{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=11\u0026view=compact","prev":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=10\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=12\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=14\u0026view=compact"},"meta":{"pages":{"current_page":11,"next_page":12,"prev_page":10,"total_pages":14,"limit_value":10,"offset_value":100,"total_count":132,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_691_c39","type":"File","attributes":{"title":"\"The Head of Queen Nofretete\" exhibition program, Berlin State Museums","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c39#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_691_c39","ref_ssm":["vifgm_repositories_2_resources_691_c39"],"id":"vifgm_repositories_2_resources_691_c39","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","parent_ssi":"vifgm_repositories_2_resources_691","parent_ssim":["vifgm_repositories_2_resources_691"],"parent_ids_ssim":["vifgm_repositories_2_resources_691"],"parent_unittitles_ssm":["Mary Lavigne programs collection"],"parent_unittitles_tesim":["Mary Lavigne programs collection"],"text":["Mary Lavigne programs collection","\"The Head of Queen Nofretete\" exhibition program, Berlin State Museums","box 4"],"title_filing_ssi":"\"The Head of Queen Nofretete\" exhibition program, Berlin State Museums","title_ssm":["\"The Head of Queen Nofretete\" exhibition program, Berlin State Museums"],"title_tesim":["\"The Head of Queen Nofretete\" exhibition program, Berlin State Museums"],"unitdate_other_ssim":["1961"],"normalized_date_ssm":["1961"],"normalized_title_ssm":["\"The Head of Queen Nofretete\" exhibition program, Berlin State Museums"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Mary Lavigne programs collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":39,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1961],"containers_ssim":["box 4"],"_nest_path_":"/components#38","timestamp":"2026-05-01T00:32:33.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_691","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_691.xml","title_ssm":["Mary Lavigne programs collection"],"title_tesim":["Mary Lavigne programs collection"],"unitdate_ssm":["1950s-1980s"],"unitdate_inclusive_ssm":["1950s-1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0417","/repositories/2/resources/691"],"text":["C0417","/repositories/2/resources/691","Mary Lavigne programs collection","Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)","Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions","There are no access restrictions.","This collection is arranged alphabetically by show title and then chronologically.","\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.","Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.","Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.","The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection .","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel","English \n,        German \n.    "],"unitid_tesim":["C0417","/repositories/2/resources/691"],"normalized_title_ssm":["Mary Lavigne programs collection"],"collection_title_tesim":["Mary Lavigne programs collection"],"collection_ssim":["Mary Lavigne programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"geogname_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"creator_ssm":["Lavigne, Mary"],"creator_ssim":["Lavigne, Mary"],"creator_persname_ssim":["Lavigne, Mary"],"creators_ssim":["Lavigne, Mary"],"places_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated in 2019 by Mary Lavigne."],"access_subjects_ssim":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"access_subjects_ssm":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 boxes"],"extent_tesim":["2 Linear Feet 4 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by show title and then chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by show title and then chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.\u003c/p\u003e\n","\u003cp\u003eHiggins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html."],"bioghist_html_tesm":["\u003cp\u003eDating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"\u003c/p\u003e\n","\u003cp\u003eSeeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers."],"prefercite_html_tesm":["\u003cp\u003eMary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Mary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0015\"\u003eVirginia Nelson playbills collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e"],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Graham, Martha","Marceau, Marcel"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"language_ssim":["English \n,        German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c39"}},{"id":"vifgm_repositories_2_resources_691_c41","type":"File","attributes":{"title":"The Iceman Cometh , Circle in the Square","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c41#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eWritten by Eugene O'Neill\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c41#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_691_c41","ref_ssm":["vifgm_repositories_2_resources_691_c41"],"id":"vifgm_repositories_2_resources_691_c41","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","parent_ssi":"vifgm_repositories_2_resources_691","parent_ssim":["vifgm_repositories_2_resources_691"],"parent_ids_ssim":["vifgm_repositories_2_resources_691"],"parent_unittitles_ssm":["Mary Lavigne programs collection"],"parent_unittitles_tesim":["Mary Lavigne programs collection"],"text":["Mary Lavigne programs collection","The Iceman Cometh , Circle in the Square","box 1","folder 40","Written by Eugene O'Neill"],"title_filing_ssi":"The Iceman Cometh , Circle in the Square","title_ssm":["The Iceman Cometh , Circle in the Square"],"title_tesim":["The Iceman Cometh , Circle in the Square"],"unitdate_other_ssim":["August 1956"],"normalized_date_ssm":["1956"],"normalized_title_ssm":["The Iceman Cometh , Circle in the Square"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Mary Lavigne programs collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":41,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1956],"containers_ssim":["box 1","folder 40"],"scopecontent_html_tesm":["\u003cp\u003eWritten by Eugene O'Neill\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Written by Eugene O'Neill"],"_nest_path_":"/components#40","timestamp":"2026-05-01T00:32:33.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_691","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_691.xml","title_ssm":["Mary Lavigne programs collection"],"title_tesim":["Mary Lavigne programs collection"],"unitdate_ssm":["1950s-1980s"],"unitdate_inclusive_ssm":["1950s-1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0417","/repositories/2/resources/691"],"text":["C0417","/repositories/2/resources/691","Mary Lavigne programs collection","Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)","Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions","There are no access restrictions.","This collection is arranged alphabetically by show title and then chronologically.","\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.","Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.","Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.","The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection .","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel","English \n,        German \n.    "],"unitid_tesim":["C0417","/repositories/2/resources/691"],"normalized_title_ssm":["Mary Lavigne programs collection"],"collection_title_tesim":["Mary Lavigne programs collection"],"collection_ssim":["Mary Lavigne programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"geogname_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"creator_ssm":["Lavigne, Mary"],"creator_ssim":["Lavigne, Mary"],"creator_persname_ssim":["Lavigne, Mary"],"creators_ssim":["Lavigne, Mary"],"places_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated in 2019 by Mary Lavigne."],"access_subjects_ssim":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"access_subjects_ssm":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 boxes"],"extent_tesim":["2 Linear Feet 4 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by show title and then chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by show title and then chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.\u003c/p\u003e\n","\u003cp\u003eHiggins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html."],"bioghist_html_tesm":["\u003cp\u003eDating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"\u003c/p\u003e\n","\u003cp\u003eSeeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers."],"prefercite_html_tesm":["\u003cp\u003eMary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Mary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0015\"\u003eVirginia Nelson playbills collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e"],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Graham, Martha","Marceau, Marcel"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"language_ssim":["English \n,        German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c41"}},{"id":"vifgm_repositories_2_resources_691_c44","type":"File","attributes":{"title":"\"The Irish Players present Three Plays by John Millington Synge,\" Theatre East","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c44#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eOff-B'way Showbill. Includes ticket stubs.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c44#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_691_c44","ref_ssm":["vifgm_repositories_2_resources_691_c44"],"id":"vifgm_repositories_2_resources_691_c44","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","parent_ssi":"vifgm_repositories_2_resources_691","parent_ssim":["vifgm_repositories_2_resources_691"],"parent_ids_ssim":["vifgm_repositories_2_resources_691"],"parent_unittitles_ssm":["Mary Lavigne programs collection"],"parent_unittitles_tesim":["Mary Lavigne programs collection"],"text":["Mary Lavigne programs collection","\"The Irish Players present Three Plays by John Millington Synge,\" Theatre East","box 1","folder 43","Off-B'way Showbill. Includes ticket stubs."],"title_filing_ssi":"\"The Irish Players present Three Plays by John Millington Synge,\" Theatre East","title_ssm":["\"The Irish Players present Three Plays by John Millington Synge,\" Theatre East"],"title_tesim":["\"The Irish Players present Three Plays by John Millington Synge,\" Theatre East"],"unitdate_other_ssim":["October 13, 1957"],"normalized_date_ssm":["1957"],"normalized_title_ssm":["\"The Irish Players present Three Plays by John Millington Synge,\" Theatre East"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Mary Lavigne programs collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":44,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1957],"containers_ssim":["box 1","folder 43"],"scopecontent_html_tesm":["\u003cp\u003eOff-B'way Showbill. Includes ticket stubs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Off-B'way Showbill. Includes ticket stubs."],"_nest_path_":"/components#43","timestamp":"2026-05-01T00:32:33.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_691","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_691.xml","title_ssm":["Mary Lavigne programs collection"],"title_tesim":["Mary Lavigne programs collection"],"unitdate_ssm":["1950s-1980s"],"unitdate_inclusive_ssm":["1950s-1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0417","/repositories/2/resources/691"],"text":["C0417","/repositories/2/resources/691","Mary Lavigne programs collection","Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)","Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions","There are no access restrictions.","This collection is arranged alphabetically by show title and then chronologically.","\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.","Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.","Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.","The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection .","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel","English \n,        German \n.    "],"unitid_tesim":["C0417","/repositories/2/resources/691"],"normalized_title_ssm":["Mary Lavigne programs collection"],"collection_title_tesim":["Mary Lavigne programs collection"],"collection_ssim":["Mary Lavigne programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"geogname_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"creator_ssm":["Lavigne, Mary"],"creator_ssim":["Lavigne, Mary"],"creator_persname_ssim":["Lavigne, Mary"],"creators_ssim":["Lavigne, Mary"],"places_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated in 2019 by Mary Lavigne."],"access_subjects_ssim":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"access_subjects_ssm":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 boxes"],"extent_tesim":["2 Linear Feet 4 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by show title and then chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by show title and then chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.\u003c/p\u003e\n","\u003cp\u003eHiggins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html."],"bioghist_html_tesm":["\u003cp\u003eDating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"\u003c/p\u003e\n","\u003cp\u003eSeeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers."],"prefercite_html_tesm":["\u003cp\u003eMary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Mary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0015\"\u003eVirginia Nelson playbills collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e"],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Graham, Martha","Marceau, Marcel"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"language_ssim":["English \n,        German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c44"}},{"id":"vifgm_repositories_2_resources_691_c48","type":"File","attributes":{"title":"The Living Room , Henry Miller's Theatre","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c48#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003cspan\u003ePlaybill\u003c/span\u003e. Written by Graham Greene. Removed from binder 1 of 2.