\u003e\nThere are also additional financial records from 1826-1839 and a list of subscribers, paid and not, from 1854. These appear in the same volume (see historical note), along with the circulation records for 1846-1848 in between.\u003c/p\u003e\n","\u003cp\u003e\nThe stubs of printed subscription certificates from 1874-1879 are also included in this series. Each contains an identifying number, the name of a subscriber, and a dollar amount, accompanied in some cases by dates or other notations. A few of the completed patron slips are also in this volume, including dates and the signature of the treasurer.\u003c/p\u003e","\u003cp\u003eThis series contains information on the annual lecture series, with the bulk covering the period after its revival in 1957. The files for the early years include much of the correspondence arranging for the lectures and information on the lecturers as well as in some cases printed copies of the prepared text. For later years the files consist largely of lecture announcements, programs, and attendance lists. \u003c/p\u003e\n","\u003cp\u003e\nAudio or video recordings were made of most lectures, but are not currently available. Correspondence relating to the recordings can be found in the relevant subseries. \u003c/p\u003e\n","\u003cp\u003e\nCorrespondence is also available regarding the production of the printed programs and the selection of speakers during the 1970s along with an undated seat plan. \u003c/p\u003e\n","\u003cp\u003e\nInformation on attendance and the financial aspects of the lectures can be found in other series. \u003c/p\u003e\n","\u003cp\u003e\nPrint transcriptions for certain lectures are available in the reading room.\u003c/p\u003e","\u003cp\u003eThe collection's miscellany includes annual reports of the library, a survey of the old library company books, seals, stationary, and printed matter including poems, fundraising pamphlets, and literature about the library from the League of Women Voters.\u003c/p\u003e","\u003cp\u003eThe news clippings series consists chiefly of articles about the annual lectures or which report on the annual meetings and the election of officers and members.\u003c/p\u003e","\u003cp\u003eThe catalogs provide listings of books showing what was available at the library during different time periods and identifying books for some parts of the circulation records. Catalogs also frequently included information on other topics, including the rules of the library, founding documents, library histories, and the value of the books. \u003c/p\u003e\n","\u003cp\u003e\nTitles were often abbreviated, especially in the working catalogs, and dates of publication were often lacking. This can make identifying a work from the catalog difficult even when copies of it are extant elsewhere. \u003c/p\u003e\n","\u003cp\u003e\nCatalogs can be used reliably for most of the numerical listings in the circulation records for roughly 1801-1807, 1815-1848, 1856-1862, and 1874-1879. The 1815 catalog was not only bigger than the 1801, but had been renumbered. Because of this practice, the 1801 catalog cannot be relied upon for records prior to its implementation nor after the point in 1807-1808 when its successor went into effect. Since there is no way to know if the 1815 catalog was an extension of the 1808, it likewise cannot be trusted prior to implementation. The 1815 and its supplement were used for a longer period and the 1830-1848 used it as a base, although it altered its system of arrangement leaving around 30 or so numbers undefined for part of the 1830s. The 1856 printed and 1858-1860 working catalogs cover much of the same material and are usable for records into the Civil War. The 1856 is available online in a searchable format and organized to be browsed, while the working catalog is arranged by number. The 1876 copy of the catalog implemented in July 1874 is missing the letters O-P, but is otherwise usable for the last few years of circulation records. \u003c/p\u003e\n","\u003cp\u003e\nSee specific catalog notes for details. \u003c/p\u003e","\u003cp\u003eThe 1801 catalog corresponds to the title numbers 1-452 in the circulations records from around 1802-1808 and offers the number of volumes and value for each. It is hard to be precise since the dates on which it came into and fell out of use at the library are unknown. The fact that books were removed as well as added at the time of its adoption and its organization suggest that it may not be reliable for the 1794-1796 circulation records, and possibly not even for books circulating earlier in 1801 which were likely identified by an earlier catalog. \u003c/p\u003e\n","\u003cp\u003e\nIn addition to a listing of books, the catalog includes the revised act of incorporation dated September 1799, the laws of the company passed on 2 November 1801 and an alphabetical membership list. \nAt the back is a list of book donations from largest to smallest, including the name of the donor, the total number of volumes donated, and a list of title numbers, along with an index to the catalog and some errata. \u003c/p\u003e\n","\u003cp\u003e\nIt was printed by Cottom and Stewart in Alexandria and sold for fifty cents a copy. \u003c/p\u003e","\u003cp\u003eThis catalog of 1,027 titles includes the title number, number of volumes, and price, as well as a note to indicate whether something was a donation. It is a reliable reference for the decades that followed, but should be used with caution for earlier periods. Comparison with the 1801 catalog shows that titles were inserted with very low numbers, and it is unclear how the 1808 catalog was organized. Given the way the catalog was divided, there is no clear method by which accretions could have been added to the working catalog other than accession order, whereas the 1815 catalog required them to be categorized. \u003c/p\u003e\n","\u003cp\u003e\nIt is therefore logical to assume that numbers added in between catalog issuances were later changed, and that the 1815 catalog is probably not valid for the preceding period. \u003c/p\u003e\n","\u003cp\u003e\nThe full title of the catalog included the phrase \"to which are prefixed, the Act of Incorporation; the Laws of the Company, and the Names of the Members,\" but our copy contains only pages 11-46 and does not contain front matter. It is unclear whether the first ten pages were removed, or John A. Stewart's edition was simply printed without them. \u003c/p\u003e","\u003cp\u003eThis printed catalog supplement extends the 1815 catalog from #1,027 to #1,728 updating it to August 1830. It was likely published around that time by William Greer, printer, and matches the titles. It matches the numbers of a listing of books dated 1828 in one of the circulation books suggesting that no rearrangement of newer books occurred prior to publication. \u003c/p\u003e\n","\u003cp\u003e\nThe supplement has most of the same information as the 1815, offering the number, title, volume, and value of each title, but lacks its classification system by size and subject. Despite a short cross-listing of periodical works, it has neither the subject classification nor even alphabetization to make it a ready reference. \u003c/p\u003e","\u003cp\u003eThis catalog contains a relisting of the contents of the 1815 catalog and supplement sorted by the first letter of the alphabet with pamphlets listed separately as well as books added between April 1833 and the suspension of library operations after 1848 listed by subject. Although its initial form was compiled by George Drinker some time earlier, it does not appear to gone into effect until sometime after 1834 where there is a gap in circulation records. Because the numbering up to 1,725 remained the same, earlier print catalogs can also be employed for those number for the period from 1815-1848 even though this catalog alone can be used for the numbers 1,726-1,793 during that period.\u003c/p\u003e\n","\u003cp\u003e\nAdditions beyond 1,793 are only usable for the period 1841-1848, because they were relisted here under a combined subject/numbering system after being originally cataloged differently up to around 1,825. The later rearrangement left no record of how those 30 or so numbers should be understood during the period before 1834.\u003c/p\u003e\n","\u003cp\u003e\nThese later additions occupy the latter sections which include materials published from the late-1830s and early 1840s. Other indications of the ongoing nature of the listings include the blank entry for #351 at the end of Novels and Romances and the blank page with the heading \"Biography\" following the rest of that section.\u003c/p\u003e\n","\u003cp\u003e\nThe third, and final section, is the \"List of Books from the Reading Room.\" These are dated 1840-1841, and consist almost entirely of new additions to the periodicals with a few exceptions, chiefly among the first few entries. This suggests that the page may not have been used for its original purpose.\u003c/p\u003e\n","\u003cp\u003e\nThe title/subject organization of the latter part of the catalog is helpful in understanding acquisition priorities during the late-1830s and the Lyceum period of the 1840s.\u003c/p\u003e\n","\u003cp\u003e\nThe inside cover contains a calendar for 1833 going through February 1834, with the Thursdays closest to the middle of each month marked (none are the dates of official meetings). There is also a 29 March 1830 inscription by Drinker, Treasurer, authorizing James Dunlap in financial matters while he is librarian, which may predate the decision to use the book as a catalog. Drinker may have done the first 1,725 entries at that time in preparation for the publication of the 1815 supplement.\u003c/p\u003e","\u003cp\u003eAs noted in its introduction, the 300 copies of the 1856 catalog were created not as \"a model catalog but such a one as would be practically useful to the readers of the library.\" It serves as a guide to the collection as contemporary subscribers would have known it, covering the first 4,473 volume numbers for this period. For looking up numbers from the circulation records, it is easier to use the searchable catalog of surviving books or the online version. For later acquisitions, one may use the manuscript catalog that was in use internally from 1858-1860 which is arranged by number.\u003c/p\u003e\n","\u003cp\u003e\nIn addition to the aforementioned note on the catalog's creation, the catalog also includes a historical note on the early history of the library and a copy of the 1799 act of incorporation.\u003c/p\u003e","\u003cp\u003eThis catalog was implemented sometime in the fall of 1858 as an \"amendment\" to the catalog of 1856 and was likely expanded on an ongoing basis up to the Civil War. Since the 1856 catalog was presumably still in use by subscribers, the two contain largely the same information apart from three key differences. Firstly, the 1858 added accretions to the book collection, extending the book numbers from 4,473 to 5,063. The second difference is that it lists the books by number, to assist the librarians in managing the books, rather than by author and title, which in the 1856 catalog assisted subscribers in finding them. Lastly, it should be noted that titles in both catalogs are abbreviated in different ways.\u003c/p\u003e\n","\u003cp\u003e\nDespite the overlap and differences of organization, a person looking up a number in the circulation records between February 1857 and 17 September 1859 may still find it easier to consult a searchable online version of the catalog and reserve use of the 1858 for its last 600 numbers. Starting on 27 September 1859, titles began to appear in the circulation records alongside the numbers, making either catalog usable for numbers below 4,474, although due to unpredictable title abbreviations numerical catalogs remained more reliable.\u003c/p\u003e\n","\u003cp\u003e\nThe catalog was signed by a number of librarians of the company inside the front and back covers, sometimes more than once. This includes a listing made in 1871 which is notable for the presence of names not associated with the title \"librarian\" by the minutes.\u003c/p\u003e","\u003cp\u003eThe initial form of this catalog was compiled by Doctor Theo West and put into use on 10 July 1874, although there may have been additions by the time it was copied by the directors of the library company into its current form. It was intended for publication, but was later advertised as merely being available at the librarian's desk. It was therefore organized with the aim of finding books by title, like a printed catalog, rather than by number like the manuscript catalogs from before the Civil War. It remained in use until the company shut down after 1880.\u003c/p\u003e\n","\u003cp\u003e\nThe book contains a detailed history of the library company including the text of the 1799 act of incorporation written by \"John Stewart, Keeper of the Rolls.\" It is also the only extant catalog with a book plate, albeit one with the shelf location and classification numbers left blank.\u003c/p\u003e\n","\u003cp\u003e\nThe listing of books is missing the letters O and P at a point where the binding is broken, either because they were removed from this edition or never added in. Title information includes the title and number of each book as well as a \"case\" number (presumably for shelving) and occasional volume and date information. Space is left in many places for additional titles to be added, although in some cases this was handled by inserted slips of paper. For details on the organization of the title list see the arrangement note.\u003c/p\u003e","\u003cp\u003eThis listing of \"R\" titles is largely the same as that copied by the directors for the 1876 catalog, but appears to be in a different hand (most noticeably the number 8). The listing for \"S\" appears to be the same hand as \"R.\" Also included are two pieces of paper with additional titles, and notes in blue asking that additional space be left for new titles to be added. That feature of the main 1876 catalog is absent here and may be the reason it was not included in a complete volume.\u003c/p\u003e","\u003cp\u003eThe 1898 catalog provides the earliest record of the library's collection after its reestablishment by the Alexandria Library Association, including numbers of volumes and publications dates for each title. The subject classification allows a simple method of gauging the balance of the collection between different areas, particularly in comparison with the publications of 1906 and 1912. Handwritten notes seem to indicate additions and shelf locations, although the date and provenance of those notes is unclear.\u003c/p\u003e","\u003cp\u003eA complete update to the 1898 catalog, the 1906 retained the same basic classification system apart from the addition of 3 new sub-classes. It also includes a chart of subscription prices for the library at the front giving lengths of time and numbers of books and a large number of advertisements from local businesses.\u003c/p\u003e\n","\u003cp\u003e\nFor the new subclasses see arrangement note.\u003c/p\u003e","\u003cp\u003eThe 1912 supplement to the catalog includes additions to the library collection since 1906 as well as a listing of old magazines, which were not mentioned in the 1906 catalog. Most classification numbers were therefore unneeded. The bulk of the entries appear to be fiction and old magazines.\u003c/p\u003e","\u003cp\u003eThis typescript contains a listing of \"old magazines\" by title and volume that were in the collection in 1933. It also includes some notes on their condition, such as whether they were bound and missing covers, pages, and volumes.\u003c/p\u003e","\u003cp\u003eThe circulation records consist of bound volumes containing lists of books checked out. They typically list the name of the subscriber, the date, and some method of identifying the work along with various other details. For much of its history, the old library company identified books only by number, although titles and combinations of numbers and titles began appearing around 1845, with titles becoming commonplace after 1858.\u003c/p\u003e\n","\u003cp\u003e\nThe catalogs can be used reliably for only some of the numerical listings due to additions following the publication of rapidly outdated catalogs and changes in numbering that preceded new ones. They are relevant to some of the numbers for 1801-1807, 1815-1848, 1856-1862, and 1874-1879 (see catalog series notes and below). Because of possible renumbering, the 1801 catalog cannot be relied upon for records prior to its implementation nor after the point in 1807-1808 when its successor went into effect. Since there is no way to know if the 1815 catalog was an extension of the 1808 or if it was the first to change the numbering from the 1801, it likewise cannot be trusted prior to its implementation.\u003c/p\u003e\n","\u003cp\u003e\nThe 1815 and its supplement were used for a longer period and the 1834-1848 catalog used it as a base, despite altering its system of arrangement for later materials and leaving about 30 numbers unclear due to renumbering. The 1856 printed and 1858-1860 working catalogs cover much of the same material and are usable into the Civil War. Notably, the 1856 is available online in a searchable format. It was arranged to be browsed, while the working catalog is arranged by number only. The 1876 copy of the catalog implemented in July 1874 is missing the letters O-P, but is otherwise usable for the last few years of circulation records.\u003c/p\u003e\n","\u003cp\u003e\nEven when numbers cannot be identified, useful information can be inferred from changes in the numbering system and preferences for numbers from particular periods, such as for new acquisitions. One can also use the records to quantify the level of patronage as a whole in various periods. There are no circulation records at the book level from the Alexandria Library Association (1897-1937) and later, although summary reports of circulation became common during the modern period and were often noted in minutes and annual reports.\u003c/p\u003e\n","\u003cp\u003e\nThere are significant gaps in the circulation records, which nominally cover the period from November 1794 to January 1880. These come in several different types. Some of them appear to indicate missing volumes, including July 1795-June 1801, May 1811-February 1814, January 1835-Feburary 1841, September 1848-October 1858, and 1868-1870, but there are also gaps of a few months between volumes in 1805, 1824, 1846, 1871, and 1874. Additionally, there is a month of pages missing from the middle of 1831, and two pages are missing after October 1862, even though returns were noted as late December, before resuming in April 1868 (on the Civil War see the historical note for this series).\u003c/p\u003e\n","\u003cp\u003e\nTitle numbers began at around 200, gradually rising to over 5,000 before the Civil War. After the war, numbers ran below 1,000 for the most part, before changing to numbers over 5,000 again on 4 December 1873 (p.279) and then dropping to lower numbers on 10 July 1874 (p.69), with some titles in the 5000s being renumbered to the 3000s.\u003c/p\u003e\n","\u003cp\u003e\nMany of volumes contain lists of books in their front or back matter, usually including both titles and numbers. This is one of the only sources for matching that information for some periods of the library's history and includes the only reference to the 1808 catalog outside the minutes. They include lists of missing books (the 1822-1824 volume), books sent to be bound (1824-1828 and 1828-1831) and of the Waverly Novels (1822-1824).\u003c/p\u003e\n","\u003cp\u003e\nChanges in the hand recording the information signal personnel changes, and many of the volumes were inscribed with the names of librarians or members of the company, occasionally accompanied by other kinds of scribbling as in 1814-1816, 1831-1834, and especially 1858-1868. There is also some doodling, which appears inside the covers in a modest way in the 1814-1816 volume and far more extensively in the 1841-1848 and 1858-1868 ones. The 1841-1848 also contains doodles among the actual circulation records.\u003c/p\u003e\n","\u003cp\u003e\nFor the columns and specific information that varied over time see the arrangement note for this series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection consists of circulation, subscription, and financial ledgers, annual lecture series documents, catalogues, correspondence, and various organizational documents. Topics include: foundation of the\nAlexandria Library Company, its cycles of growth and decline reflecting the local economy; the formation of the local public library system; and the on-going activities of the Alexandria Library Company, most notably its lecture series.","The organizational records series contains those records directly concerned with the library company and its predecessors as organizations. It covers charters, by-laws, contracts, the legal definition of the company, and its history. Charters and by-laws between 1794 and 1944 are generally documented in the minutes and or reprinted in catalogs or the Alexandria Gazette.","The general correspondence series covers a long period of the history of the Library Company and its successors, with the bulk from the modern Library Company after 1954, when more documentation was being produced and captured in a systematic way.","\nFrom the earlier period, one folder covers the old Library Company, including an account of the Civil War and two folders cover the period of the Alexandria Library Association consisting primarily of correspondence with Andrew Carnegie about his financial support. The material from the Alexandria Library Society chiefly consists of copies of minutes. \nFor library related inquiries after 1937 see the extensive public library correspondence in Ms 98.","\nThe post-1954 correspondence includes lecture arrangements, nomination and member correspondence, announcements, and all manner of memoranda and external correspondence.","The financial reports series includes monthly financial reports from the Alexandria Library Association prior the establishment of the public library and annual reports of the Library Company after 1953 along with a limited amount of additional correspondence on related issues.","\nThere is also a file of annual reports which the Library Company was required to make to the state as a corporation.","\nFor records relating to the Alexandria Library Company's efforts to become tax-exempt in the 1980s, see the Organizational Records series.","The meetings series consists chiefly of bound and unbound minutes from the Alexandria Library Company and its successors.","\nThe bound minutes cover the early Library Company from 1794 to its last meeting in 1879, the Alexandria Library Association and Library Society from 1897 through its loss of control of the library in the late 1947, and the Society and modern Library Company from 1948 to 1993.","\nAfter 1937, there are two minute books, one for the \"executive board,\" which ran the library, and the other for the Library Society and later Library Company which appointed some of its members. The 1938-1947 executive board minutes are included in the microfilm copy of the older bound volumes, but the original is located in Ms 98.","\nBylaws, agreements, financial, and membership information often appear in the records, as do records of elections. In some periods, annual reports are pasted into the minute books, which like a lot of library business, was printed in the Gazette.","\nThe unbound meeting records cover the modern period of the Library Company and contain minutes, announcements of meetings, and notes, although for the earlier periods the minutes are merely photocopies of the bound volumes as indicated by page numbers.","The members series contains records relating to the selection, participation, and retention of members of the Library Company, with a focus on the modern period from the 1950s onward. It includes records of the nominating committee, correspondence with and about current or prospective members, and lists of members and guests attending the annual lectures. One of these lists is also available on a 3½ inch disk.","The subscription series consists of bound volumes of records documenting the subscribers of the company while doubling as ledgers for many of the financial transactions of the pre-Lyceum period (1794-1839), with gaps between volumes. Apart from the minutes, the volumes contain the only information on the subscribers of the late 1790s, for which there is a gap in the circulation records.","\nThere are also additional financial records from 1826-1839 and a list of subscribers, paid and not, from 1854. These appear in the same volume (see historical note), along with the circulation records for 1846-1848 in between.","\nThe stubs of printed subscription certificates from 1874-1879 are also included in this series. Each contains an identifying number, the name of a subscriber, and a dollar amount, accompanied in some cases by dates or other notations. A few of the completed patron slips are also in this volume, including dates and the signature of the treasurer.","This series contains information on the annual lecture series, with the bulk covering the period after its revival in 1957. The files for the early years include much of the correspondence arranging for the lectures and information on the lecturers as well as in some cases printed copies of the prepared text. For later years the files consist largely of lecture announcements, programs, and attendance lists. ","\nAudio or video recordings were made of most lectures, but are not currently available. Correspondence relating to the recordings can be found in the relevant subseries. ","\nCorrespondence is also available regarding the production of the printed programs and the selection of speakers during the 1970s along with an undated seat plan. ","\nInformation on attendance and the financial aspects of the lectures can be found in other series. ","\nPrint transcriptions for certain lectures are available in the reading room.","The collection's miscellany includes annual reports of the library, a survey of the old library company books, seals, stationary, and printed matter including poems, fundraising pamphlets, and literature about the library from the League of Women Voters.","The news clippings series consists chiefly of articles about the annual lectures or which report on the annual meetings and the election of officers and members.","The catalogs provide listings of books showing what was available at the library during different time periods and identifying books for some parts of the circulation records. Catalogs also frequently included information on other topics, including the rules of the library, founding documents, library histories, and the value of the books. ","\nTitles were often abbreviated, especially in the working catalogs, and dates of publication were often lacking. This can make identifying a work from the catalog difficult even when copies of it are extant elsewhere. ","\nCatalogs can be used reliably for most of the numerical listings in the circulation records for roughly 1801-1807, 1815-1848, 1856-1862, and 1874-1879. The 1815 catalog was not only bigger than the 1801, but had been renumbered. Because of this practice, the 1801 catalog cannot be relied upon for records prior to its implementation nor after the point in 1807-1808 when its successor went into effect. Since there is no way to know if the 1815 catalog was an extension of the 1808, it likewise cannot be trusted prior to implementation. The 1815 and its supplement were used for a longer period and the 1830-1848 used it as a base, although it altered its system of arrangement leaving around 30 or so numbers undefined for part of the 1830s. The 1856 printed and 1858-1860 working catalogs cover much of the same material and are usable for records into the Civil War. The 1856 is available online in a searchable format and organized to be browsed, while the working catalog is arranged by number. The 1876 copy of the catalog implemented in July 1874 is missing the letters O-P, but is otherwise usable for the last few years of circulation records. ","\nSee specific catalog notes for details. ","The 1801 catalog corresponds to the title numbers 1-452 in the circulations records from around 1802-1808 and offers the number of volumes and value for each. It is hard to be precise since the dates on which it came into and fell out of use at the library are unknown. The fact that books were removed as well as added at the time of its adoption and its organization suggest that it may not be reliable for the 1794-1796 circulation records, and possibly not even for books circulating earlier in 1801 which were likely identified by an earlier catalog. ","\nIn addition to a listing of books, the catalog includes the revised act of incorporation dated September 1799, the laws of the company passed on 2 November 1801 and an alphabetical membership list. \nAt the back is a list of book donations from largest to smallest, including the name of the donor, the total number of volumes donated, and a list of title numbers, along with an index to the catalog and some errata. ","\nIt was printed by Cottom and Stewart in Alexandria and sold for fifty cents a copy. ","This catalog of 1,027 titles includes the title number, number of volumes, and price, as well as a note to indicate whether something was a donation. It is a reliable reference for the decades that followed, but should be used with caution for earlier periods. Comparison with the 1801 catalog shows that titles were inserted with very low numbers, and it is unclear how the 1808 catalog was organized. Given the way the catalog was divided, there is no clear method by which accretions could have been added to the working catalog other than accession order, whereas the 1815 catalog required them to be categorized. ","\nIt is therefore logical to assume that numbers added in between catalog issuances were later changed, and that the 1815 catalog is probably not valid for the preceding period. ","\nThe full title of the catalog included the phrase \"to which are prefixed, the Act of Incorporation; the Laws of the Company, and the Names of the Members,\" but our copy contains only pages 11-46 and does not contain front matter. It is unclear whether the first ten pages were removed, or John A. Stewart's edition was simply printed without them. ","This printed catalog supplement extends the 1815 catalog from #1,027 to #1,728 updating it to August 1830. It was likely published around that time by William Greer, printer, and matches the titles. It matches the numbers of a listing of books dated 1828 in one of the circulation books suggesting that no rearrangement of newer books occurred prior to publication. ","\nThe supplement has most of the same information as the 1815, offering the number, title, volume, and value of each title, but lacks its classification system by size and subject. Despite a short cross-listing of periodical works, it has neither the subject classification nor even alphabetization to make it a ready reference. ","This catalog contains a relisting of the contents of the 1815 catalog and supplement sorted by the first letter of the alphabet with pamphlets listed separately as well as books added between April 1833 and the suspension of library operations after 1848 listed by subject. Although its initial form was compiled by George Drinker some time earlier, it does not appear to gone into effect until sometime after 1834 where there is a gap in circulation records. Because the numbering up to 1,725 remained the same, earlier print catalogs can also be employed for those number for the period from 1815-1848 even though this catalog alone can be used for the numbers 1,726-1,793 during that period.","\nAdditions beyond 1,793 are only usable for the period 1841-1848, because they were relisted here under a combined subject/numbering system after being originally cataloged differently up to around 1,825. The later rearrangement left no record of how those 30 or so numbers should be understood during the period before 1834.","\nThese later additions occupy the latter sections which include materials published from the late-1830s and early 1840s. Other indications of the ongoing nature of the listings include the blank entry for #351 at the end of Novels and Romances and the blank page with the heading \"Biography\" following the rest of that section.","\nThe third, and final section, is the \"List of Books from the Reading Room.\" These are dated 1840-1841, and consist almost entirely of new additions to the periodicals with a few exceptions, chiefly among the first few entries. This suggests that the page may not have been used for its original purpose.","\nThe title/subject organization of the latter part of the catalog is helpful in understanding acquisition priorities during the late-1830s and the Lyceum period of the 1840s.","\nThe inside cover contains a calendar for 1833 going through February 1834, with the Thursdays closest to the middle of each month marked (none are the dates of official meetings). There is also a 29 March 1830 inscription by Drinker, Treasurer, authorizing James Dunlap in financial matters while he is librarian, which may predate the decision to use the book as a catalog. Drinker may have done the first 1,725 entries at that time in preparation for the publication of the 1815 supplement.","As noted in its introduction, the 300 copies of the 1856 catalog were created not as \"a model catalog but such a one as would be practically useful to the readers of the library.\" It serves as a guide to the collection as contemporary subscribers would have known it, covering the first 4,473 volume numbers for this period. For looking up numbers from the circulation records, it is easier to use the searchable catalog of surviving books or the online version. For later acquisitions, one may use the manuscript catalog that was in use internally from 1858-1860 which is arranged by number.","\nIn addition to the aforementioned note on the catalog's creation, the catalog also includes a historical note on the early history of the library and a copy of the 1799 act of incorporation.","This catalog was implemented sometime in the fall of 1858 as an \"amendment\" to the catalog of 1856 and was likely expanded on an ongoing basis up to the Civil War. Since the 1856 catalog was presumably still in use by subscribers, the two contain largely the same information apart from three key differences. Firstly, the 1858 added accretions to the book collection, extending the book numbers from 4,473 to 5,063. The second difference is that it lists the books by number, to assist the librarians in managing the books, rather than by author and title, which in the 1856 catalog assisted subscribers in finding them. Lastly, it should be noted that titles in both catalogs are abbreviated in different ways.","\nDespite the overlap and differences of organization, a person looking up a number in the circulation records between February 1857 and 17 September 1859 may still find it easier to consult a searchable online version of the catalog and reserve use of the 1858 for its last 600 numbers. Starting on 27 September 1859, titles began to appear in the circulation records alongside the numbers, making either catalog usable for numbers below 4,474, although due to unpredictable title abbreviations numerical catalogs remained more reliable.","\nThe catalog was signed by a number of librarians of the company inside the front and back covers, sometimes more than once. This includes a listing made in 1871 which is notable for the presence of names not associated with the title \"librarian\" by the minutes.","The initial form of this catalog was compiled by Doctor Theo West and put into use on 10 July 1874, although there may have been additions by the time it was copied by the directors of the library company into its current form. It was intended for publication, but was later advertised as merely being available at the librarian's desk. It was therefore organized with the aim of finding books by title, like a printed catalog, rather than by number like the manuscript catalogs from before the Civil War. It remained in use until the company shut down after 1880.","\nThe book contains a detailed history of the library company including the text of the 1799 act of incorporation written by \"John Stewart, Keeper of the Rolls.\" It is also the only extant catalog with a book plate, albeit one with the shelf location and classification numbers left blank.","\nThe listing of books is missing the letters O and P at a point where the binding is broken, either because they were removed from this edition or never added in. Title information includes the title and number of each book as well as a \"case\" number (presumably for shelving) and occasional volume and date information. Space is left in many places for additional titles to be added, although in some cases this was handled by inserted slips of paper. For details on the organization of the title list see the arrangement note.","This listing of \"R\" titles is largely the same as that copied by the directors for the 1876 catalog, but appears to be in a different hand (most noticeably the number 8). The listing for \"S\" appears to be the same hand as \"R.\" Also included are two pieces of paper with additional titles, and notes in blue asking that additional space be left for new titles to be added. That feature of the main 1876 catalog is absent here and may be the reason it was not included in a complete volume.","The 1898 catalog provides the earliest record of the library's collection after its reestablishment by the Alexandria Library Association, including numbers of volumes and publications dates for each title. The subject classification allows a simple method of gauging the balance of the collection between different areas, particularly in comparison with the publications of 1906 and 1912. Handwritten notes seem to indicate additions and shelf locations, although the date and provenance of those notes is unclear.","A complete update to the 1898 catalog, the 1906 retained the same basic classification system apart from the addition of 3 new sub-classes. It also includes a chart of subscription prices for the library at the front giving lengths of time and numbers of books and a large number of advertisements from local businesses.","\nFor the new subclasses see arrangement note.","The 1912 supplement to the catalog includes additions to the library collection since 1906 as well as a listing of old magazines, which were not mentioned in the 1906 catalog. Most classification numbers were therefore unneeded. The bulk of the entries appear to be fiction and old magazines.","This typescript contains a listing of \"old magazines\" by title and volume that were in the collection in 1933. It also includes some notes on their condition, such as whether they were bound and missing covers, pages, and volumes.","The circulation records consist of bound volumes containing lists of books checked out. They typically list the name of the subscriber, the date, and some method of identifying the work along with various other details. For much of its history, the old library company identified books only by number, although titles and combinations of numbers and titles began appearing around 1845, with titles becoming commonplace after 1858.","\nThe catalogs can be used reliably for only some of the numerical listings due to additions following the publication of rapidly outdated catalogs and changes in numbering that preceded new ones. They are relevant to some of the numbers for 1801-1807, 1815-1848, 1856-1862, and 1874-1879 (see catalog series notes and below). Because of possible renumbering, the 1801 catalog cannot be relied upon for records prior to its implementation nor after the point in 1807-1808 when its successor went into effect. Since there is no way to know if the 1815 catalog was an extension of the 1808 or if it was the first to change the numbering from the 1801, it likewise cannot be trusted prior to its implementation.","\nThe 1815 and its supplement were used for a longer period and the 1834-1848 catalog used it as a base, despite altering its system of arrangement for later materials and leaving about 30 numbers unclear due to renumbering. The 1856 printed and 1858-1860 working catalogs cover much of the same material and are usable into the Civil War. Notably, the 1856 is available online in a searchable format. It was arranged to be browsed, while the working catalog is arranged by number only. The 1876 copy of the catalog implemented in July 1874 is missing the letters O-P, but is otherwise usable for the last few years of circulation records.","\nEven when numbers cannot be identified, useful information can be inferred from changes in the numbering system and preferences for numbers from particular periods, such as for new acquisitions. One can also use the records to quantify the level of patronage as a whole in various periods. There are no circulation records at the book level from the Alexandria Library Association (1897-1937) and later, although summary reports of circulation became common during the modern period and were often noted in minutes and annual reports.","\nThere are significant gaps in the circulation records, which nominally cover the period from November 1794 to January 1880. These come in several different types. Some of them appear to indicate missing volumes, including July 1795-June 1801, May 1811-February 1814, January 1835-Feburary 1841, September 1848-October 1858, and 1868-1870, but there are also gaps of a few months between volumes in 1805, 1824, 1846, 1871, and 1874. Additionally, there is a month of pages missing from the middle of 1831, and two pages are missing after October 1862, even though returns were noted as late December, before resuming in April 1868 (on the Civil War see the historical note for this series).","\nTitle numbers began at around 200, gradually rising to over 5,000 before the Civil War. After the war, numbers ran below 1,000 for the most part, before changing to numbers over 5,000 again on 4 December 1873 (p.279) and then dropping to lower numbers on 10 July 1874 (p.69), with some titles in the 5000s being renumbered to the 3000s.","\nMany of volumes contain lists of books in their front or back matter, usually including both titles and numbers. This is one of the only sources for matching that information for some periods of the library's history and includes the only reference to the 1808 catalog outside the minutes. They include lists of missing books (the 1822-1824 volume), books sent to be bound (1824-1828 and 1828-1831) and of the Waverly Novels (1822-1824).","\nChanges in the hand recording the information signal personnel changes, and many of the volumes were inscribed with the names of librarians or members of the company, occasionally accompanied by other kinds of scribbling as in 1814-1816, 1831-1834, and especially 1858-1868. There is also some doodling, which appears inside the covers in a modest way in the 1814-1816 volume and far more extensively in the 1841-1848 and 1858-1868 ones. The 1841-1848 also contains doodles among the actual circulation records.","\nFor the columns and specific information that varied over time see the arrangement note for this series."],"names_coll_ssim":["Alexandria Library (Alexandria, Va.)"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Alexandria Library (Alexandria, Va.)"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Alexandria Library (Alexandria, Va.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":147,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:58:50.090Z","bioghist_html_tesm":["\u003cp\u003eIn the 1780s, a discussion group of Alexandria gentlemen called \"The Society for the Promotion of Useful Knowledge\" was formed. In 1794, many of these same individuals gathered to form the nucleus of the Alexandria Library Company (ALC). The ALC was a subscription library modelled after the Philadelphia Library Company, which had also emerged from such a club. \u003c/p\u003e\n","\u003cp\u003eSociety president Reverend John Muir became president of the ALC, a position he would hold for almost 20 years. Many of the library's founders are known to have been members of local Masonic lodges. Elisha Cullen Dick, who had succeeded George Washington as the leader of Lodge 22, was among the first directors of the ALC as well as the secretary of the earlier Society. The first Librarian was Edward Stabler, the proprietor of an apothecary shop. In 1796, Stabler was replaced by James Kennedy, who served as librarian until 1818. Overlaps and family links between the leadership of the library and other Alexandria institutions remained common over the next century and a half. \u003c/p\u003e\n","\u003cp\u003eFor a time, the Alexandria Lyceum (founded in 1838) and the ALC shared a physical space as well as similar missions. The Alexandria Lyceum was founded as part of a national movement focused on educational lectures. The union between the two organizations was dissolved in 1844, but the library continued to rent space from the Lyceum. The library was later said to have been in a state of \"suspended animation\" from around 1846 to 1852. In 1852, a \"Young Men's\" group took over under the original charter, publishing a new catalog in 1856. The library continued to operate into the Civil War. It remained in the Lyceum but not without acrimony, which is evident in the Alexandria Gazette in 1860. \u003c/p\u003e\n","\u003cp\u003eIn October 1867, an agreement was reached with what was variously referred to as the Alexandria Christian Association and the YMCA for assistance with running the library. The library separated from this organization during the early 1870s. By the second half of the 1870s, the library fell into a decline which the directors blamed on the lack of a published catalog. \u003c/p\u003e\n","\u003cp\u003eThe first library catalog had been prepared by Kennedy in 1796 and published sometime thereafter. The earliest catalog of which there is an extant copy was published in 1801, followed by another in 1808 of which there are few traces. A more enduring catalog was created in 1815. The 1830s saw publication of a supplement to the 1815 catalog and the creation of a working catalog that would be used into the late 1840s. Normal circulation records end in April 1861 when the library was converted into a military hospital. There are stray entries in May and December before operations resumed on a limited basis in May 1862 and continued at least through that year. Over a thousand volumes were lost during the war. Due to the decline in usage in the 1870s, a new catalog was produced by librarian Emma J. Young in 1872 but never published. After two years with Young's catalog, another was commissioned from Dr. Theo West, which also went unpublished. As a stopgap, handwritten copies were used by patrons. In 1898, a new catalog was created which utilized a decimal system for the first time. The last published catalog was a supplement to the 1912 version. \u003c/p\u003e\n","\u003cp\u003eIn the late 1870s, appeals were made to the men of Alexandria for support,. The directors met with another \"Young Men's Library Association\" in 1878 without success, records of operations stop after January 1880.\u003c/p\u003e\n","\u003cp\u003eThe Gazette reported in January 1881 that the books were now in the custody of the school board, whose membership included William F. Carne, a former library company director and the son of one its former presidents. In May 1887 it reported that Carne, as leader of the board's library committee, was inviting associations wishing to participate in re-opening the library to a meeting at the Peabody school building where the books were held, and explained that he had always intended a reading room to be opened to the public once space was freed up for that purpose.\u003c/p\u003e\n","\u003cp\u003eIn June 1887, the Gazette reported that the \"Reading Circle of Washington and Lee Schools\" organized by teachers two years prior and the YMCA would operate the free library during the summer, in the hope that in September \"an effort will be made, with a very fair prospect of success, to re-organize the Library Company.\" Gazette reports in 1890 and 1891 refer to continued efforts by Carne and others to \"re-open\" the library, and in 1892 being part of a \"committee on the project for a free public library,\" but they did not succeed.\u003c/p\u003e\n","\u003cp\u003eIn the decades after 1870s librarianship not only professionalized but underwent a rapid gender shift, and apart from the periods in which there was no librarian for financial reasons, no male librarians seem to have been employed until well into the 20th century. Women's library organizations had become common nationally, and along with the philanthropy of Andrew Carnegie played a major role in the growth of public libraries in America starting in the late 19th century.\u003c/p\u003e\n","\u003cp\u003eIn September 1897, the Alexandria Library Association led by Virginia Corse received custody of the books then in possession of the school board. With a modest donation from Carnegie, by 1898 the library was back in business, but as a subscription library, it would not become a free public library for almost 40 years. The new library needed a new librarian, and after one or two initial hires, the association found Alice Green (1865-1956), who would serve from 1902-1937 and in a lesser capacity into the mid-1940s. During this period, space for the library was rented from the United Daughters of the Confederacy (UDC).\u003c/p\u003e\n","\u003cp\u003eThe Depression brought financial hardship. As the crisis worsened in early 1931, the association had obtained $1,000 from the city council to form \"a nucleus for the establishment of a public library.\" Discussion of becoming a public library had been common since the 1920s, as the efforts of Carnegie and others had made them the norm nationally. Attempts were made to sell older books and hold fundraisers as subscription fees dried up. There was also a dispute with the UDC over a rent increase in 1933. The library was aided by the wealth of its members, including a $5,000 bequest in 1935 from its long-time treasurer, Margaret L. Smoot.\u003c/p\u003e\n","\u003cp\u003eMembers built political support both on the council and among the public in the mid-1930s and in 1937 it was agreed that a building would be constructed on the site of the old cemetery of the Society of Friends and that the city government would cover annual expenses of no more than $5,000 for the association to operate a free library. One member of the board would be appointed by the city. The new governing organization was rebranded the Alexandria Library Society.  Agreements were signed in January, and the library opened at the Kate Waller Barrett Branch's current location, 717 Queen Street.\u003c/p\u003e\n","\u003cp\u003eAnother change after 1937 was the gender composition of the leadership. Men served on the board of the new Society and played prominent roles after 1937. After 1948 they typically occupied the presidency of the organization. Most elections were unanimous, often with women casting most of the votes, but it ceased to be a women's organization. \u003c/p\u003e\n","\u003cp\u003eIn 1945 a technicality in the Society's contract with the city was brought to the attention of the board. Namely that the $5,000 the city was obligated to provide each year was not the minimum but rather the maximum contribution, and that the higher appropriations it had been making were illegal. The city took this as an opportunity to demand a contract change beyond the funding formula. Although the men of the city council had representation on the board, the women of the Society were still ultimately running the library, and the Society was asked to allow a majority of the executive board to be appointed by the city, and a minority by the Society. That the city legally \"owned the building and all its contents\" so long as it paid $5,000 per year was also pointed out. The Alexandria Library Society signed the new contract, surrendering control of the library in November 1947. In its reduced role, the Society still elected members to the board and received reports from the librarian. It also retained independent funds that could be used for the benefit of the library. With the library now fully the city's responsibility, the membership was also able to more openly advocate for additional funding.\u003c/p\u003e\n","\u003cp\u003eAnother longstanding issue at the library was race. The president's 1928 annual report had endorsed becoming a \"free city library,\" but feared that becoming a Carnegie library \"would bring in some elements hitherto unknown and I think undesirable in our Library.\" In the 1930s the library association favored providing segregated facilities, but, after repeated meetings with the city council, failed to achieve even that modest goal. In the 13 March, 1939, minutes, the issue was revisited yet again, but without result. \u003c/p\u003e\n","\u003cp\u003eFour days later on 17 March 1939, Sergeant George Wilson was turned down for a library card because of his race and Samuel Tucker filed a civil rights lawsuit against the librarian on his behalf. Plans for a segregated facility were dusted off, and new staff was hired so that the librarian could focus on the controversy. On 21 August 1939, several black men organized by Tucker entered the library and followed Wilson's example, but after being refused, seated themselves in the library with books, beginning America's first library sit-in. It ended only after the city manager called the police, and all were arrested. The lawsuit was dismissed on technical grounds, but to prevent a new lawsuit the city approved the Robert H. Robinson branch, which opened in 1940. Tucker refused to accept a card there. \u003c/p\u003e\n","\u003cp\u003eA major issue in the early 1950s was the push to expand the overcrowded main library serving the white community. The white librarian at the time, who had been hired in a junior capacity during Tucker's campaign in 1939, suggested to the Society that the expansion could be an opportunity to integrate. In the midst of the debates over expansion and additional funding, an opportunity emerged to purchase a neighboring building on the corner of North Columbus and Queen, which was later demolished. This prompted a discussion about the Alexandria Library Society's connection to the original library company. It was decided to change the name from the \"Alexandria Library Society\" to the \"Alexandria Library Company,\" make the appropriate filings with the state government, and reinstate the 1799 charter, which would be revised by the legislature in the 1980s to help obtain tax-exempt status from the IRS.\u003c/p\u003e\n","\u003cp\u003eThis name change was completed at one of the company's most consequential meetings in February 1956. Every member was asked to sign their name in the minute book to signal their assent. A letter from a local civil rights activist questioning the legality of library segregation was also read, but deemed the province of the library board, which referred the matter back to the company whose reply is not preserved.\u003c/p\u003e\n","\u003cp\u003eMember Mangum Weeks thereupon raised the question of the future role of the Library Company, and proposed resuming the tradition of annual lectures dating from the Lyceum period using funds from the newly instituted membership dues. This proposal was adopted, and preparing the annual lectures soon became a major focus of the Company. The Library Company continues to appoint members to the board of the Alexandria Library and hold its annual lecture series. It commissioned a new history of the library by William Seale in 2007, which can be found at the Local History and Special Collections Branch.\u003c/p\u003e","\u003cp\u003eChronological listings for both presidents of the board and librarians up to the modern day.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003ePresidents of the Library Company and Its Successors\u003c/head\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1794-February 1813\u003c/label\u003e\n        \u003citem\u003eRev. James Muir\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1813-February 1815\u003c/label\u003e\n        \u003citem\u003eHugh Smith\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1815-March 1824\u003c/label\u003e\n        \u003citem\u003eJohn Roberts\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eMarch 1824-February 1829\u003c/label\u003e\n        \u003citem\u003eHugh Smith\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1829-February 1835\u003c/label\u003e\n        \u003citem\u003eJohn Richards\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1835-February 1840\u003c/label\u003e\n        \u003citem\u003eJohn Roberts\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1840-1852\u003c/label\u003e\n        \u003citem\u003eElias Harrison\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003e1852-February 1855\u003c/label\u003e\n        \u003citem\u003eJ. Louis Kinzer\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1855-September 1858\u003c/label\u003e\n        \u003citem\u003eFrancis Miller\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeptember 1858- February 1859\u003c/label\u003e\n        \u003citem\u003eRichard L. Carne\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1859-September 1859\u003c/label\u003e\n        \u003citem\u003eCaleb S. Hallowell\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeptember 1859-February 1860\u003c/label\u003e\n        \u003citem\u003eWilliam G. Cazenove\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1860-February 1870\u003c/label\u003e\n        \u003citem\u003eRichard L. Carne\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1870-February 1873\u003c/label\u003e\n        \u003citem\u003eK. Kemper\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1873-October 1873\u003c/label\u003e\n        \u003citem\u003eSamuel H. Janney\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eOctober 1873-February 1874\u003c/label\u003e\n        \u003citem\u003eSidney C. Neale\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1874-June 1879\u003c/label\u003e\n        \u003citem\u003eMercer Slaughter\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeptember 1897-October 1905\u003c/label\u003e\n        \u003citem\u003eVirginia Corse\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eJuly 1906-June 1925\u003c/label\u003e\n        \u003citem\u003eMrs. Samuel. L. Monroe\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eOctober 1925-April 1930\u003c/label\u003e\n        \u003citem\u003eLoula Smoot\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eApril 1930-November 1933\u003c/label\u003e\n        \u003citem\u003eMrs. Henry B. Soule, [Jessie E. Soule]\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eDecember 1933-December 1934\u003c/label\u003e\n        \u003citem\u003eMary Lloyd\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eDecember 1934-December 1936\u003c/label\u003e\n        \u003citem\u003eSusan Thomson\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eDecember 1936-November 1937\u003c/label\u003e\n        \u003citem\u003eMrs. Louis Scott\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eNovember 1937-November 1944\u003c/label\u003e\n        \u003citem\u003eMrs. Curtis Backus\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eNovember 1944-November 1946\u003c/label\u003e\n        \u003citem\u003eMrs. [Lawrence] Fawcett, [Mary Fawcett]\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eNovember 1946-November 1947\u003c/label\u003e\n        \u003citem\u003eHoward Worth Smith\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eNovember 1947-October 1948\u003c/label\u003e\n        \u003citem\u003e[Miss Anne] Lewis Jones\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eOctober 1948-October 1949\u003c/label\u003e\n        \u003citem\u003eMiss Horne\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eOctober 1949-October 1950\u003c/label\u003e\n        \u003citem\u003eMr. Stanley King\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eOctober 1950-December 1951\u003c/label\u003e\n        \u003citem\u003eMr. [Joseph] Crockett\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eDecember 1951-February 1955\u003c/label\u003e\n        \u003citem\u003eMr. Robert Moncure\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1955-February 1957\u003c/label\u003e\n        \u003citem\u003eDr. [W. Bruce] Silcox\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1957-February 1959\u003c/label\u003e\n        \u003citem\u003eStanley King\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1959-February 1962\u003c/label\u003e\n        \u003citem\u003eMangum Weeks\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1962-February 1963\u003c/label\u003e\n        \u003citem\u003eRichard Bales\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1963-February 1965\u003c/label\u003e\n        \u003citem\u003eDonald King\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1965-February 1967\u003c/label\u003e\n        \u003citem\u003eDavid Squires\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1967-February 1969\u003c/label\u003e\n        \u003citem\u003eHoward Worth Smith Jr.\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1969-February 1971\u003c/label\u003e\n        \u003citem\u003eWilliam Francis Smith\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1971-February 1972\u003c/label\u003e\n        \u003citem\u003eJohn T. Ticer\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1972-February 1974\u003c/label\u003e\n        \u003citem\u003eDavid M. Abshire\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1974-February 1976\u003c/label\u003e\n        \u003citem\u003eMrs. Merill Beede\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1976-February 1978\u003c/label\u003e\n        \u003citem\u003eMrs. Douglas Lindsey\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1978-February 1980\u003c/label\u003e\n        \u003citem\u003eClarke T. Cooper Jr.\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1980-February 1982\u003c/label\u003e\n        \u003citem\u003eWilliam Seale\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1982-February 1983\u003c/label\u003e\n        \u003citem\u003eDenys Peter Myers\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1983-February 1985\u003c/label\u003e\n        \u003citem\u003eWilliam B. Hurd\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1985-February 1986\u003c/label\u003e\n        \u003citem\u003eGeorge J. Stansfield\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1986-February 1987\u003c/label\u003e\n        \u003citem\u003eDr. Ernest A. Connally\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1987-February 1989\u003c/label\u003e\n        \u003citem\u003eDr. Wilton C. Corkern, Jr.\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1989-March 1991\u003c/label\u003e\n        \u003citem\u003eJames M. Lewis\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eMarch 1991-March 1992\u003c/label\u003e\n        \u003citem\u003eMrs. Anne Smith Paul\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eMarch 1992-March 1993\u003c/label\u003e\n        \u003citem\u003eRichard R. G. Hobson\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eMarch 1993-March 1995\u003c/label\u003e\n        \u003citem\u003eDabney Waring\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eMarch 1995-March 1997\u003c/label\u003e\n        \u003citem\u003eJames R. Hobson\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eMarch 1997-March 1998\u003c/label\u003e\n        \u003citem\u003eRobert C. Reed\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eMarch 1998-March 2000\u003c/label\u003e\n        \u003citem\u003eNeil Horstman\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eMarch 2000-March 2002\u003c/label\u003e\n        \u003citem\u003eCarroll Johnson\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eMarch 2002-March 2003\u003c/label\u003e\n        \u003citem\u003eThomas C. Brown Jr.\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eLibrarians of Alexandria\u003c/head\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1794-February 1796\u003c/label\u003e\n        \u003citem\u003eEdward Stabler\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1796-February 1818\u003c/label\u003e\n        \u003citem\u003eJames Kennedy\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1818-August 1826\u003c/label\u003e\n        \u003citem\u003eWilliam Cranch\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAugust 1826-October 1829\u003c/label\u003e\n        \u003citem\u003eW. Samuel Mark\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eOctober 1829-March 1845\u003c/label\u003e\n        \u003citem\u003eGeorge Drinker\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eMarch 1845-September 1845\u003c/label\u003e\n        \u003citem\u003eJames M. Eaches\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeptember 1845-September 1852\u003c/label\u003e\n        \u003citem\u003eC.F. Stuart\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeptember 1852-April 1853\u003c/label\u003e\n        \u003citem\u003eH. W. P. Junius\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeptember 1852-April 1853\u003c/label\u003e\n        \u003citem\u003eL.? Hunter\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eNovember 1853\u003c/label\u003e\n        \u003citem\u003eOffice Abolished\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1854-October 1855\u003c/label\u003e\n        \u003citem\u003eE. M.[Magruder?] Lowe\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eOctober 1855-September 1858\u003c/label\u003e\n        \u003citem\u003eNorval E. Foard\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeptember 1858-February 1859\u003c/label\u003e\n        \u003citem\u003eS. Scott\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1859-September 1859\u003c/label\u003e\n        \u003citem\u003eEdward R. Roxbury\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeptember 1859-February 1860\u003c/label\u003e\n        \u003citem\u003eJames A. Clarridge\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1860-April 1861\u003c/label\u003e\n        \u003citem\u003eCharles R. Burgess (acting)\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eApril 1861-Unknown\u003c/label\u003e\n        \u003citem\u003eEdwin N. Wise\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eMarch 1868\u003c/label\u003e\n        \u003citem\u003eWr. Bushby\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eApril 1870-May 1871\u003c/label\u003e\n        \u003citem\u003eAugust Henning\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eJuly 1871-March 1872\u003c/label\u003e\n        \u003citem\u003eW. F. Stansbury\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eMarch 1872-August 1873\u003c/label\u003e\n        \u003citem\u003eEmma J. Young\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eOctober 1873-March 1876\u003c/label\u003e\n        \u003citem\u003eEmily English\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eMarch 1876\u003c/label\u003e\n        \u003citem\u003ePosition Eliminated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eJune 1879\u003c/label\u003e\n        \u003citem\u003eR. Pendleton Bruin (unofficial? acting?)\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eOctober 1900-October 1903\u003c/label\u003e\n        \u003citem\u003eF. Olive Lyons\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eOctober 1903-April 1937 (continued part-time, mentioned up to 1946)\u003c/label\u003e\n        \u003citem\u003eAlice Green\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eApril 1937-December 1938\u003c/label\u003e\n        \u003citem\u003eMiss Beatrice Workman\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eJanuary 1939-January 1941\u003c/label\u003e\n        \u003citem\u003eKatherine Scoggin (later Martyn)\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eFebruary 1941-June 1948\u003c/label\u003e\n        \u003citem\u003eBessie Watson\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eJuly 1948-June 1969 (hired part-time October 1939, letter of resignation later that month)\u003c/label\u003e\n        \u003citem\u003eEllen C. Burke\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eJuly 1969-October 1992 (librarian from 1958)\u003c/label\u003e\n        \u003citem\u003eJeanne G. Plitt\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e","\u003cp\u003eThe initial combination of financial and subscription records likely reflected the company's initial dependence on subscription fees, in contrast to the later subscription library in the city that relied more on donors. This recordkeeping system appears to have been a casualty of the merger with the Lyceum, which became official in early 1840.\u003c/p\u003e\n","\u003cp\u003e\nAs the physical volume in use at that time was still mostly blank, it was repeatedly repurposed, first for additional circulation records (until these too lapsed) and later for a \"list of Stockholders and the amount due from each for the year commencing the 13th February 1854,\" which likely relates to the revitalization of the company after its agreement with the Young Men's group. The agreement required the men to find 100 subscribers, and the list was likely prepared for the annual meeting originally scheduled for 20 February (a week after the date on the list), at which it was decided to void the shares of individuals who had not paid.\u003c/p\u003e","\u003cp\u003eThe 1980 lecture of Dr. William Dudley on \"Captain Gordon and the Raid on Alexandria 1814\" was recorded but was left off the lists of annual lectures printed in later years. It marks the point at which the sequential numbering of annual lectures was stopped. The reason for this is unknown.\u003c/p\u003e","\u003cp\u003eNo catalog was published under the first librarian, but four were published during the 1796-1818 tenure of his successor.\u003c/p\u003e\n","\u003cp\u003e\nOn 29 December 1796 he was directed to prepare a catalog of books \"classed according to their size and arranged in the order of the alphabet, with the number and cost or value of each,\" although a March 1797 entry suggests that it was still not complete four months later. No copy of this catalog has survived, but there would have been between 200 and 400 titles at that time.\u003c/p\u003e\n","\u003cp\u003e\nThe growth of the collection was driven in part by the acceptance of books in place of subscription fees and the purchase of private libraries. In May 1800 a committee was formed to examine its acquisitions for books that were \"useless, superfluous or of immoral tendency,\" which decided in September to postpone acting on them until it was time to print a new catalog. That time came on 2 November 1801 when a committee was appointed to assist the librarian in creating a new catalog.\u003c/p\u003e\n","\u003cp\u003e\nOn 1 February 1808 the board decided to print a new catalog at 50 cents a copy because \"many members were without any.\" On 2 May this catalog was reported to be largely complete. Another meeting was planned shortly thereafter so that it could be printed \"without delay.\" That meeting is undocumented, if indeed it took place. No copy of this catalog or any direct record of its publication is currently known. But it must have existed since it was referenced in a later circulation book and the librarian received a bonus for his work on it in March 1809.\u003c/p\u003e\n","\u003cp\u003e\nOn 2 May 1814, it was decided to create another new catalog. It would eventually have 1,027 numbers, which circulation records show the library had reached by July 1814. On 14 November 1814, the librarian reported the catalog \"ready for the press.\" He was instructed to obtain 150 copies \"with all convenient dispatch,\" a number raised to 200 the following month. In February 1815, he reported the catalog \"about half-finished\" and presented a copy to the board, which set a price of 50 cents. In March he received compensation for \"his additional trouble in preparing the new catalogue for the press,\" suggesting that the printing had been completed.\u003c/p\u003e\n","\u003cp\u003e\nThe 1815 catalog was later extended by a published supplement that added additional numbers. Unlike other printed works, there is no mention of when the supplement was produced in the minutes. It is, however, clear from circulation records that all its books had circulated by 14 August 1830. According to the minutes, a meeting had been called for 10 May 1830 only to be quickly adjourned \"there appearing no business requiring the attention of the board,\" and quarterly meetings on 2 August and 2 November were adjourned, lacking a quorum. The librarian at the time had replaced his predecessor in October 1829 and been confirmed in the position the following March. It seems plausible that he pushed to update the catalog after becoming librarian but that the question was either not deemed important or could not be addressed due to the lack of quorum but that it was printed in 1830 anyway.\u003c/p\u003e\n","\u003cp\u003e\nAt the same time, a working catalog was created for use in the library itself. It is the earliest preserved catalog of this type but was probably not the first. It contains a relisting of the contents of the 1815 catalog and supplement sorted by the first letter of the alphabet with pamphlets listed separately as well as books added between April 1833 and the suspension of library operations after 1848 listed by subject. Although its initial form was compiled some time earlier, it does not appear to have come into use until sometime after 1834 where there is a gap in the circulation records. The first 1,725 entries may have been added at the time of the 1815 supplement with the shift to a new method of arrangement occurring later. \u003c/p\u003e\n","\u003cp\u003e\nOn 8 March 1856 a committee of the revived library company was assigned to rearrange and renumber the books for publication. On 29 November 1856, the board voted for 300 copies of the finished catalog to be produced.\u003c/p\u003e\n","\u003cp\u003e\nOn 18 June 1858 board president Andrew Jamison resigned. On 4 September Richard L. Carne, the chairmen of the committee on the catalog and president pro-tem submitted \"his amendment to the catalog\" and appointed Sylvester Scott as librarian to constitute a \"committee of revisal.\" A new working catalog is preserved from this period continuing into the Civil War, although it does not appear to have been published.\u003c/p\u003e\n","\u003cp\u003e\nFrom the reestablishment of the library in the late 1860s to its failure at the close of the 1870s the lack of a published catalog to advertise the available books was identified as a major issue. The last version of the catalog prior to the Civil War had contained over 5,000 books, of which it was estimated in 1871 that 1,000-1,500 had been lost.\u003c/p\u003e\n","\u003cp\u003e\nCirculations records from the early 1870s feature book numbers around 1,000 that do not correspond to any known listing, and numbers were abandoned entirely from May 1871 to January 1872. It was decided on 2 October 1872 to create a new catalog, and the task was assigned to the new librarian, Emma Young. The fact that the numbers of the circulating books changed to include some with numbers over 5,000 after 4 December 1872 indicates that this work was completed, but it was never published and there is no surviving catalog from that period.\u003c/p\u003e\n","\u003cp\u003e\nThe limited use of the catalog is evident from the prevalence of high numbered works among those in circulation. The highest numbers indicated recent acquisitions, which often received announcements in the Alexandria Gazette.\u003c/p\u003e\n","\u003cp\u003e\nAt the 20 February 1874 meeting, it was noted that \"the last catalogue was published some years previous to the war and had become, by reasons of subsequent losses and additions, very incomplete\" and the board decided to appoint Dr. Theo West \"to catalogue and arrange the books.\" They planned to print the catalog in time for the 1875 annual meeting, but printing was postponed indefinitely. \u003c/p\u003e\n","\u003cp\u003e\nThe new catalog went into effect on 10 July 1874 as seen in the shift in circulation records from a system with numbers up to around 5,800 to a new catalog going to 4,314, but again they were unable to publish it.  Seven months later at the 19 February 1875 meeting, it was decided to arrange a printing \"as soon as possible,\" but this did not occur either.\u003c/p\u003e\n","\u003cp\u003e\nOn 10 March 1876 the board decided upon a different plan. The catalog was to be divided among the directors so that copies might be made \"for the librarian's desk.\" The published account of the 21 February 1877 annual meeting noted that \"many persons have given as a reason for not becoming subscribers the inaccessibility of the old library which was not catalogued. This plea no longer holds.\" Doctor West's catalog \"copied by members of the Board without expense, bound in good style, can now always be found on the Librarian's desk.\" Operations ceased and the books went into storage a few years later.\u003c/p\u003e\n","\u003cp\u003e\nAt the 8 January 1898 meeting of the newly formed Alexandria Library Association, it was moved that the \"the catalogue be printed at once\" with the addition of blank pages between the leaves for advertisements from city merchants.\u003c/p\u003e\n","\u003cp\u003e\nThis catalog was the first to use a version of the Dewey Decimal System, which had become popular since its first publication in 1888, reaching its 5th edition in 1894. This was the first modern classification system in the history of the Alexandria Library.\u003c/p\u003e\n","\u003cp\u003e\nSubsequent to the publication of the 1898 catalog in January of that year, there are several mentions of publishing \"supplements\" such as on 11 April 1899 and 11 July 1899 which may refer to the practice of publishing notices with the titles of new additions in the Alexandria Gazette, such as those of 6 July and 13 July 1899.\u003c/p\u003e\n","\u003cp\u003e\nOn 1 January 1902 there was a push for a \"supplementary catalogue (being a catalogue of books up to date) be printed\" and the president appointed a committee for that purpose. It was postponed pending the catalog's completion. On 9 October 1906 the board voted to accept an offer from a Mr. White to print 1000 copies in return for advertising space. According to the 8 January 1907 minutes, the library was given half the copies of the 1906 catalog for free, of which it sold 200 and gave 300 away.\u003c/p\u003e\n","\u003cp\u003e\nThe 12 April 1910 minutes mention a decision to \"again postpone the publication a supplementary catalogue.\" On 23 January 1912 it was again put off until the 9 April meeting, where it was decided for a new catalog to be printed and priced at five cents a copy and \"to have the names of the old magazines put into the new catalogue but not into the card catalogue.\" On 12 June 1912 it was reported that \"the catalogue was in the hands of the printer and that Mrs. Monroe was reading the proof\" and the \"new catalog\" was deemed \"ready for distribution\" on 8 October 1912.\u003c/p\u003e\n","\u003cp\u003e\nThe annual report at that same meeting noted that \"the year has also seen the completion of the labelling, classifying, and cataloguing of all the old and valuable magazines which the Board has for so long a time desired to put into shape for distribution,\" which a review of the supplement suggests meant works in good condition available for circulation.\u003c/p\u003e\n","\u003cp\u003e\nOn 11 April 1933 Mrs. Newell \"volunteered to catalogue old magazines in order that their value may be ascertained.\"  On 9 May 1933 she presented a \"typewritten list\" of \"old magazines\" for appraisal as part of their depression era fundraising efforts. On 10 October she reported them to be of \"no value\" and suggested having them sent to the Salvation Army for use as old paper. On 8 January 1934 the board approved this proposal for those magazines of \"no value,\" which do not appear to have included many titles listed in this catalog.\u003c/p\u003e\n","\u003cp\u003e\nNo explicit reason for the abandonment of published catalogs after 1912 was given, but the allusion to card catalogs suggests that it was a final step in the transition from numerical catalogs, which favored bound volumes by allowing new titles to be added to the end of the sequence, to the Dewey Decimal System, which required new titles to be inserted in the correct place in the existing list and was more easily managed with cards which did not require leaving space for new titles as the 1876 catalog had.\u003c/p\u003e","\u003cp\u003eThe circulation records began with the original library company in 1794 and continued until its collapse in 1880. Some of the gaps in the records reflect periods during which its activity was disrupted.\u003c/p\u003e\n","\u003cp\u003e\nDuring the War of 1812, British forces arrived in Alexandria on 29 August 1814 and remained there until 2 September. The library normally closed on Sundays, and remained closed from Sunday 28 August through Tuesday 30 August. It opened from 31 August to 2 September, during which time only four books circulated.\u003c/p\u003e\n","\u003cp\u003e\nThe library was also affected by the Civil War. Hostilities between the Union and Confederacy began at Fort Sumter on 12 April 1861. A vote on Virginia secession was held on 17 April and ratified by a referendum on 23 May. Alexandria was occupied by Union forces the following day. Confederate forces had briefly made use of the Lyceum building housing the library, but it later served as a hospital for the Union. Some books were moved out but others were not.\u003c/p\u003e\n","\u003cp\u003e\nIt is unclear were the library operated from in 1861 and 1862, but it did operate. There was a significant reduction in circulation leading up to the war, dropping to a single entry for 22 April 1861. Solitary patrons were recorded for 18th and 30th of May, and an individual withdrew a book every day through 21-25 December, although the May and December entries are in a different hand and initially broke with the format. In early June 1862 however, the library resumed semi-regular hours, usually opening only Tuesday and Thursday but occasionally other days. Records continue into mid-October, after which two pages are missing from the book before it resumes in 1868. Returns are dated as late as December 1862, and it is unclear when the library ceased operations.\u003c/p\u003e\n","\u003cp\u003e\nAttempts to preserve the library in the late 1870s were unsuccessful, and the number of pages per year charts its decline and eventual failure over the second half of the decade.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vaallhs_repositories_2_resources_128_c10_c04"}},{"id":"viw_repositories_2_resources_8982_c03_c2312","type":"File","attributes":{"title":"Worsley, J.; Bring Flowers","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8982_c03_c2312#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8982_c03_c2312","ref_ssm":["viw_repositories_2_resources_8982_c03_c2312"],"id":"viw_repositories_2_resources_8982_c03_c2312","ead_ssi":"viw_repositories_2_resources_8982","_root_":"viw_repositories_2_resources_8982","_nest_parent_":"viw_repositories_2_resources_8982_c03","parent_ssi":"viw_repositories_2_resources_8982_c03","parent_ssim":["viw_repositories_2_resources_8982","viw_repositories_2_resources_8982_c03"],"parent_ids_ssim":["viw_repositories_2_resources_8982","viw_repositories_2_resources_8982_c03"],"parent_unittitles_ssm":["Sheet Music Collection","Series 3: 19th Century Sheet Music"],"parent_unittitles_tesim":["Sheet Music Collection","Series 3: 19th Century Sheet Music"],"text":["Sheet Music Collection","Series 3: 19th Century Sheet Music","Worsley, J.; Bring Flowers","Box Series 3, Box 110","Folder 10"],"title_filing_ssi":"Worsley, J.; Bring Flowers","title_ssm":["Worsley, J.; Bring Flowers"],"title_tesim":["Worsley, J.; Bring Flowers"],"unitdate_inclusive_ssm":["1830"],"normalized_date_ssm":["1830"],"normalized_title_ssm":["Worsley, J.; Bring Flowers"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Sheet Music Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3542,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1830],"containers_ssim":["Box Series 3, Box 110","Folder 10"],"_nest_path_":"/components#2/components#2311","timestamp":"2026-05-21T04:47:37.204Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8982","ead_ssi":"viw_repositories_2_resources_8982","_root_":"viw_repositories_2_resources_8982","_nest_parent_":"viw_repositories_2_resources_8982","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8982.xml","title_filing_ssi":"Sheet Music Collection","title_ssm":["Sheet Music Collection"],"title_tesim":["Sheet Music Collection"],"unitdate_ssm":["1827-1974"],"unitdate_inclusive_ssm":["1827-1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 1.07","/repositories/2/resources/8982"],"text":["Mss. 1.07","/repositories/2/resources/8982","Sheet Music Collection","African Americans--Music","Music--19th century.","Music--Virginia--19th century.","United States--History--World War, 1914-1918--Songs and music","World War, 1939-1945--United States--Songs and music","Scores","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Additions are being made to this collection on an ongoing basis.","The collection is currently being processed and new items will be added on an ongoing basis. For this reason the indicated extent and date range are approximate at this point."," Series 1 (box 1-47) contains sheet music acquired prior to 2007.  Subseries 1 (box 1-38)  is arranged alphabetically by composer; Subseries  2 (box 39-40) are filed by arrangers and unknown composers; Subseries 3  (box 41-43) contains exercise books; Subseries 4 (box 44-45) contains portions of collections; Subseries 5 (boxe46) iscollections; and Subseries 6 (box 47) is librettos."," Series 2 (from box 48 onward) consists of acquisitons made 2007 and later, filed in the order in which they are received."," Series 3 is is not yet fully arranged and described. Researchers should consult with a staff member for further information in advance of using this series.","Material received from 2009 to 2010 were accessioned and minimally processed by Ute Schechter. The portion of the collection received prior to 2007 was keyed in by student assistants including Lauren Chapman, Alex Dodd beginning in September 2009. Acc. 2012.050 accessioned and minimally described by Steven Bookman, Univeristy Archives Specialist, in February 2012. Series 3 added in April 2012 by Benjamin Bromley. Acc. 2012.272 and Acc. 2012.360 accessioned and minimally described by Steven Bookman, University Archives Specialist, in November 2012. Acc. 2013.247 accessioned and minimally described by Steven Bookman, University Archives Specialist, in October 2013.","The Sheet Music Collection includes sheet music collected by the Special Collections Research Center.","This series includes sheet music collected by the Special Collections Research Center prior to 2007.","Scope and Contents \"High-High-High-Up in the Hills\" - 1926, Sam Lewis and Joe Young, librettists; \"Is there Still Room for Me Neath the Old Apple Tree\" - 1915, Edgar Leslie and Lew Brown, librettists; \"Pullman Porters Parade\" - 1913, Ren. g. May, librettists.","Scope and Contents \"Beautiful German Songs for Mezzo Soprano\"- undated., Franz Abt; \"Peter's Standard Series of German Songs\", second series- undated., Frantz Abt; \"New Series of Sems of German Songs\", undated, - Kate Blackeship \"Schirmer's Octavo choruses for Women's Voices\", undated- Kate Blackeship \"When the Swallows Homeward Fly\",- undated, Frantz Abt \"Songs of All Nations\",- undated, Frantz Abt.","Scope and Contents \"Milange Pour le Piano sur les motifs de l'Opera de Bellini I puritani\",- undated, A. Adam.","Scope and Contents \"I am going there\" or the \"Death of little Eva\"- undated, John S. Adams.","Scope and Contents \"The Holy City,\" - undated, Stephen Adams; \"Blue Alsatian Mountains\", undated, Stephen Adams; \"Popular Contralto or Baritone Songs\", undated, Stephen Adams; \"The Blue Alsatian Mountains\", undated, Stephen Adams, Georges Lamothe; \"The Holy City\" - undated, F.E. Weatherly, librettists.","Scope and Contents \"The Joys of the Table\"- undated, J. Addison; \"Our Sweet Dancing Days\" - Mrs. Mountain and Mifs Decamp, librettists.","Scope and Contents \"Ain't She Sweet\", 1927, Jack Yellon, librettists; \"Are You Sorry\", - 1925, Benny Davis librettists; \"Crazy Words Crazy Tune Vo-Do-De-O\", 1927, Jack Yellon, librettists; \"Forgive Me\", 1927, Jack Yellon, librettists; \"I Wonder What's Become of Sally\", 1924, Jack Yellon, librettists; \"Songs of the Dawn\", 1930, Jack Yellon, librettists.","Scope and Contents \"Slow But Sure,\" - undated, Charles Newman, librettists.","Scope and Contents \"Life is A Song\" - 1935, Joe Young, librettists; \"Ain't that the Way it Goes\" - 1931, Roy Turk, librettists; \"And I Still Do\" - 1934, Edgar Leslie, librettists; \"I Don't Know Why\"- 1931, Guy Turk, librettists; \"I'll Get By\" - 1928, Roy Turk, librettists; \"The Moon was Yellow\" - Edgar Leslie, librettists.","Scope and Contents \"Latest and Best\" - undated","Scope and Contents \"It Happened when your Eyes Met Mine\" - 1934, Roy Turk, librettists; \"Nobody Cares if I'm Blue\" - undated, Grant Clarke, librettists; \"There's a Little White House on a Little Green Hill,\" - undated, Billy Rose, librettists;","Scope and Contents My Rosalie Sweet Rosalie\", undated, Edward G. Allanson, composer and librettists.","Scope and Contents \"Maid of Athens\" - undated, Allen ?, composer.","Scope and Contents \"Over the Hill\"- n.d., Edgar Allen, composer, Lou Klein, librettists.","Scope and Contents \"Minnesota March\"- undated, George N. Allen, composer.","Scope and Contents \"Earl Carroll Vanities\"- 7th Edition\" -1928, Louis Alter, composer, Raymond Klages, librettists; \"Hugs and Kisses\" - n.d., Lou Alter, composer, Raymond Klages, librettists; \"Manhattan Serenade\" - 1928, Louis Alter, composer; \"That Wonderful Something\" - 1929; Louis Alter, composer, Joe Goodwin, librettists.","Scope and Contents \" I'll Pray for You\" - undated, Arthur Altman, composer, Kim Gannon, librettists.","Scope and Contents \"All or Nothing at All\" - undated, Jack Lawrence and Arthur Altman, composers and librettists.","Scope and Contents \"Suppose I had Never Met You\" - undated, Harry Archer, composer, Harlan Thompson, librettists.","Scope and Contents \"II Bacio- the Kiss\" - undated, L. Arditi, composer.","Scope and Contents \"Music Music Everywhere, but Not A Song in My Heart\" - 1932, Harold Arlen, composer, Ted Koehler, librettists; \"First You Have me High then You Have Me Low\"- undated, Harold Arlen, composer, Lew Brown, librettists; \"Between the Devil and the Deep Blue Sea\" - 1931, Harold Arlen, composer, Ted Koehler, librettists; \"Life Begins at 8:40\" - undated, Harold Arlen, composer, Ira Gershwin and E.Y. Harburg.","Scope and Contents \"I am Dying, Egypt Dying\" - 1865, ? Armand.","Scope and Contents \"I Love You Just the Same Sweet Adeline\" - undated, Clarence Gaskill and Harry Armstrong, composers.","Scope and Contents \"Blue Eyes\"- undated, Ettienne Arnaud.","Scope and Contents \"Mandalay\"- undated, Earl Burtnett, Abe Lyman, and Gus Arnheim.","Scope and Contents \"Soko\" - 1903, John Arnold, composer.","Scope and Contents \"To-day\" - undated, Gerald Arthur, composer, Harold Robe,librettists.","Scope and Contents \"Alice\" - undated, Joseph Asher, composer.","Scope and Contents \"My Task\"- undated, E.L. Ashford.","Scope and Contents \"Just Because Its You\" - undated, Barbee Ashley, Charles Farrell and Wakefield Potts.","Scope and Contents \"Sonate\" - undated, Bonifacius Asioli, composer.","Scope and Contents \"I'm Building Up an Awful Let-Down\" - 1935, Fred Astaire, composer, Johnny Mercer, librettists.","\"Marching Through Georgia, Rudolf Thaler, composer","Scope and Contents \"O Wherefore Weep My Sister Dear\" - undated, D.F.E., Auber, composer. \"Overture to the Favorite Opera of Masaniello\" - undated, F. Mockwitz.","Scope and Contents \"The Famous Gobble Song\" - undated, ? Audran, composer.","Scope and Contents \"Miss Helyett\"- undated, E. Audran, composer.","Scope and Contents \"You're the Only Star\" - undated, Gene Autry, composer and librettists.","Scope and Contents \"If You were the Only Girl\" - undated, Nat D. Ayers, composer, Clifford Grey, librettists; \"Oh, You Beautiful Doll\"- undated, Nat D. Turner, composer, A. Seymour Brown, librettists.","Scope and Contents \"Gavotte in B Minor\" - undated, John Bach, composer; \"Four Pieces from Triakontameron\" - 1912, Leopold Godowsky, composer; \"Bach's Lighter Compositions\"- 1887, John Bach, composer; \"Saint Cecilia Series\" - 1941, John S. Bach, composer.","Scope and Contents \"La priere dune Vierge' - undated, Thekla Badarewska, composer.","Scope and Contents \"You'll Never Get Up to Heaven That Way.\" - 1933, Abel Baer, composer, Sammy Lerner, librettists; \"High Up on a Hill-Top\" - undated, Abel Baer, composer, Ian Campbell and George Whiting, librettists; \"I'm Happy When You're Happy\" Abel Baer, composer, Benny Daivs, librettists; \"June Night\" - undated, Abel Baer, composer, Cliff Friend, librettists. \"Me Minus You\" - 1932, Abel Baer and John Loeb, composers, Paul Webster, librettists.","Scope and Contents \"Auf Wiedersehn\" - 1882, E.H. Bailey, composer.","Scope and Contents \"Racquet Waltz\" - 1879, F.H. Baker, composer.","Scope and Contents \"I hear a Rhapsody\" - 1940, George Fragos, Jack Baker, and Dick Gasparre, composers.","Scope and Contents \"Pretty Little Baby\" - 1932, Phil Baker and Ben Bernie, composers, Sid Silvers, librettists; \"Strange Interlude\" - 1932, Phil Baker, composer, Ben Bernie and Walter Hirsch, librettists.","Scope and Contents \"How Bright was the Star\" - 1854, Thomas Baker, composer, H.D. Stuart, librettists; \"The Rachel Schottisch\" - undated, Thomas Baker, composer.","Scope and Contents \"Come Into the Garden Maud\" - undated, M.W. Balfe, composer.","Scope and Contents 'Daughters of Pocahontas\" - 1909, Charles W.A. Ball, composer.","Scope and Contents \"I'll Forget You\" - undated, Ernest R. Ball, composer, Annelu Burns, librettists; \"When Irish Eyes are Smiling\" - undated, Ernest R. Ball, composer, Chauncey Olcott and Geo. Graff Jr., librettists; \"A Little Bit of Heaven\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists. \"In the Garden of My Heart\" - undated, Ernest R. Ball, composer, Caro Roma, librettists. \"Love Me and the World is Mine\" - undated, Ernest R. Ball, composer, Dave Reed Jr., librettists; \"I'm Going Back to California\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists.","Scope and Contents \"The Shepherd's Gift\" - undated, William Ball, composer.","Scope and Contents \"Gotta Get Home\" - 1939, James F. Hanley and Par Ballard, composers and librettists.","Scope and Contents \"So Beats My Heart for You\" - 1930, Pat Ballard, Charles Henderson, and Tom Waring, composers and librettists.","Scope and Contents \" Come, Oh! Come with Me the Moon is Beaming\" - undated, B.S. Barclay, composer.","Scope and Contents \"Symphonie in C\" - undated, Woldemar Bargiel, composer; \"Ouverture zu Medea\" - undated, Woldemar Bargiel, composer.","Scope and Contents \"Why Do Summer Roses Fade\" - undated, George Barker, composer, J.E. Carpenter, librettists.","Scope and Contents \"Sweet and Low\" - 1935, Joseph Barnby, composer, Alfred Tennyson, librettists.","Scope and Contents \"Good-Bye Dolly Gray\" - undated, Paul Barnes, composer, Will D. Cobb, librettists.","Scope and Contents \"Virginia\" - 1904, D. A. Barrackman","Scope and Contents \"Wrap Your Troubles in Dreams (And Dream Your Troubles Away)\" - undated, Harry Barris, composer, Ted Koehler and Billy Moll, librettists; \"It Was So Beautiful (And You Were Mine)\" - undated, Harry Barris, composer, Arthur Freed, librettists; \"It Must Be True\"- undated, Harry Barris, composer, Gus Arnheim and Gordon Clifford, librettists;","Scope and Contents \"Songs by J.C. Bartlett\", - 1914, J.C. Bartlett, composer; \"A Dream\", undated, J.C. Bartlett, composer.","Scope and Contents \"Talking to the Moon,\" - undated, Billy Baskette, composer, George A. Little, librettists; \"Talking to the Moon\", - undated, Billy Baskette, composer, George Little, librettists; \"Good-bye Broadway, Hello France\", - undated, Billy Baskette, composer, C. Francis Reisner and Benny Davis, librettists.","Scope and Contents \"I'm Getting Sentimental Over You\" - 1933, George Bassman, composer, Ned Washington, librettists.","Scope and Contents \" Songe D'enfant\", - undated, Alexandre Batta, composer.","Scope and Contents \"12 Favorite Melodies\", - 1886, Adolph Baumbach, composer; \"Home Sweet Home\", 1859, Adolph Baumbach, composer","Scope and Contents \"Going Going Gone\", - 1933, Phil Baxter, composer.","Scope and Contents \"I Cannot Dance To Night\" - undated, T.H. Bayly, composer.","Scope and Contents \"Fairies Fire\", - undated, Amelie T. Beauregard, composer.","\"An Old Fashioned Tree,\" 1944, Becker Williams, composer.","Scope and Contents \"Musik Fuer Cello\" - undated, L. Van Beethoven, composer; \"Classische Stuecke\" - undated, C. Kissner, composer; \"Klassische Studienwerke Fur Die Violine\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van. Beethoven, composer; \"Klavier Bibliothek\"- undated, L. Van. Beethoven, composer; \"Trio from Fidelio\" - 1891, L. Van. Beethoven, composer; \"Fidelio\" - 1890, L. Van Beethoven, composer \"Grande Symphonie\" - undated, L. Van Beethoven, composer.","Scope and Contents \"Beethoven Konzert\" - 1806, L. Van Beethoven, composer, \"Classische Stucke\" - undated, L. Van Beethoven, composer; \"Neun Tonstucke\" - undated, L. Van. Beethoven, composer; \"Organ Voluntary\" - undated, L. Van Beethoven, composer; \"The Accompagnement with the Concerto in Rondo\" - undated, L. Van Beethoven, composer.","Scope and Contents \"Dritte Sinfonie\" - undated, L. Van Beethoven, composer; \"Oeuvres\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van Beethoven, compsoer; \"Sonatina in F\" - 1887, L. Van Beethoven, composer; \"Tonstucke\"- undated, L. Van Beethoven, composer; \"Zwei Sonaten\" - undated, L. Van Beethoven, composer.","Scope and Contents \"The Musical Box\" - 1892, Francois Behr, composer; \"Choice Collections of Piano-Forte Duets\" - undated, Francois Behr, composer.","Scope and Contents \"Rosenknospen\" - undated, Franz Behr, composer.","Scope and Contents \"In A Mist\" - 1928, Bix Beiderbecke, composer.","Scope and Contents \"Spring Blossoms\" - 1862, James Bellak, composer. \"Jewels\" - undated, Jas. Bellak, composer.","Scope and Contents \"Hear Me, Norma\" - undated, Bellini, composer.","Scope and Contents \"You Didn't Want Me When You Had Me\" - undated, George J. Bennett, composer.","Scope and Contents \"Eight Selections for the Pianoforte\" - undated, W. Bennett.","Scope and Contents \"La Traviata\" - undated, Albert W. Berg, composer.","Scope and Contents \"Parlor Concert\" - undated, Carl J. Berger.","Scope and Contents \"Oh, How I Hate to Get up in the Morning\" - undated, Irving Berlin, composer; \"At Peace with the World\" - undated, Irving Berlin, composer; \"My Bird of Paradise\" - undated, Irving Berlin, composer; \"Call Me Up Some Rainy Afternoon\" - 1910, Irving Berlin, librettists and composer; \"This is the Life\" - 1914, Irving Berlin, composer; \"White Christmas\" - 1942, Irving Berlin, composer; \"All Alone\" - undated, Irving Berlin, librettists and composer; \"How Deep is the Ocean\" - 1942 Irving Berlin, composer; \"Always\" - undated, Irving Berlin, composer; \"The Girl that I Marry\" - 1946, Irving Berlin, librettists and composer; \"Get Thee Behind me Satan\" - 1936, Irving Berlin, librettists and composer; \"Roses of Yesterday\" - undated, Irving Berlin, composer; \"He's a Devil in His Own Home\" - undated, Irving Berlin, composer; \"In My Harem\" - 1913, Irving Berlin, composer; \"I Never Had a chance\" 1934, Irving Berlin, composer; \"Cheek to Cheek\" - 1935, Irving Berlin, composer; \"Because I Love You\" - 1926, Irving Berlin, composer; \"How Many Times\" - 1926, Irving Berlin, composer; \"Isn't This a Lovely Day\" - 1935, Irving Berlin, librettists and composer; \"I Want to Go Back to Michigan\" - undated, Irving Berlin, composer; \"Just a Little While\" - 1930, Irving Berlin, composer; \"No Strings\" - 1935, Irving Berlin, librettists and composer; \"Remember\" - undated, Irving Berlin, composer; \"Russian Lulliaby\" - 1927, Irving Berlin, composer; \"Say It Isn't So\" - 1932, Irving Berlin, composer; \"The Little Things in Life\" - 1930, Irving Berlin, composer; \"What Does It Matter\" -1927, Irving Berlin, composer; \"What'll I Do\" - undated; Irving Berlin, composer; \"When My Dream Come True\" - 1929, Irving Berlin, composer; \"With You\" - 1929, Irving Berlin, composer.","Scope and Contents \"The King of Thule\" - undated, Hector Berlioz, composer.","Scope and Contents \"When Dixie Stars Are Playing Peek-A-Boo\" - undated, Al. Bernard and \"Jo\" Henning, composers.","Scope and Contents \"Maybe\" - undated, Bertrand Brown, composer.","Scope and Contents \"Fleurs Italiennes\" - undated, Ferd. Beyer, composer; \"Boquet De Melodies\" - undated, Ferd. Beyer, composer; \"Beyer's Repertoire\" - undated, Par F. Beyer, composer; \"Morceaux\" - undated, Ferd. Beyer, composer; \"Morning Star Waltz\" - undated, Ferd. Beyer, composer; \"Ricci\" - undated, Ferd. Beyer, composer; \"Four Hand Arrangement\" - undated, Ferd. Beyer, composer; \"An Alexis Air Allemand\" - undated, Ferd. Beyer, composer.","Scope and Contents \"Six Song-Stories for First Grade Pianists\" - 1920, Mathilde Bilbro, composer; \"Merry Hours\" - undated, Mathilde Bilbro, composer.","Scope and Contents \"In My Hide-Away\" - 1932, K.L. Binford, composer.","Scope and Contents \"Mocking Bird Song\" - undated, Henry R. Bishop, composer.","Scope and Contents \"Blue Prelude\" - 1933, Joe Bishop, composer.","Scope and Contents \"Serenade in the Night\" - 1937, C.A. Bixio and B. Cherubini, composers, Jimmy Kennedy, librettists.","Scope and Contents \"Oh No, Not Sad\" - undated, Bringham Bishop, composer.","Scope and Contents \"The Southrons Chaunt of Defiance\" - undated, A.E. Blackmar, composer.","Scope and Contents \"I'll Meet Thee in the Lane\" - undated, Charles Blamphin, composer.","Scope and Contents \"Carry Me Back to Old Virginny\" - undated, James A Bland, composer.","Scope and Contents \"My Wigwam Queen\" - undated, James O'Dea, librettists, H.B. Blake, composer.","Scope and Contents \"Lew Leslie's Blackbirds of 1930\" - undated, Andy Razaf, librettists, Eubie Blake, composer.","Scope and Contents \"My Isle of Golden Dreams\" - undated, Gus Kahn, librettists, Walter Blaufuss, composer.","Scope and Contents \"Take Me\" - 1942, Mack David, librettists, Rube Bloom, composer.","Scope and Contents \"We're Going Home\" - 1875, P.P. Bliss, composer.","Scope and Contents \"Blackmar\u0026Bro's selection of Favorite Songs\" - undated, Blockley, composer.","Scope and Contents \"A Monsieur Wilhelm Kuhe\" - undated, Jacques Blumenthal, composer; \"Les Deux Anges\" - undated, Jacques Blumenthal, composer; \"My Queen\" - undated, Stella, librettists, Jacques Blumenthal, composer; \"My Queen\" - undated, Sims Reeves, librettists, Jacques Blumenthal, composer; \"My True Love Has My Heart\" - undated, Sir Phillip Sidney, librettists, Jacques Blumenthal, composer.","Scope and Contents \"Charge of the Uhlans\" - undated, Carl Bohm, composer.","Scope and Contents \"Ah Quel Plaisir D'etre Soldat\" - undated, Doieldiru, composer.","Scope and Contents \"Dreary Weather\" - undated, Clay Boland and Frank Winegar, composers.","Scope and Contents \"Way Down in the Dixie Where the Sugar Cane Grows\" - 1905, Ernest L. Bolling, composer.","Scope and Contents \"Moonlight on the James\" - 1904, Ernest L. Bolling, composer.","Scope and Contents \"Polka Di Bravura\" - undated, Edward Boulanger, composer.","Scope and Contents \"Flavier-Werke\" - undated, Ch. Bovy-Lysberg, composer.","Scope and Contents \"Chinese Lullaby\" - 1919, Robert Hood Bowers, librettists and composer.","Scope and Contents \"East of the Sun and West of the Moon\" - 1935, Brook Bowman, librettists and composer.","Scope and Contents \"Just a Little Found Affection\" - undated, Elton Box, Desmond Cox, and Lewis Ilda, composers.","Scope and Contents \"Don't Tell the World, Tell the Girl\" - 1921, Edward L. Boyle.","Scope and Contents \"Le Souvenir\" - 1886, Loren Bragdon, composer.","Scope and Contents \"Beneath the Willow Tree\" - undated, T. Dibdin, librettists, J. Braham, composer; \"By One by Two by Three\" - undated, T. Dibdin, librettists, J. Braham, composer; \"Death of General Sir Ralph Abercrombie\" - undated, T. Dibdin, librettists, J. Brahman, composer.","Scope and Contents \"Eleven Chorale Preludes for the Organ\" - 1939, Johannes Brahms, composer; \"Symphonie\" - undated, 1877, Johannes Brahms, composer; \"Wiegenlied\" - undated, Johannes Brahms; composer.","Scope and Contents \"Then I'll Come Back to You\" - undated, John W. Bratton, composer.","Scope and Contents \" La Belle Amazone\" - undated, A.R. Breiter, composer.","Scope and Contents \"Standard Series of Organ Composition\" - undated, Frank Bridge, composer.","Scope and Contents \"Remember Me\" - undated, M. Brinkman, composer.","Scope and Contents \"A Life in the Woods\" - undated, Francis H. Brown, composer; \"Miss Mary A. Westcott\" - undated, Francis H. Brown, composer.","Scope and Contents \"Sunny Side Up\" - 1929, B.G. Desylva, Lew Brown and Ray Henderson, composers.","Scope and Contents \"You are My Lucky Star\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Love Songs of the Nile\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \" After Sundown\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \"All I Do is Dream of You\" - 1934, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \" A New Moon is Over my Shoulder\" - 1934, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Broadway Melody\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"I've Got a Feeling You're Fooling\" - 1935, Arthur Herb, librettists, Nacio Herb Brown, composer; \"Pagan Love Song\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Moon is Low\" - 1930, Arthur Reed, librettists, Nacio Herb Brown, composer; \" The Wedding of the Pained Doll\" - undated, Arther Reed, librettists, Nacio Herb Brown, composer; \" Would You\" - 1936, Arthur Reed, librettists, Nacio Herb Brown, composer.","Scope and Contents \"The Falls of Paris\" - undated, Miss Aucusta Browne, composer.","Scope and Contents \"The Girl of the Year is a Spar\" - 1943, Vida G. Brunner, composer.","Scope and Contents \"Salut a La France\" - undated, Brunner, composer.","Scope and Contents \"Red Lips Kiss My Blues Away\" - 1927, Alfred Bryan, James V. Monaco, and Pete Wendling, composers.","Scope and Contents \"Come Mirth and Mend a Broken Heart\" - undated, Bryan Mr. F, composer.","Scope and Contents \"Down in Sunny Alabama\" -1901, James Burrell, librettists, James T. Byan, composer; \"There's a Big Cry-Baby in the Moon\" - undated, James Burris, librettists, Chris Smith, composer.","Scope and Contents \"At Evening\" - 1899, Dudley Buck, composer.","Scope and Contents \"Oleander Waltz\" - undated, Francis Buck, composer; \"Castle Waltz\" - 1848, Francis Buck, composer; \" Greenwood Waltz\" - undated, Francis Buck, composer; \"Mediterranean Waltz\" - undated, Francis Buck, composer; \"Sophronia Waltz\" - undated, Francis Buck, composer; \"Yes, We Miss Thee\" - undated, Francis Buck, composer.","Scope and Contents \"Songs and Ballads\" - 1848, Fred. K. Buckley, composer.","Scope and Contents \"Thousand Island River\" - 1878, George C. Bragdon, librettists, Mary F. Bunnell, composer.","Scope and Contents \"Galop\" - undated, Fred Burgmuller, composer; \"Peratir Selections\" - undated, Fred Burgmuller, composer.","Scope and Contents \"Andante\" -undated, Norbert Burgmuller, composer.","Scope and Contents \"Carolina Moon\" - undated, Benny Davis, Joe Burke, composers; \"A Darn Fool Woman Like Me\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Cling to Me\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Paradise\" - 1931, Nacio Herb Brown and Gordon Clifford, librettists, Naco Herb Brown, composer; \"On Treasure Island\" - 1935, Edggar Leslie and Joe Burke, composer; \"By the River of the Roses\" - undated, Marty Symes, librettists, Joe Burke, composer; \"Just Another Dream of You\" - undated, Benny Davis and Joe Burke, composers; \"A Little Bit Independent\" - Edgar Leslie, librettists, Joe Burke, composer; \"For You\" - undated, Al Dubin and Joe Burke, composer; \"How can You Say No\" - undated, Al Dubin, librettists, Joe Burke, composer; \"In a Little Gypsy Tea Room\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Just Another Dream of You\" - 1932, Denny Davis and Joe Burke; composers; \"Dancing Sweeties\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Many Happy Return of the Day\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Moon over Miami\" - 1935, Edgar Leslie, librettists, Joe Burke, composer; \"A Sailor's Sweetheart\" - undated, Joe Burke, librettists and composer; \"The Bridal Waltz\" - 1935, Ira Schuster and Milton Drake, librettists, Joe Burke, composer.","Scope and Contents \"Dream Valley\" - 1940, Nick Kenny, Charles Kenny, Joe Burke, composers.","Scope and Contents \"Yours and Mine\" - 1930, Steve Nelson, librettists, Johnny Burke, composer.","Scope and Contents \"If I Had a Son for Each Star in Old Glory\" - undated, J.E. Dempsey, librettists, Joseph A. Burke, composer.","Scope and Contents \"Collections of Scotch Songs\" - undated, R. Burn, composer; \"Evening Melodies\" - undated, R. Burn, composer.","Scope and Contents \"Leven Thirty Saturday Night\" - undated, Earl Burtnett, Bill Grantham, Jess Kirkpatrick, composers.","Scope and Contents \"Crystal Schottisch\" - 1853, William Byerly, composer.","Scope and Contents \"Les Trois Gosses\" - undated, Byrec, composer.","Scope and Contents \"Minnie the Moocher\" - 1931, Cab Calloway and Irving Mills, composer.","Scope and Contents \"Standard Songs- Amarilli\" - 1909, Giuli Caccini, composer.","Scope and Contents \"At Dawning\" - 1906, Charles Wakefield Cadman, composer. \"Lilacs\" - 1905, words by, Nellie Richard Eberhart, music by, Chas Wakefield Cadman","Scope and Contents \"Crooning\" - 1921, lyrics by Al Dubin and Herbert W. Weise, music by, William F. Caesar","Scope and Contents \"W. Hamilton's Celebrated Songs\" - undated, words by, H.B. Farnie, music by, Fabio Campana \"Speak to Me\" - undated, words by, H.B. Farnie, composed by, Fabio Campana","Scope and Contents \"When a Yankee Got His Eye Down The Barrel of A Gun\" - 1918, words and music by, Fred S. Campbell","Scope and Contents \"My Little Sweetheart, Mine\" - March 23, 1902, words by, Andrew B. Sterling, music by, Jessie H. Campbell","Scope and Contents \"Just Been Wond'ring All Day Long\" - 1921, lyrics and music by Irene Ackerley Canning","Scope and Contents \"That Tumble Down Shack In Athlone\" - 1918, words by, richard W. Pascoe, music by, Monte Carlo and Alma M. Sanders","Scope and Contents \"The Bridge\" - undated, words by, Longfellow, music by, Lady Carew","Scope and Contents \"Sunrise Serenade\" - 1937, music by, Rankie Carle, lyrics by, Jack Lawrence","Scope and Contents \"\"Spirited Ballad; Brandy and Water\" - 1853, composed by, Julien Carle","Scope and Contents \"Little Old Lady\" - 1936, words and music by Hoagy Carmichael and Stanley Adams","Scope and Contents \"The Lamplighter's Serenade\" - 1942, lyrics by, Paul Francis Webster, music by, Hoagy Carmichael","Scope and Contents \"Hommage A Mon Amie, Valse Sentimentale\" - 1850, by J. Allan Carmichael","Scope and Contents \"We Don't Want the Bacon, What We Want is a Piece of the Rhine\" - 1918, by \"Kid\" Howard Carr, Harry Russell, and Jimmie Havens","Scope and Contents \"The Girl With the Dreamy Eyes\" - 1935, by Michael Carr and Eddie Pola","Scope and Contents \"She is the Sunshine of Virginia\" - 1915, words by, Ballard MacDonald, music by, Harry Carroll","Scope and Contents \"By the Beautiful Sea\" - 1914, words by, Harold R. Atteridge, music by, Harry Carroll \"I'm Always Chasing Rainbows\" - 1918, lyrics by, Joseph McCarthy, music by, Harry Carroll","Scope and Contents \"The Jolson Story\" - 1946, by Al Johnson and Saul Chaplin","Scope and Contents \"A Favourite Spanish Dance\" - undated, by N. Carusi","Scope and Contents \"Allaballa goo-goo\" - 1912, words by CMS Mclellan, music by Ivan Caryll","Scope and Contents \"Just a Gigolo\" - 1929, music by Leonello Casucci, German text by Julius Brammer, English text by Irving Caesar","Scope and Contents \"Martha\" - undated, composed by Cavatine","Scope and Contents \"Chaminade-Album for Piano, Volume I\" - 1899, composed by Cecile Chaminade","Scope and Contents \"I've Grown So Used to You\" - 1901, words and music by Thurland Chattaway","Scope and Contents W. Hamilton's Celebrated Songs, \"Dear Little Shamrock\" - undated, composed by Cherry","Scope and Contents \"Henry Wadsworth Longfellow's Funeral March\" - 1882, by F. Chopin, song and chorus by Charles H. Gabriel \"Nocturnes\" - undated, by F. Chopin \"Standard Gems\" - 1884, \"Nocturne\" by F. Chopin \"Works of F. Chopin for Piano\" - 1877, composed by F. Chopin \"Chopin, Nocturnes\" - undated, composed by F. Chopin \"Polonaise\" - undated, composed by F. Chopin","Scope and Contents \"Old Folks at Home\" - 1857, words and music by E.P. Christy","Scope and Contents \"Children's Voices\" - 1869, words and music by Claribel \"Come Back to Erin\" - undated, by, Claribel \"Strangers Yet\" - undated, music by, Claribel","Scope and Contents \"Swanee River Moon\" - 1922, words and music by H. Pitman Clarke \"Swanee River Moon\" - 1921, words and music by H. Pitman Clarke","Scope and Contents \"Roamin' Around\" - 1925, words and music by Sonny Clay and Herbert Wiedoeft","Scope and Contents \"Clementi, Gradus ad Parnassum\" - undated, by Clementi \"Sonatinas for the Piano\" - undated, by Muzio Clementi and Friedrich Kuhlau","Scope and Contents \"The Dream is Past\" - undated, written by Edward Fitzaubyn, composed by, Stephen Clover","Scope and Contents \"My Reverie\" - 1938, by Larry Clinton","\"I'm Ridin' Straight to Heaven (On A One-Way Street)\" - 1931, words by Carroll Loveday, music by Wac Clifford","Scope and Contents \"There's Nothing Succeeds Like Success\" - undated, composed by Harry Clifton","Scope and Contents \"I'm Longing for Old Virginia and You\" - 1915, words by Joe Lyons, music by E. Clinton Keithley","Scope and Contents \"I'm Sorry I Made You Cry\" - 1918, by N.J. Clesi, arranged by Theodore Morse","Scope and Contents \"Our National Confederate Anthem, God Save the South\" - undated, composed by C.T. De Coeniel","Scope and Contents \"Composition for the Piano\" - undated, Louis Adolphe Coerne, composer.","Scope and Contents \"We Three\" - 1940, Dick Robertson, Nelson Cogane and Sammy Mysels, composers.","Scope and Contents \"My Little Grass Shack in Kealakekua\" - 1933, Bill Harrison and Johnny Noble, composers.","Scope and Contents \"Over There\" - undated, Nora Bayes and George M. Cohan, composers; \"You're a Grand Old Flag\" - 1906, George M. Cohan, composer and librettists; \"Father of the Land We Love\" - undated, George M. Cohan, composer; \"Popularity\" - 1906, George M. Cohan, composer.","Scope and Contents \"Living in Doubt\" - 1933, Chester Cohn, librettists and composer.","Scope and Contents \"Knights of the Cross Waltzes\" - 1900, Paul Cohn, composer.","Scope and Contents \"Benedictus\" - undated, Charles W. Coleman Jr., composer; \"From Man to Ms.