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Va.)","West Virginia -- History -- Civil War, 1861-1865","West Virginia -- Politics and government -- 1861-1865","Broadsides.","books","periodicals","pamphlets","maps","No special access restrictions apply.","Includes six series:"," Series 1. Broadsides; 1861-1864, undated (all facsimiles); box 1, folder 1. \n Series 2. Imprints; 1806-1861, 1918-1934, undated (includes facsimiles); box 1, folders 2-8. \n Series 3. Manuscript; ca. 1787-1794; box 1, folder 9. \n Series 4. Newspapers; 1868-1885 (includes facsimiles); box 1, folder 10. \n Series 5. Miscellaneous; undated; box 1, folder 11. \n Series 6. Oversize; 1861-1891, 1925, undated; box 2, folder 1 and loose.","Major Thornton Tayloe Perry  was descended from the Craighills of Virginia and the Tayloes of Mt. Airy and Octagon House in Washington, D.C. Born into history, it was only natural for him to pursue it. A pilot in World War I, and Provost Marshal of London in World War II, he returned to Charles Town, his native town, where he became the postmaster for more than ten years. He passed away in 1981. Perry was a lifelong collector who was a fixture at auctions, and whose first love was history and books.","Processed by Jane LaBarbara, 2014","Publications and manuscript from the Thornton Perry Museum Collection, reflecting Perry's interest in the history of West Virginia and the immediate region. Subjects include various aspects of West Virginia history, such as the Civil War, statehood, Wheeling, John Brown, and other topics. Formats include broadsides, reports, pamphlets, almanacs, a manuscript account book, newspapers, maps, and others."," Civil War related materials include an election broadside (1864) and two \"General Orders\" issued by Rosecrans (1861)."," There are a number of items related to the secession of the future West Virginia from Virginia, including a 34 page \"Journal of the Proceedings of the Convention\" published in June 1861, two broadsides, a speech, and an ordinance related to secession."," Items related to Wheeling include an opinion given to a US Congressional Committee regarding the establishment of a \"marine hospital\" (1838), an address delivered before the Agricultural Society of Ohio and Brooke Counties (1852), the by-laws of \"Panola Lodge\" (1856), and a rare German newspaper (1868)."," Two of the pamphlets are anecdotal histories of John Brown and his Harpers Ferry raid."," There are four almanacs, three printed in Wheeling, VA (1853, 1860, 1861), and one printed in Winchester, VA (1839)."," The account book is a ledger documenting transactions in the area of Shepherdstown and Martinsburg (ca. 1787-1794).","Publications and manuscript from the Thornton Perry Museum Collection, reflecting Perry's interest in the history of West Virginia and the immediate region. 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(1 document case, 5 in.); (1 flat storage box, 3 in.); (1 loose map, 1/8 in.)"],"genreform_ssim":["books","periodicals","pamphlets","maps"],"date_range_isim":[1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restrictions apply.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restrictions apply."],"arrangement_html_tesm":["\u003cp\u003eIncludes six series:\u003c/p\u003e\n","\u003cp\u003e Series 1. Broadsides; 1861-1864, undated (all facsimiles); box 1, folder 1.\u003clb\u003e\u003c/lb\u003e\n Series 2. Imprints; 1806-1861, 1918-1934, undated (includes facsimiles); box 1, folders 2-8.\u003clb\u003e\u003c/lb\u003e\n Series 3. Manuscript; ca. 1787-1794; box 1, folder 9.\u003clb\u003e\u003c/lb\u003e\n Series 4. Newspapers; 1868-1885 (includes facsimiles); box 1, folder 10.\u003clb\u003e\u003c/lb\u003e\n Series 5. Miscellaneous; undated; box 1, folder 11.\u003clb\u003e\u003c/lb\u003e\n Series 6. Oversize; 1861-1891, 1925, undated; box 2, folder 1 and loose.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Includes six series:"," Series 1. Broadsides; 1861-1864, undated (all facsimiles); box 1, folder 1. \n Series 2. Imprints; 1806-1861, 1918-1934, undated (includes facsimiles); box 1, folders 2-8. \n Series 3. Manuscript; ca. 1787-1794; box 1, folder 9. \n Series 4. Newspapers; 1868-1885 (includes facsimiles); box 1, folder 10. \n Series 5. Miscellaneous; undated; box 1, folder 11. \n Series 6. Oversize; 1861-1891, 1925, undated; box 2, folder 1 and loose."],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eMajor Thornton Tayloe Perry\u003c/persname\u003e was descended from the Craighills of Virginia and the Tayloes of Mt. Airy and Octagon House in Washington, D.C. Born into history, it was only natural for him to pursue it. A pilot in World War I, and Provost Marshal of London in World War II, he returned to Charles Town, his native town, where he became the postmaster for more than ten years. He passed away in 1981. Perry was a lifelong collector who was a fixture at auctions, and whose first love was history and books.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Major Thornton Tayloe Perry  was descended from the Craighills of Virginia and the Tayloes of Mt. Airy and Octagon House in Washington, D.C. Born into history, it was only natural for him to pursue it. A pilot in World War I, and Provost Marshal of London in World War II, he returned to Charles Town, his native town, where he became the postmaster for more than ten years. He passed away in 1981. Perry was a lifelong collector who was a fixture at auctions, and whose first love was history and books."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Thornton Perry, Collector, Publications regarding West Virginia History, A\u0026amp;M 3343, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Thornton Perry, Collector, Publications regarding West Virginia History, A\u0026M 3343, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jane LaBarbara, 2014\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Jane LaBarbara, 2014"],"scopecontent_html_tesm":["\u003cp\u003ePublications and manuscript from the Thornton Perry Museum Collection, reflecting Perry's interest in the history of West Virginia and the immediate region. Subjects include various aspects of West Virginia history, such as the Civil War, statehood, Wheeling, John Brown, and other topics. Formats include broadsides, reports, pamphlets, almanacs, a manuscript account book, newspapers, maps, and others.\u003c/p\u003e\n","\u003cp\u003e Civil War related materials include an election broadside (1864) and two \"General Orders\" issued by Rosecrans (1861).\u003c/p\u003e\n","\u003cp\u003e There are a number of items related to the secession of the future West Virginia from Virginia, including a 34 page \"Journal of the Proceedings of the Convention\" published in June 1861, two broadsides, a speech, and an ordinance related to secession.\u003c/p\u003e\n","\u003cp\u003e Items related to Wheeling include an opinion given to a US Congressional Committee regarding the establishment of a \"marine hospital\" (1838), an address delivered before the Agricultural Society of Ohio and Brooke Counties (1852), the by-laws of \"Panola Lodge\" (1856), and a rare German newspaper (1868).\u003c/p\u003e\n","\u003cp\u003e Two of the pamphlets are anecdotal histories of John Brown and his Harpers Ferry raid.\u003c/p\u003e\n","\u003cp\u003e There are four almanacs, three printed in Wheeling, VA (1853, 1860, 1861), and one printed in Winchester, VA (1839).\u003c/p\u003e\n","\u003cp\u003e The account book is a ledger documenting transactions in the area of Shepherdstown and Martinsburg (ca. 1787-1794).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publications and manuscript from the Thornton Perry Museum Collection, reflecting Perry's interest in the history of West Virginia and the immediate region. Subjects include various aspects of West Virginia history, such as the Civil War, statehood, Wheeling, John Brown, and other topics. Formats include broadsides, reports, pamphlets, almanacs, a manuscript account book, newspapers, maps, and others."," Civil War related materials include an election broadside (1864) and two \"General Orders\" issued by Rosecrans (1861)."," There are a number of items related to the secession of the future West Virginia from Virginia, including a 34 page \"Journal of the Proceedings of the Convention\" published in June 1861, two broadsides, a speech, and an ordinance related to secession."," Items related to Wheeling include an opinion given to a US Congressional Committee regarding the establishment of a \"marine hospital\" (1838), an address delivered before the Agricultural Society of Ohio and Brooke Counties (1852), the by-laws of \"Panola Lodge\" (1856), and a rare German newspaper (1868)."," Two of the pamphlets are anecdotal histories of John Brown and his Harpers Ferry raid."," There are four almanacs, three printed in Wheeling, VA (1853, 1860, 1861), and one printed in Winchester, VA (1839)."," The account book is a ledger documenting transactions in the area of Shepherdstown and Martinsburg (ca. 1787-1794)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2e2ec52caa8d74d6bbcdebd3913594d8\"\u003ePublications and manuscript from the Thornton Perry Museum Collection, reflecting Perry's interest in the history of West Virginia and the immediate region. Subjects include various aspects of West Virginia history, such as the Civil War, statehood, Wheeling, John Brown, and other topics. Formats include broadsides, reports, pamphlets, almanacs, a manuscript account book, newspapers, maps, and others. See Scope and Content Note for details and contents list.\u003c/abstract\u003e"],"abstract_tesim":["Publications and manuscript from the Thornton Perry Museum Collection, reflecting Perry's interest in the history of West Virginia and the immediate region. Subjects include various aspects of West Virginia history, such as the Civil War, statehood, Wheeling, John Brown, and other topics. Formats include broadsides, reports, pamphlets, almanacs, a manuscript account book, newspapers, maps, and others. See Scope and Content Note for details and contents list."