{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1509\u0026page=4\u0026view=list","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1509\u0026page=3\u0026view=list","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1509\u0026page=5\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1509\u0026page=5\u0026view=list"},"meta":{"pages":{"current_page":4,"next_page":5,"prev_page":3,"total_pages":5,"limit_value":10,"offset_value":30,"total_count":49,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_1766_c01_c31","type":"File","attributes":{"title":"Item No. 31: Foxburg, PA -- Railroad scene, Green's, (not sure of building identification)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1766_c01_c31#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1766_c01_c31","ref_ssm":["wvmturhc_repositories_2_resources_1766_c01_c31"],"id":"wvmturhc_repositories_2_resources_1766_c01_c31","ead_ssi":"wvmturhc_repositories_2_resources_1766","_root_":"wvmturhc_repositories_2_resources_1766","_nest_parent_":"wvmturhc_repositories_2_resources_1766_c01","parent_ssi":"wvmturhc_repositories_2_resources_1766_c01","parent_ssim":["wvmturhc_repositories_2_resources_1766","wvmturhc_repositories_2_resources_1766_c01"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1766","wvmturhc_repositories_2_resources_1766_c01"],"parent_unittitles_ssm":["James Edwin Green, Photographer, Glass Plate Negatives and Other Material","Series 1. Glass Plate Negatives, boxes 1-15"],"parent_unittitles_tesim":["James Edwin Green, Photographer, Glass Plate Negatives and Other Material","Series 1. Glass Plate Negatives, boxes 1-15"],"text":["James Edwin Green, Photographer, Glass Plate Negatives and Other Material","Series 1. Glass Plate Negatives, boxes 1-15","Item No. 31: Foxburg, PA -- Railroad scene, Green's, (not sure of building identification)","Box 1","Folder 31"],"title_filing_ssi":"Item No. 31: Foxburg, PA -- Railroad scene, Green's, (not sure of building identification)","title_ssm":["Item No. 31: Foxburg, PA -- Railroad scene, Green's, (not sure of building identification)"],"title_tesim":["Item No. 31: Foxburg, PA -- Railroad scene, Green's, (not sure of building identification)"],"unitdate_inclusive_ssm":["ca. 1905-1910"],"normalized_date_ssm":["1095/1910"],"normalized_title_ssm":["Item No. 31: Foxburg, PA -- Railroad scene, Green's, (not sure of building identification)"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James Edwin Green, Photographer, Glass Plate Negatives and Other Material"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":32,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center 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1","Folder 31"],"_nest_path_":"/components#0/components#30","timestamp":"2026-04-30T23:15:44.546Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1766","ead_ssi":"wvmturhc_repositories_2_resources_1766","_root_":"wvmturhc_repositories_2_resources_1766","_nest_parent_":"wvmturhc_repositories_2_resources_1766","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1766.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195985","title_ssm":["James Edwin Green, Photographer, Glass Plate Negatives and Other Material"],"title_tesim":["James Edwin Green, Photographer, Glass Plate Negatives and Other Material"],"unitdate_ssm":["1900-1925","1900-1918"],"unitdate_bulk_ssim":["1900-1918"],"unitdate_inclusive_ssm":["1900-1925"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3460","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1766"],"text":["A\u0026M 3460","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1766","James Edwin Green, Photographer, Glass Plate Negatives and Other Material","Foxburg (Pa.)","Pleasants County (W. Va.)","Saint Marys (W. Va.)","Agriculture   -- West Virginia","Oil and Gas Industry and Fields.","Oil fields -- Pennsylvania","Oil fields -- West Virginia","Railroads -- Pennsylvania","World War, 1914-1918 -- Photography","No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","James Edwin Green, Sr. was born in 1874 at Bear Creek, Pennsylvania, one of seven children of Thomas Bennett Green and Mary Rupert Green. Mary Rupert was the daughter of Civil War veteran Daniel Rupert, a Federal artillerist assigned to defend Washington, D.C. during the war. The Greens eventually moved their young family to Foxburg, Pennsylvania on the Allegheny River. Their son James worked in the oil fields of Bradford, Pennsylvania as a teenager until he left for Pleasants County, West Virginia, drawn by the oil boom of 1898.","James E. Green married Edith Sarah Taylor in 1901. Edith was a native of St. Mary's, West Virginia and the daughter of Thomas Jefferson Taylor, owner of Orchard View Farms. James bought his first camera in 1900 and began photographing people and points of interest in the area. His favorite subjects were his family, which grew with the birth of four children, including James, Virginia, Jeanette, and Gladys. The economic depression of 1907-08 sent James and Edith Green back to Foxburg where James worked in a saw mill, but continued with photography.","James and Edith eventually moved back to West Virginia in the 1920s, this time to Edam in Tucker County where James continued working in a saw mill until it burned down in 1930. He spent the rest of his life farming until passing away in 1952. Photography seemed to be the one consistent and most enjoyable occupation of James Edwin Green's life.","Photographs by James Edwin Green of the Green family from western Pennsylvania, and Pleasants County, West Virginia, and related subjects. Includes over 500 glass plate negatives and 1 1/2 inches of film negatives documenting subjects from ca. 1900-1925 including: the James Edwin Green family of western Pennsylvania and Pleasants County, West Virginia; Grand Army of the Republic (GAR) reunions; Foxburg, Pennsylvania in ca. 1910-1920; agricultural subjects; brass bands; oil or gas derricks in Pleasants County or western Pennsylvania; railroads; St. Marys, West Virginia; and World War I (WWI). Also includes exemplars of commercial packaging of glass plate negatives and film negatives.","Many of his subjects include his wife, Edith Taylor Green, their children, James, Jr., Virginia, Jeanette, and Gladys. Other subjects include his parents, Thomas Bennett Green and Mary Rupert Green, and his siblings and in-laws. There are also pictures of the Daniel Rupert and Taylor familes. James Edwin Green's wife, Edith, was a member of the Taylor family of Pleasants County, West Virginia, whose farm is recorded in some of the images. Most of these photographs were taken outside their homes or in local settings.","Green also documented with his camera the 1909 Reunion of the 101st and 103rd Pennsylvania Regiments of the Grand Army of the Republic at Foxburg, Pennsylvania. These Pennsylvania regiments fought in the Civil War under General George McClellan in the 1862 Peninsula Campaign and the 'Seven Days Battle' for Richmond.","Item nos. 401-436 are apparently a systematic documentation of the town of Foxburg, Pennsylvania at some time between 1910 and 1920. There are images of the bank, barber shop, blacksmith, drug store, hotel, post office, etc. Other subjects includes street scenes, transportation, and portraits of residents.","Green also took pictures of 4th of July events, agricultural subjects (such as harvesting, livestock, etc.), brass bands, greeting card portraits with inscriptions, oil or gas derricks in Pleasants County or western Pennsylvania, railroad infrastructure in western Pennsylvania (images which apparently include family members who worked for the railroads), and St. Marys, West Virginia. The film negatives document James Edwin Green, Jr., as a soldier in World War I (WWI) and his time at Penn State College in the 1920s.","Green sometimes recorded subjects and dates to his glass plates. Some of the plates without such inscriptions were identified by the donor at the time of their acquisition; this data was recorded to the folders that the plates were placed in, and these folders have been retained in the collection.","In many cases photocopies of prints (made from the plates) were made to facilitate recording of detailed identification of multiple subjects in an image, often of people. This information can be found in the collection in box 15, folders 16a - 16d.","The collection also includes exemplars of commercial packaging of glass plate negatives and film negatives.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Photographs by James Edwin Green of the Green family from Foxburg, Pennsylvania (PA) and St. Marys, West Virginia (WV). Includes over 500 glass plate negatives and 1 1/2 inches of film negatives documenting subjects from ca. 1900-1918 including: the James Edwin Green family; Foxburg, PA; St. Marys, WV; the Taylor Farm, St. Marys, WV; agriculture; railroads; oil derricks; Grand Army of the Republic (GAR) reunions; the World War I era, and transportation. There are pictures of the Daniel Rupert family and Taylor family as well. Also includes exemplars of commercial packaging of glass plate negatives and film negatives.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Grand Army of the Republic","Green family","Green, James Edwin","English"],"unitid_tesim":["A\u0026M 3460","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1766"],"normalized_title_ssm":["James Edwin Green, Photographer, Glass Plate Negatives and Other Material"],"collection_title_tesim":["James Edwin Green, Photographer, Glass Plate Negatives and Other Material"],"collection_ssim":["James Edwin Green, Photographer, Glass Plate Negatives and Other Material"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Foxburg (Pa.)","Pleasants County (W. Va.)","Saint Marys (W. Va.)"],"geogname_ssim":["Foxburg (Pa.)","Pleasants County (W. Va.)","Saint Marys (W. Va.)"],"creator_ssm":["Green, James Edwin"],"creator_ssim":["Green, James Edwin"],"creator_persname_ssim":["Green, James Edwin"],"creators_ssim":["Green, James Edwin"],"places_ssim":["Foxburg (Pa.)","Pleasants County (W. Va.)","Saint Marys (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Green, James E., 2004/05/26"],"access_subjects_ssim":["Agriculture   -- West Virginia","Oil and Gas Industry and Fields.","Oil fields -- Pennsylvania","Oil fields -- West Virginia","Railroads -- Pennsylvania","World War, 1914-1918 -- Photography"],"access_subjects_ssm":["Agriculture   -- West Virginia","Oil and Gas Industry and Fields.","Oil fields -- Pennsylvania","Oil fields -- West Virginia","Railroads -- Pennsylvania","World War, 1914-1918 -- Photography"],"has_online_content_ssim":["false"],"extent_ssm":["6.7 Linear Feet 6 ft. 8 in. (16 document cases, 5 in. each)"],"extent_tesim":["6.7 Linear Feet 6 ft. 8 in. (16 document cases, 5 in. each)"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eJames Edwin Green, Sr. was born in 1874 at Bear Creek, Pennsylvania, one of seven children of Thomas Bennett Green and Mary Rupert Green. Mary Rupert was the daughter of Civil War veteran Daniel Rupert, a Federal artillerist assigned to defend Washington, D.C. during the war. The Greens eventually moved their young family to Foxburg, Pennsylvania on the Allegheny River. Their son James worked in the oil fields of Bradford, Pennsylvania as a teenager until he left for Pleasants County, West Virginia, drawn by the oil boom of 1898.\u003c/p\u003e\n","\u003cp\u003eJames E. Green married Edith Sarah Taylor in 1901. Edith was a native of St. Mary's, West Virginia and the daughter of Thomas Jefferson Taylor, owner of Orchard View Farms. James bought his first camera in 1900 and began photographing people and points of interest in the area. His favorite subjects were his family, which grew with the birth of four children, including James, Virginia, Jeanette, and Gladys. The economic depression of 1907-08 sent James and Edith Green back to Foxburg where James worked in a saw mill, but continued with photography.\u003c/p\u003e\n","\u003cp\u003eJames and Edith eventually moved back to West Virginia in the 1920s, this time to Edam in Tucker County where James continued working in a saw mill until it burned down in 1930. He spent the rest of his life farming until passing away in 1952. Photography seemed to be the one consistent and most enjoyable occupation of James Edwin Green's life.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edwin Green, Sr. was born in 1874 at Bear Creek, Pennsylvania, one of seven children of Thomas Bennett Green and Mary Rupert Green. Mary Rupert was the daughter of Civil War veteran Daniel Rupert, a Federal artillerist assigned to defend Washington, D.C. during the war. The Greens eventually moved their young family to Foxburg, Pennsylvania on the Allegheny River. Their son James worked in the oil fields of Bradford, Pennsylvania as a teenager until he left for Pleasants County, West Virginia, drawn by the oil boom of 1898.","James E. Green married Edith Sarah Taylor in 1901. Edith was a native of St. Mary's, West Virginia and the daughter of Thomas Jefferson Taylor, owner of Orchard View Farms. James bought his first camera in 1900 and began photographing people and points of interest in the area. His favorite subjects were his family, which grew with the birth of four children, including James, Virginia, Jeanette, and Gladys. The economic depression of 1907-08 sent James and Edith Green back to Foxburg where James worked in a saw mill, but continued with photography.","James and Edith eventually moved back to West Virginia in the 1920s, this time to Edam in Tucker County where James continued working in a saw mill until it burned down in 1930. He spent the rest of his life farming until passing away in 1952. Photography seemed to be the one consistent and most enjoyable occupation of James Edwin Green's life."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James Edwin Green, Photographer, Glass Plate Negatives and Other Material, A\u0026amp;M 3460, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James Edwin Green, Photographer, Glass Plate Negatives and Other Material, A\u0026M 3460, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePhotographs by James Edwin Green of the Green family from western Pennsylvania, and Pleasants County, West Virginia, and related subjects. Includes over 500 glass plate negatives and 1 1/2 inches of film negatives documenting subjects from ca. 1900-1925 including: the James Edwin Green family of western Pennsylvania and Pleasants County, West Virginia; Grand Army of the Republic (GAR) reunions; Foxburg, Pennsylvania in ca. 1910-1920; agricultural subjects; brass bands; oil or gas derricks in Pleasants County or western Pennsylvania; railroads; St. Marys, West Virginia; and World War I (WWI). Also includes exemplars of commercial packaging of glass plate negatives and film negatives.\u003c/p\u003e\n","\u003cp\u003eMany of his subjects include his wife, Edith Taylor Green, their children, James, Jr., Virginia, Jeanette, and Gladys. Other subjects include his parents, Thomas Bennett Green and Mary Rupert Green, and his siblings and in-laws. There are also pictures of the Daniel Rupert and Taylor familes. James Edwin Green's wife, Edith, was a member of the Taylor family of Pleasants County, West Virginia, whose farm is recorded in some of the images. Most of these photographs were taken outside their homes or in local settings.\u003c/p\u003e\n","\u003cp\u003eGreen also documented with his camera the 1909 Reunion of the 101st and 103rd Pennsylvania Regiments of the Grand Army of the Republic at Foxburg, Pennsylvania. These Pennsylvania regiments fought in the Civil War under General George McClellan in the 1862 Peninsula Campaign and the 'Seven Days Battle' for Richmond.\u003c/p\u003e\n","\u003cp\u003eItem nos. 401-436 are apparently a systematic documentation of the town of Foxburg, Pennsylvania at some time between 1910 and 1920. There are images of the bank, barber shop, blacksmith, drug store, hotel, post office, etc. Other subjects includes street scenes, transportation, and portraits of residents.\u003c/p\u003e\n","\u003cp\u003eGreen also took pictures of 4th of July events, agricultural subjects (such as harvesting, livestock, etc.), brass bands, greeting card portraits with inscriptions, oil or gas derricks in Pleasants County or western Pennsylvania, railroad infrastructure in western Pennsylvania (images which apparently include family members who worked for the railroads), and St. Marys, West Virginia. The film negatives document James Edwin Green, Jr., as a soldier in World War I (WWI) and his time at Penn State College in the 1920s.\u003c/p\u003e\n","\u003cp\u003eGreen sometimes recorded subjects and dates to his glass plates. Some of the plates without such inscriptions were identified by the donor at the time of their acquisition; this data was recorded to the folders that the plates were placed in, and these folders have been retained in the collection.\u003c/p\u003e\n","\u003cp\u003eIn many cases photocopies of prints (made from the plates) were made to facilitate recording of detailed identification of multiple subjects in an image, often of people. This information can be found in the collection in box 15, folders 16a - 16d.\u003c/p\u003e\n","\u003cp\u003eThe collection also includes exemplars of commercial packaging of glass plate negatives and film negatives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photographs by James Edwin Green of the Green family from western Pennsylvania, and Pleasants County, West Virginia, and related subjects. Includes over 500 glass plate negatives and 1 1/2 inches of film negatives documenting subjects from ca. 1900-1925 including: the James Edwin Green family of western Pennsylvania and Pleasants County, West Virginia; Grand Army of the Republic (GAR) reunions; Foxburg, Pennsylvania in ca. 1910-1920; agricultural subjects; brass bands; oil or gas derricks in Pleasants County or western Pennsylvania; railroads; St. Marys, West Virginia; and World War I (WWI). Also includes exemplars of commercial packaging of glass plate negatives and film negatives.","Many of his subjects include his wife, Edith Taylor Green, their children, James, Jr., Virginia, Jeanette, and Gladys. Other subjects include his parents, Thomas Bennett Green and Mary Rupert Green, and his siblings and in-laws. There are also pictures of the Daniel Rupert and Taylor familes. James Edwin Green's wife, Edith, was a member of the Taylor family of Pleasants County, West Virginia, whose farm is recorded in some of the images. Most of these photographs were taken outside their homes or in local settings.","Green also documented with his camera the 1909 Reunion of the 101st and 103rd Pennsylvania Regiments of the Grand Army of the Republic at Foxburg, Pennsylvania. These Pennsylvania regiments fought in the Civil War under General George McClellan in the 1862 Peninsula Campaign and the 'Seven Days Battle' for Richmond.","Item nos. 401-436 are apparently a systematic documentation of the town of Foxburg, Pennsylvania at some time between 1910 and 1920. There are images of the bank, barber shop, blacksmith, drug store, hotel, post office, etc. Other subjects includes street scenes, transportation, and portraits of residents.","Green also took pictures of 4th of July events, agricultural subjects (such as harvesting, livestock, etc.), brass bands, greeting card portraits with inscriptions, oil or gas derricks in Pleasants County or western Pennsylvania, railroad infrastructure in western Pennsylvania (images which apparently include family members who worked for the railroads), and St. Marys, West Virginia. The film negatives document James Edwin Green, Jr., as a soldier in World War I (WWI) and his time at Penn State College in the 1920s.","Green sometimes recorded subjects and dates to his glass plates. Some of the plates without such inscriptions were identified by the donor at the time of their acquisition; this data was recorded to the folders that the plates were placed in, and these folders have been retained in the collection.","In many cases photocopies of prints (made from the plates) were made to facilitate recording of detailed identification of multiple subjects in an image, often of people. This information can be found in the collection in box 15, folders 16a - 16d.","The collection also includes exemplars of commercial packaging of glass plate negatives and film negatives."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6b92d8f5e14bcca9ffee847b62238803\"\u003ePhotographs by James Edwin Green of the Green family from Foxburg, Pennsylvania (PA) and St. Marys, West Virginia (WV). Includes over 500 glass plate negatives and 1 1/2 inches of film negatives documenting subjects from ca. 1900-1918 including: the James Edwin Green family; Foxburg, PA; St. Marys, WV; the Taylor Farm, St. Marys, WV; agriculture; railroads; oil derricks; Grand Army of the Republic (GAR) reunions; the World War I era, and transportation. There are pictures of the Daniel Rupert family and Taylor family as well. Also includes exemplars of commercial packaging of glass plate negatives and film negatives.\u003c/abstract\u003e"],"abstract_tesim":["Photographs by James Edwin Green of the Green family from Foxburg, Pennsylvania (PA) and St. Marys, West Virginia (WV). Includes over 500 glass plate negatives and 1 1/2 inches of film negatives documenting subjects from ca. 1900-1918 including: the James Edwin Green family; Foxburg, PA; St. Marys, WV; the Taylor Farm, St. Marys, WV; agriculture; railroads; oil derricks; Grand Army of the Republic (GAR) reunions; the World War I era, and transportation. There are pictures of the Daniel Rupert family and Taylor family as well. Also includes exemplars of commercial packaging of glass plate negatives and film negatives."