{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=North+American+19th+century+theatre+broadside+collection%2C+1850%2F1867\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=North+American+19th+century+theatre+broadside+collection%2C+1850%2F1867\u0026f%5Blevel%5D%5B%5D=Series\u0026page=2\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=North+American+19th+century+theatre+broadside+collection%2C+1850%2F1867\u0026f%5Blevel%5D%5B%5D=Series\u0026page=2\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":14,"first_page?":true,"last_page?":false}},"data":[{"id":"vifgm_northamerbroadside_c01","type":"Series","attributes":{"title":"Series 1: National Theatre of Boston Broadsides, 1850/1857","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_northamerbroadside_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series contains six broadsides of performances at the National Theatre of Boston, ranging from 6\"x15\" to 7\"x21\". \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_northamerbroadside_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_northamerbroadside_c01","ref_ssm":["vifgm_northamerbroadside_c01"],"id":"vifgm_northamerbroadside_c01","ead_ssi":"vifgm_northamerbroadside","_root_":"vifgm_northamerbroadside","_nest_parent_":"vifgm_northamerbroadside","parent_ssi":"vifgm_northamerbroadside","parent_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"parent_ids_ssim":["vifgm_northamerbroadside"],"title_filing_ssi":"Series 1: National Theatre of Boston Broadsides,","title_ssm":["Series 1: National Theatre of Boston Broadsides"],"title_tesim":["Series 1: National Theatre of Boston Broadsides"],"normalized_title_ssm":["Series 1: National Theatre of Boston Broadsides, 1850/1857"],"text":["Series 1: National Theatre of Boston Broadsides, 1850/1857","North American 19th century theatre broadside collection, 1850/1867","This series contains six broadsides of performances at the National Theatre of Boston, ranging from 6\"x15\" to 7\"x21\"."],"parent_unittitles_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"parent_unittitles_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"normalized_date_ssm":["1850/1857"],"unitdate_other_ssim":["1850-1857"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["George Mason University"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857],"scopecontent_html_tesm":["\u003cp\u003eThis series contains six broadsides of performances at the National Theatre of Boston, ranging from 6\"x15\" to 7\"x21\".\n\u003c/p\u003e\n        "],"scopecontent_tesim":["This series contains six broadsides of performances at the National Theatre of Boston, ranging from 6\"x15\" to 7\"x21\"."],"_nest_path_":"/components#0","timestamp":"2026-07-23T21:20:07.979Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_northamerbroadside","ead_ssi":"vifgm_northamerbroadside","_root_":"vifgm_northamerbroadside","_nest_parent_":"vifgm_northamerbroadside","ead_source_url_ssi":"data/gmu/northamerbroadside.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"normalized_date_ssm":["1850/1867"],"normalized_title_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"text":["North American 19th century theatre broadside collection, 1850/1867","C0081","Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870.","Organized mainly by venue. 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The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. 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However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \n\u003c/p\u003e\n      ","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"corpname_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"names_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"language_ssim":["English"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:07.979Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_northamerbroadside_c01"}},{"id":"vifgm_repositories_2_resources_37_c01","type":"Series","attributes":{"title":"Series 1: National Theatre of Boston Broadsides, 1850/1857","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series contains six broadsides of performances at the National Theatre of Boston, ranging from 6\"x15\" to 7\"x21\".\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_37_c01","ref_ssm":["vifgm_repositories_2_resources_37_c01"],"id":"vifgm_repositories_2_resources_37_c01","ead_ssi":"vifgm_repositories_2_resources_37","_root_":"vifgm_repositories_2_resources_37","_nest_parent_":"vifgm_repositories_2_resources_37","parent_ssi":"vifgm_repositories_2_resources_37","parent_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"parent_ids_ssim":["vifgm_repositories_2_resources_37"],"title_filing_ssi":"Series 1: National Theatre of Boston Broadsides","title_ssm":["Series 1: National Theatre of Boston Broadsides"],"title_tesim":["Series 1: National Theatre of Boston Broadsides"],"normalized_title_ssm":["Series 1: National Theatre of Boston Broadsides, 1850/1857"],"text":["Series 1: National Theatre of Boston Broadsides, 1850/1857","North American 19th century theatre broadside collection, 1850/1867","This series contains six broadsides of performances at the National Theatre of Boston, ranging from 6\"x15\" to 7\"x21\"."],"parent_unittitles_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"parent_unittitles_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"normalized_date_ssm":["1850/1857"],"unitdate_other_ssim":["1850-1857"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["George Mason University"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. 