{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=George+Mason+University.+Libraries.+Special+Collections+Research+Center\u0026f%5Bdate_range%5D%5B%5D=1940","last":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=George+Mason+University.+Libraries.+Special+Collections+Research+Center\u0026f%5Bdate_range%5D%5B%5D=1940\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":3,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_588","type":"collection","attributes":{"title":"Adolph Bolm performance program clipping, 1940","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_588#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. 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Created circa 1940.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_588#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_588","ead_ssi":"vifgm_repositories_2_resources_588","_root_":"vifgm_repositories_2_resources_588","_nest_parent_":"vifgm_repositories_2_resources_588","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_588.xml","title_ssm":["Adolph Bolm performance program clipping"],"title_tesim":["Adolph Bolm performance program clipping"],"unitdate_ssm":["circa 1940"],"unitdate_other_ssim":["circa 1940"],"normalized_date_ssm":["1940"],"normalized_title_ssm":["Adolph Bolm performance program clipping, 1940"],"text":["Adolph Bolm performance program clipping, 1940","C0490","/repositories/2/resources/588","Ballet","There are no access restrictions.","This is a single item collection.","\"Adolph Bolm.\" American Ballet Theatre, accessed 23, 2021. https://www.abt.org/people/adolph-bolm/?type=archive.","Adolph Bolm Collection, (S)*MGZMD 50, Jerome Robbins Dance Division, The New York Public Library for the Performing Arts, accessed August 23, 2021, https://aspace.gmu.edu/staff/resources/588/edit#tree::resource_588.","Parker-Jeanette, Cyrus. \"Wandering Dancer.\" Library of Congress, February 2005. https://www.loc.gov/loc/lcib/0502/bolm.html.","Adolph Bolm was a Russian-American ballet dancer and choreographer. Born in St. Petersburg, Russia in 1884, Bolm studied ballet from a young age, eventually creating his own dance troupe, as well as finding success with Sergei Diaghilev's Ballets Russes in 1909. Bolm retired from the Ballets Russes in 1917 and went on to serve in many different capacities for a number of American ballet companies. In 1940, he assisted with opening the first season of American Ballet Theatre (ABT), then known as Ballet Theatre, in New York City, NY. Bolm served as regisseur-general (stage director) of Ballet Theatre, in addition to choreographing their January 1940 performances of Prokofiev's \"Peter and the Wolf\" and another piece titled \"Mechanical Ballet.\" Bolm died in 1951.","Processing completed by Amanda Brent in August 2021. EAD markup completed by Amanda Brent in August 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on ballet, including the  which features a photograph of Andre Eglevsky.","The New York Public Library, Jerome Robbins Dance Division holds the .","The Library of Congress holds the .","The Special Collections Research Center at Syracuse University holds the .","Performance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Due to the description of Bolm as \"regisseur-general of the Ballet Theatre\" and creator of the 1940 ABT ballet \"Peter and the Wolf,\" in addition to the fact that Eglevsky performed with American Ballet Theatre in the early 1940s, this clipping likely originated from an ABT performance program. 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Born in St. Petersburg, Russia in 1884, Bolm studied ballet from a young age, eventually creating his own dance troupe, as well as finding success with Sergei Diaghilev's Ballets Russes in 1909. Bolm retired from the Ballets Russes in 1917 and went on to serve in many different capacities for a number of American ballet companies. In 1940, he assisted with opening the first season of American Ballet Theatre (ABT), then known as Ballet Theatre, in New York City, NY. Bolm served as regisseur-general (stage director) of Ballet Theatre, in addition to choreographing their January 1940 performances of Prokofiev's \"Peter and the Wolf\" and another piece titled \"Mechanical Ballet.\" Bolm died in 1951.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Adolph Bolm was a Russian-American ballet dancer and choreographer. Born in St. Petersburg, Russia in 1884, Bolm studied ballet from a young age, eventually creating his own dance troupe, as well as finding success with Sergei Diaghilev's Ballets Russes in 1909. Bolm retired from the Ballets Russes in 1917 and went on to serve in many different capacities for a number of American ballet companies. In 1940, he assisted with opening the first season of American Ballet Theatre (ABT), then known as Ballet Theatre, in New York City, NY. 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On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Due to the description of Bolm as \"regisseur-general of the Ballet Theatre\" and creator of the 1940 ABT ballet \"Peter and the Wolf,\" in addition to the fact that Eglevsky performed with American Ballet Theatre in the early 1940s, this clipping likely originated from an ABT performance program. However, there is no way to completely verify this.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Performance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Due to the description of Bolm as \"regisseur-general of the Ballet Theatre\" and creator of the 1940 ABT ballet \"Peter and the Wolf,\" in addition to the fact that Eglevsky performed with American Ballet Theatre in the early 1940s, this clipping likely originated from an ABT performance program. However, there is no way to completely verify this."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_c32b8478efd8b290a203931aa0308bfc\" label=\"Abstract\"\u003eAdolph Bolm performance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Created circa 1940.\u003c/abstract\u003e\n    "],"abstract_tesim":["Adolph Bolm performance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Created circa 1940."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fbb34e410296d42e1f858a09c805a891\"\u003eR 72, C 3, S 5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Ballet Theatre"],"names_coll_ssim":["American Ballet Theatre","Bolm, Adolph, 1884-1951","Eglevsky, André"],"persname_ssim":["Bolm, Adolph, 1884-1951","Eglevsky, André"],"names_ssim":["George Mason University. Libraries. 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However, there is no way to completely verify this.