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6f1e09fa65e4f3ff936f72e2c46f952b\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Perry, T. Tayloe","Major Thornton Tayloe Perry","Brown, John, 1800-1859"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Brown, John, 1800-1859"],"persname_ssim":["Perry, T. Tayloe","Major Thornton Tayloe Perry","Brown, John, 1800-1859"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":72,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:37:29.475Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6_c02_c01"}},{"id":"wvmturhc_repositories_2_resources_1734_c11_c03","type":"File","attributes":{"title":"1810-1900 Federal Census Data Pocahontas County, VA/WV","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1734_c11_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1734_c11_c03","ref_ssm":["wvmturhc_repositories_2_resources_1734_c11_c03"],"id":"wvmturhc_repositories_2_resources_1734_c11_c03","ead_ssi":"wvmturhc_repositories_2_resources_1734","_root_":"wvmturhc_repositories_2_resources_1734","_nest_parent_":"wvmturhc_repositories_2_resources_1734_c11","parent_ssi":"wvmturhc_repositories_2_resources_1734_c11","parent_ssim":["wvmturhc_repositories_2_resources_1734","wvmturhc_repositories_2_resources_1734_c11"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1734","wvmturhc_repositories_2_resources_1734_c11"],"parent_unittitles_ssm":["James Wooddell, Compiler, Genealogy Research Papers","Series 11. Add. of 2003 September 24, Genealogy Research -- Miscellaneous -- Data Culled from the Federal Census (boxes 11-12)"],"parent_unittitles_tesim":["James Wooddell, Compiler, Genealogy Research Papers","Series 11. Add. of 2003 September 24, Genealogy Research -- Miscellaneous -- Data Culled from the Federal Census (boxes 11-12)"],"text":["James Wooddell, Compiler, Genealogy Research Papers","Series 11. Add. of 2003 September 24, Genealogy Research -- Miscellaneous -- Data Culled from the Federal Census (boxes 11-12)","1810-1900 Federal Census Data Pocahontas County, VA/WV","Box 11","Folder 41"],"title_filing_ssi":"1810-1900 Federal Census Data Pocahontas County, VA/WV","title_ssm":["1810-1900 Federal Census Data Pocahontas County, VA/WV"],"title_tesim":["1810-1900 Federal Census Data Pocahontas County, VA/WV"],"unitdate_inclusive_ssm":["1810–1900"],"normalized_date_ssm":["1810/1900"],"normalized_title_ssm":["1810-1900 Federal Census Data Pocahontas County, VA/WV"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James Wooddell, Compiler, Genealogy Research Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":501,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900],"containers_ssim":["Box 11","Folder 41"],"_nest_path_":"/components#10/components#2","timestamp":"2026-05-21T00:36:22.310Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1734","ead_ssi":"wvmturhc_repositories_2_resources_1734","_root_":"wvmturhc_repositories_2_resources_1734","_nest_parent_":"wvmturhc_repositories_2_resources_1734","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1734.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195957","title_ssm":["James Wooddell, Compiler, Genealogy Research Papers"],"title_tesim":["James Wooddell, Compiler, Genealogy Research Papers"],"unitdate_ssm":["1970-2000"],"unitdate_inclusive_ssm":["1970-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3422","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1734"],"text":["A\u0026M 3422","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1734","James Wooddell, Compiler, Genealogy Research Papers","Pocahontas County (W. Va.)","Genealogy - Pocahontas County.","Veterans -- West Virginia -- Pocahontas County","No special access restriction applies.","Genealogy research papers of James Wooddell regarding familes of primarily Pendleton, Pocahontas, and Randolph Counties, West Virginia. This collection also includes lists of veterans of various wars from Pocahontas County; deeds and surveys from Pocahontas County; papers regarding various towns and communities; and other related material.","Series include: \nSeries 1. Genealogy Research Papers, 1823-2000, undated (boxes 1-11)  \nSeries 2. Subject Files, 1914-1990, undated (boxes 5 and 7)  \nSeries 3. Towns and Communities, 1909-1983, undated (box 5)  \nSeries 4. Pocahontas County Veterans, 1937-2000, undated (boxes 5-6)  \nSeries 5. Subject Files -- Clippings and Typescripts, 1916, 1937-1993, undated (box 6)  \nSeries 6. Land Records -- Pocahontas County, 1886, undated (box 7)  \nSeries 7. Genealogy Research -- Miscellaneous, ca. 1850s, 1940-1990, undated (boxes 7 and 11)  \nSeries 8. Photographs, ca. 1900-1925 (box 11)  \nSeries 9. Add. of 2003 September 24, Genealogy Research -- Miscellaneous, ca. 1840s-1870s, 1892-2000 (boxes 11-14)  \nSeries 10. Add. of 2003 September 24, Subject Files, ca. 1990-2000, undated (boxes 11 and 14)  \nSeries 11. Add. of 2003 September 24, Genealogy Research -- Miscellaneous -- Data Culled from the Federal Census, 1810–1910 (boxes 11-12)  \nSeries 12. Add. of 2003 September 24, Sound Recordings, 1998, undated (box 13)","This series includes lists, clippings, photographs, facsimiles of original documents, etc. for primarily Pocahontas County. The dates for records in this series refer to when the records were created, not their content.","This series includes material regarding the Civil War in America, the history of several West Virginia counties, Cass, WV, and other topics sorted by subject.","This series includes news clippings, maps, and other material sorted by West Virginia city.","This series includes photocopied documents, clippings, typescripts, etc. regarding veterans from Pocahontas County, WV. These files are sorted by war.","This series includes various clippings and typescripts sorted by subject, including county formation, post offices, and other topics.","This series includes both facsimiles and original deeds and surveying documents from Pocahontas County, WV.","This series includes assorted genealogy research material, including documents of the Maupin Store, a list of registered voters from Precinct 2, Green Bank District, Pocahontas County, West Virginia, and other material.","This series includes unidentified candid and formal portraits.","This series includes assorted genealogy research materials, including copied clippings of obituaries, assorted research notes, various name indexes, and other material.","This series includes clippings regarding the Green Bank Radiotelescope and two copies of a Pledge of Allegiance poster.","This series includes data culled from federal census registers from 1810-1910.","This series includes assorted sound recordings, including those regarding various cemetaries and churches.","To books: Pocahontas County, Virginia (Now West Virginia) Marriage Bonds 1822-1852 and Minister Returns 1822-1871.","To serials: Newsletter--Gleanings of Pocahontas County Historical Society; 1980-1982.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Wooddell, James, Compiler","English"],"unitid_tesim":["A\u0026M 3422","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1734"],"normalized_title_ssm":["James Wooddell, Compiler, Genealogy Research Papers"],"collection_title_tesim":["James Wooddell, Compiler, Genealogy Research Papers"],"collection_ssim":["James Wooddell, Compiler, Genealogy Research Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Pocahontas County (W. Va.)"],"geogname_ssim":["Pocahontas County (W. Va.)"],"creator_ssm":["Wooddell, James, Compiler"],"creator_ssim":["Wooddell, James, Compiler"],"creator_persname_ssim":["Wooddell, James, Compiler"],"creators_ssim":["Wooddell, James, Compiler"],"places_ssim":["Pocahontas County (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy - Pocahontas County.","Veterans -- West Virginia -- Pocahontas County"],"access_subjects_ssm":["Genealogy - Pocahontas County.","Veterans -- West Virginia -- Pocahontas County"],"has_online_content_ssim":["false"],"extent_ssm":["16.5 Linear Feet 16 ft. 6 in. (13 record cartons, 15 in. each); (part of 1 flat storage box, 3 in.)"],"extent_tesim":["16.5 Linear Feet 16 ft. 6 in. (13 record cartons, 15 in. each); (part of 1 flat storage box, 3 in.)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James Wooddell, Compiler, Genealogy Research Papers, A\u0026amp;M 3422, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James Wooddell, Compiler, Genealogy Research Papers, A\u0026M 3422, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eGenealogy research papers of James Wooddell regarding familes of primarily Pendleton, Pocahontas, and Randolph Counties, West Virginia. This collection also includes lists of veterans of various wars from Pocahontas County; deeds and surveys from Pocahontas County; papers regarding various towns and communities; and other related material.\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Genealogy Research Papers, 1823-2000, undated (boxes 1-11) \u003clb\u003e\u003c/lb\u003e\nSeries 2. Subject Files, 1914-1990, undated (boxes 5 and 7) \u003clb\u003e\u003c/lb\u003e\nSeries 3. Towns and Communities, 1909-1983, undated (box 5) \u003clb\u003e\u003c/lb\u003e\nSeries 4. Pocahontas County Veterans, 1937-2000, undated (boxes 5-6) \u003clb\u003e\u003c/lb\u003e\nSeries 5. Subject Files -- Clippings and Typescripts, 1916, 1937-1993, undated (box 6) \u003clb\u003e\u003c/lb\u003e\nSeries 6. Land Records -- Pocahontas County, 1886, undated (box 7) \u003clb\u003e\u003c/lb\u003e\nSeries 7. Genealogy Research -- Miscellaneous, ca. 1850s, 1940-1990, undated (boxes 7 and 11) \u003clb\u003e\u003c/lb\u003e\nSeries 8. Photographs, ca. 1900-1925 (box 11) \u003clb\u003e\u003c/lb\u003e\nSeries 9. Add. of 2003 September 24, Genealogy Research -- Miscellaneous, ca. 1840s-1870s, 1892-2000 (boxes 11-14) \u003clb\u003e\u003c/lb\u003e\nSeries 10. Add. of 2003 September 24, Subject Files, ca. 1990-2000, undated (boxes 11 and 14) \u003clb\u003e\u003c/lb\u003e\nSeries 11. Add. of 2003 September 24, Genealogy Research -- Miscellaneous -- Data Culled from the Federal Census, 1810–1910 (boxes 11-12) \u003clb\u003e\u003c/lb\u003e\nSeries 12. Add. of 2003 September 24, Sound Recordings, 1998, undated (box 13)\u003c/p\u003e","\u003cp\u003eThis series includes lists, clippings, photographs, facsimiles of original documents, etc. for primarily Pocahontas County. The dates for records in this series refer to when the records were created, not their content.\u003c/p\u003e","\u003cp\u003eThis series includes material regarding the Civil War in America, the history of several West Virginia counties, Cass, WV, and other topics sorted by subject.\u003c/p\u003e","\u003cp\u003eThis series includes news clippings, maps, and other material sorted by West Virginia city.\u003c/p\u003e","\u003cp\u003eThis series includes photocopied documents, clippings, typescripts, etc. regarding veterans from Pocahontas County, WV. These files are sorted by war.\u003c/p\u003e","\u003cp\u003eThis series includes various clippings and typescripts sorted by subject, including county formation, post offices, and other topics.\u003c/p\u003e","\u003cp\u003eThis series includes both facsimiles and original deeds and surveying documents from Pocahontas County, WV.\u003c/p\u003e","\u003cp\u003eThis series includes assorted genealogy research material, including documents of the Maupin Store, a list of registered voters from Precinct 2, Green Bank District, Pocahontas County, West Virginia, and other material.\u003c/p\u003e","\u003cp\u003eThis series includes unidentified candid and formal portraits.\u003c/p\u003e","\u003cp\u003eThis series includes assorted genealogy research materials, including copied clippings of obituaries, assorted research notes, various name indexes, and other material.\u003c/p\u003e","\u003cp\u003eThis series includes clippings regarding the Green Bank Radiotelescope and two copies of a Pledge of Allegiance poster.\u003c/p\u003e","\u003cp\u003eThis series includes data culled from federal census registers from 1810-1910.