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Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.","The Special Collections Research CEnter also holds many other .","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. 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Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","R29, C4, S1","George Mason University. Libraries. 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Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. \u003c/p\u003e","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"prefercite_html_tesm":["\u003cp\u003eNorth American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["North American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman. EAD markup completed by Kate Norman in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research CEnter also holds many other \u003cextptr show=\"new\" title=\"theatre collections\" href=\"https://aspace.gmu.edu/subjects/sh85134522\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research CEnter also holds many other ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \u003c/p\u003e","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d05ea848f0d59764ae39f991551616c8\" label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_32a9d920136e071738de0b78dff77807\"\u003eR29, C4, S1\u003c/physloc\u003e\n    "],"physloc_tesim":["R29, C4, S1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_coll_ssim":["Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:41.383Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37_c01"}},{"id":"vifgm_northamerbroadside_c02","type":"Series","attributes":{"title":"Series 2: Boston Museum Broadsides, 1852/1858","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_northamerbroadside_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series contains twenty broadsides of performances at the Boston Museum, ranging from 9\"x12\" to 7\"x20\". \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_northamerbroadside_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_northamerbroadside_c02","ref_ssm":["vifgm_northamerbroadside_c02"],"id":"vifgm_northamerbroadside_c02","ead_ssi":"vifgm_northamerbroadside","_root_":"vifgm_northamerbroadside","_nest_parent_":"vifgm_northamerbroadside","parent_ssi":"vifgm_northamerbroadside","parent_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"parent_ids_ssim":["vifgm_northamerbroadside"],"title_filing_ssi":"Series 2: Boston Museum Broadsides,","title_ssm":["Series 2: Boston Museum Broadsides"],"title_tesim":["Series 2: Boston Museum Broadsides"],"normalized_title_ssm":["Series 2: Boston Museum Broadsides, 1852/1858"],"text":["Series 2: Boston Museum Broadsides, 1852/1858","North American 19th century theatre broadside collection, 1850/1867","This series contains twenty broadsides of performances at the Boston Museum, ranging from 9\"x12\" to 7\"x20\"."],"parent_unittitles_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"parent_unittitles_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"normalized_date_ssm":["1852/1858"],"unitdate_other_ssim":["1852-1858"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":8,"repository_ssim":["George Mason University"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"has_online_content_ssim":["false"],"child_component_count_isi":20,"date_range_isim":[1852,1853,1854,1855,1856,1857,1858],"scopecontent_html_tesm":["\u003cp\u003eThis series contains twenty broadsides of performances at the Boston Museum, ranging from 9\"x12\" to 7\"x20\".\n\u003c/p\u003e\n        "],"scopecontent_tesim":["This series contains twenty broadsides of performances at the Boston Museum, ranging from 9\"x12\" to 7\"x20\"."],"_nest_path_":"/components#1","timestamp":"2026-07-23T21:20:07.979Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_northamerbroadside","ead_ssi":"vifgm_northamerbroadside","_root_":"vifgm_northamerbroadside","_nest_parent_":"vifgm_northamerbroadside","ead_source_url_ssi":"data/gmu/northamerbroadside.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"normalized_date_ssm":["1850/1867"],"normalized_title_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"text":["North American 19th century theatre broadside collection, 1850/1867","C0081","Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870.","Organized mainly by venue. Some single broadsides grouped together.","Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n\n        Series 2: Boston Museum, 1852-1858 (Box 1)\n\n        Series 3: Boston Theatre, 1854-1858 (Box 1)\n\n        Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\n        Series 5: Boston Academy of Music, 1860 (Box 1)\n\n        Series 6: Canada and New York City, 1855-1867 (Box 1)\n\n        Series 7: Boston and New York City, 1850s-1860s (Box 1)","Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum.","English"],"collection_title_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081"],"unitid_tesim":["C0081"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. \nLibraries.