{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Women%27s+Studio+Workshop\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Women%27s+Studio+Workshop\u0026page=1\u0026view=list"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":4,"first_page?":true,"last_page?":true}},"data":[{"id":"viur_repositories_6_resources_140","type":"collection","attributes":{"title":"11033","creator":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_6_resources_140#creator","type":"document_value","attributes":{"value":"Crawley, IBe' Bulinda H.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_6_resources_140#abstract_or_scope","type":"document_value","attributes":{"value":"\"11033 is the artist's meditation on the feelings and experiences of Mary Morst, a black woman in the Virginia State Penitentiary in 1921. 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IBe' Crawley conducted research at Virginia State Library, where all the prison records for Morst are publically available.\"--Women's Studio Workshop webpage, viewed August 1, 2022 \"The inspiration for this project grew from IBe' Crawley's research into the untold stories of women and girls impacted by oppressive Virginia laws and continued enslavement. Unlike most black women and girls, Mary Morst's story is recorded because of her relationship to the penal system. IBe' Crawley conducted research at Virginia State Library, where all the prison records for Morst are publicly available\"--StayHappening.com website.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_6_resources_140#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_6_resources_140","ead_ssi":"viur_repositories_6_resources_140","_root_":"viur_repositories_6_resources_140","_nest_parent_":"viur_repositories_6_resources_140","ead_source_url_ssi":"data/oai/RICH/repositories_6_resources_140.xml","title_ssm":["11033"],"title_tesim":["11033"],"unitdate_ssm":["2022"],"unitdate_other_ssim":["2022"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["BA-81","/repositories/6/resources/140"],"text":["BA-81","/repositories/6/resources/140","11033","New York (State) -- Rosendale","Virginia","African American prisoners -- Virginia -- History -- 20th century","Women prisoners -- Virginia","Female offenders -- Virginia","Children of women prisoners -- Virginia","African American families -- Effect of imprisonment on","Pregnant women -- Effect of imprisonment on","Women prisoners -- Family relationships -- Virginia","African American women -- Virginia -- Social conditions","Prison administration -- Virginia -- History -- 20th century","Artists' books -- New York (State) -- Rosendale","Reproductive rights -- Virginia","African American prisoners","African American women -- Social conditions","Children of women prisoners","Families","Female offenders","Maternal and infant welfare","Pregnant women in art","Prison administration","Reproductive rights","Women prisoners","Women prisoners -- Family relationships","Women prisoners in art","History","Sources","African American prisoners -- Women -- 20th century","Artists' Books","Book sculpture","Artists' Books","\"Constructed using handmade flax and abaca paper, with shaped pages that present the silhouette of a pregnant body. 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IBe' Crawley conducted research at Virginia State Library, where all the prison records for Morst are publically available.\"--Women's Studio Workshop webpage, viewed August 1, 2022\n\n\"The inspiration for this project grew from IBe' Crawley's research into the untold stories of women and girls impacted by oppressive Virginia laws and continued enslavement. Unlike most black women and girls, Mary Morst's story is recorded because of her relationship to the penal system. IBe' Crawley conducted research at Virginia State Library, where all the prison records for Morst are publicly available\"--StayHappening.com website.\u003c/abstract\u003e"],"abstract_tesim":["\"11033 is the artist's meditation on the feelings and experiences of Mary Morst, a black woman in the Virginia State Penitentiary in 1921. Imprisoned behind the black bars of the book's cover, 11033 centers Mary's complex life and shares her story as an imprisoned murderer and the mother of twin children born 'behind bars.' This sculptural artist's book incorporates embedded copies of archival documents, including newspaper clippings, letters, and pardon applications alongside a fictional text woven poetically throughout the historical narrative. The inspiration for this project grew from IBe' Crawley's research into the untold stories of women and girls impacted by oppressive Virginia laws and continued enslavement. Unlike most black women and girls, Mary Morst's story is recorded because of her relationship to the penal system. IBe' Crawley conducted research at Virginia State Library, where all the prison records for Morst are publically available.\"--Women's Studio Workshop webpage, viewed August 1, 2022\n\n\"The inspiration for this project grew from IBe' Crawley's research into the untold stories of women and girls impacted by oppressive Virginia laws and continued enslavement. Unlike most black women and girls, Mary Morst's story is recorded because of her relationship to the penal system. 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IBe' Crawley conducted research at Virginia State Library, where all the prison records for Morst are publicly available\"--StayHappening.com website.","Other contributors: ceramics by IBe' Crawley and Rachel Dubicki; handmade paper by Aurora Brush, Marissa Perez, Amani Rodriguez, IBe' Crawley, and Chris Petrone; bound by IBe' Crawley, Chris Petrone, Aurora Brush, Amani Rodriguez, and Marissa Perez.