\u003c/p\u003e","\u003cp\u003eThis series includes assorted sound recordings, including those regarding various cemetaries and churches.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Genealogy research papers of James Wooddell regarding familes of primarily Pendleton, Pocahontas, and Randolph Counties, West Virginia. This collection also includes lists of veterans of various wars from Pocahontas County; deeds and surveys from Pocahontas County; papers regarding various towns and communities; and other related material.","Series include: \nSeries 1. Genealogy Research Papers, 1823-2000, undated (boxes 1-11)  \nSeries 2. Subject Files, 1914-1990, undated (boxes 5 and 7)  \nSeries 3. Towns and Communities, 1909-1983, undated (box 5)  \nSeries 4. Pocahontas County Veterans, 1937-2000, undated (boxes 5-6)  \nSeries 5. Subject Files -- Clippings and Typescripts, 1916, 1937-1993, undated (box 6)  \nSeries 6. Land Records -- Pocahontas County, 1886, undated (box 7)  \nSeries 7. Genealogy Research -- Miscellaneous, ca. 1850s, 1940-1990, undated (boxes 7 and 11)  \nSeries 8. Photographs, ca. 1900-1925 (box 11)  \nSeries 9. Add. of 2003 September 24, Genealogy Research -- Miscellaneous, ca. 1840s-1870s, 1892-2000 (boxes 11-14)  \nSeries 10. Add. of 2003 September 24, Subject Files, ca. 1990-2000, undated (boxes 11 and 14)  \nSeries 11. Add. of 2003 September 24, Genealogy Research -- Miscellaneous -- Data Culled from the Federal Census, 1810–1910 (boxes 11-12)  \nSeries 12. Add. of 2003 September 24, Sound Recordings, 1998, undated (box 13)","This series includes lists, clippings, photographs, facsimiles of original documents, etc. for primarily Pocahontas County. The dates for records in this series refer to when the records were created, not their content.","This series includes material regarding the Civil War in America, the history of several West Virginia counties, Cass, WV, and other topics sorted by subject.","This series includes news clippings, maps, and other material sorted by West Virginia city.","This series includes photocopied documents, clippings, typescripts, etc. regarding veterans from Pocahontas County, WV. These files are sorted by war.","This series includes various clippings and typescripts sorted by subject, including county formation, post offices, and other topics.","This series includes both facsimiles and original deeds and surveying documents from Pocahontas County, WV.","This series includes assorted genealogy research material, including documents of the Maupin Store, a list of registered voters from Precinct 2, Green Bank District, Pocahontas County, West Virginia, and other material.","This series includes unidentified candid and formal portraits.","This series includes assorted genealogy research materials, including copied clippings of obituaries, assorted research notes, various name indexes, and other material.","This series includes clippings regarding the Green Bank Radiotelescope and two copies of a Pledge of Allegiance poster.","This series includes data culled from federal census registers from 1810-1910.","This series includes assorted sound recordings, including those regarding various cemetaries and churches."],"separatedmaterial_html_tesm":["\u003cp\u003eTo books: Pocahontas County, Virginia (Now West Virginia) Marriage Bonds 1822-1852 and Minister Returns 1822-1871.\u003c/p\u003e\n","\u003cp\u003eTo serials: Newsletter--Gleanings of Pocahontas County Historical Society; 1980-1982.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["To books: Pocahontas County, Virginia (Now West Virginia) Marriage Bonds 1822-1852 and Minister Returns 1822-1871.","To serials: Newsletter--Gleanings of Pocahontas County Historical Society; 1980-1982."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_552ef907c5965f8a71f71d1c7f3e2298\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Wooddell, James, Compiler"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Wooddell, James, Compiler"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":513,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:36:22.310Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1734_c11_c03"}},{"id":"viu_repositories_4_resources_66_c08_c54_c01","type":"File","attributes":{"title":"1824 Almanac and other printed matter","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_4_resources_66_c08_c54_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_66_c08_c54_c01","ref_ssm":["viu_repositories_4_resources_66_c08_c54_c01"],"id":"viu_repositories_4_resources_66_c08_c54_c01","ead_ssi":"viu_repositories_4_resources_66","_root_":"viu_repositories_4_resources_66","_nest_parent_":"viu_repositories_4_resources_66_c08_c54","parent_ssi":"viu_repositories_4_resources_66_c08_c54","parent_ssim":["viu_repositories_4_resources_66","viu_repositories_4_resources_66_c08","viu_repositories_4_resources_66_c08_c54"],"parent_ids_ssim":["viu_repositories_4_resources_66","viu_repositories_4_resources_66_c08","viu_repositories_4_resources_66_c08_c54"],"parent_unittitles_ssm":["Duke family law firm papers","Financial Records of the Duke Family (see also Bound Financial Records), Records of Civic Activities, Miscellaneous Materials, Photographs","Miscellaneous Material"],"parent_unittitles_tesim":["Duke family law firm papers","Financial Records of the Duke Family (see also Bound Financial Records), Records of Civic Activities, Miscellaneous Materials, Photographs","Miscellaneous Material"],"text":["Duke family law firm papers","Financial Records of the Duke Family (see also Bound Financial Records), Records of Civic Activities, Miscellaneous Materials, Photographs","Miscellaneous Material","1824 Almanac and other printed matter","box MSS 79-6 Box 232"],"title_filing_ssi":"1824 Almanac and other printed matter","title_ssm":["1824 Almanac and other printed matter"],"title_tesim":["1824 Almanac and other printed matter"],"unitdate_inclusive_ssm":["1824-1908"],"normalized_date_ssm":["1824/1908"],"normalized_title_ssm":["1824 Almanac and other printed matter"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Duke family law firm papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1737,"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908],"containers_ssim":["box MSS 79-6 Box 232"],"_nest_path_":"/components#7/components#53/components#0","timestamp":"2026-05-24T23:27:34.066Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_66","ead_ssi":"viu_repositories_4_resources_66","_root_":"viu_repositories_4_resources_66","_nest_parent_":"viu_repositories_4_resources_66","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_66.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/106865","title_ssm":["Duke family law firm papers"],"title_tesim":["Duke family law firm papers"],"unitdate_ssm":["circa 1820 - 1959"],"unitdate_inclusive_ssm":["circa 1820 - 1959"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.79.6","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/66"],"text":["MSS.79.6","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/66","Duke family law firm papers","Charlottesville (Va.) -- History -- 19th Century","Charlottesville (Va.) -- History -- 20th century","practice of law -- Virginia","lawyers -- Virginia","The papers are organized into 8 series: 1st-6th series concern the law practice; 7th series, the insurance business; and the 8th, family business.","Series I. Incoming letters (boxes 1-43) -- From 1869 to 1923 (and occasionally through the 1940's) incoming letters were filed separately from other material. From 1899 to 1923 all incoming letters were stored annually in special file boxes arranged alphabetically by correspondent's name. The papers in this series are arranged as they were found.","Series II. Copies of outgoing letters (boxes 44-57) -- From the 1870's through the teens copies of outgoing letters were kept chronologically in letterpress books. The books are stored in chronological order.","Series III. Case files (boxes 58-125) -- The case files date back to 1874, but are concentrated between 1920 and 1955. While the dates of these case files overlap the chronological ones described above, case files were by no means regularly created until the early twenties when the other system was virtually abandoned. Since many, but not all, of the case files were numbered, it was impossible to restore them to numerical order. Therefore, they have been grouped into decades and then arranged alphabetically by title found on the original folder. If the original folder was numbered, that number is noted on the new one. The cases concern principally the settlement of debts, property and divorce, as well as, for the last few decades, insurance claims.","Series IV. Legal documents (boxes 126-145) -- These documents, originally stored apart from case files, are organized chronologically according to type of document, the largest groups of which are deeds (1885-1929) and titles (1876-1936). Also included in this series are documents related to specific cases (ca. 1870-1925), to the coal business, and to miscellaneous matters (ca. 1800-1950).","Series V. Financial papers (boxes 146-167 and oversize) -- The financial papers were likewise apparently filed separately in the office. They include notes, bonds, collections, accounts, bills, taxes, etc., and are arranged alphabetically (ca. 1870-1950). Ledgers containing the same sort of financial records are organized by size.","Series VI. General office correspondendence and cases (boxes 168-185) -- This alphabetical file, ca. 1920-1955, was apparently created for routine correspondence concerning clients and office matters. For some reason, certain cases were also incorporated into the alphabetical system, despite the fact that numbered case files continued to be created until the practice closed. (To complicate matters a bit further, there seem to have been two alphabetical files used consecutively. These have now been merged into one.) This series contains correspondence and case files, desk diaries, memoranda, unfiled office papers, and files relating to the insurance companies Eskridge represented.","Series VII. Insurance agency files (boxes 186-217) -- These files of the Insurance Agency of Charlottesville, 1923-1927, cover the period in which W.F. Carter, Jr., was agent. At the beginning of the series are documents concerning the audit of the agency and the subsequent incorporation.","Series VIII. Family business files, civic material and miscellany (boxes 218-232) -- These records, dating from the 1880's, provide a good deal of information about the financial affairs of the Charlottesville Dukes as well as their relatives.","Richard Thomas Walker Duke, son of Richard and Maria Walker Duke, was born 6 June 1822 in Charlottesville, Virginia, where he spent his childhood. After attending private schools, he entered Virginia Military Institute and finished second in the class of 1845. Upon graduating he taught school in Lewisburg, Virginia (now West Virginia), but returned to Charlottesville when his father died in 1849, and began