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Adolph Bolm performance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Created circa 1940.","R 72, C 3, S 5","George Mason University. Libraries. 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Born in St. Petersburg, Russia in 1884, Bolm studied ballet from a young age, eventually creating his own dance troupe, as well as finding success with Sergei Diaghilev's Ballets Russes in 1909. Bolm retired from the Ballets Russes in 1917 and went on to serve in many different capacities for a number of American ballet companies. In 1940, he assisted with opening the first season of American Ballet Theatre (ABT), then known as Ballet Theatre, in New York City, NY. Bolm served as regisseur-general (stage director) of Ballet Theatre, in addition to choreographing their January 1940 performances of Prokofiev's \"Peter and the Wolf\" and another piece titled \"Mechanical Ballet.\" Bolm died in 1951.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Adolph Bolm was a Russian-American ballet dancer and choreographer. Born in St. Petersburg, Russia in 1884, Bolm studied ballet from a young age, eventually creating his own dance troupe, as well as finding success with Sergei Diaghilev's Ballets Russes in 1909. Bolm retired from the Ballets Russes in 1917 and went on to serve in many different capacities for a number of American ballet companies. In 1940, he assisted with opening the first season of American Ballet Theatre (ABT), then known as Ballet Theatre, in New York City, NY. Bolm served as regisseur-general (stage director) of Ballet Theatre, in addition to choreographing their January 1940 performances of Prokofiev's \"Peter and the Wolf\" and another piece titled \"Mechanical Ballet.\" Bolm died in 1951."],"prefercite_html_tesm":["\u003cp\u003eAdolph Bolm performance program clipping, C0490, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Adolph Bolm performance program clipping, C0490, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in August 2021. EAD markup completed by Amanda Brent in August 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in August 2021. EAD markup completed by Amanda Brent in August 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials on ballet, including the \u003cextptr show=\"new\" title=\"Ballet Russe de Monte Carlo 'Les Sylphides' performance photographs by Sasha\" href=\"https://aspace.gmu.edu/resources/c0481\"\u003e\u003c/extptr\u003e which features a photograph of Andre Eglevsky. \u003c/p\u003e","\u003cp\u003eThe New York Public Library, Jerome Robbins Dance Division holds the \u003cextptr show=\"new\" title=\"Adolph Bolm collection\" href=\"https://archives.nypl.org/dan/19693\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eThe Library of Congress holds the \u003cextptr show=\"new\" title=\"Adolph Bolm collection\" href=\"https://www.loc.gov/item/2010563517/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eThe Special Collections Research Center at Syracuse University holds the \u003cextptr show=\"new\" title=\"Adolph Bolm papers\" href=\"https://library.syr.edu/digital/guides/b/bolm_a.htm\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials on ballet, including the  which features a photograph of Andre Eglevsky.","The New York Public Library, Jerome Robbins Dance Division holds the .","The Library of Congress holds the .","The Special Collections Research Center at Syracuse University holds the ."],"scopecontent_html_tesm":["\u003cp\u003ePerformance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. 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Due to the description of Bolm as \"regisseur-general of the Ballet Theatre\" and creator of the 1940 ABT ballet \"Peter and the Wolf,\" in addition to the fact that Eglevsky performed with American Ballet Theatre in the early 1940s, this clipping likely originated from an ABT performance program. However, there is no way to completely verify this."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_c32b8478efd8b290a203931aa0308bfc\" label=\"Abstract\"\u003eAdolph Bolm performance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. 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In reality these publications heavily sanitized the atrocities being carried out and downplayed the party's antisemitic policies and positions. Additionally, the Anti-Komintern (also spelled Anti-Comintern) focused on anti-Soviet and anti-communist propaganda, such as in their \"News Service\" newsletters, by connecting it as part of the \"International Jewish Conspiracy\".","Additionally, organized groups like the Friends of New Germany, created with support from the German counsel in New York City in 1933 and dismantled in late 1935, and the German American Bund, formed in New York by first and second generation German-Americans in 1936, sought to build support for a Nazi party within the United States. The Friends of New Germany is a possible publication source for the \"Die Volkswarcht\" newsletters as their propaganda was heavily and overtly antisemitic and centered largely around New York businesses and politics. 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October 14, 2022. https://library.umaine.edu/2022/10/14/world-war-ii-propaganda-publications/.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Bredemus, Jim. n.d. \"American Bund: The Failure of American Nazism.\" TRACES. Accessed September 13, 2023. https://usgerrelations.traces.org/americanbund.html.","\"Right-Wing Political Pamphlets Collection.\" n.d. OAC: Online Archive of California. Accessed September 13, 2023. https://oac.cdlib.org/findaid/ark:/13030/c8gx4fqg/dsc/.","\"State of Deception: The Power of Nazi Propaganda.\" n.d. United States Holocaust Memorial Museum. Accessed September 13, 2023. https://exhibitions.ushmm.org/propaganda/home/state-of-deception-the-power-of-nazi-propaganda.","Waddington, Lorna. 2007. \"The Anti-Komintern and Nazi Anti-Bolshevik Propaganda in the 1930s.\" Journal of Contemporary History - J CONTEMP HIST 42 (October): 573–94. https://doi.org/10.1177/0022009407081488.","\"World War II Propaganda Publications.