{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Works+Progress+Administration+oral+histories+collection\u0026page=13\u0026view=compact","prev":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Works+Progress+Administration+oral+histories+collection\u0026page=12\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Works+Progress+Administration+oral+histories+collection\u0026page=14\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Works+Progress+Administration+oral+histories+collection\u0026page=100\u0026view=compact"},"meta":{"pages":{"current_page":13,"next_page":14,"prev_page":12,"total_pages":100,"limit_value":10,"offset_value":120,"total_count":994,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_190_c02_c01_c41","type":"Item","attributes":{"title":"Burris-Meyer, Harold","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c41#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e2 cassette tapes\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c41#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_190_c02_c01_c41","ref_ssm":["vifgm_repositories_2_resources_190_c02_c01_c41"],"id":"vifgm_repositories_2_resources_190_c02_c01_c41","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190_c02_c01","parent_ssi":"vifgm_repositories_2_resources_190_c02_c01","parent_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01"],"parent_unittitles_ssm":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews"],"parent_unittitles_tesim":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews"],"text":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews","Burris-Meyer, Harold","box 15","2 cassette tapes"],"title_filing_ssi":"Burris-Meyer, Harold","title_ssm":["Burris-Meyer, Harold"],"title_tesim":["Burris-Meyer, Harold"],"unitdate_other_ssim":["March 14, 1977"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["Burris-Meyer, Harold"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Works Progress Administration oral histories collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":331,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1977],"containers_ssim":["box 15"],"scopecontent_html_tesm":["\u003cp\u003e2 cassette tapes\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["2 cassette tapes"],"_nest_path_":"/components#1/components#0/components#40","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"text":["C0153","/repositories/2/resources/190","Works Progress Administration oral histories collection","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the  .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e\n","\u003cp\u003eOrganized into two series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":673,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c41"}},{"id":"vifgm_vifgm00021_c01_c41","type":"File","attributes":{"title":"Burris-Meyer, Harold,\n                  March 14, 1977","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00021_c01_c41#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e Sound technician with Living Newspaper unit of NYC FTP.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00021_c01_c41#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_vifgm00021_c01_c41","ref_ssm":["vifgm_vifgm00021_c01_c41"],"id":"vifgm_vifgm00021_c01_c41","ead_ssi":"vifgm_vifgm00021","_root_":"vifgm_vifgm00021","_nest_parent_":"vifgm_vifgm00021_c01","parent_ssi":"vifgm_vifgm00021_c01","parent_ssim":["vifgm_vifgm00021","vifgm_vifgm00021_c01"],"parent_ids_ssim":["vifgm_vifgm00021","vifgm_vifgm00021_c01"],"parent_unittitles_ssm":["Works Progress Administration oral histories collection","Work Projects Administration Oral Histories"],"parent_unittitles_tesim":["Works Progress Administration oral histories collection","Work Projects Administration Oral Histories"],"text":["Works Progress Administration oral histories collection","Work Projects Administration Oral Histories","Burris-Meyer, Harold,\n                  March 14, 1977","box 2","Folder 10"," Sound technician with Living Newspaper unit of NYC\n                  FTP."],"title_filing_ssi":"Burris-Meyer, Harold,\n                   March 14, 1977","title_ssm":["Burris-Meyer, Harold,\n                  March 14, 1977"],"title_tesim":["Burris-Meyer, Harold,\n                  March 14, 1977"],"normalized_title_ssm":["Burris-Meyer, Harold,\n                  March 14, 1977"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Works Progress Administration oral histories collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":42,"containers_ssim":["box 2","Folder 10"],"scopecontent_html_tesm":["\u003cp\u003e Sound technician with Living Newspaper unit of NYC\n                  FTP.\u003c/p\u003e"],"scopecontent_tesim":[" Sound technician with Living Newspaper unit of NYC\n                  FTP."],"_nest_path_":"/components#0/components#40","timestamp":"2026-05-21T06:45:26.642Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00021","ead_ssi":"vifgm_vifgm00021","_root_":"vifgm_vifgm00021","_nest_parent_":"vifgm_vifgm00021","ead_source_url_ssi":"data/gmu/vifgm00021.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984\n"],"unitdate_inclusive_ssm":["1961-1984\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153\n"],"text":["C0153\n","Works Progress Administration oral histories collection","Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States.","Collection is open to research.\n","This collection is arranged alphabetically by last name of interviewee.\n"," Artist, NY. Permission to quote over 100 words\n                  required.","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture.\n","Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \n","In 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists.\n","Special Collections and Archives also holds the  .\n","This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n","\nThe interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.\n","\nList of Abbreviations:\n","\nCCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration\n"," Widow of playwright Hughes Allison, whose work was\n                  produced by FTP."," Stage manager and director with the Negro unit,\n                  NYC FTP."," Costume designer with SF FTP."," Actress who auditioned for Negro Unit, NYC\n                  FTP."," Composer and director, SF FMP."," Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP."," Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony."," Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre."," Dancer with the Negro unit, NYC FTP. Closed\n                  pending release."," Administrative director of the NYC FTP."," Administrative director of the NYC FTP."," Dancer with Federal Dance Project, NYC."," Worked with the Radio Division of FTP. This is an\n                  untaped interview."," Stage manager with the Manhattan City Projects,\n                  NYC."," Dancer and actor with NYC FTP units."," Set designer for various NYC FTP productions."," Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama."," Step-daughter of Hallie Flanagan. Closed pending\n                  release."," Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview."," Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP."," Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime."," Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required."," Costume designer with SF FTP."," Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview."," Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release."," Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units."," Artist, muralist with NYC FAP. Permission for\n                  publication required."," [see Bolton, Philip.]"," Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview."," [see Bolton, Philip.]"," Costume designer with NYC FTP."," Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP."," Actor with LA FTP. This is an untaped\n                  interview."," Director and actor with Chicago FTP."," Director and actress with Chicago FTP."," Actor with LA FTP."," Director of marionette unit of LA FTP."," Artist with FAP. Permission for publication\n                  required."," Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP."," Actor with Children's unit of NYC FTP."," Sound technician with Living Newspaper unit of NYC\n                  FTP."," Publicist with NYC FTP."," Artist, muralist with FAP. Closed pending\n                  release."," Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."," Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview."," Personnel administrator with NYC and Florida FTP\n                  units."," Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication."," Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime."," Playwright whose work was produced by Denver\n                  FTP."," Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release."," Writer and theater critic. Closed pending\n                  release."," Director of marionette units, SF and LA FTP;\n                  costume designer."," Director of marionette units, SF and LA FTP;\n                  costume designer."," Choreographer and dancer with Federal Dance\n                  Project, NYC FTP."," Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication."," See Schnitzer, Marcella Cisney."," With Children's Theatre unit, NYC FTP."," Theatrical director with Experimental and\n                  Children's units, NYC FTP."," Assistant stage manager with Classical unit, NYC\n                  FTP."," Concertmaster, Illinois Symphony Orchestra."," Director of Play Bureau, NYC FTP."," Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation."," District supervisor with SF FTP."," Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra."," Director of Negro unit, Boston FTP. Permission to\n                  quote required."," Director of Negro unit, Boston FTP."," Playwright whose works were produced by various\n                  FTP units."," Actor with NYC FTP."," Actor with Classical unit,NYC FTP."," Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL."," WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release."," Sculptor with FAP. Permission of interviewer\n                  required for publication."," Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview."," Actress with Roslyn, NY unit of FTP."," Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP."," Actor and director with Radio Division, NYC\n                  FTP."," Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication."," Actor with the Roslyn, NY FTP unit."," Writer with Radio Division, NYC FTP."," Finance administrator, WPA arts projects,\n                  Washington, D.C."," Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release."," Music director with the Negro unit, NYC FTP."," Dancer and choreographer with the dance unit, NYC\n                  FTP."," Dancer with the dance unit, NYC FTP."," Play adapter and choreographer with Classical\n                  unit, NYC FTP."," Assistant to Hallie Flanagan at Smith College;\n                  playwright."," Playwright with Chicago FTP. Permission to quote\n                  over 100 words required."," Assistant stage manager with Negro unit, NYC\n                  FTP."," Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices."," Student of Hallie Flanagan; expert in children's\n                  theater."," Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release."," Set designer with the Roslyn, NY unit of the\n                  FTP."," Actress with the Children's Theatre, NYC FTP."," Set designer with the Los Angeles FTP."," Actress with the Los Angeles FTP."," Musical composer and director with various units,\n                  NYC FMP and FTP."," Musical composer and director with various units,\n                  NYC FMP and FTP."," Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release."," Director of Southwest Experimental unit, Los\n                  Angeles FTP."," Administrative assistant to Hallie Flanagan,\n                  national office, FTP."," Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C."," Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release."," Brother of Hallie Flanagan. This is an untaped\n                  interview."," Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP."," Director of Miami unit, FTP."," Actor with SF FTP"," Actress with the Classical unit, NYC FTP"," Actor with Children's Theatre, NYC FTP"," Writer with Radio Division, Illinois Writers'\n                  Project"," Producer and Theatrical Director, NYC FTP"," Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP"," Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP."," Theatrical director and actor with LA and SF\n                  FTP."," Playwright and technical assistant with the\n                  Detroit FTP."," Composer; accompanist with Dance Project, LA\n                  FTP."," Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP."," Actor, NYC FTP."," Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release."," Dancer with the Dance Project, NYC FTP"," Actor and founder of Chicago Repertory Group,\n                  1933."," Administrator, Bureau of research and Publications\n                  of FTP."," Administrator, Bureau of Research and Publications\n                  of FTP."," Actor with the Chicago FTP."," Dancer with the Chicago FTP."," Actress and dancer with the Vaudeville unit, LA\n                  FTP"," Actor with the LA FTP; director with the Seattle\n                  FTP."," State director of the Illinois FMP."," Publicist with NYC FTP; director, Department of\n                  Information, FTP."," Designer, theater historian; critic."," Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP."," Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP."," Playwright, some of whose works were produced by\n                  various FTP units."," Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required."," Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee."," Art director with the Atlanta FTP."," Staff composer and arranger with FTP."," Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP."," Writer and researcher with the Living Newspaper\n                  unit, NYC FTP."," Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use."," Play reader and playwright with the NYC FTP. Closed\n                  pending release."," Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication."," Writer, critic, producer, designer with the NY\n                  theaters i the 1930s."," Producer and administrator with the Negro and\n                  Classical units, NYC FTP."," Participated in the Resettlement\n                  Administration."," Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview."," Lighting designer with the LA FTP. This is an\n                  untaped interview."," Theatrical director familiar with the LA and NYC\n                  FTP."," Publicist and promotion officer with the NYC\n                  FTP."," Director of information with the NYC FMP."," Actor with the SF FTP."," Songwriter and composer with the NYC FTP."," Choreographer and dancer with the Dance Project,\n                  LA FTP."," Actress with the San Bernardino/Riverside and LA\n                  FTP."," Stagehand with the NYC FTP.Closed pending\n                  release."," Playwright with the NYC FTP."," Administrative director, Chicago and NYC FTP."," Concertmaster of the Grand Rapids, MI FTP\n                  orchestra."," Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA."," Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA."," Playwright whose works were produced by the NYC\n                  FTP. Closed pending release."," Actress with the SF and Oakland FTP. This is an\n                  untaped interview."," Dancer with the Dance Project, NYC FTP."," Actress with the Classical unit, NYC FTP."," Administrator with the National Service Bureau of\n                  the FTP."," Director, National Service Bureau of the FTP."," Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript."," Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript."," Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime."," Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime."," Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee."," Actor with the several units of the NYC FTP."," Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper."," Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime."," Actor with NYC FTP."," Set designer with NYC FTP."," Playwright whose Model Tenements was produced by\n                  the Chicago FTP."," Dancer with the Dance Project, LA FTP."," Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime."," Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida."," Vaudeville performer with the FTP."," Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted."," Puppet artist with the Marionette unit, NYC\n                  FTP."," Actor with the Living Newspaper unit, NYC FTP."," Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime."," Conductor with the Vermont FMP."," Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP."," Administrative director with the Florida FTP."," Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime."," Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime."," Marionette artist with the SF FTP.Quotations must\n                  be accurate."," Playwright whose work was produced by NYC FTP."," Actress with the Classical unit, NYC FTP."," Actor with the Chicago FTP."," Actor with the Atlanta FTP."," Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime."," Publicist with the NYC FTP."," Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP."," Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP."," Costume designer with the NYC FTP."," Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime."," Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview."," Staff member with the Educational Division, NYC\n                  FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency."," Set designer with the NYC FTP."," Worked with the NYC FTP. This is an untaped\n                  interview."," Director with the FTP in the South; later with the\n                  Detroit FTP."," Theatrical director with the Negro unit, NYC\n                  FTP."," Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP."," Director with the Negro unit, LA FTP."," Dancer with the NYC FTP."," Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview."," Director with the Indiana FTP."," Actor with the Seattle FTP."," Dancer and choreographer with the Chicago FTP."," Dancer with the NYC FTP."," Actor with the Chicago FTP."," Writer with the Southwest Experimental unit of the\n                  LA FTP."," Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview."," Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP."," Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release."," Dancer with the NYC FTP."," Director of the Vaudeville productions, LA\n                  FTP."," Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era."," Conductor with the Michigan WPA Symphony\n                  Orchestra."," Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview."," With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus."," Actor with the Children's unit, NYC FTP."," Researcher of the Chinese theater, Research\n                  Department, SF FTP."," Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime."," Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview."," Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication."," Actress and director with the marionette unit of\n                  the Miami FTP."," Playwright in New York and San Francisco; write\n                  with the FWP."," Administrator and legal counsel for the National\n                  Service Bureau, FTP."," Administrator and legal counsel for the National\n                  Service Bureau, FTP."," Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library."," Actor with the Cleveland (OH) FTP."," Composer for various productions, NYC FTP."," Writer and director with the Radio Division, NYC\n                  FTP."," Actress with the NYC FTP."," Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview."," Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication."," Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication."," Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions."," Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview."," Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview."," Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime."," Director with the Experimental unit, NYC\n                  FTP.Closed pending release."," Administrative assistant with the Negro and\n                  Classical units, NYC FTP."," Actress with the Radio Division, NYC FTP."," Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939."," Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939."," Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime."," Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP."," Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP."," Audience member, NYC FTP productions."," Composer, NYC FMP."," Director of the Anglo-Jewish unit, NYC FTP."," Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."," Puppeteer with the Marionette unit, NYC FTP."," Actor with the Classical unit, NYC FTP."," Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview."," Actress, NYC FTP."," Actress, NYC FTP."," Publicist, NYC FTP."," Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago."," Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release."," Concertmaster with the FMP Illinois Symphony."," Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal."," Publicist with the Negro unit, NYC FTP."," Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication."," Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee."," Director, Denver FTP."," Worked with Composers's Forum and Copying Project\n                  of the FMP."," Choreographer, NYC FTP. This is an untaped\n                  interview."," Artist, NY FAP. Permission of interviewer required\n                  for publication."," Songwriter whose works were performed by NYC\n                  FTP."," Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP."," Actor with the Seattle FTP."," Playwright whose work was produced by the FTP."," Composer and arranger with the Vaudeville unit, LA\n                  FTP."," Set designer, LA FTP."," Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release."," Actor with the New Hampshire FTP. Closed pending\n                  release."," Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP."," Playwright in Chicago whose work was produced by\n                  the FTP."," Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP."," Stage Manager with the Mercury Theatre, New\n                  York."," Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release."," Musical director with the Negro and Classical\n                  units, NYC FTP."," Musical director with the Negro and Classical\n                  units. NYC FTP."," Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release."," Administrator, National Play Bureau, NYC FTP."," Worked with the Resettlement Administration."," Actor with the Roslyn, NY FTP."," Dancer with Tamiris's group, Dance Project, NYC\n                  FTP."," Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required."," Playwright based in Chicago whose works were\n                  produced by the FTP."," Actress with the Vaudeville unit, LA FTP."," Stage manager, actor, and lighting technician with\n                  the LA FTP."," Stage manager, actor, and lighting technician, LA\n                  FTP."," Administrator, Atlanta FTP."," Lawyer who represented Orson Welles and John\n                  Houseman."," Director with the NYC FTP."," Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words."," Lighting director and technician with the Chicago\n                  FTP."," Administrator with the Marionette unit of the NYC\n                  FTP."," Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP."," Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime."," Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime."," Stage manager with the Children's theater, NYC\n                  FTP."," Artist with the Illinois and New York FAP."," Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions."," Worked with the GSA; recovered many FAP works and\n                  murals.","There are no restrictions.\n"," This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n","George Mason University.  Special Collections and Archives.\n","George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration.","English\n"],"unitid_tesim":["C0153\n"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture.\n"],"access_subjects_ssim":["Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States."],"access_subjects_ssm":["Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States."],"has_online_content_ssim":["false"],"extent_ssm":["7 linear feet (11 boxes)"],"extent_tesim":["7 linear feet (11 boxes)"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["Collection is open to research.\n"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by last name of interviewee.\n\u003c/p\u003e","\u003cp\u003e Artist, NY. Permission to quote over 100 words\n                  required.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is arranged alphabetically by last name of interviewee.\n"," Artist, NY. Permission to quote over 100 words\n                  required."],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information\n"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture.\n"],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, Collection #C0153, Special Collections and Archives, George Mason University.\n\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, Collection #C0153, Special Collections and Archives, George Mason University.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \n\u003c/p\u003e","\u003cp\u003eIn 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \n","In 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://sca.gmu.edu/theater_collections.htm\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds the  .\n"],"scopecontent_html_tesm":["\u003cp\u003eThis compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n\u003c/p\u003e","\u003cp\u003e\nThe interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.\n\u003c/p\u003e","\u003cp\u003e\nList of Abbreviations:\n\u003c/p\u003e","\u003cp\u003e\nCCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration\n\u003c/p\u003e","\u003cp\u003e Widow of playwright Hughes Allison, whose work was\n                  produced by FTP.\u003c/p\u003e","\u003cp\u003e Stage manager and director with the Negro unit,\n                  NYC FTP.\u003c/p\u003e","\u003cp\u003e Costume designer with SF FTP.\u003c/p\u003e","\u003cp\u003e Actress who auditioned for Negro Unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Composer and director, SF FMP.\u003c/p\u003e","\u003cp\u003e Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003e Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003e Dancer with the Negro unit, NYC FTP. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Administrative director of the NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative director of the NYC FTP.\u003c/p\u003e","\u003cp\u003e Dancer with Federal Dance Project, NYC.\u003c/p\u003e","\u003cp\u003e Worked with the Radio Division of FTP. This is an\n                  untaped interview.\u003c/p\u003e","\u003cp\u003e Stage manager with the Manhattan City Projects,\n                  NYC.\u003c/p\u003e","\u003cp\u003e Dancer and actor with NYC FTP units.\u003c/p\u003e","\u003cp\u003e Set designer for various NYC FTP productions.\u003c/p\u003e","\u003cp\u003e Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama.\u003c/p\u003e","\u003cp\u003e Step-daughter of Hallie Flanagan. Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview.\u003c/p\u003e","\u003cp\u003e Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003e Costume designer with SF FTP.\u003c/p\u003e","\u003cp\u003e Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release.\u003c/p\u003e","\u003cp\u003e Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units.\u003c/p\u003e","\u003cp\u003e Artist, muralist with NYC FAP. Permission for\n                  publication required.\u003c/p\u003e","\u003cp\u003e [see Bolton, Philip.]\u003c/p\u003e","\u003cp\u003e Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview.\u003c/p\u003e","\u003cp\u003e [see Bolton, Philip.]\u003c/p\u003e","\u003cp\u003e Costume designer with NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP.\u003c/p\u003e","\u003cp\u003e Actor with LA FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Director and actor with Chicago FTP.\u003c/p\u003e","\u003cp\u003e Director and actress with Chicago FTP.\u003c/p\u003e","\u003cp\u003e Actor with LA FTP.\u003c/p\u003e","\u003cp\u003e Director of marionette unit of LA FTP.\u003c/p\u003e","\u003cp\u003e Artist with FAP. Permission for publication\n                  required.\u003c/p\u003e","\u003cp\u003e Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP.\u003c/p\u003e","\u003cp\u003e Actor with Children's unit of NYC FTP.\u003c/p\u003e","\u003cp\u003e Sound technician with Living Newspaper unit of NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Publicist with NYC FTP.\u003c/p\u003e","\u003cp\u003e Artist, muralist with FAP. Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Personnel administrator with NYC and Florida FTP\n                  units.\u003c/p\u003e","\u003cp\u003e Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication.\u003c/p\u003e","\u003cp\u003e Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Playwright whose work was produced by Denver\n                  FTP.\u003c/p\u003e","\u003cp\u003e Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release.\u003c/p\u003e","\u003cp\u003e Writer and theater critic. Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Director of marionette units, SF and LA FTP;\n                  costume designer.\u003c/p\u003e","\u003cp\u003e Director of marionette units, SF and LA FTP;\n                  costume designer.\u003c/p\u003e","\u003cp\u003e Choreographer and dancer with Federal Dance\n                  Project, NYC FTP.\u003c/p\u003e","\u003cp\u003e Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e See Schnitzer, Marcella Cisney.\u003c/p\u003e","\u003cp\u003e With Children's Theatre unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director with Experimental and\n                  Children's units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Assistant stage manager with Classical unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Concertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003e Director of Play Bureau, NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation.\u003c/p\u003e","\u003cp\u003e District supervisor with SF FTP.\u003c/p\u003e","\u003cp\u003e Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003e Director of Negro unit, Boston FTP. Permission to\n                  quote required.\u003c/p\u003e","\u003cp\u003e Director of Negro unit, Boston FTP.\u003c/p\u003e","\u003cp\u003e Playwright whose works were produced by various\n                  FTP units.\u003c/p\u003e","\u003cp\u003e Actor with NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with Classical unit,NYC FTP.\u003c/p\u003e","\u003cp\u003e Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL.\u003c/p\u003e","\u003cp\u003e WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release.\u003c/p\u003e","\u003cp\u003e Sculptor with FAP. Permission of interviewer\n                  required for publication.\u003c/p\u003e","\u003cp\u003e Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Actress with Roslyn, NY unit of FTP.\u003c/p\u003e","\u003cp\u003e Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP.\u003c/p\u003e","\u003cp\u003e Actor and director with Radio Division, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Actor with the Roslyn, NY FTP unit.\u003c/p\u003e","\u003cp\u003e Writer with Radio Division, NYC FTP.\u003c/p\u003e","\u003cp\u003e Finance administrator, WPA arts projects,\n                  Washington, D.C.\u003c/p\u003e","\u003cp\u003e Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Music director with the Negro unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Dancer and choreographer with the dance unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the dance unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Play adapter and choreographer with Classical\n                  unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Assistant to Hallie Flanagan at Smith College;\n                  playwright.\u003c/p\u003e","\u003cp\u003e Playwright with Chicago FTP. Permission to quote\n                  over 100 words required.\u003c/p\u003e","\u003cp\u003e Assistant stage manager with Negro unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices.\u003c/p\u003e","\u003cp\u003e Student of Hallie Flanagan; expert in children's\n                  theater.\u003c/p\u003e","\u003cp\u003e Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release.\u003c/p\u003e","\u003cp\u003e Set designer with the Roslyn, NY unit of the\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Children's Theatre, NYC FTP.\u003c/p\u003e","\u003cp\u003e Set designer with the Los Angeles FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Los Angeles FTP.\u003c/p\u003e","\u003cp\u003e Musical composer and director with various units,\n                  NYC FMP and FTP.\u003c/p\u003e","\u003cp\u003e Musical composer and director with various units,\n                  NYC FMP and FTP.\u003c/p\u003e","\u003cp\u003e Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Director of Southwest Experimental unit, Los\n                  Angeles FTP.\u003c/p\u003e","\u003cp\u003e Administrative assistant to Hallie Flanagan,\n                  national office, FTP.\u003c/p\u003e","\u003cp\u003e Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003e Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Brother of Hallie Flanagan. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of Miami unit, FTP.\u003c/p\u003e","\u003cp\u003e Actor with SF FTP\u003c/p\u003e","\u003cp\u003e Actress with the Classical unit, NYC FTP\u003c/p\u003e","\u003cp\u003e Actor with Children's Theatre, NYC FTP\u003c/p\u003e","\u003cp\u003e Writer with Radio Division, Illinois Writers'\n                  Project\u003c/p\u003e","\u003cp\u003e Producer and Theatrical Director, NYC FTP\u003c/p\u003e","\u003cp\u003e Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP\u003c/p\u003e","\u003cp\u003e Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director and actor with LA and SF\n                  FTP.