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c48#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_691_c48","ref_ssm":["vifgm_repositories_2_resources_691_c48"],"id":"vifgm_repositories_2_resources_691_c48","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","parent_ssi":"vifgm_repositories_2_resources_691","parent_ssim":["vifgm_repositories_2_resources_691"],"parent_ids_ssim":["vifgm_repositories_2_resources_691"],"parent_unittitles_ssm":["Mary Lavigne programs collection"],"parent_unittitles_tesim":["Mary Lavigne programs collection"],"text":["Mary Lavigne programs collection","The Living Room , Henry Miller's Theatre","box 1","folder 47","Playbill . Written by Graham Greene. Removed from binder 1 of 2."],"title_filing_ssi":"The Living Room , Henry Miller's Theatre","title_ssm":["The Living Room , Henry Miller's Theatre"],"title_tesim":["The Living Room , Henry Miller's Theatre"],"unitdate_other_ssim":["November 1954"],"normalized_date_ssm":["1954"],"normalized_title_ssm":["The Living Room , Henry Miller's Theatre"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Mary Lavigne programs collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":48,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1954],"containers_ssim":["box 1","folder 47"],"scopecontent_html_tesm":["\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Graham Greene. Removed from binder 1 of 2.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Playbill . Written by Graham Greene. Removed from binder 1 of 2."],"_nest_path_":"/components#47","timestamp":"2026-05-01T00:32:33.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_691","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_691.xml","title_ssm":["Mary Lavigne programs collection"],"title_tesim":["Mary Lavigne programs collection"],"unitdate_ssm":["1950s-1980s"],"unitdate_inclusive_ssm":["1950s-1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0417","/repositories/2/resources/691"],"text":["C0417","/repositories/2/resources/691","Mary Lavigne programs collection","Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)","Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions","There are no access restrictions.","This collection is arranged alphabetically by show title and then chronologically.","\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.","Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.","Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.","The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection .","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel","English \n,        German \n.    "],"unitid_tesim":["C0417","/repositories/2/resources/691"],"normalized_title_ssm":["Mary Lavigne programs collection"],"collection_title_tesim":["Mary Lavigne programs collection"],"collection_ssim":["Mary Lavigne programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"geogname_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"creator_ssm":["Lavigne, Mary"],"creator_ssim":["Lavigne, Mary"],"creator_persname_ssim":["Lavigne, Mary"],"creators_ssim":["Lavigne, Mary"],"places_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated in 2019 by Mary Lavigne."],"access_subjects_ssim":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"access_subjects_ssm":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 boxes"],"extent_tesim":["2 Linear Feet 4 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by show title and then chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by show title and then chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.\u003c/p\u003e\n","\u003cp\u003eHiggins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html."],"bioghist_html_tesm":["\u003cp\u003eDating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"\u003c/p\u003e\n","\u003cp\u003eSeeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers."],"prefercite_html_tesm":["\u003cp\u003eMary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Mary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0015\"\u003eVirginia Nelson playbills collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e"],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Graham, Martha","Marceau, Marcel"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"language_ssim":["English \n,        German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c48"}},{"id":"vifgm_repositories_2_resources_691_c68","type":"File","attributes":{"title":"The Matchmaker , Royale Theatre","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c68#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003cspan\u003ePlaybill\u003c/span\u003e. Written by Thornton Wilder. Both removed from binder 1 of 2.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c68#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_691_c68","ref_ssm":["vifgm_repositories_2_resources_691_c68"],"id":"vifgm_repositories_2_resources_691_c68","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","parent_ssi":"vifgm_repositories_2_resources_691","parent_ssim":["vifgm_repositories_2_resources_691"],"parent_ids_ssim":["vifgm_repositories_2_resources_691"],"parent_unittitles_ssm":["Mary Lavigne programs collection"],"parent_unittitles_tesim":["Mary Lavigne programs collection"],"text":["Mary Lavigne programs collection","The Matchmaker , Royale Theatre","box 2","folder 16","Playbill . Written by Thornton Wilder. Both removed from binder 1 of 2."],"title_filing_ssi":"The Matchmaker , Royale Theatre","title_ssm":["The Matchmaker , Royale Theatre"],"title_tesim":["The Matchmaker , Royale Theatre"],"unitdate_inclusive_ssm":["December 1955, August 1956"],"normalized_date_ssm":["1955/1956"],"normalized_title_ssm":["The Matchmaker , Royale Theatre"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Mary Lavigne programs collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":68,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1955,1956],"containers_ssim":["box 2","folder 16"],"scopecontent_html_tesm":["\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Thornton Wilder. Both removed from binder 1 of 2.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Playbill . Written by Thornton Wilder. Both removed from binder 1 of 2."],"_nest_path_":"/components#67","timestamp":"2026-05-01T00:32:33.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_691","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_691.xml","title_ssm":["Mary Lavigne programs collection"],"title_tesim":["Mary Lavigne programs collection"],"unitdate_ssm":["1950s-1980s"],"unitdate_inclusive_ssm":["1950s-1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0417","/repositories/2/resources/691"],"text":["C0417","/repositories/2/resources/691","Mary Lavigne programs collection","Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)","Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions","There are no access restrictions.","This collection is arranged alphabetically by show title and then chronologically.","\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.","Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.","Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.","The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection .","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel","English \n,        German \n.    "],"unitid_tesim":["C0417","/repositories/2/resources/691"],"normalized_title_ssm":["Mary Lavigne programs collection"],"collection_title_tesim":["Mary Lavigne programs collection"],"collection_ssim":["Mary Lavigne programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"geogname_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"creator_ssm":["Lavigne, Mary"],"creator_ssim":["Lavigne, Mary"],"creator_persname_ssim":["Lavigne, Mary"],"creators_ssim":["Lavigne, Mary"],"places_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated in 2019 by Mary Lavigne."],"access_subjects_ssim":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"access_subjects_ssm":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 boxes"],"extent_tesim":["2 Linear Feet 4 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by show title and then chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by show title and then chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.\u003c/p\u003e\n","\u003cp\u003eHiggins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html."],"bioghist_html_tesm":["\u003cp\u003eDating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"\u003c/p\u003e\n","\u003cp\u003eSeeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers."],"prefercite_html_tesm":["\u003cp\u003eMary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Mary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0015\"\u003eVirginia Nelson playbills collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e"],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Graham, Martha","Marceau, Marcel"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"language_ssim":["English \n,        German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c68"}},{"id":"vifgm_repositories_2_resources_691_c69","type":"File","attributes":{"title":"The Minneapolis Symphony Orchestra, The Community Concert Association","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c69#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAntal Dorati, Conductor and Gerard Samuel, Assistant Conductor\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c69#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_691_c69","ref_ssm":["vifgm_repositories_2_resources_691_c69"],"id":"vifgm_repositories_2_resources_691_c69","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","parent_ssi":"vifgm_repositories_2_resources_691","parent_ssim":["vifgm_repositories_2_resources_691"],"parent_ids_ssim":["vifgm_repositories_2_resources_691"],"parent_unittitles_ssm":["Mary Lavigne programs collection"],"parent_unittitles_tesim":["Mary Lavigne programs collection"],"text":["Mary Lavigne programs collection","The Minneapolis Symphony Orchestra, The Community Concert Association","box 2","folder 17","Antal Dorati, Conductor and Gerard Samuel, Assistant Conductor"],"title_filing_ssi":"The Minneapolis Symphony Orchestra, The Community Concert Association","title_ssm":["The Minneapolis Symphony Orchestra, The Community Concert Association"],"title_tesim":["The Minneapolis Symphony Orchestra, The Community Concert Association"],"unitdate_inclusive_ssm":["1955-1956"],"normalized_date_ssm":["1955/1956"],"normalized_title_ssm":["The Minneapolis Symphony Orchestra, The Community Concert Association"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Mary Lavigne programs collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":69,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1955,1956],"containers_ssim":["box 2","folder 17"],"scopecontent_html_tesm":["\u003cp\u003eAntal Dorati, Conductor and Gerard Samuel, Assistant Conductor\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Antal Dorati, Conductor and Gerard Samuel, Assistant Conductor"],"_nest_path_":"/components#68","timestamp":"2026-05-01T00:32:33.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_691","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_691.xml","title_ssm":["Mary Lavigne programs collection"],"title_tesim":["Mary Lavigne programs collection"],"unitdate_ssm":["1950s-1980s"],"unitdate_inclusive_ssm":["1950s-1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0417","/repositories/2/resources/691"],"text":["C0417","/repositories/2/resources/691","Mary Lavigne programs collection","Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)","Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions","There are no access restrictions.","This collection is arranged alphabetically by show title and then chronologically.","\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.","Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.","Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.","The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection .","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel","English \n,        German \n.    "],"unitid_tesim":["C0417","/repositories/2/resources/691"],"normalized_title_ssm":["Mary Lavigne programs collection"],"collection_title_tesim":["Mary Lavigne programs collection"],"collection_ssim":["Mary Lavigne programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"geogname_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"creator_ssm":["Lavigne, Mary"],"creator_ssim":["Lavigne, Mary"],"creator_persname_ssim":["Lavigne, Mary"],"creators_ssim":["Lavigne, Mary"],"places_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated in 2019 by Mary Lavigne."],"access_subjects_ssim":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"access_subjects_ssm":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 boxes"],"extent_tesim":["2 Linear Feet 4 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by show title and then chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by show title and then chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.\u003c/p\u003e\n","\u003cp\u003eHiggins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html."],"bioghist_html_tesm":["\u003cp\u003eDating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"\u003c/p\u003e\n","\u003cp\u003eSeeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers."],"prefercite_html_tesm":["\u003cp\u003eMary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Mary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0015\"\u003eVirginia Nelson playbills collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e"],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Graham, Martha","Marceau, Marcel"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"language_ssim":["English \n,        German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c69"}},{"id":"vifgm_repositories_2_resources_691_c72","type":"File","attributes":{"title":"The Most Happy Fella , Imperial Theatre","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c72#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003cspan\u003ePlaybill\u003c/span\u003e. Book, music, and lyrics by Frank Loesser. Removed from binder 2 of 2. Includes cast change note insert.