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9c78698b7ee9094153a32b49f60adffe\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Grand Army of the Republic","Green family","Green, James Edwin"],"names_ssim":["West Virginia and Regional History Center","Grand Army of the Republic","Green family","Green, James Edwin"],"corpname_ssim":["West Virginia and Regional History Center","Grand Army of the Republic"],"famname_ssim":["Green family"],"persname_ssim":["Green, James Edwin"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:15:44.546Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1766_c01_c31"}},{"id":"wvmturhc_repositories_2_resources_1484_c01_c13","type":"File","attributes":{"title":"Lowther Family","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1484_c01_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1484_c01_c13","ref_ssm":["wvmturhc_repositories_2_resources_1484_c01_c13"],"id":"wvmturhc_repositories_2_resources_1484_c01_c13","ead_ssi":"wvmturhc_repositories_2_resources_1484","_root_":"wvmturhc_repositories_2_resources_1484","_nest_parent_":"wvmturhc_repositories_2_resources_1484_c01","parent_ssi":"wvmturhc_repositories_2_resources_1484_c01","parent_ssim":["wvmturhc_repositories_2_resources_1484","wvmturhc_repositories_2_resources_1484_c01"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1484","wvmturhc_repositories_2_resources_1484_c01"],"parent_unittitles_ssm":["Eileen Peters, Compiler, Genealogy","Series 1. Families"],"parent_unittitles_tesim":["Eileen Peters, Compiler, Genealogy","Series 1. Families"],"text":["Eileen Peters, Compiler, Genealogy","Series 1. Families","Lowther Family","Box 2","Folder 2-9"],"title_filing_ssi":"Lowther Family","title_ssm":["Lowther Family"],"title_tesim":["Lowther Family"],"unitdate_inclusive_ssm":["1041-1979"],"normalized_date_ssm":["1041/1979"],"normalized_title_ssm":["Lowther Family"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Eileen Peters, Compiler, Genealogy"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":14,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center 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2","Folder 2-9"],"_nest_path_":"/components#0/components#12","timestamp":"2026-04-30T23:06:08.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1484","ead_ssi":"wvmturhc_repositories_2_resources_1484","_root_":"wvmturhc_repositories_2_resources_1484","_nest_parent_":"wvmturhc_repositories_2_resources_1484","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1484.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195763","title_ssm":["Eileen Peters, Compiler, Genealogy"],"title_tesim":["Eileen Peters, Compiler, Genealogy"],"unitdate_ssm":["1887-1995"],"unitdate_inclusive_ssm":["1887-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3281","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1484"],"text":["A\u0026M 3281","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1484","Eileen Peters, Compiler, Genealogy","Preston County (W. Va.)","Genealogy","Preston County - families.","No special access restriction applies.","Genealogy research papers of Eileen Peters. Includes genealogies, research notes, correspondence, newspaper clippings, pamphlets, maps, photographs, books, and other publications documenting primarily Preston County, West Virginia families, as well as families of the tri-state region of West Virginia, Maryland, and Virginia. Also includes histories of Preston County, West Virginia (18th through 20th centuries), and general information on how to conduct genealogical research.","Separations--Microfilm \nOne reel of the 1850 Preston County Census to the duplicate microfilm collection.","Separations--Books: \n\"Campbell Family Records,\" J. Montgomery Seaver, undated \n\"The Dramatic Story of Early American Methodism,\" Frederick E. Maser, 1965. \n\"The Fortineux-Fortinet Family (Fortney, Fortna, Fordney, Furtney) in America,\" Fortney-Fortna Genealogy Family, Inc., 1989. \n\"Genealogy of Some Early Families in Grant and Pleasant Districts, Preston County, West Virginia,\" Genealogical Publishing Company, Inc., 1977. \n\"Great Gunfighters of the Kansas Cowtowns, 1867-1886,\" Nyle H. Miller and Joseph W. Snell, 1963. \n\"Historical Address Delivered by General David Hunter Strother at Berkeley Springs, West Virginia at the Centennial Celebration July 4, 1876,\" Frederick T. Newbraugh, 1973. \n\"A History of Pendleton County, West Virginia,\" Oren F. Morton, 1974. \n\"History of St. John's Methodist Church,\" The Methodist Youth Fellowship, 1965. \n\"Locating Your Immigrant Ancestor,\" James C. and Lila Lee Neagles, 1975. \n\"The Peters Family,\" The American Genealogical Research Institute, 1972. \n\"Virginia Valley Records,\" John W. Wayland, 1973.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Bourne family","Campbell family","Coburn family","Connelly family","Fairfax family","Field family","Fortney family","Fowler family","Grogg family","Hartman family","Lowther family","Martin family.","McKinney family","Menear family","Miller family","Minear family","Moats family","Morgan family","Nichols family","Orr family","Patton family","Peters family","Pierpont family","Ray family","Shaffer family","Spencer family","Squire family","Stevens family","Taylor family","Waggy family","Watson family","Wells family","Peters, Eileen","Apke, Johann Henrich.","Born, Dutch Henry.","Linger, Bernard L.","Stough, John.","Strawbridge, Robert.","English"],"unitid_tesim":["A\u0026M 3281","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1484"],"normalized_title_ssm":["Eileen Peters, Compiler, Genealogy"],"collection_title_tesim":["Eileen Peters, Compiler, Genealogy"],"collection_ssim":["Eileen Peters, Compiler, Genealogy"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Preston County (W. 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(6 records cartons, 15 in. each)"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Eileen Peters, Compiler, Genealogy, A\u0026amp;M 3281, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Eileen Peters, Compiler, Genealogy, A\u0026M 3281, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eGenealogy research papers of Eileen Peters. Includes genealogies, research notes, correspondence, newspaper clippings, pamphlets, maps, photographs, books, and other publications documenting primarily Preston County, West Virginia families, as well as families of the tri-state region of West Virginia, Maryland, and Virginia. Also includes histories of Preston County, West Virginia (18th through 20th centuries), and general information on how to conduct genealogical research.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Genealogy research papers of Eileen Peters. Includes genealogies, research notes, correspondence, newspaper clippings, pamphlets, maps, photographs, books, and other publications documenting primarily Preston County, West Virginia families, as well as families of the tri-state region of West Virginia, Maryland, and Virginia. Also includes histories of Preston County, West Virginia (18th through 20th centuries), and general information on how to conduct genealogical research."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparations--Microfilm\u003clb\u003e\u003c/lb\u003e\nOne reel of the 1850 Preston County Census to the duplicate microfilm collection.\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeparations--Books:\u003clb\u003e\u003c/lb\u003e\n\"Campbell Family Records,\" J. Montgomery Seaver, undated\u003clb\u003e\u003c/lb\u003e\n\"The Dramatic Story of Early American Methodism,\" Frederick E. Maser, 1965.\u003clb\u003e\u003c/lb\u003e\n\"The Fortineux-Fortinet Family (Fortney, Fortna, Fordney, Furtney) in America,\" Fortney-Fortna Genealogy Family, Inc., 1989.\u003clb\u003e\u003c/lb\u003e\n\"Genealogy of Some Early Families in Grant and Pleasant Districts, Preston County, West Virginia,\" Genealogical Publishing Company, Inc., 1977.\u003clb\u003e\u003c/lb\u003e\n\"Great Gunfighters of the Kansas Cowtowns, 1867-1886,\" Nyle H. Miller and Joseph W. Snell, 1963.\u003clb\u003e\u003c/lb\u003e\n\"Historical Address Delivered by General David Hunter Strother at Berkeley Springs, West Virginia at the Centennial Celebration July 4, 1876,\" Frederick T. Newbraugh, 1973.\u003clb\u003e\u003c/lb\u003e\n\"A History of Pendleton County, West Virginia,\" Oren F. Morton, 1974.\u003clb\u003e\u003c/lb\u003e\n\"History of St. John's Methodist Church,\" The Methodist Youth Fellowship, 1965.\u003clb\u003e\u003c/lb\u003e\n\"Locating Your Immigrant Ancestor,\" James C. and Lila Lee Neagles, 1975.\u003clb\u003e\u003c/lb\u003e\n\"The Peters Family,\" The American Genealogical Research Institute, 1972.\u003clb\u003e\u003c/lb\u003e\n\"Virginia Valley Records,\" John W. Wayland, 1973.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separations--Microfilm \nOne reel of the 1850 Preston County Census to the duplicate microfilm collection.","Separations--Books: \n\"Campbell Family Records,\" J. Montgomery Seaver, undated \n\"The Dramatic Story of Early American Methodism,\" Frederick E. Maser, 1965. \n\"The Fortineux-Fortinet Family (Fortney, Fortna, Fordney, Furtney) in America,\" Fortney-Fortna Genealogy Family, Inc., 1989. \n\"Genealogy of Some Early Families in Grant and Pleasant Districts, Preston County, West Virginia,\" Genealogical Publishing Company, Inc., 1977. \n\"Great Gunfighters of the Kansas Cowtowns, 1867-1886,\" Nyle H. Miller and Joseph W. Snell, 1963. \n\"Historical Address Delivered by General David Hunter Strother at Berkeley Springs, West Virginia at the Centennial Celebration July 4, 1876,\" Frederick T. Newbraugh, 1973. \n\"A History of Pendleton County, West Virginia,\" Oren F. Morton, 1974. \n\"History of St. John's Methodist Church,\" The Methodist Youth Fellowship, 1965. \n\"Locating Your Immigrant Ancestor,\" James C. and Lila Lee Neagles, 1975. \n\"The Peters Family,\" The American Genealogical Research Institute, 1972. \n\"Virginia Valley Records,\" John W. Wayland, 1973."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f4fc2522fdea2757e4a7ed264dfb2d82\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Bourne family","Campbell family","Coburn family","Connelly family","Fairfax family","Field family","Fortney family","Fowler family","Grogg family","Hartman family","Lowther family","Martin family.","McKinney family","Menear family","Miller family","Minear family","Moats family","Morgan family","Nichols family","Orr family","Patton family","Peters family","Pierpont family","Ray family","Shaffer family","Spencer family","Squire family","Stevens family","Taylor family","Waggy family","Watson family","Wells family","Peters, Eileen","Apke, Johann Henrich.","Born, Dutch Henry.","Linger, Bernard L.","Stough, John.","Strawbridge, Robert."],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Bourne family","Campbell family","Coburn family","Connelly family","Fairfax family","Field family","Fortney family","Fowler family","Grogg family","Hartman family","Lowther family","Martin family.","McKinney family","Menear family","Miller family","Minear family","Moats family","Morgan family","Nichols family","Orr family","Patton family","Peters family","Pierpont family","Ray family","Shaffer family","Spencer family","Squire family","Stevens family","Taylor family","Waggy family","Watson family","Wells family","Apke, Johann Henrich.","Born, Dutch Henry.","Linger, Bernard L.","Peters, Eileen","Stough, John.","Strawbridge, Robert."],"famname_ssim":["Bourne family","Campbell family","Coburn family","Connelly family","Fairfax family","Field family","Fortney family","Fowler family","Grogg family","Hartman family","Lowther family","Martin family.","McKinney family","Menear family","Miller family","Minear family","Moats family","Morgan family","Nichols family","Orr family","Patton family","Peters family","Pierpont family","Ray family","Shaffer family","Spencer family","Squire family","Stevens family","Taylor family","Waggy family","Watson family","Wells family"],"persname_ssim":["Peters, Eileen","Apke, Johann Henrich.","Born, Dutch Henry.","Linger, Bernard L.","Stough, John.","Strawbridge, Robert."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":56,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:06:08.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1484_c01_c13"}},{"id":"vifgm_performingartsmanuscripts_c02_c03","type":"File","attributes":{"title":"Manuscript leaf from a choir book in Latin,","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_performingartsmanuscripts_c02_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCall number Oversize M2147 XVI .M4; Acquisition date - February 2017 \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_performingartsmanuscripts_c02_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_performingartsmanuscripts_c02_c03","ref_ssm":["vifgm_performingartsmanuscripts_c02_c03"],"id":"vifgm_performingartsmanuscripts_c02_c03","ead_ssi":"vifgm_performingartsmanuscripts","_root_":"vifgm_performingartsmanuscripts","_nest_parent_":"vifgm_performingartsmanuscripts_c02","parent_ssi":"vifgm_performingartsmanuscripts_c02","parent_ssim":["vifgm_performingartsmanuscripts","vifgm_performingartsmanuscripts_c02"],"parent_ids_ssim":["vifgm_performingartsmanuscripts","vifgm_performingartsmanuscripts_c02"],"parent_unittitles_ssm":["Performing arts manuscripts collection","Series 2: Manuscripts,"],"parent_unittitles_tesim":["Performing arts manuscripts collection","Series 2: Manuscripts,"],"text":["Performing arts manuscripts collection","Series 2: Manuscripts,","Manuscript leaf from a choir book in Latin,","Box 1","Folder 3","Call number Oversize M2147 XVI .M4; Acquisition date - February 2017\n"],"title_filing_ssi":"Manuscript leaf from a choir book in Latin, \n","title_ssm":["Manuscript leaf from a choir book in Latin, \n"],"title_tesim":["Manuscript leaf from a choir book in Latin, \n"],"unitdate_other_ssim":["circa 1475-1525\n"],"normalized_date_ssm":["1475/1525"],"normalized_title_ssm":["Manuscript leaf from a choir book in Latin,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Performing arts manuscripts collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":29,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1475,1476,1477,1478,1479,1480,1481,1482,1483,1484,1485,1486,1487,1488,1489,1490,1491,1492,1493,1494,1495,1496,1497,1498,1499,1500,1501,1502,1503,1504,1505,1506,1507,1508,1509,1510,1511,1512,1513,1514,1515,1516,1517,1518,1519,1520,1521,1522,1523,1524,1525],"containers_ssim":["Box 1","Folder 3"],"scopecontent_html_tesm":["\u003cp\u003eCall number Oversize M2147 XVI .M4; Acquisition date - February 2017\n\u003c/p\u003e"],"scopecontent_tesim":["Call number Oversize M2147 XVI .M4; Acquisition date - February 2017\n"],"_nest_path_":"/components#1/components#2","timestamp":"2026-05-01T00:58:49.461Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_performingartsmanuscripts","ead_ssi":"vifgm_performingartsmanuscripts","_root_":"vifgm_performingartsmanuscripts","_nest_parent_":"vifgm_performingartsmanuscripts","ead_source_url_ssi":"data/gmu/performingartsmanuscripts.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/performingartsmanuscripts.html","title_ssm":["Performing arts manuscripts collection"],"title_tesim":["Performing arts manuscripts collection"],"unitdate_ssm":["circa 1475-1984"],"unitdate_inclusive_ssm":["circa 1475-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0215"],"text":["C0215","Performing arts manuscripts collection","Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints.","There are no access restrictions.","The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)","The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.","Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.","Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other ","This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.","There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.","Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.","George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910","Primarily English. Some materials are in Latin, French, or Italian.\n            \t"],"unitid_tesim":["C0215"],"normalized_title_ssm":["Performing arts manuscripts collection"],"collection_title_tesim":["Performing arts manuscripts collection"],"collection_ssim":["Performing arts manuscripts collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Gerber, Steven K."],"creator_ssim":["Gerber, Steven K."],"creator_persname_ssim":["Gerber, Steven K."],"creators_ssim":["Gerber, Steven K."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection materials were purchased from a variety of rare book and manuscript dealers from 2009 through the present."],"access_subjects_ssim":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints."],"access_subjects_ssm":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["4.0 linear feet (4 boxes)"],"extent_tesim":["4.0 linear feet (4 boxes)"],"date_range_isim":[1475,1476,1477,1478,1479,1480,1481,1482,1483,1484,1485,1486,1487,1488,1489,1490,1491,1492,1493,1494,1495,1496,1497,1498,1499,1500,1501,1502,1503,1504,1505,1506,1507,1508,1509,1510,1511,1512,1513,1514,1515,1516,1517,1518,1519,1520,1521,1522,1523,1524,1525,1526,1527,1528,1529,1530,1531,1532,1533,1534,1535,1536,1537,1538,1539,1540,1541,1542,1543,1544,1545,1546,1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560,1561,1562,1563,1564,1565,1566,1567,1568,1569,1570,1571,1572,1573,1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series. Each series is arranged chronologically by order of acquisition.\u003c/p\u003e","\u003cp\u003eSeries 1: Graphic Materials, 1610-1940 (Boxes 1-4)\u003c/p\u003e","\u003cp\u003eSeries 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs, 1900-1984 (Boxes 1-3)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)"],"bioghist_html_tesm":["\u003cp\u003eThe Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students."],"prefercite_html_tesm":["\u003cp\u003ePerforming arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Performing arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other \u003cextptr type=\"simple\" title=\"performing arts collections.\" show=\"new\" href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other "],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref45\" label=\"Abstract\"\u003eCollection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.\u003c/abstract\u003e"],"abstract_tesim":["Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910"],"corpname_ssim":["George Mason University. Libraries. 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The Mass Ordinary consists of the Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei.  The text of these prayers does not change throughout the year - they are the same from day to day and week to week at every mass.  In contrast, the text of the propers, which consist of the Introit, Gradual, Alleluia verse or Tract, Sequence, Offertory, and Communion antiphons, changes to reflect the liturgial character of the day or the feast being celebrated (see Choral Public Domain Library, \"Mass\").","Processing completed by Elizabeth Beckman in April 2022.  Finding aid published by Elizabeth Beckman in April 2022.","The Special Collections Research Center holds a second Manuscript page of Gregorian chant propers from an Italian choral book, as well as other manuscript liturgical music.","This manuscript is a single vellum page cut from a larger choral book used in the Catholic mass, probably in the late 15th-early 16th century. This particular page contains some of the Gregorian chant propers used during the mass. The recto side contains the Offertory chant \"Justus ut Palma florebit\" and Communion chant \"Fidelis servus et prudens,\" probably used for the feasts of Doctors or Confessors of the Church (Choral Public Domain Library, \"Justus ut Palma\" and \"Fidelis servus et prudens - Heinrich Isaac\"). The verso contains the Introit \"Salve sancta parens\" and the beginning of the Gradual \"Benedicta et venerabilis,\" two of the propers for the Feast of the Nativity of the Blessed Virgin Mary, which occurs on September 8 (Choral Public Domain Library, \"Category:Nativity of the BVM\").","Public Domain. There are no known restrictions.","Manuscript page of Gregorian chant propers used for the Catholic mass, from a late 15th or early 16th century Italian choral book.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Catholic Church","Latin \n.    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The Mass Ordinary consists of the Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei.  The text of these prayers does not change throughout the year - they are the same from day to day and week to week at every mass.  In contrast, the text of the propers, which consist of the Introit, Gradual, Alleluia verse or Tract, Sequence, Offertory, and Communion antiphons, changes to reflect the liturgial character of the day or the feast being celebrated (see Choral Public Domain Library, \"Mass\").\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The mass ordinary and the propers are two major parts of the Catholic Mass that are frequently sung. The Mass Ordinary consists of the Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei.  The text of these prayers does not change throughout the year - they are the same from day to day and week to week at every mass.  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Finding aid published by Elizabeth Beckman in April 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in April 2022.  Finding aid published by Elizabeth Beckman in April 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds a second Manuscript page of Gregorian chant propers from an Italian choral book, as well as other manuscript liturgical music.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds a second Manuscript page of Gregorian chant propers from an Italian choral book, as well as other manuscript liturgical music."],"scopecontent_html_tesm":["\u003cp\u003eThis manuscript is a single vellum page cut from a larger choral book used in the Catholic mass, probably in the late 15th-early 16th century. 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The Mass Ordinary consists of the Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei.  The text of these prayers does not change throughout the year - they are the same from day to day and week to week at every mass.  In contrast, the text of the propers, which consist of the Introit, Gradual, Alleluia verse or Tract, Sequence, Offertory, and Communion antiphons, changes to reflect the liturgial character of the day or the feast being celebrated (see Choral Public Domain Library, \"Mass\").","Processing completed by Elizabeth Beckman in April 2022.  Finding aid published by Elizabeth Beckman in April 2022.","The Special Collections Research Center holds a second Manuscript page of Gregorian chant propers from an Italian choral book, as well as other manuscript liturgical music.","This manuscript is a single vellum page cut from a larger choral book used in the Catholic mass, probably in the late 15th-early 16th century. This particular page contains some of the Gregorian chant propers used during the mass. The recto side contains the Offertory chant \"Justus ut Palma florebit\" and Communion chant \"Fidelis servus et prudens,\" probably used for the feasts of Doctors or Confessors of the Church (Choral Public Domain Library, \"Justus ut Palma\" and \"Fidelis servus et prudens - Heinrich Isaac\"). The verso contains the Introit \"Salve sancta parens\" and the beginning of the Gradual \"Benedicta et venerabilis,\" two of the propers for the Feast of the Nativity of the Blessed Virgin Mary, which occurs on September 8 (Choral Public Domain Library, \"Category:Nativity of the BVM\").","Public Domain. There are no known restrictions.","Manuscript page of Gregorian chant propers used for the Catholic mass, from a late 15th or early 16th century Italian choral book.