{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Schaffer+Collection\u0026page=26","prev":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Schaffer+Collection\u0026page=25","next":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Schaffer+Collection\u0026page=27","last":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Schaffer+Collection\u0026page=30"},"meta":{"pages":{"current_page":26,"next_page":27,"prev_page":25,"total_pages":30,"limit_value":10,"offset_value":250,"total_count":296,"first_page?":false,"last_page?":false}},"data":[{"id":"virmu_repositories_2_resources_8_c01_c05_c01_c85","type":"Item","attributes":{"title":"989","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c01_c85#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTranscription: [double-headed eagle] The Schaffer Collection of Russian Imperial Art Treasures ROCKEFELLER CENTER, NEW YORK October 29, 1936 #989 Exquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief. It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies. Made by \"Carl Fabergé\", the famous court jeweler to Nicholas II. The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\" From the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia. From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c01_c85#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_8_c01_c05_c01_c85","ref_ssm":["virmu_repositories_2_resources_8_c01_c05_c01_c85"],"id":"virmu_repositories_2_resources_8_c01_c05_c01_c85","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8_c01_c05_c01","parent_ssi":"virmu_repositories_2_resources_8_c01_c05_c01","parent_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c05","virmu_repositories_2_resources_8_c01_c05_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c05","virmu_repositories_2_resources_8_c01_c05_c01"],"parent_unittitles_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 5"],"parent_unittitles_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 5"],"text":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 5","989","Paper","Schaffer Collection","New York (N.Y.)","English","box SC-07 Box 1","folder 5","Item SC07.01.5.085","American--1","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","47.20.275","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"title_filing_ssi":"989","title_ssm":["989"],"title_tesim":["989"],"unitdate_other_ssim":["Oct. 29, 1936"],"normalized_date_ssm":["1936"],"normalized_title_ssm":["989"],"component_level_isim":[4],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"physdesc_tesim":["Paper"],"extent_ssm":["1 page"],"extent_tesim":["1 page"],"physfacet_tesim":["Sales records"],"creator_ssim":["Schaffer Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":274,"parent_access_restrict_tesm":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website. "],"parent_access_terms_tesm":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"date_range_isim":[1936],"names_ssim":["Schaffer Collection"],"corpname_ssim":["Schaffer Collection"],"geogname_ssim":["New York (N.Y.)"],"geogname_ssm":["New York (N.Y.)"],"places_ssim":["New York (N.Y.)"],"acqinfo_ssim":["Gift of Lillian Thomas Pratt."],"language_ssim":["English"],"containers_ssim":["box SC-07 Box 1","folder 5","Item SC07.01.5.085"],"bioghist_html_tesm":["\u003cp\u003eAmerican--1\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["American--1"],"odd_html_tesm":["\u003cp\u003eSchaffer Collection, Russian Imperial Art Treasures, Rockefeller Center\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e47.20.275\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["47.20.275"],"scopecontent_html_tesm":["\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT"],"userestrict_html_tesm":["\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"_nest_path_":"/components#0/components#4/components#0/components#84","timestamp":"2026-05-01T00:00:51.273Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_8","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_8.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/8","title_filing_ssi":"Pratt, Lillian Thomas (SC-07)","title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"unitdate_ssm":["1901-1947"],"unitdate_inclusive_ssm":["1901-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-07","/repositories/2/resources/8"],"text":["SC-07","/repositories/2/resources/8","Lillian Thomas Pratt Personal Papers (SC-07)","Art objects, Russian","Easter eggs","Fabergé eggs","The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . ","The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated","The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts","The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.","A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.","The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.","Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918","English \n.    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Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art objects, Russian","Easter eggs","Fabergé eggs"],"access_subjects_ssm":["Art objects, Russian","Easter eggs","Fabergé eggs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"extent_tesim":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"physfacet_tesim":["723 items"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eDigitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/archives/lillian-thomas-pratt-personal-papers-sc-07/\"\u003eVMFA Collections Search website\u003c/a\u003e. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSchaffer Collection, 1934-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eHammer Galleries, 1933-1945, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eEstate, 1932-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eClippings, 1932-1937, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMuseum Records, 1936-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated"],"bibliography_html_tesm":["\u003cbibref\u003eThe Fall of the Romanoffs: How the Ex-Empress \u0026amp; Rasputine Caused the Russian Revolution, 1917\u003c/bibref\u003e","\u003cbibref\u003eConfessions of the Czarina, 1918\u003c/bibref\u003e","\u003cbibref\u003eMother Dear: The Empress Marie of Russia and Her Times, 1926\u003c/bibref\u003e","\u003cbibref\u003eThe Tragic Bride: The Story of the Empress Alexandra of Russia, 1927\u003c/bibref\u003e","\u003cbibref\u003eThe Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Intimate Life of the Last Tzarina, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931\u003c/bibref\u003e","\u003cbibref\u003eRussia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931\u003c/bibref\u003e","\u003cbibref\u003eEducation of a Princess: A Memoir, 1931\u003c/bibref\u003e","\u003cbibref\u003eA Princess in Exile, 1932\u003c/bibref\u003e","\u003cbibref\u003eTwice Seven, 1937\u003c/bibref\u003e","\u003cbibref\u003eRussian Imperial Treasures: Collection of Lillian T. Pratt, undated\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940\u003c/bibref\u003e","\u003cbibref\u003eHandbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960\u003c/bibref\u003e","\u003cbibref\u003eFabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976\u003c/bibref\u003e","\u003cbibref\u003eFabergé: Virginia Museum of Fine Arts, 1995\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed: At the Virginia Museum of Fine Arts, 2011\u003c/bibref\u003e","\u003cbibref\u003eLillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996\u003c/bibref\u003e","\u003cbibref\u003eSelections from the Lillian Thomas Pratt Collection of Jewels, 1947\u003c/bibref\u003e","\u003cbibref\u003e12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1949\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1950\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1951\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1952\u003c/bibref\u003e","\u003cbibref\u003eJewelry by Fabergé, 1953\u003c/bibref\u003e","\u003cbibref\u003eJewels by Fabergé, 1954\u003c/bibref\u003e","\u003cbibref\u003eFabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed, 2011\u003c/bibref\u003e","\u003cbibref\u003eVMFA Collections: Decorative Arts: Metalwork: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Pratt, John Lee and Lillian Thomas\u003c/bibref\u003e","\u003cbibref\u003eVMFA Gallery Design: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Pratt's Personal Library","Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Video","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject Files","Related Materials - Library of Virginia"],"bibliography_tesim":["The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)"],"bioghist_html_tesm":["\u003cp\u003eTwo months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.\u003c/p\u003e\n","\u003cp\u003ePratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=6519%7bCKEY%7d\u0026amp;searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e\u0026amp;user_id=WEBSERVER\"\u003eFabergé: Virginia Museum of Fine Arts\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eA large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication"],"userestrict_tesim":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fb5f9a7488efeca094913bc14bf01383\"\u003eThe collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer."],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget"],"persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"language_ssim":["English \n.    "],"total_component_count_is":762,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:00:51.273Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c01_c85"}},{"id":"virmu_repositories_2_resources_8_c01_c05_c01_c52","type":"Item","attributes":{"title":"991","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c01_c52#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTranscription: [double-headed eagle] The Schaffer Collection of Russian Imperial Art Treasures ROCKEFELLER CENTER, NEW YORK April 2, 1936 #991 Very lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim. This piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design. From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c01_c52#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_8_c01_c05_c01_c52","ref_ssm":["virmu_repositories_2_resources_8_c01_c05_c01_c52"],"id":"virmu_repositories_2_resources_8_c01_c05_c01_c52","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8_c01_c05_c01","parent_ssi":"virmu_repositories_2_resources_8_c01_c05_c01","parent_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c05","virmu_repositories_2_resources_8_c01_c05_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c05","virmu_repositories_2_resources_8_c01_c05_c01"],"parent_unittitles_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 5"],"parent_unittitles_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 5"],"text":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 5","991","Paper","Schaffer Collection","New York (N.Y.)","English","box SC-07 Box 1","folder 5","Item SC07.01.5.052","American--1","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","47.20.290","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"title_filing_ssi":"991","title_ssm":["991"],"title_tesim":["991"],"unitdate_other_ssim":["Apr. 2, 1936"],"normalized_date_ssm":["1936"],"normalized_title_ssm":["991"],"component_level_isim":[4],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"physdesc_tesim":["Paper"],"extent_ssm":["1 page"],"extent_tesim":["1 page"],"physfacet_tesim":["Sales records"],"creator_ssim":["Schaffer Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":241,"parent_access_restrict_tesm":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website. "],"parent_access_terms_tesm":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"date_range_isim":[1936],"names_ssim":["Schaffer Collection"],"corpname_ssim":["Schaffer Collection"],"geogname_ssim":["New York (N.Y.)"],"geogname_ssm":["New York (N.Y.)"],"places_ssim":["New York (N.Y.)"],"acqinfo_ssim":["Gift of Lillian Thomas Pratt."],"language_ssim":["English"],"containers_ssim":["box SC-07 Box 1","folder 5","Item SC07.01.5.052"],"bioghist_html_tesm":["\u003cp\u003eAmerican--1\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["American--1"],"odd_html_tesm":["\u003cp\u003eSchaffer Collection, Russian Imperial Art Treasures, Rockefeller Center\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e47.20.290\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["47.20.290"],"scopecontent_html_tesm":["\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT"],"userestrict_html_tesm":["\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"_nest_path_":"/components#0/components#4/components#0/components#51","timestamp":"2026-05-01T00:00:51.273Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_8","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_8.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/8","title_filing_ssi":"Pratt, Lillian Thomas (SC-07)","title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"unitdate_ssm":["1901-1947"],"unitdate_inclusive_ssm":["1901-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-07","/repositories/2/resources/8"],"text":["SC-07","/repositories/2/resources/8","Lillian Thomas Pratt Personal Papers (SC-07)","Art objects, Russian","Easter eggs","Fabergé eggs","The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . ","The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated","The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts","The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.","A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.","The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.","Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918","English \n.    "],"unitid_tesim":["SC-07","/repositories/2/resources/8"],"normalized_title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray"],"creator_corpname_ssim":["Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creators_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art objects, Russian","Easter eggs","Fabergé eggs"],"access_subjects_ssm":["Art objects, Russian","Easter eggs","Fabergé eggs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"extent_tesim":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"physfacet_tesim":["723 items"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eDigitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/archives/lillian-thomas-pratt-personal-papers-sc-07/\"\u003eVMFA Collections Search website\u003c/a\u003e. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSchaffer Collection, 1934-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eHammer Galleries, 1933-1945, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eEstate, 1932-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eClippings, 1932-1937, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMuseum Records, 1936-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated"],"bibliography_html_tesm":["\u003cbibref\u003eThe Fall of the Romanoffs: How the Ex-Empress \u0026amp; Rasputine Caused the Russian Revolution, 1917\u003c/bibref\u003e","\u003cbibref\u003eConfessions of the Czarina, 1918\u003c/bibref\u003e","\u003cbibref\u003eMother Dear: The Empress Marie of Russia and Her Times, 1926\u003c/bibref\u003e","\u003cbibref\u003eThe Tragic Bride: The Story of the Empress Alexandra of Russia, 1927\u003c/bibref\u003e","\u003cbibref\u003eThe Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Intimate Life of the Last Tzarina, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931\u003c/bibref\u003e","\u003cbibref\u003eRussia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931\u003c/bibref\u003e","\u003cbibref\u003eEducation of a Princess: A Memoir, 1931\u003c/bibref\u003e","\u003cbibref\u003eA Princess in Exile, 1932\u003c/bibref\u003e","\u003cbibref\u003eTwice Seven, 1937\u003c/bibref\u003e","\u003cbibref\u003eRussian Imperial Treasures: Collection of Lillian T. Pratt, undated\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940\u003c/bibref\u003e","\u003cbibref\u003eHandbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960\u003c/bibref\u003e","\u003cbibref\u003eFabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976\u003c/bibref\u003e","\u003cbibref\u003eFabergé: Virginia Museum of Fine Arts, 1995\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed: At the Virginia Museum of Fine Arts, 2011\u003c/bibref\u003e","\u003cbibref\u003eLillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996\u003c/bibref\u003e","\u003cbibref\u003eSelections from the Lillian Thomas Pratt Collection of Jewels, 1947\u003c/bibref\u003e","\u003cbibref\u003e12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1949\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1950\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1951\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1952\u003c/bibref\u003e","\u003cbibref\u003eJewelry by Fabergé, 1953\u003c/bibref\u003e","\u003cbibref\u003eJewels by Fabergé, 1954\u003c/bibref\u003e","\u003cbibref\u003eFabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed, 2011\u003c/bibref\u003e","\u003cbibref\u003eVMFA Collections: Decorative Arts: Metalwork: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Pratt, John Lee and Lillian Thomas\u003c/bibref\u003e","\u003cbibref\u003eVMFA Gallery Design: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Pratt's Personal Library","Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Video","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject Files","Related Materials - Library of Virginia"],"bibliography_tesim":["The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)"],"bioghist_html_tesm":["\u003cp\u003eTwo months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.\u003c/p\u003e\n","\u003cp\u003ePratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=6519%7bCKEY%7d\u0026amp;searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e\u0026amp;user_id=WEBSERVER\"\u003eFabergé: Virginia Museum of Fine Arts\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eA large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication"],"userestrict_tesim":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fb5f9a7488efeca094913bc14bf01383\"\u003eThe collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer."],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget"],"persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"language_ssim":["English \n.    "],"total_component_count_is":762,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:00:51.273Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c01_c52"}},{"id":"virmu_repositories_2_resources_8_c01_c04_c01_c28","type":"Item","attributes":{"title":"997","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c04_c01_c28#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTranscription: [double-headed eagle] #997 Exceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold. At top and bottom there are finely fluted borders with crossed ribbons at intervals. 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At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"title_filing_ssi":"997","title_ssm":["997"],"title_tesim":["997"],"unitdate_other_ssim":["undated"],"normalized_title_ssm":["997"],"component_level_isim":[4],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"physdesc_tesim":["Paper"],"extent_ssm":["1 item"],"extent_tesim":["1 item"],"physfacet_tesim":["Price tags"],"creator_ssim":["Schaffer Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":168,"parent_access_restrict_tesm":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website. "],"parent_access_terms_tesm":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"names_ssim":["Schaffer Collection"],"corpname_ssim":["Schaffer Collection"],"geogname_ssim":["New York (N.Y.)"],"geogname_ssm":["New York (N.Y.)"],"places_ssim":["New York (N.Y.)"],"acqinfo_ssim":["Gift of Lillian Thomas Pratt."],"language_ssim":["English"],"containers_ssim":["Binder SC-07 Binder 1","Page Unknown","Item SC07.01.4.028"],"bioghist_html_tesm":["\u003cp\u003eAmerican--1\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["American--1"],"odd_html_tesm":["\u003cp\u003eSchaffer Collection, Russian Imperial Art Treasures, Rockefeller Center\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e47.20.291\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["47.20.291"],"scopecontent_html_tesm":["\u003cp\u003eTranscription: \n[double-headed eagle] #997\nExceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold.  At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Transcription: \n[double-headed eagle] #997\nExceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold.  At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00"],"userestrict_html_tesm":["\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"_nest_path_":"/components#0/components#3/components#0/components#27","timestamp":"2026-05-01T00:00:51.273Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_8","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_8.