{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Golitzen%2C+Alexander%2C+1908-2005\u0026f%5Blevel%5D%5B%5D=Collection","last":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Golitzen%2C+Alexander%2C+1908-2005\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":1,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_8","type":"collection","attributes":{"title":"Alexander Golitzen film production collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_8#creator","type":"document_value","attributes":{"value":"Golitzen, Alexander, 1908-2005","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_8#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains two original film scripts - \u003cspan\u003eColossus\u003c/span\u003e by James Bridges, (Revised Final Screenplay, October 8, 1968) and \u003cspan\u003eFreud\u003c/span\u003e by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's \u003cspan\u003eThe Devil's Disciple.\u003c/span\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_8#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_8","ead_ssi":"vifgm_repositories_2_resources_8","_root_":"vifgm_repositories_2_resources_8","_nest_parent_":"vifgm_repositories_2_resources_8","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_8.xml","title_ssm":["Alexander Golitzen film production collection"],"title_tesim":["Alexander Golitzen film production collection"],"unitdate_ssm":["1957-1968"],"unitdate_inclusive_ssm":["1957-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0009","/repositories/2/resources/8"],"text":["C0009","/repositories/2/resources/8","Alexander Golitzen film production collection","Filmmaking (Motion pictures)","Motion picture plays","Motion pictures -- Production and direction","Motion pictures -- United States","There are no access restrictions.","Arranged by document type.","\"Alexander Golitzen - Filmography[.]\" Turner Classic Movies, accessed September 15, 2023. https://www.tcm.com/tcmdb/person/73216%7C10112/Alexander-Golitzen#filmography.","Bergan, Ronald. \"Obituary - Alexander Golitzen[.]\"  The Guardian , August 22, 2005. https://www.theguardian.com/news/2005/aug/22/guardianobituaries.film.","Fein, Esther B. \"Harold Hecht, Film Producer and a Burt Lancaster Partner[.]\"  The New York Times , May 28, 1985. https://www.nytimes.com/1985/05/28/movies/harold-hecht-film-producer-and-a-burt-lancaster-partner.html.","Fox, Margalit. \"A. Golitzen, Art Director for Many Classic Films, Dies[.]\"  The New York Times , August 20, 2005. https://www.nytimes.com/2005/08/20/arts/a-golitzen-art-director-for-many-classic-films-dies.html.","Alexander Golitzen (1908-2005) was a prolific Academy Award-winning film production designer and art director. Born in Moscow, Russia, Golitzen immigrated to the United States in 1917, fleeing the Russian Revolution. Golitzen's career in film production began in the early 1930s, and in 1942 began his long-term association with Universal Studios as their Art Director. Golitzen is credited with creating the look and feel of hundreds of movies of significance through the mid-20th century, including  Gunsmoke  (1953),  My Man Godfrey  (1957), and films by Douglas Sirk, among others. Nominated for fourteen Academy Awards, Golitzen won in Art Direction for  Foreign Correspondent  (1940),  The Phantom of the Opera  (1943),  Spartacus  (1960), amd  To Kill a Mockingbird  (1962).","Hecht-Hill-Lancaster Productions was a film production company that lasted from the late 1940s-1960. Created by actor Burt Lancaster and and his agent Harold Hecht, literary agent Harold Hecht eventually joined the company, which was quite successful throughout the 1950s. Notable films to come out of the production company include  Marty  (1955),  Sweet Smell of Success  (1957),  Separate Tables  (1958),  The Devil's Disciple  (1959), and  Birdman of Alcatraz  (1962).","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated and collection reprocessed by Amanda Menjivar in September 2023.","The Special Collections Research Center holds other collections focused on ","The Wisconsin Historical Society hold the  , which includes an interview from Golitzen.","This collection contains two original film scripts -  Colossus  by James Bridges, (Revised Final Screenplay, October 8, 1968) and  Freud  by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's  The Devil's Disciple.  Alexander Golitzen was the supervising art director at Universal Studios at the time, and it is unknown if he was involved in the film in an unofficial capacity.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains two original film scripts -  Colossus  by James Bridges, (Revised Final Screenplay, October 8, 1968) and  Freud  by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's  The Devil's Disciple.","OS R 6, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","Golitzen, Alexander, 1908-2005","English \n.    