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Catholic Church","Latin \n.    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In contrast, the text of the propers, which consist of the Introit, Gradual, Alleluia verse or Tract, Sequence, Offertory, and Communion antiphons, changes to reflect the liturgial character of the day or the feast being celebrated (see Choral Public Domain Library, \"Mass\")."],"prefercite_html_tesm":["\u003cp\u003eManuscript page of Gregorian chant propers for two occasions, including the Feast of the Nativity of the Blessed Virgin Mary, from an Italian choral book, C0499, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Manuscript page of Gregorian chant propers for two occasions, including the Feast of the Nativity of the Blessed Virgin Mary, from an Italian choral book, C0499, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in April 2022.  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This particular page contains some of the Gregorian chant propers used during the mass. The recto side contains the Offertory chant \"Justus ut Palma florebit\" and Communion chant \"Fidelis servus et prudens,\" probably used for the feasts of Doctors or Confessors of the Church (Choral Public Domain Library, \"Justus ut Palma\" and \"Fidelis servus et prudens - Heinrich Isaac\"). The verso contains the Introit \"Salve sancta parens\" and the beginning of the Gradual \"Benedicta et venerabilis,\" two of the propers for the Feast of the Nativity of the Blessed Virgin Mary, which occurs on September 8 (Choral Public Domain Library, \"Category:Nativity of the BVM\").\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This manuscript is a single vellum page cut from a larger choral book used in the Catholic mass, probably in the late 15th-early 16th century. This particular page contains some of the Gregorian chant propers used during the mass. The recto side contains the Offertory chant \"Justus ut Palma florebit\" and Communion chant \"Fidelis servus et prudens,\" probably used for the feasts of Doctors or Confessors of the Church (Choral Public Domain Library, \"Justus ut Palma\" and \"Fidelis servus et prudens - Heinrich Isaac\"). The verso contains the Introit \"Salve sancta parens\" and the beginning of the Gradual \"Benedicta et venerabilis,\" two of the propers for the Feast of the Nativity of the Blessed Virgin Mary, which occurs on September 8 (Choral Public Domain Library, \"Category:Nativity of the BVM\")."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_477ee75e5564f5c29c034d994932976b\"\u003eManuscript page of Gregorian chant propers used for the Catholic mass, from a late 15th or early 16th century Italian choral book.\u003c/abstract\u003e"],"abstract_tesim":["Manuscript page of Gregorian chant propers used for the Catholic mass, from a late 15th or early 16th century Italian choral book."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_793d4f90df47b13b24e7d48c0cdf194d\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Catholic Church"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Catholic Church"],"language_ssim":["Latin \n.    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For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","A compilation of genealogical and historical information of the Brokaw, Carmichael, Cole, Forbes, Rapalje, Swartwout, Van Ness, and Ward families, compiled by Margaret Forbes Brand.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Cole family - Genealogy","Van Ness family - Genealogy","Swartout family - Genealogy","Brandt family","Broucard family - Genealogy","Rapalje family - Genealogy","Ward family","Carmicheal family - Genealogy","Forbes family - Genealogy","English"],"unitid_tesim":["A\u0026M 2323","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/161"],"normalized_title_ssm":["Margaret Forbes Brand, Compiler, Genealogies"],"collection_title_tesim":["Margaret Forbes Brand, Compiler, Genealogies"],"collection_ssim":["Margaret Forbes Brand, Compiler, Genealogies"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"has_online_content_ssim":["false"],"extent_ssm":["0 Linear Feet Summary: 1 folder"],"extent_tesim":["0 Linear Feet Summary: 1 folder"],"date_range_isim":[1500,1501,1502,1503,1504,1505,1506,1507,1508,1509,1510,1511,1512,1513,1514,1515,1516,1517,1518,1519,1520,1521,1522,1523,1524,1525,1526,1527,1528,1529,1530,1531,1532,1533,1534,1535,1536,1537,1538,1539,1540,1541,1542,1543,1544,1545,1546,1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560,1561,1562,1563,1564,1565,1566,1567,1568,1569,1570,1571,1572,1573,1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Margaret Forbes Brand, Compiler, Genealogies, A\u0026amp;M 2323, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Margaret Forbes Brand, Compiler, Genealogies, A\u0026M 2323, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0bc12e8ea849ba34c0bc4c5a68be0f69\"\u003eA compilation of genealogical and historical information of the Brokaw, Carmichael, Cole, Forbes, Rapalje, Swartwout, Van Ness, and Ward families, compiled by Margaret Forbes Brand.\u003c/abstract\u003e"],"abstract_tesim":["A compilation of genealogical and historical information of the Brokaw, Carmichael, Cole, Forbes, Rapalje, Swartwout, Van Ness, and Ward families, compiled by Margaret Forbes Brand."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c63c0ea62ca1d92c6d2e2aec55bc66c4\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Cole family - Genealogy","Van Ness family - Genealogy","Swartout family - Genealogy","Brandt family","Broucard family - Genealogy","Rapalje family - Genealogy","Ward family","Carmicheal family - Genealogy","Forbes family - Genealogy"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Cole family - Genealogy","Van Ness family - Genealogy","Swartout family - Genealogy","Brandt family","Broucard family - Genealogy","Rapalje family - Genealogy","Ward family","Carmicheal family - Genealogy","Forbes family - Genealogy"],"famname_ssim":["Cole family - Genealogy","Van Ness family - Genealogy","Swartout family - Genealogy","Brandt family","Broucard family - Genealogy","Rapalje family - Genealogy","Ward family","Carmicheal family - Genealogy","Forbes family - Genealogy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:15:23.288Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_161","ead_ssi":"wvmturhc_repositories_2_resources_161","_root_":"wvmturhc_repositories_2_resources_161","_nest_parent_":"wvmturhc_repositories_2_resources_161","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_161.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/194916","title_ssm":["Margaret Forbes Brand, Compiler, Genealogies"],"title_tesim":["Margaret Forbes Brand, Compiler, Genealogies"],"unitdate_ssm":["ca. 1500-1965"],"unitdate_inclusive_ssm":["ca. 1500-1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2323","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/161"],"text":["A\u0026M 2323","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/161","Margaret Forbes Brand, Compiler, Genealogies","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. 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collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item], Mining Industry, RHS Coll. 0088, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item], Mining Industry, RHS Coll. 0088, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Rockbridge County News","Richmond Times-Dispatch","Rockbridge Company (Rockbridge County, Va.)","Brady, Douglas Ellinipsico, Jr."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Rockbridge County News","Richmond Times-Dispatch","Rockbridge Company (Rockbridge County, Va.)"],"persname_ssim":["Brady, Douglas Ellinipsico, Jr."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":14,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:51:43.963Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_1058"}},{"id":"viu_viu00917_c02_c441","type":"Item","attributes":{"title":"Miscellaneous correspondence\n                  \"Ce-Co\"","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu00917_c02_c441#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00917_c02_c441","ref_ssm":["viu_viu00917_c02_c441"],"id":"viu_viu00917_c02_c441","ead_ssi":"viu_viu00917","_root_":"viu_viu00917","_nest_parent_":"viu_viu00917_c02","parent_ssi":"viu_viu00917_c02","parent_ssim":["viu_viu00917","viu_viu00917_c02"],"parent_ids_ssim":["viu_viu00917","viu_viu00917_c02"],"parent_unittitles_ssm":["Papers of the Low Moor Iron Company \n          1873-1927","Records"],"parent_unittitles_tesim":["Papers of the Low Moor Iron Company \n          1873-1927","Records"],"text":["Papers of the Low Moor Iron Company \n          1873-1927","Records","Miscellaneous correspondence\n                  \"Ce-Co\"","box Box 40"],"title_filing_ssi":"Miscellaneous correspondence\n                  \"Ce-Co\"","title_ssm":["Miscellaneous correspondence\n                  \"Ce-Co\""],"title_tesim":["Miscellaneous correspondence\n                  \"Ce-Co\""],"unitdate_other_ssim":["1900, 1903, (Feb. -Dec. 1094)"],"normalized_date_ssm":["1094/1903"],"normalized_title_ssm":["Miscellaneous correspondence\n                  \"Ce-Co\""],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of the Low Moor Iron Company \n          1873-1927"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":625,"date_range_isim":[1094,1095,1096,1097,1098,1099,1100,1101,1102,1103,1104,1105,1106,1107,1108,1109,1110,1111,1112,1113,1114,1115,1116,1117,1118,1119,1120,1121,1122,1123,1124,1125,1126,1127,1128,1129,1130,1131,1132,1133,1134,1135,1136,1137,1138,1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180,1181,1182,1183,1184,1185,1186,1187,1188,1189,1190,1191,1192,1193,1194,1195,1196,1197,1198,1199,1200,1201,1202,1203,1204,1205,1206,1207,1208,1209,1210,1211,1212,1213,1214,1215,1216,1217,1218,1219,1220,1221,1222,1223,1224,1225,1226,1227,1228,1229,1230,1231,1232,1233,1234,1235,1236,1237,1238,1239,1240,1241,1242,1243,1244,1245,1246,1247,1248,1249,1250,1251,1252,1253,1254,1255,1256,1257,1258,1259,1260,1261,1262,1263,1264,1265,1266,1267,1268,1269,1270,1271,1272,1273,1274,1275,1276,1277,1278,1279,1280,1281,1282,1283,1284,1285,1286,1287,1288,1289,1290,1291,1292,1293,1294,1295,1296,1297,1298,1299,1300,1301,1302,1303,1304,1305,1306,1307,1308,1309,1310,1311,1312,1313,1314,1315,1316,1317,1318,1319,1320,1321,1322,1323,1324,1325,1326,1327,1328,1329,1330,1331,1332,1333,1334,1335,1336,1337,1338,1339,1340,1341,1342,1343,1344,1345,1346,1347,1348,1349,1350,1351,1352,1353,1354,1355,1356,1357,1358,1359,1360,1361,1362,1363,1364,1365,1366,1367,1368,1369,1370,1371,1372,1373,1374,1375,1376,1377,1378,1379,1380,1381,1382,1383,1384,1385,1386,1387,1388,1389,1390,1391,1392,1393,1394,1395,1396,1397,1398,1399,1400,1401,1402,1403,1404,1405,1406,1407,1408,1409,1410,1411,1412,1413,1414,1415,1416,1417,1418,1419,1420,1421,1422,1423,1424,1425,1426,1427,1428,1429,1430,1431,1432,1433,1434,1435,1436,1437,1438,1439,1440,1441,1442,1443,1444,1445,1446,1447,1448,1449,1450,1451,1452,1453,1454,1455,1456,1457,1458,1459,1460,1461,1462,1463,1464,1465,1466,1467,1468,1469,1470,1471,1472,1473,1474,1475,1476,1477,1478,1479,1480,1481,1482,1483,1484,1485,1486,1487,1488,1489,1490,1491,1492,1493,1494,1495,1496,1497,1498,1499,1500,1501,1502,1503,1504,1505,1506,1507,1508,1509,1510,1511,1512,1513,1514,1515,1516,1517,1518,1519,1520,1521,1522,1523,1524,1525,1526,1527,1528,1529,1530,1531,1532,1533,1534,1535,1536,1537,1538,1539,1540,1541,1542,1543,1544,1545,1546,1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560,1561,1562,1563,1564,1565,1566,1567,1568,1569,1570,1571,1572,1573,1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903],"containers_ssim":["box Box 40"],"_nest_path_":"/components#1/components#440","timestamp":"2026-05-01T02:17:12.165Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00917","ead_ssi":"viu_viu00917","_root_":"viu_viu00917","_nest_parent_":"viu_viu00917","ead_source_url_ssi":"data/uva-sc/viu00917.xml","title_ssm":["Papers of the Low Moor Iron Company \n          1873-1927"],"title_tesim":["Papers of the Low Moor Iron Company \n          1873-1927"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["662"],"text":["662","Papers of the Low Moor Iron Company \n          1873-1927","95 linear feer + 1200\n         volumes","The word \"organization\" is used here with considerable\n         diffidence, for any researcher studying the container list\n         that follows will realize quickly that there is no\n         organization in the usual sense of the word.","As noted under \"Provenance,\" the Low Moor Iron Company\n         papers were subjected to a number of moves; when processing\n         began in the fall of 1976, no discernible scheme of\n         organization could be determined.","The first step was to review the series of coded numbers\n         placed on the bundles of papers before they were moved to\n         the dormitory attic, but these did not provide any sort of\n         useful organization. Next, the spine titles of the original\n         letter boxes were reviewed (they had been copied onto the\n         gray cardboard sheets before the move to the dormitory\n         attic), but they, too, proved useless.","These steps having provided no scheme, and after a\n         considerable hiatus due to a turnover in student processors\n         on the collection, the new student processors were\n         instructed to begin a box-by-box inventory of the contents\n         of the collection. During this inventory, old folders were\n         replaced with acid-free ones, and the original folder\n         headings were copied onto the new ones. Some removal of\n         paper clips was accomplished, and the materials were\n         reviewed and notes taken for the guide.","Some consolidation of materials was accomplished, and in\n         other cases, materials were moved. This work has created\n         some problems in the numbering of the boxes. Thus, the\n         researchers will find boxes marked \"6A\" and \"23C\"; he will\n         also discover that certain box numbers have been entirely\n         omitted. As the box numbers exist only to aid in the\n         location of material, it was not felt that the unusual\n         numbers and the omissions would cause problems in working\n         with the papers.","A certain amount of movement of boxes within the\n         collection, and of materials among boxes, probably would\n         ease use of it. But what processing was accomplished on\n         this project took far longer than had been anticipated, and\n         there was no time in the late spring of 1978, when the\n         processors had to complete their work with the project, to\n         undertake a mass movement of material. Thus, they stand in\n         the order in which we found them at the beginning of the\n         project.","The Low Moor Iron Company, the first producer of pig\n         iron in Virginia according to the company's claims, was a\n         self-contained manufacturing unit producing from its own\n         mines the coal, limestone, and iron ore needed for its iron\n         production. Located in Low Moor near Clifton Forge in\n         Alleghany County in western Virginia, an area rich in\n         mineral deposits, the company was in operation from\n         1872-1930, producing only pig iron; it never attempted to\n         produce finished iron products.","Coal came to the Low Moor furnaces from the Kay Moor\n         Mines at Kay Moor, West Virginia, about thirty miles from\n         Low Moor; limestone was produced from the Low Moor\n         limestone quarries; and iron ore came from the Fenwick,\n         Dolly Ann, Jordan, Rich Patch, Low Moor, and Longdale\n         Mines, most of them within twenty miles of Low Moor at\n         Covington or Clifton Forge.","The towns of Low Moor and Kay Moor were company towns in\n         every respect. Workers lived in company-owned houses,\n         bought food in company stores, worshiped at the company\n         church, saw movies in the company theater, were treated in\n         the company hospital, and were buried in the company\n         cemetery. Workers received part of their pay in scrip that\n         they exchanged for goods and services. According to a\n         statement from the Kay Moor Mines dated November 1904, Kay\n         Moor then employed 338 people, paid them an average wage of\n         $36.26 per month, and issued half of their pay in scrip.\n         Kay Moor had four stores; Low Moor had seven or eight. All\n         of these stores carried large inventories which are\n         detailed in the collection. These inventories are valuable\n         to anyone interested in determining the wants and needs of\n         a coal miner and his family.","In the late 1910's and 1920's Kay Moor had a company\n         theater called the Azure Theater which seated about 300\n         people. There were also plans for a company-owned social\n         center, to have pool tables, a soda fountain, and\n         provisions for dancing and skating. The company was in\n         tough economic straits by the 1920's, however, and there is\n         no evidence that the social center was built. The town of\n         Low Moor was so completely under the company's influence\n         that one of Low Moor Iron Company's assistant managers\n         served as the town sheriff. He often foreclosed on people\n         who did not pay their debts, and drove troublesome people\n         \"out of town on a rail\" as he put it.","The Low Moor Iron Company's fortunes fluctuated during\n         the various business cycles between the years 1880-1930.\n         Low Moor was one of the larger pig iron producers in\n         Virginia, but Virginia pig iron production was not\n         important nationally. Low Moor officials sometimes sold\n         their product themselves, but more often they used agents,\n         the prevalent method at the time. Low Moor Iron Company\n         used a variety of agents through the 1900's. James F. Bryan\n         acted as the exclusive agent for the sale of Kay Moor Coal\n         from September 21, 1903 to September, 1905. From about 1890\n         until about 1910 Dalton Nash and Company were the exclusive\n         eastern agents of Low Moor Iron. After that time the\n         exclusive agency went to Philips Isham and Company located\n         in New York. From about 1890 the western agency was handled\n         chiefly by Thomas Mack and Company. After 1902 Thomas Mack\n         and Company underwent a name change, becoming Walter\n         Wallingford and Company, with offices located in\n         Cincinnati, Pittsburgh, and Chicago.","Perhaps the Low Moor Iron Company's biggest problem over\n         the years was obtaining railroad cars for the\n         transportation of its finished product. Low Moor Iron\n         Company had its own cars for transporting its raw materials\n         among its various facilities. For the long haul necessary\n         for its finished goods, however, it depended upon the\n         services of the Chesapeake and Ohio Railroad, and the\n         relationship was not always a happy one. The Low Moor\n         Company complained many times to the C \u0026 O Railroad\n         about the discrepancies between long-and shorthaul freight\n         rates. Low Moor also had trouble getting cars from the C\n         \u0026 O. In a letter to one of Low Moor Company's agents\n         from an irate customer dated 1898, the customer wrote: \"We\n         wrote you on Saturday and endeavored to question upon your\n         mind the necessity of taking care of us with Low Moor iron.\n         We are on our uppers--there is not a pound of Low Moor iron\n         in the yard. Of the one hundred tons ordered some time ago,\n         not one pound of it has been received.\" This was, according\n         to the Low Moor Iron Company, because they could not get\n         the railroad cars. In a letter from Thomas Mack and Company\n         dated November 26, 1901, to General Manager E. C. Means:\n         \"We are hopeful that the car supply will get better because\n         of the number of orders you have of ours for prompt\n         shipment. Our customers are complaining that they are not\n         getting the iron fast enough. . . . We hope that the\n         railroad will be able to supply you with empty cars.\" In\n         another letter dated 1916 to John B. Guernsey, then acting\n         General Manager of the Low Moor Iron Company, \"We were not\n         supplied with coke cars for today's loading, and\n         consequently we have been practically down of Kay Moor\n         ovens all day.\"","The problem of procuring labor also plagued the Low Moor\n         Company. The company sometimes tried to hire immigrant\n         laborers and send the men directly to Low Moor from New\n         York City. There were problems with this, as is explained\n         in the following letter dated April 7, 1906: \n          To Mr. George Wickes \n             Supt. of Mines \n             Kay Moor, Virginia \n             Dear George, \n             Tony arrived with twenty one men last night. One\n            got away in Jersey two in Washington D.C., four in\n            Charlottesville. Some of the men are very good looking,\n            but taken as a whole they are the worst lot I have ever\n            seen: Irish, German-Jews, and Italians. . . . Our New\n            York transportations to this place have never been a\n            success. Signed, \n             Ed D. Wickes Supt. of Mines Low Moor usually employed labor agencies, one\n         of which was Atwood's Employment Agency. Often the Low Moor\n         Company would request certain nationalities, believing them\n         to be better workers than others. Sometimes the company\n         would request a gang of twenty made up of \"ten Greeks and\n         ten Italians.