\u003c/p\u003e","\u003cp\u003e Playwright and technical assistant with the\n                  Detroit FTP.\u003c/p\u003e","\u003cp\u003e Composer; accompanist with Dance Project, LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor, NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Dancer with the Dance Project, NYC FTP\u003c/p\u003e","\u003cp\u003e Actor and founder of Chicago Repertory Group,\n                  1933.\u003c/p\u003e","\u003cp\u003e Administrator, Bureau of research and Publications\n                  of FTP.\u003c/p\u003e","\u003cp\u003e Administrator, Bureau of Research and Publications\n                  of FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Actress and dancer with the Vaudeville unit, LA\n                  FTP\u003c/p\u003e","\u003cp\u003e Actor with the LA FTP; director with the Seattle\n                  FTP.\u003c/p\u003e","\u003cp\u003e State director of the Illinois FMP.\u003c/p\u003e","\u003cp\u003e Publicist with NYC FTP; director, Department of\n                  Information, FTP.\u003c/p\u003e","\u003cp\u003e Designer, theater historian; critic.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.\u003c/p\u003e","\u003cp\u003e Playwright, some of whose works were produced by\n                  various FTP units.\u003c/p\u003e","\u003cp\u003e Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003e Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee.\u003c/p\u003e","\u003cp\u003e Art director with the Atlanta FTP.\u003c/p\u003e","\u003cp\u003e Staff composer and arranger with FTP.\u003c/p\u003e","\u003cp\u003e Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and researcher with the Living Newspaper\n                  unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use.\u003c/p\u003e","\u003cp\u003e Play reader and playwright with the NYC FTP. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Writer, critic, producer, designer with the NY\n                  theaters i the 1930s.\u003c/p\u003e","\u003cp\u003e Producer and administrator with the Negro and\n                  Classical units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Participated in the Resettlement\n                  Administration.\u003c/p\u003e","\u003cp\u003e Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Lighting designer with the LA FTP. This is an\n                  untaped interview.\u003c/p\u003e","\u003cp\u003e Theatrical director familiar with the LA and NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Publicist and promotion officer with the NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Director of information with the NYC FMP.\u003c/p\u003e","\u003cp\u003e Actor with the SF FTP.\u003c/p\u003e","\u003cp\u003e Songwriter and composer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Choreographer and dancer with the Dance Project,\n                  LA FTP.\u003c/p\u003e","\u003cp\u003e Actress with the San Bernardino/Riverside and LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Stagehand with the NYC FTP.Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Playwright with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative director, Chicago and NYC FTP.\u003c/p\u003e","\u003cp\u003e Concertmaster of the Grand Rapids, MI FTP\n                  orchestra.\u003c/p\u003e","\u003cp\u003e Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.\u003c/p\u003e","\u003cp\u003e Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.\u003c/p\u003e","\u003cp\u003e Playwright whose works were produced by the NYC\n                  FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Actress with the SF and Oakland FTP. This is an\n                  untaped interview.\u003c/p\u003e","\u003cp\u003e Dancer with the Dance Project, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrator with the National Service Bureau of\n                  the FTP.\u003c/p\u003e","\u003cp\u003e Director, National Service Bureau of the FTP.\u003c/p\u003e","\u003cp\u003e Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript.\u003c/p\u003e","\u003cp\u003e Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript.\u003c/p\u003e","\u003cp\u003e Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime.\u003c/p\u003e","\u003cp\u003e Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee.\u003c/p\u003e","\u003cp\u003e Actor with the several units of the NYC FTP.\u003c/p\u003e","\u003cp\u003e Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003e Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Actor with NYC FTP.\u003c/p\u003e","\u003cp\u003e Set designer with NYC FTP.\u003c/p\u003e","\u003cp\u003e Playwright whose Model Tenements was produced by\n                  the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the Dance Project, LA FTP.\u003c/p\u003e","\u003cp\u003e Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003e Vaudeville performer with the FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted.\u003c/p\u003e","\u003cp\u003e Puppet artist with the Marionette unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Living Newspaper unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime.\u003c/p\u003e","\u003cp\u003e Conductor with the Vermont FMP.\u003c/p\u003e","\u003cp\u003e Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative director with the Florida FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Marionette artist with the SF FTP.Quotations must\n                  be accurate.\u003c/p\u003e","\u003cp\u003e Playwright whose work was produced by NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Atlanta FTP.\u003c/p\u003e","\u003cp\u003e Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Publicist with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.\u003c/p\u003e","\u003cp\u003e Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.\u003c/p\u003e","\u003cp\u003e Costume designer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Staff member with the Educational Division, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e","\u003cp\u003e Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency.\u003c/p\u003e","\u003cp\u003e Set designer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Worked with the NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Director with the FTP in the South; later with the\n                  Detroit FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Negro unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP.\u003c/p\u003e","\u003cp\u003e Director with the Negro unit, LA FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Director with the Indiana FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Seattle FTP.\u003c/p\u003e","\u003cp\u003e Dancer and choreographer with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Writer with the Southwest Experimental unit of the\n                  LA FTP.\u003c/p\u003e","\u003cp\u003e Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release.\u003c/p\u003e","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of the Vaudeville productions, LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era.\u003c/p\u003e","\u003cp\u003e Conductor with the Michigan WPA Symphony\n                  Orchestra.\u003c/p\u003e","\u003cp\u003e Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview.\u003c/p\u003e","\u003cp\u003e With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus.\u003c/p\u003e","\u003cp\u003e Actor with the Children's unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Researcher of the Chinese theater, Research\n                  Department, SF FTP.\u003c/p\u003e","\u003cp\u003e Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview.\u003c/p\u003e","\u003cp\u003e Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Actress and director with the marionette unit of\n                  the Miami FTP.\u003c/p\u003e","\u003cp\u003e Playwright in New York and San Francisco; write\n                  with the FWP.\u003c/p\u003e","\u003cp\u003e Administrator and legal counsel for the National\n                  Service Bureau, FTP.\u003c/p\u003e","\u003cp\u003e Administrator and legal counsel for the National\n                  Service Bureau, FTP.\u003c/p\u003e","\u003cp\u003e Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003e Actor with the Cleveland (OH) FTP.\u003c/p\u003e","\u003cp\u003e Composer for various productions, NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and director with the Radio Division, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actress with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003e Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview.\u003c/p\u003e","\u003cp\u003e Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime.\u003c/p\u003e","\u003cp\u003e Director with the Experimental unit, NYC\n                  FTP.Closed pending release.\u003c/p\u003e","\u003cp\u003e Administrative assistant with the Negro and\n                  Classical units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Radio Division, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.\u003c/p\u003e","\u003cp\u003e Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.\u003c/p\u003e","\u003cp\u003e Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP.\u003c/p\u003e","\u003cp\u003e Audience member, NYC FTP productions.\u003c/p\u003e","\u003cp\u003e Composer, NYC FMP.\u003c/p\u003e","\u003cp\u003e Director of the Anglo-Jewish unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Puppeteer with the Marionette unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Actress, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress, NYC FTP.\u003c/p\u003e","\u003cp\u003e Publicist, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003e Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Concertmaster with the FMP Illinois Symphony.\u003c/p\u003e","\u003cp\u003e Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal.\u003c/p\u003e","\u003cp\u003e Publicist with the Negro unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication.\u003c/p\u003e","\u003cp\u003e Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003e Director, Denver FTP.\u003c/p\u003e","\u003cp\u003e Worked with Composers's Forum and Copying Project\n                  of the FMP.\u003c/p\u003e","\u003cp\u003e Choreographer, NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Artist, NY FAP. Permission of interviewer required\n                  for publication.\u003c/p\u003e","\u003cp\u003e Songwriter whose works were performed by NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Seattle FTP.\u003c/p\u003e","\u003cp\u003e Playwright whose work was produced by the FTP.\u003c/p\u003e","\u003cp\u003e Composer and arranger with the Vaudeville unit, LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Set designer, LA FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Actor with the New Hampshire FTP. Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Playwright in Chicago whose work was produced by\n                  the FTP.\u003c/p\u003e","\u003cp\u003e Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP.\u003c/p\u003e","\u003cp\u003e Stage Manager with the Mercury Theatre, New\n                  York.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Musical director with the Negro and Classical\n                  units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Musical director with the Negro and Classical\n                  units. NYC FTP.\u003c/p\u003e","\u003cp\u003e Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release.\u003c/p\u003e","\u003cp\u003e Administrator, National Play Bureau, NYC FTP.\u003c/p\u003e","\u003cp\u003e Worked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003e Actor with the Roslyn, NY FTP.\u003c/p\u003e","\u003cp\u003e Dancer with Tamiris's group, Dance Project, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required.\u003c/p\u003e","\u003cp\u003e Playwright based in Chicago whose works were\n                  produced by the FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Vaudeville unit, LA FTP.\u003c/p\u003e","\u003cp\u003e Stage manager, actor, and lighting technician with\n                  the LA FTP.\u003c/p\u003e","\u003cp\u003e Stage manager, actor, and lighting technician, LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Administrator, Atlanta FTP.\u003c/p\u003e","\u003cp\u003e Lawyer who represented Orson Welles and John\n                  Houseman.\u003c/p\u003e","\u003cp\u003e Director with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words.\u003c/p\u003e","\u003cp\u003e Lighting director and technician with the Chicago\n                  FTP.\u003c/p\u003e","\u003cp\u003e Administrator with the Marionette unit of the NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.\u003c/p\u003e","\u003cp\u003e Stage manager with the Children's theater, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Artist with the Illinois and New York FAP.\u003c/p\u003e","\u003cp\u003e Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions.\u003c/p\u003e","\u003cp\u003e Worked with the GSA; recovered many FAP works and\n                  murals.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n","\nThe interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.\n","\nList of Abbreviations:\n","\nCCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration\n"," Widow of playwright Hughes Allison, whose work was\n                  produced by FTP."," Stage manager and director with the Negro unit,\n                  NYC FTP."," Costume designer with SF FTP."," Actress who auditioned for Negro Unit, NYC\n                  FTP."," Composer and director, SF FMP."," Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP."," Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony."," Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre."," Dancer with the Negro unit, NYC FTP. Closed\n                  pending release."," Administrative director of the NYC FTP."," Administrative director of the NYC FTP."," Dancer with Federal Dance Project, NYC."," Worked with the Radio Division of FTP. This is an\n                  untaped interview."," Stage manager with the Manhattan City Projects,\n                  NYC."," Dancer and actor with NYC FTP units."," Set designer for various NYC FTP productions."," Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama."," Step-daughter of Hallie Flanagan. Closed pending\n                  release."," Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview."," Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP."," Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime."," Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required."," Costume designer with SF FTP."," Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview."," Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release."," Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units."," Artist, muralist with NYC FAP. Permission for\n                  publication required."," [see Bolton, Philip.]"," Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview."," [see Bolton, Philip.]"," Costume designer with NYC FTP."," Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP."," Actor with LA FTP. This is an untaped\n                  interview."," Director and actor with Chicago FTP."," Director and actress with Chicago FTP."," Actor with LA FTP."," Director of marionette unit of LA FTP."," Artist with FAP. Permission for publication\n                  required."," Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP."," Actor with Children's unit of NYC FTP."," Sound technician with Living Newspaper unit of NYC\n                  FTP."," Publicist with NYC FTP."," Artist, muralist with FAP. Closed pending\n                  release."," Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."," Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview."," Personnel administrator with NYC and Florida FTP\n                  units."," Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication."," Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime."," Playwright whose work was produced by Denver\n                  FTP."," Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release."," Writer and theater critic. Closed pending\n                  release."," Director of marionette units, SF and LA FTP;\n                  costume designer."," Director of marionette units, SF and LA FTP;\n                  costume designer."," Choreographer and dancer with Federal Dance\n                  Project, NYC FTP."," Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication."," See Schnitzer, Marcella Cisney."," With Children's Theatre unit, NYC FTP."," Theatrical director with Experimental and\n                  Children's units, NYC FTP."," Assistant stage manager with Classical unit, NYC\n                  FTP."," Concertmaster, Illinois Symphony Orchestra."," Director of Play Bureau, NYC FTP."," Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation."," District supervisor with SF FTP."," Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra."," Director of Negro unit, Boston FTP. Permission to\n                  quote required."," Director of Negro unit, Boston FTP."," Playwright whose works were produced by various\n                  FTP units."," Actor with NYC FTP."," Actor with Classical unit,NYC FTP."," Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL."," WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release."," Sculptor with FAP. Permission of interviewer\n                  required for publication."," Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview."," Actress with Roslyn, NY unit of FTP."," Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP."," Actor and director with Radio Division, NYC\n                  FTP."," Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication."," Actor with the Roslyn, NY FTP unit."," Writer with Radio Division, NYC FTP."," Finance administrator, WPA arts projects,\n                  Washington, D.C."," Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release."," Music director with the Negro unit, NYC FTP."," Dancer and choreographer with the dance unit, NYC\n                  FTP."," Dancer with the dance unit, NYC FTP."," Play adapter and choreographer with Classical\n                  unit, NYC FTP."," Assistant to Hallie Flanagan at Smith College;\n                  playwright."," Playwright with Chicago FTP. Permission to quote\n                  over 100 words required."," Assistant stage manager with Negro unit, NYC\n                  FTP."," Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices."," Student of Hallie Flanagan; expert in children's\n                  theater."," Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release."," Set designer with the Roslyn, NY unit of the\n                  FTP."," Actress with the Children's Theatre, NYC FTP."," Set designer with the Los Angeles FTP."," Actress with the Los Angeles FTP."," Musical composer and director with various units,\n                  NYC FMP and FTP."," Musical composer and director with various units,\n                  NYC FMP and FTP."," Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release."," Director of Southwest Experimental unit, Los\n                  Angeles FTP."," Administrative assistant to Hallie Flanagan,\n                  national office, FTP."," Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C."," Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release."," Brother of Hallie Flanagan. This is an untaped\n                  interview."," Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP."," Director of Miami unit, FTP."," Actor with SF FTP"," Actress with the Classical unit, NYC FTP"," Actor with Children's Theatre, NYC FTP"," Writer with Radio Division, Illinois Writers'\n                  Project"," Producer and Theatrical Director, NYC FTP"," Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP"," Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP."," Theatrical director and actor with LA and SF\n                  FTP."," Playwright and technical assistant with the\n                  Detroit FTP."," Composer; accompanist with Dance Project, LA\n                  FTP."," Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP."," Actor, NYC FTP."," Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release."," Dancer with the Dance Project, NYC FTP"," Actor and founder of Chicago Repertory Group,\n                  1933."," Administrator, Bureau of research and Publications\n                  of FTP."," Administrator, Bureau of Research and Publications\n                  of FTP."," Actor with the Chicago FTP."," Dancer with the Chicago FTP."," Actress and dancer with the Vaudeville unit, LA\n                  FTP"," Actor with the LA FTP; director with the Seattle\n                  FTP."," State director of the Illinois FMP."," Publicist with NYC FTP; director, Department of\n                  Information, FTP."," Designer, theater historian; critic."," Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP."," Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP."," Playwright, some of whose works were produced by\n                  various FTP units."," Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required."," Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee."," Art director with the Atlanta FTP."," Staff composer and arranger with FTP."," Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP."," Writer and researcher with the Living Newspaper\n                  unit, NYC FTP."," Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use."," Play reader and playwright with the NYC FTP. Closed\n                  pending release."," Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication."," Writer, critic, producer, designer with the NY\n                  theaters i the 1930s."," Producer and administrator with the Negro and\n                  Classical units, NYC FTP."," Participated in the Resettlement\n                  Administration."," Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview."," Lighting designer with the LA FTP. This is an\n                  untaped interview."," Theatrical director familiar with the LA and NYC\n                  FTP."," Publicist and promotion officer with the NYC\n                  FTP."," Director of information with the NYC FMP."," Actor with the SF FTP."," Songwriter and composer with the NYC FTP."," Choreographer and dancer with the Dance Project,\n                  LA FTP."," Actress with the San Bernardino/Riverside and LA\n                  FTP."," Stagehand with the NYC FTP.Closed pending\n                  release."," Playwright with the NYC FTP."," Administrative director, Chicago and NYC FTP."," Concertmaster of the Grand Rapids, MI FTP\n                  orchestra."," Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA."," Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA."," Playwright whose works were produced by the NYC\n                  FTP. Closed pending release."," Actress with the SF and Oakland FTP. This is an\n                  untaped interview."," Dancer with the Dance Project, NYC FTP."," Actress with the Classical unit, NYC FTP."," Administrator with the National Service Bureau of\n                  the FTP."," Director, National Service Bureau of the FTP."," Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript."," Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript."," Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime."," Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime."," Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee."," Actor with the several units of the NYC FTP."," Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper."," Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime."," Actor with NYC FTP."," Set designer with NYC FTP."," Playwright whose Model Tenements was produced by\n                  the Chicago FTP."," Dancer with the Dance Project, LA FTP."," Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime."," Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida."," Vaudeville performer with the FTP."," Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted."," Puppet artist with the Marionette unit, NYC\n                  FTP."," Actor with the Living Newspaper unit, NYC FTP."," Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime."," Conductor with the Vermont FMP."," Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP."," Administrative director with the Florida FTP."," Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime."," Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime."," Marionette artist with the SF FTP.Quotations must\n                  be accurate."," Playwright whose work was produced by NYC FTP."," Actress with the Classical unit, NYC FTP."," Actor with the Chicago FTP."," Actor with the Atlanta FTP."," Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime."," Publicist with the NYC FTP."," Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP."," Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP."," Costume designer with the NYC FTP."," Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime."," Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview."," Staff member with the Educational Division, NYC\n                  FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency."," Set designer with the NYC FTP."," Worked with the NYC FTP. This is an untaped\n                  interview."," Director with the FTP in the South; later with the\n                  Detroit FTP."," Theatrical director with the Negro unit, NYC\n                  FTP."," Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP."," Director with the Negro unit, LA FTP."," Dancer with the NYC FTP."," Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview."," Director with the Indiana FTP."," Actor with the Seattle FTP."," Dancer and choreographer with the Chicago FTP."," Dancer with the NYC FTP."," Actor with the Chicago FTP."," Writer with the Southwest Experimental unit of the\n                  LA FTP."," Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview."," Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP."," Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release."," Dancer with the NYC FTP."," Director of the Vaudeville productions, LA\n                  FTP."," Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era."," Conductor with the Michigan WPA Symphony\n                  Orchestra."," Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview."," With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus."," Actor with the Children's unit, NYC FTP."," Researcher of the Chinese theater, Research\n                  Department, SF FTP."," Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime."," Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview."," Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication."," Actress and director with the marionette unit of\n                  the Miami FTP."," Playwright in New York and San Francisco; write\n                  with the FWP."," Administrator and legal counsel for the National\n                  Service Bureau, FTP."," Administrator and legal counsel for the National\n                  Service Bureau, FTP."," Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library."," Actor with the Cleveland (OH) FTP."," Composer for various productions, NYC FTP."," Writer and director with the Radio Division, NYC\n                  FTP."," Actress with the NYC FTP."," Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview."," Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication."," Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication."," Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions."," Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview."," Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview."," Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime."," Director with the Experimental unit, NYC\n                  FTP.Closed pending release."," Administrative assistant with the Negro and\n                  Classical units, NYC FTP."," Actress with the Radio Division, NYC FTP."," Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939."," Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939."," Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime."," Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP."," Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP."," Audience member, NYC FTP productions."," Composer, NYC FMP."," Director of the Anglo-Jewish unit, NYC FTP."," Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."," Puppeteer with the Marionette unit, NYC FTP."," Actor with the Classical unit, NYC FTP."," Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview."," Actress, NYC FTP."," Actress, NYC FTP."," Publicist, NYC FTP."," Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago."," Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release."," Concertmaster with the FMP Illinois Symphony."," Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal."," Publicist with the Negro unit, NYC FTP."," Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication."," Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee."," Director, Denver FTP."," Worked with Composers's Forum and Copying Project\n                  of the FMP."," Choreographer, NYC FTP. This is an untaped\n                  interview."," Artist, NY FAP. Permission of interviewer required\n                  for publication."," Songwriter whose works were performed by NYC\n                  FTP."," Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP."," Actor with the Seattle FTP."," Playwright whose work was produced by the FTP."," Composer and arranger with the Vaudeville unit, LA\n                  FTP."," Set designer, LA FTP."," Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release."," Actor with the New Hampshire FTP. Closed pending\n                  release."," Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP."," Playwright in Chicago whose work was produced by\n                  the FTP."," Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP."," Stage Manager with the Mercury Theatre, New\n                  York."," Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release."," Musical director with the Negro and Classical\n                  units, NYC FTP."," Musical director with the Negro and Classical\n                  units. NYC FTP."," Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release."," Administrator, National Play Bureau, NYC FTP."," Worked with the Resettlement Administration."," Actor with the Roslyn, NY FTP."," Dancer with Tamiris's group, Dance Project, NYC\n                  FTP."," Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required."," Playwright based in Chicago whose works were\n                  produced by the FTP."," Actress with the Vaudeville unit, LA FTP."," Stage manager, actor, and lighting technician with\n                  the LA FTP."," Stage manager, actor, and lighting technician, LA\n                  FTP."," Administrator, Atlanta FTP."," Lawyer who represented Orson Welles and John\n                  Houseman."," Director with the NYC FTP."," Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words."," Lighting director and technician with the Chicago\n                  FTP."," Administrator with the Marionette unit of the NYC\n                  FTP."," Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP."," Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime."," Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime."," Stage manager with the Children's theater, NYC\n                  FTP."," Artist with the Illinois and New York FAP."," Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions."," Worked with the GSA; recovered many FAP works and\n                  murals."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003e This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n\u003c/abstract\u003e"],"abstract_tesim":[" This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration."],"language_ssim":["English\n"],"total_component_count_is":319,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:45:26.642Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_vifgm00021_c01_c41"}},{"id":"vifgm_repositories_2_resources_190_c01_c39","type":"File","attributes":{"title":"Buttitta, Tony","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c01_c39#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c01_c39#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_190_c01_c39","ref_ssm":["vifgm_repositories_2_resources_190_c01_c39"],"id":"vifgm_repositories_2_resources_190_c01_c39","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190_c01","parent_ssi":"vifgm_repositories_2_resources_190_c01","parent_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c01"],"parent_unittitles_ssm":["Works Progress Administration oral histories collection","Series 1: Transcripts"],"parent_unittitles_tesim":["Works Progress Administration oral histories collection","Series 1: Transcripts"],"text":["Works Progress Administration oral histories collection","Series 1: Transcripts","Buttitta, Tony","box 2","folder 14","Publicist with New York City Federal Theatre Project."],"title_filing_ssi":"Buttitta, Tony","title_ssm":["Buttitta, Tony"],"title_tesim":["Buttitta, Tony"],"unitdate_other_ssim":["January 11, 1977"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["Buttitta, Tony"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Works Progress Administration oral histories collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":40,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1977],"containers_ssim":["box 2","folder 14"],"scopecontent_html_tesm":["\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Publicist with New York City Federal Theatre Project."],"_nest_path_":"/components#0/components#38","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"text":["C0153","/repositories/2/resources/190","Works Progress Administration oral histories collection","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the  .