\" - undated Charles W. Coleman Jr., composer; \"Gloria Patri\" - undated, Charles W. Coleman Jr., composer; \"Tete.A.Tete\" - undated, Charles W. Coleman Jr., composer.","Scope and Contents \"Night Shall Be Filled with Music\" - 1932, Will Collins, Buddy Fields and Gerald Marks, composers.","Scope and Contents \"Let's Pretend There's a Moon\" - 1934, Russ Columbo, Bernie Grossman, Nancy Hamilton and Jack Stern, composers.","Scope and Contents \"Compositions for Pianoforte\" - 1923, Zez Confrey, composer.","Scope and Contents \"Cryin for the Moon\" -1936, Larry Conley, Jack Stern, and Jules Roos, composers and librettists.","Scope and Contents \"A Needle in a Haystack\" - 1934, Herb Magidon, librettists, Con Conrad, composer; \"The Continental\" - 1934, Con Conrad, composer and Herbert Magidson, librettists; \"Don't Forget Me in Your Dreams\"- 1930, Edgar Leslie, librettists, and Con Conrad, composer; \"I'm Gonna Bring a Watermelon to My Girl Tonight\" - 1934, Billy Rose, librettists, Con Conrad, composer; \"Margie\" - 1920, Benny Davis, librettists and Con Conrad and J. Russel Robinson, composers; \"Singin the Blues\" - 1920, Sam M. Lewis and Joe Young, Con Conrad and J.R. Robinson, composers; \"Talkin to Myself\" -1924, Herb Magidson, librettists, Con Conrad, composer.","Scope and Contents \"North Carolina\" - undated, Charlie E., Converse, composer; \"Three Bells Polka\" - undated, T.J. Hook, composer; \"The Rock Beside the Sea\" - undated, Charlie C. Converse, composer.","Scope and Contents \"I've Got the Blue Ridge Blues\" - 1918, Charles A. Mason, librettists,Charles S. Cooke and Richard A. Whiting, composers.","Scope and Contents \"Credulity\" - undated, W.B. Kingston, librettists, George F. Cooke, composer.","Scope and Contents \"Love, My Heart Is Calling You\" - 1923, Joe Young and Sam M. Lewis, librettists, Joe Cooper, composer","Scope and Contents \"Always in My Heart (Forever on My Mind)\" - 1930, music by, J. Fred Coots, lyrics by, Roy Turk \"I Still Get a Thrill (Thinking of You)\" - 1930, music by, J. Fred Coots, words by, Benny Davis \"I Wonder Who's Under The Moon With You, To-Night\" - 1931, music by, J. Fred Coots, words by, Benny Davis","Scope and Contents \"Collegiate Sam\" - 1929, by Benny Davis and J. Fred Coots","Scope and Contents \"Your Country Needs You Now\" - 1917, music by Rennie Cormack and Geo. B. McConnell, lyrics by Al. Dubin","Scope and Contents \"In The Middle of a Kiss\" - 1935, words and music by Sam Coslow \"Hot Voo-Doo\" - 1932, words and music by Sam Coslow and Ralph Rainger \"You Little So-And-So\" - 1931, words and music by, Sam Coslow and Leo Robin \"You Took My Breath Away\" - 1935, words and music by Sam Coslow and Richard A Whiting \"Keep Your Fingers Crossed\" - 1935, words and music by, Sam Coslow and Richard A. Whiting \"You Didn't Know the Music (I Didn't Know the Words)\" - 1931, words and music by Sam Coslow","Scope and Contents \"Dream House\" - 1926, music by, Lynn Cowan, lyrics by, Earle Foxe","Scope and Contents \"Forgotten\" - 1894, by Eugene Cowles and Flora Wulschner","Scope and Contents \"The Ella Waltz\" - 1847, by Roswell Cowper","\"How Can I Leave Thee?\" - 1851, by C. Cramer","Scope and Contents \"Potpourris sur des motifs d'Operas favoris pour le Piano\" - undated, by Henri Cramer","Scope and Contents \"Old Virginia Moon\" - 1924, music by, Jesse Crawford, words by, Gus Kahn","\"We Parted by the River, Grace and I.\" - 1905, by Stanley Crawford","Scope and Contents \"After You've Gone\" - 1917, by Creamer and Layton \"If I Could Be With You (One Hour To-Night)\" - 1926, by Henry Creamer and Jimmy Johnson \"I Need Lovin'\" - 1926, by Henry Creamer and Jimmy Johnson","Scope and Contents \"The Pelican\" - undated, composed by W.J. Crerar","Scope and Contents \"Thou Art Gone From My Gaze\" - undated, composed by E. N. Crouch","Scope and Contents \"Melodies Populaires\" - undated, composed by Charles Czenry \"The Linden Waltz\" - undated, by Charles Czenry \"C. Czerny's Studies for Piano\" - undated, by C. Czerny \"Variations Elegantes\" - undated, by Ch. Czerny","Scope and Contents \"Amelia Waltz\" - undated, W.C.D, composer.","Scope and Contents \"Sultan's Polka\" - undated, Charles D'Albert, composer.","Scope and Contents \"Sweetheart Days\" - 1907, J. Anton Dailey, composer, L.W. Heiser, librettist.","Scope and Contents \"The Birth of a Nation\" - 1915, Joseph M. Daly, composer, Thos. S. Allen.","Scope and Contents \"Where the Shenandoah Flows\" - 1913, Chas. N. Daniels, composer, Earle C. Jones, librettist.","Scope and Contents \"Silver Threads Among the Gold\" - 1930, H.P. Danks, composer, original poem, Eben E. Rexford, writer, revised, Edith Stanford Tillotson, writer. \"Silver Threads Among The Gold\" - 1873, H.P. Danks, composer, Eben E. Rexford, librettist.","Scope and Contents \"Lonely I Wander\" - undated, English words by G. Danskin, librettist.","Scope and Contents \"Rock Me to Sleep With My Virginia Melody\" - 1923, Joe Darcey, Bud Green, and Ray Henderson, composers; \"Tell Them You're From Virginia\" - 1924, Clyde Hager and Tom Bashaw, composers, Jerry Sullivan, composer.","Scope and Contents \"If You Could Care\" - 1920, Herman Darewski, composer, Arthur Wimperis, librettist.","Scope and Contents \"In The Blue of Evening\" - 1942, D'Artega, composer, Tom Adair, librettist.","Scope and Contents \"Confessin' That I Love You\" - 1930, music by, Doc Daugherty and Ellis Reynolds, lyric by Al. J. Neiburg","Scope and Contents \"To-Night You Belong To Me\" - 1926, David Lee, composer, Billy Rose, librettist.","Scope and Contents \"The Singing Hills\" - 1940, Mack David, Dick Sanford, and Sammy Mysels, composers.","Scope and Contents \"Wistful and Blue\" - 1926, Julian Davidson, composer, Ruth Etting, librettist.","Scope and Contents \"Baby Face\" - 1926, Benny Davis and Harry Akst, composers, H.C. Redfield, arranger; \"Ev'ry Time My Heart Beats\" - 1932, Benny Davis and Gerald Marks, composers; \"Oh How I Miss You To-Night\" - 1924, Benny Davis, Mark Fisher, and Joe Burke, composers; \"Yearning Just For You\" - 1925, Benny Davis and Joe Burke, composer and librettists; \"What Price Love\" - 1931, Benny Davis and Harry Akst, composers and librettists.","Scope and Contents \"Ellen's Waltz\" - undated, composed by Rich[ar]d Davis.","Scope and Contents \"Melody\" - 1921, Charles G. Dawes, composer.","Scope and Contents \"In the Silence of the Dawn\" - 1940, Leon de Costa, composer, Samuel O. Johnson and Leon de Costa, librettist.","Scope and Contents \"Oh Promise Me\" - 1889, Reginald DeKoven, composer, Clement Scott, composer.","Scope and Contents \"Little Bunch of Roses\" - 1871, W.H. Delehanty, composer and librettist.","Scope and Contents \"Thank God for a Garden\" - 1915, Teresa Del Riego, composer and librettist.","Scope and Contents \"The Imprisoned\" - 1848, William R. Dempster, composer, Alfred Wheeler, arranger; \"When the Night Wind Bewaileth\" - 1845, William R. Dempster, composer, Epes Sargent Esq., writer; \"The Blind Boy\" - undated, W.R. Dempster, composer, Mis H.F. Gould, writer.","Scope and Contents \"Keep Me Awake Mother\" - 1863, Jos. Hart Denck, composer, Mrs. M.W. Stratton, librettist.","Scope and Contents \"The Mystery of the Night\" - 1920, Lucien Denni, composer, Gwynne Denni, writer; \"You're Just a Flower From an Old Bouquet\" - 1924, Lucien Denni, composer; Gwynne Denni, librettist. \"Keep Me Awake Mother\" - undated, J.K., composer.","Scope and Contents \"Perhaps\" - 1929, Paul Denniker, composer, Andy Razaf, librettist; \"S'posin'\" - 1929, Paul Denniker, composer, Andy Razaf, librettist.","Scope and Contents \"The Song of the Seabees\" - 1942, Peter De Rose, composer, Sam M. Lewis, librettist; \"Have You Ever Been Lonely (Have You Ever Been Blue)\" - 1933, music by Peter De rose, words by, George Brown. \"Are You Sure You Love Me\" - 1933, Peter De Rose, composer, George Brown, librettist; \"Muddy Water (A Mississippi Moan)\" - 1926, Peter De Rose and Marry Richman, composer, \"Jo\" Trent, librettist; \"When Your Hair Has Turned to Silver (I Will Love You the Same)\" - 1930, Peter De Rose, composer, Charlie Tobias, librettist.","Scope and Contents \"Here am I - Broken Hearted\" - 1927, by B.G. De Sylva, Lew Brown, and Ray Henderson \"Come to Me\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson \"If You Knew Susie Like I Know Susie\" - 1925, by B.G. De Sylva \"It All Depends on You\" - 1926, by B.G. De Sylva, Lew Brown, and Ray Henderson \"My Sin\" - 1929, by B.G. De Sylva, Lew Brown, and Ray Henderson \"I Am Only the Words You Are the Melody\" - 1930, by B.G. De Sylva, Lew Brown, and Ray Henderson, ukulele arrangement by, May Singhi Breen \"You're An Old Smoothie\" - 1932, by B.G. De Sylva, Richard A. Whiting, and Herb Brown Nacio \"You Try Somebody Else (We'll Be Back Together Again)\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson","Scope and Contents \"'N' Everything\" - 1918, lyric and music by Bud DeSylvia, Gus Kahn, and Al. Jolson","Scope and Contents \"When A Gypsy Makes His Violin Cry\" - 1935, music by, Emery Deutsch, words by, Dick Smith, Frank Wine-Gar, and Jimmy Rogan","Scope and Contents \"My Gypsy Rhapsody\" - 1933, music by, Emery Deutsch and Arthur Altman, lyric by, Jack Lawrence \"Play, Fiddle, Play\" - 1932, music by, Emery Deutsch and Arthur Altman, lyric by Jack Lawrence","Scope and Contents \"Pistol Packin' Mama\" - 1943, by Al Dexter","\"Sunshine Good-bye!\" - 1906, words and music by John H. Devlin","Scope and Contents \"Because\" - 1902, music by Guy D'Hardelot, words by Edward Teschemacher","Scope and Contents \"My Heart is Thine\" - 1905, music by E. di Capua, English words by Frank Sheridan, Italian words by G. Capurro","Scope and Contents \"Mrs. O' Leary\" - undated, written and composed by Mr. Dibdin","Scope and Contents \"A Shine on Your Shoes\" - 1932, words and music by Howard Dietz and Arthur Schwartz","Scope and Contents \"Di Lazzaro Melodien\" - 1939, music by E. Di Lazzaro, German lyric by Klaus S. Richter, Italian lyric by C. Bruno-Di Lazzaro","Scope and Contents \"Absence Makes the Heart Grow Fonder\" - 1900, music by Herbert Dillea, words by Arthur Gillespie","Scope and Contents \"Pink Elephants\" - 1932, by Mort Dixon and Harry Woods","Scope and Contents \"Ossian's Serenade\" - undated, by Ossian E. Dodge","Scope and Contents \"Ferris' Quick Step\" - 1824, composed by Allen Dodworth","Scope and Contents \"Adieu\" - undated, by Theodore Dohler \"Nocturne\" - undated, by Theodore Dohler","Scope and Contents \"I'm Dreaming While We're Dancing\" - 1935, music by Gerald Dolin and Ed J. Lambert, lyrics by Ed J. Lambert","Scope and Contents \"Hush!\" - undated, by Dolores \"The Brook\" - undated, music by Dolores, words by Tennyson","\"Where in the World (But in America)\" - 1948, words and music by Glenn Rowell, Fred Waring, and Jack Dolph","Scope and Contents \"Perfidia\" - 1939, music and Spanish lyrics by Alberto Dominguez, English lyrics by Milton Leeds","Scope and Contents \"Don't Cross You Fingers, Cross Your Heart\" - 1938, by Al Donahue, Larry Shay, and Johnny Marks","Scope and Contents \"It's Been So Long\" - 1935, music by Walter Donaldson, lyric by Harold Adamson \"My Mammy\" - 1920, music by Walter Donaldson, words by Sam Lewis and Joe Young \"Out of the Dawn\" - 1928, by Walter Donaldson \"You\" - 1936, melody by Walter Donaldson, lyric by Harold Adamson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Sleepy Head\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"What Can I Say, After I Say I'm Sorry? - 1926, by Walter Donaldson and Abe Lyman \"At Sundown (When Love is Calling me Home)\" - 1927, words and music by Walter Donaldson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Don't Do Anything I Wouldn't Do\" - 1933, by Walter Donaldson \"For My Sweetheart\" - 1926, melody by Walter Donaldson, lyric by Gus Kahn \"It Made You Happy When You Made Me Cry\" - 1926, words and music by Walter Donaldson \"I've Had My Moments\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"Just Like A Melody Out of the Sky\" - 1928, by Walter Donaldson \"Little Hunka Love\" - 1931, by Walter Donaldson \"Little White Lies\" - 1930, by Walter Donaldson \"Sam the Old Accordion Man\" - 1927, words and music by Walter Donaldson \"Someday You'll Say 'O.K!'\" - 1927, words and music by Walter Donaldson \"Swanee Butterfly\" - 1925, music by Walter Donaldson, lyric by Billy Rose, arranged by J.E. Andino \"That Certain Party\" - 1925, music by Walter Donaldson, words by Gus Kahn \" I've Grown So Lonesome, Thinking of You\" - 1926, words and music by Walter Donaldson and Paul Ash \"Yes Sir, That's My Baby\" - 1925, music by Walter Donaldson, words by Gus Kahn \"You're Driving Me Crazy (What Did I Do?)\" - 1930, by Walter Donaldson \"You're Telling Me\" - 1932, music by Walter Donaldson, Words by Gus Kahn","Scope and Contents \"Lucia di Lammermoor\" - undated, music by Donizetti \"Overture zur oper Belisar\" - undated, by C. Donizetti","Scope and Contents \"Il Trovatore\" - undated, by Edouard Dorn \"Ernani\" - undated, by Dorn \"Il Trovatore\" - 1883, composed by Edouard Dorn","Scope and Contents \"Just for the Sake of Days Gone By\" - undated, music by Lillian Doreen, words by Felix F. Feist","Scope and Contents \"Her Boy in Blue\" - 1904, words and music by Chas W. Doty","Scope and Contents \"There's No Depression In Love\" - 1931, music by Dan Dougherty, words by Jack Yellen","Scope and Contents \"The Little White House (At the End of Honeymoon Lane)\" - 1926, lyrics and music by Eddie Dowling and James F. Hanley \"Sleepy Valley\" - 1929, music by James F. Hanley, words by Andrew B. Sterling.","Scope and Contents \"Songs of Miss Annie Louise Cary\" - 1871, M.S. Downs, composer, Miss Anne Louis Cary, librettists.","Scope and Contents \"Mairzy Doats\" - 1943, Milton Drake, Al Hoffman, Jerry Livingston, composers and librettists.","Scope and Contents \"On the Banks of the Wabash Far Away\" - 1940, Paul Dresser, librettists and composer; \"My Gal Sal\" - 1905, Paul Dresser, composer.","Scope and Contents \"Cecilia\" - 1925, Herman Ruby, librettists, Dave Dreyer, composer; \"Songs For Sale\" - 1932, Joe Young, librettists, Dave Dreyer, composer; \"I Just Wanna Be Known as Susie's Feller\" - 1926, Lew Brown, librettists, Dave Dreyer","Scope and Contents \"Beatiful Star\" - 1906, Louis A. Drumheller, composer.","Scope and Contents \"Pagan Moon\" - 1931, Al Bryan, Al Dubin, Joe Burke, composers.","Scope and Contents \"Schirmer's Library\" - 1904, TH. Bubois, composer.","Scope and Contents \"I Am Only Human After All\" - 1930, Vernon Duke, composer; \"I Like the Likes of You\" - 1933, Vernon Duke, composer.","Scope and Contents \"A Laddie in France is Dreaming\" - 1918, William E. Dulmage, composer","Scope and Contents \"The Spirit of Aggieland\" - 1925, Richard J. Dunn, composer.","Scope and Contents \"La Rosita\" - 1923, Allan Stuart, librettists, Paul Dupont, composer.","Scope and Contents \"Duex Themes Varies\" - undated, J.B. Duvernoy, composer.","Scope and Contents \"Humoresque\" - 1912, Anton Dvorak, composer; \"Compositions and Arrangements for the Organ\" - 1925, Anton Dvorak, composer; \"Transcriptions for the Organ\" - 1936, Edwin Arthur Kraft, composer.","Scope and Contents \"Maryland, My Maryland\" - undated, C.E., composer.","Scope and Contents \"Lafayette, We Hear You Calling\" - 1918, Mary Earl, composer and librettists.","Scope and Contents \"How the Gates Came Ajar\" - undated, Eastburn, composer.","Scope and Contents \"Come to me Darling, I'm lonely without Thee\" - undated, E.A. Eaton, composer; \"Three Beautiful Fantasias\" -1865, E.A. Eaton, composer.","\"An Evening at Coney Isle (march-two step)\" - 1904, J.C. Eaton, composer.","Scope and Contents \"In My Merry Oldsmobile\" - 1905, Gus Edwards, composer, Vincent Bryan, librettists.","Scope and Contents \"Be Still, My Heart\" - 1934, Allan Flynn, Jack Egan, librettists and composers.","Scope and Contents \"What a Fool I've Been\" - 1930, Al Eldridge, librettists and composer.","Scope and Contents \"Pomp and Circumstance\" - 1902, Edward Elgar, composer.","Scope and Contents \"Solitude\" - 1934, Duke Ellington, music, Eddie De Lange and Irving Mills, librettists; \"The Creole Love Call\" - 1928, Duke Ellington, composer.","Scope and Contents \"There's a Long, Long Trail\" - 1930, Zo Elliot, composer.","Scope and Contents \"Carelessly\" - 1936, Charles and Nick Kenny, librettists, Norman Ellis, composer.","Scope and Contents \"I'm on a See-Saw\" - 1934, Desmond Carter, librettists, Vivian Ellis, composer.","Scope and Contents \"Hold my Hand\" - 1931, Maurice Elwin, Harry Graham, and Noel Gay, composers.","Scope and Contents \"Emmet's Lullaby\" - 1876, J.K. Emmet, composer and librettists.","Scope and Contents \"Little Eva; Uncle Tom's Guardian Angel\" - 1852, Manuel Emilio, composer.","Scope and Contents \"All Aboard\" - undated, J.C. Engelbrecht, composer; \"Wandering Sprite\" - 1859, J.C. Engelbrecht, composer.","Scope and Contents \"Melody of Love\" - 1903, H. Engelmann, composer.","Scope and Contents \"Come Forth Ye Heralds\" - 1880, Past Grand Rep. B.C. TRUE, librettists, T.B. ESTEP and R.S. Crandall, composers.","Scope and Contents \"No One to Love\" - 1861, WM. B. Harvey, composers.","Scope and Contents \"Women's Love Waltzes\" - undated, Philipp Fahrbach, composer.","Scope and Contents \"Who Blew Out the Flame\" - 1938, Mitchell Parish, librettists, Sammy Fain, composer; \"Ah! The Moon is Here\" - 1932, Irving Kahal, librettists, Sammy Fain, composer; \"Beauty Must Be Loved\" - 1934, Irving Kahal, librettists, Sammy Fain, composer; \"By a Waterfall\" - 1933, Irving Kahal, librettists, Sammy Fain, composer; \"Hummin to Myself\" - 1932, Herb Magidson and Monty Siegel, librettists, Sammy Fain, composer; \"Sittin on a Backyard Fence\" - 1933, Irving Kahal, librettists, Sammy Fain, composer.","Scope and Contents \"You'll Wish Me Back Some Day\" - 1901, Fairfield and Leslie, composers.","Scope and Contents \"Time Its Veil is Weaving\" - undated, E. Falk, composer.","Scope and Contents \"Dances and Marches by Carl Faust\" - undated, Carl Faust, composer.","Scope and Contents \"I Promise You\" - 1938, Ben Oakland, Samuel Lerner, Alice Faye, composers.","Scope and Contents \"Organ Music\" - 1912, Gottfried H. Federlein, composer.","Scope and Contents \"Monogram Waltz\" - 1877, Emma Henry Ferguson, composer.","Scope and Contents \"Beautiful Heaven\" - 1924, C. Fernandez, composer.","Scope and Contents \"Kashmiri Song\" - 1902, Amy Woodforde Finden, composer.","Scope and Contents \"German Song with English Words\" - 1689, A. Fesca, composer.","Scope and Contents \"A Favorite French Air- Harp\" - undated, Cardon Fils, composer.","Scope and Contents \"I'm Sorry Sally\" -1928, Gus Kahn, librettists, Ted Fiorito, composer.","Scope and Contents \"When Lights are Low\" - 1923, Gus Kahn, Ted Koehler, and Ted Fiorito, composers.","Scope and Contents \"Driftwood\" - 1950, Frank Fischbach, composer.","Scope and Contents \"I Want to Go to Tokio\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \"Billy-Billy Bounce Your Baby Doll\" - 1922, Fred Fischer and Al. Bryan, composers, Joe McCarthy, librettists; \"There's a Little Spark of Love Still Burning\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \" Blue is the Light\" - 1930, Fred Fischer, composer and librettists.","Scope and Contents \"Pego'my heart\" - 1913, Alfred Bryan, librettists, Fred Fisher, composer; \" Happy Days and Lonely Nights\" - 1928, Billy Rose, librettists, Fred Fisher, composer; \"That Stolen Melody\" - 1928, Fred Fisher, composer and librettists; \"The Red Lantern\" - 1919, Fred Fisher, composer.","Scope and Contents \"New Piano Duets\" - undated, J. Fletcher, composer.","Scope and Contents \"Perles de Salon\" - undated, H. Fliege, composer.","Scope and Contents \"Popular Gems\" - undated, Flotow, composer; \"Popular Selections\" - 1860, Flowtow, composer.","Scope and Contents \"Happy Fours\" - undated, C.H. Fontaine, composer.","Scope and Contents \"Serenade for a Wealthy Widow\" - 1934, Reginald Foresythe, composer.","Scope and Contents \"Music in my Heart\" - 1939, Bob Wright and Chet Forrest, composers and librettists.","Scope and Contents \"Love's First Kiss\" - 1914, Edward Lockton, librettists, Dorothy Forster, composer.","Scope and Contents \"Blue Waters Piano Solo\" - 1934, Clarke Fortner, composer.","Scope and Contents \"Sheet Music\" - 1853, Stephen C. Foster, composer; \"Massa's in the Cold Ground\" - 1853, Stephen C. Foster, composer; \"My Old Kentucky Home, Good Night\" - 1892, Stephen C. Foster, composer; \"Nelly Bly\" - undated, Stephen C. Foster, composer; \" Oh Boys, Carry Me Long Plantation Melody\" - 1851, Stephen C. Foster, composer; \"Songs by Best American Composers\" - undated, Stephen C. Foster, composer.","Scope and Contents \"Fire Fly Polka\" - undated, J.A. Fowler, composer.","Scope and Contents \"French Horn and Trumpet\" - undated, C.P. Francis, composer.","Scope and Contents \"Girl of Mine\" - 1919, Harold Freeman, composer.","Scope and Contents \"Meet Me Tonight in Dreamland\" - undated, Leo Friedman, composer; \"When I Dream of Old Erin\" - 1912, Marvin Lee, librettists, Leo Friedman, composer.","Scope and Contents \"After Tonight\" - 1932, Cliff Friend and Carment Lombardo, composers; \"Freckle Face, You're Beautiful\" - 1934, Cliff Friend and Carmen Lombardo, composers; \"Neath the Silv'ry Moon\" - 1932, Cliff Friend, composers and librettists.","Scope and Contents \"The Lights are Low\" - 1934, Cliff Friend and Carmen Lombardo, composers and librettists.","Scope and Contents \"Trade Winds\" - 1940, Cliff Friend and Charlie Tobias, composers.","Scope and Contents \"Woodland Echoes\" - 1918 Rudolf Friml, composer; \"Some Day\" - 1925, Rudolf Friml, composer, W.H. Post, librettists; \"Organ\" - 1917, Rudolf Friml, composer; \"High Jinks\" - 1913, Otto Hauerbach, librettists, Rudolf Friml, composer.","\"Bom-Bom-Bom-Bhe (The Melody Blues)\" - 1918, music by Bill Frisch, lyrics by Bobby Jones","Scope and Contents \"At Twilight\" - 1911, by J. Frank Frysinger \"Supplication\" - 1911, by J. Frank Frysinger \"Herbstnacht\" - 1914, by J. Frank Frysinger","Scope and Contents \"Has Another Won Your Heart\" - 1899, music by Seymour Furth, words by E. Nattes","Scope and Contents \"Coming, Coming Bye-And-Bye\" - 1866, music by Virginia Gabriel, words by J. H. Mc. Naughton \"The Forsaken\" - undated, music by Virginia Gabriel, words by H. Aide \"The Garden of Roses\" - undated, music by Virginia Gabriel, words by William Story \"Only\" - undated, by Virginia Gabriel","Scope and Contents \"The Children's Christmas Eve\" - 1898, music by Niels W. Gade \"Erlkonigs Tochter (Elverskud)\" - undated, composed by Niels W. Gade \"Nachklange von Ossian. Overture\" - undated, by Niels W. Gade \"Symphonir\" - undated, by Niels W. Gade \"Sinfonie\" - undated, by Niels W. Gade","Scope and Contents \"Love Hail'd A Little Maid\" - undated, music by Wilhelm Ganz, words by Wellington Guernsey","Scope and Contents \"Rezo, The Planting of the Vine\" - undated, music by Garcia, words by W.B.","Scope and Contents \"Fair Virginia Waltzes\" - 1895, by R.C. Garland","Scope and Contents \"The Little Ford Rambled Right Along\" - 1914, music by Byron Gay, words by C.R. Foster and Byron Gay \"The Vamp\" - 1919, by Byron Gay \"Fate, It Was Fate When I First Met You\" - 1923, by Byron Gay","Scope and Contents \"There's Something About A Soldier\" - 1933, by Noel Gay","Scope and Contents \"Loyalty\" - 1909, music by Adam Geibel, words by Anna M. Laise Phillips","Scope and Contents \"Calcutta\" - 1958, Heino Gaze","Scope and Contents \"Les Charmes De L'Opera\" - 1853, arranged by J.A. Getze","Scope and Contents \"Runnin' Wild\" - 1922, music by A. Harrington Gibbs, words by Joe Grey and Leo Wood","Scope and Contents \"Bonnie Sweet Bessie, The Maid O' Dundee\" - 1877, by J.L. Gilbert","Scope and Contents \"So Sweet\" - 1930, words and music by Haven Gillespie, Ben Kanter, and Nelson Shawn","Scope and Contents \"Plantation Lullaby\" - 1921, by Gladys Gillette, Albert Holmer, and Vernon Stevens","Scope and Contents \"The Squirrels' Frolic\" - 1890s, by Frank R. Gillis","Scope and Contents \"Fluffy Ruffles\" - 1928, by Jack Glogau and Joe Zimmerman","Scope and Contents \"The Dream is Past\" - undated, composed by Stephen Glover \"In The Starlight\" - undated, music by Stephen Glover, words by J.E. Carpenter","Scope and Contents \"Gavotte\" - undated, by C.W. Gluck","Scope and Contents \"Tramway Galop\" - undated, by L. Gobbaerts","Scope and Contents \"Venitienne\" - 1892, by Benjamin Godard, revised and fingered by Wm. Scharfenberg \"Florian's Song\" - 1884, music by Benjamin Godard, English version by Laura M. Underwood","Scope and Contents \"The Guards Waltz\" - undated, by D. Godfrey","Scope and Contents \"Wonder When My Baby's Coming Home\" - 1942, words and music by Kermit Goell and Arthur Kent","Scope and Contents \"Virginia Exposition March\" - 1888, by Richard Goerdeler \"Alone\" - 1901, by Richard Goerdeler","Scope and Contents \"Mazie\" - 1921, words and music by Sidney Caine, Eli Dawson, and Lew Gold","Scope and Contents \"Venetian Moon\" - 1919, music by Phil Goldberg and Frank Magine, lyrics by Gus Kahn","Scope and Contents \"All Thru the Night\" - 1933, words and music by Michael Gollatz","Scope and Contents \"Two Buck Tim From Timbuctoo\" - 1933, music by Al Goodhart and Al Hoffman, words by Edward Heyman","Scope and Contents \"Cherie, I Love You\" - 1926, words and music by Lillian Rosedale Goodman","Scope and Contents \"I'd Love To Call You My Sweetheart\" - 1926, by Joe Goodwin, Larry Shay, and Paul Ash","Scope and Contents \"A Star Fell Out of Heaven\" - 1936, words and music by Mack Gordon and Harry Revel \"College Rhythm\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Don't Let It Bother You\" - 1934, words and music by Mack Gordon and Harry Revel \"From the Top of Your Head To the Tip of Your Toes\" - 1935, lyric and music by Mack Gordon and Harry Revel \"I Wish I Were Aladdin\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Let's Give Three Cheers for Love\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Let's Knock Knees\" - 1931, lyric and music by Mack Gordon and Harry Revel \"Straight From The Shoulder Right From The Heart\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Take A Number From One To Ten\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Takes Two to Make a Bargain (What's The Answer-What's The Verdict-How's About It, Baby)\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Two For Tonight\" - 1935, lyric and music by Mack Gordon and Harry Revel","Scope and Contents \"Belisario\" - undated, by A. Goria \"Mazurka\" - undated, by A. Goria","Scope and Contents \"I've Got You On The Top of My List\" - 1934, music by Jay Gorney, words by Sidney Clare","\"Do You Really Think He Did?\" - 1855, by J.T. Gosden","Scope and Contents \"America, I Love You\" - 1915, music by Archie Gottler, words by Edgar Leslie \"I Hate To Lose You\" - 1918, music by Archie Gottler, words by Grant Clarke","Scope and Contents \"Miserere Du Trovatore\" - 1864, by L.M. Gottschalk","Scope and Contents \"Faust\" - 1859, composed by Charles Gounod \"Faust March\" - 1882, by Gounod, arranged by H. Richards \"Le Parlate D'Amore\" - undated, music by Ch. Gounod \"O Sing to God\" - undated, composed by Ch. Gounod","Scope and Contents \"I Arise From Dreams of Thee\" - undated, music by W.H.J. Graham, words by Percy B. Shelley","Scope and Contents \"That's My Weakness Now\" - 1928, words and music by Bud Green and Sam H. Stept","Scope and Contents \"Dawn of To-Morrow\" - 1927, music by Joe Green, words by Jeanne Gravelle","Scope and Contents \"Body and Soul\" - 1930, music by John W. Green, words by Edward Hayman, Robert Sour, and Frank Eyton \"I'm Yours\" - 1930, music by John W. Green, words by E.Y. Harburg \"Living In Dreams\" - 1932, words and music by John W. Green \"Out of Nowhere\" - 1931, music by John W. Green, lyrics by Edward Heyman \"Rain, Rain, Go Away\" - 1932, music by John W. Green, words by Edward Heyman and Mack David","\"C'est Vous (It's You)\" - 1927, by Abner Greenberg, Abner Silver, and Harry Richman","\"Sing Me To Sleep (Sing mir dein Lied)\" - 1902, music by Edwin Greene, words by Clifton Bingham","Scope and Contents \"I'm Makin' Hay In The Moonlight In My Baby's Arms\" - 1932, music by Jesse Greer, lyrics by Tot Seymour \"On The Beach With You\" - 1931, music by Jesse Greer, words by Tot Seymour","\"What A Difference A Day Made (Cuando Vuelva A Tu Lado)\" - 1934, music and Spanish lyrics by Maria Grever, English lyrics by Stanley Adams, arrangement by Paul Hill","Scope and Contents \"Anona\" - 1903, by Vivian Grey","Scope and Contents \"Elfentanz (Elfin-dance)\" - 1902, by Edvard Grieg \"An den Frühling (To Spring)\" - 1898, by Edvard Grieg, edited and fingered by Luis Oesterle \"In the Morning\" - 1890, by Edvard Grieg, arranged for organ by Francis L. York","Scope and Contents \"Ireland Is Heaven To Me\" - 1923, words and music by Gerald Griffin, Charles Harrison, and Fred Rose","Scope and Contents \"Palto Alto the 8th of May 1846\" - 1846, by Charles Grobe \"Court Ball Waltz\" - 1858, arranged by Charles Grobe \"Hohnstock's Polka\" - 1850, arranged by Charles Grobe \"Love is Life's Wealth Rondo\" - 1855, by Charles Grobe \"Orange Rondo\" - 1855, by Charles Grobe \"The Tolling Bell\" - 1859, by Charles Grobe \"United States Grand Waltz\" - 1845, by Charles Grobe","Scope and Contents \"Three Shades of Blue\" - 1927, by Ferde Grofé","Scope and Contents \"Just a Little Dance\" - 1926, by Bernie Grossman, Paul Ash, and Abe Olman","Scope and Contents \"We're Going Over\" - 1917, by Bernie Grossman, Andrew B. Sterling, and Arthur Lange","Scope and Contents \"Tampico Waltz\" - 1851, by J.A. G'Schwend","Scope and Contents \"The Pictue I Painted of You\" - 1924, words and music by Tom Guarini, Vic King, Fred Korf and Ted Johnson","Scope and Contents \"Il Primo Sorriso (The First Smile)\" - 1867, by P.D. Guglielmo, English words by Mrs. C.R. Corson \"The Lover And The Bird\" - 1873, by P.D. Guglielmo","Scope and Contents \"Gazellen Polka\" - undated, by Josef Gung'l","Scope and Contents \"Mariar\"- 1904, music by Mose Gumble, words by Harry Williams","Scope and Contents \"Der tapfere Soldat (The little Hero)\" - 1893, by Cornelius Gurlitt \"Merry Hour March\" - 1897, by Cornelius Gurlitt","Scope and Contents \"Tarantelle\" - undated, arranged by A. Gyrowez","Scope and Contents \"Gems of Vocal Melody\" - undated, Foley Hall, composer.","Scope and Contents \"Mellow Moon\" - 1922, Wendell W. Hall, composer; \"In Old Beidelberg, Waltz Song\" - 1933, Charles Kallen, librettists, Wendell Hall, composer; \"It Ain't Gonna Rain No Mo\" - 1923, Wendell Hall, composer.","Scope and Contents \"Iowa Corn Song\" - 1921, Ray W. Lockhard, George Hamilton, and Edward Riley, composers.","Scope and Contents \"Little Fairy Waltz\" - 1892, Steabbog, librettists, R.J. Hamilton, composer.","Scope and Contents \"Bye Bye Blues\" - 1925, Fred F. Hamm, Dave Bennett, composers.","Scope and Contents \"Because of You\" - 1940, Arthur Hammerstein, Dudley Wilkinson, composers.","Scope and Contents \"Darling Nelly Gray\" - 1856, B.R. Hanby, composer.","Scope and Contents \"I know that my Redeemer liveth Sacred Song\" - undated, W.D. Wallace, composer; \"Choice Organ Selections\" - undated; \"Overture to the Occasional Oratorio\" - 1948, Garth Edmundson, composer.","Scope and Contents \"Tanz-Album fur kleine Leute\" - undated, M. Hanisch, composer.","Scope and Contents \"At the End of the Road\" - 1924, Ballard Macdonald, librettists, James F. Hanley, composer; \"Indiana\" - 1917, Ballard Macdonald, librettists, James F. Hanley, composer; \"Ziegfeld's American Revue\"- 1926, Gene Buck and Irving Caesar, librettists, Rudolf Friml and James F. Hanley, composer; \" Oh I Miss Hannah\" - 1924, Thekla Hollingsworth, librettists, Jessie L. Deppen, composer; \"Sing Song Girl\" - 1930, Joseph McCarthy, librettists, James F. Hanley, composer; \"24 Hours a Day\" - 1935, Arthur Swanstrom, librettists, James F. Hanley, composer.","Scope and Contents \"At the End of the Sunset Trail\" 1924, Ralph Waldo Emerson, librettists, Ethwell Eddie Hanson, composer.","Scope and Contents \"Because Song\" - Edward Teschemacher, librettists, Guy D'Hardelot, composer.","Scope and Contents \"Tonight is Mine\" - 1934, Gus Kahn, librettists, Frank Harling, composer.","Scope and Contents \"Somewhere\" - 1906 Chase K. Harris, composer; \"I'm Wearing My Heart Away for You\" - undated, Charles K. Harris, composer; \"Voice of the Night\" - 1904, Charles K. Harris, composer; \"Songs of Yesterday\" - 1916, Charles K. Harris, composer.","Scope and Contents \"Meet Me at Twilight\" - Sydney Harris, composer.","Scope and Contents \"A Lovely Lady\" - 1934, Franklin Hauser, composer.","Scope and Contents \"Marche Triomphale\" - 1851, M. Hauser, composer.","Scope and Contents \"Snmphonien\" - undated, Joseph Hayden, composer.","Scope and Contents \"Lost and Cast Away\" - undated, William S. Hayes, composer.","Scope and Contents \"In the Sweet Long Ago\" - 1916, Bobby Heath and Arthur Lange, librettists, Alfred Solman, composer.","Scope and Contents \"The Snow Strom\" - undated, Seba Smith, poetry, L. Heath, composer.","Scope and Contents \"Die Forelle\" - undated, Stephen Heller, composer; \"Heller, Nuits Blanches\" - undated, Stephen Heller, composer.","Scope and Contents \"Deep Night\" - 1929, Rudy Vallee, undated, Charlie Henderson, composer.","Scope and Contents \"The Birth of the Blues\" - 1926, B.G. Sylva and Lew Brown, undated, Ray Henderson, composer; \"Bye Bye Blackbird\" - 1926, Mort Dixon, librettists, Ray Henderson, composer; \"The Old Gang of Mine\" - 1922, Billy Rose and MOrt Dixon, Ray Henderson, composer.","Scope and Contents \"Andante Et Etude Concertante\" - undated, by Adolphe Henselt \"Number 6. Si oiseau j'etais, A toi je volerai\" - undated, composed by Adolphe Henselt","Scope and Contents \"I'm Falling In Love With Someone\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Ah! Sweet Mystery of Life\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Gypsy Love Song\" - 1898, music by Victor Herbert, words by Harry B. Smith \"Kiss Me Again\" - 1915, music by Victor Herbert, lyrics by Henry Blossom \"Give your Heart In June-Time\" - 1925, music by Victor Herbert, words by Clifford Grey and Harold Atteridge \"I Might Be Your 'Once-In-A-While'\" - 1919, music by Victor Herbert, lyrics by Robert B. Smith","Scope and Contents \"Clareene\" - 1905, by Max L. Herman","Scope and Contents \"La Rosalia\" - 1864, composed by Don Pedro de Herrera, arranged by Theodore de La Hache","Scope and Contents \"Dream Daddy\" - 1923, by Louis Herscher and George Keefer","Scope and Contents \"Favourite March in William Tell\" - undated, varied by Herz \"La Belle Bohemienne\" - undated, by Henri Herz \"La Parisienne\" - undated, by Henri Herz","Scope and Contents \"For Sentimental Reasons\" - 1936, by Edward Heyman, Abner Silver, and Al Sherman","Scope and Contents \"Live, Laugh, and Love\" - 1931, music by Werner R. Heymann, words by Rowland Leigh","Scope and Contents \"Lights Out\" - 1935, by Billy Hill \"Put On An Old Pair of Shoes\" - 1935, by Mr. and Mrs. Billy Hill \"There's a Cabin in the Pines\" - 1933, words and music by Billy Hill","Scope and Contents \"All Ashore\" - 1938, by Billy Hill \"Lights Out (Close Your Eyes And Dream Of Me)\" - 1935, by Billy Hill \"There's A Cabin in the Pines\" - 1933, words and music by Billy Hill","Scope and Contents \"Leichte Lieder n. Tänze\" - undated, by Ferdenand Hiller","Scope and Contents \"My Devotion\" - 1942, words and music by Roc Hillman and Johnny Napton","Scope and Contents \"It Isn't Fair\" - 1933, music by Richard Himber, Frank Warshauer, and Sylvester Sprigato, words by Richard Himber","Scope and Contents \"I Love to Sing\" - undated, music by E.L. Hime, words by J.E. Carpenter","Scope and Contents \"Sing of the Captive Greek Girl\" - undated, music by J.W. Hobbs","Scope and Contents \"For You\" - 1925, music by George L. Hodge, words by Frank G. Woodruff \"If You Would Say 'I Love You'\" - 1926, music by George L. Hodge, words by Frank Woodruff, ukulele arrangement by Mary Florence","Scope and Contents \"Auf Wiedersehen, My Dear\" - 1932, by Al Hoffman, Ed Nelson, Al Goodhart, and Milton Ager, German text by Herr Fred Fisher \"Masquerading in the Name of Love\" - 1933, by Al Hoffman, Al Goodhart, and Geo. Waggner \"Who Walks in When I Walk Out\" - 1933, words and music by Al Hoffman, Al Goodhart, and Ralph Freed \"Why Don't You Practice What You Preach\" - 1934, words and music by Maurice Sigler, Al Goodhart, and Al Hoffman \"Fit as a Fiddle\" - 1932, music by Al Hoffman and Al Goodhart, lyric by Arthur Freed","Scope and Contents \"Barcarole\" - 1884, by Heinrich Hoffman, arranged by Rob. Thallon","Scope and Contents \"Pajama Polly\" - 1902, words and music by Max Hoffman","\"Good Night (I'll See You In The Morning)\" - 1926, by Carl Hohengarten, Wm. Roettger, and Paul Smith","Scope and Contents \"A Midsummer Fantasy\" - 1925, by Karl Holer","Scope and Contents \"It Will Have to Do Until the Real Thing Comes Along\" - 1936, words and music by Mann Holiner, Alberta Nichols, Sammy Cahn, Saul Chaplin, and L.E. Freeman","Scope and Contents \"The Gift Polka\" - 1855, by Albert Holland","Scope and Contents \"Strange Enchantment\" - 1939, music by Frederick Hollander, words by Frank Loesser","Scope and Contents \"Smoky Mokes\" - undated, by A. Holzmann","Scope and Contents \"A Little Coon's Prayer\" - 1921, music by Barbara Hope, words by De Burgh D'Arcy","Scope and Contents \"The Toast\" - 1931, by Francis Hopkinson","Scope and Contents \"Every Little Movement\" - 1910, music by Karl Hoschna, lyric by O.A. Hauerbach","Scope and Contents \"My Last Goodbye\" - 1939, words and music by Eddy Howard","Scope and Contents \"After You've Had Your Way\" - 1916, by Richard Howard","\"I Love Everything Beautiful (That's Why I'm in Love with You)\" - 1932, by Bert Howe and Ernie Brooks","Scope and Contents \"Winsome Grace\" - 1890, by T.H. Howe","Scope and Contents \"Poor Butterfly\" - 1916, music by Raymond Hubbell, words by John L. Golden","Scope and Contents \"Moonglow\" - 1934, by Will Hudson, Eddie De Lange and Irving Mills \"You're Not the Kind\" - 1936, by Will Hudson and Irving Mills","Scope and Contents \"Come, with Thy Lute, to the Fountain\" - undated, by T.P. Hullah","Scope and Contents \"The Bubbling Spring\" - 1902, by Johann E. Hummel, arranged by Ferd. Meyer.","Scope and Contents \"Hänsel and Gretel\" - 1894, by Egelbert Humperdinck","\"Holiday Waltz - 1878, J.A. Ide, composer.","Scope and Contents \"Because I'm Married Now\" - 1907, Herbert Ingraham, librettists and composer.","Scope and Contents \"In a Little Garden\" - 1926, Felice S. Ivla, composer, Earl Whittemore, librettists.","Scope and Contents \"Encompass'd in an Angel's Frame\" - undated, Jackson, composer, General Burguyne, librettists.","Scope and Contents \"On Miami Shore Waltz\" - 1919, Victor Jacobi, composer.","Scope and Contents \"I Love You Truly\" - 1906, Carrie Jacobs-Bond \u0026 Son, composer; \"A Little Bit O'Honey\" - 1917, Carrie Jacobs-Bond, composer.","Scope and Contents \"Bridal Song from Lohengrin\" - 1892, S. Jadassohn, composer.","Scope and Contents \"Collegiate\" - 1925, Moe Jaffe and Nat Bonx, composers and librettists'.","Scope and Contents \"Eva's Parting\" - 1852, F. James, composer.","Scope and Contents \"Fire Fly- Galop in the White Fawn\" - 1868, A. Jannotta, composer.","Scope and Contents \"Lawrence of Arabia\" - 1962, Maurice Jarrf, composer.","Scope and Contents \"The Barley Break\" - 1886, Iredell Jenkins, composer.","Scope and Contents \"Berceuse\" - undated, Fritz Schuberth, Leipzig and Hamburg, composers; \"Kochzritsmusik\" - undated, Adolphe Jensen, composer.","Scope and Contents \"Birds Complaint Song\" - 1856, Benjamin Jepson, composer;","Scope and Contents \"Impulsive Incident\" - 1932, Joan Jasmyn, composer, M.K. Jerome, composers; \"Just a Baby's Prayer at Twilight\" - 1913, Sam M. Lewis and Joe Young, librettists, M.K. Jerome, composer.","Scope and Contents \"Sweet and Low\" 1919. J. Stanley Royce, librettist, Charles L. Johnson, composer.","Scope and Contents \"Face to Face\" - 1897, Herbert Johnson, composer.","Scope and Contents \"Save the Last Waltz for Me\" - 1922, Howard Johnson and Jack Austin, composers and librettists.","Scope and Contents \"Don't Let Your Love Go Wrong\" - 1934, George Whiting and Nat Schwartz, librettists, J.C Johnson, composer; \"That's How Rhythm Was Born\" - 1933, George Whiting, and Nat Schwartz, librettists, J.C. Johnson, composer; \"Without a Shadow of a Doubt\" - 1936, George Whiting and Nat Schwartz, J.C. Johnson, composer.","Scope and Contents \"The Girlfriend\" - 1935, Gus Kahn, librettists, Arthur Johnston, composer; \"Just One More Chance\" - 1931, Sam Coslow, librettists, Arthur Johnston, composer; \"Learn to Croon\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer; \"Moonstruck\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer.","Scope and Contents \"Gavotte\" - 1881, Walter R. Johnston, composer.","Scope and Contents \"Me and My Shadow\" - 1927, Al Jolson, Billy Rose, and Dave Dreyer, composers; \"Sonny Boy\" - 1928, Al Jolson, composer.","Scope and Contents \"I'll See You in My Dreams\" - 1924, Gus Kahn, librettists, Isham Jones, composer; \"If You Were Only Mine\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"I Only Found You for Somebody Else\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"One Little Word Led to Another\" - 1932, Charles Newmn, librettists, Isham Jones, composer; \"Spain\" - 1934, Isham Jones and Gus Kahn, composer; \"What's the Use\" - 1930, Isham Jones and Charles Newman, composers.","Scope and Contents \"It's a Long Way to Tipperary\" - 1912, written and composed by, Jack Judge and Harry Williams","Scope and Contents \"Rough on Rats\" - 1882, music by Jules Juniper, words by W.A. Boston","Scope and Contents \"Guilty\" - 1931, words and music by Gus Kahn, Harry Akst, and Richard A. Whiting","Scope and Contents \"Beloved\" - 1928, by Gus Kahn and Joe Sanders","Scope and Contents \"Chatter\" - 1926, by Herman Kahn, arranged by John W. Lang","Scope and Contents \"I'm So Afraid of You\" - 1930, by Bert Kalmar and Harry Ruby \"Nevertheless (I'm in Love With You)\" - 1931, words and music by Bert Kalmar and Harry Ruby \"So Long! Oo-long (How Long You Gonna Be Gone)\" - 1920, by Bert Kalmar and Harry ruby","Scope and Contents \"You're All I Need\" - 1935, melody by Bronislaw Kaper and Walter Jurman, lyrics by Gus Kahn","Scope and Contents \"Variations sur Lestoco\" - undated, by H. Karr","Scope and Contents \"Im Stillen Grunde (In Peaceful Vale)\" - 1890, by Hugo Kaun \"Waltz\" - 1890, by Hugo Kaun","Scope and Contents \"This Is a Night Made for Love\" - 1930, words and music by Herbie Kay and Ros. Metzger, arranged by Bert Peters","Scope and Contents \"Has Your Mother Any More Like You\" - 1902, by Robert a Keiser","\"Alice of Old Vincennes (I Love You)\" - 1914, by Keithley and Thompson","Scope and Contents \"When the Moon Shines Down in Old Alaska Then I'll Ask Her to be Mine\" - 1916, music by E. Clinton Keithley, lyric by Jack Frost \"Your Voice Came Back to Me\" - 1917, music by E. Clinton Keithley, words by Harold G. Frost \"Garland of Old Fashioned Roses\" - 1911, music by E. Clinton Keithley, words by C.H. Musgrove","Scope and Contents \"Ah! Little Blind Boy!\" - undated, composed by M. Kelly \"Happy the Day\" - undated, composed by M. Kelly \"Last Week I Took A Wife\" - undated, composed by M. Kelly","Scope and Contents \"Just at Twilight\" - 1926, words and music by Mae Younger Kelly","Scope and Contents \"Seventh Ward School March\" - 1884, by Mary C. Kelly","Scope and Contents \"Feather Your Nest\" - 1920, by James Kanis and Brockman and Howard Johnson \"Let It Rain\" - 1924, words and music by James Kendis and Hall Dyson \"Sympathy (Don't Worry Bill)\" - 1905, words and music by James Kendis and Paley","\"The Chestnut Tree ('neath The Spreading Chestnut Tree)\" - 1938, by Jimmy Kennedy, Tommie Connor, and Hamilton Kennedy.","Scope and Contents \"Who?\" -1925, music by Jerome Kern, words by Otto Harbach and Oscar Hammerstein II \"She Didn't Say Yes\" - 1931, music by Jerome Kern, words by Otto Harbach \"Ol' Man River\" - 1927, music by Jerome Kern, words by Oscar Hammerstein II","Scope and Contents \"Whisperings of Love\" - undated, composed by C. Kinkel \"Mountain Belle Schottische\" - undated, by C. Kinkel","Scope and Contents \"Rondeaux\" - undated, by Ferd. Kessler","Scope and Contents \"In a Chinese Temple-Garden\" - 1923, by Albert W. Ketèlby \"In a Persian Market\" - 1929, Albert W. Ketèlby","Scope and Contents \"Gipsies\" - undated, by Ella Ketterer","Scope and Contents \"Il Bacio\" - undated, by Eugène Ketterer \"La Marseillaise\" - undated, by Eugène Ketterer","Scope and Contents \"Sonate\" - undated, by Friedrich Kiel","Scope and Contents \"Berceuse\" - 1904, by Ralph Kinder \"Berceuse No. 2\" - 1911, by Ralph Kinder \"Festival March\" - 1904, by Ralph Kinder \"Meditation\" - 1910, by Ralph Kinder","Scope and Contents \"Show Me The Way To Go Home\" - 1925, Irving King","Scope and Contents \"I Love You In The Same Sweet Way\" - 1931, music by Robert A. King, words by Billy Moll \"Tell Me You Love Me\" - 1926, music by Robert King, words by Leslie Hare","Scope and Contents \"The Waltz You Saved for Me\" - 1930, music by Wayne King and Emil Flindt, lyric by Gus Kahn","Scope and Contents \"The Star Spangled Banner\" - 1835, W.A. King","Scope and Contents \"Fantaisie from Oberon\" - 1866, by Charles Kinkel \"The Banjo\" - 1866, by Charles Kinkel","Scope and Contents \"A Bohemian Walzer\" - undated, by Kirmair","Scope and Contents \"The Coral Schottisch\" - 1852, by Henry Kleber","Scope and Contents \"Andante Soave\" - 1886, by Bruno Oscar Klein","\"I Had to Lose You (To Learn You Were Meant For Me)\" - 1930, by Saul Klein, Jack Le Soir, and Ray Doll","Scope and Contents \"Just Friends\" - 1931, music by John Klenner, lyric by Sam M. Lewis","Scope and Contents \"I'm Still Caring\" - 1929, words and music by John Klenner and Rudy Vallee, arranged by A.J. Franchini","Scope and Contents \"My Virginia Rose\" - 1923, music by F. Henri Klickmann, lyric by E. Clinton Keithley","\"Sweet Hawaiian Moonlight (Tell Her of My Love)\" - 1918, music by F. Henri Klickmann, lyric by Harold G. Frost","Scope and Contents \"Scotch Hir with an Introduction\" - undated, composed by P. Knapton","Scope and Contents \"Ben Bolt or Oh! Don't You Remember\" - 1848, music by Nelson Kneass","Scope and Contents \"Rocked in the Cradle of the Deep\" - 1853, music by J.P. Knight, words by Mrs. Willard, of Troy","Scope and Contents \"In Your Eyes - In You Arms - In Your Heart\" - 1926, by Ted Koehler and Jay Mills \"Stormy Weather (Keeps Rainin' all the Time)\" - 1933, music by Harold Arlen, words by Ted Koehler","\"Mia Bella Rosa (My Beautiful Rose)\" - 1928, by Ted Koehler and Frank Magine","Scope and Contents \"Dreamy Melody\" - 1922, words and music by Ted Koehler, Frank Magine, and C. Naset","Scope and Contents \"Moonlight Down in Lovers' Lane\" - 1933, music by Max Kortlander, words by George Pitman and Bartley Costello \"Tell Me\" - 1919, music by Max D. Kortlander, lyric by J. Will Callahan","Scope and Contents \"The Battle of Prague\" - undated, F. Kotzwara, composer.","Scope and Contents \"Arois Sonates\" - undated, L. Kozeluch, composer.","Scope and Contents \"High on a Windy Hill\" - 1940, Joan Whitney and Alex Kramer, composers.","Scope and Contents \"That's My Desire\" - 1931, Carroll Loveday, librettist, Helmy Kresa, composer.","Scope and Contents \"Go Joe Go\" - 1927, Steve Kretzmer, Phil Napoleon and Frank Signorelli, composers.","Scope and Contents \"Union March\" - undated, Hans Krummacher, composer.","Scope and Contents \"Good Night, Farewell\" - undated, Freidrich Kucken, composer; \"Deux Duos\" - undated, Freidrich Kucken, composer; \"Grosse Sonate\" - undated, Freidrich Kucken, composer; \"Zwei Duetten\" - undated, Freidrich Kucken, composer.","Scope and Contents \"Marrhr Bohemirnor\" - undated, Wilhelm Kuhe, composer.","Scope and Contents \"Six Sonatines\" - undated, F. Kuhlau, composer.","Scope and Contents \"Dearie\" - 1905, Clare Kummer, composer; \"A Wonderful Thing\" - 1914, Clare Kummer, composer.","Scope and Contents \"Alpine Storm\" - 1888, Charles Kunkel, composer.","Scope and Contents \"Miss Caroline Richings\" - 1860, George Kunkel, composer.","Scope and Contents \"Memories\" - 1901, Albert Kussner, composer.","Scope and Contents \"Beauties of the Waltz\" - undated, Joseph Labitzky, composer.","Scope and Contents \"Everything I Have Is Yours\" - 1933, Harold Adamson, librettists, Burton Lane, composer.","Scope and Contents \"Crescendo\" - 1896, Per Lasson, composer.","Scope and Contents \"The Conquered Banner\" - 1866, Theodore von Lahache, composer.","Scope and Contents \"First Kiss Waltz\" - undated, Lamothe, composer.","Scope and Contents \"Why Don't You Name the Day\" - undated, W.J. Landram, composer.","Scope and Contents \"Little Did I Dream\" - 1934, Harold Adamson, librettist, Burton Lane, composer.","Scope and Contents \"America, here's my Boy\" - 1917, Andrew B. Sterling, librettist, Arthur Lange, composer.","Scope and Contents \"Annie Laurie\" - 1917, G. Lange, composer.","Scope and Contents 'Flower Song\" - 1884, Gustav Lange, composer; \"Sonatine V\" - 1884, Gustav Lange, composer.","Scope and Contents \"Happy Return\" - 1874, Pierre Latour, composer.","Scope and Contents \"Accent on Youth\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer; \"And Then Some\" - 1935,Tot Seymour, librettist, Vee Lawnhurst, composer; \"When the Leaves Bid the Trees Goodbye\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer.","Scope and Contents \"So Red the Rose\" - 1935, Jack Lawrence, librettist, Arthur Alman, composer.","Scope and Contents \"My Son, My Only Son\" - undated, composed by Geo. Le Brunn, written by E.W. Rogers","Scope and Contents \"Malagueña\" - 1928, by Ernesto Lecuona \"Dust on the Moon\" - 1934, music by Ernesto Lecuona, arrangement by Paul Hill, English lyric by Stanley Adams, Spanish lyric by Ernesto Lecuona","Scope and Contents \"Out of the Dusk to You\" - 1922, , music by Dorothy Lee, words by Arthur J. Lamb \"One Fleeting Hour\" - undated, by Dorothy Lee, poem by Karl Fuhrmann \"My Dreams\" - 1916, music by Dorothy Lee, words by Fred G. Bowles","Scope and Contents \"How Do I Know It's Real\" - 1941, words and music by Dan Shapiro, Jerry Seelen, and Lester Lee","Scope and Contents \"Napolitaine, I Am Dreaming of Thee\" - undated, composed by Alexander Lef","Scope and Contents \"Les Cloches Du Monastere (The Monastery Bells)\" - undated, by Lefébure-Wély","Scope and Contents \"Merry Widow Waltz\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart \"Vilia\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart","Scope and Contents \"Pastorale\" - 1892, composed by Edwin H. Lemare \"Berceuse\" - 1901, composed by Edwin H. Lemare","Scope and Contents \"When It's Sleepy Time Down South\" - 1931, words and music by Leon, Otis René, and Clarence Muse","Scope and Contents \"Bachelor's Polka Four Hands\" - 1849, by Professor C. Lenschow","Scope and Contents \"Danse À La Russe\" - undated, composed by Th. Leschetizky \"Two Larks\" - undated, composed by Th. Leschetizky","Scope and Contents \"It Looks Like Rain in Cherry Blossom Lane\" - 1937, by Edgar Leslie and Joe Burke","Scope and Contents \"Somewhere in Old Wyoming\" - 1930, by S. Lesser and Will Havlin","Scope and Contents \"Don't Mention Love to Me\" - 1935, music by Oscar Levant, lyrics by Dorothy Fields \"Keep Sweeping the Cobwebs off the Moon\" - 1927, music by Oscar Levant, lyrics by Lewis and Young \"Out of Sight, Out of Mind\" - 1935, music by Oscar Levant, words by Dorothy Fields","Scope and Contents \"It's Sunday Down in Caroline\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"(When It's) Darkness on the Delta\" - 1932, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"It's the Talk of the Town\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"Under a Blanket of Blue\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg","Scope and Contents \"All-American Girl\" - 1932, by Al Lewis","Scope and Contents \"If That's The Way You Want It, Baby\" - 1943, by Charles Tobais, Al Lewis, and Harry Tobais","Scope and Contents \"One Night in Monte Carlo\" - 1935, words and music by Abner Silver, Al Sherman, and Al Lewis","Scope and Contents \"Quit Cryin' The Blues\" - 1931, by Felix Lewis, arranged by Helmy Kresa","Scope and Contents \"Mocking Bird\" - 1903, by Fred Lewis","Scope and Contents \"My Rose\" - 1922, written and composed by Harry Lewis","Scope and Contents \"Too Late\" - 1931, by Sam Lewis and Victor Young","Scope and Contents \"Cinquième Nocturne\" - undated, by J. Leybach","Scope and Contents \"Heart's Wishes\" - undated, H. Lichner, composer; \"Froher Sinn\" - undated, H. Lichner, composer.","Scope and Contents \"Bright Flowers\" - undated, Heinrich, Lichner, composer.","Scope and Contents \"Tired\" - undated, M. Lindsay, composer.","Scope and Contents \"Kiss the Little Ones for Me\" - 1867, E. Linwood, composer.","Scope and Contents \"Compositions for the Organ\" - 1916, F. Liszt, composer; \"Lisztonia\" - 1928, Calvin Grooms, composer; \" Phapsodie Hongroise\" - undated, F. Liszt, composer.","Scope and Contents \"Rhapsodie Hongroise\" - 1903, Franz Liszt, composer; \"Liebestraum\" - 1935, Franz Liszt, composer; \"Consolations\" - undated, Franz Liszt, composer.","Scope and Contents \"Too Tired\" - 1924, George A. Little, composer.","Scope and Contents \"Jimminy Gee\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer; \"Jealous\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer.","Scope and Contents \"I Wouldn't Trade the Silver in My Mother's Hair\" - 1932, Jack Little and J. Fred Coots, composers.","Scope and Contents \"I'm Learning Now\" - 1927, Little Jack Little and Te Meyn, composers; \"I'm Needin You\" - 19030, Joe Young, librettist, Little Jack Little, composer; \"Let's Make Up\" - 1933, Little Jack Little, Dave Oppenheim, Iba Schuster, composers; \"My Own\" - 1933, Little Jack Little, Dave Oppenheim, Ira Schuster, composers.","Scope and Contents \"Belle of the South\" - undated, Carl Lobe, composer.","Scope and Contents \"Sweetie Pie\" - 1934, John Jacob Loeb, composer.","Scope and Contents \" In Questo Sinplice\" - undated, G.M. Loening, composer.","Scope and Contents \"Blue Rose Waltz\" - undated, Frederick L. Logan, composer.","Scope and Contents \"Little Grey Home in the West\" - 1911, D. Eardley- Wilmot, librettist, Lohr Hermann, composer.","Scope and Contents \"As Long as Love Lives On\" - 1932, Joe Young, librettist, Carmen Lombardo, composer; \"Sweethearts on Parade\" - 1928, Charles Newman, librettist, Carmen Lombardo, composer.","Scope and Contents \"Dawn Waltz\" - undated, H. Louel, composer.","Scope and Contents \"Will You Love Me Then as Now\" - undated, Lover, composer.","Scope and Contents \"Collection Litolff. No. 1189. Josef Löw\" - undated, composed by Josef Löw","\"The Secluded (Die Abgeschiedenen)\" - 1872, composed by Dr. Carl Löwe, transcribed by Ernst Perabo","Scope and Contents \"At Rest\" - 1915, by Katherine E. Lucke","Scope and Contents \"The Tale of the Kangaroo\" -1900, by Gustav Luders, arranged by Karl Hoschna","Scope and Contents \"In Memoriam\" - 1872, by A. Lutz","\"The One Rose (That's Left In My Heart)\" - 1936, by Del Lyon and Lani McIntire","Scope and Contents \"March of the Archers (Le Pas Des Archers)\" - undated, by Ch[arles] B. Lysberg","Scope and Contents \"Your Lips Are No Man's Land But Mine\" - 1918, music by Cha[rle]s R. McCarron and Carey Morgan, Arthur Guy Empey, librettists.","Scope and Contents \"Honky Tonky\" - 1916, Chas McCarron and Chris Smith, composers.","Scope and Contents \"What Do You Want to Make Those Eyes at Me For\" - 1916, Joe McCarthy, Howard Johnson, and Jimmy V. Monaco, composers and librettists'.","Scope and Contents \"Lazy Silv'ry Moon\" - 1931, George B. McConnell, Billy Hays, and Morty Berk, composers and librettists'.","Scope and Contents \"If I had a Girl Like You\" - 1930, Louis W. McDermott, librettist and composer.","Scope and Contents \"Give Me Music\" - 1940, by Don McGray, Robert Sour, and Malcolm Reid","Scope and Contents \"Blue Again\" - 1930, Jimmy McHugh, composer lyric by Dorothy Fields; \"Dinner at Eight\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Don't Blame Me\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Ev'rything Is Hotsy Totsy Now\" - 1925, Jimmy McHugh, composer, Irving Mills, librettist; \"Go Home and Tell Your Mother\" - 1930, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Good-Bye Blues\" - 1932, Jimmy McHugh, Dorothy Fields, and Arnold Johnson, composers and librettists'; \"I Feel A Song Comin' On\" - 1935, Jimmy McHugh, Dorothy Fields, and George Oppenheim, composers; \"I'm Doin' That Thing (Falling In Love)\" - 1930, Jimmy McHugh, comp lyric by Dorothy Fields \"I'm in the Mood for Love\" - 1935, lyric and melody by Jimmy McHugh and Dorothy Fields \"One More Waltz\" - 1930, music by Jimmy McHugh, lyrics by Dorothy Fields \"Speaking Confidentially\" - 1935, Jimmy McHugh and Dorothy Fields, composers and librettists; \"You're An Angel\" - 1935, Jimmy McHugh and Dorothy Fields, composers.","Scope and Contents \"Combination Waltzes\" - undated, composed by A.T. Macdonald;","Scope and Contents \"Czardas\" - 1896, Edward A. MacDowell, composer; \"12 Etudes for the Development of Technic and Style\" - 1890, Edward A. MacDowell, composer; \"Fireside Tales\" - 1902, Edward A. MacDowell, composer; \"Compositions by Edward MacDowell\" - 1898, Edward McDowell, composer;","Scope and Contents \"Les Orientales\" - 1889, by Edward MacDowell; \"12 Modern Compositions for the Pianoforte\" - 1895, selected, revised, and edited by Edward MacDowell; \"New England Idyls\" - 1902, composed by Edward MacDowell","Scope and Contents \"Sea Pieces\" - 1898, by Edward MacDowell \"Six Poems After Heine\" - 1901, composed by Edward MacDowell \"Woodland Sketches\"- 1898, by Edward MacDowell","Scope and Contents \"No. 2 in F min\" - 1898, by Edward MacDowell \"Hexentanz (Witches Dance)\" - undated, by Edward MacDowell","Scope and Contents \"The Sleigh Drive Polka\" - 1849, by Mrs. John MacFarren","Scope and Contents \"Bonnie's Galop\" - 1873, by E. Mack \"Her Bright Smile\" - 1880, arranged by E. Mack \"The Jockey Hat Schottische\" - 1874, by E. Mack \"Spanish Dance\" - 1869, by E. Mack","\"Très Moutarde (Too much Mustard)\" - 1911, Cecil Macklin, composer.","Scope and Contents \"Adoration Waltz\" - 1924, music by Frank Magine, lyric by A.F. Otis and C. Romano","Scope and Contents \"The Happy Couple Schottisch\" - 1860, James E. Magruder; \"When Shall We Meet Again\" - 1855, James E. Magruder, composer; \"The Greenwood Schottisch\" - 1855, James E. Magruder, composer. 23.75/50  10/10  221/300","Scope and Contents \"Rose Colored Glasses\" - 1926, Tommy Malie and Jimmy Steiger, composer.","Scope and Contents \"If I Had a Million Dollars\" - 1934,Johnny Mercer, librettist, Matt Malneck, composer; \"I'll Never Be the Same\" - 1932, Gus Kahn, librettist, Matt Malneck and Frank Signorelli, composers; \"I'm Thru with Love\" - 1931, Gus Kahn, librettist, Matt Malneck and Fud Livingston, composer; \"Pardon My Southernn Accent\" - 1934, Johnny Mercer, librettist, Matt Malneck, composer; \"What Did I Get in Return\" - 1932, Joe Young, librettist, Matt Malneck, composer.","\"I'm Good for Nothing but Love: - 1931, Pat Ballard, librettist, Bernard Maltin, composer.","Scope and Contents \"Always Remember Your Mother\" - 1904, Cecil Mann, librettist and composer.","Scope and Contents \"Volga Boatman Song\" - 1935, Nick Manoloff, composer; \"The Man on the Flying Trapeze\" - 1935, Nick Manoloff, composer.","Scope and Contents \"Vert Vert\" - undated, G. Marcailhou - composer.","Scope and Contents \"Down the Trail of Our Old Sweetheart Days\" - undated, Kerty Renner and Joe Marcheck, composers.","Scope and Contents \"In Dreams with You\" - 1914, Andrew B. Sterling, librettist, Alfred Margis, composer.","Scope and Contents \"I Can't Write the Words\" - 1931, Gerald Marks and Buddy Fields, librettists and composers.","Scope and Contents \"Hawaiian Dreams\" - 1916, Herbert B. Marple, composer.","Scope and Contents \"Ole Virginny\" - 1919, Ben Black, librettist, Herbert Marple and Earl Burtnett, composers.","Scope and Contents \"And Still I Care\" - 1932, Edward Heyman, libberrisist, Jack Mason, composer.","Scope and Contents \"Smith's March\" - 1848, J.T. March - composer.","Scope and Contents \"Twickenham Ferry\" - undated, Theodore Marzials, composer.","Scope and Contents \"Come Over the Moonlight Sea\" - undated, Massaniello, composer.","Scope and Contents \"Piano Compositions by French Composers\" - 1987, Jules Massenet, composer.","Scope and Contents \"The Prisoner's Song\" -1924, Guy Massey, composer.","Scope and Contents \"It is Not True\" - 1882, Tito Mattei, composer.","Scope and Contents \"Longing\" - undated, Charles Mayor, composer.","Scope and Contents \"Pianolettes\" - 1925, Eskimo Shivers, composer.","Scope and Contents \"Its a Sin to Tell a Lie\" - 1936, Billy Mayhew, composer.","Scope and Contents \"Happy Dreams\" - 1885, J.C. Meares, composer.","Scope and Contents \"Souvenir De Castle Hill\" - 1849, F.M. Meerbach, composer.","Scope and Contents \"The Bird At Sea\" - undated, C. Meineke, composer.","Scope and Contents \"I'm Yours\" - 1952, Robert Mellin, librettist and composer.","Scope and Contents \"Ro-Ro-Rollin' Along\" - 1930, Billy Moll, Harry Richman, librettists, Murray Mencher, composer.","Scope and Contents \"Popular Classics for Pianoforte\" - undated, Felix Mendelssohn, composer; \"Antigone\" - undated, Felix Mendelssohn, composer.","Scope and Contents \"Spirit Song\" - Felix Mendelssohn, composer; \"Lieder ohne Worte\" - undated, Felix Mendelssohn, composer; \"On Wings of Song\" - 1908, Felix Mendelssohn, composer; \" Sommernachtstraum\" - undated, Felix Mendelssohn, composer; \"Venetianisches Gondellied\" - undated, Felix, Mendelssohn, composer.","Scope and Contents \"If You Were Mine\" - 1935, Johnny Mercer, composer; \"Lazybones\" - 1933, Johnny Mercer, composer; \"Santa Claus Came in the Spring\" - 1935, Johnny Mercer, composer.","Scope and Contents \"Lost\" - 1936, Phil Ohman, Johnny Mercer, and Macy O. Teetor, composers.","Scope and Contents \"Butterfly\" - undated, G. Merkel, composer.","Scope and Contents \"Leonore Polka\" - undated, Carl Merz, composer.","Scope and Contents \"Through Flowery Fields\" - undated, Frederick Messick, composer.","Scope and Contents \"Te Deum\" - 1876, I.N. Metcalf, composer","Scope and Contents \"A Hot Time in the Old Town\" - 1896, Theo A. Metz, composer, Joe Hayden, librettist","Scope and Contents \"What'll You Do? (When Someone Get's the Kiss Belonging to You)\" - 1915, George W. Meyer, composer, Sam M. Lewis and Ed Rose, librettists \"Tuck Me to Sleep in My Old ' Tucky Home\" - 1921, George W. Meyer, composer, Sam m. Lewis and Joe Young, librettists \"The High Cost of Loving\" - 1914, George W. Meyer, composer, Alfred Bryan, librettist \"Brown Eyes- Why Are You Blue?\" - 1925, George Meyer, composer, Alfred Bryan, librettist \"It's an Old Spanish Custom in the Moonlight\" - 1930, George W. Meyer, composer, Edgar Leslie, librettist","Scope and Contents \"Falling In Love With You\" - 1926, Joseph Meyer, composer, Benny Davis, librettist \"Isn't It Heavenly\" - 1933, Joseph Meyer, composer, E.Y. Harburg, librettist \"It's An Old Southern Custom\" - 1935, Joseph Meyer, composer, Jack Yellen, librettist \"Just A Little Closer\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist \"Singing a Song to the Stars\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist","Scope and Contents \"Cavatina From Robert Le Diable\" - undated, Meyerbeer, composer \"Il Profeta (The Prophet)\" - undated, Meyerbeer, composer","\"Wonnetraum (Blissful Dream)\" - 1891, Erik Meyer-Helmund","Scope and Contents \"My Love! My Own!\" - 1869, H. Millard, composer, George Cooper, librettist \"O Salutaris\" - 1866, H. Millard, composer \"Under the Daisies\" - 1865, H. Millard, composer \"Waiting! (Aspettando)\" - 1871, H. Millard, composer, Ellen H. Flagg (English) and R. Prati (Italian), librettists","Scope and Contents \"Alabama Camp Meeting\" - undated, F. Albert Miller, composer","Scope and Contents \"Sunday\" - 1936, Ned Miller, Chester Cohn, Jules Stein, and Bennie Krueger, composers and librettists","Scope and Contents \"When Dewey Comes Sailing Home\" - 1899, Kerry Mills, composer, John Lagdon Heaton, librettist","Scope and Contents \"Lying In The Hay\" - 1932, Mireille, composer, Jean Franc Nohan (original) and Henry Roberts (English), librettists","Scope and Contents \"Slumber Song\" - Harriet Grace Mitchell, composer and librettist","Scope and Contents \"Maybe It's Love\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists \"To Whom it May Concern\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists","Scope and Contents \"Retour du Printemps\" - undated, Moelling, composer","\"Loves Old Sweet Song (Just a Song At Twilight)\" - 1924, J.L. Molloy, composer, G. Clifton Bingham, librettist","Scope and Contents \"Through! ( How Can You Say We're Through?)\" - 1929, Jimmie Monaco, composer, Joe McCarthy, librettist \"Ev'ry Night About This Time\" - 1942, James V. Monaco, composer, Ted Koehler, librettist \"If I Had Some One Like You At Home (I Wouldn't Want to Go Out)\" - 1914, James V. Monaco, composer, Joe McCarthy, librettist \"You Made Me Love You (I Didn't Want to Do It)\" - 1913, James V. Monaco, composer, Joe McCarthy, librettist \"The Honolulu Blues\" - 1916, Jimmie V. Monaco, composer,Grant Clarke, librettist \"I'll Sit Right on the Moon (And Keep My Eyes On You)\" - 1912, Jimmie V. Monaco, composer and librettist \"It Might have Been A Diff'rent Story\" - 1933, James V. Monaco, composer, Ray Klages and Jack Meskill, librettists \"Lonesome Lover\" - 1930, Jimmie Monaco, composer, Al Bryan , librettist \"Me and the Bay Friend\" - 1924, Jimmie Monaco, composer, Sidney Clare, librettist","Scope and Contents \"Fal Lal La\" - undated, P.K. Moran, composer \"Moran's Favorite Variations to the Subian Hir\" - undated, P.K. Moran, composer","Scope and Contents \"Chlo-e (Song of the Swamp)\" - 1927, Neil Morét, composer, Gus Kahn, librettist \"I Got A Woman, Crazy for Me: She's Funny That Way\" - 1928, Neil Morét, composer, Richard A. Whiting, librettist","Scope and Contents \"Then How Can I Forget\" - 1857, Wm. Edgar Morgan, composer and librettist","Scope and Contents \"Sonny O' Mine\" - 1923, Marion Moore, composer and librettist","Scope and Contents \"Thinking\" - 1926, Mac Ohman and Lou Morgans, composers and librettists","Scope and Contents \"Love's Ship\" - 1920, Alice Nadine Morrison, composer, Nellie Morrison, librettist","Scope and Contents \"She's the Fairest Little Flower Dear Old Dixie Ever Grew\" - 1907, Theodore Morse, composer, Ashley S. Johnson, librettist \"I Left My Heart in Dear Old Ireland\" - 1912, Theodore Morse, composer, J. Mahoney, librettist \"Blue Bell\" - 1904, Theodore F. Morse, composer, Edward Madden, librettist \"When We Were Two Little Boys\" - 1903, Theodore F. Morse, composer, Edward Madden, librettist","Scope and Contents \"Berceuse\" - 1906, Mortiz Moszkowski, composer","\"Chanson du coeur brisé (The Song of Songs)\" - 1914, Moya, composer, Maurice Vaucaire (original) and Clarence Lucas (English), librettists","Scope and Contents \"Entführung aus dem serail\" - undated, W.A. Mozart, composer \"Go Forget Me\" - undated, W.A. Mozart, composer \"The Manly Heart\" - undated, Mozart, composer \"Selection of Melodies from Don Giovanni\" - undated, Mozart, composer \"Quartetten\" - undated, w.A. Mozart, composer \"Ausgewählte\" - 1882, W.A. Mozart, composer \"Lullaby\" - 1891, W.A. Mozart, composer, John P. Jackson (English), librettist","Scope and Contents \"Take Me to that Swanee Shee\" - 1912, Lewis F. Muir, composer, L. Wolfe Gilbert, librettist","Scope and Contents \"Love Not\" - undated, Julius E. Müller, composer \"The Polka\" - 1844, Julius E. Müller, composer","Scope and Contents \"When My Baby Smiles at Me\" - 1920, Bill Munro, composer, Andrew B. Sterling and Ted Lewis, librettists","Scope and Contents \"It'll Take A Little Time\" - 1932, Jack Murray, Al Goodhart, and Al Hoffman, composers and librettists","Scope and Contents \"Little Sunshine\" - 1867, James R. Murray, composer and librettist","Scope and Contents \"The Alpine Quadrilles\" - undated, R. Murray, composer","Scope and Contents \"My Darling\" - 1932, Richard Myers, composer, Edward Heyman, librettist \"Niagara Moon\" - 1933, Richard Myers, composer, Edward Heyman, librettist","Scope and Contents \"Moonlight on the Ganges\" - 1926, Sherman Myers, composer, Chester Wallace, librettist","Scope and Contents \"The Tyrolesian Air\" - undated, F.J. Naderman, composer","Scope and Contents \"Ol' Pappy\" - 1934, Al. J. Neiburg, Marty Symes, and Jerry Levinson, composers and librettists","Scope and Contents \"What Are You Thinkin' About, Baby\" - 1931, Ed G. Nelson, Al Goodhart, and Steve Nelson, composers and librettists \"When Yankee Doodle Learns to Parlez Vous Francais\" - 1917, Ed Nelson, composer, Will Hart, librettist","Scope and Contents \"Mighty Lak' A Rose\" - 1901, Ethelbert Nevin, composer, Frank L. Stanton, librettist \"The Rosary\" - 1900, Ethelbert Nevin, composer, Robert Cameron Rogers (English), Isadae Martines (French), and Dr. Th. Baker (German), librettist \"The Rosary\" - 1898, Ethelbert Nevin, composer, arranged for piano solo by Benjamin Whelpley \"Water Scenes: 5 Pieces for the Pianoforte\" - 1891, Ethelbert Nevin, composer","Scope and Contents \"I Can't Believe Its True\" - 1932, Charles Newman, Ben Bernie, and Isham Jones, composers and librettists","Scope and Contents \"Say A Little Prayer for Me\" - 1930, Horatio Nicholls, composer, Joseph George Gilbert, librettist \"Among My Souvenirs\" - 1927, Horatio Nicholls, composer, Edgar Leslie, librettist","Scope and Contents \"I Just Couldn't Take It Baby\" - 1933, Alberta Nichols, composer, Mann Holiner, librettist \"Till the Real Thing Comes Along\" -1931, Alberta Nichols, composer, Mann Holiner, librettist \"You Can't Stop Me From Lovin' You\" - 1931, Alberta Nichols, composer, Mann Holiner, librettist","Scope and Contents \"Oh. Lust W. of W.\" - undated, Otto Nicolai, composer","Scope and Contents \"Love Is the Sweetest Thing\" - 1932, Ray Noble, composer and librettist \"The Very Thought of You\" - 1934, Ray Noble, composer and librettist","Scope and Contents \"The Beauregard\" - 1861, A. Noir, composer","Scope and Contents \"Little Annie Rooney\" - 1929, Michael Nolan, composer and librettist","Scope and Contents \"Èlègie\" - 1895, E. Nollet, composer","Scope and Contents \"Fanny Grey\" - undated, Mrs. Norton, composer and librettist","Scope and Contents \"At Play\" - 1892, Lèon Novara, composer \"Little Lay\" - 1892, Lèon Novara, composer","\"Keep the Home-Fires Burning ('Till the Boys Come Home)\" - 1915, Ivor Novello, composer, Lena Guilbert Ford, librettist","Scope and Contents \"Lillian Lee\" - 1859, C.H. Oakes, composer","Scope and Contents \"Remember Me\" - 1932, Jack O'Brien, composer, Gus Kahn, librettist","Scope and Contents \"When the Swallows Homeward Fly\" - undated, T. Oesten, composer","Scope and Contents \"Alpine Glow\" - undated, Theodore Oesten, composer","Scope and Contents \"La Polka\" - undated, Offenbach, composer","Scope and Contents \"I'm Sure of Everything But You\" - 1932, Charles O'Flynn, George W. Meyer, and Pete Wendling, composers and librettists \"Three of Us\" - 1933, Charles O'Flynn, Lee David, and Pete Wendling, composers and librettists","Scope and Contents \"I Love A Little Cottage\" - undated, Geoffry O'Hara, composer, Roscoe Gilmore Stott, librettist","Scope and Contents \"My Wild Irish Rose\" - 1899, Chauncey Olcott, composer and librettist","Scope and Contents \"Mother Machree\" - 1910, Chauncey Olcott and Ernest R. Ball, composers, Rida Johnson Young, librettist","Scope and Contents \"You, You, You\" - 1952, Lotar Olias, composer, Robert Mellin, librettist","Scope and Contents \"I Love You Much Too Much\" - 1940, Alex Olshey, Don Raye, and C. Towber, composers and librettists","Scope and Contents \"Love Sends A Little Gift of Roses\" - 1919, John Openshaw, composer, Leslie Cooke, librettist","Scope and Contents \"Washin' The Blues From My Soul\" - 1930, Willard Robison and Dave Oppenheim, composers and librettists","Scope and Contents \"The Heart of Virginia\" - 1924, Nathan Oppleman, composer, Ben Scheer, librettist","Scope and Contents \"The Galloping Sleigh-Ride Polka\" - 1845, J.P. Ordway, composer \"Home Again\" - 1850, arranged by J.P. Ordway, composer and librettist, M.S. Pike \"Let Me Kiss Him for His Mother\" - undated, John P. Ordway, composer and librettist","Scope and Contents \"Waiting\" - 1918, Harold Orlob, composer, Harry L. Court and George E. Stoddard, librettists","Scope and Contents \"Fairylight\" - 1923, Otto Ortmann, composer","Scope and Contents \"Our Naval Heroes\" - undated, Ernst Otto, composer, Agnes S. Haase, librettist","Scope and Contents \"Daisies Won't Tell\" - 1908, Anita Owens, composer and librettist","Scope and Contents \"Elegar\" - undated, Ignace J. Paderewski, composer.","Scope and Contents \"Valencia\" - 1926, Lucien Boyer, Librettist, Jacques Charles, composer.","Scope and Contents \"Witches Dance\" - 1852, Vincent Wallace, composer.","Scope and Contents \"I Wished on the Moon\" - 1935, Dorothy Parker and Ralph Rainger, composers and librettists.","Scope and Contents \"Chariot Race\" - 1896, Ben Hur, E.T. Paull, composer; \"America Forever! March\" - undated, E.T. Paull, composer.","Scope and Contents \"Blue Pacific Moonlight\" - 1930, Jack Payne and Walace Herbert, composer.","Scope and Contents \"Is There Room in Angel Land\" - 1874, W.U. Pearne, composer.","Scope and Contents \"Peggy O'Neil\" - 1921, Harry Pease, Ed. G. Nelson and Gilbert Dodge, composers.","Scope and Contents \"Smilin Through\" - 1914, Arthur A. Penn, composer and librettist.","\"Don't Tell a Soul - 1921, Stanley Brightman and Arthur Illingworth, composer.","Scope and Contents \"Pensees\" - undated, Ernst Perabo, composer.","Scope and Contents \"The Scat Song\" - 1932, Mitchell Paris, librettist, Frank Perkins and Cab Calloway, composers; \"Stars Fell on Alabama\" - 1934, Mitchel Parish, librettist, Frank Perkins, composer; \"Emaline\" - 1934, Mitchell Parish, librettist, Frank Perkins, composer.","Scope and Contents \"Lady Luck\" - 1924, Ray Perkins, composer.","Scope and Contents \"The Southern Cross\" - St. George Tucker, librettist, C.L. Peticolas, composer.","Scope and Contents \"The Lady I Love\" - 1932, Joe Young, librettist, Bernice Petkere, composer; \"Lullaby of the Leaves\" - 1932, Joe Young, librettist, Bernice Petkere, composer.","Scope and Contents \"Rose-Bud Waltz\" - 1852, Sally E. Keyser and J.F. Petri, composers.","Scope and Contents \"When the Sunset Turns the Ocean's Blue to God\" - 1902, Eva Fern Buckner, librettist, H.W. Petrie, composer.","Scope and Contents \"Out Where the West Begins\" - 1917, Arthur Chapman, librettist, Estelle Phileo, composer.","Scope and Contents \"Son of Heaven\" - 1866, Phillip Phillips, composer.","Scope and Contents \"King Tut\" - 1924, Billy Pierce, composer and librettist.","Scope and Contents \"Land of Rest\" - undated, Ciro Pinsuti, composer; \"If\" - undated, Ciro Pinsuti, composer; \"In Shadowland, undated, Ciro Pinsuti, composer.","Scope and Contents \"Dear Heart\" - 1929, W.C. Polla and Willard Goldsmith, composers.","Scope and Contents \"Melancholy Moments\" - undated, Gilbert K. Pollock, composer.","Scope and Contents \"Midnight Rose\" - 1923, Sidney Mitchell, librettist, Lew Pollack, composer; \"I've Found My Sweetheart Sally\" - 1925, jack Yellen and Lew Pollack, composers; \"Love is in Command\" - 1934, Lew Pollack and Joe Young, composers.","Scope and Contents \"Holiday\" - 1933, Ethel Ponce, composer.","Scope and Contents \"Night and Day\" - 1922, Cole Porter, composer; \"In the Still of the Night\" - 1937, Cole Porter, composer; \"Me and Marie\" - 1935, Cole Porter, composer and librettist; \"What is this Thing Called Love\" - 1924, Cole Porter, composer and librettist; \"I Get a Kick Out of You\" - 1934, Cole Porter, librettist; \"Rosalie\" - 1927, Cole Porter, composer; \"You're the Top\" - 1934, Cole Porter, composer; \"Night and Day\" - 1932, Cole Porter, composer; \"I've Got You Under My Skin\" - 1936, Cole Porter, composer.","Scope and Contents \"Cockade Grand March\" - undated, Arnaud, Preot', composer.","Scope and Contents \"Ciribiribin\" - 1935, A. Prestalozza, composer, Jerry Castillo, librettist.","Scope and Contents \"Angel Child\" - 1922, George Price, Abner Silver, and Benny Davis, composers.","Scope and Contents \"Invitation to the Dance\" - 1910, J.A. Pridman, composer.","Scope and Contents \"Do You Care\" - 1941, Jack Elliott, librettist, Lew Quadling, composer.","Scope and Contents \"Album of Compositions for the Pianoforte\" - 1920, S. Rachmaninoff, composer","Scope and Contents \"Sonate\" - undated, Joachim Raff, composer \"Parting\" - 1890, Joachim Raff, composer \"Les Pècheuses de Procida (The Fishermaidens of Procida)\" - 1899, Joachim Raff, composer \"Lenore\" - undated, Joachim Raff, composer \"Leonore- Grand March\" - undated, Joachim Raff, composer \"Tarantella\" - 1885, Joachim Raff, composer","Scope and Contents \"The Wind At My Window\" - 1939, Ralph Rainger, composer, Leo Robin, librettist \"Give Me Liberty or Give Me Love\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Here Lies Love\" - 1932, Ralph Rainger, composer, Leo Robin, librettist \"I'll Take An Option On You\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"In the Park in Paree\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Please\" - 1932, Ralph Rainger, composer, Leo Robin, librettist","Scope and Contents \"I'm in Heaven When I See You Smile, Diane\" - 1927, Erno Rapee and Lew Pollack, composers and librettists \"Charmaine!\" - 1926, Erno Rapee and Lew Pollack, composers and librettists","Scope and Contents \"Trees\" - 1922, Oscar Rasbach, composer, Joyce Kilmer, librettist","Scope and Contents \"The Sunshine of Your Smile\" - 1915, Lilian Ray, composer, Leonard Cooke, librettist","Scope and Contents \"Postlude in G\" - 1906, Edward M. Read, composer","Scope and Contents \"Dido\" - undated, W. Reeve, composer, M.T. Dibdin, librettist","Scope and Contents \"What Did I Get By Loving You\" - 1924, Ewing Reid, composer, Herbert B. Collier, librettist","Scope and Contents \"Mollie's Dream Waltz\" - undated, F.A. Reisinger, composer","Scope and Contents \"Weeping Willows\"- 1899, Lillian Reisky, composer","Scope and Contents \"Memories of Childhood\" - 1887, L. Rengers, composer","Scope and Contents \"Dixie Night\" - 1921, Charles Repper, composer and librettist","Scope and Contents \"Did You Ever See a Dream Walking?\" - 1933, Harry Revel, composer, Mack Gordon, librettist \"-And So To Bed\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"Underneath the Harlem Moon\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"When You Were the Girl on the Scooter\" - 1933, Harry Revel, composer, Mack Gordon, librettist","Scope and Contents \"The Aviator\" - 1926, Ethel F. Reynolds, composer and librettist \"Evolution\" - 1925, Ethel F. Reynolds, composer and librettist","Scope and Contents \"Fuge\" - undated, Jos[ef] Rheinberger, composer \"Pastoral - Sonata\" - 1909, Josef Rheinberger, composer","\"I'm Just Wild About Animal Crackers!\" - 1926, Fred Rich, Sam Coslow, Harry Link, composers and librettists","Scope and Contents \"My Blue Bird Was Caught in the Rain\" - 1930, Max Rich, composer, Henry Creamer, librettist","Scope and Contents \"Tired\" - 1873, Brinley Richards, arranger \"Kathleen Mavourneen\" - undated, Brinley Richards, composer","Scope and Contents \"C.M. Webster's Last Idea\" - 1882, H. Richards, arranger","Scope and Contents \"Sweet Brier Waltz\" - 1892, T.Richards, composer","\"Will You Remember Me?\" - 1924, Harry Richman and Henry Santly, composers, Lou Davis, librettist","Scope and Contents \"Berceuse\" - 1904, Alfred Rieger, composer","Scope and Contents \"Pal of My Dreams\" - 1923, Cha[rle]s E. Roat, composer","Scope and Contents \"You Don't Know\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist \"Mammy's Lullaby\" - 1918, Lee S. Roberts,composer, J. Will Callahan, librettist \"Smiles\" - 1917, Lee S. Roberts, composer, J. Will Callahan, librettist \"A Little Birch Canoe And You\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist","Scope and Contents \"Double Trouble\" - 1935, Leo Robin, Richard A. Whiting and Ralph Rainger, composers and librettists \"Little Rose of the Rancho\" - 1935, Leo Robin and Ralph Rainger, composers and librettists \"Why Dream\" - 1935, Leo Robin, Richard A. Whiting, and Ralph Rainger, composers and librettists","Scope and Contents \"Blue Hawaii\" - 1937, Leo Robin and Ralph Rainger, composers and librettists","Scope and Contents \"Is I In Love? Is I\" - 1932, J. Russel Robinson, composer, Mercer Cook, librettist","Scope and Contents \"My Blue Ridge Mountain Home\" - 1927, Carson J. Robison, composer and librettist","Scope and Contents \"Wake Up! Chill'un, Wake Up!\" - 1929, Willard Robison, composer, \"Jo\" Trent, librettist","Scope and Contents \"Three o'Clock in the Morning\" - 1922, Julian Robledo, composer, Dorothy Terriss, librettist","Scope and Contents \"Some Enchanted Evening\" - 1949, Richard Rodgers, composer, Oscar Hammerstein II, librettist \"Isn't It Romantic?\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist \"Love Me To-night\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist","Scope and Contents \"Little Huntsmen Waltzes\" - undated, Otto Roeder, composer","Scope and Contents \"The Silver Shenandoah\" - 1949, Dick Rogers, W.A. Timm, and Whitey Bernard, composers and librettists","Scope and Contents \"Andante quasi Fantasia\" - 1907, James H. Rogers, composer \"At Break of Day\" - 1911, James H. Rogers, composer","Scope and Contents \"The Desert Song\" - 1927, Otto Harbach, Oscar Hammerstein, Frank Mandel, librettists', Sigmund Romberg, composer; \"My Maryland\" - 1927, Dorothy Donnelly, librettists, Sigmund Romberg, composer; \"Will You Remember\" - 1917, Rida Jonson Young, librettists, Sigmund Romber, composer; \"One Kiss\" - 1928, Lyric Manel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer; \" When I Grow Too Old to Dream\" - 1935, Oscar Hammerstein II, librettists, Sigmund Romberg, composer; \"Auf Wiedersehn\" - 1915, Sigmund Romber, composer; \" The New Moon\" - 1928, Frank Mandel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer.","Scope and Contents \"Famous Compositions\" - 1891, George F. Root, composer.","Scope and Contents \"She Was Happy Until She Met You\" -1899, Chas. Graham and Monroe H. Rosenfield, composers.","Scope and Contents \"Deep Henderson\" - 1926, Fred Rose, composer; \"Honest and Truly\" - 1924, Fred Rose, librettist and composer.","Scope and Contents \"Pardon Me Pretty Baby\" - 1931, Ray Klages and Jack Meskill, librettist, Vincent Rose, composer.","Scope and Contents \"Whose Little Girl Are You\" - 1894, George Rosey, composer.","Scope and Contents \"Decameron des jeunes pianistes\" - undated, Henri Roseilen, composer.","Scope and Contents \"The Broken Ring\" - 1878, A.H. Rosewig, composer; \"Gay Feathers\" - undated, A.H. Rosewig, composer.","Scope and Contents \"My Wife and Child Song\" - undated, F.W. Rosier, composer.","Scope and Contents \"When You and I Were Seventeen\" - 1924,Gus Kahn, librettist, Chas Rosoff, composer.","Scope and Contents \"Trumpet March\" - undated, Rossini, composer.","Scope and Contents \"Barber of Seville- biography\" - 1854; \" Adelaide Phillips\" - undated; \"Semiramide\" - undated.","Scope and Contents \"Compositions for the Organ\" - 1868, Dudley Buck, G. Rossini composer; \"Ouverture\" - undated, G. Rossini, composer; \"Overture of Tancred\" - undated, G. Rossini, composer.","Scope and Contents \"Humoreske Song\" - 1914, G.M. Koockogey, Chas H. Ruth, composer.","Scope and Contents \"Did She Ask for Me\" - 1934, Bob Rothberg and Alan Grey, librettists' and composers.","Scope and Contents \" Kamennoi Ostrow\" 1776, A. Rubinstein, composer; \"Marche a la lurque\" - undated, A. Rubinstein, composer; \"Violoncello\" - 1855, A. Rubinstein, composer; \"Sonate\" - undated, A. Rubinstein, composer.","Scope and Contents \"Good Time Schottisch\" - 1855, William H. Rulison, composer.","Scope and Contents \"Did My Heart Beat, Did I Fall in Love\" - 1933, Benee Russell, composer; \"Love Is Like That\" - 1931, Benee Russell, composer.","Scope and Contents \"A Life on the Oceanwave\" - undated, Henry Russell, composer; \"The Newfoundland Dog\" - undated, Henry Russell, composer; \"Woodman, Spare that Tree\" - undated, Henry Russell, composer.","Scope and Contents \"The Greatest Battle Song of All\" - 1916, Al Friend and Sam Downing, librettists', Harry Ruby, composer.","Scope and Contents \"The Breeze\" - 1934, Tony Sacco, Dick Smith, and Al Lewis, composers and librettist.","Scope and Contents \"I'm Drifting Back to Dreamland\" - 1922, Jack Sadler, composer.","Scope and Contents \"Nightingale and the Rose\" - 1914, Camille Saens-Saint, transcriber.","Scope and Contents \"Dark Eyes-Russian folk song\" - 1930, A. Salama, composer.","Scope and Contents \"Laces and Traces\" - 1903, Gustave Salzer, composer.","Scope and Contents \"Tears in My Heart\" - 1937, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers; \"I Couldn't Believe My Eyes\" - 1935, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers.","Scope and Contents \"There's Yes Yes in Your Eyes\" - 1924, Joseph H. Santly, composer, Cliff Friend, librettist.","Scope and Contents \"Awakening of the Birds\" - 1906, Henry S. Sawyer, composer.","Scope and Contents \"Polish Dance\" - undated, X. Scharwenka, composer.","Scope and Contents \"Marcheta\" - 1924, Victor Schertzinger, composer' \"Love Me Forever\" - 1935, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist; \"One Night of Love\" - 1934, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist.","Scope and Contents \"King Klondike Step\" - 1692, George Schleiffafth, composer.","Scope and Contents \"The Vale of Dreams\" - 1910, Johann C. Schuid, composer.","Scope and Contents \"Labitzky's First Polka\" - undated, M. Schmied, composer.","Scope and Contents \"I Will Not Quite Forget\" - undated, Henry Schoeler, composer.","Scope and Contents \"Daisy\" - 1866, Hermann L. Schreiner, composer; \"Stonewall Jackson's\" - undated, Hermann L. Schreiner, composer.","Scope and Contents \"Les Colombes\" - undated, Camille Schubert, composer.","Scope and Contents Allegro Moderato from Unfinished Symphony\" - undated, Franz Schubert, composer; \"Andante con Moto\" - undated, Franz Schubert, composer; \"Lieder\" - undated, Franz Schubert, composer; \"Quatre Impromptus\" - undated, Franz Schubert, composer.","Scope and Contents \" Serenade\" - 1924,Franz Schuber, composer, Ludwig Rellstab, composer; \"Last Greeting\" - undated, Franz Schuber, composer; \"Schubert- H Moll- Symphonie zu 4 Handen\" - Franz Schubert, composer; \"Wander\" - undated, Franz Schubert, composer.","Scope and Contents \"Trois Nocturnes\" - undated, Jules Schulhoff, composer; \"Minuet De Mozart\" - undated, Jules Schulhoff, composer.","Scope and Contents \"Arabeske\" - undated, Robert Schumann, composer; \"Curious Story\" - undated, Robert Schumann, composer; \"Epilogue\" - 1906, Robert Shumann, composer; \"First Album for Young Performers\" - undated, Robert Shumann, composer; \"Fur Pianoforte zu zqwi Handen\" - undated, Robert Shumann, composer; \"Bunte Blatter\" - undated, Robert Schumann, composer. \"Papillons\" - undated, Robert Schumann, composer.","Scope and Contents \"Quintett\" - undated, Robert Shunmann, composer.","Scope and Contents \"Friendship\" - 1923, Ruby Hooton Schwab, composer and librettist \"If I Should Have to Say Goodbye to Thee\" - 1924, Ruby Hooton Schwab, composer and librettist","Scope and Contents \"Dream a Little Dream of Me\" - 1931, W. Schwandt and F. Andree, composers, Gus Kahn, librettist","Scope and Contents \"Born to Be Kissed\" - 1934, Arthur Schwartz, composer, Howard Dietz, librettist \"Then I'll Be Tired of You\" - 1934, Arthur Schwartz, composer, E.Y. Harburg, librettist","Scope and Contents \"Bedelia\" - 1903, Jean Schwartz, composer, William Jerome, librettist","Scope and Contents \"I'm All Bound 'Round With the Mason Dixon Line\" - 1917, Jean Schwartz, composer, Sam M. Lewis and Joe Young, librettists","Scope and Contents \"Über die Steppe hin\" - 1904, L. Schytte, composer \"Hide and Seek\" - 1890, Ludvig Schytte, composer","Scope and Contents \"Comin' Thro the Rye\" - undated, Scotch, composer","Scope and Contents \"By the Side of the Zuyder Zee\" - 1906, Bennett Scott, composer, A.J. Mills, librettist","Scope and Contents \"Amaryllis\" - 1898, arranged by C.P. Scott","Scope and Contents \"The World Is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist","Scope and Contents \"Jack-In-The-Box\" - 1932, Terry Shand, composer, Milton Drake, librettist","Scope and Contents \"If I Had You\" - 1928, Ted Shapiro, Jimmy Campbell, and Reg. Connelly, composers and librettists","Scope and Contents \"Get Out And Get Under The Moon\" - 1928, Larry Shay, composer, Cha[rle]s Tobais, and William Jerome, librettists \"I Can't Find A Substitute For You\" - 1933, Larry Shay, composer, Haven Gillespie, librettist","Scope and Contents \"Havin' You Around is Heaven\" - 1930, Al Sherman and Al Lewis, composers and librettists \"Promises\" - 1930, Al Sherman and Al Lewis, composers and librettists \"(Why Did You Kiss Me Last Night?) Ya Comin' Up To-Night, Huh?\" - 1928, Al Sherman, Al Lewis, and Abe Lyman, composers and librettists","Scope and Contents \"Grand Polka De Concert\" - 1910, Edgar, H. Sherwood, composer","Scope and Contents \"The Friar of Orders Grey\" - undated, Shield, composer","Scope and Contents \"The Lonesome Road\" - 1928, Nathaniel Shilkret, composer, Gene Austin, librettist","Scope and Contents \"In Bluebird Land\" - 1921, Albert E. Short, composer, W.R. Williams, librettist","Scope and Contents \"Sweet Home Sett\" - 1857, Shuster, composer","Scope and Contents \"I Saw Stars\" - 1934, Maurice Sigler, Al Goodhart, and Al Hoffman, composers and librettists","Scope and Contents \"One Night in Monte Carlo\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Ain't I Got Nobody to Love\" - 1924, Sam Coslow and Abner Silver, composers and librettists \"Every Now And Then\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Say It While Dancing\" - 1932, Abner Silver, composer, Benny Davis, librettist \"Farewell to Arms\" - 1933, Abner Silver and Allie Wrubel, composers and librettists","Scope and Contents \"Violino Secondo\" - undated, F.M. Simonet, composer","Scope and Contents \"The Peanut Vendor\" - 1930, Moises Simons, composer, Marion Sunshine (Popular) librettist, and L. Wolfe Gilbert (Novelty) librettist","Scope and Contents \"Honey\" - 1928, Seymour Simons, Haven Gillespie, and Richard A. Whiting, composers and librettists","Scope and Contents \"Autumn\" - 1931, Lee Sims, composer","Scope and Contents \"Rustle of Spring\" - 1905, Christian Sinding, composer","Scope and Contents \"Six Feet of Papa\" - 1926, Arthur Sizemore, composer, Billy Moll, librettist","Scope and Contents \"When the Pretty Blue Bird Sings\" - undated, J.R. Skelly, composer, George Cooper, librettist","Scope and Contents \"Colonial Guards\" - 1902, Harry P. Small, composer","Scope and Contents \"O Softly Sleep My Baby Boy\" - undated, C. Smith, composer","Scope and Contents \"The Irish Were Egyptians Long Ago\" - 1920, Chris Smith, composer, Alfred Bryan, librettist","Scope and Contents \"'Mid The Sunny Fields of Dixie\" - 1911, Emily Smith, composer and librettist","Scope and Contents \"If You Love Me Darling, Tell Me With Your Eyes\" - 1887, Hubbard T. Smith, composer, Samuel Minturn Peck, librettist","Scope and Contents \"La Reine Des Fees\" - undated, Sidney Smith, composer","Scope and Contents \"The Star Spangled Banner. Concert Variations\" - 1896","Scope and Contents \"Swedish Wedding March\" - undated, Aug. Söderman, composer","Scope and Contents \"Just As I Am\" - 1868, H.D. Sofge, composer","Scope and Contents \"By The Old Cathedral Door\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"When the Old Folks Were Young Folks\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"The Ocean Never Sleeps\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"There's a Quaker Down In Quaker Town\" - 1916, Alfred Solman, composer, David Berg, librettist","Scope and Contents \"Just A Little Sunshine\" - 1889, Fred'k Solomon, composer, Smedley Norton, librettist","Scope and Contents \"Hurt\" - 1930, Harold Solomon, composer, Al Piantadosi, librettist","Scope and Contents \"King Cotton March\" - undated, John Phillip Sousa, composer \"H.M.S. Pinafore\" - undated, J.P. Sousa, composer \"Medley Quadrille\" - 1879, J.P. Sousa, composer \"The Sorcerer\" - 1879, J.P. Sousa, composer","Scope and Contents \"Shoo the Hoodoo Away\" - 1930, Ted Snyder, composer, Mort Harris, librettist \"Who's Sorry Now?\" - 1923, Ted Snyder, composer, Bert Kalmar and Harry Ruby, librettists","Scope and Contents \"When Song Is Sweet\" - 1902, Gertrude Sana-Souci, composer","Scope and Contents \"Norwegian Romance\" - 1916, Florence Atherton Spalding, composer","Scope and Contents 'Love's Consolation\" - 1906, Geo. L. Spaulding, composer","Scope and Contents \"Broadway Rose\" - 1920, Otis Spencee and Martin Fried, composers, Eugene West, librettist","Scope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist","Scope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist","Scope and Contents \"Ain't You Coming Back to Old Virginia\" - 1913, Will Spillard, composer and librettist","Scope and Contents \"The Beat o' My Heart\" - 1934, Harold Spina, composer, Johnny Burke, librettist","Scope and Contents \"Frisches Grün\" - undated, Fritz Spindler, composer \"Mandolinata\" - undated, Fritz Spindler, composer \"Volkslieder\" - undated, Fritz Spindler, composer \"Husrenritt\" - 1869, Fritz Spindler, composer","Scope and Contents \"The Little Red Lark\" - undated, C.V. Stanford, composer and librettist","Scope and Contents \"When My Golden Hair Has Turned to Silver and Gray\" - undated, Edward Stanley, composer and librettists","Scope and Contents \"A Memory\" - 1911, G. Waring Stebbins, composer","Scope and Contents \"Girard House Polka\" - 1852, C. F. Stein, composer.","Scope and Contents \"I Can't Waltz Alone\" -1935,Max Steiner, composer, Dorothy Fields, librettist.","Scope and Contents \"The Prager Perfect Song\" - 1916, James Whitcomb Riley, librettist, Ervine J. Stenson, composer.","Scope and Contents \"Symphonic Raps\" - 1927, Bert Stevens, composer, Irvin Abrams, librettist.","Scope and Contents \"German Air\" - undated, Sir J.A. Stevenson, composer.","Scope and Contents \"Ben Bolt\" - undated, James M. Stewart, composer.","Scope and Contents \"Tennessee Waltz\" - 1948, Redd Stewart and Pee Wee King, composers.","Scope and Contents \"The Brightest Eyes\" - undated, Stigelli, composer.","Scope and Contents \"No Day Ever Brings the Same Pleasure Again\" - 1881, John P. Stockton, composer.","Scope and Contents \"I Get the Blues When It Rains\" - 1929, Harry Stoddard, composer.","Scope and Contents \"Evergreen Waltz\" - 1849, I.T. Stoddard, composer.","Scope and Contents \"The Sweetheart of Sigma Chi\" - 1912, Dudleigh F. Stokes, composer.","Scope and Contents \"Songs of the Copeland\" - 1856, Robert Stopel, composer.","Scope and Contents \"Rose of Virginia\" - 1920, \"Chick\" Storey, composer, Jack Caddigan, librettist.","Scope and Contents \"Dance of the Raindrops\" - 1913, Pauline B. Story, composer.","Scope and Contents \"Sweet Hearts\" - 1851, Maurice Strakosch, composer; \" Reverie\" - 1848, Maurice Strakosch, composer.","Scope and Contents \"Empress Anne's\" - 1914, Johann Strauss, composer; \"Waltzes by Strauss\" - undated, Johann Strauss, composer; \"On the Banks of the Blue Danube Waltz\" - undated, Johann Strauss, composer.","Scope and Contents \"Polka\" - undated, L. Streabbog, composer.","Scope and Contents \"I Don't Want to Walk Without You\" - 1952, Jule Styne, composer.","Scope and Contents Florodora\" - 1900, Stuart Leslie, composer.","Scope and Contents \"Free\" - 1933, Dana Suesse, composer; \"Have You Forgotten\" - 1931, Dana Suesse, composer, Leo Robin, librettist,.","Scope and Contents \"Potpourri\" - undated, M. Milford, Arthur S. Sullivan composer; \"Local Compositions\" - undated, Arthur S. Sullivan, composer; \"The Lass That Loved a Sailor\" - undated, M. Milford, Arthur S. Sullivan composer; \"A Maiden Fair to See\" - undated, Arthur S. Sullivan, composer.","Scope and Contents \"When Your Lover Has Gone\" - 1931, E.A. Swan, composer.","Scope and Contents \"Can This Be Love\" - 1930, Kay Swift, composer, Paul James, librettist.","Scope and Contents \"Don't Let It Happen Again\" - 1934, Marty Symes, Al J. Neiburg, and Jerry Levinson, composer.","Scope and Contents \"Diamond Polka\" - undated, E. Szemelenyi, composer.","Scope and Contents \"Somewhere a Voice Is Calling\" - 1911, Arthur F. Tate, composer, Eileen Newton, librettist","Scope and Contents \"I Tarry Here\" - undated, Wilhelm Taubert, composer","Scope and Contents \"La Campanella\" - 1868, Guillaume Taubert, composer \"Sonate I\" - undated, Wilh. Taubert","Scope and Contents \"Flowers of Love\" - 1909, Tell Taylor, composer, Earl K. Smith, librettist \"I Love You Best of All\" - 1915, Tell Taylor, composer and librettist","Scope and Contents \"Mexicali Rose\" - 1923, Jack B. Tenney, composer, Helen Stone, librettist","Scope and Contents \"O Take Me to the Woods Dear Mother\" - 1858, C.B. Thayer, composer, J.R. Smith, librettist","Scope and Contents \"Sioux City Sue\" - 1945, Dick Thomas, composer, Ray Freedman, librettist","Scope and Contents \"The Dew Is on the Blossom\" - 1850, E. Thomas, composer, Amelia, librettist","Scope and Contents \"Friendship\" - 1859, J.R. Thomas, composer, W.D. Evans, librettist \"No Crown Without the Cross\" - undated, J.R. Thomas, composer, George Cooper, librettist \"Eilleen Allanna\" - 1876, J.R. Thomas, composer, E.S. Marble, librettist \"Fishes in the Sea\" - 1863, J.R. Thomas, composer, Geo[rge] Cooper, librettist \"Janette\" - 1867, J.R. Thomas, composer, Miles O'Rielly, librettist","Scope and Contents \"Who Will Care for Mother Now\" - 1863, C.F. Thompson, composer, C.C. Sawyer, librettist","Scope and Contents \"When the Sun Sets in Ireland\" - 1917, Blanche M. Tice, composer, J. Will Callahan, librettist","Scope and Contents \"Alice Blue Gown\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Irene\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Sweetheart, We Need Each Other\" - 1929, Harry Tierney, composer, Joseph McCarthy, librettist \"You're Always in My Arms\" - 1929, Harry Tierney, composer, Joseph McCathy \"If You're in Love, You'll Waltz\" - 1926, Harry Tierney, composer, Joseph McCarthy, librettist","Scope and Contents \"Sacramento\" - 1907, Harry Von Tilzer, composer, Andrew B. Sterling, librettist","Scope and Contents \"Alleluia, Pascha Nostra\" - 1938, Everett Titcomp, composer \"Suite in E Major\" - 1955, Everett Titcomb, composer \"Vexilla Regis\" - 1940, Everett Titcomb, composer","Scope and Contents \"Good Night Little Girl of My Dreams\" - 1933, Charles Tobias and Joe Burke, composers and librettists","Scope and Contents \"Miss You\" - 1929, Henry H. Tobias, composer, Charles Tobais and Harry Tobias, librettists \"I'm on Pins and Needles ('Cause I'm Dead Stuck on You)\" - 1932, Henry H. Tobias, composer, Joe Young, librettist","Scope and Contents \"Hence Discontent\" - undated, Tolbecque, composer","Scope and Contents \"Oliver Gallop\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer \"Virginia Polka\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer","Scope and Contents \"Olivette Lancers\" - 1881, Prince Tom, composer","Scope and Contents \"The Object of My Affection\" - 1934, Pinky Tomlin, Coy Poe, and Jimmie Grier","Scope and Contents \"The Magic Flame\" - 1927, adapted from the famous \"Serenade\" of Toselli by Sigmund Spaeth, Sigmund Spaeth, also the librettist","Scope and Contents \"Serenade\" - 1923, Enrico Toselli, composer, Sigmund Spaeth (English) and Alfredo Silvestri (Italian), librettists","Scope and Contents \"For Ever and Ever\" - undated, F. Paolo Tosti, composer, and Violet Fane, librettist","Scope and Contents \"Tarantelle\" - undated, Berthold Tours, composer","Scope and Contents \"Here You Come With Love\" - 1933, Jo Trent, Harry Tobias, and Neil Moret, composers and librettists","Scope and Contents \"On the Road to Mandalay\" - 1898, Henry Trevannion, composer, Rudyard Kipling, librettist","Scope and Contents \"Give Me a Kiss by the Numbers\" - 1918, Lieutenant Joseph F. Trounstine, composer and librettist","Scope and Contents \"None But the Lonely Heart\" - 1935, Peter Tschaikowsky, composer, Jerry Castillo (English), librettist \"Andante Cantabile\" - 1911, Peter Tschaikowsky, composer \"Dance of the Candy Fairy\" - 1924, Peter Tschaikowsky, composer \"Dance of the Reed-Flutes\" - 1924, Peter Tschaikowsky, composer \"Schirmer's Library: Tschaikowsky Pianoforte Album, Volume I\" - 1896, Peter Tschaikowsky, composer \"Schirmer's Library of Musical Classics: Peter Tschaikowsky, Selected Pieces for Pianoforte\" - 1896, Peter Tschaikowsky, composer \"Romance\" - 1907, Peter Tschaikowsky, composer","Scope and Contents \"Dear Mother I've Come Home to Die\" - undated, Henry Tucker, composer, E. Bowers, librettist \"When This Cruel War is Over\" - undated, Henry Tucker, composer, Charles C. Sawyer, librettist","Scope and Contents \"Pray, Maiden, Pray!