\" Many of the immigrants fled Low Moor and Kay\n         Moor when they learned that they would have to work\n         underground. There is a fair amount of material on\n         immigrant labor and its procurement in the collection, and\n         it is noted in the description of the box contents.","Low Moor Iron Company not only had trouble procuring\n         labor, but it also had trouble with labor already employed\n         in the mines and at the factory. Labor dissension and\n         strikes troubled the Kay Moor Mines through the 1900's. The\n         great coal strike of 1902 hurt the Low Moor Company's coal\n         mining operation, but by 1903 things were \"nearly back to\n         normal\" according to the mine superintendent. There was\n         still trouble at Kay Moor Mines, however. In a letter dated\n         April 26, 1906, to the treasurer of Low Moor Company, the\n         manager of the mines wrote about the trouble in \"trying to\n         get the agitators out.\" The mines were seventy-five men\n         short of the total labor force needed because many of the\n         coal miners returned to their farms during the spring.\n         There were rumblings of another strike at Kay Moor, the\n         result of which was to be a fourteen percent increase in\n         wages for the Kay Moor Mine workers via an agreement with\n         the United Mine Workers Union in December.","The Low Moor Iron Company grew along with the rest of\n         Virginia industry in the 1890's and 1900's. Starting with\n         only one furnace in the 1870's, it opened a second furnace\n         at Covington, Virginia, in 1891. In 1911 it opened a third\n         furnace, this time at Low Moor. Covington, with its heavy\n         industry, soon became known as the \"Pittsburgh of\n         Virginia.\" Virginia's pig iron production rose from 9,000\n         short tons in 1870 to 544,034 long tons in 1903. Judging\n         from the Low Moor Company's correspondence, the most\n         prosperous period for the company fell between the years\n         1895-1907. In the years between 1907-1917 problems befell\n         the Virginia pig iron industry. In a letter from William W.\n         Hearns, the president of the Virginia based Princess Pig\n         Iron Company, to U. S. Senator Thomas S. Martin, Hearns\n         writes of the problems of the Virginia pig iron industry:\n         \"There is not a blast furnace in Virginia that is making\n         any money from the manufacture of pig iron. The cause of\n         this is there is an exceedingly low price on pig iron in\n         the country at the present time, and the increased cost of\n         manufacturing is due to the increase in wages in all\n         lines.\" With the outbreak of World War I prices rose\n         dramatically, but in a market report to Low Moor dated\n         November 11, 1916, it was stated that: \"In spite of the\n         high prices, it is not a picnic to be in the iron industry.\n         There is a desperate shortage of cars and equipment in the\n         coal and iron districts, and in consequence there are\n         troubles of all kinds to get materials shipped. The\n         situation has grown serious.\"","When America became involved in the First World War, it\n         meant a boost for the Low Moor Iron Company. The government\n         helped it procure labor, and even helped it repair its\n         furnaces. The problem of supplies and cars for their\n         shipments, however, plagued the company more than ever. It\n         had a good deal of trouble getting all the raw materials it\n         needed due chiefly to the \"tight ship\" run by Harry F.\n         Byrd, Sr., U.S. Fuel Administrator for Virginia. After the\n         war very serious problems began to trouble the Low Moor\n         Iron Company. The demand for iron fell precipitously and a\n         short but severe depression ensued from 1919-1922. The\n         depression seemed to hit the iron industry especially hard.\n         Prices took a huge drop due to the lack of demand, and many\n         pre-war contracts had to be revalued. To compound the\n         company's problems, the Kay Moor Mines went on strike in\n         1919. This strike was quickly settled, as the market for\n         coal was so good that the Low Moor Company ceased taking\n         orders temporarily in 1921 as it could not fill the orders\n         it had on hand.","The Low Moor Company furnaces lay idle for some twenty\n         months. Finally, in November 1922 one of Low Moor's\n         furnaces was finally fired up. While prosperity gradually\n         returned to the rest of the country, the Low Moor Iron\n         Company never recovered. Production of pig iron in the\n         Virginia iron industry declined from 544,034 tons in 1903\n         to 148,053 tons in 1923, considered a good year for the\n         industry as a whole. In February 1926 Low Moor officials\n         talked of merging with two other iron companies in order to\n         revive the iron business for the three companies. The\n         merger, however, never occurred. By late 1926 the company\n         was in the process of liquidation. An advertisement in the\n         Charleston, West Virginia, Daily Mail dated April 30, 1927,\n         told of a huge warehouse sale at the Low Moor Iron Company.\n         The advertisement noted \"thousands of screws, pipe\n         fittings, valves, etc.\" The last piece of correspondence\n         from the Low Moor Iron Company in the collection is dated\n         1929. It deals with the sale of a machine.","Why did the iron industry in Virginia decline as it did?\n         Some say that lack of speed, efficiency, and a decent\n         transportation system for Alleghany County caused it. In a\n         letter from C. E. Bertie, secretary of the Virginia Pig\n         Iron Association, to the \n          Manufacturers Record dated 1925, Bertie claimed that it was the\n         tremendous rise in the cost of transportation. Virginia, he\n         claimed, had almost no home market. Over 80% of its normal\n         production was shipped out to other states. The failure of\n         the Interstate Commerce Commission to treat Virginia\n         furnaces as southern furnaces was the cause of much of the\n         trouble. From 1914-1925 there were four blanket increases\n         in freight rates in the country, of which only one applied\n         equally to all localities. Southern furnaces were received\n         only two increases--a 25% increase in 1918 and a 25%\n         increase in 1920--but northern furnaces had had 5%, 15%,\n         25%, and 40% increases in their transportation costs.\n         Virginia furnaces, although recognized as southern\n         furnaces, had had freight rates increased in line with the\n         northern furnaces. Prior to the war Virginia iron reached\n         all points in Ohio, Indiana, Michigan, and Illinois on a\n         competitive basis with southern furnaces. After World War I\n         the advantage was limited to a small portion of\n         southeastern Ohio. All of Indiana, Illinois, and Michigan\n         were now lost to the Virginia producers. The Virginia\n         producer, according to Bertie, felt that the freight rates\n         should be restored to a relationship with southern\n         furnaces. If what Bertie said was true, the other southern\n         states iron industries should not have been in the same\n         desperate economic straits as Virginia's, and statistics\n         should support this. In the 1920's production rose to new\n         heights in Alabama. In Tennessee, however, iron production\n         plunged to new lows during the 1920's. While the south\n         accounted for 10.2% of the entire U. S. production in the\n         years 1919-1924, Virginia accounted for less than 1% during\n         those years. In 1915 Virginia accounted for over 6% of the\n         U.S. iron production. One can see a decline in other areas\n         of the south than Virginia. While the discrepancies in the\n         freight rates may have helped cause the decline, clearly\n         there are other reasons.","During the 1900's there was a discovery of extremely\n         rich iron ore deposits in the mid-west. Much of this ore\n         was on or near the surface, making the mining of it both\n         easy and inexpensive. This in turn lowered production costs\n         of the pig iron. This caused iron production to shift to\n         that region, and resulted in a decline in the Virginia iron\n         industry. There was a sharp increase in iron production in\n         the mid-west through the 1920's. The iron ore in the\n         mid-west may have been of better quality than Virginia, but\n         the iron ore in Virginia was of sufficient quality to\n         produce a good pig iron. The western ore deposits were not\n         as conveniently located as Virginia deposits, but the\n         inexpensiveness of production more than made up for it.","In examining the rise and fall of the Low Moor Iron\n         Company, we can see a situation in which the conditions for\n         the manufacture of iron were nearly ideal. There was plenty\n         of land for expansion and resources for the manufacture of\n         the iron. The major internal problem faced by the Low Moor\n         Iron Company was that of transportation. External\n         developments, however, caused the final demise of the Low\n         Moor Iron Company.","Low Moor Iron Company Personnel:","Executive Staff: Managing Director, Colonel H. M.\n         Goodwin: ca. 1881. General Managers: H. G. Merry: ca.\n         1884-1902; E. C. Means: ca. 1905-1915; J. P. Guernsey: ca.\n         1915 (acting General Manager); F. U. Humbert: ca.\n         1916-1929. Assistant General Manager: E. B. Wilkinson: ca.\n         1909-1915. Treasurers and Assistant Treasurers: Edward Low:\n         ca. 1886-1898; Frank Lyman (in New York): ca. 1898-1919; S.\n         G. Cragill (Asst. Treasurer): ca. 1900-1915; H. A. Dalton:\n         ca. 1921-1929; John Lipscomb (Asst. Treasurer): ca.\n         1918-1928.","Factory and Mine Supervisors: Kay Moor Superintendents:\n         C. C. Cooke: ca. 1918; Ed. D. Wickes: ca. 1906; H. L.\n         Tansell: ca. 1903; A. H. Reed: ca. 1906. Kay Moor Managers:\n         J. W. Monteith: manager of mines. ca. 1918; promoted in\n         1925 to general superintendent in charge of mine plants,\n         coke ovens, shops, repairs, and construction; A. L.\n         Monteith: assistant superintendent of mines, ca. 1918;\n         George T. Wickes: manager of Covington mines, ca.\n         1906-1917; Ross Howell, ca. 1918. Stack Mines\n         Superintendents: J. H. Carpenter: ca. 1906; C. D.\n         Oberschain: ca. 1907; J. L. Harris: ca. 1903; John S. Ham:\n         ca. 1891-1901. Rich Patch Mines Superintendents: John R.\n         Thompson: foreman, ca. 1906. Low Moor assorted other\n         personnel: S. L. Tulley: trainmaster, ca. 1906; B. J.\n         Shenkley: foreman, Low Moor limestone quarries; L. Q. Wood:\n         assistant traffic manager, ca. 1919.","The Low Moor Iron Company papers consist of\n         approximately 280 four-inch Hollinger archives boxes (ca.\n         95 linear feet) of records, ca. 1885-1927, and some 1200\n         bound volumes of the company's accounting records,\n         1873-1927, of this iron producing company located in Low\n         Moor (four miles southwest of Clifton Forge), Alleghany\n         County, Virginia.","This material consists of records typical of those\n         produced by a firm of this type in the period, but as the\n         company owned its own coal and iron mines and limestone\n         quarries, there is considerable information about the\n         production of these raw materials. Large numbers of the\n         records that deal with the company's employees have\n         survived: time books, payroll books, hands ledgers, and the\n         like. Because these books sometimes include information\n         about the employee's trade or job with the company, and as\n         race is indicated in some of the records, these books\n         should provide date for studies of the structure and upward\n         mobility within the labor force, patterns of\n         ethnic--possibly racial--occupational penetration and\n         mobility, material conditions of the workers, and so on.\n         The papers should permit a range of studies detailing the\n         pattern and evolution of industrial organization in the\n         iron industry, and the evolution of markets and marketing\n         structures for the entire period. Because the company was\n         dependent upon railroads to move its raw materials to the\n         furnaces, and for the marketing of its products, there is\n         considerable information about railroads and their\n         relationship to their customers.","English"],"unitid_tesim":["662"],"normalized_title_ssm":["Papers of the Low Moor Iron Company \n          1873-1927"],"collection_title_tesim":["Papers of the Low Moor Iron Company \n          1873-1927"],"collection_ssim":["Papers of the Low Moor Iron Company \n          1873-1927"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["This collection was purchased from Green Bookman in\n            1939."],"has_online_content_ssim":["false"],"physdesc_tesim":["95 linear feer + 1200\n         volumes"],"arrangement_html_tesm":["\u003cp\u003eThe word \"organization\" is used here with considerable\n         diffidence, for any researcher studying the container list\n         that follows will realize quickly that there is no\n         organization in the usual sense of the word.\u003c/p\u003e","\u003cp\u003eAs noted under \"Provenance,\" the Low Moor Iron Company\n         papers were subjected to a number of moves; when processing\n         began in the fall of 1976, no discernible scheme of\n         organization could be determined.\u003c/p\u003e","\u003cp\u003eThe first step was to review the series of coded numbers\n         placed on the bundles of papers before they were moved to\n         the dormitory attic, but these did not provide any sort of\n         useful organization. Next, the spine titles of the original\n         letter boxes were reviewed (they had been copied onto the\n         gray cardboard sheets before the move to the dormitory\n         attic), but they, too, proved useless.\u003c/p\u003e","\u003cp\u003eThese steps having provided no scheme, and after a\n         considerable hiatus due to a turnover in student processors\n         on the collection, the new student processors were\n         instructed to begin a box-by-box inventory of the contents\n         of the collection. During this inventory, old folders were\n         replaced with acid-free ones, and the original folder\n         headings were copied onto the new ones. Some removal of\n         paper clips was accomplished, and the materials were\n         reviewed and notes taken for the guide.\u003c/p\u003e","\u003cp\u003eSome consolidation of materials was accomplished, and in\n         other cases, materials were moved. This work has created\n         some problems in the numbering of the boxes. Thus, the\n         researchers will find boxes marked \"6A\" and \"23C\"; he will\n         also discover that certain box numbers have been entirely\n         omitted. As the box numbers exist only to aid in the\n         location of material, it was not felt that the unusual\n         numbers and the omissions would cause problems in working\n         with the papers.\u003c/p\u003e","\u003cp\u003eA certain amount of movement of boxes within the\n         collection, and of materials among boxes, probably would\n         ease use of it. But what processing was accomplished on\n         this project took far longer than had been anticipated, and\n         there was no time in the late spring of 1978, when the\n         processors had to complete their work with the project, to\n         undertake a mass movement of material. Thus, they stand in\n         the order in which we found them at the beginning of the\n         project.\u003c/p\u003e"],"arrangement_heading_ssm":["Organization"],"arrangement_tesim":["The word \"organization\" is used here with considerable\n         diffidence, for any researcher studying the container list\n         that follows will realize quickly that there is no\n         organization in the usual sense of the word.","As noted under \"Provenance,\" the Low Moor Iron Company\n         papers were subjected to a number of moves; when processing\n         began in the fall of 1976, no discernible scheme of\n         organization could be determined.","The first step was to review the series of coded numbers\n         placed on the bundles of papers before they were moved to\n         the dormitory attic, but these did not provide any sort of\n         useful organization. Next, the spine titles of the original\n         letter boxes were reviewed (they had been copied onto the\n         gray cardboard sheets before the move to the dormitory\n         attic), but they, too, proved useless.","These steps having provided no scheme, and after a\n         considerable hiatus due to a turnover in student processors\n         on the collection, the new student processors were\n         instructed to begin a box-by-box inventory of the contents\n         of the collection. During this inventory, old folders were\n         replaced with acid-free ones, and the original folder\n         headings were copied onto the new ones. Some removal of\n         paper clips was accomplished, and the materials were\n         reviewed and notes taken for the guide.","Some consolidation of materials was accomplished, and in\n         other cases, materials were moved. This work has created\n         some problems in the numbering of the boxes. Thus, the\n         researchers will find boxes marked \"6A\" and \"23C\"; he will\n         also discover that certain box numbers have been entirely\n         omitted. As the box numbers exist only to aid in the\n         location of material, it was not felt that the unusual\n         numbers and the omissions would cause problems in working\n         with the papers.","A certain amount of movement of boxes within the\n         collection, and of materials among boxes, probably would\n         ease use of it. But what processing was accomplished on\n         this project took far longer than had been anticipated, and\n         there was no time in the late spring of 1978, when the\n         processors had to complete their work with the project, to\n         undertake a mass movement of material. Thus, they stand in\n         the order in which we found them at the beginning of the\n         project."],"bioghist_html_tesm":["\u003cp\u003eThe Low Moor Iron Company, the first producer of pig\n         iron in Virginia according to the company's claims, was a\n         self-contained manufacturing unit producing from its own\n         mines the coal, limestone, and iron ore needed for its iron\n         production. Located in Low Moor near Clifton Forge in\n         Alleghany County in western Virginia, an area rich in\n         mineral deposits, the company was in operation from\n         1872-1930, producing only pig iron; it never attempted to\n         produce finished iron products.\u003c/p\u003e","\u003cp\u003eCoal came to the Low Moor furnaces from the Kay Moor\n         Mines at Kay Moor, West Virginia, about thirty miles from\n         Low Moor; limestone was produced from the Low Moor\n         limestone quarries; and iron ore came from the Fenwick,\n         Dolly Ann, Jordan, Rich Patch, Low Moor, and Longdale\n         Mines, most of them within twenty miles of Low Moor at\n         Covington or Clifton Forge.\u003c/p\u003e","\u003cp\u003eThe towns of Low Moor and Kay Moor were company towns in\n         every respect. Workers lived in company-owned houses,\n         bought food in company stores, worshiped at the company\n         church, saw movies in the company theater, were treated in\n         the company hospital, and were buried in the company\n         cemetery. Workers received part of their pay in scrip that\n         they exchanged for goods and services. According to a\n         statement from the Kay Moor Mines dated November 1904, Kay\n         Moor then employed 338 people, paid them an average wage of\n         $36.26 per month, and issued half of their pay in scrip.\n         Kay Moor had four stores; Low Moor had seven or eight. All\n         of these stores carried large inventories which are\n         detailed in the collection. These inventories are valuable\n         to anyone interested in determining the wants and needs of\n         a coal miner and his family.\u003c/p\u003e","\u003cp\u003eIn the late 1910's and 1920's Kay Moor had a company\n         theater called the Azure Theater which seated about 300\n         people. There were also plans for a company-owned social\n         center, to have pool tables, a soda fountain, and\n         provisions for dancing and skating. The company was in\n         tough economic straits by the 1920's, however, and there is\n         no evidence that the social center was built. The town of\n         Low Moor was so completely under the company's influence\n         that one of Low Moor Iron Company's assistant managers\n         served as the town sheriff. He often foreclosed on people\n         who did not pay their debts, and drove troublesome people\n         \"out of town on a rail\" as he put it.\u003c/p\u003e","\u003cp\u003eThe Low Moor Iron Company's fortunes fluctuated during\n         the various business cycles between the years 1880-1930.\n         Low Moor was one of the larger pig iron producers in\n         Virginia, but Virginia pig iron production was not\n         important nationally. Low Moor officials sometimes sold\n         their product themselves, but more often they used agents,\n         the prevalent method at the time. Low Moor Iron Company\n         used a variety of agents through the 1900's. James F. Bryan\n         acted as the exclusive agent for the sale of Kay Moor Coal\n         from September 21, 1903 to September, 1905. From about 1890\n         until about 1910 Dalton Nash and Company were the exclusive\n         eastern agents of Low Moor Iron. After that time the\n         exclusive agency went to Philips Isham and Company located\n         in New York. From about 1890 the western agency was handled\n         chiefly by Thomas Mack and Company. After 1902 Thomas Mack\n         and Company underwent a name change, becoming Walter\n         Wallingford and Company, with offices located in\n         Cincinnati, Pittsburgh, and Chicago.