\nSpecial Collections and Archives."],"creator_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives."],"creator_corpname_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"creators_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870."],"access_subjects_ssm":["Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870."],"has_online_content_ssim":["false"],"extent_ssm":["2 linear ft.; 1 box"],"extent_tesim":["2 linear ft.; 1 box"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867],"arrangement_html_tesm":["\u003cp\u003eOrganized mainly by venue. Some single broadsides grouped together.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized mainly by venue. Some single broadsides grouped together.","Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n\n        Series 2: Boston Museum, 1852-1858 (Box 1)\n\n        Series 3: Boston Theatre, 1854-1858 (Box 1)\n\n        Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\n        Series 5: Boston Academy of Music, 1860 (Box 1)\n\n        Series 6: Canada and New York City, 1855-1867 (Box 1)\n\n        Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.\n\u003c/p\u003e\n      ","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \n\u003c/p\u003e\n      ","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. 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The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"date_range_isim":[1852,1853,1854,1855,1856,1857,1858],"scopecontent_html_tesm":["\u003cp\u003eThis series contains twenty broadsides of performances at the Boston Museum, ranging from 9\"x12\" to 7\"x20\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["This series contains twenty broadsides of performances at the Boston Museum, ranging from 9\"x12\" to 7\"x20\"."],"_nest_path_":"/components#1","timestamp":"2026-07-23T21:20:41.383Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_37","ead_ssi":"vifgm_repositories_2_resources_37","_root_":"vifgm_repositories_2_resources_37","_nest_parent_":"vifgm_repositories_2_resources_37","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_37.xml","title_filing_ssi":"North American 19th century theatre broadside collection","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"normalized_date_ssm":["1850/1867"],"normalized_title_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"text":["North American 19th century theatre broadside collection, 1850/1867","C0081","/repositories/2/resources/37","Boston (Mass.)","New York (N.Y.)","Canada","Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters","There are no access restrictions.","Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)","Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.","The Special Collections Research CEnter also holds many other .","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","R29, C4, S1","George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum","English"],"collection_title_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081","/repositories/2/resources/37"],"unitid_tesim":["C0081","/repositories/2/resources/37"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Boston (Mass.)","New York (N.Y.)","Canada"],"geogname_ssim":["Boston (Mass.)","New York (N.Y.)","Canada"],"places_ssim":["Boston (Mass.)","New York (N.Y.)","Canada"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"access_subjects_ssm":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"genreform_ssim":["Broadsides -- 1850-1870","Theatrical posters"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into seven series predominantly by venue. Some single broadsides grouped together.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. \u003c/p\u003e","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"prefercite_html_tesm":["\u003cp\u003eNorth American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["North American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman. EAD markup completed by Kate Norman in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research CEnter also holds many other \u003cextptr show=\"new\" title=\"theatre collections\" href=\"https://aspace.gmu.edu/subjects/sh85134522\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research CEnter also holds many other ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \u003c/p\u003e","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d05ea848f0d59764ae39f991551616c8\" label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_32a9d920136e071738de0b78dff77807\"\u003eR29, C4, S1\u003c/physloc\u003e\n    "],"physloc_tesim":["R29, C4, S1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_coll_ssim":["Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:41.383Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37_c02"}},{"id":"vifgm_northamerbroadside_c03","type":"Series","attributes":{"title":"Series 3: Boston Theatre, 1854/1858","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_northamerbroadside_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series contains thirty-six broadsides of performances at the Boston Theatre, ranging from 7\"x18\" to 6\"x24\". \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_northamerbroadside_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_northamerbroadside_c03","ref_ssm":["vifgm_northamerbroadside_c03"],"id":"vifgm_northamerbroadside_c03","ead_ssi":"vifgm_northamerbroadside","_root_":"vifgm_northamerbroadside","_nest_parent_":"vifgm_northamerbroadside","parent_ssi":"vifgm_northamerbroadside","parent_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"parent_ids_ssim":["vifgm_northamerbroadside"],"title_filing_ssi":"Series 