\" 2022. Raymond H. Fogler Library (blog). October 14, 2022. https://library.umaine.edu/2022/10/14/world-war-ii-propaganda-publications/."],"bioghist_html_tesm":["\u003cp\u003eThe Nazi Party relied heavily on propaganda to build public support, with much of it centered on antisemitism as the central theme, drawing on centuries of anti-Jewish prejudice in Europe. To more effectively reach different audiences the party's propagandists conducted informal public opinion research to then use in creating films, posters, and news publications targeted at these specific needs, concerns, and existing prejudices. These propaganda materials were targeted both within Germany and internationally, including within the United States. Those which were authorized by the German Nazi party included the New York based German Library of Information, which provided the \"German perspective\" on the war in Europe in their \"Facts in Review\" newsletters. In reality these publications heavily sanitized the atrocities being carried out and downplayed the party's antisemitic policies and positions. Additionally, the Anti-Komintern (also spelled Anti-Comintern) focused on anti-Soviet and anti-communist propaganda, such as in their \"News Service\" newsletters, by connecting it as part of the \"International Jewish Conspiracy\".\u003c/p\u003e","\u003cp\u003eAdditionally, organized groups like the Friends of New Germany, created with support from the German counsel in New York City in 1933 and dismantled in late 1935, and the German American Bund, formed in New York by first and second generation German-Americans in 1936, sought to build support for a Nazi party within the United States. The Friends of New Germany is a possible publication source for the \"Die Volkswarcht\" newsletters as their propaganda was heavily and overtly antisemitic and centered largely around New York businesses and politics. 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Those which were authorized by the German Nazi party included the New York based German Library of Information, which provided the \"German perspective\" on the war in Europe in their \"Facts in Review\" newsletters. In reality these publications heavily sanitized the atrocities being carried out and downplayed the party's antisemitic policies and positions. Additionally, the Anti-Komintern (also spelled Anti-Comintern) focused on anti-Soviet and anti-communist propaganda, such as in their \"News Service\" newsletters, by connecting it as part of the \"International Jewish Conspiracy\".","Additionally, organized groups like the Friends of New Germany, created with support from the German counsel in New York City in 1933 and dismantled in late 1935, and the German American Bund, formed in New York by first and second generation German-Americans in 1936, sought to build support for a Nazi party within the United States. The Friends of New Germany is a possible publication source for the \"Die Volkswarcht\" newsletters as their propaganda was heavily and overtly antisemitic and centered largely around New York businesses and politics. Antisemitic Nazi ideologies were also spread within the United States through independent news publications, such as \"American Bulletin\" (subtitled \"The White Man's Viewpoint\"), a weekly antisemitic newsletter published starting in 1935 by New Yorker Henry Curtiss."],"prefercite_html_tesm":["\u003cp\u003eAntisemitic American Nazi propaganda newsletters and photos, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Antisemitic American Nazi propaganda newsletters and photos, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in September 2023. 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Lampe papers\" href=\"https://aspace.gmu.edu/resources/c0092\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003e\u003cextptr show=\"new\" title=\"The United States Holocaust Memorial Museum\" href=\"https://www.ushmm.org/collections/the-museums-collections/browse\"\u003e\u003c/extptr\u003e holds extensive materials related to both the Holocaust and the antisemitism, including a collection of Nazi party propaganda.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other materials on Germany and the Nazi Party in World War II, such as in the .","holds extensive materials related to both the Holocaust and the antisemitism, including a collection of Nazi party propaganda."],"scopecontent_html_tesm":["\u003cp\u003eContent warning: These materials are strongly antisemitic and white supremacist.\u003c/p\u003e","\u003cp\u003eFifteen antisemitic propaganda newsletters and flyers, in both German and English, and two collage photographs. All materials were created for distribution to American audiences by United States based affiliates or supporters of the German Nazi party. Newsletter titles include 7 editions of \"Die Volkswacht,\" 2 editions of \"Facts in Review,\" 1 edition of \"News Service\", and 1 edition of \"American Bulletin\", as well as several flyers and independent publications, some of which include excerpted sections of longer antisemitic writings.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content warning: These materials are strongly antisemitic and white supremacist.","Fifteen antisemitic propaganda newsletters and flyers, in both German and English, and two collage photographs. All materials were created for distribution to American audiences by United States based affiliates or supporters of the German Nazi party. Newsletter titles include 7 editions of \"Die Volkswacht,\" 2 editions of \"Facts in Review,\" 1 edition of \"News Service\", and 1 edition of \"American Bulletin\", as well as several flyers and independent publications, some of which include excerpted sections of longer antisemitic writings."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_30dd01e52b3195d5a305a29c792ff709\"\u003eContent warning: These materials are strongly antisemitic and white supremacist.\n\nFifteen antisemitic propaganda newsletters and two photographs published by United States based affiliates or supporters of the German Nazi party.\u003c/abstract\u003e\n    "],"abstract_tesim":["Content warning: These materials are strongly antisemitic and white supremacist.\n\nFifteen antisemitic propaganda newsletters and two photographs published by United States based affiliates or supporters of the German Nazi party."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6f0adf4260ecb49a6b4cee40e2dc9920\"\u003eR 72, C 3, S 6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 6"],"corpname_ssim":["George Mason University. 