\u003c/p\u003e","\u003cp\u003ePerhaps the Low Moor Iron Company's biggest problem over\n         the years was obtaining railroad cars for the\n         transportation of its finished product. Low Moor Iron\n         Company had its own cars for transporting its raw materials\n         among its various facilities. For the long haul necessary\n         for its finished goods, however, it depended upon the\n         services of the Chesapeake and Ohio Railroad, and the\n         relationship was not always a happy one. The Low Moor\n         Company complained many times to the C \u0026amp; O Railroad\n         about the discrepancies between long-and shorthaul freight\n         rates. Low Moor also had trouble getting cars from the C\n         \u0026amp; O. In a letter to one of Low Moor Company's agents\n         from an irate customer dated 1898, the customer wrote: \"We\n         wrote you on Saturday and endeavored to question upon your\n         mind the necessity of taking care of us with Low Moor iron.\n         We are on our uppers--there is not a pound of Low Moor iron\n         in the yard. Of the one hundred tons ordered some time ago,\n         not one pound of it has been received.\" This was, according\n         to the Low Moor Iron Company, because they could not get\n         the railroad cars. In a letter from Thomas Mack and Company\n         dated November 26, 1901, to General Manager E. C. Means:\n         \"We are hopeful that the car supply will get better because\n         of the number of orders you have of ours for prompt\n         shipment. Our customers are complaining that they are not\n         getting the iron fast enough. . . . We hope that the\n         railroad will be able to supply you with empty cars.\" In\n         another letter dated 1916 to John B. Guernsey, then acting\n         General Manager of the Low Moor Iron Company, \"We were not\n         supplied with coke cars for today's loading, and\n         consequently we have been practically down of Kay Moor\n         ovens all day.\"\u003c/p\u003e","\u003cp\u003eThe problem of procuring labor also plagued the Low Moor\n         Company. The company sometimes tried to hire immigrant\n         laborers and send the men directly to Low Moor from New\n         York City. There were problems with this, as is explained\n         in the following letter dated April 7, 1906: \n         \u003cblockquote\u003e\n\u003cp\u003eTo Mr. George Wickes \n            \u003clb\u003e\u003c/lb\u003eSupt. of Mines \n            \u003clb\u003e\u003c/lb\u003eKay Moor, Virginia \n            \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n\u003cp\u003eDear George, \n            \u003clb\u003e\u003c/lb\u003eTony arrived with twenty one men last night. One\n            got away in Jersey two in Washington D.C., four in\n            Charlottesville. Some of the men are very good looking,\n            but taken as a whole they are the worst lot I have ever\n            seen: Irish, German-Jews, and Italians. . . . Our New\n            York transportations to this place have never been a\n            success.\u003c/p\u003e\n\u003cp\u003eSigned, \n            \u003clb\u003e\u003c/lb\u003eEd D. Wickes Supt. of Mines\u003c/p\u003e\n\u003c/blockquote\u003eLow Moor usually employed labor agencies, one\n         of which was Atwood's Employment Agency. Often the Low Moor\n         Company would request certain nationalities, believing them\n         to be better workers than others. Sometimes the company\n         would request a gang of twenty made up of \"ten Greeks and\n         ten Italians.\" Many of the immigrants fled Low Moor and Kay\n         Moor when they learned that they would have to work\n         underground. There is a fair amount of material on\n         immigrant labor and its procurement in the collection, and\n         it is noted in the description of the box contents.\u003c/p\u003e","\u003cp\u003eLow Moor Iron Company not only had trouble procuring\n         labor, but it also had trouble with labor already employed\n         in the mines and at the factory. Labor dissension and\n         strikes troubled the Kay Moor Mines through the 1900's. The\n         great coal strike of 1902 hurt the Low Moor Company's coal\n         mining operation, but by 1903 things were \"nearly back to\n         normal\" according to the mine superintendent. There was\n         still trouble at Kay Moor Mines, however. In a letter dated\n         April 26, 1906, to the treasurer of Low Moor Company, the\n         manager of the mines wrote about the trouble in \"trying to\n         get the agitators out.\" The mines were seventy-five men\n         short of the total labor force needed because many of the\n         coal miners returned to their farms during the spring.\n         There were rumblings of another strike at Kay Moor, the\n         result of which was to be a fourteen percent increase in\n         wages for the Kay Moor Mine workers via an agreement with\n         the United Mine Workers Union in December.\u003c/p\u003e","\u003cp\u003eThe Low Moor Iron Company grew along with the rest of\n         Virginia industry in the 1890's and 1900's. Starting with\n         only one furnace in the 1870's, it opened a second furnace\n         at Covington, Virginia, in 1891. In 1911 it opened a third\n         furnace, this time at Low Moor. Covington, with its heavy\n         industry, soon became known as the \"Pittsburgh of\n         Virginia.\" Virginia's pig iron production rose from 9,000\n         short tons in 1870 to 544,034 long tons in 1903. Judging\n         from the Low Moor Company's correspondence, the most\n         prosperous period for the company fell between the years\n         1895-1907. In the years between 1907-1917 problems befell\n         the Virginia pig iron industry. In a letter from William W.\n         Hearns, the president of the Virginia based Princess Pig\n         Iron Company, to U. S. Senator Thomas S. Martin, Hearns\n         writes of the problems of the Virginia pig iron industry:\n         \"There is not a blast furnace in Virginia that is making\n         any money from the manufacture of pig iron. The cause of\n         this is there is an exceedingly low price on pig iron in\n         the country at the present time, and the increased cost of\n         manufacturing is due to the increase in wages in all\n         lines.\" With the outbreak of World War I prices rose\n         dramatically, but in a market report to Low Moor dated\n         November 11, 1916, it was stated that: \"In spite of the\n         high prices, it is not a picnic to be in the iron industry.\n         There is a desperate shortage of cars and equipment in the\n         coal and iron districts, and in consequence there are\n         troubles of all kinds to get materials shipped. The\n         situation has grown serious.\"\u003c/p\u003e","\u003cp\u003eWhen America became involved in the First World War, it\n         meant a boost for the Low Moor Iron Company. The government\n         helped it procure labor, and even helped it repair its\n         furnaces. The problem of supplies and cars for their\n         shipments, however, plagued the company more than ever. It\n         had a good deal of trouble getting all the raw materials it\n         needed due chiefly to the \"tight ship\" run by Harry F.\n         Byrd, Sr., U.S. Fuel Administrator for Virginia. After the\n         war very serious problems began to trouble the Low Moor\n         Iron Company. The demand for iron fell precipitously and a\n         short but severe depression ensued from 1919-1922. The\n         depression seemed to hit the iron industry especially hard.\n         Prices took a huge drop due to the lack of demand, and many\n         pre-war contracts had to be revalued. To compound the\n         company's problems, the Kay Moor Mines went on strike in\n         1919. This strike was quickly settled, as the market for\n         coal was so good that the Low Moor Company ceased taking\n         orders temporarily in 1921 as it could not fill the orders\n         it had on hand.\u003c/p\u003e","\u003cp\u003eThe Low Moor Company furnaces lay idle for some twenty\n         months. Finally, in November 1922 one of Low Moor's\n         furnaces was finally fired up. While prosperity gradually\n         returned to the rest of the country, the Low Moor Iron\n         Company never recovered. Production of pig iron in the\n         Virginia iron industry declined from 544,034 tons in 1903\n         to 148,053 tons in 1923, considered a good year for the\n         industry as a whole. In February 1926 Low Moor officials\n         talked of merging with two other iron companies in order to\n         revive the iron business for the three companies. The\n         merger, however, never occurred. By late 1926 the company\n         was in the process of liquidation. An advertisement in the\n         Charleston, West Virginia, Daily Mail dated April 30, 1927,\n         told of a huge warehouse sale at the Low Moor Iron Company.\n         The advertisement noted \"thousands of screws, pipe\n         fittings, valves, etc.\" The last piece of correspondence\n         from the Low Moor Iron Company in the collection is dated\n         1929. It deals with the sale of a machine.\u003c/p\u003e","\u003cp\u003eWhy did the iron industry in Virginia decline as it did?\n         Some say that lack of speed, efficiency, and a decent\n         transportation system for Alleghany County caused it. In a\n         letter from C. E. Bertie, secretary of the Virginia Pig\n         Iron Association, to the \n         \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eManufacturers Record\u003c/title\u003e\u003c/bibref\u003edated 1925, Bertie claimed that it was the\n         tremendous rise in the cost of transportation. Virginia, he\n         claimed, had almost no home market. Over 80% of its normal\n         production was shipped out to other states. The failure of\n         the Interstate Commerce Commission to treat Virginia\n         furnaces as southern furnaces was the cause of much of the\n         trouble. From 1914-1925 there were four blanket increases\n         in freight rates in the country, of which only one applied\n         equally to all localities. Southern furnaces were received\n         only two increases--a 25% increase in 1918 and a 25%\n         increase in 1920--but northern furnaces had had 5%, 15%,\n         25%, and 40% increases in their transportation costs.\n         Virginia furnaces, although recognized as southern\n         furnaces, had had freight rates increased in line with the\n         northern furnaces. Prior to the war Virginia iron reached\n         all points in Ohio, Indiana, Michigan, and Illinois on a\n         competitive basis with southern furnaces. After World War I\n         the advantage was limited to a small portion of\n         southeastern Ohio. All of Indiana, Illinois, and Michigan\n         were now lost to the Virginia producers. The Virginia\n         producer, according to Bertie, felt that the freight rates\n         should be restored to a relationship with southern\n         furnaces. If what Bertie said was true, the other southern\n         states iron industries should not have been in the same\n         desperate economic straits as Virginia's, and statistics\n         should support this. In the 1920's production rose to new\n         heights in Alabama. In Tennessee, however, iron production\n         plunged to new lows during the 1920's. While the south\n         accounted for 10.2% of the entire U. S. production in the\n         years 1919-1924, Virginia accounted for less than 1% during\n         those years. In 1915 Virginia accounted for over 6% of the\n         U.S. iron production. One can see a decline in other areas\n         of the south than Virginia. While the discrepancies in the\n         freight rates may have helped cause the decline, clearly\n         there are other reasons.\u003c/p\u003e","\u003cp\u003eDuring the 1900's there was a discovery of extremely\n         rich iron ore deposits in the mid-west. Much of this ore\n         was on or near the surface, making the mining of it both\n         easy and inexpensive. This in turn lowered production costs\n         of the pig iron. This caused iron production to shift to\n         that region, and resulted in a decline in the Virginia iron\n         industry. There was a sharp increase in iron production in\n         the mid-west through the 1920's. The iron ore in the\n         mid-west may have been of better quality than Virginia, but\n         the iron ore in Virginia was of sufficient quality to\n         produce a good pig iron. The western ore deposits were not\n         as conveniently located as Virginia deposits, but the\n         inexpensiveness of production more than made up for it.\u003c/p\u003e","\u003cp\u003eIn examining the rise and fall of the Low Moor Iron\n         Company, we can see a situation in which the conditions for\n         the manufacture of iron were nearly ideal. There was plenty\n         of land for expansion and resources for the manufacture of\n         the iron. The major internal problem faced by the Low Moor\n         Iron Company was that of transportation. External\n         developments, however, caused the final demise of the Low\n         Moor Iron Company.\u003c/p\u003e","\u003cp\u003eLow Moor Iron Company Personnel:\u003c/p\u003e","\u003cp\u003eExecutive Staff: Managing Director, Colonel H. M.\n         Goodwin: ca. 1881. General Managers: H. G. Merry: ca.\n         1884-1902; E. C. Means: ca. 1905-1915; J. P. Guernsey: ca.\n         1915 (acting General Manager); F. U. Humbert: ca.\n         1916-1929. Assistant General Manager: E. B. Wilkinson: ca.\n         1909-1915. Treasurers and Assistant Treasurers: Edward Low:\n         ca. 1886-1898; Frank Lyman (in New York): ca. 1898-1919; S.\n         G. Cragill (Asst. Treasurer): ca. 1900-1915; H. A. Dalton:\n         ca. 1921-1929; John Lipscomb (Asst. Treasurer): ca.\n         1918-1928.\u003c/p\u003e","\u003cp\u003eFactory and Mine Supervisors: Kay Moor Superintendents:\n         C. C. Cooke: ca. 1918; Ed. D. Wickes: ca. 1906; H. L.\n         Tansell: ca. 1903; A. H. Reed: ca. 1906. Kay Moor Managers:\n         J. W. Monteith: manager of mines. ca. 1918; promoted in\n         1925 to general superintendent in charge of mine plants,\n         coke ovens, shops, repairs, and construction; A. L.\n         Monteith: assistant superintendent of mines, ca. 1918;\n         George T. Wickes: manager of Covington mines, ca.\n         1906-1917; Ross Howell, ca. 1918. Stack Mines\n         Superintendents: J. H. Carpenter: ca. 1906; C. D.\n         Oberschain: ca. 1907; J. L. Harris: ca. 1903; John S. Ham:\n         ca. 1891-1901. Rich Patch Mines Superintendents: John R.\n         Thompson: foreman, ca. 1906. Low Moor assorted other\n         personnel: S. L. Tulley: trainmaster, ca. 1906; B. J.\n         Shenkley: foreman, Low Moor limestone quarries; L. Q. Wood:\n         assistant traffic manager, ca. 1919.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["The Low Moor Iron Company, the first producer of pig\n         iron in Virginia according to the company's claims, was a\n         self-contained manufacturing unit producing from its own\n         mines the coal, limestone, and iron ore needed for its iron\n         production. Located in Low Moor near Clifton Forge in\n         Alleghany County in western Virginia, an area rich in\n         mineral deposits, the company was in operation from\n         1872-1930, producing only pig iron; it never attempted to\n         produce finished iron products.","Coal came to the Low Moor furnaces from the Kay Moor\n         Mines at Kay Moor, West Virginia, about thirty miles from\n         Low Moor; limestone was produced from the Low Moor\n         limestone quarries; and iron ore came from the Fenwick,\n         Dolly Ann, Jordan, Rich Patch, Low Moor, and Longdale\n         Mines, most of them within twenty miles of Low Moor at\n         Covington or Clifton Forge.","The towns of Low Moor and Kay Moor were company towns in\n         every respect. Workers lived in company-owned houses,\n         bought food in company stores, worshiped at the company\n         church, saw movies in the company theater, were treated in\n         the company hospital, and were buried in the company\n         cemetery. Workers received part of their pay in scrip that\n         they exchanged for goods and services. According to a\n         statement from the Kay Moor Mines dated November 1904, Kay\n         Moor then employed 338 people, paid them an average wage of\n         $36.26 per month, and issued half of their pay in scrip.\n         Kay Moor had four stores; Low Moor had seven or eight. All\n         of these stores carried large inventories which are\n         detailed in the collection. These inventories are valuable\n         to anyone interested in determining the wants and needs of\n         a coal miner and his family.","In the late 1910's and 1920's Kay Moor had a company\n         theater called the Azure Theater which seated about 300\n         people. There were also plans for a company-owned social\n         center, to have pool tables, a soda fountain, and\n         provisions for dancing and skating. The company was in\n         tough economic straits by the 1920's, however, and there is\n         no evidence that the social center was built. The town of\n         Low Moor was so completely under the company's influence\n         that one of Low Moor Iron Company's assistant managers\n         served as the town sheriff. He often foreclosed on people\n         who did not pay their debts, and drove troublesome people\n         \"out of town on a rail\" as he put it.","The Low Moor Iron Company's fortunes fluctuated during\n         the various business cycles between the years 1880-1930.\n         Low Moor was one of the larger pig iron producers in\n         Virginia, but Virginia pig iron production was not\n         important nationally. Low Moor officials sometimes sold\n         their product themselves, but more often they used agents,\n         the prevalent method at the time. Low Moor Iron Company\n         used a variety of agents through the 1900's. James F. Bryan\n         acted as the exclusive agent for the sale of Kay Moor Coal\n         from September 21, 1903 to September, 1905. From about 1890\n         until about 1910 Dalton Nash and Company were the exclusive\n         eastern agents of Low Moor Iron. After that time the\n         exclusive agency went to Philips Isham and Company located\n         in New York. From about 1890 the western agency was handled\n         chiefly by Thomas Mack and Company. After 1902 Thomas Mack\n         and Company underwent a name change, becoming Walter\n         Wallingford and Company, with offices located in\n         Cincinnati, Pittsburgh, and Chicago.","Perhaps the Low Moor Iron Company's biggest problem over\n         the years was obtaining railroad cars for the\n         transportation of its finished product. Low Moor Iron\n         Company had its own cars for transporting its raw materials\n         among its various facilities. For the long haul necessary\n         for its finished goods, however, it depended upon the\n         services of the Chesapeake and Ohio Railroad, and the\n         relationship was not always a happy one. The Low Moor\n         Company complained many times to the C \u0026 O Railroad\n         about the discrepancies between long-and shorthaul freight\n         rates. Low Moor also had trouble getting cars from the C\n         \u0026 O. In a letter to one of Low Moor Company's agents\n         from an irate customer dated 1898, the customer wrote: \"We\n         wrote you on Saturday and endeavored to question upon your\n         mind the necessity of taking care of us with Low Moor iron.\n         We are on our uppers--there is not a pound of Low Moor iron\n         in the yard. Of the one hundred tons ordered some time ago,\n         not one pound of it has been received.\" This was, according\n         to the Low Moor Iron Company, because they could not get\n         the railroad cars. In a letter from Thomas Mack and Company\n         dated November 26, 1901, to General Manager E. C. Means:\n         \"We are hopeful that the car supply will get better because\n         of the number of orders you have of ours for prompt\n         shipment. Our customers are complaining that they are not\n         getting the iron fast enough. . . . We hope that the\n         railroad will be able to supply you with empty cars.\" In\n         another letter dated 1916 to John B. Guernsey, then acting\n         General Manager of the Low Moor Iron Company, \"We were not\n         supplied with coke cars for today's loading, and\n         consequently we have been practically down of Kay Moor\n         ovens all day.\"","The problem of procuring labor also plagued the Low Moor\n         Company. The company sometimes tried to hire immigrant\n         laborers and send the men directly to Low Moor from New\n         York City. There were problems with this, as is explained\n         in the following letter dated April 7, 1906: \n          To Mr. George Wickes \n             Supt. of Mines \n             Kay Moor, Virginia \n             Dear George, \n             Tony arrived with twenty one men last night. One\n            got away in Jersey two in Washington D.C., four in\n            Charlottesville. Some of the men are very good looking,\n            but taken as a whole they are the worst lot I have ever\n            seen: Irish, German-Jews, and Italians. . . . Our New\n            York transportations to this place have never been a\n            success. Signed, \n             Ed D. Wickes Supt. of Mines Low Moor usually employed labor agencies, one\n         of which was Atwood's Employment Agency. Often the Low Moor\n         Company would request certain nationalities, believing them\n         to be better workers than others. Sometimes the company\n         would request a gang of twenty made up of \"ten Greeks and\n         ten Italians.