\" - 1864, A.J. Turner, composer, A.W. Kercheval, librettist \"Bessie Bell\" - 1864, A.J. Turner, composer","Scope and Contents \"Under the Lilac He Sleepeth\" - 1879, J.W. Turner, composer, G.M. Dowe, librettist","Scope and Contents \"La Paloma\" - undated, H.A. Twitchell, composer","\"Play to Me, Gipsy!\" - 1932, Karel Vacek, composer, Jimmy Kennedy (English) and Beda (Original), librettists","Scope and Contents \"I'm Just a Vagabond Lover\" - 1929, Rudy Vallèe and Leon Zimmerman, composers and librettists","Scope and Contents \"Don't Try to Steal the Sweetheart of a Soldier\" - 1917, Van and Schenck, composers, Alfred Bryan, librettist \"That Bran' New Gal O' Mine\" - 1923, Van and Schenck, Benny Davis, and Harry Akst, composers and librettists","Scope and Contents \"When I Was a Dreamer\" - 1914, Egbert Van Alstyne, composer, Roger Lewis and Geo[rge] A. Little, librettists \"Old Pal\" - 1924, Egbert Van Alstyne, composer, Gus Kahn, libretist \"Memories\" - 1915, Egbert Van Alstyne, composer, Gus Kahn, librettist \"On the Road to Home Sweet Home\" - undated, Egbert Van Alstyne, composer, Gus Kahn, librettist \"In the Shade of the Old Apple Tree\" - 1905, Egbert Van Alstyne, composer, Harry H. Williams, librettist","Scope and Contents \"Menuet In G\" - 1909, Ludwig van Beethoven, composer","Scope and Contents \"It's Always You\" - 1941, Jimmy Van Heusen, composer, Johnny Burke, librettist \"Oh! You Crazy Moon\" - 1939, Jimmy Van Heusen, composer, Johnny Burke, librettist","\"Are We Almost There?\" - 1845, Florence Vane, composer and librettist","Scope and Contents \"Mousquetaires au Couvent\" - 1880, Louis Varney, composer","Scope and Contents \"The Sweetheart of Sigma Chi\" - 1912, F. Dudleigh Vernor, composer, Byron D. Stokes, librettist","Scope and Contents \"Ah! I Have Sigh'd to Rest Me\" - undated, G. Verdi, composer, Charles Jefferys (English) and Il Trovatore (Italian), librettists","Scope and Contents \"24 Pièces en style libre\" - 1914, Louis Verne, composer","Scope and Contents \"El Choclo\" - 1935, Villoldo, composer, Jerry Castillo, librettist","\"Bèsame Mucho (Kiss Me Much)\" - 1941, Consuelo Velàzquez, composer, Sunny Skylar (English) and Consuelo Velàzquez (Spanish), librettists","Scope and Contents \"Light Cavalry\" - undated, Franz von Suppe, composer \"Overture zu 'Dichter und Bauer'\" - undated, Franz von Suppe, composer \"Boccaccio\" - undated, Franz von Suppe, composer","Scope and Contents \"Put Your Arms Around Me, Honey (I Never Knew Any Girl Like You)\" - 1910, Albert Von Tilzer, composer, Junie McCree, librettist \"I May Be Gone for A Long, Long Time\" - 1917, Albert Von Tilzer, composer, Lew Brown, librettist \"I'll Be With You in Apple Blossom Time\" - 1920, Albert Von Tilzer, composer, Neville Fleeson, librettist \"Au Revoir, But Not Good Bye, Soldier Boy\" - 1917, Albert von Tilzer, composer, Lew Brown, librettist \"Honey Boy\" - 1907, Albert Von Tilzer, composer, Jack Norworth, librettist \"My Little Girl\" - 1915, Albert Von Tilzer, composer, Sam M. Lewis and Will Dillon, librettist \"Please Don't Take My Lovin' Man Away\" - 1912, Albert Von Tilzer, composer, Lew Brown, librettist","Scope and Contents \"Love Me While the Lovin' Is Good\" - 1913, Harry Von Tilzer, composer, Stanley Murphy, librettist","Scope and Contents \"The Hunter's Chorus\" - undated, C.M. Von Weber, composer","Scope and Contents \"Don Juan\" - undated, Charles Voss, composer","Scope and Contents \"Meet Me by Moonlight\" - undated, J. A. Wade, composer; \"The Vesper Bell\" - undated, J.A. Wade, composer.","Scope and Contents \"Der Ring des Eibelungen\" - undated, Richard Wagner, composer; \"Overture to Lohengrin\" -1896, Richard Wagner, Homer N. Bartlett, composer; \"Grand March for Wedding Procession\" - undated, Richard Wagner and Westbrook, composer; \"Wagner\" - undated, Richard Wagner, composer.","Scope and Contents \"Always or Never Waltz\" - undated, Emile Waldteufel, composer; \"The Most Admired and Favorite Waltzes for the Piano Solo\" - undated, Emile Waldteufel, composer; \"Dolores\" - undated, Emile Waldteufel, composer; \"Charming (Tres Jolie) Waltz\" - undated, Emile Waldteufel, composer.","Scope and Contents \"Long Boy\" - 1907, Barclay Walker, composer, William Herschell, librettist.","Scope and Contents \"Dream Boat\" - 1923, Mildred White Wallace, composer and librettist.","Scope and Contents \"Cradle Song\" - 1851, William Vincent Wallace, composer; \"La Chilena\" - 1844, William Vincent Wallace, composer; \"Le Reve\" - 1875, William Vincent Wallace, composer; \"Marittana\" - 1882, William Vincent Wallace, composer; \"Scenes That Are Brightest\" - undated, William Vincent Wallace, composer; \"La Simania\" - undated, William Vincent Wallace, composer; \"Lurline\" - undated, William Vincent Wallace, composer; \"Tis the Harp in the Air\" - undated, William Vincent Wallace, composer.","Scope and Contents \"Coquette Polka\" - undated, A. Wallerstein, composer; \"Jenny Dind\" - undated, A. Wallerstein, composer.","Scope and Contents \"Black Hawk Waltz\" - 1879, Mary E. Walsh, composer.","Scope and Contents \"The Band Played In\" - 1936, Charles B. Ward, composer, John F. Palmer, librettist.","Scope and Contents \"Conquered Flag\" - 1886, Charlie L. Ward, composer.","Scope and Contents \"Golden Slippers\" - 1880, Alfred E. Warren, composer.","Scope and Contents \"Bobolink Polka\" - 1856, George W. Warren, composer.","Scope and Contents \"In a Little Spanish Town\" - 1936, Mabel Wayne, composer; \"Ramona\" - 1937, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"Chiquita\" - 1928, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"It Happened in Monterey\" - 1930, Mabel Wayne, composer, Billy Rose, librettist.","Scope and Contents \"Cryin for the Carolines\" - 1930, Harry Warren, composer. \"Cheerful Little Earful\" - 1930, Harry Warren, composer Billy Rose, librettist. \"Dames\" - 1934, Harry Warren, composer, Al Dubin, librettist. \" Honeymoon Hotel\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"I Found a Million Dollar Baby\" - 1931, Harry Warren, composer, Billy Rose and Mort Dixon, librettists. \"I'll String Along with You\" - 1934, Harry Warren, composer, Al Dubin, librettist. \"One Sweet Letter from You\" - 1937, Harry Warren, composer, Lew Brown and Sidney Clare, librettist. \"Shadow Waltz\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Footlight Parade\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Sweet and Slow\" - 1935, Harry Warren, composer. \"Where Am I\" - 1935, Harry Warren, composer, Al Dubin, librettist. \"You're My Everything\" - 1931, Harry Warren, composer, Mort Dixon and Joe Dixon, librettists.","Scope and Contents \"My Heart Tells Me\" - 1943, Harry Warren, composer, Mack Gordon, librettist. \"I'll Sing a Thousand Love Songs\" - 1936, Harry Warren and Al Dubin, composers and librettists; \"Garden of the Moon\" - 1938, Harry Warren, composer, Al Dubin and Johnny Mercer, librettists; \"You Let Me Down\" - 1935, Harry Warren, composer, Al Dubin, librettist; \"I Know Now\" - 1937, Harry Warren, composer, Al Dubin, librettist.","Scope and Contents She's a Thoroughbred\" - 1898, Ned Jayburn, composer.","Scope and Contents 'You Walk By\" - 1940, Wayne Bernie, composer.","Scope and Contents \"Don't Be a Sorrowful\" - undated, J.P. Webster, composer; \"Sweet By and By\" - 1808, J.P. Webster, composer, S. Fillmore Bennet, librettist.","Scope and Contents \"To Linger Near Then\" - undated, C.M. Von Weber.","Scope and Contents \"Polka\" - 1859, Julius Weel, composer.","Scope and Contents \"Tripoli\" - 1920, Irving Well, composer, Paul Cunningham and Al Dubin, librettist .","Scope and Contents \"Something in the Night\" - 1932, Paul Weirick and Helmy Kresa, composers, Joe Young, librettist.","Scope and Contents \"At the Ferry\" - undated, Milton Wellings, composer.","Scope and Contents \"Sadie Green\" - 1926, Gilbert Wells and Johnny Dunn, composers.","Scope and Contents \"Swingin in a Hammock\" - 1930, Pete Wendling, composer, Tot Seymour and Chas. O Flynn, librettists.","Scope and Contents \"Maid in Blue\" - 1907, Fred J. Hamill, librettists, Percy Wenrich, composer; \"Wenonah\" - 1903, James O'dea, librettist, Percy Wenrich, composer; \"I Ain't Got Weary Yet\" - 1918, Howard Johnson, librettist, Percy Wenrich, composer; \"Moonlight Bay\" - 1912, Percy Wenrich, composer.","Scope and Contents \"Choral Song\" - undated, S.S. Wesley, composer.","Scope and Contents \"Postlude in F\" - 1896, John A. West, composer.","Scope and Contents \"Postlude in B\" - undated, John E. West, composer.","Scope and Contents \"I'll Take You Home Again Kathleen\" - 1954, Thomas P. Westendorff, composer.","Scope and Contents \"I'll Take You Home Again Kathleen\" - 1935, Thomas P. Westendorf, composer.","Scope and Contents \"Lonely Heart\" - 1936, Irene Wicker, composer and librettist.","Scope and Contents \"The Ingle Side\" - undated, F.V. Wiesenthal, composer.","Scope and Contents \"Got the South in My Soul\" - 1932, Victor Young and Lee Wiley, composers, Ned Washington, librettist.","Scope and Contents \"You'll Soon Forget Kathleen\" - undated, Langton W. Williams, composer.","Scope and Contents \"Love to Live in Loveland with a Girl Like You\" - 1910, W.R. Williams, composer.","Scope and Contents \"The Shepherd Boy\" - undated, G.D. Wilson, composer.","Scope and Contents \"Recollections Memphis\" - Charles Ph. Winkler, composer.","Scope and Contents \"Shenandoah Waltz\" - 1947, Chubby Wise, composer, Clyde Moody, librettist.","Scope and Contents \"Have I Told You Lately That I Love You\" - 1955, Scott Wiseman, composer and librettist.","Scope and Contents \"My Little Georgia Rose\" - 1898, Max S. Witl, composer, Rob't F. Rode, librettist.","Scope and Contents \"March Brillante\" - 1888, J.W. Wheeler, composer.","Scope and Contents \"Grandpa's Birthday\" - 1881, C.A. White, composer.","Scope and Contents \"Black Apollo\" - undated, Charles White, composer.","Scope and Contents \"Play That Song of India Again\" - 1921, Paul Whiteman and Irving Bibo, composers, Leo Wood, libretttist.","Scope and Contents \"Some Sunday Morning\" - 1917, Richard A. Whiting, composer, Gus Kahn and Raymond Egan, librettist. \"When Did You Leave Heaven\" - 1936, Richard A. Whiting, composer, Walter Bullock, librettist. \"Ain't We Got Fun\" - 1921, Richard A. Whiting, Raymond B. Egan, and Gus Kahn, composers; \"Take a Chance\" - 1932, Ricahrd A. Whiting, and Herb Brown Nacio, composers, B.G. de Sylva, librettist. \"Lets Go Native\" - 1930, Richard A. Whiting, composer; \"Till We Meet Again\" - 1918, Richard A. Whiting, composer, Raymond B. Egan, librettist.","Scope and Contents \"Grand March De Concert\" - 1853, H.A. Wollenhaupt, composer.","Scope and Contents \"Roses of Picardy\" - 1916, Haydn Wood, composer.","Scope and Contents \"Mother Dear O Pray for Me\" - undated, I.B. Woodbury, composer.","Scope and Contents \"Hope's Whisper\" - 1869, Miss Nelly Marshall, composer.","Scope and Contents \"All of a Sudden\" - 1932, Harry Woods, composer and librettist; \"Be Careful with those Eyes\" - 1930, Harry Woods, composer; \"If I Have to Go On Without You\" - 1931, Harry Woods and Al Dubin, composer; \"Me Too\" - 1936, Harry Woods, Charles Tobias, and Al. Sherman, composers; \"River, Stay' Way from My Door\" - 1931, Harry Woods, composer, Mort Dixon, librettist. \"Take In the Sun Hang Out the Moon\" - 1936, Harry Woods, composer, Lewis \u0026 Young, librettist. \"When the New Moon Shines on the New Mown Hay\" - 1934, Harry Woods, Jimmy Campbell, and Reg Connelly, composers; \"When the Red, Red, Robin Comes Bob, Bob Bobbin Along\" - 1926, Harry Woods, librettist and composer. Thorton Sisters featured; \"You Darlin'\" - 1930, Harry Woods, composer.","Scope and Contents \"Oh! Boy, What a Girl\" - 1925, Wright and Bessinger, composers, Bud Green, librettist.","Scope and Contents \"Musical Boquet\" - undated,W.T. Wrighton, composer.","Scope and Contents \"To Be or Not to Be in Love\" - 1933, Allie Wrubel and Elliott Grennard, composers; \"Gone with the Wind\" - 1937, Allie Wrubel, composer, Herb Magidson, librettist. \"Music, Maestro, Please!\" - 1938, , Allie Wrubel, composer, Herb Magidson, librettist \"As You desire Me\" - 1932, Allie Wrubel, composer and librettist; \"Flirtation Walk\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Happiness Ahead\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Now You're in My Arms\" - 1931, Allie Wrubel and Morton Downey, composers. \"Pop Goes Your Heart\" - 1934, Allie Wrubel and Mort Dixon, composers. \"You'll Do It Some Day\" - 1929, Allie Wrubel, composer.","Scope and Contents \"Fare Thee Well Kitty Dear\" - undated, G. Friedrich Murzel, composer.","Scope and Contents \"Talian Modern Anthology\" - undated, Pietro A. Yon, composer; \"Coccata\" - 1912, Pietro A. Yon, composer.","Scope and Contents \"You're Tired of Me\" - 1931, Don York, Jack Sadler and Pauline Brown, composers.","Scope and Contents \"No No Nanette\" - 1934, Vincent Youmans, composer, Otto Harbach and Irving Caesar, librettists. \"Flying Down the Rio\" - 1933, Vincent Youmans, composer, Gus Kahn and Edward Eliscu, librettist. \"Hit the Deck\" - Vincent Youman, composer, Leo Robin and Clifford Grey, librettists. \"Adelai\" - 1921, Vincent Youman and Joseph Spurin Calleja, composers. \"Time on My Hands\" - 1930, Vincent Youmans, composer, Harold Adamson and Mack Gordon, librettist. \"Wildflower\" - 1923, Vincent Youmans and Herbert Stothart, composers, Otto Harbach and Oscar Hammerstein, librettists.","Scope and Contents \"Just for Remembrance\" - 1923, Eleanor Young and Harry D. Squires, composer; \"Mean Mean Mama\" -1923, Eleanor Young and Harry D. Souires, composers, Mitchell Parish, librettist.","Scope and Contents \"Heart are Trumps\" - 1900, L.W. Young, composer.","Scope and Contents \"Street of Dreams\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Lawd, You Made the Night Too Long\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Love Is the Thing\" - 1933, Victor Young, composer, Ned Washinton, librettist. \"Love Me To-Night\" - 1932, Victor Young, composer, Bing Crosby and Ned Washington, librettist.","Scope and Contents \"Spirit of America\" - 1907, J.S. Zamednik, composer.","Scope and Contents \"Anchors Aweigh\" - 1907, Chas A. Zimmermann, composer.","Scope and Contents \"Preludes and Interludes for the Organ\" - undated, John Zundel, composer.","Scope and Contents \"Cotillion Girl O'mine\" - 1927, Clifford Zug, composer and librettist.","Scope and Contents \"Boccaccio March\" - 1879, W.A. Cramer, composer.","Scope and Contents Eoccaccio March\" - 1880, W.A. Fallman, composer.","Scope and Contents \"Ah! for Wings\" - 1853, Charles Jarvis, composer.","Scope and Contents \"Wearing of the Green\" - 1935, Henri F. Klickmann, composer.","Scope and Contents \"Arois Quintetti\" - undated, Mr. Lachnith, arranger;\"Trios\" - undated, De Mr. Pleyel, composer.","Scope and Contents \"L'etoile\" - undated, H.E. Lehmann, composer.","Scope and Contents \"Since First I saw your Face\" - undated, Barbra Allen, composer.","Scope and Contents \"Cootage Duetts- popular collection of Melodies\" - undated, J.E. Muller, composer.","Scope and Contents \"Jenny Linds\" - 1851, Samuel Owen, composer.","Scope and Contents \"Mocking Bird\" - undated, J.A. Rosenberger, composer.","Scope and Contents \"Cascade of Roses\" - 1882, Albert J. Snow, composer.","Scope and Contents \"Songs of the Pyrenees\" - 1889, M.H. Strugis, composer.","Scope and Contents \"Alice Gray\" - undated;\"Bye Bye Blackbird\" - undated, Mort Orfoin and Ray Clendaon, composers;\"Coventry Carol\" - undated;\"Dorez Doric mes Cheres Amours\" - undated;\"Air from Masaniello\" - undated;\"God Save the Emporor\" - undated;\"March from Masaniello\" - undated;\"Erster Spieler\" - undated;\"Flauto O Violino\" - undated.","Scope and Contents \"Kitty Tyrrell\" - undated; \"La Grotte des Fees\" - undated; \"La Noce de Le'nore\" - undated; \"Le lac Bleu\" - undated; \"Life's Happy Moments\" - undated; \"Lord Mocdonald's Reel\" - undated; \"Sir Archibald Grants Reel\" - undated; \"Last Rose of Summer\" - undated.","Scope and Contents \"Mant III-3 double\" - undated; \"Goodbye Sweetheart\" - undated; \"Marseilles March\" - undated; \"Monastery Bell\" - 1858; \"My Mother\" - undated; \"Nobody Coming to Marry Me\" - undated; \"Betsy Bell and Mary Gray\" - undated; \"Logan Sweetly\" - undated; \"Oh! Say Not a Woman's Love is Bought\" - undated; \"Overture, Caliph of Bagdad\" - undated; \"The Dying Soldier\" - 1864, undated.","Scope and Contents \" Robin Adair\" -1865; \"Russian March\" - undated; \"Silver Lake Waltz\" - undated; \"Sounds from Home\" - undated; \"Southern Soldier Boy\" - undated; \"Styrian Waltz of Weber\" - undated; \"Take Me Back to Old Virginny\" - undated; \" The Blind Girl to Her Banjo\" - undated; \" The Mocking Bird\" - undated; \" Theme de L'orgie de Caraffa\" - undated; \" Though Lingring Stan\" - undated; \" Too Late\" undated; \"Tu Vedrai chem amore in Terra\" - undated; \" Twas at the hour\" - undated; \"Twilight\" - undated; \"The Wave Sweeps My Breast\" - undated; \"The Weary Pund O Tow\" - undated; \"Well, I Agree\" - undated; \"When the Sheep Are in the Fauld\" - undated.","Three items present.","Scope and Contents \"Daily Practice for the Piano Forte\" - undated, Clementi, composer.","Scope and Contents \"Preludes and Exercises\" - 1886, Clementi and Hummel, composers.","Scope and Contents \"15 Exercises\" -undated, J.B. Duvernoy, composer.","Scope and Contents \"First Pedal Studies for the Piano\" - 1906, Jessie L. Gaynor, composer.","Scope and Contents \"The First Studies for Piano, Die Erlten Etuden\" - undated, Louis Kohler, composer.","Scope and Contents \"Guide to Rapid Fingering- Series of Instructive Exercises within the Octave\" - undated, Theodore Oesten, composer.","Scope and Contents \"Progressive lessor for Beginners - undated, Rausch, composers.","Scope and Contents \"Exercises Pre'paratives\" - 1878, Aloise Schmitt, composer.","Scope and Contents \"Forty pedal-Studies\" - 1914, Ludvig Schytte', composer.","Scope and Contents \"Juvenile Album\" - undated, J.A. Wade, Sullivan \u0026 Claribel, composers.","Scope and Contents \"Thackray for the Guitar\" - undated, Thomas Thackray, composer.","Scope and Contents \"Cuban Patrol\" - undated, E.J. Rutsky, composer; \"The Minstrel Boy\" - undated, unknown composer.","Scope and Contents \"Elfin Waltz\" - undated, unknown composer; \"Swiss Air\" - undated, Czerny, composer; \" On Yonder Rock Reclining\" - undated, unknown composer; \" Hungarian National, undated, unknown composer; \"La Belle Walt\" - undated, unknown composer; \"Home, sweet Home\" - undated, unknown composer; \"Cottage Waltz\" - undated, unknown composer; \"Thirty-six exercises\" - undated, Aloise Schmiti, composer; \"Chromatic Scale in Triplets, sixes and c.\" - undated, unknown composer; \"Six progressive exercises on popular Melodies\" - undated, unknown composer; \" Twenty-four exercises to give flexibility to the Fingers\" - undated, unknown composer; \"Eight exercises on the scale of C in one Octave\" - undated, unknown composers; \"Duetts for four Hands\" - undated, unknown composers; \"Various effects of the arpeggio , and mode of Performance\" - undated, unknown composer; \"Twelve scales in thirds and sixths, Fingered\" - undated, unknown composer; \"The Acciaccatura\" - undated, unknown composer; \"Practical Exercise on the Turn\" - undated, unknown composer; \"Fingering of the common Chords, and their Inversions\" - undated, unknown composer; \"Exercises on the chord of the seventh in all its Positions\" - undated, unknown composer; \" I'm a Pilgrim\" - undated, unknown composer; \"Lilly Dale\" - undated, H.S. Thompson, composer and librettist; \"Do they miss me at Home\" - undated, S.M. Grannis, composer; \"Melodious Excercises for Teacher and Pupil\" - undated, Diabelli, composer; \"Favorite French Air\" - undated, A. Rondo, composer; \"Grande Calse Brillante\" - undated, unknown composer; \" Grande Valse Briliante\" - undated, par F. Hunten, composer; \"Exercises in Velocity\" - undated, unknown composer.","Scope and Contents \"The Master\" - undated, unknown composer; \"The Scholar\" - undated, unknown composer; \"1er repos de L'e'tude\" - undated, unknown composer\" - undated, unknown composer; \"Variations in 4 mains\" - undated, unknown composer; \"Rondino\" - undated, unknown composer; \" Serenade\" - undated, unknown composer; \"Grand March\" - undated, unknown composer; \"Andante Grazioso\" - undated, unknown composer; \"Calse Brillante\" - undated, unknown composer; \"Air Varie A 4 Mains\" - undated, unknown composer; \"Major Scales in Thirds\" - undated, unknown composer.","Scope and Contents \"Prelude in the key of C Major\" - undated, unknown composer; \"Prelude in the key of B flat Major\" - undated, unknown composer; \" Exercises on the chomatic scale in triplets. sixes and C\" - undated, unknown composer; \"Preliminary exercise in common Time\" - undated, unknown composer; \" Scale of fingering in the key of C\" - undated, unknown composer; \"Air\" - undated, unknown composer; \"Broken sixths and Octaves in moving Figures\" - undated, unknown composers; \"Recreation from Study\" - undated, Le Garco Volage, composer; \"Two Duets- introducing the key signatures of G \u0026 F\" - undated, C. Altmann, composer; \"May Time\" - undated, unknown composer; \"Contentment\" - undated, unknown composers; \"Study in broken Chords\" - undated, unknown composer; \"Chord Study\" - undated, unknown composer; \"Etude for elasticity of the wrist\" - undated, unknown composer.","Scope and Contents \"Six Progressively exercises on popular melodies\" - undated, unknown composer; \"Exercises on Chromatic Scale\" - undated, unknown composer; \"Howe's instructor for the Guitar; 1850, unknown composer; \" Etude\" - undated, unknown composer; \" Prie're du Matin de lEnfant- child's morning Prayer\" - undated, unknown composer; \"la Guaracha\" - undated, unknown composer; \"Exercises pour une main\" - undated, unknown composer; \"The Master\" - undated, unknown composer; \"For the Syncopations\" - undated, unknown composers; \"To cross the Hands\" - pour croiser les Mains\" - undated, unknown composer; \"For the Staccato\" - undated, unknown composer; \"For the Double Notes\" - undated, unknown composer; \"Waltz from der Freischutz\" - undated, unknown composer; \"Old uncle Ned\" - undated, unknown composer; \"Camp town Hornpipe\" - undated, unknown composer; \"Le Bal d'Enfants- the Children's Ball\" - undated, Auf dem Kinderball, composer; \" Variations on German Air\" - undated, unknown composer.","Scope and Contents Untitled exercise book, undated, various composers.","Scope and Contents Untitled exercise book, undated, unknown composer.","Scope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 2\" - 1895, various composers.","Scope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 3\" - 1895, various composers.","Scope and Contents \"National Graded Courses for the Piano Forte: Grade 1\" - 1899, various composers.","Scope and Contents \"Oesterle's Instructive Course of Piano Pieces: Book II\" - 1908, various composers.","Scope and Contents \"John M. Williams' Graded Sight-Reading Books: Volume 2\" - 1928, various composers.","Scope and Contents \"The Boston Music School\" - 1871, B.F. Baker, author; \"The Euterpeiad of Musical Intelligencer; and Select Repository of classical and Polite Literature\" - 1823, Charles Dingley, author. \"Address Before the Boston Academy of Music on the Opening of the Odeon\" - 1835, Samuel A. Eliot, author. \"Second Annual Report of the Boston Academy of Music, Read at the Anniversary Meeting\" - 1834, writer, unknown; \"Third Annual Report of the Boston Academy of Music\" - 1835; \"Ninth Annual Report of the Boston Academy of Music\" - 1841; \"Catalogue and Circular of the Musical Institute, Providence, RI\" - 1865.","Scope and Contents \"Balls' Musical Cabinet, or Compleat Pocket Library for the Flute, Flageolet, Volin\" - undated, unknown composers \"Happy Voices\" - undated, various composers \"The Apollo: No. 15\" - undated, various composers \"The Apollo: No. 16\" - undated, various composers \"The Apollo: No. 17\" - undated, various composers \"The Apollo: No. 29\" - undated, various composers","Scope and Contents \"Twinkling Stars\" - undated, G. Lezzi S. and various composers; \"Holy Communion\" - undated, Beethoven and various composers; \"Clarke's New Reed Organ Companion\" - undated, Lysberg and various composers; \"The Soldiers Joy\" - undated, unknown composers; \"Rip Van Winkle\" - undated, various composers; \"Spanish Dances\" - undated, Moszkowski and various composers; \"Album Leaf\" - undated, Dacobe and various composers; \"The First Kiss Waltz\" - undated, Lamothe and various composers; \"Anitra's Tanz\" - undated, various composers; \"A Goblin\" - undated, unknown composers; \"Nineteenth Century (the) Pianoforte: Pieces by representative Composers of the 19th Century, Volume II\" - undated, various composers; \"Valse Hongroise\" - undated, composers unknown; \"Star of the Sea\" - 1883, A. Kennedy and various composers.","Scope and Contents \"Nearer, My god, To Thee!\" - 1882, Richards and various composers; \"Gondoliera\" - undated, Fritz Spindler and various composers; \"Biographical Sketches of Popular Composers and Singers\" - undated, various composers.","Scope and Contents \"Song of the Rose\" - undated, various composers; \"Praeludium\" - undated, composers unknown; \"Elva's Farewell Polka\" - 1851, J.A.G'schwend and various composers; \"La Regata Veneziana\" - undated, Delmar and various composers.","Scope and Contents \"Slumber Song\" - undated, Harriet Grace Mitchell, composer and librettist; \"Somewhere a Voice is Calling\" - undated, Arthur F. Tate, composer, Eileen Newton, librettist; \"The World is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist; \"Smith's All Star Mandolin Folio Number 1\" - undated, various composers; \"The Whitmark Black and White Series\" - undated, Arthur A. Penn, composer; Amsco Music Sales Co. - 1933, various composers; \"Dreamy Melody\" - 1920s, unknkown composer; \"Sing and Dance for New Century in America 45 Years Ago Today\" - 1944, Chicago Sunday Tribune; \"The Convict and the Rose\" - 1925, Betty Chapin, composer and librettist.","Scope and Contents \"Chèrie, I Love You\" - 1926, Lillian Rosedale Goodman, composer and librettist; \"Illuftrirten Allgemeinen Familien-Spielbuche\" - undated, various composers; \"Old Favorite Songs\" - 1903, various composers; Letter from Walter A. Montgomery, September 14 of unknown year; \"There was a Sheep of Darby\" - undated, unknown composer; \"Peter's Selected Catalogue of New and Popular Music\" - 1872, various composers; G. Schirmer music book starting with \"Gavotte\" - 1888, various composers; \"Pianoforte Pieces Representative Composers of the 19th Century\" - undated, various composers; \"A Select Collection of Original Scottish Airs for the Voice, Volume One\" - undated, various composers.","Scope and Contents \"Vocal Duett Album\" - 1883, various composers \"Musical Album Presented by C.D. Kenny\" - undated, various composers \"The Musical Album No. 2\" - 1881, various composers \"The Organ, Volume VII, No. 40\" - 1896, various composers","Scope and Contents \"Community and Patriotic Songs\" - 1917, various composers; \"Christmastide\" - 1925, various composers; \"First Year classics for the Pianoforte\" - 1914, J.S. Bach, composers; \"When All the World was Young\" - 1921, various and unknown composers.","Scope and Contents \"The Vocal Music to Shakespeare's Plays: As You Like It\" - undated, Dr.Arne, composer; Handwritten song book with \"To\" and \"Over the Water to Charley\" - undated, unknown composer; Handwritten sheet of music with \"I Cannot Sing the Old Songs\" - undated, unknown composer.","Scope and Contents \"The Song Folio\" - 1883, various composers; \"that Traitor, Love\" - undated, Joseph L. Roeckel, composer; \"Anthology of American Song\" - 1911, various composers; \"Classic Gems\" - undated, various composers","Scope and Contents \"The One Hundred and One Best Songs\" - 1915, The Cable Company, publishers; \"100 Songs of Scotland (music\u0026words)\" - undated, various composers; \"Songs of the Glenwood Mission Inn\" - 1910, various composers; \"Boosey's Musical Cabinet: A Collection of Standard and Popular Vocal and Pianoforte Music\" - undated, various composers.","Scope and Contents Pocketbook starting with \"Old Hundred\" - undated, various composers; \"The Young Convert's Pocket Companion. Being a Collection of Hymns, with Tunes, Adapted to Each Hymn\" - 1822, unknown composer; \"Booth-Clibborn Dictory Songs\" - 1918, Victoria Booth-Clibborn Demarest, compiler and editor; \"Willing's Pocket Companion, Volume 1\" - undated, various composers; \"Willing's Pocket Companion, 6\" - undated, various composers; \"Willings Pocket Companion, 7\" - undated, various composers.","Scope and Contents \"Munro's 10 Cent Musical Library, Volume 1\" - 1878, various composers; \"A Health to the Outward Bound\" -1843, Alexander Ball and various composers; \"Recreations Pour La Jeunesse\" - undated, various composers; \"Endless Amusement: A Collection of Four Hand Music\" - 1898, various composers.","Scope and Contents \"Vaughn Monroe's Favorite Songs\" - 1942, various composers; \"Tex Ritter: All Star Song Folio\" - 1947, various composers; \"Triangle Song Folio No. 1\" - 1945, various composers; \"Popular Song Hits\" - 1934, various composers;","Scope and Contents \"Italian Opera\" - undated, Don Giovanni, composer; \"Isabeav\" - 1910, Luigi Illica, composer, pietro Mascagni, librettist; \"Christmas Songs\" - 1916, Frederick Niven, composer; \"French's Opera Libretti\" - undated, Linda Di Chamounix, composer; \"Blind Tom\" - 1866, The Negro Boy Pianist, composer; \"La Somnabula\" - 1867, Bellini, composer; \"La Tosca\" - 1890, Mr. Henry E. Abbey and Mr. Maurice Grau, composers; \"The Heard-Bells\" - undated, unknown composer; \"In the Starlight\" - undated, unknown composer; \"I cannot sing the old songs\" - undated, unknown composer; \"The Old Log Cabin\" - undated, unknown composer.","Scope and Contents \"The Army Songster\" - 1864, Geo. L. Bidgood, composer; \"Italian Opera\" - undated, unknown composer; \"Buens Fireside Library\" - undated, Northern Dinsteelsy, unknown composer; \"The Solder's Return\" - undated, unknown composer; \"Scottish Songs\" - undated, unknown composer; \"Scottish Poems\" - undated, unknown composer; \"Burns' Fireside Library\" - undated, unknown composer; \"Popular Confederate War Songs\" - 1907, Whittet and Shepperson, publishers; \"H.M.S. Pinafore\" - 1879, written by W.S. Gilbert, composed by Arthur Sullivan; \"Light Opera Librettos\" - undated, Nanki-Pooh, composer.","Scope and Contents \"The Mikado- and other comic Operas\" - 1885, W.S. Gilbert, librettist, Arthur Sullivan, composer; \"The Mascot\" - 1881, I.W. Norcross, Jr., dialogue and stage Director; \"The Awakened Rameses\" - 1911, Joseph Hudnut, writer, Julius Wuerthner, composer; \"Vie De Boheme'\" - 1898, M. Albert Carre, writer. \"The Awakened Rameses\" - undated, Joseph Hudnut, writer, Julius Wuerthner, composer; \"The Mascot\" - undated, Edmond Audran, composer; translation and adaptation of words to music by, Theodore T. Barker; \"The Mikado and other comic Operas\" - undated, W.S. Gilbert, writer, Arthur Sullivan, composer; \" La Vie De Boheme'\" - 1896, unknown composer.","This series includes sheet music collected by the Special Collections Research Center beginning 2007.","\"I'm sorry I made you Cry\" - 1918, N.J. Clesi, composer and librettist;\"Good Night, Germany\" - 1913, Grant Clarke and Howard E. Rogers, librettists, Geo W. Meyer, composer;\"Three Little Sisters\" - 1942, Irving Taylor, librettist, Vic Mizzy, composer;\"Remember Pearl Harbor\" - 1942, Don Reid and Sammy Kaye, composers;\"Good Night\" - 1944, Dicker Robertson, Al Hoffman, and Frank Weldon, composers;\"Wait for me Mary\" - 1941, Charlie Tobias, Nat Simon, and Harry Tobias, composer;\"This is worth Fighting For\" - 1941, Edgar De Lange and Sam H. Stept, composers and librettist;\"Goodnight Soldier\" - 1943,  Harry Johnson, composer;\"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer;\"G.I. Jive\" - 1943, Johnny Mercer, composer;\"The Bells of Normandy are ringing again\" - 1944, Don Reid and Irving Miller, composer and librettists;\"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer;\"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer;\"Comin' in on a wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy HcHugh, composer;\"Praise the Lord and ass the Ammunition\" - 1942, Frank Loesser, composer;\"Laddie in Khaki\" - 1910, Irvor Novello, composer.","\"If he can fight-like He can Love Good Night, Germeny\" - 1938,Grant Clarke and Howard E. Rogers, librettist, Geo. W. Meyer, composer; \"I'm sorry I made you Cry\" - 1938, N.J Clesi, composer and librettist; \"Prise the Lord and Pass the Ammunition!!\" - 1942, Frank Loesser, composer and librettist; \"Comin in on a Wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy McHugh, composer; \"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer; \"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer; \"The Bells of Normandy are rising again\" - 1944, Don Reid and Irving Miller, composer and librettist; \"G.I. Jive\" - 1943, Johnny Mercer, composer; \"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer; \"He wears a pair of silver Wings\" - 1941, Eric Maschwitz, composer; \"Goodnight Soldier\" - 1943, Harry Johnson, composer; \"This is Worth Fighting For\" - 1942, Edgar De Lange, composer and librettist; \"Wait for me Mary\" - 1942, Charlie Tobias, Nat Simon, Harry Tobias, composers; \"Good Night, wherever you Are\" - 1944, Dick Robertson, Al Hoffman, and Frank Weldon, composers; \"Pictoria Review\" - 1942, Don Reid, librettist, Don Reid and Sammy Kaye, composers; \"Three Little Sisters\" -1942, Irving Taylor, librettist, Vic Mizzy, composer; \"Laddie in Khaki the girl who waits at home\" - 1915, Ivor Novello, composer.","Scope and Contents \"I got plenty O' Nuttin\" - 1924, George Gershwin, composer, Dubose Heyward, librettist;\" Ma Little Yalla Daisy\" - joe Goodwin and Raymond thunder mat, 1910\"Time after time is left\" - 1952, Mitchell Parish, Eleanor Young, melody, Harry D. Squires, composer and librettist composer; \"Carly Headed Babby\" -1926 G.H. Clutsam, composer;\"Negro Spirituals\" - 1922, H.T. Burleigh, composer;\"Little Bunch O' Honeyness\" - 1920, Carl Hahn, composer;\"Cottonfield Dance\" - 1904, Al. W. Brown, composer;\"Mammy's little coal Black Rose\" - 1929, Raymond Egan, librettist, Richard A. Whiting, composer;\"Aint You coming back to Dixieland\" - 1912, Al Jolson, composer;\" Come Back Dixie\" - 1915, Jack Mahoney, librettist, Percy Wenrich, composer;\"Leap Frog\" - 1908, Edwin F. Kendall, composer;\"I'm missin Mammy's Kissin\" - 1921, Sidney Clare, librettist, Lew Pollack, composer;\"Carolina Rolling Stone\" - 1921, Mitchell Parish, librettist, Eleanor Young and Harry D. Squires, composers;\"My Croony Melody\" - 1924, Joe Goodwin and Ray Goetz, composers;\"Creole Swing-Song\" - 1908, Frederick E. Weatherly and Luigi Denza, composers;\"Ma Little Yalla Daisy\" - 1899, Hattie Starr, composer;\"The Black Cat Rag\" - 1910, Frank Wooster and Ethyl B.Smith, composers.\"My old home in the South Land\" - 1904, Mary F. Britton, I.M. Jackson, composers;\"Mighty lak'a Rose\" - 1901, Frank L. Stanton, librettist;\"The Ragtime Violin\" - 1911, Irving Berlin, composer;\"Sweet and Low\" - undated, J. Stanley Royce; composer;","10 pieces: 1 WILL YOU SAY TO MY DEAR MAMMY 1918 – by M. C. Thornton. This is a rare World War I sheet published by the composer in New Albany, Indiana. It shows a mother and a younger women named Cory waiting on a farm in front of a picture of the soldier overseas. 2- GOOD-BYE SAL PATRIOTIC MARCH SONG 1917 – by Ervin R. Miller. Cover art by WALTER SPOUSE. Cover photo of ANGELO MINETTI, THE GREAT CONCERT PIANO-ACCORDIANIST. 3- THE HOME COMING MARCH 1908 – E. T. Paull. Cver art by A Hoen \u0026 Co. of Richmond, Virginia. Images deal with family reunion, sailors homecoming, soldiers homecoming, and father coming home from work! There is also a Pax or Peace Parade as the main image ending a war. 4- I HAVE YOU AND YOU HAVE ME THOUGH YOU'RE THOUSANDS OF MILES AWAY / SOLDIER SONG 1918 – Tell Taylor, Earl K. Smith. Published by Tell Taylor. 5- FAREWELL, MOTHER, I HATE TO SAY GOOD-BYE TO YOU 1918 – Thomas J. Flanagan, Ray Gibbins. Published by the composer in Syracuse, New York. One of the more rare STARMER art covers. The figure of a soldier calling a young soldier away from his mother. The 2 blue star flag flying from mother's house suggests she has a boy in the service. 6- WAKE UP, AMERICA 1916 – George Graff, Jr., Jack Glogau. Cover shows a giant Uncle Sam holding a battleship as the statue of liberty, a dirigible and airplanes appear.. 7- IT'S A LONG, LONG WAY TO TIPPERARY 1912 – Jack Judge, Harry Williams. Cover TOMMY ATKINS. 8- GOOD-BYE MY SOLDIER BOY 1917 – Calla Gowdy Gregg. Self published by this female composer at 6 North Penn in Indianapolis, Indiana, this one is pretty rare. 9-THEY WERE ALL OUT OF STEP BUT JIM 1918 – Irving Berlin. Cover photo BLANCHE RING. Art by BARBELLE. 10-OVER THERE by George M. Cohan. Cover WILLIAM J. REILLY U.S.N. OF THE U.S.S. MICHIGAN.","Scope and Contents \"We are Americans Too\" -1935, Andy Razaf, Eubie Blake, and Charles L. Cooke, composers and librettist.","Scope and Contents \"Anything is nice if it comes from Dixieland\" - 1919, Grant Clarke, Geo. W. Meyer, and Milton Ager, composers.","Scope and Contents \"It takes a long tall brown-skin gal to make a preacher lay his Bible down\" - 1917, Marshall Walker, librettist, Will. E. Skidmore, composer.","Scope and Contents \"Negro Spirituals\" - 1927, Chas. H. Pace, arranger.","Scope and Contents \"On the Gin Gin Ginny Shore\" - 1921, Edgar Leslie, librettist, Walter Donaldson, composer.","William's Colored Singers, The World's Greatest Harmonizing Octette. William \u0026Johnson Proprietors, Cas. P. Williams, Mgr., Chicago. Contains American Folk Songs as Sung by Williams' Jubilee Singers. Biography of the Williams' Jubilee Singers in back.","Scope and Contents E. L. Gamble and Karl C. Kraft: Gamble's Minstrel Song Book. First edition. East Liverpool, Ohio: E. L. Gamble, 1925. Printed softcover with retailer's label, 9 x 12 in., 12 pages. Collection of songs intended for use in minstrel shows, employing typical racial stereotypes. Among the titles included are \"Opening\" (\"Our jokes they are new so those who feel blue we will keep on the go...\"), \"How I'se Got the Ku Klux Klan Blues\" (\"As dey grow stronger mah legs grow longer.... I shiver and shake I quiver and quake when at me they make goo goos....\"), \"Where de Water Melons Grow,\" \"Gibe Me Chicken Foh Ebery Meal,\" and \"Finale\" .","Songster: \"Latest Coon Hit; I Don't Want to Be Your Lady Friend No More.\" Henry Weiman Publisher, New York.","Scope and Contents \"By Sam Coslow and Leon Friedman, Writers of Grieving for You, etc.\" Published in new York, by Robert Norton Co.Other title included is \"Try this over on your piano Gypsie Rose\" by Henry Lodge and Evelyn Rose.","Scope and Contents \"Farewell My Lilly Dear\" a Plantation Melody as sung by Christy's Minstrels written and composed by S.C.F.  Published by Firth, Pond \u0026 Co.  Copyright date of 1851.  Hand sewn binding.","Contains the following pieces of sheet music, most of which feature cover art that stereotypes African Americans. Paper Doll by the Mills Bros I aint bliged to stan no nigger foolin (Cover Only) Honey You'se May Lady Love (Cover Only) At a Darktown Cake Walk Everybody Twostep Rag Lucy (Cover Only) Smoky Mokes Hella Ma Baby Pray for the Lights to Go Out: A Negro Shouting Song Hypnotized Coons (Cover Only) Massa's in the Cold Cold Ground (2 different covers) Darktown Belle Mandy Lane The Sunny South Mid The Fields of Snowy Cotton Memories of the South Carry Me Back to Old Virginny Whistling Rufus Peaceful Henry Old Black Joe Mammy's Lullaby Pullman Porters Parade A Plantation Medley of Southern Airs","Includes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.","Includes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.","Includes Tramp, Tramp, Tramp; Dixie Land; The Battle Cry of Freedom; Marching Through Georgia; and The Star Spangled Banner.","From the musical comedy \"Three Little Lambs.\"","Contains the following pieces, some with cover art that stereotypes African Americans: St. Patrick's Day is a Bad Day for Coons, composed by Irving Jones, sung by Lew Dockstader, published by Sol Bloom, music supplement of Hearst's Chicago American, Sunday, September 8, 1901. The American Song King Edward Asked For, written by Arthur Pryor, the Assistant Director of Sousa's band, pubished by The Sell Music Co., New York, music supplement of Hearst's Chicago American, Sunday, April 19, 1903. Wing Lee's Rag-Time Clock, written and composed by Al Trahern, sung by Mathews \u0026 Bulgerin by the Sad Sea Waves, published by Shapiro, Bernstein \u0026 Vontilzer, New York, music supplement of Hearst's Chicago American, Sunday, September 2, 1900. A Rich Coon's Babe, written by Clare Kummer, published by Howley, Haviland \u0026 Dresser, New York, 1903.","Contains songs for use in \"Special Services Activites by Armed Forces personnel only.\"","Scope and Contents Sheet music about the memories of Greek independence in 1821 by Severin Leoni. The music is subtitled in French \"Souvenirs de la Liberte de la Grece 1821\" or \"Memories Souvenirs of the Freedom of Greece.\" The inscription at the top of the cover translates to \"Dedicated to the great patriot and benefactor of Greece G. Averof. The heroes listed clockwise on the cover include G. Averof, philanthropist; Patriarch Gregory V; Markos Botsaris, general; Konstantinos Kanaris, admiral; Theodoros Kolokotronis, general; and Rigas Feraios, writer, poet, and intellectual. 10 p. of music ; 36 cm.","Scope and Contents Sheet music for the song \"We are Americans Too\" with depictions of an African American Revolutionary War, Civil War, and World War I soldiers. Words and music by Andy Razaf, Eubie Blake, and Charles L. Cooke and published by Handy Brothers Music Company, Inc.","Contains sheet music related to the South, including some specifically about Virginia. There are a few pieces from the Civil War era. Music is arranged alphabetically by composer's last name.","Five Salted Peanuts","Capt. May's Quick Step","Virginia","Sweet Virginia Rose","He's A Rag Picker","Carry Me Back to Old Virginia (two copies)","Peanuts And Diamonds","The Teddy Bears' Picnic","Hot Roasted Peanuts (A Nutty Song with a Crackin' Good Tune)","Wait Till The War, Love, Is Over","Rose of Virginia (Operatic Edition) Rose of Virginia (Fine Art Edition)","Virginia Lullaby","Scope and Contents Henry George Theme Song, \"Smoke All Your Troubles Away\"","Heart-Sickness Blues","Bud Rag","Moonlight on the Melonpatch","How's Your Folks and My Folks Down in Norfolk Town","Virginia Blues (two copies)","Virginia Belle","Virginia Moonlight (woman on cover) Virginia Moonlight (Companion Song to the World Famous Lullaby Time)","There's a Girl in Old New Hampshire Whose Heart is Apart of Me","Peanuts (La Cacahuata)","Tell Them You're From Virginia","'Mid Tthe Green Fields of Virginia","Throwing Peanuts to the Moon","Scope and Contents Songs of the Old Dominion No. 1: The Moon is Dancing on the Sea Yes, I Will Leave the Throng With Thee, Answer to \"Oh, Share my Cottage, Gentle Maid\"","Texas","Old Virginia Moon (with ukulele arrangement, blue cover) Old Virginia Moon (green cover, two copies)","Pray, Maiden , Pray!","The U. Va. Two-Step","Watermelon Club","Virginia Lou","I'm Going to Climb the Blue Ridge Mountains Back to You","Temptation Rag","Watermelon Man","She is the Sunshine of Virginia","Billy","Billy Boy","When It's Harvest Time in Peaceful Valley","Melinda's Wedding Day","The Lord Made a Peanut","At a Georgia Campmeeting","Shenandoah","Watermelon and Friends","Chariot Race, or Ben Hur March (Tears in music stitched and note from composer's friend on inside of cover)","Melon Time in Dixieland","I'm Gonna Bring a Watermelon to my Girl To-Night","Heart of Virginia","Virginia Moon (Waltz-song)","An Old Fashioned Garden in Virginia","The Peanut Vendor (El Manisero)","A Tale of Old Virginia","Under the Anheuser Bush (two copies)","Watermelons- Songs for Living","When it's Springtime in Virginia","Watermelon Weather","Peanuts! 5 a Bag","Carbalick Acid Rag","Memories of Virginia (Two copies)","Down Old Virginia Way (Operatic Edition)","Cover Me Up with the Sunshine of Virginia","Contains sheet musicrelated to Virginia and love songs. Some of the songs featured are \"And Wilt Though Weep?,\" 'Princess Pocahontas,\" \"Here's to you Henry Clay,\" and \"La Belle Virginienne: Composed and Dedicated to Mademoiselle Sally E. Taylor of Norfolk, VA.\"","La Belle Virginienne Valse (Binding hand-stitched)","The Ashland Memories","Princess Pocahontas (March and Two Step)","Researchers should consult with a staff member for further information in advance of using this series. Some of the sheet music in this series has pieces of paper with braille glued to the front page. Boxes 1-111 contain single song music by composer; boxes 112+ hold sheet music from music books and are filed by Publisher.","Organist of Pierpoint Baptist Church, Brooklyn, New York Hear Our Prayer Le Reve D'Amour with cover art La Coralie Polka Scottisch The Princess Waltz","Gems of German Songs Sing Tutor Oh, Ye Tears When the Swallows Homeward Fly Thou Art the World to Me Embarrassment with cover art of Minnie Palmer Fly Away Birdling Dear Angels Sleep thee Well Sweet-Heart, Good-Night Agatha Sleep Well Thou Sweet Angel Wanderer's Song Ask Me How much I Love Thee Il Sogno Stay with Me Good Night My Child Maiden Arise! Not a Sparrow Falleth She Whispers Softly Goodnight Der Fragft: was fingen die Voeglein all?","Christmas Song O Christmas Night Le Diable-A-Quatre Polka","Don't Be Angry Mother Scotch Air","A Warrior Bold - cover art The Mid Shipmite with ads from R.H. Macy","Picture of Comm. Enrico Caruso","known also as The Prima Donna Song; arranged and adapted by Chas.Jarvis","from Bellini's Admired Opera of Il Pirata","La Flute Magique Rondinos Bouquets de Melodies des Operas Il Trovatore","cover art","cover art","photo on cover","hand written music sheets included","photo of Allen on cover","Souvenir edition for Army Air Forces Leave Hotels on French Riviera","Hand written music sheets with hand designed cover art","Tis Midnight Hour with cover art Constancy","Larmes of Joie Katie's Secret","Cover Art","cover only","covert art","Somebody's Coming Oh Give Me the Hills My Gentle Isabel Oh! the enchanting delight","cover art","Ecstasy The Meeting - cover art L' Arditia","Treasures of the Deep One Struggle More","Mexico","Cover Art Madrid ,Spain","Cover Art","cover art: photo of Julio Martinez Arteaga Bolivia - Spanish","Marie Martha Happy Greetings Pepita Polka Snow Castles Marche De La Reine Mazurka des Traineaux, Chanson a Boire de La Promise La Cascadde de Roses Les Fifres de La Garde Sans Souci Galop De Bravoure","Bolero Waltz Come o'er the Moonlit Sea Dark Eyed One Dinna Forget You Say We Part Forever Come and Wander With Me Oh Yonder Rock Reclining March (Masaniello)","Mexico - Spanish","Italian Photos on cover","Sweet Lucy May My Dear Old Home Whom will the Shoe fit (The Maiden's Vow) I'll do as Much for You Eva Clair Dispel Those Clouds That Sorrow's Cast","Mexico - Spanish","Spanish - Barcelona, Spain Cover art by J. Casals","Christine - cover art My home by the mountain side The Cot by the Hill - cover art","Drei Lieder ernsten Inhalts - German Kirchenkantaten Meditation Dir ersten Bach-Studien Klavierkompositionen Bourree Das Wohltemperite Klavier Gavottee Willst du dein Herz mir schenken","London","Orphan's Prayer The Maiden's Prayer - cover art La Priere Dune Vierge - French version of the Maiden's Prayer Gebet einer Jungfrau - Germany","Centennial March - cover art I'd be a Butterfly","cover art","The Sailor's Grave The Little Sailor Boy's Lament The Happiest Time is Now My Home in the Greenwood The Barber's Shop The Mountaineer's Farewell My Trundle Bed Moonlight Boat Glee","Once a Dear Blue Eyes or Black Prima Donna Waltz Vilikins and his Dinah Laura's Linnet Jeannie Marsh of Cherry Walley The Sparkling Polka Lucrezia Borgia Quadrille Marseilles Hymm - cover art Guardian Spirits","Then You'll Remeber Me I Dreamt I Dewlt in Marble Halls - Cover Art The Light of Other Days is Faded The Sailor Sighs Pity for the One in Childhood Torn Come into the Garden, Maud The Day is Done Heart Bowed Down Oh Shall we go a Sailing Oh, Take Me to Thy Heart Again Don't let the Roses Listen Good Night, Good Night Beloved Excelsior Come into the Garden Maud Hark! I Hear the Organ's Peal!","I Dream of All Things Free When Stars are in the Quiet Skies Tell Him I Love Him Yet Oh, I come Not to Upbraid Thee","Italian","Das Konigsballet","German and English","Dear  Love, Be True Darling \"Tis You","Mary Gray The Gypsie's Festival","Der Herr is Mein Hirt - German Marcia Fantastica Albumblatt","I am Returning to Thee, Annie Snow White Blossoms I'm Leaving Thee in Sorrow, Annie The White Squall The Haunted Stream Where are the Friends of My Youth? Why do Summer Roses Fade Would you Leave me to Mourn","O bury me by the river's side Silently, tenderly, mournfully home","O That I Had Wings Love Not Waltz Give Me another Flower I Love Thee Still","I Spring-Tine When the Tide Comes In My Golden Ship","The Days of Old Romance Le Matin (Polka)","The Highland Minstrel Boy Moonlight, Music, Love \u0026 Flowers My Father Land Guard Her as a Treasure The Light Guitar Why Do I Weep - cover art Galopade from Gustavus By the Flowing Guadilquiver I wish I had a Little Bird Why Say Farewell!","Don't Stay away so Long Little Footsteps - cover art","I Oftern Sigh in Sadness Love's Regret","The Dying Girl's Farewell Novelette Quickstep","I Would That My Love - German and English Lieder Ohne Worte The Wedding March Trois Fantasies","Sing to Me Nightingale The Village Quick Step","Sweet and Low There is a fountain fill'd with blood Don't Care Tarantella","Silvery Shower Biscaccianti Waltz Breakfast Bell Polka Salut a La France Ever Be Happy! The Dearest Spot on Earth to Me Is Star of the East Garnet I Will Care for Mother Now Martha Rendezvous Mazurka Long Long Weary Day","Bilder in TonenGerman with cover art Rondo Mignon","Long Long Ago I'd Be a Butterfly We Met No Ne'er Can Thy Home Be Mine The Self Devoted Nun The Musical Wife","French cover art and photos","Ah! Yes I Remember How Sweet are the Roses","Le Me Be Free Melodeon Hall Schottische Paddy Carey Polka Knight Templar March Speak Not that name so Lightly Lilly Dale","The Whispering Trees The Image in the Heart","Sonaten Sinfonies Grand Landler Waltz Beethoven's dream Cactus Waltzes Les Audieux Azalia, or Almacks Waltz","Rondo Sonate Symphonie Nr. 2 Symphonie Nr. 8 Beethovens Last Waltz Funeral March with cover art Oh! God Thy Goodness Vienne March Minuet in G Grand Waltz Sonatine Sonaten Op. 10","Irrlichter The Jolly Trumpeter Galop","German","Italian","Take Them I implore Thee Hear me Norma Wher eare Now the Hopes I Cherished Sunbeam of Summer Oh Love for Me Thy Power Ah Bello a Me Ritorna Still so Gently o'er Me Stealing La Sonnambula Ah! non giunge Grand March in Norma","Linda Dumbarton's March 20 Joys (collection for Piano Fairy Dances Highland Fling Lilly Dale Starlight is Beaming I've not a thought but what is Thine Starlight Waltz","Night Fall Schottisch Hyazinth Schottisch The Young Recruit Quickstep La Favorita Domino Gallop Starlight Waltz Sleeping I Dream Love Blanche Alpen Waltz The Snowflake Schottisch The Dearest Spot of Earth Friendships Polka","Rocking Chair Polka 'Tis Midnight Hour Les Bords du Rhin A Good Old Fashion Polka St. Patricks Day Waltz Il Travatore Yankee Doodle The Wizard's Polka Schottisch Quickstep Lily Dale March di Bravura Poliuto","Bridal March La Fille du regiment Gentle Annie Friendship Waltz Bon Ton Polka Clara Polka Le Torrent Waltz Martha Potpouri Polka Joyful Waltz Little Darling Sack Waltz Chit Chat Plain Cotillion","cover photo","Wait for the Wagon Hope Be Thy Guide","The Atlantic Polka By the Sad Sea Waves Take this Lute - cover art The Cruiskeen Lawn","cover art","English and French","The Sands of dee Octave Galop The Tremolo Waltz Linda di Chamounix Les vespres Siciliennes La Traviata","covert art","Italian and English","Italian","German and English versions","Ernani Rondeau Polacca Rondeau La Muette de Portici Teufel's Polka Balisario The Evening Star Waltz Parade March Martha de Flotow Lucia di Lammermoor","La Fille du Regimment Salut a la France The Evening Star Waltz O Wert Thou But Mine Own Love Fleurs Italiennes Elfen Waltz Second March Martha Norma Ernani","Lucrezia Borgia Maniac or Pestal Waltzes Le Prophete Evening Star Waltz Last Waltzes of a Madman Azalea Polka I Puritani Faust de Spohr","Bouquets de Melodies OP. 42 - Cover art Belisario Post Horn Polka Evening Star Waltz La Sonnambula Opera Guillaume Tell de Rossini - cover art Fleurs Italiennes","Toujours Mobile Galop Faust","Marguerite - cover art Take Me Jamie dear","Home! Sweet Home - cover art I'm Saddest When I Sing Sweetly O'er My Senses Stealing! Teach, oh teach me to forget! Isabel Oh! My Bravest and Best I Resign Thee The Mistletoe Bough The Bloom is on the Rye Friendship Polka I Never lamed Him Never Go My Love Hark! 'tis the Indian Drum Bonaprate's Coronation Drum Oh! no I'll never mention Him Should He Upbraid Low wav'd the Summer Woods Tell Me My Heart Sounds so Joyful Ne'er can the Rose Dashing White Sergeant Myn-Heer Van Dunce Tho' tis all but a dream I'm Saddest when I sing If I speak to thee in Friendship's Name My Pretty Jane As it Fell upon a Day As the Robin When Once Fondly Cherished You Think I have a Merry Heart Sweettly O'er my Senses Stealing I'm Queen of A Fairy Band","Pretty as a Picture - cover art The Moon Behind the Hill leaf By Leaf the Roses fall Kittie Wells","\"Tis Sad to Think Upon the Joyous Days of Old By-Gone Hours Miss Myrtle","On the Bright Shores of Gold A Dream of Love - Cover Art Waves of the Ocean - cover art Sweet Dora Dare - cover art Watching By the Golden Gate - cover art While the Siver Tints the Gold - cover art Song of the Fisher Maiden - cover art Clayton's Grand March","Oh would I were a Bird I'm Glad Father's Come! Blue Eyed nelly","cover art","cover art","The Keepsake - Cover art Dagobert Alpine Morning Nannetta Polka les Bords Du Danube","Remember Me - cover art 48 Etudes","True Love Lives Forever Wery Pekoollar","German; cover art","Lora vale Remembered","The Blind Flower-girl's Song List, to the Convent Bells Love Not! Hearts and Homes Yesterday Household Words","A Favourite French Air Michelson's Celebrated Waltz","The Bend of the River Chant du Cigne My Queen Marche Militarie My True Love has My Heart The Message","covert art","The Triumph of the Waltzes Heaven to You May Grant Pardon Porter Sons Ah! Would that Happy Day Were Near - cover art photo of Anna Bishop","Silhouetten La Fontaine Heimweh At even-prayer ; remember me - English and German","Goodbye Douglas, Tender and True the Sea has its Pearls","French and English","Italian","cover art","photo on cover","The Lament of the Blind Orphan Girl Victory at Last","Italian, German, English","Take My Arm the Other Side Quadrille","Serenade-OP.11 Fruhlingstrost - Comfort in Spring Op. 63 german and English Vergebliches Standchen Mein Madel hat einen Rosenmund When thy Bosom heaves the Sigh Sextett Op.18 Ungarische Tanze Capriccio Op.76","Oriental Waltz Carmac Polka","photo cover","Golden Light Polka Oh!home of my boyhood Mountain Horn Waltz Pleyel's German Hymn","Bring Back Our Darling - cover art Jockey Hat and Feather - cover art Nellie Ray Answer of Molly Darling","German and English","Fantasie Op.55 Funf tonstucke verschiedenen Charakters nebst drei Postludien Op.61","Woodlawn March Dream Life Schottish Midnight Scottisch - covert art The Rival Scottisch May Party Waltz -cover art Will You Come to My Mountain Home? cover art Oh Come Maidens Come Oh No I'll N'eer Forget thee The Sultan's Band March Love Not Bonny Eloise Polka Midnight Rhymes - covert art Happy family Polka - covert art Pride Polka - covert art Minnehaha or Laughing Water Polka - cover art Early Dawn Polka -cover art Hullabaloo Quadrille","Tyrolese Evening Hymn Come to the Sunset Tree","Rondo from la Sonnambula Der Froliche Tanzer 30 Petites Etudes pour Piano","French- colored cover with photo","Te Deum in B Minor Down by the Mill","The Diana Waltz The Ocean Wave Waltz","The Great Hen Convention Dixey's Land Darling Little Blue eyed Nell Little blue eyed boy Yes, we miss thee First Rose of Summer Kiss Me Quick and Go Ella Leene","Jolly Brothers L'Avant Coureur Galop","cover art photo","Marching Along Quick Step Rory O'Moore Quick Step","Fee Aux Roses Valse de L'Aurore Rondino Rondo Irlandais Rondinetto Marche de la Norma Le Juif Errant Pharsalia Waltz Bolero sur le Domino Noir La Fete au Couvent - cover art Fantaisie Sur la Romance The Linden Waltz La Fontaine auz Perles - cover art Cujus Animam March Crociato Bouquet de L'infante Angel of Night Cantarile et Rondo Valse","Colored cover art","Cinderella Waltz Oh Welcome the Hour from Catherine Grey","ZaZa - French - covert art Elle Avait des Soquettes - cover art","Italian","Italian","Weep Not O Rose See the Pale Moon Come Where the Sunlight Sleepeth Vieni Meco Tell me Thou Lovest Me","Italian","covert art","Love Moon J'aime Mon Amour - cover art","Mexico","Ring the Bell Softly Darling Minnie Lee I'd Offer Thee this Hand of Mine When the Whippoorwill is calling","Italian","Espana Tabasco March Habanera","Miller's Daughter - cover art Three Little Songs","Nancy Till The Black Quadrilles","Automne Les Noces D'Argent","I Wandered on the sea-beat shore (Shells of Ocean) Moonlight on the Ocean Will You Leave the Land, Jessie? Trees of the Forest How beautiful is the Sea When the Autumn leaves are falling","Chanson Pour Jean Le Cantique De Justice John's Lullaby","Old Folks at Home Susan Rayne","Deux Polonaises Op. 26 XXI Op. 25 Mazurka No. 1 Vier Impromptus Trois Valses Op. 64 Fantaisie-Impromptu Op. 66","Cover Photo","I cannot Sing the Old songs My Heart is over the Sea Five O'Clock in the Morning Faithful to Thee Maggie's Secret Maggie's Welcome - cover art Strangers Yet Take back the Heart We'd Better to Bide a Wee Won't You Tell Me Why Robin All Along the Valley","Poor Juna Rock of Liberty Meet Me By the Running Brook Minnie Minton Under the Ice Do not Sing that Song Again The Rover's Grave Jenny June The Sword of Bunker Hill I Live for Those Who Love Me The Old Mountain Tree Lament of the Sailor Boy's Mother","Sonate Op.36 Sonate No. 3 C. Sechs Sonatinen Sonata Nr. 18","Sweet Peace The Old Arm Chair The Bowery Gals The Last Link is Broken Slumber Sweetly Slumber De Louisiana Belle Stars of the Summer Night Rose Atherton The Last Link is Broken","cover art","covert art","cover art","cover art","cover photo","cover photo","cover art","The Grave of Uncle True The Grave of Lily Dale Dearly Do I Love Thee Dream of Other Days Lizzie Moore Why Don't He Come Thou Wilt never meet me more","The captain Grand March","Judith The May Queen The Holiday The Valley of Roses","Farewell The Rock Beside the Sea - Cover art Ever Speak in Tones of Kindness Northern Grand March Aileen Aroon Deal Gently with the Strangers Heart A World of Love at Home We Miss Thee at Home Susy Dear The Death of Minnehaha","Spring Season Polka Three Bells Polka","Dear Violetta Loves Ritornella Gustavus the Third","The Chatsworth Quadrilles Mugby Junction Galop","Beautiful Air The Harp That I Strung","Ecco Quel Fiero La Stella D'Amore","I Have Something Sweet to Tell You I Hear Thy Words So Tender Beck's Very Best Schottisch","Tarantelle Celluloid Polka-cover art","She is Sleeping, Sweetly Sleeping The Dismal Swamp","Sweet Love of Mine - cover art It Was a Dream Alas! The Old and Young Marie","Thou Still Art Near to Me Meet Me at the Lane","Last Idea of Weber The Lat Rose of Summer Le Desir","Frederick Polka Il Desiderio Lucrezia Borgia De Donizetti","Marche Turque Rousseau's Dream Etudes for Piano The Celebrated Studies","cover art","The Orange Blossom Waltz The Talpahok Waltz The Good Hope MArch","L'Hirondelle et le Prisonnier Une Voix Dans La Nuit","Lovely Nell I Forget the Gay World Dreams of Thee The Grave of Washington Dearest Mae","Pray Child then Pray - cover art Ernani","Kathleen Mavourneen - one hand written copy; cover art Dermot Astore! The Fountain of the Glen The Church Porch Sing to Me Norah The Three Caskets Her I Love I feel I'm Growing Old Lizzie","See Saw Waltz Little, Saucy Kate -cover art","Johnny's so Bashful The Angels Told Me So Captain Jinks Quadrilles","Had I Never, Never Known Thee The Arkansas Traveller Thou wouldst call me Back from the Echoless shore","Trust to Luck Juney at the Gate","Sweet Alice in Heaven the Sunshine in You The Sylphide Polka","Oft in the Silly Night The Carol of ther Mocking Bird Schottisch Hindoo Slave Girl","Four Operatic Quadrilles Theme of Mozart Petits Rondeaux et Variations Marche de Couronnement Air from Puritani Variations Elegantes; #3,#4,#6, #9,#11,#14,#15, #17,#19,#22, #23 Fantasia The Poor Blind Boy Theme de Ricci; Voi Mirate in Si Bel Giorno","Vorschule zur Fingerfertigkeit Six Operatic Overatures Six Popular Airs Two Quadrilles Royales Elfen Waltz March from Moses in Egypt Les Plaisirs du Salon Quadrilles Air in Mozart's Zauberflote The Swiss Drover Boy Le Pre aux Clercs Galop 30 Etudes Mecanisme","Schule der Gelaufigkeit Exercises in Velocity Souvenir de Jenny Lind Long Time Ago Dix Petits Rondeaux A Selection of Popular Airs","Stephanie-Gavotte En Avant Lover's Dream after the Ball","The Coquette Polka Home Sweet Home The Sontag Polka - Color cover art The National Schottisch Palermo Quadrille","Good Luck Polka The Flying Cloud Como Quadrilles The Bridal or Wedding Polka The King Pippin Polka The Rainy Day Song The Princess Royal Polka The Circassian Polka The Lute Waltz Bonnie Dundee The Edinburg Quadrille The Queens Galop Paul and Virginia Galop","Das Madchen und der Schmetterling Mittelalterliche Venushymne","cover art","Flee as a Bird The Past! The Past!","Romance Berceuse","Go Where the Mists are Sleeping Maiden! awake from thy slumbers","Silver Threads among the Gold When Silve Threads are Gold Again Little Face You Are Always Young to Me What were all the World Without thee? Half a Heart We deck their graves alike to day Christ is Risen-He is the Lord Hail the Lord Our Savior - cover art As thou Wilt Angel of Beauty Have I Not Been Kind to Thee? cover art Scatter Sweet Flowers o'er the Dead Heart Longings Don'r Be Angry with Me Darling","cover art","Babina Innamorta - cover art non dimenticar le mie parole - cover art","7eme Air Varie Airs Varies pour Violon Second Concerto Le Tremolo Douze Melodies Italiennes","Brindisi Octoroon Galopp","La Fille aux cheveux de Lin Jardins sous la Pluie Deux Arabesques Golliwogg's Cake-Walk Ministrels","cover art","Let Us Love One Another The May Queen The Blind Boy - cover art When the Night Wind Bewaileth The Lament of the Irish Emigrant-cover art I'm Alone, All Alone The Rainy Day Annie Laurie The May Sun Sheds an Amber LightThe Rainy Day","When the Swallows Homeward Fly La Prima Donna Valse","Les Adieux Spanische Tanze","cover art; Russian/Cyrillic","Songs of the Gondola Wings of a Dove","cover art","cover art","28 Melodious Exercises Sonatinen, Op. 151. 168 Largo al Factotum","'A Sciurara Duorme Mari - photo art Enrico Caruso - photo art","Ossian's Serenade The Whitw Mountain Serenade","Elizabeth Schottisch The Lancers Quadrilles Ferris' Quick Step - cover art The Cally Polka - cover art Ocean Wave Quick Step - cover art The Young Bachelor's March","Elizabeth Scottisch Bell Polka - cover art","cover art","Marjorie's Almana - ccover art He Thinks I do not Love Him","The Old Clock on the Stairs The Bridge - cover art The Brook","Motivo d'Amore - cover photo io che non vivo - cover photo","cover art","Child of the Regiment I Saw Her on the Vessel's Deck Lucrezia Borgia O Mio Fernando My Sighs Shall on the Balmy Breeze Nuits d'ete a Pausillippe Figlia Del  Reggimento It's Better to Laugh Make Me no Gaudy Chaplet Life Has no Power While Thus Around Joy Hovers Lucia di Lammermoor Life Has no Power Would you know my Worshipped Idol Spirit of Light The World is Full of Beauty Il Canta Italiana Search thro' the Wide World O to the Field of Glory I'll Pray for Thee Salut a la France","Rayon du Soleil Martha","cover art","I Can-not Live Without Thee I Live, Love! But for Thee","The Silken Bands Pensez a moi ma Chere a mie","We were Happy Then The Old Thatched Cot I went to Gather Flowers","Mary Blane Summer Evenings Come Where My Love Lies Dreaming \"Tis the Last Rose of Summer Swiss Cottage Post Boy Polka Winter Evenings Red Rover Quick Step Cruiskeen Lawn I was Poor but I was Happy Swiss Cottage Twas Night and All Around","O Salutaris Ave Verum","Annie Laurie Will Ye Come Back Again","1re Valse 6eme Valse","Canzonetta Sonte in B dur","Pleasures of Home Speed the Plough","Attila Gustave","12 Clavierstucke Silhouellen Bible Song No. 4 (handwritten) Slavische Tanze Biblische Lieder","Mr. Tambourine Man (French) With God on Our Side (French)","The Mellow Horn The Kettle and the Clock We Have met, Loved, and Parted Home is not Home without thee The Brown Jug Hoe the Gates Came Ajar Meet Me with a Kiss","Cousin et Cousin Du Plus Belle! Perce-Neige La Blondine","La Gaiete The Ethiopian","Button-Hole Boquet - cover art photo Hush A Baby Bye - cover art photo Sunshine will Come Again - cover art photo Santa Clause - announcement and song with photo","I Hear the Angels Calling My Idol Home When the Hues of Daylight fade","Burst, ye Apple Buds! At the Sea-shore","Sweet Violets Flee as a Bird Brothers Lullaby Fritz, Our Cousin-German","cover art","Boscobel Waltz Lattice Quick Step Good-Bye Wandering Sprite - Cover art The Separation The Ianthe Waltz A Twilight Thought Emniskillen Polka Oh! Come to the South","covert art","Bolero La Carnaval de Venise","D'Rauf Los! Goldfaden! Kaiser-Jubilaums-Marsch","Dear Heart Sweet Long Ago","Angel of Light, Favorita Annie Lisle La Mandala - cover sheet only The Gypsy Boy Welcome Soldiers! Thou Art so Near The Reaper's Polka Good Night Fair Maiden Carena No One to Love","One copy has hand written notes that appear to be poetry dated Sept. 19th, 1919(?)","Forget Thee, Dear Susie A Young Maidens Thoughts There's a Cot in the Valley Our Paths were once together Cast","Le Donne Comm'e' Bella 'a Stagione","dedicated to the Harvard Class of 1837","Panis Angelicus Ecce Panis Les Rameaux","Up and Away Wildfang Blattlein im Winde Walzer Rothkappchen-Polka -cover art","includes some handwritten notes in Italian","Im Fruhling Abschied In der Nacht Andre Liebe The Wanderer Gegegnung","Haydn's Gypsy Rondo Grecian Rondo","When I saw Sweet Nellie Home Liberty and Union","cover art","cover art","Lizzie Dies To-night Suffer Little Children to Come unto Me Little Ella's an Angel Nelly Bly Old Folks at Home My Old Kentucky Home, good night Fairy Belle Maggie by my side Massa's in the Cold Cold Ground - cover art Hard Times Come Again no More Beautiful Child of Song Nelly was a Lady File includes some posters without music","Willie I have Missed You - cover art Partenia to Ingomar Old Black Joe - cover art Beautiful Dreamer Under the Willow she's Sleeping Why Have My Loved Ones Gone? Gentle Annie Eulalie Come Where My Love Lies Dreaming Old Dog Tray","Fire Fly Polka Cottage Polka Syracuse Polka My native Land Good Night Mountain Zephyr Sounds from the Valley Syracuse","Over the Garden Wall - cover art Guild Polka Militaire - cover art","Little Annie Polka Mireille - Galop Polka Ideale","The Lanciers The Fishermaiden - cover art","Colored cover art","The Deep, Deep Sea Little Snow White Hands","Across the SeaBye and Bye Only Weary Oh Willie Boy Come Home The Old Journal Song When Sparrows Build When the Pale Moon arose last night","covert art","Sing Birdie Sing Nightingales Trill By Rippling Brook or stilly pond-Forget Me Not","cover art","O Fair Dove, O Fond Dove True Till Death","Ritmo Facinante Liza Alguien Me Ama Hazio Otra Vez","The Virginia Rose Bud Shells of the Ocean We are coming Father Abraham","Alice I'll Come to Thee Little Tottie's Prayer - cover art","I left Thee Where I Found Thee Love Allen Adale","Kathleen O Moore Kate Kearney","Good News From Home Academy Polka Oh let me dream of former years","cover photo","I Love Thee Yet The Orange Blosson Bridal Song - cover art Home: Where changes never come Be Watchful and Beware The Rose of Tralee Do They Think of Me at home Jeannette and Jeannot - cover art Under the Mistletoe Matrimony When we are Married My Own gentle Mother The Monks of Old Wandering in the May-time Fierce Flames ar Raging Sunshine and Cloud From Our Merry Swiss Home Kitty Tyrrell - cover art The Cavalier - cover art The Merry Merry Vintage Maid The Flower Queen","Che Faro Senza Euridice Iphigenie in Aulis","All Things are Beautiful Annie O'The Banks O'Dee Beautiful Erin Beautiful Moonlight Beautiful Star Blanche Alpen Blind Girl to Her Harp The Christian Graces - Cover Art Come to the Woods The Depths of the Ocean The Dove Down Among the Lillies The Dream is Past Faith Hope \u0026 Charity Floating on the Wind","Gently Signs the Breeze - covert Art Gipsy Countess The Gipsy's Dream The Gipsy Girl Give Me a Cot in the Valley I Love A Home that I Love Hope and the Rose A Home that I Love How Can I Leave Thee?","I Love thee Merry Sunshine I would Not die in Winter In the Starlight Lassie with the Hazel Eye Lays of the Night - cover art Mary Astorr Mother Can this Glory Be Murmuring Sea Music \u0026 Her Sister Song My Heart is Sad To Day Neath the Greenwood Tree","The Old Tune Our Beautiful Mountain Home O'er the Hill, o'er the Dale Ruth and Naomi Song of the Skylark's The Song of the Zephyr Stars of the Summer Night Susette \u0026 Beau Joe Tell Me Where Do Faires Dwell There a Sweet Wild Rose The Two Forest Nymphs Two Merry Alpine Maids Valley of Chamouni Voices of the Night What are The Wild Waves Saying Why do you Watch the Lone, Lone Deep? The Wind and the Harp The Young Vocalist - cover art","L'Aimable Cavorre","Au Matin Danse d'Almees Pan's Flute","Danse des Gnomes Scaramouche","The Usurious Lover A Woman's Love Deep in the Heart","Marche de Nuit - cover art Pastorella e Cavalliere Slumber on Baby Dear","Ave Maria Celebrate March from Faust Dodelinette Evening Faust Fantaisie brillante Faust Waltz Song Jesus of Nazareth Le Parlate D'Amour The Maiden's Prayer The Marionettes' Funeral March Medje Nouvelle Meditation Parlate D'Amour Pilgrim Reine de Saba Rome o e Giulietta Saltarello Salve DiMora Casta e Pura (Fausto) Sing, Smile, Slumber Soldier's Chorus Tell Me Beautiful Maiden Why Fade so soon sweet blossoms","The Austrian Retreat Bold Soldier Boy Les Bords du Delaware Bright Dreams of the Past Campbells are Coming Charity Departed Days Dearest Spot of earth to me is Home Elysian Dreams Evening Song to the Virgin From Greenland's Icy Mountains","Grand Russian March Henrietta Polka Home Sweet Home - cover art Hopeless not Heartless The Hour for Thee and Me How Sweet are the Roses Jenny Linds Favorite Polka Ladies Pets La Donne e Mobile Lindiana Linden Waltz Listen to the Mockingbird","Maggie By My Side The Marvelous Work Mazeppa La Nottee Bella Oft in the Stilly Night Old Folks at Home One Parting Song and then Farewell Over the Summer Sea","Saint Patrick's Day Sebastopol Shells of the Ocean Signs of Love Sounds from the Catskills Sound the Loud Timbrel Sources of Joy The Stars and Stripes forever The Sunshine of Love Spirit of Love, Spirit of Bliss The Watcher Wings of a Dove Wearing of  the Green Whip-poor-will's Write Me a Letter from Home","Farewell Ask if I Love Thee Goodnight Goodnight Beloved","Alethea Little Wide Awake","cover Art","Klavierstucke - Opus 41 Lauf der Welt Sonate Op.7 Holberg Suite Opus 40 Klaviersonaten Hochzeitstag auf Troldhaugen Berceuse The Shepard Boy Arabischer Tanz Holbery Suite Schmetterling Opus 43 Zweite Orchestersuite Lyrische Stucke","Pleasant dreams of long ago I am lonely to=night","Nelly wants to Marry Young Folks from Home","I'll Hang My Harp on a Willow Tree Oh! Would I were a Girl Again","The Lover and the Bird Look on the Shining Sea La Notte e Bella Il Cielo e Te!","Premierre Mediation The Practical Organist Noels Choral Scherzettino Marche Hongroise","Blanche I do Love Thee The Tear Tell Me! Tell Me! Birdie Wild Ye merry birds song Cheerfulness The Angels The Little Mendicant Ye Pretty Birds","The Fest March Sounds from Home","Gentle Lilly Bell Blue Eyes Scottisch","The Cracovian Maid Love On Come Hither with Me, O'er the Moon-Lit Sea - cover art The Rose will cease to blow","L'heure Exquise Fetes-Galantes-cover art","cover art","Who'll buy my Pretty Flowers Pretty Pong Lillies","Darling Nelly Gray Little Tillie's Grave Angel Nellie or Waiting at the Old Linden Tree","I Know that my Redeemer Liveth - cover art Lord Remember David Concert fur Violine und Pianoforte bearbeitet Ombra mai fu Angel's ever bright and fair The Harmonious Blacksmith Menuett","Memories of Mother Calling Can the Lord Depend on You? Some Day Sonn I'm a Poor sinner Who could it Be? Only Jesus","cover Art","Ever Onward! Call me Pet Names","cover art","The Blue Bells of Scotland Let Me Rest in the Land of My Birth","No One to Love Etty Way Dilly Burn","Hassler's Polka Royal Horse Guards Chinese Galop Society Schottish Shadow Dance","The Sailors Return Goodbye Sweetheart, Goodbye The Beacon that Lights Me Home Simon the Cellarer Old King Cole","How Sweet are the Roses - cover art Whispering Hope What is Home without a Mother? The Chimes of the Monastery Listen to the Mocking Bird Pray Tell me the wish of thy Heart I am Dreaming of the lov'd ones Mercy's Dream - cover art Dreams that charm'd me when a child I set My Heart upon a Flower What Care I!","Symphonien Largo de la 16e Symphonie Sonates Messiah Spirit Song Thou Lingering Star with Less'ning Ray Menuet from Symphonie no 11. Alegretto Pleasing Pain Rondo+","Pat Malloy Six Popular Dances for the guitar","Mollie Darling -cover art Evangeline - cover art Write Me a Letter from Home - cover art Darling Weep no More - cover art Kiss Me good bye darling - cover art Shamus O'Brien We parted by the River side Down by the Deep Sad Sea You've beena Friend to Me Yes, we think of thee at Home Katy McFerran My dear Old Sunny Home- cover art Take Me Back Home - cover art Nobody's Darling - cover art Nora O'Neal","The Burial of Mrs. Judson The Grave of Bonaparte","Little Daises 30 Etudes Progressives op. 46 Oeuvres de Piano","Just Once More! A Summer Night, Waltz Champagne Gallop Coterie Polka Der Wildfang The Skaters Mazurka","Romance Sans Paroles Marguerite","Evening Song to the Virgin The Child's first Grief The Messenger Bird","La Manola Lola Polka Deux Languages Tais-Toi Mon Coeur - cover art","When Alll the World is Young, Lad Oh Hush Thee my Babies","If I were a Bird I'd Fly to thee Liebeslied","cover art","cover art","Madame Sontags Waltz Empress Henrietta's Waltz Theme D'Aline Linda Di Chamounix Rondo Tyrolian Waltz Stabat Mater We Have Lived and Loved Together The Last rose of Summer L'Orage Variations Brillantes","I Have Riches, Thou Hast Beauty We Have Lived and Loved Together The Bridal Star La Parisienne Fairy Bells Cavatina de la Violette Fifty National Melodies First Set of Quadrilles Melodies de Christy Military Polka Comic Polka","O'er the Lone Sea Marseilles March Grand Minuet Madelle Sontags We Have Lived and Loved Together","Cover Photo Mme.Cassier","La Victoire Polka Facile","We're Out Upon the Moonlight Wave Few Days I Knew Thou Would'st Return Away then to the Mountains Days of Childhood 'Tis Home Where'er the Heart is Sleeping I Dreamed Love The Mountain Bugle Where Shall the Lover Rest The Bridesmaid Do You Love Me? Mr. and Mrs. Snibbs My Mountain Kate My Childhood Happy Home She Knew Him Not The Ladies Man","The Snow Storm - cover art Webster's Quick Step","Der Kinderlied In Meiner Heimath Abschied der Vogel Der Spielmann","Fantasiestuck Zur Guitarre","Himan's Serenade Matthew's Grand March","I See them on their Winding Way Wilt Tho Meet Me there Love Something to Love Me The Beautiful Day Where as Dewy Twilight Lingers","Song of the Captive Greek Girl Bird of the Greenwood","Dreams Still o'er the Waters Ruse-Bush L'Amicizia Snowy Lilly of the Valley The Alp Horn","My Home My Happy Home - Cover Art Hark! 'Tis the signal of the Meeting Annot Lyle The Poachers The Midshipman's Farewell Tell Me Mary How to Woo Thee The Woodbine Bower Her Heart is not There He Never Said He Loved O'er the Mountain Wi' My Love I'll March Away My Pretty Rose Give Me Back My Arab steed When the Moonbeams tender light","The Mockingbird - cover art Caprice de Concert Grand Paraphase de Concerr Love Among the Rose The Nightingales Trill","Invigorator Schottisch The Katy Darling Scottisch","Galopp Souvenir de Trovatore Crepuscule La Gazelle","Unter'm Machandelbaum Donauweibchen und Eisner Mann","Allegro Marziale Another Year Wood Up","Young America Waltzes Dance of the Demon Cachucha","Angels Watching Oh! What is Life.","Ellen's Waltz The Soldiers Joy","Let us now go even unto Bethlehem The Sailor's Grave","Did I Try to Paint Temptaion Oh! Yes we often mention her The Deep Deep Sea The Dew Drop All Things Love Thee so do I Dark Eyed One Come! Come! Soldiers Come! Cherry Ripe Where Zephyr dwells Again, Again, Again I Know a Bank Come Buy My Roses O'Come to the West Through the Wood The Banks of the Allan Water Mother oh sing me to rest","O'er the Blue Sea O Give Me a Home By the Sea Ella Gray Ballad Hear the Wild Birds Song The Rover's Adieu","Little Barefoot Only a Pansy Blossom When the Robins Nest Again - cover art","Sliding Down the Cellar Door I Leave you to Decide You Never miss the Water until the Well Runs Dry","Scenes de la Csarda Poemes Hongrois","Wyoming Grand Waltz Franconia Waltz","Wake Lady Wake The Social Glass","color cover art","Three Fishers went sailing Autumn Leaves Turn Fortune, Turn Thy Wheel","Cover art","Scales and Exercises for the Piano Forte La Rose Trumpet March Malcolm's March Leipsig Waltz O Cara Memoria Le Charme Le Debut de La Jeunesse Gallopade Quadrille The Emerald The Sultana 'T were wain to tell thee","Non piu mesta in la Cenerentola Come to Me, Gentle Sleep Les Bords du Rhin Trois Sentimentales: L'eloge des Larmes Collection of Operatic Airs Le Petit Tambour Six Tyrolien Waltzes Duo de Belisario Air de Herold L'Alliance Melodies Gracieuses Le Retour au Chalet L'elisir D'amore Marche de la Norma","Mrs. Lofty and I Eight Dollars a day","Braille Notation","My Love, my last thoughts are of thee Helen May","Fourth Calisthenic Rondo Third Calisthenic Rondo Alpenlied The Rosy Morn Come Where the Violets Blow Birth-day Ball: Valse Birth-day Ball: Schottische - cover art The Hazel Dell The Arkansas Traveller Oft in the Stilly Night Wake from your Slumbers Galatea Mazurka","The Dew Drop Brothers raise the Cheerful Song Soft be the gently breathing notes","Saviour breathe an evening blessing Te Deum Laudamus","La Pastorale Provencale Berceuse Amoureuse","cover art \u0026 photo","Valse de l'Opera Faust de Gounod Third Meditation, Op. 17","Le coeur de ma mie L'oiseau bleu","Lulu is Our Darling Pride Little Chatter-box Polka The Orphan's Lament Rome! Thou art no more Love's Hours Home Ever Dear Make Me No Gaudy Chaplet Widow Malone","Prayer at Sea Juvenile Party Galop","Florence The Mariner's Bride The Wings of a Dove","Opus 32 - Heft 1 Opus 32 - Heft 2 Opus 32 - Heft 3 Classiche Violin Musik The Mill Oh Lay Thy Cheek on Mine, Dear Love Opus 38 Dolorosa Nachmittags-stille Morgengruss - Opus 17 Abendmusik","cover sheet only","Thoughts of Other Days Song Without Words My Mellow Horn","The Prima Donna Waltz La Sicilienne Katy-Did Polka The Moldavian Schottisch Royal Irish My Father's Coming Home Mother The Mont Blanc Polka - cover art Douro Polka Faust Quadrille Grand Quadrille Hail to the Chief","Roseate Polka Victoria Rifles Quadrilles","Heimweh Silver Bells The First Violet Feu Follet Farewell, We'll Meet Again Irrlicht","Knights Templar Mazurka Flower Mazurka","Der kleine Postillon Rheinlander Champagner Walzer","When Night's Dark Shades are Stealing Vienna Gallop","No. 2 Petite Valse No. 6 Impromptu","Primrose Polka My Soul in one Unbroken Sigh Cricket on the Hearth Little Mischief Polnaise Blosson Polka Ravel Polka You are all the World to Me","cover art","La Bohemienne Charming Mazurka Ploka mazurka - Faust Boute-en-Train Flick et Flock Galop Argentine Mazurka - cover art Defile Marche - cover art Caprice Hongrois La Norvegienne","Araby's Daughter The Maid of Athens Bright and best of the sond of the morning Kate Kearney","The Minute Gun at Sea Eve's Lamentation","The Watchword Souvenir de la Belle Poules","I Would not live Alway The Rainbow Schottisch - colored cover art","The Orphan's Prayer Mollie Darling","Whisperings of Love - cover art Angel's Serenade Mountain Belle - cover art Annie Laurie March Perle de L'Amerique - cover picture Red Bird Polka Love by Midnight - cover art torn Innocence Polka - cover art Charming Waltz - cover art Lotta's Favorites - cover picture Violet Waltz - cover art","The Coral Schottisch The Rainbow Schottisch - Color cover art The Pearl Polka Sontag Polka The Signal March How dear to me the hour","title and cover pages","Blue Eyed Soldier Boy Is the Sweet Dream Broken","Valse de Mignonette Jovial Waltz Fairy Waltz","Rocked in the Cradle of the Deep Oh! fly to the Prairie Land Ho! Rocked in the Cradle of the Deep-cover art I'm Queen of a Fairy Band Farewell to Summer She Wore a wreath of Roses Say, what shall my song be to-night Dear Land of My Birth!","Lone Galop Lancer's Quadrilles Dancing in the Moonlight Coronation Polka Kitty Clover Fire-Fly Polka Evening Dew Waltz La Blonde Polka Apple of My Eye The Grand Duchesse Laughing Water Polka Ivy Leaf Waltz Cherry Ripe Polka","title page only","cover art","Potpourri fur lustige Leut Feinsliebchen Polka - cover art Neues Leben Walzer Marchen-Lauschen","Salut a Pesth Marche Hongroise","The Flowers of the Forest John Anderson, My Jo","Bouquet de Melodies - Lucia Bouquet de Melodies - Lucrezia Borgia Bouquet de Melodies - Freischutz Bouquet de Melodies - Tanuhauser Bouquet de Melodies - La Fille du Regiment Bouquet de Melodies - Martha de Flotow Zampa Shepherd's Song Guillaume Tell Berceuse Mazourka Galante Turkish Reveille Marsch aus Faust von Ch. Gounod Arie Aus Stabat Mater Miserere und Romanze Volkslied A Mother's Prayer Lily of the Valley","Rosa de Vries Waltz Ella Polka","The Maid of Judah We Met by Chance Ave Maria Drift My Bark Trot Galop Gently Rest The Slumber Song","Duettino Scene Bohemienne Hilda Waltz Graziella","Three Favorite Songs - Lilly Salina Le Bijou Sonatine Rondo IV The New Kingdom","cover art","cover art","Thou Art Ever Nigh A Morning in the Woods","Russian Polka The Aurora Waltzes The Dublin Waltzes Les Clochettes Polka Salut a Prague","cover art","Thou hast wounded the spirit that lov'd thee Oh! Were I a Bird","Would I were with Thee The Wild Ash Deer","First Kiss Breeze of Night","colored cover art","Serenade Der Tyroler und sein Kind Abendlauten Heather Rose Minnelied Die Glockenblumen von Schottland","Steyrische Tanze Evening Star Waltz Hof-Ball-Tanze Busserl - Walzer","cover art","Highland Gems Pride Schottische - cover art","O Dolce Concento Panama Waltz The Bugle Call Tink a Tink The Nightinggale with Variations","The Joyful Summer's Come On the Banks of Guadalquiver My Dreams are now no more of thee","cover art","La Chatelaine Vaga Luna","Away, Away to the Mountains Brow The Soldier's Tear Come Dwell with Me By the Margin of Fair Zurich's Waters Day-light Love is Pass'd Away The Gypsey's Wild Chaunt I am Dreaming of Thee Oh! no never name her to me I'll Be No Submissive Wife Oh Bring Me Showers of Roses The Alpine Maid Love in a Cottage A Dream in the Past The Moon's on the Lake Napolitaine Sing Away, by Day \u0026 By Night","Write to Me, Love My Own One","Les Cloches du Monastere Titania","cover art","cover art","Lawrence Waltz Rondoletto","When Twilight woo's the silver Sea Ellsworth","Bachelors Polka Alice Polka","braille notation on cover","La Source Mazurka","Rock Me to Sleep, Mother Woodland Whispers - cover art Angels My Loved One will Rock thee to sleep Let me linger by thy side","O Memory Speed On My Bark","Home! Ever Loved Home Thy Will Be Done","Esmeralda Ka foozle-um Galop","cover art","Recreations caracteristiques - cvoer art Souvenir D'Enfance Chanson a Boire","Massarianta - cover photo Vieneme 'Nzuonne E Parleme","Devotion Camelia Wasser-Nixen","cover art","Cover Photo","The Bridge - colored cover art Too Late, too late - cover art","Yes! The Die is Cast Pestal, or, the Prison Song","It is better to Laugh than be Sighing Laddie Come Where the Foutains Play Thou Art Near Me Again I've left the Snow-Clad Hills - cover art Woods of Green Erin! Thou Art gone from My Gaze The Sister's Wedding Mornings Ruddy Beam Why do I Love Thee Yet It's Now the May Time Rosa May Only for Thee I Heard the Wee Bord Singing Bonnie New Moon Love me little, love me long Dreams of the Heart The Mountain Daisy","Kiss the Little Ones for Me Alone in the Lane","Etude de Concert Sonate Rhapsodie hongroise - Hungarian Rhapsody 6 Chants polonais Mazurka Brillante Ein Fichtenbaum steht Einsam - handwritten copy","Not for Joseph I've Something Sweet to Tell You Bonnie Bell The Soldier's Song","There's a Fresh little Mound near the willow Sweet Kitty Manee Down by the Sea Heaven Our Home","cover art","Come and Buy Each Summer Flower There's a Path by the river Blow Gentle Gales The Old House at Home Philip, the Falconer","The Serious Family Polka The Bride The Rose of Affection Bundle and Go","30 Melodische Etuden No. 7 In Der Dammerung","colored cover art","Fly Away Galop Uncle Sam What ails you?","Ecstasy Waltz Ladies Polka Redowa","cover art","cover photo","Dream Land Waltzes - Lenore Louis' Second Waltz Departed Days","Dawn Waltz Ev'ry Land My Home -cover art","The Fairy Boy Rory O'Moore The Low Back'd Car Yes, we must part Widow Ma Chree The Angels Whisper True Love Can Ne'er Forget My Mother Dear","Oh! Molly Bawn Why Leave Me Pining The May-Dew Bowld Sojer Boy The Lands of dreams Mother He's Going Away Norah McShane Molly Bawn Thou Art Away Girl I left behind me The Haunted Spring What will you do love The Fairy Tempter","cover art","Alice Gallopade The Moonbeams are Glancing Spring Flowers","Barbe-Bleue Galop La Belle Helene","cover photo","Flutina Waltz Fountain Waltz","Maryland My Home A Home By the Sea","Polonaise Marzwind The Eagle or Der Adler","Village Belle Polka Immortellen Waltzes National Beauties III Marches Heroiques Happy Waltz Cumberland March No One to Love On the Beach at Long Branch Galop Softly Tread my Nelly's Sleeping The Mother's Reply Memorial March Ninety Years Ago Beautiful River Captain Jinks No, ne'er can Thy Home Be Mine Cato's Qucikstep Geranium Polacca Lotta Galop","Fondly and Truly The Cinderella Grand March","Take Me to the Ball -Cover photo The Separation Christabel The Silent Farewell Erin is My Home I Have Something Sweet to Tell You The Clarion Now Sounds to the Field Home Sweet Home Am I to Blame Pas L'Espagnol","I Have Something Sweet to tell You Maryland Institute Schottisch The Lost Flower","cover art","cover art","Le Torrent Juana","Waltz of Love 20 Vocalises","Cover art","Sailing The King of the Main","I Love the Path of the Free The Mountaineer Would You","Maguerite - cover photo My God and Father, whilw I stray Lonely Across the Far Blue Hills MArie","Little Lula Let the Dead and Beautiful Rest","Quadrilles - cover art Come this way my Father","cover art","Rosebud Quickstep The Ring My Mother Wore","Twickenham Ferry Friendship","Aragonaise Elegie Leonore When the Heart is Young When a Child Roamed the Green Fields Through Le Roi de Lahore - cover photo","Sunset Ballad When the Moon on the Lake is Beaming - cover art Love's Rememberance Come Sing Again that Song","Lady Love Lake It is Not True","cover art","Ein Stern fallt vom Himmel Wo beim Wein ein Walzer klingt Juanita - cover art","Gluten Polka By and By","The Mascot Waltz - cover art Silver Threads Among the Gold","El Kohinoor The Humming Bird Fantasie","When a Little farm we Keep Ye Shepherds Tell Me","Comrades Belle Mahone - cover art Oh, Peter! Oh! Uncle John","The Faded Coat of Blue The Dying Minstrel When You and I Were Young Annie Darling","I'm O'er Young to Marry This Harp is Mute","Thought Cuoid One Day! I Love Forever! Bonnie Mary Haye The Bird at Sea","cover art","3 Caprices - cover art To Distant Lands I'll Rove Italy Over the Mountain P Wert Thou in the Cauld Blast I would that my Love Consolation Songs without words If with all your Hearts Capriccio Rondo Capriccioso Auf Flugeln des Gesanges Oh Rest in the Lord Overture-Midsummer-Nights Dream I Would that my Love The Sabbath Morn Zweites Konzert fur Pianoforte In His Hands are all Corners of the Earth","Mit mehreren 8 und 4 fuss. Stimmen Zwanzig Praeludien Zehn Vor-und Nachspiele Drei Tonbilder Sechs Degelstucke Drei Clavierstucke-Novellette","cover art","Those Evening Bells Deliciosa or Leonore Polka","Long, Long Weary Day I am dreaming I'm an Infant - cover art Do You Love Me? I am Thine I'd Mourn the hopes that Leave Me Smiles \u0026 Tears","The Blind Girl Ballad - cover art Woodland Waltz The Willow Song Mount Pleasant Waltz","The Celebrated Sack Waltz Absent - cover art","Le Carnaval de Venise Air Russes Chant Bohemien","The Village Band - cover art Golden Band March Waltz","Daisy Marche Militaire Where the Hills are Heaven Adoring Fairy Spell","Scope and Contents Melodies from \"Le Prophete\" - cover art Hours of Rapture The Vale of Rest Sadly and Drearily Come to Me Dearest Maiden!","cover art","Recompense Mother, watch the little feet","Absent from Thee Ballad The Bonnie Wee Wife","Under the Daisies Ballad - cover art Darling Little Gertie - cover photo The Love Bird Waltz Song I am Waiting for Him to Come Home I Hear a voice from Heaven Waiting Song Longing The Whip-Poor-Will's - cover art","Ah! Che la Morte Ognora Ave Maria - cover art After My Galloping Steed - cover photo When the Tide somes in The Flag of the Tree Picking Cherries Down the Lane Watching - cover art Meeting","Calotta - Walzer I am the Unfortunate Jonathan The Army Chaplain Fan Autographs","Return of Springs Chestnut Street Scottisch Sleigh - Ride Scottisch","Sonata Trio-Sonate","Best of All Only Once More","Little Tin Soldier The Kerry Dance Song Rose Marie My Love has gone a sailing Three Simple Words","cover art","The Poor Savoyard - cover art Bo Peep Polka","Song of the Olden Time Come Play Me That Simple Air Again They Tell Me Thou'rt the Favoured Guest Wilt Thou Say FArewell Love Believe Me if all those endearing young Charms Come rest in this Bosom Those Evening Bells Love's Young Dream Oft in the Stilly Night My Heart and Lute Origin of the Harp Come Rest in this Bosom Watchman Weeping for Thee the Feast of Roses 'Tis the Last Rose of Summer Come Sing me that Sweet air again The Romanika","The Swiss Waltz Kinlock of Kinlock The Watchman The Carrier Pigeon Favorite Swiss Waltz - Harp or Piano","Twilight My Darling Husband Lost Hope","On the Road to Brighton Peter Gray Dressed in a Dolly Varden","Op. 113 - Grand Duo pour piano Swiss BoyTthe Switzer's Long of Home Erin is now My Home","Grande Valse de Concert Op.72 - 15 Etudes de Virtuosite Gondoliera Guitarre Spanische Tanze No. 4 Spanische Tanze No. 1 Malaguena`","Idoneneus - Arie Arie aus Oper. Il re pastore fur Sopran - Braille notation Sonate No. 17 Sonata in G Major Violet Go, Forget Me, Why Should Sorrow Selection of Melodies from Don Giovanni Yet That Have Tasted La Ci Darem","Navy Yard Grand March Lancaster Gallop Waltz","The Coming Step The Brightest Eyes Memory's Dream The Break of Day Falling Leaves Bijou of the Opera No. 13","Boquet Schottisch Polka The Coquette Schottisch","The Child's Wish Ballad My Heart Would Seek a Home","Annie Laurie Thalberg Polka Where I'd Love to Live","cover art - collection of Songs","cover sheet only","cover art","Mary of Argyle The Bride When Night Comes O'er the Plain The Bonny English Rose Deep in My Soul Dear Native Land The Rose of Allandale We Soon Shall meet Again Hear me Norma O! For One Seraphic Strain! The Rose of England - cover art/photo The Forest Queen Oh! The Moment was Sad The Spanish Guitar The Pilot Hear Me Norma","My Life is Like a Summer Rose Annie of the Vale","The Sea 4th Symphonie de Mozart","Gigue-Favorite Gavotte Favorite","cover only","Golden Moments Darling Little Lizzie fairest of the Fair","Mighty lak'a rose Serenade","handwritten","'O Viaggio 'E nozze Canto per te!","cover art","I Do Not Love Thee The Fairy Bells Oh Take Me Back to Switzerland Juanita Would I were with Thee Fanny Grey Maraquita The Officer's Funeral Love Not We are the Wandering Breezes","Ladies Reception Grand March But Where Art Thou","We Were Girls together Last Words of Emmet","Lights and Shadows Long and weary Day Perles de L'Opera Die Elfen, Valse de Labitzky Liebesschmerz Alpine Bells Auf der Schaukel Bonbonniere Musicale Book 4 Bonbonniere Musicale Book 5 Perles Allemandes Gondolied Ernani Maienliebe Snowbell's Spring Carol Staendchen Diavolina Minnesang","La Belle Helene Advance in Maiden Beauty Pot Pourri Orphee Aux Enfers A Poor Girl's Letter","Cover art","cover sheet only","The Lone Starry Hours Home Again The Galloping Sleigh Ride Going Home! Sam Brown Jenny Lane Silver Moonlight Winds The Indian Warrior's Grave Let Me Kiss Him for his Mother Dreaming of Home \u0026 Mother-cover art Twinkling stars are laughing, Love","Home Delights - cover art Root, Hog, or Die Oh! Emma was a Darling - cover art Wake! Dinah Wake! Home beloved, I miss thee then Moss Grown Dell","cover art","La Pluie de Perles O Sing to Me - cover art Who's at my Window","Down the Shadowed Lane she goes Shadow","cover art","Cover Photo","3 Volslieder Un Ballo in Maschere Loves of the Angels - cover art","cover art","colored cover art","La Violetera - cover art Ca...C'est Paris!","Sweet Evelina Starlight Waltz I'm Willing to Wait Sunlight","2 page cover art","My Ain Fire Side Sweet Home The Land of the Stranger Wanted a Governess Smile again my bonny Lassie Dost Thou Love Me Sister Ruth Vilikins \u0026 His Dinah Sleep My Darling Lullaby Slumber lie soft on Thy Beautiful Eye The Tyrolese Fortune Teller Comin' Thro' the Rye O! Merry row the bonnie Bark","cover art","Le Lever du Soleil Guide Me, O thou Great Jehovah","colored cover art","Melodienkranz Volksklange","cover art","Cover art","My Hearts in the Highlands When Wilt Thou Think of Me Love","Colored cover art","Stabat Mater Nina - braille on cover","Beware! The Polish Maiden's Song Marguerite Darling Little Minnie","Speak, only Speak! Little Robin Tell Kitty I'm Coming Barney Take Me Home Again Slumber not Darling","Mam'zelle Carabin - cover art Bonjour Suzon!","I Love Thee Dear Erin Old Rosin, the Bow Mothe Dear Ballad Sweet Memories of Thee The Greek March Shall we meet again Mary O! Doubt Not Natille, Maid of the Mill Louisville Gallopade The Ben Bolt Polka The Sailor Boy Oh! I am in Love Silken Bands The Only Daughter","Terpsichore Polka How Can I Leave Thee!","My Soul is Dark Be Kind to Each Other","Thou Art Lovelier Far I Love Wild \u0026 Mute","Young Ellen The Rock of the Pilgrims","Concerto per Violoncello Tarantella per Violoncello Fantasia romantica","May Flower Scottische We May Roam Round the World Spangle Polka","Little White Cottage The Medley Song","I Love My Love The Golden Lesson When Life is Brightest The Swallow The Raft There is Music..By the River","Here Awa' there awa' Wandering Willie La Recreation des Demoiselles Six Petits Duos","Mandoline Dansons La Gigue","colored cover art","Braille on cover","cover art - Annie Louise Cary","Mazurkai Op.11 No.3 Mazurkai Op.51 No.6 Mazurkai Op.32 No.2 Mazurkai Op.3 No.2 Ave Maria Ellentanz Polanaise de Concert Drei Stucke Op. 11","Tarantelle Chanson sans Paroles Spanische Tanze-cover art Zwei Transcriptionene-Schlummerlied Spanischer Carneval Ballet Scene Romanze Menuetto Serenade Orientale Trauermarsch","Noche y Dia Justamente una de esas Cosas Volver a Empezar Eso Que Llaman Amor","Serious Family Polka My Home is Nigh Ballad","Let Me Dream of Home Sweet Home - colored cover art First Rose of Summer Ballad","Mediation Waltz Mazourka Institute Polka Only Just a Year Ago Ballad Linwood Waltz","My Home's on the boundless sea Just Beyond the Pearly Gates Walking Down Broadway - cover art of Wm. Lingard As Through the Park I Go - cover art of Wm. Lingard Is My Darling True to Me?","cover art","cover art","The Sailor's Dream - cover art The Harvest Queen - cover art","My Heart Returns to Thee Again Switzer's Longing for Home Tyrolese-Song","A Grecian Air Here's a Health to all Good Lasses","Strike the Cymbal Sweet Breathing, Tranquil Peace","cover photo","The Lay of the Minstrel Knights On Wi the Tartan","cover art","Fenesta Enfamita! - cover photos Russulella Mia - cover photos","La Polka de la Reine La Fileuse Tarantella","The Mountain Maid's Invitation The Miller's Maid","Joyous Life Marinella - cover art","Dinah is the Girl for Me Die Musicanten","Braille notation on cover","Isle of Beauty, Fare Thee Well Oh! Come to Me","cover art","cover art","Robin Adair When the Green Leaves of Youth Turn Yellow","braille notation on cover","Thou art so near and yet so far Love's Request","Concert fur das Violoncell Clavier-Concerte Concert Op. 254 Cadenzen Spring Flowers Variationen Op. 84 In Memoriam","Typed copy","cover art","Cover art picture of the Mount Vernon Hotel, Cape May, NJ","cover art","cover art","cover art","Tone Pictures Blumen am Weg","Hungarian","Pastoral-Sonate Op.88 Zehn Trios","Kissing Song We are Off to Seek for Eva Dutch Song","Warblings at Eve Janet's Choice The Puritan's Daughter Rosalie Floating on the Wind What are the Wild Waves Saying God bless the Prince of Wales The Danube River St. Patrick's Day The Dream of the Wanderer The Monastery The Bells of Aberdovey Where the warbling waters flow The Flowers of Friendship Les Vepres Siciliennes Christmas Chimes Her Birght Smile Haunts Me Still Marie En Absence","cover drawing - Dessin de Vigne \u0026 Junka","Gentle Words Wait for the Waggon Vi Ravviso","Happy Land Bonnie Dundee Quadrille","O Dolce Concento Sacred Melodies - cover art","I have learned to love thee fondly You, Ballad Sentimentale","braille notation on cover","I'll Be There O Charming May! - cover art The Banks of the Blue Moselle Draw the Sword Scotland The Flower of Ellerslie Beautiful blue Violets From distant climes a Troubadour O'Steal to Thy Lattice - cover art A Tear Shall Tell Him All","A Bird in Hand The Skippers of St. Ives No, Thank You, Tom So far away","Cantilena Thou'lt yet be Mine in Heaven Fishermen's Evening Serenade","Oh, Sing Me No new song to night Philena Schottisch The Ausgusta Gallop","Hours There were The Melody","Konzertstucke Opus 51,50,61 Concerto Op 7 Konzert fur das Violoncell Violoncello Principale Violoncell solo Op.66 Le Troubadour","The One We Love May Guardian Angels Hover Near Thee O Would I were a Boy Again You Say We Part Forever","Two Brown Heads with Tossing Curls O! Mio Fernando Di Che M'ami!","My Boyhood's Home Under the Tree","Departed Days Touch the Keys Softly Sing Me to Sleep Father! Only Waiting The Crimson Glow of Summer Fades","Pictures of Memory - cover art Oh are ye sleeping Maggie The Vacant Chair- cover art Just Before the Battle, Mother - cover art On, On On, the Boys Came Marching - cover art Dearest Spot of Earth to Me is Home","Overature Guillaume Tell Fantasie Brillamte L'Iris Le Tremolo","Schottische de Concert All is Quiet","cover art","Hagar The Blind Girl's Lament Lo Here the Gentle Lark Oh Well I Know He Loves Me I'm with you in My Dreams Think of Me Ballad","Overature of Cinderella Dark Day of Horror Grand March Un Segretto D'Importanza Recitativo e Cavatina - braille Il Barbierre de Sevilla I Ne'er Could Leave Thee Una Voce Poco Pa Di tanti palpati O Calm Forgetful Slumber! - cover art Cujus Animam The Separation La Carita Gulliaume Tell","Colored cover art","Melodie Polka Boheme The Wanderer's Night Song 2 Melodies dediees Berceuse Pecheur Napolitain et Nepolitaine","Frederick William Polka Summit Polka","Elfin Waltz Varsovienna Elizabeth Polka Mazurka Assembly Gallop Spring Sparrow Polka Rural Felicity Silver Lake Waltz Rochester Scottisch","Some Love to Roam o'er the Dark Sea Foam The Braye Old Oak A Life on the Ocean Wave Woodman! Spare That Tree! - cover art The Old English Gentleman Our Way Across the Mountain, Ho! Russian march Robin Ruff Oh Lonely is the Forest Shade where oft in Days of Old The Wife's dream Come Brother Arouse The Ivy Green The Old Sexton I'm Afloat, I'm Afloat The Sabbath Eve","The Friar of Olden Time Believe not the Tales they have told thee of Me My Mother's Bible - cover art The Old Arm Chair - cover art Cheer, Boys Cheer I Love, I Love the Free When I rov'd a Young Highlander If I had but a Thousand a year","Darling, Take Me to Your Heart Dear to Day as Ever Save the Sweetest Kiss for Me","Lida Polka Redowa Bird Songs - cover art Fond thoughts of thee Bonnie Sweet Bessie Whispering Zephyrs Moonlight Dance","The Celebrated Linda Polka Susanna Polka","Allegro appassionato Theme Varie Menuet et Gavotte du Septuor Everie du Soir Danse Macabre Variations","I'm Sweeping through the Gates Absence - cover art","Lulu is Our Darling Pride Philadelphia Serenading","Photo - Moody \u0026 Sankey","Hand typed material","Speed Away! Music from Afar Anna is the One I Love O'er the Wildly Heaving Sea Jingle, Jingle clear the way The Lonely Tear Juliette Waltz","Peeking Thro' the Bars Swinging in the Lane - cover art Lu LuDee Who will care for Mother Now? When the Boys Come Home Mother would comfort me","cover art","cover art","La Favorita La Revel Polka Silver Lake Waltz","The echo O sweet Mother of Sorrow!","cover art","cove art","When Other Friends Are Round Thee The Musical Wife","Liebesgefluster Herz von an echten Weana","Ausgewahlte Lieder Phantasie Impromptu I Rest Me Oh My Saviour Cradle Song Trois Marches Heroiques La Pastorella - cover art Das Lied im Grunen Variationen in Asdur uber ein Original-Thema Sammtliche Tanze Wanderer Adieu Der Hirt auf dem Felsen Tanze","Arabeske Op. 18 Fantasiestucke Op. 12 Theme varie sur le nom Abegg Traumerei Drei Romanzen Op.28","Valse mignonne Op. 16 A la bien-aimee Reverie Op.31","Orchesterstudien Kontrabass: das Rheingold Orchesterstudien Kontrabass: Siegfried Orchesterstudien Contrabass: Fidelio Orchesterstudien Contrabass: Symphonie von Franz Schubert","colored cover art","cover art","I Love thee mine own one Jenny Rose","The Beggar Girl Poor Bessie's Song The Firemans Death Keemo Kimo - cover art","Cover photo","Souvenir de Spa Fantasie Fantasie et Variations Trombe en Utka Grande Fantasie Concerto Militaire Fantasie et Variations: Corni Fantasie et Variations: Flanto Fantasie et Variations: Viola","multiple languages","cover art","The Tide Comes in and the Tide Goes Out Don't always depend on your friend Come while the morning Blushes","colored cover art","The Rain-Drop and Minstrel The Happy Bride All Things Fair \u0026 Brigh tare Thine The Eagle on His Mountain Height The Mercy Seat Bristol March Bring Roses","La Bacchanale des Gnomes Amid Bright Blooms Mazurka I'll Think of Thee Waltz","Meet Me By Moonlight Hark! I Hear an Angel Sing","Cover art","Konig Kristian-Suite Erster Teil Madchen kam vom Stelldichein","Elementar-Vocalisen Die Alpenrose","cover art","cover art","cover photo","Come sit Thee Doen - signed copy Dumbarton's Bonnie Dell Johnny Sands Comic Ballad - cover art Hey the Bonnie Breast-Knots","Fantaisie Stabat Mater Op. 134","Cover photo/art","cover art","Zweite Polonaise a dur fur Violine Op. 49 Romance, Nocturne, Scherzo-Tarantelle Concert Op. 34","Why did They Dig Ma's Grave So Deep? Don't Bury Me Deep Papa - cover art Little Darling Dream of Me Serenade - cover art","cover art","Thou hast learned to love another - cover art Lament of the Exile","cover art","By the Blue Sea The Sailor's Story","A Place in Thy Memory, my Love Tis sweet to Look Back Sometimes","cover art","Lord Lovel and Nancy Bell Oh! Ne'er can I the Joys forget","Cover art","I Have Come from a Happy Land Let us haste to Kelvin grove","The Mountain Stream Queen of the Faires La Dame Blanche For You - cover art","Danse des Fantomes Oo. 200 - colored cover art Fete Champetre Marche des Tambours la Reine des Fees Feu de Joie - cover art Torrent de la Montagne Maritana Der Freischutz Lilly of the Valley Mazurka - cover art Tarantelle Brillante in E Minor","When the Leaves Begin to Fade - cover art Blossom Waltzes - cover art Old Oaken Bucket - cover art Massa's in the Cold ground - cover art","Our Hut on the Old Plantation Rosa Lane","Cover photo","Incline Thine Ear to Me I Will Love Thee I Will be Glad Blessed be the Lord","Scottisch de Concert Grande Scottische Brillliant","Leonora Flow Gently Sweet Afton Speed thee Pearlina Fair","Waldvoglein Valse Gracieuse Nosegay of Violets Anna Bolena Gazelle Musicalische Gedenkblatter","My Dream is Over Children Pray this Love to Cherish","In the Days When we went Gypsying List! Tis the Lay of the Gondolier Dream on Young Hearts","In the Days when we went Gipsying Do you ever think of Me","My King--cover art Mary Anderson Waltz--cover art It Never Comes Again--cover art","I am Waiting for Somebody I am Lonely no More","cover art","cover art","Lo Obscuro de Las Escaleras--cover art Gracias Te Doy--cover art Verdes Anos--cover art","Reiffarth Polka Lexington Galop Rejoui Polka Mazurka Halloo, Halloo Galop Le Bon-Vivant Galop Sans Pareil Polka Cupid Scottisch Brillante","Colored cover art","The Yankee Quilting Party She Sweetly Sleeps","Oh Tell Me Mary Dear I'll Watch for Thee from my lonely bow'r The Romaika Oft in the Stilly Night A Temple to Friendship All that's Bright Must Fade Flow on thou Shining River Sound the Loud Timbrel The Twilight Dews Tis the Last Rose of Summer","cover art","The Brightest Eyes The Dream of Home Die Thraene","New England New England Evergreen Waltz","handwritten note","cover art","Tell Tale Polka Carnaval A Paris Dear mother was it right? I turn to Thee The Fountain Love Chase Polka","Overature to the Operetta Genevieve Overature to the Operetta Laila","Love's Charm Girofle-Girofla Walzer Trois Etudes de Jazz","Gruss aus Osterreich MorgenBlatter--cover art The Ladies Waltzes Duke of Reichstadt's Waltz--cover art Far Away Sans Souci Polka The Real Russian Polka Queen Victoria's Waltz Dichterliebe Walzer Potpourri Csardas Kompositionen Altdeutscher Walzer The Ostrich feather Waltz Ruk-Walzer --cover art Annen Polka Redowa de Vienne On the Beautiful Blue Danube --cover art","Margherita-Polka Le Pensee Four Children of Haimon Blue Danube Waltzes - cover art Dorfschwalben aus Oesterreich","Wiegenlied--braille on cover Nachtgang","Anderschonen blauen Donau Oiseaux de Paradis--cover art Mountain Echoes Les Etoiles D'or","Madrienne--cover art When Lillies Bloom","The Letter that never came--cover art Looking Back","Jolly Hearts March Tripping thro' the Daises","Orpheus with his lute If Doughty Deeds My Ladys Please Birds in the Night Once Again Looking Back Were I Thy Bride--cover art Little Darling, Sleep Again","The Blue Juanita The Field of Monterey Mary Lindsey","cover art","Concert Op.7 Romanze Op. 26","cover art","Etude Mazurka Musidora Polka Mazurka Camille Polka","Der Vogel im Walde Sleep in Sweet repose Slumber Gently Falls","Sparkling \u0026 Bright Oh! No, we never mention Her Bring Flowers","Lart du Chant - cover art Home! Sweet Home! Serenade de Don Pasquale La Sonnambula","cover art","John Brown's Legacy Tis said that Absence Conquers Love The Dew is on the Blossom","cover art","cover art","Oh! Pity the heart that has suffered Bonny Eloise Voice of the Western Wind Beautiful Isle of the Sea As Pants the Hart Let Us Speak of a Man as we find Him Mother Kissed Me in my Dream In the Glade Annie of the Vale Thou Art With Me When the Light Waves 'Tis but a Little Faded Flower Down By the River Side I Stray The Stream in the Valley","Oh! Gently Breathe Jolly Good Laugh Evangeline - cover art The Leaves that Fall in Spring Janette - colored cover art Must we then Meet as Strangers? - cover art Far Away Voice of the Western Wind Happy Be Thy Dreams Some One to Love Pleasant Memories Down By the River I stray The Cottage By the Sea - cover art Cross and Crown - cover art Apart! - cover art","Dreaming of Thee Thou, thou, reign'st in this bosom Hymns of the Church - cover art Angel Voices - cover art No Crown without the Cross - colored cover art Must I leave Thee? Blue-eyed Jeannie In the Moonlight long Ago Ettie May Some One to Love The Birds Welcome Again - colored cover art","Happy Be Thy Dreams Down By the Gate - cover art Jenny who lives in the Dell - cover art Linger Not Darling Eilleen Allanna - colored cover art Fond Hearts at Home The Gates Ajar - cover art","Who will care for Mother now? Little Mary's Triumph","Marion Lee Annie Lisle Lilly Dale -cover art Ida May Willie's on the Dark Blue Sea I'm lonely since my Mother died","Don't go out to-night Come where the Lillies bloom - cover art","cover art","cover art","cover art braille notation on cover","Queen of the Night Take Back the Ring La Primavera","Vorrei Morir The Love That Came too Late Forever and Forever Chanson de Fortunio","Little Bird's Story Willie's Ship Song - cover art Only Come! - cover art","Colored cover art","Bird of the Wilderness Agathe","The Sleigh Ride- cover art Rail Road Galop - cover art Cute Schottische - cover art","cover art","Yarico's Lament The Blue Bird Scottisch","Sinfonie Nr. 4 f-Moll Souvenir de Hapsal Serenade fur Streichorchester Jahreszeiten No. 11 Sleigh Ride Chanson Triste","Come Maiden with Me Call me not back from the Echoless Shore Lost Star of My Home Dear Mother I have Come Home to Die Star of the Evening Weeping, Sad and Lonely Do Not Heed Her Warning 'Tis Evening Brings My Heart to Thee Violets Under the Snow Come from Afar Come Willie dear I'm Weeping Now Home, Home, I Love Thee Sweet Genevieve Memory Bells Darling Bessie of the Lea","Love Launched a Fairy Boat Summer Hours Ballad - cover art Where the Weary are at Rest I'd marry him tomorrow","Christmas Carol The Nation's Honored Dead Sweet Memory Ever of Thee Bouquet de Roses - cover art A Grand American Overture Tread Softly the Angels Are Coming - cover art Mossy Dell Waltz - cover art Mary of the Wild Moor Silver Moon - cover art Mrs. Malone Come sing to me again Fairy Wedding","Emblem of Constancy Scenes of My Youth Sweet Girl May I Be There!","I Love to Gaze on Beauty's Cheek Love's Gentle Whisper I Dreamed of Thee My Heart is Thine Speak Kindly","Handwritten music sheet inside score cover art","cover art","Aria Alla Scozzese Sicilian Air of Home Sweet Home The White Cockade Langolee an Irish Melody Beethoven's Admired Waltz She Wore a Wreath of Roses","The Morning Glory Waltz The May Queen Polka","Cover art - map of Japan and Korean Pennisula","Colored drawing on cover","cover art","cover art","Colored cover art","Home to Our Mountains ( Si la Stanchezza) Prison Song Over the Summer Sea Ah! I Have Sigh'd to Rest Me Ernani We'll Laugh and Sing All Cares Away Melodies from the Trovatore T'was no Vision In Tears I Pine for Thee Tempest of the Heart La Forza del Destino - cover art","Teutonia Quick Step Rose Waltz I Wish I was in Dixie - cover art Edinburgh Polka Seconfd Review Quick Step Les Graces","Caprice Menuet Les Pecheurs de Perles","cover art","cover art","cover art","Hungarian -cover art","cover art","cover art","cover art - internal cover","God of the Fatherless Love \u0026 Sorrow Footsteps of Angels The Hunters Chorus Echo Waltz Three Celebrated Pieces Last Waltz","6 Amusements Elegants-La Polka Le Carnevale de Venise Ernani Un Soir au Chateau Rouge Rosalie Redowa Elegantes When the Swallows Homeward Fly The Long, long weary Day Rose et Blanche","Patorale pour Grand Organ Nadia - cover art","Meet Me By Moonlight Hours there were Float Down the Tide Fair Rose I've Wander'd in Dreams O Do You Remember","cover art","cover art","cover art","cover art","Dolores Walzer Trictrac Polka La Plus Belle Walzer Bien Aimes Well Beloved Waltzes Sirenes Waltzes Bella Polka-Mazurka - cover art","Ever be Happy Chant des Oiseaux When Thou art near Parlor Cottillions No.2 I Fondly Think of Thee - cover art","Good Night and Pleasant Dreams Tis the Last Rose of Summer Why do I weep for Thee - cover photo Lucis di Lammermoor I Mourn Thee But I Love no More Tell Me some fond name Holy Mother Guide His Footsteps Adieu Dear Native Land Say my heart can this be Love? The Spring and Summer both are past Softly Ye Night Winds Speak Gently Sweet Evening Star","Sweet Spirit, Hear My Prayer! In Happy Moments Le Reve Softly Ye Night Winds The Hundreth Psalm The Star of Love The Midnight Waltz The Night Winds Wait for the Wagons Polka The Leaves are Turning Red Good Night and Pleasant Dreams The Midnight Serenade It is the Happy Summer Time","The Blue Bells of Scotland The Hundreth Psalm Grande Polka de Concert First Love I Have waited for Thy Coming Sleeping I Dreamed, Love Alas Thomes Chimes so Sweetly Stealing Melodie Peruvienne Bird of the greenwood The Winds that waft my sighs to thee","Tis the Harp in the Air Scenes That are Brightest Annie Laurie The Low Backed Car The Night-Winds The Spell If Lov'd by Thee Annie Dear, Good Bye - cover art Old Friendship's Smile Lotus Leaf La Mexicana The Lost Star Ballad The Celebrated Witches' Dance Adieu Grande Polka - cover art Scenes","Jenny Lind Polka First Love Redowa Brigand Polka The Storm Polka Fruhlings Landler First Love Pen and Ink - cover art Fleur des Champs Coquette Polka La Romantique - cover art","Kind Friends are Near Her Patch-work Polka Where are ye now Bright Dreams of My Childhood Sounds from the Ringing Rocks","Brother's fainting at the door - cover art Come sit by My Side Little Darling - cover art","Cover Photo","Inman Line March - cover art An Eine Aeolsharfe Nearer My God to Thee - cover art Come Holy Spirit - cover art Old Folks at Home Transcription Schottische Brilliant On the Track Galop Jessamine Polka Redowa Rippling Rill Mazurka","Old Haunts Ballad Rock of Ages Moss a Ballad Love's Twilight Star - cover art Christ the Lord is risen to day Rock of Ages The Reveille Come Holy Spirit Bobolink Polka Marche Militaire Tam O'Shanter - cover art The Song of the Brook As Pants the Hart Harum Scarum Polka","Recuerdame - cover art Solo Tengo Ojos Para Ti - cover art","The Morning Star Polka Jenny Forrester","Ah Do Not Forget Love - cover art Mondamin","The Mother's Vow What will you do Love","John Anderson My Jo.