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e\n","\u003cp\u003eOrganized into two series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":673,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c01_c39"}},{"id":"vifgm_repositories_2_resources_190_c02_c01_c42","type":"Item","attributes":{"title":"Buttitta, Tony","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c42#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e2 cassette tapes\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c42#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_190_c02_c01_c42","ref_ssm":["vifgm_repositories_2_resources_190_c02_c01_c42"],"id":"vifgm_repositories_2_resources_190_c02_c01_c42","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190_c02_c01","parent_ssi":"vifgm_repositories_2_resources_190_c02_c01","parent_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01"],"parent_unittitles_ssm":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews"],"parent_unittitles_tesim":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews"],"text":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews","Buttitta, Tony","box 15","2 cassette tapes"],"title_filing_ssi":"Buttitta, Tony","title_ssm":["Buttitta, Tony"],"title_tesim":["Buttitta, Tony"],"unitdate_other_ssim":["January 11, 1977"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["Buttitta, Tony"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Works Progress Administration oral histories collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":332,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1977],"containers_ssim":["box 15"],"scopecontent_html_tesm":["\u003cp\u003e2 cassette tapes\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["2 cassette tapes"],"_nest_path_":"/components#1/components#0/components#41","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"text":["C0153","/repositories/2/resources/190","Works Progress Administration oral histories collection","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the  .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e\n","\u003cp\u003eOrganized into two series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":673,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c42"}},{"id":"vifgm_vifgm00021_c01_c42","type":"File","attributes":{"title":"Buttitta, Tony,\n                  January 11, 1977","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00021_c01_c42#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e Publicist with NYC FTP.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00021_c01_c42#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_vifgm00021_c01_c42","ref_ssm":["vifgm_vifgm00021_c01_c42"],"id":"vifgm_vifgm00021_c01_c42","ead_ssi":"vifgm_vifgm00021","_root_":"vifgm_vifgm00021","_nest_parent_":"vifgm_vifgm00021_c01","parent_ssi":"vifgm_vifgm00021_c01","parent_ssim":["vifgm_vifgm00021","vifgm_vifgm00021_c01"],"parent_ids_ssim":["vifgm_vifgm00021","vifgm_vifgm00021_c01"],"parent_unittitles_ssm":["Works Progress Administration oral histories collection","Work Projects Administration Oral Histories"],"parent_unittitles_tesim":["Works Progress Administration oral histories collection","Work Projects Administration Oral Histories"],"text":["Works Progress Administration oral histories collection","Work Projects Administration Oral Histories","Buttitta, Tony,\n                  January 11, 1977","box 2","Folder 11"," Publicist with NYC FTP."],"title_filing_ssi":"Buttitta, Tony,\n                   January 11, 1977","title_ssm":["Buttitta, Tony,\n                  January 11, 1977"],"title_tesim":["Buttitta, Tony,\n                  January 11, 1977"],"normalized_title_ssm":["Buttitta, Tony,\n                  January 11, 1977"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Works Progress Administration oral histories collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":43,"containers_ssim":["box 2","Folder 11"],"scopecontent_html_tesm":["\u003cp\u003e Publicist with NYC FTP.\u003c/p\u003e"],"scopecontent_tesim":[" Publicist with NYC FTP."],"_nest_path_":"/components#0/components#41","timestamp":"2026-05-21T06:45:26.642Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00021","ead_ssi":"vifgm_vifgm00021","_root_":"vifgm_vifgm00021","_nest_parent_":"vifgm_vifgm00021","ead_source_url_ssi":"data/gmu/vifgm00021.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984\n"],"unitdate_inclusive_ssm":["1961-1984\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153\n"],"text":["C0153\n","Works Progress Administration oral histories collection","Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States.","Collection is open to research.\n","This collection is arranged alphabetically by last name of interviewee.\n"," Artist, NY. Permission to quote over 100 words\n                  required.","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture.\n","Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \n","In 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists.\n","Special Collections and Archives also holds the  .\n","This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n","\nThe interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.\n","\nList of Abbreviations:\n","\nCCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration\n"," Widow of playwright Hughes Allison, whose work was\n                  produced by FTP."," Stage manager and director with the Negro unit,\n                  NYC FTP."," Costume designer with SF FTP."," Actress who auditioned for Negro Unit, NYC\n                  FTP."," Composer and director, SF FMP."," Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP."," Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony."," Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre."," Dancer with the Negro unit, NYC FTP. Closed\n                  pending release."," Administrative director of the NYC FTP."," Administrative director of the NYC FTP."," Dancer with Federal Dance Project, NYC."," Worked with the Radio Division of FTP. This is an\n                  untaped interview."," Stage manager with the Manhattan City Projects,\n                  NYC."," Dancer and actor with NYC FTP units."," Set designer for various NYC FTP productions."," Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama."," Step-daughter of Hallie Flanagan. Closed pending\n                  release."," Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview."," Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP."," Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime."," Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required."," Costume designer with SF FTP."," Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview."," Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release."," Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units."," Artist, muralist with NYC FAP. Permission for\n                  publication required."," [see Bolton, Philip.]"," Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview."," [see Bolton, Philip.]"," Costume designer with NYC FTP."," Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP."," Actor with LA FTP. This is an untaped\n                  interview."," Director and actor with Chicago FTP."," Director and actress with Chicago FTP."," Actor with LA FTP."," Director of marionette unit of LA FTP."," Artist with FAP. Permission for publication\n                  required."," Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP."," Actor with Children's unit of NYC FTP."," Sound technician with Living Newspaper unit of NYC\n                  FTP."," Publicist with NYC FTP."," Artist, muralist with FAP. Closed pending\n                  release."," Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."," Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview."," Personnel administrator with NYC and Florida FTP\n                  units."," Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication."," Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime."," Playwright whose work was produced by Denver\n                  FTP."," Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release."," Writer and theater critic. Closed pending\n                  release."," Director of marionette units, SF and LA FTP;\n                  costume designer."," Director of marionette units, SF and LA FTP;\n                  costume designer."," Choreographer and dancer with Federal Dance\n                  Project, NYC FTP."," Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication."," See Schnitzer, Marcella Cisney."," With Children's Theatre unit, NYC FTP."," Theatrical director with Experimental and\n                  Children's units, NYC FTP."," Assistant stage manager with Classical unit, NYC\n                  FTP."," Concertmaster, Illinois Symphony Orchestra."," Director of Play Bureau, NYC FTP."," Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation."," District supervisor with SF FTP."," Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra."," Director of Negro unit, Boston FTP. Permission to\n                  quote required."," Director of Negro unit, Boston FTP."," Playwright whose works were produced by various\n                  FTP units."," Actor with NYC FTP."," Actor with Classical unit,NYC FTP."," Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL."," WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release."," Sculptor with FAP. Permission of interviewer\n                  required for publication."," Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview."," Actress with Roslyn, NY unit of FTP."," Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP."," Actor and director with Radio Division, NYC\n                  FTP."," Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication."," Actor with the Roslyn, NY FTP unit."," Writer with Radio Division, NYC FTP."," Finance administrator, WPA arts projects,\n                  Washington, D.C."," Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release."," Music director with the Negro unit, NYC FTP."," Dancer and choreographer with the dance unit, NYC\n                  FTP."," Dancer with the dance unit, NYC FTP."," Play adapter and choreographer with Classical\n                  unit, NYC FTP."," Assistant to Hallie Flanagan at Smith College;\n                  playwright."," Playwright with Chicago FTP. Permission to quote\n                  over 100 words required."," Assistant stage manager with Negro unit, NYC\n                  FTP."," Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices."," Student of Hallie Flanagan; expert in children's\n                  theater."," Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release."," Set designer with the Roslyn, NY unit of the\n                  FTP."," Actress with the Children's Theatre, NYC FTP."," Set designer with the Los Angeles FTP."," Actress with the Los Angeles FTP."," Musical composer and director with various units,\n                  NYC FMP and FTP."," Musical composer and director with various units,\n                  NYC FMP and FTP."," Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release."," Director of Southwest Experimental unit, Los\n                  Angeles FTP."," Administrative assistant to Hallie Flanagan,\n                  national office, FTP."," Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C."," Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release."," Brother of Hallie Flanagan. This is an untaped\n                  interview."," Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP."," Director of Miami unit, FTP."," Actor with SF FTP"," Actress with the Classical unit, NYC FTP"," Actor with Children's Theatre, NYC FTP"," Writer with Radio Division, Illinois Writers'\n                  Project"," Producer and Theatrical Director, NYC FTP"," Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP"," Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP."," Theatrical director and actor with LA and SF\n                  FTP."," Playwright and technical assistant with the\n                  Detroit FTP."," Composer; accompanist with Dance Project, LA\n                  FTP."," Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP."," Actor, NYC FTP."," Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release."," Dancer with the Dance Project, NYC FTP"," Actor and founder of Chicago Repertory Group,\n                  1933."," Administrator, Bureau of research and Publications\n                  of FTP."," Administrator, Bureau of Research and Publications\n                  of FTP."," Actor with the Chicago FTP."," Dancer with the Chicago FTP."," Actress and dancer with the Vaudeville unit, LA\n                  FTP"," Actor with the LA FTP; director with the Seattle\n                  FTP."," State director of the Illinois FMP."," Publicist with NYC FTP; director, Department of\n                  Information, FTP."," Designer, theater historian; critic."," Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP."," Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP."," Playwright, some of whose works were produced by\n                  various FTP units."," Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required."," Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee."," Art director with the Atlanta FTP."," Staff composer and arranger with FTP."," Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP."," Writer and researcher with the Living Newspaper\n                  unit, NYC FTP."," Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use."," Play reader and playwright with the NYC FTP. Closed\n                  pending release."," Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication."," Writer, critic, producer, designer with the NY\n                  theaters i the 1930s."," Producer and administrator with the Negro and\n                  Classical units, NYC FTP."," Participated in the Resettlement\n                  Administration."," Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview."," Lighting designer with the LA FTP. This is an\n                  untaped interview."," Theatrical director familiar with the LA and NYC\n                  FTP."," Publicist and promotion officer with the NYC\n                  FTP."," Director of information with the NYC FMP."," Actor with the SF FTP."," Songwriter and composer with the NYC FTP."," Choreographer and dancer with the Dance Project,\n                  LA FTP."," Actress with the San Bernardino/Riverside and LA\n                  FTP."," Stagehand with the NYC FTP.Closed pending\n                  release."," Playwright with the NYC FTP."," Administrative director, Chicago and NYC FTP."," Concertmaster of the Grand Rapids, MI FTP\n                  orchestra."," Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA."," Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA."," Playwright whose works were produced by the NYC\n                  FTP. Closed pending release."," Actress with the SF and Oakland FTP. This is an\n                  untaped interview."," Dancer with the Dance Project, NYC FTP."," Actress with the Classical unit, NYC FTP."," Administrator with the National Service Bureau of\n                  the FTP."," Director, National Service Bureau of the FTP."," Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript."," Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript."," Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime."," Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime."," Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee."," Actor with the several units of the NYC FTP."," Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper."," Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime."," Actor with NYC FTP."," Set designer with NYC FTP."," Playwright whose Model Tenements was produced by\n                  the Chicago FTP."," Dancer with the Dance Project, LA FTP."," Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime."," Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida."," Vaudeville performer with the FTP."," Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted."," Puppet artist with the Marionette unit, NYC\n                  FTP."," Actor with the Living Newspaper unit, NYC FTP."," Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime."," Conductor with the Vermont FMP."," Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP."," Administrative director with the Florida FTP."," Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime."," Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime."," Marionette artist with the SF FTP.Quotations must\n                  be accurate."," Playwright whose work was produced by NYC FTP."," Actress with the Classical unit, NYC FTP."," Actor with the Chicago FTP."," Actor with the Atlanta FTP."," Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime."," Publicist with the NYC FTP."," Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP."," Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP."," Costume designer with the NYC FTP."," Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime."," Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview."," Staff member with the Educational Division, NYC\n                  FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency."," Set designer with the NYC FTP."," Worked with the NYC FTP. This is an untaped\n                  interview."," Director with the FTP in the South; later with the\n                  Detroit FTP."," Theatrical director with the Negro unit, NYC\n                  FTP."," Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP."," Director with the Negro unit, LA FTP."," Dancer with the NYC FTP."," Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview."," Director with the Indiana FTP."," Actor with the Seattle FTP."," Dancer and choreographer with the Chicago FTP."," Dancer with the NYC FTP."," Actor with the Chicago FTP."," Writer with the Southwest Experimental unit of the\n                  LA FTP."," Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview."," Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP."," Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release."," Dancer with the NYC FTP."," Director of the Vaudeville productions, LA\n                  FTP."," Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era."," Conductor with the Michigan WPA Symphony\n                  Orchestra."," Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview."," With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus."," Actor with the Children's unit, NYC FTP."," Researcher of the Chinese theater, Research\n                  Department, SF FTP."," Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime."," Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview."," Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication."," Actress and director with the marionette unit of\n                  the Miami FTP."," Playwright in New York and San Francisco; write\n                  with the FWP."," Administrator and legal counsel for the National\n                  Service Bureau, FTP."," Administrator and legal counsel for the National\n                  Service Bureau, FTP."," Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library."," Actor with the Cleveland (OH) FTP."," Composer for various productions, NYC FTP."," Writer and director with the Radio Division, NYC\n                  FTP."," Actress with the NYC FTP."," Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview."," Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication."," Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication."," Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions."," Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview."," Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview."," Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime."," Director with the Experimental unit, NYC\n                  FTP.Closed pending release."," Administrative assistant with the Negro and\n                  Classical units, NYC FTP."," Actress with the Radio Division, NYC FTP."," Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939."," Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939."," Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime."," Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP."," Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP."," Audience member, NYC FTP productions."," Composer, NYC FMP."," Director of the Anglo-Jewish unit, NYC FTP."," Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."," Puppeteer with the Marionette unit, NYC FTP."," Actor with the Classical unit, NYC FTP."," Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview."," Actress, NYC FTP."," Actress, NYC FTP."," Publicist, NYC FTP."," Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago."," Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release."," Concertmaster with the FMP Illinois Symphony."," Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal."," Publicist with the Negro unit, NYC FTP."," Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication."," Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee."," Director, Denver FTP."," Worked with Composers's Forum and Copying Project\n                  of the FMP."," Choreographer, NYC FTP. This is an untaped\n                  interview."," Artist, NY FAP. Permission of interviewer required\n                  for publication."," Songwriter whose works were performed by NYC\n                  FTP."," Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP."," Actor with the Seattle FTP."," Playwright whose work was produced by the FTP."," Composer and arranger with the Vaudeville unit, LA\n                  FTP."," Set designer, LA FTP."," Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release."," Actor with the New Hampshire FTP. Closed pending\n                  release."," Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP."," Playwright in Chicago whose work was produced by\n                  the FTP."," Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP."," Stage Manager with the Mercury Theatre, New\n                  York."," Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release."," Musical director with the Negro and Classical\n                  units, NYC FTP."," Musical director with the Negro and Classical\n                  units. NYC FTP."," Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release."," Administrator, National Play Bureau, NYC FTP."," Worked with the Resettlement Administration."," Actor with the Roslyn, NY FTP."," Dancer with Tamiris's group, Dance Project, NYC\n                  FTP."," Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required."," Playwright based in Chicago whose works were\n                  produced by the FTP."," Actress with the Vaudeville unit, LA FTP."," Stage manager, actor, and lighting technician with\n                  the LA FTP."," Stage manager, actor, and lighting technician, LA\n                  FTP."," Administrator, Atlanta FTP."," Lawyer who represented Orson Welles and John\n                  Houseman."," Director with the NYC FTP."," Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words."," Lighting director and technician with the Chicago\n                  FTP."," Administrator with the Marionette unit of the NYC\n                  FTP."," Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP."," Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime."," Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime."," Stage manager with the Children's theater, NYC\n                  FTP."," Artist with the Illinois and New York FAP."," Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions."," Worked with the GSA; recovered many FAP works and\n                  murals.","There are no restrictions.\n"," This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n","George Mason University.  Special Collections and Archives.\n","George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration.","English\n"],"unitid_tesim":["C0153\n"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture.\n"],"access_subjects_ssim":["Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States."],"access_subjects_ssm":["Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States."],"has_online_content_ssim":["false"],"extent_ssm":["7 linear feet (11 boxes)"],"extent_tesim":["7 linear feet (11 boxes)"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["Collection is open to research.\n"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by last name of interviewee.\n\u003c/p\u003e","\u003cp\u003e Artist, NY. Permission to quote over 100 words\n                  required.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is arranged alphabetically by last name of interviewee.\n"," Artist, NY. Permission to quote over 100 words\n                  required."],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information\n"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture.\n"],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, Collection #C0153, Special Collections and Archives, George Mason University.\n\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, Collection #C0153, Special Collections and Archives, George Mason University.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \n\u003c/p\u003e","\u003cp\u003eIn 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \n","In 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://sca.gmu.edu/theater_collections.htm\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds the  .\n"],"scopecontent_html_tesm":["\u003cp\u003eThis compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n\u003c/p\u003e","\u003cp\u003e\nThe interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.\n\u003c/p\u003e","\u003cp\u003e\nList of Abbreviations:\n\u003c/p\u003e","\u003cp\u003e\nCCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration\n\u003c/p\u003e","\u003cp\u003e Widow of playwright Hughes Allison, whose work was\n                  produced by FTP.\u003c/p\u003e","\u003cp\u003e Stage manager and director with the Negro unit,\n                  NYC FTP.\u003c/p\u003e","\u003cp\u003e Costume designer with SF FTP.\u003c/p\u003e","\u003cp\u003e Actress who auditioned for Negro Unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Composer and director, SF FMP.\u003c/p\u003e","\u003cp\u003e Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003e Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003e Dancer with the Negro unit, NYC FTP. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Administrative director of the NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative director of the NYC FTP.\u003c/p\u003e","\u003cp\u003e Dancer with Federal Dance Project, NYC.\u003c/p\u003e","\u003cp\u003e Worked with the Radio Division of FTP. This is an\n                  untaped interview.\u003c/p\u003e","\u003cp\u003e Stage manager with the Manhattan City Projects,\n                  NYC.\u003c/p\u003e","\u003cp\u003e Dancer and actor with NYC FTP units.\u003c/p\u003e","\u003cp\u003e Set designer for various NYC FTP productions.\u003c/p\u003e","\u003cp\u003e Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama.\u003c/p\u003e","\u003cp\u003e Step-daughter of Hallie Flanagan. Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview.\u003c/p\u003e","\u003cp\u003e Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003e Costume designer with SF FTP.\u003c/p\u003e","\u003cp\u003e Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release.\u003c/p\u003e","\u003cp\u003e Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units.\u003c/p\u003e","\u003cp\u003e Artist, muralist with NYC FAP. Permission for\n                  publication required.\u003c/p\u003e","\u003cp\u003e [see Bolton, Philip.]\u003c/p\u003e","\u003cp\u003e Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview.\u003c/p\u003e","\u003cp\u003e [see Bolton, Philip.]\u003c/p\u003e","\u003cp\u003e Costume designer with NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP.\u003c/p\u003e","\u003cp\u003e Actor with LA FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Director and actor with Chicago FTP.\u003c/p\u003e","\u003cp\u003e Director and actress with Chicago FTP.\u003c/p\u003e","\u003cp\u003e Actor with LA FTP.\u003c/p\u003e","\u003cp\u003e Director of marionette unit of LA FTP.\u003c/p\u003e","\u003cp\u003e Artist with FAP. Permission for publication\n                  required.\u003c/p\u003e","\u003cp\u003e Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP.\u003c/p\u003e","\u003cp\u003e Actor with Children's unit of NYC FTP.\u003c/p\u003e","\u003cp\u003e Sound technician with Living Newspaper unit of NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Publicist with NYC FTP.\u003c/p\u003e","\u003cp\u003e Artist, muralist with FAP. Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Personnel administrator with NYC and Florida FTP\n                  units.\u003c/p\u003e","\u003cp\u003e Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication.\u003c/p\u003e","\u003cp\u003e Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Playwright whose work was produced by Denver\n                  FTP.\u003c/p\u003e","\u003cp\u003e Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release.\u003c/p\u003e","\u003cp\u003e Writer and theater critic. Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Director of marionette units, SF and LA FTP;\n                  costume designer.\u003c/p\u003e","\u003cp\u003e Director of marionette units, SF and LA FTP;\n                  costume designer.\u003c/p\u003e","\u003cp\u003e Choreographer and dancer with Federal Dance\n                  Project, NYC FTP.\u003c/p\u003e","\u003cp\u003e Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e See Schnitzer, Marcella Cisney.\u003c/p\u003e","\u003cp\u003e With Children's Theatre unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director with Experimental and\n                  Children's units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Assistant stage manager with Classical unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Concertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003e Director of Play Bureau, NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation.\u003c/p\u003e","\u003cp\u003e District supervisor with SF FTP.\u003c/p\u003e","\u003cp\u003e Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003e Director of Negro unit, Boston FTP. Permission to\n                  quote required.\u003c/p\u003e","\u003cp\u003e Director of Negro unit, Boston FTP.\u003c/p\u003e","\u003cp\u003e Playwright whose works were produced by various\n                  FTP units.\u003c/p\u003e","\u003cp\u003e Actor with NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with Classical unit,NYC FTP.\u003c/p\u003e","\u003cp\u003e Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL.\u003c/p\u003e","\u003cp\u003e WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release.\u003c/p\u003e","\u003cp\u003e Sculptor with FAP. Permission of interviewer\n                  required for publication.\u003c/p\u003e","\u003cp\u003e Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Actress with Roslyn, NY unit of FTP.\u003c/p\u003e","\u003cp\u003e Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP.\u003c/p\u003e","\u003cp\u003e Actor and director with Radio Division, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Actor with the Roslyn, NY FTP unit.\u003c/p\u003e","\u003cp\u003e Writer with Radio Division, NYC FTP.\u003c/p\u003e","\u003cp\u003e Finance administrator, WPA arts projects,\n                  Washington, D.C.\u003c/p\u003e","\u003cp\u003e Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Music director with the Negro unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Dancer and choreographer with the dance unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the dance unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Play adapter and choreographer with Classical\n                  unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Assistant to Hallie Flanagan at Smith College;\n                  playwright.\u003c/p\u003e","\u003cp\u003e Playwright with Chicago FTP. Permission to quote\n                  over 100 words required.\u003c/p\u003e","\u003cp\u003e Assistant stage manager with Negro unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices.\u003c/p\u003e","\u003cp\u003e Student of Hallie Flanagan; expert in children's\n                  theater.\u003c/p\u003e","\u003cp\u003e Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release.\u003c/p\u003e","\u003cp\u003e Set designer with the Roslyn, NY unit of the\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Children's Theatre, NYC FTP.\u003c/p\u003e","\u003cp\u003e Set designer with the Los Angeles FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Los Angeles FTP.\u003c/p\u003e","\u003cp\u003e Musical composer and director with various units,\n                  NYC FMP and FTP.\u003c/p\u003e","\u003cp\u003e Musical composer and director with various units,\n                  NYC FMP and FTP.\u003c/p\u003e","\u003cp\u003e Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Director of Southwest Experimental unit, Los\n                  Angeles FTP.\u003c/p\u003e","\u003cp\u003e Administrative assistant to Hallie Flanagan,\n                  national office, FTP.\u003c/p\u003e","\u003cp\u003e Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003e Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Brother of Hallie Flanagan. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of Miami unit, FTP.\u003c/p\u003e","\u003cp\u003e Actor with SF FTP\u003c/p\u003e","\u003cp\u003e Actress with the Classical unit, NYC FTP\u003c/p\u003e","\u003cp\u003e Actor with Children's Theatre, NYC FTP\u003c/p\u003e","\u003cp\u003e Writer with Radio Division, Illinois Writers'\n                  Project\u003c/p\u003e","\u003cp\u003e Producer and Theatrical Director, NYC FTP\u003c/p\u003e","\u003cp\u003e Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP\u003c/p\u003e","\u003cp\u003e Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director and actor with LA and SF\n                  FTP.\u003c/p\u003e","\u003cp\u003e Playwright and technical assistant with the\n                  Detroit FTP.\u003c/p\u003e","\u003cp\u003e Composer; accompanist with Dance Project, LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor, NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Dancer with the Dance Project, NYC FTP\u003c/p\u003e","\u003cp\u003e Actor and founder of Chicago Repertory Group,\n                  1933.\u003c/p\u003e","\u003cp\u003e Administrator, Bureau of research and Publications\n                  of FTP.\u003c/p\u003e","\u003cp\u003e Administrator, Bureau of Research and Publications\n                  of FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Actress and dancer with the Vaudeville unit, LA\n                  FTP\u003c/p\u003e","\u003cp\u003e Actor with the LA FTP; director with the Seattle\n                  FTP.\u003c/p\u003e","\u003cp\u003e State director of the Illinois FMP.\u003c/p\u003e","\u003cp\u003e Publicist with NYC FTP; director, Department of\n                  Information, FTP.\u003c/p\u003e","\u003cp\u003e Designer, theater historian; critic.