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In reality these publications heavily sanitized the atrocities being carried out and downplayed the party's antisemitic policies and positions. Additionally, the Anti-Komintern (also spelled Anti-Comintern) focused on anti-Soviet and anti-communist propaganda, such as in their \"News Service\" newsletters, by connecting it as part of the \"International Jewish Conspiracy\".","Additionally, organized groups like the Friends of New Germany, created with support from the German counsel in New York City in 1933 and dismantled in late 1935, and the German American Bund, formed in New York by first and second generation German-Americans in 1936, sought to build support for a Nazi party within the United States. The Friends of New Germany is a possible publication source for the \"Die Volkswarcht\" newsletters as their propaganda was heavily and overtly antisemitic and centered largely around New York businesses and politics. 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Accessed September 13, 2023. https://usgerrelations.traces.org/americanbund.html.\u003c/p\u003e","\u003cp\u003e\"Right-Wing Political Pamphlets Collection.\" n.d. OAC: Online Archive of California. Accessed September 13, 2023. https://oac.cdlib.org/findaid/ark:/13030/c8gx4fqg/dsc/.\u003c/p\u003e","\u003cp\u003e\"State of Deception: The Power of Nazi Propaganda.\" n.d. United States Holocaust Memorial Museum. Accessed September 13, 2023. https://exhibitions.ushmm.org/propaganda/home/state-of-deception-the-power-of-nazi-propaganda.\u003c/p\u003e","\u003cp\u003eWaddington, Lorna. 2007. \"The Anti-Komintern and Nazi Anti-Bolshevik Propaganda in the 1930s.\" \u003cemph\u003eJournal of Contemporary History - J CONTEMP HIST\u003c/emph\u003e 42 (October): 573–94. https://doi.org/10.1177/0022009407081488.\u003c/p\u003e","\u003cp\u003e\"World War II Propaganda Publications.\" 2022. \u003cemph\u003eRaymond H. Fogler Library\u003c/emph\u003e (blog). October 14, 2022. https://library.umaine.edu/2022/10/14/world-war-ii-propaganda-publications/.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Bredemus, Jim. n.d. \"American Bund: The Failure of American Nazism.\" TRACES. Accessed September 13, 2023. https://usgerrelations.traces.org/americanbund.html.","\"Right-Wing Political Pamphlets Collection.\" n.d. OAC: Online Archive of California. Accessed September 13, 2023. https://oac.cdlib.org/findaid/ark:/13030/c8gx4fqg/dsc/.","\"State of Deception: The Power of Nazi Propaganda.\" n.d. United States Holocaust Memorial Museum. Accessed September 13, 2023. https://exhibitions.ushmm.org/propaganda/home/state-of-deception-the-power-of-nazi-propaganda.","Waddington, Lorna. 2007. \"The Anti-Komintern and Nazi Anti-Bolshevik Propaganda in the 1930s.\" Journal of Contemporary History - J CONTEMP HIST 42 (October): 573–94. https://doi.org/10.1177/0022009407081488.","\"World War II Propaganda Publications.\" 2022. Raymond H. Fogler Library (blog). October 14, 2022. https://library.umaine.edu/2022/10/14/world-war-ii-propaganda-publications/."],"bioghist_html_tesm":["\u003cp\u003eThe Nazi Party relied heavily on propaganda to build public support, with much of it centered on antisemitism as the central theme, drawing on centuries of anti-Jewish prejudice in Europe. To more effectively reach different audiences the party's propagandists conducted informal public opinion research to then use in creating films, posters, and news publications targeted at these specific needs, concerns, and existing prejudices. These propaganda materials were targeted both within Germany and internationally, including within the United States. Those which were authorized by the German Nazi party included the New York based German Library of Information, which provided the \"German perspective\" on the war in Europe in their \"Facts in Review\" newsletters. In reality these publications heavily sanitized the atrocities being carried out and downplayed the party's antisemitic policies and positions. Additionally, the Anti-Komintern (also spelled Anti-Comintern) focused on anti-Soviet and anti-communist propaganda, such as in their \"News Service\" newsletters, by connecting it as part of the \"International Jewish Conspiracy\".\u003c/p\u003e","\u003cp\u003eAdditionally, organized groups like the Friends of New Germany, created with support from the German counsel in New York City in 1933 and dismantled in late 1935, and the German American Bund, formed in New York by first and second generation German-Americans in 1936, sought to build support for a Nazi party within the United States. The Friends of New Germany is a possible publication source for the \"Die Volkswarcht\" newsletters as their propaganda was heavily and overtly antisemitic and centered largely around New York businesses and politics. Antisemitic Nazi ideologies were also spread within the United States through independent news publications, such as \"American Bulletin\" (subtitled \"The White Man's Viewpoint\"), a weekly antisemitic newsletter published starting in 1935 by New Yorker Henry Curtiss.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Nazi Party relied heavily on propaganda to build public support, with much of it centered on antisemitism as the central theme, drawing on centuries of anti-Jewish prejudice in Europe. To more effectively reach different audiences the party's propagandists conducted informal public opinion research to then use in creating films, posters, and news publications targeted at these specific needs, concerns, and existing prejudices. These propaganda materials were targeted both within Germany and internationally, including within the United States. Those which were authorized by the German Nazi party included the New York based German Library of Information, which provided the \"German perspective\" on the war in Europe in their \"Facts in Review\" newsletters. In reality these publications heavily sanitized the atrocities being carried out and downplayed the party's antisemitic policies and positions. Additionally, the Anti-Komintern (also spelled Anti-Comintern) focused on anti-Soviet and anti-communist propaganda, such as in their \"News Service\" newsletters, by connecting it as part of the \"International Jewish Conspiracy\".","Additionally, organized groups like the Friends of New Germany, created with support from the German counsel in New York City in 1933 and dismantled in late 1935, and the German American Bund, formed in New York by first and second generation German-Americans in 1936, sought to build support for a Nazi party within the United States. The Friends of New Germany is a possible publication source for the \"Die Volkswarcht\" newsletters as their propaganda was heavily and overtly antisemitic and centered largely around New York businesses and politics. Antisemitic Nazi ideologies were also spread within the United States through independent news publications, such as \"American Bulletin\" (subtitled \"The White Man's Viewpoint\"), a weekly antisemitic newsletter published starting in 1935 by New Yorker Henry Curtiss."],"prefercite_html_tesm":["\u003cp\u003eAntisemitic American Nazi propaganda newsletters and photos, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Antisemitic American Nazi propaganda newsletters and photos, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other materials on Germany and the Nazi Party in World War II, such as in the \u003cextptr show=\"new\" title=\"Henry O. Lampe papers\" href=\"https://aspace.gmu.edu/resources/c0092\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003e\u003cextptr show=\"new\" title=\"The United States Holocaust Memorial Museum\" href=\"https://www.ushmm.org/collections/the-museums-collections/browse\"\u003e\u003c/extptr\u003e holds extensive materials related to both the Holocaust and the antisemitism, including a collection of Nazi party propaganda.