studying law at the University. In 1850, he started his own law practice, and over the next ten years built a law office, was chosen one of Charlottesville's first aldermen, served briefly as mayor, and became commonwealth's attorney. He married Elizabeth Scott Eskridge of Staunton, and they had two sons, William and R. T. W. Jr. (Tom), and a daughter, Mary, all of whom lived to adulthood; two other children died in childhood.","As colonel of the 48th Regiment of the Virginia Volunteers, R. T. W. Duke took an active role in the Civil War. In 1864, he resigned his commission because of a dispute with a superior officer, but re-enlisted thirty days later. He surrendered with his troops at Silas Creek in 1865, and returned to his law practice and position as commonwealth's attorney. From that time on, Duke was known as \"the Colonel,\" and in honor of his service in the recent war, the local camp for the Sons of Confederate Veterans was named for him.","In 1863 Duke bought Sunnyside, a 70-acre tract of land northeast of Charlottesville (on which the Law School is now located), and farmed this property until his death. He was chosen secretary/treasurer of the board of trustees of the Samuel Miller Fund, established in 1869. In 1870, Duke assumed the fifth district's Congressional seat for two terms as a member of the Conservative party. Lobbying for a strong South throughout his term, Duke actively opposed the 14th Amendment. R. T. W. Duke died after a lingering illness in the summer of 1898.","William R. Duke, born in 1849, possessed his father's farming instincts and commitment to political involvement. Together they farmed and resided at Sunnyside, whose ownership William shared with his brother Tom after their father's death. Although William studied law at Virginia, and in 1883 joined his father's law practice, he devoted more energy to farming and such groups as the Virginia Cattlemen's Association. In 1897 he was elected delegate to the Virginia General Assembly. Like his father, William was also involved in local affairs, serving, for example, as clerk of the Miller Fund board of trustees for many years. William died in 1929 and was survived by his sons, William (Billy) and Camman.","Since he was born in 1853, Richard Thomas Walker Duke Jr. (Tom) witnessed the Civil War during his impressionable boyhood years and later wrote about those experiences. A gifted writer and student of languages, Tom studied classics, French, German, and English literature when he entered the University of Virginia in 1870. He was awarded the Thomas Jefferson Prize for the best essay in 1872, and then turned his attention to the study of law in 1873-74. It is likely that he later read law for a time in his father's office before passing the bar. Although the practice of law became his career, Duke wrote prose and poetry the rest of his life, and was published in the New York Herald and such magazines as Century, Lippincott's, and Illustrated American.","Throughout his long career, Tom was active in town, University, and state affairs. Among the organizations in which he held office were the Masons, Zeta Psi fraternity, the Sons of the American Revolution, the Sons of Confederate Veterans, the Miller Board, the UVA Alumni Association, and the state Democratic Committee. He served from 1886 to 1901 as judge of the Corporation Court (now called the Circuit Court), as commonwealth's attorney from 1916 to 1920, and as a member of the Committee to Revise the Virginia Code in 1908. In addition, he sat on the boards of a variety of corporations, including the Charlottesville Ice Company, the First National Bank, and a number of Kentucky and West Virginia coal development companies in which his family had invested. From 1907 to 1910, Tom edited the Virginia Law Journal.","Tom Duke married Edith Ridgeway Slaughter in 1884, and they produced six children, of whom five grew to maturity: Mary, R. T. W. III (Walker), John Flavel Slaughter (Jack), William Eskridge, and Helen Risdon. He built a spacious home for his family at 616 Park Street. A frequent traveller because of his practice, Duke also travelled for pleasure. As the children grew up, Edith often accompanied him to New York or Washington to shop, visit friends and attend plays, or she took journeys alone to visit children and other relatives. All the Duke children, as they reached their teens, attended boarding school, and all received at least some college education. Edith Duke died suddenly in 1921, and two years later, Tom married Maymee Richardson Slaughter, his wife's sister-in-law from Lynchburg. In March of 1926 Tom died at the age of 76.","Walker, after a few years in the Navy, joined the Army and became a career officer. Jack served in the Army during World War I, and then began a career in business. In 1917, Eskridge took a law degree at Virginia and joined his father's practice. He was plagued by ill-health throughout his career, and soon after their father's death, his sister Mary, a former social worker, began assisting in the law office. Helen, a librarian, worked in New York and Norfolk for a year or so before moving back to the family home. Eskridge and his wife, Lucy Lee, had three children, of whom two, William Eskridge Jr. (Bill) and Lucy Marshall, grew to adulthood. Jack died in 1933; Eskridge, in 1959; Walker, in 1960; Mary, in 1966; and Helen, in 1984.","The Charlottesville law practice established by R. T. W. Duke in 1850 remained in the family for two succeeding generations. After studying law with John B. Minor at the University of Virginia, Duke practiced alone until 1858, when he built his office at 20 Court House Square and took James D. Jones as a partner. Another lawyer, Louis G. Hanckel, joined the firm in the early seventies and handled insurance business. When Tom finished his legal studies in 1874, he assisted his father, whose partner by then was Stephen V. Southall. In the 1880's the firm was called Duke and Duke, William having joined his father shortly before Tom became judge.","The early work of the firm was limited to real estate, debt collection, and probate work, with an occasional criminal case. In addition, there was ample time for all three lawyers to pursue their assorted outside interests. At the office each man wrote his own letters, Tom switching to a Remington typewriter in 1889, before the days when they could hire a stenographer. The Dukes handled property rentals for some of their clients, the wealthiest and best known of whom was Jefferson Levy, owner of Monticello, the Opera House, and a great deal of other property in town.","With the combination of \"the Colonel's\" death, the social and economic changes in town around the turn of the century, and the energetic leadership of Tom, the workload of the practice increased and became more diverse. Loan and bond operations were added to the civil and criminal work and property management. Around 1917, Eskridge and Clarence E. Gentry joined the firm, now called Duke, Duke and Gentry. The law office was torn down in 1922, and the firm moved to a building shared with other lawyers at the corner of Fifth and Jefferson Streets. The practice flourished, and the Dukes often hired Virginia law students or graduates as clerks or associates, including Elizabeth Tompkins (the first female graduate of the Law School), Bernard Chamberlain, Anna Dinwiddie, and John Yancy.","It has not been determined whether the Dukes sold insurance after Hanckel left, but some time after Eskridge joined the firm in the late teens, the Insurance Agency was established. The title was changed to the Insurance Agency of Charlottesville in 1923, when W. F. Carter Jr. as agent. After Carter misappropriated funds, he was relieved of his job, the agency was incorporated, and the Dukes' interest in the business was eventually bought out by William B. Murphy.","Eskridge carried on the law practice with the assistance of Mary and an occasional associate. In 1937, he wrote that his firm \"is regional and local counsel for a number of insurance companies, Virginia counsel for the Pike Coal Company, and does a general legal business, specializing in insurance, real estate, corporation and probate law, also maintains a collection department.\" With his failing health in the late forties, the practice dwindled until 1955, when Duke and Duke closed a little over a hundred years after it began.","The Duke law firm papers include correspondence, case files, legal, insuarance, and financial records, as well as ledgers. The files provide extensive documentation of a small-town family practice. Since the insurance business and the Dukes's family business affairs were handled in the same office as the law practice, these files had remained with the legal files. The family correspondence found with these papers was transferred to Special Collections in Alderman Library. ","The Duke papers were transferred from the first Duke office to the second Duke office, finally to their third office on Park Street, where they apparently were shifted more than once. Things were unavoidably jumbled, but the order within the cartons, the types of file boxes and folders, and the dates made it possible to reconstruct the original filing arrangements.","This collection is rich in source material for scholars of legal, social, or local history. The first area of research focuses on the changes in the character of this small-town law practice from the post-Civil War to the post-World War II periods. There are well-documented accounts in the shifts in the type of legal work the law firm handled, the daily office operations over the years, the economic vicissitudes of the practice, and the attitudes of three generations of lawyers. There is information on the political, economic, and social conditions of the Charlottesville area during the time span of the Dukes' law practice.","Series I. Incoming letters (boxes 1-43) -- From 1869 to 1923 (and occasionally through the 1940's) incoming letters were filed separately from other material.  From 1899 to 1923 all incoming letters were stored annually in special file boxes arranged alphabetically by correspondent's name.  The papers in this series are arranged as they were found.","Series II.  Copies of outgoing letters (boxes 44-57) --  From the 1870's through the teens copies of outgoing letters were kept chronologically in letterpress books.  The books are stored in chronological order.","Series III.  Case files (boxes 58-125) -- The case files date back to 1874 but are concentrated between 1920 and 1955.  While the dates of these case files overlap the chronological ones described above, case files were by no means regularly created until the early twenties when the other system was virtually abandoned.  Since many but not all of the case files were numbered, it was impossible to restore them to numerical order. Therefore, they have been grouped into decades and then arranged alphabetically by title found on the original folder.  If the original folder was numbered, that number is noted on the new one.  