3: Boston Theatre,","title_ssm":["Series 3: Boston Theatre"],"title_tesim":["Series 3: Boston Theatre"],"normalized_title_ssm":["Series 3: Boston Theatre, 1854/1858"],"text":["Series 3: Boston Theatre, 1854/1858","North American 19th century theatre broadside collection, 1850/1867","This series contains thirty-six broadsides of performances at the Boston Theatre, ranging from 7\"x18\" to 6\"x24\"."],"parent_unittitles_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"parent_unittitles_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"normalized_date_ssm":["1854/1858"],"unitdate_other_ssim":["1854-1858"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":29,"repository_ssim":["George Mason University"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"has_online_content_ssim":["false"],"child_component_count_isi":33,"date_range_isim":[1854,1855,1856,1857,1858],"scopecontent_html_tesm":["\u003cp\u003eThis series contains thirty-six broadsides of performances at the Boston Theatre, ranging from 7\"x18\" to 6\"x24\".\n\u003c/p\u003e\n        "],"scopecontent_tesim":["This series contains thirty-six broadsides of performances at the Boston Theatre, ranging from 7\"x18\" to 6\"x24\"."],"_nest_path_":"/components#2","timestamp":"2026-07-23T21:20:07.979Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_northamerbroadside","ead_ssi":"vifgm_northamerbroadside","_root_":"vifgm_northamerbroadside","_nest_parent_":"vifgm_northamerbroadside","ead_source_url_ssi":"data/gmu/northamerbroadside.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"normalized_date_ssm":["1850/1867"],"normalized_title_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"text":["North American 19th century theatre broadside collection, 1850/1867","C0081","Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870.","Organized mainly by venue. Some single broadsides grouped together.","Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n\n        Series 2: Boston Museum, 1852-1858 (Box 1)\n\n        Series 3: Boston Theatre, 1854-1858 (Box 1)\n\n        Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\n        Series 5: Boston Academy of Music, 1860 (Box 1)\n\n        Series 6: Canada and New York City, 1855-1867 (Box 1)\n\n        Series 7: Boston and New York City, 1850s-1860s (Box 1)","Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum.","English"],"collection_title_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081"],"unitid_tesim":["C0081"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. \nLibraries.\nSpecial Collections and Archives."],"creator_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives."],"creator_corpname_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"creators_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870."],"access_subjects_ssm":["Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870."],"has_online_content_ssim":["false"],"extent_ssm":["2 linear ft.; 1 box"],"extent_tesim":["2 linear ft.; 1 box"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867],"arrangement_html_tesm":["\u003cp\u003eOrganized mainly by venue. Some single broadsides grouped together.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized mainly by venue. Some single broadsides grouped together.","Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n\n        Series 2: Boston Museum, 1852-1858 (Box 1)\n\n        Series 3: Boston Theatre, 1854-1858 (Box 1)\n\n        Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\n        Series 5: Boston Academy of Music, 1860 (Box 1)\n\n        Series 6: Canada and New York City, 1855-1867 (Box 1)\n\n        Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. 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However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \n\u003c/p\u003e\n      ","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"corpname_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"names_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"language_ssim":["English"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:07.979Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_northamerbroadside_c03"}},{"id":"vifgm_repositories_2_resources_37_c03","type":"Series","attributes":{"title":"Series 3: Boston Theatre, 1854/1858","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series contains thirty-six broadsides of performances at the Boston Theatre, ranging from 7\"x18\" to 6\"x24\".