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other materials on Germany and the Nazi Party in World War II, such as in the .","holds extensive materials related to both the Holocaust and the antisemitism, including a collection of Nazi party propaganda."],"scopecontent_html_tesm":["\u003cp\u003eContent warning: These materials are strongly antisemitic and white supremacist.\u003c/p\u003e","\u003cp\u003eFifteen antisemitic propaganda newsletters and flyers, in both German and English, and two collage photographs. All materials were created for distribution to American audiences by United States based affiliates or supporters of the German Nazi party. Newsletter titles include 7 editions of \"Die Volkswacht,\" 2 editions of \"Facts in Review,\" 1 edition of \"News Service\", and 1 edition of \"American Bulletin\", as well as several flyers and independent publications, some of which include excerpted sections of longer antisemitic writings.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content warning: These materials are strongly antisemitic and white supremacist.","Fifteen antisemitic propaganda newsletters and flyers, in both German and English, and two collage photographs. All materials were created for distribution to American audiences by United States based affiliates or supporters of the German Nazi party. Newsletter titles include 7 editions of \"Die Volkswacht,\" 2 editions of \"Facts in Review,\" 1 edition of \"News Service\", and 1 edition of \"American Bulletin\", as well as several flyers and independent publications, some of which include excerpted sections of longer antisemitic writings."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_30dd01e52b3195d5a305a29c792ff709\"\u003eContent warning: These materials are strongly antisemitic and white supremacist.\n\nFifteen antisemitic propaganda newsletters and two photographs published by United States based affiliates or supporters of the German Nazi party.\u003c/abstract\u003e\n    "],"abstract_tesim":["Content warning: These materials are strongly antisemitic and white supremacist.\n\nFifteen antisemitic propaganda newsletters and two photographs published by United States based affiliates or supporters of the German Nazi party."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6f0adf4260ecb49a6b4cee40e2dc9920\"\u003eR 72, C 3, S 6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","German Library of Information (New York, N.Y.)","German American Bund"],"names_coll_ssim":["German Library of Information (New York, N.Y.)","German American Bund"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","German Library of Information (New York, N.Y.)","German American Bund"],"language_ssim":["German\n,       English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:13.746Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_676"}},{"id":"vifgm_repositories_2_resources_703","type":"collection","attributes":{"title":"The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs, 1934/1944","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_703#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_703#abstract_or_scope","type":"document_value","attributes":{"value":"Souvenir programs for \u003cspan\u003eThe Green Pastures\u003c/span\u003e, \u003cspan\u003e3 Is A Family\u003c/span\u003e, and \u003cspan\u003eTobacco Road\u003c/span\u003e.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_703#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_703","ead_ssi":"vifgm_repositories_2_resources_703","_root_":"vifgm_repositories_2_resources_703","_nest_parent_":"vifgm_repositories_2_resources_703","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_703.xml","title_ssm":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"title_tesim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"unitdate_ssm":["circa 1934-1944"],"unitdate_inclusive_ssm":["circa 1934-1944"],"normalized_date_ssm":["1934/1944"],"normalized_title_ssm":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs, 1934/1944"],"text":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs, 1934/1944","C0427","/repositories/2/resources/703","Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia","There are no access restrictions.","This is a single folder collection.","Hill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\" BlackPast (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.","Moses, Victoria. n.d. \"James Barton: The Complete Performer.\" American Vaudeville (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.","\"The Green Pastures.\" 2024. In Wikipedia. https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026oldid=1206517456.","\"Three Is a Family.\" 2024. In Wikipedia. https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026oldid=1198948702.","\"Tobacco Road (Play).