The cases concern principally the settlement of debts, property and divorce, as well as, for the last few decades, insurance claims.","Series IV.  Legal documents (boxes 126-145) --  These documents, originally stored apart from case files, are organized chronologically according to type of document, the largest groups of which are deeds (1885-1929) and titles (1876-1936). Also included in this series are documents related to specific cases (ca. 1870-1925), to the coal business, and to miscellaneous matters (ca. 1800-1950).","Series V.  Financial papers (boxes 146-167 and oversize) --  The financial papers were likewise apparently filed separately in the office.  They include notes, bonds, collections, accounts, bills, taxes, etc. and are arranged alphabetically (ca. 1870-1950).  Ledgers containing the same sort of financial records are organized by size.","Series VI.  General office correspondence and cases (boxes 168-185) -- This alphabetical file, ca. 1920-1955, was apparently created for routine correspondence concerning clients and office matters.  For some reason certain cases were also incorporated into the alphabetical system, despite the fact that numbered case files continued to be created until the practice closed.  (To complicate matters a bit further, there seem to have been two alphabetical files used consecutively.  These have now been merged into one.)  This series contains correspondence and case files, desk diaries, memoranda, unfiled office papers, and files relating to the insurance companies Eskridge represented.","Series VII. Insurance agency files (boxes 186-217) -- These files of the Insurance Agency of Charlottesville, 1923-1927, cover the period in which W.F. Carter, Jr. was agent.  At the beginning of the series are documents concerning the audit of the agency and the subsequent incorporation.","Series VIII. Family business files, civic material and miscellany (boxes 218-232) -- These records dating from the 1880's provide a good deal of information about the financial affairs of the Charlottesville Dukes as well as their relatives.","This addition to the Duke law firm papers came to the law library after the death of Helen Duke, donor of the original gift, and was given by William E. Duke, Jr. and Lucy D. Kinne.  These papers are principally legal files from the law firm for the years 1904-[1942-1948]-1954 and financial records of the Duke family, and their arrangement follows that of the original gift.","Arthur J. Morris Law Library Special Collections","Duke family ","Duke, Richard Thomas Walker (R. T. W.), 1822-1898","Duke, William Eskridge, 1893-1959","Duke, William R., 1849-1929","English"],"unitid_tesim":["MSS.79.6","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/66"],"normalized_title_ssm":["Duke family law firm papers"],"collection_title_tesim":["Duke family law firm papers"],"collection_ssim":["Duke family law firm papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Charlottesville (Va.) -- History -- 19th Century","Charlottesville (Va.) -- History -- 20th century"],"geogname_ssim":["Charlottesville (Va.) -- History -- 19th Century","Charlottesville (Va.) -- History -- 20th century"],"creator_ssm":["Duke, Richard Thomas Walker (R. T. W.), 1822-1898"],"creator_ssim":["Duke, Richard Thomas Walker (R. T. W.), 1822-1898"],"creator_persname_ssim":["Duke, Richard Thomas Walker (R. T. W.), 1822-1898"],"creators_ssim":["Duke, Richard Thomas Walker (R. T. W.), 1822-1898"],"places_ssim":["Charlottesville (Va.) -- History -- 19th Century","Charlottesville (Va.) -- History -- 20th century"],"acqinfo_ssim":["The collection was a gift of Helen R. Duke in 1979.","The addendum to the papers of the Duke and Duke law firm was donated by William E. Duke and Lucy D. Kinne to the Law Library in October of 1985 after the death of Helen Duke, donor of the original gift. "],"access_subjects_ssim":["practice of law -- Virginia","lawyers -- Virginia"],"access_subjects_ssm":["practice of law -- Virginia","lawyers -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["108.5  Linear Feet 232 boxes"],"extent_tesim":["108.5  Linear Feet 232 boxes"],"date_range_isim":[1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"arrangement_html_tesm":["\u003cp\u003eThe papers are organized into 8 series: 1st-6th series concern the law practice; 7th series, the insurance business; and the 8th, family business.\u003c/p\u003e\n","\u003cp\u003eSeries I. Incoming letters (boxes 1-43) -- From 1869 to 1923 (and occasionally through the 1940's) incoming letters were filed separately from other material. From 1899 to 1923 all incoming letters were stored annually in special file boxes arranged alphabetically by correspondent's name. The papers in this series are arranged as they were found.\u003c/p\u003e\n","\u003cp\u003eSeries II. Copies of outgoing letters (boxes 44-57) -- From the 1870's through the teens copies of outgoing letters were kept chronologically in letterpress books. The books are stored in chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries III. Case files (boxes 58-125) -- The case files date back to 1874, but are concentrated between 1920 and 1955. While the dates of these case files overlap the chronological ones described above, case files were by no means regularly created until the early twenties when the other system was virtually abandoned. Since many, but not all, of the case files were numbered, it was impossible to restore them to numerical order. Therefore, they have been grouped into decades and then arranged alphabetically by title found on the original folder. If the original folder was numbered, that number is noted on the new one. The cases concern principally the settlement of debts, property and divorce, as well as, for the last few decades, insurance claims.\u003c/p\u003e\n","\u003cp\u003eSeries IV. Legal documents (boxes 126-145) -- These documents, originally stored apart from case files, are organized chronologically according to type of document, the largest groups of which are deeds (1885-1929) and titles (1876-1936). Also included in this series are documents related to specific cases (ca. 1870-1925), to the coal business, and to miscellaneous matters (ca. 1800-1950).\u003c/p\u003e\n","\u003cp\u003eSeries V. Financial papers (boxes 146-167 and oversize) -- The financial papers were likewise apparently filed separately in the office. They include notes, bonds, collections, accounts, bills, taxes, etc., and are arranged alphabetically (ca. 1870-1950). Ledgers containing the same sort of financial records are organized by size.\u003c/p\u003e\n","\u003cp\u003eSeries VI. General office correspondendence and cases (boxes 168-185) -- This alphabetical file, ca. 1920-1955, was apparently created for routine correspondence concerning clients and office matters. For some reason, certain cases were also incorporated into the alphabetical system, despite the fact that numbered case files continued to be created until the practice closed. (To complicate matters a bit further, there seem to have been two alphabetical files used consecutively. These have now been merged into one.) This series contains correspondence and case files, desk diaries, memoranda, unfiled office papers, and files relating to the insurance companies Eskridge represented.\u003c/p\u003e\n","\u003cp\u003eSeries VII. Insurance agency files (boxes 186-217) -- These files of the Insurance Agency of Charlottesville, 1923-1927, cover the period in which W.F. Carter, Jr., was agent. At the beginning of the series are documents concerning the audit of the agency and the subsequent incorporation.\u003c/p\u003e\n","\u003cp\u003eSeries VIII. Family business files, civic material and miscellany (boxes 218-232) -- These records, dating from the 1880's, provide a good deal of information about the financial affairs of the Charlottesville Dukes as well as their relatives.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The papers are organized into 8 series: 1st-6th series concern the law practice; 7th series, the insurance business; and the 8th, family business.","Series I. Incoming letters (boxes 1-43) -- From 1869 to 1923 (and occasionally through the 1940's) incoming letters were filed separately from other material. From 1899 to 1923 all incoming letters were stored annually in special file boxes arranged alphabetically by correspondent's name. The papers in this series are arranged as they were found.","Series II. Copies of outgoing letters (boxes 44-57) -- From the 1870's through the teens copies of outgoing letters were kept chronologically in letterpress books. The books are stored in chronological order.","Series III. Case files (boxes 58-125) -- The case files date back to 1874, but are concentrated between 1920 and 1955. While the dates of these case files overlap the chronological ones described above, case files were by no means regularly created until the early twenties when the other system was virtually abandoned. Since many, but not all, of the case files were numbered, it was impossible to restore them to numerical order. Therefore, they have been grouped into decades and then arranged alphabetically by title found on the original folder. If the original folder was numbered, that number is noted on the new one. The cases concern principally the settlement of debts, property and divorce, as well as, for the last few decades, insurance claims.","Series IV. Legal documents (boxes 126-145) -- These documents, originally stored apart from case files, are organized chronologically according to type of document, the largest groups of which are deeds (1885-1929) and titles (1876-1936). Also included in this series are documents related to specific cases (ca. 1870-1925), to the coal business, and to miscellaneous matters (ca. 1800-1950).","Series V. Financial papers (boxes 146-167 and oversize) -- The financial papers were likewise apparently filed separately in the office. They include notes, bonds, collections, accounts, bills, taxes, etc., and are arranged alphabetically (ca. 1870-1950). Ledgers containing the same sort of financial records are organized by size.","Series VI. General office correspondendence and cases (boxes 168-185) -- This alphabetical file, ca. 1920-1955, was apparently created for routine correspondence concerning clients and office matters. For some reason, certain cases were also incorporated into the alphabetical system, despite the fact that numbered case files continued to be created until the practice closed. (To complicate matters a bit further, there seem to have been two alphabetical files used consecutively. These have now been merged into one.) This series contains correspondence and case files, desk diaries, memoranda, unfiled office papers, and files relating to the insurance companies Eskridge represented.","Series VII. Insurance agency files (boxes 186-217) -- These files of the Insurance Agency of Charlottesville, 1923-1927, cover the period in which W.F. Carter, Jr., was agent. At the beginning of the series are documents concerning the audit of the agency and the subsequent incorporation.","Series VIII. Family business files, civic material and miscellany (boxes 218-232) -- These records, dating from the 1880's, provide a good deal of information about the financial affairs of the Charlottesville Dukes as well as their relatives."],"bioghist_html_tesm":["\u003cp\u003eRichard Thomas Walker Duke, son of Richard and Maria Walker Duke, was born 6 June 1822 in Charlottesville, Virginia, where he spent his childhood. After attending private schools, he entered Virginia Military Institute and finished second in the class of 1845. Upon graduating he taught school in Lewisburg, Virginia (now West Virginia), but returned to Charlottesville when his father died in 1849, and began studying law at the University. In 1850, he started his own law practice, and over the next ten years built a law office, was chosen one of Charlottesville's first aldermen, served briefly as mayor, and became commonwealth's attorney. He married Elizabeth Scott Eskridge of Staunton, and they had two sons, William and R. T. W. Jr. (Tom), and a daughter, Mary, all of whom lived to adulthood; two other children died in childhood.