- cover art Beautiful Dream Waltz Tis sweet to take the bonnie Lake Come, come to me, my Rover","cover art","Come to the Sunset Tree Good Bye! a ballad","Gondoliers Song Home, Sweet Home","Wake Lady Wake The Plain Gold Ring The Magic Spell Jubel-Ouverture Mouvement Perpetuel Aufforderung zum Tanze Rondo Brillant","cover art","Lorena Zula Zong Softly, Lightly, Sweetly Sing Paul Vane Under the Beautiful Stars The Old Man Dreams Where the little feet are waiting - cover art Lorena Oh How I Love My Mountain Home They Buried Her Under the Old Elm Tree Dont Be Sorrowful Spare the Old Homestead Tap on the Window Pane It will be summer by and by Sweet By and By - cover art Over the River","cover art","The Nupital Quick Step Home Sweet Home Ever of thee Waltz Spanish Fandango","Harvest of Flowers ( Blumenlese) Praktische Violinschule- Blumenlese fur angehende Violinisten","cover art","Fleur des Alpes - cover art Serenade de Ruy-Blas","Dreaming Weaving","What Nora Said - cover art Beautiful Bells - cover art Watch and Pay - cover art Little Fanchon - cover art","cover art","La Grande Duchesse -- cover art Qui Vive Galop -- cover art","cover art","cover art","cover art","How Merrily We Live that Shepherds Be The Footstep on the Stair","In a Fairy Grot Thou hast Learn'd to Love Another Keep to the Right Love's Golden Chain","Stick to Your Father, Dick - cover art Pretty as a Pink - cover art","cover art","Darby Kelly Oh! Rest thee Babe","Put Me in my Litle Bed - - cover art Come Birdie Come -- cover art Poor Little Johnny -- cover art A bird from o'er the sea -- cover art Little Emily -- cover art Little Clo Baby Fingers on my Cheek -- cover art Far From Home -- cover art The Old Turnkey-- cover art Marguerite -- cover art The Widow in the Cottage by the Sea-Side He was Crucified -- cover art","The Watcher Quick Step When Voices Breathe a Music Sweet Wrecker's Daughter Oh Susanna! Joys that were Crowning Love Not Verdi's Quick Step Sachems Daughter -- cover art Rosa Lee The Birde of Sighs The Farmer's Boy Sister, Swift the Hours Have Fled In the Lonely Grove I Linger Rose of Allandale French Republic March","cover art","cover art","The Welcome Wild roses","Contes D'Avril Six Duos pour Pianoo et Harmonium","Variations on Hadyn's Austrian National Hymn -- cover art Rochester Scottisch and Affection Waltz May Queen Polka -- cover art Bouquet of Melodies -- cover art","Fading the still fading the last beam is shining Ingleside Triumph March -- cover art Away away we bound o'er the deep The Harpers Song","cover art","cover art","The Soldiers Grave The Brides Farewell Larboard Watch","Heliotrope Polka Geranium Waltz Coming Out Waltz -- cover art","cover art","Glen Mary Waltzes Day is Departing","Sleep the Kind Angel is Near me Christmas Carol","Sehnsucht am Meere Flieg' Vogel, Fliege! Freundvoll und Leidvoll","cover art","The Chapel in the Mountains -- cover art The Sky-Lark The Shepherd Boy -- cover art Highlands Echoes -- cover art Tripping thro' the Meadows -- cover art Les Voix du Matin","Five Favorite Chants Hark! The Herald Angels sing","cover art","cover art","Farewell Song of Enoch Arden First Love Redowa Martha Loves Chiding's Waltz -- cover art La Fille du Regiment Trab-Trab Galop La Belle Helene Nothing to Wear -- cover art The Sunshine Schottisch -- cover art Bells of Corneville","Cover art","cover art","cover art","cover art","Evening By the Sea Sweet Cecile Leslie","Cover art","Orgelvorspiele Sonate in B moll fur Orgel","cover art","Grand March de Concert Galop di Bravura L'Hirondelle Grande Marche Militaire Le Dernier Sourire Marrie Polka-Mazurka The Whispering Wind","cover photo","I've brought Thee an Ivy Leaf--cover art Clara May","cover art","The Indian's Prayer Home of the Penitent Be Kind to the Loved Ones at Home Mother Dear O Pray for Me Gentle Words and Loving Smiles The Sailor Boy's Last Dream He Doeth All Things Well--cover art","Speed Away! Speed Away! Take Me Home to Die Strike the Harp Gently Oh for a Home Beside the Hills Take Me Home to Die--cover art Give Me a loving Heart Uncle John is Sweetly Sleeping Katy's Cry Ella Dear He Doeth all things Well --cover art","Mary McNeil Bell Brandon","Come Home, Father Brave Boys Kingdon Coming--cover art Grandmother Told Me So--cover art Now Moses--cover art","cover art","The Belle of the Forest The Buccanier's Bride","Shylie Bawn Her Bright Smile Haunts Me Still Dearest Spot of Earth to Me is Home Gentle ray of sunlight Smiles and tears Sing me an English Song Let my care be no man's sorrow","The Hazel Dell--cover art The Church within the wood Rosalie the Prarie flower Departed Days Old Folks are Gone Annie Lowe Fair Thee Well Kitty Dear Bright Eyed Little Nell of Narragansett Bay","Shepherd Boy--cover art Silvery Waves Gaily our Boat glides o'er the Sea--cover art Dashing Spray The Last Rose of Summer Home Reveries--cover art Song of the Sky Lark Fishers Hornpipe Medley Little Maggie May When You and I were Young","Sister Come! Come Away. Fly Pretty Butterfly","The Dearer Name New Year Polka","cover art","Herculean Quick Step The Giraffe Waltz","cover art","Wecker Polka-cover art Ypsilanti-cover art","Schoenfeld - Marsch Wiener Buerger Natursanger Walzer Marsch-Evoluntionen Leipziger CoupletGluckliche Tage Die Tanzerin Unanfechtbar Marsch Marsch der Burgwache Diplomaten-Gavotte","The Fashionables 6 Celebrated PolkasCome Sing Me That Sweet Air Again Luna Waltz Azalia Polka The Dawn Waltz","White Rose Polka Scraps from Martha","Dearest Old Mansion","The Musical Repository","Dix Pieces pour Orgue Douze Pieces pour Orgue","Filippo Capocci","Coppella Ballet","Aida","Auld Lang Syne","Pleasant Recreations for Young Pianists","Mozart con fan tutte","Daily Exercises and Scales Sousa's Favorite March Book-Flute Sousa's Favorite March Book-Oboe Sousa's Favorite March Book-Drums Sousa's Favorite March Book-Coronet Fox Favorite Orchestra Folio","Sousa's Favorite March Book- 1st Violin A (2) Sousa's Favorite March Book- 1st Violin Sousa's Favorite March Book- 2nd Violin Sousa's Favorite March Book-Alto Saxophone Sousa's Favorite March Book-Trombone Sousa's Favorite March Book-Bass Sousa's Favorite March Book-Piano","Fosterlandsk Musik","Polkas, Waltzes and Quadrilles","Les Hirondelles","Le Pianiste Virtuose","It Will not do to Tell","Dancers Delight","Five Finger Exercises","Cottage Music","Im Walde Suite","Carlos Gomez Barrera","La Melancolie La Volette Mazonrka","Comedy Capers","Heures Mystiques Grands Succes Du Piano","Overture z.Op Figaros Hochzeit","Music for the Sanctuary Lays of Sweden and Findland Songs and Duets composed by Ciro Pinsuti","Music and Her Sister Song Duet","Four Rondos","The Angels Whisper","Tam O'Shanter Young Americas Schottisch Musical Bazaar: A Collection of Songs and Ballads for the Guitar La Senora Waltz The Boudoir Polkas The Champagne Galop Rosebud Quick Step The Faires Danse Gentle Annie Ballad","Collection de Morceaux choisis par Otto Schick","Ask Not My Love","La Lyre Ganloise Select Collection of Classic Piano Music Si Tu Savais","Chants de France Dance Music","Bingen on the Rhine When the Swallos Homeward Fly Le Tremolo pour le Piano Il Desiderio O Charming May","L'Art du Chant","Agathe Queen of My Soul The Rose of Allandale The Bride","No. 30 Bach","Six Petits Duos pour Deux Violins de I. Pleyel Album Classique our Violin et Orgue  par G. Zanger","Aurora! de Peigeian Oft in the Stilly Night by Wilhel, Iucho","6 Pieces d'Orgue Pieces Recreatives pour Violin et Piano Pelleas et Melisande by Claude Debussy Album de six Morceaux Choisis","Cling to the Rock","Love Not! by Blockley The Sea by Phillips Rory O'More by Carl Muller Galop de Piquillo by Francois Hunten","Pleasures of Home","Thy Spirit of Love Keeps a Watch Over Me by G. Linley","Montechi e Capuletti by J. Blumtal","Peters' Musical Monthly - Novembe 1871 Peters Musical Monthly - March 1872 Don't Be Sorrowful","Klavierwerke-Preludio con Fuga by J.S. Bach No. 1 Toccata con Fuga by J.S. Bach Dmoll-Konzert fur Pianoforte by Adolf Ruthardt Bach Capriccio, Fantasie Bach Toccata con Fuga Mendelssohn Lieder Onhe Worte Brahams Duette Bach -Album fur Orgel","Chorus - Down Went McGinty","Gaily the Troubadour","Die Dollarprinzessin","What Joy to Listen","Robert Volksmann Musikalisches Bilderbuch","The Echo of the Italian Opera","Paisley Schottisch March from Lucia De Lamermoor- Charles Gobe Norma de Bellini Primrose Polka","The Ceebrated Sophie Waltz by Charles Grobe The Tip Toe Polka Galop by J.C. Meininger Etudes de la Velocite by Charles Czerny Der Freischutz by Sydney Smith Thoughts of Home by J. Ascher","Le Poilu by H. Maurice Jacquet","Bossi Six Morceaux pour Orgue Hellmesberger Exercises en forme de gammes","L'Art du Chant","Hazel's New Ideal Orchetra Book-First Violin Hazel's New Ideal Orchetra Book-Alto Saxophone","General Yeoman's Grand March -E.B. Spencer","Take Them, I Implore Thee","Smith's March by J. T. Martin Have Faith in One Another by James Perring The Long, long Weary Day","Harold and Mildred by Herman Finck","Premiere Symphonie pour grand Orchestre by S. Taneiew Overture, Danses et Marche by A. Borodine","Blessed are they thta consider the Poor","Symphonie No. 5 by Anton Dvorak","Come Home, Father by Henry Clay Work I Wonder why he comes Not","Fritz Spindler's Piano Compositions: Convent Bells","Horse Radish Fox Favorite Orchestra Folio Vol. 5 - 2nd Coronet Fox Favorite Orchestra Folio Vol. 5 - Bass Fox Favorite Orchestra Folio Vol. 5 - 1st Violin Fox Favorite Orchestra Folio Vol. 5 - Drums","Evangeline by A.P. Wyman The Little Ones at Home by C.J. Lockwood","Piano Classics by the Best Composers","The May Queen by William Dempster Rakeman's Pas Redouble Gipsey Schottisch Guillaume Tell by F. Beyer White Mountain Serenade Do They Miss Me at Home? In Dreams of Peace The Dismal Swamp Where are the Friends of My Youth Farewell","The May Queen Le lever du Soleil Do They Miss Me at Home? Sally, Come Up Love's Hidings Place Prison Waltz I Love the Merry Sunshine The Pirates Chorus","Pokcaha March Wont you tell me why, Robin? The Pianist's Best Companion Why Not Be Happy Now The Vocal Beauties of Lucia di Lammermoor","Morceau de Concert par F. Servais Violoncelle Opus 14 (2) Concert fur das Violoncell von Carl Reinecke O Cara Memoria F. Servais Op 17. (2) Fantaisie Burlesque pour Violoncelle par F. Servais Op.9","Fantasie Burlesque (ou le Carnaval de Venise) pour Violoncelle par F. Servais Op.9 Grande Fantaisie polonaise sur des Airs du Ballet par F. Servais Op. 19 Grande Fantaisie polonaise pour Violoncelle par F. Servais Op. 19 Faust ( Margarethe) oper in Funf akten von Gound No. 2 Polnischer National-Gesang Chant National Polonais; Vaterlands-Lieder von Ferd. Beyer; Albert Sowinski ( includes National Hymns/Songs from Poland, France, the Netherlands, Belgium, Norway, Scotland, Chile, Serbia, Java)","25 Etudes pour Piano par Francois Hunten Opus 114 Jugend Bande, Leichtes Vierhandiges Album, Band 1: Aletter, Kleines Menuett; Franke, Fruhlingszauber; Gurlitt, Valse noble; Parlow, Polonaise; Reinecke, Primula veria; Sartorio, Mit Lingendem Spiel; Spindler, Landisches Fest; Morley, Teerose; Zilcher, Wasserfahrt, Barcolle; Mendelssohn, LUD, Zigeunertanz; Ziegler, Goldene Sterne, Abenlied; Schytte, Allegro moderato; D'Ourville, Fruhling; Wil, Tanz im Dorfe First Flights in Music (melodius piano Studies for Beginners) by Martin Frey 25 Etudes pour le Piano par Fredic. Burgmuller, Op.100","Rebecca at the Well by Septimus Winner Linked with many bitter Tears by Alice Hawthorne Ideas from the Opera, No. 1 Flower Song \u0026 Chorus from Faust","Capricious Annette bu Gaston Borch","Symphonies pour Orgue par Charles Marie Widor","Return of Spring Polka Brilliant par Theo. Moelling The Wreath-A collection of favorite Waltzes-Jour de Naissance, Op. 89, Burgmuller","Marceline Polka for Piano Forte by John A. Janke, Jr.","Birds of All Feathers, a musical sketch by Mildred Adair","La Traviata par Charles Voss","Lovey-Dovey Intermezzo by Robert A. Hellard","O Let me Die in spring-time by W. Cumming","Zampa Gallopades by Herold","The Lost Fairy Cavatina by C.AE.Horn (cover only)","Pique Dame Galop by C. Denstedt","The Celebrated Anvil Chorus by Francis H. Brown Oh Summer Night by Wm. Dressler, Op.41 Happy Home of My Childhood by George Croal A Voice from the Waves Duett by Stephen Grover Louise Polka Brilliante by Joseph Ascher Pepita Polka by Joseph Ascher","The Whispering Wind Mazurka Caprice pour le Piano par  Hermann A. Wollenhaupt, Op. 38 Nellie Darling by H. Millard Sleeping I Dreamed Love by W.V. Wallace","As You Like it by Wiliam Shakespeare; music Kiss me and Say Goodnight by Johnston \u0026 Wiedoft","Etudes de la Velocite pour le Piano forte par Charles Czerny","Sweet Smile Polka by Charles Kinkel","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["Mss. 1.07","/repositories/2/resources/8982"],"normalized_title_ssm":["Sheet Music Collection"],"collection_title_tesim":["Sheet Music Collection"],"collection_ssim":["Sheet Music Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1997.054 was a gift received on 9/25/1997; Acc. 2007.87 was a gift from Mrs. Edmun C. Glover, III via Jim Deffenbaugh, Music Librarian. Acc. 2009.061 was purchased on 2/26/2009. Acc. 2009.070 was purchased on 2/21/2009. Acc. 2009.069 was purchased on 2/23/2009. Acquisition information for accessions received after February 2009 is not displayed for technical reasons. Consult a staff member for details."],"access_subjects_ssim":["African Americans--Music","Music--19th century.","Music--Virginia--19th century.","United States--History--World War, 1914-1918--Songs and music","World War, 1939-1945--United States--Songs and music","Scores","Sheet music"],"access_subjects_ssm":["African Americans--Music","Music--19th century.","Music--Virginia--19th century.","United States--History--World War, 1914-1918--Songs and music","World War, 1939-1945--United States--Songs and music","Scores","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["55.80 Linear Feet"],"extent_tesim":["55.80 Linear Feet"],"genreform_ssim":["Scores","Sheet music"],"date_range_isim":[1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eAdditions are being made to this collection on an ongoing basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Additions are being made to this collection on an ongoing basis."],"arrangement_html_tesm":["\u003cp\u003eThe collection is currently being processed and new items will be added on an ongoing basis. For this reason the indicated extent and date range are approximate at this point.\u003c/p\u003e\n","\u003cp\u003e Series 1 (box 1-47) contains sheet music acquired prior to 2007.  Subseries 1 (box 1-38)  is arranged alphabetically by composer; Subseries  2 (box 39-40) are filed by arrangers and unknown composers; Subseries 3  (box 41-43) contains exercise books; Subseries 4 (box 44-45) contains portions of collections; Subseries 5 (boxe46) iscollections; and Subseries 6 (box 47) is librettos.\u003c/p\u003e\n","\u003cp\u003e Series 2 (from box 48 onward) consists of acquisitons made 2007 and later, filed in the order in which they are received.\u003c/p\u003e\n","\u003cp\u003e Series 3 is is not yet fully arranged and described. Researchers should consult with a staff member for further information in advance of using this series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is currently being processed and new items will be added on an ongoing basis. For this reason the indicated extent and date range are approximate at this point."," Series 1 (box 1-47) contains sheet music acquired prior to 2007.  Subseries 1 (box 1-38)  is arranged alphabetically by composer; Subseries  2 (box 39-40) are filed by arrangers and unknown composers; Subseries 3  (box 41-43) contains exercise books; Subseries 4 (box 44-45) contains portions of collections; Subseries 5 (boxe46) iscollections; and Subseries 6 (box 47) is librettos."," Series 2 (from box 48 onward) consists of acquisitons made 2007 and later, filed in the order in which they are received."," Series 3 is is not yet fully arranged and described. Researchers should consult with a staff member for further information in advance of using this series."],"prefercite_html_tesm":["\u003cp\u003eSheet Music Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Sheet Music Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eMaterial received from 2009 to 2010 were accessioned and minimally processed by Ute Schechter. The portion of the collection received prior to 2007 was keyed in by student assistants including Lauren Chapman, Alex Dodd beginning in September 2009. Acc. 2012.050 accessioned and minimally described by Steven Bookman, Univeristy Archives Specialist, in February 2012. Series 3 added in April 2012 by Benjamin Bromley. Acc. 2012.272 and Acc. 2012.360 accessioned and minimally described by Steven Bookman, University Archives Specialist, in November 2012. Acc. 2013.247 accessioned and minimally described by Steven Bookman, University Archives Specialist, in October 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Material received from 2009 to 2010 were accessioned and minimally processed by Ute Schechter. The portion of the collection received prior to 2007 was keyed in by student assistants including Lauren Chapman, Alex Dodd beginning in September 2009. Acc. 2012.050 accessioned and minimally described by Steven Bookman, Univeristy Archives Specialist, in February 2012. Series 3 added in April 2012 by Benjamin Bromley. Acc. 2012.272 and Acc. 2012.360 accessioned and minimally described by Steven Bookman, University Archives Specialist, in November 2012. Acc. 2013.247 accessioned and minimally described by Steven Bookman, University Archives Specialist, in October 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Sheet Music Collection includes sheet music collected by the Special Collections Research Center.\u003c/p\u003e","\u003cp\u003eThis series includes sheet music collected by the Special Collections Research Center prior to 2007.\u003c/p\u003e","\u003cp\u003eScope and Contents \"High-High-High-Up in the Hills\" - 1926, Sam Lewis and Joe Young, librettists; \"Is there Still Room for Me Neath the Old Apple Tree\" - 1915, Edgar Leslie and Lew Brown, librettists; \"Pullman Porters Parade\" - 1913, Ren. g. May, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beautiful German Songs for Mezzo Soprano\"- undated., Franz Abt; \"Peter's Standard Series of German Songs\", second series- undated., Frantz Abt; \"New Series of Sems of German Songs\", undated, - Kate Blackeship \"Schirmer's Octavo choruses for Women's Voices\", undated- Kate Blackeship \"When the Swallows Homeward Fly\",- undated, Frantz Abt \"Songs of All Nations\",- undated, Frantz Abt.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Milange Pour le Piano sur les motifs de l'Opera de Bellini I puritani\",- undated, A. Adam.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I am going there\" or the \"Death of little Eva\"- undated, John S. Adams.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Holy City,\" - undated, Stephen Adams; \"Blue Alsatian Mountains\", undated, Stephen Adams; \"Popular Contralto or Baritone Songs\", undated, Stephen Adams; \"The Blue Alsatian Mountains\", undated, Stephen Adams, Georges Lamothe; \"The Holy City\" - undated, F.E. Weatherly, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Joys of the Table\"- undated, J. Addison; \"Our Sweet Dancing Days\" - Mrs. Mountain and Mifs Decamp, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ain't She Sweet\", 1927, Jack Yellon, librettists; \"Are You Sorry\", - 1925, Benny Davis librettists; \"Crazy Words Crazy Tune Vo-Do-De-O\", 1927, Jack Yellon, librettists; \"Forgive Me\", 1927, Jack Yellon, librettists; \"I Wonder What's Become of Sally\", 1924, Jack Yellon, librettists; \"Songs of the Dawn\", 1930, Jack Yellon, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Slow But Sure,\" - undated, Charles Newman, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Life is A Song\" - 1935, Joe Young, librettists; \"Ain't that the Way it Goes\" - 1931, Roy Turk, librettists; \"And I Still Do\" - 1934, Edgar Leslie, librettists; \"I Don't Know Why\"- 1931, Guy Turk, librettists; \"I'll Get By\" - 1928, Roy Turk, librettists; \"The Moon was Yellow\" - Edgar Leslie, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Latest and Best\" - undated\u003c/p\u003e","\u003cp\u003eScope and Contents \"It Happened when your Eyes Met Mine\" - 1934, Roy Turk, librettists; \"Nobody Cares if I'm Blue\" - undated, Grant Clarke, librettists; \"There's a Little White House on a Little Green Hill,\" - undated, Billy Rose, librettists;\u003c/p\u003e","\u003cp\u003eScope and Contents My Rosalie Sweet Rosalie\", undated, Edward G. Allanson, composer and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Maid of Athens\" - undated, Allen ?, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Over the Hill\"- n.d., Edgar Allen, composer, Lou Klein, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Minnesota March\"- undated, George N. Allen, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Earl Carroll Vanities\"- 7th Edition\" -1928, Louis Alter, composer, Raymond Klages, librettists; \"Hugs and Kisses\" - n.d., Lou Alter, composer, Raymond Klages, librettists; \"Manhattan Serenade\" - 1928, Louis Alter, composer; \"That Wonderful Something\" - 1929; Louis Alter, composer, Joe Goodwin, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \" I'll Pray for You\" - undated, Arthur Altman, composer, Kim Gannon, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"All or Nothing at All\" - undated, Jack Lawrence and Arthur Altman, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Suppose I had Never Met You\" - undated, Harry Archer, composer, Harlan Thompson, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"II Bacio- the Kiss\" - undated, L. Arditi, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Music Music Everywhere, but Not A Song in My Heart\" - 1932, Harold Arlen, composer, Ted Koehler, librettists; \"First You Have me High then You Have Me Low\"- undated, Harold Arlen, composer, Lew Brown, librettists; \"Between the Devil and the Deep Blue Sea\" - 1931, Harold Arlen, composer, Ted Koehler, librettists; \"Life Begins at 8:40\" - undated, Harold Arlen, composer, Ira Gershwin and E.Y. Harburg.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I am Dying, Egypt Dying\" - 1865, ? Armand.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love You Just the Same Sweet Adeline\" - undated, Clarence Gaskill and Harry Armstrong, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Eyes\"- undated, Ettienne Arnaud.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mandalay\"- undated, Earl Burtnett, Abe Lyman, and Gus Arnheim.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Soko\" - 1903, John Arnold, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"To-day\" - undated, Gerald Arthur, composer, Harold Robe,librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alice\" - undated, Joseph Asher, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Task\"- undated, E.L. Ashford.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just Because Its You\" - undated, Barbee Ashley, Charles Farrell and Wakefield Potts.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sonate\" - undated, Bonifacius Asioli, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Building Up an Awful Let-Down\" - 1935, Fred Astaire, composer, Johnny Mercer, librettists.\u003c/p\u003e","\u003cp\u003e\"Marching Through Georgia, Rudolf Thaler, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"O Wherefore Weep My Sister Dear\" - undated, D.F.E., Auber, composer. \"Overture to the Favorite Opera of Masaniello\" - undated, F. Mockwitz.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Famous Gobble Song\" - undated, ? Audran, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Miss Helyett\"- undated, E. Audran, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You're the Only Star\" - undated, Gene Autry, composer and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If You were the Only Girl\" - undated, Nat D. Ayers, composer, Clifford Grey, librettists; \"Oh, You Beautiful Doll\"- undated, Nat D. Turner, composer, A. Seymour Brown, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gavotte in B Minor\" - undated, John Bach, composer; \"Four Pieces from Triakontameron\" - 1912, Leopold Godowsky, composer; \"Bach's Lighter Compositions\"- 1887, John Bach, composer; \"Saint Cecilia Series\" - 1941, John S. Bach, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"La priere dune Vierge' - undated, Thekla Badarewska, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You'll Never Get Up to Heaven That Way.\" - 1933, Abel Baer, composer, Sammy Lerner, librettists; \"High Up on a Hill-Top\" - undated, Abel Baer, composer, Ian Campbell and George Whiting, librettists; \"I'm Happy When You're Happy\" Abel Baer, composer, Benny Daivs, librettists; \"June Night\" - undated, Abel Baer, composer, Cliff Friend, librettists. \"Me Minus You\" - 1932, Abel Baer and John Loeb, composers, Paul Webster, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Auf Wiedersehn\" - 1882, E.H. Bailey, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Racquet Waltz\" - 1879, F.H. Baker, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I hear a Rhapsody\" - 1940, George Fragos, Jack Baker, and Dick Gasparre, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pretty Little Baby\" - 1932, Phil Baker and Ben Bernie, composers, Sid Silvers, librettists; \"Strange Interlude\" - 1932, Phil Baker, composer, Ben Bernie and Walter Hirsch, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"How Bright was the Star\" - 1854, Thomas Baker, composer, H.D. Stuart, librettists; \"The Rachel Schottisch\" - undated, Thomas Baker, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come Into the Garden Maud\" - undated, M.W. Balfe, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents 'Daughters of Pocahontas\" - 1909, Charles W.A. Ball, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'll Forget You\" - undated, Ernest R. Ball, composer, Annelu Burns, librettists; \"When Irish Eyes are Smiling\" - undated, Ernest R. Ball, composer, Chauncey Olcott and Geo. Graff Jr., librettists; \"A Little Bit of Heaven\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists. \"In the Garden of My Heart\" - undated, Ernest R. Ball, composer, Caro Roma, librettists. \"Love Me and the World is Mine\" - undated, Ernest R. Ball, composer, Dave Reed Jr., librettists; \"I'm Going Back to California\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Shepherd's Gift\" - undated, William Ball, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gotta Get Home\" - 1939, James F. Hanley and Par Ballard, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"So Beats My Heart for You\" - 1930, Pat Ballard, Charles Henderson, and Tom Waring, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \" Come, Oh! Come with Me the Moon is Beaming\" - undated, B.S. Barclay, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Symphonie in C\" - undated, Woldemar Bargiel, composer; \"Ouverture zu Medea\" - undated, Woldemar Bargiel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Why Do Summer Roses Fade\" - undated, George Barker, composer, J.E. Carpenter, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweet and Low\" - 1935, Joseph Barnby, composer, Alfred Tennyson, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Good-Bye Dolly Gray\" - undated, Paul Barnes, composer, Will D. Cobb, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Virginia\" - 1904, D. A. Barrackman\u003c/p\u003e","\u003cp\u003eScope and Contents \"Wrap Your Troubles in Dreams (And Dream Your Troubles Away)\" - undated, Harry Barris, composer, Ted Koehler and Billy Moll, librettists; \"It Was So Beautiful (And You Were Mine)\" - undated, Harry Barris, composer, Arthur Freed, librettists; \"It Must Be True\"- undated, Harry Barris, composer, Gus Arnheim and Gordon Clifford, librettists;\u003c/p\u003e","\u003cp\u003eScope and Contents \"Songs by J.C. Bartlett\", - 1914, J.C. Bartlett, composer; \"A Dream\", undated, J.C. Bartlett, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Talking to the Moon,\" - undated, Billy Baskette, composer, George A. Little, librettists; \"Talking to the Moon\", - undated, Billy Baskette, composer, George Little, librettists; \"Good-bye Broadway, Hello France\", - undated, Billy Baskette, composer, C. Francis Reisner and Benny Davis, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Getting Sentimental Over You\" - 1933, George Bassman, composer, Ned Washington, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \" Songe D'enfant\", - undated, Alexandre Batta, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"12 Favorite Melodies\", - 1886, Adolph Baumbach, composer; \"Home Sweet Home\", 1859, Adolph Baumbach, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Going Going Gone\", - 1933, Phil Baxter, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Cannot Dance To Night\" - undated, T.H. Bayly, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fairies Fire\", - undated, Amelie T. Beauregard, composer.\u003c/p\u003e","\u003cp\u003e\"An Old Fashioned Tree,\" 1944, Becker Williams, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Musik Fuer Cello\" - undated, L. Van Beethoven, composer; \"Classische Stuecke\" - undated, C. Kissner, composer; \"Klassische Studienwerke Fur Die Violine\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van. Beethoven, composer; \"Klavier Bibliothek\"- undated, L. Van. Beethoven, composer; \"Trio from Fidelio\" - 1891, L. Van. Beethoven, composer; \"Fidelio\" - 1890, L. Van Beethoven, composer \"Grande Symphonie\" - undated, L. Van Beethoven, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beethoven Konzert\" - 1806, L. Van Beethoven, composer, \"Classische Stucke\" - undated, L. Van Beethoven, composer; \"Neun Tonstucke\" - undated, L. Van. Beethoven, composer; \"Organ Voluntary\" - undated, L. Van Beethoven, composer; \"The Accompagnement with the Concerto in Rondo\" - undated, L. Van Beethoven, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dritte Sinfonie\" - undated, L. Van Beethoven, composer; \"Oeuvres\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van Beethoven, compsoer; \"Sonatina in F\" - 1887, L. Van Beethoven, composer; \"Tonstucke\"- undated, L. Van Beethoven, composer; \"Zwei Sonaten\" - undated, L. Van Beethoven, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Musical Box\" - 1892, Francois Behr, composer; \"Choice Collections of Piano-Forte Duets\" - undated, Francois Behr, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rosenknospen\" - undated, Franz Behr, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In A Mist\" - 1928, Bix Beiderbecke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Spring Blossoms\" - 1862, James Bellak, composer. \"Jewels\" - undated, Jas. Bellak, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hear Me, Norma\" - undated, Bellini, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You Didn't Want Me When You Had Me\" - undated, George J. Bennett, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Eight Selections for the Pianoforte\" - undated, W. Bennett.\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Traviata\" - undated, Albert W. Berg, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Parlor Concert\" - undated, Carl J. Berger.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oh, How I Hate to Get up in the Morning\" - undated, Irving Berlin, composer; \"At Peace with the World\" - undated, Irving Berlin, composer; \"My Bird of Paradise\" - undated, Irving Berlin, composer; \"Call Me Up Some Rainy Afternoon\" - 1910, Irving Berlin, librettists and composer; \"This is the Life\" - 1914, Irving Berlin, composer; \"White Christmas\" - 1942, Irving Berlin, composer; \"All Alone\" - undated, Irving Berlin, librettists and composer; \"How Deep is the Ocean\" - 1942 Irving Berlin, composer; \"Always\" - undated, Irving Berlin, composer; \"The Girl that I Marry\" - 1946, Irving Berlin, librettists and composer; \"Get Thee Behind me Satan\" - 1936, Irving Berlin, librettists and composer; \"Roses of Yesterday\" - undated, Irving Berlin, composer; \"He's a Devil in His Own Home\" - undated, Irving Berlin, composer; \"In My Harem\" - 1913, Irving Berlin, composer; \"I Never Had a chance\" 1934, Irving Berlin, composer; \"Cheek to Cheek\" - 1935, Irving Berlin, composer; \"Because I Love You\" - 1926, Irving Berlin, composer; \"How Many Times\" - 1926, Irving Berlin, composer; \"Isn't This a Lovely Day\" - 1935, Irving Berlin, librettists and composer; \"I Want to Go Back to Michigan\" - undated, Irving Berlin, composer; \"Just a Little While\" - 1930, Irving Berlin, composer; \"No Strings\" - 1935, Irving Berlin, librettists and composer; \"Remember\" - undated, Irving Berlin, composer; \"Russian Lulliaby\" - 1927, Irving Berlin, composer; \"Say It Isn't So\" - 1932, Irving Berlin, composer; \"The Little Things in Life\" - 1930, Irving Berlin, composer; \"What Does It Matter\" -1927, Irving Berlin, composer; \"What'll I Do\" - undated; Irving Berlin, composer; \"When My Dream Come True\" - 1929, Irving Berlin, composer; \"With You\" - 1929, Irving Berlin, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The King of Thule\" - undated, Hector Berlioz, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"When Dixie Stars Are Playing Peek-A-Boo\" - undated, Al. Bernard and \"Jo\" Henning, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Maybe\" - undated, Bertrand Brown, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fleurs Italiennes\" - undated, Ferd. Beyer, composer; \"Boquet De Melodies\" - undated, Ferd. Beyer, composer; \"Beyer's Repertoire\" - undated, Par F. Beyer, composer; \"Morceaux\" - undated, Ferd. Beyer, composer; \"Morning Star Waltz\" - undated, Ferd. Beyer, composer; \"Ricci\" - undated, Ferd. Beyer, composer; \"Four Hand Arrangement\" - undated, Ferd. Beyer, composer; \"An Alexis Air Allemand\" - undated, Ferd. Beyer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Six Song-Stories for First Grade Pianists\" - 1920, Mathilde Bilbro, composer; \"Merry Hours\" - undated, Mathilde Bilbro, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In My Hide-Away\" - 1932, K.L. Binford, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mocking Bird Song\" - undated, Henry R. Bishop, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Prelude\" - 1933, Joe Bishop, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Serenade in the Night\" - 1937, C.A. Bixio and B. Cherubini, composers, Jimmy Kennedy, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oh No, Not Sad\" - undated, Bringham Bishop, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Southrons Chaunt of Defiance\" - undated, A.E. Blackmar, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'll Meet Thee in the Lane\" - undated, Charles Blamphin, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Carry Me Back to Old Virginny\" - undated, James A Bland, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Wigwam Queen\" - undated, James O'Dea, librettists, H.B. Blake, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lew Leslie's Blackbirds of 1930\" - undated, Andy Razaf, librettists, Eubie Blake, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Isle of Golden Dreams\" - undated, Gus Kahn, librettists, Walter Blaufuss, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Take Me\" - 1942, Mack David, librettists, Rube Bloom, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"We're Going Home\" - 1875, P.P. Bliss, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blackmar\u0026amp;Bro's selection of Favorite Songs\" - undated, Blockley, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Monsieur Wilhelm Kuhe\" - undated, Jacques Blumenthal, composer; \"Les Deux Anges\" - undated, Jacques Blumenthal, composer; \"My Queen\" - undated, Stella, librettists, Jacques Blumenthal, composer; \"My Queen\" - undated, Sims Reeves, librettists, Jacques Blumenthal, composer; \"My True Love Has My Heart\" - undated, Sir Phillip Sidney, librettists, Jacques Blumenthal, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Charge of the Uhlans\" - undated, Carl Bohm, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ah Quel Plaisir D'etre Soldat\" - undated, Doieldiru, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dreary Weather\" - undated, Clay Boland and Frank Winegar, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Way Down in the Dixie Where the Sugar Cane Grows\" - 1905, Ernest L. Bolling, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Moonlight on the James\" - 1904, Ernest L. Bolling, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Polka Di Bravura\" - undated, Edward Boulanger, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Flavier-Werke\" - undated, Ch. Bovy-Lysberg, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chinese Lullaby\" - 1919, Robert Hood Bowers, librettists and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"East of the Sun and West of the Moon\" - 1935, Brook Bowman, librettists and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just a Little Found Affection\" - undated, Elton Box, Desmond Cox, and Lewis Ilda, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Tell the World, Tell the Girl\" - 1921, Edward L. Boyle.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Le Souvenir\" - 1886, Loren Bragdon, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beneath the Willow Tree\" - undated, T. Dibdin, librettists, J. Braham, composer; \"By One by Two by Three\" - undated, T. Dibdin, librettists, J. Braham, composer; \"Death of General Sir Ralph Abercrombie\" - undated, T. Dibdin, librettists, J. Brahman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Eleven Chorale Preludes for the Organ\" - 1939, Johannes Brahms, composer; \"Symphonie\" - undated, 1877, Johannes Brahms, composer; \"Wiegenlied\" - undated, Johannes Brahms; composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Then I'll Come Back to You\" - undated, John W. Bratton, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \" La Belle Amazone\" - undated, A.R. Breiter, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Standard Series of Organ Composition\" - undated, Frank Bridge, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Remember Me\" - undated, M. Brinkman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Life in the Woods\" - undated, Francis H. Brown, composer; \"Miss Mary A. Westcott\" - undated, Francis H. Brown, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sunny Side Up\" - 1929, B.G. Desylva, Lew Brown and Ray Henderson, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You are My Lucky Star\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Love Songs of the Nile\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \" After Sundown\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \"All I Do is Dream of You\" - 1934, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \" A New Moon is Over my Shoulder\" - 1934, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Broadway Melody\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"I've Got a Feeling You're Fooling\" - 1935, Arthur Herb, librettists, Nacio Herb Brown, composer; \"Pagan Love Song\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Moon is Low\" - 1930, Arthur Reed, librettists, Nacio Herb Brown, composer; \" The Wedding of the Pained Doll\" - undated, Arther Reed, librettists, Nacio Herb Brown, composer; \" Would You\" - 1936, Arthur Reed, librettists, Nacio Herb Brown, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Falls of Paris\" - undated, Miss Aucusta Browne, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Girl of the Year is a Spar\" - 1943, Vida G. Brunner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Salut a La France\" - undated, Brunner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Red Lips Kiss My Blues Away\" - 1927, Alfred Bryan, James V. Monaco, and Pete Wendling, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come Mirth and Mend a Broken Heart\" - undated, Bryan Mr. F, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Down in Sunny Alabama\" -1901, James Burrell, librettists, James T. Byan, composer; \"There's a Big Cry-Baby in the Moon\" - undated, James Burris, librettists, Chris Smith, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"At Evening\" - 1899, Dudley Buck, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oleander Waltz\" - undated, Francis Buck, composer; \"Castle Waltz\" - 1848, Francis Buck, composer; \" Greenwood Waltz\" - undated, Francis Buck, composer; \"Mediterranean Waltz\" - undated, Francis Buck, composer; \"Sophronia Waltz\" - undated, Francis Buck, composer; \"Yes, We Miss Thee\" - undated, Francis Buck, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Songs and Ballads\" - 1848, Fred. K. Buckley, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thousand Island River\" - 1878, George C. Bragdon, librettists, Mary F. Bunnell, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Galop\" - undated, Fred Burgmuller, composer; \"Peratir Selections\" - undated, Fred Burgmuller, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Andante\" -undated, Norbert Burgmuller, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Carolina Moon\" - undated, Benny Davis, Joe Burke, composers; \"A Darn Fool Woman Like Me\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Cling to Me\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Paradise\" - 1931, Nacio Herb Brown and Gordon Clifford, librettists, Naco Herb Brown, composer; \"On Treasure Island\" - 1935, Edggar Leslie and Joe Burke, composer; \"By the River of the Roses\" - undated, Marty Symes, librettists, Joe Burke, composer; \"Just Another Dream of You\" - undated, Benny Davis and Joe Burke, composers; \"A Little Bit Independent\" - Edgar Leslie, librettists, Joe Burke, composer; \"For You\" - undated, Al Dubin and Joe Burke, composer; \"How can You Say No\" - undated, Al Dubin, librettists, Joe Burke, composer; \"In a Little Gypsy Tea Room\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Just Another Dream of You\" - 1932, Denny Davis and Joe Burke; composers; \"Dancing Sweeties\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Many Happy Return of the Day\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Moon over Miami\" - 1935, Edgar Leslie, librettists, Joe Burke, composer; \"A Sailor's Sweetheart\" - undated, Joe Burke, librettists and composer; \"The Bridal Waltz\" - 1935, Ira Schuster and Milton Drake, librettists, Joe Burke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dream Valley\" - 1940, Nick Kenny, Charles Kenny, Joe Burke, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Yours and Mine\" - 1930, Steve Nelson, librettists, Johnny Burke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If I Had a Son for Each Star in Old Glory\" - undated, J.E. Dempsey, librettists, Joseph A. Burke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Collections of Scotch Songs\" - undated, R. Burn, composer; \"Evening Melodies\" - undated, R. Burn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Leven Thirty Saturday Night\" - undated, Earl Burtnett, Bill Grantham, Jess Kirkpatrick, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Crystal Schottisch\" - 1853, William Byerly, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Les Trois Gosses\" - undated, Byrec, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Minnie the Moocher\" - 1931, Cab Calloway and Irving Mills, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Standard Songs- Amarilli\" - 1909, Giuli Caccini, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"At Dawning\" - 1906, Charles Wakefield Cadman, composer. \"Lilacs\" - 1905, words by, Nellie Richard Eberhart, music by, Chas Wakefield Cadman\u003c/p\u003e","\u003cp\u003eScope and Contents \"Crooning\" - 1921, lyrics by Al Dubin and Herbert W. Weise, music by, William F. Caesar\u003c/p\u003e","\u003cp\u003eScope and Contents \"W. Hamilton's Celebrated Songs\" - undated, words by, H.B. Farnie, music by, Fabio Campana \"Speak to Me\" - undated, words by, H.B. Farnie, composed by, Fabio Campana\u003c/p\u003e","\u003cp\u003eScope and Contents \"When a Yankee Got His Eye Down The Barrel of A Gun\" - 1918, words and music by, Fred S. Campbell\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Little Sweetheart, Mine\" - March 23, 1902, words by, Andrew B. Sterling, music by, Jessie H. Campbell\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just Been Wond'ring All Day Long\" - 1921, lyrics and music by Irene Ackerley Canning\u003c/p\u003e","\u003cp\u003eScope and Contents \"That Tumble Down Shack In Athlone\" - 1918, words by, richard W. Pascoe, music by, Monte Carlo and Alma M. Sanders\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Bridge\" - undated, words by, Longfellow, music by, Lady Carew\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sunrise Serenade\" - 1937, music by, Rankie Carle, lyrics by, Jack Lawrence\u003c/p\u003e","\u003cp\u003eScope and Contents \"\"Spirited Ballad; Brandy and Water\" - 1853, composed by, Julien Carle\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Old Lady\" - 1936, words and music by Hoagy Carmichael and Stanley Adams\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Lamplighter's Serenade\" - 1942, lyrics by, Paul Francis Webster, music by, Hoagy Carmichael\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hommage A Mon Amie, Valse Sentimentale\" - 1850, by J. Allan Carmichael\u003c/p\u003e","\u003cp\u003eScope and Contents \"We Don't Want the Bacon, What We Want is a Piece of the Rhine\" - 1918, by \"Kid\" Howard Carr, Harry Russell, and Jimmie Havens\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Girl With the Dreamy Eyes\" - 1935, by Michael Carr and Eddie Pola\u003c/p\u003e","\u003cp\u003eScope and Contents \"She is the Sunshine of Virginia\" - 1915, words by, Ballard MacDonald, music by, Harry Carroll\u003c/p\u003e","\u003cp\u003eScope and Contents \"By the Beautiful Sea\" - 1914, words by, Harold R. Atteridge, music by, Harry Carroll \"I'm Always Chasing Rainbows\" - 1918, lyrics by, Joseph McCarthy, music by, Harry Carroll\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Jolson Story\" - 1946, by Al Johnson and Saul Chaplin\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Favourite Spanish Dance\" - undated, by N. Carusi\u003c/p\u003e","\u003cp\u003eScope and Contents \"Allaballa goo-goo\" - 1912, words by CMS Mclellan, music by Ivan Caryll\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just a Gigolo\" - 1929, music by Leonello Casucci, German text by Julius Brammer, English text by Irving Caesar\u003c/p\u003e","\u003cp\u003eScope and Contents \"Martha\" - undated, composed by Cavatine\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chaminade-Album for Piano, Volume I\" - 1899, composed by Cecile Chaminade\u003c/p\u003e","\u003cp\u003eScope and Contents \"I've Grown So Used to You\" - 1901, words and music by Thurland Chattaway\u003c/p\u003e","\u003cp\u003eScope and Contents W. Hamilton's Celebrated Songs, \"Dear Little Shamrock\" - undated, composed by Cherry\u003c/p\u003e","\u003cp\u003eScope and Contents \"Henry Wadsworth Longfellow's Funeral March\" - 1882, by F. Chopin, song and chorus by Charles H. Gabriel \"Nocturnes\" - undated, by F. Chopin \"Standard Gems\" - 1884, \"Nocturne\" by F. Chopin \"Works of F. Chopin for Piano\" - 1877, composed by F. Chopin \"Chopin, Nocturnes\" - undated, composed by F. Chopin \"Polonaise\" - undated, composed by F. Chopin\u003c/p\u003e","\u003cp\u003eScope and Contents \"Old Folks at Home\" - 1857, words and music by E.P. Christy\u003c/p\u003e","\u003cp\u003eScope and Contents \"Children's Voices\" - 1869, words and music by Claribel \"Come Back to Erin\" - undated, by, Claribel \"Strangers Yet\" - undated, music by, Claribel\u003c/p\u003e","\u003cp\u003eScope and Contents \"Swanee River Moon\" - 1922, words and music by H. Pitman Clarke \"Swanee River Moon\" - 1921, words and music by H. Pitman Clarke\u003c/p\u003e","\u003cp\u003eScope and Contents \"Roamin' Around\" - 1925, words and music by Sonny Clay and Herbert Wiedoeft\u003c/p\u003e","\u003cp\u003eScope and Contents \"Clementi, Gradus ad Parnassum\" - undated, by Clementi \"Sonatinas for the Piano\" - undated, by Muzio Clementi and Friedrich Kuhlau\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dream is Past\" - undated, written by Edward Fitzaubyn, composed by, Stephen Clover\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Reverie\" - 1938, by Larry Clinton\u003c/p\u003e","\u003cp\u003e\"I'm Ridin' Straight to Heaven (On A One-Way Street)\" - 1931, words by Carroll Loveday, music by Wac Clifford\u003c/p\u003e","\u003cp\u003eScope and Contents \"There's Nothing Succeeds Like Success\" - undated, composed by Harry Clifton\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Longing for Old Virginia and You\" - 1915, words by Joe Lyons, music by E. Clinton Keithley\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Sorry I Made You Cry\" - 1918, by N.J. Clesi, arranged by Theodore Morse\u003c/p\u003e","\u003cp\u003eScope and Contents \"Our National Confederate Anthem, God Save the South\" - undated, composed by C.T. De Coeniel\u003c/p\u003e","\u003cp\u003eScope and Contents \"Composition for the Piano\" - undated, Louis Adolphe Coerne, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"We Three\" - 1940, Dick Robertson, Nelson Cogane and Sammy Mysels, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Little Grass Shack in Kealakekua\" - 1933, Bill Harrison and Johnny Noble, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Over There\" - undated, Nora Bayes and George M. Cohan, composers; \"You're a Grand Old Flag\" - 1906, George M. Cohan, composer and librettists; \"Father of the Land We Love\" - undated, George M. Cohan, composer; \"Popularity\" - 1906, George M. Cohan, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Living in Doubt\" - 1933, Chester Cohn, librettists and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Knights of the Cross Waltzes\" - 1900, Paul Cohn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Benedictus\" - undated, Charles W. Coleman Jr., composer; \"From Man to Ms.\" - undated Charles W. Coleman Jr., composer; \"Gloria Patri\" - undated, Charles W. Coleman Jr., composer; \"Tete.A.Tete\" - undated, Charles W. Coleman Jr., composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Night Shall Be Filled with Music\" - 1932, Will Collins, Buddy Fields and Gerald Marks, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Let's Pretend There's a Moon\" - 1934, Russ Columbo, Bernie Grossman, Nancy Hamilton and Jack Stern, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Compositions for Pianoforte\" - 1923, Zez Confrey, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cryin for the Moon\" -1936, Larry Conley, Jack Stern, and Jules Roos, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Needle in a Haystack\" - 1934, Herb Magidon, librettists, Con Conrad, composer; \"The Continental\" - 1934, Con Conrad, composer and Herbert Magidson, librettists; \"Don't Forget Me in Your Dreams\"- 1930, Edgar Leslie, librettists, and Con Conrad, composer; \"I'm Gonna Bring a Watermelon to My Girl Tonight\" - 1934, Billy Rose, librettists, Con Conrad, composer; \"Margie\" - 1920, Benny Davis, librettists and Con Conrad and J. Russel Robinson, composers; \"Singin the Blues\" - 1920, Sam M. Lewis and Joe Young, Con Conrad and J.R. Robinson, composers; \"Talkin to Myself\" -1924, Herb Magidson, librettists, Con Conrad, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"North Carolina\" - undated, Charlie E., Converse, composer; \"Three Bells Polka\" - undated, T.J. Hook, composer; \"The Rock Beside the Sea\" - undated, Charlie C. Converse, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I've Got the Blue Ridge Blues\" - 1918, Charles A. Mason, librettists,Charles S. Cooke and Richard A. Whiting, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Credulity\" - undated, W.B. Kingston, librettists, George F. Cooke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love, My Heart Is Calling You\" - 1923, Joe Young and Sam M. Lewis, librettists, Joe Cooper, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Always in My Heart (Forever on My Mind)\" - 1930, music by, J. Fred Coots, lyrics by, Roy Turk \"I Still Get a Thrill (Thinking of You)\" - 1930, music by, J. Fred Coots, words by, Benny Davis \"I Wonder Who's Under The Moon With You, To-Night\" - 1931, music by, J. Fred Coots, words by, Benny Davis\u003c/p\u003e","\u003cp\u003eScope and Contents \"Collegiate Sam\" - 1929, by Benny Davis and J. Fred Coots\u003c/p\u003e","\u003cp\u003eScope and Contents \"Your Country Needs You Now\" - 1917, music by Rennie Cormack and Geo. B. McConnell, lyrics by Al. Dubin\u003c/p\u003e","\u003cp\u003eScope and Contents \"In The Middle of a Kiss\" - 1935, words and music by Sam Coslow \"Hot Voo-Doo\" - 1932, words and music by Sam Coslow and Ralph Rainger \"You Little So-And-So\" - 1931, words and music by, Sam Coslow and Leo Robin \"You Took My Breath Away\" - 1935, words and music by Sam Coslow and Richard A Whiting \"Keep Your Fingers Crossed\" - 1935, words and music by, Sam Coslow and Richard A. Whiting \"You Didn't Know the Music (I Didn't Know the Words)\" - 1931, words and music by Sam Coslow\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dream House\" - 1926, music by, Lynn Cowan, lyrics by, Earle Foxe\u003c/p\u003e","\u003cp\u003eScope and Contents \"Forgotten\" - 1894, by Eugene Cowles and Flora Wulschner\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Ella Waltz\" - 1847, by Roswell Cowper\u003c/p\u003e","\u003cp\u003e\"How Can I Leave Thee?\" - 1851, by C. Cramer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Potpourris sur des motifs d'Operas favoris pour le Piano\" - undated, by Henri Cramer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Old Virginia Moon\" - 1924, music by, Jesse Crawford, words by, Gus Kahn\u003c/p\u003e","\u003cp\u003e\"We Parted by the River, Grace and I.\" - 1905, by Stanley Crawford\u003c/p\u003e","\u003cp\u003eScope and Contents \"After You've Gone\" - 1917, by Creamer and Layton \"If I Could Be With You (One Hour To-Night)\" - 1926, by Henry Creamer and Jimmy Johnson \"I Need Lovin'\" - 1926, by Henry Creamer and Jimmy Johnson\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Pelican\" - undated, composed by W.J. Crerar\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thou Art Gone From My Gaze\" - undated, composed by E. N. Crouch\u003c/p\u003e","\u003cp\u003eScope and Contents \"Melodies Populaires\" - undated, composed by Charles Czenry \"The Linden Waltz\" - undated, by Charles Czenry \"C. Czerny's Studies for Piano\" - undated, by C. Czerny \"Variations Elegantes\" - undated, by Ch. Czerny\u003c/p\u003e","\u003cp\u003eScope and Contents \"Amelia Waltz\" - undated, W.C.D, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sultan's Polka\" - undated, Charles D'Albert, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweetheart Days\" - 1907, J. Anton Dailey, composer, L.W. Heiser, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Birth of a Nation\" - 1915, Joseph M. Daly, composer, Thos. S. Allen.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Where the Shenandoah Flows\" - 1913, Chas. N. Daniels, composer, Earle C. Jones, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Silver Threads Among the Gold\" - 1930, H.P. Danks, composer, original poem, Eben E. Rexford, writer, revised, Edith Stanford Tillotson, writer. \"Silver Threads Among The Gold\" - 1873, H.P. Danks, composer, Eben E. Rexford, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lonely I Wander\" - undated, English words by G. Danskin, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rock Me to Sleep With My Virginia Melody\" - 1923, Joe Darcey, Bud Green, and Ray Henderson, composers; \"Tell Them You're From Virginia\" - 1924, Clyde Hager and Tom Bashaw, composers, Jerry Sullivan, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If You Could Care\" - 1920, Herman Darewski, composer, Arthur Wimperis, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In The Blue of Evening\" - 1942, D'Artega, composer, Tom Adair, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Confessin' That I Love You\" - 1930, music by, Doc Daugherty and Ellis Reynolds, lyric by Al. J. Neiburg\u003c/p\u003e","\u003cp\u003eScope and Contents \"To-Night You Belong To Me\" - 1926, David Lee, composer, Billy Rose, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Singing Hills\" - 1940, Mack David, Dick Sanford, and Sammy Mysels, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Wistful and Blue\" - 1926, Julian Davidson, composer, Ruth Etting, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Baby Face\" - 1926, Benny Davis and Harry Akst, composers, H.C. Redfield, arranger; \"Ev'ry Time My Heart Beats\" - 1932, Benny Davis and Gerald Marks, composers; \"Oh How I Miss You To-Night\" - 1924, Benny Davis, Mark Fisher, and Joe Burke, composers; \"Yearning Just For You\" - 1925, Benny Davis and Joe Burke, composer and librettists; \"What Price Love\" - 1931, Benny Davis and Harry Akst, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ellen's Waltz\" - undated, composed by Rich[ar]d Davis.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Melody\" - 1921, Charles G. Dawes, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Silence of the Dawn\" - 1940, Leon de Costa, composer, Samuel O. Johnson and Leon de Costa, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oh Promise Me\" - 1889, Reginald DeKoven, composer, Clement Scott, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Bunch of Roses\" - 1871, W.H. Delehanty, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thank God for a Garden\" - 1915, Teresa Del Riego, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Imprisoned\" - 1848, William R. Dempster, composer, Alfred Wheeler, arranger; \"When the Night Wind Bewaileth\" - 1845, William R. Dempster, composer, Epes Sargent Esq., writer; \"The Blind Boy\" - undated, W.R. Dempster, composer, Mis H.F. Gould, writer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Keep Me Awake Mother\" - 1863, Jos. Hart Denck, composer, Mrs. M.W. Stratton, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Mystery of the Night\" - 1920, Lucien Denni, composer, Gwynne Denni, writer; \"You're Just a Flower From an Old Bouquet\" - 1924, Lucien Denni, composer; Gwynne Denni, librettist. \"Keep Me Awake Mother\" - undated, J.K., composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Perhaps\" - 1929, Paul Denniker, composer, Andy Razaf, librettist; \"S'posin'\" - 1929, Paul Denniker, composer, Andy Razaf, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Song of the Seabees\" - 1942, Peter De Rose, composer, Sam M. Lewis, librettist; \"Have You Ever Been Lonely (Have You Ever Been Blue)\" - 1933, music by Peter De rose, words by, George Brown. \"Are You Sure You Love Me\" - 1933, Peter De Rose, composer, George Brown, librettist; \"Muddy Water (A Mississippi Moan)\" - 1926, Peter De Rose and Marry Richman, composer, \"Jo\" Trent, librettist; \"When Your Hair Has Turned to Silver (I Will Love You the Same)\" - 1930, Peter De Rose, composer, Charlie Tobias, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Here am I - Broken Hearted\" - 1927, by B.G. De Sylva, Lew Brown, and Ray Henderson \"Come to Me\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson \"If You Knew Susie Like I Know Susie\" - 1925, by B.G. De Sylva \"It All Depends on You\" - 1926, by B.G. De Sylva, Lew Brown, and Ray Henderson \"My Sin\" - 1929, by B.G. De Sylva, Lew Brown, and Ray Henderson \"I Am Only the Words You Are the Melody\" - 1930, by B.G. De Sylva, Lew Brown, and Ray Henderson, ukulele arrangement by, May Singhi Breen \"You're An Old Smoothie\" - 1932, by B.G. De Sylva, Richard A. Whiting, and Herb Brown Nacio \"You Try Somebody Else (We'll Be Back Together Again)\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson\u003c/p\u003e","\u003cp\u003eScope and Contents \"'N' Everything\" - 1918, lyric and music by Bud DeSylvia, Gus Kahn, and Al. Jolson\u003c/p\u003e","\u003cp\u003eScope and Contents \"When A Gypsy Makes His Violin Cry\" - 1935, music by, Emery Deutsch, words by, Dick Smith, Frank Wine-Gar, and Jimmy Rogan\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Gypsy Rhapsody\" - 1933, music by, Emery Deutsch and Arthur Altman, lyric by, Jack Lawrence \"Play, Fiddle, Play\" - 1932, music by, Emery Deutsch and Arthur Altman, lyric by Jack Lawrence\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pistol Packin' Mama\" - 1943, by Al Dexter\u003c/p\u003e","\u003cp\u003e\"Sunshine Good-bye!\" - 1906, words and music by John H. Devlin\u003c/p\u003e","\u003cp\u003eScope and Contents \"Because\" - 1902, music by Guy D'Hardelot, words by Edward Teschemacher\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Heart is Thine\" - 1905, music by E. di Capua, English words by Frank Sheridan, Italian words by G. Capurro\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mrs. O' Leary\" - undated, written and composed by Mr. Dibdin\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Shine on Your Shoes\" - 1932, words and music by Howard Dietz and Arthur Schwartz\u003c/p\u003e","\u003cp\u003eScope and Contents \"Di Lazzaro Melodien\" - 1939, music by E. Di Lazzaro, German lyric by Klaus S. Richter, Italian lyric by C. Bruno-Di Lazzaro\u003c/p\u003e","\u003cp\u003eScope and Contents \"Absence Makes the Heart Grow Fonder\" - 1900, music by Herbert Dillea, words by Arthur Gillespie\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pink Elephants\" - 1932, by Mort Dixon and Harry Woods\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ossian's Serenade\" - undated, by Ossian E. Dodge\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ferris' Quick Step\" - 1824, composed by Allen Dodworth\u003c/p\u003e","\u003cp\u003eScope and Contents \"Adieu\" - undated, by Theodore Dohler \"Nocturne\" - undated, by Theodore Dohler\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Dreaming While We're Dancing\" - 1935, music by Gerald Dolin and Ed J. Lambert, lyrics by Ed J. Lambert\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hush!\" - undated, by Dolores \"The Brook\" - undated, music by Dolores, words by Tennyson\u003c/p\u003e","\u003cp\u003e\"Where in the World (But in America)\" - 1948, words and music by Glenn Rowell, Fred Waring, and Jack Dolph\u003c/p\u003e","\u003cp\u003eScope and Contents \"Perfidia\" - 1939, music and Spanish lyrics by Alberto Dominguez, English lyrics by Milton Leeds\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Cross You Fingers, Cross Your Heart\" - 1938, by Al Donahue, Larry Shay, and Johnny Marks\u003c/p\u003e","\u003cp\u003eScope and Contents \"It's Been So Long\" - 1935, music by Walter Donaldson, lyric by Harold Adamson \"My Mammy\" - 1920, music by Walter Donaldson, words by Sam Lewis and Joe Young \"Out of the Dawn\" - 1928, by Walter Donaldson \"You\" - 1936, melody by Walter Donaldson, lyric by Harold Adamson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Sleepy Head\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"What Can I Say, After I Say I'm Sorry? - 1926, by Walter Donaldson and Abe Lyman \"At Sundown (When Love is Calling me Home)\" - 1927, words and music by Walter Donaldson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Don't Do Anything I Wouldn't Do\" - 1933, by Walter Donaldson \"For My Sweetheart\" - 1926, melody by Walter Donaldson, lyric by Gus Kahn \"It Made You Happy When You Made Me Cry\" - 1926, words and music by Walter Donaldson \"I've Had My Moments\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"Just Like A Melody Out of the Sky\" - 1928, by Walter Donaldson \"Little Hunka Love\" - 1931, by Walter Donaldson \"Little White Lies\" - 1930, by Walter Donaldson \"Sam the Old Accordion Man\" - 1927, words and music by Walter Donaldson \"Someday You'll Say 'O.K!'\" - 1927, words and music by Walter Donaldson \"Swanee Butterfly\" - 1925, music by Walter Donaldson, lyric by Billy Rose, arranged by J.E. Andino \"That Certain Party\" - 1925, music by Walter Donaldson, words by Gus Kahn \" I've Grown So Lonesome, Thinking of You\" - 1926, words and music by Walter Donaldson and Paul Ash \"Yes Sir, That's My Baby\" - 1925, music by Walter Donaldson, words by Gus Kahn \"You're Driving Me Crazy (What Did I Do?)\" - 1930, by Walter Donaldson \"You're Telling Me\" - 1932, music by Walter Donaldson, Words by Gus Kahn\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lucia di Lammermoor\" - undated, music by Donizetti \"Overture zur oper Belisar\" - undated, by C. Donizetti\u003c/p\u003e","\u003cp\u003eScope and Contents \"Il Trovatore\" - undated, by Edouard Dorn \"Ernani\" - undated, by Dorn \"Il Trovatore\" - 1883, composed by Edouard Dorn\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just for the Sake of Days Gone By\" - undated, music by Lillian Doreen, words by Felix F. Feist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Her Boy in Blue\" - 1904, words and music by Chas W. Doty\u003c/p\u003e","\u003cp\u003eScope and Contents \"There's No Depression In Love\" - 1931, music by Dan Dougherty, words by Jack Yellen\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Little White House (At the End of Honeymoon Lane)\" - 1926, lyrics and music by Eddie Dowling and James F. Hanley \"Sleepy Valley\" - 1929, music by James F. Hanley, words by Andrew B. Sterling.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Songs of Miss Annie Louise Cary\" - 1871, M.S. Downs, composer, Miss Anne Louis Cary, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mairzy Doats\" - 1943, Milton Drake, Al Hoffman, Jerry Livingston, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"On the Banks of the Wabash Far Away\" - 1940, Paul Dresser, librettists and composer; \"My Gal Sal\" - 1905, Paul Dresser, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cecilia\" - 1925, Herman Ruby, librettists, Dave Dreyer, composer; \"Songs For Sale\" - 1932, Joe Young, librettists, Dave Dreyer, composer; \"I Just Wanna Be Known as Susie's Feller\" - 1926, Lew Brown, librettists, Dave Dreyer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beatiful Star\" - 1906, Louis A. Drumheller, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pagan Moon\" - 1931, Al Bryan, Al Dubin, Joe Burke, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Schirmer's Library\" - 1904, TH. Bubois, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Am Only Human After All\" - 1930, Vernon Duke, composer; \"I Like the Likes of You\" - 1933, Vernon Duke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Laddie in France is Dreaming\" - 1918, William E. Dulmage, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Spirit of Aggieland\" - 1925, Richard J. Dunn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Rosita\" - 1923, Allan Stuart, librettists, Paul Dupont, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Duex Themes Varies\" - undated, J.B. Duvernoy, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Humoresque\" - 1912, Anton Dvorak, composer; \"Compositions and Arrangements for the Organ\" - 1925, Anton Dvorak, composer; \"Transcriptions for the Organ\" - 1936, Edwin Arthur Kraft, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Maryland, My Maryland\" - undated, C.E., composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lafayette, We Hear You Calling\" - 1918, Mary Earl, composer and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"How the Gates Came Ajar\" - undated, Eastburn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come to me Darling, I'm lonely without Thee\" - undated, E.A. Eaton, composer; \"Three Beautiful Fantasias\" -1865, E.A. Eaton, composer.\u003c/p\u003e","\u003cp\u003e\"An Evening at Coney Isle (march-two step)\" - 1904, J.C. Eaton, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In My Merry Oldsmobile\" - 1905, Gus Edwards, composer, Vincent Bryan, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Be Still, My Heart\" - 1934, Allan Flynn, Jack Egan, librettists and composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"What a Fool I've Been\" - 1930, Al Eldridge, librettists and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pomp and Circumstance\" - 1902, Edward Elgar, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Solitude\" - 1934, Duke Ellington, music, Eddie De Lange and Irving Mills, librettists; \"The Creole Love Call\" - 1928, Duke Ellington, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"There's a Long, Long Trail\" - 1930, Zo Elliot, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Carelessly\" - 1936, Charles and Nick Kenny, librettists, Norman Ellis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm on a See-Saw\" - 1934, Desmond Carter, librettists, Vivian Ellis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hold my Hand\" - 1931, Maurice Elwin, Harry Graham, and Noel Gay, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Emmet's Lullaby\" - 1876, J.K. Emmet, composer and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Eva; Uncle Tom's Guardian Angel\" - 1852, Manuel Emilio, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"All Aboard\" - undated, J.C. Engelbrecht, composer; \"Wandering Sprite\" - 1859, J.C. Engelbrecht, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Melody of Love\" - 1903, H. Engelmann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come Forth Ye Heralds\" - 1880, Past Grand Rep. B.C. TRUE, librettists, T.B. ESTEP and R.S. Crandall, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"No One to Love\" - 1861, WM. B. Harvey, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Women's Love Waltzes\" - undated, Philipp Fahrbach, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Who Blew Out the Flame\" - 1938, Mitchell Parish, librettists, Sammy Fain, composer; \"Ah! The Moon is Here\" - 1932, Irving Kahal, librettists, Sammy Fain, composer; \"Beauty Must Be Loved\" - 1934, Irving Kahal, librettists, Sammy Fain, composer; \"By a Waterfall\" - 1933, Irving Kahal, librettists, Sammy Fain, composer; \"Hummin to Myself\" - 1932, Herb Magidson and Monty Siegel, librettists, Sammy Fain, composer; \"Sittin on a Backyard Fence\" - 1933, Irving Kahal, librettists, Sammy Fain, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You'll Wish Me Back Some Day\" - 1901, Fairfield and Leslie, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Time Its Veil is Weaving\" - undated, E. Falk, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dances and Marches by Carl Faust\" - undated, Carl Faust, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Promise You\" - 1938, Ben Oakland, Samuel Lerner, Alice Faye, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Organ Music\" - 1912, Gottfried H. Federlein, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Monogram Waltz\" - 1877, Emma Henry Ferguson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beautiful Heaven\" - 1924, C. Fernandez, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Kashmiri Song\" - 1902, Amy Woodforde Finden, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"German Song with English Words\" - 1689, A. Fesca, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Favorite French Air- Harp\" - undated, Cardon Fils, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Sorry Sally\" -1928, Gus Kahn, librettists, Ted Fiorito, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"When Lights are Low\" - 1923, Gus Kahn, Ted Koehler, and Ted Fiorito, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Driftwood\" - 1950, Frank Fischbach, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Want to Go to Tokio\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \"Billy-Billy Bounce Your Baby Doll\" - 1922, Fred Fischer and Al. Bryan, composers, Joe McCarthy, librettists; \"There's a Little Spark of Love Still Burning\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \" Blue is the Light\" - 1930, Fred Fischer, composer and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pego'my heart\" - 1913, Alfred Bryan, librettists, Fred Fisher, composer; \" Happy Days and Lonely Nights\" - 1928, Billy Rose, librettists, Fred Fisher, composer; \"That Stolen Melody\" - 1928, Fred Fisher, composer and librettists; \"The Red Lantern\" - 1919, Fred Fisher, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"New Piano Duets\" - undated, J. Fletcher, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Perles de Salon\" - undated, H. Fliege, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Popular Gems\" - undated, Flotow, composer; \"Popular Selections\" - 1860, Flowtow, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Happy Fours\" - undated, C.H. Fontaine, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Serenade for a Wealthy Widow\" - 1934, Reginald Foresythe, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Music in my Heart\" - 1939, Bob Wright and Chet Forrest, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love's First Kiss\" - 1914, Edward Lockton, librettists, Dorothy Forster, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Waters Piano Solo\" - 1934, Clarke Fortner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sheet Music\" - 1853, Stephen C. Foster, composer; \"Massa's in the Cold Ground\" - 1853, Stephen C. Foster, composer; \"My Old Kentucky Home, Good Night\" - 1892, Stephen C. Foster, composer; \"Nelly Bly\" - undated, Stephen C. Foster, composer; \" Oh Boys, Carry Me Long Plantation Melody\" - 1851, Stephen C. Foster, composer; \"Songs by Best American Composers\" - undated, Stephen C. Foster, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fire Fly Polka\" - undated, J.A. Fowler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"French Horn and Trumpet\" - undated, C.P. Francis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Girl of Mine\" - 1919, Harold Freeman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Meet Me Tonight in Dreamland\" - undated, Leo Friedman, composer; \"When I Dream of Old Erin\" - 1912, Marvin Lee, librettists, Leo Friedman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"After Tonight\" - 1932, Cliff Friend and Carment Lombardo, composers; \"Freckle Face, You're Beautiful\" - 1934, Cliff Friend and Carmen Lombardo, composers; \"Neath the Silv'ry Moon\" - 1932, Cliff Friend, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Lights are Low\" - 1934, Cliff Friend and Carmen Lombardo, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Trade Winds\" - 1940, Cliff Friend and Charlie Tobias, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Woodland Echoes\" - 1918 Rudolf Friml, composer; \"Some Day\" - 1925, Rudolf Friml, composer, W.H. Post, librettists; \"Organ\" - 1917, Rudolf Friml, composer; \"High Jinks\" - 1913, Otto Hauerbach, librettists, Rudolf Friml, composer.\u003c/p\u003e","\u003cp\u003e\"Bom-Bom-Bom-Bhe (The Melody Blues)\" - 1918, music by Bill Frisch, lyrics by Bobby Jones\u003c/p\u003e","\u003cp\u003eScope and Contents \"At Twilight\" - 1911, by J. Frank Frysinger \"Supplication\" - 1911, by J. Frank Frysinger \"Herbstnacht\" - 1914, by J. Frank Frysinger\u003c/p\u003e","\u003cp\u003eScope and Contents \"Has Another Won Your Heart\" - 1899, music by Seymour Furth, words by E. Nattes\u003c/p\u003e","\u003cp\u003eScope and Contents \"Coming, Coming Bye-And-Bye\" - 1866, music by Virginia Gabriel, words by J. H. Mc. Naughton \"The Forsaken\" - undated, music by Virginia Gabriel, words by H. Aide \"The Garden of Roses\" - undated, music by Virginia Gabriel, words by William Story \"Only\" - undated, by Virginia Gabriel\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Children's Christmas Eve\" - 1898, music by Niels W. Gade \"Erlkonigs Tochter (Elverskud)\" - undated, composed by Niels W. Gade \"Nachklange von Ossian. Overture\" - undated, by Niels W. Gade \"Symphonir\" - undated, by Niels W. Gade \"Sinfonie\" - undated, by Niels W. Gade\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love Hail'd A Little Maid\" - undated, music by Wilhelm Ganz, words by Wellington Guernsey\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rezo, The Planting of the Vine\" - undated, music by Garcia, words by W.B.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fair Virginia Waltzes\" - 1895, by R.C. Garland\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Little Ford Rambled Right Along\" - 1914, music by Byron Gay, words by C.R. Foster and Byron Gay \"The Vamp\" - 1919, by Byron Gay \"Fate, It Was Fate When I First Met You\" - 1923, by Byron Gay\u003c/p\u003e","\u003cp\u003eScope and Contents \"There's Something About A Soldier\" - 1933, by Noel Gay\u003c/p\u003e","\u003cp\u003eScope and Contents \"Loyalty\" - 1909, music by Adam Geibel, words by Anna M. Laise Phillips\u003c/p\u003e","\u003cp\u003eScope and Contents \"Calcutta\" - 1958, Heino Gaze\u003c/p\u003e","\u003cp\u003eScope and Contents \"Les Charmes De L'Opera\" - 1853, arranged by J.A. Getze\u003c/p\u003e","\u003cp\u003eScope and Contents \"Runnin' Wild\" - 1922, music by A. Harrington Gibbs, words by Joe Grey and Leo Wood\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bonnie Sweet Bessie, The Maid O' Dundee\" - 1877, by J.L. Gilbert\u003c/p\u003e","\u003cp\u003eScope and Contents \"So Sweet\" - 1930, words and music by Haven Gillespie, Ben Kanter, and Nelson Shawn\u003c/p\u003e","\u003cp\u003eScope and Contents \"Plantation Lullaby\" - 1921, by Gladys Gillette, Albert Holmer, and Vernon Stevens\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Squirrels' Frolic\" - 1890s, by Frank R. Gillis\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fluffy Ruffles\" - 1928, by Jack Glogau and Joe Zimmerman\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dream is Past\" - undated, composed by Stephen Glover \"In The Starlight\" - undated, music by Stephen Glover, words by J.E. Carpenter\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gavotte\" - undated, by C.W. Gluck\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tramway Galop\" - undated, by L. Gobbaerts\u003c/p\u003e","\u003cp\u003eScope and Contents \"Venitienne\" - 1892, by Benjamin Godard, revised and fingered by Wm. Scharfenberg \"Florian's Song\" - 1884, music by Benjamin Godard, English version by Laura M. Underwood\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Guards Waltz\" - undated, by D. Godfrey\u003c/p\u003e","\u003cp\u003eScope and Contents \"Wonder When My Baby's Coming Home\" - 1942, words and music by Kermit Goell and Arthur Kent\u003c/p\u003e","\u003cp\u003eScope and Contents \"Virginia Exposition March\" - 1888, by Richard Goerdeler \"Alone\" - 1901, by Richard Goerdeler\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mazie\" - 1921, words and music by Sidney Caine, Eli Dawson, and Lew Gold\u003c/p\u003e","\u003cp\u003eScope and Contents \"Venetian Moon\" - 1919, music by Phil Goldberg and Frank Magine, lyrics by Gus Kahn\u003c/p\u003e","\u003cp\u003eScope and Contents \"All Thru the Night\" - 1933, words and music by Michael Gollatz\u003c/p\u003e","\u003cp\u003eScope and Contents \"Two Buck Tim From Timbuctoo\" - 1933, music by Al Goodhart and Al Hoffman, words by Edward Heyman\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cherie, I Love You\" - 1926, words and music by Lillian Rosedale Goodman\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'd Love To Call You My Sweetheart\" - 1926, by Joe Goodwin, Larry Shay, and Paul Ash\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Star Fell Out of Heaven\" - 1936, words and music by Mack Gordon and Harry Revel \"College Rhythm\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Don't Let It Bother You\" - 1934, words and music by Mack Gordon and Harry Revel \"From the Top of Your Head To the Tip of Your Toes\" - 1935, lyric and music by Mack Gordon and Harry Revel \"I Wish I Were Aladdin\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Let's Give Three Cheers for Love\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Let's Knock Knees\" - 1931, lyric and music by Mack Gordon and Harry Revel \"Straight From The Shoulder Right From The Heart\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Take A Number From One To Ten\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Takes Two to Make a Bargain (What's The Answer-What's The Verdict-How's About It, Baby)\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Two For Tonight\" - 1935, lyric and music by Mack Gordon and Harry Revel\u003c/p\u003e","\u003cp\u003eScope and Contents \"Belisario\" - undated, by A. Goria \"Mazurka\" - undated, by A. Goria\u003c/p\u003e","\u003cp\u003eScope and Contents \"I've Got You On The Top of My List\" - 1934, music by Jay Gorney, words by Sidney Clare\u003c/p\u003e","\u003cp\u003e\"Do You Really Think He Did?\" - 1855, by J.T. Gosden\u003c/p\u003e","\u003cp\u003eScope and Contents \"America, I Love You\" - 1915, music by Archie Gottler, words by Edgar Leslie \"I Hate To Lose You\" - 1918, music by Archie Gottler, words by Grant Clarke\u003c/p\u003e","\u003cp\u003eScope and Contents \"Miserere Du Trovatore\" - 1864, by L.M. Gottschalk\u003c/p\u003e","\u003cp\u003eScope and Contents \"Faust\" - 1859, composed by Charles Gounod \"Faust March\" - 1882, by Gounod, arranged by H. Richards \"Le Parlate D'Amore\" - undated, music by Ch. Gounod \"O Sing to God\" - undated, composed by Ch. Gounod\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Arise From Dreams of Thee\" - undated, music by W.H.J. Graham, words by Percy B. Shelley\u003c/p\u003e","\u003cp\u003eScope and Contents \"That's My Weakness Now\" - 1928, words and music by Bud Green and Sam H. Stept\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dawn of To-Morrow\" - 1927, music by Joe Green, words by Jeanne Gravelle\u003c/p\u003e","\u003cp\u003eScope and Contents \"Body and Soul\" - 1930, music by John W. Green, words by Edward Hayman, Robert Sour, and Frank Eyton \"I'm Yours\" - 1930, music by John W. Green, words by E.Y. Harburg \"Living In Dreams\" - 1932, words and music by John W. Green \"Out of Nowhere\" - 1931, music by John W. Green, lyrics by Edward Heyman \"Rain, Rain, Go Away\" - 1932, music by John W. Green, words by Edward Heyman and Mack David\u003c/p\u003e","\u003cp\u003e\"C'est Vous (It's You)\" - 1927, by Abner Greenberg, Abner Silver, and Harry Richman\u003c/p\u003e","\u003cp\u003e\"Sing Me To Sleep (Sing mir dein Lied)\" - 1902, music by Edwin Greene, words by Clifton Bingham\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Makin' Hay In The Moonlight In My Baby's Arms\" - 1932, music by Jesse Greer, lyrics by Tot Seymour \"On The Beach With You\" - 1931, music by Jesse Greer, words by Tot Seymour\u003c/p\u003e","\u003cp\u003e\"What A Difference A Day Made (Cuando Vuelva A Tu Lado)\" - 1934, music and Spanish lyrics by Maria Grever, English lyrics by Stanley Adams, arrangement by Paul Hill\u003c/p\u003e","\u003cp\u003eScope and Contents \"Anona\" - 1903, by Vivian Grey\u003c/p\u003e","\u003cp\u003eScope and Contents \"Elfentanz (Elfin-dance)\" - 1902, by Edvard Grieg \"An den Frühling (To Spring)\" - 1898, by Edvard Grieg, edited and fingered by Luis Oesterle \"In the Morning\" - 1890, by Edvard Grieg, arranged for organ by Francis L. York\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ireland Is Heaven To Me\" - 1923, words and music by Gerald Griffin, Charles Harrison, and Fred Rose\u003c/p\u003e","\u003cp\u003eScope and Contents \"Palto Alto the 8th of May 1846\" - 1846, by Charles Grobe \"Court Ball Waltz\" - 1858, arranged by Charles Grobe \"Hohnstock's Polka\" - 1850, arranged by Charles Grobe \"Love is Life's Wealth Rondo\" - 1855, by Charles Grobe \"Orange Rondo\" - 1855, by Charles Grobe \"The Tolling Bell\" - 1859, by Charles Grobe \"United States Grand Waltz\" - 1845, by Charles Grobe\u003c/p\u003e","\u003cp\u003eScope and Contents \"Three Shades of Blue\" - 1927, by Ferde Grofé\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just a Little Dance\" - 1926, by Bernie Grossman, Paul Ash, and Abe Olman\u003c/p\u003e","\u003cp\u003eScope and Contents \"We're Going Over\" - 1917, by Bernie Grossman, Andrew B. Sterling, and Arthur Lange\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tampico Waltz\" - 1851, by J.A. G'Schwend\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Pictue I Painted of You\" - 1924, words and music by Tom Guarini, Vic King, Fred Korf and Ted Johnson\u003c/p\u003e","\u003cp\u003eScope and Contents \"Il Primo Sorriso (The First Smile)\" - 1867, by P.D. Guglielmo, English words by Mrs. C.R. Corson \"The Lover And The Bird\" - 1873, by P.D. Guglielmo\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gazellen Polka\" - undated, by Josef Gung'l\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mariar\"- 1904, music by Mose Gumble, words by Harry Williams\u003c/p\u003e","\u003cp\u003eScope and Contents \"Der tapfere Soldat (The little Hero)\" - 1893, by Cornelius Gurlitt \"Merry Hour March\" - 1897, by Cornelius Gurlitt\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tarantelle\" - undated, arranged by A. Gyrowez\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gems of Vocal Melody\" - undated, Foley Hall, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mellow Moon\" - 1922, Wendell W. Hall, composer; \"In Old Beidelberg, Waltz Song\" - 1933, Charles Kallen, librettists, Wendell Hall, composer; \"It Ain't Gonna Rain No Mo\" - 1923, Wendell Hall, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Iowa Corn Song\" - 1921, Ray W. Lockhard, George Hamilton, and Edward Riley, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Fairy Waltz\" - 1892, Steabbog, librettists, R.J. Hamilton, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bye Bye Blues\" - 1925, Fred F. Hamm, Dave Bennett, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Because of You\" - 1940, Arthur Hammerstein, Dudley Wilkinson, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Darling Nelly Gray\" - 1856, B.R. Hanby, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I know that my Redeemer liveth Sacred Song\" - undated, W.D. Wallace, composer; \"Choice Organ Selections\" - undated; \"Overture to the Occasional Oratorio\" - 1948, Garth Edmundson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tanz-Album fur kleine Leute\" - undated, M. Hanisch, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"At the End of the Road\" - 1924, Ballard Macdonald, librettists, James F. Hanley, composer; \"Indiana\" - 1917, Ballard Macdonald, librettists, James F. Hanley, composer; \"Ziegfeld's American Revue\"- 1926, Gene Buck and Irving Caesar, librettists, Rudolf Friml and James F. Hanley, composer; \" Oh I Miss Hannah\" - 1924, Thekla Hollingsworth, librettists, Jessie L. Deppen, composer; \"Sing Song Girl\" - 1930, Joseph McCarthy, librettists, James F. Hanley, composer; \"24 Hours a Day\" - 1935, Arthur Swanstrom, librettists, James F. Hanley, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"At the End of the Sunset Trail\" 1924, Ralph Waldo Emerson, librettists, Ethwell Eddie Hanson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Because Song\" - Edward Teschemacher, librettists, Guy D'Hardelot, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tonight is Mine\" - 1934, Gus Kahn, librettists, Frank Harling, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Somewhere\" - 1906 Chase K. Harris, composer; \"I'm Wearing My Heart Away for You\" - undated, Charles K. Harris, composer; \"Voice of the Night\" - 1904, Charles K. Harris, composer; \"Songs of Yesterday\" - 1916, Charles K. Harris, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Meet Me at Twilight\" - Sydney Harris, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Lovely Lady\" - 1934, Franklin Hauser, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Marche Triomphale\" - 1851, M. Hauser, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Snmphonien\" - undated, Joseph Hayden, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lost and Cast Away\" - undated, William S. Hayes, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Sweet Long Ago\" - 1916, Bobby Heath and Arthur Lange, librettists, Alfred Solman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Snow Strom\" - undated, Seba Smith, poetry, L. Heath, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Die Forelle\" - undated, Stephen Heller, composer; \"Heller, Nuits Blanches\" - undated, Stephen Heller, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Deep Night\" - 1929, Rudy Vallee, undated, Charlie Henderson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Birth of the Blues\" - 1926, B.G. Sylva and Lew Brown, undated, Ray Henderson, composer; \"Bye Bye Blackbird\" - 1926, Mort Dixon, librettists, Ray Henderson, composer; \"The Old Gang of Mine\" - 1922, Billy Rose and MOrt Dixon, Ray Henderson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Andante Et Etude Concertante\" - undated, by Adolphe Henselt \"Number 6. Si oiseau j'etais, A toi je volerai\" - undated, composed by Adolphe Henselt\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Falling In Love With Someone\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Ah! Sweet Mystery of Life\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Gypsy Love Song\" - 1898, music by Victor Herbert, words by Harry B. Smith \"Kiss Me Again\" - 1915, music by Victor Herbert, lyrics by Henry Blossom \"Give your Heart In June-Time\" - 1925, music by Victor Herbert, words by Clifford Grey and Harold Atteridge \"I Might Be Your 'Once-In-A-While'\" - 1919, music by Victor Herbert, lyrics by Robert B. Smith\u003c/p\u003e","\u003cp\u003eScope and Contents \"Clareene\" - 1905, by Max L. Herman\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Rosalia\" - 1864, composed by Don Pedro de Herrera, arranged by Theodore de La Hache\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dream Daddy\" - 1923, by Louis Herscher and George Keefer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Favourite March in William Tell\" - undated, varied by Herz \"La Belle Bohemienne\" - undated, by Henri Herz \"La Parisienne\" - undated, by Henri Herz\u003c/p\u003e","\u003cp\u003eScope and Contents \"For Sentimental Reasons\" - 1936, by Edward Heyman, Abner Silver, and Al Sherman\u003c/p\u003e","\u003cp\u003eScope and Contents \"Live, Laugh, and Love\" - 1931, music by Werner R. Heymann, words by Rowland Leigh\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lights Out\" - 1935, by Billy Hill \"Put On An Old Pair of Shoes\" - 1935, by Mr. and Mrs. Billy Hill \"There's a Cabin in the Pines\" - 1933, words and music by Billy Hill\u003c/p\u003e","\u003cp\u003eScope and Contents \"All Ashore\" - 1938, by Billy Hill \"Lights Out (Close Your Eyes And Dream Of Me)\" - 1935, by Billy Hill \"There's A Cabin in the Pines\" - 1933, words and music by Billy Hill\u003c/p\u003e","\u003cp\u003eScope and Contents \"Leichte Lieder n. Tänze\" - undated, by Ferdenand Hiller\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Devotion\" - 1942, words and music by Roc Hillman and Johnny Napton\u003c/p\u003e","\u003cp\u003eScope and Contents \"It Isn't Fair\" - 1933, music by Richard Himber, Frank Warshauer, and Sylvester Sprigato, words by Richard Himber\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love to Sing\" - undated, music by E.L. Hime, words by J.E. Carpenter\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sing of the Captive Greek Girl\" - undated, music by J.W. Hobbs\u003c/p\u003e","\u003cp\u003eScope and Contents \"For You\" - 1925, music by George L. Hodge, words by Frank G. Woodruff \"If You Would Say 'I Love You'\" - 1926, music by George L. Hodge, words by Frank Woodruff, ukulele arrangement by Mary Florence\u003c/p\u003e","\u003cp\u003eScope and Contents \"Auf Wiedersehen, My Dear\" - 1932, by Al Hoffman, Ed Nelson, Al Goodhart, and Milton Ager, German text by Herr Fred Fisher \"Masquerading in the Name of Love\" - 1933, by Al Hoffman, Al Goodhart, and Geo. Waggner \"Who Walks in When I Walk Out\" - 1933, words and music by Al Hoffman, Al Goodhart, and Ralph Freed \"Why Don't You Practice What You Preach\" - 1934, words and music by Maurice Sigler, Al Goodhart, and Al Hoffman \"Fit as a Fiddle\" - 1932, music by Al Hoffman and Al Goodhart, lyric by Arthur Freed\u003c/p\u003e","\u003cp\u003eScope and Contents \"Barcarole\" - 1884, by Heinrich Hoffman, arranged by Rob. Thallon\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pajama Polly\" - 1902, words and music by Max Hoffman\u003c/p\u003e","\u003cp\u003e\"Good Night (I'll See You In The Morning)\" - 1926, by Carl Hohengarten, Wm. Roettger, and Paul Smith\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Midsummer Fantasy\" - 1925, by Karl Holer\u003c/p\u003e","\u003cp\u003eScope and Contents \"It Will Have to Do Until the Real Thing Comes Along\" - 1936, words and music by Mann Holiner, Alberta Nichols, Sammy Cahn, Saul Chaplin, and L.E. Freeman\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Gift Polka\" - 1855, by Albert Holland\u003c/p\u003e","\u003cp\u003eScope and Contents \"Strange Enchantment\" - 1939, music by Frederick Hollander, words by Frank Loesser\u003c/p\u003e","\u003cp\u003eScope and Contents \"Smoky Mokes\" - undated, by A. Holzmann\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Little Coon's Prayer\" - 1921, music by Barbara Hope, words by De Burgh D'Arcy\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Toast\" - 1931, by Francis Hopkinson\u003c/p\u003e","\u003cp\u003eScope and Contents \"Every Little Movement\" - 1910, music by Karl Hoschna, lyric by O.A. Hauerbach\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Last Goodbye\" - 1939, words and music by Eddy Howard\u003c/p\u003e","\u003cp\u003eScope and Contents \"After You've Had Your Way\" - 1916, by Richard Howard\u003c/p\u003e","\u003cp\u003e\"I Love Everything Beautiful (That's Why I'm in Love with You)\" - 1932, by Bert Howe and Ernie Brooks\u003c/p\u003e","\u003cp\u003eScope and Contents \"Winsome Grace\" - 1890, by T.H. Howe\u003c/p\u003e","\u003cp\u003eScope and Contents \"Poor Butterfly\" - 1916, music by Raymond Hubbell, words by John L. Golden\u003c/p\u003e","\u003cp\u003eScope and Contents \"Moonglow\" - 1934, by Will Hudson, Eddie De Lange and Irving Mills \"You're Not the Kind\" - 1936, by Will Hudson and Irving Mills\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come, with Thy Lute, to the Fountain\" - undated, by T.P. Hullah\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Bubbling Spring\" - 1902, by Johann E. Hummel, arranged by Ferd. Meyer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hänsel and Gretel\" - 1894, by Egelbert Humperdinck\u003c/p\u003e","\u003cp\u003e\"Holiday Waltz - 1878, J.A. Ide, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Because I'm Married Now\" - 1907, Herbert Ingraham, librettists and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In a Little Garden\" - 1926, Felice S. Ivla, composer, Earl Whittemore, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Encompass'd in an Angel's Frame\" - undated, Jackson, composer, General Burguyne, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"On Miami Shore Waltz\" - 1919, Victor Jacobi, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love You Truly\" - 1906, Carrie Jacobs-Bond \u0026amp; Son, composer; \"A Little Bit O'Honey\" - 1917, Carrie Jacobs-Bond, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bridal Song from Lohengrin\" - 1892, S. Jadassohn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Collegiate\" - 1925, Moe Jaffe and Nat Bonx, composers and librettists'.