\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_37_c03","ref_ssm":["vifgm_repositories_2_resources_37_c03"],"id":"vifgm_repositories_2_resources_37_c03","ead_ssi":"vifgm_repositories_2_resources_37","_root_":"vifgm_repositories_2_resources_37","_nest_parent_":"vifgm_repositories_2_resources_37","parent_ssi":"vifgm_repositories_2_resources_37","parent_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"parent_ids_ssim":["vifgm_repositories_2_resources_37"],"title_filing_ssi":"Series 3: Boston Theatre","title_ssm":["Series 3: Boston Theatre"],"title_tesim":["Series 3: Boston Theatre"],"normalized_title_ssm":["Series 3: Boston Theatre, 1854/1858"],"text":["Series 3: Boston Theatre, 1854/1858","North American 19th century theatre broadside collection, 1850/1867","This series contains thirty-six broadsides of performances at the Boston Theatre, ranging from 7\"x18\" to 6\"x24\"."],"parent_unittitles_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"parent_unittitles_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"normalized_date_ssm":["1854/1858"],"unitdate_other_ssim":["1854-1858"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":29,"repository_ssim":["George Mason University"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"has_online_content_ssim":["false"],"child_component_count_isi":32,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"date_range_isim":[1854,1855,1856,1857,1858],"scopecontent_html_tesm":["\u003cp\u003eThis series contains thirty-six broadsides of performances at the Boston Theatre, ranging from 7\"x18\" to 6\"x24\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["This series contains thirty-six broadsides of performances at the Boston Theatre, ranging from 7\"x18\" to 6\"x24\"."],"_nest_path_":"/components#2","timestamp":"2026-07-23T21:20:41.383Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_37","ead_ssi":"vifgm_repositories_2_resources_37","_root_":"vifgm_repositories_2_resources_37","_nest_parent_":"vifgm_repositories_2_resources_37","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_37.xml","title_filing_ssi":"North American 19th century theatre broadside collection","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"normalized_date_ssm":["1850/1867"],"normalized_title_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"text":["North American 19th century theatre broadside collection, 1850/1867","C0081","/repositories/2/resources/37","Boston (Mass.)","New York (N.Y.)","Canada","Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters","There are no access restrictions.","Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)","Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.","The Special Collections Research CEnter also holds many other .","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","R29, C4, S1","George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum","English"],"collection_title_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081","/repositories/2/resources/37"],"unitid_tesim":["C0081","/repositories/2/resources/37"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Boston (Mass.)","New York (N.Y.)","Canada"],"geogname_ssim":["Boston (Mass.)","New York (N.Y.)","Canada"],"places_ssim":["Boston (Mass.)","New York (N.Y.)","Canada"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. 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(See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"access_subjects_ssm":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"genreform_ssim":["Broadsides -- 1850-1870","Theatrical posters"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into seven series predominantly by venue. Some single broadsides grouped together.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. \u003c/p\u003e","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"prefercite_html_tesm":["\u003cp\u003eNorth American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["North American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman. EAD markup completed by Kate Norman in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research CEnter also holds many other \u003cextptr show=\"new\" title=\"theatre collections\" href=\"https://aspace.gmu.edu/subjects/sh85134522\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research CEnter also holds many other ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \u003c/p\u003e","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d05ea848f0d59764ae39f991551616c8\" label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_32a9d920136e071738de0b78dff77807\"\u003eR29, C4, S1\u003c/physloc\u003e\n    "],"physloc_tesim":["R29, C4, S1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_coll_ssim":["Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_ssim":["George Mason University. Libraries. 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Some single broadsides grouped together.","Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n\n        Series 2: Boston Museum, 1852-1858 (Box 1)\n\n        Series 3: Boston Theatre, 1854-1858 (Box 1)\n\n        Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\n        Series 5: Boston Academy of Music, 1860 (Box 1)\n\n        Series 6: Canada and New York City, 1855-1867 (Box 1)\n\n        Series 7: Boston and New York City, 1850s-1860s (Box 1)","Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum.","English"],"collection_title_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081"],"unitid_tesim":["C0081"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. \nLibraries.\nSpecial Collections and Archives."],"creator_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives."],"creator_corpname_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"creators_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870."],"access_subjects_ssm":["Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870."],"has_online_content_ssim":["false"],"extent_ssm":["2 linear ft.; 1 box"],"extent_tesim":["2 linear ft.; 1 box"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867],"arrangement_html_tesm":["\u003cp\u003eOrganized mainly by venue. Some single broadsides grouped together.