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c72#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_691_c72","ref_ssm":["vifgm_repositories_2_resources_691_c72"],"id":"vifgm_repositories_2_resources_691_c72","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","parent_ssi":"vifgm_repositories_2_resources_691","parent_ssim":["vifgm_repositories_2_resources_691"],"parent_ids_ssim":["vifgm_repositories_2_resources_691"],"parent_unittitles_ssm":["Mary Lavigne programs collection"],"parent_unittitles_tesim":["Mary Lavigne programs collection"],"text":["Mary Lavigne programs collection","The Most Happy Fella , Imperial Theatre","box 2","folder 20","Playbill . Book, music, and lyrics by Frank Loesser. Removed from binder 2 of 2. Includes cast change note insert."],"title_filing_ssi":"The Most Happy Fella , Imperial Theatre","title_ssm":["The Most Happy Fella , Imperial Theatre"],"title_tesim":["The Most Happy Fella , Imperial Theatre"],"unitdate_other_ssim":["August 1956"],"normalized_date_ssm":["1956"],"normalized_title_ssm":["The Most Happy Fella , Imperial Theatre"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Mary Lavigne programs collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":72,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1956],"containers_ssim":["box 2","folder 20"],"scopecontent_html_tesm":["\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Book, music, and lyrics by Frank Loesser. Removed from binder 2 of 2. Includes cast change note insert.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Playbill . Book, music, and lyrics by Frank Loesser. Removed from binder 2 of 2. Includes cast change note insert."],"_nest_path_":"/components#71","timestamp":"2026-05-01T00:32:33.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_691","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_691.xml","title_ssm":["Mary Lavigne programs collection"],"title_tesim":["Mary Lavigne programs collection"],"unitdate_ssm":["1950s-1980s"],"unitdate_inclusive_ssm":["1950s-1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0417","/repositories/2/resources/691"],"text":["C0417","/repositories/2/resources/691","Mary Lavigne programs collection","Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)","Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions","There are no access restrictions.","This collection is arranged alphabetically by show title and then chronologically.","\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.","Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.","Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.","The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection .","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel","English \n,        German \n.    "],"unitid_tesim":["C0417","/repositories/2/resources/691"],"normalized_title_ssm":["Mary Lavigne programs collection"],"collection_title_tesim":["Mary Lavigne programs collection"],"collection_ssim":["Mary Lavigne programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"geogname_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"creator_ssm":["Lavigne, Mary"],"creator_ssim":["Lavigne, Mary"],"creator_persname_ssim":["Lavigne, Mary"],"creators_ssim":["Lavigne, Mary"],"places_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated in 2019 by Mary Lavigne."],"access_subjects_ssim":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"access_subjects_ssm":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 boxes"],"extent_tesim":["2 Linear Feet 4 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by show title and then chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by show title and then chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.\u003c/p\u003e\n","\u003cp\u003eHiggins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html."],"bioghist_html_tesm":["\u003cp\u003eDating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"\u003c/p\u003e\n","\u003cp\u003eSeeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers."],"prefercite_html_tesm":["\u003cp\u003eMary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Mary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0015\"\u003eVirginia Nelson playbills collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e"],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Graham, Martha","Marceau, Marcel"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"language_ssim":["English \n,        German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c72"}},{"id":"vifgm_repositories_2_resources_691_c93","type":"File","attributes":{"title":"The Pajama Game , St. James Theatre","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c93#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003cspan\u003ePlaybill\u003c/span\u003e. Book by George Abbott and Richard Bissell, music and lyrics by Richard Adler, and Jerry Ross. Removed from binder 2 of 2.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c93#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_691_c93","ref_ssm":["vifgm_repositories_2_resources_691_c93"],"id":"vifgm_repositories_2_resources_691_c93","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","parent_ssi":"vifgm_repositories_2_resources_691","parent_ssim":["vifgm_repositories_2_resources_691"],"parent_ids_ssim":["vifgm_repositories_2_resources_691"],"parent_unittitles_ssm":["Mary Lavigne programs collection"],"parent_unittitles_tesim":["Mary Lavigne programs collection"],"text":["Mary Lavigne programs collection","The Pajama Game , St. James Theatre","box 3","folder 1","Playbill . Book by George Abbott and Richard Bissell, music and lyrics by Richard Adler, and Jerry Ross. Removed from binder 2 of 2."],"title_filing_ssi":"The Pajama Game , St. James Theatre","title_ssm":["The Pajama Game , St. James Theatre"],"title_tesim":["The Pajama Game , St. James Theatre"],"unitdate_other_ssim":["November 1954"],"normalized_date_ssm":["1954"],"normalized_title_ssm":["The Pajama Game , St. James Theatre"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Mary Lavigne programs collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":93,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1954],"containers_ssim":["box 3","folder 1"],"scopecontent_html_tesm":["\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Book by George Abbott and Richard Bissell, music and lyrics by Richard Adler, and Jerry Ross. Removed from binder 2 of 2.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Playbill . Book by George Abbott and Richard Bissell, music and lyrics by Richard Adler, and Jerry Ross. Removed from binder 2 of 2."],"_nest_path_":"/components#92","timestamp":"2026-05-01T00:32:33.