\" Many of the immigrants fled Low Moor and Kay\n         Moor when they learned that they would have to work\n         underground. There is a fair amount of material on\n         immigrant labor and its procurement in the collection, and\n         it is noted in the description of the box contents.","Low Moor Iron Company not only had trouble procuring\n         labor, but it also had trouble with labor already employed\n         in the mines and at the factory. Labor dissension and\n         strikes troubled the Kay Moor Mines through the 1900's. The\n         great coal strike of 1902 hurt the Low Moor Company's coal\n         mining operation, but by 1903 things were \"nearly back to\n         normal\" according to the mine superintendent. There was\n         still trouble at Kay Moor Mines, however. In a letter dated\n         April 26, 1906, to the treasurer of Low Moor Company, the\n         manager of the mines wrote about the trouble in \"trying to\n         get the agitators out.\" The mines were seventy-five men\n         short of the total labor force needed because many of the\n         coal miners returned to their farms during the spring.\n         There were rumblings of another strike at Kay Moor, the\n         result of which was to be a fourteen percent increase in\n         wages for the Kay Moor Mine workers via an agreement with\n         the United Mine Workers Union in December.","The Low Moor Iron Company grew along with the rest of\n         Virginia industry in the 1890's and 1900's. Starting with\n         only one furnace in the 1870's, it opened a second furnace\n         at Covington, Virginia, in 1891. In 1911 it opened a third\n         furnace, this time at Low Moor. Covington, with its heavy\n         industry, soon became known as the \"Pittsburgh of\n         Virginia.\" Virginia's pig iron production rose from 9,000\n         short tons in 1870 to 544,034 long tons in 1903. Judging\n         from the Low Moor Company's correspondence, the most\n         prosperous period for the company fell between the years\n         1895-1907. In the years between 1907-1917 problems befell\n         the Virginia pig iron industry. In a letter from William W.\n         Hearns, the president of the Virginia based Princess Pig\n         Iron Company, to U. S. Senator Thomas S. Martin, Hearns\n         writes of the problems of the Virginia pig iron industry:\n         \"There is not a blast furnace in Virginia that is making\n         any money from the manufacture of pig iron. The cause of\n         this is there is an exceedingly low price on pig iron in\n         the country at the present time, and the increased cost of\n         manufacturing is due to the increase in wages in all\n         lines.\" With the outbreak of World War I prices rose\n         dramatically, but in a market report to Low Moor dated\n         November 11, 1916, it was stated that: \"In spite of the\n         high prices, it is not a picnic to be in the iron industry.\n         There is a desperate shortage of cars and equipment in the\n         coal and iron districts, and in consequence there are\n         troubles of all kinds to get materials shipped. The\n         situation has grown serious.\"","When America became involved in the First World War, it\n         meant a boost for the Low Moor Iron Company. The government\n         helped it procure labor, and even helped it repair its\n         furnaces. The problem of supplies and cars for their\n         shipments, however, plagued the company more than ever. It\n         had a good deal of trouble getting all the raw materials it\n         needed due chiefly to the \"tight ship\" run by Harry F.\n         Byrd, Sr., U.S. Fuel Administrator for Virginia. After the\n         war very serious problems began to trouble the Low Moor\n         Iron Company. The demand for iron fell precipitously and a\n         short but severe depression ensued from 1919-1922. The\n         depression seemed to hit the iron industry especially hard.\n         Prices took a huge drop due to the lack of demand, and many\n         pre-war contracts had to be revalued. To compound the\n         company's problems, the Kay Moor Mines went on strike in\n         1919. This strike was quickly settled, as the market for\n         coal was so good that the Low Moor Company ceased taking\n         orders temporarily in 1921 as it could not fill the orders\n         it had on hand.","The Low Moor Company furnaces lay idle for some twenty\n         months. Finally, in November 1922 one of Low Moor's\n         furnaces was finally fired up. While prosperity gradually\n         returned to the rest of the country, the Low Moor Iron\n         Company never recovered. Production of pig iron in the\n         Virginia iron industry declined from 544,034 tons in 1903\n         to 148,053 tons in 1923, considered a good year for the\n         industry as a whole. In February 1926 Low Moor officials\n         talked of merging with two other iron companies in order to\n         revive the iron business for the three companies. The\n         merger, however, never occurred. By late 1926 the company\n         was in the process of liquidation. An advertisement in the\n         Charleston, West Virginia, Daily Mail dated April 30, 1927,\n         told of a huge warehouse sale at the Low Moor Iron Company.\n         The advertisement noted \"thousands of screws, pipe\n         fittings, valves, etc.\" The last piece of correspondence\n         from the Low Moor Iron Company in the collection is dated\n         1929. It deals with the sale of a machine.","Why did the iron industry in Virginia decline as it did?\n         Some say that lack of speed, efficiency, and a decent\n         transportation system for Alleghany County caused it. In a\n         letter from C. E. Bertie, secretary of the Virginia Pig\n         Iron Association, to the \n          Manufacturers Record dated 1925, Bertie claimed that it was the\n         tremendous rise in the cost of transportation. Virginia, he\n         claimed, had almost no home market. Over 80% of its normal\n         production was shipped out to other states. The failure of\n         the Interstate Commerce Commission to treat Virginia\n         furnaces as southern furnaces was the cause of much of the\n         trouble. From 1914-1925 there were four blanket increases\n         in freight rates in the country, of which only one applied\n         equally to all localities. Southern furnaces were received\n         only two increases--a 25% increase in 1918 and a 25%\n         increase in 1920--but northern furnaces had had 5%, 15%,\n         25%, and 40% increases in their transportation costs.\n         Virginia furnaces, although recognized as southern\n         furnaces, had had freight rates increased in line with the\n         northern furnaces. Prior to the war Virginia iron reached\n         all points in Ohio, Indiana, Michigan, and Illinois on a\n         competitive basis with southern furnaces. After World War I\n         the advantage was limited to a small portion of\n         southeastern Ohio. All of Indiana, Illinois, and Michigan\n         were now lost to the Virginia producers. The Virginia\n         producer, according to Bertie, felt that the freight rates\n         should be restored to a relationship with southern\n         furnaces. If what Bertie said was true, the other southern\n         states iron industries should not have been in the same\n         desperate economic straits as Virginia's, and statistics\n         should support this. In the 1920's production rose to new\n         heights in Alabama. In Tennessee, however, iron production\n         plunged to new lows during the 1920's. While the south\n         accounted for 10.2% of the entire U. S. production in the\n         years 1919-1924, Virginia accounted for less than 1% during\n         those years. In 1915 Virginia accounted for over 6% of the\n         U.S. iron production. One can see a decline in other areas\n         of the south than Virginia. While the discrepancies in the\n         freight rates may have helped cause the decline, clearly\n         there are other reasons.","During the 1900's there was a discovery of extremely\n         rich iron ore deposits in the mid-west. Much of this ore\n         was on or near the surface, making the mining of it both\n         easy and inexpensive. This in turn lowered production costs\n         of the pig iron. This caused iron production to shift to\n         that region, and resulted in a decline in the Virginia iron\n         industry. There was a sharp increase in iron production in\n         the mid-west through the 1920's. The iron ore in the\n         mid-west may have been of better quality than Virginia, but\n         the iron ore in Virginia was of sufficient quality to\n         produce a good pig iron. The western ore deposits were not\n         as conveniently located as Virginia deposits, but the\n         inexpensiveness of production more than made up for it.","In examining the rise and fall of the Low Moor Iron\n         Company, we can see a situation in which the conditions for\n         the manufacture of iron were nearly ideal. There was plenty\n         of land for expansion and resources for the manufacture of\n         the iron. The major internal problem faced by the Low Moor\n         Iron Company was that of transportation. External\n         developments, however, caused the final demise of the Low\n         Moor Iron Company.","Low Moor Iron Company Personnel:","Executive Staff: Managing Director, Colonel H. M.\n         Goodwin: ca. 1881. General Managers: H. G. Merry: ca.\n         1884-1902; E. C. Means: ca. 1905-1915; J. P. Guernsey: ca.\n         1915 (acting General Manager); F. U. Humbert: ca.\n         1916-1929. Assistant General Manager: E. B. Wilkinson: ca.\n         1909-1915. Treasurers and Assistant Treasurers: Edward Low:\n         ca. 1886-1898; Frank Lyman (in New York): ca. 1898-1919; S.\n         G. Cragill (Asst. Treasurer): ca. 1900-1915; H. A. Dalton:\n         ca. 1921-1929; John Lipscomb (Asst. Treasurer): ca.\n         1918-1928.","Factory and Mine Supervisors: Kay Moor Superintendents:\n         C. C. Cooke: ca. 1918; Ed. D. Wickes: ca. 1906; H. L.\n         Tansell: ca. 1903; A. H. Reed: ca. 1906. Kay Moor Managers:\n         J. W. Monteith: manager of mines. ca. 1918; promoted in\n         1925 to general superintendent in charge of mine plants,\n         coke ovens, shops, repairs, and construction; A. L.\n         Monteith: assistant superintendent of mines, ca. 1918;\n         George T. Wickes: manager of Covington mines, ca.\n         1906-1917; Ross Howell, ca. 1918. Stack Mines\n         Superintendents: J. H. Carpenter: ca. 1906; C. D.\n         Oberschain: ca. 1907; J. L. Harris: ca. 1903; John S. Ham:\n         ca. 1891-1901. Rich Patch Mines Superintendents: John R.\n         Thompson: foreman, ca. 1906. Low Moor assorted other\n         personnel: S. L. Tulley: trainmaster, ca. 1906; B. J.\n         Shenkley: foreman, Low Moor limestone quarries; L. Q. Wood:\n         assistant traffic manager, ca. 1919."],"scopecontent_html_tesm":["\u003cp\u003eThe Low Moor Iron Company papers consist of\n         approximately 280 four-inch Hollinger archives boxes (ca.\n         95 linear feet) of records, ca. 1885-1927, and some 1200\n         bound volumes of the company's accounting records,\n         1873-1927, of this iron producing company located in Low\n         Moor (four miles southwest of Clifton Forge), Alleghany\n         County, Virginia.\u003c/p\u003e","\u003cp\u003eThis material consists of records typical of those\n         produced by a firm of this type in the period, but as the\n         company owned its own coal and iron mines and limestone\n         quarries, there is considerable information about the\n         production of these raw materials. Large numbers of the\n         records that deal with the company's employees have\n         survived: time books, payroll books, hands ledgers, and the\n         like. Because these books sometimes include information\n         about the employee's trade or job with the company, and as\n         race is indicated in some of the records, these books\n         should provide date for studies of the structure and upward\n         mobility within the labor force, patterns of\n         ethnic--possibly racial--occupational penetration and\n         mobility, material conditions of the workers, and so on.\n         The papers should permit a range of studies detailing the\n         pattern and evolution of industrial organization in the\n         iron industry, and the evolution of markets and marketing\n         structures for the entire period. Because the company was\n         dependent upon railroads to move its raw materials to the\n         furnaces, and for the marketing of its products, there is\n         considerable information about railroads and their\n         relationship to their customers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["The Low Moor Iron Company papers consist of\n         approximately 280 four-inch Hollinger archives boxes (ca.\n         95 linear feet) of records, ca. 1885-1927, and some 1200\n         bound volumes of the company's accounting records,\n         1873-1927, of this iron producing company located in Low\n         Moor (four miles southwest of Clifton Forge), Alleghany\n         County, Virginia.","This material consists of records typical of those\n         produced by a firm of this type in the period, but as the\n         company owned its own coal and iron mines and limestone\n         quarries, there is considerable information about the\n         production of these raw materials. Large numbers of the\n         records that deal with the company's employees have\n         survived: time books, payroll books, hands ledgers, and the\n         like. Because these books sometimes include information\n         about the employee's trade or job with the company, and as\n         race is indicated in some of the records, these books\n         should provide date for studies of the structure and upward\n         mobility within the labor force, patterns of\n         ethnic--possibly racial--occupational penetration and\n         mobility, material conditions of the workers, and so on.\n         The papers should permit a range of studies detailing the\n         pattern and evolution of industrial organization in the\n         iron industry, and the evolution of markets and marketing\n         structures for the entire period. Because the company was\n         dependent upon railroads to move its raw materials to the\n         furnaces, and for the marketing of its products, there is\n         considerable information about railroads and their\n         relationship to their customers."],"language_ssim":["English"],"total_component_count_is":1879,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T02:17:12.165Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu00917_c02_c441"}},{"id":"viu_viu01021_c02_c06","type":"Item","attributes":{"title":"Notebooks kept by Samuel G. Henkel\n                  concerning Nosology and Treatment","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu01021_c02_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu01021_c02_c06","ref_ssm":["viu_viu01021_c02_c06"],"id":"viu_viu01021_c02_c06","ead_ssi":"viu_viu01021","_root_":"viu_viu01021","_nest_parent_":"viu_viu01021_c02","parent_ssi":"viu_viu01021_c02","parent_ssim":["viu_viu01021","viu_viu01021_c02"],"parent_ids_ssim":["viu_viu01021","viu_viu01021_c02"],"parent_unittitles_ssm":["Henkel Family Papers \n          1791-1885","Series II: Notebooks"],"parent_unittitles_tesim":["Henkel Family Papers \n          1791-1885","Series II: Notebooks"],"text":["Henkel Family Papers \n          1791-1885","Series II: Notebooks","Notebooks kept by Samuel G. Henkel\n                  concerning Nosology and Treatment","box Box 2"],"title_filing_ssi":"Notebooks kept by Samuel G. Henkel\n                  concerning Nosology and Treatment","title_ssm":["Notebooks kept by Samuel G. Henkel\n                  concerning Nosology and Treatment"],"title_tesim":["Notebooks kept by Samuel G. Henkel\n                  concerning Nosology and Treatment"],"unitdate_other_ssim":["1827 and 1331"],"normalized_date_ssm":["1331/1827"],"normalized_title_ssm":["Notebooks kept by Samuel G. Henkel\n                  concerning Nosology and Treatment"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Henkel Family Papers \n          1791-1885"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":18,"date_range_isim":[1331,1332,1333,1334,1335,1336,1337,1338,1339,1340,1341,1342,1343,1344,1345,1346,1347,1348,1349,1350,1351,1352,1353,1354,1355,1356,1357,1358,1359,1360,1361,1362,1363,1364,1365,1366,1367,1368,1369,1370,1371,1372,1373,1374,1375,1376,1377,1378,1379,1380,1381,1382,1383,1384,1385,1386,1387,1388,1389,1390,1391,1392,1393,1394,1395,1396,1397,1398,1399,1400,1401,1402,1403,1404,1405,1406,1407,1408,1409,1410,1411,1412,1413,1414,1415,1416,1417,1418,1419,1420,1421,1422,1423,1424,1425,1426,1427,1428,1429,1430,1431,1432,1433,1434,1435,1436,1437,1438,1439,1440,1441,1442,1443,1444,1445,1446,1447,1448,1449,1450,1451,1452,1453,1454,1455,1456,1457,1458,1459,1460,1461,1462,1463,1464,1465,1466,1467,1468,1469,1470,1471,1472,1473,1474,1475,1476,1477,1478,1479,1480,1481,1482,1483,1484,1485,1486,1487,1488,1489,1490,1491,1492,1493,1494,1495,1496,1497,1498,1499,1500,1501,1502,1503,1504,1505,1506,1507,1508,1509,1510,1511,1512,1513,1514,1515,1516,1517,1518,1519,1520,1521,1522,1523,1524,1525,1526,1527,1528,1529,1530,1531,1532,1533,1534,1535,1536,1537,1538,1539,1540,1541,1542,1543,1544,1545,1546,1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560,1561,1562,1563,1564,1565,1566,1567,1568,1569,1570,1571,1572,1573,1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"containers_ssim":["box Box 2"],"_nest_path_":"/components#1/components#5","timestamp":"2026-05-01T02:44:31.801Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu01021","ead_ssi":"viu_viu01021","_root_":"viu_viu01021","_nest_parent_":"viu_viu01021","ead_source_url_ssi":"data/uva-sc/viu01021.xml","title_ssm":["Henkel Family Papers \n          1791-1885"],"title_tesim":["Henkel Family Papers \n          1791-1885"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["8653-c"],"text":["8653-c","Henkel Family Papers \n          1791-1885","225 items","The Henkel Family papers are organized in three series: I.\n         Correspondence (which is arranged chronologically); II. Notebooks; III. manuscripts. The third series\n         is further subdivided into German and English manuscripts.\n","This addition to the \n          Henkel family papers contains 225 items (3\n         Hollinger boxes; 1 linear shelf foot), 1791-1885, chiefly the\n         correspondence of \n          David Henkel (1795-1831) and other members\n         of the family, manuscripts concerning religion and printing,\n         notebooks relating to medical or scholastic subjects, and\n         miscellaneous family papers. The \n          Henkel family of \n          New Market, Virginia, operated the \n          Henkel printing press which became the\n         most important bilingual printing establishment for German\n         Lutherans in the states of \n          Virginia, \n          Tennessee, and \n          North Carolina during the nineteenth\n         century. For more information concerning the contributions of\n         the \n          Henkel family to the printing of religious\n         works and preaching in the Lutheran Church, consult Klaus\n         Wust's  Guide to the Henkel Family Papers  and Christopher L.\n         Dolinetsch's book,  The German Press of the Shenandoah Valley.","Most of the early correspondence, [1812]-1823, consists of\n         letters of \n          David Henkel to his brother, \n          Solomon Henkel (1777-1847), or other\n         family members, and generally concern the publication plans\n         for religious books, pamphlets, and hymnals, his travels as a\n         Lutheran preacher, Biblical exegesis, book sales, Lutheran\n         synodical affairs, Lutheran doctrine, and revisions of Henkel\n         publications. All of \n          David Henkel's letters are in German\n         script unless otherwise noted.","The following list of letters from \n          David Henkel to his brother Solomon\n         usually include brief content notes: fragment ( [1812] );\n         hymnal publication (Oct. 12, 1812); travel and news of \n          South Carolina (Nov. 10, 1812); Biblical\n         passages (Apr. 29, 1813); book orders (Jun. 17, 1813); content\n         unknown (Jun. 19 and Oct. 21, 1813); in English, a long\n         discourse on religious ideas, especially concerning the errors\n         of the Calvinists and other sects (Jan. 15, 1814); in English,\n         the need for many English Christian catechisms in the South\n         (Jun. 28, 1815); book orders (Jul. 24, 1816 and Apr. 30,\n         1817); content unknown (Mar. 10 and May 22, 1817 ); in\n         English, David advises Solomon not to print any more German\n         hymnals and that the Synod has appointed him as a missionary\n         to the West \n          Tennessee area (Oct. 29 , 1817 );\n         publishing and theological writing (Jan. 23, 1818); travel\n         plans and book orders from \n          Europe (Jun. 17, 1818); book sales and\n         travel plans to \n          Louisiana (Aug. 21, 1818); David's aborted\n         trip to \n          Louisiana and his travels as a guest\n         preacher in the Carolinas (Dec. 4, 1818); potential lawsuits\n         over printing delays ard synodical matters (flay 31, 1819);\n         synodical controversy (Aug. 9, 1819); printing (Jan. 27,\n         1820); proposed constitution for a German Society and\n         publishing projects (Apr. 7, 1820); sales of ABC books (Jul.\n         7, 1820); proposal to puplish a book of Lutheran doctrine and\n         belief (Aug. 9, 1820); outline of points to be included in a\n         projected book (Oct. 3, 1820); committee report and findings\n         regarding \n          David Henkel and synodical affairs (Oct.\n         28, 1820); in English, news that the \n          North Carolina synod is in great confusion\n         and the necessity of a visit to all the churches (Oct. 29,\n         1820); hymnal orders and synodical matters, especially in \n          Tennessee (Dec. 18, 1820 and Feb. 10,\n         1821); revisions and printing orders (Feb. 23 and Mar. 1,\n         1821); content unknown (Apr. 12, 1821); synod business,\n         especially in \n          Tennessee (Apr. 17, Jun. 9 and 23, 1821);\n         cook orders (Jul. 9, 1821); hymnal orders, writing projects\n         and synodical matters (Aug. 2, 1821); content unknown (Oct. 5,\n         1821); travels and book distribution (Nov. 29, 1821); fiscal\n         affairs of the synod (Dec. 17, 1821); selections from the\n         Catechism in both German and English and other religious\n         writings (Jan. 31, 1822); the book business and church matters\n         (Mar. 1, 1822); content unknown (Mar. 19, 1822); distribution\n         of ABC books (Apr. 13, 1822); proposal to publish hymnal (May\n         30, 1822); business transactions (Jun. 25, 1822);\n         consideration of whether to move to \n          New Market (Aug. 9, 1822); tithing (Nov.