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized mainly by venue. Some single broadsides grouped together.","Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n\n        Series 2: Boston Museum, 1852-1858 (Box 1)\n\n        Series 3: Boston Theatre, 1854-1858 (Box 1)\n\n        Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n\n        Series 5: Boston Academy of Music, 1860 (Box 1)\n\n        Series 6: Canada and New York City, 1855-1867 (Box 1)\n\n        Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.\n\u003c/p\u003e\n      ","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \n\u003c/p\u003e\n      ","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"corpname_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"names_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"language_ssim":["English"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:07.979Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_northamerbroadside_c04"}},{"id":"vifgm_repositories_2_resources_37_c04","type":"Series","attributes":{"title":"Series 4: Howard Anthenaeum, 1851/1857","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series contains nineteen broadsides of performances at the Howard Anthenauem in Boston, ranging from 7\"x12 1/2\" to 7 1/2\"x20\".\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_37_c04","ref_ssm":["vifgm_repositories_2_resources_37_c04"],"id":"vifgm_repositories_2_resources_37_c04","ead_ssi":"vifgm_repositories_2_resources_37","_root_":"vifgm_repositories_2_resources_37","_nest_parent_":"vifgm_repositories_2_resources_37","parent_ssi":"vifgm_repositories_2_resources_37","parent_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"parent_ids_ssim":["vifgm_repositories_2_resources_37"],"title_filing_ssi":"Series 4: Howard Anthenaeum","title_ssm":["Series 4: Howard Anthenaeum"],"title_tesim":["Series 4: Howard Anthenaeum"],"normalized_title_ssm":["Series 4: Howard Anthenaeum, 1851/1857"],"text":["Series 4: Howard Anthenaeum, 1851/1857","North American 19th century theatre broadside collection, 1850/1867","This series contains nineteen broadsides of performances at the Howard Anthenauem in Boston, ranging from 7\"x12 1/2\" to 7 1/2\"x20\"."],"parent_unittitles_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"parent_unittitles_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"normalized_date_ssm":["1851/1857"],"unitdate_other_ssim":["1851-1857"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":63,"repository_ssim":["George Mason University"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"has_online_content_ssim":["false"],"child_component_count_isi":19,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"date_range_isim":[1851,1852,1853,1854,1855,1856,1857],"scopecontent_html_tesm":["\u003cp\u003eThis series contains nineteen broadsides of performances at the Howard Anthenauem in Boston, ranging from 7\"x12 1/2\" to 7 1/2\"x20\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["This series contains nineteen broadsides of performances at the Howard Anthenauem in Boston, ranging from 7\"x12 1/2\" to 7 1/2\"x20\"."],"_nest_path_":"/components#3","timestamp":"2026-07-23T21:20:41.383Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_37","ead_ssi":"vifgm_repositories_2_resources_37","_root_":"vifgm_repositories_2_resources_37","_nest_parent_":"vifgm_repositories_2_resources_37","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_37.xml","title_filing_ssi":"North American 19th century theatre broadside collection","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"normalized_date_ssm":["1850/1867"],"normalized_title_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"text":["North American 19th century theatre broadside collection, 1850/1867","C0081","/repositories/2/resources/37","Boston (Mass.)","New York (N.Y.)","Canada","Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters","There are no access restrictions.","Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)","Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.","The Special Collections Research CEnter also holds many other .","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","R29, C4, S1","George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum","English"],"collection_title_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081","/repositories/2/resources/37"],"unitid_tesim":["C0081","/repositories/2/resources/37"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Boston (Mass.)","New York (N.Y.)","Canada"],"geogname_ssim":["Boston (Mass.)","New York (N.Y.)","Canada"],"places_ssim":["Boston (Mass.)","New York (N.Y.)","Canada"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. 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(See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"access_subjects_ssm":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"genreform_ssim":["Broadsides -- 1850-1870","Theatrical posters"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into seven series predominantly by venue. Some single broadsides grouped together.