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.\u003c/p\u003e","\u003cp\u003e Playwright, some of whose works were produced by\n                  various FTP units.\u003c/p\u003e","\u003cp\u003e Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003e Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee.\u003c/p\u003e","\u003cp\u003e Art director with the Atlanta FTP.\u003c/p\u003e","\u003cp\u003e Staff composer and arranger with FTP.\u003c/p\u003e","\u003cp\u003e Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and researcher with the Living Newspaper\n                  unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use.\u003c/p\u003e","\u003cp\u003e Play reader and playwright with the NYC FTP. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Writer, critic, producer, designer with the NY\n                  theaters i the 1930s.\u003c/p\u003e","\u003cp\u003e Producer and administrator with the Negro and\n                  Classical units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Participated in the Resettlement\n                  Administration.\u003c/p\u003e","\u003cp\u003e Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Lighting designer with the LA FTP. This is an\n                  untaped interview.\u003c/p\u003e","\u003cp\u003e Theatrical director familiar with the LA and NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Publicist and promotion officer with the NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Director of information with the NYC FMP.\u003c/p\u003e","\u003cp\u003e Actor with the SF FTP.\u003c/p\u003e","\u003cp\u003e Songwriter and composer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Choreographer and dancer with the Dance Project,\n                  LA FTP.\u003c/p\u003e","\u003cp\u003e Actress with the San Bernardino/Riverside and LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Stagehand with the NYC FTP.Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Playwright with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative director, Chicago and NYC FTP.\u003c/p\u003e","\u003cp\u003e Concertmaster of the Grand Rapids, MI FTP\n                  orchestra.\u003c/p\u003e","\u003cp\u003e Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.\u003c/p\u003e","\u003cp\u003e Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.\u003c/p\u003e","\u003cp\u003e Playwright whose works were produced by the NYC\n                  FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Actress with the SF and Oakland FTP. This is an\n                  untaped interview.\u003c/p\u003e","\u003cp\u003e Dancer with the Dance Project, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrator with the National Service Bureau of\n                  the FTP.\u003c/p\u003e","\u003cp\u003e Director, National Service Bureau of the FTP.\u003c/p\u003e","\u003cp\u003e Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript.\u003c/p\u003e","\u003cp\u003e Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript.\u003c/p\u003e","\u003cp\u003e Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime.\u003c/p\u003e","\u003cp\u003e Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee.\u003c/p\u003e","\u003cp\u003e Actor with the several units of the NYC FTP.\u003c/p\u003e","\u003cp\u003e Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003e Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Actor with NYC FTP.\u003c/p\u003e","\u003cp\u003e Set designer with NYC FTP.\u003c/p\u003e","\u003cp\u003e Playwright whose Model Tenements was produced by\n                  the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the Dance Project, LA FTP.\u003c/p\u003e","\u003cp\u003e Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003e Vaudeville performer with the FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted.\u003c/p\u003e","\u003cp\u003e Puppet artist with the Marionette unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Living Newspaper unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime.\u003c/p\u003e","\u003cp\u003e Conductor with the Vermont FMP.\u003c/p\u003e","\u003cp\u003e Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative director with the Florida FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Marionette artist with the SF FTP.Quotations must\n                  be accurate.\u003c/p\u003e","\u003cp\u003e Playwright whose work was produced by NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Atlanta FTP.\u003c/p\u003e","\u003cp\u003e Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Publicist with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.\u003c/p\u003e","\u003cp\u003e Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.\u003c/p\u003e","\u003cp\u003e Costume designer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Staff member with the Educational Division, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e","\u003cp\u003e Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency.\u003c/p\u003e","\u003cp\u003e Set designer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Worked with the NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Director with the FTP in the South; later with the\n                  Detroit FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Negro unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP.\u003c/p\u003e","\u003cp\u003e Director with the Negro unit, LA FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Director with the Indiana FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Seattle FTP.\u003c/p\u003e","\u003cp\u003e Dancer and choreographer with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Writer with the Southwest Experimental unit of the\n                  LA FTP.\u003c/p\u003e","\u003cp\u003e Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release.\u003c/p\u003e","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of the Vaudeville productions, LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era.\u003c/p\u003e","\u003cp\u003e Conductor with the Michigan WPA Symphony\n                  Orchestra.\u003c/p\u003e","\u003cp\u003e Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview.\u003c/p\u003e","\u003cp\u003e With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus.\u003c/p\u003e","\u003cp\u003e Actor with the Children's unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Researcher of the Chinese theater, Research\n                  Department, SF FTP.\u003c/p\u003e","\u003cp\u003e Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview.\u003c/p\u003e","\u003cp\u003e Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Actress and director with the marionette unit of\n                  the Miami FTP.\u003c/p\u003e","\u003cp\u003e Playwright in New York and San Francisco; write\n                  with the FWP.\u003c/p\u003e","\u003cp\u003e Administrator and legal counsel for the National\n                  Service Bureau, FTP.\u003c/p\u003e","\u003cp\u003e Administrator and legal counsel for the National\n                  Service Bureau, FTP.\u003c/p\u003e","\u003cp\u003e Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003e Actor with the Cleveland (OH) FTP.\u003c/p\u003e","\u003cp\u003e Composer for various productions, NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and director with the Radio Division, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actress with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003e Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview.\u003c/p\u003e","\u003cp\u003e Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime.\u003c/p\u003e","\u003cp\u003e Director with the Experimental unit, NYC\n                  FTP.Closed pending release.\u003c/p\u003e","\u003cp\u003e Administrative assistant with the Negro and\n                  Classical units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Radio Division, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.\u003c/p\u003e","\u003cp\u003e Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.\u003c/p\u003e","\u003cp\u003e Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP.\u003c/p\u003e","\u003cp\u003e Audience member, NYC FTP productions.\u003c/p\u003e","\u003cp\u003e Composer, NYC FMP.\u003c/p\u003e","\u003cp\u003e Director of the Anglo-Jewish unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Puppeteer with the Marionette unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Actress, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress, NYC FTP.\u003c/p\u003e","\u003cp\u003e Publicist, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003e Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Concertmaster with the FMP Illinois Symphony.\u003c/p\u003e","\u003cp\u003e Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal.\u003c/p\u003e","\u003cp\u003e Publicist with the Negro unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication.\u003c/p\u003e","\u003cp\u003e Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003e Director, Denver FTP.\u003c/p\u003e","\u003cp\u003e Worked with Composers's Forum and Copying Project\n                  of the FMP.\u003c/p\u003e","\u003cp\u003e Choreographer, NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Artist, NY FAP. Permission of interviewer required\n                  for publication.\u003c/p\u003e","\u003cp\u003e Songwriter whose works were performed by NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Seattle FTP.\u003c/p\u003e","\u003cp\u003e Playwright whose work was produced by the FTP.\u003c/p\u003e","\u003cp\u003e Composer and arranger with the Vaudeville unit, LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Set designer, LA FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Actor with the New Hampshire FTP. Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Playwright in Chicago whose work was produced by\n                  the FTP.\u003c/p\u003e","\u003cp\u003e Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP.\u003c/p\u003e","\u003cp\u003e Stage Manager with the Mercury Theatre, New\n                  York.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Musical director with the Negro and Classical\n                  units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Musical director with the Negro and Classical\n                  units. NYC FTP.\u003c/p\u003e","\u003cp\u003e Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release.\u003c/p\u003e","\u003cp\u003e Administrator, National Play Bureau, NYC FTP.\u003c/p\u003e","\u003cp\u003e Worked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003e Actor with the Roslyn, NY FTP.\u003c/p\u003e","\u003cp\u003e Dancer with Tamiris's group, Dance Project, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required.\u003c/p\u003e","\u003cp\u003e Playwright based in Chicago whose works were\n                  produced by the FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Vaudeville unit, LA FTP.\u003c/p\u003e","\u003cp\u003e Stage manager, actor, and lighting technician with\n                  the LA FTP.\u003c/p\u003e","\u003cp\u003e Stage manager, actor, and lighting technician, LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Administrator, Atlanta FTP.\u003c/p\u003e","\u003cp\u003e Lawyer who represented Orson Welles and John\n                  Houseman.\u003c/p\u003e","\u003cp\u003e Director with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words.\u003c/p\u003e","\u003cp\u003e Lighting director and technician with the Chicago\n                  FTP.\u003c/p\u003e","\u003cp\u003e Administrator with the Marionette unit of the NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.\u003c/p\u003e","\u003cp\u003e Stage manager with the Children's theater, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Artist with the Illinois and New York FAP.\u003c/p\u003e","\u003cp\u003e Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions.\u003c/p\u003e","\u003cp\u003e Worked with the GSA; recovered many FAP works and\n                  murals.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n","\nThe interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.\n","\nList of Abbreviations:\n","\nCCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration\n"," Widow of playwright Hughes Allison, whose work was\n                  produced by FTP."," Stage manager and director with the Negro unit,\n                  NYC FTP."," Costume designer with SF FTP."," Actress who auditioned for Negro Unit, NYC\n                  FTP."," Composer and director, SF FMP."," Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP."," Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony."," Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre."," Dancer with the Negro unit, NYC FTP. Closed\n                  pending release."," Administrative director of the NYC FTP."," Administrative director of the NYC FTP."," Dancer with Federal Dance Project, NYC."," Worked with the Radio Division of FTP. This is an\n                  untaped interview."," Stage manager with the Manhattan City Projects,\n                  NYC."," Dancer and actor with NYC FTP units."," Set designer for various NYC FTP productions."," Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama."," Step-daughter of Hallie Flanagan. Closed pending\n                  release."," Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview."," Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP."," Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime."," Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required."," Costume designer with SF FTP."," Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview."," Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release."," Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units."," Artist, muralist with NYC FAP. Permission for\n                  publication required."," [see Bolton, Philip.]"," Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview."," [see Bolton, Philip.]"," Costume designer with NYC FTP."," Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP."," Actor with LA FTP. This is an untaped\n                  interview."," Director and actor with Chicago FTP."," Director and actress with Chicago FTP."," Actor with LA FTP."," Director of marionette unit of LA FTP."," Artist with FAP. Permission for publication\n                  required."," Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP."," Actor with Children's unit of NYC FTP."," Sound technician with Living Newspaper unit of NYC\n                  FTP."," Publicist with NYC FTP."," Artist, muralist with FAP. Closed pending\n                  release."," Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."," Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview."," Personnel administrator with NYC and Florida FTP\n                  units."," Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication."," Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime."," Playwright whose work was produced by Denver\n                  FTP."," Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release."," Writer and theater critic. Closed pending\n                  release."," Director of marionette units, SF and LA FTP;\n                  costume designer."," Director of marionette units, SF and LA FTP;\n                  costume designer."," Choreographer and dancer with Federal Dance\n                  Project, NYC FTP."," Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication."," See Schnitzer, Marcella Cisney."," With Children's Theatre unit, NYC FTP."," Theatrical director with Experimental and\n                  Children's units, NYC FTP."," Assistant stage manager with Classical unit, NYC\n                  FTP."," Concertmaster, Illinois Symphony Orchestra."," Director of Play Bureau, NYC FTP."," Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation."," District supervisor with SF FTP."," Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra."," Director of Negro unit, Boston FTP. Permission to\n                  quote required."," Director of Negro unit, Boston FTP."," Playwright whose works were produced by various\n                  FTP units."," Actor with NYC FTP."," Actor with Classical unit,NYC FTP."," Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL."," WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release."," Sculptor with FAP. Permission of interviewer\n                  required for publication."," Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview."," Actress with Roslyn, NY unit of FTP."," Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP."," Actor and director with Radio Division, NYC\n                  FTP."," Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication."," Actor with the Roslyn, NY FTP unit."," Writer with Radio Division, NYC FTP."," Finance administrator, WPA arts projects,\n                  Washington, D.C."," Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release."," Music director with the Negro unit, NYC FTP."," Dancer and choreographer with the dance unit, NYC\n                  FTP."," Dancer with the dance unit, NYC FTP."," Play adapter and choreographer with Classical\n                  unit, NYC FTP."," Assistant to Hallie Flanagan at Smith College;\n                  playwright."," Playwright with Chicago FTP. Permission to quote\n                  over 100 words required."," Assistant stage manager with Negro unit, NYC\n                  FTP."," Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices."," Student of Hallie Flanagan; expert in children's\n                  theater."," Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release."," Set designer with the Roslyn, NY unit of the\n                  FTP."," Actress with the Children's Theatre, NYC FTP."," Set designer with the Los Angeles FTP."," Actress with the Los Angeles FTP."," Musical composer and director with various units,\n                  NYC FMP and FTP."," Musical composer and director with various units,\n                  NYC FMP and FTP."," Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release."," Director of Southwest Experimental unit, Los\n                  Angeles FTP."," Administrative assistant to Hallie Flanagan,\n                  national office, FTP."," Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C."," Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release."," Brother of Hallie Flanagan. This is an untaped\n                  interview."," Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP."," Director of Miami unit, FTP."," Actor with SF FTP"," Actress with the Classical unit, NYC FTP"," Actor with Children's Theatre, NYC FTP"," Writer with Radio Division, Illinois Writers'\n                  Project"," Producer and Theatrical Director, NYC FTP"," Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP"," Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP."," Theatrical director and actor with LA and SF\n                  FTP."," Playwright and technical assistant with the\n                  Detroit FTP."," Composer; accompanist with Dance Project, LA\n                  FTP."," Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP."," Actor, NYC FTP."," Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release."," Dancer with the Dance Project, NYC FTP"," Actor and founder of Chicago Repertory Group,\n                  1933."," Administrator, Bureau of research and Publications\n                  of FTP."," Administrator, Bureau of Research and Publications\n                  of FTP."," Actor with the Chicago FTP."," Dancer with the Chicago FTP."," Actress and dancer with the Vaudeville unit, LA\n                  FTP"," Actor with the LA FTP; director with the Seattle\n                  FTP."," State director of the Illinois FMP."," Publicist with NYC FTP; director, Department of\n                  Information, FTP."," Designer, theater historian; critic."," Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP."," Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP."," Playwright, some of whose works were produced by\n                  various FTP units."," Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required."," Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee."," Art director with the Atlanta FTP."," Staff composer and arranger with FTP."," Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP."," Writer and researcher with the Living Newspaper\n                  unit, NYC FTP."," Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use."," Play reader and playwright with the NYC FTP. Closed\n                  pending release."," Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication."," Writer, critic, producer, designer with the NY\n                  theaters i the 1930s."," Producer and administrator with the Negro and\n                  Classical units, NYC FTP."," Participated in the Resettlement\n                  Administration."," Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview."," Lighting designer with the LA FTP. This is an\n                  untaped interview."," Theatrical director familiar with the LA and NYC\n                  FTP."," Publicist and promotion officer with the NYC\n                  FTP."," Director of information with the NYC FMP."," Actor with the SF FTP."," Songwriter and composer with the NYC FTP."," Choreographer and dancer with the Dance Project,\n                  LA FTP."," Actress with the San Bernardino/Riverside and LA\n                  FTP."," Stagehand with the NYC FTP.Closed pending\n                  release."," Playwright with the NYC FTP."," Administrative director, Chicago and NYC FTP."," Concertmaster of the Grand Rapids, MI FTP\n                  orchestra."," Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA."," Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA."," Playwright whose works were produced by the NYC\n                  FTP. Closed pending release."," Actress with the SF and Oakland FTP. This is an\n                  untaped interview."," Dancer with the Dance Project, NYC FTP."," Actress with the Classical unit, NYC FTP."," Administrator with the National Service Bureau of\n                  the FTP."," Director, National Service Bureau of the FTP."," Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript."," Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript."," Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime."," Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime."," Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee."," Actor with the several units of the NYC FTP."," Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper."," Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime."," Actor with NYC FTP."," Set designer with NYC FTP."," Playwright whose Model Tenements was produced by\n                  the Chicago FTP."," Dancer with the Dance Project, LA FTP."," Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime."," Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida."," Vaudeville performer with the FTP."," Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted."," Puppet artist with the Marionette unit, NYC\n                  FTP."," Actor with the Living Newspaper unit, NYC FTP."," Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime."," Conductor with the Vermont FMP."," Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP."," Administrative director with the Florida FTP."," Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime."," Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime."," Marionette artist with the SF FTP.Quotations must\n                  be accurate."," Playwright whose work was produced by NYC FTP."," Actress with the Classical unit, NYC FTP."," Actor with the Chicago FTP."," Actor with the Atlanta FTP."," Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime."," Publicist with the NYC FTP."," Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP."," Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP."," Costume designer with the NYC FTP."," Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime."," Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview."," Staff member with the Educational Division, NYC\n                  FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency."," Set designer with the NYC FTP."," Worked with the NYC FTP. This is an untaped\n                  interview."," Director with the FTP in the South; later with the\n                  Detroit FTP."," Theatrical director with the Negro unit, NYC\n                  FTP."," Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP."," Director with the Negro unit, LA FTP."," Dancer with the NYC FTP."," Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview."," Director with the Indiana FTP."," Actor with the Seattle FTP."," Dancer and choreographer with the Chicago FTP."," Dancer with the NYC FTP."," Actor with the Chicago FTP."," Writer with the Southwest Experimental unit of the\n                  LA FTP."," Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview."," Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP."," Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release."," Dancer with the NYC FTP."," Director of the Vaudeville productions, LA\n                  FTP."," Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era."," Conductor with the Michigan WPA Symphony\n                  Orchestra."," Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview."," With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus."," Actor with the Children's unit, NYC FTP."," Researcher of the Chinese theater, Research\n                  Department, SF FTP."," Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime."," Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview."," Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication."," Actress and director with the marionette unit of\n                  the Miami FTP."," Playwright in New York and San Francisco; write\n                  with the FWP."," Administrator and legal counsel for the National\n                  Service Bureau, FTP."," Administrator and legal counsel for the National\n                  Service Bureau, FTP."," Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library."," Actor with the Cleveland (OH) FTP."," Composer for various productions, NYC FTP."," Writer and director with the Radio Division, NYC\n                  FTP."," Actress with the NYC FTP."," Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview."," Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication."," Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication."," Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions."," Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview."," Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview."," Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime."," Director with the Experimental unit, NYC\n                  FTP.Closed pending release."," Administrative assistant with the Negro and\n                  Classical units, NYC FTP."," Actress with the Radio Division, NYC FTP."," Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939."," Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939."," Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime."," Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP."," Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP."," Audience member, NYC FTP productions."," Composer, NYC FMP."," Director of the Anglo-Jewish unit, NYC FTP."," Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."," Puppeteer with the Marionette unit, NYC FTP."," Actor with the Classical unit, NYC FTP."," Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview."," Actress, NYC FTP."," Actress, NYC FTP."," Publicist, NYC FTP."," Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago."," Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release."," Concertmaster with the FMP Illinois Symphony."," Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal."," Publicist with the Negro unit, NYC FTP."," Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication."," Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee."," Director, Denver FTP."," Worked with Composers's Forum and Copying Project\n                  of the FMP."," Choreographer, NYC FTP. This is an untaped\n                  interview."," Artist, NY FAP. Permission of interviewer required\n                  for publication."," Songwriter whose works were performed by NYC\n                  FTP."," Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP."," Actor with the Seattle FTP."," Playwright whose work was produced by the FTP."," Composer and arranger with the Vaudeville unit, LA\n                  FTP."," Set designer, LA FTP."," Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release."," Actor with the New Hampshire FTP. Closed pending\n                  release."," Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP."," Playwright in Chicago whose work was produced by\n                  the FTP."," Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP."," Stage Manager with the Mercury Theatre, New\n                  York."," Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release."," Musical director with the Negro and Classical\n                  units, NYC FTP."," Musical director with the Negro and Classical\n                  units. NYC FTP."," Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release."," Administrator, National Play Bureau, NYC FTP."," Worked with the Resettlement Administration."," Actor with the Roslyn, NY FTP."," Dancer with Tamiris's group, Dance Project, NYC\n                  FTP."," Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required."," Playwright based in Chicago whose works were\n                  produced by the FTP."," Actress with the Vaudeville unit, LA FTP."," Stage manager, actor, and lighting technician with\n                  the LA FTP."," Stage manager, actor, and lighting technician, LA\n                  FTP."," Administrator, Atlanta FTP."," Lawyer who represented Orson Welles and John\n                  Houseman."," Director with the NYC FTP."," Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words."," Lighting director and technician with the Chicago\n                  FTP."," Administrator with the Marionette unit of the NYC\n                  FTP."," Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP."," Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime."," Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime."," Stage manager with the Children's theater, NYC\n                  FTP."," Artist with the Illinois and New York FAP."," Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions."," Worked with the GSA; recovered many FAP works and\n                  murals."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003e This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n\u003c/abstract\u003e"],"abstract_tesim":[" This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration."],"language_ssim":["English\n"],"total_component_count_is":319,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:45:26.642Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_vifgm00021_c01_c42"}},{"id":"vifgm_repositories_2_resources_190_c01_c40","type":"File","attributes":{"title":"Cadmus, Paul","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c01_c40#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c01_c40#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_190_c01_c40","ref_ssm":["vifgm_repositories_2_resources_190_c01_c40"],"id":"vifgm_repositories_2_resources_190_c01_c40","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190_c01","parent_ssi":"vifgm_repositories_2_resources_190_c01","parent_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c01"],"parent_unittitles_ssm":["Works Progress Administration oral histories collection","Series 1: Transcripts"],"parent_unittitles_tesim":["Works Progress Administration oral histories collection","Series 1: Transcripts"],"text":["Works Progress Administration oral histories collection","Series 1: Transcripts","Cadmus, Paul","box 2","folder 15","Artist, muralist with Federal Art Project."],"title_filing_ssi":"Cadmus, Paul","title_ssm":["Cadmus, Paul"],"title_tesim":["Cadmus, Paul"],"unitdate_other_ssim":["September 1981"],"normalized_date_ssm":["1981"],"normalized_title_ssm":["Cadmus, Paul"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Works Progress Administration oral histories collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":41,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1981],"containers_ssim":["box 2","folder 15"],"scopecontent_html_tesm":["\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Artist, muralist with Federal Art Project."],"_nest_path_":"/components#0/components#39","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"text":["C0153","/repositories/2/resources/190","Works Progress Administration oral histories collection","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the  .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e\n","\u003cp\u003eOrganized into two series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":673,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c01_c40"}},{"id":"vifgm_vifgm00021_c01_c43","type":"File","attributes":{"title":"Cadmus, Paul,\n                  1979-1980","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00021_c01_c43#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e Artist, muralist with FAP. Closed pending release.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00021_c01_c43#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_vifgm00021_c01_c43","ref_ssm":["vifgm_vifgm00021_c01_c43"],"id":"vifgm_vifgm00021_c01_c43","ead_ssi":"vifgm_vifgm00021","_root_":"vifgm_vifgm00021","_nest_parent_":"vifgm_vifgm00021_c01","parent_ssi":"vifgm_vifgm00021_c01","parent_ssim":["vifgm_vifgm00021","vifgm_vifgm00021_c01"],"parent_ids_ssim":["vifgm_vifgm00021","vifgm_vifgm00021_c01"],"parent_unittitles_ssm":["Works Progress Administration oral histories collection","Work Projects Administration Oral Histories"],"parent_unittitles_tesim":["Works Progress Administration oral histories collection","Work Projects Administration Oral Histories"],"text":["Works Progress Administration oral histories collection","Work Projects Administration Oral Histories","Cadmus, Paul,\n                  1979-1980","box 2","Folder 12"," Artist, muralist with FAP. Closed pending\n                  release."],"title_filing_ssi":"Cadmus, Paul,\n                   1979-1980","title_ssm":["Cadmus, Paul,\n                  1979-1980"],"title_tesim":["Cadmus, Paul,\n                  1979-1980"],"normalized_title_ssm":["Cadmus, Paul,\n                  1979-1980"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Works Progress Administration oral histories collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":44,"containers_ssim":["box 2","Folder 12"],"scopecontent_html_tesm":["\u003cp\u003e Artist, muralist with FAP. Closed pending\n                  release.