\n         18, 1822); synodical matters (Nov. 24, 1822); book business\n         and travel west to \n          Kentucky and \n          Tennessee (May 5, 1823); content unknown\n         (May 11, [n. y.]); publishing proposal, including a tract on\n         baptism (Dec. 25, [n. y.]); and Lutheran doctrine.","\n          David Henkel's letters to others include\n         the following subjects: travel to \n          South Carolina (Apr. 22, 1813); various\n         writings in progress (Dec. 1, 1815) and with content unknown\n         (Feb. 22, 1815; Apr. 23, 1816; and Oct. 30, 1820).","The other major group of letters consists of the\n         correspondence of the \n          Henkel family . Most of this correspondence\n         is concerned with the translation and revision of the Book of\n         Concord, or Symbolical Books of the \n          Evangelical Lutheran Church , which was\n         undertaken by the \n          Henkel family as a labor of love for the\n         benerit of the Lutheran Church in the United States. In\n         addition to members of the \n          Henkel family , \n          H. Wetzel and \n          J. R. Moser were employed as translators\n         for the Book of Concord by \n          Solomon D. Henkel and Company . Both men\n         corresponded with members of the \n          Henkel family . Letters written on the\n         following dates discuss their translations: Mar. 20, Apr. 30,\n         and Aug. 18, 1846; Aug. 3 and Dec. 8, 1847; Feb. 4, Mar. 25,\n         and Aug. 25, 1848.","The revision of the  Book of Concord,  begun in 1851,\n         attracted the services of several well-known Lutheran\n         scholars. Copies of the letters of \n          Samuel G. Henkel and \n          Solomon D. Henkel to these men asking for\n         their help in revising the various sections of the Book of\n         Concord and responding to the corrections and the replies from\n         these scholars compose the majority of the correspondence from\n         1851-1854. Those scholars who contributed to the second\n         edition include \n          Charles Philip Rrauth of Gettysburg,\n         Pennsylvania, \n          W. F. Lehman of Columbus, Ohio, \n          John G. Morris of Baltimore and \n          Charles F. Schaeffer of Easton,\n         Pennsylvania. Letters concerning the work on the second\n         edition of the Book of Concord include: Dec. 22, 24, 28, 30,\n         and 31, 1851; Jan. 6, 12, 13, 15, 16, 21, and 25; Feb. 5 and\n         13; Mar. 2, 4, 6, and 27; Apr. 12, 20, and 26; May 18; Jun. 21\n         and 30; Jul. 23; Aug. 5; Sep. 3, 8, 20, and 22; Nov. 22; and\n         Dec. 15, 1852; Feb. 19; Jun. 20; Jul. 16; and Nov. 1 and 2,\n         1853, Feb. 8; Mar. 2, 22, and 28; Apr. 3, 7, 14, 18, 21, 24,\n         and 26; May 4, 5, 3, 9, 15, 22, and 30; Jul. 27; Sep. 9, 1854;\n         and Sep. 17, n. y.","Other subjects include: the death of \n          Solomon D. Henkel (Nov. 23, 1847); the\n         Lutheran ministry (Feb. 23, 1848, and Aug. 1849); the\n         translation of the Book of Concord (Aug. 11, 1848; Jan. 20,\n         1849; Feb. 13, 1849; Nov. 12, 1851; Mar. 22 and 29, 1853);\n         various synodical affairs (Jun. 24, 1848; Dec. 5, 1851; Jan.\n         30, 1852; Apr. 28, May 2, and Aug. 31, 1853; and Sep. 21,\n         1857); deeds of the old Benner land in \n          Albemarle County, Virginia (Dec. 21,\n         1849); publication of a translation of Luther's Church Postil,\n         a series of sermons on the epistles of the Church Year (Oct.\n         29 and Llov. 4, 1356; and Apr. 29, 1857) and medical cases\n         (Aug. 6, 1866; Dec. 13, 1880; and Apr. 9, 1885).","Other materials in this collection include notebooks kept\n         by \n          Samuel G. Henkel during the time he\n         studied to be a physician, especially on nosology, osteology\n         and myology. There are also German and English manuscripts\n         concerning Lutheran doctrine, Biblical exegesis, commentaries,\n         a catechistic tract, religious adages, religious treatises,\n         synodical affairs, sermons, a translation of the  Apologia of\n         the Confession  and  The Lesser Catechism of the Eminent\n         Martin Luther . There are also papers concerning the General\n         and \n          Tennessee Synod of the Lutheran Church and\n         the translation of the revision of the Book of Concord.","","English"],"unitid_tesim":["8653-c"],"normalized_title_ssm":["Henkel Family Papers \n          1791-1885"],"collection_title_tesim":["Henkel Family Papers \n          1791-1885"],"collection_ssim":["Henkel Family Papers \n          1791-1885"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["This collection was given to the Library on November 6,\n            1935 by Mrs. John Godfrey Miller of New Market, Virginia,\n            in memory of Mr. John Godfrey Miller, through D. H. E.\n            Comstock of Winchester, Virginia."],"has_online_content_ssim":["false"],"physdesc_tesim":["225 items"],"arrangement_html_tesm":["\u003cp\u003eThe Henkel Family papers are organized in three series: I.\n         Correspondence (which is arranged chronologically); II. Notebooks; III. manuscripts. The third series\n         is further subdivided into German and English manuscripts.\n\u003c/p\u003e"],"arrangement_heading_ssm":["Organization"],"arrangement_tesim":["The Henkel Family papers are organized in three series: I.\n         Correspondence (which is arranged chronologically); II. Notebooks; III. manuscripts. The third series\n         is further subdivided into German and English manuscripts.\n"],"scopecontent_html_tesm":["\u003cp\u003eThis addition to the \n          Henkel family papers contains 225 items (3\n         Hollinger boxes; 1 linear shelf foot), 1791-1885, chiefly the\n         correspondence of \n          David Henkel (1795-1831) and other members\n         of the family, manuscripts concerning religion and printing,\n         notebooks relating to medical or scholastic subjects, and\n         miscellaneous family papers. The \n          Henkel family of \n          New Market, Virginia, operated the \n          Henkel printing press which became the\n         most important bilingual printing establishment for German\n         Lutherans in the states of \n          Virginia, \n          Tennessee, and \n          North Carolina during the nineteenth\n         century. For more information concerning the contributions of\n         the \n          Henkel family to the printing of religious\n         works and preaching in the Lutheran Church, consult Klaus\n         Wust's \u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eGuide to the Henkel Family Papers\u003c/title\u003e and Christopher L.\n         Dolinetsch's book, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe German Press of the Shenandoah Valley.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eMost of the early correspondence, [1812]-1823, consists of\n         letters of \n          David Henkel to his brother, \n          Solomon Henkel (1777-1847), or other\n         family members, and generally concern the publication plans\n         for religious books, pamphlets, and hymnals, his travels as a\n         Lutheran preacher, Biblical exegesis, book sales, Lutheran\n         synodical affairs, Lutheran doctrine, and revisions of Henkel\n         publications. All of \n          David Henkel's letters are in German\n         script unless otherwise noted.\u003c/p\u003e","\u003cp\u003eThe following list of letters from \n          David Henkel to his brother Solomon\n         usually include brief content notes: fragment ( [1812] );\n         hymnal publication (Oct. 12, 1812); travel and news of \n          South Carolina (Nov. 10, 1812); Biblical\n         passages (Apr. 29, 1813); book orders (Jun. 17, 1813); content\n         unknown (Jun. 19 and Oct. 21, 1813); in English, a long\n         discourse on religious ideas, especially concerning the errors\n         of the Calvinists and other sects (Jan. 15, 1814); in English,\n         the need for many English Christian catechisms in the South\n         (Jun. 28, 1815); book orders (Jul. 24, 1816 and Apr. 30,\n         1817); content unknown (Mar. 10 and May 22, 1817 ); in\n         English, David advises Solomon not to print any more German\n         hymnals and that the Synod has appointed him as a missionary\n         to the West \n          Tennessee area (Oct. 29 , 1817 );\n         publishing and theological writing (Jan. 23, 1818); travel\n         plans and book orders from \n          Europe (Jun. 17, 1818); book sales and\n         travel plans to \n          Louisiana (Aug. 21, 1818); David's aborted\n         trip to \n          Louisiana and his travels as a guest\n         preacher in the Carolinas (Dec. 4, 1818); potential lawsuits\n         over printing delays ard synodical matters (flay 31, 1819);\n         synodical controversy (Aug. 9, 1819); printing (Jan. 27,\n         1820); proposed constitution for a German Society and\n         publishing projects (Apr. 7, 1820); sales of ABC books (Jul.\n         7, 1820); proposal to puplish a book of Lutheran doctrine and\n         belief (Aug. 9, 1820); outline of points to be included in a\n         projected book (Oct. 3, 1820); committee report and findings\n         regarding \n          David Henkel and synodical affairs (Oct.\n         28, 1820); in English, news that the \n          North Carolina synod is in great confusion\n         and the necessity of a visit to all the churches (Oct. 29,\n         1820); hymnal orders and synodical matters, especially in \n          Tennessee (Dec. 18, 1820 and Feb. 10,\n         1821); revisions and printing orders (Feb. 23 and Mar. 1,\n         1821); content unknown (Apr. 12, 1821); synod business,\n         especially in \n          Tennessee (Apr. 17, Jun. 9 and 23, 1821);\n         cook orders (Jul. 9, 1821); hymnal orders, writing projects\n         and synodical matters (Aug. 2, 1821); content unknown (Oct. 5,\n         1821); travels and book distribution (Nov. 29, 1821); fiscal\n         affairs of the synod (Dec. 17, 1821); selections from the\n         Catechism in both German and English and other religious\n         writings (Jan. 31, 1822); the book business and church matters\n         (Mar. 1, 1822); content unknown (Mar. 19, 1822); distribution\n         of ABC books (Apr. 13, 1822); proposal to publish hymnal (May\n         30, 1822); business transactions (Jun. 25, 1822);\n         consideration of whether to move to \n          New Market (Aug. 9, 1822); tithing (Nov.\n         18, 1822); synodical matters (Nov. 24, 1822); book business\n         and travel west to \n          Kentucky and \n          Tennessee (May 5, 1823); content unknown\n         (May 11, [n. y.]); publishing proposal, including a tract on\n         baptism (Dec. 25, [n. y.]); and Lutheran doctrine.\u003c/p\u003e","\u003cp\u003e\n          David Henkel's letters to others include\n         the following subjects: travel to \n          South Carolina (Apr. 22, 1813); various\n         writings in progress (Dec. 1, 1815) and with content unknown\n         (Feb. 22, 1815; Apr. 23, 1816; and Oct. 30, 1820).\u003c/p\u003e","\u003cp\u003eThe other major group of letters consists of the\n         correspondence of the \n          Henkel family . Most of this correspondence\n         is concerned with the translation and revision of the Book of\n         Concord, or Symbolical Books of the \n          Evangelical Lutheran Church , which was\n         undertaken by the \n          Henkel family as a labor of love for the\n         benerit of the Lutheran Church in the United States. In\n         addition to members of the \n          Henkel family , \n          H. Wetzel and \n          J. R. Moser were employed as translators\n         for the Book of Concord by \n          Solomon D. Henkel and Company . Both men\n         corresponded with members of the \n          Henkel family . Letters written on the\n         following dates discuss their translations: Mar. 20, Apr. 30,\n         and Aug. 18, 1846; Aug. 3 and Dec. 8, 1847; Feb. 4, Mar. 25,\n         and Aug. 25, 1848.\u003c/p\u003e","\u003cp\u003eThe revision of the \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBook of Concord,\u003c/title\u003e begun in 1851,\n         attracted the services of several well-known Lutheran\n         scholars. Copies of the letters of \n          Samuel G. Henkel and \n          Solomon D. Henkel to these men asking for\n         their help in revising the various sections of the Book of\n         Concord and responding to the corrections and the replies from\n         these scholars compose the majority of the correspondence from\n         1851-1854. Those scholars who contributed to the second\n         edition include \n          Charles Philip Rrauth of Gettysburg,\n         Pennsylvania, \n          W. F. Lehman of Columbus, Ohio, \n          John G. Morris of Baltimore and \n          Charles F. Schaeffer of Easton,\n         Pennsylvania. Letters concerning the work on the second\n         edition of the Book of Concord include: Dec. 22, 24, 28, 30,\n         and 31, 1851; Jan. 6, 12, 13, 15, 16, 21, and 25; Feb. 5 and\n         13; Mar. 2, 4, 6, and 27; Apr. 12, 20, and 26; May 18; Jun. 21\n         and 30; Jul. 23; Aug. 5; Sep. 3, 8, 20, and 22; Nov. 22; and\n         Dec. 15, 1852; Feb. 19; Jun. 20; Jul. 16; and Nov. 1 and 2,\n         1853, Feb. 8; Mar. 2, 22, and 28; Apr. 3, 7, 14, 18, 21, 24,\n         and 26; May 4, 5, 3, 9, 15, 22, and 30; Jul. 27; Sep. 9, 1854;\n         and Sep. 17, n. y.\u003c/p\u003e","\u003cp\u003eOther subjects include: the death of \n          Solomon D. Henkel (Nov. 23, 1847); the\n         Lutheran ministry (Feb. 23, 1848, and Aug. 1849); the\n         translation of the Book of Concord (Aug. 11, 1848; Jan. 20,\n         1849; Feb. 13, 1849; Nov. 12, 1851; Mar. 22 and 29, 1853);\n         various synodical affairs (Jun. 24, 1848; Dec. 5, 1851; Jan.\n         30, 1852; Apr. 28, May 2, and Aug. 31, 1853; and Sep. 21,\n         1857); deeds of the old Benner land in \n          Albemarle County, Virginia (Dec. 21,\n         1849); publication of a translation of Luther's Church Postil,\n         a series of sermons on the epistles of the Church Year (Oct.\n         29 and Llov. 4, 1356; and Apr. 29, 1857) and medical cases\n         (Aug. 6, 1866; Dec. 13, 1880; and Apr. 9, 1885).\u003c/p\u003e","\u003cp\u003eOther materials in this collection include notebooks kept\n         by \n          Samuel G. Henkel during the time he\n         studied to be a physician, especially on nosology, osteology\n         and myology. There are also German and English manuscripts\n         concerning Lutheran doctrine, Biblical exegesis, commentaries,\n         a catechistic tract, religious adages, religious treatises,\n         synodical affairs, sermons, a translation of the \u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eApologia of\n         the Confession\u003c/title\u003e and \u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eThe Lesser Catechism of the Eminent\n         Martin Luther\u003c/title\u003e. There are also papers concerning the General\n         and \n          Tennessee Synod of the Lutheran Church and\n         the translation of the revision of the Book of Concord.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This addition to the \n          Henkel family papers contains 225 items (3\n         Hollinger boxes; 1 linear shelf foot), 1791-1885, chiefly the\n         correspondence of \n          David Henkel (1795-1831) and other members\n         of the family, manuscripts concerning religion and printing,\n         notebooks relating to medical or scholastic subjects, and\n         miscellaneous family papers. The \n          Henkel family of \n          New Market, Virginia, operated the \n          Henkel printing press which became the\n         most important bilingual printing establishment for German\n         Lutherans in the states of \n          Virginia, \n          Tennessee, and \n          North Carolina during the nineteenth\n         century. For more information concerning the contributions of\n         the \n          Henkel family to the printing of religious\n         works and preaching in the Lutheran Church, consult Klaus\n         Wust's  Guide to the Henkel Family Papers  and Christopher L.\n         Dolinetsch's book,  The German Press of the Shenandoah Valley.","Most of the early correspondence, [1812]-1823, consists of\n         letters of \n          David Henkel to his brother, \n          Solomon Henkel (1777-1847), or other\n         family members, and generally concern the publication plans\n         for religious books, pamphlets, and hymnals, his travels as a\n         Lutheran preacher, Biblical exegesis, book sales, Lutheran\n         synodical affairs, Lutheran doctrine, and revisions of Henkel\n         publications. All of \n          David Henkel's letters are in German\n         script unless otherwise noted.","The following list of letters from \n          David Henkel to his brother Solomon\n         usually include brief content notes: fragment ( [1812] );\n         hymnal publication (Oct. 12, 1812); travel and news of \n          South Carolina (Nov. 10, 1812); Biblical\n         passages (Apr. 29, 1813); book orders (Jun. 17, 1813); content\n         unknown (Jun. 19 and Oct. 21, 1813); in English, a long\n         discourse on religious ideas, especially concerning the errors\n         of the Calvinists and other sects (Jan. 15, 1814); in English,\n         the need for many English Christian catechisms in the South\n         (Jun. 28, 1815); book orders (Jul. 24, 1816 and Apr. 30,\n         1817); content unknown (Mar. 10 and May 22, 1817 ); in\n         English, David advises Solomon not to print any more German\n         hymnals and that the Synod has appointed him as a missionary\n         to the West \n          Tennessee area (Oct. 29 , 1817 );\n         publishing and theological writing (Jan. 23, 1818); travel\n         plans and book orders from \n          Europe (Jun. 17, 1818); book sales and\n         travel plans to \n          Louisiana (Aug. 21, 1818); David's aborted\n         trip to \n          Louisiana and his travels as a guest\n         preacher in the Carolinas (Dec. 4, 1818); potential lawsuits\n         over printing delays ard synodical matters (flay 31, 1819);\n         synodical controversy (Aug. 9, 1819); printing (Jan. 27,\n         1820); proposed constitution for a German Society and\n         publishing projects (Apr. 7, 1820); sales of ABC books (Jul.\n         7, 1820); proposal to puplish a book of Lutheran doctrine and\n         belief (Aug. 9, 1820); outline of points to be included in a\n         projected book (Oct. 3, 1820); committee report and findings\n         regarding \n          David Henkel and synodical affairs (Oct.\n         28, 1820); in English, news that the \n          North Carolina synod is in great confusion\n         and the necessity of a visit to all the churches (Oct. 29,\n         1820); hymnal orders and synodical matters, especially in \n          Tennessee (Dec. 18, 1820 and Feb. 10,\n         1821); revisions and printing orders (Feb. 23 and Mar. 1,\n         1821); content unknown (Apr. 12, 1821); synod business,\n         especially in \n          Tennessee (Apr. 17, Jun. 9 and 23, 1821);\n         cook orders (Jul. 9, 1821); hymnal orders, writing projects\n         and synodical matters (Aug. 2, 1821); content unknown (Oct. 5,\n         1821); travels and book distribution (Nov. 29, 1821); fiscal\n         affairs of the synod (Dec. 17, 1821); selections from the\n         Catechism in both German and English and other religious\n         writings (Jan. 31, 1822); the book business and church matters\n         (Mar. 1, 1822); content unknown (Mar. 19, 1822); distribution\n         of ABC books (Apr. 13, 1822); proposal to publish hymnal (May\n         30, 1822); business transactions (Jun. 25, 1822);\n         consideration of whether to move to \n          New Market (Aug. 9, 1822); tithing (Nov.\n         18, 1822); synodical matters (Nov. 24, 1822); book business\n         and travel west to \n          Kentucky and \n          Tennessee (May 5, 1823); content unknown\n         (May 11, [n. y.]); publishing proposal, including a tract on\n         baptism (Dec. 25, [n. y.]); and Lutheran doctrine.","\n          David Henkel's letters to others include\n         the following subjects: travel to \n          South Carolina (Apr. 22, 1813); various\n         writings in progress (Dec. 1, 1815) and with content unknown\n         (Feb. 22, 1815; Apr. 23, 1816; and Oct. 30, 1820).","The other major group of letters consists of the\n         correspondence of the \n          Henkel family . Most of this correspondence\n         is concerned with the translation and revision of the Book of\n         Concord, or Symbolical Books of the \n          Evangelical Lutheran Church , which was\n         undertaken by the \n          Henkel family as a labor of love for the\n         benerit of the Lutheran Church in the United States. In\n         addition to members of the \n          Henkel family , \n          H. Wetzel and \n          J. R. Moser were employed as translators\n         for the Book of Concord by \n          Solomon D. Henkel and Company . Both men\n         corresponded with members of the \n          Henkel family . Letters written on the\n         following dates discuss their translations: Mar. 20, Apr. 30,\n         and Aug. 18, 1846; Aug. 3 and Dec. 8, 1847; Feb. 4, Mar. 25,\n         and Aug. 25, 1848.","The revision of the  Book of Concord,  begun in 1851,\n         attracted the services of several well-known Lutheran\n         scholars. Copies of the letters of \n          Samuel G. Henkel and \n          Solomon D. Henkel to these men asking for\n         their help in revising the various sections of the Book of\n         Concord and responding to the corrections and the replies from\n         these scholars compose the majority of the correspondence from\n         1851-1854. Those scholars who contributed to the second\n         edition include \n          Charles Philip Rrauth of Gettysburg,\n         Pennsylvania, \n          W. F. Lehman of Columbus, Ohio, \n          John G. Morris of Baltimore and \n          Charles F. Schaeffer of Easton,\n         Pennsylvania. Letters concerning the work on the second\n         edition of the Book of Concord include: Dec. 22, 24, 28, 30,\n         and 31, 1851; Jan. 6, 12, 13, 15, 16, 21, and 25; Feb. 5 and\n         13; Mar. 2, 4, 6, and 27; Apr. 12, 20, and 26; May 18; Jun. 21\n         and 30; Jul. 23; Aug. 5; Sep. 3, 8, 20, and 22; Nov. 22; and\n         Dec. 15, 1852; Feb. 19; Jun. 20; Jul. 16; and Nov. 1 and 2,\n         1853, Feb. 8; Mar. 2, 22, and 28; Apr. 3, 7, 14, 18, 21, 24,\n         and 26; May 4, 5, 3, 9, 15, 22, and 30; Jul. 27; Sep. 9, 1854;\n         and Sep. 17, n. y.","Other subjects include: the death of \n          Solomon D. Henkel (Nov. 23, 1847); the\n         Lutheran ministry (Feb. 23, 1848, and Aug. 1849); the\n         translation of the Book of Concord (Aug. 11, 1848; Jan. 20,\n         1849; Feb. 13, 1849; Nov. 12, 1851; Mar. 22 and 29, 1853);\n         various synodical affairs (Jun. 24, 1848; Dec. 5, 1851; Jan.