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/8","title_filing_ssi":"Pratt, Lillian Thomas (SC-07)","title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"unitdate_ssm":["1901-1947"],"unitdate_inclusive_ssm":["1901-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-07","/repositories/2/resources/8"],"text":["SC-07","/repositories/2/resources/8","Lillian Thomas Pratt Personal Papers (SC-07)","Art objects, Russian","Easter eggs","Fabergé eggs","The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . ","The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated","The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts","The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.","A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.","The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. 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Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. 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The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/archives/lillian-thomas-pratt-personal-papers-sc-07/\"\u003eVMFA Collections Search website\u003c/a\u003e. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. 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Pratt, undated\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940\u003c/bibref\u003e","\u003cbibref\u003eHandbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960\u003c/bibref\u003e","\u003cbibref\u003eFabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976\u003c/bibref\u003e","\u003cbibref\u003eFabergé: Virginia Museum of Fine Arts, 1995\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed: At the Virginia Museum of Fine Arts, 2011\u003c/bibref\u003e","\u003cbibref\u003eLillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996\u003c/bibref\u003e","\u003cbibref\u003eSelections from the Lillian Thomas Pratt Collection of Jewels, 1947\u003c/bibref\u003e","\u003cbibref\u003e12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1949\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1950\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1951\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1952\u003c/bibref\u003e","\u003cbibref\u003eJewelry by Fabergé, 1953\u003c/bibref\u003e","\u003cbibref\u003eJewels by Fabergé, 1954\u003c/bibref\u003e","\u003cbibref\u003eFabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed, 2011\u003c/bibref\u003e","\u003cbibref\u003eVMFA Collections: Decorative Arts: Metalwork: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Pratt, John Lee and Lillian Thomas\u003c/bibref\u003e","\u003cbibref\u003eVMFA Gallery Design: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Pratt's Personal Library","Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Video","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject Files","Related Materials - Library of Virginia"],"bibliography_tesim":["The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)"],"bioghist_html_tesm":["\u003cp\u003eTwo months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.\u003c/p\u003e\n","\u003cp\u003ePratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=6519%7bCKEY%7d\u0026amp;searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e\u0026amp;user_id=WEBSERVER\"\u003eFabergé: Virginia Museum of Fine Arts\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eA large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication"],"userestrict_tesim":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fb5f9a7488efeca094913bc14bf01383\"\u003eThe collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer."],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget"],"persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"language_ssim":["English \n.    "],"total_component_count_is":762,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:00:51.273Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c04_c01_c28"}},{"id":"virmu_repositories_2_resources_8_c01_c05_c01_c77","type":"Item","attributes":{"title":"997","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c01_c77#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTranscription: [double-headed eagle] The Schaffer Collection of Russian Imperial Art Treasures ROCKEFELLER CENTER, NEW YORK AUGUST 26, 1936 #997 Exceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold. At top and bottom are finely fluted borders crossed at intervals with ribbons. It is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c01_c77#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_8_c01_c05_c01_c77","ref_ssm":["virmu_repositories_2_resources_8_c01_c05_c01_c77"],"id":"virmu_repositories_2_resources_8_c01_c05_c01_c77","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8_c01_c05_c01","parent_ssi":"virmu_repositories_2_resources_8_c01_c05_c01","parent_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c05","virmu_repositories_2_resources_8_c01_c05_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c05","virmu_repositories_2_resources_8_c01_c05_c01"],"parent_unittitles_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 5"],"parent_unittitles_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 5"],"text":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 5","997","Paper","Schaffer Collection","New York (N.Y.)","English","box SC-07 Box 1","folder 5","Item SC07.01.5.077","American--1","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","47.20.291","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"title_filing_ssi":"997","title_ssm":["997"],"title_tesim":["997"],"unitdate_other_ssim":["Aug. 26, 1936"],"normalized_date_ssm":["1936"],"normalized_title_ssm":["997"],"component_level_isim":[4],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"physdesc_tesim":["Paper"],"extent_ssm":["1 page"],"extent_tesim":["1 page"],"physfacet_tesim":["Sales records"],"creator_ssim":["Schaffer Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":266,"parent_access_restrict_tesm":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website. "],"parent_access_terms_tesm":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"date_range_isim":[1936],"names_ssim":["Schaffer Collection"],"corpname_ssim":["Schaffer Collection"],"geogname_ssim":["New York (N.Y.)"],"geogname_ssm":["New York (N.Y.)"],"places_ssim":["New York (N.Y.)"],"acqinfo_ssim":["Gift of Lillian Thomas Pratt."],"language_ssim":["English"],"containers_ssim":["box SC-07 Box 1","folder 5","Item SC07.01.5.077"],"bioghist_html_tesm":["\u003cp\u003eAmerican--1\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["American--1"],"odd_html_tesm":["\u003cp\u003eSchaffer Collection, Russian Imperial Art Treasures, Rockefeller Center\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e47.20.291\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["47.20.291"],"scopecontent_html_tesm":["\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"\u003c/p\u003e","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT"],"userestrict_html_tesm":["\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"_nest_path_":"/components#0/components#4/components#0/components#76","timestamp":"2026-05-01T00:00:51.273Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_8","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_8.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/8","title_filing_ssi":"Pratt, Lillian Thomas (SC-07)","title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"unitdate_ssm":["1901-1947"],"unitdate_inclusive_ssm":["1901-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-07","/repositories/2/resources/8"],"text":["SC-07","/repositories/2/resources/8","Lillian Thomas Pratt Personal Papers (SC-07)","Art objects, Russian","Easter eggs","Fabergé eggs","The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . ","The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated","The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts","The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.","A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.","The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.","Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918","English \n.    "],"unitid_tesim":["SC-07","/repositories/2/resources/8"],"normalized_title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray"],"creator_corpname_ssim":["Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creators_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art objects, Russian","Easter eggs","Fabergé eggs"],"access_subjects_ssm":["Art objects, Russian","Easter eggs","Fabergé eggs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"extent_tesim":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"physfacet_tesim":["723 items"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eDigitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/archives/lillian-thomas-pratt-personal-papers-sc-07/\"\u003eVMFA Collections Search website\u003c/a\u003e. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSchaffer Collection, 1934-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eHammer Galleries, 1933-1945, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eEstate, 1932-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eClippings, 1932-1937, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMuseum Records, 1936-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated"],"bibliography_html_tesm":["\u003cbibref\u003eThe Fall of the Romanoffs: How the Ex-Empress \u0026amp; Rasputine Caused the Russian Revolution, 1917\u003c/bibref\u003e","\u003cbibref\u003eConfessions of the Czarina, 1918\u003c/bibref\u003e","\u003cbibref\u003eMother Dear: The Empress Marie of Russia and Her Times, 1926\u003c/bibref\u003e","\u003cbibref\u003eThe Tragic Bride: The Story of the Empress Alexandra of Russia, 1927\u003c/bibref\u003e","\u003cbibref\u003eThe Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Intimate Life of the Last Tzarina, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931\u003c/bibref\u003e","\u003cbibref\u003eRussia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931\u003c/bibref\u003e","\u003cbibref\u003eEducation of a Princess: A Memoir, 1931\u003c/bibref\u003e","\u003cbibref\u003eA Princess in Exile, 1932\u003c/bibref\u003e","\u003cbibref\u003eTwice Seven, 1937\u003c/bibref\u003e","\u003cbibref\u003eRussian Imperial Treasures: Collection of Lillian T. Pratt, undated\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940\u003c/bibref\u003e","\u003cbibref\u003eHandbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960\u003c/bibref\u003e","\u003cbibref\u003eFabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976\u003c/bibref\u003e","\u003cbibref\u003eFabergé: Virginia Museum of Fine Arts, 1995\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed: At the Virginia Museum of Fine Arts, 2011\u003c/bibref\u003e","\u003cbibref\u003eLillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996\u003c/bibref\u003e","\u003cbibref\u003eSelections from the Lillian Thomas Pratt Collection of Jewels, 1947\u003c/bibref\u003e","\u003cbibref\u003e12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1949\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1950\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1951\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1952\u003c/bibref\u003e","\u003cbibref\u003eJewelry by Fabergé, 1953\u003c/bibref\u003e","\u003cbibref\u003eJewels by Fabergé, 1954\u003c/bibref\u003e","\u003cbibref\u003eFabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed, 2011\u003c/bibref\u003e","\u003cbibref\u003eVMFA Collections: Decorative Arts: Metalwork: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Pratt, John Lee and Lillian Thomas\u003c/bibref\u003e","\u003cbibref\u003eVMFA Gallery Design: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Pratt's Personal Library","Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Video","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject Files","Related Materials - Library of Virginia"],"bibliography_tesim":["The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)"],"bioghist_html_tesm":["\u003cp\u003eTwo months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.\u003c/p\u003e\n","\u003cp\u003ePratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=6519%7bCKEY%7d\u0026amp;searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e\u0026amp;user_id=WEBSERVER\"\u003eFabergé: Virginia Museum of Fine Arts\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eA large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication"],"userestrict_tesim":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fb5f9a7488efeca094913bc14bf01383\"\u003eThe collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer."],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget"],"persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"language_ssim":["English \n.    "],"total_component_count_is":762,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:00:51.273Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c01_c77"}},{"id":"virmu_repositories_2_resources_8_c01_c05_c01_c02","type":"Item","attributes":{"title":"\"A most unusual topaz brooch…\"","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c01_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTranscription: [double-headed eagle] The Schaffer Collection of Russian Imperial Art Treasures Rockefeller Center, New York January 1, 1934\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_8_c01_c05_c01_c02","ref_ssm":["virmu_repositories_2_resources_8_c01_c05_c01_c02"],"id":"virmu_repositories_2_resources_8_c01_c05_c01_c02","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8_c01_c05_c01","parent_ssi":"virmu_repositories_2_resources_8_c01_c05_c01","parent_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c05","virmu_repositories_2_resources_8_c01_c05_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c05","virmu_repositories_2_resources_8_c01_c05_c01"],"parent_unittitles_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 5"],"parent_unittitles_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 5"],"text":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 5","\"A most unusual topaz brooch…\"","Paper","Schaffer Collection","New York (N.Y.)","English","box SC-07 Box 1","folder 5","Item SC07.01.5.002","American--1","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","47.20.139","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934","A most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"title_filing_ssi":"\"A most unusual topaz brooch…\"","title_ssm":["\"A most unusual topaz brooch…\""],"title_tesim":["\"A most unusual topaz brooch…\""],"unitdate_other_ssim":["Jan. 1, 1934"],"normalized_date_ssm":["1934"],"normalized_title_ssm":["\"A most unusual topaz brooch…\""],"component_level_isim":[4],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"physdesc_tesim":["Paper"],"extent_ssm":["1 page"],"extent_tesim":["1 page"],"physfacet_tesim":["Sales records"],"creator_ssim":["Schaffer Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":191,"parent_access_restrict_tesm":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website. "],"parent_access_terms_tesm":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"date_range_isim":[1934],"names_ssim":["Schaffer Collection"],"corpname_ssim":["Schaffer Collection"],"geogname_ssim":["New York (N.Y.)"],"geogname_ssm":["New York (N.Y.)"],"places_ssim":["New York (N.Y.)"],"acqinfo_ssim":["Gift of Lillian Thomas Pratt."],"language_ssim":["English"],"containers_ssim":["box SC-07 Box 1","folder 5","Item SC07.01.5.002"],"bioghist_html_tesm":["\u003cp\u003eAmerican--1\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["American--1"],"odd_html_tesm":["\u003cp\u003eSchaffer Collection, Russian Imperial Art Treasures, Rockefeller Center\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e47.20.139\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["47.20.139"],"scopecontent_html_tesm":["\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\u003c/p\u003e","\u003cp\u003eA most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934","A most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt"],"userestrict_html_tesm":["\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"_nest_path_":"/components#0/components#4/components#0/components#1","timestamp":"2026-05-01T00:00:51.273Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_8","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_8.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/8","title_filing_ssi":"Pratt, Lillian Thomas (SC-07)","title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"unitdate_ssm":["1901-1947"],"unitdate_inclusive_ssm":["1901-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-07","/repositories/2/resources/8"],"text":["SC-07","/repositories/2/resources/8","Lillian Thomas Pratt Personal Papers (SC-07)","Art objects, Russian","Easter eggs","Fabergé eggs","The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . ","The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated","The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts","The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.","A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.","The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.","Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918","English \n.    "],"unitid_tesim":["SC-07","/repositories/2/resources/8"],"normalized_title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray"],"creator_corpname_ssim":["Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creators_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art objects, Russian","Easter eggs","Fabergé eggs"],"access_subjects_ssm":["Art objects, Russian","Easter eggs","Fabergé eggs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"extent_tesim":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"physfacet_tesim":["723 items"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eDigitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/archives/lillian-thomas-pratt-personal-papers-sc-07/\"\u003eVMFA Collections Search website\u003c/a\u003e. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSchaffer Collection, 1934-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eHammer Galleries, 1933-1945, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eEstate, 1932-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eClippings, 1932-1937, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMuseum Records, 1936-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated"],"bibliography_html_tesm":["\u003cbibref\u003eThe Fall of the Romanoffs: How the Ex-Empress \u0026amp; Rasputine Caused the Russian Revolution, 1917\u003c/bibref\u003e","\u003cbibref\u003eConfessions of the Czarina, 1918\u003c/bibref\u003e","\u003cbibref\u003eMother Dear: The Empress Marie of Russia and Her Times, 1926\u003c/bibref\u003e","\u003cbibref\u003eThe Tragic Bride: The Story of the Empress Alexandra of Russia, 1927\u003c/bibref\u003e","\u003cbibref\u003eThe Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Intimate Life of the Last Tzarina, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931\u003c/bibref\u003e","\u003cbibref\u003eRussia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931\u003c/bibref\u003e","\u003cbibref\u003eEducation of a Princess: A Memoir, 1931\u003c/bibref\u003e","\u003cbibref\u003eA Princess in Exile, 1932\u003c/bibref\u003e","\u003cbibref\u003eTwice Seven, 1937\u003c/bibref\u003e","\u003cbibref\u003eRussian Imperial Treasures: Collection of Lillian T. Pratt, undated\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940\u003c/bibref\u003e","\u003cbibref\u003eHandbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960\u003c/bibref\u003e","\u003cbibref\u003eFabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976\u003c/bibref\u003e","\u003cbibref\u003eFabergé: Virginia Museum of Fine Arts, 1995\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed: At the Virginia Museum of Fine Arts, 2011\u003c/bibref\u003e","\u003cbibref\u003eLillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996\u003c/bibref\u003e","\u003cbibref\u003eSelections from the Lillian Thomas Pratt Collection of Jewels, 1947\u003c/bibref\u003e","\u003cbibref\u003e12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1949\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1950\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1951\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1952\u003c/bibref\u003e","\u003cbibref\u003eJewelry by Fabergé, 1953\u003c/bibref\u003e","\u003cbibref\u003eJewels by Fabergé, 1954\u003c/bibref\u003e","\u003cbibref\u003eFabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed, 2011\u003c/bibref\u003e","\u003cbibref\u003eVMFA Collections: Decorative Arts: Metalwork: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Pratt, John Lee and Lillian Thomas\u003c/bibref\u003e","\u003cbibref\u003eVMFA Gallery Design: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Pratt's Personal Library","Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Video","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject Files","Related Materials - Library of Virginia"],"bibliography_tesim":["The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)"],"bioghist_html_tesm":["\u003cp\u003eTwo months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.