\" 2024. In Wikipedia. https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026oldid=1198255251.","The Green Pastures was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories Ol' Man Adam an' His Chillun. The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.","3 Is A Family (also spelled Three Is A Family and Three's A Family) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.","Tobacco Road was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.","James Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in Tobacco Road, his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962.","Processing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024.","The Special Collections Research Center holds other souvenir and theatrical program collections, such as the Charles Rodrigues playbill collection, and the Mary Lavigne programs collection, as well other performing arts collections, including the Federal Theatre Project collection.","The New York Public Library Archives and Manuscripts holds both the James Barton papers and the American Negro Theatre records.","Souvenir programs for The Green Pastures from circa 1932, American Negro Theatre Broadway transfer production of 3 Is A Family from April 17, 1944, and Tobacco Road from circa 1938. The Tobacco Road program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Souvenir programs for The Green Pastures, 3 Is A Family, and Tobacco Road.","R 71, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","American Negro Theatre","Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969","English\n."],"collection_title_tesim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs, 1934/1944"],"collection_ssim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs, 1934/1944"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0427","/repositories/2/resources/703"],"unitid_tesim":["C0427","/repositories/2/resources/703"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_persname_ssim":["Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Negro Theatre"],"creators_ssim":["Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969","George Mason University. Libraries. Special Collections Research Center","American Negro Theatre"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Lynn Eaton from Citation Books in 2019."],"access_subjects_ssim":["Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia"],"access_subjects_ssm":["Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Memorabilia"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eHill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\" \u003ctitle\u003eBlackPast\u003c/title\u003e (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.\u003c/p\u003e","\u003cp\u003eMoses, Victoria. n.d. \"James Barton: The Complete Performer.\" \u003ctitle\u003eAmerican Vaudeville\u003c/title\u003e (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.\u003c/p\u003e","\u003cp\u003e\"The Green Pastures.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026amp;oldid=1206517456.\u003c/p\u003e","\u003cp\u003e\"Three Is a Family.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026amp;oldid=1198948702.\u003c/p\u003e","\u003cp\u003e\"Tobacco Road (Play).\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026amp;oldid=1198255251.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Hill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\" BlackPast (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.","Moses, Victoria. n.d. \"James Barton: The Complete Performer.\" American Vaudeville (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.","\"The Green Pastures.\" 2024. In Wikipedia. https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026oldid=1206517456.","\"Three Is a Family.\" 2024. In Wikipedia. https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026oldid=1198948702.","\"Tobacco Road (Play).\" 2024. In Wikipedia. https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026oldid=1198255251."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Green Pastures\u003c/title\u003e was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories \u003ctitle\u003eOl' Man Adam an' His Chillun\u003c/title\u003e. The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003e3 Is A Family\u003c/title\u003e (also spelled \u003ctitle\u003eThree Is A Family\u003c/title\u003e and \u003ctitle\u003eThree's A Family\u003c/title\u003e) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTobacco Road\u003c/title\u003e was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.\u003c/p\u003e","\u003cp\u003eJames Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in \u003ctitle\u003eTobacco Road\u003c/title\u003e, his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["The Green Pastures was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories Ol' Man Adam an' His Chillun. The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.","3 Is A Family (also spelled Three Is A Family and Three's A Family) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.","Tobacco Road was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.","James Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in Tobacco Road, his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962."],"prefercite_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Green Pastures\u003c/title\u003e, \u003ctitle\u003e3 Is A Family\u003c/title\u003e, and \u003ctitle\u003eTobacco Road\u003c/title\u003e souvenir programs, C0427, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs, C0427, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other souvenir and theatrical program collections, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0417\"\u003eMary Lavigne programs collection\u003c/a\u003e, as well other performing arts collections, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0002\"\u003eFederal Theatre Project collection\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe New York Public Library Archives and Manuscripts holds both the \u003ca href=\"https://archives.nypl.org/the/18829\"\u003eJames Barton papers\u003c/a\u003e and the \u003ca href=\"https://archives.nypl.org/scm/20535\"\u003eAmerican Negro Theatre records\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other souvenir and theatrical program collections, such as the Charles Rodrigues playbill collection, and the Mary Lavigne programs collection, as well other performing arts collections, including the Federal Theatre Project collection.","The New York Public Library Archives and Manuscripts holds both the James Barton papers and the American Negro Theatre records."],"scopecontent_html_tesm":["\u003cp\u003eSouvenir programs for \u003ctitle\u003eThe Green Pastures\u003c/title\u003e from circa 1932, American Negro Theatre Broadway transfer production of \u003ctitle\u003e3 Is A Family\u003c/title\u003e from April 17, 1944, and \u003ctitle\u003eTobacco Road\u003c/title\u003e from circa 1938. The \u003ctitle\u003eTobacco Road\u003c/title\u003e program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Souvenir programs for The Green Pastures from circa 1932, American Negro Theatre Broadway transfer production of 3 Is A Family from April 17, 1944, and Tobacco Road from circa 1938. The Tobacco Road program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_fd5ca83a69f76292f497de29a40d13e3\"\u003eSouvenir programs for \u003ctitle\u003eThe Green Pastures\u003c/title\u003e, \u003ctitle\u003e3 Is A Family\u003c/title\u003e, and \u003ctitle\u003eTobacco Road\u003c/title\u003e.