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Eva's Parting\" - 1852, F. James, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fire Fly- Galop in the White Fawn\" - 1868, A. Jannotta, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lawrence of Arabia\" - 1962, Maurice Jarrf, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Barley Break\" - 1886, Iredell Jenkins, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Berceuse\" - undated, Fritz Schuberth, Leipzig and Hamburg, composers; \"Kochzritsmusik\" - undated, Adolphe Jensen, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Birds Complaint Song\" - 1856, Benjamin Jepson, composer;\u003c/p\u003e","\u003cp\u003eScope and Contents \"Impulsive Incident\" - 1932, Joan Jasmyn, composer, M.K. Jerome, composers; \"Just a Baby's Prayer at Twilight\" - 1913, Sam M. Lewis and Joe Young, librettists, M.K. Jerome, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweet and Low\" 1919. J. Stanley Royce, librettist, Charles L. Johnson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Face to Face\" - 1897, Herbert Johnson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Save the Last Waltz for Me\" - 1922, Howard Johnson and Jack Austin, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Let Your Love Go Wrong\" - 1934, George Whiting and Nat Schwartz, librettists, J.C Johnson, composer; \"That's How Rhythm Was Born\" - 1933, George Whiting, and Nat Schwartz, librettists, J.C. Johnson, composer; \"Without a Shadow of a Doubt\" - 1936, George Whiting and Nat Schwartz, J.C. Johnson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Girlfriend\" - 1935, Gus Kahn, librettists, Arthur Johnston, composer; \"Just One More Chance\" - 1931, Sam Coslow, librettists, Arthur Johnston, composer; \"Learn to Croon\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer; \"Moonstruck\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gavotte\" - 1881, Walter R. Johnston, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Me and My Shadow\" - 1927, Al Jolson, Billy Rose, and Dave Dreyer, composers; \"Sonny Boy\" - 1928, Al Jolson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'll See You in My Dreams\" - 1924, Gus Kahn, librettists, Isham Jones, composer; \"If You Were Only Mine\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"I Only Found You for Somebody Else\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"One Little Word Led to Another\" - 1932, Charles Newmn, librettists, Isham Jones, composer; \"Spain\" - 1934, Isham Jones and Gus Kahn, composer; \"What's the Use\" - 1930, Isham Jones and Charles Newman, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"It's a Long Way to Tipperary\" - 1912, written and composed by, Jack Judge and Harry Williams\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rough on Rats\" - 1882, music by Jules Juniper, words by W.A. Boston\u003c/p\u003e","\u003cp\u003eScope and Contents \"Guilty\" - 1931, words and music by Gus Kahn, Harry Akst, and Richard A. Whiting\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beloved\" - 1928, by Gus Kahn and Joe Sanders\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chatter\" - 1926, by Herman Kahn, arranged by John W. Lang\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm So Afraid of You\" - 1930, by Bert Kalmar and Harry Ruby \"Nevertheless (I'm in Love With You)\" - 1931, words and music by Bert Kalmar and Harry Ruby \"So Long! Oo-long (How Long You Gonna Be Gone)\" - 1920, by Bert Kalmar and Harry ruby\u003c/p\u003e","\u003cp\u003eScope and Contents \"You're All I Need\" - 1935, melody by Bronislaw Kaper and Walter Jurman, lyrics by Gus Kahn\u003c/p\u003e","\u003cp\u003eScope and Contents \"Variations sur Lestoco\" - undated, by H. Karr\u003c/p\u003e","\u003cp\u003eScope and Contents \"Im Stillen Grunde (In Peaceful Vale)\" - 1890, by Hugo Kaun \"Waltz\" - 1890, by Hugo Kaun\u003c/p\u003e","\u003cp\u003eScope and Contents \"This Is a Night Made for Love\" - 1930, words and music by Herbie Kay and Ros. Metzger, arranged by Bert Peters\u003c/p\u003e","\u003cp\u003eScope and Contents \"Has Your Mother Any More Like You\" - 1902, by Robert a Keiser\u003c/p\u003e","\u003cp\u003e\"Alice of Old Vincennes (I Love You)\" - 1914, by Keithley and Thompson\u003c/p\u003e","\u003cp\u003eScope and Contents \"When the Moon Shines Down in Old Alaska Then I'll Ask Her to be Mine\" - 1916, music by E. Clinton Keithley, lyric by Jack Frost \"Your Voice Came Back to Me\" - 1917, music by E. Clinton Keithley, words by Harold G. Frost \"Garland of Old Fashioned Roses\" - 1911, music by E. Clinton Keithley, words by C.H. Musgrove\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ah! Little Blind Boy!\" - undated, composed by M. Kelly \"Happy the Day\" - undated, composed by M. Kelly \"Last Week I Took A Wife\" - undated, composed by M. Kelly\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just at Twilight\" - 1926, words and music by Mae Younger Kelly\u003c/p\u003e","\u003cp\u003eScope and Contents \"Seventh Ward School March\" - 1884, by Mary C. Kelly\u003c/p\u003e","\u003cp\u003eScope and Contents \"Feather Your Nest\" - 1920, by James Kanis and Brockman and Howard Johnson \"Let It Rain\" - 1924, words and music by James Kendis and Hall Dyson \"Sympathy (Don't Worry Bill)\" - 1905, words and music by James Kendis and Paley\u003c/p\u003e","\u003cp\u003e\"The Chestnut Tree ('neath The Spreading Chestnut Tree)\" - 1938, by Jimmy Kennedy, Tommie Connor, and Hamilton Kennedy.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Who?\" -1925, music by Jerome Kern, words by Otto Harbach and Oscar Hammerstein II \"She Didn't Say Yes\" - 1931, music by Jerome Kern, words by Otto Harbach \"Ol' Man River\" - 1927, music by Jerome Kern, words by Oscar Hammerstein II\u003c/p\u003e","\u003cp\u003eScope and Contents \"Whisperings of Love\" - undated, composed by C. Kinkel \"Mountain Belle Schottische\" - undated, by C. Kinkel\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rondeaux\" - undated, by Ferd. Kessler\u003c/p\u003e","\u003cp\u003eScope and Contents \"In a Chinese Temple-Garden\" - 1923, by Albert W. Ketèlby \"In a Persian Market\" - 1929, Albert W. Ketèlby\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gipsies\" - undated, by Ella Ketterer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Il Bacio\" - undated, by Eugène Ketterer \"La Marseillaise\" - undated, by Eugène Ketterer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sonate\" - undated, by Friedrich Kiel\u003c/p\u003e","\u003cp\u003eScope and Contents \"Berceuse\" - 1904, by Ralph Kinder \"Berceuse No. 2\" - 1911, by Ralph Kinder \"Festival March\" - 1904, by Ralph Kinder \"Meditation\" - 1910, by Ralph Kinder\u003c/p\u003e","\u003cp\u003eScope and Contents \"Show Me The Way To Go Home\" - 1925, Irving King\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love You In The Same Sweet Way\" - 1931, music by Robert A. King, words by Billy Moll \"Tell Me You Love Me\" - 1926, music by Robert King, words by Leslie Hare\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Waltz You Saved for Me\" - 1930, music by Wayne King and Emil Flindt, lyric by Gus Kahn\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Star Spangled Banner\" - 1835, W.A. King\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fantaisie from Oberon\" - 1866, by Charles Kinkel \"The Banjo\" - 1866, by Charles Kinkel\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Bohemian Walzer\" - undated, by Kirmair\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Coral Schottisch\" - 1852, by Henry Kleber\u003c/p\u003e","\u003cp\u003eScope and Contents \"Andante Soave\" - 1886, by Bruno Oscar Klein\u003c/p\u003e","\u003cp\u003e\"I Had to Lose You (To Learn You Were Meant For Me)\" - 1930, by Saul Klein, Jack Le Soir, and Ray Doll\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just Friends\" - 1931, music by John Klenner, lyric by Sam M. Lewis\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Still Caring\" - 1929, words and music by John Klenner and Rudy Vallee, arranged by A.J. Franchini\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Virginia Rose\" - 1923, music by F. Henri Klickmann, lyric by E. Clinton Keithley\u003c/p\u003e","\u003cp\u003e\"Sweet Hawaiian Moonlight (Tell Her of My Love)\" - 1918, music by F. Henri Klickmann, lyric by Harold G. Frost\u003c/p\u003e","\u003cp\u003eScope and Contents \"Scotch Hir with an Introduction\" - undated, composed by P. Knapton\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ben Bolt or Oh! Don't You Remember\" - 1848, music by Nelson Kneass\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rocked in the Cradle of the Deep\" - 1853, music by J.P. Knight, words by Mrs. Willard, of Troy\u003c/p\u003e","\u003cp\u003eScope and Contents \"In Your Eyes - In You Arms - In Your Heart\" - 1926, by Ted Koehler and Jay Mills \"Stormy Weather (Keeps Rainin' all the Time)\" - 1933, music by Harold Arlen, words by Ted Koehler\u003c/p\u003e","\u003cp\u003e\"Mia Bella Rosa (My Beautiful Rose)\" - 1928, by Ted Koehler and Frank Magine\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dreamy Melody\" - 1922, words and music by Ted Koehler, Frank Magine, and C. Naset\u003c/p\u003e","\u003cp\u003eScope and Contents \"Moonlight Down in Lovers' Lane\" - 1933, music by Max Kortlander, words by George Pitman and Bartley Costello \"Tell Me\" - 1919, music by Max D. Kortlander, lyric by J. Will Callahan\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Battle of Prague\" - undated, F. Kotzwara, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Arois Sonates\" - undated, L. Kozeluch, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"High on a Windy Hill\" - 1940, Joan Whitney and Alex Kramer, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"That's My Desire\" - 1931, Carroll Loveday, librettist, Helmy Kresa, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Go Joe Go\" - 1927, Steve Kretzmer, Phil Napoleon and Frank Signorelli, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Union March\" - undated, Hans Krummacher, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Good Night, Farewell\" - undated, Freidrich Kucken, composer; \"Deux Duos\" - undated, Freidrich Kucken, composer; \"Grosse Sonate\" - undated, Freidrich Kucken, composer; \"Zwei Duetten\" - undated, Freidrich Kucken, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Marrhr Bohemirnor\" - undated, Wilhelm Kuhe, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Six Sonatines\" - undated, F. Kuhlau, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dearie\" - 1905, Clare Kummer, composer; \"A Wonderful Thing\" - 1914, Clare Kummer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alpine Storm\" - 1888, Charles Kunkel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Miss Caroline Richings\" - 1860, George Kunkel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Memories\" - 1901, Albert Kussner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beauties of the Waltz\" - undated, Joseph Labitzky, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Everything I Have Is Yours\" - 1933, Harold Adamson, librettists, Burton Lane, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Crescendo\" - 1896, Per Lasson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Conquered Banner\" - 1866, Theodore von Lahache, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"First Kiss Waltz\" - undated, Lamothe, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Why Don't You Name the Day\" - undated, W.J. Landram, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Did I Dream\" - 1934, Harold Adamson, librettist, Burton Lane, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"America, here's my Boy\" - 1917, Andrew B. Sterling, librettist, Arthur Lange, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Annie Laurie\" - 1917, G. Lange, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents 'Flower Song\" - 1884, Gustav Lange, composer; \"Sonatine V\" - 1884, Gustav Lange, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Happy Return\" - 1874, Pierre Latour, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Accent on Youth\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer; \"And Then Some\" - 1935,Tot Seymour, librettist, Vee Lawnhurst, composer; \"When the Leaves Bid the Trees Goodbye\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"So Red the Rose\" - 1935, Jack Lawrence, librettist, Arthur Alman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Son, My Only Son\" - undated, composed by Geo. Le Brunn, written by E.W. Rogers\u003c/p\u003e","\u003cp\u003eScope and Contents \"Malagueña\" - 1928, by Ernesto Lecuona \"Dust on the Moon\" - 1934, music by Ernesto Lecuona, arrangement by Paul Hill, English lyric by Stanley Adams, Spanish lyric by Ernesto Lecuona\u003c/p\u003e","\u003cp\u003eScope and Contents \"Out of the Dusk to You\" - 1922, , music by Dorothy Lee, words by Arthur J. Lamb \"One Fleeting Hour\" - undated, by Dorothy Lee, poem by Karl Fuhrmann \"My Dreams\" - 1916, music by Dorothy Lee, words by Fred G. Bowles\u003c/p\u003e","\u003cp\u003eScope and Contents \"How Do I Know It's Real\" - 1941, words and music by Dan Shapiro, Jerry Seelen, and Lester Lee\u003c/p\u003e","\u003cp\u003eScope and Contents \"Napolitaine, I Am Dreaming of Thee\" - undated, composed by Alexander Lef\u003c/p\u003e","\u003cp\u003eScope and Contents \"Les Cloches Du Monastere (The Monastery Bells)\" - undated, by Lefébure-Wély\u003c/p\u003e","\u003cp\u003eScope and Contents \"Merry Widow Waltz\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart \"Vilia\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pastorale\" - 1892, composed by Edwin H. Lemare \"Berceuse\" - 1901, composed by Edwin H. Lemare\u003c/p\u003e","\u003cp\u003eScope and Contents \"When It's Sleepy Time Down South\" - 1931, words and music by Leon, Otis René, and Clarence Muse\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bachelor's Polka Four Hands\" - 1849, by Professor C. Lenschow\u003c/p\u003e","\u003cp\u003eScope and Contents \"Danse À La Russe\" - undated, composed by Th. Leschetizky \"Two Larks\" - undated, composed by Th. Leschetizky\u003c/p\u003e","\u003cp\u003eScope and Contents \"It Looks Like Rain in Cherry Blossom Lane\" - 1937, by Edgar Leslie and Joe Burke\u003c/p\u003e","\u003cp\u003eScope and Contents \"Somewhere in Old Wyoming\" - 1930, by S. Lesser and Will Havlin\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Mention Love to Me\" - 1935, music by Oscar Levant, lyrics by Dorothy Fields \"Keep Sweeping the Cobwebs off the Moon\" - 1927, music by Oscar Levant, lyrics by Lewis and Young \"Out of Sight, Out of Mind\" - 1935, music by Oscar Levant, words by Dorothy Fields\u003c/p\u003e","\u003cp\u003eScope and Contents \"It's Sunday Down in Caroline\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"(When It's) Darkness on the Delta\" - 1932, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"It's the Talk of the Town\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"Under a Blanket of Blue\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg\u003c/p\u003e","\u003cp\u003eScope and Contents \"All-American Girl\" - 1932, by Al Lewis\u003c/p\u003e","\u003cp\u003eScope and Contents \"If That's The Way You Want It, Baby\" - 1943, by Charles Tobais, Al Lewis, and Harry Tobais\u003c/p\u003e","\u003cp\u003eScope and Contents \"One Night in Monte Carlo\" - 1935, words and music by Abner Silver, Al Sherman, and Al Lewis\u003c/p\u003e","\u003cp\u003eScope and Contents \"Quit Cryin' The Blues\" - 1931, by Felix Lewis, arranged by Helmy Kresa\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mocking Bird\" - 1903, by Fred Lewis\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Rose\" - 1922, written and composed by Harry Lewis\u003c/p\u003e","\u003cp\u003eScope and Contents \"Too Late\" - 1931, by Sam Lewis and Victor Young\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cinquième Nocturne\" - undated, by J. Leybach\u003c/p\u003e","\u003cp\u003eScope and Contents \"Heart's Wishes\" - undated, H. Lichner, composer; \"Froher Sinn\" - undated, H. Lichner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bright Flowers\" - undated, Heinrich, Lichner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tired\" - undated, M. Lindsay, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Kiss the Little Ones for Me\" - 1867, E. Linwood, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Compositions for the Organ\" - 1916, F. Liszt, composer; \"Lisztonia\" - 1928, Calvin Grooms, composer; \" Phapsodie Hongroise\" - undated, F. Liszt, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rhapsodie Hongroise\" - 1903, Franz Liszt, composer; \"Liebestraum\" - 1935, Franz Liszt, composer; \"Consolations\" - undated, Franz Liszt, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Too Tired\" - 1924, George A. Little, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Jimminy Gee\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer; \"Jealous\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Wouldn't Trade the Silver in My Mother's Hair\" - 1932, Jack Little and J. Fred Coots, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Learning Now\" - 1927, Little Jack Little and Te Meyn, composers; \"I'm Needin You\" - 19030, Joe Young, librettist, Little Jack Little, composer; \"Let's Make Up\" - 1933, Little Jack Little, Dave Oppenheim, Iba Schuster, composers; \"My Own\" - 1933, Little Jack Little, Dave Oppenheim, Ira Schuster, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Belle of the South\" - undated, Carl Lobe, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweetie Pie\" - 1934, John Jacob Loeb, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \" In Questo Sinplice\" - undated, G.M. Loening, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Rose Waltz\" - undated, Frederick L. Logan, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Grey Home in the West\" - 1911, D. Eardley- Wilmot, librettist, Lohr Hermann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"As Long as Love Lives On\" - 1932, Joe Young, librettist, Carmen Lombardo, composer; \"Sweethearts on Parade\" - 1928, Charles Newman, librettist, Carmen Lombardo, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dawn Waltz\" - undated, H. Louel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Will You Love Me Then as Now\" - undated, Lover, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Collection Litolff. No. 1189. Josef Löw\" - undated, composed by Josef Löw\u003c/p\u003e","\u003cp\u003e\"The Secluded (Die Abgeschiedenen)\" - 1872, composed by Dr. Carl Löwe, transcribed by Ernst Perabo\u003c/p\u003e","\u003cp\u003eScope and Contents \"At Rest\" - 1915, by Katherine E. Lucke\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Tale of the Kangaroo\" -1900, by Gustav Luders, arranged by Karl Hoschna\u003c/p\u003e","\u003cp\u003eScope and Contents \"In Memoriam\" - 1872, by A. Lutz\u003c/p\u003e","\u003cp\u003e\"The One Rose (That's Left In My Heart)\" - 1936, by Del Lyon and Lani McIntire\u003c/p\u003e","\u003cp\u003eScope and Contents \"March of the Archers (Le Pas Des Archers)\" - undated, by Ch[arles] B. Lysberg\u003c/p\u003e","\u003cp\u003eScope and Contents \"Your Lips Are No Man's Land But Mine\" - 1918, music by Cha[rle]s R. McCarron and Carey Morgan, Arthur Guy Empey, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Honky Tonky\" - 1916, Chas McCarron and Chris Smith, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"What Do You Want to Make Those Eyes at Me For\" - 1916, Joe McCarthy, Howard Johnson, and Jimmy V. Monaco, composers and librettists'.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lazy Silv'ry Moon\" - 1931, George B. McConnell, Billy Hays, and Morty Berk, composers and librettists'.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If I had a Girl Like You\" - 1930, Louis W. McDermott, librettist and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Give Me Music\" - 1940, by Don McGray, Robert Sour, and Malcolm Reid\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Again\" - 1930, Jimmy McHugh, composer lyric by Dorothy Fields; \"Dinner at Eight\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Don't Blame Me\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Ev'rything Is Hotsy Totsy Now\" - 1925, Jimmy McHugh, composer, Irving Mills, librettist; \"Go Home and Tell Your Mother\" - 1930, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Good-Bye Blues\" - 1932, Jimmy McHugh, Dorothy Fields, and Arnold Johnson, composers and librettists'; \"I Feel A Song Comin' On\" - 1935, Jimmy McHugh, Dorothy Fields, and George Oppenheim, composers; \"I'm Doin' That Thing (Falling In Love)\" - 1930, Jimmy McHugh, comp lyric by Dorothy Fields \"I'm in the Mood for Love\" - 1935, lyric and melody by Jimmy McHugh and Dorothy Fields \"One More Waltz\" - 1930, music by Jimmy McHugh, lyrics by Dorothy Fields \"Speaking Confidentially\" - 1935, Jimmy McHugh and Dorothy Fields, composers and librettists; \"You're An Angel\" - 1935, Jimmy McHugh and Dorothy Fields, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Combination Waltzes\" - undated, composed by A.T. Macdonald;\u003c/p\u003e","\u003cp\u003eScope and Contents \"Czardas\" - 1896, Edward A. MacDowell, composer; \"12 Etudes for the Development of Technic and Style\" - 1890, Edward A. MacDowell, composer; \"Fireside Tales\" - 1902, Edward A. MacDowell, composer; \"Compositions by Edward MacDowell\" - 1898, Edward McDowell, composer;\u003c/p\u003e","\u003cp\u003eScope and Contents \"Les Orientales\" - 1889, by Edward MacDowell; \"12 Modern Compositions for the Pianoforte\" - 1895, selected, revised, and edited by Edward MacDowell; \"New England Idyls\" - 1902, composed by Edward MacDowell\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sea Pieces\" - 1898, by Edward MacDowell \"Six Poems After Heine\" - 1901, composed by Edward MacDowell \"Woodland Sketches\"- 1898, by Edward MacDowell\u003c/p\u003e","\u003cp\u003eScope and Contents \"No. 2 in F min\" - 1898, by Edward MacDowell \"Hexentanz (Witches Dance)\" - undated, by Edward MacDowell\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Sleigh Drive Polka\" - 1849, by Mrs. John MacFarren\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bonnie's Galop\" - 1873, by E. Mack \"Her Bright Smile\" - 1880, arranged by E. Mack \"The Jockey Hat Schottische\" - 1874, by E. Mack \"Spanish Dance\" - 1869, by E. Mack\u003c/p\u003e","\u003cp\u003e\"Très Moutarde (Too much Mustard)\" - 1911, Cecil Macklin, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Adoration Waltz\" - 1924, music by Frank Magine, lyric by A.F. Otis and C. Romano\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Happy Couple Schottisch\" - 1860, James E. Magruder; \"When Shall We Meet Again\" - 1855, James E. Magruder, composer; \"The Greenwood Schottisch\" - 1855, James E. Magruder, composer. 23.75/50  10/10  221/300\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rose Colored Glasses\" - 1926, Tommy Malie and Jimmy Steiger, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If I Had a Million Dollars\" - 1934,Johnny Mercer, librettist, Matt Malneck, composer; \"I'll Never Be the Same\" - 1932, Gus Kahn, librettist, Matt Malneck and Frank Signorelli, composers; \"I'm Thru with Love\" - 1931, Gus Kahn, librettist, Matt Malneck and Fud Livingston, composer; \"Pardon My Southernn Accent\" - 1934, Johnny Mercer, librettist, Matt Malneck, composer; \"What Did I Get in Return\" - 1932, Joe Young, librettist, Matt Malneck, composer.\u003c/p\u003e","\u003cp\u003e\"I'm Good for Nothing but Love: - 1931, Pat Ballard, librettist, Bernard Maltin, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Always Remember Your Mother\" - 1904, Cecil Mann, librettist and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Volga Boatman Song\" - 1935, Nick Manoloff, composer; \"The Man on the Flying Trapeze\" - 1935, Nick Manoloff, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Vert Vert\" - undated, G. Marcailhou - composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Down the Trail of Our Old Sweetheart Days\" - undated, Kerty Renner and Joe Marcheck, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In Dreams with You\" - 1914, Andrew B. Sterling, librettist, Alfred Margis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Can't Write the Words\" - 1931, Gerald Marks and Buddy Fields, librettists and composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hawaiian Dreams\" - 1916, Herbert B. Marple, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ole Virginny\" - 1919, Ben Black, librettist, Herbert Marple and Earl Burtnett, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"And Still I Care\" - 1932, Edward Heyman, libberrisist, Jack Mason, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Smith's March\" - 1848, J.T. March - composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Twickenham Ferry\" - undated, Theodore Marzials, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come Over the Moonlight Sea\" - undated, Massaniello, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Piano Compositions by French Composers\" - 1987, Jules Massenet, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Prisoner's Song\" -1924, Guy Massey, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"It is Not True\" - 1882, Tito Mattei, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Longing\" - undated, Charles Mayor, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pianolettes\" - 1925, Eskimo Shivers, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Its a Sin to Tell a Lie\" - 1936, Billy Mayhew, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Happy Dreams\" - 1885, J.C. Meares, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Souvenir De Castle Hill\" - 1849, F.M. Meerbach, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Bird At Sea\" - undated, C. Meineke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Yours\" - 1952, Robert Mellin, librettist and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ro-Ro-Rollin' Along\" - 1930, Billy Moll, Harry Richman, librettists, Murray Mencher, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Popular Classics for Pianoforte\" - undated, Felix Mendelssohn, composer; \"Antigone\" - undated, Felix Mendelssohn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Spirit Song\" - Felix Mendelssohn, composer; \"Lieder ohne Worte\" - undated, Felix Mendelssohn, composer; \"On Wings of Song\" - 1908, Felix Mendelssohn, composer; \" Sommernachtstraum\" - undated, Felix Mendelssohn, composer; \"Venetianisches Gondellied\" - undated, Felix, Mendelssohn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If You Were Mine\" - 1935, Johnny Mercer, composer; \"Lazybones\" - 1933, Johnny Mercer, composer; \"Santa Claus Came in the Spring\" - 1935, Johnny Mercer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lost\" - 1936, Phil Ohman, Johnny Mercer, and Macy O. Teetor, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Butterfly\" - undated, G. Merkel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Leonore Polka\" - undated, Carl Merz, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Through Flowery Fields\" - undated, Frederick Messick, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Te Deum\" - 1876, I.N. Metcalf, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Hot Time in the Old Town\" - 1896, Theo A. Metz, composer, Joe Hayden, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"What'll You Do? (When Someone Get's the Kiss Belonging to You)\" - 1915, George W. Meyer, composer, Sam M. Lewis and Ed Rose, librettists \"Tuck Me to Sleep in My Old ' Tucky Home\" - 1921, George W. Meyer, composer, Sam m. Lewis and Joe Young, librettists \"The High Cost of Loving\" - 1914, George W. Meyer, composer, Alfred Bryan, librettist \"Brown Eyes- Why Are You Blue?\" - 1925, George Meyer, composer, Alfred Bryan, librettist \"It's an Old Spanish Custom in the Moonlight\" - 1930, George W. Meyer, composer, Edgar Leslie, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Falling In Love With You\" - 1926, Joseph Meyer, composer, Benny Davis, librettist \"Isn't It Heavenly\" - 1933, Joseph Meyer, composer, E.Y. Harburg, librettist \"It's An Old Southern Custom\" - 1935, Joseph Meyer, composer, Jack Yellen, librettist \"Just A Little Closer\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist \"Singing a Song to the Stars\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cavatina From Robert Le Diable\" - undated, Meyerbeer, composer \"Il Profeta (The Prophet)\" - undated, Meyerbeer, composer\u003c/p\u003e","\u003cp\u003e\"Wonnetraum (Blissful Dream)\" - 1891, Erik Meyer-Helmund\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Love! My Own!\" - 1869, H. Millard, composer, George Cooper, librettist \"O Salutaris\" - 1866, H. Millard, composer \"Under the Daisies\" - 1865, H. Millard, composer \"Waiting! (Aspettando)\" - 1871, H. Millard, composer, Ellen H. Flagg (English) and R. Prati (Italian), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alabama Camp Meeting\" - undated, F. Albert Miller, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sunday\" - 1936, Ned Miller, Chester Cohn, Jules Stein, and Bennie Krueger, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"When Dewey Comes Sailing Home\" - 1899, Kerry Mills, composer, John Lagdon Heaton, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lying In The Hay\" - 1932, Mireille, composer, Jean Franc Nohan (original) and Henry Roberts (English), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Slumber Song\" - Harriet Grace Mitchell, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Maybe It's Love\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists \"To Whom it May Concern\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Retour du Printemps\" - undated, Moelling, composer\u003c/p\u003e","\u003cp\u003e\"Loves Old Sweet Song (Just a Song At Twilight)\" - 1924, J.L. Molloy, composer, G. Clifton Bingham, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Through! ( How Can You Say We're Through?)\" - 1929, Jimmie Monaco, composer, Joe McCarthy, librettist \"Ev'ry Night About This Time\" - 1942, James V. Monaco, composer, Ted Koehler, librettist \"If I Had Some One Like You At Home (I Wouldn't Want to Go Out)\" - 1914, James V. Monaco, composer, Joe McCarthy, librettist \"You Made Me Love You (I Didn't Want to Do It)\" - 1913, James V. Monaco, composer, Joe McCarthy, librettist \"The Honolulu Blues\" - 1916, Jimmie V. Monaco, composer,Grant Clarke, librettist \"I'll Sit Right on the Moon (And Keep My Eyes On You)\" - 1912, Jimmie V. Monaco, composer and librettist \"It Might have Been A Diff'rent Story\" - 1933, James V. Monaco, composer, Ray Klages and Jack Meskill, librettists \"Lonesome Lover\" - 1930, Jimmie Monaco, composer, Al Bryan , librettist \"Me and the Bay Friend\" - 1924, Jimmie Monaco, composer, Sidney Clare, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fal Lal La\" - undated, P.K. Moran, composer \"Moran's Favorite Variations to the Subian Hir\" - undated, P.K. Moran, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chlo-e (Song of the Swamp)\" - 1927, Neil Morét, composer, Gus Kahn, librettist \"I Got A Woman, Crazy for Me: She's Funny That Way\" - 1928, Neil Morét, composer, Richard A. Whiting, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Then How Can I Forget\" - 1857, Wm. Edgar Morgan, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sonny O' Mine\" - 1923, Marion Moore, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thinking\" - 1926, Mac Ohman and Lou Morgans, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love's Ship\" - 1920, Alice Nadine Morrison, composer, Nellie Morrison, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"She's the Fairest Little Flower Dear Old Dixie Ever Grew\" - 1907, Theodore Morse, composer, Ashley S. Johnson, librettist \"I Left My Heart in Dear Old Ireland\" - 1912, Theodore Morse, composer, J. Mahoney, librettist \"Blue Bell\" - 1904, Theodore F. Morse, composer, Edward Madden, librettist \"When We Were Two Little Boys\" - 1903, Theodore F. Morse, composer, Edward Madden, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Berceuse\" - 1906, Mortiz Moszkowski, composer\u003c/p\u003e","\u003cp\u003e\"Chanson du coeur brisé (The Song of Songs)\" - 1914, Moya, composer, Maurice Vaucaire (original) and Clarence Lucas (English), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Entführung aus dem serail\" - undated, W.A. Mozart, composer \"Go Forget Me\" - undated, W.A. Mozart, composer \"The Manly Heart\" - undated, Mozart, composer \"Selection of Melodies from Don Giovanni\" - undated, Mozart, composer \"Quartetten\" - undated, w.A. Mozart, composer \"Ausgewählte\" - 1882, W.A. Mozart, composer \"Lullaby\" - 1891, W.A. Mozart, composer, John P. Jackson (English), librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Take Me to that Swanee Shee\" - 1912, Lewis F. Muir, composer, L. Wolfe Gilbert, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love Not\" - undated, Julius E. Müller, composer \"The Polka\" - 1844, Julius E. Müller, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"When My Baby Smiles at Me\" - 1920, Bill Munro, composer, Andrew B. Sterling and Ted Lewis, librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"It'll Take A Little Time\" - 1932, Jack Murray, Al Goodhart, and Al Hoffman, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Sunshine\" - 1867, James R. Murray, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Alpine Quadrilles\" - undated, R. Murray, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Darling\" - 1932, Richard Myers, composer, Edward Heyman, librettist \"Niagara Moon\" - 1933, Richard Myers, composer, Edward Heyman, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Moonlight on the Ganges\" - 1926, Sherman Myers, composer, Chester Wallace, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Tyrolesian Air\" - undated, F.J. Naderman, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ol' Pappy\" - 1934, Al. J. Neiburg, Marty Symes, and Jerry Levinson, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"What Are You Thinkin' About, Baby\" - 1931, Ed G. Nelson, Al Goodhart, and Steve Nelson, composers and librettists \"When Yankee Doodle Learns to Parlez Vous Francais\" - 1917, Ed Nelson, composer, Will Hart, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mighty Lak' A Rose\" - 1901, Ethelbert Nevin, composer, Frank L. Stanton, librettist \"The Rosary\" - 1900, Ethelbert Nevin, composer, Robert Cameron Rogers (English), Isadae Martines (French), and Dr. Th. Baker (German), librettist \"The Rosary\" - 1898, Ethelbert Nevin, composer, arranged for piano solo by Benjamin Whelpley \"Water Scenes: 5 Pieces for the Pianoforte\" - 1891, Ethelbert Nevin, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Can't Believe Its True\" - 1932, Charles Newman, Ben Bernie, and Isham Jones, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Say A Little Prayer for Me\" - 1930, Horatio Nicholls, composer, Joseph George Gilbert, librettist \"Among My Souvenirs\" - 1927, Horatio Nicholls, composer, Edgar Leslie, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Just Couldn't Take It Baby\" - 1933, Alberta Nichols, composer, Mann Holiner, librettist \"Till the Real Thing Comes Along\" -1931, Alberta Nichols, composer, Mann Holiner, librettist \"You Can't Stop Me From Lovin' You\" - 1931, Alberta Nichols, composer, Mann Holiner, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oh. Lust W. of W.\" - undated, Otto Nicolai, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love Is the Sweetest Thing\" - 1932, Ray Noble, composer and librettist \"The Very Thought of You\" - 1934, Ray Noble, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Beauregard\" - 1861, A. Noir, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Annie Rooney\" - 1929, Michael Nolan, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Èlègie\" - 1895, E. Nollet, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fanny Grey\" - undated, Mrs. Norton, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"At Play\" - 1892, Lèon Novara, composer \"Little Lay\" - 1892, Lèon Novara, composer\u003c/p\u003e","\u003cp\u003e\"Keep the Home-Fires Burning ('Till the Boys Come Home)\" - 1915, Ivor Novello, composer, Lena Guilbert Ford, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lillian Lee\" - 1859, C.H. Oakes, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Remember Me\" - 1932, Jack O'Brien, composer, Gus Kahn, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"When the Swallows Homeward Fly\" - undated, T. Oesten, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alpine Glow\" - undated, Theodore Oesten, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Polka\" - undated, Offenbach, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Sure of Everything But You\" - 1932, Charles O'Flynn, George W. Meyer, and Pete Wendling, composers and librettists \"Three of Us\" - 1933, Charles O'Flynn, Lee David, and Pete Wendling, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love A Little Cottage\" - undated, Geoffry O'Hara, composer, Roscoe Gilmore Stott, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Wild Irish Rose\" - 1899, Chauncey Olcott, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mother Machree\" - 1910, Chauncey Olcott and Ernest R. Ball, composers, Rida Johnson Young, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"You, You, You\" - 1952, Lotar Olias, composer, Robert Mellin, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love You Much Too Much\" - 1940, Alex Olshey, Don Raye, and C. Towber, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love Sends A Little Gift of Roses\" - 1919, John Openshaw, composer, Leslie Cooke, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Washin' The Blues From My Soul\" - 1930, Willard Robison and Dave Oppenheim, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Heart of Virginia\" - 1924, Nathan Oppleman, composer, Ben Scheer, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Galloping Sleigh-Ride Polka\" - 1845, J.P. Ordway, composer \"Home Again\" - 1850, arranged by J.P. Ordway, composer and librettist, M.S. Pike \"Let Me Kiss Him for His Mother\" - undated, John P. Ordway, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Waiting\" - 1918, Harold Orlob, composer, Harry L. Court and George E. Stoddard, librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fairylight\" - 1923, Otto Ortmann, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Our Naval Heroes\" - undated, Ernst Otto, composer, Agnes S. Haase, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Daisies Won't Tell\" - 1908, Anita Owens, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Elegar\" - undated, Ignace J. Paderewski, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Valencia\" - 1926, Lucien Boyer, Librettist, Jacques Charles, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Witches Dance\" - 1852, Vincent Wallace, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Wished on the Moon\" - 1935, Dorothy Parker and Ralph Rainger, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chariot Race\" - 1896, Ben Hur, E.T. Paull, composer; \"America Forever! March\" - undated, E.T. Paull, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Pacific Moonlight\" - 1930, Jack Payne and Walace Herbert, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Is There Room in Angel Land\" - 1874, W.U. Pearne, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Peggy O'Neil\" - 1921, Harry Pease, Ed. G. Nelson and Gilbert Dodge, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Smilin Through\" - 1914, Arthur A. Penn, composer and librettist.\u003c/p\u003e","\u003cp\u003e\"Don't Tell a Soul - 1921, Stanley Brightman and Arthur Illingworth, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pensees\" - undated, Ernst Perabo, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Scat Song\" - 1932, Mitchell Paris, librettist, Frank Perkins and Cab Calloway, composers; \"Stars Fell on Alabama\" - 1934, Mitchel Parish, librettist, Frank Perkins, composer; \"Emaline\" - 1934, Mitchell Parish, librettist, Frank Perkins, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lady Luck\" - 1924, Ray Perkins, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Southern Cross\" - St. George Tucker, librettist, C.L. Peticolas, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Lady I Love\" - 1932, Joe Young, librettist, Bernice Petkere, composer; \"Lullaby of the Leaves\" - 1932, Joe Young, librettist, Bernice Petkere, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rose-Bud Waltz\" - 1852, Sally E. Keyser and J.F. Petri, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"When the Sunset Turns the Ocean's Blue to God\" - 1902, Eva Fern Buckner, librettist, H.W. Petrie, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Out Where the West Begins\" - 1917, Arthur Chapman, librettist, Estelle Phileo, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Son of Heaven\" - 1866, Phillip Phillips, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"King Tut\" - 1924, Billy Pierce, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Land of Rest\" - undated, Ciro Pinsuti, composer; \"If\" - undated, Ciro Pinsuti, composer; \"In Shadowland, undated, Ciro Pinsuti, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dear Heart\" - 1929, W.C. Polla and Willard Goldsmith, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Melancholy Moments\" - undated, Gilbert K. Pollock, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Midnight Rose\" - 1923, Sidney Mitchell, librettist, Lew Pollack, composer; \"I've Found My Sweetheart Sally\" - 1925, jack Yellen and Lew Pollack, composers; \"Love is in Command\" - 1934, Lew Pollack and Joe Young, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Holiday\" - 1933, Ethel Ponce, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Night and Day\" - 1922, Cole Porter, composer; \"In the Still of the Night\" - 1937, Cole Porter, composer; \"Me and Marie\" - 1935, Cole Porter, composer and librettist; \"What is this Thing Called Love\" - 1924, Cole Porter, composer and librettist; \"I Get a Kick Out of You\" - 1934, Cole Porter, librettist; \"Rosalie\" - 1927, Cole Porter, composer; \"You're the Top\" - 1934, Cole Porter, composer; \"Night and Day\" - 1932, Cole Porter, composer; \"I've Got You Under My Skin\" - 1936, Cole Porter, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cockade Grand March\" - undated, Arnaud, Preot', composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ciribiribin\" - 1935, A. Prestalozza, composer, Jerry Castillo, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Angel Child\" - 1922, George Price, Abner Silver, and Benny Davis, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Invitation to the Dance\" - 1910, J.A. Pridman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Do You Care\" - 1941, Jack Elliott, librettist, Lew Quadling, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Album of Compositions for the Pianoforte\" - 1920, S. Rachmaninoff, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sonate\" - undated, Joachim Raff, composer \"Parting\" - 1890, Joachim Raff, composer \"Les Pècheuses de Procida (The Fishermaidens of Procida)\" - 1899, Joachim Raff, composer \"Lenore\" - undated, Joachim Raff, composer \"Leonore- Grand March\" - undated, Joachim Raff, composer \"Tarantella\" - 1885, Joachim Raff, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Wind At My Window\" - 1939, Ralph Rainger, composer, Leo Robin, librettist \"Give Me Liberty or Give Me Love\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Here Lies Love\" - 1932, Ralph Rainger, composer, Leo Robin, librettist \"I'll Take An Option On You\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"In the Park in Paree\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Please\" - 1932, Ralph Rainger, composer, Leo Robin, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm in Heaven When I See You Smile, Diane\" - 1927, Erno Rapee and Lew Pollack, composers and librettists \"Charmaine!\" - 1926, Erno Rapee and Lew Pollack, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Trees\" - 1922, Oscar Rasbach, composer, Joyce Kilmer, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Sunshine of Your Smile\" - 1915, Lilian Ray, composer, Leonard Cooke, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Postlude in G\" - 1906, Edward M. Read, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dido\" - undated, W. Reeve, composer, M.T. Dibdin, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"What Did I Get By Loving You\" - 1924, Ewing Reid, composer, Herbert B. Collier, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mollie's Dream Waltz\" - undated, F.A. Reisinger, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Weeping Willows\"- 1899, Lillian Reisky, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Memories of Childhood\" - 1887, L. Rengers, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dixie Night\" - 1921, Charles Repper, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Did You Ever See a Dream Walking?\" - 1933, Harry Revel, composer, Mack Gordon, librettist \"-And So To Bed\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"Underneath the Harlem Moon\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"When You Were the Girl on the Scooter\" - 1933, Harry Revel, composer, Mack Gordon, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Aviator\" - 1926, Ethel F. Reynolds, composer and librettist \"Evolution\" - 1925, Ethel F. Reynolds, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fuge\" - undated, Jos[ef] Rheinberger, composer \"Pastoral - Sonata\" - 1909, Josef Rheinberger, composer\u003c/p\u003e","\u003cp\u003e\"I'm Just Wild About Animal Crackers!\" - 1926, Fred Rich, Sam Coslow, Harry Link, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Blue Bird Was Caught in the Rain\" - 1930, Max Rich, composer, Henry Creamer, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tired\" - 1873, Brinley Richards, arranger \"Kathleen Mavourneen\" - undated, Brinley Richards, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"C.M. Webster's Last Idea\" - 1882, H. Richards, arranger\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweet Brier Waltz\" - 1892, T.Richards, composer\u003c/p\u003e","\u003cp\u003e\"Will You Remember Me?\" - 1924, Harry Richman and Henry Santly, composers, Lou Davis, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Berceuse\" - 1904, Alfred Rieger, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pal of My Dreams\" - 1923, Cha[rle]s E. Roat, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"You Don't Know\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist \"Mammy's Lullaby\" - 1918, Lee S. Roberts,composer, J. Will Callahan, librettist \"Smiles\" - 1917, Lee S. Roberts, composer, J. Will Callahan, librettist \"A Little Birch Canoe And You\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Double Trouble\" - 1935, Leo Robin, Richard A. Whiting and Ralph Rainger, composers and librettists \"Little Rose of the Rancho\" - 1935, Leo Robin and Ralph Rainger, composers and librettists \"Why Dream\" - 1935, Leo Robin, Richard A. Whiting, and Ralph Rainger, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Hawaii\" - 1937, Leo Robin and Ralph Rainger, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Is I In Love? Is I\" - 1932, J. Russel Robinson, composer, Mercer Cook, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Blue Ridge Mountain Home\" - 1927, Carson J. Robison, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Wake Up! Chill'un, Wake Up!\" - 1929, Willard Robison, composer, \"Jo\" Trent, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Three o'Clock in the Morning\" - 1922, Julian Robledo, composer, Dorothy Terriss, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Some Enchanted Evening\" - 1949, Richard Rodgers, composer, Oscar Hammerstein II, librettist \"Isn't It Romantic?\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist \"Love Me To-night\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Huntsmen Waltzes\" - undated, Otto Roeder, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Silver Shenandoah\" - 1949, Dick Rogers, W.A. Timm, and Whitey Bernard, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Andante quasi Fantasia\" - 1907, James H. Rogers, composer \"At Break of Day\" - 1911, James H. Rogers, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Desert Song\" - 1927, Otto Harbach, Oscar Hammerstein, Frank Mandel, librettists', Sigmund Romberg, composer; \"My Maryland\" - 1927, Dorothy Donnelly, librettists, Sigmund Romberg, composer; \"Will You Remember\" - 1917, Rida Jonson Young, librettists, Sigmund Romber, composer; \"One Kiss\" - 1928, Lyric Manel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer; \" When I Grow Too Old to Dream\" - 1935, Oscar Hammerstein II, librettists, Sigmund Romberg, composer; \"Auf Wiedersehn\" - 1915, Sigmund Romber, composer; \" The New Moon\" - 1928, Frank Mandel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Famous Compositions\" - 1891, George F. Root, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"She Was Happy Until She Met You\" -1899, Chas. Graham and Monroe H. Rosenfield, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Deep Henderson\" - 1926, Fred Rose, composer; \"Honest and Truly\" - 1924, Fred Rose, librettist and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pardon Me Pretty Baby\" - 1931, Ray Klages and Jack Meskill, librettist, Vincent Rose, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Whose Little Girl Are You\" - 1894, George Rosey, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Decameron des jeunes pianistes\" - undated, Henri Roseilen, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Broken Ring\" - 1878, A.H. Rosewig, composer; \"Gay Feathers\" - undated, A.H. Rosewig, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Wife and Child Song\" - undated, F.W. Rosier, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"When You and I Were Seventeen\" - 1924,Gus Kahn, librettist, Chas Rosoff, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Trumpet March\" - undated, Rossini, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Barber of Seville- biography\" - 1854; \" Adelaide Phillips\" - undated; \"Semiramide\" - undated.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Compositions for the Organ\" - 1868, Dudley Buck, G. Rossini composer; \"Ouverture\" - undated, G. Rossini, composer; \"Overture of Tancred\" - undated, G. Rossini, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Humoreske Song\" - 1914, G.M. Koockogey, Chas H. Ruth, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Did She Ask for Me\" - 1934, Bob Rothberg and Alan Grey, librettists' and composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \" Kamennoi Ostrow\" 1776, A. Rubinstein, composer; \"Marche a la lurque\" - undated, A. Rubinstein, composer; \"Violoncello\" - 1855, A. Rubinstein, composer; \"Sonate\" - undated, A. Rubinstein, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Good Time Schottisch\" - 1855, William H. Rulison, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Did My Heart Beat, Did I Fall in Love\" - 1933, Benee Russell, composer; \"Love Is Like That\" - 1931, Benee Russell, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Life on the Oceanwave\" - undated, Henry Russell, composer; \"The Newfoundland Dog\" - undated, Henry Russell, composer; \"Woodman, Spare that Tree\" - undated, Henry Russell, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Greatest Battle Song of All\" - 1916, Al Friend and Sam Downing, librettists', Harry Ruby, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Breeze\" - 1934, Tony Sacco, Dick Smith, and Al Lewis, composers and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Drifting Back to Dreamland\" - 1922, Jack Sadler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Nightingale and the Rose\" - 1914, Camille Saens-Saint, transcriber.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dark Eyes-Russian folk song\" - 1930, A. Salama, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Laces and Traces\" - 1903, Gustave Salzer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tears in My Heart\" - 1937, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers; \"I Couldn't Believe My Eyes\" - 1935, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"There's Yes Yes in Your Eyes\" - 1924, Joseph H. Santly, composer, Cliff Friend, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Awakening of the Birds\" - 1906, Henry S. Sawyer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Polish Dance\" - undated, X. Scharwenka, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Marcheta\" - 1924, Victor Schertzinger, composer' \"Love Me Forever\" - 1935, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist; \"One Night of Love\" - 1934, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"King Klondike Step\" - 1692, George Schleiffafth, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Vale of Dreams\" - 1910, Johann C. Schuid, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Labitzky's First Polka\" - undated, M. Schmied, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Will Not Quite Forget\" - undated, Henry Schoeler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Daisy\" - 1866, Hermann L. Schreiner, composer; \"Stonewall Jackson's\" - undated, Hermann L. Schreiner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Les Colombes\" - undated, Camille Schubert, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents Allegro Moderato from Unfinished Symphony\" - undated, Franz Schubert, composer; \"Andante con Moto\" - undated, Franz Schubert, composer; \"Lieder\" - undated, Franz Schubert, composer; \"Quatre Impromptus\" - undated, Franz Schubert, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \" Serenade\" - 1924,Franz Schuber, composer, Ludwig Rellstab, composer; \"Last Greeting\" - undated, Franz Schuber, composer; \"Schubert- H Moll- Symphonie zu 4 Handen\" - Franz Schubert, composer; \"Wander\" - undated, Franz Schubert, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Trois Nocturnes\" - undated, Jules Schulhoff, composer; \"Minuet De Mozart\" - undated, Jules Schulhoff, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Arabeske\" - undated, Robert Schumann, composer; \"Curious Story\" - undated, Robert Schumann, composer; \"Epilogue\" - 1906, Robert Shumann, composer; \"First Album for Young Performers\" - undated, Robert Shumann, composer; \"Fur Pianoforte zu zqwi Handen\" - undated, Robert Shumann, composer; \"Bunte Blatter\" - undated, Robert Schumann, composer. \"Papillons\" - undated, Robert Schumann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Quintett\" - undated, Robert Shunmann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Friendship\" - 1923, Ruby Hooton Schwab, composer and librettist \"If I Should Have to Say Goodbye to Thee\" - 1924, Ruby Hooton Schwab, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dream a Little Dream of Me\" - 1931, W. Schwandt and F. Andree, composers, Gus Kahn, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Born to Be Kissed\" - 1934, Arthur Schwartz, composer, Howard Dietz, librettist \"Then I'll Be Tired of You\" - 1934, Arthur Schwartz, composer, E.Y. Harburg, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bedelia\" - 1903, Jean Schwartz, composer, William Jerome, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm All Bound 'Round With the Mason Dixon Line\" - 1917, Jean Schwartz, composer, Sam M. Lewis and Joe Young, librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Über die Steppe hin\" - 1904, L. Schytte, composer \"Hide and Seek\" - 1890, Ludvig Schytte, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Comin' Thro the Rye\" - undated, Scotch, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"By the Side of the Zuyder Zee\" - 1906, Bennett Scott, composer, A.J. Mills, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Amaryllis\" - 1898, arranged by C.P. Scott\u003c/p\u003e","\u003cp\u003eScope and Contents \"The World Is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Jack-In-The-Box\" - 1932, Terry Shand, composer, Milton Drake, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"If I Had You\" - 1928, Ted Shapiro, Jimmy Campbell, and Reg. Connelly, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Get Out And Get Under The Moon\" - 1928, Larry Shay, composer, Cha[rle]s Tobais, and William Jerome, librettists \"I Can't Find A Substitute For You\" - 1933, Larry Shay, composer, Haven Gillespie, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Havin' You Around is Heaven\" - 1930, Al Sherman and Al Lewis, composers and librettists \"Promises\" - 1930, Al Sherman and Al Lewis, composers and librettists \"(Why Did You Kiss Me Last Night?) Ya Comin' Up To-Night, Huh?\" - 1928, Al Sherman, Al Lewis, and Abe Lyman, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Grand Polka De Concert\" - 1910, Edgar, H. Sherwood, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Friar of Orders Grey\" - undated, Shield, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Lonesome Road\" - 1928, Nathaniel Shilkret, composer, Gene Austin, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"In Bluebird Land\" - 1921, Albert E. Short, composer, W.R. Williams, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweet Home Sett\" - 1857, Shuster, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Saw Stars\" - 1934, Maurice Sigler, Al Goodhart, and Al Hoffman, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"One Night in Monte Carlo\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Ain't I Got Nobody to Love\" - 1924, Sam Coslow and Abner Silver, composers and librettists \"Every Now And Then\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Say It While Dancing\" - 1932, Abner Silver, composer, Benny Davis, librettist \"Farewell to Arms\" - 1933, Abner Silver and Allie Wrubel, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Violino Secondo\" - undated, F.M. Simonet, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Peanut Vendor\" - 1930, Moises Simons, composer, Marion Sunshine (Popular) librettist, and L. Wolfe Gilbert (Novelty) librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Honey\" - 1928, Seymour Simons, Haven Gillespie, and Richard A. Whiting, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Autumn\" - 1931, Lee Sims, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rustle of Spring\" - 1905, Christian Sinding, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Six Feet of Papa\" - 1926, Arthur Sizemore, composer, Billy Moll, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"When the Pretty Blue Bird Sings\" - undated, J.R. Skelly, composer, George Cooper, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Colonial Guards\" - 1902, Harry P. Small, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"O Softly Sleep My Baby Boy\" - undated, C. Smith, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Irish Were Egyptians Long Ago\" - 1920, Chris Smith, composer, Alfred Bryan, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"'Mid The Sunny Fields of Dixie\" - 1911, Emily Smith, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"If You Love Me Darling, Tell Me With Your Eyes\" - 1887, Hubbard T. Smith, composer, Samuel Minturn Peck, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Reine Des Fees\" - undated, Sidney Smith, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Star Spangled Banner. Concert Variations\" - 1896\u003c/p\u003e","\u003cp\u003eScope and Contents \"Swedish Wedding March\" - undated, Aug. Söderman, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just As I Am\" - 1868, H.D. Sofge, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"By The Old Cathedral Door\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"When the Old Folks Were Young Folks\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"The Ocean Never Sleeps\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"There's a Quaker Down In Quaker Town\" - 1916, Alfred Solman, composer, David Berg, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just A Little Sunshine\" - 1889, Fred'k Solomon, composer, Smedley Norton, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hurt\" - 1930, Harold Solomon, composer, Al Piantadosi, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"King Cotton March\" - undated, John Phillip Sousa, composer \"H.M.S. Pinafore\" - undated, J.P. Sousa, composer \"Medley Quadrille\" - 1879, J.P. Sousa, composer \"The Sorcerer\" - 1879, J.P. Sousa, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Shoo the Hoodoo Away\" - 1930, Ted Snyder, composer, Mort Harris, librettist \"Who's Sorry Now?\" - 1923, Ted Snyder, composer, Bert Kalmar and Harry Ruby, librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"When Song Is Sweet\" - 1902, Gertrude Sana-Souci, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Norwegian Romance\" - 1916, Florence Atherton Spalding, composer\u003c/p\u003e","\u003cp\u003eScope and Contents 'Love's Consolation\" - 1906, Geo. L. Spaulding, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Broadway Rose\" - 1920, Otis Spencee and Martin Fried, composers, Eugene West, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ain't You Coming Back to Old Virginia\" - 1913, Will Spillard, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Beat o' My Heart\" - 1934, Harold Spina, composer, Johnny Burke, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Frisches Grün\" - undated, Fritz Spindler, composer \"Mandolinata\" - undated, Fritz Spindler, composer \"Volkslieder\" - undated, Fritz Spindler, composer \"Husrenritt\" - 1869, Fritz Spindler, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Little Red Lark\" - undated, C.V. Stanford, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"When My Golden Hair Has Turned to Silver and Gray\" - undated, Edward Stanley, composer and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Memory\" - 1911, G. Waring Stebbins, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Girard House Polka\" - 1852, C. F. Stein, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Can't Waltz Alone\" -1935,Max Steiner, composer, Dorothy Fields, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Prager Perfect Song\" - 1916, James Whitcomb Riley, librettist, Ervine J. Stenson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Symphonic Raps\" - 1927, Bert Stevens, composer, Irvin Abrams, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"German Air\" - undated, Sir J.A. Stevenson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ben Bolt\" - undated, James M. Stewart, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tennessee Waltz\" - 1948, Redd Stewart and Pee Wee King, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Brightest Eyes\" - undated, Stigelli, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"No Day Ever Brings the Same Pleasure Again\" - 1881, John P. Stockton, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Get the Blues When It Rains\" - 1929, Harry Stoddard, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Evergreen Waltz\" - 1849, I.T. Stoddard, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Sweetheart of Sigma Chi\" - 1912, Dudleigh F. Stokes, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Songs of the Copeland\" - 1856, Robert Stopel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rose of Virginia\" - 1920, \"Chick\" Storey, composer, Jack Caddigan, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dance of the Raindrops\" - 1913, Pauline B. Story, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweet Hearts\" - 1851, Maurice Strakosch, composer; \" Reverie\" - 1848, Maurice Strakosch, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Empress Anne's\" - 1914, Johann Strauss, composer; \"Waltzes by Strauss\" - undated, Johann Strauss, composer; \"On the Banks of the Blue Danube Waltz\" - undated, Johann Strauss, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Polka\" - undated, L. Streabbog, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Don't Want to Walk Without You\" - 1952, Jule Styne, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents Florodora\" - 1900, Stuart Leslie, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Free\" - 1933, Dana Suesse, composer; \"Have You Forgotten\" - 1931, Dana Suesse, composer, Leo Robin, librettist,.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Potpourri\" - undated, M. Milford, Arthur S. Sullivan composer; \"Local Compositions\" - undated, Arthur S. Sullivan, composer; \"The Lass That Loved a Sailor\" - undated, M. Milford, Arthur S. Sullivan composer; \"A Maiden Fair to See\" - undated, Arthur S. Sullivan, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"When Your Lover Has Gone\" - 1931, E.A. Swan, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Can This Be Love\" - 1930, Kay Swift, composer, Paul James, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Let It Happen Again\" - 1934, Marty Symes, Al J. Neiburg, and Jerry Levinson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Diamond Polka\" - undated, E. Szemelenyi, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Somewhere a Voice Is Calling\" - 1911, Arthur F. Tate, composer, Eileen Newton, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Tarry Here\" - undated, Wilhelm Taubert, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Campanella\" - 1868, Guillaume Taubert, composer \"Sonate I\" - undated, Wilh. Taubert\u003c/p\u003e","\u003cp\u003eScope and Contents \"Flowers of Love\" - 1909, Tell Taylor, composer, Earl K. Smith, librettist \"I Love You Best of All\" - 1915, Tell Taylor, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mexicali Rose\" - 1923, Jack B. Tenney, composer, Helen Stone, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"O Take Me to the Woods Dear Mother\" - 1858, C.B. Thayer, composer, J.R. Smith, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sioux City Sue\" - 1945, Dick Thomas, composer, Ray Freedman, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dew Is on the Blossom\" - 1850, E. Thomas, composer, Amelia, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Friendship\" - 1859, J.R. Thomas, composer, W.D. Evans, librettist \"No Crown Without the Cross\" - undated, J.R. Thomas, composer, George Cooper, librettist \"Eilleen Allanna\" - 1876, J.R. Thomas, composer, E.S. Marble, librettist \"Fishes in the Sea\" - 1863, J.R. Thomas, composer, Geo[rge] Cooper, librettist \"Janette\" - 1867, J.R. Thomas, composer, Miles O'Rielly, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Who Will Care for Mother Now\" - 1863, C.F. Thompson, composer, C.C. Sawyer, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"When the Sun Sets in Ireland\" - 1917, Blanche M. Tice, composer, J. Will Callahan, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alice Blue Gown\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Irene\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Sweetheart, We Need Each Other\" - 1929, Harry Tierney, composer, Joseph McCarthy, librettist \"You're Always in My Arms\" - 1929, Harry Tierney, composer, Joseph McCathy \"If You're in Love, You'll Waltz\" - 1926, Harry Tierney, composer, Joseph McCarthy, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sacramento\" - 1907, Harry Von Tilzer, composer, Andrew B. Sterling, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alleluia, Pascha Nostra\" - 1938, Everett Titcomp, composer \"Suite in E Major\" - 1955, Everett Titcomb, composer \"Vexilla Regis\" - 1940, Everett Titcomb, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Good Night Little Girl of My Dreams\" - 1933, Charles Tobias and Joe Burke, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Miss You\" - 1929, Henry H. Tobias, composer, Charles Tobais and Harry Tobias, librettists \"I'm on Pins and Needles ('Cause I'm Dead Stuck on You)\" - 1932, Henry H. Tobias, composer, Joe Young, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hence Discontent\" - undated, Tolbecque, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oliver Gallop\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer \"Virginia Polka\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Olivette Lancers\" - 1881, Prince Tom, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Object of My Affection\" - 1934, Pinky Tomlin, Coy Poe, and Jimmie Grier\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Magic Flame\" - 1927, adapted from the famous \"Serenade\" of Toselli by Sigmund Spaeth, Sigmund Spaeth, also the librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Serenade\" - 1923, Enrico Toselli, composer, Sigmund Spaeth (English) and Alfredo Silvestri (Italian), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"For Ever and Ever\" - undated, F. Paolo Tosti, composer, and Violet Fane, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tarantelle\" - undated, Berthold Tours, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Here You Come With Love\" - 1933, Jo Trent, Harry Tobias, and Neil Moret, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"On the Road to Mandalay\" - 1898, Henry Trevannion, composer, Rudyard Kipling, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Give Me a Kiss by the Numbers\" - 1918, Lieutenant Joseph F. Trounstine, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"None But the Lonely Heart\" - 1935, Peter Tschaikowsky, composer, Jerry Castillo (English), librettist \"Andante Cantabile\" - 1911, Peter Tschaikowsky, composer \"Dance of the Candy Fairy\" - 1924, Peter Tschaikowsky, composer \"Dance of the Reed-Flutes\" - 1924, Peter Tschaikowsky, composer \"Schirmer's Library: Tschaikowsky Pianoforte Album, Volume I\" - 1896, Peter Tschaikowsky, composer \"Schirmer's Library of Musical Classics: Peter Tschaikowsky, Selected Pieces for Pianoforte\" - 1896, Peter Tschaikowsky, composer \"Romance\" - 1907, Peter Tschaikowsky, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dear Mother I've Come Home to Die\" - undated, Henry Tucker, composer, E. Bowers, librettist \"When This Cruel War is Over\" - undated, Henry Tucker, composer, Charles C. Sawyer, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pray, Maiden, Pray!\" - 1864, A.J. Turner, composer, A.W. Kercheval, librettist \"Bessie Bell\" - 1864, A.J. Turner, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Under the Lilac He Sleepeth\" - 1879, J.W. Turner, composer, G.M. Dowe, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Paloma\" - undated, H.A. Twitchell, composer\u003c/p\u003e","\u003cp\u003e\"Play to Me, Gipsy!\" - 1932, Karel Vacek, composer, Jimmy Kennedy (English) and Beda (Original), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Just a Vagabond Lover\" - 1929, Rudy Vallèe and Leon Zimmerman, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Try to Steal the Sweetheart of a Soldier\" - 1917, Van and Schenck, composers, Alfred Bryan, librettist \"That Bran' New Gal O' Mine\" - 1923, Van and Schenck, Benny Davis, and Harry Akst, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"When I Was a Dreamer\" - 1914, Egbert Van Alstyne, composer, Roger Lewis and Geo[rge] A. Little, librettists \"Old Pal\" - 1924, Egbert Van Alstyne, composer, Gus Kahn, libretist \"Memories\" - 1915, Egbert Van Alstyne, composer, Gus Kahn, librettist \"On the Road to Home Sweet Home\" - undated, Egbert Van Alstyne, composer, Gus Kahn, librettist \"In the Shade of the Old Apple Tree\" - 1905, Egbert Van Alstyne, composer, Harry H. Williams, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Menuet In G\" - 1909, Ludwig van Beethoven, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"It's Always You\" - 1941, Jimmy Van Heusen, composer, Johnny Burke, librettist \"Oh! You Crazy Moon\" - 1939, Jimmy Van Heusen, composer, Johnny Burke, librettist\u003c/p\u003e","\u003cp\u003e\"Are We Almost There?\" - 1845, Florence Vane, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mousquetaires au Couvent\" - 1880, Louis Varney, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Sweetheart of Sigma Chi\" - 1912, F. Dudleigh Vernor, composer, Byron D. Stokes, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ah! I Have Sigh'd to Rest Me\" - undated, G. Verdi, composer, Charles Jefferys (English) and Il Trovatore (Italian), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"24 Pièces en style libre\" - 1914, Louis Verne, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"El Choclo\" - 1935, Villoldo, composer, Jerry Castillo, librettist\u003c/p\u003e","\u003cp\u003e\"Bèsame Mucho (Kiss Me Much)\" - 1941, Consuelo Velàzquez, composer, Sunny Skylar (English) and Consuelo Velàzquez (Spanish), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Light Cavalry\" - undated, Franz von Suppe, composer \"Overture zu 'Dichter und Bauer'\" - undated, Franz von Suppe, composer \"Boccaccio\" - undated, Franz von Suppe, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Put Your Arms Around Me, Honey (I Never Knew Any Girl Like You)\" - 1910, Albert Von Tilzer, composer, Junie McCree, librettist \"I May Be Gone for A Long, Long Time\" - 1917, Albert Von Tilzer, composer, Lew Brown, librettist \"I'll Be With You in Apple Blossom Time\" - 1920, Albert Von Tilzer, composer, Neville Fleeson, librettist \"Au Revoir, But Not Good Bye, Soldier Boy\" - 1917, Albert von Tilzer, composer, Lew Brown, librettist \"Honey Boy\" - 1907, Albert Von Tilzer, composer, Jack Norworth, librettist \"My Little Girl\" - 1915, Albert Von Tilzer, composer, Sam M. Lewis and Will Dillon, librettist \"Please Don't Take My Lovin' Man Away\" - 1912, Albert Von Tilzer, composer, Lew Brown, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love Me While the Lovin' Is Good\" - 1913, Harry Von Tilzer, composer, Stanley Murphy, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Hunter's Chorus\" - undated, C.M. Von Weber, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don Juan\" - undated, Charles Voss, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Meet Me by Moonlight\" - undated, J. A. Wade, composer; \"The Vesper Bell\" - undated, J.A. Wade, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Der Ring des Eibelungen\" - undated, Richard Wagner, composer; \"Overture to Lohengrin\" -1896, Richard Wagner, Homer N. Bartlett, composer; \"Grand March for Wedding Procession\" - undated, Richard Wagner and Westbrook, composer; \"Wagner\" - undated, Richard Wagner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Always or Never Waltz\" - undated, Emile Waldteufel, composer; \"The Most Admired and Favorite Waltzes for the Piano Solo\" - undated, Emile Waldteufel, composer; \"Dolores\" - undated, Emile Waldteufel, composer; \"Charming (Tres Jolie) Waltz\" - undated, Emile Waldteufel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Long Boy\" - 1907, Barclay Walker, composer, William Herschell, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dream Boat\" - 1923, Mildred White Wallace, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cradle Song\" - 1851, William Vincent Wallace, composer; \"La Chilena\" - 1844, William Vincent Wallace, composer; \"Le Reve\" - 1875, William Vincent Wallace, composer; \"Marittana\" - 1882, William Vincent Wallace, composer; \"Scenes That Are Brightest\" - undated, William Vincent Wallace, composer; \"La Simania\" - undated, William Vincent Wallace, composer; \"Lurline\" - undated, William Vincent Wallace, composer; \"Tis the Harp in the Air\" - undated, William Vincent Wallace, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Coquette Polka\" - undated, A. Wallerstein, composer; \"Jenny Dind\" - undated, A. Wallerstein, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Black Hawk Waltz\" - 1879, Mary E. Walsh, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Band Played In\" - 1936, Charles B. Ward, composer, John F. Palmer, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Conquered Flag\" - 1886, Charlie L. Ward, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Golden Slippers\" - 1880, Alfred E. Warren, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bobolink Polka\" - 1856, George W. Warren, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In a Little Spanish Town\" - 1936, Mabel Wayne, composer; \"Ramona\" - 1937, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"Chiquita\" - 1928, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"It Happened in Monterey\" - 1930, Mabel Wayne, composer, Billy Rose, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cryin for the Carolines\" - 1930, Harry Warren, composer. \"Cheerful Little Earful\" - 1930, Harry Warren, composer Billy Rose, librettist. \"Dames\" - 1934, Harry Warren, composer, Al Dubin, librettist. \" Honeymoon Hotel\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"I Found a Million Dollar Baby\" - 1931, Harry Warren, composer, Billy Rose and Mort Dixon, librettists. \"I'll String Along with You\" - 1934, Harry Warren, composer, Al Dubin, librettist. \"One Sweet Letter from You\" - 1937, Harry Warren, composer, Lew Brown and Sidney Clare, librettist. \"Shadow Waltz\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Footlight Parade\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Sweet and Slow\" - 1935, Harry Warren, composer. \"Where Am I\" - 1935, Harry Warren, composer, Al Dubin, librettist. \"You're My Everything\" - 1931, Harry Warren, composer, Mort Dixon and Joe Dixon, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Heart Tells Me\" - 1943, Harry Warren, composer, Mack Gordon, librettist. \"I'll Sing a Thousand Love Songs\" - 1936, Harry Warren and Al Dubin, composers and librettists; \"Garden of the Moon\" - 1938, Harry Warren, composer, Al Dubin and Johnny Mercer, librettists; \"You Let Me Down\" - 1935, Harry Warren, composer, Al Dubin, librettist; \"I Know Now\" - 1937, Harry Warren, composer, Al Dubin, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents She's a Thoroughbred\" - 1898, Ned Jayburn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents 'You Walk By\" - 1940, Wayne Bernie, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Be a Sorrowful\" - undated, J.P. Webster, composer; \"Sweet By and By\" - 1808, J.P. Webster, composer, S. Fillmore Bennet, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"To Linger Near Then\" - undated, C.M. Von Weber.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Polka\" - 1859, Julius Weel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tripoli\" - 1920, Irving Well, composer, Paul Cunningham and Al Dubin, librettist .\u003c/p\u003e","\u003cp\u003eScope and Contents \"Something in the Night\" - 1932, Paul Weirick and Helmy Kresa, composers, Joe Young, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"At the Ferry\" - undated, Milton Wellings, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sadie Green\" - 1926, Gilbert Wells and Johnny Dunn, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Swingin in a Hammock\" - 1930, Pete Wendling, composer, Tot Seymour and Chas. O Flynn, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Maid in Blue\" - 1907, Fred J. Hamill, librettists, Percy Wenrich, composer; \"Wenonah\" - 1903, James O'dea, librettist, Percy Wenrich, composer; \"I Ain't Got Weary Yet\" - 1918, Howard Johnson, librettist, Percy Wenrich, composer; \"Moonlight Bay\" - 1912, Percy Wenrich, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Choral Song\" - undated, S.S. Wesley, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Postlude in F\" - 1896, John A. West, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Postlude in B\" - undated, John E. West, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'll Take You Home Again Kathleen\" - 1954, Thomas P. Westendorff, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'll Take You Home Again Kathleen\" - 1935, Thomas P. Westendorf, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lonely Heart\" - 1936, Irene Wicker, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Ingle Side\" - undated, F.V. Wiesenthal, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Got the South in My Soul\" - 1932, Victor Young and Lee Wiley, composers, Ned Washington, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You'll Soon Forget Kathleen\" - undated, Langton W. Williams, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love to Live in Loveland with a Girl Like You\" - 1910, W.R. Williams, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Shepherd Boy\" - undated, G.D. Wilson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Recollections Memphis\" - Charles Ph. Winkler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Shenandoah Waltz\" - 1947, Chubby Wise, composer, Clyde Moody, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Have I Told You Lately That I Love You\" - 1955, Scott Wiseman, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Little Georgia Rose\" - 1898, Max S. Witl, composer, Rob't F. Rode, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"March Brillante\" - 1888, J.W. Wheeler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Grandpa's Birthday\" - 1881, C.A. White, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Black Apollo\" - undated, Charles White, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Play That Song of India Again\" - 1921, Paul Whiteman and Irving Bibo, composers, Leo Wood, libretttist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Some Sunday Morning\" - 1917, Richard A. Whiting, composer, Gus Kahn and Raymond Egan, librettist. \"When Did You Leave Heaven\" - 1936, Richard A. Whiting, composer, Walter Bullock, librettist. \"Ain't We Got Fun\" - 1921, Richard A. Whiting, Raymond B. Egan, and Gus Kahn, composers; \"Take a Chance\" - 1932, Ricahrd A. Whiting, and Herb Brown Nacio, composers, B.G. de Sylva, librettist. \"Lets Go Native\" - 1930, Richard A. Whiting, composer; \"Till We Meet Again\" - 1918, Richard A. Whiting, composer, Raymond B. Egan, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Grand March De Concert\" - 1853, H.A. Wollenhaupt, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Roses of Picardy\" - 1916, Haydn Wood, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mother Dear O Pray for Me\" - undated, I.B. Woodbury, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hope's Whisper\" - 1869, Miss Nelly Marshall, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"All of a Sudden\" - 1932, Harry Woods, composer and librettist; \"Be Careful with those Eyes\" - 1930, Harry Woods, composer; \"If I Have to Go On Without You\" - 1931, Harry Woods and Al Dubin, composer; \"Me Too\" - 1936, Harry Woods, Charles Tobias, and Al. Sherman, composers; \"River, Stay' Way from My Door\" - 1931, Harry Woods, composer, Mort Dixon, librettist. \"Take In the Sun Hang Out the Moon\" - 1936, Harry Woods, composer, Lewis \u0026amp; Young, librettist. \"When the New Moon Shines on the New Mown Hay\" - 1934, Harry Woods, Jimmy Campbell, and Reg Connelly, composers; \"When the Red, Red, Robin Comes Bob, Bob Bobbin Along\" - 1926, Harry Woods, librettist and composer. Thorton Sisters featured; \"You Darlin'\" - 1930, Harry Woods, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oh! Boy, What a Girl\" - 1925, Wright and Bessinger, composers, Bud Green, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Musical Boquet\" - undated,W.T. Wrighton, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"To Be or Not to Be in Love\" - 1933, Allie Wrubel and Elliott Grennard, composers; \"Gone with the Wind\" - 1937, Allie Wrubel, composer, Herb Magidson, librettist. \"Music, Maestro, Please!\" - 1938, , Allie Wrubel, composer, Herb Magidson, librettist \"As You desire Me\" - 1932, Allie Wrubel, composer and librettist; \"Flirtation Walk\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Happiness Ahead\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Now You're in My Arms\" - 1931, Allie Wrubel and Morton Downey, composers. \"Pop Goes Your Heart\" - 1934, Allie Wrubel and Mort Dixon, composers. \"You'll Do It Some Day\" - 1929, Allie Wrubel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fare Thee Well Kitty Dear\" - undated, G. Friedrich Murzel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Talian Modern Anthology\" - undated, Pietro A. Yon, composer; \"Coccata\" - 1912, Pietro A. Yon, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You're Tired of Me\" - 1931, Don York, Jack Sadler and Pauline Brown, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"No No Nanette\" - 1934, Vincent Youmans, composer, Otto Harbach and Irving Caesar, librettists. \"Flying Down the Rio\" - 1933, Vincent Youmans, composer, Gus Kahn and Edward Eliscu, librettist. \"Hit the Deck\" - Vincent Youman, composer, Leo Robin and Clifford Grey, librettists. \"Adelai\" - 1921, Vincent Youman and Joseph Spurin Calleja, composers. \"Time on My Hands\" - 1930, Vincent Youmans, composer, Harold Adamson and Mack Gordon, librettist. \"Wildflower\" - 1923, Vincent Youmans and Herbert Stothart, composers, Otto Harbach and Oscar Hammerstein, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just for Remembrance\" - 1923, Eleanor Young and Harry D. Squires, composer; \"Mean Mean Mama\" -1923, Eleanor Young and Harry D. Souires, composers, Mitchell Parish, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Heart are Trumps\" - 1900, L.W. Young, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Street of Dreams\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Lawd, You Made the Night Too Long\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Love Is the Thing\" - 1933, Victor Young, composer, Ned Washinton, librettist. \"Love Me To-Night\" - 1932, Victor Young, composer, Bing Crosby and Ned Washington, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Spirit of America\" - 1907, J.S. Zamednik, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Anchors Aweigh\" - 1907, Chas A. Zimmermann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Preludes and Interludes for the Organ\" - undated, John Zundel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cotillion Girl O'mine\" - 1927, Clifford Zug, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Boccaccio March\" - 1879, W.A. Cramer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents Eoccaccio March\" - 1880, W.A. Fallman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ah! for Wings\" - 1853, Charles Jarvis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Wearing of the Green\" - 1935, Henri F. Klickmann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Arois Quintetti\" - undated, Mr. Lachnith, arranger;\"Trios\" - undated, De Mr. Pleyel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"L'etoile\" - undated, H.E. Lehmann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Since First I saw your Face\" - undated, Barbra Allen, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cootage Duetts- popular collection of Melodies\" - undated, J.E. Muller, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Jenny Linds\" - 1851, Samuel Owen, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mocking Bird\" - undated, J.A. Rosenberger, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cascade of Roses\" - 1882, Albert J. Snow, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Songs of the Pyrenees\" - 1889, M.H. Strugis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alice Gray\" - undated;\"Bye Bye Blackbird\" - undated, Mort Orfoin and Ray Clendaon, composers;\"Coventry Carol\" - undated;\"Dorez Doric mes Cheres Amours\" - undated;\"Air from Masaniello\" - undated;\"God Save the Emporor\" - undated;\"March from Masaniello\" - undated;\"Erster Spieler\" - undated;\"Flauto O Violino\" - undated.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Kitty Tyrrell\" - undated; \"La Grotte des Fees\" - undated; \"La Noce de Le'nore\" - undated; \"Le lac Bleu\" - undated; \"Life's Happy Moments\" - undated; \"Lord Mocdonald's Reel\" - undated; \"Sir Archibald Grants Reel\" - undated; \"Last Rose of Summer\" - undated.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mant III-3 double\" - undated; \"Goodbye Sweetheart\" - undated; \"Marseilles March\" - undated; \"Monastery Bell\" - 1858; \"My Mother\" - undated; \"Nobody Coming to Marry Me\" - undated; \"Betsy Bell and Mary Gray\" - undated; \"Logan Sweetly\" - undated; \"Oh! Say Not a Woman's Love is Bought\" - undated; \"Overture, Caliph of Bagdad\" - undated; \"The Dying Soldier\" - 1864, undated.\u003c/p\u003e","\u003cp\u003eScope and Contents \" Robin Adair\" -1865; \"Russian March\" - undated; \"Silver Lake Waltz\" - undated; \"Sounds from Home\" - undated; \"Southern Soldier Boy\" - undated; \"Styrian Waltz of Weber\" - undated; \"Take Me Back to Old Virginny\" - undated; \" The Blind Girl to Her Banjo\" - undated; \" The Mocking Bird\" - undated; \" Theme de L'orgie de Caraffa\" - undated; \" Though Lingring Stan\" - undated; \" Too Late\" undated; \"Tu Vedrai chem amore in Terra\" - undated; \" Twas at the hour\" - undated; \"Twilight\" - undated; \"The Wave Sweeps My Breast\" - undated; \"The Weary Pund O Tow\" - undated; \"Well, I Agree\" - undated; \"When the Sheep Are in the Fauld\" - undated.\u003c/p\u003e","\u003cp\u003eThree items present.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Daily Practice for the Piano Forte\" - undated, Clementi, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Preludes and Exercises\" - 1886, Clementi and Hummel, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"15 Exercises\" -undated, J.B. Duvernoy, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"First Pedal Studies for the Piano\" - 1906, Jessie L. Gaynor, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The First Studies for Piano, Die Erlten Etuden\" - undated, Louis Kohler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Guide to Rapid Fingering- Series of Instructive Exercises within the Octave\" - undated, Theodore Oesten, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Progressive lessor for Beginners - undated, Rausch, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Exercises Pre'paratives\" - 1878, Aloise Schmitt, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Forty pedal-Studies\" - 1914, Ludvig Schytte', composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Juvenile Album\" - undated, J.A. Wade, Sullivan \u0026amp; Claribel, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thackray for the Guitar\" - undated, Thomas Thackray, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cuban Patrol\" - undated, E.J. Rutsky, composer; \"The Minstrel Boy\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Elfin Waltz\" - undated, unknown composer; \"Swiss Air\" - undated, Czerny, composer; \" On Yonder Rock Reclining\" - undated, unknown composer; \" Hungarian National, undated, unknown composer; \"La Belle Walt\" - undated, unknown composer; \"Home, sweet Home\" - undated, unknown composer; \"Cottage Waltz\" - undated, unknown composer; \"Thirty-six exercises\" - undated, Aloise Schmiti, composer; \"Chromatic Scale in Triplets, sixes and c.\" - undated, unknown composer; \"Six progressive exercises on popular Melodies\" - undated, unknown composer; \" Twenty-four exercises to give flexibility to the Fingers\" - undated, unknown composer; \"Eight exercises on the scale of C in one Octave\" - undated, unknown composers; \"Duetts for four Hands\" - undated, unknown composers; \"Various effects of the arpeggio , and mode of Performance\" - undated, unknown composer; \"Twelve scales in thirds and sixths, Fingered\" - undated, unknown composer; \"The Acciaccatura\" - undated, unknown composer; \"Practical Exercise on the Turn\" - undated, unknown composer; \"Fingering of the common Chords, and their Inversions\" - undated, unknown composer; \"Exercises on the chord of the seventh in all its Positions\" - undated, unknown composer; \" I'm a Pilgrim\" - undated, unknown composer; \"Lilly Dale\" - undated, H.S. Thompson, composer and librettist; \"Do they miss me at Home\" - undated, S.M. Grannis, composer; \"Melodious Excercises for Teacher and Pupil\" - undated, Diabelli, composer; \"Favorite French Air\" - undated, A. Rondo, composer; \"Grande Calse Brillante\" - undated, unknown composer; \" Grande Valse Briliante\" - undated, par F. Hunten, composer; \"Exercises in Velocity\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Master\" - undated, unknown composer; \"The Scholar\" - undated, unknown composer; \"1er repos de L'e'tude\" - undated, unknown composer\" - undated, unknown composer; \"Variations in 4 mains\" - undated, unknown composer; \"Rondino\" - undated, unknown composer; \" Serenade\" - undated, unknown composer; \"Grand March\" - undated, unknown composer; \"Andante Grazioso\" - undated, unknown composer; \"Calse Brillante\" - undated, unknown composer; \"Air Varie A 4 Mains\" - undated, unknown composer; \"Major Scales in Thirds\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Prelude in the key of C Major\" - undated, unknown composer; \"Prelude in the key of B flat Major\" - undated, unknown composer; \" Exercises on the chomatic scale in triplets. sixes and C\" - undated, unknown composer; \"Preliminary exercise in common Time\" - undated, unknown composer; \" Scale of fingering in the key of C\" - undated, unknown composer; \"Air\" - undated, unknown composer; \"Broken sixths and Octaves in moving Figures\" - undated, unknown composers; \"Recreation from Study\" - undated, Le Garco Volage, composer; \"Two Duets- introducing the key signatures of G \u0026amp; F\" - undated, C. Altmann, composer; \"May Time\" - undated, unknown composer; \"Contentment\" - undated, unknown composers; \"Study in broken Chords\" - undated, unknown composer; \"Chord Study\" - undated, unknown composer; \"Etude for elasticity of the wrist\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Six Progressively exercises on popular melodies\" - undated, unknown composer; \"Exercises on Chromatic Scale\" - undated, unknown composer; \"Howe's instructor for the Guitar; 1850, unknown composer; \" Etude\" - undated, unknown composer; \" Prie're du Matin de lEnfant- child's morning Prayer\" - undated, unknown composer; \"la Guaracha\" - undated, unknown composer; \"Exercises pour une main\" - undated, unknown composer; \"The Master\" - undated, unknown composer; \"For the Syncopations\" - undated, unknown composers; \"To cross the Hands\" - pour croiser les Mains\" - undated, unknown composer; \"For the Staccato\" - undated, unknown composer; \"For the Double Notes\" - undated, unknown composer; \"Waltz from der Freischutz\" - undated, unknown composer; \"Old uncle Ned\" - undated, unknown composer; \"Camp town Hornpipe\" - undated, unknown composer; \"Le Bal d'Enfants- the Children's Ball\" - undated, Auf dem Kinderball, composer; \" Variations on German Air\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents Untitled exercise book, undated, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents Untitled exercise book, undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 2\" - 1895, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 3\" - 1895, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"National Graded Courses for the Piano Forte: Grade 1\" - 1899, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oesterle's Instructive Course of Piano Pieces: Book II\" - 1908, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"John M. Williams' Graded Sight-Reading Books: Volume 2\" - 1928, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Boston Music School\" - 1871, B.F. Baker, author; \"The Euterpeiad of Musical Intelligencer; and Select Repository of classical and Polite Literature\" - 1823, Charles Dingley, author. \"Address Before the Boston Academy of Music on the Opening of the Odeon\" - 1835, Samuel A. Eliot, author. \"Second Annual Report of the Boston Academy of Music, Read at the Anniversary Meeting\" - 1834, writer, unknown; \"Third Annual Report of the Boston Academy of Music\" - 1835; \"Ninth Annual Report of the Boston Academy of Music\" - 1841; \"Catalogue and Circular of the Musical Institute, Providence, RI\" - 1865.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Balls' Musical Cabinet, or Compleat Pocket Library for the Flute, Flageolet, Volin\" - undated, unknown composers \"Happy Voices\" - undated, various composers \"The Apollo: No. 15\" - undated, various composers \"The Apollo: No. 16\" - undated, various composers \"The Apollo: No. 17\" - undated, various composers \"The Apollo: No. 29\" - undated, various composers\u003c/p\u003e","\u003cp\u003eScope and Contents \"Twinkling Stars\" - undated, G. Lezzi S. and various composers; \"Holy Communion\" - undated, Beethoven and various composers; \"Clarke's New Reed Organ Companion\" - undated, Lysberg and various composers; \"The Soldiers Joy\" - undated, unknown composers; \"Rip Van Winkle\" - undated, various composers; \"Spanish Dances\" - undated, Moszkowski and various composers; \"Album Leaf\" - undated, Dacobe and various composers; \"The First Kiss Waltz\" - undated, Lamothe and various composers; \"Anitra's Tanz\" - undated, various composers; \"A Goblin\" - undated, unknown composers; \"Nineteenth Century (the) Pianoforte: Pieces by representative Composers of the 19th Century, Volume II\" - undated, various composers; \"Valse Hongroise\" - undated, composers unknown; \"Star of the Sea\" - 1883, A. Kennedy and various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Nearer, My god, To Thee!\" - 1882, Richards and various composers; \"Gondoliera\" - undated, Fritz Spindler and various composers; \"Biographical Sketches of Popular Composers and Singers\" - undated, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Song of the Rose\" - undated, various composers; \"Praeludium\" - undated, composers unknown; \"Elva's Farewell Polka\" - 1851, J.A.G'schwend and various composers; \"La Regata Veneziana\" - undated, Delmar and various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Slumber Song\" - undated, Harriet Grace Mitchell, composer and librettist; \"Somewhere a Voice is Calling\" - undated, Arthur F. Tate, composer, Eileen Newton, librettist; \"The World is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist; \"Smith's All Star Mandolin Folio Number 1\" - undated, various composers; \"The Whitmark Black and White Series\" - undated, Arthur A. Penn, composer; Amsco Music Sales Co. - 1933, various composers; \"Dreamy Melody\" - 1920s, unknkown composer; \"Sing and Dance for New Century in America 45 Years Ago Today\" - 1944, Chicago Sunday Tribune; \"The Convict and the Rose\" - 1925, Betty Chapin, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chèrie, I Love You\" - 1926, Lillian Rosedale Goodman, composer and librettist; \"Illuftrirten Allgemeinen Familien-Spielbuche\" - undated, various composers; \"Old Favorite Songs\" - 1903, various composers; Letter from Walter A. Montgomery, September 14 of unknown year; \"There was a Sheep of Darby\" - undated, unknown composer; \"Peter's Selected Catalogue of New and Popular Music\" - 1872, various composers; G. Schirmer music book starting with \"Gavotte\" - 1888, various composers; \"Pianoforte Pieces Representative Composers of the 19th Century\" - undated, various composers; \"A Select Collection of Original Scottish Airs for the Voice, Volume One\" - undated, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Vocal Duett Album\" - 1883, various composers \"Musical Album Presented by C.D. Kenny\" - undated, various composers \"The Musical Album No. 2\" - 1881, various composers \"The Organ, Volume VII, No. 40\" - 1896, various composers\u003c/p\u003e","\u003cp\u003eScope and Contents \"Community and Patriotic Songs\" - 1917, various composers; \"Christmastide\" - 1925, various composers; \"First Year classics for the Pianoforte\" - 1914, J.S. Bach, composers; \"When All the World was Young\" - 1921, various and unknown composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Vocal Music to Shakespeare's Plays: As You Like It\" - undated, Dr.Arne, composer; Handwritten song book with \"To\" and \"Over the Water to Charley\" - undated, unknown composer; Handwritten sheet of music with \"I Cannot Sing the Old Songs\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Song Folio\" - 1883, various composers; \"that Traitor, Love\" - undated, Joseph L. Roeckel, composer; \"Anthology of American Song\" - 1911, various composers; \"Classic Gems\" - undated, various composers\u003c/p\u003e","\u003cp\u003eScope and Contents \"The One Hundred and One Best Songs\" - 1915, The Cable Company, publishers; \"100 Songs of Scotland (music\u0026amp;words)\" - undated, various composers; \"Songs of the Glenwood Mission Inn\" - 1910, various composers; \"Boosey's Musical Cabinet: A Collection of Standard and Popular Vocal and Pianoforte Music\" - undated, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents Pocketbook starting with \"Old Hundred\" - undated, various composers; \"The Young Convert's Pocket Companion. Being a Collection of Hymns, with Tunes, Adapted to Each Hymn\" - 1822, unknown composer; \"Booth-Clibborn Dictory Songs\" - 1918, Victoria Booth-Clibborn Demarest, compiler and editor; \"Willing's Pocket Companion, Volume 1\" - undated, various composers; \"Willing's Pocket Companion, 6\" - undated, various composers; \"Willings Pocket Companion, 7\" - undated, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Munro's 10 Cent Musical Library, Volume 1\" - 1878, various composers; \"A Health to the Outward Bound\" -1843, Alexander Ball and various composers; \"Recreations Pour La Jeunesse\" - undated, various composers; \"Endless Amusement: A Collection of Four Hand Music\" - 1898, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Vaughn Monroe's Favorite Songs\" - 1942, various composers; \"Tex Ritter: All Star Song Folio\" - 1947, various composers; \"Triangle Song Folio No. 1\" - 1945, various composers; \"Popular Song Hits\" - 1934, various composers;\u003c/p\u003e","\u003cp\u003eScope and Contents \"Italian Opera\" - undated, Don Giovanni, composer; \"Isabeav\" - 1910, Luigi Illica, composer, pietro Mascagni, librettist; \"Christmas Songs\" - 1916, Frederick Niven, composer; \"French's Opera Libretti\" - undated, Linda Di Chamounix, composer; \"Blind Tom\" - 1866, The Negro Boy Pianist, composer; \"La Somnabula\" - 1867, Bellini, composer; \"La Tosca\" - 1890, Mr. Henry E. Abbey and Mr. Maurice Grau, composers; \"The Heard-Bells\" - undated, unknown composer; \"In the Starlight\" - undated, unknown composer; \"I cannot sing the old songs\" - undated, unknown composer; \"The Old Log Cabin\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Army Songster\" - 1864, Geo. L. Bidgood, composer; \"Italian Opera\" - undated, unknown composer; \"Buens Fireside Library\" - undated, Northern Dinsteelsy, unknown composer; \"The Solder's Return\" - undated, unknown composer; \"Scottish Songs\" - undated, unknown composer; \"Scottish Poems\" - undated, unknown composer; \"Burns' Fireside Library\" - undated, unknown composer; \"Popular Confederate War Songs\" - 1907, Whittet and Shepperson, publishers; \"H.M.S. Pinafore\" - 1879, written by W.S. Gilbert, composed by Arthur Sullivan; \"Light Opera Librettos\" - undated, Nanki-Pooh, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Mikado- and other comic Operas\" - 1885, W.S. Gilbert, librettist, Arthur Sullivan, composer; \"The Mascot\" - 1881, I.W. Norcross, Jr., dialogue and stage Director; \"The Awakened Rameses\" - 1911, Joseph Hudnut, writer, Julius Wuerthner, composer; \"Vie De Boheme'\" - 1898, M. Albert Carre, writer. \"The Awakened Rameses\" - undated, Joseph Hudnut, writer, Julius Wuerthner, composer; \"The Mascot\" - undated, Edmond Audran, composer; translation and adaptation of words to music by, Theodore T. Barker; \"The Mikado and other comic Operas\" - undated, W.S. Gilbert, writer, Arthur Sullivan, composer; \" La Vie De Boheme'\" - 1896, unknown composer.\u003c/p\u003e","\u003cp\u003eThis series includes sheet music collected by the Special Collections Research Center beginning 2007.\u003c/p\u003e","\u003cp\u003e\"I'm sorry I made you Cry\" - 1918, N.J. Clesi, composer and librettist;\"Good Night, Germany\" - 1913, Grant Clarke and Howard E. Rogers, librettists, Geo W. Meyer, composer;\"Three Little Sisters\" - 1942, Irving Taylor, librettist, Vic Mizzy, composer;\"Remember Pearl Harbor\" - 1942, Don Reid and Sammy Kaye, composers;\"Good Night\" - 1944, Dicker Robertson, Al Hoffman, and Frank Weldon, composers;\"Wait for me Mary\" - 1941, Charlie Tobias, Nat Simon, and Harry Tobias, composer;\"This is worth Fighting For\" - 1941, Edgar De Lange and Sam H. Stept, composers and librettist;\"Goodnight Soldier\" - 1943,  Harry Johnson, composer;\"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer;\"G.I. Jive\" - 1943, Johnny Mercer, composer;\"The Bells of Normandy are ringing again\" - 1944, Don Reid and Irving Miller, composer and librettists;\"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer;\"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer;\"Comin' in on a wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy HcHugh, composer;\"Praise the Lord and ass the Ammunition\" - 1942, Frank Loesser, composer;\"Laddie in Khaki\" - 1910, Irvor Novello, composer.\u003c/p\u003e\n","\u003cp\u003e\"If he can fight-like He can Love Good Night, Germeny\" - 1938,Grant Clarke and Howard E. Rogers, librettist, Geo. W. Meyer, composer; \"I'm sorry I made you Cry\" - 1938, N.J Clesi, composer and librettist; \"Prise the Lord and Pass the Ammunition!!