\u003c/p\u003e\n","\u003cp\u003ePratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=6519%7bCKEY%7d\u0026amp;searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e\u0026amp;user_id=WEBSERVER\"\u003eFabergé: Virginia Museum of Fine Arts\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eA large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication"],"userestrict_tesim":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fb5f9a7488efeca094913bc14bf01383\"\u003eThe collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer."],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget"],"persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"language_ssim":["English \n.    "],"total_component_count_is":762,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:00:51.273Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c01_c02"}},{"id":"virmu_repositories_2_resources_8_c01_c04_c01","type":"File","attributes":{"title":"Binder","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c04_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_8_c01_c04_c01","ref_ssm":["virmu_repositories_2_resources_8_c01_c04_c01"],"id":"virmu_repositories_2_resources_8_c01_c04_c01","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8_c01_c04","parent_ssi":"virmu_repositories_2_resources_8_c01_c04","parent_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c04"],"parent_ids_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c04"],"parent_unittitles_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.4: Price Tags"],"parent_unittitles_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.4: Price Tags"],"text":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.4: Price Tags","Binder","Schaffer Collection"],"title_filing_ssi":"Binder","title_ssm":["Binder"],"title_tesim":["Binder"],"normalized_title_ssm":["Binder"],"component_level_isim":[3],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"creator_ssim":["Schaffer Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":45,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":140,"parent_access_restrict_tesm":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website. "],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"names_ssim":["Schaffer Collection"],"corpname_ssim":["Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection"],"_nest_path_":"/components#0/components#3/components#0","timestamp":"2026-05-01T00:00:51.273Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_8","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_8.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/8","title_filing_ssi":"Pratt, Lillian Thomas (SC-07)","title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"unitdate_ssm":["1901-1947"],"unitdate_inclusive_ssm":["1901-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-07","/repositories/2/resources/8"],"text":["SC-07","/repositories/2/resources/8","Lillian Thomas Pratt Personal Papers (SC-07)","Art objects, Russian","Easter eggs","Fabergé eggs","The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . ","The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated","The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts","The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.","A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.","The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.","Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918","English \n.    "],"unitid_tesim":["SC-07","/repositories/2/resources/8"],"normalized_title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray"],"creator_corpname_ssim":["Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creators_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art objects, Russian","Easter eggs","Fabergé eggs"],"access_subjects_ssm":["Art objects, Russian","Easter eggs","Fabergé eggs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"extent_tesim":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"physfacet_tesim":["723 items"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eDigitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/archives/lillian-thomas-pratt-personal-papers-sc-07/\"\u003eVMFA Collections Search website\u003c/a\u003e. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. 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Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated"],"bibliography_html_tesm":["\u003cbibref\u003eThe Fall of the Romanoffs: How the Ex-Empress \u0026amp; Rasputine Caused the Russian Revolution, 1917\u003c/bibref\u003e","\u003cbibref\u003eConfessions of the Czarina, 1918\u003c/bibref\u003e","\u003cbibref\u003eMother Dear: The Empress Marie of Russia and Her Times, 1926\u003c/bibref\u003e","\u003cbibref\u003eThe Tragic Bride: The Story of the Empress Alexandra of Russia, 1927\u003c/bibref\u003e","\u003cbibref\u003eThe Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Intimate Life of the Last Tzarina, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931\u003c/bibref\u003e","\u003cbibref\u003eRussia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931\u003c/bibref\u003e","\u003cbibref\u003eEducation of a Princess: A Memoir, 1931\u003c/bibref\u003e","\u003cbibref\u003eA Princess in Exile, 1932\u003c/bibref\u003e","\u003cbibref\u003eTwice Seven, 1937\u003c/bibref\u003e","\u003cbibref\u003eRussian Imperial Treasures: Collection of Lillian T. Pratt, undated\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940\u003c/bibref\u003e","\u003cbibref\u003eHandbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960\u003c/bibref\u003e","\u003cbibref\u003eFabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976\u003c/bibref\u003e","\u003cbibref\u003eFabergé: Virginia Museum of Fine Arts, 1995\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed: At the Virginia Museum of Fine Arts, 2011\u003c/bibref\u003e","\u003cbibref\u003eLillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996\u003c/bibref\u003e","\u003cbibref\u003eSelections from the Lillian Thomas Pratt Collection of Jewels, 1947\u003c/bibref\u003e","\u003cbibref\u003e12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1949\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1950\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1951\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1952\u003c/bibref\u003e","\u003cbibref\u003eJewelry by Fabergé, 1953\u003c/bibref\u003e","\u003cbibref\u003eJewels by Fabergé, 1954\u003c/bibref\u003e","\u003cbibref\u003eFabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed, 2011\u003c/bibref\u003e","\u003cbibref\u003eVMFA Collections: Decorative Arts: Metalwork: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Pratt, John Lee and Lillian Thomas\u003c/bibref\u003e","\u003cbibref\u003eVMFA Gallery Design: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Pratt's Personal Library","Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Video","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject Files","Related Materials - Library of Virginia"],"bibliography_tesim":["The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)"],"bioghist_html_tesm":["\u003cp\u003eTwo months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.\u003c/p\u003e\n","\u003cp\u003ePratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=6519%7bCKEY%7d\u0026amp;searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e\u0026amp;user_id=WEBSERVER\"\u003eFabergé: Virginia Museum of Fine Arts\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eA large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication"],"userestrict_tesim":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fb5f9a7488efeca094913bc14bf01383\"\u003eThe collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer."],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget"],"persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"language_ssim":["English \n.    "],"total_component_count_is":762,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:00:51.273Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c04_c01"}},{"id":"virmu_repositories_2_resources_8_c01_c04_c01_c01","type":"Item","attributes":{"title":"D2","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c04_c01_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTranscription: [double-headed eagle] #D2. Bronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife. On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription: \"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\" On the bottom is a beautifully chased wreath of various flowers and ribbon. It was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\" $30.00\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c04_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_8_c01_c04_c01_c01","ref_ssm":["virmu_repositories_2_resources_8_c01_c04_c01_c01"],"id":"virmu_repositories_2_resources_8_c01_c04_c01_c01","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8_c01_c04_c01","parent_ssi":"virmu_repositories_2_resources_8_c01_c04_c01","parent_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c04","virmu_repositories_2_resources_8_c01_c04_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c04","virmu_repositories_2_resources_8_c01_c04_c01"],"parent_unittitles_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.4: Price Tags","Binder"],"parent_unittitles_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.4: Price Tags","Binder"],"text":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.4: Price Tags","Binder","D2","Paper","Schaffer Collection","New York (N.Y.)","English","Binder SC-07 Binder 1","Page Unknown","Item SC07.01.4.001","American--1","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Transcription: \n[double-headed