\u003c/abstract\u003e\n    "],"abstract_tesim":["Souvenir programs for The Green Pastures, 3 Is A Family, and Tobacco Road."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_63bd1d4adb6f817fb4c3c9ed6a666bfe\"\u003eR 71, C 1, S 6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 1, S 6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Negro Theatre"],"names_coll_ssim":["American Negro Theatre","Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969"],"persname_ssim":["Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Negro Theatre","Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:13.746Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_703","ead_ssi":"vifgm_repositories_2_resources_703","_root_":"vifgm_repositories_2_resources_703","_nest_parent_":"vifgm_repositories_2_resources_703","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_703.xml","title_ssm":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"title_tesim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs"],"unitdate_ssm":["circa 1934-1944"],"unitdate_inclusive_ssm":["circa 1934-1944"],"normalized_date_ssm":["1934/1944"],"normalized_title_ssm":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs, 1934/1944"],"text":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs, 1934/1944","C0427","/repositories/2/resources/703","Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia","There are no access restrictions.","This is a single folder collection.","Hill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\" BlackPast (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.","Moses, Victoria. n.d. \"James Barton: The Complete Performer.\" American Vaudeville (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.","\"The Green Pastures.\" 2024. In Wikipedia. https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026oldid=1206517456.","\"Three Is a Family.\" 2024. In Wikipedia. https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026oldid=1198948702.","\"Tobacco Road (Play).\" 2024. In Wikipedia. https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026oldid=1198255251.","The Green Pastures was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories Ol' Man Adam an' His Chillun. The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.","3 Is A Family (also spelled Three Is A Family and Three's A Family) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.","Tobacco Road was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.","James Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in Tobacco Road, his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962.","Processing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024.","The Special Collections Research Center holds other souvenir and theatrical program collections, such as the Charles Rodrigues playbill collection, and the Mary Lavigne programs collection, as well other performing arts collections, including the Federal Theatre Project collection.","The New York Public Library Archives and Manuscripts holds both the James Barton papers and the American Negro Theatre records.","Souvenir programs for The Green Pastures from circa 1932, American Negro Theatre Broadway transfer production of 3 Is A Family from April 17, 1944, and Tobacco Road from circa 1938. The Tobacco Road program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Souvenir programs for The Green Pastures, 3 Is A Family, and Tobacco Road.","R 71, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","American Negro Theatre","Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969","English\n."],"collection_title_tesim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs, 1934/1944"],"collection_ssim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs, 1934/1944"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0427","/repositories/2/resources/703"],"unitid_tesim":["C0427","/repositories/2/resources/703"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_persname_ssim":["Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Negro Theatre"],"creators_ssim":["Barton, James, 1890-1962","Connelly, Marc (Marcus Cook), 1890-1980","Ephron, Henry, 1912-1992","Ephron, Phoebe, 1914-1971","Kirkland, Jack, 1902-1969","George Mason University. Libraries. Special Collections Research Center","American Negro Theatre"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Lynn Eaton from Citation Books in 2019."],"access_subjects_ssim":["Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia"],"access_subjects_ssm":["Performing arts","Theater","Theater programs","Theater -- United States","Memorabilia"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Memorabilia"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eHill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\" \u003ctitle\u003eBlackPast\u003c/title\u003e (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.\u003c/p\u003e","\u003cp\u003eMoses, Victoria. n.d. \"James Barton: The Complete Performer.\" \u003ctitle\u003eAmerican Vaudeville\u003c/title\u003e (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.\u003c/p\u003e","\u003cp\u003e\"The Green Pastures.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026amp;oldid=1206517456.\u003c/p\u003e","\u003cp\u003e\"Three Is a Family.\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026amp;oldid=1198948702.\u003c/p\u003e","\u003cp\u003e\"Tobacco Road (Play).\" 2024. In \u003ctitle\u003eWikipedia\u003c/title\u003e. https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026amp;oldid=1198255251.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Hill, Anthony Duane. 2008. \"American Negro Theatre (1940-ca. 1955).\" BlackPast (blog). February 6, 2008. https://www.blackpast.org/african-american-history/american-negro-theatre/.","Moses, Victoria. n.d. \"James Barton: The Complete Performer.\" American Vaudeville (blog). Accessed March 12, 2024. https://vaudeville.sites.arizona.edu/2023/03/28/james-barton-the-complete-performer-by-victoria-moses/.","\"The Green Pastures.\" 2024. In Wikipedia. https://en.wikipedia.org/w/index.php?title=The_Green_Pastures\u0026oldid=1206517456.","\"Three Is a Family.\" 2024. In Wikipedia. https://en.wikipedia.org/w/index.php?title=Three_Is_a_Family\u0026oldid=1198948702.","\"Tobacco Road (Play).\" 2024. In Wikipedia. https://en.wikipedia.org/w/index.php?title=Tobacco_Road_(play)\u0026oldid=1198255251."