\u003c/p\u003e"],"scopecontent_tesim":[" Artist, muralist with FAP. Closed pending\n                  release."],"_nest_path_":"/components#0/components#42","timestamp":"2026-05-21T06:45:26.642Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00021","ead_ssi":"vifgm_vifgm00021","_root_":"vifgm_vifgm00021","_nest_parent_":"vifgm_vifgm00021","ead_source_url_ssi":"data/gmu/vifgm00021.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984\n"],"unitdate_inclusive_ssm":["1961-1984\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153\n"],"text":["C0153\n","Works Progress Administration oral histories collection","Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States.","Collection is open to research.\n","This collection is arranged alphabetically by last name of interviewee.\n"," Artist, NY. Permission to quote over 100 words\n                  required.","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture.\n","Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \n","In 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists.\n","Special Collections and Archives also holds the  .\n","This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n","\nThe interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.\n","\nList of Abbreviations:\n","\nCCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration\n"," Widow of playwright Hughes Allison, whose work was\n                  produced by FTP."," Stage manager and director with the Negro unit,\n                  NYC FTP."," Costume designer with SF FTP."," Actress who auditioned for Negro Unit, NYC\n                  FTP."," Composer and director, SF FMP."," Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP."," Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony."," Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre."," Dancer with the Negro unit, NYC FTP. Closed\n                  pending release."," Administrative director of the NYC FTP."," Administrative director of the NYC FTP."," Dancer with Federal Dance Project, NYC."," Worked with the Radio Division of FTP. This is an\n                  untaped interview."," Stage manager with the Manhattan City Projects,\n                  NYC."," Dancer and actor with NYC FTP units."," Set designer for various NYC FTP productions."," Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama."," Step-daughter of Hallie Flanagan. Closed pending\n                  release."," Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview."," Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP."," Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime."," Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required."," Costume designer with SF FTP."," Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview."," Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release."," Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units."," Artist, muralist with NYC FAP. Permission for\n                  publication required."," [see Bolton, Philip.]"," Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview."," [see Bolton, Philip.]"," Costume designer with NYC FTP."," Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP."," Actor with LA FTP. This is an untaped\n                  interview."," Director and actor with Chicago FTP."," Director and actress with Chicago FTP."," Actor with LA FTP."," Director of marionette unit of LA FTP."," Artist with FAP. Permission for publication\n                  required."," Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP."," Actor with Children's unit of NYC FTP."," Sound technician with Living Newspaper unit of NYC\n                  FTP."," Publicist with NYC FTP."," Artist, muralist with FAP. Closed pending\n                  release."," Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."," Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview."," Personnel administrator with NYC and Florida FTP\n                  units."," Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication."," Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime."," Playwright whose work was produced by Denver\n                  FTP."," Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release."," Writer and theater critic. Closed pending\n                  release."," Director of marionette units, SF and LA FTP;\n                  costume designer."," Director of marionette units, SF and LA FTP;\n                  costume designer."," Choreographer and dancer with Federal Dance\n                  Project, NYC FTP."," Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication."," See Schnitzer, Marcella Cisney."," With Children's Theatre unit, NYC FTP."," Theatrical director with Experimental and\n                  Children's units, NYC FTP."," Assistant stage manager with Classical unit, NYC\n                  FTP."," Concertmaster, Illinois Symphony Orchestra."," Director of Play Bureau, NYC FTP."," Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation."," District supervisor with SF FTP."," Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra."," Director of Negro unit, Boston FTP. Permission to\n                  quote required."," Director of Negro unit, Boston FTP."," Playwright whose works were produced by various\n                  FTP units."," Actor with NYC FTP."," Actor with Classical unit,NYC FTP."," Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL."," WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release."," Sculptor with FAP. Permission of interviewer\n                  required for publication."," Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview."," Actress with Roslyn, NY unit of FTP."," Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP."," Actor and director with Radio Division, NYC\n                  FTP."," Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication."," Actor with the Roslyn, NY FTP unit."," Writer with Radio Division, NYC FTP."," Finance administrator, WPA arts projects,\n                  Washington, D.C."," Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release."," Music director with the Negro unit, NYC FTP."," Dancer and choreographer with the dance unit, NYC\n                  FTP."," Dancer with the dance unit, NYC FTP."," Play adapter and choreographer with Classical\n                  unit, NYC FTP."," Assistant to Hallie Flanagan at Smith College;\n                  playwright."," Playwright with Chicago FTP. Permission to quote\n                  over 100 words required."," Assistant stage manager with Negro unit, NYC\n                  FTP."," Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices."," Student of Hallie Flanagan; expert in children's\n                  theater."," Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release."," Set designer with the Roslyn, NY unit of the\n                  FTP."," Actress with the Children's Theatre, NYC FTP."," Set designer with the Los Angeles FTP."," Actress with the Los Angeles FTP."," Musical composer and director with various units,\n                  NYC FMP and FTP."," Musical composer and director with various units,\n                  NYC FMP and FTP."," Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release."," Director of Southwest Experimental unit, Los\n                  Angeles FTP."," Administrative assistant to Hallie Flanagan,\n                  national office, FTP."," Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C."," Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release."," Brother of Hallie Flanagan. This is an untaped\n                  interview."," Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP."," Director of Miami unit, FTP."," Actor with SF FTP"," Actress with the Classical unit, NYC FTP"," Actor with Children's Theatre, NYC FTP"," Writer with Radio Division, Illinois Writers'\n                  Project"," Producer and Theatrical Director, NYC FTP"," Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP"," Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP."," Theatrical director and actor with LA and SF\n                  FTP."," Playwright and technical assistant with the\n                  Detroit FTP."," Composer; accompanist with Dance Project, LA\n                  FTP."," Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP."," Actor, NYC FTP."," Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release."," Dancer with the Dance Project, NYC FTP"," Actor and founder of Chicago Repertory Group,\n                  1933."," Administrator, Bureau of research and Publications\n                  of FTP."," Administrator, Bureau of Research and Publications\n                  of FTP."," Actor with the Chicago FTP."," Dancer with the Chicago FTP."," Actress and dancer with the Vaudeville unit, LA\n                  FTP"," Actor with the LA FTP; director with the Seattle\n                  FTP."," State director of the Illinois FMP."," Publicist with NYC FTP; director, Department of\n                  Information, FTP."," Designer, theater historian; critic."," Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP."," Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP."," Playwright, some of whose works were produced by\n                  various FTP units."," Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required."," Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee."," Art director with the Atlanta FTP."," Staff composer and arranger with FTP."," Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP."," Writer and researcher with the Living Newspaper\n                  unit, NYC FTP."," Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use."," Play reader and playwright with the NYC FTP. Closed\n                  pending release."," Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication."," Writer, critic, producer, designer with the NY\n                  theaters i the 1930s."," Producer and administrator with the Negro and\n                  Classical units, NYC FTP."," Participated in the Resettlement\n                  Administration."," Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview."," Lighting designer with the LA FTP. This is an\n                  untaped interview."," Theatrical director familiar with the LA and NYC\n                  FTP."," Publicist and promotion officer with the NYC\n                  FTP."," Director of information with the NYC FMP."," Actor with the SF FTP."," Songwriter and composer with the NYC FTP."," Choreographer and dancer with the Dance Project,\n                  LA FTP."," Actress with the San Bernardino/Riverside and LA\n                  FTP."," Stagehand with the NYC FTP.Closed pending\n                  release."," Playwright with the NYC FTP."," Administrative director, Chicago and NYC FTP."," Concertmaster of the Grand Rapids, MI FTP\n                  orchestra."," Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA."," Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA."," Playwright whose works were produced by the NYC\n                  FTP. Closed pending release."," Actress with the SF and Oakland FTP. This is an\n                  untaped interview."," Dancer with the Dance Project, NYC FTP."," Actress with the Classical unit, NYC FTP."," Administrator with the National Service Bureau of\n                  the FTP."," Director, National Service Bureau of the FTP."," Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript."," Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript."," Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime."," Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime."," Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee."," Actor with the several units of the NYC FTP."," Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper."," Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime."," Actor with NYC FTP."," Set designer with NYC FTP."," Playwright whose Model Tenements was produced by\n                  the Chicago FTP."," Dancer with the Dance Project, LA FTP."," Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime."," Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida."," Vaudeville performer with the FTP."," Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted."," Puppet artist with the Marionette unit, NYC\n                  FTP."," Actor with the Living Newspaper unit, NYC FTP."," Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime."," Conductor with the Vermont FMP."," Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP."," Administrative director with the Florida FTP."," Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime."," Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime."," Marionette artist with the SF FTP.Quotations must\n                  be accurate."," Playwright whose work was produced by NYC FTP."," Actress with the Classical unit, NYC FTP."," Actor with the Chicago FTP."," Actor with the Atlanta FTP."," Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime."," Publicist with the NYC FTP."," Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP."," Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP."," Costume designer with the NYC FTP."," Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime."," Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview."," Staff member with the Educational Division, NYC\n                  FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency."," Set designer with the NYC FTP."," Worked with the NYC FTP. This is an untaped\n                  interview."," Director with the FTP in the South; later with the\n                  Detroit FTP."," Theatrical director with the Negro unit, NYC\n                  FTP."," Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP."," Director with the Negro unit, LA FTP."," Dancer with the NYC FTP."," Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview."," Director with the Indiana FTP."," Actor with the Seattle FTP."," Dancer and choreographer with the Chicago FTP."," Dancer with the NYC FTP."," Actor with the Chicago FTP."," Writer with the Southwest Experimental unit of the\n                  LA FTP."," Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview."," Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP."," Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release."," Dancer with the NYC FTP."," Director of the Vaudeville productions, LA\n                  FTP."," Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era."," Conductor with the Michigan WPA Symphony\n                  Orchestra."," Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview."," With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus."," Actor with the Children's unit, NYC FTP."," Researcher of the Chinese theater, Research\n                  Department, SF FTP."," Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime."," Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview."," Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication."," Actress and director with the marionette unit of\n                  the Miami FTP."," Playwright in New York and San Francisco; write\n                  with the FWP."," Administrator and legal counsel for the National\n                  Service Bureau, FTP."," Administrator and legal counsel for the National\n                  Service Bureau, FTP."," Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library."," Actor with the Cleveland (OH) FTP."," Composer for various productions, NYC FTP."," Writer and director with the Radio Division, NYC\n                  FTP."," Actress with the NYC FTP."," Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview."," Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication."," Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication."," Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions."," Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview."," Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview."," Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime."," Director with the Experimental unit, NYC\n                  FTP.Closed pending release."," Administrative assistant with the Negro and\n                  Classical units, NYC FTP."," Actress with the Radio Division, NYC FTP."," Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939."," Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939."," Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime."," Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP."," Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP."," Audience member, NYC FTP productions."," Composer, NYC FMP."," Director of the Anglo-Jewish unit, NYC FTP."," Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."," Puppeteer with the Marionette unit, NYC FTP."," Actor with the Classical unit, NYC FTP."," Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview."," Actress, NYC FTP."," Actress, NYC FTP."," Publicist, NYC FTP."," Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago."," Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release."," Concertmaster with the FMP Illinois Symphony."," Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal."," Publicist with the Negro unit, NYC FTP."," Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication."," Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee."," Director, Denver FTP."," Worked with Composers's Forum and Copying Project\n                  of the FMP."," Choreographer, NYC FTP. This is an untaped\n                  interview."," Artist, NY FAP. Permission of interviewer required\n                  for publication."," Songwriter whose works were performed by NYC\n                  FTP."," Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP."," Actor with the Seattle FTP."," Playwright whose work was produced by the FTP."," Composer and arranger with the Vaudeville unit, LA\n                  FTP."," Set designer, LA FTP."," Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release."," Actor with the New Hampshire FTP. Closed pending\n                  release."," Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP."," Playwright in Chicago whose work was produced by\n                  the FTP."," Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP."," Stage Manager with the Mercury Theatre, New\n                  York."," Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release."," Musical director with the Negro and Classical\n                  units, NYC FTP."," Musical director with the Negro and Classical\n                  units. NYC FTP."," Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release."," Administrator, National Play Bureau, NYC FTP."," Worked with the Resettlement Administration."," Actor with the Roslyn, NY FTP."," Dancer with Tamiris's group, Dance Project, NYC\n                  FTP."," Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required."," Playwright based in Chicago whose works were\n                  produced by the FTP."," Actress with the Vaudeville unit, LA FTP."," Stage manager, actor, and lighting technician with\n                  the LA FTP."," Stage manager, actor, and lighting technician, LA\n                  FTP."," Administrator, Atlanta FTP."," Lawyer who represented Orson Welles and John\n                  Houseman."," Director with the NYC FTP."," Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words."," Lighting director and technician with the Chicago\n                  FTP."," Administrator with the Marionette unit of the NYC\n                  FTP."," Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP."," Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime."," Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime."," Stage manager with the Children's theater, NYC\n                  FTP."," Artist with the Illinois and New York FAP."," Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions."," Worked with the GSA; recovered many FAP works and\n                  murals.","There are no restrictions.\n"," This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n","George Mason University.  Special Collections and Archives.\n","George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration.","English\n"],"unitid_tesim":["C0153\n"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture.\n"],"access_subjects_ssim":["Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States."],"access_subjects_ssm":["Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States."],"has_online_content_ssim":["false"],"extent_ssm":["7 linear feet (11 boxes)"],"extent_tesim":["7 linear feet (11 boxes)"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["Collection is open to research.\n"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by last name of interviewee.\n\u003c/p\u003e","\u003cp\u003e Artist, NY. Permission to quote over 100 words\n                  required.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is arranged alphabetically by last name of interviewee.\n"," Artist, NY. Permission to quote over 100 words\n                  required."],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information\n"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture.\n"],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, Collection #C0153, Special Collections and Archives, George Mason University.\n\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, Collection #C0153, Special Collections and Archives, George Mason University.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \n\u003c/p\u003e","\u003cp\u003eIn 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \n","In 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://sca.gmu.edu/theater_collections.htm\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds the  .\n"],"scopecontent_html_tesm":["\u003cp\u003eThis compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n\u003c/p\u003e","\u003cp\u003e\nThe interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.\n\u003c/p\u003e","\u003cp\u003e\nList of Abbreviations:\n\u003c/p\u003e","\u003cp\u003e\nCCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration\n\u003c/p\u003e","\u003cp\u003e Widow of playwright Hughes Allison, whose work was\n                  produced by FTP.\u003c/p\u003e","\u003cp\u003e Stage manager and director with the Negro unit,\n                  NYC FTP.\u003c/p\u003e","\u003cp\u003e Costume designer with SF FTP.\u003c/p\u003e","\u003cp\u003e Actress who auditioned for Negro Unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Composer and director, SF FMP.\u003c/p\u003e","\u003cp\u003e Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003e Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003e Dancer with the Negro unit, NYC FTP. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Administrative director of the NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative director of the NYC FTP.\u003c/p\u003e","\u003cp\u003e Dancer with Federal Dance Project, NYC.\u003c/p\u003e","\u003cp\u003e Worked with the Radio Division of FTP. This is an\n                  untaped interview.\u003c/p\u003e","\u003cp\u003e Stage manager with the Manhattan City Projects,\n                  NYC.\u003c/p\u003e","\u003cp\u003e Dancer and actor with NYC FTP units.\u003c/p\u003e","\u003cp\u003e Set designer for various NYC FTP productions.\u003c/p\u003e","\u003cp\u003e Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama.\u003c/p\u003e","\u003cp\u003e Step-daughter of Hallie Flanagan. Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview.\u003c/p\u003e","\u003cp\u003e Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003e Costume designer with SF FTP.\u003c/p\u003e","\u003cp\u003e Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release.\u003c/p\u003e","\u003cp\u003e Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units.\u003c/p\u003e","\u003cp\u003e Artist, muralist with NYC FAP. Permission for\n                  publication required.\u003c/p\u003e","\u003cp\u003e [see Bolton, Philip.]\u003c/p\u003e","\u003cp\u003e Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview.\u003c/p\u003e","\u003cp\u003e [see Bolton, Philip.]\u003c/p\u003e","\u003cp\u003e Costume designer with NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP.\u003c/p\u003e","\u003cp\u003e Actor with LA FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Director and actor with Chicago FTP.\u003c/p\u003e","\u003cp\u003e Director and actress with Chicago FTP.\u003c/p\u003e","\u003cp\u003e Actor with LA FTP.\u003c/p\u003e","\u003cp\u003e Director of marionette unit of LA FTP.\u003c/p\u003e","\u003cp\u003e Artist with FAP. Permission for publication\n                  required.\u003c/p\u003e","\u003cp\u003e Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP.\u003c/p\u003e","\u003cp\u003e Actor with Children's unit of NYC FTP.\u003c/p\u003e","\u003cp\u003e Sound technician with Living Newspaper unit of NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Publicist with NYC FTP.\u003c/p\u003e","\u003cp\u003e Artist, muralist with FAP. Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Personnel administrator with NYC and Florida FTP\n                  units.\u003c/p\u003e","\u003cp\u003e Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication.\u003c/p\u003e","\u003cp\u003e Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Playwright whose work was produced by Denver\n                  FTP.\u003c/p\u003e","\u003cp\u003e Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release.\u003c/p\u003e","\u003cp\u003e Writer and theater critic. Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Director of marionette units, SF and LA FTP;\n                  costume designer.\u003c/p\u003e","\u003cp\u003e Director of marionette units, SF and LA FTP;\n                  costume designer.\u003c/p\u003e","\u003cp\u003e Choreographer and dancer with Federal Dance\n                  Project, NYC FTP.\u003c/p\u003e","\u003cp\u003e Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e See Schnitzer, Marcella Cisney.\u003c/p\u003e","\u003cp\u003e With Children's Theatre unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director with Experimental and\n                  Children's units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Assistant stage manager with Classical unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Concertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003e Director of Play Bureau, NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation.\u003c/p\u003e","\u003cp\u003e District supervisor with SF FTP.\u003c/p\u003e","\u003cp\u003e Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003e Director of Negro unit, Boston FTP. Permission to\n                  quote required.\u003c/p\u003e","\u003cp\u003e Director of Negro unit, Boston FTP.\u003c/p\u003e","\u003cp\u003e Playwright whose works were produced by various\n                  FTP units.\u003c/p\u003e","\u003cp\u003e Actor with NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with Classical unit,NYC FTP.\u003c/p\u003e","\u003cp\u003e Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL.\u003c/p\u003e","\u003cp\u003e WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release.\u003c/p\u003e","\u003cp\u003e Sculptor with FAP. Permission of interviewer\n                  required for publication.\u003c/p\u003e","\u003cp\u003e Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Actress with Roslyn, NY unit of FTP.\u003c/p\u003e","\u003cp\u003e Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP.\u003c/p\u003e","\u003cp\u003e Actor and director with Radio Division, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Actor with the Roslyn, NY FTP unit.\u003c/p\u003e","\u003cp\u003e Writer with Radio Division, NYC FTP.\u003c/p\u003e","\u003cp\u003e Finance administrator, WPA arts projects,\n                  Washington, D.C.\u003c/p\u003e","\u003cp\u003e Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Music director with the Negro unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Dancer and choreographer with the dance unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the dance unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Play adapter and choreographer with Classical\n                  unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Assistant to Hallie Flanagan at Smith College;\n                  playwright.\u003c/p\u003e","\u003cp\u003e Playwright with Chicago FTP. Permission to quote\n                  over 100 words required.\u003c/p\u003e","\u003cp\u003e Assistant stage manager with Negro unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices.\u003c/p\u003e","\u003cp\u003e Student of Hallie Flanagan; expert in children's\n                  theater.\u003c/p\u003e","\u003cp\u003e Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release.\u003c/p\u003e","\u003cp\u003e Set designer with the Roslyn, NY unit of the\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Children's Theatre, NYC FTP.\u003c/p\u003e","\u003cp\u003e Set designer with the Los Angeles FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Los Angeles FTP.\u003c/p\u003e","\u003cp\u003e Musical composer and director with various units,\n                  NYC FMP and FTP.\u003c/p\u003e","\u003cp\u003e Musical composer and director with various units,\n                  NYC FMP and FTP.\u003c/p\u003e","\u003cp\u003e Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Director of Southwest Experimental unit, Los\n                  Angeles FTP.\u003c/p\u003e","\u003cp\u003e Administrative assistant to Hallie Flanagan,\n                  national office, FTP.\u003c/p\u003e","\u003cp\u003e Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003e Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Brother of Hallie Flanagan. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of Miami unit, FTP.\u003c/p\u003e","\u003cp\u003e Actor with SF FTP\u003c/p\u003e","\u003cp\u003e Actress with the Classical unit, NYC FTP\u003c/p\u003e","\u003cp\u003e Actor with Children's Theatre, NYC FTP\u003c/p\u003e","\u003cp\u003e Writer with Radio Division, Illinois Writers'\n                  Project\u003c/p\u003e","\u003cp\u003e Producer and Theatrical Director, NYC FTP\u003c/p\u003e","\u003cp\u003e Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP\u003c/p\u003e","\u003cp\u003e Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director and actor with LA and SF\n                  FTP.\u003c/p\u003e","\u003cp\u003e Playwright and technical assistant with the\n                  Detroit FTP.\u003c/p\u003e","\u003cp\u003e Composer; accompanist with Dance Project, LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor, NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Dancer with the Dance Project, NYC FTP\u003c/p\u003e","\u003cp\u003e Actor and founder of Chicago Repertory Group,\n                  1933.\u003c/p\u003e","\u003cp\u003e Administrator, Bureau of research and Publications\n                  of FTP.\u003c/p\u003e","\u003cp\u003e Administrator, Bureau of Research and Publications\n                  of FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Actress and dancer with the Vaudeville unit, LA\n                  FTP\u003c/p\u003e","\u003cp\u003e Actor with the LA FTP; director with the Seattle\n                  FTP.\u003c/p\u003e","\u003cp\u003e State director of the Illinois FMP.\u003c/p\u003e","\u003cp\u003e Publicist with NYC FTP; director, Department of\n                  Information, FTP.\u003c/p\u003e","\u003cp\u003e Designer, theater historian; critic.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.\u003c/p\u003e","\u003cp\u003e Playwright, some of whose works were produced by\n                  various FTP units.\u003c/p\u003e","\u003cp\u003e Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003e Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee.\u003c/p\u003e","\u003cp\u003e Art director with the Atlanta FTP.\u003c/p\u003e","\u003cp\u003e Staff composer and arranger with FTP.\u003c/p\u003e","\u003cp\u003e Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and researcher with the Living Newspaper\n                  unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use.\u003c/p\u003e","\u003cp\u003e Play reader and playwright with the NYC FTP. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Writer, critic, producer, designer with the NY\n                  theaters i the 1930s.\u003c/p\u003e","\u003cp\u003e Producer and administrator with the Negro and\n                  Classical units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Participated in the Resettlement\n                  Administration.\u003c/p\u003e","\u003cp\u003e Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Lighting designer with the LA FTP. This is an\n                  untaped interview.\u003c/p\u003e","\u003cp\u003e Theatrical director familiar with the LA and NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Publicist and promotion officer with the NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Director of information with the NYC FMP.\u003c/p\u003e","\u003cp\u003e Actor with the SF FTP.\u003c/p\u003e","\u003cp\u003e Songwriter and composer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Choreographer and dancer with the Dance Project,\n                  LA FTP.\u003c/p\u003e","\u003cp\u003e Actress with the San Bernardino/Riverside and LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Stagehand with the NYC FTP.Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Playwright with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative director, Chicago and NYC FTP.\u003c/p\u003e","\u003cp\u003e Concertmaster of the Grand Rapids, MI FTP\n                  orchestra.\u003c/p\u003e","\u003cp\u003e Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.\u003c/p\u003e","\u003cp\u003e Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.\u003c/p\u003e","\u003cp\u003e Playwright whose works were produced by the NYC\n                  FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Actress with the SF and Oakland FTP. This is an\n                  untaped interview.\u003c/p\u003e","\u003cp\u003e Dancer with the Dance Project, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrator with the National Service Bureau of\n                  the FTP.\u003c/p\u003e","\u003cp\u003e Director, National Service Bureau of the FTP.\u003c/p\u003e","\u003cp\u003e Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript.\u003c/p\u003e","\u003cp\u003e Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript.\u003c/p\u003e","\u003cp\u003e Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime.\u003c/p\u003e","\u003cp\u003e Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee.\u003c/p\u003e","\u003cp\u003e Actor with the several units of the NYC FTP.\u003c/p\u003e","\u003cp\u003e Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003e Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Actor with NYC FTP.\u003c/p\u003e","\u003cp\u003e Set designer with NYC FTP.\u003c/p\u003e","\u003cp\u003e Playwright whose Model Tenements was produced by\n                  the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the Dance Project, LA FTP.\u003c/p\u003e","\u003cp\u003e Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003e Vaudeville performer with the FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted.\u003c/p\u003e","\u003cp\u003e Puppet artist with the Marionette unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Living Newspaper unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime.\u003c/p\u003e","\u003cp\u003e Conductor with the Vermont FMP.\u003c/p\u003e","\u003cp\u003e Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative director with the Florida FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Marionette artist with the SF FTP.Quotations must\n                  be accurate.\u003c/p\u003e","\u003cp\u003e Playwright whose work was produced by NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Atlanta FTP.\u003c/p\u003e","\u003cp\u003e Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Publicist with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.\u003c/p\u003e","\u003cp\u003e Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.\u003c/p\u003e","\u003cp\u003e Costume designer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Staff member with the Educational Division, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e","\u003cp\u003e Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency.\u003c/p\u003e","\u003cp\u003e Set designer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Worked with the NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Director with the FTP in the South; later with the\n                  Detroit FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Negro unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP.\u003c/p\u003e","\u003cp\u003e Director with the Negro unit, LA FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Director with the Indiana FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Seattle FTP.\u003c/p\u003e","\u003cp\u003e Dancer and choreographer with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Writer with the Southwest Experimental unit of the\n                  LA FTP.\u003c/p\u003e","\u003cp\u003e Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release.\u003c/p\u003e","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of the Vaudeville productions, LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era.\u003c/p\u003e","\u003cp\u003e Conductor with the Michigan WPA Symphony\n                  Orchestra.\u003c/p\u003e","\u003cp\u003e Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview.\u003c/p\u003e","\u003cp\u003e With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus.\u003c/p\u003e","\u003cp\u003e Actor with the Children's unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Researcher of the Chinese theater, Research\n                  Department, SF FTP.\u003c/p\u003e","\u003cp\u003e Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview.\u003c/p\u003e","\u003cp\u003e Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Actress and director with the marionette unit of\n                  the Miami FTP.\u003c/p\u003e","\u003cp\u003e Playwright in New York and San Francisco; write\n                  with the FWP.\u003c/p\u003e","\u003cp\u003e Administrator and legal counsel for the National\n                  Service Bureau, FTP.\u003c/p\u003e","\u003cp\u003e Administrator and legal counsel for the National\n                  Service Bureau, FTP.\u003c/p\u003e","\u003cp\u003e Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003e Actor with the Cleveland (OH) FTP.\u003c/p\u003e","\u003cp\u003e Composer for various productions, NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and director with the Radio Division, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actress with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003e Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview.\u003c/p\u003e","\u003cp\u003e Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime.\u003c/p\u003e","\u003cp\u003e Director with the Experimental unit, NYC\n                  FTP.Closed pending release.\u003c/p\u003e","\u003cp\u003e Administrative assistant with the Negro and\n                  Classical units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Radio Division, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.\u003c/p\u003e","\u003cp\u003e Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.\u003c/p\u003e","\u003cp\u003e Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP.\u003c/p\u003e","\u003cp\u003e Audience member, NYC FTP productions.\u003c/p\u003e","\u003cp\u003e Composer, NYC FMP.\u003c/p\u003e","\u003cp\u003e Director of the Anglo-Jewish unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Puppeteer with the Marionette unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Actress, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress, NYC FTP.\u003c/p\u003e","\u003cp\u003e Publicist, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003e Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Concertmaster with the FMP Illinois Symphony.\u003c/p\u003e","\u003cp\u003e Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal.\u003c/p\u003e","\u003cp\u003e Publicist with the Negro unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication.\u003c/p\u003e","\u003cp\u003e Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003e Director, Denver FTP.\u003c/p\u003e","\u003cp\u003e Worked with Composers's Forum and Copying Project\n                  of the FMP.\u003c/p\u003e","\u003cp\u003e Choreographer, NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Artist, NY FAP. Permission of interviewer required\n                  for publication.\u003c/p\u003e","\u003cp\u003e Songwriter whose works were performed by NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Seattle FTP.\u003c/p\u003e","\u003cp\u003e Playwright whose work was produced by the FTP.\u003c/p\u003e","\u003cp\u003e Composer and arranger with the Vaudeville unit, LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Set designer, LA FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Actor with the New Hampshire FTP. Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Playwright in Chicago whose work was produced by\n                  the FTP.\u003c/p\u003e","\u003cp\u003e Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP.\u003c/p\u003e","\u003cp\u003e Stage Manager with the Mercury Theatre, New\n                  York.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Musical director with the Negro and Classical\n                  units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Musical director with the Negro and Classical\n                  units. NYC FTP.\u003c/p\u003e","\u003cp\u003e Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release.\u003c/p\u003e","\u003cp\u003e Administrator, National Play Bureau, NYC FTP.\u003c/p\u003e","\u003cp\u003e Worked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003e Actor with the Roslyn, NY FTP.\u003c/p\u003e","\u003cp\u003e Dancer with Tamiris's group, Dance Project, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required.\u003c/p\u003e","\u003cp\u003e Playwright based in Chicago whose works were\n                  produced by the FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Vaudeville unit, LA FTP.\u003c/p\u003e","\u003cp\u003e Stage manager, actor, and lighting technician with\n                  the LA FTP.\u003c/p\u003e","\u003cp\u003e Stage manager, actor, and lighting technician, LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Administrator, Atlanta FTP.\u003c/p\u003e","\u003cp\u003e Lawyer who represented Orson Welles and John\n                  Houseman.\u003c/p\u003e","\u003cp\u003e Director with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words.\u003c/p\u003e","\u003cp\u003e Lighting director and technician with the Chicago\n                  FTP.\u003c/p\u003e","\u003cp\u003e Administrator with the Marionette unit of the NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.\u003c/p\u003e","\u003cp\u003e Stage manager with the Children's theater, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Artist with the Illinois and New York FAP.\u003c/p\u003e","\u003cp\u003e Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions.\u003c/p\u003e","\u003cp\u003e Worked with the GSA; recovered many FAP works and\n                  murals.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n","\nThe interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.\n","\nList of Abbreviations:\n","\nCCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration\n"," Widow of playwright Hughes Allison, whose work was\n                  produced by FTP."," Stage manager and director with the Negro unit,\n                  NYC FTP."," Costume designer with SF FTP."," Actress who auditioned for Negro Unit, NYC\n                  FTP."," Composer and director, SF FMP."," Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP."," Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony."," Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre."," Dancer with the Negro unit, NYC FTP. Closed\n                  pending release."," Administrative director of the NYC FTP."," Administrative director of the NYC FTP."," Dancer with Federal Dance Project, NYC."," Worked with the Radio Division of FTP. This is an\n                  untaped interview."," Stage manager with the Manhattan City Projects,\n                  NYC."," Dancer and actor with NYC FTP units."," Set designer for various NYC FTP productions."," Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama."," Step-daughter of Hallie Flanagan. Closed pending\n                  release."," Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview."," Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP."," Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime."," Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required."," Costume designer with SF FTP."," Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview."," Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release."," Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units."," Artist, muralist with NYC FAP. Permission for\n                  publication required."," [see Bolton, Philip.]"," Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview."," [see Bolton, Philip.]"," Costume designer with NYC FTP."," Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP."," Actor with LA FTP. This is an untaped\n                  interview."," Director and actor with Chicago FTP."," Director and actress with Chicago FTP."," Actor with LA FTP."," Director of marionette unit of LA FTP."," Artist with FAP. Permission for publication\n                  required."," Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP."," Actor with Children's unit of NYC FTP."," Sound technician with Living Newspaper unit of NYC\n                  FTP."," Publicist with NYC FTP."," Artist, muralist with FAP. Closed pending\n                  release."," Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."," Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview."," Personnel administrator with NYC and Florida FTP\n                  units."," Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication."," Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime."," Playwright whose work was produced by Denver\n                  FTP."," Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release."," Writer and theater critic. Closed pending\n                  release."," Director of marionette units, SF and LA FTP;\n                  costume designer."," Director of marionette units, SF and LA FTP;\n                  costume designer."," Choreographer and dancer with Federal Dance\n                  Project, NYC FTP."," Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication."," See Schnitzer, Marcella Cisney."," With Children's Theatre unit, NYC FTP."," Theatrical director with Experimental and\n                  Children's units, NYC FTP."," Assistant stage manager with Classical unit, NYC\n                  FTP."," Concertmaster, Illinois Symphony Orchestra."," Director of Play Bureau, NYC FTP."," Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation."," District supervisor with SF FTP."," Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra."," Director of Negro unit, Boston FTP. Permission to\n                  quote required."," Director of Negro unit, Boston FTP."," Playwright whose works were produced by various\n                  FTP units."," Actor with NYC FTP."," Actor with Classical unit,NYC FTP."," Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL."," WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release."," Sculptor with FAP. Permission of interviewer\n                  required for publication."," Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview."," Actress with Roslyn, NY unit of FTP."," Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP."," Actor and director with Radio Division, NYC\n                  FTP."," Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication."," Actor with the Roslyn, NY FTP unit."," Writer with Radio Division, NYC FTP."," Finance administrator, WPA arts projects,\n                  Washington, D.C."," Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release."," Music director with the Negro unit, NYC FTP."," Dancer and choreographer with the dance unit, NYC\n                  FTP."," Dancer with the dance unit, NYC FTP."," Play adapter and choreographer with Classical\n                  unit, NYC FTP."," Assistant to Hallie Flanagan at Smith College;\n                  playwright."," Playwright with Chicago FTP. Permission to quote\n                  over 100 words required."," Assistant stage manager with Negro unit, NYC\n                  FTP."," Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices."," Student of Hallie Flanagan; expert in children's\n                  theater."," Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release."," Set designer with the Roslyn, NY unit of the\n                  FTP."," Actress with the Children's Theatre, NYC FTP."," Set designer with the Los Angeles FTP."," Actress with the Los Angeles FTP."," Musical composer and director with various units,\n                  NYC FMP and FTP."," Musical composer and director with various units,\n                  NYC FMP and FTP."," Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release."," Director of Southwest Experimental unit, Los\n                  Angeles FTP."," Administrative assistant to Hallie Flanagan,\n                  national office, FTP."," Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C."," Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release."," Brother of Hallie Flanagan. This is an untaped\n                  interview."," Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP."," Director of Miami unit, FTP."," Actor with SF FTP"," Actress with the Classical unit, NYC FTP"," Actor with Children's Theatre, NYC FTP"," Writer with Radio Division, Illinois Writers'\n                  Project"," Producer and Theatrical Director, NYC FTP"," Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP"," Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP."," Theatrical director and actor with LA and SF\n                  FTP."," Playwright and technical assistant with the\n                  Detroit FTP."," Composer; accompanist with Dance Project, LA\n                  FTP."," Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP."," Actor, NYC FTP."," Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release."," Dancer with the Dance Project, NYC FTP"," Actor and founder of Chicago Repertory Group,\n                  1933."," Administrator, Bureau of research and Publications\n                  of FTP."," Administrator, Bureau of Research and Publications\n                  of FTP."," Actor with the Chicago FTP."," Dancer with the Chicago FTP."," Actress and dancer with the Vaudeville unit, LA\n                  FTP"," Actor with the LA FTP; director with the Seattle\n                  FTP."," State director of the Illinois FMP."," Publicist with NYC FTP; director, Department of\n                  Information, FTP."," Designer, theater historian; critic."," Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP."," Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP."," Playwright, some of whose works were produced by\n                  various FTP units."," Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required."," Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee."," Art director with the Atlanta FTP."," Staff composer and arranger with FTP."," Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP."," Writer and researcher with the Living Newspaper\n                  unit, NYC FTP."," Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use."," Play reader and playwright with the NYC FTP. Closed\n                  pending release."," Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication."," Writer, critic, producer, designer with the NY\n                  theaters i the 1930s."," Producer and administrator with the Negro and\n                  Classical units, NYC FTP."," Participated in the Resettlement\n                  Administration."," Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview."," Lighting designer with the LA FTP. This is an\n                  untaped interview."," Theatrical director familiar with the LA and NYC\n                  FTP."," Publicist and promotion officer with the NYC\n                  FTP."," Director of information with the NYC FMP."," Actor with the SF FTP."," Songwriter and composer with the NYC FTP."," Choreographer and dancer with the Dance Project,\n                  LA FTP."," Actress with the San Bernardino/Riverside and LA\n                  FTP."," Stagehand with the NYC FTP.Closed pending\n                  release."," Playwright with the NYC FTP."," Administrative director, Chicago and NYC FTP."," Concertmaster of the Grand Rapids, MI FTP\n                  orchestra."," Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA."," Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA."," Playwright whose works were produced by the NYC\n                  FTP. Closed pending release."," Actress with the SF and Oakland FTP. This is an\n                  untaped interview."," Dancer with the Dance Project, NYC FTP."," Actress with the Classical unit, NYC FTP."," Administrator with the National Service Bureau of\n                  the FTP."," Director, National Service Bureau of the FTP."," Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript."," Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript."," Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime."," Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime."," Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee."," Actor with the several units of the NYC FTP."," Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper."," Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime."," Actor with NYC FTP."," Set designer with NYC FTP."," Playwright whose Model Tenements was produced by\n                  the Chicago FTP."," Dancer with the Dance Project, LA FTP."," Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime."," Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida."," Vaudeville performer with the FTP."," Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted."," Puppet artist with the Marionette unit, NYC\n                  FTP."," Actor with the Living Newspaper unit, NYC FTP."," Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime."," Conductor with the Vermont FMP."," Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP."," Administrative director with the Florida FTP."," Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime."," Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime."," Marionette artist with the SF FTP.Quotations must\n                  be accurate."," Playwright whose work was produced by NYC FTP."," Actress with the Classical unit, NYC FTP."," Actor with the Chicago FTP."," Actor with the Atlanta FTP."," Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime."," Publicist with the NYC FTP."," Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP."," Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP."," Costume designer with the NYC FTP."," Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime."," Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview."," Staff member with the Educational Division, NYC\n                  FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency."," Set designer with the NYC FTP."," Worked with the NYC FTP. This is an untaped\n                  interview."," Director with the FTP in the South; later with the\n                  Detroit FTP."," Theatrical director with the Negro unit, NYC\n                  FTP."," Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP."," Director with the Negro unit, LA FTP."," Dancer with the NYC FTP."," Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview."," Director with the Indiana FTP."," Actor with the Seattle FTP."," Dancer and choreographer with the Chicago FTP."," Dancer with the NYC FTP."," Actor with the Chicago FTP."," Writer with the Southwest Experimental unit of the\n                  LA FTP."," Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview."," Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP."," Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release."," Dancer with the NYC FTP."," Director of the Vaudeville productions, LA\n                  FTP."," Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era."," Conductor with the Michigan WPA Symphony\n                  Orchestra."," Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview."," With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus."," Actor with the Children's unit, NYC FTP."," Researcher of the Chinese theater, Research\n                  Department, SF FTP."," Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime."," Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview."," Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication."," Actress and director with the marionette unit of\n                  the Miami FTP."," Playwright in New York and San Francisco; write\n                  with the FWP."," Administrator and legal counsel for the National\n                  Service Bureau, FTP."," Administrator and legal counsel for the National\n                  Service Bureau, FTP."," Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library."," Actor with the Cleveland (OH) FTP."," Composer for various productions, NYC FTP."," Writer and director with the Radio Division, NYC\n                  FTP."," Actress with the NYC FTP."," Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview."," Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication."," Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication."," Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions."," Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview."," Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview."," Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime."," Director with the Experimental unit, NYC\n                  FTP.Closed pending release."," Administrative assistant with the Negro and\n                  Classical units, NYC FTP."," Actress with the Radio Division, NYC FTP."," Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939."," Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939."," Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime."," Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP."," Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP."," Audience member, NYC FTP productions."," Composer, NYC FMP."," Director of the Anglo-Jewish unit, NYC FTP."," Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."," Puppeteer with the Marionette unit, NYC FTP."," Actor with the Classical unit, NYC FTP."," Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview."," Actress, NYC FTP."," Actress, NYC FTP."," Publicist, NYC FTP."," Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago."," Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release."," Concertmaster with the FMP Illinois Symphony."," Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal."," Publicist with the Negro unit, NYC FTP."," Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication."," Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee."," Director, Denver FTP."," Worked with Composers's Forum and Copying Project\n                  of the FMP."," Choreographer, NYC FTP. This is an untaped\n                  interview."," Artist, NY FAP. Permission of interviewer required\n                  for publication."," Songwriter whose works were performed by NYC\n                  FTP."," Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP."," Actor with the Seattle FTP."," Playwright whose work was produced by the FTP."," Composer and arranger with the Vaudeville unit, LA\n                  FTP."," Set designer, LA FTP."," Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release."," Actor with the New Hampshire FTP. Closed pending\n                  release."," Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP."," Playwright in Chicago whose work was produced by\n                  the FTP."," Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP."," Stage Manager with the Mercury Theatre, New\n                  York."," Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release."," Musical director with the Negro and Classical\n                  units, NYC FTP."," Musical director with the Negro and Classical\n                  units. NYC FTP."," Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release."," Administrator, National Play Bureau, NYC FTP."," Worked with the Resettlement Administration."," Actor with the Roslyn, NY FTP."," Dancer with Tamiris's group, Dance Project, NYC\n                  FTP."," Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required."," Playwright based in Chicago whose works were\n                  produced by the FTP."," Actress with the Vaudeville unit, LA FTP."," Stage manager, actor, and lighting technician with\n                  the LA FTP."," Stage manager, actor, and lighting technician, LA\n                  FTP."," Administrator, Atlanta FTP."," Lawyer who represented Orson Welles and John\n                  Houseman."," Director with the NYC FTP."," Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words."," Lighting director and technician with the Chicago\n                  FTP."," Administrator with the Marionette unit of the NYC\n                  FTP."," Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP."," Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime."," Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime."," Stage manager with the Children's theater, NYC\n                  FTP."," Artist with the Illinois and New York FAP."," Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions."," Worked with the GSA; recovered many FAP works and\n                  murals."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003e This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n\u003c/abstract\u003e"],"abstract_tesim":[" This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration."],"language_ssim":["English\n"],"total_component_count_is":319,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:45:26.642Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_vifgm00021_c01_c43"}},{"id":"vifgm_repositories_2_resources_190_c01_c41","type":"File","attributes":{"title":"Cameniti, Ida","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c01_c41#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c01_c41#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_190_c01_c41","ref_ssm":["vifgm_repositories_2_resources_190_c01_c41"],"id":"vifgm_repositories_2_resources_190_c01_c41","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190_c01","parent_ssi":"vifgm_repositories_2_resources_190_c01","parent_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c01"],"parent_unittitles_ssm":["Works Progress Administration oral histories collection","Series 1: Transcripts"],"parent_unittitles_tesim":["Works Progress Administration oral histories collection","Series 1: Transcripts"],"text":["Works Progress Administration oral histories collection","Series 1: Transcripts","Cameniti, Ida","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project."],"title_filing_ssi":"Cameniti, Ida","title_ssm":["Cameniti, Ida"],"title_tesim":["Cameniti, Ida"],"unitdate_other_ssim":["March 15, 1977"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["Cameniti, Ida"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Works Progress Administration oral histories collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":42,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1977],"scopecontent_html_tesm":["\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project."],"_nest_path_":"/components#0/components#40","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"text":["C0153","/repositories/2/resources/190","Works Progress Administration oral histories collection","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the  .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e\n","\u003cp\u003eOrganized into two series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":673,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c01_c41"}},{"id":"vifgm_vifgm00021_c01_c44","type":"File","attributes":{"title":"Cameniti, Ida,\n                  March 15, 1977","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00021_c01_c44#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e Playwright whose work, Reward, was produced by the Tampa FTP. Closed during Fernando Mesa's lifetime.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00021_c01_c44#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_vifgm00021_c01_c44","ref_ssm":["vifgm_vifgm00021_c01_c44"],"id":"vifgm_vifgm00021_c01_c44","ead_ssi":"vifgm_vifgm00021","_root_":"vifgm_vifgm00021","_nest_parent_":"vifgm_vifgm00021_c01","parent_ssi":"vifgm_vifgm00021_c01","parent_ssim":["vifgm_vifgm00021","vifgm_vifgm00021_c01"],"parent_ids_ssim":["vifgm_vifgm00021","vifgm_vifgm00021_c01"],"parent_unittitles_ssm":["Works Progress Administration oral histories collection","Work Projects Administration Oral Histories"],"parent_unittitles_tesim":["Works Progress Administration oral histories collection","Work Projects Administration Oral Histories"],"text":["Works Progress Administration oral histories collection","Work Projects Administration Oral Histories","Cameniti, Ida,\n                  March 15, 1977","box 2","Folder"," Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."],"title_filing_ssi":"Cameniti, Ida,\n                   March 15, 1977","title_ssm":["Cameniti, Ida,\n                  March 15, 1977"],"title_tesim":["Cameniti, Ida,\n                  March 15, 1977"],"normalized_title_ssm":["Cameniti, Ida,\n                  March 15, 1977"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Works Progress Administration oral histories collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":45,"containers_ssim":["box 2","Folder"],"scopecontent_html_tesm":["\u003cp\u003e Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.\u003c/p\u003e"],"scopecontent_tesim":[" Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."],"_nest_path_":"/components#0/components#43","timestamp":"2026-05-21T06:45:26.642Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00021","ead_ssi":"vifgm_vifgm00021","_root_":"vifgm_vifgm00021","_nest_parent_":"vifgm_vifgm00021","ead_source_url_ssi":"data/gmu/vifgm00021.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984\n"],"unitdate_inclusive_ssm":["1961-1984\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153\n"],"text":["C0153\n","Works Progress Administration oral histories collection","Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States.","Collection is open to research.\n","This collection is arranged alphabetically by last name of interviewee.\n"," Artist, NY. Permission to quote over 100 words\n                  required.","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture.\n","Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \n","In 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists.\n","Special Collections and Archives also holds the  .\n","This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n","\nThe interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.