\u003c/p\u003e\n","\u003cp\u003eAs colonel of the 48th Regiment of the Virginia Volunteers, R. T. W. Duke took an active role in the Civil War. In 1864, he resigned his commission because of a dispute with a superior officer, but re-enlisted thirty days later. He surrendered with his troops at Silas Creek in 1865, and returned to his law practice and position as commonwealth's attorney. From that time on, Duke was known as \"the Colonel,\" and in honor of his service in the recent war, the local camp for the Sons of Confederate Veterans was named for him.\u003c/p\u003e\n","\u003cp\u003eIn 1863 Duke bought Sunnyside, a 70-acre tract of land northeast of Charlottesville (on which the Law School is now located), and farmed this property until his death. He was chosen secretary/treasurer of the board of trustees of the Samuel Miller Fund, established in 1869. In 1870, Duke assumed the fifth district's Congressional seat for two terms as a member of the Conservative party. Lobbying for a strong South throughout his term, Duke actively opposed the 14th Amendment. R. T. W. Duke died after a lingering illness in the summer of 1898.\u003c/p\u003e\n","\u003cp\u003eWilliam R. Duke, born in 1849, possessed his father's farming instincts and commitment to political involvement. Together they farmed and resided at Sunnyside, whose ownership William shared with his brother Tom after their father's death. Although William studied law at Virginia, and in 1883 joined his father's law practice, he devoted more energy to farming and such groups as the Virginia Cattlemen's Association. In 1897 he was elected delegate to the Virginia General Assembly. Like his father, William was also involved in local affairs, serving, for example, as clerk of the Miller Fund board of trustees for many years. William died in 1929 and was survived by his sons, William (Billy) and Camman.\u003c/p\u003e\n","\u003cp\u003eSince he was born in 1853, Richard Thomas Walker Duke Jr. (Tom) witnessed the Civil War during his impressionable boyhood years and later wrote about those experiences. A gifted writer and student of languages, Tom studied classics, French, German, and English literature when he entered the University of Virginia in 1870. He was awarded the Thomas Jefferson Prize for the best essay in 1872, and then turned his attention to the study of law in 1873-74. It is likely that he later read law for a time in his father's office before passing the bar. Although the practice of law became his career, Duke wrote prose and poetry the rest of his life, and was published in the New York Herald and such magazines as Century, Lippincott's, and Illustrated American.\u003c/p\u003e\n","\u003cp\u003eThroughout his long career, Tom was active in town, University, and state affairs. Among the organizations in which he held office were the Masons, Zeta Psi fraternity, the Sons of the American Revolution, the Sons of Confederate Veterans, the Miller Board, the UVA Alumni Association, and the state Democratic Committee. He served from 1886 to 1901 as judge of the Corporation Court (now called the Circuit Court), as commonwealth's attorney from 1916 to 1920, and as a member of the Committee to Revise the Virginia Code in 1908. In addition, he sat on the boards of a variety of corporations, including the Charlottesville Ice Company, the First National Bank, and a number of Kentucky and West Virginia coal development companies in which his family had invested. From 1907 to 1910, Tom edited the Virginia Law Journal.\u003c/p\u003e\n","\u003cp\u003eTom Duke married Edith Ridgeway Slaughter in 1884, and they produced six children, of whom five grew to maturity: Mary, R. T. W. III (Walker), John Flavel Slaughter (Jack), William Eskridge, and Helen Risdon. He built a spacious home for his family at 616 Park Street. A frequent traveller because of his practice, Duke also travelled for pleasure. As the children grew up, Edith often accompanied him to New York or Washington to shop, visit friends and attend plays, or she took journeys alone to visit children and other relatives. All the Duke children, as they reached their teens, attended boarding school, and all received at least some college education. Edith Duke died suddenly in 1921, and two years later, Tom married Maymee Richardson Slaughter, his wife's sister-in-law from Lynchburg. In March of 1926 Tom died at the age of 76.\u003c/p\u003e\n","\u003cp\u003eWalker, after a few years in the Navy, joined the Army and became a career officer. Jack served in the Army during World War I, and then began a career in business. In 1917, Eskridge took a law degree at Virginia and joined his father's practice. He was plagued by ill-health throughout his career, and soon after their father's death, his sister Mary, a former social worker, began assisting in the law office. Helen, a librarian, worked in New York and Norfolk for a year or so before moving back to the family home. Eskridge and his wife, Lucy Lee, had three children, of whom two, William Eskridge Jr. (Bill) and Lucy Marshall, grew to adulthood. Jack died in 1933; Eskridge, in 1959; Walker, in 1960; Mary, in 1966; and Helen, in 1984.\u003c/p\u003e\n","\u003cp\u003eThe Charlottesville law practice established by R. T. W. Duke in 1850 remained in the family for two succeeding generations. After studying law with John B. Minor at the University of Virginia, Duke practiced alone until 1858, when he built his office at 20 Court House Square and took James D. Jones as a partner. Another lawyer, Louis G. Hanckel, joined the firm in the early seventies and handled insurance business. When Tom finished his legal studies in 1874, he assisted his father, whose partner by then was Stephen V. Southall. In the 1880's the firm was called Duke and Duke, William having joined his father shortly before Tom became judge.\u003c/p\u003e\n","\u003cp\u003eThe early work of the firm was limited to real estate, debt collection, and probate work, with an occasional criminal case. In addition, there was ample time for all three lawyers to pursue their assorted outside interests. At the office each man wrote his own letters, Tom switching to a Remington typewriter in 1889, before the days when they could hire a stenographer. The Dukes handled property rentals for some of their clients, the wealthiest and best known of whom was Jefferson Levy, owner of Monticello, the Opera House, and a great deal of other property in town.\u003c/p\u003e\n","\u003cp\u003eWith the combination of \"the Colonel's\" death, the social and economic changes in town around the turn of the century, and the energetic leadership of Tom, the workload of the practice increased and became more diverse. Loan and bond operations were added to the civil and criminal work and property management. Around 1917, Eskridge and Clarence E. Gentry joined the firm, now called Duke, Duke and Gentry. The law office was torn down in 1922, and the firm moved to a building shared with other lawyers at the corner of Fifth and Jefferson Streets. The practice flourished, and the Dukes often hired Virginia law students or graduates as clerks or associates, including Elizabeth Tompkins (the first female graduate of the Law School), Bernard Chamberlain, Anna Dinwiddie, and John Yancy.\u003c/p\u003e\n","\u003cp\u003eIt has not been determined whether the Dukes sold insurance after Hanckel left, but some time after Eskridge joined the firm in the late teens, the Insurance Agency was established. The title was changed to the Insurance Agency of Charlottesville in 1923, when W. F. Carter Jr. as agent. After Carter misappropriated funds, he was relieved of his job, the agency was incorporated, and the Dukes' interest in the business was eventually bought out by William B. Murphy.\u003c/p\u003e\n","\u003cp\u003eEskridge carried on the law practice with the assistance of Mary and an occasional associate. In 1937, he wrote that his firm \"is regional and local counsel for a number of insurance companies, Virginia counsel for the Pike Coal Company, and does a general legal business, specializing in insurance, real estate, corporation and probate law, also maintains a collection department.\" With his failing health in the late forties, the practice dwindled until 1955, when Duke and Duke closed a little over a hundred years after it began.