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_691","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_691.xml","title_ssm":["Mary Lavigne programs collection"],"title_tesim":["Mary Lavigne programs collection"],"unitdate_ssm":["1950s-1980s"],"unitdate_inclusive_ssm":["1950s-1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0417","/repositories/2/resources/691"],"text":["C0417","/repositories/2/resources/691","Mary Lavigne programs collection","Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)","Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions","There are no access restrictions.","This collection is arranged alphabetically by show title and then chronologically.","\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.","Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.","Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.","The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection .","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel","English \n,        German \n.    "],"unitid_tesim":["C0417","/repositories/2/resources/691"],"normalized_title_ssm":["Mary Lavigne programs collection"],"collection_title_tesim":["Mary Lavigne programs collection"],"collection_ssim":["Mary Lavigne programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"geogname_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"creator_ssm":["Lavigne, Mary"],"creator_ssim":["Lavigne, Mary"],"creator_persname_ssim":["Lavigne, Mary"],"creators_ssim":["Lavigne, Mary"],"places_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated in 2019 by Mary Lavigne."],"access_subjects_ssim":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"access_subjects_ssm":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 boxes"],"extent_tesim":["2 Linear Feet 4 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by show title and then chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by show title and then chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.\u003c/p\u003e\n","\u003cp\u003eHiggins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html."],"bioghist_html_tesm":["\u003cp\u003eDating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"\u003c/p\u003e\n","\u003cp\u003eSeeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers."],"prefercite_html_tesm":["\u003cp\u003eMary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Mary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0015\"\u003eVirginia Nelson playbills collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e"],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Graham, Martha","Marceau, Marcel"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"language_ssim":["English \n,        German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c93"}},{"id":"vifgm_repositories_2_resources_691_c94","type":"File","attributes":{"title":"The Petrified Forest , The Virginia Museum Theatre","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c94#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eWritten by Robert E. Sherwood\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c94#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_691_c94","ref_ssm":["vifgm_repositories_2_resources_691_c94"],"id":"vifgm_repositories_2_resources_691_c94","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","parent_ssi":"vifgm_repositories_2_resources_691","parent_ssim":["vifgm_repositories_2_resources_691"],"parent_ids_ssim":["vifgm_repositories_2_resources_691"],"parent_unittitles_ssm":["Mary Lavigne programs collection"],"parent_unittitles_tesim":["Mary Lavigne programs collection"],"text":["Mary Lavigne programs collection","The Petrified Forest , The Virginia Museum Theatre","box 3","folder 2","Written by Robert E. Sherwood"],"title_filing_ssi":"The Petrified Forest , The Virginia Museum Theatre","title_ssm":["The Petrified Forest , The Virginia Museum Theatre"],"title_tesim":["The Petrified Forest , The Virginia Museum Theatre"],"unitdate_inclusive_ssm":["April 23-28, 1956"],"normalized_date_ssm":["1956"],"normalized_title_ssm":["The Petrified Forest , The Virginia Museum Theatre"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Mary Lavigne programs collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":94,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1956],"containers_ssim":["box 3","folder 2"],"scopecontent_html_tesm":["\u003cp\u003eWritten by Robert E. Sherwood\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Written by Robert E. Sherwood"],"_nest_path_":"/components#93","timestamp":"2026-05-01T00:32:33.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_691","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_691.xml","title_ssm":["Mary Lavigne programs collection"],"title_tesim":["Mary Lavigne programs collection"],"unitdate_ssm":["1950s-1980s"],"unitdate_inclusive_ssm":["1950s-1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0417","/repositories/2/resources/691"],"text":["C0417","/repositories/2/resources/691","Mary Lavigne programs collection","Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)","Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions","There are no access restrictions.","This collection is arranged alphabetically by show title and then chronologically.","\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.","Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.","Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.","The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection .","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel","English \n,        German \n.    "],"unitid_tesim":["C0417","/repositories/2/resources/691"],"normalized_title_ssm":["Mary Lavigne programs collection"],"collection_title_tesim":["Mary Lavigne programs collection"],"collection_ssim":["Mary Lavigne programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"geogname_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"creator_ssm":["Lavigne, Mary"],"creator_ssim":["Lavigne, Mary"],"creator_persname_ssim":["Lavigne, Mary"],"creators_ssim":["Lavigne, Mary"],"places_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated in 2019 by Mary Lavigne."],"access_subjects_ssim":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"access_subjects_ssm":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 boxes"],"extent_tesim":["2 Linear Feet 4 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by show title and then chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by show title and then chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.\u003c/p\u003e\n","\u003cp\u003eHiggins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html."],"bioghist_html_tesm":["\u003cp\u003eDating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"\u003c/p\u003e\n","\u003cp\u003eSeeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers."],"prefercite_html_tesm":["\u003cp\u003eMary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Mary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0015\"\u003eVirginia Nelson playbills collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e"],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Graham, Martha","Marceau, Marcel"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"language_ssim":["English \n,        German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c94"}},{"id":"vifgm_repositories_2_resources_691_c95","type":"File","attributes":{"title":"The Philadelphia Orchestra, Civic Musical Association of Richmond","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c95#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003cspan\u003eMusical Celebrities: The Concert Magazine\u003c/span\u003e, Vol. V, No. 4. Eugene Ormandy, Music Director-Conductor.