eagle]\n#D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"title_filing_ssi":"D2","title_ssm":["D2"],"title_tesim":["D2"],"unitdate_other_ssim":["undated"],"normalized_title_ssm":["D2"],"component_level_isim":[4],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"physdesc_tesim":["Paper"],"extent_ssm":["1 item"],"extent_tesim":["1 item"],"physfacet_tesim":["Price tags"],"creator_ssim":["Schaffer Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":141,"parent_access_restrict_tesm":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website. "],"parent_access_terms_tesm":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"names_ssim":["Schaffer Collection"],"corpname_ssim":["Schaffer Collection"],"geogname_ssim":["New York (N.Y.)"],"geogname_ssm":["New York (N.Y.)"],"places_ssim":["New York (N.Y.)"],"acqinfo_ssim":["Gift of Lillian Thomas Pratt."],"language_ssim":["English"],"containers_ssim":["Binder SC-07 Binder 1","Page Unknown","Item SC07.01.4.001"],"bioghist_html_tesm":["\u003cp\u003eAmerican--1\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["American--1"],"odd_html_tesm":["\u003cp\u003eSchaffer Collection, Russian Imperial Art Treasures, Rockefeller Center\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eTranscription: \n[double-headed eagle]\n#D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Transcription: \n[double-headed eagle]\n#D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00"],"userestrict_html_tesm":["\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"_nest_path_":"/components#0/components#3/components#0/components#0","timestamp":"2026-05-01T00:00:51.273Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_8","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_8.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/8","title_filing_ssi":"Pratt, Lillian Thomas (SC-07)","title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"unitdate_ssm":["1901-1947"],"unitdate_inclusive_ssm":["1901-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-07","/repositories/2/resources/8"],"text":["SC-07","/repositories/2/resources/8","Lillian Thomas Pratt Personal Papers (SC-07)","Art objects, Russian","Easter eggs","Fabergé eggs","The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . ","The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated","The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts","The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.","A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.","The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.","Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918","English \n.    "],"unitid_tesim":["SC-07","/repositories/2/resources/8"],"normalized_title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray"],"creator_corpname_ssim":["Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creators_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art objects, Russian","Easter eggs","Fabergé eggs"],"access_subjects_ssm":["Art objects, Russian","Easter eggs","Fabergé eggs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"extent_tesim":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"physfacet_tesim":["723 items"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eDigitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/archives/lillian-thomas-pratt-personal-papers-sc-07/\"\u003eVMFA Collections Search website\u003c/a\u003e. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSchaffer Collection, 1934-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eHammer Galleries, 1933-1945, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eEstate, 1932-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eClippings, 1932-1937, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMuseum Records, 1936-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated"],"bibliography_html_tesm":["\u003cbibref\u003eThe Fall of the Romanoffs: How the Ex-Empress \u0026amp; Rasputine Caused the Russian Revolution, 1917\u003c/bibref\u003e","\u003cbibref\u003eConfessions of the Czarina, 1918\u003c/bibref\u003e","\u003cbibref\u003eMother Dear: The Empress Marie of Russia and Her Times, 1926\u003c/bibref\u003e","\u003cbibref\u003eThe Tragic Bride: The Story of the Empress Alexandra of Russia, 1927\u003c/bibref\u003e","\u003cbibref\u003eThe Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Intimate Life of the Last Tzarina, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931\u003c/bibref\u003e","\u003cbibref\u003eRussia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931\u003c/bibref\u003e","\u003cbibref\u003eEducation of a Princess: A Memoir, 1931\u003c/bibref\u003e","\u003cbibref\u003eA Princess in Exile, 1932\u003c/bibref\u003e","\u003cbibref\u003eTwice Seven, 1937\u003c/bibref\u003e","\u003cbibref\u003eRussian Imperial Treasures: Collection of Lillian T. Pratt, undated\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940\u003c/bibref\u003e","\u003cbibref\u003eHandbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960\u003c/bibref\u003e","\u003cbibref\u003eFabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976\u003c/bibref\u003e","\u003cbibref\u003eFabergé: Virginia Museum of Fine Arts, 1995\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed: At the Virginia Museum of Fine Arts, 2011\u003c/bibref\u003e","\u003cbibref\u003eLillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996\u003c/bibref\u003e","\u003cbibref\u003eSelections from the Lillian Thomas Pratt Collection of Jewels, 1947\u003c/bibref\u003e","\u003cbibref\u003e12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1949\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1950\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1951\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1952\u003c/bibref\u003e","\u003cbibref\u003eJewelry by Fabergé, 1953\u003c/bibref\u003e","\u003cbibref\u003eJewels by Fabergé, 1954\u003c/bibref\u003e","\u003cbibref\u003eFabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed, 2011\u003c/bibref\u003e","\u003cbibref\u003eVMFA Collections: Decorative Arts: Metalwork: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Pratt, John Lee and Lillian Thomas\u003c/bibref\u003e","\u003cbibref\u003eVMFA Gallery Design: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Pratt's Personal Library","Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Video","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject Files","Related Materials - Library of Virginia"],"bibliography_tesim":["The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)"],"bioghist_html_tesm":["\u003cp\u003eTwo months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.\u003c/p\u003e\n","\u003cp\u003ePratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=6519%7bCKEY%7d\u0026amp;searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e\u0026amp;user_id=WEBSERVER\"\u003eFabergé: Virginia Museum of Fine Arts\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eA large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication"],"userestrict_tesim":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fb5f9a7488efeca094913bc14bf01383\"\u003eThe collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer."],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget"],"persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"language_ssim":["English \n.    "],"total_component_count_is":762,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:00:51.273Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c04_c01_c01"}},{"id":"virmu_repositories_2_resources_8_c01_c05_c01_c09","type":"Item","attributes":{"title":"D2","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c01_c09#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTranscription: [double-headed eagle] The Schaffer Collection of Russian Imperial Art Treasures April 2, 1934 #D2. Bronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife. On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription: \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\" On the bottom is a beautifully chased wreath of various flowers and ribbon. It was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c01_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_8_c01_c05_c01_c09","ref_ssm":["virmu_repositories_2_resources_8_c01_c05_c01_c09"],"id":"virmu_repositories_2_resources_8_c01_c05_c01_c09","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8_c01_c05_c01","parent_ssi":"virmu_repositories_2_resources_8_c01_c05_c01","parent_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c05","virmu_repositories_2_resources_8_c01_c05_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c05","virmu_repositories_2_resources_8_c01_c05_c01"],"parent_unittitles_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 5"],"parent_unittitles_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 5"],"text":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 5","D2","Paper","Schaffer Collection","New York (N.Y.)","English","box SC-07 Box 1","folder 5","Item SC07.01.5.009","American--1","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"","Mrs. John L. Pratt","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"title_filing_ssi":"D2","title_ssm":["D2"],"title_tesim":["D2"],"unitdate_other_ssim":["Apr. 2, 1934"],"normalized_date_ssm":["1934"],"normalized_title_ssm":["D2"],"component_level_isim":[4],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"physdesc_tesim":["Paper"],"extent_ssm":["1 page"],"extent_tesim":["1 page"],"physfacet_tesim":["Sales records"],"creator_ssim":["Schaffer Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":198,"parent_access_restrict_tesm":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website. "],"parent_access_terms_tesm":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"date_range_isim":[1934],"names_ssim":["Schaffer Collection"],"corpname_ssim":["Schaffer Collection"],"geogname_ssim":["New York (N.Y.)"],"geogname_ssm":["New York (N.Y.)"],"places_ssim":["New York (N.Y.)"],"acqinfo_ssim":["Gift of Lillian Thomas Pratt."],"language_ssim":["English"],"containers_ssim":["box SC-07 Box 1","folder 5","Item SC07.01.5.009"],"bioghist_html_tesm":["\u003cp\u003eAmerican--1\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["American--1"],"odd_html_tesm":["\u003cp\u003eSchaffer Collection, Russian Imperial Art Treasures, Rockefeller Center\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\u003c/p\u003e","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"","Mrs. John L. Pratt"],"userestrict_html_tesm":["\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"_nest_path_":"/components#0/components#4/components#0/components#8","timestamp":"2026-05-01T00:00:51.273Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_8","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_8.