\n","\nList of Abbreviations:\n","\nCCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration\n"," Widow of playwright Hughes Allison, whose work was\n                  produced by FTP."," Stage manager and director with the Negro unit,\n                  NYC FTP."," Costume designer with SF FTP."," Actress who auditioned for Negro Unit, NYC\n                  FTP."," Composer and director, SF FMP."," Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP."," Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony."," Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre."," Dancer with the Negro unit, NYC FTP. Closed\n                  pending release."," Administrative director of the NYC FTP."," Administrative director of the NYC FTP."," Dancer with Federal Dance Project, NYC."," Worked with the Radio Division of FTP. This is an\n                  untaped interview."," Stage manager with the Manhattan City Projects,\n                  NYC."," Dancer and actor with NYC FTP units."," Set designer for various NYC FTP productions."," Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama."," Step-daughter of Hallie Flanagan. Closed pending\n                  release."," Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview."," Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP."," Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime."," Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required."," Costume designer with SF FTP."," Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview."," Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release."," Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units."," Artist, muralist with NYC FAP. Permission for\n                  publication required."," [see Bolton, Philip.]"," Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview."," [see Bolton, Philip.]"," Costume designer with NYC FTP."," Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP."," Actor with LA FTP. This is an untaped\n                  interview."," Director and actor with Chicago FTP."," Director and actress with Chicago FTP."," Actor with LA FTP."," Director of marionette unit of LA FTP."," Artist with FAP. Permission for publication\n                  required."," Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP."," Actor with Children's unit of NYC FTP."," Sound technician with Living Newspaper unit of NYC\n                  FTP."," Publicist with NYC FTP."," Artist, muralist with FAP. Closed pending\n                  release."," Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."," Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview."," Personnel administrator with NYC and Florida FTP\n                  units."," Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication."," Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime."," Playwright whose work was produced by Denver\n                  FTP."," Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release."," Writer and theater critic. Closed pending\n                  release."," Director of marionette units, SF and LA FTP;\n                  costume designer."," Director of marionette units, SF and LA FTP;\n                  costume designer."," Choreographer and dancer with Federal Dance\n                  Project, NYC FTP."," Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication."," See Schnitzer, Marcella Cisney."," With Children's Theatre unit, NYC FTP."," Theatrical director with Experimental and\n                  Children's units, NYC FTP."," Assistant stage manager with Classical unit, NYC\n                  FTP."," Concertmaster, Illinois Symphony Orchestra."," Director of Play Bureau, NYC FTP."," Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation."," District supervisor with SF FTP."," Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra."," Director of Negro unit, Boston FTP. Permission to\n                  quote required."," Director of Negro unit, Boston FTP."," Playwright whose works were produced by various\n                  FTP units."," Actor with NYC FTP."," Actor with Classical unit,NYC FTP."," Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL."," WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release."," Sculptor with FAP. Permission of interviewer\n                  required for publication."," Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview."," Actress with Roslyn, NY unit of FTP."," Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP."," Actor and director with Radio Division, NYC\n                  FTP."," Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication."," Actor with the Roslyn, NY FTP unit."," Writer with Radio Division, NYC FTP."," Finance administrator, WPA arts projects,\n                  Washington, D.C."," Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release."," Music director with the Negro unit, NYC FTP."," Dancer and choreographer with the dance unit, NYC\n                  FTP."," Dancer with the dance unit, NYC FTP."," Play adapter and choreographer with Classical\n                  unit, NYC FTP."," Assistant to Hallie Flanagan at Smith College;\n                  playwright."," Playwright with Chicago FTP. Permission to quote\n                  over 100 words required."," Assistant stage manager with Negro unit, NYC\n                  FTP."," Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices."," Student of Hallie Flanagan; expert in children's\n                  theater."," Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release."," Set designer with the Roslyn, NY unit of the\n                  FTP."," Actress with the Children's Theatre, NYC FTP."," Set designer with the Los Angeles FTP."," Actress with the Los Angeles FTP."," Musical composer and director with various units,\n                  NYC FMP and FTP."," Musical composer and director with various units,\n                  NYC FMP and FTP."," Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release."," Director of Southwest Experimental unit, Los\n                  Angeles FTP."," Administrative assistant to Hallie Flanagan,\n                  national office, FTP."," Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C."," Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release."," Brother of Hallie Flanagan. This is an untaped\n                  interview."," Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP."," Director of Miami unit, FTP."," Actor with SF FTP"," Actress with the Classical unit, NYC FTP"," Actor with Children's Theatre, NYC FTP"," Writer with Radio Division, Illinois Writers'\n                  Project"," Producer and Theatrical Director, NYC FTP"," Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP"," Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP."," Theatrical director and actor with LA and SF\n                  FTP."," Playwright and technical assistant with the\n                  Detroit FTP."," Composer; accompanist with Dance Project, LA\n                  FTP."," Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP."," Actor, NYC FTP."," Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release."," Dancer with the Dance Project, NYC FTP"," Actor and founder of Chicago Repertory Group,\n                  1933."," Administrator, Bureau of research and Publications\n                  of FTP."," Administrator, Bureau of Research and Publications\n                  of FTP."," Actor with the Chicago FTP."," Dancer with the Chicago FTP."," Actress and dancer with the Vaudeville unit, LA\n                  FTP"," Actor with the LA FTP; director with the Seattle\n                  FTP."," State director of the Illinois FMP."," Publicist with NYC FTP; director, Department of\n                  Information, FTP."," Designer, theater historian; critic."," Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP."," Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP."," Playwright, some of whose works were produced by\n                  various FTP units."," Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required."," Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee."," Art director with the Atlanta FTP."," Staff composer and arranger with FTP."," Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP."," Writer and researcher with the Living Newspaper\n                  unit, NYC FTP."," Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use."," Play reader and playwright with the NYC FTP. Closed\n                  pending release."," Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication."," Writer, critic, producer, designer with the NY\n                  theaters i the 1930s."," Producer and administrator with the Negro and\n                  Classical units, NYC FTP."," Participated in the Resettlement\n                  Administration."," Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview."," Lighting designer with the LA FTP. This is an\n                  untaped interview."," Theatrical director familiar with the LA and NYC\n                  FTP."," Publicist and promotion officer with the NYC\n                  FTP."," Director of information with the NYC FMP."," Actor with the SF FTP."," Songwriter and composer with the NYC FTP."," Choreographer and dancer with the Dance Project,\n                  LA FTP."," Actress with the San Bernardino/Riverside and LA\n                  FTP."," Stagehand with the NYC FTP.Closed pending\n                  release."," Playwright with the NYC FTP."," Administrative director, Chicago and NYC FTP."," Concertmaster of the Grand Rapids, MI FTP\n                  orchestra."," Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA."," Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA."," Playwright whose works were produced by the NYC\n                  FTP. Closed pending release."," Actress with the SF and Oakland FTP. This is an\n                  untaped interview."," Dancer with the Dance Project, NYC FTP."," Actress with the Classical unit, NYC FTP."," Administrator with the National Service Bureau of\n                  the FTP."," Director, National Service Bureau of the FTP."," Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript."," Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript."," Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime."," Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime."," Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee."," Actor with the several units of the NYC FTP."," Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper."," Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime."," Actor with NYC FTP."," Set designer with NYC FTP."," Playwright whose Model Tenements was produced by\n                  the Chicago FTP."," Dancer with the Dance Project, LA FTP."," Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime."," Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida."," Vaudeville performer with the FTP."," Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted."," Puppet artist with the Marionette unit, NYC\n                  FTP."," Actor with the Living Newspaper unit, NYC FTP."," Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime."," Conductor with the Vermont FMP."," Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP."," Administrative director with the Florida FTP."," Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime."," Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime."," Marionette artist with the SF FTP.Quotations must\n                  be accurate."," Playwright whose work was produced by NYC FTP."," Actress with the Classical unit, NYC FTP."," Actor with the Chicago FTP."," Actor with the Atlanta FTP."," Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime."," Publicist with the NYC FTP."," Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP."," Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP."," Costume designer with the NYC FTP."," Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime."," Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview."," Staff member with the Educational Division, NYC\n                  FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency."," Set designer with the NYC FTP."," Worked with the NYC FTP. This is an untaped\n                  interview."," Director with the FTP in the South; later with the\n                  Detroit FTP."," Theatrical director with the Negro unit, NYC\n                  FTP."," Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP."," Director with the Negro unit, LA FTP."," Dancer with the NYC FTP."," Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview."," Director with the Indiana FTP."," Actor with the Seattle FTP."," Dancer and choreographer with the Chicago FTP."," Dancer with the NYC FTP."," Actor with the Chicago FTP."," Writer with the Southwest Experimental unit of the\n                  LA FTP."," Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview."," Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP."," Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release."," Dancer with the NYC FTP."," Director of the Vaudeville productions, LA\n                  FTP."," Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era."," Conductor with the Michigan WPA Symphony\n                  Orchestra."," Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview."," With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus."," Actor with the Children's unit, NYC FTP."," Researcher of the Chinese theater, Research\n                  Department, SF FTP."," Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime."," Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview."," Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication."," Actress and director with the marionette unit of\n                  the Miami FTP."," Playwright in New York and San Francisco; write\n                  with the FWP."," Administrator and legal counsel for the National\n                  Service Bureau, FTP."," Administrator and legal counsel for the National\n                  Service Bureau, FTP."," Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library."," Actor with the Cleveland (OH) FTP."," Composer for various productions, NYC FTP."," Writer and director with the Radio Division, NYC\n                  FTP."," Actress with the NYC FTP."," Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview."," Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication."," Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication."," Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions."," Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview."," Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview."," Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime."," Director with the Experimental unit, NYC\n                  FTP.Closed pending release."," Administrative assistant with the Negro and\n                  Classical units, NYC FTP."," Actress with the Radio Division, NYC FTP."," Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939."," Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939."," Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime."," Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP."," Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP."," Audience member, NYC FTP productions."," Composer, NYC FMP."," Director of the Anglo-Jewish unit, NYC FTP."," Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."," Puppeteer with the Marionette unit, NYC FTP."," Actor with the Classical unit, NYC FTP."," Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview."," Actress, NYC FTP."," Actress, NYC FTP."," Publicist, NYC FTP."," Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago."," Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release."," Concertmaster with the FMP Illinois Symphony."," Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal."," Publicist with the Negro unit, NYC FTP."," Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication."," Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee."," Director, Denver FTP."," Worked with Composers's Forum and Copying Project\n                  of the FMP."," Choreographer, NYC FTP. This is an untaped\n                  interview."," Artist, NY FAP. Permission of interviewer required\n                  for publication."," Songwriter whose works were performed by NYC\n                  FTP."," Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP."," Actor with the Seattle FTP."," Playwright whose work was produced by the FTP."," Composer and arranger with the Vaudeville unit, LA\n                  FTP."," Set designer, LA FTP."," Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release."," Actor with the New Hampshire FTP. Closed pending\n                  release."," Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP."," Playwright in Chicago whose work was produced by\n                  the FTP."," Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP."," Stage Manager with the Mercury Theatre, New\n                  York."," Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release."," Musical director with the Negro and Classical\n                  units, NYC FTP."," Musical director with the Negro and Classical\n                  units. NYC FTP."," Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release."," Administrator, National Play Bureau, NYC FTP."," Worked with the Resettlement Administration."," Actor with the Roslyn, NY FTP."," Dancer with Tamiris's group, Dance Project, NYC\n                  FTP."," Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required."," Playwright based in Chicago whose works were\n                  produced by the FTP."," Actress with the Vaudeville unit, LA FTP."," Stage manager, actor, and lighting technician with\n                  the LA FTP."," Stage manager, actor, and lighting technician, LA\n                  FTP."," Administrator, Atlanta FTP."," Lawyer who represented Orson Welles and John\n                  Houseman."," Director with the NYC FTP."," Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words."," Lighting director and technician with the Chicago\n                  FTP."," Administrator with the Marionette unit of the NYC\n                  FTP."," Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP."," Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime."," Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime."," Stage manager with the Children's theater, NYC\n                  FTP."," Artist with the Illinois and New York FAP."," Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions."," Worked with the GSA; recovered many FAP works and\n                  murals.","There are no restrictions.\n"," This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n","George Mason University.  Special Collections and Archives.\n","George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration.","English\n"],"unitid_tesim":["C0153\n"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture.\n"],"access_subjects_ssim":["Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States."],"access_subjects_ssm":["Acting.","Dance--United States.","New Deal, 1933-1939.","Theater--United States."],"has_online_content_ssim":["false"],"extent_ssm":["7 linear feet (11 boxes)"],"extent_tesim":["7 linear feet (11 boxes)"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["Collection is open to research.\n"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by last name of interviewee.\n\u003c/p\u003e","\u003cp\u003e Artist, NY. Permission to quote over 100 words\n                  required.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is arranged alphabetically by last name of interviewee.\n"," Artist, NY. Permission to quote over 100 words\n                  required."],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information\n"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture.\n"],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, Collection #C0153, Special Collections and Archives, George Mason University.\n\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, Collection #C0153, Special Collections and Archives, George Mason University.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \n\u003c/p\u003e","\u003cp\u003eIn 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \n","In 2009, staff discovered that a number of the interviews listed in the finding aid were not actually located in the boxes. Those interview names are still included in alphabetical order in the finding aid, but they are unnumbered signifying that no folder exists.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://sca.gmu.edu/theater_collections.htm\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds the  .\n"],"scopecontent_html_tesm":["\u003cp\u003eThis compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n\u003c/p\u003e","\u003cp\u003e\nThe interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.\n\u003c/p\u003e","\u003cp\u003e\nList of Abbreviations:\n\u003c/p\u003e","\u003cp\u003e\nCCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration\n\u003c/p\u003e","\u003cp\u003e Widow of playwright Hughes Allison, whose work was\n                  produced by FTP.\u003c/p\u003e","\u003cp\u003e Stage manager and director with the Negro unit,\n                  NYC FTP.\u003c/p\u003e","\u003cp\u003e Costume designer with SF FTP.\u003c/p\u003e","\u003cp\u003e Actress who auditioned for Negro Unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Composer and director, SF FMP.\u003c/p\u003e","\u003cp\u003e Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003e Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003e Dancer with the Negro unit, NYC FTP. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Administrative director of the NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative director of the NYC FTP.\u003c/p\u003e","\u003cp\u003e Dancer with Federal Dance Project, NYC.\u003c/p\u003e","\u003cp\u003e Worked with the Radio Division of FTP. This is an\n                  untaped interview.\u003c/p\u003e","\u003cp\u003e Stage manager with the Manhattan City Projects,\n                  NYC.\u003c/p\u003e","\u003cp\u003e Dancer and actor with NYC FTP units.\u003c/p\u003e","\u003cp\u003e Set designer for various NYC FTP productions.\u003c/p\u003e","\u003cp\u003e Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama.\u003c/p\u003e","\u003cp\u003e Step-daughter of Hallie Flanagan. Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview.\u003c/p\u003e","\u003cp\u003e Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003e Costume designer with SF FTP.\u003c/p\u003e","\u003cp\u003e Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release.\u003c/p\u003e","\u003cp\u003e Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units.\u003c/p\u003e","\u003cp\u003e Artist, muralist with NYC FAP. Permission for\n                  publication required.\u003c/p\u003e","\u003cp\u003e [see Bolton, Philip.]\u003c/p\u003e","\u003cp\u003e Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview.\u003c/p\u003e","\u003cp\u003e [see Bolton, Philip.]\u003c/p\u003e","\u003cp\u003e Costume designer with NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP.\u003c/p\u003e","\u003cp\u003e Actor with LA FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Director and actor with Chicago FTP.\u003c/p\u003e","\u003cp\u003e Director and actress with Chicago FTP.\u003c/p\u003e","\u003cp\u003e Actor with LA FTP.\u003c/p\u003e","\u003cp\u003e Director of marionette unit of LA FTP.\u003c/p\u003e","\u003cp\u003e Artist with FAP. Permission for publication\n                  required.\u003c/p\u003e","\u003cp\u003e Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP.\u003c/p\u003e","\u003cp\u003e Actor with Children's unit of NYC FTP.\u003c/p\u003e","\u003cp\u003e Sound technician with Living Newspaper unit of NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Publicist with NYC FTP.\u003c/p\u003e","\u003cp\u003e Artist, muralist with FAP. Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Personnel administrator with NYC and Florida FTP\n                  units.\u003c/p\u003e","\u003cp\u003e Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication.\u003c/p\u003e","\u003cp\u003e Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Playwright whose work was produced by Denver\n                  FTP.\u003c/p\u003e","\u003cp\u003e Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release.\u003c/p\u003e","\u003cp\u003e Writer and theater critic. Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Director of marionette units, SF and LA FTP;\n                  costume designer.\u003c/p\u003e","\u003cp\u003e Director of marionette units, SF and LA FTP;\n                  costume designer.\u003c/p\u003e","\u003cp\u003e Choreographer and dancer with Federal Dance\n                  Project, NYC FTP.\u003c/p\u003e","\u003cp\u003e Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e See Schnitzer, Marcella Cisney.\u003c/p\u003e","\u003cp\u003e With Children's Theatre unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director with Experimental and\n                  Children's units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Assistant stage manager with Classical unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Concertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003e Director of Play Bureau, NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation.\u003c/p\u003e","\u003cp\u003e District supervisor with SF FTP.\u003c/p\u003e","\u003cp\u003e Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003e Director of Negro unit, Boston FTP. Permission to\n                  quote required.\u003c/p\u003e","\u003cp\u003e Director of Negro unit, Boston FTP.\u003c/p\u003e","\u003cp\u003e Playwright whose works were produced by various\n                  FTP units.\u003c/p\u003e","\u003cp\u003e Actor with NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with Classical unit,NYC FTP.\u003c/p\u003e","\u003cp\u003e Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL.\u003c/p\u003e","\u003cp\u003e WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release.\u003c/p\u003e","\u003cp\u003e Sculptor with FAP. Permission of interviewer\n                  required for publication.\u003c/p\u003e","\u003cp\u003e Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Actress with Roslyn, NY unit of FTP.\u003c/p\u003e","\u003cp\u003e Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP.\u003c/p\u003e","\u003cp\u003e Actor and director with Radio Division, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Actor with the Roslyn, NY FTP unit.\u003c/p\u003e","\u003cp\u003e Writer with Radio Division, NYC FTP.\u003c/p\u003e","\u003cp\u003e Finance administrator, WPA arts projects,\n                  Washington, D.C.\u003c/p\u003e","\u003cp\u003e Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Music director with the Negro unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Dancer and choreographer with the dance unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the dance unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Play adapter and choreographer with Classical\n                  unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Assistant to Hallie Flanagan at Smith College;\n                  playwright.\u003c/p\u003e","\u003cp\u003e Playwright with Chicago FTP. Permission to quote\n                  over 100 words required.\u003c/p\u003e","\u003cp\u003e Assistant stage manager with Negro unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices.\u003c/p\u003e","\u003cp\u003e Student of Hallie Flanagan; expert in children's\n                  theater.\u003c/p\u003e","\u003cp\u003e Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release.\u003c/p\u003e","\u003cp\u003e Set designer with the Roslyn, NY unit of the\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Children's Theatre, NYC FTP.\u003c/p\u003e","\u003cp\u003e Set designer with the Los Angeles FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Los Angeles FTP.\u003c/p\u003e","\u003cp\u003e Musical composer and director with various units,\n                  NYC FMP and FTP.\u003c/p\u003e","\u003cp\u003e Musical composer and director with various units,\n                  NYC FMP and FTP.\u003c/p\u003e","\u003cp\u003e Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Director of Southwest Experimental unit, Los\n                  Angeles FTP.\u003c/p\u003e","\u003cp\u003e Administrative assistant to Hallie Flanagan,\n                  national office, FTP.\u003c/p\u003e","\u003cp\u003e Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003e Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Brother of Hallie Flanagan. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of Miami unit, FTP.\u003c/p\u003e","\u003cp\u003e Actor with SF FTP\u003c/p\u003e","\u003cp\u003e Actress with the Classical unit, NYC FTP\u003c/p\u003e","\u003cp\u003e Actor with Children's Theatre, NYC FTP\u003c/p\u003e","\u003cp\u003e Writer with Radio Division, Illinois Writers'\n                  Project\u003c/p\u003e","\u003cp\u003e Producer and Theatrical Director, NYC FTP\u003c/p\u003e","\u003cp\u003e Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP\u003c/p\u003e","\u003cp\u003e Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director and actor with LA and SF\n                  FTP.\u003c/p\u003e","\u003cp\u003e Playwright and technical assistant with the\n                  Detroit FTP.\u003c/p\u003e","\u003cp\u003e Composer; accompanist with Dance Project, LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor, NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Dancer with the Dance Project, NYC FTP\u003c/p\u003e","\u003cp\u003e Actor and founder of Chicago Repertory Group,\n                  1933.\u003c/p\u003e","\u003cp\u003e Administrator, Bureau of research and Publications\n                  of FTP.\u003c/p\u003e","\u003cp\u003e Administrator, Bureau of Research and Publications\n                  of FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Actress and dancer with the Vaudeville unit, LA\n                  FTP\u003c/p\u003e","\u003cp\u003e Actor with the LA FTP; director with the Seattle\n                  FTP.\u003c/p\u003e","\u003cp\u003e State director of the Illinois FMP.\u003c/p\u003e","\u003cp\u003e Publicist with NYC FTP; director, Department of\n                  Information, FTP.\u003c/p\u003e","\u003cp\u003e Designer, theater historian; critic.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP.\u003c/p\u003e","\u003cp\u003e Playwright, some of whose works were produced by\n                  various FTP units.\u003c/p\u003e","\u003cp\u003e Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003e Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee.\u003c/p\u003e","\u003cp\u003e Art director with the Atlanta FTP.\u003c/p\u003e","\u003cp\u003e Staff composer and arranger with FTP.\u003c/p\u003e","\u003cp\u003e Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and researcher with the Living Newspaper\n                  unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use.\u003c/p\u003e","\u003cp\u003e Play reader and playwright with the NYC FTP. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Writer, critic, producer, designer with the NY\n                  theaters i the 1930s.\u003c/p\u003e","\u003cp\u003e Producer and administrator with the Negro and\n                  Classical units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Participated in the Resettlement\n                  Administration.\u003c/p\u003e","\u003cp\u003e Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Lighting designer with the LA FTP. This is an\n                  untaped interview.\u003c/p\u003e","\u003cp\u003e Theatrical director familiar with the LA and NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Publicist and promotion officer with the NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Director of information with the NYC FMP.\u003c/p\u003e","\u003cp\u003e Actor with the SF FTP.\u003c/p\u003e","\u003cp\u003e Songwriter and composer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Choreographer and dancer with the Dance Project,\n                  LA FTP.\u003c/p\u003e","\u003cp\u003e Actress with the San Bernardino/Riverside and LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Stagehand with the NYC FTP.Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Playwright with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative director, Chicago and NYC FTP.\u003c/p\u003e","\u003cp\u003e Concertmaster of the Grand Rapids, MI FTP\n                  orchestra.\u003c/p\u003e","\u003cp\u003e Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.\u003c/p\u003e","\u003cp\u003e Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA.\u003c/p\u003e","\u003cp\u003e Playwright whose works were produced by the NYC\n                  FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Actress with the SF and Oakland FTP. This is an\n                  untaped interview.\u003c/p\u003e","\u003cp\u003e Dancer with the Dance Project, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrator with the National Service Bureau of\n                  the FTP.\u003c/p\u003e","\u003cp\u003e Director, National Service Bureau of the FTP.\u003c/p\u003e","\u003cp\u003e Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript.\u003c/p\u003e","\u003cp\u003e Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript.\u003c/p\u003e","\u003cp\u003e Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime.\u003c/p\u003e","\u003cp\u003e Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee.\u003c/p\u003e","\u003cp\u003e Actor with the several units of the NYC FTP.\u003c/p\u003e","\u003cp\u003e Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003e Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Actor with NYC FTP.\u003c/p\u003e","\u003cp\u003e Set designer with NYC FTP.\u003c/p\u003e","\u003cp\u003e Playwright whose Model Tenements was produced by\n                  the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the Dance Project, LA FTP.\u003c/p\u003e","\u003cp\u003e Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003e Vaudeville performer with the FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted.\u003c/p\u003e","\u003cp\u003e Puppet artist with the Marionette unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Living Newspaper unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime.\u003c/p\u003e","\u003cp\u003e Conductor with the Vermont FMP.\u003c/p\u003e","\u003cp\u003e Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative director with the Florida FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Marionette artist with the SF FTP.Quotations must\n                  be accurate.\u003c/p\u003e","\u003cp\u003e Playwright whose work was produced by NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Atlanta FTP.\u003c/p\u003e","\u003cp\u003e Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Publicist with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.\u003c/p\u003e","\u003cp\u003e Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP.\u003c/p\u003e","\u003cp\u003e Costume designer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Staff member with the Educational Division, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e","\u003cp\u003e Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP.\u003c/p\u003e","\u003cp\u003e Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency.\u003c/p\u003e","\u003cp\u003e Set designer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Worked with the NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Director with the FTP in the South; later with the\n                  Detroit FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Negro unit, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP.\u003c/p\u003e","\u003cp\u003e Director with the Negro unit, LA FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Director with the Indiana FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Seattle FTP.\u003c/p\u003e","\u003cp\u003e Dancer and choreographer with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago FTP.\u003c/p\u003e","\u003cp\u003e Writer with the Southwest Experimental unit of the\n                  LA FTP.\u003c/p\u003e","\u003cp\u003e Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release.\u003c/p\u003e","\u003cp\u003e Dancer with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Director of the Vaudeville productions, LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era.