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Golitzen, Art Director for Many Classic Films, Dies[.]\" \u003ctitle\u003eThe New York Times\u003c/title\u003e, August 20, 2005. https://www.nytimes.com/2005/08/20/arts/a-golitzen-art-director-for-many-classic-films-dies.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Alexander Golitzen - Filmography[.]\" Turner Classic Movies, accessed September 15, 2023. https://www.tcm.com/tcmdb/person/73216%7C10112/Alexander-Golitzen#filmography.","Bergan, Ronald. \"Obituary - Alexander Golitzen[.]\"  The Guardian , August 22, 2005. https://www.theguardian.com/news/2005/aug/22/guardianobituaries.film.","Fein, Esther B. \"Harold Hecht, Film Producer and a Burt Lancaster Partner[.]\"  The New York Times , May 28, 1985. https://www.nytimes.com/1985/05/28/movies/harold-hecht-film-producer-and-a-burt-lancaster-partner.html.","Fox, Margalit. \"A. Golitzen, Art Director for Many Classic Films, Dies[.]\"  The New York Times , August 20, 2005. https://www.nytimes.com/2005/08/20/arts/a-golitzen-art-director-for-many-classic-films-dies.html."],"bioghist_html_tesm":["\u003cp\u003eAlexander Golitzen (1908-2005) was a prolific Academy Award-winning film production designer and art director. Born in Moscow, Russia, Golitzen immigrated to the United States in 1917, fleeing the Russian Revolution. Golitzen's career in film production began in the early 1930s, and in 1942 began his long-term association with Universal Studios as their Art Director. Golitzen is credited with creating the look and feel of hundreds of movies of significance through the mid-20th century, including \u003ctitle\u003eGunsmoke\u003c/title\u003e (1953), \u003ctitle\u003eMy Man Godfrey\u003c/title\u003e (1957), and films by Douglas Sirk, among others. Nominated for fourteen Academy Awards, Golitzen won in Art Direction for \u003ctitle\u003eForeign Correspondent\u003c/title\u003e (1940), \u003ctitle\u003eThe Phantom of the Opera\u003c/title\u003e (1943), \u003ctitle\u003eSpartacus\u003c/title\u003e (1960), amd \u003ctitle\u003eTo Kill a Mockingbird\u003c/title\u003e (1962).\u003c/p\u003e\n","\u003cp\u003eHecht-Hill-Lancaster Productions was a film production company that lasted from the late 1940s-1960. Created by actor Burt Lancaster and and his agent Harold Hecht, literary agent Harold Hecht eventually joined the company, which was quite successful throughout the 1950s. Notable films to come out of the production company include \u003ctitle\u003eMarty\u003c/title\u003e (1955), \u003ctitle\u003eSweet Smell of Success\u003c/title\u003e (1957), \u003ctitle\u003eSeparate Tables\u003c/title\u003e (1958), \u003ctitle\u003eThe Devil's Disciple\u003c/title\u003e (1959), and \u003ctitle\u003eBirdman of Alcatraz\u003c/title\u003e (1962).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Alexander Golitzen (1908-2005) was a prolific Academy Award-winning film production designer and art director. Born in Moscow, Russia, Golitzen immigrated to the United States in 1917, fleeing the Russian Revolution. Golitzen's career in film production began in the early 1930s, and in 1942 began his long-term association with Universal Studios as their Art Director. Golitzen is credited with creating the look and feel of hundreds of movies of significance through the mid-20th century, including  Gunsmoke  (1953),  My Man Godfrey  (1957), and films by Douglas Sirk, among others. Nominated for fourteen Academy Awards, Golitzen won in Art Direction for  Foreign Correspondent  (1940),  The Phantom of the Opera  (1943),  Spartacus  (1960), amd  To Kill a Mockingbird  (1962).","Hecht-Hill-Lancaster Productions was a film production company that lasted from the late 1940s-1960. Created by actor Burt Lancaster and and his agent Harold Hecht, literary agent Harold Hecht eventually joined the company, which was quite successful throughout the 1950s. Notable films to come out of the production company include  Marty  (1955),  Sweet Smell of Success  (1957),  Separate Tables  (1958),  The Devil's Disciple  (1959), and  Birdman of Alcatraz  (1962)."],"prefercite_html_tesm":["\u003cp\u003eAlexander Golitzen film production collection, C0009, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Alexander Golitzen film production collection, C0009, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated and collection reprocessed by Amanda Menjivar in September 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated and collection reprocessed by Amanda Menjivar in September 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections focused on \u003cextptr show=\"new\" title=\"filmmaking.