{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Pittman%2C+Melinda+E.\u0026f%5Bdate_range%5D%5B%5D=1979","last":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Pittman%2C+Melinda+E.\u0026f%5Bdate_range%5D%5B%5D=1979\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":1,"first_page?":true,"last_page?":true}},"data":[{"id":"viblbv_repositories_2_resources_3185","type":"collection","attributes":{"title":"Melinda E. Pittman Theatrical Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185#creator","type":"document_value","attributes":{"value":"Pittman, Melinda E.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185#abstract_or_scope","type":"document_value","attributes":{"value":"The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3185","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3185.xml","title_filing_ssi":"Pittman, Melinda E. Theatrical Collection","title_ssm":["Melinda E. Pittman Theatrical Collection"],"title_tesim":["Melinda E. Pittman Theatrical Collection"],"unitdate_ssm":["1974-2012","1990-2008"],"unitdate_bulk_ssim":["1990-2008"],"unitdate_inclusive_ssm":["1974-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.009"],"text":["Ms.2017.009","Melinda E. Pittman Theatrical Collection","Portland (Or.)","Community theater","Social justice","Notated music","Political satire","Collection is open for research.","The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.","Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.","The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.","Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E.","English \n.    "],"unitid_tesim":["Ms.2017.009"],"normalized_title_ssm":["Melinda E. Pittman Theatrical Collection"],"collection_title_tesim":["Melinda E. Pittman Theatrical Collection"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Portland (Or.)"],"geogname_ssim":["Portland (Or.)"],"creator_ssm":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_persname_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creators_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"places_ssim":["Portland (Or.)"],"access_terms_ssm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"acqinfo_ssim":["The Melinda E. Pittman Theatrical Collection was donated to Special Collections in 2016."],"access_subjects_ssim":["Community theater","Social justice","Notated music","Political satire"],"access_subjects_ssm":["Community theater","Social justice","Notated music","Political satire"],"has_online_content_ssim":["false"],"extent_ssm":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"extent_tesim":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"genreform_ssim":["Notated music","Political satire"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay, \u003ci\u003eNo Brainer\u003c/i\u003e, and her notes on non-profits and political action are not contained within one of the series.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: University Records\u003c/b\u003e includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026amp; State University, Tulane University, and Marylhurst University.\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series I: Virginia Polytechnic Institute \u0026amp; State University\u003c/b\u003e includes material from Pittman's time at VPI\u0026amp;SU, including production notebooks for \u003ci\u003ePigeons\u003c/i\u003e and \u003ci\u003eChamber Music\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series II: Tulane University\u003c/b\u003e includes material from Pittman's time at Tulane University, including material about productions of \u003ci\u003eThe Lover\u003c/i\u003e and \u003ci\u003eThe Country Wife\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series III: Marylhurst University\u003c/b\u003e includes material from Pittman's time at Marylhurst University, including her masters thesis.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Oregon Shakespeare Festival Association\u003c/b\u003e includes material from various productions at the Oregon Shakespeare Festival, including \u003ci\u003eThe Breasts of Tiresius\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: Theatre Workshop\u003c/b\u003e includes material from the Theatre Workshop production company including \u003ci\u003eYou Can't Take it With You\u003c/i\u003e, and \u003ci\u003eThe Real Inspector Hound\u003c/i\u003e. There is one sub-series: \u003ci\u003ePower\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: Critical Mass Productions\u003c/b\u003e includes material from the Critical Mass Productions production of \u003ci\u003eBits and Pieces\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Portland Labor Players II\u003c/b\u003e includes material from various productions by the Portland Labor Players II company, including \u003ci\u003eSeason of Silence\u003c/i\u003e. There is one sub-series: \u003ci\u003e1934: Blood and Roses\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Portland Civic Theatre\u003c/b\u003e includes material from the Portland Civic Theatre production of \u003ci\u003eThe Hot L Baltimore\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: \u003ci\u003eAtlantis\u003c/i\u003e\u003c/b\u003e includes material from the original musical \u003ci\u003eAtlantis\u003c/i\u003e written, composed, and directed by Pittman.