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c95#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_691_c95","ref_ssm":["vifgm_repositories_2_resources_691_c95"],"id":"vifgm_repositories_2_resources_691_c95","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","parent_ssi":"vifgm_repositories_2_resources_691","parent_ssim":["vifgm_repositories_2_resources_691"],"parent_ids_ssim":["vifgm_repositories_2_resources_691"],"parent_unittitles_ssm":["Mary Lavigne programs collection"],"parent_unittitles_tesim":["Mary Lavigne programs collection"],"text":["Mary Lavigne programs collection","The Philadelphia Orchestra, Civic Musical Association of Richmond","box 3","folder 3","Musical Celebrities: The Concert Magazine , Vol. V, No. 4. Eugene Ormandy, Music Director-Conductor."],"title_filing_ssi":"The Philadelphia Orchestra, Civic Musical Association of Richmond","title_ssm":["The Philadelphia Orchestra, Civic Musical Association of Richmond"],"title_tesim":["The Philadelphia Orchestra, Civic Musical Association of Richmond"],"unitdate_other_ssim":["November 19, 1951"],"normalized_date_ssm":["1951"],"normalized_title_ssm":["The Philadelphia Orchestra, Civic Musical Association of Richmond"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Mary Lavigne programs collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":95,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1951],"containers_ssim":["box 3","folder 3"],"scopecontent_html_tesm":["\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. V, No. 4. Eugene Ormandy, Music Director-Conductor.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Musical Celebrities: The Concert Magazine , Vol. V, No. 4. Eugene Ormandy, Music Director-Conductor."],"_nest_path_":"/components#94","timestamp":"2026-05-01T00:32:33.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_691","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_691.xml","title_ssm":["Mary Lavigne programs collection"],"title_tesim":["Mary Lavigne programs collection"],"unitdate_ssm":["1950s-1980s"],"unitdate_inclusive_ssm":["1950s-1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0417","/repositories/2/resources/691"],"text":["C0417","/repositories/2/resources/691","Mary Lavigne programs collection","Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)","Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions","There are no access restrictions.","This collection is arranged alphabetically by show title and then chronologically.","\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.","Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.","Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.","The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection .","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel","English \n,        German \n.    "],"unitid_tesim":["C0417","/repositories/2/resources/691"],"normalized_title_ssm":["Mary Lavigne programs collection"],"collection_title_tesim":["Mary Lavigne programs collection"],"collection_ssim":["Mary Lavigne programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"geogname_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"creator_ssm":["Lavigne, Mary"],"creator_ssim":["Lavigne, Mary"],"creator_persname_ssim":["Lavigne, Mary"],"creators_ssim":["Lavigne, Mary"],"places_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated in 2019 by Mary Lavigne."],"access_subjects_ssim":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"access_subjects_ssm":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 boxes"],"extent_tesim":["2 Linear Feet 4 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by show title and then chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by show title and then chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.\u003c/p\u003e\n","\u003cp\u003eHiggins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html."],"bioghist_html_tesm":["\u003cp\u003eDating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"\u003c/p\u003e\n","\u003cp\u003eSeeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers."],"prefercite_html_tesm":["\u003cp\u003eMary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Mary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0015\"\u003eVirginia Nelson playbills collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e"],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Graham, Martha","Marceau, Marcel"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"language_ssim":["English \n,        German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691_c95"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":132},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Mary Lavigne programs collection","value":"Mary Lavigne programs collection","hits":132},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1951","value":"1951","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bdate_range%5D%5B%5D=1951\u0026view=compact"}},{"attributes":{"label":"1952","value":"1952","hits":7},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bdate_range%5D%5B%5D=1952\u0026view=compact"}},{"attributes":{"label":"1953","value":"1953","hits":6},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bdate_range%5D%5B%5D=1953\u0026view=compact"}},{"attributes":{"label":"1954","value":"1954","hits":9},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bdate_range%5D%5B%5D=1954\u0026view=compact"}},{"attributes":{"label":"1955","value":"1955","hits":22},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bdate_range%5D%5B%5D=1955\u0026view=compact"}},{"attributes":{"label":"1956","value":"1956","hits":28},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bdate_range%5D%5B%5D=1956\u0026view=compact"}},{"attributes":{"label":"1957","value":"1957","hits":22},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bdate_range%5D%5B%5D=1957\u0026view=compact"}},{"attributes":{"label":"1958","value":"1958","hits":28},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bdate_range%5D%5B%5D=1958\u0026view=compact"}},{"attributes":{"label":"1960","value":"1960","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bdate_range%5D%5B%5D=1960\u0026view=compact"}},{"attributes":{"label":"1961","value":"1961","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bdate_range%5D%5B%5D=1961\u0026view=compact"}},{"attributes":{"label":"1966","value":"1966","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bdate_range%5D%5B%5D=1966\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/date_range_isim.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Lavigne, Mary","value":"Lavigne, Mary","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bcreators%5D%5B%5D=Lavigne%2C+Mary\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/creator_ssim.