\" - 1942, Frank Loesser, composer and librettist; \"Comin in on a Wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy McHugh, composer; \"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer; \"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer; \"The Bells of Normandy are rising again\" - 1944, Don Reid and Irving Miller, composer and librettist; \"G.I. Jive\" - 1943, Johnny Mercer, composer; \"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer; \"He wears a pair of silver Wings\" - 1941, Eric Maschwitz, composer; \"Goodnight Soldier\" - 1943, Harry Johnson, composer; \"This is Worth Fighting For\" - 1942, Edgar De Lange, composer and librettist; \"Wait for me Mary\" - 1942, Charlie Tobias, Nat Simon, Harry Tobias, composers; \"Good Night, wherever you Are\" - 1944, Dick Robertson, Al Hoffman, and Frank Weldon, composers; \"Pictoria Review\" - 1942, Don Reid, librettist, Don Reid and Sammy Kaye, composers; \"Three Little Sisters\" -1942, Irving Taylor, librettist, Vic Mizzy, composer; \"Laddie in Khaki the girl who waits at home\" - 1915, Ivor Novello, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I got plenty O' Nuttin\" - 1924, George Gershwin, composer, Dubose Heyward, librettist;\" Ma Little Yalla Daisy\" - joe Goodwin and Raymond thunder mat, 1910\"Time after time is left\" - 1952, Mitchell Parish, Eleanor Young, melody, Harry D. Squires, composer and librettist composer; \"Carly Headed Babby\" -1926 G.H. Clutsam, composer;\"Negro Spirituals\" - 1922, H.T. Burleigh, composer;\"Little Bunch O' Honeyness\" - 1920, Carl Hahn, composer;\"Cottonfield Dance\" - 1904, Al. W. Brown, composer;\"Mammy's little coal Black Rose\" - 1929, Raymond Egan, librettist, Richard A. Whiting, composer;\"Aint You coming back to Dixieland\" - 1912, Al Jolson, composer;\" Come Back Dixie\" - 1915, Jack Mahoney, librettist, Percy Wenrich, composer;\"Leap Frog\" - 1908, Edwin F. Kendall, composer;\"I'm missin Mammy's Kissin\" - 1921, Sidney Clare, librettist, Lew Pollack, composer;\"Carolina Rolling Stone\" - 1921, Mitchell Parish, librettist, Eleanor Young and Harry D. Squires, composers;\"My Croony Melody\" - 1924, Joe Goodwin and Ray Goetz, composers;\"Creole Swing-Song\" - 1908, Frederick E. Weatherly and Luigi Denza, composers;\"Ma Little Yalla Daisy\" - 1899, Hattie Starr, composer;\"The Black Cat Rag\" - 1910, Frank Wooster and Ethyl B.Smith, composers.\"My old home in the South Land\" - 1904, Mary F. Britton, I.M. Jackson, composers;\"Mighty lak'a Rose\" - 1901, Frank L. Stanton, librettist;\"The Ragtime Violin\" - 1911, Irving Berlin, composer;\"Sweet and Low\" - undated, J. Stanley Royce; composer;\u003c/p\u003e","\u003cp\u003e10 pieces: 1 WILL YOU SAY TO MY DEAR MAMMY 1918 – by M. C. Thornton. This is a rare World War I sheet published by the composer in New Albany, Indiana. It shows a mother and a younger women named Cory waiting on a farm in front of a picture of the soldier overseas. 2- GOOD-BYE SAL PATRIOTIC MARCH SONG 1917 – by Ervin R. Miller. Cover art by WALTER SPOUSE. Cover photo of ANGELO MINETTI, THE GREAT CONCERT PIANO-ACCORDIANIST. 3- THE HOME COMING MARCH 1908 – E. T. Paull. Cver art by A Hoen \u0026amp; Co. of Richmond, Virginia. Images deal with family reunion, sailors homecoming, soldiers homecoming, and father coming home from work! There is also a Pax or Peace Parade as the main image ending a war. 4- I HAVE YOU AND YOU HAVE ME THOUGH YOU'RE THOUSANDS OF MILES AWAY / SOLDIER SONG 1918 – Tell Taylor, Earl K. Smith. Published by Tell Taylor. 5- FAREWELL, MOTHER, I HATE TO SAY GOOD-BYE TO YOU 1918 – Thomas J. Flanagan, Ray Gibbins. Published by the composer in Syracuse, New York. One of the more rare STARMER art covers. The figure of a soldier calling a young soldier away from his mother. The 2 blue star flag flying from mother's house suggests she has a boy in the service. 6- WAKE UP, AMERICA 1916 – George Graff, Jr., Jack Glogau. Cover shows a giant Uncle Sam holding a battleship as the statue of liberty, a dirigible and airplanes appear.. 7- IT'S A LONG, LONG WAY TO TIPPERARY 1912 – Jack Judge, Harry Williams. Cover TOMMY ATKINS. 8- GOOD-BYE MY SOLDIER BOY 1917 – Calla Gowdy Gregg. Self published by this female composer at 6 North Penn in Indianapolis, Indiana, this one is pretty rare. 9-THEY WERE ALL OUT OF STEP BUT JIM 1918 – Irving Berlin. Cover photo BLANCHE RING. Art by BARBELLE. 10-OVER THERE by George M. Cohan. Cover WILLIAM J. REILLY U.S.N. OF THE U.S.S. MICHIGAN.\u003c/p\u003e","\u003cp\u003eScope and Contents \"We are Americans Too\" -1935, Andy Razaf, Eubie Blake, and Charles L. Cooke, composers and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Anything is nice if it comes from Dixieland\" - 1919, Grant Clarke, Geo. W. Meyer, and Milton Ager, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"It takes a long tall brown-skin gal to make a preacher lay his Bible down\" - 1917, Marshall Walker, librettist, Will. E. Skidmore, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Negro Spirituals\" - 1927, Chas. H. Pace, arranger.\u003c/p\u003e","\u003cp\u003eScope and Contents \"On the Gin Gin Ginny Shore\" - 1921, Edgar Leslie, librettist, Walter Donaldson, composer.\u003c/p\u003e","\u003cp\u003eWilliam's Colored Singers, The World's Greatest Harmonizing Octette. William \u0026amp;Johnson Proprietors, Cas. P. Williams, Mgr., Chicago. Contains American Folk Songs as Sung by Williams' Jubilee Singers. Biography of the Williams' Jubilee Singers in back.\u003c/p\u003e","\u003cp\u003eScope and Contents E. L. Gamble and Karl C. Kraft: Gamble's Minstrel Song Book. First edition. East Liverpool, Ohio: E. L. Gamble, 1925. Printed softcover with retailer's label, 9 x 12 in., 12 pages. Collection of songs intended for use in minstrel shows, employing typical racial stereotypes. Among the titles included are \"Opening\" (\"Our jokes they are new so those who feel blue we will keep on the go...\"), \"How I'se Got the Ku Klux Klan Blues\" (\"As dey grow stronger mah legs grow longer.... I shiver and shake I quiver and quake when at me they make goo goos....\"), \"Where de Water Melons Grow,\" \"Gibe Me Chicken Foh Ebery Meal,\" and \"Finale\" .\u003c/p\u003e","\u003cp\u003eSongster: \"Latest Coon Hit; I Don't Want to Be Your Lady Friend No More.\" Henry Weiman Publisher, New York.\u003c/p\u003e","\u003cp\u003eScope and Contents \"By Sam Coslow and Leon Friedman, Writers of Grieving for You, etc.\" Published in new York, by Robert Norton Co.Other title included is \"Try this over on your piano Gypsie Rose\" by Henry Lodge and Evelyn Rose.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Farewell My Lilly Dear\" a Plantation Melody as sung by Christy's Minstrels written and composed by S.C.F.  Published by Firth, Pond \u0026amp; Co.  Copyright date of 1851.  Hand sewn binding.\u003c/p\u003e","\u003cp\u003eContains the following pieces of sheet music, most of which feature cover art that stereotypes African Americans. Paper Doll by the Mills Bros I aint bliged to stan no nigger foolin (Cover Only) Honey You'se May Lady Love (Cover Only) At a Darktown Cake Walk Everybody Twostep Rag Lucy (Cover Only) Smoky Mokes Hella Ma Baby Pray for the Lights to Go Out: A Negro Shouting Song Hypnotized Coons (Cover Only) Massa's in the Cold Cold Ground (2 different covers) Darktown Belle Mandy Lane The Sunny South Mid The Fields of Snowy Cotton Memories of the South Carry Me Back to Old Virginny Whistling Rufus Peaceful Henry Old Black Joe Mammy's Lullaby Pullman Porters Parade A Plantation Medley of Southern Airs\u003c/p\u003e","\u003cp\u003eIncludes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.\u003c/p\u003e","\u003cp\u003eIncludes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.\u003c/p\u003e","\u003cp\u003eIncludes Tramp, Tramp, Tramp; Dixie Land; The Battle Cry of Freedom; Marching Through Georgia; and The Star Spangled Banner.\u003c/p\u003e","\u003cp\u003eFrom the musical comedy \"Three Little Lambs.\"\u003c/p\u003e","\u003cp\u003eContains the following pieces, some with cover art that stereotypes African Americans: St. Patrick's Day is a Bad Day for Coons, composed by Irving Jones, sung by Lew Dockstader, published by Sol Bloom, music supplement of Hearst's Chicago American, Sunday, September 8, 1901. The American Song King Edward Asked For, written by Arthur Pryor, the Assistant Director of Sousa's band, pubished by The Sell Music Co., New York, music supplement of Hearst's Chicago American, Sunday, April 19, 1903. Wing Lee's Rag-Time Clock, written and composed by Al Trahern, sung by Mathews \u0026amp; Bulgerin by the Sad Sea Waves, published by Shapiro, Bernstein \u0026amp; Vontilzer, New York, music supplement of Hearst's Chicago American, Sunday, September 2, 1900. A Rich Coon's Babe, written by Clare Kummer, published by Howley, Haviland \u0026amp; Dresser, New York, 1903.\u003c/p\u003e","\u003cp\u003eContains songs for use in \"Special Services Activites by Armed Forces personnel only.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Sheet music about the memories of Greek independence in 1821 by Severin Leoni. The music is subtitled in French \"Souvenirs de la Liberte de la Grece 1821\" or \"Memories Souvenirs of the Freedom of Greece.\" The inscription at the top of the cover translates to \"Dedicated to the great patriot and benefactor of Greece G. Averof. The heroes listed clockwise on the cover include G. Averof, philanthropist; Patriarch Gregory V; Markos Botsaris, general; Konstantinos Kanaris, admiral; Theodoros Kolokotronis, general; and Rigas Feraios, writer, poet, and intellectual. 10 p. of music ; 36 cm.\u003c/p\u003e","\u003cp\u003eScope and Contents Sheet music for the song \"We are Americans Too\" with depictions of an African American Revolutionary War, Civil War, and World War I soldiers. Words and music by Andy Razaf, Eubie Blake, and Charles L. Cooke and published by Handy Brothers Music Company, Inc.\u003c/p\u003e","\u003cp\u003eContains sheet music related to the South, including some specifically about Virginia. There are a few pieces from the Civil War era. Music is arranged alphabetically by composer's last name.\u003c/p\u003e","\u003cp\u003eFive Salted Peanuts\u003c/p\u003e","\u003cp\u003eCapt. May's Quick Step\u003c/p\u003e","\u003cp\u003eVirginia\u003c/p\u003e","\u003cp\u003eSweet Virginia Rose\u003c/p\u003e","\u003cp\u003eHe's A Rag Picker\u003c/p\u003e","\u003cp\u003eCarry Me Back to Old Virginia (two copies)\u003c/p\u003e","\u003cp\u003ePeanuts And Diamonds\u003c/p\u003e","\u003cp\u003eThe Teddy Bears' Picnic\u003c/p\u003e","\u003cp\u003eHot Roasted Peanuts (A Nutty Song with a Crackin' Good Tune)\u003c/p\u003e","\u003cp\u003eWait Till The War, Love, Is Over\u003c/p\u003e","\u003cp\u003eRose of Virginia (Operatic Edition) Rose of Virginia (Fine Art Edition)\u003c/p\u003e","\u003cp\u003eVirginia Lullaby\u003c/p\u003e","\u003cp\u003eScope and Contents Henry George Theme Song, \"Smoke All Your Troubles Away\"\u003c/p\u003e","\u003cp\u003eHeart-Sickness Blues\u003c/p\u003e","\u003cp\u003eBud Rag\u003c/p\u003e","\u003cp\u003eMoonlight on the Melonpatch\u003c/p\u003e","\u003cp\u003eHow's Your Folks and My Folks Down in Norfolk Town\u003c/p\u003e","\u003cp\u003eVirginia Blues (two copies)\u003c/p\u003e","\u003cp\u003eVirginia Belle\u003c/p\u003e","\u003cp\u003eVirginia Moonlight (woman on cover) Virginia Moonlight (Companion Song to the World Famous Lullaby Time)\u003c/p\u003e","\u003cp\u003eThere's a Girl in Old New Hampshire Whose Heart is Apart of Me\u003c/p\u003e","\u003cp\u003ePeanuts (La Cacahuata)\u003c/p\u003e","\u003cp\u003eTell Them You're From Virginia\u003c/p\u003e","\u003cp\u003e'Mid Tthe Green Fields of Virginia\u003c/p\u003e","\u003cp\u003eThrowing Peanuts to the Moon\u003c/p\u003e","\u003cp\u003eScope and Contents Songs of the Old Dominion No. 1: The Moon is Dancing on the Sea Yes, I Will Leave the Throng With Thee, Answer to \"Oh, Share my Cottage, Gentle Maid\"\u003c/p\u003e","\u003cp\u003eTexas\u003c/p\u003e","\u003cp\u003eOld Virginia Moon (with ukulele arrangement, blue cover) Old Virginia Moon (green cover, two copies)\u003c/p\u003e","\u003cp\u003ePray, Maiden , Pray!\u003c/p\u003e","\u003cp\u003eThe U. Va. Two-Step\u003c/p\u003e","\u003cp\u003eWatermelon Club\u003c/p\u003e","\u003cp\u003eVirginia Lou\u003c/p\u003e","\u003cp\u003eI'm Going to Climb the Blue Ridge Mountains Back to You\u003c/p\u003e","\u003cp\u003eTemptation Rag\u003c/p\u003e","\u003cp\u003eWatermelon Man\u003c/p\u003e","\u003cp\u003eShe is the Sunshine of Virginia\u003c/p\u003e","\u003cp\u003eBilly\u003c/p\u003e","\u003cp\u003eBilly Boy\u003c/p\u003e","\u003cp\u003eWhen It's Harvest Time in Peaceful Valley\u003c/p\u003e","\u003cp\u003eMelinda's Wedding Day\u003c/p\u003e","\u003cp\u003eThe Lord Made a Peanut\u003c/p\u003e","\u003cp\u003eAt a Georgia Campmeeting\u003c/p\u003e","\u003cp\u003eShenandoah\u003c/p\u003e","\u003cp\u003eWatermelon and Friends\u003c/p\u003e","\u003cp\u003eChariot Race, or Ben Hur March (Tears in music stitched and note from composer's friend on inside of cover)\u003c/p\u003e","\u003cp\u003eMelon Time in Dixieland\u003c/p\u003e","\u003cp\u003eI'm Gonna Bring a Watermelon to my Girl To-Night\u003c/p\u003e","\u003cp\u003eHeart of Virginia\u003c/p\u003e","\u003cp\u003eVirginia Moon (Waltz-song)\u003c/p\u003e","\u003cp\u003eAn Old Fashioned Garden in Virginia\u003c/p\u003e","\u003cp\u003eThe Peanut Vendor (El Manisero)\u003c/p\u003e","\u003cp\u003eA Tale of Old Virginia\u003c/p\u003e","\u003cp\u003eUnder the Anheuser Bush (two copies)\u003c/p\u003e","\u003cp\u003eWatermelons- Songs for Living\u003c/p\u003e","\u003cp\u003eWhen it's Springtime in Virginia\u003c/p\u003e","\u003cp\u003eWatermelon Weather\u003c/p\u003e","\u003cp\u003ePeanuts! 5 a Bag\u003c/p\u003e","\u003cp\u003eCarbalick Acid Rag\u003c/p\u003e","\u003cp\u003eMemories of Virginia (Two copies)\u003c/p\u003e","\u003cp\u003eDown Old Virginia Way (Operatic Edition)\u003c/p\u003e","\u003cp\u003eCover Me Up with the Sunshine of Virginia\u003c/p\u003e","\u003cp\u003eContains sheet musicrelated to Virginia and love songs. Some of the songs featured are \"And Wilt Though Weep?,\" 'Princess Pocahontas,\" \"Here's to you Henry Clay,\" and \"La Belle Virginienne: Composed and Dedicated to Mademoiselle Sally E. Taylor of Norfolk, VA.\"\u003c/p\u003e","\u003cp\u003eLa Belle Virginienne Valse (Binding hand-stitched)\u003c/p\u003e","\u003cp\u003eThe Ashland Memories\u003c/p\u003e","\u003cp\u003ePrincess Pocahontas (March and Two Step)\u003c/p\u003e","\u003cp\u003eResearchers should consult with a staff member for further information in advance of using this series. Some of the sheet music in this series has pieces of paper with braille glued to the front page. Boxes 1-111 contain single song music by composer; boxes 112+ hold sheet music from music books and are filed by Publisher.\u003c/p\u003e","\u003cp\u003eOrganist of Pierpoint Baptist Church, Brooklyn, New York Hear Our Prayer Le Reve D'Amour with cover art La Coralie Polka Scottisch The Princess Waltz\u003c/p\u003e","\u003cp\u003eGems of German Songs Sing Tutor Oh, Ye Tears When the Swallows Homeward Fly Thou Art the World to Me Embarrassment with cover art of Minnie Palmer Fly Away Birdling Dear Angels Sleep thee Well Sweet-Heart, Good-Night Agatha Sleep Well Thou Sweet Angel Wanderer's Song Ask Me How much I Love Thee Il Sogno Stay with Me Good Night My Child Maiden Arise! Not a Sparrow Falleth She Whispers Softly Goodnight Der Fragft: was fingen die Voeglein all?\u003c/p\u003e","\u003cp\u003eChristmas Song O Christmas Night Le Diable-A-Quatre Polka\u003c/p\u003e","\u003cp\u003eDon't Be Angry Mother Scotch Air\u003c/p\u003e","\u003cp\u003eA Warrior Bold - cover art The Mid Shipmite with ads from R.H. Macy\u003c/p\u003e","\u003cp\u003ePicture of Comm. Enrico Caruso\u003c/p\u003e","\u003cp\u003eknown also as The Prima Donna Song; arranged and adapted by Chas.Jarvis\u003c/p\u003e","\u003cp\u003efrom Bellini's Admired Opera of Il Pirata\u003c/p\u003e","\u003cp\u003eLa Flute Magique Rondinos Bouquets de Melodies des Operas Il Trovatore\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ephoto on cover\u003c/p\u003e","\u003cp\u003ehand written music sheets included\u003c/p\u003e","\u003cp\u003ephoto of Allen on cover\u003c/p\u003e","\u003cp\u003eSouvenir edition for Army Air Forces Leave Hotels on French Riviera\u003c/p\u003e","\u003cp\u003eHand written music sheets with hand designed cover art\u003c/p\u003e","\u003cp\u003eTis Midnight Hour with cover art Constancy\u003c/p\u003e","\u003cp\u003eLarmes of Joie Katie's Secret\u003c/p\u003e","\u003cp\u003eCover Art\u003c/p\u003e","\u003cp\u003ecover only\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003eSomebody's Coming Oh Give Me the Hills My Gentle Isabel Oh! the enchanting delight\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eEcstasy The Meeting - cover art L' Arditia\u003c/p\u003e","\u003cp\u003eTreasures of the Deep One Struggle More\u003c/p\u003e","\u003cp\u003eMexico\u003c/p\u003e","\u003cp\u003eCover Art Madrid ,Spain\u003c/p\u003e","\u003cp\u003eCover Art\u003c/p\u003e","\u003cp\u003ecover art: photo of Julio Martinez Arteaga Bolivia - Spanish\u003c/p\u003e","\u003cp\u003eMarie Martha Happy Greetings Pepita Polka Snow Castles Marche De La Reine Mazurka des Traineaux, Chanson a Boire de La Promise La Cascadde de Roses Les Fifres de La Garde Sans Souci Galop De Bravoure\u003c/p\u003e","\u003cp\u003eBolero Waltz Come o'er the Moonlit Sea Dark Eyed One Dinna Forget You Say We Part Forever Come and Wander With Me Oh Yonder Rock Reclining March (Masaniello)\u003c/p\u003e","\u003cp\u003eMexico - Spanish\u003c/p\u003e","\u003cp\u003eItalian Photos on cover\u003c/p\u003e","\u003cp\u003eSweet Lucy May My Dear Old Home Whom will the Shoe fit (The Maiden's Vow) I'll do as Much for You Eva Clair Dispel Those Clouds That Sorrow's Cast\u003c/p\u003e","\u003cp\u003eMexico - Spanish\u003c/p\u003e","\u003cp\u003eSpanish - Barcelona, Spain Cover art by J. Casals\u003c/p\u003e","\u003cp\u003eChristine - cover art My home by the mountain side The Cot by the Hill - cover art\u003c/p\u003e","\u003cp\u003eDrei Lieder ernsten Inhalts - German Kirchenkantaten Meditation Dir ersten Bach-Studien Klavierkompositionen Bourree Das Wohltemperite Klavier Gavottee Willst du dein Herz mir schenken\u003c/p\u003e","\u003cp\u003eLondon\u003c/p\u003e","\u003cp\u003eOrphan's Prayer The Maiden's Prayer - cover art La Priere Dune Vierge - French version of the Maiden's Prayer Gebet einer Jungfrau - Germany\u003c/p\u003e","\u003cp\u003eCentennial March - cover art I'd be a Butterfly\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eThe Sailor's Grave The Little Sailor Boy's Lament The Happiest Time is Now My Home in the Greenwood The Barber's Shop The Mountaineer's Farewell My Trundle Bed Moonlight Boat Glee\u003c/p\u003e","\u003cp\u003eOnce a Dear Blue Eyes or Black Prima Donna Waltz Vilikins and his Dinah Laura's Linnet Jeannie Marsh of Cherry Walley The Sparkling Polka Lucrezia Borgia Quadrille Marseilles Hymm - cover art Guardian Spirits\u003c/p\u003e","\u003cp\u003eThen You'll Remeber Me I Dreamt I Dewlt in Marble Halls - Cover Art The Light of Other Days is Faded The Sailor Sighs Pity for the One in Childhood Torn Come into the Garden, Maud The Day is Done Heart Bowed Down Oh Shall we go a Sailing Oh, Take Me to Thy Heart Again Don't let the Roses Listen Good Night, Good Night Beloved Excelsior Come into the Garden Maud Hark! I Hear the Organ's Peal!\u003c/p\u003e","\u003cp\u003eI Dream of All Things Free When Stars are in the Quiet Skies Tell Him I Love Him Yet Oh, I come Not to Upbraid Thee\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003eDas Konigsballet\u003c/p\u003e","\u003cp\u003eGerman and English\u003c/p\u003e","\u003cp\u003eDear  Love, Be True Darling \"Tis You\u003c/p\u003e","\u003cp\u003eMary Gray The Gypsie's Festival\u003c/p\u003e","\u003cp\u003eDer Herr is Mein Hirt - German Marcia Fantastica Albumblatt\u003c/p\u003e","\u003cp\u003eI am Returning to Thee, Annie Snow White Blossoms I'm Leaving Thee in Sorrow, Annie The White Squall The Haunted Stream Where are the Friends of My Youth? Why do Summer Roses Fade Would you Leave me to Mourn\u003c/p\u003e","\u003cp\u003eO bury me by the river's side Silently, tenderly, mournfully home\u003c/p\u003e","\u003cp\u003eO That I Had Wings Love Not Waltz Give Me another Flower I Love Thee Still\u003c/p\u003e","\u003cp\u003eI Spring-Tine When the Tide Comes In My Golden Ship\u003c/p\u003e","\u003cp\u003eThe Days of Old Romance Le Matin (Polka)\u003c/p\u003e","\u003cp\u003eThe Highland Minstrel Boy Moonlight, Music, Love \u0026amp; Flowers My Father Land Guard Her as a Treasure The Light Guitar Why Do I Weep - cover art Galopade from Gustavus By the Flowing Guadilquiver I wish I had a Little Bird Why Say Farewell!\u003c/p\u003e","\u003cp\u003eDon't Stay away so Long Little Footsteps - cover art\u003c/p\u003e","\u003cp\u003eI Oftern Sigh in Sadness Love's Regret\u003c/p\u003e","\u003cp\u003eThe Dying Girl's Farewell Novelette Quickstep\u003c/p\u003e","\u003cp\u003eI Would That My Love - German and English Lieder Ohne Worte The Wedding March Trois Fantasies\u003c/p\u003e","\u003cp\u003eSing to Me Nightingale The Village Quick Step\u003c/p\u003e","\u003cp\u003eSweet and Low There is a fountain fill'd with blood Don't Care Tarantella\u003c/p\u003e","\u003cp\u003eSilvery Shower Biscaccianti Waltz Breakfast Bell Polka Salut a La France Ever Be Happy! The Dearest Spot on Earth to Me Is Star of the East Garnet I Will Care for Mother Now Martha Rendezvous Mazurka Long Long Weary Day\u003c/p\u003e","\u003cp\u003eBilder in TonenGerman with cover art Rondo Mignon\u003c/p\u003e","\u003cp\u003eLong Long Ago I'd Be a Butterfly We Met No Ne'er Can Thy Home Be Mine The Self Devoted Nun The Musical Wife\u003c/p\u003e","\u003cp\u003eFrench cover art and photos\u003c/p\u003e","\u003cp\u003eAh! Yes I Remember How Sweet are the Roses\u003c/p\u003e","\u003cp\u003eLe Me Be Free Melodeon Hall Schottische Paddy Carey Polka Knight Templar March Speak Not that name so Lightly Lilly Dale\u003c/p\u003e","\u003cp\u003eThe Whispering Trees The Image in the Heart\u003c/p\u003e","\u003cp\u003eSonaten Sinfonies Grand Landler Waltz Beethoven's dream Cactus Waltzes Les Audieux Azalia, or Almacks Waltz\u003c/p\u003e","\u003cp\u003eRondo Sonate Symphonie Nr. 2 Symphonie Nr. 8 Beethovens Last Waltz Funeral March with cover art Oh! God Thy Goodness Vienne March Minuet in G Grand Waltz Sonatine Sonaten Op. 10\u003c/p\u003e","\u003cp\u003eIrrlichter The Jolly Trumpeter Galop\u003c/p\u003e","\u003cp\u003eGerman\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003eTake Them I implore Thee Hear me Norma Wher eare Now the Hopes I Cherished Sunbeam of Summer Oh Love for Me Thy Power Ah Bello a Me Ritorna Still so Gently o'er Me Stealing La Sonnambula Ah! non giunge Grand March in Norma\u003c/p\u003e","\u003cp\u003eLinda Dumbarton's March 20 Joys (collection for Piano Fairy Dances Highland Fling Lilly Dale Starlight is Beaming I've not a thought but what is Thine Starlight Waltz\u003c/p\u003e","\u003cp\u003eNight Fall Schottisch Hyazinth Schottisch The Young Recruit Quickstep La Favorita Domino Gallop Starlight Waltz Sleeping I Dream Love Blanche Alpen Waltz The Snowflake Schottisch The Dearest Spot of Earth Friendships Polka\u003c/p\u003e","\u003cp\u003eRocking Chair Polka 'Tis Midnight Hour Les Bords du Rhin A Good Old Fashion Polka St. Patricks Day Waltz Il Travatore Yankee Doodle The Wizard's Polka Schottisch Quickstep Lily Dale March di Bravura Poliuto\u003c/p\u003e","\u003cp\u003eBridal March La Fille du regiment Gentle Annie Friendship Waltz Bon Ton Polka Clara Polka Le Torrent Waltz Martha Potpouri Polka Joyful Waltz Little Darling Sack Waltz Chit Chat Plain Cotillion\u003c/p\u003e","\u003cp\u003ecover photo\u003c/p\u003e","\u003cp\u003eWait for the Wagon Hope Be Thy Guide\u003c/p\u003e","\u003cp\u003eThe Atlantic Polka By the Sad Sea Waves Take this Lute - cover art The Cruiskeen Lawn\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eEnglish and French\u003c/p\u003e","\u003cp\u003eThe Sands of dee Octave Galop The Tremolo Waltz Linda di Chamounix Les vespres Siciliennes La Traviata\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003eItalian and English\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003eGerman and English versions\u003c/p\u003e","\u003cp\u003eErnani Rondeau Polacca Rondeau La Muette de Portici Teufel's Polka Balisario The Evening Star Waltz Parade March Martha de Flotow Lucia di Lammermoor\u003c/p\u003e","\u003cp\u003eLa Fille du Regimment Salut a la France The Evening Star Waltz O Wert Thou But Mine Own Love Fleurs Italiennes Elfen Waltz Second March Martha Norma Ernani\u003c/p\u003e","\u003cp\u003eLucrezia Borgia Maniac or Pestal Waltzes Le Prophete Evening Star Waltz Last Waltzes of a Madman Azalea Polka I Puritani Faust de Spohr\u003c/p\u003e","\u003cp\u003eBouquets de Melodies OP. 42 - Cover art Belisario Post Horn Polka Evening Star Waltz La Sonnambula Opera Guillaume Tell de Rossini - cover art Fleurs Italiennes\u003c/p\u003e","\u003cp\u003eToujours Mobile Galop Faust\u003c/p\u003e","\u003cp\u003eMarguerite - cover art Take Me Jamie dear\u003c/p\u003e","\u003cp\u003eHome! Sweet Home - cover art I'm Saddest When I Sing Sweetly O'er My Senses Stealing! Teach, oh teach me to forget! Isabel Oh! My Bravest and Best I Resign Thee The Mistletoe Bough The Bloom is on the Rye Friendship Polka I Never lamed Him Never Go My Love Hark! 'tis the Indian Drum Bonaprate's Coronation Drum Oh! no I'll never mention Him Should He Upbraid Low wav'd the Summer Woods Tell Me My Heart Sounds so Joyful Ne'er can the Rose Dashing White Sergeant Myn-Heer Van Dunce Tho' tis all but a dream I'm Saddest when I sing If I speak to thee in Friendship's Name My Pretty Jane As it Fell upon a Day As the Robin When Once Fondly Cherished You Think I have a Merry Heart Sweettly O'er my Senses Stealing I'm Queen of A Fairy Band\u003c/p\u003e","\u003cp\u003ePretty as a Picture - cover art The Moon Behind the Hill leaf By Leaf the Roses fall Kittie Wells\u003c/p\u003e","\u003cp\u003e\"Tis Sad to Think Upon the Joyous Days of Old By-Gone Hours Miss Myrtle\u003c/p\u003e","\u003cp\u003eOn the Bright Shores of Gold A Dream of Love - Cover Art Waves of the Ocean - cover art Sweet Dora Dare - cover art Watching By the Golden Gate - cover art While the Siver Tints the Gold - cover art Song of the Fisher Maiden - cover art Clayton's Grand March\u003c/p\u003e","\u003cp\u003eOh would I were a Bird I'm Glad Father's Come! Blue Eyed nelly\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eThe Keepsake - Cover art Dagobert Alpine Morning Nannetta Polka les Bords Du Danube\u003c/p\u003e","\u003cp\u003eRemember Me - cover art 48 Etudes\u003c/p\u003e","\u003cp\u003eTrue Love Lives Forever Wery Pekoollar\u003c/p\u003e","\u003cp\u003eGerman; cover art\u003c/p\u003e","\u003cp\u003eLora vale Remembered\u003c/p\u003e","\u003cp\u003eThe Blind Flower-girl's Song List, to the Convent Bells Love Not! Hearts and Homes Yesterday Household Words\u003c/p\u003e","\u003cp\u003eA Favourite French Air Michelson's Celebrated Waltz\u003c/p\u003e","\u003cp\u003eThe Bend of the River Chant du Cigne My Queen Marche Militarie My True Love has My Heart The Message\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003eThe Triumph of the Waltzes Heaven to You May Grant Pardon Porter Sons Ah! Would that Happy Day Were Near - cover art photo of Anna Bishop\u003c/p\u003e","\u003cp\u003eSilhouetten La Fontaine Heimweh At even-prayer ; remember me - English and German\u003c/p\u003e","\u003cp\u003eGoodbye Douglas, Tender and True the Sea has its Pearls\u003c/p\u003e","\u003cp\u003eFrench and English\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ephoto on cover\u003c/p\u003e","\u003cp\u003eThe Lament of the Blind Orphan Girl Victory at Last\u003c/p\u003e","\u003cp\u003eItalian, German, English\u003c/p\u003e","\u003cp\u003eTake My Arm the Other Side Quadrille\u003c/p\u003e","\u003cp\u003eSerenade-OP.11 Fruhlingstrost - Comfort in Spring Op. 63 german and English Vergebliches Standchen Mein Madel hat einen Rosenmund When thy Bosom heaves the Sigh Sextett Op.18 Ungarische Tanze Capriccio Op.76\u003c/p\u003e","\u003cp\u003eOriental Waltz Carmac Polka\u003c/p\u003e","\u003cp\u003ephoto cover\u003c/p\u003e","\u003cp\u003eGolden Light Polka Oh!home of my boyhood Mountain Horn Waltz Pleyel's German Hymn\u003c/p\u003e","\u003cp\u003eBring Back Our Darling - cover art Jockey Hat and Feather - cover art Nellie Ray Answer of Molly Darling\u003c/p\u003e","\u003cp\u003eGerman and English\u003c/p\u003e","\u003cp\u003eFantasie Op.55 Funf tonstucke verschiedenen Charakters nebst drei Postludien Op.61\u003c/p\u003e","\u003cp\u003eWoodlawn March Dream Life Schottish Midnight Scottisch - covert art The Rival Scottisch May Party Waltz -cover art Will You Come to My Mountain Home? cover art Oh Come Maidens Come Oh No I'll N'eer Forget thee The Sultan's Band March Love Not Bonny Eloise Polka Midnight Rhymes - covert art Happy family Polka - covert art Pride Polka - covert art Minnehaha or Laughing Water Polka - cover art Early Dawn Polka -cover art Hullabaloo Quadrille\u003c/p\u003e","\u003cp\u003eTyrolese Evening Hymn Come to the Sunset Tree\u003c/p\u003e","\u003cp\u003eRondo from la Sonnambula Der Froliche Tanzer 30 Petites Etudes pour Piano\u003c/p\u003e","\u003cp\u003eFrench- colored cover with photo\u003c/p\u003e","\u003cp\u003eTe Deum in B Minor Down by the Mill\u003c/p\u003e","\u003cp\u003eThe Diana Waltz The Ocean Wave Waltz\u003c/p\u003e","\u003cp\u003eThe Great Hen Convention Dixey's Land Darling Little Blue eyed Nell Little blue eyed boy Yes, we miss thee First Rose of Summer Kiss Me Quick and Go Ella Leene\u003c/p\u003e","\u003cp\u003eJolly Brothers L'Avant Coureur Galop\u003c/p\u003e","\u003cp\u003ecover art photo\u003c/p\u003e","\u003cp\u003eMarching Along Quick Step Rory O'Moore Quick Step\u003c/p\u003e","\u003cp\u003eFee Aux Roses Valse de L'Aurore Rondino Rondo Irlandais Rondinetto Marche de la Norma Le Juif Errant Pharsalia Waltz Bolero sur le Domino Noir La Fete au Couvent - cover art Fantaisie Sur la Romance The Linden Waltz La Fontaine auz Perles - cover art Cujus Animam March Crociato Bouquet de L'infante Angel of Night Cantarile et Rondo Valse\u003c/p\u003e","\u003cp\u003eColored cover art\u003c/p\u003e","\u003cp\u003eCinderella Waltz Oh Welcome the Hour from Catherine Grey\u003c/p\u003e","\u003cp\u003eZaZa - French - covert art Elle Avait des Soquettes - cover art\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003eWeep Not O Rose See the Pale Moon Come Where the Sunlight Sleepeth Vieni Meco Tell me Thou Lovest Me\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003eLove Moon J'aime Mon Amour - cover art\u003c/p\u003e","\u003cp\u003eMexico\u003c/p\u003e","\u003cp\u003eRing the Bell Softly Darling Minnie Lee I'd Offer Thee this Hand of Mine When the Whippoorwill is calling\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003eEspana Tabasco March Habanera\u003c/p\u003e","\u003cp\u003eMiller's Daughter - cover art Three Little Songs\u003c/p\u003e","\u003cp\u003eNancy Till The Black Quadrilles\u003c/p\u003e","\u003cp\u003eAutomne Les Noces D'Argent\u003c/p\u003e","\u003cp\u003eI Wandered on the sea-beat shore (Shells of Ocean) Moonlight on the Ocean Will You Leave the Land, Jessie? Trees of the Forest How beautiful is the Sea When the Autumn leaves are falling\u003c/p\u003e","\u003cp\u003eChanson Pour Jean Le Cantique De Justice John's Lullaby\u003c/p\u003e","\u003cp\u003eOld Folks at Home Susan Rayne\u003c/p\u003e","\u003cp\u003eDeux Polonaises Op. 26 XXI Op. 25 Mazurka No. 1 Vier Impromptus Trois Valses Op. 64 Fantaisie-Impromptu Op. 66\u003c/p\u003e","\u003cp\u003eCover Photo\u003c/p\u003e","\u003cp\u003eI cannot Sing the Old songs My Heart is over the Sea Five O'Clock in the Morning Faithful to Thee Maggie's Secret Maggie's Welcome - cover art Strangers Yet Take back the Heart We'd Better to Bide a Wee Won't You Tell Me Why Robin All Along the Valley\u003c/p\u003e","\u003cp\u003ePoor Juna Rock of Liberty Meet Me By the Running Brook Minnie Minton Under the Ice Do not Sing that Song Again The Rover's Grave Jenny June The Sword of Bunker Hill I Live for Those Who Love Me The Old Mountain Tree Lament of the Sailor Boy's Mother\u003c/p\u003e","\u003cp\u003eSonate Op.36 Sonate No. 3 C. Sechs Sonatinen Sonata Nr. 18\u003c/p\u003e","\u003cp\u003eSweet Peace The Old Arm Chair The Bowery Gals The Last Link is Broken Slumber Sweetly Slumber De Louisiana Belle Stars of the Summer Night Rose Atherton The Last Link is Broken\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover photo\u003c/p\u003e","\u003cp\u003ecover photo\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eThe Grave of Uncle True The Grave of Lily Dale Dearly Do I Love Thee Dream of Other Days Lizzie Moore Why Don't He Come Thou Wilt never meet me more\u003c/p\u003e","\u003cp\u003eThe captain Grand March\u003c/p\u003e","\u003cp\u003eJudith The May Queen The Holiday The Valley of Roses\u003c/p\u003e","\u003cp\u003eFarewell The Rock Beside the Sea - Cover art Ever Speak in Tones of Kindness Northern Grand March Aileen Aroon Deal Gently with the Strangers Heart A World of Love at Home We Miss Thee at Home Susy Dear The Death of Minnehaha\u003c/p\u003e","\u003cp\u003eSpring Season Polka Three Bells Polka\u003c/p\u003e","\u003cp\u003eDear Violetta Loves Ritornella Gustavus the Third\u003c/p\u003e","\u003cp\u003eThe Chatsworth Quadrilles Mugby Junction Galop\u003c/p\u003e","\u003cp\u003eBeautiful Air The Harp That I Strung\u003c/p\u003e","\u003cp\u003eEcco Quel Fiero La Stella D'Amore\u003c/p\u003e","\u003cp\u003eI Have Something Sweet to Tell You I Hear Thy Words So Tender Beck's Very Best Schottisch\u003c/p\u003e","\u003cp\u003eTarantelle Celluloid Polka-cover art\u003c/p\u003e","\u003cp\u003eShe is Sleeping, Sweetly Sleeping The Dismal Swamp\u003c/p\u003e","\u003cp\u003eSweet Love of Mine - cover art It Was a Dream Alas! The Old and Young Marie\u003c/p\u003e","\u003cp\u003eThou Still Art Near to Me Meet Me at the Lane\u003c/p\u003e","\u003cp\u003eLast Idea of Weber The Lat Rose of Summer Le Desir\u003c/p\u003e","\u003cp\u003eFrederick Polka Il Desiderio Lucrezia Borgia De Donizetti\u003c/p\u003e","\u003cp\u003eMarche Turque Rousseau's Dream Etudes for Piano The Celebrated Studies\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eThe Orange Blossom Waltz The Talpahok Waltz The Good Hope MArch\u003c/p\u003e","\u003cp\u003eL'Hirondelle et le Prisonnier Une Voix Dans La Nuit\u003c/p\u003e","\u003cp\u003eLovely Nell I Forget the Gay World Dreams of Thee The Grave of Washington Dearest Mae\u003c/p\u003e","\u003cp\u003ePray Child then Pray - cover art Ernani\u003c/p\u003e","\u003cp\u003eKathleen Mavourneen - one hand written copy; cover art Dermot Astore! The Fountain of the Glen The Church Porch Sing to Me Norah The Three Caskets Her I Love I feel I'm Growing Old Lizzie\u003c/p\u003e","\u003cp\u003eSee Saw Waltz Little, Saucy Kate -cover art\u003c/p\u003e","\u003cp\u003eJohnny's so Bashful The Angels Told Me So Captain Jinks Quadrilles\u003c/p\u003e","\u003cp\u003eHad I Never, Never Known Thee The Arkansas Traveller Thou wouldst call me Back from the Echoless shore\u003c/p\u003e","\u003cp\u003eTrust to Luck Juney at the Gate\u003c/p\u003e","\u003cp\u003eSweet Alice in Heaven the Sunshine in You The Sylphide Polka\u003c/p\u003e","\u003cp\u003eOft in the Silly Night The Carol of ther Mocking Bird Schottisch Hindoo Slave Girl\u003c/p\u003e","\u003cp\u003eFour Operatic Quadrilles Theme of Mozart Petits Rondeaux et Variations Marche de Couronnement Air from Puritani Variations Elegantes; #3,#4,#6, #9,#11,#14,#15, #17,#19,#22, #23 Fantasia The Poor Blind Boy Theme de Ricci; Voi Mirate in Si Bel Giorno\u003c/p\u003e","\u003cp\u003eVorschule zur Fingerfertigkeit Six Operatic Overatures Six Popular Airs Two Quadrilles Royales Elfen Waltz March from Moses in Egypt Les Plaisirs du Salon Quadrilles Air in Mozart's Zauberflote The Swiss Drover Boy Le Pre aux Clercs Galop 30 Etudes Mecanisme\u003c/p\u003e","\u003cp\u003eSchule der Gelaufigkeit Exercises in Velocity Souvenir de Jenny Lind Long Time Ago Dix Petits Rondeaux A Selection of Popular Airs\u003c/p\u003e","\u003cp\u003eStephanie-Gavotte En Avant Lover's Dream after the Ball\u003c/p\u003e","\u003cp\u003eThe Coquette Polka Home Sweet Home The Sontag Polka - Color cover art The National Schottisch Palermo Quadrille\u003c/p\u003e","\u003cp\u003eGood Luck Polka The Flying Cloud Como Quadrilles The Bridal or Wedding Polka The King Pippin Polka The Rainy Day Song The Princess Royal Polka The Circassian Polka The Lute Waltz Bonnie Dundee The Edinburg Quadrille The Queens Galop Paul and Virginia Galop\u003c/p\u003e","\u003cp\u003eDas Madchen und der Schmetterling Mittelalterliche Venushymne\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eFlee as a Bird The Past! The Past!\u003c/p\u003e","\u003cp\u003eRomance Berceuse\u003c/p\u003e","\u003cp\u003eGo Where the Mists are Sleeping Maiden! awake from thy slumbers\u003c/p\u003e","\u003cp\u003eSilver Threads among the Gold When Silve Threads are Gold Again Little Face You Are Always Young to Me What were all the World Without thee? Half a Heart We deck their graves alike to day Christ is Risen-He is the Lord Hail the Lord Our Savior - cover art As thou Wilt Angel of Beauty Have I Not Been Kind to Thee? cover art Scatter Sweet Flowers o'er the Dead Heart Longings Don'r Be Angry with Me Darling\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eBabina Innamorta - cover art non dimenticar le mie parole - cover art\u003c/p\u003e","\u003cp\u003e7eme Air Varie Airs Varies pour Violon Second Concerto Le Tremolo Douze Melodies Italiennes\u003c/p\u003e","\u003cp\u003eBrindisi Octoroon Galopp\u003c/p\u003e","\u003cp\u003eLa Fille aux cheveux de Lin Jardins sous la Pluie Deux Arabesques Golliwogg's Cake-Walk Ministrels\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eLet Us Love One Another The May Queen The Blind Boy - cover art When the Night Wind Bewaileth The Lament of the Irish Emigrant-cover art I'm Alone, All Alone The Rainy Day Annie Laurie The May Sun Sheds an Amber LightThe Rainy Day\u003c/p\u003e","\u003cp\u003eWhen the Swallows Homeward Fly La Prima Donna Valse\u003c/p\u003e","\u003cp\u003eLes Adieux Spanische Tanze\u003c/p\u003e","\u003cp\u003ecover art; Russian/Cyrillic\u003c/p\u003e","\u003cp\u003eSongs of the Gondola Wings of a Dove\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003e28 Melodious Exercises Sonatinen, Op. 151. 168 Largo al Factotum\u003c/p\u003e","\u003cp\u003e'A Sciurara Duorme Mari - photo art Enrico Caruso - photo art\u003c/p\u003e","\u003cp\u003eOssian's Serenade The Whitw Mountain Serenade\u003c/p\u003e","\u003cp\u003eElizabeth Schottisch The Lancers Quadrilles Ferris' Quick Step - cover art The Cally Polka - cover art Ocean Wave Quick Step - cover art The Young Bachelor's March\u003c/p\u003e","\u003cp\u003eElizabeth Scottisch Bell Polka - cover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eMarjorie's Almana - ccover art He Thinks I do not Love Him\u003c/p\u003e","\u003cp\u003eThe Old Clock on the Stairs The Bridge - cover art The Brook\u003c/p\u003e","\u003cp\u003eMotivo d'Amore - cover photo io che non vivo - cover photo\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eChild of the Regiment I Saw Her on the Vessel's Deck Lucrezia Borgia O Mio Fernando My Sighs Shall on the Balmy Breeze Nuits d'ete a Pausillippe Figlia Del  Reggimento It's Better to Laugh Make Me no Gaudy Chaplet Life Has no Power While Thus Around Joy Hovers Lucia di Lammermoor Life Has no Power Would you know my Worshipped Idol Spirit of Light The World is Full of Beauty Il Canta Italiana Search thro' the Wide World O to the Field of Glory I'll Pray for Thee Salut a la France\u003c/p\u003e","\u003cp\u003eRayon du Soleil Martha\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eI Can-not Live Without Thee I Live, Love! But for Thee\u003c/p\u003e","\u003cp\u003eThe Silken Bands Pensez a moi ma Chere a mie\u003c/p\u003e","\u003cp\u003eWe were Happy Then The Old Thatched Cot I went to Gather Flowers\u003c/p\u003e","\u003cp\u003eMary Blane Summer Evenings Come Where My Love Lies Dreaming \"Tis the Last Rose of Summer Swiss Cottage Post Boy Polka Winter Evenings Red Rover Quick Step Cruiskeen Lawn I was Poor but I was Happy Swiss Cottage Twas Night and All Around\u003c/p\u003e","\u003cp\u003eO Salutaris Ave Verum\u003c/p\u003e","\u003cp\u003eAnnie Laurie Will Ye Come Back Again\u003c/p\u003e","\u003cp\u003e1re Valse 6eme Valse\u003c/p\u003e","\u003cp\u003eCanzonetta Sonte in B dur\u003c/p\u003e","\u003cp\u003ePleasures of Home Speed the Plough\u003c/p\u003e","\u003cp\u003eAttila Gustave\u003c/p\u003e","\u003cp\u003e12 Clavierstucke Silhouellen Bible Song No. 4 (handwritten) Slavische Tanze Biblische Lieder\u003c/p\u003e","\u003cp\u003eMr. Tambourine Man (French) With God on Our Side (French)\u003c/p\u003e","\u003cp\u003eThe Mellow Horn The Kettle and the Clock We Have met, Loved, and Parted Home is not Home without thee The Brown Jug Hoe the Gates Came Ajar Meet Me with a Kiss\u003c/p\u003e","\u003cp\u003eCousin et Cousin Du Plus Belle! Perce-Neige La Blondine\u003c/p\u003e","\u003cp\u003eLa Gaiete The Ethiopian\u003c/p\u003e","\u003cp\u003eButton-Hole Boquet - cover art photo Hush A Baby Bye - cover art photo Sunshine will Come Again - cover art photo Santa Clause - announcement and song with photo\u003c/p\u003e","\u003cp\u003eI Hear the Angels Calling My Idol Home When the Hues of Daylight fade\u003c/p\u003e","\u003cp\u003eBurst, ye Apple Buds! At the Sea-shore\u003c/p\u003e","\u003cp\u003eSweet Violets Flee as a Bird Brothers Lullaby Fritz, Our Cousin-German\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eBoscobel Waltz Lattice Quick Step Good-Bye Wandering Sprite - Cover art The Separation The Ianthe Waltz A Twilight Thought Emniskillen Polka Oh! Come to the South\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003eBolero La Carnaval de Venise\u003c/p\u003e","\u003cp\u003eD'Rauf Los! Goldfaden! Kaiser-Jubilaums-Marsch\u003c/p\u003e","\u003cp\u003eDear Heart Sweet Long Ago\u003c/p\u003e","\u003cp\u003eAngel of Light, Favorita Annie Lisle La Mandala - cover sheet only The Gypsy Boy Welcome Soldiers! Thou Art so Near The Reaper's Polka Good Night Fair Maiden Carena No One to Love\u003c/p\u003e","\u003cp\u003eOne copy has hand written notes that appear to be poetry dated Sept. 19th, 1919(?)\u003c/p\u003e","\u003cp\u003eForget Thee, Dear Susie A Young Maidens Thoughts There's a Cot in the Valley Our Paths were once together Cast\u003c/p\u003e","\u003cp\u003eLe Donne Comm'e' Bella 'a Stagione\u003c/p\u003e","\u003cp\u003ededicated to the Harvard Class of 1837\u003c/p\u003e","\u003cp\u003ePanis Angelicus Ecce Panis Les Rameaux\u003c/p\u003e","\u003cp\u003eUp and Away Wildfang Blattlein im Winde Walzer Rothkappchen-Polka -cover art\u003c/p\u003e","\u003cp\u003eincludes some handwritten notes in Italian\u003c/p\u003e","\u003cp\u003eIm Fruhling Abschied In der Nacht Andre Liebe The Wanderer Gegegnung\u003c/p\u003e","\u003cp\u003eHaydn's Gypsy Rondo Grecian Rondo\u003c/p\u003e","\u003cp\u003eWhen I saw Sweet Nellie Home Liberty and Union\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eLizzie Dies To-night Suffer Little Children to Come unto Me Little Ella's an Angel Nelly Bly Old Folks at Home My Old Kentucky Home, good night Fairy Belle Maggie by my side Massa's in the Cold Cold Ground - cover art Hard Times Come Again no More Beautiful Child of Song Nelly was a Lady File includes some posters without music\u003c/p\u003e","\u003cp\u003eWillie I have Missed You - cover art Partenia to Ingomar Old Black Joe - cover art Beautiful Dreamer Under the Willow she's Sleeping Why Have My Loved Ones Gone? Gentle Annie Eulalie Come Where My Love Lies Dreaming Old Dog Tray\u003c/p\u003e","\u003cp\u003eFire Fly Polka Cottage Polka Syracuse Polka My native Land Good Night Mountain Zephyr Sounds from the Valley Syracuse\u003c/p\u003e","\u003cp\u003eOver the Garden Wall - cover art Guild Polka Militaire - cover art\u003c/p\u003e","\u003cp\u003eLittle Annie Polka Mireille - Galop Polka Ideale\u003c/p\u003e","\u003cp\u003eThe Lanciers The Fishermaiden - cover art\u003c/p\u003e","\u003cp\u003eColored cover art\u003c/p\u003e","\u003cp\u003eThe Deep, Deep Sea Little Snow White Hands\u003c/p\u003e","\u003cp\u003eAcross the SeaBye and Bye Only Weary Oh Willie Boy Come Home The Old Journal Song When Sparrows Build When the Pale Moon arose last night\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003eSing Birdie Sing Nightingales Trill By Rippling Brook or stilly pond-Forget Me Not\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eO Fair Dove, O Fond Dove True Till Death\u003c/p\u003e","\u003cp\u003eRitmo Facinante Liza Alguien Me Ama Hazio Otra Vez\u003c/p\u003e","\u003cp\u003eThe Virginia Rose Bud Shells of the Ocean We are coming Father Abraham\u003c/p\u003e","\u003cp\u003eAlice I'll Come to Thee Little Tottie's Prayer - cover art\u003c/p\u003e","\u003cp\u003eI left Thee Where I Found Thee Love Allen Adale\u003c/p\u003e","\u003cp\u003eKathleen O Moore Kate Kearney\u003c/p\u003e","\u003cp\u003eGood News From Home Academy Polka Oh let me dream of former years\u003c/p\u003e","\u003cp\u003ecover photo\u003c/p\u003e","\u003cp\u003eI Love Thee Yet The Orange Blosson Bridal Song - cover art Home: Where changes never come Be Watchful and Beware The Rose of Tralee Do They Think of Me at home Jeannette and Jeannot - cover art Under the Mistletoe Matrimony When we are Married My Own gentle Mother The Monks of Old Wandering in the May-time Fierce Flames ar Raging Sunshine and Cloud From Our Merry Swiss Home Kitty Tyrrell - cover art The Cavalier - cover art The Merry Merry Vintage Maid The Flower Queen\u003c/p\u003e","\u003cp\u003eChe Faro Senza Euridice Iphigenie in Aulis\u003c/p\u003e","\u003cp\u003eAll Things are Beautiful Annie O'The Banks O'Dee Beautiful Erin Beautiful Moonlight Beautiful Star Blanche Alpen Blind Girl to Her Harp The Christian Graces - Cover Art Come to the Woods The Depths of the Ocean The Dove Down Among the Lillies The Dream is Past Faith Hope \u0026amp; Charity Floating on the Wind\u003c/p\u003e","\u003cp\u003eGently Signs the Breeze - covert Art Gipsy Countess The Gipsy's Dream The Gipsy Girl Give Me a Cot in the Valley I Love A Home that I Love Hope and the Rose A Home that I Love How Can I Leave Thee?\u003c/p\u003e","\u003cp\u003eI Love thee Merry Sunshine I would Not die in Winter In the Starlight Lassie with the Hazel Eye Lays of the Night - cover art Mary Astorr Mother Can this Glory Be Murmuring Sea Music \u0026amp; Her Sister Song My Heart is Sad To Day Neath the Greenwood Tree\u003c/p\u003e","\u003cp\u003eThe Old Tune Our Beautiful Mountain Home O'er the Hill, o'er the Dale Ruth and Naomi Song of the Skylark's The Song of the Zephyr Stars of the Summer Night Susette \u0026amp; Beau Joe Tell Me Where Do Faires Dwell There a Sweet Wild Rose The Two Forest Nymphs Two Merry Alpine Maids Valley of Chamouni Voices of the Night What are The Wild Waves Saying Why do you Watch the Lone, Lone Deep? The Wind and the Harp The Young Vocalist - cover art\u003c/p\u003e","\u003cp\u003eL'Aimable Cavorre\u003c/p\u003e","\u003cp\u003eAu Matin Danse d'Almees Pan's Flute\u003c/p\u003e","\u003cp\u003eDanse des Gnomes Scaramouche\u003c/p\u003e","\u003cp\u003eThe Usurious Lover A Woman's Love Deep in the Heart\u003c/p\u003e","\u003cp\u003eMarche de Nuit - cover art Pastorella e Cavalliere Slumber on Baby Dear\u003c/p\u003e","\u003cp\u003eAve Maria Celebrate March from Faust Dodelinette Evening Faust Fantaisie brillante Faust Waltz Song Jesus of Nazareth Le Parlate D'Amour The Maiden's Prayer The Marionettes' Funeral March Medje Nouvelle Meditation Parlate D'Amour Pilgrim Reine de Saba Rome o e Giulietta Saltarello Salve DiMora Casta e Pura (Fausto) Sing, Smile, Slumber Soldier's Chorus Tell Me Beautiful Maiden Why Fade so soon sweet blossoms\u003c/p\u003e","\u003cp\u003eThe Austrian Retreat Bold Soldier Boy Les Bords du Delaware Bright Dreams of the Past Campbells are Coming Charity Departed Days Dearest Spot of earth to me is Home Elysian Dreams Evening Song to the Virgin From Greenland's Icy Mountains\u003c/p\u003e","\u003cp\u003eGrand Russian March Henrietta Polka Home Sweet Home - cover art Hopeless not Heartless The Hour for Thee and Me How Sweet are the Roses Jenny Linds Favorite Polka Ladies Pets La Donne e Mobile Lindiana Linden Waltz Listen to the Mockingbird\u003c/p\u003e","\u003cp\u003eMaggie By My Side The Marvelous Work Mazeppa La Nottee Bella Oft in the Stilly Night Old Folks at Home One Parting Song and then Farewell Over the Summer Sea\u003c/p\u003e","\u003cp\u003eSaint Patrick's Day Sebastopol Shells of the Ocean Signs of Love Sounds from the Catskills Sound the Loud Timbrel Sources of Joy The Stars and Stripes forever The Sunshine of Love Spirit of Love, Spirit of Bliss The Watcher Wings of a Dove Wearing of  the Green Whip-poor-will's Write Me a Letter from Home\u003c/p\u003e","\u003cp\u003eFarewell Ask if I Love Thee Goodnight Goodnight Beloved\u003c/p\u003e","\u003cp\u003eAlethea Little Wide Awake\u003c/p\u003e","\u003cp\u003ecover Art\u003c/p\u003e","\u003cp\u003eKlavierstucke - Opus 41 Lauf der Welt Sonate Op.7 Holberg Suite Opus 40 Klaviersonaten Hochzeitstag auf Troldhaugen Berceuse The Shepard Boy Arabischer Tanz Holbery Suite Schmetterling Opus 43 Zweite Orchestersuite Lyrische Stucke\u003c/p\u003e","\u003cp\u003ePleasant dreams of long ago I am lonely to=night\u003c/p\u003e","\u003cp\u003eNelly wants to Marry Young Folks from Home\u003c/p\u003e","\u003cp\u003eI'll Hang My Harp on a Willow Tree Oh! Would I were a Girl Again\u003c/p\u003e","\u003cp\u003eThe Lover and the Bird Look on the Shining Sea La Notte e Bella Il Cielo e Te!\u003c/p\u003e","\u003cp\u003ePremierre Mediation The Practical Organist Noels Choral Scherzettino Marche Hongroise\u003c/p\u003e","\u003cp\u003eBlanche I do Love Thee The Tear Tell Me! Tell Me! Birdie Wild Ye merry birds song Cheerfulness The Angels The Little Mendicant Ye Pretty Birds\u003c/p\u003e","\u003cp\u003eThe Fest March Sounds from Home\u003c/p\u003e","\u003cp\u003eGentle Lilly Bell Blue Eyes Scottisch\u003c/p\u003e","\u003cp\u003eThe Cracovian Maid Love On Come Hither with Me, O'er the Moon-Lit Sea - cover art The Rose will cease to blow\u003c/p\u003e","\u003cp\u003eL'heure Exquise Fetes-Galantes-cover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eWho'll buy my Pretty Flowers Pretty Pong Lillies\u003c/p\u003e","\u003cp\u003eDarling Nelly Gray Little Tillie's Grave Angel Nellie or Waiting at the Old Linden Tree\u003c/p\u003e","\u003cp\u003eI Know that my Redeemer Liveth - cover art Lord Remember David Concert fur Violine und Pianoforte bearbeitet Ombra mai fu Angel's ever bright and fair The Harmonious Blacksmith Menuett\u003c/p\u003e","\u003cp\u003eMemories of Mother Calling Can the Lord Depend on You? Some Day Sonn I'm a Poor sinner Who could it Be? Only Jesus\u003c/p\u003e","\u003cp\u003ecover Art\u003c/p\u003e","\u003cp\u003eEver Onward! Call me Pet Names\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eThe Blue Bells of Scotland Let Me Rest in the Land of My Birth\u003c/p\u003e","\u003cp\u003eNo One to Love Etty Way Dilly Burn\u003c/p\u003e","\u003cp\u003eHassler's Polka Royal Horse Guards Chinese Galop Society Schottish Shadow Dance\u003c/p\u003e","\u003cp\u003eThe Sailors Return Goodbye Sweetheart, Goodbye The Beacon that Lights Me Home Simon the Cellarer Old King Cole\u003c/p\u003e","\u003cp\u003eHow Sweet are the Roses - cover art Whispering Hope What is Home without a Mother? The Chimes of the Monastery Listen to the Mocking Bird Pray Tell me the wish of thy Heart I am Dreaming of the lov'd ones Mercy's Dream - cover art Dreams that charm'd me when a child I set My Heart upon a Flower What Care I!\u003c/p\u003e","\u003cp\u003eSymphonien Largo de la 16e Symphonie Sonates Messiah Spirit Song Thou Lingering Star with Less'ning Ray Menuet from Symphonie no 11. Alegretto Pleasing Pain Rondo+\u003c/p\u003e","\u003cp\u003ePat Malloy Six Popular Dances for the guitar\u003c/p\u003e","\u003cp\u003eMollie Darling -cover art Evangeline - cover art Write Me a Letter from Home - cover art Darling Weep no More - cover art Kiss Me good bye darling - cover art Shamus O'Brien We parted by the River side Down by the Deep Sad Sea You've beena Friend to Me Yes, we think of thee at Home Katy McFerran My dear Old Sunny Home- cover art Take Me Back Home - cover art Nobody's Darling - cover art Nora O'Neal\u003c/p\u003e","\u003cp\u003eThe Burial of Mrs. Judson The Grave of Bonaparte\u003c/p\u003e","\u003cp\u003eLittle Daises 30 Etudes Progressives op. 46 Oeuvres de Piano\u003c/p\u003e","\u003cp\u003eJust Once More! A Summer Night, Waltz Champagne Gallop Coterie Polka Der Wildfang The Skaters Mazurka\u003c/p\u003e","\u003cp\u003eRomance Sans Paroles Marguerite\u003c/p\u003e","\u003cp\u003eEvening Song to the Virgin The Child's first Grief The Messenger Bird\u003c/p\u003e","\u003cp\u003eLa Manola Lola Polka Deux Languages Tais-Toi Mon Coeur - cover art\u003c/p\u003e","\u003cp\u003eWhen Alll the World is Young, Lad Oh Hush Thee my Babies\u003c/p\u003e","\u003cp\u003eIf I were a Bird I'd Fly to thee Liebeslied\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eMadame Sontags Waltz Empress Henrietta's Waltz Theme D'Aline Linda Di Chamounix Rondo Tyrolian Waltz Stabat Mater We Have Lived and Loved Together The Last rose of Summer L'Orage Variations Brillantes\u003c/p\u003e","\u003cp\u003eI Have Riches, Thou Hast Beauty We Have Lived and Loved Together The Bridal Star La Parisienne Fairy Bells Cavatina de la Violette Fifty National Melodies First Set of Quadrilles Melodies de Christy Military Polka Comic Polka\u003c/p\u003e","\u003cp\u003eO'er the Lone Sea Marseilles March Grand Minuet Madelle Sontags We Have Lived and Loved Together\u003c/p\u003e","\u003cp\u003eCover Photo Mme.Cassier\u003c/p\u003e","\u003cp\u003eLa Victoire Polka Facile\u003c/p\u003e","\u003cp\u003eWe're Out Upon the Moonlight Wave Few Days I Knew Thou Would'st Return Away then to the Mountains Days of Childhood 'Tis Home Where'er the Heart is Sleeping I Dreamed Love The Mountain Bugle Where Shall the Lover Rest The Bridesmaid Do You Love Me? Mr. and Mrs. Snibbs My Mountain Kate My Childhood Happy Home She Knew Him Not The Ladies Man\u003c/p\u003e","\u003cp\u003eThe Snow Storm - cover art Webster's Quick Step\u003c/p\u003e","\u003cp\u003eDer Kinderlied In Meiner Heimath Abschied der Vogel Der Spielmann\u003c/p\u003e","\u003cp\u003eFantasiestuck Zur Guitarre\u003c/p\u003e","\u003cp\u003eHiman's Serenade Matthew's Grand March\u003c/p\u003e","\u003cp\u003eI See them on their Winding Way Wilt Tho Meet Me there Love Something to Love Me The Beautiful Day Where as Dewy Twilight Lingers\u003c/p\u003e","\u003cp\u003eSong of the Captive Greek Girl Bird of the Greenwood\u003c/p\u003e","\u003cp\u003eDreams Still o'er the Waters Ruse-Bush L'Amicizia Snowy Lilly of the Valley The Alp Horn\u003c/p\u003e","\u003cp\u003eMy Home My Happy Home - Cover Art Hark! 'Tis the signal of the Meeting Annot Lyle The Poachers The Midshipman's Farewell Tell Me Mary How to Woo Thee The Woodbine Bower Her Heart is not There He Never Said He Loved O'er the Mountain Wi' My Love I'll March Away My Pretty Rose Give Me Back My Arab steed When the Moonbeams tender light\u003c/p\u003e","\u003cp\u003eThe Mockingbird - cover art Caprice de Concert Grand Paraphase de Concerr Love Among the Rose The Nightingales Trill\u003c/p\u003e","\u003cp\u003eInvigorator Schottisch The Katy Darling Scottisch\u003c/p\u003e","\u003cp\u003eGalopp Souvenir de Trovatore Crepuscule La Gazelle\u003c/p\u003e","\u003cp\u003eUnter'm Machandelbaum Donauweibchen und Eisner Mann\u003c/p\u003e","\u003cp\u003eAllegro Marziale Another Year Wood Up\u003c/p\u003e","\u003cp\u003eYoung America Waltzes Dance of the Demon Cachucha\u003c/p\u003e","\u003cp\u003eAngels Watching Oh! What is Life.\u003c/p\u003e","\u003cp\u003eEllen's Waltz The Soldiers Joy\u003c/p\u003e","\u003cp\u003eLet us now go even unto Bethlehem The Sailor's Grave\u003c/p\u003e","\u003cp\u003eDid I Try to Paint Temptaion Oh! Yes we often mention her The Deep Deep Sea The Dew Drop All Things Love Thee so do I Dark Eyed One Come! Come! Soldiers Come! Cherry Ripe Where Zephyr dwells Again, Again, Again I Know a Bank Come Buy My Roses O'Come to the West Through the Wood The Banks of the Allan Water Mother oh sing me to rest\u003c/p\u003e","\u003cp\u003eO'er the Blue Sea O Give Me a Home By the Sea Ella Gray Ballad Hear the Wild Birds Song The Rover's Adieu\u003c/p\u003e","\u003cp\u003eLittle Barefoot Only a Pansy Blossom When the Robins Nest Again - cover art\u003c/p\u003e","\u003cp\u003eSliding Down the Cellar Door I Leave you to Decide You Never miss the Water until the Well Runs Dry\u003c/p\u003e","\u003cp\u003eScenes de la Csarda Poemes Hongrois\u003c/p\u003e","\u003cp\u003eWyoming Grand Waltz Franconia Waltz\u003c/p\u003e","\u003cp\u003eWake Lady Wake The Social Glass\u003c/p\u003e","\u003cp\u003ecolor cover art\u003c/p\u003e","\u003cp\u003eThree Fishers went sailing Autumn Leaves Turn Fortune, Turn Thy Wheel\u003c/p\u003e","\u003cp\u003eCover art\u003c/p\u003e","\u003cp\u003eScales and Exercises for the Piano Forte La Rose Trumpet March Malcolm's March Leipsig Waltz O Cara Memoria Le Charme Le Debut de La Jeunesse Gallopade Quadrille The Emerald The Sultana 'T were wain to tell thee\u003c/p\u003e","\u003cp\u003eNon piu mesta in la Cenerentola Come to Me, Gentle Sleep Les Bords du Rhin Trois Sentimentales: L'eloge des Larmes Collection of Operatic Airs Le Petit Tambour Six Tyrolien Waltzes Duo de Belisario Air de Herold L'Alliance Melodies Gracieuses Le Retour au Chalet L'elisir D'amore Marche de la Norma\u003c/p\u003e","\u003cp\u003eMrs. Lofty and I Eight Dollars a day\u003c/p\u003e","\u003cp\u003eBraille Notation\u003c/p\u003e","\u003cp\u003eMy Love, my last thoughts are of thee Helen May\u003c/p\u003e","\u003cp\u003eFourth Calisthenic Rondo Third Calisthenic Rondo Alpenlied The Rosy Morn Come Where the Violets Blow Birth-day Ball: Valse Birth-day Ball: Schottische - cover art The Hazel Dell The Arkansas Traveller Oft in the Stilly Night Wake from your Slumbers Galatea Mazurka\u003c/p\u003e","\u003cp\u003eThe Dew Drop Brothers raise the Cheerful Song Soft be the gently breathing notes\u003c/p\u003e","\u003cp\u003eSaviour breathe an evening blessing Te Deum Laudamus\u003c/p\u003e","\u003cp\u003eLa Pastorale Provencale Berceuse Amoureuse\u003c/p\u003e","\u003cp\u003ecover art \u0026amp; photo\u003c/p\u003e","\u003cp\u003eValse de l'Opera Faust de Gounod Third Meditation, Op. 17\u003c/p\u003e","\u003cp\u003eLe coeur de ma mie L'oiseau bleu\u003c/p\u003e","\u003cp\u003eLulu is Our Darling Pride Little Chatter-box Polka The Orphan's Lament Rome! Thou art no more Love's Hours Home Ever Dear Make Me No Gaudy Chaplet Widow Malone\u003c/p\u003e","\u003cp\u003ePrayer at Sea Juvenile Party Galop\u003c/p\u003e","\u003cp\u003eFlorence The Mariner's Bride The Wings of a Dove\u003c/p\u003e","\u003cp\u003eOpus 32 - Heft 1 Opus 32 - Heft 2 Opus 32 - Heft 3 Classiche Violin Musik The Mill Oh Lay Thy Cheek on Mine, Dear Love Opus 38 Dolorosa Nachmittags-stille Morgengruss - Opus 17 Abendmusik\u003c/p\u003e","\u003cp\u003ecover sheet only\u003c/p\u003e","\u003cp\u003eThoughts of Other Days Song Without Words My Mellow Horn\u003c/p\u003e","\u003cp\u003eThe Prima Donna Waltz La Sicilienne Katy-Did Polka The Moldavian Schottisch Royal Irish My Father's Coming Home Mother The Mont Blanc Polka - cover art Douro Polka Faust Quadrille Grand Quadrille Hail to the Chief\u003c/p\u003e","\u003cp\u003eRoseate Polka Victoria Rifles Quadrilles\u003c/p\u003e","\u003cp\u003eHeimweh Silver Bells The First Violet Feu Follet Farewell, We'll Meet Again Irrlicht\u003c/p\u003e","\u003cp\u003eKnights Templar Mazurka Flower Mazurka\u003c/p\u003e","\u003cp\u003eDer kleine Postillon Rheinlander Champagner Walzer\u003c/p\u003e","\u003cp\u003eWhen Night's Dark Shades are Stealing Vienna Gallop\u003c/p\u003e","\u003cp\u003eNo. 2 Petite Valse No. 6 Impromptu\u003c/p\u003e","\u003cp\u003ePrimrose Polka My Soul in one Unbroken Sigh Cricket on the Hearth Little Mischief Polnaise Blosson Polka Ravel Polka You are all the World to Me\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eLa Bohemienne Charming Mazurka Ploka mazurka - Faust Boute-en-Train Flick et Flock Galop Argentine Mazurka - cover art Defile Marche - cover art Caprice Hongrois La Norvegienne\u003c/p\u003e","\u003cp\u003eAraby's Daughter The Maid of Athens Bright and best of the sond of the morning Kate Kearney\u003c/p\u003e","\u003cp\u003eThe Minute Gun at Sea Eve's Lamentation\u003c/p\u003e","\u003cp\u003eThe Watchword Souvenir de la Belle Poules\u003c/p\u003e","\u003cp\u003eI Would not live Alway The Rainbow Schottisch - colored cover art\u003c/p\u003e","\u003cp\u003eThe Orphan's Prayer Mollie Darling\u003c/p\u003e","\u003cp\u003eWhisperings of Love - cover art Angel's Serenade Mountain Belle - cover art Annie Laurie March Perle de L'Amerique - cover picture Red Bird Polka Love by Midnight - cover art torn Innocence Polka - cover art Charming Waltz - cover art Lotta's Favorites - cover picture Violet Waltz - cover art\u003c/p\u003e","\u003cp\u003eThe Coral Schottisch The Rainbow Schottisch - Color cover art The Pearl Polka Sontag Polka The Signal March How dear to me the hour\u003c/p\u003e","\u003cp\u003etitle and cover pages\u003c/p\u003e","\u003cp\u003eBlue Eyed Soldier Boy Is the Sweet Dream Broken\u003c/p\u003e","\u003cp\u003eValse de Mignonette Jovial Waltz Fairy Waltz\u003c/p\u003e","\u003cp\u003eRocked in the Cradle of the Deep Oh! fly to the Prairie Land Ho! 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For One Seraphic Strain! The Rose of England - cover art/photo The Forest Queen Oh! 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Lingard As Through the Park I Go - cover art of Wm. 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Spare That Tree! - cover art The Old English Gentleman Our Way Across the Mountain, Ho! 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Music from Afar Anna is the One I Love O'er the Wildly Heaving Sea Jingle, Jingle clear the way The Lonely Tear Juliette Waltz\u003c/p\u003e","\u003cp\u003ePeeking Thro' the Bars Swinging in the Lane - cover art Lu LuDee Who will care for Mother Now? 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Pleyel Album Classique our Violin et Orgue  par G. Zanger\u003c/p\u003e","\u003cp\u003eAurora! de Peigeian Oft in the Stilly Night by Wilhel, Iucho\u003c/p\u003e","\u003cp\u003e6 Pieces d'Orgue Pieces Recreatives pour Violin et Piano Pelleas et Melisande by Claude Debussy Album de six Morceaux Choisis\u003c/p\u003e","\u003cp\u003eCling to the Rock\u003c/p\u003e","\u003cp\u003eLove Not! by Blockley The Sea by Phillips Rory O'More by Carl Muller Galop de Piquillo by Francois Hunten\u003c/p\u003e","\u003cp\u003ePleasures of Home\u003c/p\u003e","\u003cp\u003eThy Spirit of Love Keeps a Watch Over Me by G. Linley\u003c/p\u003e","\u003cp\u003eMontechi e Capuletti by J. Blumtal\u003c/p\u003e","\u003cp\u003ePeters' Musical Monthly - Novembe 1871 Peters Musical Monthly - March 1872 Don't Be Sorrowful\u003c/p\u003e","\u003cp\u003eKlavierwerke-Preludio con Fuga by J.S. Bach No. 1 Toccata con Fuga by J.S. Bach Dmoll-Konzert fur Pianoforte by Adolf Ruthardt Bach Capriccio, Fantasie Bach Toccata con Fuga Mendelssohn Lieder Onhe Worte Brahams Duette Bach -Album fur Orgel\u003c/p\u003e","\u003cp\u003eChorus - Down Went McGinty\u003c/p\u003e","\u003cp\u003eGaily the Troubadour\u003c/p\u003e","\u003cp\u003eDie Dollarprinzessin\u003c/p\u003e","\u003cp\u003eWhat Joy to Listen\u003c/p\u003e","\u003cp\u003eRobert Volksmann Musikalisches Bilderbuch\u003c/p\u003e","\u003cp\u003eThe Echo of the Italian Opera\u003c/p\u003e","\u003cp\u003ePaisley Schottisch March from Lucia De Lamermoor- Charles Gobe Norma de Bellini Primrose Polka\u003c/p\u003e","\u003cp\u003eThe Ceebrated Sophie Waltz by Charles Grobe The Tip Toe Polka Galop by J.C. Meininger Etudes de la Velocite by Charles Czerny Der Freischutz by Sydney Smith Thoughts of Home by J. Ascher\u003c/p\u003e","\u003cp\u003eLe Poilu by H. Maurice Jacquet\u003c/p\u003e","\u003cp\u003eBossi Six Morceaux pour Orgue Hellmesberger Exercises en forme de gammes\u003c/p\u003e","\u003cp\u003eL'Art du Chant\u003c/p\u003e","\u003cp\u003eHazel's New Ideal Orchetra Book-First Violin Hazel's New Ideal Orchetra Book-Alto Saxophone\u003c/p\u003e","\u003cp\u003eGeneral Yeoman's Grand March -E.B. Spencer\u003c/p\u003e","\u003cp\u003eTake Them, I Implore Thee\u003c/p\u003e","\u003cp\u003eSmith's March by J. T. Martin Have Faith in One Another by James Perring The Long, long Weary Day\u003c/p\u003e","\u003cp\u003eHarold and Mildred by Herman Finck\u003c/p\u003e","\u003cp\u003ePremiere Symphonie pour grand Orchestre by S. Taneiew Overture, Danses et Marche by A. Borodine\u003c/p\u003e","\u003cp\u003eBlessed are they thta consider the Poor\u003c/p\u003e","\u003cp\u003eSymphonie No. 5 by Anton Dvorak\u003c/p\u003e","\u003cp\u003eCome Home, Father by Henry Clay Work I Wonder why he comes Not\u003c/p\u003e","\u003cp\u003eFritz Spindler's Piano Compositions: Convent Bells\u003c/p\u003e","\u003cp\u003eHorse Radish Fox Favorite Orchestra Folio Vol. 5 - 2nd Coronet Fox Favorite Orchestra Folio Vol. 5 - Bass Fox Favorite Orchestra Folio Vol. 5 - 1st Violin Fox Favorite Orchestra Folio Vol. 5 - Drums\u003c/p\u003e","\u003cp\u003eEvangeline by A.P. Wyman The Little Ones at Home by C.J. Lockwood\u003c/p\u003e","\u003cp\u003ePiano Classics by the Best Composers\u003c/p\u003e","\u003cp\u003eThe May Queen by William Dempster Rakeman's Pas Redouble Gipsey Schottisch Guillaume Tell by F. Beyer White Mountain Serenade Do They Miss Me at Home? In Dreams of Peace The Dismal Swamp Where are the Friends of My Youth Farewell\u003c/p\u003e","\u003cp\u003eThe May Queen Le lever du Soleil Do They Miss Me at Home? Sally, Come Up Love's Hidings Place Prison Waltz I Love the Merry Sunshine The Pirates Chorus\u003c/p\u003e","\u003cp\u003ePokcaha March Wont you tell me why, Robin? The Pianist's Best Companion Why Not Be Happy Now The Vocal Beauties of Lucia di Lammermoor\u003c/p\u003e","\u003cp\u003eMorceau de Concert par F. Servais Violoncelle Opus 14 (2) Concert fur das Violoncell von Carl Reinecke O Cara Memoria F. Servais Op 17. (2) Fantaisie Burlesque pour Violoncelle par F. Servais Op.9\u003c/p\u003e","\u003cp\u003eFantasie Burlesque (ou le Carnaval de Venise) pour Violoncelle par F. Servais Op.9 Grande Fantaisie polonaise sur des Airs du Ballet par F. Servais Op. 19 Grande Fantaisie polonaise pour Violoncelle par F. Servais Op. 19 Faust ( Margarethe) oper in Funf akten von Gound No. 2 Polnischer National-Gesang Chant National Polonais; Vaterlands-Lieder von Ferd. Beyer; Albert Sowinski ( includes National Hymns/Songs from Poland, France, the Netherlands, Belgium, Norway, Scotland, Chile, Serbia, Java)\u003c/p\u003e","\u003cp\u003e25 Etudes pour Piano par Francois Hunten Opus 114 Jugend Bande, Leichtes Vierhandiges Album, Band 1: Aletter, Kleines Menuett; Franke, Fruhlingszauber; Gurlitt, Valse noble; Parlow, Polonaise; Reinecke, Primula veria; Sartorio, Mit Lingendem Spiel; Spindler, Landisches Fest; Morley, Teerose; Zilcher, Wasserfahrt, Barcolle; Mendelssohn, LUD, Zigeunertanz; Ziegler, Goldene Sterne, Abenlied; Schytte, Allegro moderato; D'Ourville, Fruhling; Wil, Tanz im Dorfe First Flights in Music (melodius piano Studies for Beginners) by Martin Frey 25 Etudes pour le Piano par Fredic. Burgmuller, Op.100\u003c/p\u003e","\u003cp\u003eRebecca at the Well by Septimus Winner Linked with many bitter Tears by Alice Hawthorne Ideas from the Opera, No. 1 Flower Song \u0026amp; Chorus from Faust\u003c/p\u003e","\u003cp\u003eCapricious Annette bu Gaston Borch\u003c/p\u003e","\u003cp\u003eSymphonies pour Orgue par Charles Marie Widor\u003c/p\u003e","\u003cp\u003eReturn of Spring Polka Brilliant par Theo. Moelling The Wreath-A collection of favorite Waltzes-Jour de Naissance, Op. 89, Burgmuller\u003c/p\u003e","\u003cp\u003eMarceline Polka for Piano Forte by John A. Janke, Jr.\u003c/p\u003e","\u003cp\u003eBirds of All Feathers, a musical sketch by Mildred Adair\u003c/p\u003e","\u003cp\u003eLa Traviata par Charles Voss\u003c/p\u003e","\u003cp\u003eLovey-Dovey Intermezzo by Robert A. Hellard\u003c/p\u003e","\u003cp\u003eO Let me Die in spring-time by W. Cumming\u003c/p\u003e","\u003cp\u003eZampa Gallopades by Herold\u003c/p\u003e","\u003cp\u003eThe Lost Fairy Cavatina by C.AE.Horn (cover only)\u003c/p\u003e","\u003cp\u003ePique Dame Galop by C. Denstedt\u003c/p\u003e","\u003cp\u003eThe Celebrated Anvil Chorus by Francis H. Brown Oh Summer Night by Wm. Dressler, Op.41 Happy Home of My Childhood by George Croal A Voice from the Waves Duett by Stephen Grover Louise Polka Brilliante by Joseph Ascher Pepita Polka by Joseph Ascher\u003c/p\u003e","\u003cp\u003eThe Whispering Wind Mazurka Caprice pour le Piano par  Hermann A. Wollenhaupt, Op. 38 Nellie Darling by H. Millard Sleeping I Dreamed Love by W.V. Wallace\u003c/p\u003e","\u003cp\u003eAs You Like it by Wiliam Shakespeare; music Kiss me and Say Goodnight by Johnston \u0026amp; Wiedoft\u003c/p\u003e","\u003cp\u003eEtudes de la Velocite pour le Piano forte par Charles Czerny\u003c/p\u003e","\u003cp\u003eSweet Smile Polka by Charles Kinkel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Sheet Music Collection includes sheet music collected by the Special Collections Research Center.","This series includes sheet music collected by the Special Collections Research Center prior to 2007.","Scope and Contents \"High-High-High-Up in the Hills\" - 1926, Sam Lewis and Joe Young, librettists; \"Is there Still Room for Me Neath the Old Apple Tree\" - 1915, Edgar Leslie and Lew Brown, librettists; \"Pullman Porters Parade\" - 1913, Ren. g. May, librettists.","Scope and Contents \"Beautiful German Songs for Mezzo Soprano\"- undated., Franz Abt; \"Peter's Standard Series of German Songs\", second series- undated., Frantz Abt; \"New Series of Sems of German Songs\", undated, - Kate Blackeship \"Schirmer's Octavo choruses for Women's Voices\", undated- Kate Blackeship \"When the Swallows Homeward Fly\",- undated, Frantz Abt \"Songs of All Nations\",- undated, Frantz Abt.","Scope and Contents \"Milange Pour le Piano sur les motifs de l'Opera de Bellini I puritani\",- undated, A. Adam.","Scope and Contents \"I am going there\" or the \"Death of little Eva\"- undated, John S. Adams.","Scope and Contents \"The Holy City,\" - undated, Stephen Adams; \"Blue Alsatian Mountains\", undated, Stephen Adams; \"Popular Contralto or Baritone Songs\", undated, Stephen Adams; \"The Blue Alsatian Mountains\", undated, Stephen Adams, Georges Lamothe; \"The Holy City\" - undated, F.E. Weatherly, librettists.","Scope and Contents \"The Joys of the Table\"- undated, J. Addison; \"Our Sweet Dancing Days\" - Mrs. Mountain and Mifs Decamp, librettists.","Scope and Contents \"Ain't She Sweet\", 1927, Jack Yellon, librettists; \"Are You Sorry\", - 1925, Benny Davis librettists; \"Crazy Words Crazy Tune Vo-Do-De-O\", 1927, Jack Yellon, librettists; \"Forgive Me\", 1927, Jack Yellon, librettists; \"I Wonder What's Become of Sally\", 1924, Jack Yellon, librettists; \"Songs of the Dawn\", 1930, Jack Yellon, librettists.","Scope and Contents \"Slow But Sure,\" - undated, Charles Newman, librettists.","Scope and Contents \"Life is A Song\" - 1935, Joe Young, librettists; \"Ain't that the Way it Goes\" - 1931, Roy Turk, librettists; \"And I Still Do\" - 1934, Edgar Leslie, librettists; \"I Don't Know Why\"- 1931, Guy Turk, librettists; \"I'll Get By\" - 1928, Roy Turk, librettists; \"The Moon was Yellow\" - Edgar Leslie, librettists.","Scope and Contents \"Latest and Best\" - undated","Scope and Contents \"It Happened when your Eyes Met Mine\" - 1934, Roy Turk, librettists; \"Nobody Cares if I'm Blue\" - undated, Grant Clarke, librettists; \"There's a Little White House on a Little Green Hill,\" - undated, Billy Rose, librettists;","Scope and Contents My Rosalie Sweet Rosalie\", undated, Edward G. Allanson, composer and librettists.","Scope and Contents \"Maid of Athens\" - undated, Allen ?, composer.","Scope and Contents \"Over the Hill\"- n.d., Edgar Allen, composer, Lou Klein, librettists.","Scope and Contents \"Minnesota March\"- undated, George N. Allen, composer.","Scope and Contents \"Earl Carroll Vanities\"- 7th Edition\" -1928, Louis Alter, composer, Raymond Klages, librettists; \"Hugs and Kisses\" - n.d., Lou Alter, composer, Raymond Klages, librettists; \"Manhattan Serenade\" - 1928, Louis Alter, composer; \"That Wonderful Something\" - 1929; Louis Alter, composer, Joe Goodwin, librettists.","Scope and Contents \" I'll Pray for You\" - undated, Arthur Altman, composer, Kim Gannon, librettists.","Scope and Contents \"All or Nothing at All\" - undated, Jack Lawrence and Arthur Altman, composers and librettists.","Scope and Contents \"Suppose I had Never Met You\" - undated, Harry Archer, composer, Harlan Thompson, librettists.","Scope and Contents \"II Bacio- the Kiss\" - undated, L. Arditi, composer.","Scope and Contents \"Music Music Everywhere, but Not A Song in My Heart\" - 1932, Harold Arlen, composer, Ted Koehler, librettists; \"First You Have me High then You Have Me Low\"- undated, Harold Arlen, composer, Lew Brown, librettists; \"Between the Devil and the Deep Blue Sea\" - 1931, Harold Arlen, composer, Ted Koehler, librettists; \"Life Begins at 8:40\" - undated, Harold Arlen, composer, Ira Gershwin and E.Y. Harburg.","Scope and Contents \"I am Dying, Egypt Dying\" - 1865, ? Armand.","Scope and Contents \"I Love You Just the Same Sweet Adeline\" - undated, Clarence Gaskill and Harry Armstrong, composers.","Scope and Contents \"Blue Eyes\"- undated, Ettienne Arnaud.","Scope and Contents \"Mandalay\"- undated, Earl Burtnett, Abe Lyman, and Gus Arnheim.","Scope and Contents \"Soko\" - 1903, John Arnold, composer.","Scope and Contents \"To-day\" - undated, Gerald Arthur, composer, Harold Robe,librettists.","Scope and Contents \"Alice\" - undated, Joseph Asher, composer.","Scope and Contents \"My Task\"- undated, E.L. Ashford.","Scope and Contents \"Just Because Its You\" - undated, Barbee Ashley, Charles Farrell and Wakefield Potts.","Scope and Contents \"Sonate\" - undated, Bonifacius Asioli, composer.","Scope and Contents \"I'm Building Up an Awful Let-Down\" - 1935, Fred Astaire, composer, Johnny Mercer, librettists.","\"Marching Through Georgia, Rudolf Thaler, composer","Scope and Contents \"O Wherefore Weep My Sister Dear\" - undated, D.F.E., Auber, composer. \"Overture to the Favorite Opera of Masaniello\" - undated, F. Mockwitz.","Scope and Contents \"The Famous Gobble Song\" - undated, ? Audran, composer.","Scope and Contents \"Miss Helyett\"- undated, E. Audran, composer.","Scope and Contents \"You're the Only Star\" - undated, Gene Autry, composer and librettists.","Scope and Contents \"If You were the Only Girl\" - undated, Nat D. Ayers, composer, Clifford Grey, librettists; \"Oh, You Beautiful Doll\"- undated, Nat D. Turner, composer, A. Seymour Brown, librettists.","Scope and Contents \"Gavotte in B Minor\" - undated, John Bach, composer; \"Four Pieces from Triakontameron\" - 1912, Leopold Godowsky, composer; \"Bach's Lighter Compositions\"- 1887, John Bach, composer; \"Saint Cecilia Series\" - 1941, John S. Bach, composer.","Scope and Contents \"La priere dune Vierge' - undated, Thekla Badarewska, composer.","Scope and Contents \"You'll Never Get Up to Heaven That Way.\" - 1933, Abel Baer, composer, Sammy Lerner, librettists; \"High Up on a Hill-Top\" - undated, Abel Baer, composer, Ian Campbell and George Whiting, librettists; \"I'm Happy When You're Happy\" Abel Baer, composer, Benny Daivs, librettists; \"June Night\" - undated, Abel Baer, composer, Cliff Friend, librettists. \"Me Minus You\" - 1932, Abel Baer and John Loeb, composers, Paul Webster, librettists.","Scope and Contents \"Auf Wiedersehn\" - 1882, E.H. Bailey, composer.","Scope and Contents \"Racquet Waltz\" - 1879, F.H. Baker, composer.","Scope and Contents \"I hear a Rhapsody\" - 1940, George Fragos, Jack Baker, and Dick Gasparre, composers.","Scope and Contents \"Pretty Little Baby\" - 1932, Phil Baker and Ben Bernie, composers, Sid Silvers, librettists; \"Strange Interlude\" - 1932, Phil Baker, composer, Ben Bernie and Walter Hirsch, librettists.","Scope and Contents \"How Bright was the Star\" - 1854, Thomas Baker, composer, H.D. Stuart, librettists; \"The Rachel Schottisch\" - undated, Thomas Baker, composer.","Scope and Contents \"Come Into the Garden Maud\" - undated, M.W. Balfe, composer.","Scope and Contents 'Daughters of Pocahontas\" - 1909, Charles W.A. Ball, composer.","Scope and Contents \"I'll Forget You\" - undated, Ernest R. Ball, composer, Annelu Burns, librettists; \"When Irish Eyes are Smiling\" - undated, Ernest R. Ball, composer, Chauncey Olcott and Geo. Graff Jr., librettists; \"A Little Bit of Heaven\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists. \"In the Garden of My Heart\" - undated, Ernest R. Ball, composer, Caro Roma, librettists. \"Love Me and the World is Mine\" - undated, Ernest R. Ball, composer, Dave Reed Jr., librettists; \"I'm Going Back to California\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists.","Scope and Contents \"The Shepherd's Gift\" - undated, William Ball, composer.","Scope and Contents \"Gotta Get Home\" - 1939, James F. Hanley and Par Ballard, composers and librettists.","Scope and Contents \"So Beats My Heart for You\" - 1930, Pat Ballard, Charles Henderson, and Tom Waring, composers and librettists.","Scope and Contents \" Come, Oh! Come with Me the Moon is Beaming\" - undated, B.S. Barclay, composer.","Scope and Contents \"Symphonie in C\" - undated, Woldemar Bargiel, composer; \"Ouverture zu Medea\" - undated, Woldemar Bargiel, composer.","Scope and Contents \"Why Do Summer Roses Fade\" - undated, George Barker, composer, J.E. Carpenter, librettists.","Scope and Contents \"Sweet and Low\" - 1935, Joseph Barnby, composer, Alfred Tennyson, librettists.","Scope and Contents \"Good-Bye Dolly Gray\" - undated, Paul Barnes, composer, Will D. Cobb, librettists.","Scope and Contents \"Virginia\" - 1904, D. A. Barrackman","Scope and Contents \"Wrap Your Troubles in Dreams (And Dream Your Troubles Away)\" - undated, Harry Barris, composer, Ted Koehler and Billy Moll, librettists; \"It Was So Beautiful (And You Were Mine)\" - undated, Harry Barris, composer, Arthur Freed, librettists; \"It Must Be True\"- undated, Harry Barris, composer, Gus Arnheim and Gordon Clifford, librettists;","Scope and Contents \"Songs by J.C. Bartlett\", - 1914, J.C. Bartlett, composer; \"A Dream\", undated, J.C. Bartlett, composer.","Scope and Contents \"Talking to the Moon,\" - undated, Billy Baskette, composer, George A. Little, librettists; \"Talking to the Moon\", - undated, Billy Baskette, composer, George Little, librettists; \"Good-bye Broadway, Hello France\", - undated, Billy Baskette, composer, C. Francis Reisner and Benny Davis, librettists.","Scope and Contents \"I'm Getting Sentimental Over You\" - 1933, George Bassman, composer, Ned Washington, librettists.","Scope and Contents \" Songe D'enfant\", - undated, Alexandre Batta, composer.","Scope and Contents \"12 Favorite Melodies\", - 1886, Adolph Baumbach, composer; \"Home Sweet Home\", 1859, Adolph Baumbach, composer","Scope and Contents \"Going Going Gone\", - 1933, Phil Baxter, composer.","Scope and Contents \"I Cannot Dance To Night\" - undated, T.H. Bayly, composer.","Scope and Contents \"Fairies Fire\", - undated, Amelie T. Beauregard, composer.","\"An Old Fashioned Tree,\" 1944, Becker Williams, composer.","Scope and Contents \"Musik Fuer Cello\" - undated, L. Van Beethoven, composer; \"Classische Stuecke\" - undated, C. Kissner, composer; \"Klassische Studienwerke Fur Die Violine\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van. Beethoven, composer; \"Klavier Bibliothek\"- undated, L. Van. Beethoven, composer; \"Trio from Fidelio\" - 1891, L. Van. Beethoven, composer; \"Fidelio\" - 1890, L. Van Beethoven, composer \"Grande Symphonie\" - undated, L. Van Beethoven, composer.","Scope and Contents \"Beethoven Konzert\" - 1806, L. Van Beethoven, composer, \"Classische Stucke\" - undated, L. Van Beethoven, composer; \"Neun Tonstucke\" - undated, L. Van. Beethoven, composer; \"Organ Voluntary\" - undated, L. Van Beethoven, composer; \"The Accompagnement with the Concerto in Rondo\" - undated, L. Van Beethoven, composer.","Scope and Contents \"Dritte Sinfonie\" - undated, L. Van Beethoven, composer; \"Oeuvres\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van Beethoven, compsoer; \"Sonatina in F\" - 1887, L. Van Beethoven, composer; \"Tonstucke\"- undated, L. Van Beethoven, composer; \"Zwei Sonaten\" - undated, L. Van Beethoven, composer.","Scope and Contents \"The Musical Box\" - 1892, Francois Behr, composer; \"Choice Collections of Piano-Forte Duets\" - undated, Francois Behr, composer.","Scope and Contents \"Rosenknospen\" - undated, Franz Behr, composer.","Scope and Contents \"In A Mist\" - 1928, Bix Beiderbecke, composer.","Scope and Contents \"Spring Blossoms\" - 1862, James Bellak, composer. \"Jewels\" - undated, Jas. Bellak, composer.","Scope and Contents \"Hear Me, Norma\" - undated, Bellini, composer.","Scope and Contents \"You Didn't Want Me When You Had Me\" - undated, George J. Bennett, composer.","Scope and Contents \"Eight Selections for the Pianoforte\" - undated, W. Bennett.","Scope and Contents \"La Traviata\" - undated, Albert W. Berg, composer.","Scope and Contents \"Parlor Concert\" - undated, Carl J. Berger.","Scope and Contents \"Oh, How I Hate to Get up in the Morning\" - undated, Irving Berlin, composer; \"At Peace with the World\" - undated, Irving Berlin, composer; \"My Bird of Paradise\" - undated, Irving Berlin, composer; \"Call Me Up Some Rainy Afternoon\" - 1910, Irving Berlin, librettists and composer; \"This is the Life\" - 1914, Irving Berlin, composer; \"White Christmas\" - 1942, Irving Berlin, composer; \"All Alone\" - undated, Irving Berlin, librettists and composer; \"How Deep is the Ocean\" - 1942 Irving Berlin, composer; \"Always\" - undated, Irving Berlin, composer; \"The Girl that I Marry\" - 1946, Irving Berlin, librettists and composer; \"Get Thee Behind me Satan\" - 1936, Irving Berlin, librettists and composer; \"Roses of Yesterday\" - undated, Irving Berlin, composer; \"He's a Devil in His Own Home\" - undated, Irving Berlin, composer; \"In My Harem\" - 1913, Irving Berlin, composer; \"I Never Had a chance\" 1934, Irving Berlin, composer; \"Cheek to Cheek\" - 1935, Irving Berlin, composer; \"Because I Love You\" - 1926, Irving Berlin, composer; \"How Many Times\" - 1926, Irving Berlin, composer; \"Isn't This a Lovely Day\" - 1935, Irving Berlin, librettists and composer; \"I Want to Go Back to Michigan\" - undated, Irving Berlin, composer; \"Just a Little While\" - 1930, Irving Berlin, composer; \"No Strings\" - 1935, Irving Berlin, librettists and composer; \"Remember\" - undated, Irving Berlin, composer; \"Russian Lulliaby\" - 1927, Irving Berlin, composer; \"Say It Isn't So\" - 1932, Irving Berlin, composer; \"The Little Things in Life\" - 1930, Irving Berlin, composer; \"What Does It Matter\" -1927, Irving Berlin, composer; \"What'll I Do\" - undated; Irving Berlin, composer; \"When My Dream Come True\" - 1929, Irving Berlin, composer; \"With You\" - 1929, Irving Berlin, composer.","Scope and Contents \"The King of Thule\" - undated, Hector Berlioz, composer.","Scope and Contents \"When Dixie Stars Are Playing Peek-A-Boo\" - undated, Al. Bernard and \"Jo\" Henning, composers.","Scope and Contents \"Maybe\" - undated, Bertrand Brown, composer.","Scope and Contents \"Fleurs Italiennes\" - undated, Ferd. Beyer, composer; \"Boquet De Melodies\" - undated, Ferd. Beyer, composer; \"Beyer's Repertoire\" - undated, Par F. Beyer, composer; \"Morceaux\" - undated, Ferd. Beyer, composer; \"Morning Star Waltz\" - undated, Ferd. Beyer, composer; \"Ricci\" - undated, Ferd. Beyer, composer; \"Four Hand Arrangement\" - undated, Ferd. Beyer, composer; \"An Alexis Air Allemand\" - undated, Ferd. Beyer, composer.","Scope and Contents \"Six Song-Stories for First Grade Pianists\" - 1920, Mathilde Bilbro, composer; \"Merry Hours\" - undated, Mathilde Bilbro, composer.","Scope and Contents \"In My Hide-Away\" - 1932, K.L. Binford, composer.","Scope and Contents \"Mocking Bird Song\" - undated, Henry R. Bishop, composer.","Scope and Contents \"Blue Prelude\" - 1933, Joe Bishop, composer.","Scope and Contents \"Serenade in the Night\" - 1937, C.A. Bixio and B. Cherubini, composers, Jimmy Kennedy, librettists.","Scope and Contents \"Oh No, Not Sad\" - undated, Bringham Bishop, composer.","Scope and Contents \"The Southrons Chaunt of Defiance\" - undated, A.E. Blackmar, composer.","Scope and Contents \"I'll Meet Thee in the Lane\" - undated, Charles Blamphin, composer.","Scope and Contents \"Carry Me Back to Old Virginny\" - undated, James A Bland, composer.","Scope and Contents \"My Wigwam Queen\" - undated, James O'Dea, librettists, H.B. Blake, composer.","Scope and Contents \"Lew Leslie's Blackbirds of 1930\" - undated, Andy Razaf, librettists, Eubie Blake, composer.","Scope and Contents \"My Isle of Golden Dreams\" - undated, Gus Kahn, librettists, Walter Blaufuss, composer.","Scope and Contents \"Take Me\" - 1942, Mack David, librettists, Rube Bloom, composer.","Scope and Contents \"We're Going Home\" - 1875, P.P. Bliss, composer.","Scope and Contents \"Blackmar\u0026Bro's selection of Favorite Songs\" - undated, Blockley, composer.","Scope and Contents \"A Monsieur Wilhelm Kuhe\" - undated, Jacques Blumenthal, composer; \"Les Deux Anges\" - undated, Jacques Blumenthal, composer; \"My Queen\" - undated, Stella, librettists, Jacques Blumenthal, composer; \"My Queen\" - undated, Sims Reeves, librettists, Jacques Blumenthal, composer; \"My True Love Has My Heart\" - undated, Sir Phillip Sidney, librettists, Jacques Blumenthal, composer.","Scope and Contents \"Charge of the Uhlans\" - undated, Carl Bohm, composer.","Scope and Contents \"Ah Quel Plaisir D'etre Soldat\" - undated, Doieldiru, composer.","Scope and Contents \"Dreary Weather\" - undated, Clay Boland and Frank Winegar, composers.","Scope and Contents \"Way Down in the Dixie Where the Sugar Cane Grows\" - 1905, Ernest L. Bolling, composer.","Scope and Contents \"Moonlight on the James\" - 1904, Ernest L. Bolling, composer.","Scope and Contents \"Polka Di Bravura\" - undated, Edward Boulanger, composer.","Scope and Contents \"Flavier-Werke\" - undated, Ch. Bovy-Lysberg, composer.","Scope and Contents \"Chinese Lullaby\" - 1919, Robert Hood Bowers, librettists and composer.","Scope and Contents \"East of the Sun and West of the Moon\" - 1935, Brook Bowman, librettists and composer.","Scope and Contents \"Just a Little Found Affection\" - undated, Elton Box, Desmond Cox, and Lewis Ilda, composers.","Scope and Contents \"Don't Tell the World, Tell the Girl\" - 1921, Edward L. Boyle.","Scope and Contents \"Le Souvenir\" - 1886, Loren Bragdon, composer.","Scope and Contents \"Beneath the Willow Tree\" - undated, T. Dibdin, librettists, J. Braham, composer; \"By One by Two by Three\" - undated, T. Dibdin, librettists, J. Braham, composer; \"Death of General Sir Ralph Abercrombie\" - undated, T. Dibdin, librettists, J. Brahman, composer.","Scope and Contents \"Eleven Chorale Preludes for the Organ\" - 1939, Johannes Brahms, composer; \"Symphonie\" - undated, 1877, Johannes Brahms, composer; \"Wiegenlied\" - undated, Johannes Brahms; composer.","Scope and Contents \"Then I'll Come Back to You\" - undated, John W. Bratton, composer.","Scope and Contents \" La Belle Amazone\" - undated, A.R. Breiter, composer.","Scope and Contents \"Standard Series of Organ Composition\" - undated, Frank Bridge, composer.","Scope and Contents \"Remember Me\" - undated, M. Brinkman, composer.","Scope and Contents \"A Life in the Woods\" - undated, Francis H. Brown, composer; \"Miss Mary A. Westcott\" - undated, Francis H. Brown, composer.","Scope and Contents \"Sunny Side Up\" - 1929, B.G. Desylva, Lew Brown and Ray Henderson, composers.","Scope and Contents \"You are My Lucky Star\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Love Songs of the Nile\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \" After Sundown\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \"All I Do is Dream of You\" - 1934, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \" A New Moon is Over my Shoulder\" - 1934, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Broadway Melody\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"I've Got a Feeling You're Fooling\" - 1935, Arthur Herb, librettists, Nacio Herb Brown, composer; \"Pagan Love Song\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Moon is Low\" - 1930, Arthur Reed, librettists, Nacio Herb Brown, composer; \" The Wedding of the Pained Doll\" - undated, Arther Reed, librettists, Nacio Herb Brown, composer; \" Would You\" - 1936, Arthur Reed, librettists, Nacio Herb Brown, composer.","Scope and Contents \"The Falls of Paris\" - undated, Miss Aucusta Browne, composer.","Scope and Contents \"The Girl of the Year is a Spar\" - 1943, Vida G. Brunner, composer.","Scope and Contents \"Salut a La France\" - undated, Brunner, composer.","Scope and Contents \"Red Lips Kiss My Blues Away\" - 1927, Alfred Bryan, James V. Monaco, and Pete Wendling, composers.","Scope and Contents \"Come Mirth and Mend a Broken Heart\" - undated, Bryan Mr. F, composer.","Scope and Contents \"Down in Sunny Alabama\" -1901, James Burrell, librettists, James T. Byan, composer; \"There's a Big Cry-Baby in the Moon\" - undated, James Burris, librettists, Chris Smith, composer.","Scope and Contents \"At Evening\" - 1899, Dudley Buck, composer.","Scope and Contents \"Oleander Waltz\" - undated, Francis Buck, composer; \"Castle Waltz\" - 1848, Francis Buck, composer; \" Greenwood Waltz\" - undated, Francis Buck, composer; \"Mediterranean Waltz\" - undated, Francis Buck, composer; \"Sophronia Waltz\" - undated, Francis Buck, composer; \"Yes, We Miss Thee\" - undated, Francis Buck, composer.","Scope and Contents \"Songs and Ballads\" - 1848, Fred. K. Buckley, composer.","Scope and Contents \"Thousand Island River\" - 1878, George C. Bragdon, librettists, Mary F. Bunnell, composer.","Scope and Contents \"Galop\" - undated, Fred Burgmuller, composer; \"Peratir Selections\" - undated, Fred Burgmuller, composer.","Scope and Contents \"Andante\" -undated, Norbert Burgmuller, composer.","Scope and Contents \"Carolina Moon\" - undated, Benny Davis, Joe Burke, composers; \"A Darn Fool Woman Like Me\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Cling to Me\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Paradise\" - 1931, Nacio Herb Brown and Gordon Clifford, librettists, Naco Herb Brown, composer; \"On Treasure Island\" - 1935, Edggar Leslie and Joe Burke, composer; \"By the River of the Roses\" - undated, Marty Symes, librettists, Joe Burke, composer; \"Just Another Dream of You\" - undated, Benny Davis and Joe Burke, composers; \"A Little Bit Independent\" - Edgar Leslie, librettists, Joe Burke, composer; \"For You\" - undated, Al Dubin and Joe Burke, composer; \"How can You Say No\" - undated, Al Dubin, librettists, Joe Burke, composer; \"In a Little Gypsy Tea Room\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Just Another Dream of You\" - 1932, Denny Davis and Joe Burke; composers; \"Dancing Sweeties\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Many Happy Return of the Day\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Moon over Miami\" - 1935, Edgar Leslie, librettists, Joe Burke, composer; \"A Sailor's Sweetheart\" - undated, Joe Burke, librettists and composer; \"The Bridal Waltz\" - 1935, Ira Schuster and Milton Drake, librettists, Joe Burke, composer.","Scope and Contents \"Dream Valley\" - 1940, Nick Kenny, Charles Kenny, Joe Burke, composers.","Scope and Contents \"Yours and Mine\" - 1930, Steve Nelson, librettists, Johnny Burke, composer.","Scope and Contents \"If I Had a Son for Each Star in Old Glory\" - undated, J.E. Dempsey, librettists, Joseph A. Burke, composer.","Scope and Contents \"Collections of Scotch Songs\" - undated, R. Burn, composer; \"Evening Melodies\" - undated, R. Burn, composer.","Scope and Contents \"Leven Thirty Saturday Night\" - undated, Earl Burtnett, Bill Grantham, Jess Kirkpatrick, composers.","Scope and Contents \"Crystal Schottisch\" - 1853, William Byerly, composer.","Scope and Contents \"Les Trois Gosses\" - undated, Byrec, composer.","Scope and Contents \"Minnie the Moocher\" - 1931, Cab Calloway and Irving Mills, composer.","Scope and Contents \"Standard Songs- Amarilli\" - 1909, Giuli Caccini, composer.","Scope and Contents \"At Dawning\" - 1906, Charles Wakefield Cadman, composer. \"Lilacs\" - 1905, words by, Nellie Richard Eberhart, music by, Chas Wakefield Cadman","Scope and Contents \"Crooning\" - 1921, lyrics by Al Dubin and Herbert W. Weise, music by, William F. Caesar","Scope and Contents \"W. Hamilton's Celebrated Songs\" - undated, words by, H.B. Farnie, music by, Fabio Campana \"Speak to Me\" - undated, words by, H.B. Farnie, composed by, Fabio Campana","Scope and Contents \"When a Yankee Got His Eye Down The Barrel of A Gun\" - 1918, words and music by, Fred S. Campbell","Scope and Contents \"My Little Sweetheart, Mine\" - March 23, 1902, words by, Andrew B. Sterling, music by, Jessie H. Campbell","Scope and Contents \"Just Been Wond'ring All Day Long\" - 1921, lyrics and music by Irene Ackerley Canning","Scope and Contents \"That Tumble Down Shack In Athlone\" - 1918, words by, richard W. Pascoe, music by, Monte Carlo and Alma M. Sanders","Scope and Contents \"The Bridge\" - undated, words by, Longfellow, music by, Lady Carew","Scope and Contents \"Sunrise Serenade\" - 1937, music by, Rankie Carle, lyrics by, Jack Lawrence","Scope and Contents \"\"Spirited Ballad; Brandy and Water\" - 1853, composed by, Julien Carle","Scope and Contents \"Little Old Lady\" - 1936, words and music by Hoagy Carmichael and Stanley Adams","Scope and Contents \"The Lamplighter's Serenade\" - 1942, lyrics by, Paul Francis Webster, music by, Hoagy Carmichael","Scope and Contents \"Hommage A Mon Amie, Valse Sentimentale\" - 1850, by J. Allan Carmichael","Scope and Contents \"We Don't Want the Bacon, What We Want is a Piece of the Rhine\" - 1918, by \"Kid\" Howard Carr, Harry Russell, and Jimmie Havens","Scope and Contents \"The Girl With the Dreamy Eyes\" - 1935, by Michael Carr and Eddie Pola","Scope and Contents \"She is the Sunshine of Virginia\" - 1915, words by, Ballard MacDonald, music by, Harry Carroll","Scope and Contents \"By the Beautiful Sea\" - 1914, words by, Harold R. Atteridge, music by, Harry Carroll \"I'm Always Chasing Rainbows\" - 1918, lyrics by, Joseph McCarthy, music by, Harry Carroll","Scope and Contents \"The Jolson Story\" - 1946, by Al Johnson and Saul Chaplin","Scope and Contents \"A Favourite Spanish Dance\" - undated, by N. Carusi","Scope and Contents \"Allaballa goo-goo\" - 1912, words by CMS Mclellan, music by Ivan Caryll","Scope and Contents \"Just a Gigolo\" - 1929, music by Leonello Casucci, German text by Julius Brammer, English text by Irving Caesar","Scope and Contents \"Martha\" - undated, composed by Cavatine","Scope and Contents \"Chaminade-Album for Piano, Volume I\" - 1899, composed by Cecile Chaminade","Scope and Contents \"I've Grown So Used to You\" - 1901, words and music by Thurland Chattaway","Scope and Contents W. Hamilton's Celebrated Songs, \"Dear Little Shamrock\" - undated, composed by Cherry","Scope and Contents \"Henry Wadsworth Longfellow's Funeral March\" - 1882, by F. Chopin, song and chorus by Charles H. Gabriel \"Nocturnes\" - undated, by F. Chopin \"Standard Gems\" - 1884, \"Nocturne\" by F. Chopin \"Works of F. Chopin for Piano\" - 1877, composed by F. Chopin \"Chopin, Nocturnes\" - undated, composed by F. Chopin \"Polonaise\" - undated, composed by F. Chopin","Scope and Contents \"Old Folks at Home\" - 1857, words and music by E.P. Christy","Scope and Contents \"Children's Voices\" - 1869, words and music by Claribel \"Come Back to Erin\" - undated, by, Claribel \"Strangers Yet\" - undated, music by, Claribel","Scope and Contents \"Swanee River Moon\" - 1922, words and music by H. Pitman Clarke \"Swanee River Moon\" - 1921, words and music by H. Pitman Clarke","Scope and Contents \"Roamin' Around\" - 1925, words and music by Sonny Clay and Herbert Wiedoeft","Scope and Contents \"Clementi, Gradus ad Parnassum\" - undated, by Clementi \"Sonatinas for the Piano\" - undated, by Muzio Clementi and Friedrich Kuhlau","Scope and Contents \"The Dream is Past\" - undated, written by Edward Fitzaubyn, composed by, Stephen Clover","Scope and Contents \"My Reverie\" - 1938, by Larry Clinton","\"I'm Ridin' Straight to Heaven (On A One-Way Street)\" - 1931, words by Carroll Loveday, music by Wac Clifford","Scope and Contents \"There's Nothing Succeeds Like Success\" - undated, composed by Harry Clifton","Scope and Contents \"I'm Longing for Old Virginia and You\" - 1915, words by Joe Lyons, music by E. Clinton Keithley","Scope and Contents \"I'm Sorry I Made You Cry\" - 1918, by N.J. Clesi, arranged by Theodore Morse","Scope and Contents \"Our National Confederate Anthem, God Save the South\" - undated, composed by C.T. De Coeniel","Scope and Contents \"Composition for the Piano\" - undated, Louis Adolphe Coerne, composer.","Scope and Contents \"We Three\" - 1940, Dick Robertson, Nelson Cogane and Sammy Mysels, composers.","Scope and Contents \"My Little Grass Shack in Kealakekua\" - 1933, Bill Harrison and Johnny Noble, composers.","Scope and Contents \"Over There\" - undated, Nora Bayes and George M. Cohan, composers; \"You're a Grand Old Flag\" - 1906, George M. Cohan, composer and librettists; \"Father of the Land We Love\" - undated, George M. Cohan, composer; \"Popularity\" - 1906, George M. Cohan, composer.","Scope and Contents \"Living in Doubt\" - 1933, Chester Cohn, librettists and composer.","Scope and Contents \"Knights of the Cross Waltzes\" - 1900, Paul Cohn, composer.","Scope and Contents \"Benedictus\" - undated, Charles W. Coleman Jr., composer; \"From Man to Ms.\" - undated Charles W. Coleman Jr., composer; \"Gloria Patri\" - undated, Charles W. Coleman Jr., composer; \"Tete.A.Tete\" - undated, Charles W. Coleman Jr., composer.","Scope and Contents \"Night Shall Be Filled with Music\" - 1932, Will Collins, Buddy Fields and Gerald Marks, composers.","Scope and Contents \"Let's Pretend There's a Moon\" - 1934, Russ Columbo, Bernie Grossman, Nancy Hamilton and Jack Stern, composers.","Scope and Contents \"Compositions for Pianoforte\" - 1923, Zez Confrey, composer.","Scope and Contents \"Cryin for the Moon\" -1936, Larry Conley, Jack Stern, and Jules Roos, composers and librettists.","Scope and Contents \"A Needle in a Haystack\" - 1934, Herb Magidon, librettists, Con Conrad, composer; \"The Continental\" - 1934, Con Conrad, composer and Herbert Magidson, librettists; \"Don't Forget Me in Your Dreams\"- 1930, Edgar Leslie, librettists, and Con Conrad, composer; \"I'm Gonna Bring a Watermelon to My Girl Tonight\" - 1934, Billy Rose, librettists, Con Conrad, composer; \"Margie\" - 1920, Benny Davis, librettists and Con Conrad and J. Russel Robinson, composers; \"Singin the Blues\" - 1920, Sam M. Lewis and Joe Young, Con Conrad and J.R. Robinson, composers; \"Talkin to Myself\" -1924, Herb Magidson, librettists, Con Conrad, composer.","Scope and Contents \"North Carolina\" - undated, Charlie E., Converse, composer; \"Three Bells Polka\" - undated, T.J. Hook, composer; \"The Rock Beside the Sea\" - undated, Charlie C. Converse, composer.","Scope and Contents \"I've Got the Blue Ridge Blues\" - 1918, Charles A. Mason, librettists,Charles S. Cooke and Richard A. Whiting, composers.","Scope and Contents \"Credulity\" - undated, W.B. Kingston, librettists, George F. Cooke, composer.","Scope and Contents \"Love, My Heart Is Calling You\" - 1923, Joe Young and Sam M. Lewis, librettists, Joe Cooper, composer","Scope and Contents \"Always in My Heart (Forever on My Mind)\" - 1930, music by, J. Fred Coots, lyrics by, Roy Turk \"I Still Get a Thrill (Thinking of You)\" - 1930, music by, J. Fred Coots, words by, Benny Davis \"I Wonder Who's Under The Moon With You, To-Night\" - 1931, music by, J. Fred Coots, words by, Benny Davis","Scope and Contents \"Collegiate Sam\" - 1929, by Benny Davis and J. Fred Coots","Scope and Contents \"Your Country Needs You Now\" - 1917, music by Rennie Cormack and Geo. B. McConnell, lyrics by Al. Dubin","Scope and Contents \"In The Middle of a Kiss\" - 1935, words and music by Sam Coslow \"Hot Voo-Doo\" - 1932, words and music by Sam Coslow and Ralph Rainger \"You Little So-And-So\" - 1931, words and music by, Sam Coslow and Leo Robin \"You Took My Breath Away\" - 1935, words and music by Sam Coslow and Richard A Whiting \"Keep Your Fingers Crossed\" - 1935, words and music by, Sam Coslow and Richard A. Whiting \"You Didn't Know the Music (I Didn't Know the Words)\" - 1931, words and music by Sam Coslow","Scope and Contents \"Dream House\" - 1926, music by, Lynn Cowan, lyrics by, Earle Foxe","Scope and Contents \"Forgotten\" - 1894, by Eugene Cowles and Flora Wulschner","Scope and Contents \"The Ella Waltz\" - 1847, by Roswell Cowper","\"How Can I Leave Thee?\" - 1851, by C. Cramer","Scope and Contents \"Potpourris sur des motifs d'Operas favoris pour le Piano\" - undated, by Henri Cramer","Scope and Contents \"Old Virginia Moon\" - 1924, music by, Jesse Crawford, words by, Gus Kahn","\"We Parted by the River, Grace and I.\" - 1905, by Stanley Crawford","Scope and Contents \"After You've Gone\" - 1917, by Creamer and Layton \"If I Could Be With You (One Hour To-Night)\" - 1926, by Henry Creamer and Jimmy Johnson \"I Need Lovin'\" - 1926, by Henry Creamer and Jimmy Johnson","Scope and Contents \"The Pelican\" - undated, composed by W.J. Crerar","Scope and Contents \"Thou Art Gone From My Gaze\" - undated, composed by E. N. Crouch","Scope and Contents \"Melodies Populaires\" - undated, composed by Charles Czenry \"The Linden Waltz\" - undated, by Charles Czenry \"C. Czerny's Studies for Piano\" - undated, by C. Czerny \"Variations Elegantes\" - undated, by Ch. Czerny","Scope and Contents \"Amelia Waltz\" - undated, W.C.D, composer.","Scope and Contents \"Sultan's Polka\" - undated, Charles D'Albert, composer.","Scope and Contents \"Sweetheart Days\" - 1907, J. Anton Dailey, composer, L.W. Heiser, librettist.","Scope and Contents \"The Birth of a Nation\" - 1915, Joseph M. Daly, composer, Thos. S. Allen.","Scope and Contents \"Where the Shenandoah Flows\" - 1913, Chas. N. Daniels, composer, Earle C. Jones, librettist.","Scope and Contents \"Silver Threads Among the Gold\" - 1930, H.P. Danks, composer, original poem, Eben E. Rexford, writer, revised, Edith Stanford Tillotson, writer. \"Silver Threads Among The Gold\" - 1873, H.P. Danks, composer, Eben E. Rexford, librettist.","Scope and Contents \"Lonely I Wander\" - undated, English words by G. Danskin, librettist.","Scope and Contents \"Rock Me to Sleep With My Virginia Melody\" - 1923, Joe Darcey, Bud Green, and Ray Henderson, composers; \"Tell Them You're From Virginia\" - 1924, Clyde Hager and Tom Bashaw, composers, Jerry Sullivan, composer.","Scope and Contents \"If You Could Care\" - 1920, Herman Darewski, composer, Arthur Wimperis, librettist.","Scope and Contents \"In The Blue of Evening\" - 1942, D'Artega, composer, Tom Adair, librettist.","Scope and Contents \"Confessin' That I Love You\" - 1930, music by, Doc Daugherty and Ellis Reynolds, lyric by Al. J. Neiburg","Scope and Contents \"To-Night You Belong To Me\" - 1926, David Lee, composer, Billy Rose, librettist.","Scope and Contents \"The Singing Hills\" - 1940, Mack David, Dick Sanford, and Sammy Mysels, composers.","Scope and Contents \"Wistful and Blue\" - 1926, Julian Davidson, composer, Ruth Etting, librettist.","Scope and Contents \"Baby Face\" - 1926, Benny Davis and Harry Akst, composers, H.C. Redfield, arranger; \"Ev'ry Time My Heart Beats\" - 1932, Benny Davis and Gerald Marks, composers; \"Oh How I Miss You To-Night\" - 1924, Benny Davis, Mark Fisher, and Joe Burke, composers; \"Yearning Just For You\" - 1925, Benny Davis and Joe Burke, composer and librettists; \"What Price Love\" - 1931, Benny Davis and Harry Akst, composers and librettists.","Scope and Contents \"Ellen's Waltz\" - undated, composed by Rich[ar]d Davis.","Scope and Contents \"Melody\" - 1921, Charles G. Dawes, composer.","Scope and Contents \"In the Silence of the Dawn\" - 1940, Leon de Costa, composer, Samuel O. Johnson and Leon de Costa, librettist.","Scope and Contents \"Oh Promise Me\" - 1889, Reginald DeKoven, composer, Clement Scott, composer.","Scope and Contents \"Little Bunch of Roses\" - 1871, W.H. Delehanty, composer and librettist.","Scope and Contents \"Thank God for a Garden\" - 1915, Teresa Del Riego, composer and librettist.","Scope and Contents \"The Imprisoned\" - 1848, William R. Dempster, composer, Alfred Wheeler, arranger; \"When the Night Wind Bewaileth\" - 1845, William R. Dempster, composer, Epes Sargent Esq., writer; \"The Blind Boy\" - undated, W.R. Dempster, composer, Mis H.F. Gould, writer.","Scope and Contents \"Keep Me Awake Mother\" - 1863, Jos. Hart Denck, composer, Mrs. M.W. Stratton, librettist.","Scope and Contents \"The Mystery of the Night\" - 1920, Lucien Denni, composer, Gwynne Denni, writer; \"You're Just a Flower From an Old Bouquet\" - 1924, Lucien Denni, composer; Gwynne Denni, librettist. \"Keep Me Awake Mother\" - undated, J.K., composer.","Scope and Contents \"Perhaps\" - 1929, Paul Denniker, composer, Andy Razaf, librettist; \"S'posin'\" - 1929, Paul Denniker, composer, Andy Razaf, librettist.","Scope and Contents \"The Song of the Seabees\" - 1942, Peter De Rose, composer, Sam M. Lewis, librettist; \"Have You Ever Been Lonely (Have You Ever Been Blue)\" - 1933, music by Peter De rose, words by, George Brown. \"Are You Sure You Love Me\" - 1933, Peter De Rose, composer, George Brown, librettist; \"Muddy Water (A Mississippi Moan)\" - 1926, Peter De Rose and Marry Richman, composer, \"Jo\" Trent, librettist; \"When Your Hair Has Turned to Silver (I Will Love You the Same)\" - 1930, Peter De Rose, composer, Charlie Tobias, librettist.","Scope and Contents \"Here am I - Broken Hearted\" - 1927, by B.G. De Sylva, Lew Brown, and Ray Henderson \"Come to Me\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson \"If You Knew Susie Like I Know Susie\" - 1925, by B.G. De Sylva \"It All Depends on You\" - 1926, by B.G. De Sylva, Lew Brown, and Ray Henderson \"My Sin\" - 1929, by B.G. De Sylva, Lew Brown, and Ray Henderson \"I Am Only the Words You Are the Melody\" - 1930, by B.G. De Sylva, Lew Brown, and Ray Henderson, ukulele arrangement by, May Singhi Breen \"You're An Old Smoothie\" - 1932, by B.G. De Sylva, Richard A. Whiting, and Herb Brown Nacio \"You Try Somebody Else (We'll Be Back Together Again)\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson","Scope and Contents \"'N' Everything\" - 1918, lyric and music by Bud DeSylvia, Gus Kahn, and Al. Jolson","Scope and Contents \"When A Gypsy Makes His Violin Cry\" - 1935, music by, Emery Deutsch, words by, Dick Smith, Frank Wine-Gar, and Jimmy Rogan","Scope and Contents \"My Gypsy Rhapsody\" - 1933, music by, Emery Deutsch and Arthur Altman, lyric by, Jack Lawrence \"Play, Fiddle, Play\" - 1932, music by, Emery Deutsch and Arthur Altman, lyric by Jack Lawrence","Scope and Contents \"Pistol Packin' Mama\" - 1943, by Al Dexter","\"Sunshine Good-bye!\" - 1906, words and music by John H. Devlin","Scope and Contents \"Because\" - 1902, music by Guy D'Hardelot, words by Edward Teschemacher","Scope and Contents \"My Heart is Thine\" - 1905, music by E. di Capua, English words by Frank Sheridan, Italian words by G. Capurro","Scope and Contents \"Mrs. O' Leary\" - undated, written and composed by Mr. Dibdin","Scope and Contents \"A Shine on Your Shoes\" - 1932, words and music by Howard Dietz and Arthur Schwartz","Scope and Contents \"Di Lazzaro Melodien\" - 1939, music by E. Di Lazzaro, German lyric by Klaus S. Richter, Italian lyric by C. Bruno-Di Lazzaro","Scope and Contents \"Absence Makes the Heart Grow Fonder\" - 1900, music by Herbert Dillea, words by Arthur Gillespie","Scope and Contents \"Pink Elephants\" - 1932, by Mort Dixon and Harry Woods","Scope and Contents \"Ossian's Serenade\" - undated, by Ossian E. Dodge","Scope and Contents \"Ferris' Quick Step\" - 1824, composed by Allen Dodworth","Scope and Contents \"Adieu\" - undated, by Theodore Dohler \"Nocturne\" - undated, by Theodore Dohler","Scope and Contents \"I'm Dreaming While We're Dancing\" - 1935, music by Gerald Dolin and Ed J. Lambert, lyrics by Ed J. Lambert","Scope and Contents \"Hush!