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: The Fallen Angel Choir\u003c/b\u003e includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Summer Angels, Some Are Not!\u003c/b\u003e includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: AngelTime Productions, Inc.\u003c/b\u003e includes material from shows produced by AngelTime Productions, Inc. There are three sub-series: \u003ci\u003eParadise Flossed\u003c/i\u003e, \u003ci\u003eAngels: The Next Generation\u003c/i\u003e, and Melinda \u0026amp; Angels DotComedy.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XI: \u003ci\u003eWonderBroads\u003c/i\u003e\u003c/b\u003e includes material from Pittman's show \u003ci\u003eWonderBroads\u003c/i\u003e, including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XII: BroadArts Theatre\u003c/b\u003e includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show \u003ci\u003eBunkin' With You in the Afterlife\u003c/i\u003e. There are seven sub-series: \u003ci\u003eRead a Wild Tale\u003c/i\u003e, \u003ci\u003eHomeland In-Security\u003c/i\u003e, \u003ci\u003eFat and Sassy\u003c/i\u003e, \u003ci\u003eAmBushed!\u003c/i\u003e, \u003ci\u003eIf I Were Queen of the Forest\u003c/i\u003e, \u003ci\u003eWonderBroader\u003c/i\u003e, and \u003ci\u003eA/Broad for All Seasons\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIII: Sheet Music\u003c/b\u003e includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIV: Theatrical Career\u003c/b\u003e includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre."],"bioghist_html_tesm":["\u003cp\u003eMelinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026amp;SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show \u003cemph\u003eWonderBroads: The Babes \u0026amp; Broads Who Broke the Rules\u003c/emph\u003e highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works \u003ci\u003eAtlantis\u003c/i\u003e and \u003ci\u003eWonderBroads\u003c/i\u003e. Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection."],"userestrict_html_tesm":["\u003cp\u003eSome materials, such as photos, posters, etc. may be copyrighted to their original creators.\u003c/p\u003e\n","\u003cp\u003eUse of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.\u003c/p\u003e\n","\u003cp\u003eContact Special Collections for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d4de0c79881c94cc9cd4ef8c976fef61\"\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career."],"names_coll_ssim":["Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Pittman, Melinda E."],"language_ssim":["English \n.    "],"total_component_count_is":187,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:31:44.096Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3185","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3185.xml","title_filing_ssi":"Pittman, Melinda E. Theatrical Collection","title_ssm":["Melinda E. Pittman Theatrical Collection"],"title_tesim":["Melinda E. Pittman Theatrical Collection"],"unitdate_ssm":["1974-2012","1990-2008"],"unitdate_bulk_ssim":["1990-2008"],"unitdate_inclusive_ssm":["1974-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.009"],"text":["Ms.2017.009","Melinda E. Pittman Theatrical Collection","Portland (Or.)","Community theater","Social justice","Notated music","Political satire","Collection is open for research.","The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.","Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.","The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.","Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E.","English \n.    "],"unitid_tesim":["Ms.2017.009"],"normalized_title_ssm":["Melinda E. Pittman Theatrical Collection"],"collection_title_tesim":["Melinda E. Pittman Theatrical Collection"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Portland (Or.)"],"geogname_ssim":["Portland (Or.)"],"creator_ssm":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_persname_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creators_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"places_ssim":["Portland (Or.)"],"access_terms_ssm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"acqinfo_ssim":["The Melinda E. Pittman Theatrical Collection was donated to Special Collections in 2016."],"access_subjects_ssim":["Community theater","Social justice","Notated music","Political satire"],"access_subjects_ssm":["Community theater","Social justice","Notated music","Political satire"],"has_online_content_ssim":["false"],"extent_ssm":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"extent_tesim":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"genreform_ssim":["Notated music","Political satire"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay, \u003ci\u003eNo Brainer\u003c/i\u003e, and her notes on non-profits and political action are not contained within one of the series.