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Carnegie Hall (New York, N.Y.)","value":"Carnegie Hall (New York, N.Y.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bnames%5D%5B%5D=Carnegie+Hall+%28New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"City Center of Music and Drama (New York, N. Y.)","value":"City Center of Music and Drama (New York, N. Y.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bnames%5D%5B%5D=City+Center+of+Music+and+Drama+%28New+York%2C+N.+Y.%29\u0026view=compact"}},{"attributes":{"label":"George Mason University. Libraries. Special Collections Research Center","value":"George Mason University. Libraries. Special Collections Research Center","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bnames%5D%5B%5D=George+Mason+University.+Libraries.+Special+Collections+Research+Center\u0026view=compact"}},{"attributes":{"label":"Graham, Martha","value":"Graham, Martha","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bnames%5D%5B%5D=Graham%2C+Martha\u0026view=compact"}},{"attributes":{"label":"John F. Kennedy Center for the Performing Arts (U.S.)","value":"John F. Kennedy Center for the Performing Arts (U.S.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bnames%5D%5B%5D=John+F.+Kennedy+Center+for+the+Performing+Arts+%28U.S.%29\u0026view=compact"}},{"attributes":{"label":"Kongelige Danske ballet","value":"Kongelige Danske ballet","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bnames%5D%5B%5D=Kongelige+Danske+ballet\u0026view=compact"}},{"attributes":{"label":"Lavigne, Mary","value":"Lavigne, Mary","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bnames%5D%5B%5D=Lavigne%2C+Mary\u0026view=compact"}},{"attributes":{"label":"London Festival Ballet","value":"London Festival Ballet","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bnames%5D%5B%5D=London+Festival+Ballet\u0026view=compact"}},{"attributes":{"label":"Marceau, Marcel","value":"Marceau, Marcel","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bnames%5D%5B%5D=Marceau%2C+Marcel\u0026view=compact"}},{"attributes":{"label":"Metropolitan Opera (New York, N.Y.)","value":"Metropolitan Opera (New York, N.Y.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bnames%5D%5B%5D=Metropolitan+Opera+%28New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"National Gallery of Art (U.S.)","value":"National Gallery of Art (U.S.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bnames%5D%5B%5D=National+Gallery+of+Art+%28U.S.%29\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/names_ssim.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Berlin (Germany)","value":"Berlin (Germany)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bplaces%5D%5B%5D=Berlin+%28Germany%29\u0026view=compact"}},{"attributes":{"label":"Broadway (New York, N.Y.)","value":"Broadway (New York, N.Y.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bplaces%5D%5B%5D=Broadway+%28New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"London (England)","value":"London (England)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bplaces%5D%5B%5D=London+%28England%29\u0026view=compact"}},{"attributes":{"label":"Richmond (Va.)","value":"Richmond (Va.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Bplaces%5D%5B%5D=Richmond+%28Va.%29\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Art","value":"Art","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"attributes":{"label":"Art -- Exhibitions","value":"Art -- Exhibitions","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art+--+Exhibitions\u0026f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"attributes":{"label":"Ballet","value":"Ballet","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Ballet\u0026f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"attributes":{"label":"Dance","value":"Dance","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Dance\u0026f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"attributes":{"label":"Musical Theater","value":"Musical Theater","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Musical+Theater\u0026f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"attributes":{"label":"Musical Theater -- New York (State) -- New York","value":"Musical Theater -- New York (State) -- New York","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Musical+Theater+--+New+York+%28State%29+--+New+York\u0026f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"attributes":{"label":"Opera","value":"Opera","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Opera\u0026f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"attributes":{"label":"Performing arts","value":"Performing arts","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Performing+arts\u0026f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"attributes":{"label":"Theater","value":"Theater","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater\u0026f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"attributes":{"label":"Theater -- New York (State) -- New York","value":"Theater -- New York (State) -- New York","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+--+New+York+%28State%29+--+New+York\u0026f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"attributes":{"label":"Theater -- Washington (D.C.)","value":"Theater -- Washington (D.C.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+--+Washington+%28D.C.%29\u0026f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=compact"}},{"attributes":{"label":"File","value":"File","hits":131},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/level_ssim.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026view=compact"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=11\u0026search_field=all_fields\u0026view=compact"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=11\u0026search_field=keyword\u0026view=compact"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=11\u0026search_field=name\u0026view=compact"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=11\u0026search_field=place\u0026view=compact"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=11\u0026search_field=subject\u0026view=compact"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=11\u0026search_field=title\u0026view=compact"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=11\u0026search_field=container\u0026view=compact"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=11\u0026search_field=identifier\u0026view=compact"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=11\u0026sort=score+desc%2C+title_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=11\u0026sort=date_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=11\u0026sort=date_sort+desc\u0026view=compact"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=11\u0026sort=creator_sort+asc\u0026view=compact"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=11\u0026sort=creator_sort+desc\u0026view=compact"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=11\u0026sort=title_sort+asc\u0026view=compact"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Mary+Lavigne+programs+collection\u0026page=11\u0026sort=title_sort+desc\u0026view=compact"}}]}