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/8","title_filing_ssi":"Pratt, Lillian Thomas (SC-07)","title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"unitdate_ssm":["1901-1947"],"unitdate_inclusive_ssm":["1901-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-07","/repositories/2/resources/8"],"text":["SC-07","/repositories/2/resources/8","Lillian Thomas Pratt Personal Papers (SC-07)","Art objects, Russian","Easter eggs","Fabergé eggs","The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . ","The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated","The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts","The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.","A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.","The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.","Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918","English \n.    "],"unitid_tesim":["SC-07","/repositories/2/resources/8"],"normalized_title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray"],"creator_corpname_ssim":["Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creators_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art objects, Russian","Easter eggs","Fabergé eggs"],"access_subjects_ssm":["Art objects, Russian","Easter eggs","Fabergé eggs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"extent_tesim":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"physfacet_tesim":["723 items"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eDigitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/archives/lillian-thomas-pratt-personal-papers-sc-07/\"\u003eVMFA Collections Search website\u003c/a\u003e. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSchaffer Collection, 1934-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eHammer Galleries, 1933-1945, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eEstate, 1932-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eClippings, 1932-1937, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMuseum Records, 1936-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated"],"bibliography_html_tesm":["\u003cbibref\u003eThe Fall of the Romanoffs: How the Ex-Empress \u0026amp; Rasputine Caused the Russian Revolution, 1917\u003c/bibref\u003e","\u003cbibref\u003eConfessions of the Czarina, 1918\u003c/bibref\u003e","\u003cbibref\u003eMother Dear: The Empress Marie of Russia and Her Times, 1926\u003c/bibref\u003e","\u003cbibref\u003eThe Tragic Bride: The Story of the Empress Alexandra of Russia, 1927\u003c/bibref\u003e","\u003cbibref\u003eThe Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Intimate Life of the Last Tzarina, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931\u003c/bibref\u003e","\u003cbibref\u003eRussia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931\u003c/bibref\u003e","\u003cbibref\u003eEducation of a Princess: A Memoir, 1931\u003c/bibref\u003e","\u003cbibref\u003eA Princess in Exile, 1932\u003c/bibref\u003e","\u003cbibref\u003eTwice Seven, 1937\u003c/bibref\u003e","\u003cbibref\u003eRussian Imperial Treasures: Collection of Lillian T. Pratt, undated\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940\u003c/bibref\u003e","\u003cbibref\u003eHandbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960\u003c/bibref\u003e","\u003cbibref\u003eFabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976\u003c/bibref\u003e","\u003cbibref\u003eFabergé: Virginia Museum of Fine Arts, 1995\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed: At the Virginia Museum of Fine Arts, 2011\u003c/bibref\u003e","\u003cbibref\u003eLillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996\u003c/bibref\u003e","\u003cbibref\u003eSelections from the Lillian Thomas Pratt Collection of Jewels, 1947\u003c/bibref\u003e","\u003cbibref\u003e12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1949\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1950\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1951\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1952\u003c/bibref\u003e","\u003cbibref\u003eJewelry by Fabergé, 1953\u003c/bibref\u003e","\u003cbibref\u003eJewels by Fabergé, 1954\u003c/bibref\u003e","\u003cbibref\u003eFabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed, 2011\u003c/bibref\u003e","\u003cbibref\u003eVMFA Collections: Decorative Arts: Metalwork: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Pratt, John Lee and Lillian Thomas\u003c/bibref\u003e","\u003cbibref\u003eVMFA Gallery Design: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Pratt's Personal Library","Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Video","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject Files","Related Materials - Library of Virginia"],"bibliography_tesim":["The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)"],"bioghist_html_tesm":["\u003cp\u003eTwo months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.\u003c/p\u003e\n","\u003cp\u003ePratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=6519%7bCKEY%7d\u0026amp;searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e\u0026amp;user_id=WEBSERVER\"\u003eFabergé: Virginia Museum of Fine Arts\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eA large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication"],"userestrict_tesim":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fb5f9a7488efeca094913bc14bf01383\"\u003eThe collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer."],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget"],"persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"language_ssim":["English \n.    "],"total_component_count_is":762,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:00:51.273Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c01_c09"}},{"id":"virmu_repositories_2_resources_8_c01_c03_c01","type":"File","attributes":{"title":"Folder 3","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c03_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_8_c01_c03_c01","ref_ssm":["virmu_repositories_2_resources_8_c01_c03_c01"],"id":"virmu_repositories_2_resources_8_c01_c03_c01","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8_c01_c03","parent_ssi":"virmu_repositories_2_resources_8_c01_c03","parent_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c03"],"parent_ids_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c03"],"parent_unittitles_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.3: Invoices"],"parent_unittitles_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.3: Invoices"],"text":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.3: Invoices","Folder 3","Schaffer Collection","A La Vieille Russie (Firm)"],"title_filing_ssi":"Folder 3","title_ssm":["Folder 3"],"title_tesim":["Folder 3"],"normalized_title_ssm":["Folder 3"],"component_level_isim":[3],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"creator_ssim":["Schaffer Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":51,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":87,"parent_access_restrict_tesm":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website. "],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"names_ssim":["Schaffer Collection","A La Vieille Russie (Firm)"],"corpname_ssim":["Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","A La Vieille Russie (Firm)","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection","Schaffer Collection"],"_nest_path_":"/components#0/components#2/components#0","timestamp":"2026-05-01T00:00:51.273Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_8","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_8.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/8","title_filing_ssi":"Pratt, Lillian Thomas (SC-07)","title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"unitdate_ssm":["1901-1947"],"unitdate_inclusive_ssm":["1901-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-07","/repositories/2/resources/8"],"text":["SC-07","/repositories/2/resources/8","Lillian Thomas Pratt Personal Papers (SC-07)","Art objects, Russian","Easter eggs","Fabergé eggs","The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . ","The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated","The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts","The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.","A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.","The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.","Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918","English \n.    "],"unitid_tesim":["SC-07","/repositories/2/resources/8"],"normalized_title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray"],"creator_corpname_ssim":["Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creators_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art objects, Russian","Easter eggs","Fabergé eggs"],"access_subjects_ssm":["Art objects, Russian","Easter eggs","Fabergé eggs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"extent_tesim":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"physfacet_tesim":["723 items"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eDigitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/archives/lillian-thomas-pratt-personal-papers-sc-07/\"\u003eVMFA Collections Search website\u003c/a\u003e. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSchaffer Collection, 1934-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eHammer Galleries, 1933-1945, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eEstate, 1932-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eClippings, 1932-1937, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMuseum Records, 1936-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated"],"bibliography_html_tesm":["\u003cbibref\u003eThe Fall of the Romanoffs: How the Ex-Empress \u0026amp; Rasputine Caused the Russian Revolution, 1917\u003c/bibref\u003e","\u003cbibref\u003eConfessions of the Czarina, 1918\u003c/bibref\u003e","\u003cbibref\u003eMother Dear: The Empress Marie of Russia and Her Times, 1926\u003c/bibref\u003e","\u003cbibref\u003eThe Tragic Bride: The Story of the Empress Alexandra of Russia, 1927\u003c/bibref\u003e","\u003cbibref\u003eThe Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Intimate Life of the Last Tzarina, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931\u003c/bibref\u003e","\u003cbibref\u003eRussia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931\u003c/bibref\u003e","\u003cbibref\u003eEducation of a Princess: A Memoir, 1931\u003c/bibref\u003e","\u003cbibref\u003eA Princess in Exile, 1932\u003c/bibref\u003e","\u003cbibref\u003eTwice Seven, 1937\u003c/bibref\u003e","\u003cbibref\u003eRussian Imperial Treasures: Collection of Lillian T. Pratt, undated\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940\u003c/bibref\u003e","\u003cbibref\u003eHandbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960\u003c/bibref\u003e","\u003cbibref\u003eFabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976\u003c/bibref\u003e","\u003cbibref\u003eFabergé: Virginia Museum of Fine Arts, 1995\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed: At the Virginia Museum of Fine Arts, 2011\u003c/bibref\u003e","\u003cbibref\u003eLillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996\u003c/bibref\u003e","\u003cbibref\u003eSelections from the Lillian Thomas Pratt Collection of Jewels, 1947\u003c/bibref\u003e","\u003cbibref\u003e12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1949\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1950\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1951\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1952\u003c/bibref\u003e","\u003cbibref\u003eJewelry by Fabergé, 1953\u003c/bibref\u003e","\u003cbibref\u003eJewels by Fabergé, 1954\u003c/bibref\u003e","\u003cbibref\u003eFabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed, 2011\u003c/bibref\u003e","\u003cbibref\u003eVMFA Collections: Decorative Arts: Metalwork: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Pratt, John Lee and Lillian Thomas\u003c/bibref\u003e","\u003cbibref\u003eVMFA Gallery Design: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Pratt's Personal Library","Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Video","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject Files","Related Materials - Library of Virginia"],"bibliography_tesim":["The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)"],"bioghist_html_tesm":["\u003cp\u003eTwo months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.\u003c/p\u003e\n","\u003cp\u003ePratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=6519%7bCKEY%7d\u0026amp;searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e\u0026amp;user_id=WEBSERVER\"\u003eFabergé: Virginia Museum of Fine Arts\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eA large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication"],"userestrict_tesim":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fb5f9a7488efeca094913bc14bf01383\"\u003eThe collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer."],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget"],"persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"language_ssim":["English \n.    "],"total_component_count_is":762,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:00:51.273Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c03_c01"}},{"id":"virmu_repositories_2_resources_8_c01_c04_c02","type":"File","attributes":{"title":"Folder 4","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c04_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_8_c01_c04_c02","ref_ssm":["virmu_repositories_2_resources_8_c01_c04_c02"],"id":"virmu_repositories_2_resources_8_c01_c04_c02","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8_c01_c04","parent_ssi":"virmu_repositories_2_resources_8_c01_c04","parent_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c04"],"parent_ids_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c04"],"parent_unittitles_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.4: Price Tags"],"parent_unittitles_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.4: Price Tags"],"text":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.4: Price Tags","Folder 4","Schaffer Collection"],"title_filing_ssi":"Folder 4","title_ssm":["Folder 4"],"title_tesim":["Folder 4"],"normalized_title_ssm":["Folder 4"],"component_level_isim":[3],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"creator_ssim":["Schaffer Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":186,"parent_access_restrict_tesm":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website. "],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"names_ssim":["Schaffer Collection"],"corpname_ssim":["Schaffer Collection"],"_nest_path_":"/components#0/components#3/components#1","timestamp":"2026-05-01T00:00:51.273Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_8","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_8.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/8","title_filing_ssi":"Pratt, Lillian Thomas (SC-07)","title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"unitdate_ssm":["1901-1947"],"unitdate_inclusive_ssm":["1901-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-07","/repositories/2/resources/8"],"text":["SC-07","/repositories/2/resources/8","Lillian Thomas Pratt Personal Papers (SC-07)","Art objects, Russian","Easter eggs","Fabergé eggs","The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . ","The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated","The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts","The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.","A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.","The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.","Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918","English \n.    "],"unitid_tesim":["SC-07","/repositories/2/resources/8"],"normalized_title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray"],"creator_corpname_ssim":["Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creators_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art objects, Russian","Easter eggs","Fabergé eggs"],"access_subjects_ssm":["Art objects, Russian","Easter eggs","Fabergé eggs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"extent_tesim":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"physfacet_tesim":["723 items"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eDigitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/archives/lillian-thomas-pratt-personal-papers-sc-07/\"\u003eVMFA Collections Search website\u003c/a\u003e. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSchaffer Collection, 1934-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eHammer Galleries, 1933-1945, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eEstate, 1932-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eClippings, 1932-1937, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMuseum Records, 1936-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated"],"bibliography_html_tesm":["\u003cbibref\u003eThe Fall of the Romanoffs: How the Ex-Empress \u0026amp; Rasputine Caused the Russian Revolution, 1917\u003c/bibref\u003e","\u003cbibref\u003eConfessions of the Czarina, 1918\u003c/bibref\u003e","\u003cbibref\u003eMother Dear: The Empress Marie of Russia and Her Times, 1926\u003c/bibref\u003e","\u003cbibref\u003eThe Tragic Bride: The Story of the Empress Alexandra of Russia, 1927\u003c/bibref\u003e","\u003cbibref\u003eThe Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Intimate Life of the Last Tzarina, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931\u003c/bibref\u003e","\u003cbibref\u003eRussia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931\u003c/bibref\u003e","\u003cbibref\u003eEducation of a Princess: A Memoir, 1931\u003c/bibref\u003e","\u003cbibref\u003eA Princess in Exile, 1932\u003c/bibref\u003e","\u003cbibref\u003eTwice Seven, 1937\u003c/bibref\u003e","\u003cbibref\u003eRussian Imperial Treasures: Collection of Lillian T. Pratt, undated\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940\u003c/bibref\u003e","\u003cbibref\u003eHandbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960\u003c/bibref\u003e","\u003cbibref\u003eFabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976\u003c/bibref\u003e","\u003cbibref\u003eFabergé: Virginia Museum of Fine Arts, 1995\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed: At the Virginia Museum of Fine Arts, 2011\u003c/bibref\u003e","\u003cbibref\u003eLillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996\u003c/bibref\u003e","\u003cbibref\u003eSelections from the Lillian Thomas Pratt Collection of Jewels, 1947\u003c/bibref\u003e","\u003cbibref\u003e12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1949\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1950\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1951\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1952\u003c/bibref\u003e","\u003cbibref\u003eJewelry by Fabergé, 1953\u003c/bibref\u003e","\u003cbibref\u003eJewels by Fabergé, 1954\u003c/bibref\u003e","\u003cbibref\u003eFabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed, 2011\u003c/bibref\u003e","\u003cbibref\u003eVMFA Collections: Decorative Arts: Metalwork: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Pratt, John Lee and Lillian Thomas\u003c/bibref\u003e","\u003cbibref\u003eVMFA Gallery Design: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Pratt's Personal Library","Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Video","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject Files","Related Materials - Library of Virginia"],"bibliography_tesim":["The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)"],"bioghist_html_tesm":["\u003cp\u003eTwo months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.\u003c/p\u003e\n","\u003cp\u003ePratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=6519%7bCKEY%7d\u0026amp;searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e\u0026amp;user_id=WEBSERVER\"\u003eFabergé: Virginia Museum of Fine Arts\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine Arts"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eA large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication"],"userestrict_tesim":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fb5f9a7488efeca094913bc14bf01383\"\u003eThe collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer."],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. 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