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Thomas Walker Duke, son of Richard and Maria Walker Duke, was born 6 June 1822 in Charlottesville, Virginia, where he spent his childhood. After attending private schools, he entered Virginia Military Institute and finished second in the class of 1845. Upon graduating he taught school in Lewisburg, Virginia (now West Virginia), but returned to Charlottesville when his father died in 1849, and began studying law at the University. In 1850, he started his own law practice, and over the next ten years built a law office, was chosen one of Charlottesville's first aldermen, served briefly as mayor, and became commonwealth's attorney. He married Elizabeth Scott Eskridge of Staunton, and they had two sons, William and R. T. W. Jr. (Tom), and a daughter, Mary, all of whom lived to adulthood; two other children died in childhood.","As colonel of the 48th Regiment of the Virginia Volunteers, R. T. W. Duke took an active role in the Civil War. In 1864, he resigned his commission because of a dispute with a superior officer, but re-enlisted thirty days later. He surrendered with his troops at Silas Creek in 1865, and returned to his law practice and position as commonwealth's attorney. From that time on, Duke was known as \"the Colonel,\" and in honor of his service in the recent war, the local camp for the Sons of Confederate Veterans was named for him.","In 1863 Duke bought Sunnyside, a 70-acre tract of land northeast of Charlottesville (on which the Law School is now located), and farmed this property until his death. He was chosen secretary/treasurer of the board of trustees of the Samuel Miller Fund, established in 1869. In 1870, Duke assumed the fifth district's Congressional seat for two terms as a member of the Conservative party. Lobbying for a strong South throughout his term, Duke actively opposed the 14th Amendment. R. T. W. Duke died after a lingering illness in the summer of 1898.","William R. Duke, born in 1849, possessed his father's farming instincts and commitment to political involvement. Together they farmed and resided at Sunnyside, whose ownership William shared with his brother Tom after their father's death. Although William studied law at Virginia, and in 1883 joined his father's law practice, he devoted more energy to farming and such groups as the Virginia Cattlemen's Association. In 1897 he was elected delegate to the Virginia General Assembly. Like his father, William was also involved in local affairs, serving, for example, as clerk of the Miller Fund board of trustees for many years. William died in 1929 and was survived by his sons, William (Billy) and Camman.","Since he was born in 1853, Richard Thomas Walker Duke Jr. (Tom) witnessed the Civil War during his impressionable boyhood years and later wrote about those experiences. A gifted writer and student of languages, Tom studied classics, French, German, and English literature when he entered the University of Virginia in 1870. He was awarded the Thomas Jefferson Prize for the best essay in 1872, and then turned his attention to the study of law in 1873-74. It is likely that he later read law for a time in his father's office before passing the bar. Although the practice of law became his career, Duke wrote prose and poetry the rest of his life, and was published in the New York Herald and such magazines as Century, Lippincott's, and Illustrated American.","Throughout his long career, Tom was active in town, University, and state affairs. Among the organizations in which he held office were the Masons, Zeta Psi fraternity, the Sons of the American Revolution, the Sons of Confederate Veterans, the Miller Board, the UVA Alumni Association, and the state Democratic Committee. He served from 1886 to 1901 as judge of the Corporation Court (now called the Circuit Court), as commonwealth's attorney from 1916 to 1920, and as a member of the Committee to Revise the Virginia Code in 1908. In addition, he sat on the boards of a variety of corporations, including the Charlottesville Ice Company, the First National Bank, and a number of Kentucky and West Virginia coal development companies in which his family had invested. From 1907 to 1910, Tom edited the Virginia Law Journal.","Tom Duke married Edith Ridgeway Slaughter in 1884, and they produced six children, of whom five grew to maturity: Mary, R. T. W. III (Walker), John Flavel Slaughter (Jack), William Eskridge, and Helen Risdon. He built a spacious home for his family at 616 Park Street. A frequent traveller because of his practice, Duke also travelled for pleasure. As the children grew up, Edith often accompanied him to New York or Washington to shop, visit friends and attend plays, or she took journeys alone to visit children and other relatives. All the Duke children, as they reached their teens, attended boarding school, and all received at least some college education. Edith Duke died suddenly in 1921, and two years later, Tom married Maymee Richardson Slaughter, his wife's sister-in-law from Lynchburg. In March of 1926 Tom died at the age of 76.","Walker, after a few years in the Navy, joined the Army and became a career officer. Jack served in the Army during World War I, and then began a career in business. In 1917, Eskridge took a law degree at Virginia and joined his father's practice. He was plagued by ill-health throughout his career, and soon after their father's death, his sister Mary, a former social worker, began assisting in the law office. Helen, a librarian, worked in New York and Norfolk for a year or so before moving back to the family home. Eskridge and his wife, Lucy Lee, had three children, of whom two, William Eskridge Jr. (Bill) and Lucy Marshall, grew to adulthood. Jack died in 1933; Eskridge, in 1959; Walker, in 1960; Mary, in 1966; and Helen, in 1984.","The Charlottesville law practice established by R. T. W. Duke in 1850 remained in the family for two succeeding generations. After studying law with John B. Minor at the University of Virginia, Duke practiced alone until 1858, when he built his office at 20 Court House Square and took James D. Jones as a partner. Another lawyer, Louis G. Hanckel, joined the firm in the early seventies and handled insurance business. When Tom finished his legal studies in 1874, he assisted his father, whose partner by then was Stephen V. Southall. In the 1880's the firm was called Duke and Duke, William having joined his father shortly before Tom became judge.","The early work of the firm was limited to real estate, debt collection, and probate work, with an occasional criminal case. In addition, there was ample time for all three lawyers to pursue their assorted outside interests. At the office each man wrote his own letters, Tom switching to a Remington typewriter in 1889, before the days when they could hire a stenographer. The Dukes handled property rentals for some of their clients, the wealthiest and best known of whom was Jefferson Levy, owner of Monticello, the Opera House, and a great deal of other property in town.","With the combination of \"the Colonel's\" death, the social and economic changes in town around the turn of the century, and the energetic leadership of Tom, the workload of the practice increased and became more diverse. Loan and bond operations were added to the civil and criminal work and property management. Around 1917, Eskridge and Clarence E. Gentry joined the firm, now called Duke, Duke and Gentry. The law office was torn down in 1922, and the firm moved to a building shared with other lawyers at the corner of Fifth and Jefferson Streets. The practice flourished, and the Dukes often hired Virginia law students or graduates as clerks or associates, including Elizabeth Tompkins (the first female graduate of the Law School), Bernard Chamberlain, Anna Dinwiddie, and John Yancy.","It has not been determined whether the Dukes sold insurance after Hanckel left, but some time after Eskridge joined the firm in the late teens, the Insurance Agency was established. The title was changed to the Insurance Agency of Charlottesville in 1923, when W. F. Carter Jr. as agent. After Carter misappropriated funds, he was relieved of his job, the agency was incorporated, and the Dukes' interest in the business was eventually bought out by William B. Murphy.","Eskridge carried on the law practice with the assistance of Mary and an occasional associate. In 1937, he wrote that his firm \"is regional and local counsel for a number of insurance companies, Virginia counsel for the Pike Coal Company, and does a general legal business, specializing in insurance, real estate, corporation and probate law, also maintains a collection department.\" With his failing health in the late forties, the practice dwindled until 1955, when Duke and Duke closed a little over a hundred years after it began."],"scopecontent_html_tesm":["\u003cp\u003eThe Duke law firm papers include correspondence, case files, legal, insuarance, and financial records, as well as ledgers. The files provide extensive documentation of a small-town family practice. Since the insurance business and the Dukes's family business affairs were handled in the same office as the law practice, these files had remained with the legal files. The family correspondence found with these papers was transferred to Special Collections in Alderman Library. \u003c/p\u003e\n","\u003cp\u003eThe Duke papers were transferred from the first Duke office to the second Duke office, finally to their third office on Park Street, where they apparently were shifted more than once. Things were unavoidably jumbled, but the order within the cartons, the types of file boxes and folders, and the dates made it possible to reconstruct the original filing arrangements.\u003c/p\u003e\n","\u003cp\u003eThis collection is rich in source material for scholars of legal, social, or local history. The first area of research focuses on the changes in the character of this small-town law practice from the post-Civil War to the post-World War II periods. There are well-documented accounts in the shifts in the type of legal work the law firm handled, the daily office operations over the years, the economic vicissitudes of the practice, and the attitudes of three generations of lawyers. There is information on the political, economic, and social conditions of the Charlottesville area during the time span of the Dukes' law practice.\u003c/p\u003e","\u003cp\u003eSeries I. Incoming letters (boxes 1-43) -- From 1869 to 1923 (and occasionally through the 1940's) incoming letters were filed separately from other material.  From 1899 to 1923 all incoming letters were stored annually in special file boxes arranged alphabetically by correspondent's name.  The papers in this series are arranged as they were found.\u003c/p\u003e","\u003cp\u003eSeries II.  Copies of outgoing letters (boxes 44-57) --  From the 1870's through the teens copies of outgoing letters were kept chronologically in letterpress books.  The books are stored in chronological order.\u003c/p\u003e","\u003cp\u003eSeries III.  Case files (boxes 58-125) -- The case files date back to 1874 but are concentrated between 1920 and 1955.  While the dates of these case files overlap the chronological ones described above, case files were by no means regularly created until the early twenties when the other system was virtually abandoned.  Since many but not all of the case files were numbered, it was impossible to restore them to numerical order. Therefore, they have been grouped into decades and then arranged alphabetically by title found on the original folder.  If the original folder was numbered, that number is noted on the new one.  The cases concern principally the settlement of debts, property and divorce, as well as, for the last few decades, insurance claims.\u003c/p\u003e","\u003cp\u003eSeries IV.  Legal documents (boxes 126-145) --  These documents, originally stored apart from case files, are organized chronologically according to type of document, the largest groups of which are deeds (1885-1929) and titles (1876-1936). Also included in this series are documents related to specific cases (ca. 1870-1925), to the coal business, and to miscellaneous matters (ca. 1800-1950).\u003c/p\u003e","\u003cp\u003eSeries V.  Financial papers (boxes 146-167 and oversize) --  The financial papers were likewise apparently filed separately in the office.  They include notes, bonds, collections, accounts, bills, taxes, etc. and are arranged alphabetically (ca. 1870-1950).  Ledgers containing the same sort of financial records are organized by size.