\u003c/p\u003e","\u003cp\u003e Conductor with the Michigan WPA Symphony\n                  Orchestra.\u003c/p\u003e","\u003cp\u003e Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview.\u003c/p\u003e","\u003cp\u003e With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus.\u003c/p\u003e","\u003cp\u003e Actor with the Children's unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Researcher of the Chinese theater, Research\n                  Department, SF FTP.\u003c/p\u003e","\u003cp\u003e Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview.\u003c/p\u003e","\u003cp\u003e Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Actress and director with the marionette unit of\n                  the Miami FTP.\u003c/p\u003e","\u003cp\u003e Playwright in New York and San Francisco; write\n                  with the FWP.\u003c/p\u003e","\u003cp\u003e Administrator and legal counsel for the National\n                  Service Bureau, FTP.\u003c/p\u003e","\u003cp\u003e Administrator and legal counsel for the National\n                  Service Bureau, FTP.\u003c/p\u003e","\u003cp\u003e Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003e Actor with the Cleveland (OH) FTP.\u003c/p\u003e","\u003cp\u003e Composer for various productions, NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and director with the Radio Division, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Actress with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication.\u003c/p\u003e","\u003cp\u003e Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003e Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview.\u003c/p\u003e","\u003cp\u003e Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime.\u003c/p\u003e","\u003cp\u003e Director with the Experimental unit, NYC\n                  FTP.Closed pending release.\u003c/p\u003e","\u003cp\u003e Administrative assistant with the Negro and\n                  Classical units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Radio Division, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.\u003c/p\u003e","\u003cp\u003e Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939.\u003c/p\u003e","\u003cp\u003e Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime.\u003c/p\u003e","\u003cp\u003e Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP.\u003c/p\u003e","\u003cp\u003e Audience member, NYC FTP productions.\u003c/p\u003e","\u003cp\u003e Composer, NYC FMP.\u003c/p\u003e","\u003cp\u003e Director of the Anglo-Jewish unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime.\u003c/p\u003e","\u003cp\u003e Puppeteer with the Marionette unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Classical unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview.\u003c/p\u003e","\u003cp\u003e Actress, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actress, NYC FTP.\u003c/p\u003e","\u003cp\u003e Publicist, NYC FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003e Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Concertmaster with the FMP Illinois Symphony.\u003c/p\u003e","\u003cp\u003e Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal.\u003c/p\u003e","\u003cp\u003e Publicist with the Negro unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication.\u003c/p\u003e","\u003cp\u003e Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003e Director, Denver FTP.\u003c/p\u003e","\u003cp\u003e Worked with Composers's Forum and Copying Project\n                  of the FMP.\u003c/p\u003e","\u003cp\u003e Choreographer, NYC FTP. This is an untaped\n                  interview.\u003c/p\u003e","\u003cp\u003e Artist, NY FAP. Permission of interviewer required\n                  for publication.\u003c/p\u003e","\u003cp\u003e Songwriter whose works were performed by NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Seattle FTP.\u003c/p\u003e","\u003cp\u003e Playwright whose work was produced by the FTP.\u003c/p\u003e","\u003cp\u003e Composer and arranger with the Vaudeville unit, LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Set designer, LA FTP.\u003c/p\u003e","\u003cp\u003e Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release.\u003c/p\u003e","\u003cp\u003e Actor with the New Hampshire FTP. Closed pending\n                  release.\u003c/p\u003e","\u003cp\u003e Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Playwright in Chicago whose work was produced by\n                  the FTP.\u003c/p\u003e","\u003cp\u003e Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP.\u003c/p\u003e","\u003cp\u003e Stage Manager with the Mercury Theatre, New\n                  York.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release.\u003c/p\u003e","\u003cp\u003e Musical director with the Negro and Classical\n                  units, NYC FTP.\u003c/p\u003e","\u003cp\u003e Musical director with the Negro and Classical\n                  units. NYC FTP.\u003c/p\u003e","\u003cp\u003e Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release.\u003c/p\u003e","\u003cp\u003e Administrator, National Play Bureau, NYC FTP.\u003c/p\u003e","\u003cp\u003e Worked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003e Actor with the Roslyn, NY FTP.\u003c/p\u003e","\u003cp\u003e Dancer with Tamiris's group, Dance Project, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required.\u003c/p\u003e","\u003cp\u003e Playwright based in Chicago whose works were\n                  produced by the FTP.\u003c/p\u003e","\u003cp\u003e Actress with the Vaudeville unit, LA FTP.\u003c/p\u003e","\u003cp\u003e Stage manager, actor, and lighting technician with\n                  the LA FTP.\u003c/p\u003e","\u003cp\u003e Stage manager, actor, and lighting technician, LA\n                  FTP.\u003c/p\u003e","\u003cp\u003e Administrator, Atlanta FTP.\u003c/p\u003e","\u003cp\u003e Lawyer who represented Orson Welles and John\n                  Houseman.\u003c/p\u003e","\u003cp\u003e Director with the NYC FTP.\u003c/p\u003e","\u003cp\u003e Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words.\u003c/p\u003e","\u003cp\u003e Lighting director and technician with the Chicago\n                  FTP.\u003c/p\u003e","\u003cp\u003e Administrator with the Marionette unit of the NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.\u003c/p\u003e","\u003cp\u003e Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime.\u003c/p\u003e","\u003cp\u003e Stage manager with the Children's theater, NYC\n                  FTP.\u003c/p\u003e","\u003cp\u003e Artist with the Illinois and New York FAP.\u003c/p\u003e","\u003cp\u003e Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions.\u003c/p\u003e","\u003cp\u003e Worked with the GSA; recovered many FAP works and\n                  murals.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n","\nThe interviews (transcripts and tapes) are arranged in alphabetical order by the subject's last name. The date of the interview is included along with the type of work or position held by the interviewee during the 1930s, with the location when known. The name of the interviewer(s) follows. In some cases a notation is made indicating that an interview is untaped. If the interview was a joint one, this information is noted. The type of media available (abstract, letter, notes, tape, and/or transcript)is then listed along with the number of pages or minutes of each type. Restrictions that may apply to certain interviews is the last information in an entry.\n","\nList of Abbreviations:\n","\nCCC - Civilian Conservation Corps, FAP - Federal Art Project, FERA - Federal Emergency Relief Administration, FMP - Federal Music Project, FTP - Federal Theatre Project, FWP - Federal Writers Project, GSA - General Services Administration, NYA - National Youth Administration, SECT - Section of Painting and Sculpture, WPA - Works Projects Adminstration\n"," Widow of playwright Hughes Allison, whose work was\n                  produced by FTP."," Stage manager and director with the Negro unit,\n                  NYC FTP."," Costume designer with SF FTP."," Actress who auditioned for Negro Unit, NYC\n                  FTP."," Composer and director, SF FMP."," Technician, marionette artist, and actor with the\n                  Classical unit, NYC FTP."," Conductor, FMP's Virginia Symphony Orchestra and\n                  North Carolina-Virginia Symphony."," Dancer and assistant to Charles Weidman, with NYC\n                  Federal Dance Theatre."," Dancer with the Negro unit, NYC FTP. Closed\n                  pending release."," Administrative director of the NYC FTP."," Administrative director of the NYC FTP."," Dancer with Federal Dance Project, NYC."," Worked with the Radio Division of FTP. This is an\n                  untaped interview."," Stage manager with the Manhattan City Projects,\n                  NYC."," Dancer and actor with NYC FTP units."," Set designer for various NYC FTP productions."," Son-in-law of Hallie Flanagan; writer and critic\n                  of modern drama."," Step-daughter of Hallie Flanagan. Closed pending\n                  release."," Artist, muralist. Unidentified interviewer may\n                  have residual rights to interview."," Actor with Children's Theatre and Living Newspaper\n                  units of NYC FTP."," Writer who worked with the National Play Bureau,\n                  NYC FTP. Restricted during interviewee's\n                  lifetime."," Novelist, film writer, journalist, NYC, LA.\n                  Approval of Sylviane Bessie required."," Costume designer with SF FTP."," Administrator with NYC FTP Radio Division; also\n                  worked as publicist with NYC FTP. This is an untaped\n                  interview."," Composer, musician; wrote Swing It for NYC FTP.\n                  Closed pending release."," Playwright whose play, Battle Hymn, written with\n                  Michael Gold, was produced by various FTP units."," Artist, muralist with NYC FAP. Permission for\n                  publication required."," [see Bolton, Philip.]"," Son of Harold (director and choreographer with NYC\n                  FTP) and Rhoda Rammelkamp Bolton (costume designer,\n                  NYC FTP). This is an untaped interview."," [see Bolton, Philip.]"," Costume designer with NYC FTP."," Director of Play Bureau; in charge of exhibits;\n                  head of Play Reading Bureau within the National\n                  Office of FTP."," Actor with LA FTP. This is an untaped\n                  interview."," Director and actor with Chicago FTP."," Director and actress with Chicago FTP."," Actor with LA FTP."," Director of marionette unit of LA FTP."," Artist with FAP. Permission for publication\n                  required."," Playwright whose work was produced by Seattle FTP;\n                  also a writer with Boston FTP."," Actor with Children's unit of NYC FTP."," Sound technician with Living Newspaper unit of NYC\n                  FTP."," Publicist with NYC FTP."," Artist, muralist with FAP. Closed pending\n                  release."," Playwright whose work, Reward, was produced by the\n                  Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."," Director of Lafayette Theatre's Negro unit of NYC\n                  FTP. This is an untaped interview."," Personnel administrator with NYC and Florida FTP\n                  units."," Artist, administrator with Ohio FAP. Permission\n                  with interviewer required for publication."," Actor, stage manager with Portland, OR FTP. Closed\n                  during interviewee's lifetime."," Playwright whose work was produced by Denver\n                  FTP."," Publicist with Federal Dance Theatre, NYC FTP.\n                  Closed pending release."," Writer and theater critic. Closed pending\n                  release."," Director of marionette units, SF and LA FTP;\n                  costume designer."," Director of marionette units, SF and LA FTP;\n                  costume designer."," Choreographer and dancer with Federal Dance\n                  Project, NYC FTP."," Artist with the Illinois and District of Columbia\n                  FAP. Permission of interviewer required for\n                  publication."," See Schnitzer, Marcella Cisney."," With Children's Theatre unit, NYC FTP."," Theatrical director with Experimental and\n                  Children's units, NYC FTP."," Assistant stage manager with Classical unit, NYC\n                  FTP."," Concertmaster, Illinois Symphony Orchestra."," Director of Play Bureau, NYC FTP."," Director of Play Bureau, NYC FTP. Closed until\n                  completion of dissertation."," District supervisor with SF FTP."," Supervisor of Copyists unit of Philadelphia FMP;\n                  conductor of Philadelphia Orchestra."," Director of Negro unit, Boston FTP. Permission to\n                  quote required."," Director of Negro unit, Boston FTP."," Playwright whose works were produced by various\n                  FTP units."," Actor with NYC FTP."," Actor with Classical unit,NYC FTP."," Playwright whose work, Swamp Mud, was produced in\n                  Birmingham, AL."," WPA administrative assistant and secretary,\n                  Washington, D.C. and NY. Closed pending release."," Sculptor with FAP. Permission of interviewer\n                  required for publication."," Administrative assistant to Ellen Woodward, WPA's\n                  head of Woman's and Professional Division,\n                  Washington, D.C. FTP. This is an untaped\n                  interview."," Actress with Roslyn, NY unit of FTP."," Actress, dancer, playwright, and marionette\n                  manipulator with SF FTP."," Actor and director with Radio Division, NYC\n                  FTP."," Worked with various productions of FTP in\n                  California. Permission of interviewer required for\n                  publication."," Actor with the Roslyn, NY FTP unit."," Writer with Radio Division, NYC FTP."," Finance administrator, WPA arts projects,\n                  Washington, D.C."," Actor with Popular Price Theatre, NYC FTP. Closed\n                  pending release."," Music director with the Negro unit, NYC FTP."," Dancer and choreographer with the dance unit, NYC\n                  FTP."," Dancer with the dance unit, NYC FTP."," Play adapter and choreographer with Classical\n                  unit, NYC FTP."," Assistant to Hallie Flanagan at Smith College;\n                  playwright."," Playwright with Chicago FTP. Permission to quote\n                  over 100 words required."," Assistant stage manager with Negro unit, NYC\n                  FTP."," Worked in Herbert Hoover's and Harry Hopkins's\n                  press offices."," Student of Hallie Flanagan; expert in children's\n                  theater."," Director of Vaudeville unit, Los Angeles, FTP.\n                  Closed pending release."," Set designer with the Roslyn, NY unit of the\n                  FTP."," Actress with the Children's Theatre, NYC FTP."," Set designer with the Los Angeles FTP."," Actress with the Los Angeles FTP."," Musical composer and director with various units,\n                  NYC FMP and FTP."," Musical composer and director with various units,\n                  NYC FMP and FTP."," Director of Negro unit and Children's unit,\n                  Chicago, FTP. Closed pending release."," Director of Southwest Experimental unit, Los\n                  Angeles FTP."," Administrative assistant to Hallie Flanagan,\n                  national office, FTP."," Director, Midwest FTP; administrator for Federal\n                  Arts Projects in Chicago and Washington, D.C."," Lighting designer with the Negro and Classical\n                  units, NYC FTP. Closed pending release."," Brother of Hallie Flanagan. This is an untaped\n                  interview."," Administrator with the National Play Bureau;\n                  playwright, play reader, NYC FTP."," Director of Miami unit, FTP."," Actor with SF FTP"," Actress with the Classical unit, NYC FTP"," Actor with Children's Theatre, NYC FTP"," Writer with Radio Division, Illinois Writers'\n                  Project"," Producer and Theatrical Director, NYC FTP"," Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP"," Wife of Ralph Freud, theatrical director and actor\n                  with LA FTP."," Theatrical director and actor with LA and SF\n                  FTP."," Playwright and technical assistant with the\n                  Detroit FTP."," Composer; accompanist with Dance Project, LA\n                  FTP."," Dancer and assistant to Doris Humphrey with the\n                  Dance Project, NYC FTP."," Actor, NYC FTP."," Writer and Publicist with FWP and the Negro unit,\n                  NYC FTP; play reader with FTP Play Bureau. Closed\n                  pending release."," Dancer with the Dance Project, NYC FTP"," Actor and founder of Chicago Repertory Group,\n                  1933."," Administrator, Bureau of research and Publications\n                  of FTP."," Administrator, Bureau of Research and Publications\n                  of FTP."," Actor with the Chicago FTP."," Dancer with the Chicago FTP."," Actress and dancer with the Vaudeville unit, LA\n                  FTP"," Actor with the LA FTP; director with the Seattle\n                  FTP."," State director of the Illinois FMP."," Publicist with NYC FTP; director, Department of\n                  Information, FTP."," Designer, theater historian; critic."," Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP."," Theatrical director with the Atlanta, Tampa, and\n                  Chicago units of the FTP."," Playwright, some of whose works were produced by\n                  various FTP units."," Musical director with the LA and SF FTP.\n                  Permission to quote more than 100 words required."," Musical director with the LA and SF FTP.Closed\n                  until 1996; or permission of interviewee."," Art director with the Atlanta FTP."," Staff composer and arranger with FTP."," Stage manager and publicity director with the\n                  Living Newspaper unit, NYC FTP."," Writer and researcher with the Living Newspaper\n                  unit, NYC FTP."," Play reader and playwright with the NYC FTP.\n                  Permission required for commercial use."," Play reader and playwright with the NYC FTP. Closed\n                  pending release."," Muralist with the FAP and SECT in NY and Ohio.\n                  Permission of interviewer required for\n                  publication."," Writer, critic, producer, designer with the NY\n                  theaters i the 1930s."," Producer and administrator with the Negro and\n                  Classical units, NYC FTP."," Participated in the Resettlement\n                  Administration."," Son of Edith Isaacs, editor of Theatre Arts\n                  Magazine; friend of FTP. This is an untaped\n                  interview."," Lighting designer with the LA FTP. This is an\n                  untaped interview."," Theatrical director familiar with the LA and NYC\n                  FTP."," Publicist and promotion officer with the NYC\n                  FTP."," Director of information with the NYC FMP."," Actor with the SF FTP."," Songwriter and composer with the NYC FTP."," Choreographer and dancer with the Dance Project,\n                  LA FTP."," Actress with the San Bernardino/Riverside and LA\n                  FTP."," Stagehand with the NYC FTP.Closed pending\n                  release."," Playwright with the NYC FTP."," Administrative director, Chicago and NYC FTP."," Concertmaster of the Grand Rapids, MI FTP\n                  orchestra."," Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA."," Stage manager, administrator, theatrical director\n                  with the FTP in NYC, Washington, D.C., and Seattle,\n                  WA."," Playwright whose works were produced by the NYC\n                  FTP. Closed pending release."," Actress with the SF and Oakland FTP. This is an\n                  untaped interview."," Dancer with the Dance Project, NYC FTP."," Actress with the Classical unit, NYC FTP."," Administrator with the National Service Bureau of\n                  the FTP."," Director, National Service Bureau of the FTP."," Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-4-76 transcript."," Director of Bureau of Research and Publication,\n                  NYC FTP.Bound with the 1-3-76 transcript."," Actress with the Negro unit, NYC FTP. Closed\n                  during interviewee's lifetime."," Puppeteer with the Marionette Project, NYC\n                  FTP.Closed during lifetime."," Publicist with NYC and Chicago FTP. Interview not\n                  to be used for gain or profit without the consent of\n                  the interviewee."," Actor with the several units of the NYC FTP."," Lyricist whose work was featured in the NYC FTP\n                  production of Sing For Your Supper."," Administrator with the New Orleans and Atlanta\n                  FTP.Permission for use required during Mr. Lentz's\n                  lifetime."," Actor with NYC FTP."," Set designer with NYC FTP."," Playwright whose Model Tenements was produced by\n                  the Chicago FTP."," Dancer with the Dance Project, LA FTP."," Teacher and conductor with NYC FMP. Closed during\n                  interviewee's lifetime."," Interviewee's husband, Gerhardt Lindemulder, was a\n                  director with the FTP in Louisiana and Florida."," Vaudeville performer with the FTP."," Dancer with the Children's unit and Dance Project,\n                  NYC FTP.Tape restricted."," Puppet artist with the Marionette unit, NYC\n                  FTP."," Actor with the Living Newspaper unit, NYC FTP."," Costume designer with FTP units in Seattle and\n                  Tacoma, WA.Closed during Mr. Williams's lifetime."," Conductor with the Vermont FMP."," Father of Sidney Lumet, child actor with the\n                  Yiddish unit, NYC FTP."," Administrative director with the Florida FTP."," Actor with the Chicago FTP.Closed during\n                  interviewee's lifetime."," Actor with the Jacksonville and Miami FTP.Closed\n                  during interviewee's lifetime."," Marionette artist with the SF FTP.Quotations must\n                  be accurate."," Playwright whose work was produced by NYC FTP."," Actress with the Classical unit, NYC FTP."," Actor with the Chicago FTP."," Actor with the Atlanta FTP."," Playwright and researcher with the National Play\n                  Bureau of the FTP.Closed during interviewee's\n                  lifetime."," Publicist with the NYC FTP."," Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP."," Actress and researcher with the LA FTP; researcher\n                  with the Seattle FTP."," Costume designer with the NYC FTP."," Stage manager with the Tampa FTP.Closed during\n                  interviewee's lifetime."," Administrator with the Research Bureau, NYC\n                  FTP.This is an untaped interview."," Staff member with the Educational Division, NYC\n                  FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Administrative director with the West Coast units\n                  of FTP; deputy National Director of FTP."," Member of the Seattle Negro Repertory Theatre in\n                  the 1930s.Closed to any government agency."," Set designer with the NYC FTP."," Worked with the NYC FTP. This is an untaped\n                  interview."," Director with the FTP in the South; later with the\n                  Detroit FTP."," Theatrical director with the Negro unit, NYC\n                  FTP."," Actor, director, writer with the Southwest\n                  Experimental unit of the LA FTP."," Director with the Negro unit, LA FTP."," Dancer with the NYC FTP."," Writer and playwright who submitted work to the\n                  Negro unit, NYC FTP.This is an untaped interview."," Director with the Indiana FTP."," Actor with the Seattle FTP."," Dancer and choreographer with the Chicago FTP."," Dancer with the NYC FTP."," Actor with the Chicago FTP."," Writer with the Southwest Experimental unit of the\n                  LA FTP."," Actress and student of Hallie Flanagan at Vassar\n                  College.This is an untaped interview."," Actor; director with Suitcase Theatre; assistant\n                  director with the Classical unit, NYC FTP."," Director of casting with the Talent Bureau, NYC\n                  FTP.Closed pending release."," Dancer with the NYC FTP."," Director of the Vaudeville productions, LA\n                  FTP."," Actor in Yiddish theater and New York University\n                  repertory groups during the FTP era."," Conductor with the Michigan WPA Symphony\n                  Orchestra."," Actor with the LA and Portland (OR) FTP units.This\n                  is an untaped interview."," With the WPA program in Connecticut; also with the\n                  CCC; founded the Plymouth Playhouse; worked briefly\n                  on the set of Faustus."," Actor with the Children's unit, NYC FTP."," Researcher of the Chinese theater, Research\n                  Department, SF FTP."," Choreographer with the Yiddish unit, NYC\n                  FTP.Closed during interviewee's lifetime."," Radio script writer, Radio Division, NYC FTP.This\n                  is an untaped interview."," Artist, muralist with the FAP in NY, NJ, and\n                  CA.Permission of interviewer required for\n                  publication."," Actress and director with the marionette unit of\n                  the Miami FTP."," Playwright in New York and San Francisco; write\n                  with the FWP."," Administrator and legal counsel for the National\n                  Service Bureau, FTP."," Administrator and legal counsel for the National\n                  Service Bureau, FTP."," Hallie Flanagan's assistant who collected\n                  Flanagan's papers which were donated to the Theatre\n                  Collection, New York Public Library."," Actor with the Cleveland (OH) FTP."," Composer for various productions, NYC FTP."," Writer and director with the Radio Division, NYC\n                  FTP."," Actress with the NYC FTP."," Lyricist who wrote the words for \"Papa's Got a\n                  Job\" for Sing For Your Supper under the pseudonym of\n                  Hector Troy.This is an untaped interview."," Playwright, play reader with the Playwriting\n                  Bureau, NYC FTP.Prior consent required for\n                  publication."," Muralist with the Massachusetts and New York\n                  FAP.Permission of interviewer required for\n                  publication."," Administrator, Playwriting Bureau, FTP.Permission\n                  of interviewee required; copyright conditions."," Playwright in NYC whose works were produced by\n                  FTP.This is an untaped interview."," Actor with the Negro unit, NYC FTP. This is an\n                  untaped interview."," Playwright and director with the Seattle\n                  FTP.Closed during Guy Williams's lifetime."," Director with the Experimental unit, NYC\n                  FTP.Closed pending release."," Administrative assistant with the Negro and\n                  Classical units, NYC FTP."," Actress with the Radio Division, NYC FTP."," Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939."," Administrator, Delaware FTP; with FTP national\n                  office, Washington, DC; with the San Francisco\n                  World's Fair, 1939."," Administrative assistant to Philip Barber, NYC\n                  FTP. Closed during interviewee's lifetime."," Assistant stage manager with the Living Newspaper\n                  unit, NYC FTP."," Administrative assistant to Jasper Deeter, first\n                  director of the Pennsylvania/New Jersey FTP."," Audience member, NYC FTP productions."," Composer, NYC FMP."," Director of the Anglo-Jewish unit, NYC FTP."," Worked with Children's and Vaudeville units, Miami\n                  and Tampa FTP. Closed during Fernando Mesa's\n                  lifetime."," Puppeteer with the Marionette unit, NYC FTP."," Actor with the Classical unit, NYC FTP."," Writer and playwright in NYC at the time of the\n                  FTP. This is an untaped interview."," Actress, NYC FTP."," Actress, NYC FTP."," Publicist, NYC FTP."," Actor with the Chicago, Peoria, and Miami FTP;\n                  worked with sets and costumes in Chicago."," Actor with the Children's and Negro units, NYC\n                  FTP. Closed pending release."," Concertmaster with the FMP Illinois Symphony."," Composer with the NYC FTP; wrote the score for\n                  FTP's Created Equal."," Publicist with the Negro unit, NYC FTP."," Administrative director, NJ FTP; director of\n                  repertory unit, Roslyn, NY FTP. Written permission of\n                  interviewee required for publication."," Playwright in NYC whose work was produced by the\n                  FTP. Permission to quote required by interviewee."," Director, Denver FTP."," Worked with Composers's Forum and Copying Project\n                  of the FMP."," Choreographer, NYC FTP. This is an untaped\n                  interview."," Artist, NY FAP. Permission of interviewer required\n                  for publication."," Songwriter whose works were performed by NYC\n                  FTP."," Administrator with Iowa FTP; assistant to E.C.\n                  Mabie, regional director for the Midwest FTP."," Actor with the Seattle FTP."," Playwright whose work was produced by the FTP."," Composer and arranger with the Vaudeville unit, LA\n                  FTP."," Set designer, LA FTP."," Actor with the Anglo-Jewish unit, NYC FTP. Closed\n                  pending release."," Actor with the New Hampshire FTP. Closed pending\n                  release."," Puppeteer in NYC familiar with the Marionette and\n                  Children's units, NYC FTP."," Playwright in Chicago whose work was produced by\n                  the FTP."," Administrator, director, actor, and playwright\n                  involved with the Seattle and Tacoma FTP, and the Des\n                  Moines FTP."," Stage Manager with the Mercury Theatre, New\n                  York."," Theatrical director with the Classical unit, NYC\n                  FTP. Closed pending release."," Musical director with the Negro and Classical\n                  units, NYC FTP."," Musical director with the Negro and Classical\n                  units. NYC FTP."," Worked with the National Youth Administration and\n                  the WPA in Iowa. Closed pending release."," Administrator, National Play Bureau, NYC FTP."," Worked with the Resettlement Administration."," Actor with the Roslyn, NY FTP."," Dancer with Tamiris's group, Dance Project, NYC\n                  FTP."," Playwright based in Chicago whose works were\n                  produced by the FTP. Permission to quote over 100\n                  words required."," Playwright based in Chicago whose works were\n                  produced by the FTP."," Actress with the Vaudeville unit, LA FTP."," Stage manager, actor, and lighting technician with\n                  the LA FTP."," Stage manager, actor, and lighting technician, LA\n                  FTP."," Administrator, Atlanta FTP."," Lawyer who represented Orson Welles and John\n                  Houseman."," Director with the NYC FTP."," Muralist with the Illinois FAP. Permission needed\n                  to quote over 100 words."," Lighting director and technician with the Chicago\n                  FTP."," Administrator with the Marionette unit of the NYC\n                  FTP."," Puppeteer and lighting designer with the\n                  Marionette unit, NYC FTP."," Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime."," Theatrical director with the Seattle FTP. Closed\n                  during Mr. Williams's lifetime."," Stage manager with the Children's theater, NYC\n                  FTP."," Artist with the Illinois and New York FAP."," Research with the San Francisco Theatre History\n                  project; actor in several SF FTP productions."," Worked with the GSA; recovered many FAP works and\n                  murals."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003e This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n\u003c/abstract\u003e"],"abstract_tesim":[" This compilation describes oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. Institute on the Federal Theatre Project and New Deal Culture\n","Federal Art Project.","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","United States. Works Progress Administration."],"language_ssim":["English\n"],"total_component_count_is":319,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:45:26.642Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_vifgm00021_c01_c44"}},{"id":"vifgm_repositories_2_resources_190_c01_c42","type":"File","attributes":{"title":"Campbell, Dick","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c01_c42#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c01_c42#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_190_c01_c42","ref_ssm":["vifgm_repositories_2_resources_190_c01_c42"],"id":"vifgm_repositories_2_resources_190_c01_c42","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190_c01","parent_ssi":"vifgm_repositories_2_resources_190_c01","parent_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c01"],"parent_unittitles_ssm":["Works Progress Administration oral histories collection","Series 1: Transcripts"],"parent_unittitles_tesim":["Works Progress Administration oral histories collection","Series 1: Transcripts"],"text":["Works Progress Administration oral histories collection","Series 1: Transcripts","Campbell, Dick","box 2","folder 16","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview."],"title_filing_ssi":"Campbell, Dick","title_ssm":["Campbell, Dick"],"title_tesim":["Campbell, Dick"],"unitdate_other_ssim":["November 10, 1978"],"normalized_date_ssm":["1978"],"normalized_title_ssm":["Campbell, Dick"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Works Progress Administration oral histories collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":43,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1978],"containers_ssim":["box 2","folder 16"],"scopecontent_html_tesm":["\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview."],"_nest_path_":"/components#0/components#41","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"text":["C0153","/repositories/2/resources/190","Works Progress Administration oral histories collection","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the  .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e\n","\u003cp\u003eOrganized into two series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. 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