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Green Pastures\u003c/title\u003e was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories \u003ctitle\u003eOl' Man Adam an' His Chillun\u003c/title\u003e. The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003e3 Is A Family\u003c/title\u003e (also spelled \u003ctitle\u003eThree Is A Family\u003c/title\u003e and \u003ctitle\u003eThree's A Family\u003c/title\u003e) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTobacco Road\u003c/title\u003e was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.\u003c/p\u003e","\u003cp\u003eJames Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in \u003ctitle\u003eTobacco Road\u003c/title\u003e, his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["The Green Pastures was written in 1930 by Marc Connelly and adapted from Roark Bradford's 1928 collection of stories Ol' Man Adam an' His Chillun. The play presents stories from the Old Testament as envisioned through the eyes of a young African American child in the Great Depression-era South using terms and references familiar to them. The play won the Pulitzer Prize for Drama in 1930 and featured the first all-Black cast on Broadway. While hailed by white critics, Black critics and academics have been more critical of Connelly's claims to be presenting an authentic view of Black religious thought.","3 Is A Family (also spelled Three Is A Family and Three's A Family) was written in 1943 by Henry and Phoebe Ephron. The comedic play focuses on the chaos that ensues when extended members of the family of Sam and Frances Whitaker come to live in their crowded New York City apartment. The American Negro Theatre production transferred to Broadway's Longacre Theatre in April 1944. Formed in Harlem, New York in 1940 by Abram Hill, Frederick O'Neal, and other actors, the American Negro Theatre (ANT) grew out of the Federal Theatre Project's Negro Unit. For its first five years (1940-1945) the ANT was housed in the basement of the New York Public Library's Harlem Branch in a specially renovated space known as the Harlem Library Little Theatre. In 1945, ANT was forced to move, relocating to the Elks Lodge, known as the American Negro Theatre Playhouse, on West 126th Street, and then relocated again in 1950 to a loft on West 125th Street. The ANT would continue to operate until the mid-1950s.","Tobacco Road was written in 1933 by Jack Kirkland, based on Erskine Caldwell's 1932 novel of the same name. The play tells the story of the Lester family, a former sharecropping family now struggling to survive and cope in Georgia's poverty-stricken farm country. The play ran on Broadway for 3,182 performances to become the longest running show in Broadway history at the time. As of March 2024, it is still the 20th longest running show on Broadway, as well as the 2nd longest running non-musical.","James Edward Barton (also known as John Barton) was born in Gloucester, New Jersey on November 1, 1890 into a multigenerational family of performers and entertainers. A critically acclaimed dancer, comedic and dramatic actor, and singer, Barton's career saw success in nearly every performance genre from the late 19th through mid-20th century, including vaudeville, burlesque, Broadway, radio, film, and television. His most defining role came in 1933 when he assumed the part of Jeeter Lester in Tobacco Road, his first dramatic performance and one which would help him establish the drunken, comedic character he would be typecast as for the rest of his career. In total, he performed the role of Jeeter Lester on Broadway 1,899 times between 1933-1941. Barton passed away on February 19, 1962."],"prefercite_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Green Pastures\u003c/title\u003e, \u003ctitle\u003e3 Is A Family\u003c/title\u003e, and \u003ctitle\u003eTobacco Road\u003c/title\u003e souvenir programs, C0427, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["The Green Pastures, 3 Is A Family, and Tobacco Road souvenir programs, C0427, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in February 2024. Finding aid completed by Meghan Glasbrenner in March 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other souvenir and theatrical program collections, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0417\"\u003eMary Lavigne programs collection\u003c/a\u003e, as well other performing arts collections, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0002\"\u003eFederal Theatre Project collection\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe New York Public Library Archives and Manuscripts holds both the \u003ca href=\"https://archives.nypl.org/the/18829\"\u003eJames Barton papers\u003c/a\u003e and the \u003ca href=\"https://archives.nypl.org/scm/20535\"\u003eAmerican Negro Theatre records\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other souvenir and theatrical program collections, such as the Charles Rodrigues playbill collection, and the Mary Lavigne programs collection, as well other performing arts collections, including the Federal Theatre Project collection.","The New York Public Library Archives and Manuscripts holds both the James Barton papers and the American Negro Theatre records."],"scopecontent_html_tesm":["\u003cp\u003eSouvenir programs for \u003ctitle\u003eThe Green Pastures\u003c/title\u003e from circa 1932, American Negro Theatre Broadway transfer production of \u003ctitle\u003e3 Is A Family\u003c/title\u003e from April 17, 1944, and \u003ctitle\u003eTobacco Road\u003c/title\u003e from circa 1938. The \u003ctitle\u003eTobacco Road\u003c/title\u003e program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Souvenir programs for The Green Pastures from circa 1932, American Negro Theatre Broadway transfer production of 3 Is A Family from April 17, 1944, and Tobacco Road from circa 1938. The Tobacco Road program includes several signatures of members of the cast on the first page and a signed insert photograph of actor John Barton."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_fd5ca83a69f76292f497de29a40d13e3\"\u003eSouvenir programs for \u003ctitle\u003eThe Green Pastures\u003c/title\u003e, \u003ctitle\u003e3 Is A Family\u003c/title\u003e, and \u003ctitle\u003eTobacco Road\u003c/title\u003e.\u003c/abstract\u003e\n    "],"abstract_tesim":["Souvenir programs for The Green Pastures, 3 Is A Family, and Tobacco Road."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_63bd1d4adb6f817fb4c3c9ed6a666bfe\"\u003eR 71, C 1, S 6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 1, S 6"],"corpname_ssim":["George Mason University. 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