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. \u003c/p\u003e","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"prefercite_html_tesm":["\u003cp\u003eNorth American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["North American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman. EAD markup completed by Kate Norman in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research CEnter also holds many other \u003cextptr show=\"new\" title=\"theatre collections\" href=\"https://aspace.gmu.edu/subjects/sh85134522\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research CEnter also holds many other ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \u003c/p\u003e","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d05ea848f0d59764ae39f991551616c8\" label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_32a9d920136e071738de0b78dff77807\"\u003eR29, C4, S1\u003c/physloc\u003e\n    "],"physloc_tesim":["R29, C4, S1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_coll_ssim":["Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_ssim":["George Mason University. Libraries. 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The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum.","English"],"collection_title_tesim":["North American 19th century theatre broadside collection, 1850/1867"],"collection_ssim":["North American 19th century theatre broadside collection, 1850/1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081"],"unitid_tesim":["C0081"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. \nLibraries.\nSpecial Collections and Archives."],"creator_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives."],"creator_corpname_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"creators_ssim":["George Mason University. \nLibraries.\nSpecial Collections and Archives.","Boston Museum (1847-1903)","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum."],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870."],"access_subjects_ssm":["Theatre--Massachusetts--Boston.","Theatre--New York--New York.","Theatre--Canada--New Brunswick.","Broadsides--1850-1870."],"has_online_content_ssim":["false"],"extent_ssm":["2 linear ft.; 1 box"],"extent_tesim":["2 linear ft.; 1 box"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867],"arrangement_html_tesm":["\u003cp\u003eOrganized mainly by venue. 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However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \n\u003c/p\u003e\n      ","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. 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(See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"date_range_isim":[1860],"scopecontent_html_tesm":["\u003cp\u003eThis series contains one broadside of performances at the Boston Academy of Music, 5 3/4\"x11 3/4\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["This series contains one broadside of performances at the Boston Academy of Music, 5 3/4\"x11 3/4\"."],"_nest_path_":"/components#4","timestamp":"2026-07-23T21:20:41.383Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_37","ead_ssi":"vifgm_repositories_2_resources_37","_root_":"vifgm_repositories_2_resources_37","_nest_parent_":"vifgm_repositories_2_resources_37","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_37.xml","title_filing_ssi":"North American 19th century theatre broadside collection","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"normalized_date_ssm":["1850/1867"],"normalized_title_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"text":["North American 19th century theatre broadside collection, 1850/1867","C0081","/repositories/2/resources/37","Boston (Mass.)","New York (N.Y.)","Canada","Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters","There are no access restrictions.","Arranged into seven series predominantly by venue. 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Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.","The Special Collections Research CEnter also holds many other .","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. 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Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","R29, C4, S1","George Mason University. Libraries. 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Some single broadsides grouped together.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. \u003c/p\u003e","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"prefercite_html_tesm":["\u003cp\u003eNorth American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["North American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman. EAD markup completed by Kate Norman in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research CEnter also holds many other \u003cextptr show=\"new\" title=\"theatre collections\" href=\"https://aspace.gmu.edu/subjects/sh85134522\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research CEnter also holds many other ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \u003c/p\u003e","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d05ea848f0d59764ae39f991551616c8\" label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_32a9d920136e071738de0b78dff77807\"\u003eR29, C4, S1\u003c/physloc\u003e\n    "],"physloc_tesim":["R29, C4, S1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_coll_ssim":["Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:41.383Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37_c05"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason 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