\n\nFunded by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the Cowles Family Foundation, the Milton and Avery Arts Foundation, and the National Endowment for the Arts.\n\nRare Book Room copy is edition 24 of 52 copies. 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IBe' Crawley conducted research at Virginia State Library, where all the prison records for Morst are publically available.\"--Women's Studio Workshop webpage, viewed August 1, 2022\n\n\"The inspiration for this project grew from IBe' Crawley's research into the untold stories of women and girls impacted by oppressive Virginia laws and continued enslavement. Unlike most black women and girls, Mary Morst's story is recorded because of her relationship to the penal system. IBe' Crawley conducted research at Virginia State Library, where all the prison records for Morst are publicly available\"--StayHappening.com website.\u003c/abstract\u003e"],"abstract_tesim":["\"11033 is the artist's meditation on the feelings and experiences of Mary Morst, a black woman in the Virginia State Penitentiary in 1921. Imprisoned behind the black bars of the book's cover, 11033 centers Mary's complex life and shares her story as an imprisoned murderer and the mother of twin children born 'behind bars.' This sculptural artist's book incorporates embedded copies of archival documents, including newspaper clippings, letters, and pardon applications alongside a fictional text woven poetically throughout the historical narrative. The inspiration for this project grew from IBe' Crawley's research into the untold stories of women and girls impacted by oppressive Virginia laws and continued enslavement. Unlike most black women and girls, Mary Morst's story is recorded because of her relationship to the penal system. IBe' Crawley conducted research at Virginia State Library, where all the prison records for Morst are publically available.\"--Women's Studio Workshop webpage, viewed August 1, 2022\n\n\"The inspiration for this project grew from IBe' Crawley's research into the untold stories of women and girls impacted by oppressive Virginia laws and continued enslavement. Unlike most black women and girls, Mary Morst's story is recorded because of her relationship to the penal system. IBe' Crawley conducted research at Virginia State Library, where all the prison records for Morst are publicly available\"--StayHappening.com website."],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_c1c1dde3c0cb4e130a2911ff3ad07edf\"\u003eOther contributors: ceramics by IBe' Crawley and Rachel Dubicki; handmade paper by Aurora Brush, Marissa Perez, Amani Rodriguez, IBe' Crawley, and Chris Petrone; bound by IBe' Crawley, Chris Petrone, Aurora Brush, Amani Rodriguez, and Marissa Perez.\n\nFunded by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the Cowles Family Foundation, the Milton and Avery Arts Foundation, and the National Endowment for the Arts.\n\nRare Book Room copy is edition 24 of 52 copies. 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The original box set was published in 1983, purchased by the Carnegie Mellon University in 1987, found in a storage closet at Carnegie Mellon University in 2016, and published in the form of a paper sculpture by the Women's Studio Workshop in Rosendale, NY in 2019.\" --Colophon","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_6_resources_145#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_6_resources_145","ead_ssi":"viur_repositories_6_resources_145","_root_":"viur_repositories_6_resources_145","_nest_parent_":"viur_repositories_6_resources_145","ead_source_url_ssi":"data/oai/RICH/repositories_6_resources_145.xml","title_ssm":["Paper paper film"],"title_tesim":["Paper paper film"],"unitdate_ssm":["2019"],"unitdate_other_ssim":["2019"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["BA-86","/repositories/6/resources/145"],"text":["BA-86","/repositories/6/resources/145","Paper paper film","United States","Paper art","Paper art -- 21st century","Papermaking -- United States -- 20th century","Papermaking","Specimens","Artists' Books","Paper: handmade cotton paper, Colorplan (bright red and leather embossed) acetate, Rives BFK, Awagami Murakumo Kozo Select Natural Digital Inkjet Washi. 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Pages are from 1 to 32. The second is based on surveys of reported data (perceptions, sensations, beliefs. Pages are from a to w [that is, a to v] You can read the two sections separately, or you can use the index to find links between the two. Choose you subject, match the numbers and letters, and then overlap the pages.\"--Page [1] \"Frequently, the debate regarding gender equality becomes a clash of opinions, impeding any real inquiry. In The Veil is Seen Only When it is Lifted, the artist provides accumulated data as an instrument for breaching this impasse. Origoni visually restructures this conversation, arranging statistics with simple, playful design and breaking up the codex's linear narration. The book is composed with two studies; their bindings fall on opposite sides of the book. A Coptic-bound section presents quantitative data and the spiral-bound section reports experience-based data. 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