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=film\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe Wisconsin Historical Society hold the \u003cextptr show=\"new\" title=\"Kirk Douglas papers\" href=\"https://digicoll.library.wisc.edu/cgi/f/findaid/findaid-idx?c=wiarchives;cc=wiarchives;view=text;rgn=main;didno=uw-whs-us0102an\"\u003e\u003c/extptr\u003e, which includes an interview from Golitzen.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections focused on ","The Wisconsin Historical Society hold the  , which includes an interview from Golitzen."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains two original film scripts - \u003ctitle\u003eColossus\u003c/title\u003e by James Bridges, (Revised Final Screenplay, October 8, 1968) and \u003ctitle\u003eFreud\u003c/title\u003e by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's \u003ctitle\u003eThe Devil's Disciple.\u003c/title\u003e Alexander Golitzen was the supervising art director at Universal Studios at the time, and it is unknown if he was involved in the film in an unofficial capacity.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains two original film scripts -  Colossus  by James Bridges, (Revised Final Screenplay, October 8, 1968) and  Freud  by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's  The Devil's Disciple.  Alexander Golitzen was the supervising art director at Universal Studios at the time, and it is unknown if he was involved in the film in an unofficial capacity."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_3d61847da59598de469294d3f2ebb285\" label=\"Abstract\"\u003eThis collection contains two original film scripts - \u003ctitle\u003eColossus\u003c/title\u003e by James Bridges, (Revised Final Screenplay, October 8, 1968) and \u003ctitle\u003eFreud\u003c/title\u003e by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's \u003ctitle\u003eThe Devil's Disciple.\u003c/title\u003e\u003c/abstract\u003e"],"abstract_tesim":["This collection contains two original film scripts -  Colossus  by James Bridges, (Revised Final Screenplay, October 8, 1968) and  Freud  by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's  The Devil's Disciple."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d9bcb862e090aa3c362c7564efbed89a\"\u003eOS R 6, C 1, S 6\u003c/physloc\u003e"],"physloc_tesim":["OS R 6, C 1, S 6"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Golitzen, Alexander, 1908-2005"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Golitzen, Alexander, 1908-2005"],"persname_ssim":["Golitzen, Alexander, 1908-2005"],"language_ssim":["English \n.    "],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:56.393Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_8","ead_ssi":"vifgm_repositories_2_resources_8","_root_":"vifgm_repositories_2_resources_8","_nest_parent_":"vifgm_repositories_2_resources_8","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_8.xml","title_ssm":["Alexander Golitzen film production collection"],"title_tesim":["Alexander Golitzen film production collection"],"unitdate_ssm":["1957-1968"],"unitdate_inclusive_ssm":["1957-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0009","/repositories/2/resources/8"],"text":["C0009","/repositories/2/resources/8","Alexander Golitzen film production collection","Filmmaking (Motion pictures)","Motion picture plays","Motion pictures -- Production and direction","Motion pictures -- United States","There are no access restrictions.","Arranged by document type.","\"Alexander Golitzen - Filmography[.]\" Turner Classic Movies, accessed September 15, 2023. https://www.tcm.com/tcmdb/person/73216%7C10112/Alexander-Golitzen#filmography.","Bergan, Ronald. \"Obituary - Alexander Golitzen[.]\"  The Guardian , August 22, 2005. https://www.theguardian.com/news/2005/aug/22/guardianobituaries.film.","Fein, Esther B. \"Harold Hecht, Film Producer and a Burt Lancaster Partner[.]\"  The New York Times , May 28, 1985. https://www.nytimes.com/1985/05/28/movies/harold-hecht-film-producer-and-a-burt-lancaster-partner.html.","Fox, Margalit. \"A. Golitzen, Art Director for Many Classic Films, Dies[.]\"  The New York Times , August 20, 2005. https://www.nytimes.com/2005/08/20/arts/a-golitzen-art-director-for-many-classic-films-dies.html.","Alexander Golitzen (1908-2005) was a prolific Academy Award-winning film production designer and art director. Born in Moscow, Russia, Golitzen immigrated to the United States in 1917, fleeing the Russian Revolution. Golitzen's career in film production began in the early 1930s, and in 1942 began his long-term association with Universal Studios as their Art Director. Golitzen is credited with creating the look and feel of hundreds of movies of significance through the mid-20th century, including  Gunsmoke  (1953),  My Man Godfrey  (1957), and films by Douglas Sirk, among others. Nominated for fourteen Academy Awards, Golitzen won in Art Direction