\n         30, 1852; Apr. 28, May 2, and Aug. 31, 1853; and Sep. 21,\n         1857); deeds of the old Benner land in \n          Albemarle County, Virginia (Dec. 21,\n         1849); publication of a translation of Luther's Church Postil,\n         a series of sermons on the epistles of the Church Year (Oct.\n         29 and Llov. 4, 1356; and Apr. 29, 1857) and medical cases\n         (Aug. 6, 1866; Dec. 13, 1880; and Apr. 9, 1885).","Other materials in this collection include notebooks kept\n         by \n          Samuel G. Henkel during the time he\n         studied to be a physician, especially on nosology, osteology\n         and myology. There are also German and English manuscripts\n         concerning Lutheran doctrine, Biblical exegesis, commentaries,\n         a catechistic tract, religious adages, religious treatises,\n         synodical affairs, sermons, a translation of the  Apologia of\n         the Confession  and  The Lesser Catechism of the Eminent\n         Martin Luther . There are also papers concerning the General\n         and \n          Tennessee Synod of the Lutheran Church and\n         the translation of the revision of the Book of Concord."],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"language_ssim":["English"],"total_component_count_is":43,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T02:44:31.801Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu01021_c02_c06"}},{"id":"viu_repositories_3_resources_177_c04_c02_c17","type":"File","attributes":{"title":"Notes, Instructions and Errand 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papers"],"text":["Jan Karon papers","Personal and Family Papers","Personal papers","Notes, Instructions and Errand Lists","box 86","folder 10"],"title_filing_ssi":"Notes, Instructions and Errand Lists","title_ssm":["Notes, Instructions and Errand Lists"],"title_tesim":["Notes, Instructions and Errand Lists"],"unitdate_bulk_ssim":["1995, 2008-1026"],"normalized_title_ssm":["Notes, Instructions and Errand Lists"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Jan Karon papers"],"extent_ssm":["1 folder(s)"],"extent_tesim":["1 folder(s)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":593,"parent_access_restrict_tesm":["This collection is open for research 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86","folder 10"],"_nest_path_":"/components#3/components#1/components#16","timestamp":"2026-04-30T22:47:17.539Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_177","ead_ssi":"viu_repositories_3_resources_177","_root_":"viu_repositories_3_resources_177","_nest_parent_":"viu_repositories_3_resources_177","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_177.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133789","title_filing_ssi":"Karon, Jan, papers","title_ssm":["Jan Karon papers"],"title_tesim":["Jan Karon papers"],"unitdate_ssm":["1918-2018","1964-2018"],"unitdate_bulk_ssim":["1964-2018"],"unitdate_inclusive_ssm":["1918-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177"],"text":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177","Jan Karon papers","Esmont (Albemarle County, Va. : Dwelling)\t","Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising","This collection is open for research use.","The Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). ","Series III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). ","Series IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). ","Series V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).","Series VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).","Series VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). ","Series VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.","Jan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  ","At fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. ","Karon's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.","During the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.","After their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. ","She became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.","Her daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the  \"Miami Herald\" , the  \"Charlotte Observer\" , and a stint in Central America for the  \"U.S. News and World Report\" .","In order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.","Soon, she approached the editor of  \"The Blowing Rocket\"  with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in  \"The Blowing Rocket\" . The ensuing two years of writing  the priest's story for  \"The Blowing Rocket\"  resulted in her first novel,   \"At Home in Mitford\" , published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.","The second and third Mitford novels,  \"A Light in the Window\"  and  \"These High Green Hills\" , were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of  \"At Home in Mitford\"  by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.","Jan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of  \"At Home in Mitford\"  for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  ","In 2013,  \"Somewhere Safe with Somebody Good\" , which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016,  \"Come Rain or Come Shine\"  debuting at #1 on the  \"New York Times\"  list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.","For more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in  \"The Charlotte Observer\" , August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon","There are two hard drives in this collection that are currently unavailable.","Please contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. ","The Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.","Albert and Shirley Small Special Collections Library","Setzer family -- correspondence","Karon, Jan (Janice), 1937-","English"],"unitid_tesim":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177"],"normalized_title_ssm":["Jan Karon papers"],"collection_title_tesim":["Jan Karon papers"],"collection_ssim":["Jan Karon papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Esmont (Albemarle County, Va. : Dwelling)\t"],"geogname_ssim":["Esmont (Albemarle County, Va. : Dwelling)\t"],"creator_ssm":["Karon, Jan (Janice), 1937-"],"creator_ssim":["Karon, Jan (Janice), 1937-"],"creator_persname_ssim":["Karon, Jan (Janice), 1937-"],"creators_ssim":["Karon, Jan (Janice), 1937-"],"places_ssim":["Esmont (Albemarle County, Va. : Dwelling)\t"],"acqinfo_ssim":["The Jan Karon papers were given to the University of Virginia Library on October 2, 2014, by Jan Karon."],"access_subjects_ssim":["Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising"],"access_subjects_ssm":["Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising"],"has_online_content_ssim":["false"],"extent_ssm":["66 Cubic Feet 120 legal document boxes, 3 oversize boxes, 17 oversize folders"],"extent_tesim":["66 Cubic Feet 120 legal document boxes, 3 oversize boxes, 17 oversize folders"],"physfacet_tesim":["17 audio cassettes, 26 videocassettes, 46 disks, and 2 hard drives."],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). \u003c/p\u003e\n","\u003cp\u003eSeries III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). \u003c/p\u003e\n","\u003cp\u003eSeries IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). \u003c/p\u003e\n","\u003cp\u003eSeries V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).\u003c/p\u003e\n","\u003cp\u003eSeries VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).\u003c/p\u003e\n","\u003cp\u003eSeries VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). \u003c/p\u003e\n","\u003cp\u003eSeries VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). ","Series III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). ","Series IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). ","Series V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).","Series VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).","Series VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). ","Series VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material."],"bioghist_html_tesm":["\u003cp\u003eJan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  \u003c/p\u003e\n","\u003cp\u003eAt fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. \u003c/p\u003e\n","\u003cp\u003eKaron's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.\u003c/p\u003e\n","\u003cp\u003eDuring the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.\u003c/p\u003e\n","\u003cp\u003eAfter their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. \u003c/p\u003e\n","\u003cp\u003eShe became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.\u003c/p\u003e\n","\u003cp\u003eHer daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the \u003ctitle\u003e\"Miami Herald\"\u003c/title\u003e, the \u003ctitle\u003e\"Charlotte Observer\"\u003c/title\u003e, and a stint in Central America for the \u003ctitle\u003e\"U.S. News and World Report\"\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003eIn order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.\u003c/p\u003e\n","\u003cp\u003eSoon, she approached the editor of \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e. The ensuing two years of writing  the priest's story for \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e resulted in her first novel,  \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e, published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.\u003c/p\u003e\n","\u003cp\u003eThe second and third Mitford novels, \u003ctitle\u003e\"A Light in the Window\"\u003c/title\u003e and \u003ctitle\u003e\"These High Green Hills\"\u003c/title\u003e, were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.\u003c/p\u003e\n","\u003cp\u003eJan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  \u003c/p\u003e\n","\u003cp\u003eIn 2013, \u003ctitle\u003e\"Somewhere Safe with Somebody Good\"\u003c/title\u003e, which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016, \u003ctitle\u003e\"Come Rain or Come Shine\"\u003c/title\u003e debuting at #1 on the \u003ctitle\u003e\"New York Times\"\u003c/title\u003e list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.\u003c/p\u003e\n","\u003cp\u003eFor more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in \u003ctitle\u003e\"The Charlotte Observer\"\u003c/title\u003e, August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Jan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  ","At fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. ","Karon's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.","During the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.","After their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. ","She became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.","Her daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the  \"Miami Herald\" , the  \"Charlotte Observer\" , and a stint in Central America for the  \"U.S. News and World Report\" .","In order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.","Soon, she approached the editor of  \"The Blowing Rocket\"  with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in  \"The Blowing Rocket\" . The ensuing two years of writing  the priest's story for  \"The Blowing Rocket\"  resulted in her first novel,   \"At Home in Mitford\" , published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.","The second and third Mitford novels,  \"A Light in the Window\"  and  \"These High Green Hills\" , were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of  \"At Home in Mitford\"  by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.","Jan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of  \"At Home in Mitford\"  for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  ","In 2013,  \"Somewhere Safe with Somebody Good\" , which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016,  \"Come Rain or Come Shine\"  debuting at #1 on the  \"New York Times\"  list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.","For more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in  \"The Charlotte Observer\" , August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon"],"phystech_html_tesm":["\u003cp\u003eThere are two hard drives in this collection that are currently unavailable.\u003c/p\u003e","\u003cp\u003ePlease contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. \u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["There are two hard drives in this collection that are currently unavailable.","Please contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["The Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives."],"names_ssim":["Albert and Shirley Small Special Collections Library","Setzer family -- correspondence","Karon, Jan (Janice), 1937-"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_coll_ssim":["Setzer family -- correspondence"],"famname_ssim":["Setzer family -- correspondence"],"persname_ssim":["Karon, Jan (Janice), 1937-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1248,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:47:17.539Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_177_c04_c02_c17"}},{"id":"vifgm_performingartsmanuscripts","type":"collection","attributes":{"title":"Performing arts manuscripts collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_performingartsmanuscripts#creator","type":"document_value","attributes":{"value":"Gerber, Steven K.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_performingartsmanuscripts#abstract_or_scope","type":"document_value","attributes":{"value":"Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_performingartsmanuscripts#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_performingartsmanuscripts","ead_ssi":"vifgm_performingartsmanuscripts","_root_":"vifgm_performingartsmanuscripts","_nest_parent_":"vifgm_performingartsmanuscripts","ead_source_url_ssi":"data/gmu/performingartsmanuscripts.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/performingartsmanuscripts.html","title_ssm":["Performing arts manuscripts collection"],"title_tesim":["Performing arts manuscripts collection"],"unitdate_ssm":["circa 1475-1984"],"unitdate_inclusive_ssm":["circa 1475-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0215"],"text":["C0215","Performing arts manuscripts collection","Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints.","There are no access restrictions.","The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)","The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.","Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.","Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other ","This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.","There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.","Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.","George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910","Primarily English. Some materials are in Latin, French, or Italian.\n            \t"],"unitid_tesim":["C0215"],"normalized_title_ssm":["Performing arts manuscripts collection"],"collection_title_tesim":["Performing arts manuscripts collection"],"collection_ssim":["Performing arts manuscripts collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Gerber, Steven K."],"creator_ssim":["Gerber, Steven K."],"creator_persname_ssim":["Gerber, Steven K."],"creators_ssim":["Gerber, Steven K."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection materials were purchased from a variety of rare book and manuscript dealers from 2009 through the present."],"access_subjects_ssim":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints."],"access_subjects_ssm":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["4.0 linear feet (4 boxes)"],"extent_tesim":["4.0 linear feet (4 boxes)"],"date_range_isim":[1475,1476,1477,1478,1479,1480,1481,1482,1483,1484,1485,1486,1487,1488,1489,1490,1491,1492,1493,1494,1495,1496,1497,1498,1499,1500,1501,1502,1503,1504,1505,1506,1507,1508,1509,1510,1511,1512,1513,1514,1515,1516,1517,1518,1519,1520,1521,1522,1523,1524,1525,1526,1527,1528,1529,1530,1531,1532,1533,1534,1535,1536,1537,1538,1539,1540,1541,1542,1543,1544,1545,1546,1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560,1561,1562,1563,1564,1565,1566,1567,1568,1569,1570,1571,1572,1573,1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series. Each series is arranged chronologically by order of acquisition.\u003c/p\u003e","\u003cp\u003eSeries 1: Graphic Materials, 1610-1940 (Boxes 1-4)\u003c/p\u003e","\u003cp\u003eSeries 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs, 1900-1984 (Boxes 1-3)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)"],"bioghist_html_tesm":["\u003cp\u003eThe Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students."],"prefercite_html_tesm":["\u003cp\u003ePerforming arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Performing arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other \u003cextptr type=\"simple\" title=\"performing arts collections.\" show=\"new\" href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other "],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref45\" label=\"Abstract\"\u003eCollection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.\u003c/abstract\u003e"],"abstract_tesim":["Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes."],"persname_ssim":["Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910"],"language_ssim":["Primarily English. Some materials are in Latin, French, or Italian.\n            \t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":56,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:58:49.461Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_performingartsmanuscripts","ead_ssi":"vifgm_performingartsmanuscripts","_root_":"vifgm_performingartsmanuscripts","_nest_parent_":"vifgm_performingartsmanuscripts","ead_source_url_ssi":"data/gmu/performingartsmanuscripts.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/performingartsmanuscripts.html","title_ssm":["Performing arts manuscripts collection"],"title_tesim":["Performing arts manuscripts collection"],"unitdate_ssm":["circa 1475-1984"],"unitdate_inclusive_ssm":["circa 1475-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0215"],"text":["C0215","Performing arts manuscripts collection","Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints.","There are no access restrictions.","The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)","The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.","Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.","Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other ","This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.","There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.","Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.","George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910","Primarily English. Some materials are in Latin, French, or Italian.\n            \t"],"unitid_tesim":["C0215"],"normalized_title_ssm":["Performing arts manuscripts collection"],"collection_title_tesim":["Performing arts manuscripts collection"],"collection_ssim":["Performing arts manuscripts collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Gerber, Steven K."],"creator_ssim":["Gerber, Steven K."],"creator_persname_ssim":["Gerber, Steven K."],"creators_ssim":["Gerber, Steven K."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection materials were purchased from a variety of rare book and manuscript dealers from 2009 through the present."],"access_subjects_ssim":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints."],"access_subjects_ssm":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["4.0 linear feet (4 boxes)"],"extent_tesim":["4.0 linear feet (4 boxes)"],"date_range_isim":[1475,1476,1477,1478,1479,1480,1481,1482,1483,1484,1485,1486,1487,1488,1489,1490,1491,1492,1493,1494,1495,1496,1497,1498,1499,1500,1501,1502,1503,1504,1505,1506,1507,1508,1509,1510,1511,1512,1513,1514,1515,1516,1517,1518,1519,1520,1521,1522,1523,1524,1525,1526,1527,1528,1529,1530,1531,1532,1533,1534,1535,1536,1537,1538,1539,1540,1541,1542,1543,1544,1545,1546,1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560,1561,1562,1563,1564,1565,1566,1567,1568,1569,1570,1571,1572,1573,1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series. Each series is arranged chronologically by order of acquisition.\u003c/p\u003e","\u003cp\u003eSeries 1: Graphic Materials, 1610-1940 (Boxes 1-4)\u003c/p\u003e","\u003cp\u003eSeries 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs, 1900-1984 (Boxes 1-3)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)"],"bioghist_html_tesm":["\u003cp\u003eThe Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students."],"prefercite_html_tesm":["\u003cp\u003ePerforming arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Performing arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other \u003cextptr type=\"simple\" title=\"performing arts collections.\" show=\"new\" href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other "],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref45\" label=\"Abstract\"\u003eCollection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.\u003c/abstract\u003e"],"abstract_tesim":["Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910"],"corpname_ssim":["George Mason University. 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