\u003c/p\u003e","\u003cp\u003eSeries VI.  General office correspondence and cases (boxes 168-185) -- This alphabetical file, ca. 1920-1955, was apparently created for routine correspondence concerning clients and office matters.  For some reason certain cases were also incorporated into the alphabetical system, despite the fact that numbered case files continued to be created until the practice closed.  (To complicate matters a bit further, there seem to have been two alphabetical files used consecutively.  These have now been merged into one.)  This series contains correspondence and case files, desk diaries, memoranda, unfiled office papers, and files relating to the insurance companies Eskridge represented.\u003c/p\u003e","\u003cp\u003eSeries VII. Insurance agency files (boxes 186-217) -- These files of the Insurance Agency of Charlottesville, 1923-1927, cover the period in which W.F. Carter, Jr. was agent.  At the beginning of the series are documents concerning the audit of the agency and the subsequent incorporation.\u003c/p\u003e","\u003cp\u003eSeries VIII. Family business files, civic material and miscellany (boxes 218-232) -- These records dating from the 1880's provide a good deal of information about the financial affairs of the Charlottesville Dukes as well as their relatives.\u003c/p\u003e","\u003cp\u003eThis addition to the Duke law firm papers came to the law library after the death of Helen Duke, donor of the original gift, and was given by William E. Duke, Jr. and Lucy D. Kinne.  These papers are principally legal files from the law firm for the years 1904-[1942-1948]-1954 and financial records of the Duke family, and their arrangement follows that of the original gift.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Duke law firm papers include correspondence, case files, legal, insuarance, and financial records, as well as ledgers. The files provide extensive documentation of a small-town family practice. Since the insurance business and the Dukes's family business affairs were handled in the same office as the law practice, these files had remained with the legal files. The family correspondence found with these papers was transferred to Special Collections in Alderman Library. ","The Duke papers were transferred from the first Duke office to the second Duke office, finally to their third office on Park Street, where they apparently were shifted more than once. Things were unavoidably jumbled, but the order within the cartons, the types of file boxes and folders, and the dates made it possible to reconstruct the original filing arrangements.","This collection is rich in source material for scholars of legal, social, or local history. The first area of research focuses on the changes in the character of this small-town law practice from the post-Civil War to the post-World War II periods. There are well-documented accounts in the shifts in the type of legal work the law firm handled, the daily office operations over the years, the economic vicissitudes of the practice, and the attitudes of three generations of lawyers. There is information on the political, economic, and social conditions of the Charlottesville area during the time span of the Dukes' law practice.","Series I. Incoming letters (boxes 1-43) -- From 1869 to 1923 (and occasionally through the 1940's) incoming letters were filed separately from other material.  From 1899 to 1923 all incoming letters were stored annually in special file boxes arranged alphabetically by correspondent's name.  The papers in this series are arranged as they were found.","Series II.  Copies of outgoing letters (boxes 44-57) --  From the 1870's through the teens copies of outgoing letters were kept chronologically in letterpress books.  The books are stored in chronological order.","Series III.  Case files (boxes 58-125) -- The case files date back to 1874 but are concentrated between 1920 and 1955.  While the dates of these case files overlap the chronological ones described above, case files were by no means regularly created until the early twenties when the other system was virtually abandoned.  Since many but not all of the case files were numbered, it was impossible to restore them to numerical order. Therefore, they have been grouped into decades and then arranged alphabetically by title found on the original folder.  If the original folder was numbered, that number is noted on the new one.  The cases concern principally the settlement of debts, property and divorce, as well as, for the last few decades, insurance claims.","Series IV.  Legal documents (boxes 126-145) --  These documents, originally stored apart from case files, are organized chronologically according to type of document, the largest groups of which are deeds (1885-1929) and titles (1876-1936). Also included in this series are documents related to specific cases (ca. 1870-1925), to the coal business, and to miscellaneous matters (ca. 1800-1950).","Series V.  Financial papers (boxes 146-167 and oversize) --  The financial papers were likewise apparently filed separately in the office.  They include notes, bonds, collections, accounts, bills, taxes, etc. and are arranged alphabetically (ca. 1870-1950).  Ledgers containing the same sort of financial records are organized by size.","Series VI.  General office correspondence and cases (boxes 168-185) -- This alphabetical file, ca. 1920-1955, was apparently created for routine correspondence concerning clients and office matters.  For some reason certain cases were also incorporated into the alphabetical system, despite the fact that numbered case files continued to be created until the practice closed.  (To complicate matters a bit further, there seem to have been two alphabetical files used consecutively.  These have now been merged into one.)  This series contains correspondence and case files, desk diaries, memoranda, unfiled office papers, and files relating to the insurance companies Eskridge represented.","Series VII. Insurance agency files (boxes 186-217) -- These files of the Insurance Agency of Charlottesville, 1923-1927, cover the period in which W.F. Carter, Jr. was agent.  At the beginning of the series are documents concerning the audit of the agency and the subsequent incorporation.","Series VIII. Family business files, civic material and miscellany (boxes 218-232) -- These records dating from the 1880's provide a good deal of information about the financial affairs of the Charlottesville Dukes as well as their relatives.","This addition to the Duke law firm papers came to the law library after the death of Helen Duke, donor of the original gift, and was given by William E. Duke, Jr. and Lucy D. Kinne.  These papers are principally legal files from the law firm for the years 1904-[1942-1948]-1954 and financial records of the Duke family, and their arrangement follows that of the original gift."],"names_ssim":["Arthur J. Morris Law Library Special Collections","Duke family ","Duke, Richard Thomas Walker (R. T. W.), 1822-1898","Duke, William Eskridge, 1893-1959","Duke, William R., 1849-1929"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections"],"names_coll_ssim":["Duke family ","Duke, Richard Thomas Walker (R. T. W.), 1822-1898","Duke, William Eskridge, 1893-1959","Duke, William Eskridge, 1893-1959","Duke, William R., 1849-1929","Duke, Richard Thomas Walker (R. T. W.), 1822-1898"],"famname_ssim":["Duke family "],"persname_ssim":["Duke, Richard Thomas Walker (R. T. 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Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Morgan County Courts","English"],"unitid_tesim":["A\u0026M 2469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/467"],"normalized_title_ssm":["Morgan County Court Records"],"collection_title_tesim":["Morgan County Court Records"],"collection_ssim":["Morgan County Court Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Morgan County Courts"],"creator_ssim":["Morgan County Courts"],"creator_corpname_ssim":["Morgan County Courts"],"creators_ssim":["Morgan County Courts"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. 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(58 document cases, 5 in. each); (1 document case, 2 1/2 in.)"],"date_range_isim":[1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Morgan County Court Records, A\u0026amp;M 2469, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Morgan County Court Records, A\u0026M 2469, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eOriginal court case papers, land surveys, deeds, and jury lists. 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Contain a corresponding index, arranged alphabetically by persons named in the suits."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_21f8996bc8d25859800681469a29f7f3\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Morgan County Courts"],"corpname_ssim":["West Virginia and Regional History Center","Morgan County Courts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":59,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:45:36.485Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_467_c24"}},{"id":"viw_repositories_2_resources_9853_c04_c02","type":"File","attributes":{"title":"19th and 20th century cartoons portfolio","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c04_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c04_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c04_c02","ref_ssm":["viw_repositories_2_resources_9853_c04_c02"],"id":"viw_repositories_2_resources_9853_c04_c02","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c04","parent_ssi":"viw_repositories_2_resources_9853_c04","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c04"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c04"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 4: Scrapbooks and portfolios"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 4: Scrapbooks and portfolios"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 4: Scrapbooks and portfolios","19th and 20th century cartoons portfolio","box 33","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century."],"title_filing_ssi":"19th and 20th century cartoons portfolio","title_ssm":["19th and 20th century cartoons portfolio"],"title_tesim":["19th and 20th century cartoons portfolio"],"unitdate_inclusive_ssm":["1828 - 1901"],"normalized_date_ssm":["1828/1901"],"normalized_title_ssm":["19th and 20th century cartoons portfolio"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"extent_ssm":["0.2 Linear Feet 16 x 20 x 3 inch portfolio."],"extent_tesim":["0.2 Linear Feet 16 x 20 x 3 inch portfolio."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":263,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901],"containers_ssim":["box 33"],"scopecontent_html_tesm":["\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century."],"_nest_path_":"/components#3/components#1","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the 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