\" - undated, by Dolores \"The Brook\" - undated, music by Dolores, words by Tennyson","\"Where in the World (But in America)\" - 1948, words and music by Glenn Rowell, Fred Waring, and Jack Dolph","Scope and Contents \"Perfidia\" - 1939, music and Spanish lyrics by Alberto Dominguez, English lyrics by Milton Leeds","Scope and Contents \"Don't Cross You Fingers, Cross Your Heart\" - 1938, by Al Donahue, Larry Shay, and Johnny Marks","Scope and Contents \"It's Been So Long\" - 1935, music by Walter Donaldson, lyric by Harold Adamson \"My Mammy\" - 1920, music by Walter Donaldson, words by Sam Lewis and Joe Young \"Out of the Dawn\" - 1928, by Walter Donaldson \"You\" - 1936, melody by Walter Donaldson, lyric by Harold Adamson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Sleepy Head\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"What Can I Say, After I Say I'm Sorry? - 1926, by Walter Donaldson and Abe Lyman \"At Sundown (When Love is Calling me Home)\" - 1927, words and music by Walter Donaldson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Don't Do Anything I Wouldn't Do\" - 1933, by Walter Donaldson \"For My Sweetheart\" - 1926, melody by Walter Donaldson, lyric by Gus Kahn \"It Made You Happy When You Made Me Cry\" - 1926, words and music by Walter Donaldson \"I've Had My Moments\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"Just Like A Melody Out of the Sky\" - 1928, by Walter Donaldson \"Little Hunka Love\" - 1931, by Walter Donaldson \"Little White Lies\" - 1930, by Walter Donaldson \"Sam the Old Accordion Man\" - 1927, words and music by Walter Donaldson \"Someday You'll Say 'O.K!'\" - 1927, words and music by Walter Donaldson \"Swanee Butterfly\" - 1925, music by Walter Donaldson, lyric by Billy Rose, arranged by J.E. Andino \"That Certain Party\" - 1925, music by Walter Donaldson, words by Gus Kahn \" I've Grown So Lonesome, Thinking of You\" - 1926, words and music by Walter Donaldson and Paul Ash \"Yes Sir, That's My Baby\" - 1925, music by Walter Donaldson, words by Gus Kahn \"You're Driving Me Crazy (What Did I Do?)\" - 1930, by Walter Donaldson \"You're Telling Me\" - 1932, music by Walter Donaldson, Words by Gus Kahn","Scope and Contents \"Lucia di Lammermoor\" - undated, music by Donizetti \"Overture zur oper Belisar\" - undated, by C. Donizetti","Scope and Contents \"Il Trovatore\" - undated, by Edouard Dorn \"Ernani\" - undated, by Dorn \"Il Trovatore\" - 1883, composed by Edouard Dorn","Scope and Contents \"Just for the Sake of Days Gone By\" - undated, music by Lillian Doreen, words by Felix F. Feist","Scope and Contents \"Her Boy in Blue\" - 1904, words and music by Chas W. Doty","Scope and Contents \"There's No Depression In Love\" - 1931, music by Dan Dougherty, words by Jack Yellen","Scope and Contents \"The Little White House (At the End of Honeymoon Lane)\" - 1926, lyrics and music by Eddie Dowling and James F. Hanley \"Sleepy Valley\" - 1929, music by James F. Hanley, words by Andrew B. Sterling.","Scope and Contents \"Songs of Miss Annie Louise Cary\" - 1871, M.S. Downs, composer, Miss Anne Louis Cary, librettists.","Scope and Contents \"Mairzy Doats\" - 1943, Milton Drake, Al Hoffman, Jerry Livingston, composers and librettists.","Scope and Contents \"On the Banks of the Wabash Far Away\" - 1940, Paul Dresser, librettists and composer; \"My Gal Sal\" - 1905, Paul Dresser, composer.","Scope and Contents \"Cecilia\" - 1925, Herman Ruby, librettists, Dave Dreyer, composer; \"Songs For Sale\" - 1932, Joe Young, librettists, Dave Dreyer, composer; \"I Just Wanna Be Known as Susie's Feller\" - 1926, Lew Brown, librettists, Dave Dreyer","Scope and Contents \"Beatiful Star\" - 1906, Louis A. Drumheller, composer.","Scope and Contents \"Pagan Moon\" - 1931, Al Bryan, Al Dubin, Joe Burke, composers.","Scope and Contents \"Schirmer's Library\" - 1904, TH. Bubois, composer.","Scope and Contents \"I Am Only Human After All\" - 1930, Vernon Duke, composer; \"I Like the Likes of You\" - 1933, Vernon Duke, composer.","Scope and Contents \"A Laddie in France is Dreaming\" - 1918, William E. Dulmage, composer","Scope and Contents \"The Spirit of Aggieland\" - 1925, Richard J. Dunn, composer.","Scope and Contents \"La Rosita\" - 1923, Allan Stuart, librettists, Paul Dupont, composer.","Scope and Contents \"Duex Themes Varies\" - undated, J.B. Duvernoy, composer.","Scope and Contents \"Humoresque\" - 1912, Anton Dvorak, composer; \"Compositions and Arrangements for the Organ\" - 1925, Anton Dvorak, composer; \"Transcriptions for the Organ\" - 1936, Edwin Arthur Kraft, composer.","Scope and Contents \"Maryland, My Maryland\" - undated, C.E., composer.","Scope and Contents \"Lafayette, We Hear You Calling\" - 1918, Mary Earl, composer and librettists.","Scope and Contents \"How the Gates Came Ajar\" - undated, Eastburn, composer.","Scope and Contents \"Come to me Darling, I'm lonely without Thee\" - undated, E.A. Eaton, composer; \"Three Beautiful Fantasias\" -1865, E.A. Eaton, composer.","\"An Evening at Coney Isle (march-two step)\" - 1904, J.C. Eaton, composer.","Scope and Contents \"In My Merry Oldsmobile\" - 1905, Gus Edwards, composer, Vincent Bryan, librettists.","Scope and Contents \"Be Still, My Heart\" - 1934, Allan Flynn, Jack Egan, librettists and composers.","Scope and Contents \"What a Fool I've Been\" - 1930, Al Eldridge, librettists and composer.","Scope and Contents \"Pomp and Circumstance\" - 1902, Edward Elgar, composer.","Scope and Contents \"Solitude\" - 1934, Duke Ellington, music, Eddie De Lange and Irving Mills, librettists; \"The Creole Love Call\" - 1928, Duke Ellington, composer.","Scope and Contents \"There's a Long, Long Trail\" - 1930, Zo Elliot, composer.","Scope and Contents \"Carelessly\" - 1936, Charles and Nick Kenny, librettists, Norman Ellis, composer.","Scope and Contents \"I'm on a See-Saw\" - 1934, Desmond Carter, librettists, Vivian Ellis, composer.","Scope and Contents \"Hold my Hand\" - 1931, Maurice Elwin, Harry Graham, and Noel Gay, composers.","Scope and Contents \"Emmet's Lullaby\" - 1876, J.K. Emmet, composer and librettists.","Scope and Contents \"Little Eva; Uncle Tom's Guardian Angel\" - 1852, Manuel Emilio, composer.","Scope and Contents \"All Aboard\" - undated, J.C. Engelbrecht, composer; \"Wandering Sprite\" - 1859, J.C. Engelbrecht, composer.","Scope and Contents \"Melody of Love\" - 1903, H. Engelmann, composer.","Scope and Contents \"Come Forth Ye Heralds\" - 1880, Past Grand Rep. B.C. TRUE, librettists, T.B. ESTEP and R.S. Crandall, composers.","Scope and Contents \"No One to Love\" - 1861, WM. B. Harvey, composers.","Scope and Contents \"Women's Love Waltzes\" - undated, Philipp Fahrbach, composer.","Scope and Contents \"Who Blew Out the Flame\" - 1938, Mitchell Parish, librettists, Sammy Fain, composer; \"Ah! The Moon is Here\" - 1932, Irving Kahal, librettists, Sammy Fain, composer; \"Beauty Must Be Loved\" - 1934, Irving Kahal, librettists, Sammy Fain, composer; \"By a Waterfall\" - 1933, Irving Kahal, librettists, Sammy Fain, composer; \"Hummin to Myself\" - 1932, Herb Magidson and Monty Siegel, librettists, Sammy Fain, composer; \"Sittin on a Backyard Fence\" - 1933, Irving Kahal, librettists, Sammy Fain, composer.","Scope and Contents \"You'll Wish Me Back Some Day\" - 1901, Fairfield and Leslie, composers.","Scope and Contents \"Time Its Veil is Weaving\" - undated, E. Falk, composer.","Scope and Contents \"Dances and Marches by Carl Faust\" - undated, Carl Faust, composer.","Scope and Contents \"I Promise You\" - 1938, Ben Oakland, Samuel Lerner, Alice Faye, composers.","Scope and Contents \"Organ Music\" - 1912, Gottfried H. Federlein, composer.","Scope and Contents \"Monogram Waltz\" - 1877, Emma Henry Ferguson, composer.","Scope and Contents \"Beautiful Heaven\" - 1924, C. Fernandez, composer.","Scope and Contents \"Kashmiri Song\" - 1902, Amy Woodforde Finden, composer.","Scope and Contents \"German Song with English Words\" - 1689, A. Fesca, composer.","Scope and Contents \"A Favorite French Air- Harp\" - undated, Cardon Fils, composer.","Scope and Contents \"I'm Sorry Sally\" -1928, Gus Kahn, librettists, Ted Fiorito, composer.","Scope and Contents \"When Lights are Low\" - 1923, Gus Kahn, Ted Koehler, and Ted Fiorito, composers.","Scope and Contents \"Driftwood\" - 1950, Frank Fischbach, composer.","Scope and Contents \"I Want to Go to Tokio\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \"Billy-Billy Bounce Your Baby Doll\" - 1922, Fred Fischer and Al. Bryan, composers, Joe McCarthy, librettists; \"There's a Little Spark of Love Still Burning\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \" Blue is the Light\" - 1930, Fred Fischer, composer and librettists.","Scope and Contents \"Pego'my heart\" - 1913, Alfred Bryan, librettists, Fred Fisher, composer; \" Happy Days and Lonely Nights\" - 1928, Billy Rose, librettists, Fred Fisher, composer; \"That Stolen Melody\" - 1928, Fred Fisher, composer and librettists; \"The Red Lantern\" - 1919, Fred Fisher, composer.","Scope and Contents \"New Piano Duets\" - undated, J. Fletcher, composer.","Scope and Contents \"Perles de Salon\" - undated, H. Fliege, composer.","Scope and Contents \"Popular Gems\" - undated, Flotow, composer; \"Popular Selections\" - 1860, Flowtow, composer.","Scope and Contents \"Happy Fours\" - undated, C.H. Fontaine, composer.","Scope and Contents \"Serenade for a Wealthy Widow\" - 1934, Reginald Foresythe, composer.","Scope and Contents \"Music in my Heart\" - 1939, Bob Wright and Chet Forrest, composers and librettists.","Scope and Contents \"Love's First Kiss\" - 1914, Edward Lockton, librettists, Dorothy Forster, composer.","Scope and Contents \"Blue Waters Piano Solo\" - 1934, Clarke Fortner, composer.","Scope and Contents \"Sheet Music\" - 1853, Stephen C. Foster, composer; \"Massa's in the Cold Ground\" - 1853, Stephen C. Foster, composer; \"My Old Kentucky Home, Good Night\" - 1892, Stephen C. Foster, composer; \"Nelly Bly\" - undated, Stephen C. Foster, composer; \" Oh Boys, Carry Me Long Plantation Melody\" - 1851, Stephen C. Foster, composer; \"Songs by Best American Composers\" - undated, Stephen C. Foster, composer.","Scope and Contents \"Fire Fly Polka\" - undated, J.A. Fowler, composer.","Scope and Contents \"French Horn and Trumpet\" - undated, C.P. Francis, composer.","Scope and Contents \"Girl of Mine\" - 1919, Harold Freeman, composer.","Scope and Contents \"Meet Me Tonight in Dreamland\" - undated, Leo Friedman, composer; \"When I Dream of Old Erin\" - 1912, Marvin Lee, librettists, Leo Friedman, composer.","Scope and Contents \"After Tonight\" - 1932, Cliff Friend and Carment Lombardo, composers; \"Freckle Face, You're Beautiful\" - 1934, Cliff Friend and Carmen Lombardo, composers; \"Neath the Silv'ry Moon\" - 1932, Cliff Friend, composers and librettists.","Scope and Contents \"The Lights are Low\" - 1934, Cliff Friend and Carmen Lombardo, composers and librettists.","Scope and Contents \"Trade Winds\" - 1940, Cliff Friend and Charlie Tobias, composers.","Scope and Contents \"Woodland Echoes\" - 1918 Rudolf Friml, composer; \"Some Day\" - 1925, Rudolf Friml, composer, W.H. Post, librettists; \"Organ\" - 1917, Rudolf Friml, composer; \"High Jinks\" - 1913, Otto Hauerbach, librettists, Rudolf Friml, composer.","\"Bom-Bom-Bom-Bhe (The Melody Blues)\" - 1918, music by Bill Frisch, lyrics by Bobby Jones","Scope and Contents \"At Twilight\" - 1911, by J. Frank Frysinger \"Supplication\" - 1911, by J. Frank Frysinger \"Herbstnacht\" - 1914, by J. Frank Frysinger","Scope and Contents \"Has Another Won Your Heart\" - 1899, music by Seymour Furth, words by E. Nattes","Scope and Contents \"Coming, Coming Bye-And-Bye\" - 1866, music by Virginia Gabriel, words by J. H. Mc. Naughton \"The Forsaken\" - undated, music by Virginia Gabriel, words by H. Aide \"The Garden of Roses\" - undated, music by Virginia Gabriel, words by William Story \"Only\" - undated, by Virginia Gabriel","Scope and Contents \"The Children's Christmas Eve\" - 1898, music by Niels W. Gade \"Erlkonigs Tochter (Elverskud)\" - undated, composed by Niels W. Gade \"Nachklange von Ossian. Overture\" - undated, by Niels W. Gade \"Symphonir\" - undated, by Niels W. Gade \"Sinfonie\" - undated, by Niels W. Gade","Scope and Contents \"Love Hail'd A Little Maid\" - undated, music by Wilhelm Ganz, words by Wellington Guernsey","Scope and Contents \"Rezo, The Planting of the Vine\" - undated, music by Garcia, words by W.B.","Scope and Contents \"Fair Virginia Waltzes\" - 1895, by R.C. Garland","Scope and Contents \"The Little Ford Rambled Right Along\" - 1914, music by Byron Gay, words by C.R. Foster and Byron Gay \"The Vamp\" - 1919, by Byron Gay \"Fate, It Was Fate When I First Met You\" - 1923, by Byron Gay","Scope and Contents \"There's Something About A Soldier\" - 1933, by Noel Gay","Scope and Contents \"Loyalty\" - 1909, music by Adam Geibel, words by Anna M. Laise Phillips","Scope and Contents \"Calcutta\" - 1958, Heino Gaze","Scope and Contents \"Les Charmes De L'Opera\" - 1853, arranged by J.A. Getze","Scope and Contents \"Runnin' Wild\" - 1922, music by A. Harrington Gibbs, words by Joe Grey and Leo Wood","Scope and Contents \"Bonnie Sweet Bessie, The Maid O' Dundee\" - 1877, by J.L. Gilbert","Scope and Contents \"So Sweet\" - 1930, words and music by Haven Gillespie, Ben Kanter, and Nelson Shawn","Scope and Contents \"Plantation Lullaby\" - 1921, by Gladys Gillette, Albert Holmer, and Vernon Stevens","Scope and Contents \"The Squirrels' Frolic\" - 1890s, by Frank R. Gillis","Scope and Contents \"Fluffy Ruffles\" - 1928, by Jack Glogau and Joe Zimmerman","Scope and Contents \"The Dream is Past\" - undated, composed by Stephen Glover \"In The Starlight\" - undated, music by Stephen Glover, words by J.E. Carpenter","Scope and Contents \"Gavotte\" - undated, by C.W. Gluck","Scope and Contents \"Tramway Galop\" - undated, by L. Gobbaerts","Scope and Contents \"Venitienne\" - 1892, by Benjamin Godard, revised and fingered by Wm. Scharfenberg \"Florian's Song\" - 1884, music by Benjamin Godard, English version by Laura M. Underwood","Scope and Contents \"The Guards Waltz\" - undated, by D. Godfrey","Scope and Contents \"Wonder When My Baby's Coming Home\" - 1942, words and music by Kermit Goell and Arthur Kent","Scope and Contents \"Virginia Exposition March\" - 1888, by Richard Goerdeler \"Alone\" - 1901, by Richard Goerdeler","Scope and Contents \"Mazie\" - 1921, words and music by Sidney Caine, Eli Dawson, and Lew Gold","Scope and Contents \"Venetian Moon\" - 1919, music by Phil Goldberg and Frank Magine, lyrics by Gus Kahn","Scope and Contents \"All Thru the Night\" - 1933, words and music by Michael Gollatz","Scope and Contents \"Two Buck Tim From Timbuctoo\" - 1933, music by Al Goodhart and Al Hoffman, words by Edward Heyman","Scope and Contents \"Cherie, I Love You\" - 1926, words and music by Lillian Rosedale Goodman","Scope and Contents \"I'd Love To Call You My Sweetheart\" - 1926, by Joe Goodwin, Larry Shay, and Paul Ash","Scope and Contents \"A Star Fell Out of Heaven\" - 1936, words and music by Mack Gordon and Harry Revel \"College Rhythm\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Don't Let It Bother You\" - 1934, words and music by Mack Gordon and Harry Revel \"From the Top of Your Head To the Tip of Your Toes\" - 1935, lyric and music by Mack Gordon and Harry Revel \"I Wish I Were Aladdin\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Let's Give Three Cheers for Love\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Let's Knock Knees\" - 1931, lyric and music by Mack Gordon and Harry Revel \"Straight From The Shoulder Right From The Heart\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Take A Number From One To Ten\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Takes Two to Make a Bargain (What's The Answer-What's The Verdict-How's About It, Baby)\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Two For Tonight\" - 1935, lyric and music by Mack Gordon and Harry Revel","Scope and Contents \"Belisario\" - undated, by A. Goria \"Mazurka\" - undated, by A. Goria","Scope and Contents \"I've Got You On The Top of My List\" - 1934, music by Jay Gorney, words by Sidney Clare","\"Do You Really Think He Did?\" - 1855, by J.T. Gosden","Scope and Contents \"America, I Love You\" - 1915, music by Archie Gottler, words by Edgar Leslie \"I Hate To Lose You\" - 1918, music by Archie Gottler, words by Grant Clarke","Scope and Contents \"Miserere Du Trovatore\" - 1864, by L.M. Gottschalk","Scope and Contents \"Faust\" - 1859, composed by Charles Gounod \"Faust March\" - 1882, by Gounod, arranged by H. Richards \"Le Parlate D'Amore\" - undated, music by Ch. Gounod \"O Sing to God\" - undated, composed by Ch. Gounod","Scope and Contents \"I Arise From Dreams of Thee\" - undated, music by W.H.J. Graham, words by Percy B. Shelley","Scope and Contents \"That's My Weakness Now\" - 1928, words and music by Bud Green and Sam H. Stept","Scope and Contents \"Dawn of To-Morrow\" - 1927, music by Joe Green, words by Jeanne Gravelle","Scope and Contents \"Body and Soul\" - 1930, music by John W. Green, words by Edward Hayman, Robert Sour, and Frank Eyton \"I'm Yours\" - 1930, music by John W. Green, words by E.Y. Harburg \"Living In Dreams\" - 1932, words and music by John W. Green \"Out of Nowhere\" - 1931, music by John W. Green, lyrics by Edward Heyman \"Rain, Rain, Go Away\" - 1932, music by John W. Green, words by Edward Heyman and Mack David","\"C'est Vous (It's You)\" - 1927, by Abner Greenberg, Abner Silver, and Harry Richman","\"Sing Me To Sleep (Sing mir dein Lied)\" - 1902, music by Edwin Greene, words by Clifton Bingham","Scope and Contents \"I'm Makin' Hay In The Moonlight In My Baby's Arms\" - 1932, music by Jesse Greer, lyrics by Tot Seymour \"On The Beach With You\" - 1931, music by Jesse Greer, words by Tot Seymour","\"What A Difference A Day Made (Cuando Vuelva A Tu Lado)\" - 1934, music and Spanish lyrics by Maria Grever, English lyrics by Stanley Adams, arrangement by Paul Hill","Scope and Contents \"Anona\" - 1903, by Vivian Grey","Scope and Contents \"Elfentanz (Elfin-dance)\" - 1902, by Edvard Grieg \"An den Frühling (To Spring)\" - 1898, by Edvard Grieg, edited and fingered by Luis Oesterle \"In the Morning\" - 1890, by Edvard Grieg, arranged for organ by Francis L. York","Scope and Contents \"Ireland Is Heaven To Me\" - 1923, words and music by Gerald Griffin, Charles Harrison, and Fred Rose","Scope and Contents \"Palto Alto the 8th of May 1846\" - 1846, by Charles Grobe \"Court Ball Waltz\" - 1858, arranged by Charles Grobe \"Hohnstock's Polka\" - 1850, arranged by Charles Grobe \"Love is Life's Wealth Rondo\" - 1855, by Charles Grobe \"Orange Rondo\" - 1855, by Charles Grobe \"The Tolling Bell\" - 1859, by Charles Grobe \"United States Grand Waltz\" - 1845, by Charles Grobe","Scope and Contents \"Three Shades of Blue\" - 1927, by Ferde Grofé","Scope and Contents \"Just a Little Dance\" - 1926, by Bernie Grossman, Paul Ash, and Abe Olman","Scope and Contents \"We're Going Over\" - 1917, by Bernie Grossman, Andrew B. Sterling, and Arthur Lange","Scope and Contents \"Tampico Waltz\" - 1851, by J.A. G'Schwend","Scope and Contents \"The Pictue I Painted of You\" - 1924, words and music by Tom Guarini, Vic King, Fred Korf and Ted Johnson","Scope and Contents \"Il Primo Sorriso (The First Smile)\" - 1867, by P.D. Guglielmo, English words by Mrs. C.R. Corson \"The Lover And The Bird\" - 1873, by P.D. Guglielmo","Scope and Contents \"Gazellen Polka\" - undated, by Josef Gung'l","Scope and Contents \"Mariar\"- 1904, music by Mose Gumble, words by Harry Williams","Scope and Contents \"Der tapfere Soldat (The little Hero)\" - 1893, by Cornelius Gurlitt \"Merry Hour March\" - 1897, by Cornelius Gurlitt","Scope and Contents \"Tarantelle\" - undated, arranged by A. Gyrowez","Scope and Contents \"Gems of Vocal Melody\" - undated, Foley Hall, composer.","Scope and Contents \"Mellow Moon\" - 1922, Wendell W. Hall, composer; \"In Old Beidelberg, Waltz Song\" - 1933, Charles Kallen, librettists, Wendell Hall, composer; \"It Ain't Gonna Rain No Mo\" - 1923, Wendell Hall, composer.","Scope and Contents \"Iowa Corn Song\" - 1921, Ray W. Lockhard, George Hamilton, and Edward Riley, composers.","Scope and Contents \"Little Fairy Waltz\" - 1892, Steabbog, librettists, R.J. Hamilton, composer.","Scope and Contents \"Bye Bye Blues\" - 1925, Fred F. Hamm, Dave Bennett, composers.","Scope and Contents \"Because of You\" - 1940, Arthur Hammerstein, Dudley Wilkinson, composers.","Scope and Contents \"Darling Nelly Gray\" - 1856, B.R. Hanby, composer.","Scope and Contents \"I know that my Redeemer liveth Sacred Song\" - undated, W.D. Wallace, composer; \"Choice Organ Selections\" - undated; \"Overture to the Occasional Oratorio\" - 1948, Garth Edmundson, composer.","Scope and Contents \"Tanz-Album fur kleine Leute\" - undated, M. Hanisch, composer.","Scope and Contents \"At the End of the Road\" - 1924, Ballard Macdonald, librettists, James F. Hanley, composer; \"Indiana\" - 1917, Ballard Macdonald, librettists, James F. Hanley, composer; \"Ziegfeld's American Revue\"- 1926, Gene Buck and Irving Caesar, librettists, Rudolf Friml and James F. Hanley, composer; \" Oh I Miss Hannah\" - 1924, Thekla Hollingsworth, librettists, Jessie L. Deppen, composer; \"Sing Song Girl\" - 1930, Joseph McCarthy, librettists, James F. Hanley, composer; \"24 Hours a Day\" - 1935, Arthur Swanstrom, librettists, James F. Hanley, composer.","Scope and Contents \"At the End of the Sunset Trail\" 1924, Ralph Waldo Emerson, librettists, Ethwell Eddie Hanson, composer.","Scope and Contents \"Because Song\" - Edward Teschemacher, librettists, Guy D'Hardelot, composer.","Scope and Contents \"Tonight is Mine\" - 1934, Gus Kahn, librettists, Frank Harling, composer.","Scope and Contents \"Somewhere\" - 1906 Chase K. Harris, composer; \"I'm Wearing My Heart Away for You\" - undated, Charles K. Harris, composer; \"Voice of the Night\" - 1904, Charles K. Harris, composer; \"Songs of Yesterday\" - 1916, Charles K. Harris, composer.","Scope and Contents \"Meet Me at Twilight\" - Sydney Harris, composer.","Scope and Contents \"A Lovely Lady\" - 1934, Franklin Hauser, composer.","Scope and Contents \"Marche Triomphale\" - 1851, M. Hauser, composer.","Scope and Contents \"Snmphonien\" - undated, Joseph Hayden, composer.","Scope and Contents \"Lost and Cast Away\" - undated, William S. Hayes, composer.","Scope and Contents \"In the Sweet Long Ago\" - 1916, Bobby Heath and Arthur Lange, librettists, Alfred Solman, composer.","Scope and Contents \"The Snow Strom\" - undated, Seba Smith, poetry, L. Heath, composer.","Scope and Contents \"Die Forelle\" - undated, Stephen Heller, composer; \"Heller, Nuits Blanches\" - undated, Stephen Heller, composer.","Scope and Contents \"Deep Night\" - 1929, Rudy Vallee, undated, Charlie Henderson, composer.","Scope and Contents \"The Birth of the Blues\" - 1926, B.G. Sylva and Lew Brown, undated, Ray Henderson, composer; \"Bye Bye Blackbird\" - 1926, Mort Dixon, librettists, Ray Henderson, composer; \"The Old Gang of Mine\" - 1922, Billy Rose and MOrt Dixon, Ray Henderson, composer.","Scope and Contents \"Andante Et Etude Concertante\" - undated, by Adolphe Henselt \"Number 6. Si oiseau j'etais, A toi je volerai\" - undated, composed by Adolphe Henselt","Scope and Contents \"I'm Falling In Love With Someone\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Ah! Sweet Mystery of Life\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Gypsy Love Song\" - 1898, music by Victor Herbert, words by Harry B. Smith \"Kiss Me Again\" - 1915, music by Victor Herbert, lyrics by Henry Blossom \"Give your Heart In June-Time\" - 1925, music by Victor Herbert, words by Clifford Grey and Harold Atteridge \"I Might Be Your 'Once-In-A-While'\" - 1919, music by Victor Herbert, lyrics by Robert B. Smith","Scope and Contents \"Clareene\" - 1905, by Max L. Herman","Scope and Contents \"La Rosalia\" - 1864, composed by Don Pedro de Herrera, arranged by Theodore de La Hache","Scope and Contents \"Dream Daddy\" - 1923, by Louis Herscher and George Keefer","Scope and Contents \"Favourite March in William Tell\" - undated, varied by Herz \"La Belle Bohemienne\" - undated, by Henri Herz \"La Parisienne\" - undated, by Henri Herz","Scope and Contents \"For Sentimental Reasons\" - 1936, by Edward Heyman, Abner Silver, and Al Sherman","Scope and Contents \"Live, Laugh, and Love\" - 1931, music by Werner R. Heymann, words by Rowland Leigh","Scope and Contents \"Lights Out\" - 1935, by Billy Hill \"Put On An Old Pair of Shoes\" - 1935, by Mr. and Mrs. Billy Hill \"There's a Cabin in the Pines\" - 1933, words and music by Billy Hill","Scope and Contents \"All Ashore\" - 1938, by Billy Hill \"Lights Out (Close Your Eyes And Dream Of Me)\" - 1935, by Billy Hill \"There's A Cabin in the Pines\" - 1933, words and music by Billy Hill","Scope and Contents \"Leichte Lieder n. Tänze\" - undated, by Ferdenand Hiller","Scope and Contents \"My Devotion\" - 1942, words and music by Roc Hillman and Johnny Napton","Scope and Contents \"It Isn't Fair\" - 1933, music by Richard Himber, Frank Warshauer, and Sylvester Sprigato, words by Richard Himber","Scope and Contents \"I Love to Sing\" - undated, music by E.L. Hime, words by J.E. Carpenter","Scope and Contents \"Sing of the Captive Greek Girl\" - undated, music by J.W. Hobbs","Scope and Contents \"For You\" - 1925, music by George L. Hodge, words by Frank G. Woodruff \"If You Would Say 'I Love You'\" - 1926, music by George L. Hodge, words by Frank Woodruff, ukulele arrangement by Mary Florence","Scope and Contents \"Auf Wiedersehen, My Dear\" - 1932, by Al Hoffman, Ed Nelson, Al Goodhart, and Milton Ager, German text by Herr Fred Fisher \"Masquerading in the Name of Love\" - 1933, by Al Hoffman, Al Goodhart, and Geo. Waggner \"Who Walks in When I Walk Out\" - 1933, words and music by Al Hoffman, Al Goodhart, and Ralph Freed \"Why Don't You Practice What You Preach\" - 1934, words and music by Maurice Sigler, Al Goodhart, and Al Hoffman \"Fit as a Fiddle\" - 1932, music by Al Hoffman and Al Goodhart, lyric by Arthur Freed","Scope and Contents \"Barcarole\" - 1884, by Heinrich Hoffman, arranged by Rob. Thallon","Scope and Contents \"Pajama Polly\" - 1902, words and music by Max Hoffman","\"Good Night (I'll See You In The Morning)\" - 1926, by Carl Hohengarten, Wm. Roettger, and Paul Smith","Scope and Contents \"A Midsummer Fantasy\" - 1925, by Karl Holer","Scope and Contents \"It Will Have to Do Until the Real Thing Comes Along\" - 1936, words and music by Mann Holiner, Alberta Nichols, Sammy Cahn, Saul Chaplin, and L.E. Freeman","Scope and Contents \"The Gift Polka\" - 1855, by Albert Holland","Scope and Contents \"Strange Enchantment\" - 1939, music by Frederick Hollander, words by Frank Loesser","Scope and Contents \"Smoky Mokes\" - undated, by A. Holzmann","Scope and Contents \"A Little Coon's Prayer\" - 1921, music by Barbara Hope, words by De Burgh D'Arcy","Scope and Contents \"The Toast\" - 1931, by Francis Hopkinson","Scope and Contents \"Every Little Movement\" - 1910, music by Karl Hoschna, lyric by O.A. Hauerbach","Scope and Contents \"My Last Goodbye\" - 1939, words and music by Eddy Howard","Scope and Contents \"After You've Had Your Way\" - 1916, by Richard Howard","\"I Love Everything Beautiful (That's Why I'm in Love with You)\" - 1932, by Bert Howe and Ernie Brooks","Scope and Contents \"Winsome Grace\" - 1890, by T.H. Howe","Scope and Contents \"Poor Butterfly\" - 1916, music by Raymond Hubbell, words by John L. Golden","Scope and Contents \"Moonglow\" - 1934, by Will Hudson, Eddie De Lange and Irving Mills \"You're Not the Kind\" - 1936, by Will Hudson and Irving Mills","Scope and Contents \"Come, with Thy Lute, to the Fountain\" - undated, by T.P. Hullah","Scope and Contents \"The Bubbling Spring\" - 1902, by Johann E. Hummel, arranged by Ferd. Meyer.","Scope and Contents \"Hänsel and Gretel\" - 1894, by Egelbert Humperdinck","\"Holiday Waltz - 1878, J.A. Ide, composer.","Scope and Contents \"Because I'm Married Now\" - 1907, Herbert Ingraham, librettists and composer.","Scope and Contents \"In a Little Garden\" - 1926, Felice S. Ivla, composer, Earl Whittemore, librettists.","Scope and Contents \"Encompass'd in an Angel's Frame\" - undated, Jackson, composer, General Burguyne, librettists.","Scope and Contents \"On Miami Shore Waltz\" - 1919, Victor Jacobi, composer.","Scope and Contents \"I Love You Truly\" - 1906, Carrie Jacobs-Bond \u0026 Son, composer; \"A Little Bit O'Honey\" - 1917, Carrie Jacobs-Bond, composer.","Scope and Contents \"Bridal Song from Lohengrin\" - 1892, S. Jadassohn, composer.","Scope and Contents \"Collegiate\" - 1925, Moe Jaffe and Nat Bonx, composers and librettists'.","Scope and Contents \"Eva's Parting\" - 1852, F. James, composer.","Scope and Contents \"Fire Fly- Galop in the White Fawn\" - 1868, A. Jannotta, composer.","Scope and Contents \"Lawrence of Arabia\" - 1962, Maurice Jarrf, composer.","Scope and Contents \"The Barley Break\" - 1886, Iredell Jenkins, composer.","Scope and Contents \"Berceuse\" - undated, Fritz Schuberth, Leipzig and Hamburg, composers; \"Kochzritsmusik\" - undated, Adolphe Jensen, composer.","Scope and Contents \"Birds Complaint Song\" - 1856, Benjamin Jepson, composer;","Scope and Contents \"Impulsive Incident\" - 1932, Joan Jasmyn, composer, M.K. Jerome, composers; \"Just a Baby's Prayer at Twilight\" - 1913, Sam M. Lewis and Joe Young, librettists, M.K. Jerome, composer.","Scope and Contents \"Sweet and Low\" 1919. J. Stanley Royce, librettist, Charles L. Johnson, composer.","Scope and Contents \"Face to Face\" - 1897, Herbert Johnson, composer.","Scope and Contents \"Save the Last Waltz for Me\" - 1922, Howard Johnson and Jack Austin, composers and librettists.","Scope and Contents \"Don't Let Your Love Go Wrong\" - 1934, George Whiting and Nat Schwartz, librettists, J.C Johnson, composer; \"That's How Rhythm Was Born\" - 1933, George Whiting, and Nat Schwartz, librettists, J.C. Johnson, composer; \"Without a Shadow of a Doubt\" - 1936, George Whiting and Nat Schwartz, J.C. Johnson, composer.","Scope and Contents \"The Girlfriend\" - 1935, Gus Kahn, librettists, Arthur Johnston, composer; \"Just One More Chance\" - 1931, Sam Coslow, librettists, Arthur Johnston, composer; \"Learn to Croon\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer; \"Moonstruck\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer.","Scope and Contents \"Gavotte\" - 1881, Walter R. Johnston, composer.","Scope and Contents \"Me and My Shadow\" - 1927, Al Jolson, Billy Rose, and Dave Dreyer, composers; \"Sonny Boy\" - 1928, Al Jolson, composer.","Scope and Contents \"I'll See You in My Dreams\" - 1924, Gus Kahn, librettists, Isham Jones, composer; \"If You Were Only Mine\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"I Only Found You for Somebody Else\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"One Little Word Led to Another\" - 1932, Charles Newmn, librettists, Isham Jones, composer; \"Spain\" - 1934, Isham Jones and Gus Kahn, composer; \"What's the Use\" - 1930, Isham Jones and Charles Newman, composers.","Scope and Contents \"It's a Long Way to Tipperary\" - 1912, written and composed by, Jack Judge and Harry Williams","Scope and Contents \"Rough on Rats\" - 1882, music by Jules Juniper, words by W.A. Boston","Scope and Contents \"Guilty\" - 1931, words and music by Gus Kahn, Harry Akst, and Richard A. Whiting","Scope and Contents \"Beloved\" - 1928, by Gus Kahn and Joe Sanders","Scope and Contents \"Chatter\" - 1926, by Herman Kahn, arranged by John W. Lang","Scope and Contents \"I'm So Afraid of You\" - 1930, by Bert Kalmar and Harry Ruby \"Nevertheless (I'm in Love With You)\" - 1931, words and music by Bert Kalmar and Harry Ruby \"So Long! Oo-long (How Long You Gonna Be Gone)\" - 1920, by Bert Kalmar and Harry ruby","Scope and Contents \"You're All I Need\" - 1935, melody by Bronislaw Kaper and Walter Jurman, lyrics by Gus Kahn","Scope and Contents \"Variations sur Lestoco\" - undated, by H. Karr","Scope and Contents \"Im Stillen Grunde (In Peaceful Vale)\" - 1890, by Hugo Kaun \"Waltz\" - 1890, by Hugo Kaun","Scope and Contents \"This Is a Night Made for Love\" - 1930, words and music by Herbie Kay and Ros. Metzger, arranged by Bert Peters","Scope and Contents \"Has Your Mother Any More Like You\" - 1902, by Robert a Keiser","\"Alice of Old Vincennes (I Love You)\" - 1914, by Keithley and Thompson","Scope and Contents \"When the Moon Shines Down in Old Alaska Then I'll Ask Her to be Mine\" - 1916, music by E. Clinton Keithley, lyric by Jack Frost \"Your Voice Came Back to Me\" - 1917, music by E. Clinton Keithley, words by Harold G. Frost \"Garland of Old Fashioned Roses\" - 1911, music by E. Clinton Keithley, words by C.H. Musgrove","Scope and Contents \"Ah! Little Blind Boy!\" - undated, composed by M. Kelly \"Happy the Day\" - undated, composed by M. Kelly \"Last Week I Took A Wife\" - undated, composed by M. Kelly","Scope and Contents \"Just at Twilight\" - 1926, words and music by Mae Younger Kelly","Scope and Contents \"Seventh Ward School March\" - 1884, by Mary C. Kelly","Scope and Contents \"Feather Your Nest\" - 1920, by James Kanis and Brockman and Howard Johnson \"Let It Rain\" - 1924, words and music by James Kendis and Hall Dyson \"Sympathy (Don't Worry Bill)\" - 1905, words and music by James Kendis and Paley","\"The Chestnut Tree ('neath The Spreading Chestnut Tree)\" - 1938, by Jimmy Kennedy, Tommie Connor, and Hamilton Kennedy.","Scope and Contents \"Who?\" -1925, music by Jerome Kern, words by Otto Harbach and Oscar Hammerstein II \"She Didn't Say Yes\" - 1931, music by Jerome Kern, words by Otto Harbach \"Ol' Man River\" - 1927, music by Jerome Kern, words by Oscar Hammerstein II","Scope and Contents \"Whisperings of Love\" - undated, composed by C. Kinkel \"Mountain Belle Schottische\" - undated, by C. Kinkel","Scope and Contents \"Rondeaux\" - undated, by Ferd. Kessler","Scope and Contents \"In a Chinese Temple-Garden\" - 1923, by Albert W. Ketèlby \"In a Persian Market\" - 1929, Albert W. Ketèlby","Scope and Contents \"Gipsies\" - undated, by Ella Ketterer","Scope and Contents \"Il Bacio\" - undated, by Eugène Ketterer \"La Marseillaise\" - undated, by Eugène Ketterer","Scope and Contents \"Sonate\" - undated, by Friedrich Kiel","Scope and Contents \"Berceuse\" - 1904, by Ralph Kinder \"Berceuse No. 2\" - 1911, by Ralph Kinder \"Festival March\" - 1904, by Ralph Kinder \"Meditation\" - 1910, by Ralph Kinder","Scope and Contents \"Show Me The Way To Go Home\" - 1925, Irving King","Scope and Contents \"I Love You In The Same Sweet Way\" - 1931, music by Robert A. King, words by Billy Moll \"Tell Me You Love Me\" - 1926, music by Robert King, words by Leslie Hare","Scope and Contents \"The Waltz You Saved for Me\" - 1930, music by Wayne King and Emil Flindt, lyric by Gus Kahn","Scope and Contents \"The Star Spangled Banner\" - 1835, W.A. King","Scope and Contents \"Fantaisie from Oberon\" - 1866, by Charles Kinkel \"The Banjo\" - 1866, by Charles Kinkel","Scope and Contents \"A Bohemian Walzer\" - undated, by Kirmair","Scope and Contents \"The Coral Schottisch\" - 1852, by Henry Kleber","Scope and Contents \"Andante Soave\" - 1886, by Bruno Oscar Klein","\"I Had to Lose You (To Learn You Were Meant For Me)\" - 1930, by Saul Klein, Jack Le Soir, and Ray Doll","Scope and Contents \"Just Friends\" - 1931, music by John Klenner, lyric by Sam M. Lewis","Scope and Contents \"I'm Still Caring\" - 1929, words and music by John Klenner and Rudy Vallee, arranged by A.J. Franchini","Scope and Contents \"My Virginia Rose\" - 1923, music by F. Henri Klickmann, lyric by E. Clinton Keithley","\"Sweet Hawaiian Moonlight (Tell Her of My Love)\" - 1918, music by F. Henri Klickmann, lyric by Harold G. Frost","Scope and Contents \"Scotch Hir with an Introduction\" - undated, composed by P. Knapton","Scope and Contents \"Ben Bolt or Oh! Don't You Remember\" - 1848, music by Nelson Kneass","Scope and Contents \"Rocked in the Cradle of the Deep\" - 1853, music by J.P. Knight, words by Mrs. Willard, of Troy","Scope and Contents \"In Your Eyes - In You Arms - In Your Heart\" - 1926, by Ted Koehler and Jay Mills \"Stormy Weather (Keeps Rainin' all the Time)\" - 1933, music by Harold Arlen, words by Ted Koehler","\"Mia Bella Rosa (My Beautiful Rose)\" - 1928, by Ted Koehler and Frank Magine","Scope and Contents \"Dreamy Melody\" - 1922, words and music by Ted Koehler, Frank Magine, and C. Naset","Scope and Contents \"Moonlight Down in Lovers' Lane\" - 1933, music by Max Kortlander, words by George Pitman and Bartley Costello \"Tell Me\" - 1919, music by Max D. Kortlander, lyric by J. Will Callahan","Scope and Contents \"The Battle of Prague\" - undated, F. Kotzwara, composer.","Scope and Contents \"Arois Sonates\" - undated, L. Kozeluch, composer.","Scope and Contents \"High on a Windy Hill\" - 1940, Joan Whitney and Alex Kramer, composers.","Scope and Contents \"That's My Desire\" - 1931, Carroll Loveday, librettist, Helmy Kresa, composer.","Scope and Contents \"Go Joe Go\" - 1927, Steve Kretzmer, Phil Napoleon and Frank Signorelli, composers.","Scope and Contents \"Union March\" - undated, Hans Krummacher, composer.","Scope and Contents \"Good Night, Farewell\" - undated, Freidrich Kucken, composer; \"Deux Duos\" - undated, Freidrich Kucken, composer; \"Grosse Sonate\" - undated, Freidrich Kucken, composer; \"Zwei Duetten\" - undated, Freidrich Kucken, composer.","Scope and Contents \"Marrhr Bohemirnor\" - undated, Wilhelm Kuhe, composer.","Scope and Contents \"Six Sonatines\" - undated, F. Kuhlau, composer.","Scope and Contents \"Dearie\" - 1905, Clare Kummer, composer; \"A Wonderful Thing\" - 1914, Clare Kummer, composer.","Scope and Contents \"Alpine Storm\" - 1888, Charles Kunkel, composer.","Scope and Contents \"Miss Caroline Richings\" - 1860, George Kunkel, composer.","Scope and Contents \"Memories\" - 1901, Albert Kussner, composer.","Scope and Contents \"Beauties of the Waltz\" - undated, Joseph Labitzky, composer.","Scope and Contents \"Everything I Have Is Yours\" - 1933, Harold Adamson, librettists, Burton Lane, composer.","Scope and Contents \"Crescendo\" - 1896, Per Lasson, composer.","Scope and Contents \"The Conquered Banner\" - 1866, Theodore von Lahache, composer.","Scope and Contents \"First Kiss Waltz\" - undated, Lamothe, composer.","Scope and Contents \"Why Don't You Name the Day\" - undated, W.J. Landram, composer.","Scope and Contents \"Little Did I Dream\" - 1934, Harold Adamson, librettist, Burton Lane, composer.","Scope and Contents \"America, here's my Boy\" - 1917, Andrew B. Sterling, librettist, Arthur Lange, composer.","Scope and Contents \"Annie Laurie\" - 1917, G. Lange, composer.","Scope and Contents 'Flower Song\" - 1884, Gustav Lange, composer; \"Sonatine V\" - 1884, Gustav Lange, composer.","Scope and Contents \"Happy Return\" - 1874, Pierre Latour, composer.","Scope and Contents \"Accent on Youth\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer; \"And Then Some\" - 1935,Tot Seymour, librettist, Vee Lawnhurst, composer; \"When the Leaves Bid the Trees Goodbye\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer.","Scope and Contents \"So Red the Rose\" - 1935, Jack Lawrence, librettist, Arthur Alman, composer.","Scope and Contents \"My Son, My Only Son\" - undated, composed by Geo. Le Brunn, written by E.W. Rogers","Scope and Contents \"Malagueña\" - 1928, by Ernesto Lecuona \"Dust on the Moon\" - 1934, music by Ernesto Lecuona, arrangement by Paul Hill, English lyric by Stanley Adams, Spanish lyric by Ernesto Lecuona","Scope and Contents \"Out of the Dusk to You\" - 1922, , music by Dorothy Lee, words by Arthur J. Lamb \"One Fleeting Hour\" - undated, by Dorothy Lee, poem by Karl Fuhrmann \"My Dreams\" - 1916, music by Dorothy Lee, words by Fred G. Bowles","Scope and Contents \"How Do I Know It's Real\" - 1941, words and music by Dan Shapiro, Jerry Seelen, and Lester Lee","Scope and Contents \"Napolitaine, I Am Dreaming of Thee\" - undated, composed by Alexander Lef","Scope and Contents \"Les Cloches Du Monastere (The Monastery Bells)\" - undated, by Lefébure-Wély","Scope and Contents \"Merry Widow Waltz\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart \"Vilia\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart","Scope and Contents \"Pastorale\" - 1892, composed by Edwin H. Lemare \"Berceuse\" - 1901, composed by Edwin H. Lemare","Scope and Contents \"When It's Sleepy Time Down South\" - 1931, words and music by Leon, Otis René, and Clarence Muse","Scope and Contents \"Bachelor's Polka Four Hands\" - 1849, by Professor C. Lenschow","Scope and Contents \"Danse À La Russe\" - undated, composed by Th. Leschetizky \"Two Larks\" - undated, composed by Th. Leschetizky","Scope and Contents \"It Looks Like Rain in Cherry Blossom Lane\" - 1937, by Edgar Leslie and Joe Burke","Scope and Contents \"Somewhere in Old Wyoming\" - 1930, by S. Lesser and Will Havlin","Scope and Contents \"Don't Mention Love to Me\" - 1935, music by Oscar Levant, lyrics by Dorothy Fields \"Keep Sweeping the Cobwebs off the Moon\" - 1927, music by Oscar Levant, lyrics by Lewis and Young \"Out of Sight, Out of Mind\" - 1935, music by Oscar Levant, words by Dorothy Fields","Scope and Contents \"It's Sunday Down in Caroline\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"(When It's) Darkness on the Delta\" - 1932, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"It's the Talk of the Town\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"Under a Blanket of Blue\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg","Scope and Contents \"All-American Girl\" - 1932, by Al Lewis","Scope and Contents \"If That's The Way You Want It, Baby\" - 1943, by Charles Tobais, Al Lewis, and Harry Tobais","Scope and Contents \"One Night in Monte Carlo\" - 1935, words and music by Abner Silver, Al Sherman, and Al Lewis","Scope and Contents \"Quit Cryin' The Blues\" - 1931, by Felix Lewis, arranged by Helmy Kresa","Scope and Contents \"Mocking Bird\" - 1903, by Fred Lewis","Scope and Contents \"My Rose\" - 1922, written and composed by Harry Lewis","Scope and Contents \"Too Late\" - 1931, by Sam Lewis and Victor Young","Scope and Contents \"Cinquième Nocturne\" - undated, by J. Leybach","Scope and Contents \"Heart's Wishes\" - undated, H. Lichner, composer; \"Froher Sinn\" - undated, H. Lichner, composer.","Scope and Contents \"Bright Flowers\" - undated, Heinrich, Lichner, composer.","Scope and Contents \"Tired\" - undated, M. Lindsay, composer.","Scope and Contents \"Kiss the Little Ones for Me\" - 1867, E. Linwood, composer.","Scope and Contents \"Compositions for the Organ\" - 1916, F. Liszt, composer; \"Lisztonia\" - 1928, Calvin Grooms, composer; \" Phapsodie Hongroise\" - undated, F. Liszt, composer.","Scope and Contents \"Rhapsodie Hongroise\" - 1903, Franz Liszt, composer; \"Liebestraum\" - 1935, Franz Liszt, composer; \"Consolations\" - undated, Franz Liszt, composer.","Scope and Contents \"Too Tired\" - 1924, George A. Little, composer.","Scope and Contents \"Jimminy Gee\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer; \"Jealous\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer.","Scope and Contents \"I Wouldn't Trade the Silver in My Mother's Hair\" - 1932, Jack Little and J. Fred Coots, composers.","Scope and Contents \"I'm Learning Now\" - 1927, Little Jack Little and Te Meyn, composers; \"I'm Needin You\" - 19030, Joe Young, librettist, Little Jack Little, composer; \"Let's Make Up\" - 1933, Little Jack Little, Dave Oppenheim, Iba Schuster, composers; \"My Own\" - 1933, Little Jack Little, Dave Oppenheim, Ira Schuster, composers.","Scope and Contents \"Belle of the South\" - undated, Carl Lobe, composer.","Scope and Contents \"Sweetie Pie\" - 1934, John Jacob Loeb, composer.","Scope and Contents \" In Questo Sinplice\" - undated, G.M. Loening, composer.","Scope and Contents \"Blue Rose Waltz\" - undated, Frederick L. Logan, composer.","Scope and Contents \"Little Grey Home in the West\" - 1911, D. Eardley- Wilmot, librettist, Lohr Hermann, composer.","Scope and Contents \"As Long as Love Lives On\" - 1932, Joe Young, librettist, Carmen Lombardo, composer; \"Sweethearts on Parade\" - 1928, Charles Newman, librettist, Carmen Lombardo, composer.","Scope and Contents \"Dawn Waltz\" - undated, H. Louel, composer.","Scope and Contents \"Will You Love Me Then as Now\" - undated, Lover, composer.","Scope and Contents \"Collection Litolff. No. 1189. Josef Löw\" - undated, composed by Josef Löw","\"The Secluded (Die Abgeschiedenen)\" - 1872, composed by Dr. Carl Löwe, transcribed by Ernst Perabo","Scope and Contents \"At Rest\" - 1915, by Katherine E. Lucke","Scope and Contents \"The Tale of the Kangaroo\" -1900, by Gustav Luders, arranged by Karl Hoschna","Scope and Contents \"In Memoriam\" - 1872, by A. Lutz","\"The One Rose (That's Left In My Heart)\" - 1936, by Del Lyon and Lani McIntire","Scope and Contents \"March of the Archers (Le Pas Des Archers)\" - undated, by Ch[arles] B. Lysberg","Scope and Contents \"Your Lips Are No Man's Land But Mine\" - 1918, music by Cha[rle]s R. McCarron and Carey Morgan, Arthur Guy Empey, librettists.","Scope and Contents \"Honky Tonky\" - 1916, Chas McCarron and Chris Smith, composers.","Scope and Contents \"What Do You Want to Make Those Eyes at Me For\" - 1916, Joe McCarthy, Howard Johnson, and Jimmy V. Monaco, composers and librettists'.","Scope and Contents \"Lazy Silv'ry Moon\" - 1931, George B. McConnell, Billy Hays, and Morty Berk, composers and librettists'.","Scope and Contents \"If I had a Girl Like You\" - 1930, Louis W. McDermott, librettist and composer.","Scope and Contents \"Give Me Music\" - 1940, by Don McGray, Robert Sour, and Malcolm Reid","Scope and Contents \"Blue Again\" - 1930, Jimmy McHugh, composer lyric by Dorothy Fields; \"Dinner at Eight\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Don't Blame Me\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Ev'rything Is Hotsy Totsy Now\" - 1925, Jimmy McHugh, composer, Irving Mills, librettist; \"Go Home and Tell Your Mother\" - 1930, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Good-Bye Blues\" - 1932, Jimmy McHugh, Dorothy Fields, and Arnold Johnson, composers and librettists'; \"I Feel A Song Comin' On\" - 1935, Jimmy McHugh, Dorothy Fields, and George Oppenheim, composers; \"I'm Doin' That Thing (Falling In Love)\" - 1930, Jimmy McHugh, comp lyric by Dorothy Fields \"I'm in the Mood for Love\" - 1935, lyric and melody by Jimmy McHugh and Dorothy Fields \"One More Waltz\" - 1930, music by Jimmy McHugh, lyrics by Dorothy Fields \"Speaking Confidentially\" - 1935, Jimmy McHugh and Dorothy Fields, composers and librettists; \"You're An Angel\" - 1935, Jimmy McHugh and Dorothy Fields, composers.","Scope and Contents \"Combination Waltzes\" - undated, composed by A.T. Macdonald;","Scope and Contents \"Czardas\" - 1896, Edward A. MacDowell, composer; \"12 Etudes for the Development of Technic and Style\" - 1890, Edward A. MacDowell, composer; \"Fireside Tales\" - 1902, Edward A. MacDowell, composer; \"Compositions by Edward MacDowell\" - 1898, Edward McDowell, composer;","Scope and Contents \"Les Orientales\" - 1889, by Edward MacDowell; \"12 Modern Compositions for the Pianoforte\" - 1895, selected, revised, and edited by Edward MacDowell; \"New England Idyls\" - 1902, composed by Edward MacDowell","Scope and Contents \"Sea Pieces\" - 1898, by Edward MacDowell \"Six Poems After Heine\" - 1901, composed by Edward MacDowell \"Woodland Sketches\"- 1898, by Edward MacDowell","Scope and Contents \"No. 2 in F min\" - 1898, by Edward MacDowell \"Hexentanz (Witches Dance)\" - undated, by Edward MacDowell","Scope and Contents \"The Sleigh Drive Polka\" - 1849, by Mrs. John MacFarren","Scope and Contents \"Bonnie's Galop\" - 1873, by E. Mack \"Her Bright Smile\" - 1880, arranged by E. Mack \"The Jockey Hat Schottische\" - 1874, by E. Mack \"Spanish Dance\" - 1869, by E. Mack","\"Très Moutarde (Too much Mustard)\" - 1911, Cecil Macklin, composer.","Scope and Contents \"Adoration Waltz\" - 1924, music by Frank Magine, lyric by A.F. Otis and C. Romano","Scope and Contents \"The Happy Couple Schottisch\" - 1860, James E. Magruder; \"When Shall We Meet Again\" - 1855, James E. Magruder, composer; \"The Greenwood Schottisch\" - 1855, James E. Magruder, composer. 23.75/50  10/10  221/300","Scope and Contents \"Rose Colored Glasses\" - 1926, Tommy Malie and Jimmy Steiger, composer.","Scope and Contents \"If I Had a Million Dollars\" - 1934,Johnny Mercer, librettist, Matt Malneck, composer; \"I'll Never Be the Same\" - 1932, Gus Kahn, librettist, Matt Malneck and Frank Signorelli, composers; \"I'm Thru with Love\" - 1931, Gus Kahn, librettist, Matt Malneck and Fud Livingston, composer; \"Pardon My Southernn Accent\" - 1934, Johnny Mercer, librettist, Matt Malneck, composer; \"What Did I Get in Return\" - 1932, Joe Young, librettist, Matt Malneck, composer.","\"I'm Good for Nothing but Love: - 1931, Pat Ballard, librettist, Bernard Maltin, composer.","Scope and Contents \"Always Remember Your Mother\" - 1904, Cecil Mann, librettist and composer.","Scope and Contents \"Volga Boatman Song\" - 1935, Nick Manoloff, composer; \"The Man on the Flying Trapeze\" - 1935, Nick Manoloff, composer.","Scope and Contents \"Vert Vert\" - undated, G. Marcailhou - composer.","Scope and Contents \"Down the Trail of Our Old Sweetheart Days\" - undated, Kerty Renner and Joe Marcheck, composers.","Scope and Contents \"In Dreams with You\" - 1914, Andrew B. Sterling, librettist, Alfred Margis, composer.","Scope and Contents \"I Can't Write the Words\" - 1931, Gerald Marks and Buddy Fields, librettists and composers.","Scope and Contents \"Hawaiian Dreams\" - 1916, Herbert B. Marple, composer.","Scope and Contents \"Ole Virginny\" - 1919, Ben Black, librettist, Herbert Marple and Earl Burtnett, composers.","Scope and Contents \"And Still I Care\" - 1932, Edward Heyman, libberrisist, Jack Mason, composer.","Scope and Contents \"Smith's March\" - 1848, J.T. March - composer.","Scope and Contents \"Twickenham Ferry\" - undated, Theodore Marzials, composer.","Scope and Contents \"Come Over the Moonlight Sea\" - undated, Massaniello, composer.","Scope and Contents \"Piano Compositions by French Composers\" - 1987, Jules Massenet, composer.","Scope and Contents \"The Prisoner's Song\" -1924, Guy Massey, composer.","Scope and Contents \"It is Not True\" - 1882, Tito Mattei, composer.","Scope and Contents \"Longing\" - undated, Charles Mayor, composer.","Scope and Contents \"Pianolettes\" - 1925, Eskimo Shivers, composer.","Scope and Contents \"Its a Sin to Tell a Lie\" - 1936, Billy Mayhew, composer.","Scope and Contents \"Happy Dreams\" - 1885, J.C. Meares, composer.","Scope and Contents \"Souvenir De Castle Hill\" - 1849, F.M. Meerbach, composer.","Scope and Contents \"The Bird At Sea\" - undated, C. Meineke, composer.","Scope and Contents \"I'm Yours\" - 1952, Robert Mellin, librettist and composer.","Scope and Contents \"Ro-Ro-Rollin' Along\" - 1930, Billy Moll, Harry Richman, librettists, Murray Mencher, composer.","Scope and Contents \"Popular Classics for Pianoforte\" - undated, Felix Mendelssohn, composer; \"Antigone\" - undated, Felix Mendelssohn, composer.","Scope and Contents \"Spirit Song\" - Felix Mendelssohn, composer; \"Lieder ohne Worte\" - undated, Felix Mendelssohn, composer; \"On Wings of Song\" - 1908, Felix Mendelssohn, composer; \" Sommernachtstraum\" - undated, Felix Mendelssohn, composer; \"Venetianisches Gondellied\" - undated, Felix, Mendelssohn, composer.","Scope and Contents \"If You Were Mine\" - 1935, Johnny Mercer, composer; \"Lazybones\" - 1933, Johnny Mercer, composer; \"Santa Claus Came in the Spring\" - 1935, Johnny Mercer, composer.","Scope and Contents \"Lost\" - 1936, Phil Ohman, Johnny Mercer, and Macy O. Teetor, composers.","Scope and Contents \"Butterfly\" - undated, G. Merkel, composer.","Scope and Contents \"Leonore Polka\" - undated, Carl Merz, composer.","Scope and Contents \"Through Flowery Fields\" - undated, Frederick Messick, composer.","Scope and Contents \"Te Deum\" - 1876, I.N. Metcalf, composer","Scope and Contents \"A Hot Time in the Old Town\" - 1896, Theo A. Metz, composer, Joe Hayden, librettist","Scope and Contents \"What'll You Do? (When Someone Get's the Kiss Belonging to You)\" - 1915, George W. Meyer, composer, Sam M. Lewis and Ed Rose, librettists \"Tuck Me to Sleep in My Old ' Tucky Home\" - 1921, George W. Meyer, composer, Sam m. Lewis and Joe Young, librettists \"The High Cost of Loving\" - 1914, George W. Meyer, composer, Alfred Bryan, librettist \"Brown Eyes- Why Are You Blue?\" - 1925, George Meyer, composer, Alfred Bryan, librettist \"It's an Old Spanish Custom in the Moonlight\" - 1930, George W. Meyer, composer, Edgar Leslie, librettist","Scope and Contents \"Falling In Love With You\" - 1926, Joseph Meyer, composer, Benny Davis, librettist \"Isn't It Heavenly\" - 1933, Joseph Meyer, composer, E.Y. Harburg, librettist \"It's An Old Southern Custom\" - 1935, Joseph Meyer, composer, Jack Yellen, librettist \"Just A Little Closer\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist \"Singing a Song to the Stars\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist","Scope and Contents \"Cavatina From Robert Le Diable\" - undated, Meyerbeer, composer \"Il Profeta (The Prophet)\" - undated, Meyerbeer, composer","\"Wonnetraum (Blissful Dream)\" - 1891, Erik Meyer-Helmund","Scope and Contents \"My Love! My Own!\" - 1869, H. Millard, composer, George Cooper, librettist \"O Salutaris\" - 1866, H. Millard, composer \"Under the Daisies\" - 1865, H. Millard, composer \"Waiting! (Aspettando)\" - 1871, H. Millard, composer, Ellen H. Flagg (English) and R. Prati (Italian), librettists","Scope and Contents \"Alabama Camp Meeting\" - undated, F. Albert Miller, composer","Scope and Contents \"Sunday\" - 1936, Ned Miller, Chester Cohn, Jules Stein, and Bennie Krueger, composers and librettists","Scope and Contents \"When Dewey Comes Sailing Home\" - 1899, Kerry Mills, composer, John Lagdon Heaton, librettist","Scope and Contents \"Lying In The Hay\" - 1932, Mireille, composer, Jean Franc Nohan (original) and Henry Roberts (English), librettists","Scope and Contents \"Slumber Song\" - Harriet Grace Mitchell, composer and librettist","Scope and Contents \"Maybe It's Love\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists \"To Whom it May Concern\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists","Scope and Contents \"Retour du Printemps\" - undated, Moelling, composer","\"Loves Old Sweet Song (Just a Song At Twilight)\" - 1924, J.L. Molloy, composer, G. Clifton Bingham, librettist","Scope and Contents \"Through! ( How Can You Say We're Through?)\" - 1929, Jimmie Monaco, composer, Joe McCarthy, librettist \"Ev'ry Night About This Time\" - 1942, James V. Monaco, composer, Ted Koehler, librettist \"If I Had Some One Like You At Home (I Wouldn't Want to Go Out)\" - 1914, James V. Monaco, composer, Joe McCarthy, librettist \"You Made Me Love You (I Didn't Want to Do It)\" - 1913, James V. Monaco, composer, Joe McCarthy, librettist \"The Honolulu Blues\" - 1916, Jimmie V. Monaco, composer,Grant Clarke, librettist \"I'll Sit Right on the Moon (And Keep My Eyes On You)\" - 1912, Jimmie V. Monaco, composer and librettist \"It Might have Been A Diff'rent Story\" - 1933, James V. Monaco, composer, Ray Klages and Jack Meskill, librettists \"Lonesome Lover\" - 1930, Jimmie Monaco, composer, Al Bryan , librettist \"Me and the Bay Friend\" - 1924, Jimmie Monaco, composer, Sidney Clare, librettist","Scope and Contents \"Fal Lal La\" - undated, P.K. Moran, composer \"Moran's Favorite Variations to the Subian Hir\" - undated, P.K. Moran, composer","Scope and Contents \"Chlo-e (Song of the Swamp)\" - 1927, Neil Morét, composer, Gus Kahn, librettist \"I Got A Woman, Crazy for Me: She's Funny That Way\" - 1928, Neil Morét, composer, Richard A. Whiting, librettist","Scope and Contents \"Then How Can I Forget\" - 1857, Wm. Edgar Morgan, composer and librettist","Scope and Contents \"Sonny O' Mine\" - 1923, Marion Moore, composer and librettist","Scope and Contents \"Thinking\" - 1926, Mac Ohman and Lou Morgans, composers and librettists","Scope and Contents \"Love's Ship\" - 1920, Alice Nadine Morrison, composer, Nellie Morrison, librettist","Scope and Contents \"She's the Fairest Little Flower Dear Old Dixie Ever Grew\" - 1907, Theodore Morse, composer, Ashley S. Johnson, librettist \"I Left My Heart in Dear Old Ireland\" - 1912, Theodore Morse, composer, J. Mahoney, librettist \"Blue Bell\" - 1904, Theodore F. Morse, composer, Edward Madden, librettist \"When We Were Two Little Boys\" - 1903, Theodore F. Morse, composer, Edward Madden, librettist","Scope and Contents \"Berceuse\" - 1906, Mortiz Moszkowski, composer","\"Chanson du coeur brisé (The Song of Songs)\" - 1914, Moya, composer, Maurice Vaucaire (original) and Clarence Lucas (English), librettists","Scope and Contents \"Entführung aus dem serail\" - undated, W.A. Mozart, composer \"Go Forget Me\" - undated, W.A. Mozart, composer \"The Manly Heart\" - undated, Mozart, composer \"Selection of Melodies from Don Giovanni\" - undated, Mozart, composer \"Quartetten\" - undated, w.A. Mozart, composer \"Ausgewählte\" - 1882, W.A. Mozart, composer \"Lullaby\" - 1891, W.A. Mozart, composer, John P. Jackson (English), librettist","Scope and Contents \"Take Me to that Swanee Shee\" - 1912, Lewis F. Muir, composer, L. Wolfe Gilbert, librettist","Scope and Contents \"Love Not\" - undated, Julius E. Müller, composer \"The Polka\" - 1844, Julius E. Müller, composer","Scope and Contents \"When My Baby Smiles at Me\" - 1920, Bill Munro, composer, Andrew B. Sterling and Ted Lewis, librettists","Scope and Contents \"It'll Take A Little Time\" - 1932, Jack Murray, Al Goodhart, and Al Hoffman, composers and librettists","Scope and Contents \"Little Sunshine\" - 1867, James R. Murray, composer and librettist","Scope and Contents \"The Alpine Quadrilles\" - undated, R. Murray, composer","Scope and Contents \"My Darling\" - 1932, Richard Myers, composer, Edward Heyman, librettist \"Niagara Moon\" - 1933, Richard Myers, composer, Edward Heyman, librettist","Scope and Contents \"Moonlight on the Ganges\" - 1926, Sherman Myers, composer, Chester Wallace, librettist","Scope and Contents \"The Tyrolesian Air\" - undated, F.J. Naderman, composer","Scope and Contents \"Ol' Pappy\" - 1934, Al. J. Neiburg, Marty Symes, and Jerry Levinson, composers and librettists","Scope and Contents \"What Are You Thinkin' About, Baby\" - 1931, Ed G. Nelson, Al Goodhart, and Steve Nelson, composers and librettists \"When Yankee Doodle Learns to Parlez Vous Francais\" - 1917, Ed Nelson, composer, Will Hart, librettist","Scope and Contents \"Mighty Lak' A Rose\" - 1901, Ethelbert Nevin, composer, Frank L. Stanton, librettist \"The Rosary\" - 1900, Ethelbert Nevin, composer, Robert Cameron Rogers (English), Isadae Martines (French), and Dr. Th. Baker (German), librettist \"The Rosary\" - 1898, Ethelbert Nevin, composer, arranged for piano solo by Benjamin Whelpley \"Water Scenes: 5 Pieces for the Pianoforte\" - 1891, Ethelbert Nevin, composer","Scope and Contents \"I Can't Believe Its True\" - 1932, Charles Newman, Ben Bernie, and Isham Jones, composers and librettists","Scope and Contents \"Say A Little Prayer for Me\" - 1930, Horatio Nicholls, composer, Joseph George Gilbert, librettist \"Among My Souvenirs\" - 1927, Horatio Nicholls, composer, Edgar Leslie, librettist","Scope and Contents \"I Just Couldn't Take It Baby\" - 1933, Alberta Nichols, composer, Mann Holiner, librettist \"Till the Real Thing Comes Along\" -1931, Alberta Nichols, composer, Mann Holiner, librettist \"You Can't Stop Me From Lovin' You\" - 1931, Alberta Nichols, composer, Mann Holiner, librettist","Scope and Contents \"Oh. Lust W. of W.\" - undated, Otto Nicolai, composer","Scope and Contents \"Love Is the Sweetest Thing\" - 1932, Ray Noble, composer and librettist \"The Very Thought of You\" - 1934, Ray Noble, composer and librettist","Scope and Contents \"The Beauregard\" - 1861, A. Noir, composer","Scope and Contents \"Little Annie Rooney\" - 1929, Michael Nolan, composer and librettist","Scope and Contents \"Èlègie\" - 1895, E. Nollet, composer","Scope and Contents \"Fanny Grey\" - undated, Mrs. Norton, composer and librettist","Scope and Contents \"At Play\" - 1892, Lèon Novara, composer \"Little Lay\" - 1892, Lèon Novara, composer","\"Keep the Home-Fires Burning ('Till the Boys Come Home)\" - 1915, Ivor Novello, composer, Lena Guilbert Ford, librettist","Scope and Contents \"Lillian Lee\" - 1859, C.H. Oakes, composer","Scope and Contents \"Remember Me\" - 1932, Jack O'Brien, composer, Gus Kahn, librettist","Scope and Contents \"When the Swallows Homeward Fly\" - undated, T. Oesten, composer","Scope and Contents \"Alpine Glow\" - undated, Theodore Oesten, composer","Scope and Contents \"La Polka\" - undated, Offenbach, composer","Scope and Contents \"I'm Sure of Everything But You\" - 1932, Charles O'Flynn, George W. Meyer, and Pete Wendling, composers and librettists \"Three of Us\" - 1933, Charles O'Flynn, Lee David, and Pete Wendling, composers and librettists","Scope and Contents \"I Love A Little Cottage\" - undated, Geoffry O'Hara, composer, Roscoe Gilmore Stott, librettist","Scope and Contents \"My Wild Irish Rose\" - 1899, Chauncey Olcott, composer and librettist","Scope and Contents \"Mother Machree\" - 1910, Chauncey Olcott and Ernest R. Ball, composers, Rida Johnson Young, librettist","Scope and Contents \"You, You, You\" - 1952, Lotar Olias, composer, Robert Mellin, librettist","Scope and Contents \"I Love You Much Too Much\" - 1940, Alex Olshey, Don Raye, and C. Towber, composers and librettists","Scope and Contents \"Love Sends A Little Gift of Roses\" - 1919, John Openshaw, composer, Leslie Cooke, librettist","Scope and Contents \"Washin' The Blues From My Soul\" - 1930, Willard Robison and Dave Oppenheim, composers and librettists","Scope and Contents \"The Heart of Virginia\" - 1924, Nathan Oppleman, composer, Ben Scheer, librettist","Scope and Contents \"The Galloping Sleigh-Ride Polka\" - 1845, J.P. Ordway, composer \"Home Again\" - 1850, arranged by J.P. Ordway, composer and librettist, M.S. Pike \"Let Me Kiss Him for His Mother\" - undated, John P. Ordway, composer and librettist","Scope and Contents \"Waiting\" - 1918, Harold Orlob, composer, Harry L. Court and George E. Stoddard, librettists","Scope and Contents \"Fairylight\" - 1923, Otto Ortmann, composer","Scope and Contents \"Our Naval Heroes\" - undated, Ernst Otto, composer, Agnes S. Haase, librettist","Scope and Contents \"Daisies Won't Tell\" - 1908, Anita Owens, composer and librettist","Scope and Contents \"Elegar\" - undated, Ignace J. Paderewski, composer.","Scope and Contents \"Valencia\" - 1926, Lucien Boyer, Librettist, Jacques Charles, composer.","Scope and Contents \"Witches Dance\" - 1852, Vincent Wallace, composer.","Scope and Contents \"I Wished on the Moon\" - 1935, Dorothy Parker and Ralph Rainger, composers and librettists.","Scope and Contents \"Chariot Race\" - 1896, Ben Hur, E.T. Paull, composer; \"America Forever! March\" - undated, E.T. Paull, composer.","Scope and Contents \"Blue Pacific Moonlight\" - 1930, Jack Payne and Walace Herbert, composer.","Scope and Contents \"Is There Room in Angel Land\" - 1874, W.U. Pearne, composer.","Scope and Contents \"Peggy O'Neil\" - 1921, Harry Pease, Ed. G. Nelson and Gilbert Dodge, composers.","Scope and Contents \"Smilin Through\" - 1914, Arthur A. Penn, composer and librettist.","\"Don't Tell a Soul - 1921, Stanley Brightman and Arthur Illingworth, composer.","Scope and Contents \"Pensees\" - undated, Ernst Perabo, composer.","Scope and Contents \"The Scat Song\" - 1932, Mitchell Paris, librettist, Frank Perkins and Cab Calloway, composers; \"Stars Fell on Alabama\" - 1934, Mitchel Parish, librettist, Frank Perkins, composer; \"Emaline\" - 1934, Mitchell Parish, librettist, Frank Perkins, composer.","Scope and Contents \"Lady Luck\" - 1924, Ray Perkins, composer.","Scope and Contents \"The Southern Cross\" - St. George Tucker, librettist, C.L. Peticolas, composer.","Scope and Contents \"The Lady I Love\" - 1932, Joe Young, librettist, Bernice Petkere, composer; \"Lullaby of the Leaves\" - 1932, Joe Young, librettist, Bernice Petkere, composer.","Scope and Contents \"Rose-Bud Waltz\" - 1852, Sally E. Keyser and J.F. Petri, composers.","Scope and Contents \"When the Sunset Turns the Ocean's Blue to God\" - 1902, Eva Fern Buckner, librettist, H.W. Petrie, composer.","Scope and Contents \"Out Where the West Begins\" - 1917, Arthur Chapman, librettist, Estelle Phileo, composer.","Scope and Contents \"Son of Heaven\" - 1866, Phillip Phillips, composer.","Scope and Contents \"King Tut\" - 1924, Billy Pierce, composer and librettist.","Scope and Contents \"Land of Rest\" - undated, Ciro Pinsuti, composer; \"If\" - undated, Ciro Pinsuti, composer; \"In Shadowland, undated, Ciro Pinsuti, composer.","Scope and Contents \"Dear Heart\" - 1929, W.C. Polla and Willard Goldsmith, composers.","Scope and Contents \"Melancholy Moments\" - undated, Gilbert K. Pollock, composer.","Scope and Contents \"Midnight Rose\" - 1923, Sidney Mitchell, librettist, Lew Pollack, composer; \"I've Found My Sweetheart Sally\" - 1925, jack Yellen and Lew Pollack, composers; \"Love is in Command\" - 1934, Lew Pollack and Joe Young, composers.","Scope and Contents \"Holiday\" - 1933, Ethel Ponce, composer.","Scope and Contents \"Night and Day\" - 1922, Cole Porter, composer; \"In the Still of the Night\" - 1937, Cole Porter, composer; \"Me and Marie\" - 1935, Cole Porter, composer and librettist; \"What is this Thing Called Love\" - 1924, Cole Porter, composer and librettist; \"I Get a Kick Out of You\" - 1934, Cole Porter, librettist; \"Rosalie\" - 1927, Cole Porter, composer; \"You're the Top\" - 1934, Cole Porter, composer; \"Night and Day\" - 1932, Cole Porter, composer; \"I've Got You Under My Skin\" - 1936, Cole Porter, composer.","Scope and Contents \"Cockade Grand March\" - undated, Arnaud, Preot', composer.","Scope and Contents \"Ciribiribin\" - 1935, A. Prestalozza, composer, Jerry Castillo, librettist.","Scope and Contents \"Angel Child\" - 1922, George Price, Abner Silver, and Benny Davis, composers.","Scope and Contents \"Invitation to the Dance\" - 1910, J.A. Pridman, composer.","Scope and Contents \"Do You Care\" - 1941, Jack Elliott, librettist, Lew Quadling, composer.","Scope and Contents \"Album of Compositions for the Pianoforte\" - 1920, S. Rachmaninoff, composer","Scope and Contents \"Sonate\" - undated, Joachim Raff, composer \"Parting\" - 1890, Joachim Raff, composer \"Les Pècheuses de Procida (The Fishermaidens of Procida)\" - 1899, Joachim Raff, composer \"Lenore\" - undated, Joachim Raff, composer \"Leonore- Grand March\" - undated, Joachim Raff, composer \"Tarantella\" - 1885, Joachim Raff, composer","Scope and Contents \"The Wind At My Window\" - 1939, Ralph Rainger, composer, Leo Robin, librettist \"Give Me Liberty or Give Me Love\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Here Lies Love\" - 1932, Ralph Rainger, composer, Leo Robin, librettist \"I'll Take An Option On You\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"In the Park in Paree\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Please\" - 1932, Ralph Rainger, composer, Leo Robin, librettist","Scope and Contents \"I'm in Heaven When I See You Smile, Diane\" - 1927, Erno Rapee and Lew Pollack, composers and librettists \"Charmaine!\" - 1926, Erno Rapee and Lew Pollack, composers and librettists","Scope and Contents \"Trees\" - 1922, Oscar Rasbach, composer, Joyce Kilmer, librettist","Scope and Contents \"The Sunshine of Your Smile\" - 1915, Lilian Ray, composer, Leonard Cooke, librettist","Scope and Contents \"Postlude in G\" - 1906, Edward M. Read, composer","Scope and Contents \"Dido\" - undated, W. Reeve, composer, M.T. Dibdin, librettist","Scope and Contents \"What Did I Get By Loving You\" - 1924, Ewing Reid, composer, Herbert B. Collier, librettist","Scope and Contents \"Mollie's Dream Waltz\" - undated, F.A. Reisinger, composer","Scope and Contents \"Weeping Willows\"- 1899, Lillian Reisky, composer","Scope and Contents \"Memories of Childhood\" - 1887, L. Rengers, composer","Scope and Contents \"Dixie Night\" - 1921, Charles Repper, composer and librettist","Scope and Contents \"Did You Ever See a Dream Walking?\" - 1933, Harry Revel, composer, Mack Gordon, librettist \"-And So To Bed\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"Underneath the Harlem Moon\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"When You Were the Girl on the Scooter\" - 1933, Harry Revel, composer, Mack Gordon, librettist","Scope and Contents \"The Aviator\" - 1926, Ethel F. Reynolds, composer and librettist \"Evolution\" - 1925, Ethel F. Reynolds, composer and librettist","Scope and Contents \"Fuge\" - undated, Jos[ef] Rheinberger, composer \"Pastoral - Sonata\" - 1909, Josef Rheinberger, composer","\"I'm Just Wild About Animal Crackers!\" - 1926, Fred Rich, Sam Coslow, Harry Link, composers and librettists","Scope and Contents \"My Blue Bird Was Caught in the Rain\" - 1930, Max Rich, composer, Henry Creamer, librettist","Scope and Contents \"Tired\" - 1873, Brinley Richards, arranger \"Kathleen Mavourneen\" - undated, Brinley Richards, composer","Scope and Contents \"C.M. Webster's Last Idea\" - 1882, H. Richards, arranger","Scope and Contents \"Sweet Brier Waltz\" - 1892, T.Richards, composer","\"Will You Remember Me?\" - 1924, Harry Richman and Henry Santly, composers, Lou Davis, librettist","Scope and Contents \"Berceuse\" - 1904, Alfred Rieger, composer","Scope and Contents \"Pal of My Dreams\" - 1923, Cha[rle]s E. Roat, composer","Scope and Contents \"You Don't Know\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist \"Mammy's Lullaby\" - 1918, Lee S. Roberts,composer, J. Will Callahan, librettist \"Smiles\" - 1917, Lee S. Roberts, composer, J. Will Callahan, librettist \"A Little Birch Canoe And You\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist","Scope and Contents \"Double Trouble\" - 1935, Leo Robin, Richard A. Whiting and Ralph Rainger, composers and librettists \"Little Rose of the Rancho\" - 1935, Leo Robin and Ralph Rainger, composers and librettists \"Why Dream\" - 1935, Leo Robin, Richard A. Whiting, and Ralph Rainger, composers and librettists","Scope and Contents \"Blue Hawaii\" - 1937, Leo Robin and Ralph Rainger, composers and librettists","Scope and Contents \"Is I In Love? Is I\" - 1932, J. Russel Robinson, composer, Mercer Cook, librettist","Scope and Contents \"My Blue Ridge Mountain Home\" - 1927, Carson J. Robison, composer and librettist","Scope and Contents \"Wake Up! Chill'un, Wake Up!\" - 1929, Willard Robison, composer, \"Jo\" Trent, librettist","Scope and Contents \"Three o'Clock in the Morning\" - 1922, Julian Robledo, composer, Dorothy Terriss, librettist","Scope and Contents \"Some Enchanted Evening\" - 1949, Richard Rodgers, composer, Oscar Hammerstein II, librettist \"Isn't It Romantic?\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist \"Love Me To-night\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist","Scope and Contents \"Little Huntsmen Waltzes\" - undated, Otto Roeder, composer","Scope and Contents \"The Silver Shenandoah\" - 1949, Dick Rogers, W.A. Timm, and Whitey Bernard, composers and librettists","Scope and Contents \"Andante quasi Fantasia\" - 1907, James H. Rogers, composer \"At Break of Day\" - 1911, James H. Rogers, composer","Scope and Contents \"The Desert Song\" - 1927, Otto Harbach, Oscar Hammerstein, Frank Mandel, librettists', Sigmund Romberg, composer; \"My Maryland\" - 1927, Dorothy Donnelly, librettists, Sigmund Romberg, composer; \"Will You Remember\" - 1917, Rida Jonson Young, librettists, Sigmund Romber, composer; \"One Kiss\" - 1928, Lyric Manel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer; \" When I Grow Too Old to Dream\" - 1935, Oscar Hammerstein II, librettists, Sigmund Romberg, composer; \"Auf Wiedersehn\" - 1915, Sigmund Romber, composer; \" The New Moon\" - 1928, Frank Mandel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer.","Scope and Contents \"Famous Compositions\" - 1891, George F. Root, composer.","Scope and Contents \"She Was Happy Until She Met You\" -1899, Chas. Graham and Monroe H. Rosenfield, composers.","Scope and Contents \"Deep Henderson\" - 1926, Fred Rose, composer; \"Honest and Truly\" - 1924, Fred Rose, librettist and composer.","Scope and Contents \"Pardon Me Pretty Baby\" - 1931, Ray Klages and Jack Meskill, librettist, Vincent Rose, composer.","Scope and Contents \"Whose Little Girl Are You\" - 1894, George Rosey, composer.","Scope and Contents \"Decameron des jeunes pianistes\" - undated, Henri Roseilen, composer.","Scope and Contents \"The Broken Ring\" - 1878, A.H. Rosewig, composer; \"Gay Feathers\" - undated, A.H. Rosewig, composer.","Scope and Contents \"My Wife and Child Song\" - undated, F.W. Rosier, composer.","Scope and Contents \"When You and I Were Seventeen\" - 1924,Gus Kahn, librettist, Chas Rosoff, composer.","Scope and Contents \"Trumpet March\" - undated, Rossini, composer.","Scope and Contents \"Barber of Seville- biography\" - 1854; \" Adelaide Phillips\" - undated; \"Semiramide\" - undated.","Scope and Contents \"Compositions for the Organ\" - 1868, Dudley Buck, G. Rossini composer; \"Ouverture\" - undated, G. Rossini, composer; \"Overture of Tancred\" - undated, G. Rossini, composer.","Scope and Contents \"Humoreske Song\" - 1914, G.M. Koockogey, Chas H. Ruth, composer.","Scope and Contents \"Did She Ask for Me\" - 1934, Bob Rothberg and Alan Grey, librettists' and composers.","Scope and Contents \" Kamennoi Ostrow\" 1776, A. Rubinstein, composer; \"Marche a la lurque\" - undated, A. Rubinstein, composer; \"Violoncello\" - 1855, A. Rubinstein, composer; \"Sonate\" - undated, A. Rubinstein, composer.","Scope and Contents \"Good Time Schottisch\" - 1855, William H. Rulison, composer.","Scope and Contents \"Did My Heart Beat, Did I Fall in Love\" - 1933, Benee Russell, composer; \"Love Is Like That\" - 1931, Benee Russell, composer.","Scope and Contents \"A Life on the Oceanwave\" - undated, Henry Russell, composer; \"The Newfoundland Dog\" - undated, Henry Russell, composer; \"Woodman, Spare that Tree\" - undated, Henry Russell, composer.","Scope and Contents \"The Greatest Battle Song of All\" - 1916, Al Friend and Sam Downing, librettists', Harry Ruby, composer.","Scope and Contents \"The Breeze\" - 1934, Tony Sacco, Dick Smith, and Al Lewis, composers and librettist.","Scope and Contents \"I'm Drifting Back to Dreamland\" - 1922, Jack Sadler, composer.","Scope and Contents \"Nightingale and the Rose\" - 1914, Camille Saens-Saint, transcriber.","Scope and Contents \"Dark Eyes-Russian folk song\" - 1930, A. Salama, composer.","Scope and Contents \"Laces and Traces\" - 1903, Gustave Salzer, composer.","Scope and Contents \"Tears in My Heart\" - 1937, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers; \"I Couldn't Believe My Eyes\" - 1935, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers.","Scope and Contents \"There's Yes Yes in Your Eyes\" - 1924, Joseph H. Santly, composer, Cliff Friend, librettist.","Scope and Contents \"Awakening of the Birds\" - 1906, Henry S. Sawyer, composer.","Scope and Contents \"Polish Dance\" - undated, X. Scharwenka, composer.","Scope and Contents \"Marcheta\" - 1924, Victor Schertzinger, composer' \"Love Me Forever\" - 1935, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist; \"One Night of Love\" - 1934, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist.","Scope and Contents \"King Klondike Step\" - 1692, George Schleiffafth, composer.","Scope and Contents \"The Vale of Dreams\" - 1910, Johann C. Schuid, composer.","Scope and Contents \"Labitzky's First Polka\" - undated, M. Schmied, composer.","Scope and Contents \"I Will Not Quite Forget\" - undated, Henry Schoeler, composer.","Scope and Contents \"Daisy\" - 1866, Hermann L. Schreiner, composer; \"Stonewall Jackson's\" - undated, Hermann L. Schreiner, composer.","Scope and Contents \"Les Colombes\" - undated, Camille Schubert, composer.","Scope and Contents Allegro Moderato from Unfinished Symphony\" - undated, Franz Schubert, composer; \"Andante con Moto\" - undated, Franz Schubert, composer; \"Lieder\" - undated, Franz Schubert, composer; \"Quatre Impromptus\" - undated, Franz Schubert, composer.","Scope and Contents \" Serenade\" - 1924,Franz Schuber, composer, Ludwig Rellstab, composer; \"Last Greeting\" - undated, Franz Schuber, composer; \"Schubert- H Moll- Symphonie zu 4 Handen\" - Franz Schubert, composer; \"Wander\" - undated, Franz Schubert, composer.","Scope and Contents \"Trois Nocturnes\" - undated, Jules Schulhoff, composer; \"Minuet De Mozart\" - undated, Jules Schulhoff, composer.","Scope and Contents \"Arabeske\" - undated, Robert Schumann, composer; \"Curious Story\" - undated, Robert Schumann, composer; \"Epilogue\" - 1906, Robert Shumann, composer; \"First Album for Young Performers\" - undated, Robert Shumann, composer; \"Fur Pianoforte zu zqwi Handen\" - undated, Robert Shumann, composer; \"Bunte Blatter\" - undated, Robert Schumann, composer. \"Papillons\" - undated, Robert Schumann, composer.","Scope and Contents \"Quintett\" - undated, Robert Shunmann, composer.","Scope and Contents \"Friendship\" - 1923, Ruby Hooton Schwab, composer and librettist \"If I Should Have to Say Goodbye to Thee\" - 1924, Ruby Hooton Schwab, composer and librettist","Scope and Contents \"Dream a Little Dream of Me\" - 1931, W. Schwandt and F. Andree, composers, Gus Kahn, librettist","Scope and Contents \"Born to Be Kissed\" - 1934, Arthur Schwartz, composer, Howard Dietz, librettist \"Then I'll Be Tired of You\" - 1934, Arthur Schwartz, composer, E.Y. Harburg, librettist","Scope and Contents \"Bedelia\" - 1903, Jean Schwartz, composer, William Jerome, librettist","Scope and Contents \"I'm All Bound 'Round With the Mason Dixon Line\" - 1917, Jean Schwartz, composer, Sam M. Lewis and Joe Young, librettists","Scope and Contents \"Über die Steppe hin\" - 1904, L. Schytte, composer \"Hide and Seek\" - 1890, Ludvig Schytte, composer","Scope and Contents \"Comin' Thro the Rye\" - undated, Scotch, composer","Scope and Contents \"By the Side of the Zuyder Zee\" - 1906, Bennett Scott, composer, A.J. Mills, librettist","Scope and Contents \"Amaryllis\" - 1898, arranged by C.P. Scott","Scope and Contents \"The World Is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist","Scope and Contents \"Jack-In-The-Box\" - 1932, Terry Shand, composer, Milton Drake, librettist","Scope and Contents \"If I Had You\" - 1928, Ted Shapiro, Jimmy Campbell, and Reg. Connelly, composers and librettists","Scope and Contents \"Get Out And Get Under The Moon\" - 1928, Larry Shay, composer, Cha[rle]s Tobais, and William Jerome, librettists \"I Can't Find A Substitute For You\" - 1933, Larry Shay, composer, Haven Gillespie, librettist","Scope and Contents \"Havin' You Around is Heaven\" - 1930, Al Sherman and Al Lewis, composers and librettists \"Promises\" - 1930, Al Sherman and Al Lewis, composers and librettists \"(Why Did You Kiss Me Last Night?) Ya Comin' Up To-Night, Huh?\" - 1928, Al Sherman, Al Lewis, and Abe Lyman, composers and librettists","Scope and Contents \"Grand Polka De Concert\" - 1910, Edgar, H. Sherwood, composer","Scope and Contents \"The Friar of Orders Grey\" - undated, Shield, composer","Scope and Contents \"The Lonesome Road\" - 1928, Nathaniel Shilkret, composer, Gene Austin, librettist","Scope and Contents \"In Bluebird Land\" - 1921, Albert E. Short, composer, W.R. Williams, librettist","Scope and Contents \"Sweet Home Sett\" - 1857, Shuster, composer","Scope and Contents \"I Saw Stars\" - 1934, Maurice Sigler, Al Goodhart, and Al Hoffman, composers and librettists","Scope and Contents \"One Night in Monte Carlo\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Ain't I Got Nobody to Love\" - 1924, Sam Coslow and Abner Silver, composers and librettists \"Every Now And Then\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Say It While Dancing\" - 1932, Abner Silver, composer, Benny Davis, librettist \"Farewell to Arms\" - 1933, Abner Silver and Allie Wrubel, composers and librettists","Scope and Contents \"Violino Secondo\" - undated, F.M. Simonet, composer","Scope and Contents \"The Peanut Vendor\" - 1930, Moises Simons, composer, Marion Sunshine (Popular) librettist, and L. Wolfe Gilbert (Novelty) librettist","Scope and Contents \"Honey\" - 1928, Seymour Simons, Haven Gillespie, and Richard A. Whiting, composers and librettists","Scope and Contents \"Autumn\" - 1931, Lee Sims, composer","Scope and Contents \"Rustle of Spring\" - 1905, Christian Sinding, composer","Scope and Contents \"Six Feet of Papa\" - 1926, Arthur Sizemore, composer, Billy Moll, librettist","Scope and Contents \"When the Pretty Blue Bird Sings\" - undated, J.R. Skelly, composer, George Cooper, librettist","Scope and Contents \"Colonial Guards\" - 1902, Harry P. Small, composer","Scope and Contents \"O Softly Sleep My Baby Boy\" - undated, C. Smith, composer","Scope and Contents \"The Irish Were Egyptians Long Ago\" - 1920, Chris Smith, composer, Alfred Bryan, librettist","Scope and Contents \"'Mid The Sunny Fields of Dixie\" - 1911, Emily Smith, composer and librettist","Scope and Contents \"If You Love Me Darling, Tell Me With Your Eyes\" - 1887, Hubbard T. Smith, composer, Samuel Minturn Peck, librettist","Scope and Contents \"La Reine Des Fees\" - undated, Sidney Smith, composer","Scope and Contents \"The Star Spangled Banner. Concert Variations\" - 1896","Scope and Contents \"Swedish Wedding March\" - undated, Aug. Söderman, composer","Scope and Contents \"Just As I Am\" - 1868, H.D. Sofge, composer","Scope and Contents \"By The Old Cathedral Door\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"When the Old Folks Were Young Folks\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"The Ocean Never Sleeps\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"There's a Quaker Down In Quaker Town\" - 1916, Alfred Solman, composer, David Berg, librettist","Scope and Contents \"Just A Little Sunshine\" - 1889, Fred'k Solomon, composer, Smedley Norton, librettist","Scope and Contents \"Hurt\" - 1930, Harold Solomon, composer, Al Piantadosi, librettist","Scope and Contents \"King Cotton March\" - undated, John Phillip Sousa, composer \"H.M.S. Pinafore\" - undated, J.P. Sousa, composer \"Medley Quadrille\" - 1879, J.P. Sousa, composer \"The Sorcerer\" - 1879, J.P. Sousa, composer","Scope and Contents \"Shoo the Hoodoo Away\" - 1930, Ted Snyder, composer, Mort Harris, librettist \"Who's Sorry Now?\" - 1923, Ted Snyder, composer, Bert Kalmar and Harry Ruby, librettists","Scope and Contents \"When Song Is Sweet\" - 1902, Gertrude Sana-Souci, composer","Scope and Contents \"Norwegian Romance\" - 1916, Florence Atherton Spalding, composer","Scope and Contents 'Love's Consolation\" - 1906, Geo. L. Spaulding, composer","Scope and Contents \"Broadway Rose\" - 1920, Otis Spencee and Martin Fried, composers, Eugene West, librettist","Scope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist","Scope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist","Scope and Contents \"Ain't You Coming Back to Old Virginia\" - 1913, Will Spillard, composer and librettist","Scope and Contents \"The Beat o' My Heart\" - 1934, Harold Spina, composer, Johnny Burke, librettist","Scope and Contents \"Frisches Grün\" - undated, Fritz Spindler, composer \"Mandolinata\" - undated, Fritz Spindler, composer \"Volkslieder\" - undated, Fritz Spindler, composer \"Husrenritt\" - 1869, Fritz Spindler, composer","Scope and Contents \"The Little Red Lark\" - undated, C.V. Stanford, composer and librettist","Scope and Contents \"When My Golden Hair Has Turned to Silver and Gray\" - undated, Edward Stanley, composer and librettists","Scope and Contents \"A Memory\" - 1911, G. Waring Stebbins, composer","Scope and Contents \"Girard House Polka\" - 1852, C. F. Stein, composer.","Scope and Contents \"I Can't Waltz Alone\" -1935,Max Steiner, composer, Dorothy Fields, librettist.","Scope and Contents \"The Prager Perfect Song\" - 1916, James Whitcomb Riley, librettist, Ervine J. Stenson, composer.","Scope and Contents \"Symphonic Raps\" - 1927, Bert Stevens, composer, Irvin Abrams, librettist.","Scope and Contents \"German Air\" - undated, Sir J.A. Stevenson, composer.","Scope and Contents \"Ben Bolt\" - undated, James M. Stewart, composer.","Scope and Contents \"Tennessee Waltz\" - 1948, Redd Stewart and Pee Wee King, composers.","Scope and Contents \"The Brightest Eyes\" - undated, Stigelli, composer.","Scope and Contents \"No Day Ever Brings the Same Pleasure Again\" - 1881, John P. Stockton, composer.","Scope and Contents \"I Get the Blues When It Rains\" - 1929, Harry Stoddard, composer.","Scope and Contents \"Evergreen Waltz\" - 1849, I.T. Stoddard, composer.","Scope and Contents \"The Sweetheart of Sigma Chi\" - 1912, Dudleigh F. Stokes, composer.","Scope and Contents \"Songs of the Copeland\" - 1856, Robert Stopel, composer.","Scope and Contents \"Rose of Virginia\" - 1920, \"Chick\" Storey, composer, Jack Caddigan, librettist.","Scope and Contents \"Dance of the Raindrops\" - 1913, Pauline B. Story, composer.","Scope and Contents \"Sweet Hearts\" - 1851, Maurice Strakosch, composer; \" Reverie\" - 1848, Maurice Strakosch, composer.","Scope and Contents \"Empress Anne's\" - 1914, Johann Strauss, composer; \"Waltzes by Strauss\" - undated, Johann Strauss, composer; \"On the Banks of the Blue Danube Waltz\" - undated, Johann Strauss, composer.","Scope and Contents \"Polka\" - undated, L. Streabbog, composer.","Scope and Contents \"I Don't Want to Walk Without You\" - 1952, Jule Styne, composer.","Scope and Contents Florodora\" - 1900, Stuart Leslie, composer.","Scope and Contents \"Free\" - 1933, Dana Suesse, composer; \"Have You Forgotten\" - 1931, Dana Suesse, composer, Leo Robin, librettist,.","Scope and Contents \"Potpourri\" - undated, M. Milford, Arthur S. Sullivan composer; \"Local Compositions\" - undated, Arthur S. Sullivan, composer; \"The Lass That Loved a Sailor\" - undated, M. Milford, Arthur S. Sullivan composer; \"A Maiden Fair to See\" - undated, Arthur S. Sullivan, composer.","Scope and Contents \"When Your Lover Has Gone\" - 1931, E.A. Swan, composer.","Scope and Contents \"Can This Be Love\" - 1930, Kay Swift, composer, Paul James, librettist.","Scope and Contents \"Don't Let It Happen Again\" - 1934, Marty Symes, Al J. Neiburg, and Jerry Levinson, composer.","Scope and Contents \"Diamond Polka\" - undated, E. Szemelenyi, composer.","Scope and Contents \"Somewhere a Voice Is Calling\" - 1911, Arthur F. Tate, composer, Eileen Newton, librettist","Scope and Contents \"I Tarry Here\" - undated, Wilhelm Taubert, composer","Scope and Contents \"La Campanella\" - 1868, Guillaume Taubert, composer \"Sonate I\" - undated, Wilh. Taubert","Scope and Contents \"Flowers of Love\" - 1909, Tell Taylor, composer, Earl K. Smith, librettist \"I Love You Best of All\" - 1915, Tell Taylor, composer and librettist","Scope and Contents \"Mexicali Rose\" - 1923, Jack B. Tenney, composer, Helen Stone, librettist","Scope and Contents \"O Take Me to the Woods Dear Mother\" - 1858, C.B. Thayer, composer, J.R. Smith, librettist","Scope and Contents \"Sioux City Sue\" - 1945, Dick Thomas, composer, Ray Freedman, librettist","Scope and Contents \"The Dew Is on the Blossom\" - 1850, E. Thomas, composer, Amelia, librettist","Scope and Contents \"Friendship\" - 1859, J.R. Thomas, composer, W.D. Evans, librettist \"No Crown Without the Cross\" - undated, J.R. Thomas, composer, George Cooper, librettist \"Eilleen Allanna\" - 1876, J.R. Thomas, composer, E.S. Marble, librettist \"Fishes in the Sea\" - 1863, J.R. Thomas, composer, Geo[rge] Cooper, librettist \"Janette\" - 1867, J.R. Thomas, composer, Miles O'Rielly, librettist","Scope and Contents \"Who Will Care for Mother Now\" - 1863, C.F. Thompson, composer, C.C. Sawyer, librettist","Scope and Contents \"When the Sun Sets in Ireland\" - 1917, Blanche M. Tice, composer, J. Will Callahan, librettist","Scope and Contents \"Alice Blue Gown\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Irene\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Sweetheart, We Need Each Other\" - 1929, Harry Tierney, composer, Joseph McCarthy, librettist \"You're Always in My Arms\" - 1929, Harry Tierney, composer, Joseph McCathy \"If You're in Love, You'll Waltz\" - 1926, Harry Tierney, composer, Joseph McCarthy, librettist","Scope and Contents \"Sacramento\" - 1907, Harry Von Tilzer, composer, Andrew B. Sterling, librettist","Scope and Contents \"Alleluia, Pascha Nostra\" - 1938, Everett Titcomp, composer \"Suite in E Major\" - 1955, Everett Titcomb, composer \"Vexilla Regis\" - 1940, Everett Titcomb, composer","Scope and Contents \"Good Night Little Girl of My Dreams\" - 1933, Charles Tobias and Joe Burke, composers and librettists","Scope and Contents \"Miss You\" - 1929, Henry H. Tobias, composer, Charles Tobais and Harry Tobias, librettists \"I'm on Pins and Needles ('Cause I'm Dead Stuck on You)\" - 1932, Henry H. Tobias, composer, Joe Young, librettist","Scope and Contents \"Hence Discontent\" - undated, Tolbecque, composer","Scope and Contents \"Oliver Gallop\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer \"Virginia Polka\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer","Scope and Contents \"Olivette Lancers\" - 1881, Prince Tom, composer","Scope and Contents \"The Object of My Affection\" - 1934, Pinky Tomlin, Coy Poe, and Jimmie Grier","Scope and Contents \"The Magic Flame\" - 1927, adapted from the famous \"Serenade\" of Toselli by Sigmund Spaeth, Sigmund Spaeth, also the librettist","Scope and Contents \"Serenade\" - 1923, Enrico Toselli, composer, Sigmund Spaeth (English) and Alfredo Silvestri (Italian), librettists","Scope and Contents \"For Ever and Ever\" - undated, F. Paolo Tosti, composer, and Violet Fane, librettist","Scope and Contents \"Tarantelle\" - undated, Berthold Tours, composer","Scope and Contents \"Here You Come With Love\" - 1933, Jo Trent, Harry Tobias, and Neil Moret, composers and librettists","Scope and Contents \"On the Road to Mandalay\" - 1898, Henry Trevannion, composer, Rudyard Kipling, librettist","Scope and Contents \"Give Me a Kiss by the Numbers\" - 1918, Lieutenant Joseph F. Trounstine, composer and librettist","Scope and Contents \"None But the Lonely Heart\" - 1935, Peter Tschaikowsky, composer, Jerry Castillo (English), librettist \"Andante Cantabile\" - 1911, Peter Tschaikowsky, composer \"Dance of the Candy Fairy\" - 1924, Peter Tschaikowsky, composer \"Dance of the Reed-Flutes\" - 1924, Peter Tschaikowsky, composer \"Schirmer's Library: Tschaikowsky Pianoforte Album, Volume I\" - 1896, Peter Tschaikowsky, composer \"Schirmer's Library of Musical Classics: Peter Tschaikowsky, Selected Pieces for Pianoforte\" - 1896, Peter Tschaikowsky, composer \"Romance\" - 1907, Peter Tschaikowsky, composer","Scope and Contents \"Dear Mother I've Come Home to Die\" - undated, Henry Tucker, composer, E. Bowers, librettist \"When This Cruel War is Over\" - undated, Henry Tucker, composer, Charles C. Sawyer, librettist","Scope and Contents \"Pray, Maiden, Pray!\" - 1864, A.J. Turner, composer, A.W. Kercheval, librettist \"Bessie Bell\" - 1864, A.J. Turner, composer","Scope and Contents \"Under the Lilac He Sleepeth\" - 1879, J.W. Turner, composer, G.M. Dowe, librettist","Scope and Contents \"La Paloma\" - undated, H.A. Twitchell, composer","\"Play to Me, Gipsy!\" - 1932, Karel Vacek, composer, Jimmy Kennedy (English) and Beda (Original), librettists","Scope and Contents \"I'm Just a Vagabond Lover\" - 1929, Rudy Vallèe and Leon Zimmerman, composers and librettists","Scope and Contents \"Don't Try to Steal the Sweetheart of a Soldier\" - 1917, Van and Schenck, composers, Alfred Bryan, librettist \"That Bran' New Gal O' Mine\" - 1923, Van and Schenck, Benny Davis, and Harry Akst, composers and librettists","Scope and Contents \"When I Was a Dreamer\" - 1914, Egbert Van Alstyne, composer, Roger Lewis and Geo[rge] A. Little, librettists \"Old Pal\" - 1924, Egbert Van Alstyne, composer, Gus Kahn, libretist \"Memories\" - 1915, Egbert Van Alstyne, composer, Gus Kahn, librettist \"On the Road to Home Sweet Home\" - undated, Egbert Van Alstyne, composer, Gus Kahn, librettist \"In the Shade of the Old Apple Tree\" - 1905, Egbert Van Alstyne, composer, Harry H. Williams, librettist","Scope and Contents \"Menuet In G\" - 1909, Ludwig van Beethoven, composer","Scope and Contents \"It's Always You\" - 1941, Jimmy Van Heusen, composer, Johnny Burke, librettist \"Oh! You Crazy Moon\" - 1939, Jimmy Van Heusen, composer, Johnny Burke, librettist","\"Are We Almost There?\" - 1845, Florence Vane, composer and librettist","Scope and Contents \"Mousquetaires au Couvent\" - 1880, Louis Varney, composer","Scope and Contents \"The Sweetheart of Sigma Chi\" - 1912, F. Dudleigh Vernor, composer, Byron D. Stokes, librettist","Scope and Contents \"Ah! I Have Sigh'd to Rest Me\" - undated, G. Verdi, composer, Charles Jefferys (English) and Il Trovatore (Italian), librettists","Scope and Contents \"24 Pièces en style libre\" - 1914, Louis Verne, composer","Scope and Contents \"El Choclo\" - 1935, Villoldo, composer, Jerry Castillo, librettist","\"Bèsame Mucho (Kiss Me Much)\" - 1941, Consuelo Velàzquez, composer, Sunny Skylar (English) and Consuelo Velàzquez (Spanish), librettists","Scope and Contents \"Light Cavalry\" - undated, Franz von Suppe, composer \"Overture zu 'Dichter und Bauer'\" - undated, Franz von Suppe, composer \"Boccaccio\" - undated, Franz von Suppe, composer","Scope and Contents \"Put Your Arms Around Me, Honey (I Never Knew Any Girl Like You)\" - 1910, Albert Von Tilzer, composer, Junie McCree, librettist \"I May Be Gone for A Long, Long Time\" - 1917, Albert Von Tilzer, composer, Lew Brown, librettist \"I'll Be With You in Apple Blossom Time\" - 1920, Albert Von Tilzer, composer, Neville Fleeson, librettist \"Au Revoir, But Not Good Bye, Soldier Boy\" - 1917, Albert von Tilzer, composer, Lew Brown, librettist \"Honey Boy\" - 1907, Albert Von Tilzer, composer, Jack Norworth, librettist \"My Little Girl\" - 1915, Albert Von Tilzer, composer, Sam M. Lewis and Will Dillon, librettist \"Please Don't Take My Lovin' Man Away\" - 1912, Albert Von Tilzer, composer, Lew Brown, librettist","Scope and Contents \"Love Me While the Lovin' Is Good\" - 1913, Harry Von Tilzer, composer, Stanley Murphy, librettist","Scope and Contents \"The Hunter's Chorus\" - undated, C.M. Von Weber, composer","Scope and Contents \"Don Juan\" - undated, Charles Voss, composer","Scope and Contents \"Meet Me by Moonlight\" - undated, J. A. Wade, composer; \"The Vesper Bell\" - undated, J.A. Wade, composer.","Scope and Contents \"Der Ring des Eibelungen\" - undated, Richard Wagner, composer; \"Overture to Lohengrin\" -1896, Richard Wagner, Homer N. Bartlett, composer; \"Grand March for Wedding Procession\" - undated, Richard Wagner and Westbrook, composer; \"Wagner\" - undated, Richard Wagner, composer.","Scope and Contents \"Always or Never Waltz\" - undated, Emile Waldteufel, composer; \"The Most Admired and Favorite Waltzes for the Piano Solo\" - undated, Emile Waldteufel, composer; \"Dolores\" - undated, Emile Waldteufel, composer; \"Charming (Tres Jolie) Waltz\" - undated, Emile Waldteufel, composer.","Scope and Contents \"Long Boy\" - 1907, Barclay Walker, composer, William Herschell, librettist.","Scope and Contents \"Dream Boat\" - 1923, Mildred White Wallace, composer and librettist.","Scope and Contents \"Cradle Song\" - 1851, William Vincent Wallace, composer; \"La Chilena\" - 1844, William Vincent Wallace, composer; \"Le Reve\" - 1875, William Vincent Wallace, composer; \"Marittana\" - 1882, William Vincent Wallace, composer; \"Scenes That Are Brightest\" - undated, William Vincent Wallace, composer; \"La Simania\" - undated, William Vincent Wallace, composer; \"Lurline\" - undated, William Vincent Wallace, composer; \"Tis the Harp in the Air\" - undated, William Vincent Wallace, composer.","Scope and Contents \"Coquette Polka\" - undated, A. Wallerstein, composer; \"Jenny Dind\" - undated, A. Wallerstein, composer.","Scope and Contents \"Black Hawk Waltz\" - 1879, Mary E. Walsh, composer.","Scope and Contents \"The Band Played In\" - 1936, Charles B. Ward, composer, John F. Palmer, librettist.","Scope and Contents \"Conquered Flag\" - 1886, Charlie L. Ward, composer.","Scope and Contents \"Golden Slippers\" - 1880, Alfred E. Warren, composer.","Scope and Contents \"Bobolink Polka\" - 1856, George W. Warren, composer.","Scope and Contents \"In a Little Spanish Town\" - 1936, Mabel Wayne, composer; \"Ramona\" - 1937, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"Chiquita\" - 1928, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"It Happened in Monterey\" - 1930, Mabel Wayne, composer, Billy Rose, librettist.","Scope and Contents \"Cryin for the Carolines\" - 1930, Harry Warren, composer. \"Cheerful Little Earful\" - 1930, Harry Warren, composer Billy Rose, librettist. \"Dames\" - 1934, Harry Warren, composer, Al Dubin, librettist. \" Honeymoon Hotel\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"I Found a Million Dollar Baby\" - 1931, Harry Warren, composer, Billy Rose and Mort Dixon, librettists. \"I'll String Along with You\" - 1934, Harry Warren, composer, Al Dubin, librettist. \"One Sweet Letter from You\" - 1937, Harry Warren, composer, Lew Brown and Sidney Clare, librettist. \"Shadow Waltz\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Footlight Parade\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Sweet and Slow\" - 1935, Harry Warren, composer. \"Where Am I\" - 1935, Harry Warren, composer, Al Dubin, librettist. \"You're My Everything\" - 1931, Harry Warren, composer, Mort Dixon and Joe Dixon, librettists.","Scope and Contents \"My Heart Tells Me\" - 1943, Harry Warren, composer, Mack Gordon, librettist. \"I'll Sing a Thousand Love Songs\" - 1936, Harry Warren and Al Dubin, composers and librettists; \"Garden of the Moon\" - 1938, Harry Warren, composer, Al Dubin and Johnny Mercer, librettists; \"You Let Me Down\" - 1935, Harry Warren, composer, Al Dubin, librettist; \"I Know Now\" - 1937, Harry Warren, composer, Al Dubin, librettist.","Scope and Contents She's a Thoroughbred\" - 1898, Ned Jayburn, composer.","Scope and Contents 'You Walk By\" - 1940, Wayne Bernie, composer.","Scope and Contents \"Don't Be a Sorrowful\" - undated, J.P. Webster, composer; \"Sweet By and By\" - 1808, J.P. Webster, composer, S. Fillmore Bennet, librettist.","Scope and Contents \"To Linger Near Then\" - undated, C.M. Von Weber.","Scope and Contents \"Polka\" - 1859, Julius Weel, composer.","Scope and Contents \"Tripoli\" - 1920, Irving Well, composer, Paul Cunningham and Al Dubin, librettist .","Scope and Contents \"Something in the Night\" - 1932, Paul Weirick and Helmy Kresa, composers, Joe Young, librettist.","Scope and Contents \"At the Ferry\" - undated, Milton Wellings, composer.","Scope and Contents \"Sadie Green\" - 1926, Gilbert Wells and Johnny Dunn, composers.","Scope and Contents \"Swingin in a Hammock\" - 1930, Pete Wendling, composer, Tot Seymour and Chas. O Flynn, librettists.","Scope and Contents \"Maid in Blue\" - 1907, Fred J. Hamill, librettists, Percy Wenrich, composer; \"Wenonah\" - 1903, James O'dea, librettist, Percy Wenrich, composer; \"I Ain't Got Weary Yet\" - 1918, Howard Johnson, librettist, Percy Wenrich, composer; \"Moonlight Bay\" - 1912, Percy Wenrich, composer.","Scope and Contents \"Choral Song\" - undated, S.S. Wesley, composer.","Scope and Contents \"Postlude in F\" - 1896, John A. West, composer.","Scope and Contents \"Postlude in B\" - undated, John E. West, composer.","Scope and Contents \"I'll Take You Home Again Kathleen\" - 1954, Thomas P. Westendorff, composer.","Scope and Contents \"I'll Take You Home Again Kathleen\" - 1935, Thomas P. Westendorf, composer.","Scope and Contents \"Lonely Heart\" - 1936, Irene Wicker, composer and librettist.","Scope and Contents \"The Ingle Side\" - undated, F.V. Wiesenthal, composer.","Scope and Contents \"Got the South in My Soul\" - 1932, Victor Young and Lee Wiley, composers, Ned Washington, librettist.","Scope and Contents \"You'll Soon Forget Kathleen\" - undated, Langton W. Williams, composer.","Scope and Contents \"Love to Live in Loveland with a Girl Like You\" - 1910, W.R. Williams, composer.","Scope and Contents \"The Shepherd Boy\" - undated, G.D. Wilson, composer.","Scope and Contents \"Recollections Memphis\" - Charles Ph. Winkler, composer.","Scope and Contents \"Shenandoah Waltz\" - 1947, Chubby Wise, composer, Clyde Moody, librettist.","Scope and Contents \"Have I Told You Lately That I Love You\" - 1955, Scott Wiseman, composer and librettist.","Scope and Contents \"My Little Georgia Rose\" - 1898, Max S. Witl, composer, Rob't F. Rode, librettist.","Scope and Contents \"March Brillante\" - 1888, J.W. Wheeler, composer.","Scope and Contents \"Grandpa's Birthday\" - 1881, C.A. White, composer.","Scope and Contents \"Black Apollo\" - undated, Charles White, composer.","Scope and Contents \"Play That Song of India Again\" - 1921, Paul Whiteman and Irving Bibo, composers, Leo Wood, libretttist.","Scope and Contents \"Some Sunday Morning\" - 1917, Richard A. Whiting, composer, Gus Kahn and Raymond Egan, librettist. \"When Did You Leave Heaven\" - 1936, Richard A. Whiting, composer, Walter Bullock, librettist. \"Ain't We Got Fun\" - 1921, Richard A. Whiting, Raymond B. Egan, and Gus Kahn, composers; \"Take a Chance\" - 1932, Ricahrd A. Whiting, and Herb Brown Nacio, composers, B.G. de Sylva, librettist. \"Lets Go Native\" - 1930, Richard A. Whiting, composer; \"Till We Meet Again\" - 1918, Richard A. Whiting, composer, Raymond B. Egan, librettist.","Scope and Contents \"Grand March De Concert\" - 1853, H.A. Wollenhaupt, composer.","Scope and Contents \"Roses of Picardy\" - 1916, Haydn Wood, composer.","Scope and Contents \"Mother Dear O Pray for Me\" - undated, I.B. Woodbury, composer.","Scope and Contents \"Hope's Whisper\" - 1869, Miss Nelly Marshall, composer.","Scope and Contents \"All of a Sudden\" - 1932, Harry Woods, composer and librettist; \"Be Careful with those Eyes\" - 1930, Harry Woods, composer; \"If I Have to Go On Without You\" - 1931, Harry Woods and Al Dubin, composer; \"Me Too\" - 1936, Harry Woods, Charles Tobias, and Al. Sherman, composers; \"River, Stay' Way from My Door\" - 1931, Harry Woods, composer, Mort Dixon, librettist. \"Take In the Sun Hang Out the Moon\" - 1936, Harry Woods, composer, Lewis \u0026 Young, librettist. \"When the New Moon Shines on the New Mown Hay\" - 1934, Harry Woods, Jimmy Campbell, and Reg Connelly, composers; \"When the Red, Red, Robin Comes Bob, Bob Bobbin Along\" - 1926, Harry Woods, librettist and composer. Thorton Sisters featured; \"You Darlin'\" - 1930, Harry Woods, composer.","Scope and Contents \"Oh! Boy, What a Girl\" - 1925, Wright and Bessinger, composers, Bud Green, librettist.","Scope and Contents \"Musical Boquet\" - undated,W.T. Wrighton, composer.","Scope and Contents \"To Be or Not to Be in Love\" - 1933, Allie Wrubel and Elliott Grennard, composers; \"Gone with the Wind\" - 1937, Allie Wrubel, composer, Herb Magidson, librettist. \"Music, Maestro, Please!\" - 1938, , Allie Wrubel, composer, Herb Magidson, librettist \"As You desire Me\" - 1932, Allie Wrubel, composer and librettist; \"Flirtation Walk\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Happiness Ahead\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Now You're in My Arms\" - 1931, Allie Wrubel and Morton Downey, composers. \"Pop Goes Your Heart\" - 1934, Allie Wrubel and Mort Dixon, composers. \"You'll Do It Some Day\" - 1929, Allie Wrubel, composer.","Scope and Contents \"Fare Thee Well Kitty Dear\" - undated, G. Friedrich Murzel, composer.","Scope and Contents \"Talian Modern Anthology\" - undated, Pietro A. Yon, composer; \"Coccata\" - 1912, Pietro A. Yon, composer.","Scope and Contents \"You're Tired of Me\" - 1931, Don York, Jack Sadler and Pauline Brown, composers.","Scope and Contents \"No No Nanette\" - 1934, Vincent Youmans, composer, Otto Harbach and Irving Caesar, librettists. \"Flying Down the Rio\" - 1933, Vincent Youmans, composer, Gus Kahn and Edward Eliscu, librettist. \"Hit the Deck\" - Vincent Youman, composer, Leo Robin and Clifford Grey, librettists. \"Adelai\" - 1921, Vincent Youman and Joseph Spurin Calleja, composers. \"Time on My Hands\" - 1930, Vincent Youmans, composer, Harold Adamson and Mack Gordon, librettist. \"Wildflower\" - 1923, Vincent Youmans and Herbert Stothart, composers, Otto Harbach and Oscar Hammerstein, librettists.","Scope and Contents \"Just for Remembrance\" - 1923, Eleanor Young and Harry D. Squires, composer; \"Mean Mean Mama\" -1923, Eleanor Young and Harry D. Souires, composers, Mitchell Parish, librettist.","Scope and Contents \"Heart are Trumps\" - 1900, L.W. Young, composer.","Scope and Contents \"Street of Dreams\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Lawd, You Made the Night Too Long\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Love Is the Thing\" - 1933, Victor Young, composer, Ned Washinton, librettist. \"Love Me To-Night\" - 1932, Victor Young, composer, Bing Crosby and Ned Washington, librettist.","Scope and Contents \"Spirit of America\" - 1907, J.S. Zamednik, composer.","Scope and Contents \"Anchors Aweigh\" - 1907, Chas A. Zimmermann, composer.","Scope and Contents \"Preludes and Interludes for the Organ\" - undated, John Zundel, composer.","Scope and Contents \"Cotillion Girl O'mine\" - 1927, Clifford Zug, composer and librettist.","Scope and Contents \"Boccaccio March\" - 1879, W.A. Cramer, composer.","Scope and Contents Eoccaccio March\" - 1880, W.A. Fallman, composer.","Scope and Contents \"Ah! for Wings\" - 1853, Charles Jarvis, composer.","Scope and Contents \"Wearing of the Green\" - 1935, Henri F. Klickmann, composer.","Scope and Contents \"Arois Quintetti\" - undated, Mr. Lachnith, arranger;\"Trios\" - undated, De Mr. Pleyel, composer.","Scope and Contents \"L'etoile\" - undated, H.E. Lehmann, composer.","Scope and Contents \"Since First I saw your Face\" - undated, Barbra Allen, composer.","Scope and Contents \"Cootage Duetts- popular collection of Melodies\" - undated, J.E. Muller, composer.","Scope and Contents \"Jenny Linds\" - 1851, Samuel Owen, composer.","Scope and Contents \"Mocking Bird\" - undated, J.A. Rosenberger, composer.","Scope and Contents \"Cascade of Roses\" - 1882, Albert J. Snow, composer.","Scope and Contents \"Songs of the Pyrenees\" - 1889, M.H. Strugis, composer.","Scope and Contents \"Alice Gray\" - undated;\"Bye Bye Blackbird\" - undated, Mort Orfoin and Ray Clendaon, composers;\"Coventry Carol\" - undated;\"Dorez Doric mes Cheres Amours\" - undated;\"Air from Masaniello\" - undated;\"God Save the Emporor\" - undated;\"March from Masaniello\" - undated;\"Erster Spieler\" - undated;\"Flauto O Violino\" - undated.","Scope and Contents \"Kitty Tyrrell\" - undated; \"La Grotte des Fees\" - undated; \"La Noce de Le'nore\" - undated; \"Le lac Bleu\" - undated; \"Life's Happy Moments\" - undated; \"Lord Mocdonald's Reel\" - undated; \"Sir Archibald Grants Reel\" - undated; \"Last Rose of Summer\" - undated.","Scope and Contents \"Mant III-3 double\" - undated; \"Goodbye Sweetheart\" - undated; \"Marseilles March\" - undated; \"Monastery Bell\" - 1858; \"My Mother\" - undated; \"Nobody Coming to Marry Me\" - undated; \"Betsy Bell and Mary Gray\" - undated; \"Logan Sweetly\" - undated; \"Oh! Say Not a Woman's Love is Bought\" - undated; \"Overture, Caliph of Bagdad\" - undated; \"The Dying Soldier\" - 1864, undated.","Scope and Contents \" Robin Adair\" -1865; \"Russian March\" - undated; \"Silver Lake Waltz\" - undated; \"Sounds from Home\" - undated; \"Southern Soldier Boy\" - undated; \"Styrian Waltz of Weber\" - undated; \"Take Me Back to Old Virginny\" - undated; \" The Blind Girl to Her Banjo\" - undated; \" The Mocking Bird\" - undated; \" Theme de L'orgie de Caraffa\" - undated; \" Though Lingring Stan\" - undated; \" Too Late\" undated; \"Tu Vedrai chem amore in Terra\" - undated; \" Twas at the hour\" - undated; \"Twilight\" - undated; \"The Wave Sweeps My Breast\" - undated; \"The Weary Pund O Tow\" - undated; \"Well, I Agree\" - undated; \"When the Sheep Are in the Fauld\" - undated.","Three items present.","Scope and Contents \"Daily Practice for the Piano Forte\" - undated, Clementi, composer.","Scope and Contents \"Preludes and Exercises\" - 1886, Clementi and Hummel, composers.","Scope and Contents \"15 Exercises\" -undated, J.B. Duvernoy, composer.","Scope and Contents \"First Pedal Studies for the Piano\" - 1906, Jessie L. Gaynor, composer.","Scope and Contents \"The First Studies for Piano, Die Erlten Etuden\" - undated, Louis Kohler, composer.","Scope and Contents \"Guide to Rapid Fingering- Series of Instructive Exercises within the Octave\" - undated, Theodore Oesten, composer.","Scope and Contents \"Progressive lessor for Beginners - undated, Rausch, composers.","Scope and Contents \"Exercises Pre'paratives\" - 1878, Aloise Schmitt, composer.","Scope and Contents \"Forty pedal-Studies\" - 1914, Ludvig Schytte', composer.","Scope and Contents \"Juvenile Album\" - undated, J.A. Wade, Sullivan \u0026 Claribel, composers.","Scope and Contents \"Thackray for the Guitar\" - undated, Thomas Thackray, composer.","Scope and Contents \"Cuban Patrol\" - undated, E.J. Rutsky, composer; \"The Minstrel Boy\" - undated, unknown composer.","Scope and Contents \"Elfin Waltz\" - undated, unknown composer; \"Swiss Air\" - undated, Czerny, composer; \" On Yonder Rock Reclining\" - undated, unknown composer; \" Hungarian National, undated, unknown composer; \"La Belle Walt\" - undated, unknown composer; \"Home, sweet Home\" - undated, unknown composer; \"Cottage Waltz\" - undated, unknown composer; \"Thirty-six exercises\" - undated, Aloise Schmiti, composer; \"Chromatic Scale in Triplets, sixes and c.