for  Foreign Correspondent  (1940),  The Phantom of the Opera  (1943),  Spartacus  (1960), amd  To Kill a Mockingbird  (1962).","Hecht-Hill-Lancaster Productions was a film production company that lasted from the late 1940s-1960. Created by actor Burt Lancaster and and his agent Harold Hecht, literary agent Harold Hecht eventually joined the company, which was quite successful throughout the 1950s. Notable films to come out of the production company include  Marty  (1955),  Sweet Smell of Success  (1957),  Separate Tables  (1958),  The Devil's Disciple  (1959), and  Birdman of Alcatraz  (1962).","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated and collection reprocessed by Amanda Menjivar in September 2023.","The Special Collections Research Center holds other collections focused on ","The Wisconsin Historical Society hold the  , which includes an interview from Golitzen.","This collection contains two original film scripts -  Colossus  by James Bridges, (Revised Final Screenplay, October 8, 1968) and  Freud  by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's  The Devil's Disciple.  Alexander Golitzen was the supervising art director at Universal Studios at the time, and it is unknown if he was involved in the film in an unofficial capacity.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains two original film scripts -  Colossus  by James Bridges, (Revised Final Screenplay, October 8, 1968) and  Freud  by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's  The Devil's Disciple.","OS R 6, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","Golitzen, Alexander, 1908-2005","English \n.    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Golitzen, Art Director for Many Classic Films, Dies[.]\"  The New York Times , August 20, 2005. https://www.nytimes.com/2005/08/20/arts/a-golitzen-art-director-for-many-classic-films-dies.html."],"bioghist_html_tesm":["\u003cp\u003eAlexander Golitzen (1908-2005) was a prolific Academy Award-winning film production designer and art director. Born in Moscow, Russia, Golitzen immigrated to the United States in 1917, fleeing the Russian Revolution. Golitzen's career in film production began in the early 1930s, and in 1942 began his long-term association with Universal Studios as their Art Director. Golitzen is credited with creating the look and feel of hundreds of movies of significance through the mid-20th century, including \u003ctitle\u003eGunsmoke\u003c/title\u003e (1953), \u003ctitle\u003eMy Man Godfrey\u003c/title\u003e (1957), and films by Douglas Sirk, among others. Nominated for fourteen Academy Awards, Golitzen won in Art Direction for \u003ctitle\u003eForeign Correspondent\u003c/title\u003e (1940), \u003ctitle\u003eThe Phantom of the Opera\u003c/title\u003e (1943), \u003ctitle\u003eSpartacus\u003c/title\u003e (1960), amd \u003ctitle\u003eTo Kill a Mockingbird\u003c/title\u003e (1962).\u003c/p\u003e\n","\u003cp\u003eHecht-Hill-Lancaster Productions was a film production company that lasted from the late 1940s-1960. Created by actor Burt Lancaster and and his agent Harold Hecht, literary agent Harold Hecht eventually joined the company, which was quite successful throughout the 1950s. Notable films to come out of the production company include \u003ctitle\u003eMarty\u003c/title\u003e (1955), \u003ctitle\u003eSweet Smell of Success\u003c/title\u003e (1957), \u003ctitle\u003eSeparate Tables\u003c/title\u003e (1958), \u003ctitle\u003eThe Devil's Disciple\u003c/title\u003e (1959), and \u003ctitle\u003eBirdman of Alcatraz\u003c/title\u003e (1962).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Alexander Golitzen (1908-2005) was a prolific Academy Award-winning film production designer and art director. Born in Moscow, Russia, Golitzen immigrated to the United States in 1917, fleeing the Russian Revolution. Golitzen's career in film production began in the early 1930s, and in 1942 began his long-term association with Universal Studios as their Art Director. Golitzen is credited with creating the look and feel of hundreds of movies of significance through the mid-20th century, including  Gunsmoke  (1953),  My Man Godfrey  (1957), and films by Douglas Sirk, among others. Nominated for fourteen Academy Awards, Golitzen won in Art Direction for  Foreign Correspondent  (1940),  The Phantom of the Opera  (1943),  Spartacus  (1960), amd  To Kill a Mockingbird  (1962).","Hecht-Hill-Lancaster Productions was a film production company that lasted from the late 1940s-1960. Created by actor Burt Lancaster and and his agent Harold Hecht, literary agent Harold Hecht eventually joined the company, which was quite successful throughout the 1950s. Notable films to come out of the production company include  Marty  (1955),  Sweet Smell of Success  (1957),  Separate Tables  (1958),  The Devil's Disciple  (1959), and  Birdman of Alcatraz  (1962)."],"prefercite_html_tesm":["\u003cp\u003eAlexander Golitzen film production collection, C0009, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Alexander Golitzen film production collection, C0009, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated and collection reprocessed by Amanda Menjivar in September 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated and collection reprocessed by Amanda Menjivar in September 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections focused on \u003cextptr show=\"new\" title=\"filmmaking.