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: University Records\u003c/b\u003e includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026amp; State University, Tulane University, and Marylhurst University.\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series I: Virginia Polytechnic Institute \u0026amp; State University\u003c/b\u003e includes material from Pittman's time at VPI\u0026amp;SU, including production notebooks for \u003ci\u003ePigeons\u003c/i\u003e and \u003ci\u003eChamber Music\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series II: Tulane University\u003c/b\u003e includes material from Pittman's time at Tulane University, including material about productions of \u003ci\u003eThe Lover\u003c/i\u003e and \u003ci\u003eThe Country Wife\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series III: Marylhurst University\u003c/b\u003e includes material from Pittman's time at Marylhurst University, including her masters thesis.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Oregon Shakespeare Festival Association\u003c/b\u003e includes material from various productions at the Oregon Shakespeare Festival, including \u003ci\u003eThe Breasts of Tiresius\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: Theatre Workshop\u003c/b\u003e includes material from the Theatre Workshop production company including \u003ci\u003eYou Can't Take it With You\u003c/i\u003e, and \u003ci\u003eThe Real Inspector Hound\u003c/i\u003e. There is one sub-series: \u003ci\u003ePower\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: Critical Mass Productions\u003c/b\u003e includes material from the Critical Mass Productions production of \u003ci\u003eBits and Pieces\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Portland Labor Players II\u003c/b\u003e includes material from various productions by the Portland Labor Players II company, including \u003ci\u003eSeason of Silence\u003c/i\u003e. There is one sub-series: \u003ci\u003e1934: Blood and Roses\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Portland Civic Theatre\u003c/b\u003e includes material from the Portland Civic Theatre production of \u003ci\u003eThe Hot L Baltimore\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: \u003ci\u003eAtlantis\u003c/i\u003e\u003c/b\u003e includes material from the original musical \u003ci\u003eAtlantis\u003c/i\u003e written, composed, and directed by Pittman.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: The Fallen Angel Choir\u003c/b\u003e includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Summer Angels, Some Are Not!\u003c/b\u003e includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: AngelTime Productions, Inc.\u003c/b\u003e includes material from shows produced by AngelTime Productions, Inc. There are three sub-series: \u003ci\u003eParadise Flossed\u003c/i\u003e, \u003ci\u003eAngels: The Next Generation\u003c/i\u003e, and Melinda \u0026amp; Angels DotComedy.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XI: \u003ci\u003eWonderBroads\u003c/i\u003e\u003c/b\u003e includes material from Pittman's show \u003ci\u003eWonderBroads\u003c/i\u003e, including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XII: BroadArts Theatre\u003c/b\u003e includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show \u003ci\u003eBunkin' With You in the Afterlife\u003c/i\u003e. There are seven sub-series: \u003ci\u003eRead a Wild Tale\u003c/i\u003e, \u003ci\u003eHomeland In-Security\u003c/i\u003e, \u003ci\u003eFat and Sassy\u003c/i\u003e, \u003ci\u003eAmBushed!\u003c/i\u003e, \u003ci\u003eIf I Were Queen of the Forest\u003c/i\u003e, \u003ci\u003eWonderBroader\u003c/i\u003e, and \u003ci\u003eA/Broad for All Seasons\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIII: Sheet Music\u003c/b\u003e includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIV: Theatrical Career\u003c/b\u003e includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre."],"bioghist_html_tesm":["\u003cp\u003eMelinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026amp;SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show \u003cemph\u003eWonderBroads: The Babes \u0026amp; Broads Who Broke the Rules\u003c/emph\u003e highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works \u003ci\u003eAtlantis\u003c/i\u003e and \u003ci\u003eWonderBroads\u003c/i\u003e. Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection."],"userestrict_html_tesm":["\u003cp\u003eSome materials, such as photos, posters, etc. may be copyrighted to their original creators.\u003c/p\u003e\n","\u003cp\u003eUse of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.\u003c/p\u003e\n","\u003cp\u003eContact Special Collections for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d4de0c79881c94cc9cd4ef8c976fef61\"\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career."],"names_coll_ssim":["Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Pittman, Melinda E."],"language_ssim":["English \n.    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