\" - undated, unknown composer; \"Six progressive exercises on popular Melodies\" - undated, unknown composer; \" Twenty-four exercises to give flexibility to the Fingers\" - undated, unknown composer; \"Eight exercises on the scale of C in one Octave\" - undated, unknown composers; \"Duetts for four Hands\" - undated, unknown composers; \"Various effects of the arpeggio , and mode of Performance\" - undated, unknown composer; \"Twelve scales in thirds and sixths, Fingered\" - undated, unknown composer; \"The Acciaccatura\" - undated, unknown composer; \"Practical Exercise on the Turn\" - undated, unknown composer; \"Fingering of the common Chords, and their Inversions\" - undated, unknown composer; \"Exercises on the chord of the seventh in all its Positions\" - undated, unknown composer; \" I'm a Pilgrim\" - undated, unknown composer; \"Lilly Dale\" - undated, H.S. Thompson, composer and librettist; \"Do they miss me at Home\" - undated, S.M. Grannis, composer; \"Melodious Excercises for Teacher and Pupil\" - undated, Diabelli, composer; \"Favorite French Air\" - undated, A. Rondo, composer; \"Grande Calse Brillante\" - undated, unknown composer; \" Grande Valse Briliante\" - undated, par F. Hunten, composer; \"Exercises in Velocity\" - undated, unknown composer.","Scope and Contents \"The Master\" - undated, unknown composer; \"The Scholar\" - undated, unknown composer; \"1er repos de L'e'tude\" - undated, unknown composer\" - undated, unknown composer; \"Variations in 4 mains\" - undated, unknown composer; \"Rondino\" - undated, unknown composer; \" Serenade\" - undated, unknown composer; \"Grand March\" - undated, unknown composer; \"Andante Grazioso\" - undated, unknown composer; \"Calse Brillante\" - undated, unknown composer; \"Air Varie A 4 Mains\" - undated, unknown composer; \"Major Scales in Thirds\" - undated, unknown composer.","Scope and Contents \"Prelude in the key of C Major\" - undated, unknown composer; \"Prelude in the key of B flat Major\" - undated, unknown composer; \" Exercises on the chomatic scale in triplets. sixes and C\" - undated, unknown composer; \"Preliminary exercise in common Time\" - undated, unknown composer; \" Scale of fingering in the key of C\" - undated, unknown composer; \"Air\" - undated, unknown composer; \"Broken sixths and Octaves in moving Figures\" - undated, unknown composers; \"Recreation from Study\" - undated, Le Garco Volage, composer; \"Two Duets- introducing the key signatures of G \u0026 F\" - undated, C. Altmann, composer; \"May Time\" - undated, unknown composer; \"Contentment\" - undated, unknown composers; \"Study in broken Chords\" - undated, unknown composer; \"Chord Study\" - undated, unknown composer; \"Etude for elasticity of the wrist\" - undated, unknown composer.","Scope and Contents \"Six Progressively exercises on popular melodies\" - undated, unknown composer; \"Exercises on Chromatic Scale\" - undated, unknown composer; \"Howe's instructor for the Guitar; 1850, unknown composer; \" Etude\" - undated, unknown composer; \" Prie're du Matin de lEnfant- child's morning Prayer\" - undated, unknown composer; \"la Guaracha\" - undated, unknown composer; \"Exercises pour une main\" - undated, unknown composer; \"The Master\" - undated, unknown composer; \"For the Syncopations\" - undated, unknown composers; \"To cross the Hands\" - pour croiser les Mains\" - undated, unknown composer; \"For the Staccato\" - undated, unknown composer; \"For the Double Notes\" - undated, unknown composer; \"Waltz from der Freischutz\" - undated, unknown composer; \"Old uncle Ned\" - undated, unknown composer; \"Camp town Hornpipe\" - undated, unknown composer; \"Le Bal d'Enfants- the Children's Ball\" - undated, Auf dem Kinderball, composer; \" Variations on German Air\" - undated, unknown composer.","Scope and Contents Untitled exercise book, undated, various composers.","Scope and Contents Untitled exercise book, undated, unknown composer.","Scope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 2\" - 1895, various composers.","Scope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 3\" - 1895, various composers.","Scope and Contents \"National Graded Courses for the Piano Forte: Grade 1\" - 1899, various composers.","Scope and Contents \"Oesterle's Instructive Course of Piano Pieces: Book II\" - 1908, various composers.","Scope and Contents \"John M. Williams' Graded Sight-Reading Books: Volume 2\" - 1928, various composers.","Scope and Contents \"The Boston Music School\" - 1871, B.F. Baker, author; \"The Euterpeiad of Musical Intelligencer; and Select Repository of classical and Polite Literature\" - 1823, Charles Dingley, author. \"Address Before the Boston Academy of Music on the Opening of the Odeon\" - 1835, Samuel A. Eliot, author. \"Second Annual Report of the Boston Academy of Music, Read at the Anniversary Meeting\" - 1834, writer, unknown; \"Third Annual Report of the Boston Academy of Music\" - 1835; \"Ninth Annual Report of the Boston Academy of Music\" - 1841; \"Catalogue and Circular of the Musical Institute, Providence, RI\" - 1865.","Scope and Contents \"Balls' Musical Cabinet, or Compleat Pocket Library for the Flute, Flageolet, Volin\" - undated, unknown composers \"Happy Voices\" - undated, various composers \"The Apollo: No. 15\" - undated, various composers \"The Apollo: No. 16\" - undated, various composers \"The Apollo: No. 17\" - undated, various composers \"The Apollo: No. 29\" - undated, various composers","Scope and Contents \"Twinkling Stars\" - undated, G. Lezzi S. and various composers; \"Holy Communion\" - undated, Beethoven and various composers; \"Clarke's New Reed Organ Companion\" - undated, Lysberg and various composers; \"The Soldiers Joy\" - undated, unknown composers; \"Rip Van Winkle\" - undated, various composers; \"Spanish Dances\" - undated, Moszkowski and various composers; \"Album Leaf\" - undated, Dacobe and various composers; \"The First Kiss Waltz\" - undated, Lamothe and various composers; \"Anitra's Tanz\" - undated, various composers; \"A Goblin\" - undated, unknown composers; \"Nineteenth Century (the) Pianoforte: Pieces by representative Composers of the 19th Century, Volume II\" - undated, various composers; \"Valse Hongroise\" - undated, composers unknown; \"Star of the Sea\" - 1883, A. Kennedy and various composers.","Scope and Contents \"Nearer, My god, To Thee!\" - 1882, Richards and various composers; \"Gondoliera\" - undated, Fritz Spindler and various composers; \"Biographical Sketches of Popular Composers and Singers\" - undated, various composers.","Scope and Contents \"Song of the Rose\" - undated, various composers; \"Praeludium\" - undated, composers unknown; \"Elva's Farewell Polka\" - 1851, J.A.G'schwend and various composers; \"La Regata Veneziana\" - undated, Delmar and various composers.","Scope and Contents \"Slumber Song\" - undated, Harriet Grace Mitchell, composer and librettist; \"Somewhere a Voice is Calling\" - undated, Arthur F. Tate, composer, Eileen Newton, librettist; \"The World is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist; \"Smith's All Star Mandolin Folio Number 1\" - undated, various composers; \"The Whitmark Black and White Series\" - undated, Arthur A. Penn, composer; Amsco Music Sales Co. - 1933, various composers; \"Dreamy Melody\" - 1920s, unknkown composer; \"Sing and Dance for New Century in America 45 Years Ago Today\" - 1944, Chicago Sunday Tribune; \"The Convict and the Rose\" - 1925, Betty Chapin, composer and librettist.","Scope and Contents \"Chèrie, I Love You\" - 1926, Lillian Rosedale Goodman, composer and librettist; \"Illuftrirten Allgemeinen Familien-Spielbuche\" - undated, various composers; \"Old Favorite Songs\" - 1903, various composers; Letter from Walter A. Montgomery, September 14 of unknown year; \"There was a Sheep of Darby\" - undated, unknown composer; \"Peter's Selected Catalogue of New and Popular Music\" - 1872, various composers; G. Schirmer music book starting with \"Gavotte\" - 1888, various composers; \"Pianoforte Pieces Representative Composers of the 19th Century\" - undated, various composers; \"A Select Collection of Original Scottish Airs for the Voice, Volume One\" - undated, various composers.","Scope and Contents \"Vocal Duett Album\" - 1883, various composers \"Musical Album Presented by C.D. Kenny\" - undated, various composers \"The Musical Album No. 2\" - 1881, various composers \"The Organ, Volume VII, No. 40\" - 1896, various composers","Scope and Contents \"Community and Patriotic Songs\" - 1917, various composers; \"Christmastide\" - 1925, various composers; \"First Year classics for the Pianoforte\" - 1914, J.S. Bach, composers; \"When All the World was Young\" - 1921, various and unknown composers.","Scope and Contents \"The Vocal Music to Shakespeare's Plays: As You Like It\" - undated, Dr.Arne, composer; Handwritten song book with \"To\" and \"Over the Water to Charley\" - undated, unknown composer; Handwritten sheet of music with \"I Cannot Sing the Old Songs\" - undated, unknown composer.","Scope and Contents \"The Song Folio\" - 1883, various composers; \"that Traitor, Love\" - undated, Joseph L. Roeckel, composer; \"Anthology of American Song\" - 1911, various composers; \"Classic Gems\" - undated, various composers","Scope and Contents \"The One Hundred and One Best Songs\" - 1915, The Cable Company, publishers; \"100 Songs of Scotland (music\u0026words)\" - undated, various composers; \"Songs of the Glenwood Mission Inn\" - 1910, various composers; \"Boosey's Musical Cabinet: A Collection of Standard and Popular Vocal and Pianoforte Music\" - undated, various composers.","Scope and Contents Pocketbook starting with \"Old Hundred\" - undated, various composers; \"The Young Convert's Pocket Companion. Being a Collection of Hymns, with Tunes, Adapted to Each Hymn\" - 1822, unknown composer; \"Booth-Clibborn Dictory Songs\" - 1918, Victoria Booth-Clibborn Demarest, compiler and editor; \"Willing's Pocket Companion, Volume 1\" - undated, various composers; \"Willing's Pocket Companion, 6\" - undated, various composers; \"Willings Pocket Companion, 7\" - undated, various composers.","Scope and Contents \"Munro's 10 Cent Musical Library, Volume 1\" - 1878, various composers; \"A Health to the Outward Bound\" -1843, Alexander Ball and various composers; \"Recreations Pour La Jeunesse\" - undated, various composers; \"Endless Amusement: A Collection of Four Hand Music\" - 1898, various composers.","Scope and Contents \"Vaughn Monroe's Favorite Songs\" - 1942, various composers; \"Tex Ritter: All Star Song Folio\" - 1947, various composers; \"Triangle Song Folio No. 1\" - 1945, various composers; \"Popular Song Hits\" - 1934, various composers;","Scope and Contents \"Italian Opera\" - undated, Don Giovanni, composer; \"Isabeav\" - 1910, Luigi Illica, composer, pietro Mascagni, librettist; \"Christmas Songs\" - 1916, Frederick Niven, composer; \"French's Opera Libretti\" - undated, Linda Di Chamounix, composer; \"Blind Tom\" - 1866, The Negro Boy Pianist, composer; \"La Somnabula\" - 1867, Bellini, composer; \"La Tosca\" - 1890, Mr. Henry E. Abbey and Mr. Maurice Grau, composers; \"The Heard-Bells\" - undated, unknown composer; \"In the Starlight\" - undated, unknown composer; \"I cannot sing the old songs\" - undated, unknown composer; \"The Old Log Cabin\" - undated, unknown composer.","Scope and Contents \"The Army Songster\" - 1864, Geo. L. Bidgood, composer; \"Italian Opera\" - undated, unknown composer; \"Buens Fireside Library\" - undated, Northern Dinsteelsy, unknown composer; \"The Solder's Return\" - undated, unknown composer; \"Scottish Songs\" - undated, unknown composer; \"Scottish Poems\" - undated, unknown composer; \"Burns' Fireside Library\" - undated, unknown composer; \"Popular Confederate War Songs\" - 1907, Whittet and Shepperson, publishers; \"H.M.S. Pinafore\" - 1879, written by W.S. Gilbert, composed by Arthur Sullivan; \"Light Opera Librettos\" - undated, Nanki-Pooh, composer.","Scope and Contents \"The Mikado- and other comic Operas\" - 1885, W.S. Gilbert, librettist, Arthur Sullivan, composer; \"The Mascot\" - 1881, I.W. Norcross, Jr., dialogue and stage Director; \"The Awakened Rameses\" - 1911, Joseph Hudnut, writer, Julius Wuerthner, composer; \"Vie De Boheme'\" - 1898, M. Albert Carre, writer. \"The Awakened Rameses\" - undated, Joseph Hudnut, writer, Julius Wuerthner, composer; \"The Mascot\" - undated, Edmond Audran, composer; translation and adaptation of words to music by, Theodore T. Barker; \"The Mikado and other comic Operas\" - undated, W.S. Gilbert, writer, Arthur Sullivan, composer; \" La Vie De Boheme'\" - 1896, unknown composer.","This series includes sheet music collected by the Special Collections Research Center beginning 2007.","\"I'm sorry I made you Cry\" - 1918, N.J. Clesi, composer and librettist;\"Good Night, Germany\" - 1913, Grant Clarke and Howard E. Rogers, librettists, Geo W. Meyer, composer;\"Three Little Sisters\" - 1942, Irving Taylor, librettist, Vic Mizzy, composer;\"Remember Pearl Harbor\" - 1942, Don Reid and Sammy Kaye, composers;\"Good Night\" - 1944, Dicker Robertson, Al Hoffman, and Frank Weldon, composers;\"Wait for me Mary\" - 1941, Charlie Tobias, Nat Simon, and Harry Tobias, composer;\"This is worth Fighting For\" - 1941, Edgar De Lange and Sam H. Stept, composers and librettist;\"Goodnight Soldier\" - 1943,  Harry Johnson, composer;\"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer;\"G.I. Jive\" - 1943, Johnny Mercer, composer;\"The Bells of Normandy are ringing again\" - 1944, Don Reid and Irving Miller, composer and librettists;\"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer;\"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer;\"Comin' in on a wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy HcHugh, composer;\"Praise the Lord and ass the Ammunition\" - 1942, Frank Loesser, composer;\"Laddie in Khaki\" - 1910, Irvor Novello, composer.","\"If he can fight-like He can Love Good Night, Germeny\" - 1938,Grant Clarke and Howard E. Rogers, librettist, Geo. W. Meyer, composer; \"I'm sorry I made you Cry\" - 1938, N.J Clesi, composer and librettist; \"Prise the Lord and Pass the Ammunition!!\" - 1942, Frank Loesser, composer and librettist; \"Comin in on a Wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy McHugh, composer; \"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer; \"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer; \"The Bells of Normandy are rising again\" - 1944, Don Reid and Irving Miller, composer and librettist; \"G.I. Jive\" - 1943, Johnny Mercer, composer; \"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer; \"He wears a pair of silver Wings\" - 1941, Eric Maschwitz, composer; \"Goodnight Soldier\" - 1943, Harry Johnson, composer; \"This is Worth Fighting For\" - 1942, Edgar De Lange, composer and librettist; \"Wait for me Mary\" - 1942, Charlie Tobias, Nat Simon, Harry Tobias, composers; \"Good Night, wherever you Are\" - 1944, Dick Robertson, Al Hoffman, and Frank Weldon, composers; \"Pictoria Review\" - 1942, Don Reid, librettist, Don Reid and Sammy Kaye, composers; \"Three Little Sisters\" -1942, Irving Taylor, librettist, Vic Mizzy, composer; \"Laddie in Khaki the girl who waits at home\" - 1915, Ivor Novello, composer.","Scope and Contents \"I got plenty O' Nuttin\" - 1924, George Gershwin, composer, Dubose Heyward, librettist;\" Ma Little Yalla Daisy\" - joe Goodwin and Raymond thunder mat, 1910\"Time after time is left\" - 1952, Mitchell Parish, Eleanor Young, melody, Harry D. Squires, composer and librettist composer; \"Carly Headed Babby\" -1926 G.H. Clutsam, composer;\"Negro Spirituals\" - 1922, H.T. Burleigh, composer;\"Little Bunch O' Honeyness\" - 1920, Carl Hahn, composer;\"Cottonfield Dance\" - 1904, Al. W. Brown, composer;\"Mammy's little coal Black Rose\" - 1929, Raymond Egan, librettist, Richard A. Whiting, composer;\"Aint You coming back to Dixieland\" - 1912, Al Jolson, composer;\" Come Back Dixie\" - 1915, Jack Mahoney, librettist, Percy Wenrich, composer;\"Leap Frog\" - 1908, Edwin F. Kendall, composer;\"I'm missin Mammy's Kissin\" - 1921, Sidney Clare, librettist, Lew Pollack, composer;\"Carolina Rolling Stone\" - 1921, Mitchell Parish, librettist, Eleanor Young and Harry D. Squires, composers;\"My Croony Melody\" - 1924, Joe Goodwin and Ray Goetz, composers;\"Creole Swing-Song\" - 1908, Frederick E. Weatherly and Luigi Denza, composers;\"Ma Little Yalla Daisy\" - 1899, Hattie Starr, composer;\"The Black Cat Rag\" - 1910, Frank Wooster and Ethyl B.Smith, composers.\"My old home in the South Land\" - 1904, Mary F. Britton, I.M. Jackson, composers;\"Mighty lak'a Rose\" - 1901, Frank L. Stanton, librettist;\"The Ragtime Violin\" - 1911, Irving Berlin, composer;\"Sweet and Low\" - undated, J. Stanley Royce; composer;","10 pieces: 1 WILL YOU SAY TO MY DEAR MAMMY 1918 – by M. C. Thornton. This is a rare World War I sheet published by the composer in New Albany, Indiana. It shows a mother and a younger women named Cory waiting on a farm in front of a picture of the soldier overseas. 2- GOOD-BYE SAL PATRIOTIC MARCH SONG 1917 – by Ervin R. Miller. Cover art by WALTER SPOUSE. Cover photo of ANGELO MINETTI, THE GREAT CONCERT PIANO-ACCORDIANIST. 3- THE HOME COMING MARCH 1908 – E. T. Paull. Cver art by A Hoen \u0026 Co. of Richmond, Virginia. Images deal with family reunion, sailors homecoming, soldiers homecoming, and father coming home from work! There is also a Pax or Peace Parade as the main image ending a war. 4- I HAVE YOU AND YOU HAVE ME THOUGH YOU'RE THOUSANDS OF MILES AWAY / SOLDIER SONG 1918 – Tell Taylor, Earl K. Smith. Published by Tell Taylor. 5- FAREWELL, MOTHER, I HATE TO SAY GOOD-BYE TO YOU 1918 – Thomas J. Flanagan, Ray Gibbins. Published by the composer in Syracuse, New York. One of the more rare STARMER art covers. The figure of a soldier calling a young soldier away from his mother. The 2 blue star flag flying from mother's house suggests she has a boy in the service. 6- WAKE UP, AMERICA 1916 – George Graff, Jr., Jack Glogau. Cover shows a giant Uncle Sam holding a battleship as the statue of liberty, a dirigible and airplanes appear.. 7- IT'S A LONG, LONG WAY TO TIPPERARY 1912 – Jack Judge, Harry Williams. Cover TOMMY ATKINS. 8- GOOD-BYE MY SOLDIER BOY 1917 – Calla Gowdy Gregg. Self published by this female composer at 6 North Penn in Indianapolis, Indiana, this one is pretty rare. 9-THEY WERE ALL OUT OF STEP BUT JIM 1918 – Irving Berlin. Cover photo BLANCHE RING. Art by BARBELLE. 10-OVER THERE by George M. Cohan. Cover WILLIAM J. REILLY U.S.N. OF THE U.S.S. MICHIGAN.","Scope and Contents \"We are Americans Too\" -1935, Andy Razaf, Eubie Blake, and Charles L. Cooke, composers and librettist.","Scope and Contents \"Anything is nice if it comes from Dixieland\" - 1919, Grant Clarke, Geo. W. Meyer, and Milton Ager, composers.","Scope and Contents \"It takes a long tall brown-skin gal to make a preacher lay his Bible down\" - 1917, Marshall Walker, librettist, Will. E. Skidmore, composer.","Scope and Contents \"Negro Spirituals\" - 1927, Chas. H. Pace, arranger.","Scope and Contents \"On the Gin Gin Ginny Shore\" - 1921, Edgar Leslie, librettist, Walter Donaldson, composer.","William's Colored Singers, The World's Greatest Harmonizing Octette. William \u0026Johnson Proprietors, Cas. P. Williams, Mgr., Chicago. Contains American Folk Songs as Sung by Williams' Jubilee Singers. Biography of the Williams' Jubilee Singers in back.","Scope and Contents E. L. Gamble and Karl C. Kraft: Gamble's Minstrel Song Book. First edition. East Liverpool, Ohio: E. L. Gamble, 1925. Printed softcover with retailer's label, 9 x 12 in., 12 pages. Collection of songs intended for use in minstrel shows, employing typical racial stereotypes. Among the titles included are \"Opening\" (\"Our jokes they are new so those who feel blue we will keep on the go...\"), \"How I'se Got the Ku Klux Klan Blues\" (\"As dey grow stronger mah legs grow longer.... I shiver and shake I quiver and quake when at me they make goo goos....\"), \"Where de Water Melons Grow,\" \"Gibe Me Chicken Foh Ebery Meal,\" and \"Finale\" .","Songster: \"Latest Coon Hit; I Don't Want to Be Your Lady Friend No More.\" Henry Weiman Publisher, New York.","Scope and Contents \"By Sam Coslow and Leon Friedman, Writers of Grieving for You, etc.\" Published in new York, by Robert Norton Co.Other title included is \"Try this over on your piano Gypsie Rose\" by Henry Lodge and Evelyn Rose.","Scope and Contents \"Farewell My Lilly Dear\" a Plantation Melody as sung by Christy's Minstrels written and composed by S.C.F.  Published by Firth, Pond \u0026 Co.  Copyright date of 1851.  Hand sewn binding.","Contains the following pieces of sheet music, most of which feature cover art that stereotypes African Americans. Paper Doll by the Mills Bros I aint bliged to stan no nigger foolin (Cover Only) Honey You'se May Lady Love (Cover Only) At a Darktown Cake Walk Everybody Twostep Rag Lucy (Cover Only) Smoky Mokes Hella Ma Baby Pray for the Lights to Go Out: A Negro Shouting Song Hypnotized Coons (Cover Only) Massa's in the Cold Cold Ground (2 different covers) Darktown Belle Mandy Lane The Sunny South Mid The Fields of Snowy Cotton Memories of the South Carry Me Back to Old Virginny Whistling Rufus Peaceful Henry Old Black Joe Mammy's Lullaby Pullman Porters Parade A Plantation Medley of Southern Airs","Includes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.","Includes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.","Includes Tramp, Tramp, Tramp; Dixie Land; The Battle Cry of Freedom; Marching Through Georgia; and The Star Spangled Banner.","From the musical comedy \"Three Little Lambs.\"","Contains the following pieces, some with cover art that stereotypes African Americans: St. Patrick's Day is a Bad Day for Coons, composed by Irving Jones, sung by Lew Dockstader, published by Sol Bloom, music supplement of Hearst's Chicago American, Sunday, September 8, 1901. The American Song King Edward Asked For, written by Arthur Pryor, the Assistant Director of Sousa's band, pubished by The Sell Music Co., New York, music supplement of Hearst's Chicago American, Sunday, April 19, 1903. Wing Lee's Rag-Time Clock, written and composed by Al Trahern, sung by Mathews \u0026 Bulgerin by the Sad Sea Waves, published by Shapiro, Bernstein \u0026 Vontilzer, New York, music supplement of Hearst's Chicago American, Sunday, September 2, 1900. A Rich Coon's Babe, written by Clare Kummer, published by Howley, Haviland \u0026 Dresser, New York, 1903.","Contains songs for use in \"Special Services Activites by Armed Forces personnel only.\"","Scope and Contents Sheet music about the memories of Greek independence in 1821 by Severin Leoni. The music is subtitled in French \"Souvenirs de la Liberte de la Grece 1821\" or \"Memories Souvenirs of the Freedom of Greece.\" The inscription at the top of the cover translates to \"Dedicated to the great patriot and benefactor of Greece G. Averof. The heroes listed clockwise on the cover include G. Averof, philanthropist; Patriarch Gregory V; Markos Botsaris, general; Konstantinos Kanaris, admiral; Theodoros Kolokotronis, general; and Rigas Feraios, writer, poet, and intellectual. 10 p. of music ; 36 cm.","Scope and Contents Sheet music for the song \"We are Americans Too\" with depictions of an African American Revolutionary War, Civil War, and World War I soldiers. Words and music by Andy Razaf, Eubie Blake, and Charles L. Cooke and published by Handy Brothers Music Company, Inc.","Contains sheet music related to the South, including some specifically about Virginia. There are a few pieces from the Civil War era. Music is arranged alphabetically by composer's last name.","Five Salted Peanuts","Capt. May's Quick Step","Virginia","Sweet Virginia Rose","He's A Rag Picker","Carry Me Back to Old Virginia (two copies)","Peanuts And Diamonds","The Teddy Bears' Picnic","Hot Roasted Peanuts (A Nutty Song with a Crackin' Good Tune)","Wait Till The War, Love, Is Over","Rose of Virginia (Operatic Edition) Rose of Virginia (Fine Art Edition)","Virginia Lullaby","Scope and Contents Henry George Theme Song, \"Smoke All Your Troubles Away\"","Heart-Sickness Blues","Bud Rag","Moonlight on the Melonpatch","How's Your Folks and My Folks Down in Norfolk Town","Virginia Blues (two copies)","Virginia Belle","Virginia Moonlight (woman on cover) Virginia Moonlight (Companion Song to the World Famous Lullaby Time)","There's a Girl in Old New Hampshire Whose Heart is Apart of Me","Peanuts (La Cacahuata)","Tell Them You're From Virginia","'Mid Tthe Green Fields of Virginia","Throwing Peanuts to the Moon","Scope and Contents Songs of the Old Dominion No. 1: The Moon is Dancing on the Sea Yes, I Will Leave the Throng With Thee, Answer to \"Oh, Share my Cottage, Gentle Maid\"","Texas","Old Virginia Moon (with ukulele arrangement, blue cover) Old Virginia Moon (green cover, two copies)","Pray, Maiden , Pray!","The U. Va. Two-Step","Watermelon Club","Virginia Lou","I'm Going to Climb the Blue Ridge Mountains Back to You","Temptation Rag","Watermelon Man","She is the Sunshine of Virginia","Billy","Billy Boy","When It's Harvest Time in Peaceful Valley","Melinda's Wedding Day","The Lord Made a Peanut","At a Georgia Campmeeting","Shenandoah","Watermelon and Friends","Chariot Race, or Ben Hur March (Tears in music stitched and note from composer's friend on inside of cover)","Melon Time in Dixieland","I'm Gonna Bring a Watermelon to my Girl To-Night","Heart of Virginia","Virginia Moon (Waltz-song)","An Old Fashioned Garden in Virginia","The Peanut Vendor (El Manisero)","A Tale of Old Virginia","Under the Anheuser Bush (two copies)","Watermelons- Songs for Living","When it's Springtime in Virginia","Watermelon Weather","Peanuts! 5 a Bag","Carbalick Acid Rag","Memories of Virginia (Two copies)","Down Old Virginia Way (Operatic Edition)","Cover Me Up with the Sunshine of Virginia","Contains sheet musicrelated to Virginia and love songs. Some of the songs featured are \"And Wilt Though Weep?,\" 'Princess Pocahontas,\" \"Here's to you Henry Clay,\" and \"La Belle Virginienne: Composed and Dedicated to Mademoiselle Sally E. Taylor of Norfolk, VA.\"","La Belle Virginienne Valse (Binding hand-stitched)","The Ashland Memories","Princess Pocahontas (March and Two Step)","Researchers should consult with a staff member for further information in advance of using this series. Some of the sheet music in this series has pieces of paper with braille glued to the front page. Boxes 1-111 contain single song music by composer; boxes 112+ hold sheet music from music books and are filed by Publisher.","Organist of Pierpoint Baptist Church, Brooklyn, New York Hear Our Prayer Le Reve D'Amour with cover art La Coralie Polka Scottisch The Princess Waltz","Gems of German Songs Sing Tutor Oh, Ye Tears When the Swallows Homeward Fly Thou Art the World to Me Embarrassment with cover art of Minnie Palmer Fly Away Birdling Dear Angels Sleep thee Well Sweet-Heart, Good-Night Agatha Sleep Well Thou Sweet Angel Wanderer's Song Ask Me How much I Love Thee Il Sogno Stay with Me Good Night My Child Maiden Arise! Not a Sparrow Falleth She Whispers Softly Goodnight Der Fragft: was fingen die Voeglein all?","Christmas Song O Christmas Night Le Diable-A-Quatre Polka","Don't Be Angry Mother Scotch Air","A Warrior Bold - cover art The Mid Shipmite with ads from R.H. Macy","Picture of Comm. Enrico Caruso","known also as The Prima Donna Song; arranged and adapted by Chas.Jarvis","from Bellini's Admired Opera of Il Pirata","La Flute Magique Rondinos Bouquets de Melodies des Operas Il Trovatore","cover art","cover art","photo on cover","hand written music sheets included","photo of Allen on cover","Souvenir edition for Army Air Forces Leave Hotels on French Riviera","Hand written music sheets with hand designed cover art","Tis Midnight Hour with cover art Constancy","Larmes of Joie Katie's Secret","Cover Art","cover only","covert art","Somebody's Coming Oh Give Me the Hills My Gentle Isabel Oh! the enchanting delight","cover art","Ecstasy The Meeting - cover art L' Arditia","Treasures of the Deep One Struggle More","Mexico","Cover Art Madrid ,Spain","Cover Art","cover art: photo of Julio Martinez Arteaga Bolivia - Spanish","Marie Martha Happy Greetings Pepita Polka Snow Castles Marche De La Reine Mazurka des Traineaux, Chanson a Boire de La Promise La Cascadde de Roses Les Fifres de La Garde Sans Souci Galop De Bravoure","Bolero Waltz Come o'er the Moonlit Sea Dark Eyed One Dinna Forget You Say We Part Forever Come and Wander With Me Oh Yonder Rock Reclining March (Masaniello)","Mexico - Spanish","Italian Photos on cover","Sweet Lucy May My Dear Old Home Whom will the Shoe fit (The Maiden's Vow) I'll do as Much for You Eva Clair Dispel Those Clouds That Sorrow's Cast","Mexico - Spanish","Spanish - Barcelona, Spain Cover art by J. Casals","Christine - cover art My home by the mountain side The Cot by the Hill - cover art","Drei Lieder ernsten Inhalts - German Kirchenkantaten Meditation Dir ersten Bach-Studien Klavierkompositionen Bourree Das Wohltemperite Klavier Gavottee Willst du dein Herz mir schenken","London","Orphan's Prayer The Maiden's Prayer - cover art La Priere Dune Vierge - French version of the Maiden's Prayer Gebet einer Jungfrau - Germany","Centennial March - cover art I'd be a Butterfly","cover art","The Sailor's Grave The Little Sailor Boy's Lament The Happiest Time is Now My Home in the Greenwood The Barber's Shop The Mountaineer's Farewell My Trundle Bed Moonlight Boat Glee","Once a Dear Blue Eyes or Black Prima Donna Waltz Vilikins and his Dinah Laura's Linnet Jeannie Marsh of Cherry Walley The Sparkling Polka Lucrezia Borgia Quadrille Marseilles Hymm - cover art Guardian Spirits","Then You'll Remeber Me I Dreamt I Dewlt in Marble Halls - Cover Art The Light of Other Days is Faded The Sailor Sighs Pity for the One in Childhood Torn Come into the Garden, Maud The Day is Done Heart Bowed Down Oh Shall we go a Sailing Oh, Take Me to Thy Heart Again Don't let the Roses Listen Good Night, Good Night Beloved Excelsior Come into the Garden Maud Hark! I Hear the Organ's Peal!","I Dream of All Things Free When Stars are in the Quiet Skies Tell Him I Love Him Yet Oh, I come Not to Upbraid Thee","Italian","Das Konigsballet","German and English","Dear  Love, Be True Darling \"Tis You","Mary Gray The Gypsie's Festival","Der Herr is Mein Hirt - German Marcia Fantastica Albumblatt","I am Returning to Thee, Annie Snow White Blossoms I'm Leaving Thee in Sorrow, Annie The White Squall The Haunted Stream Where are the Friends of My Youth? Why do Summer Roses Fade Would you Leave me to Mourn","O bury me by the river's side Silently, tenderly, mournfully home","O That I Had Wings Love Not Waltz Give Me another Flower I Love Thee Still","I Spring-Tine When the Tide Comes In My Golden Ship","The Days of Old Romance Le Matin (Polka)","The Highland Minstrel Boy Moonlight, Music, Love \u0026 Flowers My Father Land Guard Her as a Treasure The Light Guitar Why Do I Weep - cover art Galopade from Gustavus By the Flowing Guadilquiver I wish I had a Little Bird Why Say Farewell!","Don't Stay away so Long Little Footsteps - cover art","I Oftern Sigh in Sadness Love's Regret","The Dying Girl's Farewell Novelette Quickstep","I Would That My Love - German and English Lieder Ohne Worte The Wedding March Trois Fantasies","Sing to Me Nightingale The Village Quick Step","Sweet and Low There is a fountain fill'd with blood Don't Care Tarantella","Silvery Shower Biscaccianti Waltz Breakfast Bell Polka Salut a La France Ever Be Happy! The Dearest Spot on Earth to Me Is Star of the East Garnet I Will Care for Mother Now Martha Rendezvous Mazurka Long Long Weary Day","Bilder in TonenGerman with cover art Rondo Mignon","Long Long Ago I'd Be a Butterfly We Met No Ne'er Can Thy Home Be Mine The Self Devoted Nun The Musical Wife","French cover art and photos","Ah! Yes I Remember How Sweet are the Roses","Le Me Be Free Melodeon Hall Schottische Paddy Carey Polka Knight Templar March Speak Not that name so Lightly Lilly Dale","The Whispering Trees The Image in the Heart","Sonaten Sinfonies Grand Landler Waltz Beethoven's dream Cactus Waltzes Les Audieux Azalia, or Almacks Waltz","Rondo Sonate Symphonie Nr. 2 Symphonie Nr. 8 Beethovens Last Waltz Funeral March with cover art Oh! God Thy Goodness Vienne March Minuet in G Grand Waltz Sonatine Sonaten Op. 10","Irrlichter The Jolly Trumpeter Galop","German","Italian","Take Them I implore Thee Hear me Norma Wher eare Now the Hopes I Cherished Sunbeam of Summer Oh Love for Me Thy Power Ah Bello a Me Ritorna Still so Gently o'er Me Stealing La Sonnambula Ah! non giunge Grand March in Norma","Linda Dumbarton's March 20 Joys (collection for Piano Fairy Dances Highland Fling Lilly Dale Starlight is Beaming I've not a thought but what is Thine Starlight Waltz","Night Fall Schottisch Hyazinth Schottisch The Young Recruit Quickstep La Favorita Domino Gallop Starlight Waltz Sleeping I Dream Love Blanche Alpen Waltz The Snowflake Schottisch The Dearest Spot of Earth Friendships Polka","Rocking Chair Polka 'Tis Midnight Hour Les Bords du Rhin A Good Old Fashion Polka St. Patricks Day Waltz Il Travatore Yankee Doodle The Wizard's Polka Schottisch Quickstep Lily Dale March di Bravura Poliuto","Bridal March La Fille du regiment Gentle Annie Friendship Waltz Bon Ton Polka Clara Polka Le Torrent Waltz Martha Potpouri Polka Joyful Waltz Little Darling Sack Waltz Chit Chat Plain Cotillion","cover photo","Wait for the Wagon Hope Be Thy Guide","The Atlantic Polka By the Sad Sea Waves Take this Lute - cover art The Cruiskeen Lawn","cover art","English and French","The Sands of dee Octave Galop The Tremolo Waltz Linda di Chamounix Les vespres Siciliennes La Traviata","covert art","Italian and English","Italian","German and English versions","Ernani Rondeau Polacca Rondeau La Muette de Portici Teufel's Polka Balisario The Evening Star Waltz Parade March Martha de Flotow Lucia di Lammermoor","La Fille du Regimment Salut a la France The Evening Star Waltz O Wert Thou But Mine Own Love Fleurs Italiennes Elfen Waltz Second March Martha Norma Ernani","Lucrezia Borgia Maniac or Pestal Waltzes Le Prophete Evening Star Waltz Last Waltzes of a Madman Azalea Polka I Puritani Faust de Spohr","Bouquets de Melodies OP. 42 - Cover art Belisario Post Horn Polka Evening Star Waltz La Sonnambula Opera Guillaume Tell de Rossini - cover art Fleurs Italiennes","Toujours Mobile Galop Faust","Marguerite - cover art Take Me Jamie dear","Home! Sweet Home - cover art I'm Saddest When I Sing Sweetly O'er My Senses Stealing! Teach, oh teach me to forget! Isabel Oh! My Bravest and Best I Resign Thee The Mistletoe Bough The Bloom is on the Rye Friendship Polka I Never lamed Him Never Go My Love Hark! 'tis the Indian Drum Bonaprate's Coronation Drum Oh! no I'll never mention Him Should He Upbraid Low wav'd the Summer Woods Tell Me My Heart Sounds so Joyful Ne'er can the Rose Dashing White Sergeant Myn-Heer Van Dunce Tho' tis all but a dream I'm Saddest when I sing If I speak to thee in Friendship's Name My Pretty Jane As it Fell upon a Day As the Robin When Once Fondly Cherished You Think I have a Merry Heart Sweettly O'er my Senses Stealing I'm Queen of A Fairy Band","Pretty as a Picture - cover art The Moon Behind the Hill leaf By Leaf the Roses fall Kittie Wells","\"Tis Sad to Think Upon the Joyous Days of Old By-Gone Hours Miss Myrtle","On the Bright Shores of Gold A Dream of Love - Cover Art Waves of the Ocean - cover art Sweet Dora Dare - cover art Watching By the Golden Gate - cover art While the Siver Tints the Gold - cover art Song of the Fisher Maiden - cover art Clayton's Grand March","Oh would I were a Bird I'm Glad Father's Come! Blue Eyed nelly","cover art","cover art","The Keepsake - Cover art Dagobert Alpine Morning Nannetta Polka les Bords Du Danube","Remember Me - cover art 48 Etudes","True Love Lives Forever Wery Pekoollar","German; cover art","Lora vale Remembered","The Blind Flower-girl's Song List, to the Convent Bells Love Not! Hearts and Homes Yesterday Household Words","A Favourite French Air Michelson's Celebrated Waltz","The Bend of the River Chant du Cigne My Queen Marche Militarie My True Love has My Heart The Message","covert art","The Triumph of the Waltzes Heaven to You May Grant Pardon Porter Sons Ah! Would that Happy Day Were Near - cover art photo of Anna Bishop","Silhouetten La Fontaine Heimweh At even-prayer ; remember me - English and German","Goodbye Douglas, Tender and True the Sea has its Pearls","French and English","Italian","cover art","photo on cover","The Lament of the Blind Orphan Girl Victory at Last","Italian, German, English","Take My Arm the Other Side Quadrille","Serenade-OP.11 Fruhlingstrost - Comfort in Spring Op. 63 german and English Vergebliches Standchen Mein Madel hat einen Rosenmund When thy Bosom heaves the Sigh Sextett Op.18 Ungarische Tanze Capriccio Op.76","Oriental Waltz Carmac Polka","photo cover","Golden Light Polka Oh!home of my boyhood Mountain Horn Waltz Pleyel's German Hymn","Bring Back Our Darling - cover art Jockey Hat and Feather - cover art Nellie Ray Answer of Molly Darling","German and English","Fantasie Op.55 Funf tonstucke verschiedenen Charakters nebst drei Postludien Op.61","Woodlawn March Dream Life Schottish Midnight Scottisch - covert art The Rival Scottisch May Party Waltz -cover art Will You Come to My Mountain Home? cover art Oh Come Maidens Come Oh No I'll N'eer Forget thee The Sultan's Band March Love Not Bonny Eloise Polka Midnight Rhymes - covert art Happy family Polka - covert art Pride Polka - covert art Minnehaha or Laughing Water Polka - cover art Early Dawn Polka -cover art Hullabaloo Quadrille","Tyrolese Evening Hymn Come to the Sunset Tree","Rondo from la Sonnambula Der Froliche Tanzer 30 Petites Etudes pour Piano","French- colored cover with photo","Te Deum in B Minor Down by the Mill","The Diana Waltz The Ocean Wave Waltz","The Great Hen Convention Dixey's Land Darling Little Blue eyed Nell Little blue eyed boy Yes, we miss thee First Rose of Summer Kiss Me Quick and Go Ella Leene","Jolly Brothers L'Avant Coureur Galop","cover art photo","Marching Along Quick Step Rory O'Moore Quick Step","Fee Aux Roses Valse de L'Aurore Rondino Rondo Irlandais Rondinetto Marche de la Norma Le Juif Errant Pharsalia Waltz Bolero sur le Domino Noir La Fete au Couvent - cover art Fantaisie Sur la Romance The Linden Waltz La Fontaine auz Perles - cover art Cujus Animam March Crociato Bouquet de L'infante Angel of Night Cantarile et Rondo Valse","Colored cover art","Cinderella Waltz Oh Welcome the Hour from Catherine Grey","ZaZa - French - covert art Elle Avait des Soquettes - cover art","Italian","Italian","Weep Not O Rose See the Pale Moon Come Where the Sunlight Sleepeth Vieni Meco Tell me Thou Lovest Me","Italian","covert art","Love Moon J'aime Mon Amour - cover art","Mexico","Ring the Bell Softly Darling Minnie Lee I'd Offer Thee this Hand of Mine When the Whippoorwill is calling","Italian","Espana Tabasco March Habanera","Miller's Daughter - cover art Three Little Songs","Nancy Till The Black Quadrilles","Automne Les Noces D'Argent","I Wandered on the sea-beat shore (Shells of Ocean) Moonlight on the Ocean Will You Leave the Land, Jessie? Trees of the Forest How beautiful is the Sea When the Autumn leaves are falling","Chanson Pour Jean Le Cantique De Justice John's Lullaby","Old Folks at Home Susan Rayne","Deux Polonaises Op. 26 XXI Op. 25 Mazurka No. 1 Vier Impromptus Trois Valses Op. 64 Fantaisie-Impromptu Op. 66","Cover Photo","I cannot Sing the Old songs My Heart is over the Sea Five O'Clock in the Morning Faithful to Thee Maggie's Secret Maggie's Welcome - cover art Strangers Yet Take back the Heart We'd Better to Bide a Wee Won't You Tell Me Why Robin All Along the Valley","Poor Juna Rock of Liberty Meet Me By the Running Brook Minnie Minton Under the Ice Do not Sing that Song Again The Rover's Grave Jenny June The Sword of Bunker Hill I Live for Those Who Love Me The Old Mountain Tree Lament of the Sailor Boy's Mother","Sonate Op.36 Sonate No. 3 C. Sechs Sonatinen Sonata Nr. 18","Sweet Peace The Old Arm Chair The Bowery Gals The Last Link is Broken Slumber Sweetly Slumber De Louisiana Belle Stars of the Summer Night Rose Atherton The Last Link is Broken","cover art","covert art","cover art","cover art","cover photo","cover photo","cover art","The Grave of Uncle True The Grave of Lily Dale Dearly Do I Love Thee Dream of Other Days Lizzie Moore Why Don't He Come Thou Wilt never meet me more","The captain Grand March","Judith The May Queen The Holiday The Valley of Roses","Farewell The Rock Beside the Sea - Cover art Ever Speak in Tones of Kindness Northern Grand March Aileen Aroon Deal Gently with the Strangers Heart A World of Love at Home We Miss Thee at Home Susy Dear The Death of Minnehaha","Spring Season Polka Three Bells Polka","Dear Violetta Loves Ritornella Gustavus the Third","The Chatsworth Quadrilles Mugby Junction Galop","Beautiful Air The Harp That I Strung","Ecco Quel Fiero La Stella D'Amore","I Have Something Sweet to Tell You I Hear Thy Words So Tender Beck's Very Best Schottisch","Tarantelle Celluloid Polka-cover art","She is Sleeping, Sweetly Sleeping The Dismal Swamp","Sweet Love of Mine - cover art It Was a Dream Alas! The Old and Young Marie","Thou Still Art Near to Me Meet Me at the Lane","Last Idea of Weber The Lat Rose of Summer Le Desir","Frederick Polka Il Desiderio Lucrezia Borgia De Donizetti","Marche Turque Rousseau's Dream Etudes for Piano The Celebrated Studies","cover art","The Orange Blossom Waltz The Talpahok Waltz The Good Hope MArch","L'Hirondelle et le Prisonnier Une Voix Dans La Nuit","Lovely Nell I Forget the Gay World Dreams of Thee The Grave of Washington Dearest Mae","Pray Child then Pray - cover art Ernani","Kathleen Mavourneen - one hand written copy; cover art Dermot Astore! The Fountain of the Glen The Church Porch Sing to Me Norah The Three Caskets Her I Love I feel I'm Growing Old Lizzie","See Saw Waltz Little, Saucy Kate -cover art","Johnny's so Bashful The Angels Told Me So Captain Jinks Quadrilles","Had I Never, Never Known Thee The Arkansas Traveller Thou wouldst call me Back from the Echoless shore","Trust to Luck Juney at the Gate","Sweet Alice in Heaven the Sunshine in You The Sylphide Polka","Oft in the Silly Night The Carol of ther Mocking Bird Schottisch Hindoo Slave Girl","Four Operatic Quadrilles Theme of Mozart Petits Rondeaux et Variations Marche de Couronnement Air from Puritani Variations Elegantes; #3,#4,#6, #9,#11,#14,#15, #17,#19,#22, #23 Fantasia The Poor Blind Boy Theme de Ricci; Voi Mirate in Si Bel Giorno","Vorschule zur Fingerfertigkeit Six Operatic Overatures Six Popular Airs Two Quadrilles Royales Elfen Waltz March from Moses in Egypt Les Plaisirs du Salon Quadrilles Air in Mozart's Zauberflote The Swiss Drover Boy Le Pre aux Clercs Galop 30 Etudes Mecanisme","Schule der Gelaufigkeit Exercises in Velocity Souvenir de Jenny Lind Long Time Ago Dix Petits Rondeaux A Selection of Popular Airs","Stephanie-Gavotte En Avant Lover's Dream after the Ball","The Coquette Polka Home Sweet Home The Sontag Polka - Color cover art The National Schottisch Palermo Quadrille","Good Luck Polka The Flying Cloud Como Quadrilles The Bridal or Wedding Polka The King Pippin Polka The Rainy Day Song The Princess Royal Polka The Circassian Polka The Lute Waltz Bonnie Dundee The Edinburg Quadrille The Queens Galop Paul and Virginia Galop","Das Madchen und der Schmetterling Mittelalterliche Venushymne","cover art","Flee as a Bird The Past! The Past!","Romance Berceuse","Go Where the Mists are Sleeping Maiden! awake from thy slumbers","Silver Threads among the Gold When Silve Threads are Gold Again Little Face You Are Always Young to Me What were all the World Without thee? Half a Heart We deck their graves alike to day Christ is Risen-He is the Lord Hail the Lord Our Savior - cover art As thou Wilt Angel of Beauty Have I Not Been Kind to Thee? cover art Scatter Sweet Flowers o'er the Dead Heart Longings Don'r Be Angry with Me Darling","cover art","Babina Innamorta - cover art non dimenticar le mie parole - cover art","7eme Air Varie Airs Varies pour Violon Second Concerto Le Tremolo Douze Melodies Italiennes","Brindisi Octoroon Galopp","La Fille aux cheveux de Lin Jardins sous la Pluie Deux Arabesques Golliwogg's Cake-Walk Ministrels","cover art","Let Us Love One Another The May Queen The Blind Boy - cover art When the Night Wind Bewaileth The Lament of the Irish Emigrant-cover art I'm Alone, All Alone The Rainy Day Annie Laurie The May Sun Sheds an Amber LightThe Rainy Day","When the Swallows Homeward Fly La Prima Donna Valse","Les Adieux Spanische Tanze","cover art; Russian/Cyrillic","Songs of the Gondola Wings of a Dove","cover art","cover art","28 Melodious Exercises Sonatinen, Op. 151. 168 Largo al Factotum","'A Sciurara Duorme Mari - photo art Enrico Caruso - photo art","Ossian's Serenade The Whitw Mountain Serenade","Elizabeth Schottisch The Lancers Quadrilles Ferris' Quick Step - cover art The Cally Polka - cover art Ocean Wave Quick Step - cover art The Young Bachelor's March","Elizabeth Scottisch Bell Polka - cover art","cover art","Marjorie's Almana - ccover art He Thinks I do not Love Him","The Old Clock on the Stairs The Bridge - cover art The Brook","Motivo d'Amore - cover photo io che non vivo - cover photo","cover art","Child of the Regiment I Saw Her on the Vessel's Deck Lucrezia Borgia O Mio Fernando My Sighs Shall on the Balmy Breeze Nuits d'ete a Pausillippe Figlia Del  Reggimento It's Better to Laugh Make Me no Gaudy Chaplet Life Has no Power While Thus Around Joy Hovers Lucia di Lammermoor Life Has no Power Would you know my Worshipped Idol Spirit of Light The World is Full of Beauty Il Canta Italiana Search thro' the Wide World O to the Field of Glory I'll Pray for Thee Salut a la France","Rayon du Soleil Martha","cover art","I Can-not Live Without Thee I Live, Love! But for Thee","The Silken Bands Pensez a moi ma Chere a mie","We were Happy Then The Old Thatched Cot I went to Gather Flowers","Mary Blane Summer Evenings Come Where My Love Lies Dreaming \"Tis the Last Rose of Summer Swiss Cottage Post Boy Polka Winter Evenings Red Rover Quick Step Cruiskeen Lawn I was Poor but I was Happy Swiss Cottage Twas Night and All Around","O Salutaris Ave Verum","Annie Laurie Will Ye Come Back Again","1re Valse 6eme Valse","Canzonetta Sonte in B dur","Pleasures of Home Speed the Plough","Attila Gustave","12 Clavierstucke Silhouellen Bible Song No. 4 (handwritten) Slavische Tanze Biblische Lieder","Mr. Tambourine Man (French) With God on Our Side (French)","The Mellow Horn The Kettle and the Clock We Have met, Loved, and Parted Home is not Home without thee The Brown Jug Hoe the Gates Came Ajar Meet Me with a Kiss","Cousin et Cousin Du Plus Belle! Perce-Neige La Blondine","La Gaiete The Ethiopian","Button-Hole Boquet - cover art photo Hush A Baby Bye - cover art photo Sunshine will Come Again - cover art photo Santa Clause - announcement and song with photo","I Hear the Angels Calling My Idol Home When the Hues of Daylight fade","Burst, ye Apple Buds! At the Sea-shore","Sweet Violets Flee as a Bird Brothers Lullaby Fritz, Our Cousin-German","cover art","Boscobel Waltz Lattice Quick Step Good-Bye Wandering Sprite - Cover art The Separation The Ianthe Waltz A Twilight Thought Emniskillen Polka Oh! Come to the South","covert art","Bolero La Carnaval de Venise","D'Rauf Los! Goldfaden! Kaiser-Jubilaums-Marsch","Dear Heart Sweet Long Ago","Angel of Light, Favorita Annie Lisle La Mandala - cover sheet only The Gypsy Boy Welcome Soldiers! Thou Art so Near The Reaper's Polka Good Night Fair Maiden Carena No One to Love","One copy has hand written notes that appear to be poetry dated Sept. 19th, 1919(?)","Forget Thee, Dear Susie A Young Maidens Thoughts There's a Cot in the Valley Our Paths were once together Cast","Le Donne Comm'e' Bella 'a Stagione","dedicated to the Harvard Class of 1837","Panis Angelicus Ecce Panis Les Rameaux","Up and Away Wildfang Blattlein im Winde Walzer Rothkappchen-Polka -cover art","includes some handwritten notes in Italian","Im Fruhling Abschied In der Nacht Andre Liebe The Wanderer Gegegnung","Haydn's Gypsy Rondo Grecian Rondo","When I saw Sweet Nellie Home Liberty and Union","cover art","cover art","Lizzie Dies To-night Suffer Little Children to Come unto Me Little Ella's an Angel Nelly Bly Old Folks at Home My Old Kentucky Home, good night Fairy Belle Maggie by my side Massa's in the Cold Cold Ground - cover art Hard Times Come Again no More Beautiful Child of Song Nelly was a Lady File includes some posters without music","Willie I have Missed You - cover art Partenia to Ingomar Old Black Joe - cover art Beautiful Dreamer Under the Willow she's Sleeping Why Have My Loved Ones Gone? Gentle Annie Eulalie Come Where My Love Lies Dreaming Old Dog Tray","Fire Fly Polka Cottage Polka Syracuse Polka My native Land Good Night Mountain Zephyr Sounds from the Valley Syracuse","Over the Garden Wall - cover art Guild Polka Militaire - cover art","Little Annie Polka Mireille - Galop Polka Ideale","The Lanciers The Fishermaiden - cover art","Colored cover art","The Deep, Deep Sea Little Snow White Hands","Across the SeaBye and Bye Only Weary Oh Willie Boy Come Home The Old Journal Song When Sparrows Build When the Pale Moon arose last night","covert art","Sing Birdie Sing Nightingales Trill By Rippling Brook or stilly pond-Forget Me Not","cover art","O Fair Dove, O Fond Dove True Till Death","Ritmo Facinante Liza Alguien Me Ama Hazio Otra Vez","The Virginia Rose Bud Shells of the Ocean We are coming Father Abraham","Alice I'll Come to Thee Little Tottie's Prayer - cover art","I left Thee Where I Found Thee Love Allen Adale","Kathleen O Moore Kate Kearney","Good News From Home Academy Polka Oh let me dream of former years","cover photo","I Love Thee Yet The Orange Blosson Bridal Song - cover art Home: Where changes never come Be Watchful and Beware The Rose of Tralee Do They Think of Me at home Jeannette and Jeannot - cover art Under the Mistletoe Matrimony When we are Married My Own gentle Mother The Monks of Old Wandering in the May-time Fierce Flames ar Raging Sunshine and Cloud From Our Merry Swiss Home Kitty Tyrrell - cover art The Cavalier - cover art The Merry Merry Vintage Maid The Flower Queen","Che Faro Senza Euridice Iphigenie in Aulis","All Things are Beautiful Annie O'The Banks O'Dee Beautiful Erin Beautiful Moonlight Beautiful Star Blanche Alpen Blind Girl to Her Harp The Christian Graces - Cover Art Come to the Woods The Depths of the Ocean The Dove Down Among the Lillies The Dream is Past Faith Hope \u0026 Charity Floating on the Wind","Gently Signs the Breeze - covert Art Gipsy Countess The Gipsy's Dream The Gipsy Girl Give Me a Cot in the Valley I Love A Home that I Love Hope and the Rose A Home that I Love How Can I Leave Thee?","I Love thee Merry Sunshine I would Not die in Winter In the Starlight Lassie with the Hazel Eye Lays of the Night - cover art Mary Astorr Mother Can this Glory Be Murmuring Sea Music \u0026 Her Sister Song My Heart is Sad To Day Neath the Greenwood Tree","The Old Tune Our Beautiful Mountain Home O'er the Hill, o'er the Dale Ruth and Naomi Song of the Skylark's The Song of the Zephyr Stars of the Summer Night Susette \u0026 Beau Joe Tell Me Where Do Faires Dwell There a Sweet Wild Rose The Two Forest Nymphs Two Merry Alpine Maids Valley of Chamouni Voices of the Night What are The Wild Waves Saying Why do you Watch the Lone, Lone Deep? The Wind and the Harp The Young Vocalist - cover art","L'Aimable Cavorre","Au Matin Danse d'Almees Pan's Flute","Danse des Gnomes Scaramouche","The Usurious Lover A Woman's Love Deep in the Heart","Marche de Nuit - cover art Pastorella e Cavalliere Slumber on Baby Dear","Ave Maria Celebrate March from Faust Dodelinette Evening Faust Fantaisie brillante Faust Waltz Song Jesus of Nazareth Le Parlate D'Amour The Maiden's Prayer The Marionettes' Funeral March Medje Nouvelle Meditation Parlate D'Amour Pilgrim Reine de Saba Rome o e Giulietta Saltarello Salve DiMora Casta e Pura (Fausto) Sing, Smile, Slumber Soldier's Chorus Tell Me Beautiful Maiden Why Fade so soon sweet blossoms","The Austrian Retreat Bold Soldier Boy Les Bords du Delaware Bright Dreams of the Past Campbells are Coming Charity Departed Days Dearest Spot of earth to me is Home Elysian Dreams Evening Song to the Virgin From Greenland's Icy Mountains","Grand Russian March Henrietta Polka Home Sweet Home - cover art Hopeless not Heartless The Hour for Thee and Me How Sweet are the Roses Jenny Linds Favorite Polka Ladies Pets La Donne e Mobile Lindiana Linden Waltz Listen to the Mockingbird","Maggie By My Side The Marvelous Work Mazeppa La Nottee Bella Oft in the Stilly Night Old Folks at Home One Parting Song and then Farewell Over the Summer Sea","Saint Patrick's Day Sebastopol Shells of the Ocean Signs of Love Sounds from the Catskills Sound the Loud Timbrel Sources of Joy The Stars and Stripes forever The Sunshine of Love Spirit of Love, Spirit of Bliss The Watcher Wings of a Dove Wearing of  the Green Whip-poor-will's Write Me a Letter from Home","Farewell Ask if I Love Thee Goodnight Goodnight Beloved","Alethea Little Wide Awake","cover Art","Klavierstucke - Opus 41 Lauf der Welt Sonate Op.7 Holberg Suite Opus 40 Klaviersonaten Hochzeitstag auf Troldhaugen Berceuse The Shepard Boy Arabischer Tanz Holbery Suite Schmetterling Opus 43 Zweite Orchestersuite Lyrische Stucke","Pleasant dreams of long ago I am lonely to=night","Nelly wants to Marry Young Folks from Home","I'll Hang My Harp on a Willow Tree Oh! Would I were a Girl Again","The Lover and the Bird Look on the Shining Sea La Notte e Bella Il Cielo e Te!","Premierre Mediation The Practical Organist Noels Choral Scherzettino Marche Hongroise","Blanche I do Love Thee The Tear Tell Me! Tell Me! Birdie Wild Ye merry birds song Cheerfulness The Angels The Little Mendicant Ye Pretty Birds","The Fest March Sounds from Home","Gentle Lilly Bell Blue Eyes Scottisch","The Cracovian Maid Love On Come Hither with Me, O'er the Moon-Lit Sea - cover art The Rose will cease to blow","L'heure Exquise Fetes-Galantes-cover art","cover art","Who'll buy my Pretty Flowers Pretty Pong Lillies","Darling Nelly Gray Little Tillie's Grave Angel Nellie or Waiting at the Old Linden Tree","I Know that my Redeemer Liveth - cover art Lord Remember David Concert fur Violine und Pianoforte bearbeitet Ombra mai fu Angel's ever bright and fair The Harmonious Blacksmith Menuett","Memories of Mother Calling Can the Lord Depend on You? Some Day Sonn I'm a Poor sinner Who could it Be? Only Jesus","cover Art","Ever Onward! Call me Pet Names","cover art","The Blue Bells of Scotland Let Me Rest in the Land of My Birth","No One to Love Etty Way Dilly Burn","Hassler's Polka Royal Horse Guards Chinese Galop Society Schottish Shadow Dance","The Sailors Return Goodbye Sweetheart, Goodbye The Beacon that Lights Me Home Simon the Cellarer Old King Cole","How Sweet are the Roses - cover art Whispering Hope What is Home without a Mother? The Chimes of the Monastery Listen to the Mocking Bird Pray Tell me the wish of thy Heart I am Dreaming of the lov'd ones Mercy's Dream - cover art Dreams that charm'd me when a child I set My Heart upon a Flower What Care I!","Symphonien Largo de la 16e Symphonie Sonates Messiah Spirit Song Thou Lingering Star with Less'ning Ray Menuet from Symphonie no 11. Alegretto Pleasing Pain Rondo+","Pat Malloy Six Popular Dances for the guitar","Mollie Darling -cover art Evangeline - cover art Write Me a Letter from Home - cover art Darling Weep no More - cover art Kiss Me good bye darling - cover art Shamus O'Brien We parted by the River side Down by the Deep Sad Sea You've beena Friend to Me Yes, we think of thee at Home Katy McFerran My dear Old Sunny Home- cover art Take Me Back Home - cover art Nobody's Darling - cover art Nora O'Neal","The Burial of Mrs. Judson The Grave of Bonaparte","Little Daises 30 Etudes Progressives op. 46 Oeuvres de Piano","Just Once More! A Summer Night, Waltz Champagne Gallop Coterie Polka Der Wildfang The Skaters Mazurka","Romance Sans Paroles Marguerite","Evening Song to the Virgin The Child's first Grief The Messenger Bird","La Manola Lola Polka Deux Languages Tais-Toi Mon Coeur - cover art","When Alll the World is Young, Lad Oh Hush Thee my Babies","If I were a Bird I'd Fly to thee Liebeslied","cover art","cover art","Madame Sontags Waltz Empress Henrietta's Waltz Theme D'Aline Linda Di Chamounix Rondo Tyrolian Waltz Stabat Mater We Have Lived and Loved Together The Last rose of Summer L'Orage Variations Brillantes","I Have Riches, Thou Hast Beauty We Have Lived and Loved Together The Bridal Star La Parisienne Fairy Bells Cavatina de la Violette Fifty National Melodies First Set of Quadrilles Melodies de Christy Military Polka Comic Polka","O'er the Lone Sea Marseilles March Grand Minuet Madelle Sontags We Have Lived and Loved Together","Cover Photo Mme.Cassier","La Victoire Polka Facile","We're Out Upon the Moonlight Wave Few Days I Knew Thou Would'st Return Away then to the Mountains Days of Childhood 'Tis Home Where'er the Heart is Sleeping I Dreamed Love The Mountain Bugle Where Shall the Lover Rest The Bridesmaid Do You Love Me? Mr. and Mrs. Snibbs My Mountain Kate My Childhood Happy Home She Knew Him Not The Ladies Man","The Snow Storm - cover art Webster's Quick Step","Der Kinderlied In Meiner Heimath Abschied der Vogel Der Spielmann","Fantasiestuck Zur Guitarre","Himan's Serenade Matthew's Grand March","I See them on their Winding Way Wilt Tho Meet Me there Love Something to Love Me The Beautiful Day Where as Dewy Twilight Lingers","Song of the Captive Greek Girl Bird of the Greenwood","Dreams Still o'er the Waters Ruse-Bush L'Amicizia Snowy Lilly of the Valley The Alp Horn","My Home My Happy Home - Cover Art Hark! 'Tis the signal of the Meeting Annot Lyle The Poachers The Midshipman's Farewell Tell Me Mary How to Woo Thee The Woodbine Bower Her Heart is not There He Never Said He Loved O'er the Mountain Wi' My Love I'll March Away My Pretty Rose Give Me Back My Arab steed When the Moonbeams tender light","The Mockingbird - cover art Caprice de Concert Grand Paraphase de Concerr Love Among the Rose The Nightingales Trill","Invigorator Schottisch The Katy Darling Scottisch","Galopp Souvenir de Trovatore Crepuscule La Gazelle","Unter'm Machandelbaum Donauweibchen und Eisner Mann","Allegro Marziale Another Year Wood Up","Young America Waltzes Dance of the Demon Cachucha","Angels Watching Oh! What is Life.","Ellen's Waltz The Soldiers Joy","Let us now go even unto Bethlehem The Sailor's Grave","Did I Try to Paint Temptaion Oh! Yes we often mention her The Deep Deep Sea The Dew Drop All Things Love Thee so do I Dark Eyed One Come! Come! Soldiers Come! Cherry Ripe Where Zephyr dwells Again, Again, Again I Know a Bank Come Buy My Roses O'Come to the West Through the Wood The Banks of the Allan Water Mother oh sing me to rest","O'er the Blue Sea O Give Me a Home By the Sea Ella Gray Ballad Hear the Wild Birds Song The Rover's Adieu","Little Barefoot Only a Pansy Blossom When the Robins Nest Again - cover art","Sliding Down the Cellar Door I Leave you to Decide You Never miss the Water until the Well Runs Dry","Scenes de la Csarda Poemes Hongrois","Wyoming Grand Waltz Franconia Waltz","Wake Lady Wake The Social Glass","color cover art","Three Fishers went sailing Autumn Leaves Turn Fortune, Turn Thy Wheel","Cover art","Scales and Exercises for the Piano Forte La Rose Trumpet March Malcolm's March Leipsig Waltz O Cara Memoria Le Charme Le Debut de La Jeunesse Gallopade Quadrille The Emerald The Sultana 'T were wain to tell thee","Non piu mesta in la Cenerentola Come to Me, Gentle Sleep Les Bords du Rhin Trois Sentimentales: L'eloge des Larmes Collection of Operatic Airs Le Petit Tambour Six Tyrolien Waltzes Duo de Belisario Air de Herold L'Alliance Melodies Gracieuses Le Retour au Chalet L'elisir D'amore Marche de la Norma","Mrs. Lofty and I Eight Dollars a day","Braille Notation","My Love, my last thoughts are of thee Helen May","Fourth Calisthenic Rondo Third Calisthenic Rondo Alpenlied The Rosy Morn Come Where the Violets Blow Birth-day Ball: Valse Birth-day Ball: Schottische - cover art The Hazel Dell The Arkansas Traveller Oft in the Stilly Night Wake from your Slumbers Galatea Mazurka","The Dew Drop Brothers raise the Cheerful Song Soft be the gently breathing notes","Saviour breathe an evening blessing Te Deum Laudamus","La Pastorale Provencale Berceuse Amoureuse","cover art \u0026 photo","Valse de l'Opera Faust de Gounod Third Meditation, Op. 17","Le coeur de ma mie L'oiseau bleu","Lulu is Our Darling Pride Little Chatter-box Polka The Orphan's Lament Rome! Thou art no more Love's Hours Home Ever Dear Make Me No Gaudy Chaplet Widow Malone","Prayer at Sea Juvenile Party Galop","Florence The Mariner's Bride The Wings of a Dove","Opus 32 - Heft 1 Opus 32 - Heft 2 Opus 32 - Heft 3 Classiche Violin Musik The Mill Oh Lay Thy Cheek on Mine, Dear Love Opus 38 Dolorosa Nachmittags-stille Morgengruss - Opus 17 Abendmusik","cover sheet only","Thoughts of Other Days Song Without Words My Mellow Horn","The Prima Donna Waltz La Sicilienne Katy-Did Polka The Moldavian Schottisch Royal Irish My Father's Coming Home Mother The Mont Blanc Polka - cover art Douro Polka Faust Quadrille Grand Quadrille Hail to the Chief","Roseate Polka Victoria Rifles Quadrilles","Heimweh Silver Bells The First Violet Feu Follet Farewell, We'll Meet Again Irrlicht","Knights Templar Mazurka Flower Mazurka","Der kleine Postillon Rheinlander Champagner Walzer","When Night's Dark Shades are Stealing Vienna Gallop","No. 2 Petite Valse No. 6 Impromptu","Primrose Polka My Soul in one Unbroken Sigh Cricket on the Hearth Little Mischief Polnaise Blosson Polka Ravel Polka You are all the World to Me","cover art","La Bohemienne Charming Mazurka Ploka mazurka - Faust Boute-en-Train Flick et Flock Galop Argentine Mazurka - cover art Defile Marche - cover art Caprice Hongrois La Norvegienne","Araby's Daughter The Maid of Athens Bright and best of the sond of the morning Kate Kearney","The Minute Gun at Sea Eve's Lamentation","The Watchword Souvenir de la Belle Poules","I Would not live Alway The Rainbow Schottisch - colored cover art","The Orphan's Prayer Mollie Darling","Whisperings of Love - cover art Angel's Serenade Mountain Belle - cover art Annie Laurie March Perle de L'Amerique - cover picture Red Bird Polka Love by Midnight - cover art torn Innocence Polka - cover art Charming Waltz - cover art Lotta's Favorites - cover picture Violet Waltz - cover art","The Coral Schottisch The Rainbow Schottisch - Color cover art The Pearl Polka Sontag Polka The Signal March How dear to me the hour","title and cover pages","Blue Eyed Soldier Boy Is the Sweet Dream Broken","Valse de Mignonette Jovial Waltz Fairy Waltz","Rocked in the Cradle of the Deep Oh! fly to the Prairie Land Ho! Rocked in the Cradle of the Deep-cover art I'm Queen of a Fairy Band Farewell to Summer She Wore a wreath of Roses Say, what shall my song be to-night Dear Land of My Birth!","Lone Galop Lancer's Quadrilles Dancing in the Moonlight Coronation Polka Kitty Clover Fire-Fly Polka Evening Dew Waltz La Blonde Polka Apple of My Eye The Grand Duchesse Laughing Water Polka Ivy Leaf Waltz Cherry Ripe Polka","title page only","cover art","Potpourri fur lustige Leut Feinsliebchen Polka - cover art Neues Leben Walzer Marchen-Lauschen","Salut a Pesth Marche Hongroise","The Flowers of the Forest John Anderson, My Jo","Bouquet de Melodies - Lucia Bouquet de Melodies - Lucrezia Borgia Bouquet de Melodies - Freischutz Bouquet de Melodies - Tanuhauser Bouquet de Melodies - La Fille du Regiment Bouquet de Melodies - Martha de Flotow Zampa Shepherd's Song Guillaume Tell Berceuse Mazourka Galante Turkish Reveille Marsch aus Faust von Ch. Gounod Arie Aus Stabat Mater Miserere und Romanze Volkslied A Mother's Prayer Lily of the Valley","Rosa de Vries Waltz Ella Polka","The Maid of Judah We Met by Chance Ave Maria Drift My Bark Trot Galop Gently Rest The Slumber Song","Duettino Scene Bohemienne Hilda Waltz Graziella","Three Favorite Songs - Lilly Salina Le Bijou Sonatine Rondo IV The New Kingdom","cover art","cover art","Thou Art Ever Nigh A Morning in the Woods","Russian Polka The Aurora Waltzes The Dublin Waltzes Les Clochettes Polka Salut a Prague","cover art","Thou hast wounded the spirit that lov'd thee Oh! Were I a Bird","Would I were with Thee The Wild Ash Deer","First Kiss Breeze of Night","colored cover art","Serenade Der Tyroler und sein Kind Abendlauten Heather Rose Minnelied Die Glockenblumen von Schottland","Steyrische Tanze Evening Star Waltz Hof-Ball-Tanze Busserl - Walzer","cover art","Highland Gems Pride Schottische - cover art","O Dolce Concento Panama Waltz The Bugle Call Tink a Tink The Nightinggale with Variations","The Joyful Summer's Come On the Banks of Guadalquiver My Dreams are now no more of thee","cover art","La Chatelaine Vaga Luna","Away, Away to the Mountains Brow The Soldier's Tear Come Dwell with Me By the Margin of Fair Zurich's Waters Day-light Love is Pass'd Away The Gypsey's Wild Chaunt I am Dreaming of Thee Oh! no never name her to me I'll Be No Submissive Wife Oh Bring Me Showers of Roses The Alpine Maid Love in a Cottage A Dream in the Past The Moon's on the Lake Napolitaine Sing Away, by Day \u0026 By Night","Write to Me, Love My Own One","Les Cloches du Monastere Titania","cover art","cover art","Lawrence Waltz Rondoletto","When Twilight woo's the silver Sea Ellsworth","Bachelors Polka Alice Polka","braille notation on cover","La Source Mazurka","Rock Me to Sleep, Mother Woodland Whispers - cover art Angels My Loved One will Rock thee to sleep Let me linger by thy side","O Memory Speed On My Bark","Home! Ever Loved Home Thy Will Be Done","Esmeralda Ka foozle-um Galop","cover art","Recreations caracteristiques - cvoer art Souvenir D'Enfance Chanson a Boire","Massarianta - cover photo Vieneme 'Nzuonne E Parleme","Devotion Camelia Wasser-Nixen","cover art","Cover Photo","The Bridge - colored cover art Too Late, too late - cover art","Yes! The Die is Cast Pestal, or, the Prison Song","It is better to Laugh than be Sighing Laddie Come Where the Foutains Play Thou Art Near Me Again I've left the Snow-Clad Hills - cover art Woods of Green Erin! Thou Art gone from My Gaze The Sister's Wedding Mornings Ruddy Beam Why do I Love Thee Yet It's Now the May Time Rosa May Only for Thee I Heard the Wee Bord Singing Bonnie New Moon Love me little, love me long Dreams of the Heart The Mountain Daisy","Kiss the Little Ones for Me Alone in the Lane","Etude de Concert Sonate Rhapsodie hongroise - Hungarian Rhapsody 6 Chants polonais Mazurka Brillante Ein Fichtenbaum steht Einsam - handwritten copy","Not for Joseph I've Something Sweet to Tell You Bonnie Bell The Soldier's Song","There's a Fresh little Mound near the willow Sweet Kitty Manee Down by the Sea Heaven Our Home","cover art","Come and Buy Each Summer Flower There's a Path by the river Blow Gentle Gales The Old House at Home Philip, the Falconer","The Serious Family Polka The Bride The Rose of Affection Bundle and Go","30 Melodische Etuden No. 7 In Der Dammerung","colored cover art","Fly Away Galop Uncle Sam What ails you?","Ecstasy Waltz Ladies Polka Redowa","cover art","cover photo","Dream Land Waltzes - Lenore Louis' Second Waltz Departed Days","Dawn Waltz Ev'ry Land My Home -cover art","The Fairy Boy Rory O'Moore The Low Back'd Car Yes, we must part Widow Ma Chree The Angels Whisper True Love Can Ne'er Forget My Mother Dear","Oh! Molly Bawn Why Leave Me Pining The May-Dew Bowld Sojer Boy The Lands of dreams Mother He's Going Away Norah McShane Molly Bawn Thou Art Away Girl I left behind me The Haunted Spring What will you do love The Fairy Tempter","cover art","Alice Gallopade The Moonbeams are Glancing Spring Flowers","Barbe-Bleue Galop La Belle Helene","cover photo","Flutina Waltz Fountain Waltz","Maryland My Home A Home By the Sea","Polonaise Marzwind The Eagle or Der Adler","Village Belle Polka Immortellen Waltzes National Beauties III Marches Heroiques Happy Waltz Cumberland March No One to Love On the Beach at Long Branch Galop Softly Tread my Nelly's Sleeping The Mother's Reply Memorial March Ninety Years Ago Beautiful River Captain Jinks No, ne'er can Thy Home Be Mine Cato's Qucikstep Geranium Polacca Lotta Galop","Fondly and Truly The Cinderella Grand March","Take Me to the Ball -Cover photo The Separation Christabel The Silent Farewell Erin is My Home I Have Something Sweet to Tell You The Clarion Now Sounds to the Field Home Sweet Home Am I to Blame Pas L'Espagnol","I Have Something Sweet to tell You Maryland Institute Schottisch The Lost Flower","cover art","cover art","Le Torrent Juana","Waltz of Love 20 Vocalises","Cover art","Sailing The King of the Main","I Love the Path of the Free The Mountaineer Would You","Maguerite - cover photo My God and Father, whilw I stray Lonely Across the Far Blue Hills MArie","Little Lula Let the Dead and Beautiful Rest","Quadrilles - cover art Come this way my Father","cover art","Rosebud Quickstep The Ring My Mother Wore","Twickenham Ferry Friendship","Aragonaise Elegie Leonore When the Heart is Young When a Child Roamed the Green Fields Through Le Roi de Lahore - cover photo","Sunset Ballad When the Moon on the Lake is Beaming - cover art Love's Rememberance Come Sing Again that Song","Lady Love Lake It is Not True","cover art","Ein Stern fallt vom Himmel Wo beim Wein ein Walzer klingt Juanita - cover art","Gluten Polka By and By","The Mascot Waltz - cover art Silver Threads Among the Gold","El Kohinoor The Humming Bird Fantasie","When a Little farm we Keep Ye Shepherds Tell Me","Comrades Belle Mahone - cover art Oh, Peter! Oh! Uncle John","The Faded Coat of Blue The Dying Minstrel When You and I Were Young Annie Darling","I'm O'er Young to Marry This Harp is Mute","Thought Cuoid One Day! I Love Forever! Bonnie Mary Haye The Bird at Sea","cover art","3 Caprices - cover art To Distant Lands I'll Rove Italy Over the Mountain P Wert Thou in the Cauld Blast I would that my Love Consolation Songs without words If with all your Hearts Capriccio Rondo Capriccioso Auf Flugeln des Gesanges Oh Rest in the Lord Overture-Midsummer-Nights Dream I Would that my Love The Sabbath Morn Zweites Konzert fur Pianoforte In His Hands are all Corners of the Earth","Mit mehreren 8 und 4 fuss. Stimmen Zwanzig Praeludien Zehn Vor-und Nachspiele Drei Tonbilder Sechs Degelstucke Drei Clavierstucke-Novellette","cover art","Those Evening Bells Deliciosa or Leonore Polka","Long, Long Weary Day I am dreaming I'm an Infant - cover art Do You Love Me? I am Thine I'd Mourn the hopes that Leave Me Smiles \u0026 Tears","The Blind Girl Ballad - cover art Woodland Waltz The Willow Song Mount Pleasant Waltz","The Celebrated Sack Waltz Absent - cover art","Le Carnaval de Venise Air Russes Chant Bohemien","The Village Band - cover art Golden Band March Waltz","Daisy Marche Militaire Where the Hills are Heaven Adoring Fairy Spell","Scope and Contents Melodies from \"Le Prophete\" - cover art Hours of Rapture The Vale of Rest Sadly and Drearily Come to Me Dearest Maiden!","cover art","Recompense Mother, watch the little feet","Absent from Thee Ballad The Bonnie Wee Wife","Under the Daisies Ballad - cover art Darling Little Gertie - cover photo The Love Bird Waltz Song I am Waiting for Him to Come Home I Hear a voice from Heaven Waiting Song Longing The Whip-Poor-Will's - cover art","Ah! Che la Morte Ognora Ave Maria - cover art After My Galloping Steed - cover photo When the Tide somes in The Flag of the Tree Picking Cherries Down the Lane Watching - cover art Meeting","Calotta - Walzer I am the Unfortunate Jonathan The Army Chaplain Fan Autographs","Return of Springs Chestnut Street Scottisch Sleigh - Ride Scottisch","Sonata Trio-Sonate","Best of All Only Once More","Little Tin Soldier The Kerry Dance Song Rose Marie My Love has gone a sailing Three Simple Words","cover art","The Poor Savoyard - cover art Bo Peep Polka","Song of the Olden Time Come Play Me That Simple Air Again They Tell Me Thou'rt the Favoured Guest Wilt Thou Say FArewell Love Believe Me if all those endearing young Charms Come rest in this Bosom Those Evening Bells Love's Young Dream Oft in the Stilly Night My Heart and Lute Origin of the Harp Come Rest in this Bosom Watchman Weeping for Thee the Feast of Roses 'Tis the Last Rose of Summer Come Sing me that Sweet air again The Romanika","The Swiss Waltz Kinlock of Kinlock The Watchman The Carrier Pigeon Favorite Swiss Waltz - Harp or Piano","Twilight My Darling Husband Lost Hope","On the Road to Brighton Peter Gray Dressed in a Dolly Varden","Op. 113 - Grand Duo pour piano Swiss BoyTthe Switzer's Long of Home Erin is now My Home","Grande Valse de Concert Op.72 - 15 Etudes de Virtuosite Gondoliera Guitarre Spanische Tanze No. 4 Spanische Tanze No. 1 Malaguena`","Idoneneus - Arie Arie aus Oper. Il re pastore fur Sopran - Braille notation Sonate No. 17 Sonata in G Major Violet Go, Forget Me, Why Should Sorrow Selection of Melodies from Don Giovanni Yet That Have Tasted La Ci Darem","Navy Yard Grand March Lancaster Gallop Waltz","The Coming Step The Brightest Eyes Memory's Dream The Break of Day Falling Leaves Bijou of the Opera No. 13","Boquet Schottisch Polka The Coquette Schottisch","The Child's Wish Ballad My Heart Would Seek a Home","Annie Laurie Thalberg Polka Where I'd Love to Live","cover art - collection of Songs","cover sheet only","cover art","Mary of Argyle The Bride When Night Comes O'er the Plain The Bonny English Rose Deep in My Soul Dear Native Land The Rose of Allandale We Soon Shall meet Again Hear me Norma O! For One Seraphic Strain! The Rose of England - cover art/photo The Forest Queen Oh! The Moment was Sad The Spanish Guitar The Pilot Hear Me Norma","My Life is Like a Summer Rose Annie of the Vale","The Sea 4th Symphonie de Mozart","Gigue-Favorite Gavotte Favorite","cover only","Golden Moments Darling Little Lizzie fairest of the Fair","Mighty lak'a rose Serenade","handwritten","'O Viaggio 'E nozze Canto per te!","cover art","I Do Not Love Thee The Fairy Bells Oh Take Me Back to Switzerland Juanita Would I were with Thee Fanny Grey Maraquita The Officer's Funeral Love Not We are the Wandering Breezes","Ladies Reception Grand March But Where Art Thou","We Were Girls together Last Words of Emmet","Lights and Shadows Long and weary Day Perles de L'Opera Die Elfen, Valse de Labitzky Liebesschmerz Alpine Bells Auf der Schaukel Bonbonniere Musicale Book 4 Bonbonniere Musicale Book 5 Perles Allemandes Gondolied Ernani Maienliebe Snowbell's Spring Carol Staendchen Diavolina Minnesang","La Belle Helene Advance in Maiden Beauty Pot Pourri Orphee Aux Enfers A Poor Girl's Letter","Cover art","cover sheet only","The Lone Starry Hours Home Again The Galloping Sleigh Ride Going Home! Sam Brown Jenny Lane Silver Moonlight Winds The Indian Warrior's Grave Let Me Kiss Him for his Mother Dreaming of Home \u0026 Mother-cover art Twinkling stars are laughing, Love","Home Delights - cover art Root, Hog, or Die Oh! Emma was a Darling - cover art Wake! Dinah Wake! Home beloved, I miss thee then Moss Grown Dell","cover art","La Pluie de Perles O Sing to Me - cover art Who's at my Window","Down the Shadowed Lane she goes Shadow","cover art","Cover Photo","3 Volslieder Un Ballo in Maschere Loves of the Angels - cover art","cover art","colored cover art","La Violetera - cover art Ca...C'est Paris!","Sweet Evelina Starlight Waltz I'm Willing to Wait Sunlight","2 page cover art","My Ain Fire Side Sweet Home The Land of the Stranger Wanted a Governess Smile again my bonny Lassie Dost Thou Love Me Sister Ruth Vilikins \u0026 His Dinah Sleep My Darling Lullaby Slumber lie soft on Thy Beautiful Eye The Tyrolese Fortune Teller Comin' Thro' the Rye O! Merry row the bonnie Bark","cover art","Le Lever du Soleil Guide Me, O thou Great Jehovah","colored cover art","Melodienkranz Volksklange","cover art","Cover art","My Hearts in the Highlands When Wilt Thou Think of Me Love","Colored cover art","Stabat Mater Nina - braille on cover","Beware! The Polish Maiden's Song Marguerite Darling Little Minnie","Speak, only Speak! Little Robin Tell Kitty I'm Coming Barney Take Me Home Again Slumber not Darling","Mam'zelle Carabin - cover art Bonjour Suzon!","I Love Thee Dear Erin Old Rosin, the Bow Mothe Dear Ballad Sweet Memories of Thee The Greek March Shall we meet again Mary O! Doubt Not Natille, Maid of the Mill Louisville Gallopade The Ben Bolt Polka The Sailor Boy Oh! I am in Love Silken Bands The Only Daughter","Terpsichore Polka How Can I Leave Thee!","My Soul is Dark Be Kind to Each Other","Thou Art Lovelier Far I Love Wild \u0026 Mute","Young Ellen The Rock of the Pilgrims","Concerto per Violoncello Tarantella per Violoncello Fantasia romantica","May Flower Scottische We May Roam Round the World Spangle Polka","Little White Cottage The Medley Song","I Love My Love The Golden Lesson When Life is Brightest The Swallow The Raft There is Music..By the River","Here Awa' there awa' Wandering Willie La Recreation des Demoiselles Six Petits Duos","Mandoline Dansons La Gigue","colored cover art","Braille on cover","cover art - Annie Louise Cary","Mazurkai Op.11 No.3 Mazurkai Op.51 No.6 Mazurkai Op.32 No.2 Mazurkai Op.3 No.2 Ave Maria Ellentanz Polanaise de Concert Drei Stucke Op. 11","Tarantelle Chanson sans Paroles Spanische Tanze-cover art Zwei Transcriptionene-Schlummerlied Spanischer Carneval Ballet Scene Romanze Menuetto Serenade Orientale Trauermarsch","Noche y Dia Justamente una de esas Cosas Volver a Empezar Eso Que Llaman Amor","Serious Family Polka My Home is Nigh Ballad","Let Me Dream of Home Sweet Home - colored cover art First Rose of Summer Ballad","Mediation Waltz Mazourka Institute Polka Only Just a Year Ago Ballad Linwood Waltz","My Home's on the boundless sea Just Beyond the Pearly Gates Walking Down Broadway - cover art of Wm. Lingard As Through the Park I Go - cover art of Wm. Lingard Is My Darling True to Me?","cover art","cover art","The Sailor's Dream - cover art The Harvest Queen - cover art","My Heart Returns to Thee Again Switzer's Longing for Home Tyrolese-Song","A Grecian Air Here's a Health to all Good Lasses","Strike the Cymbal Sweet Breathing, Tranquil Peace","cover photo","The Lay of the Minstrel Knights On Wi the Tartan","cover art","Fenesta Enfamita! - cover photos Russulella Mia - cover photos","La Polka de la Reine La Fileuse Tarantella","The Mountain Maid's Invitation The Miller's Maid","Joyous Life Marinella - cover art","Dinah is the Girl for Me Die Musicanten","Braille notation on cover","Isle of Beauty, Fare Thee Well Oh! Come to Me","cover art","cover art","Robin Adair When the Green Leaves of Youth Turn Yellow","braille notation on cover","Thou art so near and yet so far Love's Request","Concert fur das Violoncell Clavier-Concerte Concert Op. 254 Cadenzen Spring Flowers Variationen Op. 84 In Memoriam","Typed copy","cover art","Cover art picture of the Mount Vernon Hotel, Cape May, NJ","cover art","cover art","cover art","Tone Pictures Blumen am Weg","Hungarian","Pastoral-Sonate Op.88 Zehn Trios","Kissing Song We are Off to Seek for Eva Dutch Song","Warblings at Eve Janet's Choice The Puritan's Daughter Rosalie Floating on the Wind What are the Wild Waves Saying God bless the Prince of Wales The Danube River St. Patrick's Day The Dream of the Wanderer The Monastery The Bells of Aberdovey Where the warbling waters flow The Flowers of Friendship Les Vepres Siciliennes Christmas Chimes Her Birght Smile Haunts Me Still Marie En Absence","cover drawing - Dessin de Vigne \u0026 Junka","Gentle Words Wait for the Waggon Vi Ravviso","Happy Land Bonnie Dundee Quadrille","O Dolce Concento Sacred Melodies - cover art","I have learned to love thee fondly You, Ballad Sentimentale","braille notation on cover","I'll Be There O Charming May! - cover art The Banks of the Blue Moselle Draw the Sword Scotland The Flower of Ellerslie Beautiful blue Violets From distant climes a Troubadour O'Steal to Thy Lattice - cover art A Tear Shall Tell Him All","A Bird in Hand The Skippers of St. Ives No, Thank You, Tom So far away","Cantilena Thou'lt yet be Mine in Heaven Fishermen's Evening Serenade","Oh, Sing Me No new song to night Philena Schottisch The Ausgusta Gallop","Hours There were The Melody","Konzertstucke Opus 51,50,61 Concerto Op 7 Konzert fur das Violoncell Violoncello Principale Violoncell solo Op.66 Le Troubadour","The One We Love May Guardian Angels Hover Near Thee O Would I were a Boy Again You Say We Part Forever","Two Brown Heads with Tossing Curls O! Mio Fernando Di Che M'ami!","My Boyhood's Home Under the Tree","Departed Days Touch the Keys Softly Sing Me to Sleep Father! Only Waiting The Crimson Glow of Summer Fades","Pictures of Memory - cover art Oh are ye sleeping Maggie The Vacant Chair- cover art Just Before the Battle, Mother - cover art On, On On, the Boys Came Marching - cover art Dearest Spot of Earth to Me is Home","Overature Guillaume Tell Fantasie Brillamte L'Iris Le Tremolo","Schottische de Concert All is Quiet","cover art","Hagar The Blind Girl's Lament Lo Here the Gentle Lark Oh Well I Know He Loves Me I'm with you in My Dreams Think of Me Ballad","Overature of Cinderella Dark Day of Horror Grand March Un Segretto D'Importanza Recitativo e Cavatina - braille Il Barbierre de Sevilla I Ne'er Could Leave Thee Una Voce Poco Pa Di tanti palpati O Calm Forgetful Slumber! - cover art Cujus Animam The Separation La Carita Gulliaume Tell","Colored cover art","Melodie Polka Boheme The Wanderer's Night Song 2 Melodies dediees Berceuse Pecheur Napolitain et Nepolitaine","Frederick William Polka Summit Polka","Elfin Waltz Varsovienna Elizabeth Polka Mazurka Assembly Gallop Spring Sparrow Polka Rural Felicity Silver Lake Waltz Rochester Scottisch","Some Love to Roam o'er the Dark Sea Foam The Braye Old Oak A Life on the Ocean Wave Woodman! Spare That Tree! - cover art The Old English Gentleman Our Way Across the Mountain, Ho! Russian march Robin Ruff Oh Lonely is the Forest Shade where oft in Days of Old The Wife's dream Come Brother Arouse The Ivy Green The Old Sexton I'm Afloat, I'm Afloat The Sabbath Eve","The Friar of Olden Time Believe not the Tales they have told thee of Me My Mother's Bible - cover art The Old Arm Chair - cover art Cheer, Boys Cheer I Love, I Love the Free When I rov'd a Young Highlander If I had but a Thousand a year","Darling, Take Me to Your Heart Dear to Day as Ever Save the Sweetest Kiss for Me","Lida Polka Redowa Bird Songs - cover art Fond thoughts of thee Bonnie Sweet Bessie Whispering Zephyrs Moonlight Dance","The Celebrated Linda Polka Susanna Polka","Allegro appassionato Theme Varie Menuet et Gavotte du Septuor Everie du Soir Danse Macabre Variations","I'm Sweeping through the Gates Absence - cover art","Lulu is Our Darling Pride Philadelphia Serenading","Photo - Moody \u0026 Sankey","Hand typed material","Speed Away! Music from Afar Anna is the One I Love O'er the Wildly Heaving Sea Jingle, Jingle clear the way The Lonely Tear Juliette Waltz","Peeking Thro' the Bars Swinging in the Lane - cover art Lu LuDee Who will care for Mother Now? When the Boys Come Home Mother would comfort me","cover art","cover art","La Favorita La Revel Polka Silver Lake Waltz","The echo O sweet Mother of Sorrow!","cover art","cove art","When Other Friends Are Round Thee The Musical Wife","Liebesgefluster Herz von an echten Weana","Ausgewahlte Lieder Phantasie Impromptu I Rest Me Oh My Saviour Cradle Song Trois Marches Heroiques La Pastorella - cover art Das Lied im Grunen Variationen in Asdur uber ein Original-Thema Sammtliche Tanze Wanderer Adieu Der Hirt auf dem Felsen Tanze","Arabeske Op. 18 Fantasiestucke Op. 12 Theme varie sur le nom Abegg Traumerei Drei Romanzen Op.28","Valse mignonne Op. 16 A la bien-aimee Reverie Op.31","Orchesterstudien Kontrabass: das Rheingold Orchesterstudien Kontrabass: Siegfried Orchesterstudien Contrabass: Fidelio Orchesterstudien Contrabass: Symphonie von Franz Schubert","colored cover art","cover art","I Love thee mine own one Jenny Rose","The Beggar Girl Poor Bessie's Song The Firemans Death Keemo Kimo - cover art","Cover photo","Souvenir de Spa Fantasie Fantasie et Variations Trombe en Utka Grande Fantasie Concerto Militaire Fantasie et Variations: Corni Fantasie et Variations: Flanto Fantasie et Variations: Viola","multiple languages","cover art","The Tide Comes in and the Tide Goes Out Don't always depend on your friend Come while the morning Blushes","colored cover art","The Rain-Drop and Minstrel The Happy Bride All Things Fair \u0026 Brigh tare Thine The Eagle on His Mountain Height The Mercy Seat Bristol March Bring Roses","La Bacchanale des Gnomes Amid Bright Blooms Mazurka I'll Think of Thee Waltz","Meet Me By Moonlight Hark! I Hear an Angel Sing","Cover art","Konig Kristian-Suite Erster Teil Madchen kam vom Stelldichein","Elementar-Vocalisen Die Alpenrose","cover art","cover art","cover photo","Come sit Thee Doen - signed copy Dumbarton's Bonnie Dell Johnny Sands Comic Ballad - cover art Hey the Bonnie Breast-Knots","Fantaisie Stabat Mater Op. 134","Cover photo/art","cover art","Zweite Polonaise a dur fur Violine Op. 49 Romance, Nocturne, Scherzo-Tarantelle Concert Op. 34","Why did They Dig Ma's Grave So Deep? Don't Bury Me Deep Papa - cover art Little Darling Dream of Me Serenade - cover art","cover art","Thou hast learned to love another - cover art Lament of the Exile","cover art","By the Blue Sea The Sailor's Story","A Place in Thy Memory, my Love Tis sweet to Look Back Sometimes","cover art","Lord Lovel and Nancy Bell Oh! Ne'er can I the Joys forget","Cover art","I Have Come from a Happy Land Let us haste to Kelvin grove","The Mountain Stream Queen of the Faires La Dame Blanche For You - cover art","Danse des Fantomes Oo. 200 - colored cover art Fete Champetre Marche des Tambours la Reine des Fees Feu de Joie - cover art Torrent de la Montagne Maritana Der Freischutz Lilly of the Valley Mazurka - cover art Tarantelle Brillante in E Minor","When the Leaves Begin to Fade - cover art Blossom Waltzes - cover art Old Oaken Bucket - cover art Massa's in the Cold ground - cover art","Our Hut on the Old Plantation Rosa Lane","Cover photo","Incline Thine Ear to Me I Will Love Thee I Will be Glad Blessed be the Lord","Scottisch de Concert Grande Scottische Brillliant","Leonora Flow Gently Sweet Afton Speed thee Pearlina Fair","Waldvoglein Valse Gracieuse Nosegay of Violets Anna Bolena Gazelle Musicalische Gedenkblatter","My Dream is Over Children Pray this Love to Cherish","In the Days When we went Gypsying List! Tis the Lay of the Gondolier Dream on Young Hearts","In the Days when we went Gipsying Do you ever think of Me","My King--cover art Mary Anderson Waltz--cover art It Never Comes Again--cover art","I am Waiting for Somebody I am Lonely no More","cover art","cover art","Lo Obscuro de Las Escaleras--cover art Gracias Te Doy--cover art Verdes Anos--cover art","Reiffarth Polka Lexington Galop Rejoui Polka Mazurka Halloo, Halloo Galop Le Bon-Vivant Galop Sans Pareil Polka Cupid Scottisch Brillante","Colored cover art","The Yankee Quilting Party She Sweetly Sleeps","Oh Tell Me Mary Dear I'll Watch for Thee from my lonely bow'r The Romaika Oft in the Stilly Night A Temple to Friendship All that's Bright Must Fade Flow on thou Shining River Sound the Loud Timbrel The Twilight Dews Tis the Last Rose of Summer","cover art","The Brightest Eyes The Dream of Home Die Thraene","New England New England Evergreen Waltz","handwritten note","cover art","Tell Tale Polka Carnaval A Paris Dear mother was it right? I turn to Thee The Fountain Love Chase Polka","Overature to the Operetta Genevieve Overature to the Operetta Laila","Love's Charm Girofle-Girofla Walzer Trois Etudes de Jazz","Gruss aus Osterreich MorgenBlatter--cover art The Ladies Waltzes Duke of Reichstadt's Waltz--cover art Far Away Sans Souci Polka The Real Russian Polka Queen Victoria's Waltz Dichterliebe Walzer Potpourri Csardas Kompositionen Altdeutscher Walzer The Ostrich feather Waltz Ruk-Walzer --cover art Annen Polka Redowa de Vienne On the Beautiful Blue Danube --cover art","Margherita-Polka Le Pensee Four Children of Haimon Blue Danube Waltzes - cover art Dorfschwalben aus Oesterreich","Wiegenlied--braille on cover Nachtgang","Anderschonen blauen Donau Oiseaux de Paradis--cover art Mountain Echoes Les Etoiles D'or","Madrienne--cover art When Lillies Bloom","The Letter that never came--cover art Looking Back","Jolly Hearts March Tripping thro' the Daises","Orpheus with his lute If Doughty Deeds My Ladys Please Birds in the Night Once Again Looking Back Were I Thy Bride--cover art Little Darling, Sleep Again","The Blue Juanita The Field of Monterey Mary Lindsey","cover art","Concert Op.7 Romanze Op. 26","cover art","Etude Mazurka Musidora Polka Mazurka Camille Polka","Der Vogel im Walde Sleep in Sweet repose Slumber Gently Falls","Sparkling \u0026 Bright Oh! No, we never mention Her Bring Flowers","Lart du Chant - cover art Home! Sweet Home! Serenade de Don Pasquale La Sonnambula","cover art","John Brown's Legacy Tis said that Absence Conquers Love The Dew is on the Blossom","cover art","cover art","Oh! Pity the heart that has suffered Bonny Eloise Voice of the Western Wind Beautiful Isle of the Sea As Pants the Hart Let Us Speak of a Man as we find Him Mother Kissed Me in my Dream In the Glade Annie of the Vale Thou Art With Me When the Light Waves 'Tis but a Little Faded Flower Down By the River Side I Stray The Stream in the Valley","Oh! Gently Breathe Jolly Good Laugh Evangeline - cover art The Leaves that Fall in Spring Janette - colored cover art Must we then Meet as Strangers? - cover art Far Away Voice of the Western Wind Happy Be Thy Dreams Some One to Love Pleasant Memories Down By the River I stray The Cottage By the Sea - cover art Cross and Crown - cover art Apart! - cover art","Dreaming of Thee Thou, thou, reign'st in this bosom Hymns of the Church - cover art Angel Voices - cover art No Crown without the Cross - colored cover art Must I leave Thee? Blue-eyed Jeannie In the Moonlight long Ago Ettie May Some One to Love The Birds Welcome Again - colored cover art","Happy Be Thy Dreams Down By the Gate - cover art Jenny who lives in the Dell - cover art Linger Not Darling Eilleen Allanna - colored cover art Fond Hearts at Home The Gates Ajar - cover art","Who will care for Mother now? Little Mary's Triumph","Marion Lee Annie Lisle Lilly Dale -cover art Ida May Willie's on the Dark Blue Sea I'm lonely since my Mother died","Don't go out to-night Come where the Lillies bloom - cover art","cover art","cover art","cover art braille notation on cover","Queen of the Night Take Back the Ring La Primavera","Vorrei Morir The Love That Came too Late Forever and Forever Chanson de Fortunio","Little Bird's Story Willie's Ship Song - cover art Only Come! - cover art","Colored cover art","Bird of the Wilderness Agathe","The Sleigh Ride- cover art Rail Road Galop - cover art Cute Schottische - cover art","cover art","Yarico's Lament The Blue Bird Scottisch","Sinfonie Nr. 4 f-Moll Souvenir de Hapsal Serenade fur Streichorchester Jahreszeiten No. 11 Sleigh Ride Chanson Triste","Come Maiden with Me Call me not back from the Echoless Shore Lost Star of My Home Dear Mother I have Come Home to Die Star of the Evening Weeping, Sad and Lonely Do Not Heed Her Warning 'Tis Evening Brings My Heart to Thee Violets Under the Snow Come from Afar Come Willie dear I'm Weeping Now Home, Home, I Love Thee Sweet Genevieve Memory Bells Darling Bessie of the Lea","Love Launched a Fairy Boat Summer Hours Ballad - cover art Where the Weary are at Rest I'd marry him tomorrow","Christmas Carol The Nation's Honored Dead Sweet Memory Ever of Thee Bouquet de Roses - cover art A Grand American Overture Tread Softly the Angels Are Coming - cover art Mossy Dell Waltz - cover art Mary of the Wild Moor Silver Moon - cover art Mrs. Malone Come sing to me again Fairy Wedding","Emblem of Constancy Scenes of My Youth Sweet Girl May I Be There!","I Love to Gaze on Beauty's Cheek Love's Gentle Whisper I Dreamed of Thee My Heart is Thine Speak Kindly","Handwritten music sheet inside score cover art","cover art","Aria Alla Scozzese Sicilian Air of Home Sweet Home The White Cockade Langolee an Irish Melody Beethoven's Admired Waltz She Wore a Wreath of Roses","The Morning Glory Waltz The May Queen Polka","Cover art - map of Japan and Korean Pennisula","Colored drawing on cover","cover art","cover art","Colored cover art","Home to Our Mountains ( Si la Stanchezza) Prison Song Over the Summer Sea Ah! I Have Sigh'd to Rest Me Ernani We'll Laugh and Sing All Cares Away Melodies from the Trovatore T'was no Vision In Tears I Pine for Thee Tempest of the Heart La Forza del Destino - cover art","Teutonia Quick Step Rose Waltz I Wish I was in Dixie - cover art Edinburgh Polka Seconfd Review Quick Step Les Graces","Caprice Menuet Les Pecheurs de Perles","cover art","cover art","cover art","Hungarian -cover art","cover art","cover art","cover art - internal cover","God of the Fatherless Love \u0026 Sorrow Footsteps of Angels The Hunters Chorus Echo Waltz Three Celebrated Pieces Last Waltz","6 Amusements Elegants-La Polka Le Carnevale de Venise Ernani Un Soir au Chateau Rouge Rosalie Redowa Elegantes When the Swallows Homeward Fly The Long, long weary Day Rose et Blanche","Patorale pour Grand Organ Nadia - cover art","Meet Me By Moonlight Hours there were Float Down the Tide Fair Rose I've Wander'd in Dreams O Do You Remember","cover art","cover art","cover art","cover art","Dolores Walzer Trictrac Polka La Plus Belle Walzer Bien Aimes Well Beloved Waltzes Sirenes Waltzes Bella Polka-Mazurka - cover art","Ever be Happy Chant des Oiseaux When Thou art near Parlor Cottillions No.2 I Fondly Think of Thee - cover art","Good Night and Pleasant Dreams Tis the Last Rose of Summer Why do I weep for Thee - cover photo Lucis di Lammermoor I Mourn Thee But I Love no More Tell Me some fond name Holy Mother Guide His Footsteps Adieu Dear Native Land Say my heart can this be Love? The Spring and Summer both are past Softly Ye Night Winds Speak Gently Sweet Evening Star","Sweet Spirit, Hear My Prayer! In Happy Moments Le Reve Softly Ye Night Winds The Hundreth Psalm The Star of Love The Midnight Waltz The Night Winds Wait for the Wagons Polka The Leaves are Turning Red Good Night and Pleasant Dreams The Midnight Serenade It is the Happy Summer Time","The Blue Bells of Scotland The Hundreth Psalm Grande Polka de Concert First Love I Have waited for Thy Coming Sleeping I Dreamed, Love Alas Thomes Chimes so Sweetly Stealing Melodie Peruvienne Bird of the greenwood The Winds that waft my sighs to thee","Tis the Harp in the Air Scenes That are Brightest Annie Laurie The Low Backed Car The Night-Winds The Spell If Lov'd by Thee Annie Dear, Good Bye - cover art Old Friendship's Smile Lotus Leaf La Mexicana The Lost Star Ballad The Celebrated Witches' Dance Adieu Grande Polka - cover art Scenes","Jenny Lind Polka First Love Redowa Brigand Polka The Storm Polka Fruhlings Landler First Love Pen and Ink - cover art Fleur des Champs Coquette Polka La Romantique - cover art","Kind Friends are Near Her Patch-work Polka Where are ye now Bright Dreams of My Childhood Sounds from the Ringing Rocks","Brother's fainting at the door - cover art Come sit by My Side Little Darling - cover art","Cover Photo","Inman Line March - cover art An Eine Aeolsharfe Nearer My God to Thee - cover art Come Holy Spirit - cover art Old Folks at Home Transcription Schottische Brilliant On the Track Galop Jessamine Polka Redowa Rippling Rill Mazurka","Old Haunts Ballad Rock of Ages Moss a Ballad Love's Twilight Star - cover art Christ the Lord is risen to day Rock of Ages The Reveille Come Holy Spirit Bobolink Polka Marche Militaire Tam O'Shanter - cover art The Song of the Brook As Pants the Hart Harum Scarum Polka","Recuerdame - cover art Solo Tengo Ojos Para Ti - cover art","The Morning Star Polka Jenny Forrester","Ah Do Not Forget Love - cover art Mondamin","The Mother's Vow What will you do Love","John Anderson My Jo.- cover art Beautiful Dream Waltz Tis sweet to take the bonnie Lake Come, come to me, my Rover","cover art","Come to the Sunset Tree Good Bye! a ballad","Gondoliers Song Home, Sweet Home","Wake Lady Wake The Plain Gold Ring The Magic Spell Jubel-Ouverture Mouvement Perpetuel Aufforderung zum Tanze Rondo Brillant","cover art","Lorena Zula Zong Softly, Lightly, Sweetly Sing Paul Vane Under the Beautiful Stars The Old Man Dreams Where the little feet are waiting - cover art Lorena Oh How I Love My Mountain Home They Buried Her Under the Old Elm Tree Dont Be Sorrowful Spare the Old Homestead Tap on the Window Pane It will be summer by and by Sweet By and By - cover art Over the River","cover art","The Nupital Quick Step Home Sweet Home Ever of thee Waltz Spanish Fandango","Harvest of Flowers ( Blumenlese) Praktische Violinschule- Blumenlese fur angehende Violinisten","cover art","Fleur des Alpes - cover art Serenade de Ruy-Blas","Dreaming Weaving","What Nora Said - cover art Beautiful Bells - cover art Watch and Pay - cover art Little Fanchon - cover art","cover art","La Grande Duchesse -- cover art Qui Vive Galop -- cover art","cover art","cover art","cover art","How Merrily We Live that Shepherds Be The Footstep on the Stair","In a Fairy Grot Thou hast Learn'd to Love Another Keep to the Right Love's Golden Chain","Stick to Your Father, Dick - cover art Pretty as a Pink - cover art","cover art","Darby Kelly Oh! Rest thee Babe","Put Me in my Litle Bed - - cover art Come Birdie Come -- cover art Poor Little Johnny -- cover art A bird from o'er the sea -- cover art Little Emily -- cover art Little Clo Baby Fingers on my Cheek -- cover art Far From Home -- cover art The Old Turnkey-- cover art Marguerite -- cover art The Widow in the Cottage by the Sea-Side He was Crucified -- cover art","The Watcher Quick Step When Voices Breathe a Music Sweet Wrecker's Daughter Oh Susanna! Joys that were Crowning Love Not Verdi's Quick Step Sachems Daughter -- cover art Rosa Lee The Birde of Sighs The Farmer's Boy Sister, Swift the Hours Have Fled In the Lonely Grove I Linger Rose of Allandale French Republic March","cover art","cover art","The Welcome Wild roses","Contes D'Avril Six Duos pour Pianoo et Harmonium","Variations on Hadyn's Austrian National Hymn -- cover art Rochester Scottisch and Affection Waltz May Queen Polka -- cover art Bouquet of Melodies -- cover art","Fading the still fading the last beam is shining Ingleside Triumph March -- cover art Away away we bound o'er the deep The Harpers Song","cover art","cover art","The Soldiers Grave The Brides Farewell Larboard Watch","Heliotrope Polka Geranium Waltz Coming Out Waltz -- cover art","cover art","Glen Mary Waltzes Day is Departing","Sleep the Kind Angel is Near me Christmas Carol","Sehnsucht am Meere Flieg' Vogel, Fliege! Freundvoll und Leidvoll","cover art","The Chapel in the Mountains -- cover art The Sky-Lark The Shepherd Boy -- cover art Highlands Echoes -- cover art Tripping thro' the Meadows -- cover art Les Voix du Matin","Five Favorite Chants Hark! The Herald Angels sing","cover art","cover art","Farewell Song of Enoch Arden First Love Redowa Martha Loves Chiding's Waltz -- cover art La Fille du Regiment Trab-Trab Galop La Belle Helene Nothing to Wear -- cover art The Sunshine Schottisch -- cover art Bells of Corneville","Cover art","cover art","cover art","cover art","Evening By the Sea Sweet Cecile Leslie","Cover art","Orgelvorspiele Sonate in B moll fur Orgel","cover art","Grand March de Concert Galop di Bravura L'Hirondelle Grande Marche Militaire Le Dernier Sourire Marrie Polka-Mazurka The Whispering Wind","cover photo","I've brought Thee an Ivy Leaf--cover art Clara May","cover art","The Indian's Prayer Home of the Penitent Be Kind to the Loved Ones at Home Mother Dear O Pray for Me Gentle Words and Loving Smiles The Sailor Boy's Last Dream He Doeth All Things Well--cover art","Speed Away! Speed Away! Take Me Home to Die Strike the Harp Gently Oh for a Home Beside the Hills Take Me Home to Die--cover art Give Me a loving Heart Uncle John is Sweetly Sleeping Katy's Cry Ella Dear He Doeth all things Well --cover art","Mary McNeil Bell Brandon","Come Home, Father Brave Boys Kingdon Coming--cover art Grandmother Told Me So--cover art Now Moses--cover art","cover art","The Belle of the Forest The Buccanier's Bride","Shylie Bawn Her Bright Smile Haunts Me Still Dearest Spot of Earth to Me is Home Gentle ray of sunlight Smiles and tears Sing me an English Song Let my care be no man's sorrow","The Hazel Dell--cover art The Church within the wood Rosalie the Prarie flower Departed Days Old Folks are Gone Annie Lowe Fair Thee Well Kitty Dear Bright Eyed Little Nell of Narragansett Bay","Shepherd Boy--cover art Silvery Waves Gaily our Boat glides o'er the Sea--cover art Dashing Spray The Last Rose of Summer Home Reveries--cover art Song of the Sky Lark Fishers Hornpipe Medley Little Maggie May When You and I were Young","Sister Come! Come Away. Fly Pretty Butterfly","The Dearer Name New Year Polka","cover art","Herculean Quick Step The Giraffe Waltz","cover art","Wecker Polka-cover art Ypsilanti-cover art","Schoenfeld - Marsch Wiener Buerger Natursanger Walzer Marsch-Evoluntionen Leipziger CoupletGluckliche Tage Die Tanzerin Unanfechtbar Marsch Marsch der Burgwache Diplomaten-Gavotte","The Fashionables 6 Celebrated PolkasCome Sing Me That Sweet Air Again Luna Waltz Azalia Polka The Dawn Waltz","White Rose Polka Scraps from Martha","Dearest Old Mansion","The Musical Repository","Dix Pieces pour Orgue Douze Pieces pour Orgue","Filippo Capocci","Coppella Ballet","Aida","Auld Lang Syne","Pleasant Recreations for Young Pianists","Mozart con fan tutte","Daily Exercises and Scales Sousa's Favorite March Book-Flute Sousa's Favorite March Book-Oboe Sousa's Favorite March Book-Drums Sousa's Favorite March Book-Coronet Fox Favorite Orchestra Folio","Sousa's Favorite March Book- 1st Violin A (2) Sousa's Favorite March Book- 1st Violin Sousa's Favorite March Book- 2nd Violin Sousa's Favorite March Book-Alto Saxophone Sousa's Favorite March Book-Trombone Sousa's Favorite March Book-Bass Sousa's Favorite March Book-Piano","Fosterlandsk Musik","Polkas, Waltzes and Quadrilles","Les Hirondelles","Le Pianiste Virtuose","It Will not do to Tell","Dancers Delight","Five Finger Exercises","Cottage Music","Im Walde Suite","Carlos Gomez Barrera","La Melancolie La Volette Mazonrka","Comedy Capers","Heures Mystiques Grands Succes Du Piano","Overture z.Op Figaros Hochzeit","Music for the Sanctuary Lays of Sweden and Findland Songs and Duets composed by Ciro Pinsuti","Music and Her Sister Song Duet","Four Rondos","The Angels Whisper","Tam O'Shanter Young Americas Schottisch Musical Bazaar: A Collection of Songs and Ballads for the Guitar La Senora Waltz The Boudoir Polkas The Champagne Galop Rosebud Quick Step The Faires Danse Gentle Annie Ballad","Collection de Morceaux choisis par Otto Schick","Ask Not My Love","La Lyre Ganloise Select Collection of Classic Piano Music Si Tu Savais","Chants de France Dance Music","Bingen on the Rhine When the Swallos Homeward Fly Le Tremolo pour le Piano Il Desiderio O Charming May","L'Art du Chant","Agathe Queen of My Soul The Rose of Allandale The Bride","No. 30 Bach","Six Petits Duos pour Deux Violins de I. Pleyel Album Classique our Violin et Orgue  par G. Zanger","Aurora! de Peigeian Oft in the Stilly Night by Wilhel, Iucho","6 Pieces d'Orgue Pieces Recreatives pour Violin et Piano Pelleas et Melisande by Claude Debussy Album de six Morceaux Choisis","Cling to the Rock","Love Not! by Blockley The Sea by Phillips Rory O'More by Carl Muller Galop de Piquillo by Francois Hunten","Pleasures of Home","Thy Spirit of Love Keeps a Watch Over Me by G. Linley","Montechi e Capuletti by J. Blumtal","Peters' Musical Monthly - Novembe 1871 Peters Musical Monthly - March 1872 Don't Be Sorrowful","Klavierwerke-Preludio con Fuga by J.S. Bach No. 1 Toccata con Fuga by J.S. 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