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=film\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe Wisconsin Historical Society hold the \u003cextptr show=\"new\" title=\"Kirk Douglas papers\" href=\"https://digicoll.library.wisc.edu/cgi/f/findaid/findaid-idx?c=wiarchives;cc=wiarchives;view=text;rgn=main;didno=uw-whs-us0102an\"\u003e\u003c/extptr\u003e, which includes an interview from Golitzen.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections focused on ","The Wisconsin Historical Society hold the  , which includes an interview from Golitzen."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains two original film scripts - \u003ctitle\u003eColossus\u003c/title\u003e by James Bridges, (Revised Final Screenplay, October 8, 1968) and \u003ctitle\u003eFreud\u003c/title\u003e by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's \u003ctitle\u003eThe Devil's Disciple.\u003c/title\u003e Alexander Golitzen was the supervising art director at Universal Studios at the time, and it is unknown if he was involved in the film in an unofficial capacity.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains two original film scripts -  Colossus  by James Bridges, (Revised Final Screenplay, October 8, 1968) and  Freud  by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's  The Devil's Disciple.  Alexander Golitzen was the supervising art director at Universal Studios at the time, and it is unknown if he was involved in the film in an unofficial capacity."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_3d61847da59598de469294d3f2ebb285\" label=\"Abstract\"\u003eThis collection contains two original film scripts - \u003ctitle\u003eColossus\u003c/title\u003e by James Bridges, (Revised Final Screenplay, October 8, 1968) and \u003ctitle\u003eFreud\u003c/title\u003e by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's \u003ctitle\u003eThe Devil's Disciple.\u003c/title\u003e\u003c/abstract\u003e"],"abstract_tesim":["This collection contains two original film scripts -  Colossus  by James Bridges, (Revised Final Screenplay, October 8, 1968) and  Freud  by John Huston and Wolfgang Reinhardt (Final Shooting Script, February 10, 1962). It also contains two scrapbooks representing artistic design research compiled by Hecht-Hill-Lancaster for the production company's 1957 film production of George Bernard Shaw's  The Devil's Disciple."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d9bcb862e090aa3c362c7564efbed89a\"\u003eOS R 6, C 1, S 6\u003c/physloc\u003e"],"physloc_tesim":["OS R 6, C 1, S 6"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Golitzen, Alexander, 1908-2005"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Golitzen, Alexander, 1908-2005"],"persname_ssim":["Golitzen, Alexander, 1908-2005"],"language_ssim":["English \n.    "],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:56.393Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_8"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Golitzen%2C+Alexander%2C+1908-2005\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bcreators%5D%5B%5D=Golitzen%2C+Alexander%2C+1908-2005\u0026f%5Blevel%5D%5B%5D=Collection"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Alexander Golitzen film production collection","value":"Alexander Golitzen film production collection","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alexander+Golitzen+film+production+collection\u0026f%5Bcreators%5D%5B%5D=Golitzen%2C+Alexander%2C+1908-2005\u0026f%5Blevel%5D%5B%5D=Collection"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Bcreators%5D%5B%5D=Golitzen%2C+Alexander%2C+1908-2005\u0026f%5Blevel%5D%5B%5D=Collection"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Golitzen, Alexander, 1908-2005","value":"Golitzen, Alexander, 1908-2005","hits":1},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Golitzen%2C+Alexander%2C+1908-2005\u0026f%5Blevel%5D%5B%5D=Collection"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/creator_ssim.json?f%5Bcreators%5D%5B%5D=Golitzen%2C+Alexander%2C+1908-2005\u0026f%5Blevel%5D%5B%5D=Collection"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"George Mason University. 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